Search "the+soul+session+one" 473 Items

Bloom White & Pink Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

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An infectious and soulful masterpiece from one of the standard bearers of erotic-exotic film music, Augusto Martelli’s previously unreleased soundtrack to Piero Vivarelli’s 1979 semi-fictional flick features trippy beach vibes and funky dance-floor bangers. This is the perfect album to refresh your groove and wash off the doldrums of normal everyday music.

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Rüfüs Du Sol

2LP | 2021 | UK | Original (Sweat It Out)

31,99 €*

Lounge At The Edge Of Town

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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LTD Edition 2 x LP Pink & White, half & half vinyl version of Australian trio Rüfüs Du Sol's incredible sophomore album 'Bloom'. Featuring the singles 'You Were Right' and 'Like An Animal!' it's a journey through richly layered synths behind driving beats, atmospheric build ups and killer breakdowns - all married together with Tyrone Lindqvist's soulful vocals. From the heartfelt epic that is 'Innerbloom', to the uplifting melody of 'Say A Prayer For Me', 'Bloom' will have Rüfüs Du Sol fans falling in love all over again.

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Lounge At The Edge Of Town Curacao Record Store Day 2021 Edition

LP | 2021 (The Complete Atomic)

15,94 €* 28,99 € -45%

2LP | 2021 | EU | Original (Darkroom / Interscope)

Release: 2021

Genre: Pop

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Record Store Day 2021 Release.

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Billie Eilish

Happier Than Ever

CD | 2021 | EU | Original (Darkroom / Interscope)

Release: 2021 / EU – Original

Genre: Pop

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Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'

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Billie Eilish

Happier Than Ever

17,99 €*

Blackest Blue Limited Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

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Billie Eilish has revealed details on her highly anticipated sophomore album. The 16-track studio album, titled Happier Than Ever, will be released via Darkroom/Interscope Records on July, 30 Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'

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Morcheeba

LP | 2021 | EU | Original (Fly Agaric)

2LP | 2021 | EU | Original (Urban)

Release: 2021 / EU – Original

Genre: Pop

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Pioneers of the British music scene, ‘Blackest Blue’ will be the band's 10th studio album in a discography that spans three decades. 2020 saw Morcheeba unable to tour or perform live, which gave Skye Edwards & Ross Godfrey “time to write songs and really get to hone them,” as Godfrey puts it. “There weren’t so many pressures so we could really take our time getting the songs right,” adds Edwards. The result of this time is a refined 10 track album that fuses previous incarnations and sound of the band - such as downbeat, chill, electro-pop & soul - into one cohesive record that dives deep into the soul of the band’s genre-mashing musical heritage. As usual, the band didn’t approach the album with any pre-conceptions, and instead created an organic journey that represents everything great about Morcheeba. Edwards’ lyrics are primarily focused on positivity and overcoming personal adversity that lies within. ‘Sounds Of Blue’, is a stunning cut that puts Skye Edward's sultry vocals to the forefront, floating high above an ethereal backdrop. The album includes features with Duke Garwood (known for his work with Mark Lanegan, amongst others) and Brad Barr (The Slip, The Barr Brothers). “ Morcheeba’s global reach is impressive, taking them to every corner of the world. Their signature chilled electronic/organic sound has been border-hopping ever since the London-based band emerged as a household name. The past year has been one of introspection for the duo, as they take stock of their renewed global fan base and look forward to being able to play the new album live in the not too distant future. “This was the first time since I was a teenager that I’d spent a year off the road and I enjoyed the tranquillity, although I missed playing my guitar in far off lands,” says Godfrey.

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Cro

trip

40,99 €*

Release: 2021 / EU – Original

Genre: Hip Hop, Pop

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Orchestral Manoeuvres In The Dark

Liberator

LP | 2021 | EU | Reissue (Virgin)

Release: 2021 / EU – Reissue

Genre: Pop

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Orchestral Manoeuvres In The Dark

Universal

LP | 2021 | EU | Reissue (Virgin)

Release: 2021 / EU – Reissue

Genre: Pop

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LP | 2021 | EU | Original (Kscope)

Trifecta

Fragments

27,99 €*

LP | 2021 | EU | Original (Fun In The Church)

Release: 2021 / EU – Original

Genre: Pop

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Trifecta, a new addition to the Kscope roster, features 3 of the contemporary music scene’s most lauded and revered musicians – bassist and songwriter Nick Beggs, keyboardist extraordinaire Adam Holzman and completing the line-up, Craig Blundell – one of the world’s most celebrated drummers.

Having performed together as part of Steven Wilson’s band, the three would jam together after soundchecks, forming what they referred to as “jazz club” and from these sessions the fledgling ideas for Fragments were born, Nick Beggs comments “after the last tour with Steven finished, we had a handful of tracks ready to work on and as we moved through our various separate projects we agreed to work on Trifecta.”

The record primarily leans toward a fusion of jazz rock, being instrumental except for the first single, the wonderfully titled “Pavlov’s Dog Killed Schrodinger’s Cat”. The lyrics of which, Beggs states “are written from the perspective of a layman trying to understand quantum mechanics…and failing”

Each band member completed the recording and engineering of their own contributions in their various home studios which helped in bringing their individual production ideas to each track. Adam Holzman mixed the record at his New York home studio and the mastering was handled by Andy VanDette (Rush, David Bowie, Deep Purple, Porcupine Tree, Beastie Boys) in New York.

Asked what fans of the musicians can expect from Trifecta he states “Fission! It’s like Fusion but less efficient and more dangerous.”

The debut album resulting from this “fission” of these extraordinary musicians is entitled Fragments and will be released on Kscope on 20th August 2021.

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Wolfgang Perez

Who Cares Who Cares

Release: 2021 / EU – Original

Genre: Pop

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Stand For Myself (Prod. By Dan Auerbach)

Yola

LP | 2021 | UK | Original (Easy Eye Sound)

K Bay Black Vinyl Edition

Release: 2021 / UK – Original

Genre: Pop

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Stand for Myself is the anthemic new album from Yola. Produced by Dan Auerbach, the record is a timeless masterpiece marking an idiosyncratic sonic shift, which will defy all expectation. A sophisticated and diverse sonic mix of symphonic soul and classic pop, tracing an expansive musical thread to Yola’s most eclectic musical inspirations. Yola’s inimitable vocals share nuanced stories of allyship, black feminine strength through vulnerability, collective awakening and loving connection from the sexual to the social. Yola declares that it is only when we stand for ourselves, and acknowledge our complexity, that we can be truly alive. For Yola, living is more than merely surviving.

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Matthew E. White

2LP | 2021 | UK | Original (Domino)

Release: 2021 / UK – Original

Genre: Pop

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Local Valley Black Vinyl Edition

Jose Gonzalez

LP | 2021 | EU | Original (City Slang)

Local Valley Green Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Recorded at Studio Koltrast Hakefjorden, which González set up in his family’s summer house north of Gothenburg, Local Valley “is similar to my other solo albums in sound and spirit,” he says, “a natural continuation of the styles I’ve been adding through the years both solo and with Junip. I set out to write songs in the same vein as my old ones: short, melodic and rhythmical, a mixture of classic folk singer songwriting and songs with influences from Latin America and Africa. It’s more outward looking than my earlier works, but no less personal. On the contrary, I feel more comfortable than ever saying that this album reflects me and my thoughts right now.”

On Local Valley – which follows the 2015 release of González’s acclaimed Vestiges & Claws – he sings in three languages (English, Spanish and Swedish) and it provides a welcome reminder of the Gothenburg, Sweden-based artist’s understated appeal and singular ability to communicate discreetly.

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Jose Gonzalez

LP | 2021 | EU | Original (City Slang)

LP | 2021 | EU | Original (Arjunamusic)

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Dark Star Safari

Walk Through Lightly

LP | 2021 | EU | Original (On The Corner)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Dark Star Safari is a musical entity comprised of Jan Bang, Erik Honoré, Eivind Aarset, Samuel Rohrer and John Derek Bishop. Their second fulllength offering Walk Through Lightly is the first to feature all five musicians together in the studio from the outset, making for a more organic refinement upon their already established methodology: gradually sculpting distinct songs out of collective improvisations, or using the raw material from initial recordings as the basis for more carefully articulated compositions. The final mix is one that invites few stylistic comparisons to other musical peers, and in fact few comparisons to existing genres. Though this second offering from the project is frosted over with a Scandinavian sense of spatiality and melancholy, it’s best listened to without considering any origin points, geographic or otherwise: from the opening moments of “Walk Through Lightly,” listeners will feel as if teleported directly into the middle of an enigmatic film-in-progress. The album opener immediately and successfully sets the table for what is to follow. The electronic and acoustic instrumentation is pensive, but not passive, with restrained scrapes and stridulations in the background combining with backwards-looped passages and perlescent or granulated sound effects to better emphasize the carefully arranged latticework of guitar, percussion, strings, and bass.

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Uffe

Words And Endings

LP | 2021 | US | Original (Tompkins Square)

Release: 2021 / EU – Original

Genre: Pop

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Danish producer Uffe presents his innovative third LP Words and Endings, which further explores the boundaries between post-punk, dub, UK bass hybrids, and spiritual and free jazz. His first full-lengthouting on genre-breaking London imprint On the Corner, Uffe utilises the techniques that have long fueled his reputation as a purveyor of offbeat sonic fusions and delivers a diverse trip that leans into unusual territory with thrilling and unpredictable results.

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Elsa Hewitt

Lupa

Wallpaper For The Soul Marbled Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Elsa Hewitt is a London-based music producer and writer hailing from Sussex, via Yorkshire. Beginning as a young singer-songwriter producing demos on a four-track, she progressed through fronting post-punk bands and solo electronic songwriting, all the while developing a passion for album-making which would ultimately lead her to electronic production, establishing her name producing avant-garde, experimental & ambient, leftfield dance, and lo-fi, psychedelia. Since her 2017 official debut ‘Cameras From Mars’, stepping onto the scene as a Future Bubbler and Lynsey de Paul Prize winner, Hewitt has amassed a series of distinct yet interlinked philosophical worlds; each one holding its own tones of joyful beauty and abstract darkness. With a boundless approach to merging elements of dance & ambient, Hewitt’s adventurous approach remains pinned by her earthy voice, idiosyncratic songwriting style and sharply poetic lyricism.

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Tahiti 80

2LP | 2021 | EU | Original (Human Sounds)

2LP | 2021 | EU | Original (Moabit Musik)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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After the worldwide success of their first album Puzzle (1999), which sold over 200,000 copies and went gold in Japan, Xavier Boyer (vocals, guitars), Pedro Resende (bass), Médéric Gontier (guitars) & Sylvain Marchand (drums) reunited with producer Andy Chase to record the follow-up, Wallpaper for the Soul, in New York City. Starting in November 2001 at Stratosphere Sound, the prolific sessions gave birth to twenty tracks, twelve of which appeared on the original tracklist. The eight outtakes were compiled on the mini albums A Piece of Sunshine (2003) & Extra Pieces of Sunshine (2004). This new vinyl edition will be the first time all these songs appear together. Almost 20 years on, Wfts is a tour de force of contemporary songwriting with obvious nods to the past somehow revisited in a timeless fashion. Tahiti 80’s second effort can also be seen as an alternative and more sophisticated snapshot of an era often associated with the rebirth of rock (The White Stripes, The Strokes…). This set of songs also established them as stalwarts of the Post French Touch cannon, showcasing both their ability to write catchy songs and their knack for mélanges & experimentation. 1,000 Times or The Train are unique examples of blue-eyed soul augmented with French flair (« Prefab Sprout as produced by Thomas Bangalter » suggested Uncut which listed Wfts in their Top Ten’s albums of 2003). Listen to Don’t Look Below today, and ask yourself who was mixing Destiny’s Child with My Bloody Valentine in 2001? Delicate numbers like Open Book or live favorite Better Days Will Come both demonstrate T80’s songwriting skills and their innate sense of melancholia. Listening back to Wfts today, one cannot help but think of it as an album recorded in a state-of-the-art fashion. All four members would typically perform together in the same room. Basic takes were printed on a 24-track analog tape machine and then bounced onto a computer for editing. A fine example of this method is the title track itself. Originally written on acoustic guitar, Wallpaper … is the result of three eight minutes synthesizer jams pieced together. The Frenchmen were keen to try out multitude of ideas and had developed a taste for experimentation. The sessions also coincide with a rich outburst of creativity from a band on top of their game after several months of touring around the world. Another typical Wfts characteristic is Richard Hewson’s orchestration. Veteran string arranger, famous for arranging The Beatles’ The Long And Winding Road or writing RAH Band’s ‘80s classic Clouds Across The Moon Hewson gave the songs a sweeping orchestral touch. Strings, Horns & woodwinds were all performed at the now defunct Olympic Studios in London. Urban Soul Orchestra, a 24-piece ensemble who played on Oasis’ or Spice Girls’ hits can be heard on five songs: the opening trilogy Wallpaper…, 1,000 Times and The Other Side, then on the Northern Soul revival Soul Deep and lastly on the album’s closer Memories Of The Past. Rouen’s most famous four-piece, now relocated in a house on France’s North West Coast, in the quiet seaside town of Étretat, added more bells & whistles and resumed production on the songs. With one last transatlantic leap during the summer of 2002, the boys flew to Portland, Oregon to attend the mixing sessions held by sound wizard Tony Lash (Elliott Smith, The Dandy Warhols…). Suggested by Sub Pop’s craftsman Eric Matthews, also a guest on trumpet and keyboards, Lash would later become a major collaborator on Tahiti 80’s subsequent albums. In the meantime, Laurent Fétis, the designer behind Puzzle’s iconic artwork, had started working with artist Elisabeth Arkhipoff on a set of nostalgic photographs transfigured with a soft air-bush technique. Those visuals, like their predecessors, have since become an inseparable companion to Tahiti 80’s music. Many musical fashions and flavors of the month have come and gone, but twenty years after its release, Wfts still sounds fresh and relevant. And always forward-looking, Tahiti 80 is currently wrapping up the recording of their eighth album, to be released in early 2022.

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V.A.

M_sessions

48,99 €*

Saving My Love Feat. Little Dragon

Release: 2021 / EU – Original

Genre: Pop

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M_Sessions is offering a contemporary version of Mania D., Malaria and Matador’s music for the 40th anniversary plus the rare originals. Bringing the past into the now and into the future. Monika Werkstatt seemed the perfect choice for new interpretations. Founded in 2015, comprising female electronic musicians and producers from the entourage of Monika Enterprise and Moabit Musik. The loose collective played dozens of improvised concerts around Europe and released a studio album and live recordings in everchanging artist constellations. The M_Sessions involved Pilocka Krach, Beate Bartel, Midori Hirano, Mommo G, Lucrecia Dalt, Antye Greie-Ripatti, Natalie Beridze, Annika Henderson and myself. Here the form of interpretation is focussing on keeping the freedom of their improvised work and adapting it to the collective appropriation of songs. I cannot imagine a better reinterpretation of the material with its real life ups and downs and with its enthusiasm. The original core team of Beate Bartel, Bettina Köster, Manon P. Duursma and myself selected "Rare Originals" from the repertoire of the 3 bands where we saw special relevance and beauty - these tracks are on LP2. We rediscovered live tracks, living room recordings and demo versions from our times long gone. (G.Gut)

M_dokumente // THE Book - THE Records - THE Exhibition

The project M_Dokumente focuses on the All Female bands Mania D., Malaria! and Matador in the West Berlin music and art scene of the late 1970s and 1980s. We celebrate this 40 years retrospetive with a big festival weekend from 21.-24.10.2021 at Silent Green from a explicitly female perspective. The three bands around their members Beate Bartel, Bettina Köster and Gudrun Gut played concerts in different formations from 1979 on, released records and toured around the world. The self-determined appearance of the musicians was new, raised some eyebrows and was reflected both in the music and the lyrics, but also in their unique style and the genre-crossing approach of "more art in the music, more music in the art". To this day, the bands are considered visionary, they shaped a new image of women in pop culture and are pioneers and role models for the still important and necessary emancipatory movement in the music industry. Far beyond the borders of Berlin.

3Ms

The three, reunited: Malaria, Matador and Mania D, unter einem Dach, but gutted, replaced with electronic hearts, new beats, new beasts, the time has changed, yet the politics, the problems, the heartache remains the same. 2021 sees the anniversary of the 3 M’s and therewith the production of an album of songs, covering a selection of the bands’ finest output, this time assembled by a new set of feminist misfits; producers, fangirls, instrumentalists, under the strict guidance of original members Gudrun Gut and Beate Bartel. M-Sessions features: AGF, Lucrecia Dalt, Sonae, Midori Hirano, Islaja, Natalie Beridze, Pilocka Krach, Annika Henderson (Anika), Lupe, Gudrun Gut and Beate Bartel. Beginning in West Berlin, in 1979, with the inception of Mania D, spawning Malaria! and later Matador; in a time when music was essential to movement, to escape, to space, to the scene and to the rebellion of the people; three bands stood for trial and error, trial and terror, anti- conformity, and anti-consumerism, for girl power and sticking it to the man, and for just doing whatever the hell they wanted. The three, their existence slightly staggered, with different members, different grudges, different heartbreaks, different instrumental expressions, were joined by a string of barbed wire, piecing pigeon hearts, within the playground that was the desolate ex-capital, now again capital, Berlin; a place where artists and freaks could run free amongst the wrinklies and army dodgers; no microscopes, no rules, no property developers. (annika Henderson)

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&ME, Rampa, Adam Port

12" | 2021 | EU | Original (Keinemusik)

11,99 €*

LP | 2021 | US | Original (Lovitt)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Timing is just right for the fourth and final single off of the upcoming Keinemusik album. "Send Return" will be the second full length, &ME, Adam Port and Rampa laid down together in liaison with an illustrious cast of feature guests. On "Saving My Love" they teamed up with one of Sweden's finest - Little Dragon. That breezy beat in conjunction with an overly catchy synth lead and Yukumi Nagano's harmonic vocals make a R'n'B-tinged Pop-jewel of the everlasting kind.

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Soley

Mother Melancholia

LP | 2021 | EU | Original (De W.E.R.F.)

Release: 2021 / US – Original

Genre: Pop

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Known for her delicate compositions, soaked in dream-like surrealism, Icelandic musician Sóley has attracted a huge following since launching her solo career back in 2010. Her 2012 single ‘Pretty Face’ went on to generate an enormous amount of buzz, and quickly became a viral sensation. Now, with three solo LPs under her belt, Sóley is preparing to debut a completely new sound via the release of her new concept album, Mother Melancholia, on October 22nd.

Described by the artist as "Nosferatu meets Thelma and Louise in a vampire church under the watchful eye of David Lynch", Mother Melancholia is the soundtrack to the end of the world as we know it. As a self-confessed news addict, Sóley became obsessed with the idea that the world is ending. Having surrounded herself with real-life stories of global warming and patriarchal politics she couldn’t shake the feeling that she was going to die. This feeling was so all encompassing that it sparked the idea for a new project. Could there be a soundtrack for the last days of humans on earth? How would that sound?

“I read books about possible dystopian worlds and started writing poems about irrational and in love characters who live in gray and cold imaginary loneliness. In each other’s burning arms. Walking in circles with no way out” she explains. “After all, the album reflects our life here and now. Our life and reality is a kind of dystopian world.”

Whilst writing the album, which serves as a tongue-in-cheek eulogy to our planet, Sóley began reading about ecofeminism, a branch of feminism which uses the concept of gender to analyse the relationship between humans and the natural world. Ecofeminism emphasizes that both women and nature must be respected but also separated. Since the beginning of time, the natural world has been synonymous with female identity, phrases like Mother Nature are commonplace. “The patriarchy views women as volatile and hysterical. Earth and women are either our saviours or our destroyers,” explains Sóley. “It’s so easy to abuse the earth, like the patriarchy has abused women since the dawn of time, then ask for forgiveness afterwards and promise they´ll never do it again”.

The new album sees Sóley move away from the indie-pop of her previous releases. She began by experimenting with writing songs on the accordion, allowing her a new sense of freedom in her writing. The process allowed her to broaden her horizons even further and experiment with a whole range of new and exciting sounds. “I bought myself a theremin as I was really excited about the unpitched sound and there is no perfect pitch during the end of days,” she laughs. “I also bought a mellotron, my first moog and a cello and taught myself how to play each of them. All of these new instruments are particularly suitable for the kinds of aesthetic inconveniences which I have learned to embrace.”

Album opener ‘Sunrise Skulls’, one of the most cinematic moments on the album, was inspired by the Me Too and SlutWalk movements and tells the story of a group of women who rise up and fight the patriarchy. ‘Blows Up’, a track that would be at home on any horror soundtrack, is a sarcastic love letter from the Earth to humans. Standout track ‘Desert’ is an incredibly moving song dedicated to the next generation. “It’s about the guilt you feel, as a mother, for having children and leaving them on the frontline. My daughter, for example, will take over this inevitable war” explains Sóley.

In true soundtrack style, the album flows through the end of the world in chronological order, closing with the Earth’s final moments. ‘Sundown’ is a dark piano ballad detailing human kind’s final day on Earth. “And everyday, I dig my own grave, and as I dive in you´ll hold my hand” she sings, over twinkling piano and swirling synths. We then hear the world end on ‘xxx’, a dark and swirling soundscape that swells before fading to silence. On ‘Elegía’ the silence then turns to the sound of the ocean, as we hear the Earth, like a woman finally free from a violent relationship, healing on her own.

Mother Melancholia is the mark of an artist confidently striding into more experimental territory. With a lengthy and successful career behind her, Sóley felt compelled to try something new and express the real her. The music might be shrouded in darkness but it’s a move that fills her with joy and freedom. “I hope that people not only enjoy the new sound, but also that Mother Melancholia might raise some questions in people, particularly women,” she says. “I’m under no illusions that this album will change the world but I hope that people can connect with the idea”.

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Suwi

French With Simona

LP | 2021 | EU | Original (Record Makers)

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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LP in printed innersleeve. Suwi is an instrumental trio emerging from the creative scene of Ghent (Belgium).Music for lovers of instrumental soul and artists such as Tommy Guerrero, Khruangbin, Menahan Street Band, ...

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Sebastien Tellier

Sessions

Wallpaper For The Soul Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

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Sébastien Tellier's "Sessions" album get pressed to vinyl for the first time.

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Tahiti 80

2LP | 2021 | EU | Original (Human Sounds)

Toi Et Moi Feat. Jenny And The Mexicats

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Vas-Y Sophie

LP | 2021 | EU (Gmo The Label)

10,99 €*

Release: 2021 / EU

Genre: Pop

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2LP | 2021 | EU | Original (Narada West)

Aufgang

Broad Ways

LP | 2021 | EU | Original (Infine / Cry Baby)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Aufgang is back with its 3rd album, “Broad Ways”, slated for release in November 2021

With this 3rd album, the franco-lebanese duo perpetuates its winning alchemy by drawing on the psychic and collective traumas of recent History at the crossroads between European and Middle Eastern cultures.

What more was there to prove for the Aufgang duo since their re-invention of US techno a few years ago through the means of organic instruments like piano + drums, and releases on Infiné & BlueNote/Decca ?

Maybe that they would from now on independently take onto themselves, the full conception and distribution of their body of work, supported by a collective of visual-arts creators, dancers, and emerging talent-incubators (Bi:Pole/Believe/ BigWax/Alter-K)...

“Broad Ways” could be translated as «in many ways» in the sense that there are many ways of seeing the world, and that everything is not binary and that on the contrary, our lives are shaped by the each other’s own paradigms...

In this clever mix of experimental techno, lyrical prowess and melodies in the Arab tradition, can one imagine a future that would solve the world’s current contradictions in a boiling magma so complex of which Edgar Morin would be proud... Following this unique trademark, this art of mixing influences and cultures, along the New York, Paris, Lebanon and now Sydney axis... how far will they go?

According to Pitchfork, Aufgang “blends piano, drums and electronic music with virtuosity, with one foot in the club and the other in the conservatory.”

Rami Khalifé, composer and pianist, transcends the classical heritage of his years studying at the Juilliard School in NYC and the Middle Eastern origins of his masterful family: his father Marcel Khalifé is a major composer and musician in the Arab world.

The drummer and producer Aymeric Westrich has an instinctive DIY approach and infuses his music with his knowledge of urban and electronic cultures, developed with Kery James, Cassius, Phoenix and more recently Lomepal.

Taking their inspiration from multiple artistic movements and currents, from the Disco of the mythical Larry Levan to the poetry of Oum Kalthoum, these two free electrons have created their sound between Paris, Beirut and New York, in reaction to the frenetic energy of big cities, as if in an effort to prevent this energy from corroding their freedom. It’s a unique experience born from the sublime diversity of these two masterful approaches.

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Léonie Pernet

Le Cirque De Consolation

2LP | 2021 | UK | Reissue (Forever Living Originals)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Léonie Pernet’s second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic. Textextext - (add your write up) The sought after whirlwind of French Pop that exploded onto the scene with her debut “Crave", Leonie Pernet, returns with her second album, “Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of “Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.

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Cleo Sol

Mother

48,99 €*

Storm Shelter Black Friday Record Store Day 2021 Edition

Release: 2021 / UK – Reissue

Genre: Pop

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Preorder shipping from 2024-12-13

Last chance, last repress.

Cleo Sol - Mother is the second studio album by British singer-songwriter Cleo Sol, released on August 20, 2021. The album is deeply personal, with themes centered around motherhood, family, healing, and self-discovery. As part of the Sault collective, Cleo Sol had already established herself as a key figure in the neo-soul and R&B world, but Mother showcases her vulnerability and emotional depth in a more intimate, reflective setting.

The album blends elements of soul, jazz, R&B, and folk, creating a serene, acoustic soundscape that complements its introspective lyrics. Mother features lush, soulful arrangements, with gentle strings, piano, and acoustic guitar forming the backbone of many tracks. The overall sound is calming and meditative, allowing Sol's vocals to take center stage.

Lyrically, the album reflects on Cleo Sol's experience with motherhood and the emotional changes it brings. She addresses themes of unconditional love, personal growth, and the challenges of raising a child while also navigating her own self-healing. Songs like "Don’t Let It Go to Your Head" and "We Need You" express a sense of nurturing and tenderness, while "Promises" speaks to the weight of responsibility and the desire to protect loved ones.

Key Tracks:
"Don’t Let It Go to Your Head" – A standout track that offers both encouragement and advice, encapsulating the nurturing spirit of the album.
"We Need You" – A deeply emotional song that explores themes of connection, support, and the importance of being present for those you love.
"Build Me Up" – A soulful ballad that speaks to vulnerability and the need for support and growth within a relationship.
Critical Reception: Mother received widespread acclaim for its emotional honesty and soothing production. Critics praised Cleo Sol for her vocal performance and the way she was able to capture the complexity of motherhood and personal transformation. The album’s stripped-down production was also commended for allowing her voice and storytelling to shine.

While Mother is a personal solo project, it is clear that Cleo Sol’s work with Sault influences its sound, especially in terms of the introspective lyricism and the use of minimalist, organic instrumentation. Producer Inflo, who has worked extensively with Sault, was also heavily involved in the production of Mother, contributing to its cohesive and intimate sound.

Overall, Mother is a deeply personal and emotionally rich album that solidifies Cleo Sol's place as a standout voice in contemporary soul and R&B

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Ben Watt

LP | 2021 | EU | Original

17,99 €*

LP | 2021 | EU | Original (Prophecy)

Release: 2021 / EU – Original

Genre: Pop

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Originally released earlier this year as stream and download, it is a stripped-back companion piece to Storm Damage; a 6-song piano-vocal set that features covers of Ten City’s That’s The Way Love Is and Sharon Van Etten’s Comeback Kid plus new versions of three songs from Storm Damage, and one from my 2016 album, Fever Dream.

All the songs were recorded in one day at RAK Studios in London a couple of months before the pandemic and are engineered and mixed by Bruno Ellingham.

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Deine Lakaien

Dual +

7" | 2021 | EU | Original (P-Vine)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Deine Lakaien, the legendary electronic avant-garde duo are an iconic German dark music act who have been popular for over three and a half decades! With their new full-length "Dual +", Deine Lakaien continue to ride the impressive creative wave their compelling previous double-album "Dual" caused. While "Dual" was strictly following a principle of cause and effect that juxtaposed one cover version on the first album with a new song that was inspired by it on the second record. "Dual +" keeps the basic formula, but comes across as more compact, multi-layered, and experimental, while also leaving more space for relaxed divergence. With their 11th studio album, "Dual +", classically-educated composer and pianist Ernst Horn and vocalist extraordinaire Alexander Veljanov are further exploring the musical vector that the duo had taken on "Dual" by playfully adapting some of their musical influences and making them their own, but always serious about the composition and respectful towards the original. By ostensibly showing the connection to their own creations and making a part of their artistic process transparent, Deine Lakaien also state that music does not grow out of thin air – as clearly as Beethoven could not have created his symphonies without the works of Bach before him. Founded in 1985, the German duo started as a purely electronic avant-garde dark wave project. Taking their name from a reference in the song 'Die genaue Zeit' by German experimentalists Einstürzende Neubauten, the band self-released "Deine Lakaien" in 1986, which spread by word of mouth and created an underground buzz. The debut set the duo clearly apart from electronic contemporaries such as Yazoo, Soft Cell, Eurythmics, and OMD by virtue of their singular dark sound. Deine Lakaien have created yet another marvellous piece of music with "Dual +". Their art comes with multiple layers and can be read in many different ways or simply be enjoyed as one amazing song after the other unfolds and the dividing lines between cover versions and original songs begin to blur until they are without meaning to the true beauty revealed.

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Way Wave

Wavy Girl / Dance Party

LP | 2021 | US | Original (Dais)

Release: 2021 / EU – Original

Genre: Pop

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Blurring the lines between idol and classic soul groups of the 60s and 70s, Way Wave are two sisters Yuna and Anna on a mission to bring soul and funk into a new era. This latest single follows two full-length albums, and this latest single may just be their grandest production of Memphis-leaning dancefloor-hitting anthems yet. As they link vocal harmonies with insticts that only sisters could know, the full backing band featuring trumpet and saxophone blast the spirit of soul into the airwaves on lead single "wavy Girl". The B side" Dance Party" keeps the energy flowing with its funk guitar rhythms and smooth vocal deliveries.

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Riki

Gold Black Vinyl Edition

2LP | 2021 | UK | Original (Rough Trade)

Release: 2021 / US – Original

Genre: Pop

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West coast new romantic icon Riki returns with her 2nd simulacrum of pitch-perfect synth-pop, aptly titled for the precious substance it is: Gold. Inspired by notions of symbolic power, letting go, and transmutable realms of the heart, the album further refines her rare gift for making swooning melancholia as anthemic as it atmospheric. Working with Telefon Tel Aviv co-founder Josh Eustis at his Pasadena studio, the sessions unfolded fluidly and fruitfully, focusing on "quieter moments" and refining the record's palette and voice. Occasional interruption from a nearby flock of wild parrots infused a mood of California dreaming, purple sunsets dissolving into deepening neon night. Like all the most elusive pop, Riki's songcraft is simultaneously direct and oblique, dynamic and detached, shifting from sparkling chorus to elliptical outro according to its own poetic logic. She characterizes her lyrical muse as "very much what's going on in my life, things I wanted to say but didn't have the platform." This subcurrent of dream fulfillment animates the melodies with a specificity and immediacy that transcends her pantheon of 80's influences: from Saâda Bonaire and Strawberry Switchblade to Bryan Ferry, Bananarama, and beyond. Gold skews less dance floor than her instant classic 2020 debut but taken as a collection it's equally stirring, stylish, and exquisitely produced. Evocatively layered arrangements of drum machinery, sequencer, fretless bass, grey sky guitar, saxophone, and FX, anchored by Riki's singular voice, alternately widescreen and wounded, yearning beyond time for ecstasies both fleeting and forever: "Thought I knew you, but you've gone far away / it's not in your nature to stay / but the thought that I need you, grows stronger every day / the colors begin / to change."

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JARV IS

Remix Ed

34,99 €*

7" | 2021 | EU | Original (P-Vine)

Release: 2021 / UK – Original

Genre: Pop

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Jarv IS... truly evolving. From its earliest recordings beginning in an actual cave, via the enticing hypnotics behind the mantra-likes tracks Sometimes I Am Pharaoh and Must I Evolve, the exquisite yet candid storytelling of Swanky Modes and timeless anthem-turned-inadvertent lockdown soundtrack, House Music All Night Long, the debut album of the Jarvis Cocker-led band Jarv IS... proved a standout swirl of creativity, invention and vision on its release last summer. Yet Beyond The Pale has continued to inspire long after the sessions for the record stopped. Despite being divided by the pandemic, audiences came together around the album, Jarvis and co made a live film based on the album with pioneering directors Iain Forsyth and Jane Pollard entirely underground in a cavern, and intriguingly other musicians and producers have continued to be intrigued by the songs Cocker and his band created. The latter now has yielded an entirely new way of hearing Beyond The Pale, as for the first time in his career, Jarv is releasing a remix album based on one of his records. Boasting re-imaginings and re-stylings from the likes of David Holmes, Dennis Bovell and Greg Wilson among others, the record is a collaborative mix that offers new focus and insight on the music of one of this generation's greatest songwriters, while also allowing the remixers' own unique characters to take flight within Jarv IS... creative cave.

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Shugo Tokumaru

Rum Hee / Katachi

LP | 2021 | EU | Original (Fun In The Church)

Release: 2021 / EU – Original

Genre: Pop

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As if blessed with the ability to summon birdsong at the strum of his guitar, Shugo Tokumaru has carved out a distinguished career with a master's approach to crafting intricate pop melodies. P-vine is delighted to be pairing two popular singles from two of his most loved albums to release as a 7" single. Back in 2010, Tokumaru released his fourth album Port Entropy and its collage of ideas is no better demonstrated than on the fifth track "Rum Hee" where toy boxes are entrusted with melody lines and Tokumaru's soothing tenor voice colours in the rest. His follow-up album In Focus? arrived two years later, and lead single"Katachi" - with its sound-box of recorders, accordion, melodica and all kinds of instruments one might expect to find stored away in a typical Japanese middle-schooler's closet - is as charming as it is uplifting and waltzes straight to the heart. The music video by Kijek/Adamski was a perfect companion piece to the single picking up best commissioned film at Animafest Zagreb and also making it into Pitchfork's best music videos of the year list.

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Carl Schilde

Europop

22,99 €*

Spiritual Warfare And The Greasy Shadows

Release: 2021 / EU – Original

Genre: Pop

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Initially sparked by a disappointing experience in Los Angeles, EUROPOP is Carl Schilde’s first solo album. Feeling out of place and out of time in the music world, he started to embrace his own limitations, subverting themes like “making it” and pre- internet nostalgia with a Jim O’Rourke- inspired wink in his eye. While holed up in his Toronto basement, a lifelong obsession with outdated pop trickery and yesteryear’s preset sounds launched him into an alternate sonic universe—one where The Beach Boys’ late- 70s albums were big hits, and long-forgotten Italian soft rock is the style du jour.
The resulting ten songs were given their final sheen by mastering impresario Dave Cooley (Tame Impala, Blood Orange, J Dilla).

Born and raised in West Berlin sometime in the 80s, Carl has already had several musical incarnations.
From a Berlin Art Prize nomination for his single-note vinyl record (“The whole concept makes me upset” — VICE), to glimpsing the album charts by co- writing an aging crooner’s magnum opus (“Glamorous” — NY Times), he has always been more interested in exploring different angles than building a career. Since a transcontinental move to Canada, his focus has shifted from the conceptual to the immediate music-making process, with all its imperfections. An avid live performer, Carl is also a member of Playdate, whose album “Manitoulin Tapes” (“a blissed out lo-fi ambient gem” — The Wire) was recently released on Séance Centre.

Following the self-released single TOP 40, which has reached over 130k streams on Spotify, EUROPOP is scheduled to be released on February, 4th, 2022 on Staatsakt’s new interplanetary imprint, Fun In The Church.

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Ad Hoc

LP | 2021 | EU | Original (Earth Libraries)

LP | 2021 | EU | Original (Taxi Gauche)

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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One of the best songs on Ad Hoc, the new album by Boise, Idaho pop project Spiritual Warfare and the Greasy Shadows, is "Shook Loose." It's a catchy, up-tempo ditty about the randomness and absurdity of existence. "Wasting time, turn on a dime. / Where did we come from on your mind," sings project creator Joel Marquard. Later in the song, he slips in this sardonic couplet about human evolution: "Out of the water, we crawl / To our food court job at the mall." That might not seem like a cheery sentiment, but Marquard's rippling guitar hook, Bo Diddley-esque beat and ghostly background vocals make the song sound ecstatic rather than despairing. The Arizona transplant pulls off a similar trick on the bubbly "Angel of Death Donut Shop," the swooning "Volcano Girls" and the 11-minute epic "Death Was an Olympic Speedskater." Odd yet beguiling songs like these make Ad Hoc, one of the most fascinating releases of recent years. True to its title, ad hoc's idiosyncratic sound arose partially from resources Marquard had at hand. "In Pro Tools [a music software program], I found this disc in the box that said 'Loops,'" he said. "So I put it in my computer one day, and it just has all these professionally recorded [tracks]. ... They had all these Indian percussion loops—I mean, like, East India." The sinuous rhythms that Marquard created from those loops help distinguish Ad Hoc from his earlier work, which includes albums with the emo band Dear and the Headlights, the indie-rock group Gospel Claws and the ersatz gospel project The Through & Through Gospel Review. The new LP doesn't quite sound like Spiritual Warfare's previous material either.

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Brion Starr

A Night To Remember

LP | 2021 | EU | Original (Hand Drawn Dracula)

Release: 2021 / EU – Original

Genre: Pop

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Brion Starr lives and works in New York City, joined by a group of foreign and domestic collaborators. Their latest album 'A Night To Remember' is a meditation on night itself, a spinning sci-fantasy through this future darkness we all contemplate, a journey to the end of the night told as a story of one evening in an internationalist future city with no up and no down, no beginning and no end. Passing through the seedy clubs, with all their trappings, when the night is just turning into morning. Have you lost your mind? Blackout and wake on a train. Is this a dream? We are nocturnal. There’s fire in the streets. The first tier looks down on you. So find the ones you love and hold them tight. Recorded at the Chateau d’Herouville and produced by Tony Visconti (David Bowie, T. Rex, Sparks). Starr’s current collaborators include Jaie Gonzalez (Splashh), Hayden Tobin (Hanni El Khatib), Pete Sustarsic (Public Access TV), James Hurst (Beach Party), Ben McConnel (Beach House), Grace Kennedy, Charlie Sands, and composer Nigel Wilson. “We had a listening party when we finished, Tony was so happy that day, he told me he hadn't had a listening party in "probably 30 years" (and we were in the middle of the pandemic!) I smile when I think of him suggesting we do it. It was a true celebration, I still have the cork from the champagne!”

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Vallens

In Era

27,19 €* 31,99 € -15%

CD | 2021 | US | Original (Love Online)

Release: 2021 / EU – Original

Genre: Pop

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IN ERA is largely about a transitional time in someone's life where they have ended an era of their life and can see the next one forming but are floating in between two things. Its about being right in between, right in the limbo of two really large events, and the tenderness and weirdness and sadness and uncertainty and beauty and all of the complicated and vexing feelings that can come with that moment of being in between two things, when you can feel the heaviness of being nowhere. That's applicable to literally everyone right now, with COVID. So I''m hoping it resonates with people in that regard.'- Robyn Phillips, December 2021.

Vallens are a tastemaker favourite with features in Vice, Interview Magazine, Clash, Fader, Brooklyn Vegan, Rookie Mag. Videos and performance concert with substantial CAN/UK/EU/USA marketing planned.

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Har Mar Superstar

Roseville

16,99 €*

LP | 2021 | EU | Original (Karisma)

Release: 2021 / US – Original

Genre: Pop

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Welcome to Roseville, the 7th studio album by Har Mar Superstar. Sean Tillmann’s latest collection of songs is career defining culmination of life and musical experiences that were heavily influenced by 70s AM gold artists including Todd Rundgren, Elton John, Carole King, David Bowie, Paul McCartney, Genesis, Hall and Oates, Meat Loaf, Dory Previn, and ELO. The album came together in the late months of 2020 and is the first true collaborative effort of the whole touring band. It was distance recorded by all of the members in their home studios and the band’s home base, Mid City Studio, in Minneapolis. It has been described as an “existential homecoming” that chronicles Tillmann’s return to life as a Minnesotan over the last 5 years.

Most of the album was produced by bandmates Aaron Baum and Ryan Mach. John Fields (Jonas Brothers, Andrew WK, Har Mar’s 2004 album “The Handler”) returned to Team Har Mar producing “Solid Ghost” and “Hearts Have Misspoken”, and Ryan Olson (Poliça, Gayngs, Swamp Dogg) dropped in to produce “Patchwork Prisms”. Texas musical legends in the making Kam Franklin (The Suffers) and Jackie Venson (one of the greatest guitarists alive) popped by to elevate “Another Century” into a soul duet masterpiece. Denver Dalley (Desaparecidos) and T. Macey Taylor (Bright Eyes, Jenny Lewis, Amanda Shires) appear on “Where We Began” which they helped write on the road while supporting Afghan Whigs a few years back. The band is Nelson Devereaux, Jake Baldwin, Adam Hurlburt, Ethan Elseth, Aaron Baum, and Ryan Mach, and everyone had a hand in co-writing to help make this album a united, genre hopping masterpiece.

The whole album is a cohesive journey designed to be listened to front to back, but each track is strong enough to stand on its own.

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Himmellegeme

Variola Vera

11,99 €*

12" | 2021 | EU | Original (TMS)

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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From the dark psychedelic shadows of Bergen, Himmellegeme return with their second album “Variola Vera”! Himmellegeme's music is influenced by atmospheric prog rock, which together combine to create an otherworldly and timeless sound. With their heavy-hitting riffs, chilling melodies and melancholic lyrics, Himmellegeme creates music that depicts past events in their own lives, as well as in the lives of others. The overall themes of the album are the impact we humans have on planet earth, and the destruction we lay in our wake wherever we go. Not only in regards to the planet itself, but also to the people inhabiting it. It’s not a concept album per se - the lyrics are fictional with roots in reality, but based on newer and older events seen from different viewpoints. Their debut album “Myth of Earth” received rave reviews around the globe, and Prog Magazine said that “Aleksander Vormestrand has a high, clear voice full of unfulfilled yearning, akin to Thom Yorke when Radiohead still cared about melodies, matched by the soaring lead guitar of Hein Alexander Olson.” Variola Vera was recorded at one of Bergen's top studios, Broen Studios, and was produced by Anders Bjelland (Electric Eye / Hypertext) who also worked as a sonic wizard on the album.

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72TM

Mutations EP

18,99 €*

7" | 2021 | JP | Original (P-Vine)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Two numbers referring to the year 1972. And in two numbers, everything is said. The project is simple and ambitious, it is the soundtrack of life passing by, of our lives, of theirs: those of two boys who became two men, both born the same year. 1972. And contrary to its commercial destination, the “tm” sometimes af fixed to these two letters appears here rather like a real mental tattoo, if not a purely aes thetic gesture, as if to tell us: these sounds, these feelings, these immaterial emotions, were deposited in the dark recesses of these two brains, these two minds, before passing through their bodies, passing through their fingers, then through the keyboards, the ins truments, to transform themselves, to turn into sounds, which, themselves, through the alchemy of creation, become music. And this music is the soundtrack to these two lives: Benjamin Cohen. Ulysse Genet. And these two lives which at one point crossed, met. And from this crossing was born 72. From these two experiences, from these memories, from the memories of the two artists, music is revealed. Four tracks for the moment, instrumental, mixing the reminiscences of hip hop, the echoes of the ‘ambient’ created by Brian Eno, the techno vo lutes of Detroit, and more particularly those of Carl Craig. Without forgetting the roots of what has been called the French Touch… this unique musical adventure revealing France abroad in a singular way, in which Benjamin Cohen has actively participated.

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Yuga

June

LP | 2021 | EU | Original (Human Sounds)

Release: 2021 / JP – Original

Genre: Pop

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A soul-stirring female singer Yuga. her most popularsongs from the latest mini album featuring the theme song of a movie "A long Goodbye" will be released as a 7inch single! The finest city soul number "June", and B-side "sharon" which mixed contemporary R&B sound to her unique voice so comfortably.

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MED

À Moi ! À Moi ! À Moi !

Therapy Turquise Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

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At an age of plastic and digital screen reigning, when it is almost impossible to feel anything in front of a contemporary art piece, it is still possible to be moved by a drum machine …. and a keyboard……

There are still artisans and sunday painters who will put a little of their troubles and their humanity at the service of their art. Certainly a merchant of colors in a previous life, Med paints his songs with a Benedictine patience, distilling its doubts in its small pop compositions with soft water reflections where everyone could see themselves as in a mirror.

MED is Médéric Gontier, guitarist of Tahiti 80, first solo effort. Where the band had not often ventured outside English, Med uses the French language and caresses it in the direction of its melodies. Produced with the help of Pedro Resende, these are ten pieces both aerial and aquatic, light but finally of a real consistency.

Immediately pop («Dans ses yeux»), reminiscent of the great French composers of the sixties («Avec toi») and with them that of the English of Broadcast to Vanishing Twin («Muzak»).

It’s a bit time for the Norman to make a pause and for that, to put his nose out, it’s freetime, the one of those who will never claim to be better than the others but whose records will be kept close to the heart.

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Anne-Marie

LP | 2021 | EU | Reissue (Warner Music International)

LP | 2021 | EU | Original (Maple Death)

Release: 2021 / EU – Reissue

Genre: Pop

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Anne-Marie's second studio album, Therapy, is the official follow-up to her multi-platinum and four million-selling 2018 debut, Speak Your Mind. An artist whose everywoman candor and knock-you-down vocal range has reverberated across the globe, Therapy is a collection of songs that embody A-M's characterful artistry, self-effacing attitude and beautiful honesty; attributes that have not only catapulted Essex-born Anne-Marie to platinum status in the UK to the USA and everywhere in-between, but ones that have seen her reign supreme a fearless Gen Z role model.

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Whitney K

Two Years

Silhouettes Magenta Transparent Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Rolling through life, an open mind like an ocean, an infinite ride that comes furiously crashing to a halt. This is Whitney K’s ‘Two Years’, a deep dive into the Canadian songwriter’s journey through vulnerability, change and ultimately letting his guard down.

Whitney K is the wandering stalwart Konner Whitney, a Whitehorse Yukon resident who has spent time in Vancouver, Montreal, Burnaby and Los Angeles. We met the character in 2016 through his intoxicating 4-track recorded manifesto ‘Goodnight’, a head on collision into 24 hours of illusioned romance and modern day escapism. Fast forward to 2021, lift those curtains, aptly titled ‘Good Morning’ is the opening track on ‘Two Years’, a different cracker, a deliberate record about transformation, where to put it simply, Whitney K has arrived. Enlisting the aid of main collaborator and bandmate Josh Boguski and drummer Avalon Rossignol-Tassonyi, the focus has been shifted, folklore and realism becoming reckoning and truthfulness, what was outsider folk is now political poetry, life in motion delivered through a freeway ridden baritone voice that transforms the mundane into extraordinary. Written with a completely different mindset and a conscious effort to break with the traditions of a corrupt, hypocritical, and hateful society/lineage, Konner’s pen is precise and daring, uniting the earnestness of Willie Nelson and the comedy relief of Harry Nilsson on the beautiful ‘Me Or The Party #165’, or when painting Canada’s colonial past and heartland image on the primitive rock’n’roll anthem ‘Trans-Canada Oil Boom Blues’. There is no avoidance, no excuses, whether your self portrait in the mirror resembles a five dollar caricature sold on a boardwalk, the John Cale-esque opener ‘Good Morning’, or whether you learn you are worthy of love like on the poignant vignette ‘Maryland’, the beautifully arranged album closer that echoes Tin Pan Alley with Lou Reed’s grit. ‘Two Years’ also presents plenty of fun, the perfectly stumblin’ garage rocker ‘Last Night #2’, the honky tonk blues coming-of-age episode ‘Cowboy City Rocker’ and the cello/violin belter ‘Hit This Pipe’. One of Whitney K’s many gems is ‘The Weekend’ a minimalist spectral ode to hope where the band’s restriction brings out the pure force and vocal command of the ramblin’ troubadour. Time to open your arms, he’s coming out of no fun city and aiming straight for you.

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Dead Astronauts

LP | 2021 | EU | Original (Cold Transmission Music)

17,99 €* 19,99 € -10%

LP | 2021 | EU | Original (By Norse Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Limited to 100. Dead Astronauts are one of the leading acts in the Synthwave & Synthpop scenes, blending the lines of Darkwave, Goth and Post-Punk. Previously composed of two members, Jared Kyle and Hayley Stewart, Hayley left to focus on her solo work (Mecha Maiko) and Dead Astronauts was reformed. Florence Bullock then took on the female lead, replacing Hayley in 2019. As a silent member and Record Producer, Slade Templeton (of Crying Vessel, Influx Studios) stepped in to help bring their new sound to life in 2019 and 2020 and round out the band. Dead Astronauts have regrouped and reworked the style they were known for, to become something modern, edgy, new and improved. Dead Astronauts are back and ready to ignite that flame in their fanbase that has been waiting, asking for more!

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Tvinna

One In The Dark

Release: 2021 / EU – Original

Genre: Pop

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Roseville Red & Pink Vinyl Edition w/ Cornerbump

Har Mar Superstar

LP | 2021 | US | Original (Love Online)

LP | 2021 | DE | Original (Fun In The Church)

Release: 2021 / US – Original

Genre: Pop

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Damaged Cover!

Welcome to Roseville, the 7th studio album by Har Mar Superstar. Sean Tillmann’s latest collection of songs is career defining culmination of life and musical experiences that were heavily influenced by 70s AM gold artists including Todd Rundgren, Elton John, Carole King, David Bowie, Paul McCartney, Genesis, Hall and Oates, Meat Loaf, Dory Previn, and ELO. The album came together in the late months of 2020 and is the first true collaborative effort of the whole touring band. It was distance recorded by all of the members in their home studios and the band’s home base, Mid City Studio, in Minneapolis. It has been described as an “existential homecoming” that chronicles Tillmann’s return to life as a Minnesotan over the last 5 years.

Most of the album was produced by bandmates Aaron Baum and Ryan Mach. John Fields (Jonas Brothers, Andrew WK, Har Mar’s 2004 album “The Handler”) returned to Team Har Mar producing “Solid Ghost” and “Hearts Have Misspoken”, and Ryan Olson (Poliça, Gayngs, Swamp Dogg) dropped in to produce “Patchwork Prisms”. Texas musical legends in the making Kam Franklin (The Suffers) and Jackie Venson (one of the greatest guitarists alive) popped by to elevate “Another Century” into a soul duet masterpiece. Denver Dalley (Desaparecidos) and T. Macey Taylor (Bright Eyes, Jenny Lewis, Amanda Shires) appear on “Where We Began” which they helped write on the road while supporting Afghan Whigs a few years back. The band is Nelson Devereaux, Jake Baldwin, Adam Hurlburt, Ethan Elseth, Aaron Baum, and Ryan Mach, and everyone had a hand in co-writing to help make this album a united, genre hopping masterpiece.

The whole album is a cohesive journey designed to be listened to front to back, but each track is strong enough to stand on its own.

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Gio

Mirrors & Smoke

15,99 €*

6x10" | 2022 | EU | Original (Parlophone)

Release: 2021 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeve. With insert

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David Bowie

Toy (Toy:Box)

125,99 €*

Release: 2022 / EU – Original

Genre: Pop

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LP | 2022 | EU | Original (Running Back Incantations)

Panoram

Acrobatic Thoughts

LP | 2022 | EU (Billbrook)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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„Sybilline“, „unique“ and „peerless“. These are some of the adjectives that were used to describe Everyone Is A Door – Panoram’s first full-length on Edinburgh’s Firecracker Recordings. Since then, the elusive producer, founded his own label Wandering Eye, produced automated piano music in Los Angeles (Thom Yorke Sonos playlist approved), composed synth lines underwater for Amen Dunes Freedom and toured two years with the band as well being involved in their collaboration with Sleaford Mods Feel Nothing and their upcoming album on SubPop. But Panoram can also hold its own very well. His debut on Running Back’s Incantations series lets you hear and experience that after the first few bars already. Acrobatic Thoughts is surreal, abstract, puzzling and urgent, yet filled with beautiful, slow-moving melodies and emotional passages. Eccentric humor meets serious soundscapes, acrobatic thoughts evolve around abstract key notes, while an out-of-time and out-place atmosphere surrounds a microcosmos that seems to be otherworldly and very natural at the same time. Panoram manages to build a house that can be as much of a home for ambient record collectors as for futuristic pop fans and all the ones in-between those poles. Or to describe it one sentence while quoting two titles of this enigmatic record: Seabrains controlled by beautiful engines. Short: Seabrains controlled by beautiful engines. Panoram’s new record Acrobatic Thoughts and his debut on Running Back is surreal, abstract, puzzling and urgent, yet filled with beautiful, slow-moving melodies and emotional passages. Eccentric humor meets serious soundscapes, acrobatic thoughts evolve around abstract key notes. One LP to make millions happy.

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Jesper Munk

Taped Heart Sounds

2LP | 2022 | UK | Original (EMI)

Release: 2022 / EU

Genre: Organic Grooves, Pop

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Since Jesper Munk’s debut album in 2013 the German singer-songwriter has made a name for himself as multi- instrumentalist , “in the paths of Jack White and Dan Auerbach,” as the Rolling Stone Magazine puts it, playing music that ranges from Blues and Soul to heartfelt Pop and indulging Jazz, all this with a very unique, post-Punk edge. His new album Taped Heart Sounds offers an evolution of Munk’s sound: warm, gentle and soft vibes that go deep. “If there is a way to give you a hug in form of an album, this is how I’d attempt to do so,” says Munk. Recorded in an offbeat band room in Berlin with The Cassette Heads, the album brings together classics reaching from Blues to Rock’n Roll. Twelve songs of legendary artists who have influenced and inspired Munk since his early days, including Tom Waits, JJ Cale, Etta James, Hank Williams, Willie Dixon, Jacques Brel, and Mocky. The entire album was recorded with a Tascam Portastudio 8-Track Cassette Recorder which brought an original and authentic sound to each song: “The technical limitations immediately liberated all other aspects of the recording,” Munk says. “It shows how much of making music is just listening and without a screen to catch your eye, you really have no choice but to do so.” All Songs face realness and live from these volatile moments that reveal vulnerability.

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Amber Mark

Three Dimensions Deep

33,99 €*

Groovejet (If This Ain't Love) Feat. Sophie Ellis-Bextor

Release: 2022 / UK – Original

Genre: Pop

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Today New York based singer, songwriter and producer Amber Mark announces details of her long-awaited debut album ‘Three Dimensions Deep’, out January 28th via Emi/pmr Records. The announcement of the album is accompanied by a sultry R&B instant-grat track ‘What It Is’ as well as a huge UK, EU and US spring tour announcement including London’s O2 Shepherd’s Bush Empire in March

Amber’s debut album arrives almost 4 years after the release of her second EP ‘Conexão’, an extended process that has proved central to its thematic development. The 17 track album can be divided into three main acts that follow the arc of Amber’s personal and musical development; Without, Withheld and Within. Beginning by acknowledging her insecurities and anxieties before reflecting on her time in denial and spent processing them in all the wrong ways, Amber eventually widens her focus by seeking answers to the world’s negativity and trauma on a cosmic scale. Finding peace and a form of inherent spirituality in the world of astrophysics while writing the album led to a fresh perspective on

life and a renewed sense of self. Amber’s debut album is simultaneously a profound concept album and a love letter to herself, richly intertwining messages of self-worth and reflections on the universe beneath a veneer of shimmering pop. In true Amber Mark style, ‘Three Dimensions Deep’ is a kaleidoscopic melting pot of influences and genres, drawing from funk and R&B, soul and hip-hop with international accents influenced by a nomadic childhood spent travelling the world with her late mother.

“Three Dimensions Deep is a musical journey of what questions you begin to ask yourself when you start looking to the universe for answers.” says Amber; “I can only go as deep as the third dimension as that’s how we see the world, but what about when you start looking to the universe within for answers.”

“‘What It Is’ low key is the title track of the album without it actually being the title track” explains Amber; “It comes from going through negative experiences which end up being the gateway to a question I think I’ll be asking for the rest of my life. What is the meaning of life,the universe and everything?”

The three official singles already released from the album ‘Worth It’, ‘Competition’ and ‘Foreign Things’ marked Amber’s first official singles since 2020’s ‘Generous’, though 2020 was still a hugely productive year for Amber. With her hometown of NYC hit hard in the first wave of the pandemic and placed under strict lockdown, Amber turned to her simple home studio to create an acclaimed series of home-produced covers and originals titled ‘Covered-19’, each accompanied by a homemade video and artworks. The series was followed by a collaboration with longtime friend Empress Of on the protest song ‘You’ve Got To Feel’, earning Annie Mac’s Hottest Record, ‘Tune Of The Week’ and a spot on the Radio 1 playlist. Earlier this year Amber was featured on legendary DJ Paul Woolford’s new piano-house track ‘heat’, again snagging Annie Mac’s Hottest Record and a long run across the Radio 1 and 2 playlists. Having already amassed over 300 million streams since the release of her breakout debut EP 3:33AM in 2017, Amber has built a global fanbase eager to hear her debut full length -

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Spiller

2LP | 2022 | EU | Original (Defected)

27,99 €*

If Life Could Be This Way

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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Every once in a while, a record comes along which resonates in a special way, stands the test of time, and brings the same reaction to the dancefloor now as it did all those years ago. 'Groovejet (If This Ain’t Love)' is one of those records, a classic in every sense of the word. Originally released in 2000, Defected are, re-releasing this club essential for new and original fans alike in a special, limited edition deluxe remix reissue.

This unique two vinyl pack comes in full colour gatefold sleeve with augmented reality cover that will come to life once you scan the mask image on your phone accompanied by a four page 12” insert written by Spiller detailing the full story of ‘Groovejet’; from original production, early reactions, chart success and new 2021/22 remixes.

The releases features the original versions plus new mixes Purple Disco Machine & Lorenz Rhode, Riva Star, Breakbot & Irfane and Harvey Sutherland. Exclusive to the vinyl are Riva Starr’s Skylight Mix and the Harvey Sutherland Instrumental version.

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Crazy P

7" | 2022 | EU | Original (Walk Don't Walk)

13,99 €*

Bitchcraft Lime Vinyl Edition

Release: 2022 / EU – Original

Genre: Pop

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"During lockdown we delved deep into the Crazy P vaults to see what might be lurking in there. Plenty of buried treasure to be found, but these 2 little beauties grabbed our attention and seemed to fit well together. The lead track, If Life Could Be This Way, was a jam we had between the 3 of us, the vocal's a bit of a one take wonder from Dani, and we didn't touch it! It featured in our set and was the title of our last tour Nov 2021".

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Bitch

LP | 2022 | US | Original (Kill Rock Stars)

Becoming Undone Black Vinyl Edition

Release: 2022 / US – Original

Genre: Pop

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Bitchcraft was born in a move from New York City, where Bitch had lived for 15 years, to a log cabin in the woods. There was all the time in the world to make art, and it was there, in the cabin, that Bitch began to write some of the songs that would appear on Bitchcraft. 'It gave me space to think about the biggest version of myself that I could be,' she says of those early days in the cabin. The songs she wrote were a departure from anything she'd ever written before, and she began to craft huge pop tracks with the help of her trusty violin. Then, she moved to LA and Bitchcraft began to shapeshift again.

In the time that followed, Bitch assembled a coven to complete it. She called on Anne Preven (Beyonce, Madonna, Demi Lovato) and God-des who helped her crystalize her vision in terms of writing and production. She called on Roma Baran (Laurie Anderson) to produce the violins on 'Polar Bear.' She called on Melissa York (Team Dresch, The Butchies) and Faith Soloway (Transparent) to co-write a couple of the songs.

The resulting record is one that is full of glorious pop tracks that go in unexpected directions. Bitchcraft is like Joni Mitchell set to a click track, it's queer Cyndi Lauper. It's neon pink, in your face, ready to hex you with its brilliance. It's an unbelievably fun record that is extremely capable of breaking your heart a little bit. It also makes you think: about the state of the world, about evil politicians, about what it means to exist as a woman, and how to find joy along the way.

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ADULT.

LP | 2022 | US | Original (Dais)

LP | 2022 | EU | Original (Imara)

Release: 2022 / US – Original

Genre: Electronic & Dance, Pop

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After a quarter century of nearly nonstop activity, dystopian Detroit synth-punk institution Adult. have perfected a strain of stylistic cohesion in the album format, "but for this we wanted something that's falling apart." Becoming Undone, the 9th official full-length by cofounders Nicola Kuperus and Adam Lee Miller, explicitly succeeds in this aim, simultaneously rejecting and reflecting the planetary discord that inspired it. Begun in the latter half of 2020 against a backdrop of unprecedented flux and seismic isolation, the duo kickstarted their muse by sourcing fresh additions to the rig: a vocal loop pedal for Kuperus and Roland percussion pads for Miller. Reconnecting with legacy influences like the politicized industrial percussion of Test Department and the queasy miscreant synthetics of TG's 20 Jazz Funk Greats sparked a series of fruitfully frenetic sessions, centered on themes of impermanence and dissonance. Miller's rationale is blunt: "We weren't interested in melody or harmony since we didn't see the world having that." From the tense technoid blitz of "Undoing / Undone" to the twitchy EBM of "Fools (We Are_)" and "I Am Nothing," the sides bristle with strident acidic revolt and black leather sequential circuits, unhinged and unforgiving. Elsewhere, slower tempos of purgatorial unraveling ("Normative Sludge," "She's Nice Looking") showcase a breadth of vocal FX, Kuperus sounding alternately indignant and possessed, decrying the crimes, fears, and failings of a deluded world. Throughout, the band's chemistry crackles with revulsion and strobe-lit dissent, equal parts exorcism and denunciation. "Humans have always been pretty terrible," Kuperus explains. "But every year the compromises of culture just accelerate." Becoming Undone is also freighted with a more personal pain, as Kuperus' father passed away during the height of the pandemic, just before the album took root. As his hospice caretakers, she and Miller faced the banality of finality, surrounded by objects drained of meaning, "the joy of having a body, but also the drudgery of having one." The record's bewitching closing track, "Teeth Out Pt. II" - which happens to be the first Adult. song in the group's history without drums - speaks to this sense of doomed corporeal mass and the looming, lightless unknown that binds us all. A seasick haze swells and subsides in slow, low waves, flickering with ring modulation, above which Kuperus sings in a dazed, brooding, transcendent state, as if having finally glimpsed beyond the pale: "Some day / some day I will be silent and free / of this relentless gravity."

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Heiko Voss

3:30 Minutes To Live

12" | 2022 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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Heiko Voss has earned near mythical status as a torchbearer for the emotional, deeply felt and quietly radical style of electronic music. The blissed-out radiance of his Kompakt Pop single, “I Think About You” remains one of the label catalog highlights and a stellar run of collaborative singles as Schaeben & Voss; others might know him for his stewardship of the excellent, much-underrated Firm imprint. But with his new album, 3:30 Minutes To Live, released by Michael Mayer’s label Imara, Voss returns after a long silence with a beautiful collection of songs that hymn heartbreak with a lusciously melodic touch.

There is something definitive and newly confident in 3:30 Minutes To Live that has it feeling like a real statement of intent if compared to his earlier releases. “Although it’s not, 3:30 Minutes To Live feels like my debut album,” Voss reflects. “All releases before were more song sketches or electronic dance tracks.” Bunkering down in Teary Eyes Studio, Voss worked up somewhere between thirty and forty sketches of songs, which he whittled down to the twelve collected here, all of them situated in a unique space, but very much in accord with Voss’s defining aesthetic, which he describes as “indie pop music with a lot of guitar, electronic elements and a great love for melancholic ‘80s synth-lines.”

Voss is sensitive to both variety and consistency – 3:30 Minutes To Live sits together as an assured, vibrant collection of pop songs, but it’s marked by all kinds of surprising incident, like the guitar solo that erupts out of “This Is My Life”, or the acoustic guitar-led melancholy of the closing “This Summer”. It’s all borne of the alchemy of the studio process and the intimate romance of music-making. “If you constantly feel a little bit like you’re in love while writing and producing your music – simply because of the sound of the synth flowing warmly and gently through the room, or because the sequence of notes awakens something in you, or even a randomly arising groove in the loop of a guitar lick makes you shout, ‘Ha!!’ – then it usually becomes a beautiful song,” Voss nods. “Those moments make me happy.”

There’s also a delicious tension between the push of the music, its melodic lushness and gliding, ballerina-like movement, and the darker currents that pull through Voss’s lyrics, inspired by a “short, dramatic and toxic love affair.” This may read like familiar terrain for a pop album, but the way Voss weaves language through both the extra-linguistic joys of music and the inarticulate speech of the heart somehow allows for direct communication that is simultaneously plain-spoken and deeply profound. “Say It” is a simple, devastatingly effective plaint of alienation; “She Wasn’t Lonely” a simple portrait of everyday living set to chiming, clacking guitars, the music in the bridge taking astral flight as the titular character ‘lets herself go.’

A smart and sharp collection of songs that captures you with its gorgeous melodicism just as it blindsides you with its aching heart, 3:30 Minutes To Live is Heiko Voss at his most assured and open-hearted best.

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Kollmorgen

1243

12,99 €*

LP | 2022 | EU | Original (Unday)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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When we first heard from recent Kompakt signing Emma Kollmorgen, with 2021’s “You Are The”, she was hymning the complexity of romance: “Love is scary as fuck!”, she said. On her debut EP, “1243”, she’s built on that intensity and offered up a five-track suite of night-vision electronic pop, bristling with a stealthy sensuality. It’s a cinematic collection, building from the brooding “Escape”, through the drifting, tactile pulses of “Taciturn”, the gritty, bustling noises that run underneath the smoke-signal torch-song of “All The Wild Animals”, and the closing, tear-stained melancholy of “Home”. “You Are The” reappears here as well, settling in perfectly amongst new friends.

It’s a completely assured first EP from an artist who’s been slowly and steadily building her own sonic world. From her early days, when she busied herself by learning guitar and joining bands, Kollmorgen always had a vision of doing something “more independent”, to allow her to find her own sound and write her own songs. A brief creative alliance with the Berlin DJ duo Dole & Kom led to some recordings and live performances. All the while, Kollmorgen was carefully shaping her production and sound designing skills with Ableton Live, and exploring distinctive musical terrain in collaboration with co-producer and multi-instrumentalist Paul Seidel (The Ocean Collective, Fern, Nightmarer). She joined the Kompakt family after a recommendation by Patrice Baumel, who also remixed her debut single with typical flair.

On “1243”, though, Kollmorgen fully inhabits her songs, gifting each of them with a sweet, subtle sway, her vocal and lyrical openheartedness balancing the bluer hues of her production. Each song is confident and poised, Kollmorgen relying on cross-thatched patterns of texture as a web to support her melodies: “I like patterns,” she says, “they give me something to hold onto, something stable in an unstable world.” The songs feel as though they’re grappling with moments of revelation and experience in Kollmorgen’s world, which makes sense, given her approach to music: “I never had a diary,” she reflects, “so writing songs is my way of expressing and dealing with life.” On 1243, you’ll catch some glimpses of life lived, made sonorous through songs beautifully sung.

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Pauwel

Dear

LP | 2022 | EU | Original (Human Sounds)

Release: 2022 / EU – Original

Genre: Pop

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LP on Colored Vinyl in silkscreen printed sleeve.On 'Dear', Pauwel expands his musical universe considerably, without losing his characteristic melancholy and distinctive voice.

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Tahiti 80

Here With You

12" | 2022 | CA | Original (Telephone Explosion)

Release: 2022 / EU – Original

Genre: Pop

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In March 2020, Tahiti 80 had a plan to start recording their new album in the studio. That plan, of course, along with everything else in the world, got derailed. But the five-piece group was resilient and resourceful. They quickly shifted to a socially distanced plan B that included file swapping and virtual sessions, all refereed by producer Julien Vignon. The result, due for release in March 2022, is the buoyant Here With You, a collection of eleven upbeat songs that unfold like a prescription for a post-pandemic panacea.

“When lockdown in France happened, we said, 'We're not going to stay at home not doing anything,'” says singer-guitarist Xavier Boyer. “And our new plan became a hopeful thing, waking up every morning and seeing what the other guys had worked on. It wasn't always easy, but this new method allowed a freer approach where we could really go all the way with an idea without being influenced by each other’s suggestions. It must've been overwhelming for Julien, who ended up selecting all our arrangements. But he stayed positive all the way through.”

To help stay inspired and focused during their time in isolation, the band created a mood board, with the centerpiece a photo of an early '90s rave in the UK.

Boyer says, “Whenever you see pictures from this era, people seem very innocent. There are no cell phones and everybody is in to what they are experiencing. We kept that picture in mind as a kind of mantra that would help everyone feel connected to this idea of people celebrating, gathering and just having fun. We were missing the connection with people, and thought it would be great if we could create music that would inspire that kind of emotion.”

Indeed, the songs on Here With You are brimming the feeling of communion that we've all been missing over the past two years. It's there in the catchy opener Lost in the Sound, which walks the walk with Chic guitar flicks, urban nightfall sparkles and an inviting chorus (“Your heart grooves like a thousand 808s on the right time”). It's there in the Jackson 5-style syncopated bounce of “Vintage Creem,” the lush, dreamy “Breakfast in L.A.” and the panoramic sweep of “UFO.” And it's there in the first single “Hot,” which matches an irresistible groove with a neon-lit, percolating arrangement that evokes the disco clubs of 1979.

What's remarkable is that though Tahiti 80 displays a clear affection for sounds of the past, from bubble gum to '70s soul, they never trade in mere pastiche. Their take is more a slightly warped and playful carnival mirror mash-up of classic pop styles, given depth through Boyer's hang-gliding, coolly emotive vocals and lyrics that often rub against the euphoric grain of the music.

“I like to think of songs as a three-minute drama,” says Boyer. “This concept of drama definitely adds different levels to our music. There's the melody, the lyrics, then the production that can maybe emphasize or counterbalance the interaction between the yin and yang in a song.

“There's a difference between the very upbeat, sunshine-y soft rock and the lyrics, even on our past albums,” he continues. “Not dark, but a little more melancholy, and also looking for some kind of motivation, talking to yourself. Like with a lot of Motown songs, you get that feeling where you body’s dancing while your mind’s reflecting, reminiscing.”

That alluring blend of happy-sad has been a signature part of the Tahiti 80 sound from the time Boyer and bassist Pedro Resende formed the group in 1993, as students at the University of Rouen. Taking their name from a souvenir t-shirt given to Boyer's father in 1980, the duo recruited guitarist Mederic Gontier in 1994, and with the addition of drummer Sylvain Marchand a year later, the lineup was complete. The foursome released a self-produced and self-financed EP, 20 Minutes, in 1996, which resulted a record deal with French label Atmospheriques in 1998. Their full-length debut Puzzle, produced with Ivy's Andy Chase and mixed by Tore Johansson, went gold and featured the international hit “Heartbeat” that established the band throughout Europe and Asia.

In the years since, Tahiti 80 – with the additions of Raphaël Léger on drums and Hadrien Grange on keys - has released eight acclaimed albums. The band has fused what Mojo called a “glorious entente of old and new technology” (including singles like “Yellow Butterfly,” “1000 Times,” “Sound Museum,” “Crush!” and “Big Day,” which was featured on a Fifa video game soundtrack), while collaborating with such producers and arrangers as Richard Swift, Tony Lash and Richard Anthony Hewson, who famously arranged The Beatles' “Long and Winding Road.” Boyer has also put out two solo albums, the first under the anagram Axe Riverboy and the second under his name. In 2019, the band released Fear of an Acoustic Planet, a stripped-down reimagining of some of their best-loved tracks from the previous twenty years. It served not only as a look back but a reminder of their formidable songwriting skills.

Boyer is definitely a student of the timeless three-minute pop song format pioneered by '60s artists like The Beatles and The Beach Boys. He says, “I see it as kind of a frame for a painting. Most of the songs on this album, I wrote a verse, pre-chorus and chorus. There aren't many middle eights. I wanted it to be very concise. I feel like people have less attention. There's so much music. It's too easy to switch off or skip to another track, so I want to hook the listener. The three-minute song is kind of an easy code to crack, but at the same time you have to figure out a new way to tell the stories that we've heard before.”

And the stories on Here With You are very much about the longing for connection. Of the album title, Boyer says, “In the world right now, that can mean a lot of different things. Like missing our fans, missing going to concerts. In a way, it can be a statement of what happened last year, and a wish of 'I want to be here with you again.' It's our ninth album. We've had some had some very open, conceptual titles like Puzzle, Activity Center. Sometimes they were more specific like Fosbury orWallpaper for the Soul. Here with You, seems more personal, more engaging in terms of relationships. When I suggested that title, everyone in the band said, 'Yeah, that's it.'”

Until Tahiti 80 can resume a full tour schedule, Boyer says he hopes the new record will make that personal connection. “If I see from the point of view as a music fan, sometimes I see albums I like as companions throughout my life. So if we can be a part of people's existence, even if it's a song that reminds them of the time they were driving with the windows open and it was sunny. Or a sad song that resonates with them after a breakup. That's what we're all looking for when we're making music. You do this very personal thing and you want it to touch as many people as possible.”

A1. Tahiti 80 - Lost In The Sound A2. Tahiti 80 - Vintage Creem A3. Tahiti 80 - Telling Myself A4. Tahiti 80 - Hot A5. Tahiti 80 - Breakfast In LA

B1. Tahiti 80 - Cameo B2. Tahiti 80 - UFO B3. Tahiti 80 - Riddles & Rhymes B4. Tahiti 80 - Zoo B5. Tahiti 80 - Wicked Wicked B6. Tahiti 80 - Let's Get Started

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Jane Inc.

Faster Than I Can Take

10" | 2022 | EU | Original (Dimple Discs)

Release: 2022 / CA – Original

Genre: Pop

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"Feels like I'm made of glass," Carlyn Bezic sings over a tumbling, harmonic guitar riff on "Pummelled Into Sand," the closing song of Faster Than I Can Take. "Like I could cut you, or you could break me in half." It's a double-edged statement about the power that comes from inhabiting your vulnerability, a complicated truth expressed so beautifully it seems almost simple.

Making the impossible look easy has always been Bezic's musical M.O. Faster Than I Can Take is her sophomore album as Jane Inc., a solo project forged after years of building her bona fides in the Toronto music scene with groups like U.S. Girls, Darlene Shrugg and acclaimed dance-pop duo Ice Cream. Pitchfork called Jane Inc's first album, 2020's Number One, "dazzling... [Bezic] proves herself a musical Swiss Army knife, capable of anything and revelling in her multiplicity." On Faster Than I Can Take, she uses all the tools at her disposal - a Prince-like ability to shred harmonic guitar riffs over deep, danceable grooves, an eagerness to experiment with form, and lyricism that seamlessly links the personal and the political - to focus the multifaceted energy of Number One into something completely singular. A disco-inflected, danceable meditation on the permeable boundaries between our interior and exterior worlds, Faster Than I Can Take is an album that you can listen to at a party or alone in your apartment - but no matter where you listen, it will make you dance.

On lead single "Contortionists," Bezic's voice floats over a landscape of spare, warping synths and ethereal backing vocals from Dorothea Paas (U.S. Girls, Badge Epoque Ensemble), seeming at first to sketch out a familiar pandemic scene: "The laws of time have changed / months pass in minutes, hours feel like days." But as the melody begins to swirl and bend back over itself, a deeper theme creeps in. “At first I thought I was making a record about time," Bezic explains, "but I was actually making a record about how, in moments of intense anxiety, you're living in the past, present and future at the same time. A million moments existing at once, real and imagined." By the time the song drops into a ticking groove, you know exactly what she means.

Many of the songs on Faster Than I Can Take work this way - taking concepts that feel intimately interior and expanding them into something universal. Songs like the moody, bass-heavy title track, or the bright, searing "Pummelled Into Sand," where a Hendrix-like guitar solo runs under Bezic's voice like a third rail, deal with what Bezic calls "the pain of change and growth." "Human Being" and "Dancing With You" (whose bridge features the catchiest meditation break you've ever heard in a dance-pop song), explore the psychedelic melding of individual and collective worlds that can come from fantasizing about performance while alone in your house, or connecting to a group of strangers through your computer screen.

In "An Ordinary Thing," Bezic contemplates the complexities of wanting to create anything - art, or even a family - against the backdrop of the Anthropocene. "Someone please take this from me / this feeling, this need," she sings, the tension audible in her voice. But in the next track, the irresistibly danceable "2120," that anxiety turns into powerful resolve: "I'll pour my grief into this plastic crucible / Forge a new infinite fuel made of anger, and hope, and refusal," she sings against a driving, determined beat.

That determination is what makes Faster Than I Can Take unlike anything else you've heard this year - a work of art that refuses to either wallow in the difficulties of contemporary life or ignore them in favour of escapist fantasy. As Jane Inc., Bezic takes on the complexities of living in the world - alone, and with others - with playfulness, honesty, openness and love, and turns all that complication into something that will move you.

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Keeley

Brave Warrior

13,99 €*

7" | 2022 | EU | Original (Four Flies)

Release: 2022 / EU – Original

Genre: Pop

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Fronted by singer-songwriter-guitarist Keeley Moss, Dublin dreampop act Keeley seemingly shot out of nowhere last June with the anthemic song "The Glitter and the Glue", a song dedicated to the memory of murdered German tourist Inga-Maria Hauser in Northern Ireland in 1988. However, Keeley herself had been steadfastly self-promoting in Ireland since late 2020 when she self-released the debut single 'Last Words', topping Newstalk FM's airplay chart, getting playlisted by RTE Radio 1 and 8Radio, and attracting support from radio in multiple countries. Picked by legendary broadcaster Tom Dunne as one of his 'Top Tracks of 2020', it was listed at #12 in Radio Nova's 'Top 15 Irish Songs of 2020' and, upon its release, she became the subject of full-page articles in the Belfast Telegraph and Derry Post newspapers, a frankly unheard-of feat for an indie artist on their debut single. Now one of the most played new artists on Irish radio, Dimple Discs re-issued her tracks in June 2021 and the response from global press, radio and fans of dreampop/neo-psych/nu-gaze music has grown rapidly ever since. She has gained supporters at BBC 6Music and other BBC specialty shows as well as Internet radio in the UK and around the world. Having recently played sold-out shows in Dublin and London, Keeley will be touring Ireland, UK and Europe throughout 2022 in the lead-up to her long-awaited debut album.

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Armando Trovajoli

Sessomatto

16,99 €*

LP | 2022 | EU | Original (Four Flies)

Release: 2022 / EU – Original

Genre: Pop

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Woo-hoo! Two of the best Italian rare grooves ever are finally back on 7’’ for the first time since their original French release on the format! Both are from that most iconic film soundtrack of the Italian 70s (the LP is now a holy grail for collectors), Armando Trovajoli’s score to Dino Risi’s anthology sex comedy Sessomatto (1973) starring Laura Antonelli and Giancarlo Giannini. In the title track the influence of Manu Dibango’s afro-funk hit “Soul Makossa” is filtered through, and enriched by, an exquisitely Italian approach, with a sweet ’n’ groovy funk base (the terrific mid-song drum break has been a DJ favorite for decades) over which Edda Dell’Orso seductively laughs and repeats the words ‘sesso’ and ‘matto’ again and again. The wild and fun electronic samba “Kinky Peanuts” on side B is a wonderful example of ‘strange incredible music’, with infectiously quirky Moog themes and runs.

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Berto Pisano

OST La Novizia

LP | 2022 | UK | Original (XL)

Release: 2022 / EU – Original

Genre: Pop

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Oops, Four Flies did it again! Like other rare Italian gems, Berto Pisano’s La Novizia was long thought lost before the FF team rescued, restored and remastered it from the original tapes. And wow, it’s just one of the best things, if not the best thing, about the 1975 film it was written for – an erotic comedy with melodramatic overtones directed by Pisano’s long-time collaborator Giuliano Biagetti (they previously worked together on Interrabang and La Svergognata) and starring a young and mesmerizing Gloria Guida. The film’s low budget meant that Pisano had to make a virtue out of necessity. Rather than using a big orchestra and strings (as is well known, he was a brilliant conductor and string arranger), he relied on a smaller ensemble – almost a chamber ensemble, but with a jazz-like rhythm section – to create sensual late-night soundscapes that exude a downtempo ambience. In a nutshell: smooth, warm, velvety music. The epitome of the lounge sound. At times, whispered, sexy vocals by (the then ubiquitous) Edda Dell’Orso float dreamily over brushed drums, bass, guitars and electric pianos. At others, we find Italian library heavyweights like Alessandro Alessandroni (whose unmistakable whistle can be heard in “Canto Notturno”) and even psychedelic rock influences, as in the acid distorted guitars, furious drums and crazy synths of “Free Dimension”. At yet other times, we’re taken into more easy-listening territory – “Fiore Rosso”, for instance, offers a wonderfully cinematic example of Mediterranean, rather than Brazilian, bossa nova (did they ever thought of using a spinet in Brazil??). The secret to the charm of La Novizia is that it encapsulates the Italian erotic sound of the 70s in all of its nuances, from the morbid, to the prudish, to the naïve. Because yes, this is a record of nuance and musicianship. And while the themes are in themselves simple, the fantastic quality of the writing, arrangement and production is a testament to Berto Pisano’s superb talent, style and professionalism. Finally back to life after decades of obscurity, La Novizia is a thing of beauty – which, as a pretty bright fellow once said, is a joy forever. Don’t miss out on joy.

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Ibeyi

Spell 31

27,99 €*

Release: 2022 / UK – Original

Genre: Pop

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LP | 2022 | UK | Original (Voices Of Wonder)

Anne Marie Almedal

We Dance Alone

The Sound Of Science Mint Green Vinyl Edition

Release: 2022 / UK – Original

Genre: Pop

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Anne Marie Almedal was the singer in the band Velvet Belly, one of Norway's most popular bands in in 1990's. Since then she has pursued an even more successful solo career, with highlights like the theme song from the TV series Himmelblå/Blue Sky Blue, her versions of Paint it Black and Love Song, and songs like Sheltering Sky and You Keep Me At Arm's Length from her previous album "Lightshadow" (with more than 1 million Spotify streams combined). The new album We Dance Alone will be released in May 2022. The new album is mixed by renowned British mixer/producer Tim Bran (London Grammar, Birdy, Halsey, La Roux, The Verve, Walking on Cars, Bloc Party).

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The Sound Of Science

LP | 2022 | UK | Original (Castles In Space)

Some Nights I Dream Of Doors Vinyl Bundle Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

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Dean Honer and Kevin Pearce present a beautifully designed original soundtrack of songs taken from a science show for children and adults alike. Dean Honer is a Sheffield based musician, producer and founding member of many iconic electronic music bands including The All Seeing I, I Monster, The Moonlandingz and The Eccentronic Research Council. He has worked as a producer for bands such as The Human League, Add N to X and Roisin Murphy. Kevin Pearce is a songwriter from Essex. He has received plaudits for his work from The Independent, The Guardian and Mojo magazine. His music has been used on HBO programmes in the USA as well as BBC TV shows in the UK. Castles in Space is proud to present The Sound of Science. Dean explains the background and inspiration for the album: “The idea for The Sound of Science had been in my head for a number of years. “Being a parent of young kids I endured a lot of very cliched and awful children's songs that were attempting to combine education and entertainment. These quickly became a form of torture to me, something that the CIA might use in covert operations to flush out a drug cartel from their hideout. It became apparent that there was a desperate need for informative songs and music that were appealing and bearable for both children and their parents. “I recruited my friend Kevin Pearce, (who I have produced and collaborated with on various projects over the years), to bounce ideas off and who could put together a nice series of chords and could sing! Which helps when writing songs. Kevin is from an acoustic folk background and I'm more of a one finger synth player in the Human League tradition. I thought it would be interesting to mix the folk and electronic element together for children’s songs. Something that harks back to both the BBC Radiophonic Workshop in the 60's and 70's and also the folk songs of TV programmes like Play Away, public information films and music from various weird and oddball kids TV from that era.

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Obongjayar

LP+7" | 2022 | EU | Original (September)

22,39 €* 27,99 € -20%

Kritik Der Leistungsgesellschaft

Release: 2022 / EU – Original

Genre: Pop

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Limited to 300 copies coming with an worldwide exclusive 7" Flexi-Disc.

Produced by long-time collaborator Barney Lister (the pair recently won an Ivor Novello award for Best Song Musically and Lyrically for previous EP track "God's Own Children") "Try" is the opening track to Obongjayar's debut album "Some Nights I Dream of Doors" and its latest single. Steven Umoh grew up in Calabar, Nigeria. He was raised by his grandmother; his mother had moved to the UK to escape Umoh's father, who was abusive. Early in his life, he primarily listened to bootleg rap, particularly Eminem, Usher, Nelly, Snoop Dogg and Ciara. Umoh moved to live with his mother in England at the age of 17, but stayed active in the Nigerian music scene. He grew up a devoutly religious Christian, but became less so after he attended university in Norwich. In college he sang primarily in an American accent, influenced by his childhood spent listening to American hip hop music, but he transitioned to singing in his natural Nigerian-British accent before embarking on his professional career. Obongjayar's music has been called "hard to describe", incorporating elements of afrobeat, spoken word, soul, and electronic music. His lyrics incorporate spiritual overtones, although they are not readily identifiable with any specific religious tradition. A unifying feature of all of Obongjayar's music is his very deep voice, which slides between rapping, singing, and spoken word.

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Knarf Rellöm Arkestra

LP | 2022 | EU | Original (Misitunes)

22,99 €*

Release: 2022 / EU – Original

Genre: Pop

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Homicide Ultra Clear Vinyl Edition

N8noface

LP | 2022 | EU | Original (Blackhouse)

Banner Of A Lost Belief EP

Release: 2022 / EU – Original

Genre: Rock & Indie, Pop

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Nathan Hose, known more commonly as N8noface, has built a heavy history behind his name. Known for his previous work with Crime Killz and a string of solo mixtapes, EP’s and collab projects, he comes out swinging to close out 2021 with “Homicide”. Both a full-length album of all new material and his debut Blackhouse release, N8 shows up with a catalog of raging synth-punk jams, knocked out with only a synthesizer, a computer, and the true-life humility and humanity only he can deliver. The dose of reality that lives within N8noface’s lyrics resonate with a population of people who have stayed true to themselves all the while feeling disenfranchised. People needing an outlet and something raw and new over a year and a half long pandemic (and counting) is the allure behind N8noface, and this record is sure to deliver that and more. Southern California. A Jekyll-and-Hyde atmosphere of glitz and glamour, with a seedy dark side that lays as an unspoken wasteland in the streets. There’s a thriving underground that has always existed among the Southwest United States. It’s a melting pot of the punk, metal, and hip-hop scenes, skateboarding, art, underground fashion, and custom car cultures. It’s also a hotbed for some real-life shit, to say the least. Crime, drugs, homelessness, porn, and shady activity is part of the life; proof that the city is not only wide awake at night, but it burns white hot. With all the musings one would need to inspire nothing less than a prolific output, when it comes to Long Beach-by- way-of-Tucson synth-punk dynamo N8noface, calling him prolific is an understatement.

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Fredatlast

LP | 2022 | EU | Original (Small Matter)

14,99 €*

I Was Just About To Leave White Vinyl Edition

Release: 2022 / EU – Original

Genre: Pop

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Preorder shipping from 2024-11-22

Swedish songwriter and multi-instrumentalist FredAtlast has announced his debut EP 'Banner Of A Lost Belief' to be released on Small Matter Records. Fred, currently better known for his day job as the bassist in Little Dragon, describes lead single 'One Day' as 'A meditation on impermanence and our way of dealing with loss. A plea to our nearest to be: nearer, dearer and more daring'. The EP was written in Fred's kitchen under the spiritual guidance of the late author Sven Lindqvist and has been his way of finding a direct voice, embracing a new sound and diving into the deep well. It was recorded in the Little Dragon studio in Gothenburg with help and support from the rest of the band who feature in different ways on the EP.

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Elis Noa

LP | 2022 | EU | Original (Las Vegas)

30,99 €*

Release: 2022 / EU – Original

Genre: Pop

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LP | 2022 | US | Original (Company)

Uffie

Sunshine Factory

LP | 2022 | JP | Original (P-Vine)

Release: 2022 / US – Original

Genre: Pop

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Welcome to Uffie’s new album Sunshine Factory – an alternate reality that is only accessible to those yearning for escape. A nod to the ballroom scene, it is a place where you can be your most authentic self. Inside this trippy wonderland, you’ll meet Uffie, dancing amongst the lights of your hallucinations. Sunshine Factory is a wonderfully restless record. It’s a joyride through the club, hurtling into the forest, and crowd surfing into the arms of a lover… and yet it’s also the sound of waking up to a heap of champagne soaked jeans, the bass of your heart still throbbing along to last night’s melodies. A decade after her first record, which included–debatably–the internet’s first viral hit, the electro smash “Pop The Glock,” Uffie “the French-American singer/rapper/DJ/fashion designer who took the internet by storm” (Brooklyn Vegan) is most definitely back. Raised between Florida and Hong Kong before moving to Paris with her British father, the now Los Angeles-based Uffie is undeniably a “child of the world;” unsurprisingly, the making of this record clocked up a few air miles as well. Birthing what would become the Sunshine Factory in Fonte da Telha, Portugal collaborating with Norwegian savant Lasse Lokøy, Uffie soon found a home for these songs back in California with Chaz Bear of Toro y Moi–who co-produced several of the tracks–and his Oakland-based label, Company Records. The resulting album is one of intricate production, sonic experimentation, and subtle poetic brilliance amongst a few Fleabag glances to the camera. Amidst double entendres galore, her record exists in a curious space between punk and pop, which can be heard in the ska-meets-fashion week “dominoes.” Contrarily, “sophia” – which marked the advent of Uffie and Chaz’s creative partnership several years ago – poises Sunshine Factory as an otherworldly dance record one would hear in Berlin’s famous Berghain nightclub. She is the party girl who is at her most vulnerable in the chaotic “where does the party go?” where she reckons with facing who she truly is when she’s all alone. It’s in these dualities and juxtapositions that the joy of Uffie writhes. The album also has a cameo or three, including the one and only Peaches. And after finding kinship and admiration in the genre-defying Nnamdï, she tapped him for the record’s sole feature on “month of mondays.” It is at this point in the record that the beloved je ne sais quoi that Uffie has always possessed really emerges. When the comedown begins and the insatiable few remain on the dancefloor, “a month of mondays” is the knowing nod to a stranger signaling the night’s shift in course. With Sunshine Factory, it’s a pop-up party wherever you can find some speakers.

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Jintana & Emeralds

Emerald City Guide

31,99 €*

LP | 2022 | EU | Original (Kscope)

Release: 2022 / JP – Original

Genre: Rock & Indie, Pop

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"After a gap of seven years, Jintana & Emeralds have returned to charm once again with their genre-hopping blend of doo-wop melodies and futuristic electronic productions. Across these ten tracks, the band seek out fragments of beach-pop, surf and soul of the sixties, and feed them into a Japanese built revival machine. P-vine is delighted to be bringing this album to vinyl format in what’s been a year of celebrating past and new for a band who continue to take life in their stride. The celebrations get underway without hesitation on album opener ‘Oh! Southern Wind,’ where hitomitoi’s spell-binding vocals pull down the covers, setting off a hall of swaying melodies and glistening strings as the corkscrews fly. ‘Love Again,’ with a guest appearance from Stones Throw Records’ almighty Los Retros, is an album highlight, and in the context of the record, his vocals take on peculiar likeness to Tetsuro Yamashita as the band deliver a dreamy modern-day city-pop classic.

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Lunatic Soul

30,99 €*

LP | 2022 | EU | Original (Morr Music)

Release: 2022 / EU – Original

Genre: Pop

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Lunatic Soul I is the critically acclaimed beginning to an unsettling story that was followed up with second album II. Duda explained this concept as "a journey through the afterworld, a place that exists somewhere in-between, enriched with new motifs and retrospections. A sort of road movie about a lost soul." Since the release of their debut album in 2003, Riverside have built a solid fan base in a genre that boasts the likes of Porcupine Tree, Opeth and Dream Theater. Lunatic Soul adds another name to this new post-progressive stable.

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Minru

Liminality

EP 1+2 Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Pop

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Minru is the project of Caroline Blomqvist, a Swedish musician based in Berlin. Woven from light and shadow, the interplay of her folk and indie-rock blend appears from a personal space of finding life after death. On her debut LP »Liminality« she paints melody in soft tones, whispering secrets to navigate feelings of loss.

Built around winding layers of acoustic guitar, piano, and strings, Minru is a surprisingly uplifting and stirring testament to Blomqvist’s own suffering from the passing of someone close to her. Returning to Berlin from Sweden feelings of grief, confusion, and pain travelled with her, and these emotions prompted the journey both of and within the album, heard as a dreamlike actualisation of wandering lost between them. "I read that Carl Jung used the word "»Liminality«” to describe the psychological process of transitioning. I instantly felt seen; it reflected my own experience and the feelings I carried whilst making the album – a sense of the old certainties being gone, but the new not being quite there yet,” she says.

Defined as "the threshold separating one space from another" »Liminality« moves between feeling the ground beneath your feet fall away, fighting through the darkness and the doubt, and the emerging shades of hope and light as you painstakingly make peace with mortality and find yourself as a person again. "I am happy to have encapsulated this moment of time in sound," Blomqvist says, "it will always be there as a memory."

Flourishing from a preferred position of solitude, »Liminality« sees Blomqvist’s vision radiate with intensity from her home-based studio in Neukölln - a small, 2-room apartment with squeaky old wooden floors. Capturing the intimacy of the space, she recorded vocals and synth on gear partly borrowed from friends (to swiftly reunite it with its owners), and the songs flow with a stream of consciousness as feelings become entwined with melody. Time-restraint drew the process to a natural close, preventing Blomqvist from losing herself to experimentation. “Maybe I would have been stuck in »Liminality«, trying out sounds forever,” she suggests of the way ‘Into the well’s instrumental swims into a warm stream of synth pads. "It’s the cosiest moment on the album,” she says, “Cosy is a feeling I always strive for in life."

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Yaeji

LP | 2022 | UK | Original (Yaeji)

10" | 2022 | EU | Original (Goliath)

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

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A lot has been said and repeated about the interiority of this club music - how the joyful tremor of the "Raingurl" refrain holds hands with such soft and doubtful verses. How special it is that house music so of New York can contain storytelling cultivated so far away. That repetition is born of people all over the world going out, and staying in, with this music as a compass; songs that define so many late night hangs for crews of friends, singalongs in DJ booths, contemplative 5am walks home from the club. What can get lost in that repetition, in the shifting canonization of these recordings as symbols of any one scene or moment, is what was behind the pair of round glasses reflecting so tirelessly outwards. Yaeji, an exceptional friend only at the very beginning of finding herpath as a cross-disciplinary artist and collaborator.Yaeji wrote this music while going out nearly every night of the week to DJ and support her own NYC community of friends at their turns behind the decks. These tracks originated from explorations in dancefloor anonymity, growing from seeds planted by sharing her first musical experiments online.

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Nick Cave

Seven Psalms

2LP | 2022 | EU | Original (Think Zik!)

Release: 2022 / EU – Original

Genre: Rock & Indie, Pop

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‘While in lockdown I wrote a number of psalms, or small, sacred songs—one a day for a week. The seven psalms are presented as one long meditation—on faith, rage, love, grief, mercy, sex and praise. A veiled, contemplative offering borne of an uncertain time. I hope you like it.’ Nick Cave

The new project features seven spoken word pieces set to music by Nick Cave in collaboration with Warren Ellis, and a 12 minute instrumental, recorded during the Carnage album sessions. It was produced by Nick Cave with Luis Almau.

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Think Zik! All Star

Acoustic Love Sessions

2LP | 2022 | EU | Original (FKJ)

Release: 2022 / EU – Original

Genre: Pop

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Acoustic " Love " Sessions, is the first part of the Acoustic Sessions collection conceived by the Think Zik label ! The concept is simple: 14 love songs in English revisited in their simplest form. In these times when music is so formatted, the freshness of this organic album, is a pleasure to hear by finding the salt of great voices such as Ben Uncle Soul, Imany, Rover, Faada Freddy, Tété, China Moses, or Hugh Coltman. Are also highlighted new voices, such as Saandia, Anwar, Ginne Marker or Yaya Minté. The album was produced by Johan Dalgaard, pianist / keyboardist known for playing with Benjamin Biolay, Jean-Louis Aubert, Gaëtan Roussel, ... He also produced the album of Alain Chamfort awarded at the Victoires de la Musique in 2019, several albums of Christophe Maé and the latest album of Bénabar.

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FKJ

V I N C E N T

32,99 €*

LP | 2022 | EU | Original (Deewee / Because Music)

Release: 2022 / EU – Original

Genre: Pop

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„V I N C E N T“ ist FKJs zweites Album. Es markiert den Beginn eines neuen Kapitels für FKJ, der damit nach seinen Arbeiten als gefragter Produzent und zentrale Remix-Adresse für andere Künstler:innen wie PinkPantheress und Moses Sumney das nächste künstlerische Solo-Statement macht – nachdem er zuletzt schon ausverkaufte Konzerte in aller Welt mit seinen gefeierten „One-man-Shows“ verbuchen konnte. Kombiniert liegt auch die Zahl seiner Streams inzwischen im Milliardenbereich.

Das Konzept des „V I N C E N T“-Albums entstand während eines Soloabstechers nach Los Angeles, den er schon vor dem Jahr 2020 antrat. „Ich wohnte dort dann ganz allein in so einem Haus … und schaltete auch mein Telefon ab, um wirklich runterzukommen. Ich brauchte einfach etwas Abstand und Zeit für mich, weil ich herausfinden wollte, was ich eigentlich als nächstes machen wollte.“ Schon bald wurde ihm klar, dass er demjenigen Freiheitsgefühl nachspüren wollte, das man als Teenager hin und wieder spürt. „Damals habe ich einfach nur gespielt, es ging beim Musikmachen um nichts anderes. Ich hab über nichts nachgedacht“, so FKJ. Genau dieses Gefühl kommt schon im Eröffnungs- und dem Abschlusstitel der neuen LP durch: einerseits der Future Jazz von „Way Out“ – eigentlich ein verspielter Mini-Soundtrack: eine anmutige Pianomelodie, unterfüttert mit wilden Trap-Beats und ruhigen Streichern – und das fast wie ein Schlaflied wirkende „Stay A Child“. „Ich wollte einen Teil von dieser verlorenen Unschuld zurückholen … diesen Augenblick, wenn man einfach nur aus purem Vergnügen Musik macht.“

Wieder zurück im eigenen Home Studio auf den Philippinen angekommen, dort sogar ohne Wlan und zunehmend abgeriegelt durch internationale Lockdown-Maßnahmen, war FKJ nun tatsächlich abgeschnitten vom Rest der Welt. Was auch bedeutete: noch weniger Ablenkungen. Es war die ideale Gelegenheit, um ganz allein die endlosen Möglichkeiten der Musik zu erkunden. „Manchmal habe ich die ganze Nacht durch an den Songs gesessen und bin erst ins Bett gegangen, als schon wieder die Sonne aufging.“ Dieser unbefangene Ansatz war entscheidend: Basierend auf dieser Freiheit ist ein expressionistisches, wirklich berührendes Album entstanden, das man unmöglich einordnen kann. Auch versteckt sich FKJ nicht mehr hinter irgendwelchen grünen Zweigen, wie er es auf dem Cover seines Solodebüts getan hatte: Mit „V I N C E N T“ tritt FKJ heraus aus dem Schatten und zeigt sich, seine Stimme als Musiker, seinen Sound. Indem er Saxophon und Klavier aus Late Night Jazz-Sessions mit geerdetem Flüstergesang (à la Bon Ivers Frühwerk) und Gitarren à la Santana zusammenbringt, gibt er sogar dem schwierigen Begriff Chillout Music eine ganz neue Bedeutung.

Während weite Teile von „V I N C E N T“ vor allem romantisch klingen, geht’s ab und zu auch richtig sexy zu, dann wieder verträumt, den Kopf hoch oben in den Wolken – wie etwa bei „Us“, den er seiner Frau June widmet. „ihm“ kommt mit Nineties-Hip-Hop-Einschlag daher, wobei er jedoch immer weiter das Tempo drosselt und das Licht dimmt. Genau genommen doch nicht 100% solo eingespielt, hilft ((( O ))) schließlich beim Song „Brass Necklace“ aus – was ähnlich eindringlich klingt wie The Internet oder die Keys, wenn Stevie Wonder sie spielt. Zusammen mit Toro Y Moi setzt er für die Leadsingle „A Moment of Mystery“ auf astreine Space-Trip-Vibes, die tatsächlich aus nicht ganz nüchternen Parallelwelten stammen: Während der Arbeit in San Francisco tranken FKJ, Toro und dessen Keyboarder Tony eine Flüssigkeit, die Tony als „heiliges Wässerchen“ bezeichnete … „Wir teilten uns dann die ganze Flasche, was in einen ziemlichen Trip mündete“, erzählt FKJ und lacht. Zurück in der Realität, ist das Ergebnis dieses Trips eine sanfte Electro-Ode auf dauerhaftes Liebesglück. Vor allem ist es ein Track, der in Sachen Eingängigkeit und dezentem Prog-Faktor selbst Tame Impala in nichts nachsteht.

Auch Yukimi Nagano (Little Dragon) ist am Mikrofon zu hören – auf dem umwerfenden „Can’t Stop“ –, und mit „Let’s Live“, einem treibenden Technopop-Song, in dem Handclaps, Klavier und Vocals perfekt miteinander verschmelzen, besinnt sich FKJ noch einmal auf seine Anfangstage zurück, als seine Produktionen noch größtenteils ins Dance-Genre passten. Obwohl er immer wieder Kategorien aufsprengt und seine Stücke kontinuierlich mit neuen Ideen erweitert, wirken die Tracks nie aufgeblasen, nie zu dick aufgetragen. Trotz der Vielschichtigkeit wird einem nie schwindelig.

Insgesamt ist „V I N C E N T“ ein kleines Wunder. Es ist der Beweis, welche Magie entstehen kann, wenn man nur tief genug gräbt, Inspirationen lange genug reifen lässt. „Das war schon eine echte Herausforderung, diese Platte aufzunehmen“, sagt er abschließend. „Ich bin nun mal eigentlich ein Perfektionist – und das kann man nicht einfach so abschalten. Als ich es dann jedoch geschafft hatte und die Musik selbst tonangebend war, fühlte ich mich mit einem Mal vollkommen frei.“

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James Righton

Jim, I'm Still Here

LP | 2022 | EU | Original (Sichtexot)

Release: 2022 / EU – Original

Genre: Pop

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A download code is included.

‘Jim, I’m Still Here’ is the second album from James Righton under his own name; produced by David & Stephen Dewaele of Soulwax and released on their label DEEWEE, the album follows The Performer released in 2020. James’ musical past is well documented; as the frontman of the genre inventing Klaxons, he helped create a revolution in British music and spawned a youth subculture. ‘Jim, I’m Still Here’ is a captivating meditation on the artists experience of the pandemic as James looks to conceptualize the myriad of emotions and events into a fascinating third person narrative. One of the album tracks features Benny Andersson from Swedish pop legendary band ABBA, with whom James has been working on putting together their new live band.

"I wrote this record during the first few months of the pandemic. At the time I wasn’t intending to make any music. I’d just released ‘The Performer’ on what turned out to be the first week of lockdown. The outside world shut down and I was busy being Dad. Then. I started making notes on my phone. Just words. In moments stolen from family life I’d head downstairs to my garage studio and put the words to music. When I was happy with a song I’d send it to Dave and Stef. Demos and Pro Tools sessions were passed back and forth between my home studio and the Deewee studio in Ghent. I was nervous about their response to the music I was making. It was personal, raw: unlike anything I’d ever written before. A conversation with the outside world during these times of isolation. For the most part my life was centred on the domestic. Getting to spend so much time with my family was a blessing. Making music was my play time. Isolation opened me to memories and allowed me to dream of the future. As the outside world tried to adapt to the pandemic I was asked more and more to promote ‘The Performer’ in live stream concerts on various platforms. As the pandemic went on, demands on production increased (more camera angles, better lighting, higher quality audio recordings). It became a one man show. I’d head downstairs to my garage, put on my Gucci suit, comb my hair and become someone else. Jim. Jim the deluded rock star, living out his fantasies from the confines of his garage. A lonely stardom. And yet, Jim was part me. He made me feel like I still existed. Jim became the centre of the new album. Dave, Stef and I worked into the sessions over the following months. It was always exciting to see where they would take my initial demos. The working method and the restrictions of making music together but in separate spaces, separate countries shaped the sound and feel of the record.
I won’t make another record like this again”.James/Jim

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Wandl

Body Memory

LP | 2022 | US | Original (Italians Do It Better)

Release: 2022 / EU – Original

Genre: Hip Hop, Pop

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Like some of his contemporary UK peers (looking at you, Tom Misch and Jordan Rakei), the 27-year-old Austrian producer-turned-singer Wandl is a rare example of an artist that’s able to combine the groove and emotionality of soul music with colorful electronic textures and the exciting and youthful feel of hip-hop. His third solo album »Body Memory« works as an empowering statement of clarity and immediacy. Being blunt, it could be described as Wandl’s »pop album«, even though that might do a disservice to his craft. Still, to this day there is no work in his catalogue that allows Lukas Wandl, the human, that much space for presentation.

Recordings for »Body Memory« started even before his last album »Womb« was released in 2020. For Wandl, the process of working on it mirrors the idea of opening himself back up to a community. It all started when he found himself in a place of brokenness, physically and mentally drained, having to cancel a planned tour because of this. To overcome the resulting state of depression and hopelessness, he instigated a process of tuning back in with his environment and the world at large. »Body Memory« is the result of this inner journey, exploring the fact that stress and emotional injuries are stored in our bodies and therefore can only be expressed and given form through our bodies.

For »Body Memory«, Wandl worked with some of his usual peers from the Austrian scene, such as Dorian Concept, The Clonious, Fid Mella or Lex Lugner, but also his new partner-in-crime, German beatsmith Torky Tork, that co-produced almost half of the record. To let their joint creative spirits flow, they traveled to Poland to build a foundation of tunes, while others were written and recorded in Vienna, Berlin, the Austrian countryside and even the basement of Wandl’s parents’ place in St Pölten, Lower Austria. No surprise that this album has turned out a deeply collaborative work, as almost every track contains contributions from multiple musicians. Not forgoing the playfulness and innovation of his past records, Wandl moves his emotional, fragile vocals to the very front of the mix for the first time. In moving past his comfort zone, he breaks free from learned stereotypes of taste, writing slightly more conventional, but still extremely authentic songs. Working to regain access to his true inner voice and intuition, Wandl has written an album of sheer physicality, but also immense emotional depth and beauty.

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Jorja Chalmers

Midnight Train

40,99 €*

LP | 2022 | EU | Original (Undamento)

Release: 2022 / US – Original

Genre: Pop

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Jorja Chalmers enjoys a quiet life. The Australian born mother of two lives in Margate, the Kent coastal town that is turning into something of a cultural hub. Yet there’s another, shadow version of Jorja Chalmers, one that resides in a liminal realm; a saxophonist & composer, a brooding, vampiric, twilight soul who yearns for some sense of aesthetic transformation.

New album Midnight Train comes close to severing the two. Constructed during the long winter lockdown, Jorja would put her kids to bed before closing the door in the spare room, building lengthy, undulating passages of cinematic terror, patching together European art-pop glamour with outsider electronics. It’s composed, intense, and challenging—but it’s also utterly exhilarating.

It’s not been a straight-forward path. Burned out following years of classical studies in her native Sydney, Jorja traveled half-way round the world looking for an escape. Settling for some ad hoc office jobs in London, she started kicking around in b&s, playing saxophone for a friend’s new wave project. Someone from Bryan Ferry’s team spotted her at some flea-bit bar, and was infatuated—soon Jorja started touring the world with Roxy Music.

Jorja’s 2019 debut album Human Again was sketched in hotel rooms across Europe & North America, ideas punched out on down-time between shows. Open ended and lucid, its formless, dreamy atmospherics touched freely on darker aspects of the psyche. This time round, however, things are a bit more defined.

Midnight Train is a treasure trove of ideas. Indeed, it could well be the album Jorja had waited her entire life to make—aspects of minimalism sparked by a teenager who spent countless hours memorizing Michael Nyman’s seminal film score for The Piano, set against cinematic electronics & swathes of huge, enveloping, classical dynamics.

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Ceri

Waxtape

Slingshot Canary Yellow Vinyl Edition

Release: 2022 / EU – Original

Genre: Pop

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The first fully electronic album by the italian DJ/producer becomes physical in a very special vinyl containing 7 tracks of the "waxtape" selected by the artist himself Ceri, alias Stefano Ceri, is currently one of the most influential personalities in the Italian music scenario: an eclectic musician and producer that redefined and “refreshed” the sound of the most recent years through his artistic sensibility and innovative spirit. He collaborated with some of the biggest Italian music icons such as Mahmood, Alan Sorrenti, Marco Mengoni, Salmo, Coez, Calcutta, Franco126, Frah Quintale, Crookers, Joan Thiele and many others.

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Jaywood

LP | 2022 | US | Original (Captured Tracks)

The Last Goodbye Mint Green Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves, Pop

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Canadian songwriter and producer Jeremy Haywood-Smith needed an escape from his state of mourning when he began working on Slingshot, his most recent LP as JayWood. After the loss of his mother in 2019, and a global standstill with multiple social crises throughout 2020, Haywood-Smith yearned for some forward momentum. "The idea of looking back to go forward became a really big thing for me _ hence the title, Slingshot." Feeling disconnected from his past and ancestry after the death of a parent, Haywood-Smith made a conscious effort to better understand his identity and unique Black experience living in the predominantly white province of Manitoba. Merging fantasy scenarios, personal anecdotes, and infectious pop and dance instrumentals, Slingshot is a self-portrait of JayWood at his surface and his depths. Musically, Slingshot reaches into sounds and styles Haywood-Smith has continued to explore throughout his catalog. "I think I made a really big deal to not pigeonhole myself," he explains. "Whatever is inspiring me at one point will work it's way into whatever I'm creating." Slingshot is an amalgamation of Haywood-Smith's many musical sensibilities, achieved with help from a crew of talented peers. Haywood-Smith wrote and performed a bulk of the track's instrumentations, but the LP has notable appearances from Canadian contemporaries Ami Cheon (on "Just Sayin") and Mckinley Dixon (on "Shine.") The album's penultimate track, "Thank You," was co-produced with Jacob Portrait of Unknown Mortal Orchestra. The song brings JayWood's sound full circle, offering something reminiscent of Haywood-Smith's earliest recordings, while flaunting that "The best is yet to come."

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ODESZA

2LP | 2022 | UK | Original (Foreign Family Collective / Ninja Tune)

The Last Goodbye Mint Green Deluxe Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

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Symphonic, vast, and emotionally stirring, ‘The Last Goodbye’ is the duo’s most ambitious album to date. Nostalgic yet rooted in the present, it serves as a sweeping sonic experience that speaks to themes of connection and reminiscence. Interwoven with both the new and the old, the album is interspersed with personal audio clips from home video footage, hypnotherapy sessions and even the voices of the duo’s parents, plus features The Knocks, Bettye LaVette, Maro, Låpsley, Ólafur Arnalds, Julianna Barwick, Izzy Bizu and Charlie Houston. These collaborations follow previous high-profile musical partnerships with the likes of Leon Bridges, Little Dragon, Regina Spektor, RY X, Naomi Wild, and more.

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ODESZA

2LP | 2022 | UK | Original (Foreign Family Collective / Ninja Tune)

Tape | 2022 | UK | Original (Foreign Family Collective / Ninja Tune)

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

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Limited edition incl. Artprint.

Symphonic, vast, and emotionally stirring, ‘The Last Goodbye’ is the duo’s most ambitious album to date. Nostalgic yet rooted in the present, it serves as a sweeping sonic experience that speaks to themes of connection and reminiscence. Interwoven with both the new and the old, the album is interspersed with personal audio clips from home video footage, hypnotherapy sessions and even the voices of the duo’s parents, plus features The Knocks, Bettye LaVette, Maro, Låpsley, Ólafur Arnalds, Julianna Barwick, Izzy Bizu and Charlie Houston. These collaborations follow previous high-profile musical partnerships with the likes of Leon Bridges, Little Dragon, Regina Spektor, RY X, Naomi Wild, and more.

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ODESZA

The Last Goodbye

17,99 €*

Dead Lights Black&White Splatter Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

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Dead Lights

2LP | 2022 | EU | Original (Cold Transmission Music)

22,49 €* 24,99 € -10%

LP | 2022 | EU | Original (DeepMatter)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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Limited to 200. After their two well-received debut EPs in 2020 (‘Death Pop’ and ‘Hex’), the enigmatic duo now presents their highly anticipated debut album. ‘Dead Lights’ showcases the duo’s visceral and sleazy hybrid of hard hitting dance beats, monumental synth bass lines and catchy vocals in 9 brand new songs. Far away from the creative wasteland of retro synthpop, or the machismo of metal-infused industrial, the androgynous duo creates raw art that disrupts gender and genre, offering high energy, dark electronic songs with killer grooves that cross the borders between dancefloor TDM and electropop.Imagine the gritty sounds of Gesaffelstein or Schwefelgelb on one hand, and the dance vibe of The Chemical Brothers and The Prodigy on the other. Locked together in energetic, dark,industrial electropopsongs destined to fill dancefloors in a dystopian world.

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Quinn Oulton

Alexithymia

Fatal Mistakes: Outtakes & B-Sides

Release: 2022 / EU – Original

Genre: Pop

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Quinn Oulton’s debut album ‘Alexithymia’ is a deconstruction of the struggle that many young men face when processing and expressing strong emotions. It takes the form of a linear story, pieced together from many moments of emotional intensity Quinn has faced throughout his life, existing within all types of personal relationships. This is a project that sees the stylistic and textural experimentation from his previous work fuse into a powerfully creative, personal, and emotive sound, channelling the albums title name: ‘Alexithymia’ is the inability to recognize or describe one's own emotions.

The album was written, performed and co-produced by Quinn Oulton, and it includes tracks featuring Moses Boyd and Genevieve Artadi.

“My album ‘Alexithymia’ dissects events from different relationships, whether family, friends, or romantic, presented as a single story from start to finish. Obsession, frustration, passion, false hope, grief, self-pity, helplessness, and acceptance are all part of this story.

I wrote it in this way because I was trying to work out why I connect so much with sad or melancholic music, and I realised that maybe listening to that music was filling a hole that I didn’t know I had. It was comforting to hear somebody process their own troubles outwardly when I didn't feel I had a way, or even a reason, to do so myself. Writing the album has been an extremely therapeutic process as I've been able to seek out difficult parts of my life that I'd buried because I couldn't process them at the time.

I think a lot of people, particularly men, struggle to recognise and process their own emotions. It makes it very hard to share them with others, and it’s something that needs addressing to allow for healthier relationships with other people and yourself.”

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Del Amitri

LP | 2022 | UK | Original (Cooking Vinyl)

22,94 €* 26,99 € -15%

Finally Enough Love Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Pop

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When Cooking Vinyl asked us to supply material for a Bonus CD to go with the various Fatal Mistakes packages, we seized the chance to resurrect the B-Side. We knew we had at least ten tunes written for the album that didn't make it into the final sequence and we also knew that we didn't see them necessarily getting onto the next studio album. At A&M in the 1990s, every single (there were at least three from each album) was issued in multiple formats (7", 12", CDs 1&2, cassette), each format requiring at least one exclusive new track. That gave us the opportunity to go into the studio and try different things, without the supervision of a producer or the commercial pressure of making album masters. We learned an awful lot doing those sessions and were very proud of the quality of many of those B-Sides. As time ticked by we also noticed that a lot of fans were catching on to these tunes. Everyone had a favourite or two. So in the absence of the physical single, Fatal Mistakes: Outtakes and B-Sides allows us that freedom to play around with new songs away from the spotlight of the album proper. Two of these tracks, Lips Of London and Gone In A Second, were recorded and mixed as part of the 2020 album session and the rest were written for the project and recorded remotely during the winter lockdown of '21. They should work as companion pieces to Fatal Mistakes and as long as someone somewhere claims one of these B-Sides is better than anything on the album we'll be happy.

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Madonna

2LP | 2022 | EU | Original (Warner)

33,14 €* 38,99 € -15%

Finally Enough Love Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Pop

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Red vinyl edition, in Germany, Austria and Switzerland with 1000 copies exclusive to HHV customers. Madonna is the first and only recording artist to have 50 #1 hits on any single Billboard chart. To celebrate this historic milestone, Madonna curated a new 50-track collection titled Finally Enough Love: 50 Number Ones which includes her favourite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades as well as an abridged 16-track version, titled Finally Enough Love. This 140-gram 2LP gatefold jacket includes single covers and a track-by-track on all featured 16 number one singles.

This collection highlights You Can Dance, Madonna’s first ever remix collection. Celebrating 35 years this year, You Can Dance has sold more than five million copies worldwide and is still the second best-selling remix album of all time. The collection also pays homage to “Everybody,” Madonna’s first single. Each remix was newly remastered for the collection by Mike Dean, who produced Madonna’s two most-recent studio albums, Rebel Heart (2015) and Madame X (2019). Along with those rarities, this album also introduces the “Offer Nissim Promo Mix” of “Living For Love” as its first official release.

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Madonna

2LP | 2022 | EU | Original (Warner)

36,99 €*

LP | 2022 | EU | Original (TAL)

Release: 2022 / EU – Original

Genre: Pop

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Madonna is the first and only recording artist to have 50 #1 hits on any single Billboard chart. To celebrate this historic milestone, Madonna curated a new 50-track collection titled Finally Enough Love: 50 Number Ones which includes her favourite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades as well as an abridged 16-track version, titled Finally Enough Love. This 140-gram 2LP gatefold jacket includes single covers and a track-by-track on all featured 16 number one singles.

This collection highlights You Can Dance, Madonna’s first ever remix collection. Celebrating 35 years this year, You Can Dance has sold more than five million copies worldwide and is still the second best-selling remix album of all time. The collection also pays homage to “Everybody,” Madonna’s first single. Each remix was newly remastered for the collection by Mike Dean, who produced Madonna’s two most-recent studio albums, Rebel Heart (2015) and Madame X (2019). Along with those rarities, this album also introduces the “Offer Nissim Promo Mix” of “Living For Love” as its first official release.

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Automne Six