Search "record store day" 759 Items

Release: UK – Reissue

Genre: Organic Grooves

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Belgium, not the first place you'd think of when it comes to Latin or Afro funk. Yet one of the greatest records to blend both styles came from the small northern European country, masterminded by Nico Gomez and his Afro Percussion Inc.

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Trio De Curda

Liber Tango

LP | US | Reissue (2xhd)

59,99 €*

14 Joyas Musicales Cubanas - Volúmen 6

Release: US – Reissue

Genre: Organic Grooves

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180g

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V.A.

LP | VE | Original (Guantanamera Record's)

Willy Baranda & His West Indies Music

Release: VE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover is close to VG+.

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Ritmo Tropical

LP | NL | Original (Grand Gala Stereo)

LP+CD | EU | Reissue (Munster)

Release: NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on label.
Small light scuff on side 2.
Small writing on front cover.

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Los Jets

Leccion De Twist

16,99 €*

LP | JP | Original (Columbia)

Release: EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Formed in 1961, Los Jets are one of the essential bands in the emergence of rock & roll music in Argentina. They were the first group (and possibly the only one) to include two drummers, they sang and did three-part choruses before The Beatles appeared on the scene, and were also pioneers in fusion as they recorded Argentine and Latin American folk songs with a rock beat. This compilation gathers tracks from their two LPs, singles and their only surviving live recording, registered in January 1966. Includes CD with 15 bonus tracks.

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Juan Mendoza

8,99 €*

Orchestra De Granados Directed By Jaime Jardin

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.
Includes original insert.

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Stereophonic Top Tango

LP | JP | Original (Kapp)

14,99 €*

Mariachi México de Pepe Villa

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Red Vinyl.

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Mariachi

LP | MX | Original (Son-Art)

9,99 €*

Release: MX – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

The Best Of Latino Sound Vol. 3

V.A.

2x12" | UK (Revenge)

6,99 €*

The Legend Of The Sun Virgin

Release: UK

Genre: Organic Grooves, Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Only record 1! Record 2 and cover are missing.

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Yma Sumac

LP | 1955 | EU | Reissue (Ellas Rugen)

Perez Prado & His Orchestra

Release: 1955 / EU – Reissue

Genre: Organic Grooves

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With the intention of celebrating the music of Yma Sumac and continuing to spread her legacy, Ellas Rugen Records reissues on vinyl one of the highest points of her career: "Legend of the Sun Virgin", recorded in 1952 in the United States by Capital Records. The production, which she signed with her husband and close collaborator, the composer Moisés Vivanco, reflects the exotic proposal of Sumac, a pioneer in World Music and a true ambassador of Peruvian culture in the world. True to the spirit of this new record company, the vinyl has been carefully edited and it includes unpublished photos from Sumac's personal archive, an informative text written by renowned historian Carmen McEvoy and a state-of-the-art sound remastering. In addition, through the pre-sale, which has already started through BandCamp, collectors will be able to access a limited edition that includes a colored vinyl. With this, Ellas Rugen Records begins its journey with the aim of reclaiming and giving a new life to the great Latin American artists of the second half of the 20th century. In addition to Sumac’s reissue, the label already has its next releases in process, which will focus on iconic singers from Venezuela and Mexico. “Due to the lack of cultural preservation policies and the negligence of small record labels from the 60s, 70s and 80s, a lot of our musical legacy is being lost. The current low profitability of these projects means that large companies forget productions that still have a lot to contribute. This is why this label aims to honor these artists by reissuing, revaluing and bringing their best productions to new generations”, says Jalo Nuñez del Prado, music producer, founder and director of Ellas Rugen Records.

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Havana, 3 A.M. Record Store Day 2023 Red Vinyl Edition

LP | 1956 | US | Reissue (Poppydisc)

The Dick Hyman Trio, Ralph Burns And Leonard Feather And Their Orchestra

Release: 1956 / US – Reissue

Genre: Organic Grooves

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1956 album from the "King of Mambo". Red Opaque colour vinyl.

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The Swinging Seasons

LP | 1956 | US | Original (MGM)

8,99 €*

Antonio Carlos Jobim / Vinicius De Moraes

Release: 1956 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Tear in top spine.

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Orfeu Da Conceicao Clear Vinyl Edition

LP | 1956 | EU | Reissue (Sowing)

23,99 €*

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Exotica (Mono) Black Vinyl Edition

LP | 1957 | EU | Reissue (Jackpot)

LP | 1957 | EU | Reissue (Honeypie)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Martin Denny’s Debut #1 Album Originally Released in 1957. Original Mono recording preferred by Martin Denny and featuring Arthur Lyman & Augie Colon. “Exotica” spawned an entire genre and the birth of the Tiki/cocktail movement starts here.

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Tito Puente

Afro-Cuban Percussion

Lord Composer With The Calypso Champions

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Timbalero and vibraphonist Ernesto Antonio "Tito" Puente (1923–2000) is known for his Latin albums, their convoluted but accessible and feisty percussion segues and the introduction of the Mambo subgenre to North American ears. There is, however, only one album where he truly concentrates on the Latinized percussion side of things, and it may be both his most experimental or reduced and his best exotic work at the same time. This 1957 recordings - originally by the name of Top Percussion - brought together Tito, Mongo Santamaria, Willie Bobo, Aguabella and Julito Collazo on percussion with vocalists that included Mercedita Valdez, in seven wonderful cuts of traditional and (then) contemporary Afro-Cuban skin-on-skin. Then as an unexpected gift, there is a seven-minute Latin-jazz suite featuring Puente's considerable jazz-arranger head and a powerful band with Doc Severinson on lead trumpet.

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Songs From The Caribbean

LP | 1957 | US | Reissue (Art Records)

17,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: G+

Record has many hairlines and surface marks. label missing on b-side.

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Primitiva Colored Vinyl Edition

LP | 1958 | EU | Reissue (Jackpot)

LP | 1958 | JP | Original (HiFi)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1958, Primitiva is a rhythmically rich and inimitably exotic Martin Denny experience. Reissued by Jackpot Records on limited edition ocean blue color vinyl, Primitiva highlights the burgeoning sound of ’50s exotica music, with Denny’s diverse soundscape ranging from vibraphones and marimbas, to Burmese gongs and Buddhist prayer bowls. This third outing from the father of exotica shines in style with stand-out tracks like “Burma Train”, “M'Gambo Mambo”, and “Jamaica Farewell” spanning from the Caribbean coast, to the South Pacific islands, and beyond. Pairing perfectly with beachside Mai Tais and ornamental umbrellas, Primitiva is a hallmark of the mid-century’s lounge music fascination, and is replete with animal cries, pulsing percussion, and enough groovy goodness to keep it a mainstay of your rotation.

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The Caballeros

T Town

Release: 1958 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Forbidden Island Dark Lava Colored Vinyl Edtion

LP | 1958 | US | Reissue (Jackpot)

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Sourced From The Original Master Tapes, Martin Denny's Third Release; 4 1/2 stars (Billboard Magazine);

There’s a reason why Martin Denny remains a cultural touchstone—his records are as earthly as they are from outer space. Forbidden Island was Denny’s third record, recorded after a nine-month residency in Hawaii.

This era finds Denny just on the cusp of being a household name, a period where his records would shortly become certified Gold. Forbidden Island is a solidification of Denny being the King of the Exotica sound, where his recordings could illuminate just enough darkness across the Tiki Bar to let a few of us slowly dance the night away.

These reissues also include the original iconic album artwork featuring model/actor Sandy Warner (which was often the gateway into these albums before we ever heard the music in these grooves).

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Afro-Desia Colored Vinyl Edition

LP | 1959 | EU | Reissue (Jackpot)

LP | 1959 | EU | Reissue (Life Goes On)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Travelling beyond the tropical waters of the South Pacific, Afro-Desia showcases Martin Denny’s foremost foray into the sounds and rhythms of the African continent. Pressed on flame-orange color vinyl, Afro-Desia’s twelve tracks burn bright and bring the groove with a chorus of marimbas, timbales, congas, and the sounds of the safari itself. Featuring eclectic and atmospheric tracks like “Simba”, “Aku Aku”, and “Jungle Drums”, this record, originally released in 1959, marks the end of Martin Denny’s ’50s experimentalism before his move into more conventional cocktail jazz.

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Ethel Azama

Exotic Dreams

13,99 €*

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Exotica masterpiece finally re-issued ! Which record is produced by Martin Denny, arranged by pianist Paul Conrad and features vintage Exotica's second lady who is only outclassed by the Peruvian chantress Yma Sumac? It's Exotic Dreams, released in 1958 that puts – so tells the cover artwork – "the enticing voice of Ethel Azama" (1934–1984), a Hawaiian Jazz singer, into the spotlight. Martin Denny discovered her a few years later and was able to negotiate with his house label Liberty Records, which granted Azama the opportunity to release one LP on which Denny also provides the liner notes (on a side note, Jimmie Rodgers succeeded with his negotiations as well, granting Azama a contract for a second LP in 1959). Exotic Dreams is one of those superb records that live up to the hype due to both the beautiful voice of the singer and the exotic arrangement alike, causing the listener to execrate the missed opportunities of releasing further material, as Azama faded into obscurity shortly thereafter despite her obvious talent, various gigs in Hawaiian and Australian night clubs and her recurring role in the 70's TV series Hawaii Five-0.

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The Enchanted Sea Tiki Green Colored Vinyl Edition

LP | 1959 | US | Reissue (Jackpot)

Yusef Lateef & Doug Watkins

Release: 1959 / US – Reissue

Genre: Organic Grooves

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Sourced From The Original Master Tapes; Original iconic artwork; Out of print since the 1960s

Long before Denny started heading into outer space with his Moog work, he was keeping us just floating slightly above the ground with the sounds of the earth-and The Enchanted Sea is one of his most grounded and beautiful works. Unlike many of his other exotica records (which are filled with the sound of the jungle, its wildlife, and the smell of the tiki bar smoke) this one has the feeling of a tumbler full of ice, walking barefoot on a sandy beach in the twilight, while breathing in the salt air. There are early glimpses here of where he was starting to head with Psychedelic-treated pianos, ethereal female vocals, and abstract orchestration beginning to find their way into the listener's ears. It's an album that seems less comical than some of his earlier work, with an allure more from the heart, without the heartbreak (even though the occasional tinge of wistfulness surrounds it).

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Imagination! Clear Vinyl Edition

LP | 1960 | EU | Reissue (Sowing)

19,99 €* 24,99 € -20%

Mariachi Vargas de Tecalitlán

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Another legendary Lateef session cut in 1960 for the New Jazz imprint. The co-leader - bassist Doug Watkins - died tragically in a car accident in 1962 at the age of 27. However, prior to his early demise, he recorded dozens of wonderful sessions with some of the greatest jazzmen of his time, among them Sonny Rollins, Art Blakey’s Jazz Messengers and the Horace Silver Quintet. Imagination ! marked his second and final album as a leader, and features Watkins on cello instead of bass. The use of cello - and oboe on some numbers - makes the date stand out a bit from the usual hard bop sessions of the period and straight-ahead jazz fans will want to get this.

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Pasodobles Con El Mejor Mariachi Del Mundo

LP | 1960 | JP | Original (RCA Victor)

Flute, Brass, Vibes And Percussion

Release: 1960 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.

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Herbie Mann

LP | 1961 | EU | Reissue (Life Goes On)

LP | 1961 | EU | Reissue (Honeypie)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Personnel: Herbie Mann (flute, bass clarinet), Johnny Rae (vibes), Nabil Knobby Totah (bass), Rudy Collins (drums), Ray Mantilla (conga drums), Ray Barretto (bongos except on #8 and #12). Plus trumpet section: Doc Cheatham, Siggy Schatz, Jerome Kail and Leo Ball. Recorded in New York City, 1959

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Alegre All Stars

Goodnight, It's Time To Go

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Born from a studio jam organized by Al Santiago in 1961, the "Alegre All Stars" was inspired by the famous late 50's Cuban jam sessions. Originally published by Alegre Records, a New York City based label specialized in Latin music, this album stands as a legendary release in the field. This is like an open door on a wild Nuyorican party including food, drinks and an ongoing selection of highly infectious Latin grooves to dance to.

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Jack McDuff

LP | 1961 | EU | Reissue (Honeypie)

LP | 1961 | US | Reissue (Alegre)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1961 and released on Prestige records in the same year, this was Brother Jack McDuff's fourth studio effort and the first featuring his regular partners Harold Vick on tenor saxophone, Grant Green on guitar and Joe Dukes on drums. Vick and Green would soon become two prominent figures in soul jazz while McDuff stands as one of the key organ players in the genre. This is an absolute soul-jazz gem!

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The Alegre All Stars

36,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Taped spines. Writing on cover. US reissue.

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Exotic Percussion Sea Glass Colored Vinyl Edition

LP | 1961 | US | Reissue (Jackpot)

LP | 1962 | EU | Reissue (20th Century Masterworks)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Sourced From The Original Master Tapes; Out of print since the 1960s

Now joining Jackpot Record's ever-expanding collection of Martin Denny re-issues is the hypnotic "visual sound" of Exotic Percussion, which has not been on vinyl since its original release in 1961.

His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, shamisens, Manga harp, and Burmese gongs.

As always, the choice of compositions on a Martin Denny record is a bizarre yet exciting spin around the globe, but this one is even weirder than usual. From the faster-than-light of "Cumana" to the luscious groove of "Moonlight On The Ganges" (made famous by Frank Sinatra and a track that is still being played on a loop at Disneylan's Jungle Cruise attraction), it's a whiplash of a ride. But the stand-out on the record is the combo of "Misirlou" (which would be made famous a few years later by Dick Dale and even decades later with its appearance in Pulp Fiction).

So join the conga line and head out into the street as Martin Denny once again creates a world we yearn to return to and an album we can always revisit.

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Quincy Jones

Big Band Bossa Nova

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Night Train / I Sold My Heart To The Junkman

The Downbeats

7" | 1962 | DE | Original (RCA)

5,99 €*

Release: 1962 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Samba Esquema Novo Clear Vinyl Edtion

Jorge Ben

LP | 1963 | EU | Reissue (Sowing)

O Bem Do Amor Clear Vinyl Edtion

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! First released in 1963 on Phillips Records, this was Jorge Ben's debut album. "Samba Esquema Novo", which translates to 'New Style Samba' deliberately sets a new standard in Brazilian music. A beautiful, fresh and vital combination of Ben's percussive guitar and smooth/rough voice backed by Big Band style horns, percussion (the great Dom Um Romao) and strings. In 2007, it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history, but It would be enough to remind you that this is the album containing the first original version of "Mas Que Nada' one of the most popular songs in the world!

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Ellis Regina

LP | 1963 | EU | Reissue (Sowing)

Ballet Folklorico De Mexico

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Elis Regina one of the greatest Brazilian interpreters of all time! Originally released in 1963 when she was not even 20 years old, this was her fourth album and second for Columbia records. Still a few steps before she became a star, here Elis Regina's fresh and extremely ductile voice shines on top of sophisticated Jazz arrangements by Astor Silva and a mixed repertoire based on charming romantic songs and vibrant sambas, all composed by Brazilian authors, among them a couple of highlights such as Baden Powell's "Se Você. Quiser" and "O Ben do Amor" the title track composed by guitarist Rildo Hora. This is an an early and fine statement in Regina's fast way to the peak of Brazilian music history.

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LP | 1963 | MX | Reissue (RCA Victor)

3,99 €*

LP | 1963 | US | Original (Time)

Release: 1963 / MX – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Seam split.

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The Guitar Kings

Mexican Guitars

Charlie Byrd Featuring The Woody Herman Big Band

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split on bottom spine.

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Bamba-Samba Bossa Nova

LP | 1963 | US | Original (Everest)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Carlos Lyra E Dulce Nunes Com Moacir Santos / Catulo De Paula / Thelma Soares

Pobre Menina Rica

LP | 1964 | BR | Original (CBS)

79,99 €*

The New Stan Getz Quartet Featuring Astrud Gilberto

Release: 1964 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear

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Getz Au Go Go

LP | 1964 | US | Original (Verve)

LP | 1965 | EU (Endless Happiness)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing.

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Astrud Gilberto

The Shadow Of Your Smile

Phil Moore And The Afro Latin Soultet

Release: 1965 / EU

Genre: Organic Grooves

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The Shadow of Your Smile is a studio album by Astrud Gilberto. With arrangements by Don Sebesky, Claus Ogerman, and João Donato, it was released via Verve Records in 1965. It peaked at number 66 on the Billboard 200 chart.

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Afro Brazil Oba!

LP | 1966 | US | Reissue (Tower)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Mark Wirtz Orchestra & Chorus

Latin A Go-Go

LP | 1966 | EU | Reissue (Vinilisssimo)

7" | 1966 | EU | Reissue (Mr Bongo)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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ark Wirtz' most famous output was recorded during the mid/late '60s when he was working as an in-house producer for EMI at Abbey Road. His 'Mood Mosaic' LP and the unfinished concept album 'A Teenage Opera' (a single off this LP, 'Grocer Jack', was actually released in 1967) provided Wirtz with an iconic status. However, his lesser known 1966 album 'Latin A Go-Go' is the one to have if you aim to hit the dancefloor. To get an idea of the music, think of wild cocktail parties in sunny California in the mid-'60s, cosmopolitan hotel lounges in Copacabana or the hippest clubs in Swinging London.
The LP co-features the likes of Barbara Moore (from the legendary library music album 'Vocal Shades And Tones') and Jim Sullivan (Lord Sitar).

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O’Seis

Suicida / Apocalipse

LP | 1966 | EU | Reissue (Mr Bongo)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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‘O’Seis’ are the core members of the mighty and legendary ‘Os Mutantes’ – namely Rita Lee and brothers Arnaldo and Sérgio Baptista, accompanied here by Raphael Vilardi, Maria ‘Mogguy’ Malheiros and Luiz Pastura. The record features anthemic, heavyweight, psychedelic rock on ‘Suicida’ b/w deeper, tripped-out MPB-folk on ‘Apocalipse’. Both tracks were written by Rita Lee, assisted by Tobe and Vilardi respectively. The term ‘holy grail’ is a little overused these days perhaps, but this definitely is one. Originally pressed and released by the band themselves in 1966, apparently only a handful of copies are known to exist (sources/numbers vary). The record has changed hands for up to a staggering $5000! Ouch.
Official Mr Bongo reissue. Licensed courtesy of Warner Music UK LTD.

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Marcos Valle

Braziliance!

LP | 1966 | EU | Reissue (Far Out)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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To call Marcos Valle 'a legend' of Brazilian music is much more than just easy press-release hype. As singer, writer, musician and record producer, Marcos has played an integral role shaping the sound of the country’s music from the 'golden era' of the 60s and 70s, through to the modern day. Alongside his brother, Paulo Sergio Valle, they have penned a huge catalogue of classic songs, not just for themselves but for other greats such as Elza Soares, Astrud Gilberto, Claudia to name a few.
‘Braziliance!’ takes things back to the early heady days of Marcos’ career with the bright and optimistic sound of Rio's Bossa Nova scene. It includes an instrumental version of ’Crickets Sing For Anamaria’ or 'Os Grilos’ in Portuguese, which would also be re-recorded with
vocals. Though only in his early twenties at the time, ‘Braziliance!’ depicts very sophisticated production for a musician so young. Recorded in 1966, produced by Louis Oliveira and Ray Gilberts with arrangements by the very talented Emir Deodato, the album was released on Warner Bros. Records. The artwork presents a very clean-cut, wholesome looking Marcos but darker things were around the corner for Brazil. The ‘Tropicalica’ movement was on its way and about to shake thighs up both musically and politically. Unlike some of his Bossa Nova contemporaries, Marcos continued to stay relevant, surfing the changes and adapting to the musical developments that culture and society projected and needed, without comprising his art.
Under exclusive license to Light In The Attic Records & Distribution, LLC | Mr Bongo Records.

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Jose Roberto Bertrami

Jose Roberto Trio

Baile Ud. Con Betico Salas

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time vinyl reissue of Jose Roberto Bertrami's 1966 ‘José Roberto Trio’ via Far Out Recordings. Best known as the keyboardist and bandleader of legendary trio Azymuth, the late José Roberto Bertrami also wrote for, arranged for and performed with Elis Regina, George Duke, Sarah Vaughn, Jorge Ben, Eddie Palmieri, Milton Nascimento, Flora Purim and Erasmo Carlos, among countless others.

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Betico Salas Y Su Sorona

LP | 1966 | EU | Reissue (Vampisoul)

17,99 €*

7" | 1966 | FR | Original (Roulette)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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HIGHLIGHTS:First solo LP by the talented Peruvian artist Betico Salas, lead trumpet player of the great Sonora de Lucho Macedo, one of the best ensembles playing Cuban repertoires in the early '60s.This 1966 album features Alfredo Linares on piano and sonero vocals by Benny del Solar, and combines a mix of guarachas, guanguancó and even cumbias. Betico Salas would later release two more albums and become a legendary trumpet player in Peruvian musical history.First time reissue.- DETAILS:Alfredo Linares on piano and sonero vocals by Benny del Solar stand out on this album. Benny del Solar sings lead vocals on the cumbia of Argentine origin 'Nos vamos a casar'; the Colombian 'Lo que pasa es que la banda está borracha', a continental hit since the early sixties; the guaracha 'A los muchachos de Belén', by Puerto Rican musician Tito Rodríguez; the guaracha 'Ritmo del amor'; the elegant Cuban guaguancó 'Así namá', also well known for Tito Rodríguez's rendition; and the cumbia 'Qué le digo a mi mujer'. Singer, César Gonzales, who would have an extensive career in Peruvian tropical music, sang lead vocals in the guaguancó by the Sonora Matancera 'Lindo Omelenko' and the bolero 'El árbol', a hit for the singer Roberto Ledesma, also recorded that same year by Peruvians Carmita Jiménez, Anamelba, Raul del Mar and Lucho Macedo himself, who decided to sing for his new record label.The mythical singer Johnny Arce, years later known as Mr. Macondo, also appears on the album on the two guarachas: 'La renga', a composition by Esther Forero, known as La novia de Barranquilla; and 'Yo soy candela', a composition by the Colombian Ray Rodríguez.Finally, 'La chola' is a cumbia by Peruvian composer Tomás Benítez; and 'Mambo Jazz' is a version of the descarga 'Yayi's instant mambo', an innovative instrumental track performed by Puerto Rican Willie Rosario, who recorded it in the United States at the start of 1966 with his own orchestra.Betico Salas would later release two more albums and bec...

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Joe Cuba Sextet

Oh Yeah! / Sock It To Me

LP | 1966 | EU | Reissue (Jazz Samba)

Release: 1966 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record plays with surface noise without overpowering the music.

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The Sérgio Mendes Trio

In The Brazilian Bag

18,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Baden Powel E Vinicius De Moraes

Os Afro Sambas

LP | 1966 | EU | Reissue (Forma)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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El Juego De Desaparecer / Chica Tiéntame

Los Syn

7" | 1966 | EU | Reissue (Madmua)

LP | 1966 | US | Reissue (Tower)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Los Syn were born in 1966 in Chile, formed by four young lads from the US whose parents were working in Santiago at the time, and they released this sole 45 before all going back to the US next year. The record is practically nowhere to be found, and such an amazing example of teen garage folk-punk the way we all lose our head for.

Limited reissue of 500 copies, with an insert with liners by Gary Pilgram (bass player), and two postcards with unseen photos!

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The Sérgio Mendes Trio

In The Brazilian Bag

16,99 €*

The Touch Of Gold (Charlie Byrd Plays Today’s Great Hits)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl with scuffs and hairlines, Cover with seam split and writing

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Charlie Byrd

LP | 1966 | US | Original (Columbia)

Arsenio Rodriguez & The Afro-Cubano Sound

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has many hairlines and surface marks. Cover has seam split.

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Viva Arsenio!

LP | 1967 | US | Reissue (Bang)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Boo-ga-loo & shing-a-ling

The Latin Souls

LP | 1967 | US | Reissue (Kapp)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Elpalmas Music)

Los Calvos

Estos Son Los Calvos

LP | 1967 | EU | Reissue (El Palmas Music)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Few have done as much for salsa in Venezuela as band-leader, composer and pianist Ray Pérez. He burst on to the scene in the mid-60s with his group Los Dementes, creating the blueprint for guaguanco, pachanga and boogaloo in Venezuela. When the name salsa began to be used as something of a catch-all-term he was still at the forefront, recording two hugely-popular salsa albums with Los Dementes in 1967. Remarkably, that very same year, he also recorded two albums with a brand new group, Los Calvos, that showed how as well as being the genre’s most visible band-leader, he was also pushing the nascent genre to its limits. Looking back, revered journalist Alfredo Churion states that Los Calvos were “one of the most innovative experiences in Venezuelan popular music.” Estos Son Los Calvos is the first of the two albums he made with Los Calvos. On it, he made a few alterations to the line-up that may seem minor, but created a completely new sound. For the first time, he recruited a drummer (unprecedented at the time for a salsa ensemble, which always used percussionists), he switched from the trombones of Los Dementes to the much harder, direct sound of trumpets, and he recruited Carlos Yanez, best known as El Negrito Calavén, as singer. Whereas Los Dementes had been aligned with the slightly pop sound of tropical orchestras, Los Calvos took an almost-jazz approach, allowing room for the musicians and vocalists to improvise, and they also took inspiration from the sounds of surf rock swirling around Caracas. The group’s drummer El Pavo amusingly once described the group’s sound as like “wearing a dinner suit with flip-flops”. Opening track “El Kenya” is the clearest example of that surf rock influence; it’s opening lines make clear its intentions: “una linda trigueña que me invitó a bailar el Kenya” (“a beautiful trigueña – tri-ethnic girl – invited me to dance the Kenya”). They are intent on creating their own dance craze, El Kenya. If the group had ever performed live, then maybe it would have taken off, as the song had all the credentials: rollicking montuno piano from Pérez, ingenious scatting and vocal improvs from Calavén, and a middle section where the drums and trumpets battle it out hard, with an audience screaming its appreciation throughout. It’s followed by ‘Mi Salsa Llego’, which Pérez had already recorded with Los Dementes; here, it’s a tougher beast, the sparser hits of the drums and trumpets giving a harder sound evocative of the times, with more and more people moving to the cities, and wanting a grittier, urban soundtrack. The secret weapon in Los Calvos was the fact that this was a group made up of some of Venezuela’s finest musicians, many of which, Pérez included, had working class roots. Music for them was as much a part of their day-to-day lives, as it was a profession, it was what they did. The legendary Frank “El Pavo” Hernandez was on drum kit, with revered names like Alfredo Padilla, Carlos “Nene” Quintero, Pedro García, Miguel Silva, Enrique Vazquez, Rafael Araujo and Luis Lewis, also involved in the group. Their versatility allowed Los Calvos to go from the slower, haunting groove of “Negrito Calavan”, a showcase for their singer to improvise, and on to “Bailemos Kenya”, another attempt by the group to create their own version of “The Twist”! Los Calvos never played live, but that was always the intention. Pérez was in demand by the record labels of the time and his deal with RCA Victor to make two albums as Los Calvos was only ever that. But the spirit of Los Calvos remained when Pérez then formed Los Kenya, whose name came from the opening track of this album, and whose line-up featured the same inventions as Los Calvos, with a drum kit, two trumpets and the same vocalists (for their second album, Carlín Rodríguez joined as a singer, and remained for Las Kenya). For this reason, Los Calvos would never have the same successes as Pérez’s other groups, though even Pérez has revealed in interviews that the two albums he made as Los Calvos are some of the most fun he ever had recording. With the price of originals for both albums ever increasing for vinyl collectors, this is a great chance to get hold of two of the heaviest salsa albums ever issued in the 60s, and an important moment in the life of Venezuela’s salsa king, Ray Pérez.

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Jesus Gomez Y Su Grupo

Jesús Gómez Y Su Grupo

23,79 €* 27,99 € -15%

Music For The Small Hours

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.

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Clarke-Boland Sextett

LP | 1967 | JP | Reissue (P-Vine)

33,24 €* 34,99 € -5%

LP | 1967 | US | Original (Columbia)

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Formed by Kenny Clarke and Francy Boland, the Clarke-Boland Sextett, with the participation of numerous musicians from both Europe and the United States, made significant contributions to the development of jazz in Europe. At the core of this ensemble, the powerhouse sextet consisting of Kenny Clarke, Francy Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi came together to record the album "Music For The Small Hours" in 1967, and it is now set to be reissued with an obi.

This album spans a wide range of styles, from standards like Burt Bacharach's "Wives & Lovers" to Brazilian and Afro-Cuban influences such as Luiz Bonfá's "Ebony Samba" and Dizzy Gillespie's "Tin Tin Deo." Additionally, it features original compositions like Shihab's "Please, Don't Leave," where he takes on vocal duties. The entire recording exudes a sophisticated and relaxed mood, showcasing the utmost skill of this formidable sextet. "Music For The Small Hours" is a masterpiece that deserves a place in the history of European jazz, boasting the ultimate level of refinement.

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The Dave Brubeck Quartet

Bravo! Brubeck!

5,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1968 | UK | Reissue (Mr Bongo)

Pedro Santos

Krishnanda

Introducing George Guzman

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Krishnanda is an album in the truest sense of the word – a spiritual, psychedelic Brazilian masterpiece from start to finish – celebrated by everyone from Seu Jorge and Kassin to Floating Points, Madlib and DJ Nuts. These days, originals change hands for thousands of dollars.

Pedro dos Santos, born in Rio in 1919, was a percussionist virtuoso, composer and inventor of instruments that apparently included oddities such as the ‘Tamba’ (electrified bamboo drum) and the mouth berimbau whistle. Nicknamed Perdo ‘Sorongo’ after the rhythm he invented, that features throughout ‘Krishnanda’. A highly spiritual man who was regarded as a philosopher by many.

He worked with greats including Baden Powell, Elis Regina, Maria Bethany, Elza Soares, Sebastião Tapajós, Roberto Ribeiro, Milton Nascimento, Clara Nunes, Paul Simon and Arthur Verocai, playing on his legendary self-titled LP. In the same vein as Verocai and his self-titled LP, ‘Krishnanda’ was Pedro’s chance to shine with his own, and only, solo recording.

Krishnanda was produced by Hélcio Milito, the drummer of Tamba Trio, and arranged by conductor Joppa Lins, and originally released in 1968 on CBS (Brasil). Musically, the album touches folk, samba, afro-brazilian and psychedelia plus added effects, with a lyrical depth and diversity to match; themes including morality, perception, existence and ego.

Despite the genius of the record and the influence that it had on musicians at the time of release, it disappeared into obscurity. We first discovered the record around 2003, through a friend Julio Dui. Around that time Brazilian funk and bossa was the flavour of the day, so didn’t catch our ear immediately, however it continued improve with age and now we consider it to be one of the best albums ever made, regardless of genre or origin.

The Mr Bongo reissue is produced as a replica original LP / audio master by Ricardo Garcier at Magic Master (Rio de Janeiro) / artwork restored by Andrew Edwards, from the original copy borrowed from Julio Dui – thank you, sir!

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George Guzman

LP | 1968 | US | Reissue (Get On Down)

23,99 €*

LP | 1968 | BR | Reissue (Polysom)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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It was 1968 when Fania Records President, Jerry Masucci, received a phone call from conguero George Guzman, inviting Jerry to listen to his band. Jerry turned the project over to Harvey Averne, who later reported to Jerry that the band was “out of sight” and suggested that Masucci sign them up. A short time later, things became complicated for George and his band. First of all, the lead singer was drafted into the military, leaving George high and dry. By the time a replacement was found, George learned that his trumpet player was leaving to join another orchestra, so the search was on for his replacement. One problem led to another and before you knew it several months had gone by before George was finally ready to enter the studio and begin recording. Thanks to George and Harvey’s perseverance, “Introducing George Guzman” was released in time for George to join the fray of Boogaloo bands that had brightened up the night scene in New York City in 1968. - Bobby Marin

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Tom Ze

Grande Liquidacao

39,99 €*

I'll Be A Happy Man / Take A Trip Record Store Day 2023 Edition

Release: 1968 / BR – Reissue

Genre: Organic Grooves

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This is a 180g vinyl pressing. In 1968 Tom Zé; moved from Salvador Bahia to Sao Paulo where he hung out and wrote with his friends Gilberto Gil and Caetano Veloso. Although initially part of theTropicalia movement,Zé was so independent he was determined to forge his own musical path. He started by recording Grande Liquidacao, a hyperactive pop album backed up by two incredible psychedelic rockbands: Os Brazoes and Os Versateis.

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Latin Blues Band

7" | 1968 | UK | Reissue (Speed)

14,99 €*

LP | 1968 | EU (Endless Happiness)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Reissued for the first time ever on 7 inch, having previously only ever been on the Take A Trip Pussycat LP, Latin Blues Band - (I'll Be A) Happy Man. A dynamic dancefloor jazz and boogaloo belter from 1968, with a legendary piano riff and breakbeats that were most famously sampled by DJ Premier for Christina Aguilera’s classic ‘(Ain´t No Other Man)’. The B side houses another boogaloo bomb in the form of ‘Take A Trip’ that will set you back £80+ for an original copy. Yellow label version with white sleeve.

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Astrud Gilberto

Gilberto with Turrentine

LP | 1968 | EU | Reissue (Endless Happiness)

Release: 1968 / EU

Genre: Organic Grooves

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Gilberto with Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine featuring performances recorded in 1971 released on the CTI label. The album can be described as a blend of jazz, pop, and tropicalia. It was arranged by Eumir Deodato and features appearances by A-list jazz performers including Airto Moreira, Ron Carter, Sam Brown, Hubert Laws, and Toots Thielemans.

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Tamba 4

Samba Blim

LP | 1968 | EU | Reissue (Elemental)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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This is the second incredible album which the Brazilian bossa combo did in the US for A&M Records, during the brief time when they were expanded to a quartet from the original Tamba Trio lineup. This album can be considered a masterpiece that combines their original style with American sophistication. The set is completely sublime. A wonderful mix of the group's trademark harmony vocals and crackling bossa rhythms, with the warmly flowing CTI production style of the time – not funky like the CTI sound of the 70s, but a bit more sophisticated than the style Creed Taylor had been using earlier at Verve. Tracks are short, breezy, and often very lively – bossa grooving warmed in the California sun.

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Marcos Valle

Samba 68

30,99 €*

Irene Colored Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Elemental Music, together with Universal Music Spain presents a new vinyl reissue of “Samba ’68“, the only album released on the Verve label by prolific Brazilian singer Marcos Valle. In 1968, Valle was commissioned by Verve to record his Brazilian hits in English in order to capitalize on the then-huge Getz-Gilberto-Jobim-Mendes-Astrud market. Marcos’ rapid and stunning artistic growth is apparent on this brilliant Bossa Nova album. Fans of Sérgio Mendes and Astrud Gilberto (both of whom recorded tons of Valle tunes) will enjoy it immensely, for “Samba ’68” is definitely one of the ultimate “loungy” records. “Samba ‘68 is a vibrant set of Brazilian pop, indebted to bossa nova and samba but undeniably Americanized for a domestic audience. The result is a joyous album throughout that wears its dated sound quite well. Marcos Valle interprets eleven of his own songs, including Brazilian standards like ‘Chup Chup, I Got Away,’ ‘Batucada’ and ‘So Nice (Summer Samba),’ as well as new tracks like ‘Crickets Sing for Anamaria’ and ‘The Answer.’ The vocal harmonies of his wife (the Anamaria of the song title) provide a beautiful counterpoint to Valle’s voice on several tracks, making Samba ‘68 one of the best Brazilian crossovers of the 1960s.”(John Bush, AllMusic) Marcos Valle was the Renaissance man of Brazilian pop, a singer/songwriter/producer who straddled the country’s music world from the early days of the Bossa Nova craze well into the fusion-soaked sound of ‘80s Brazilian popular music. Though his reputation in America never quite compared to contemporaries like Caetano Veloso, Milton Nascimento, Gilberto Gil, or even Tom Zé. Valle is one of the most important and popular performers in the history of Brazilian pop.

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Caetano Veloso

LP | 1969 | EU | Reissue (Lilith)

Alfredo Linares Y Su Sonora

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Although Veloso had already been thrown in jail once for his criticism of Brazil’s military regime, he continued to speak out against it on his second album (1969), with tracks like “Irene”, (about a machine gun-toting outlaw celebrated by the left). No wonder he would soon find himself in political exile in the UK. The general tone of the album is in keeping with its dire message and actually, Veloso felt it was important for his voice of protest to be heard around the world. If he was a high profile public figure, he felt that he would be safer. All this (or perhaps because of all this) and the man still managed to make excellent records! Color vinyl version.

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Yo Traigo Boogaloo Record Store Day 2020 Edition

LP | 1969 | EU | Reissue (Vampisoul)

17,99 €*

Zito Righi E Seu Conjunto

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 500 copies.

Long sought after by collectors, DJs and lovers of hard salsa and boogaloo alike, 'Yo Traigo Boogaloo' is now lovingly reissued in replica form with the original cover art, remastered from the studio tapes, reproducing that magical MAG stuio sound for today's aficionados to enjoy like it was 1969 all over again.

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Alucinolandia

LP | 1969 | EU | Reissue (Mr Bongo)

LP | 1969 | EU | Reissue (Sommor)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969.

The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger.

Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe its crown-jewel 'Poema Ritmico Do Malandro’. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at its finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.

The fact the record was released in 1969 meant it was probably a bit out of step with its contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since its release, the work can finally be judged on its own merit; and what a beauty it is.

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Hugo Y Osvaldo

La Bossa Nova De ...

23,99 €*

Gira Gira / Parabéns Meu Bem Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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After the demise of LOS Shakers, brothers Hugo & Osvaldo Fattoruso released in 1969 "La Bossa Nova de Hugo & Osvaldo".

Here, they paid homage to the music they grew-up with: jazz, bossa nova and candombe but adding Beatlesque pop-psych and Brazilian/Latin sounds to the mix, following what they had already done with Los Shakers in songs like "Never Never" or "Adorable Lola".

Cool covers of Burt Bacharach, George Harrison and candombe pioneer Manolo Guardia blend together with lovely self-penned songs and even new, bossa-styled versions from Los Shakers catalogue.

Recorded in 1968 mostly by Hugo and Osvaldo playing all the instruments by themselves, it was originally released in 1969 in a tiny edition of 400 copies, making it one of the most desirable collectable albums related to Los Shakers.

The missing link between "Toto's Bar" and OPA's "Goldenwings"?

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Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

I Haven t Got Anything Better To Do

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.

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Astrud Gilberto

LP | 1969 | EU (Endless Happiness)

Gira Gira / Parabéns Meu Bem Red Vinyl Edition

Release: 1969 / EU

Genre: Organic Grooves

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With her tenure on Verve drawing to a close, Astrud Gilberto steps further away from her bossa nova roots with I Haven't Got Anything Better to Do, an intimate, nocturnal set closer in scope and spirit to the Baroque pop of Burt Bacharach, whose "Trains and Boats and Planes" is beautifully rendered here. In the liner notes Gilberto dubs it "my fireplace album," and indeed the record is immediately warm and comforting, despite the melancholy that colors all of the selections. Albert Gorgoni's arrangements are sumptuously romantic, perfectly complementing the simple, poignant vocals. Mistakenly considered a minor entry in the Gilberto canon, I Haven't Got Anything Better to Do is instead a minor masterpiece.

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Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

LP | 1969 | FR | Original (Liberty)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Carnival

Carnival

10,99 €*

The Best Of...Lo Mejor De

Release: 1969 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Lamination lifts. Seamsplit on Top. Record is close to VG+.

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Ricardo Ray & Bobby Cruz

LP | 1969 | US | Original (Alegre)

7,99 €*

LP | 1969 | JP | Reissue (P-Vine)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Writing on cover.

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The Sahib Shihab Quintet

Seeds

34,99 €*

Little Joe & The Latinaires

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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In 1969, Sahib Shihab and five leading members of the Clarke-Boland Big Band, including Francy Boland, Jimmy Woode, Kenny Clarke, and Fats Sadi, recorded this album for West Germany's Vogue label. The album features the exquisite Latin jazz track "Seeds," the waltz number "Peter's Waltz" dedicated to his son, and the modal piece "Mauve." Each track is highly stylish and sophisticated, showcasing a pinnacle of European jazz that could only be achieved by this exceptional lineup.

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Adios Mariquita Linda

LP | 1969 | US | Original (Buena Suerte Records)

9,99 €*

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G+

LP | 1970 | EU | Reissue (Speakers Corner)

Antonio Carlos Jobim

Stone Flower

34,99 €*

LP | 1970 | Reissue (BBE Music)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.
That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".
With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said!

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The Orchestra Soledad

Vamonos / Let's Go

Release: 1970 / Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Mr Bongo)

Celia

LP | 1970 | EU | Reissue (Altercat)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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MRBLP188 Beautiful debut album from the incredible, Célia. Conducted & arranged by Arthur Verocai and Rogério Duprat; featuring songs by Lo Borges, Antonio Adolfo and Joyce amongst others. Célia recorded four self-titled albums for Continental between 1971 and 1977, ‘Amor’ in 1982 plus several more before she sadly passed away late in 2017, aged 70. This is her debut album from 1970. Célia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career. Joyce was particularly supportive in the making of this album, writing the beautiful “Abrace Paul McCartney” and her husband at the time, Nelson Ângelo, recorded some of the songs.
Features an exclusive insert of a translated interview with Celia, completed in 2011 in her hometown of São Paulo. Focusing, in particular on her recording work with Arthur Verocai, it showcases her wonderful sense of humour and how she was embracing her new legion of fans, particularly in the world of hip hop. Official Mr Bongo reissue. Licensed from Warner Music.

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Werther

20,99 €*

LP | 1970 | EU | Reissue (Far Out)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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1970’s best-kept Bossa Nova secret. Surrounded by mystery for nearly 50 years due to its obscurity, this is one of the most honest, personal and unpretentious albums of its genre. A selection of 12 exquisitely crafted songs supported by measured, subtle arrangements.
The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Ben or Erasmo Carlos – to mention but a few. We can now add to that list another name: Werther. In 1970, a man by that name recorded an album unique in its personality, its honesty, and its lack of pretense. In a time when Bossa Nova had become a global phenomenon and its main characters were already household names in Brazil, Werther assembled a collection of songs that uncannily – almost naively – remind us of the time when Bossa Nova was just a group of youngsters making music. His songs are about simple things: bohemian life, the sea, love.
Despite Werther and his friends being only in their teens, without any previous experience recording music, those working behind the scenes were not equally amateur. Producer Peter Keller had already worked with Aloysio De Oliveira in the quintessential Bossa Nova label Elenco, and was also an initial partner in Roberto Quartin’s cult label Forma. Studio owner Bill Horne was a very loved character in the Rio jazz scene who had regularly taken part in the legendary meetings in Nara Leão’s apartment and befriended some of Brazil’s most respected musicians. Some of these musicians were, for example, Naná Vasconcelos and Edison Machado, who provided small contributions to Werther’s album.
It was only in the 1990’s that Werther’s album was rediscovered by a handful of collectors and Brazilian music enthusiasts, who recognised in it a purity that had already vanished from the mainstream Bossa Nova recordings. But due to the haziness around the original release and the relative anonymity of its instigators, many questions surrounding these recordings were left unanswered. Today we are finally able to disclose the full story behind Werther’s short-lived contribution to Brazilian music.

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Dila

31,99 €*

LP | 1970 | CA | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Far Out Recordings proudly presents the first and only album from the mysterious Brazilian vocal sensation Dila (pronounced “Jee-la”). With original LPs extremely hard to come by, this rare treasure of Brazilian soul, which fans of Gal Costa, Celia, Evinha and Elis Regina will love, gets a much-deserved official reissue: remastered and pressed to 180g vinyl.

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Marius Cultier

Release: 1970 / CA – Reissue

Genre: Organic Grooves

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Luiz Eça Y La Familia Sagrada

La Nueva Onda Del Brasil Record Store Day 2020 Edition

LP | 1970 | EU | Reissue (Vinilisssimo)

LP | 1970 | EU | Reissue (Discos Monterey)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 1000 copies.

180g vinyl reissue of the mega rare Mexican-only Luiz Eτa album from 1970 in facsimile artwork and remastered sound.The Brazilian pianist and founder member of Tamba Trio is accompanied here by a large group of top-notchBrazilian musicians.

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Gerardo Manuel & Humo

Apocallypsis

Airport Love Theme / Afro Som

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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Waldir Calmon

7" | 1970 | UK | Reissue (Mr Bongo)

A Divina Comedia White Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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You know it's going to be a heavy record when DJ / collector Mr Thing asks you to keep a look out for a copy on your next digging trip to Brazil. Add on top of that, being sampled by Madlib on the track 'Curls’ on his Madvillain album! Taken from Waldir Calmon's 'Waldir Calmon E Seus Multisons' album on Copacabana (1970), from looking at this unassuming record cover featuring a middle-aged man sporting an impressive pair of glasses you wouldn't expect it to become the fabric to one of the songs from the iconic 'Madvillain’ album. But… like many things in life, you shouldn’t judge a book by its cover. 'Airport Love Theme’, like its name suggests, falls into full-on lounge territory. It’s feel-good music made to be the soundtrack for a utopian world that never really was. Yet behind the silky-smooth groove is an addictive earworm waiting to be heard. Afro Son' taken from the same album, pushes things in a different direction towards a sound that is more firmly rooted in the Brazilian tradition. This quirky 60's-breakbeat-funk groove is reminiscent of French artist Jean Jacques Perrey's 'E.V.A.', also from 1970, in its melody and backbeat, where the Moog synthesizer of Perrey is replaced with a more orchestrated sound by Calmon. This track is magical, cinematic and breakbeat-laden with a hidden unknown exoticism. Waldir Calmon had an active career in music working from the '50s right up until his passing in 1982. His career started early, forming his first ensemble at the age of fourteen, originally working in bands in nightclubs and writing jingles. He progressed in the early '50s to a long-running career working in television. In addition to his television work, he had success with his recording vocation, mixing in the same musical circles as greats such as Tom Jobi, João Gilberto and Doris Monteiro.

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Mutantes

LP | 1970 | EU | Reissue (Vinyl Lovers)

Werther Jade Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK.

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Werther

LP | 1970 | EU | Reissue (Altercat)

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies for the 2022 Summer of Jazz campaign, focused on Brazilian jazz.

1970’s best-kept Bossa Nova secret. Surrounded by mystery for nearly 50 years due to its obscurity, this is one of the most honest, personal and unpretentious albums of its genre. A selection of 12 exquisitely crafted songs supported by measured, subtle arrangements.
The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Ben or Erasmo Carlos – to mention but a few. We can now add to that list another name: Werther. In 1970, a man by that name recorded an album unique in its personality, its honesty, and its lack of pretense. In a time when Bossa Nova had become a global phenomenon and its main characters were already household names in Brazil, Werther assembled a collection of songs that uncannily – almost naively – remind us of the time when Bossa Nova was just a group of youngsters making music. His songs are about simple things: Bohemian life, the sea, love.
Despite Werther and his friends being only in their teens, without any previous experience recording music, those working behind the scenes were not equally amateur. Producer Peter Keller had already worked with Aloysio De Oliveira in the quintessential Bossa Nova label Elenco, and was also an initial partner in Roberto Quartin’s cult label Forma. Studio owner Bill Horne was a very loved character in the Rio jazz scene who had regularly taken part in the legendary meetings in Nara Leão’s apartment and befriended some of Brazil’s most respected musicians. Some of these musicians were, for example, Naná Vasconcelos and Edison Machado, who provided small contributions to Werther’s album.
It was only in the 1990s that Werther’s album was rediscovered by a handful of collectors and Brazilian music enthusiasts, who recognized in it a purity that had already vanished from the mainstream Bossa Nova recordings. But due to the haziness around the original release and the relative anonymity of its instigators, many questions surrounding these recordings were left unanswered. Today, we are finally able to disclose the full story behind Werther’s short-lived contribution to Brazilian music.

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Antonio Carlos Jobim

Stone Flower

Stanley Black & His Orchestra = Stanley Black & His Orchestra

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his 6th studio release Stone Flower is an absolute classic. The album is emblematic of 70’s bossa with it’s seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and musicality is so well cared for that it effortlessly carries listeners away.

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Stanley Black Tango Golden Prize

LP | 1970 | JP | Original (London)

5,99 €*

Dónde Está Esa Mujer A La Que Yo Amé

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

OBI not included.
Foxing inside gatefold.
Record is close to VG+.

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Grupo Uno

7" | 1970 | EU | Reissue (Madmua)

Ghetto Records Presents Eddie Lebron

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Hypnotic organ-fueled psych-pop from Argentina 1970, now having a new life thanks to Madmua Records. As usual, 500 copies that are instantly sold out at source (we have 50 copies available only now). Nice new cover artwork (original came in plain generic cover), with insert and two postcards.

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Eddie Lebron

LP | 1970 | US | Reissue (Now-Again)

Forca Bruta Orange Vinyl Edtion

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. First up in the series - Heavy Salsa and Latin Soul from Puerto Rico-born pianist Eddie Lebron and Orquesta Suave, the album that kickstarted Ghetto Records. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.

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Jorge Ben

LP | 1970 | EU | Reissue (Future Shock)

LP | 1970 | EU | Reissue (Mad About)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP reissue from this 1970 album, originally out on Phillips. Totally brilliant. A unique blend of samba and soul, that apparently transformed Brazilian music from the release of this record onwards. Trio Mocoto joins Jorge Ben on this album, and it's their percussive sound, Jorge's voice and the light string arrangements that create pure magic... Highly recommended!

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Majoie Hajary

La Passion Selon Judas

25,49 €* 29,99 € -15%

LP | 1970 | EU | Reissue (Far Out)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Majoie Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”.

The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.

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Agustin Pereyra Lucena

30,99 €*

LP | 1970 | EU (Life Goes On)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Following Far Out’s reissue of Agustin Pereyra Lucena Quartet’s La Rana, the label continues its memorialisation of the late, great Argentinian guitarist’s music, with the first ever direct from tape, audiophile reissue of Pereyra Lucena’s self-titled debut album from 1970.

One of the outstanding South American guitarists, Agustin Pereyra Lucena commanded a unique position in Latin music history. He hailed from Buenos Aires, but was obsessed with the music of Brazil. A disciple of Antônio Carlos Jobim, Baden Powell and Vinicius De Moraes, the nature of Agustin’s Argentinian roots combined with the nurture of Brazil and its music to give Agustin a sound entirely his own.

After being scouted in a nightclub, by musician and guitar craftsman Jorge Demonte, Agustin was invited for an audition at Argenitinian label Tonodisc. Before he knew it, aged 22, he was in the studio recording his first album.

Agustin enlisted fellow Argentinian Brazilophiles Mario "Mojarra" Fernandez who played bass and drummer Enrique "Zurdo" Roizner. He had first heard the duo backing Vinicius de Moraes, Toquinho and Maria Creuza on their legendary La Fusa live album, also recorded in Buenos Aires. For vocals, Agustin brought in his old friend, a French teacher called Helena Uriburu, who at the time had (unbelievably) never sung in a studio before.

The atypical bossas and spiritual swinging sambas, composed by many of Agustin’s aforementioned heroes, were elevated to new heights by Agustin’s dazzling arrangements and phenomenal guitar playing. The almost cosmic reaches Agustin achieved with his sound are balanced against the stylish sophistication and breezy nature of the music.

Moments of calm serenity include Agustin’s own composition “Nina No Divagues”, Durval Ferreira and Pedro Camargo’s “Chuva” and the Brazilian bossa classic “Tristeza Nos Dois”, which feels like it draws equally upon exotica and early library records. Accompanied by Roizner’s shuffling samba jazz drums, opener “O Astronauta” is Agustin’s cover of the Brazilian guitar standard composed by Baden Powell. Another Baden Powell classic, “Consolacao” is an extended full-band set, which features Agustin’s crisp guitar dancing around a hypnotic rhythm section. Upright bass is swapped out for a big, round-sounding electric one, which sits loud in the mix for almost seven minutes of deep, groovy, distinctively early-seventies magic.

Agustin passed away in 2019, and it is only in recent years that he is starting to gain his plaudits as one of South America’s greats. On the liner notes of the album Vinicius De Moraes writes: “I think I never saw, with the exception of Baden Powell and Toquinho, anyone more linked to his instrument than Agustín Pereyra Lucena. It would give the impression that if the guitar were taken away from him, he would fade into music as one dies from the amputation of an arm.”

Agustin Pereyra Lucena will be released on audiophile vinyl LP, CD and digitally on the 26th January 2024 via Far Out Recordings.

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Som Imaginario

23,74 €* 24,99 € -5%

Herb Alpert & The Tijuana Brass

Release: 1970 / EU

Genre: Organic Grooves

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Som Imaginário (Imaginary Music) is a Brazilian band from the 70s. They joined together to support Milton Nascimento in his first record and shows. Their style is heavily influenced by jazz, classical music and rock. Their self-titled debut from 1970 is a must have, a psychedelic south-american cult all in all.

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Greatest Hits

LP | 1970 | JP | Original (A&M)

6,99 €*

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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Gal Costa

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