Search "It\s A Musical" 870 Items

LP | 1975 | MX | Original (Cisne)

Folklore Musical Mexico

4,99 €*

Release: 1975 / MX – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Cover with completely open top and bottom spines

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Pela Internet / Marengo In Love

7" | 2024 | UK | Original (Scruniversal)

13,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Scruniversal hit gold once more with the fifth outing, this one from the label head Scruscru as well as Tony Lavurtz and DJ Pecan. This series is all about re-edits and reworks of old and rare records from Scru's friends' collections and first off is 'Pela Internet', a brilliantly sunny and percussive Brazilian number with great instrumentals and steamy Portuguese vocals. DJ Pecan steps up on the B-side with 'Marengo In Love' which is a more romantic sound for when the sun has gone down and you want to get up close and personal and gaze up at the stars while a sultry slow-motion funk groove unfolds.

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LP | 2024 | EU | Original (Mad About)

Disco É Cultura Volume 2

Release: 2024 / EU – Original

Genre: Organic Grooves

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A tribute to a glorious and sophisticated era in Brazil music.

"Disco é Cultura, vol. 2" brings 15 tracks of the funkiest Brazilian music from the 70s and 80s. Soul and Funk were taking the world by storm in the 1970s. Brazilians developed their own sound by combining influences from Funk and Soul music from abroad to create something uniquely Brazilian.

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Rave Du Brazil / Primavera

7" | 2023 | UK | Original (Scruniversal)

13,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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You know that long hot days are fast approaching when it is Brazilian music that you crave. Thankfully the Scruniversal has got us covered with a second release that is as scorching as the first. It pairs MPB, samba and Latin flair with hard-edged hip-hop and funk stylings across a pair of tunes from Scruscru, each one a different collaboration. The first is alongside Tony Lavrutz and has gorgeous vocals and organic percussion paired with cut-up beats and jazzy keys that will ignite any floor on 'Rave Du Brazil.' It is Los Protos's jazz funk groover 'Primavera' that gets the good vibes going on the flip.

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Wanted Cumbia - From Diggers To Music Lovers

LP | 2018 | EU | Original (Wagram)

Release: 2018 / EU – Original

Genre: Organic Grooves

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7" | 2024 | UK | Original (Original Gravity)

Latin Fever Volume 3

16,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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12" | 2024 | UK | Original (Invisible, Inc)

Mondo Ritmo

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Following on from last years's "Mondo Organico" compilation, the latest Invisible Inc compilation EP "Mondo Ritmo" sets its sights firmly on rhythm and percussion. Featuring a global array of artists hailing from Argentina to Senegal and everywhere in between, the influences and styles featured include latin, afro, dub, dancehall, experimental, acid and more. Proven and tested dancefloor bombs are Mytron & Balam's opening track "Cabasa Loca" which label boss GK Machine has been spinning at his Wrong Party nights and elsewhere for the last 6 months or so...and the house/dancehall hybrid floor filler "Wicked Can't Run" by LA producer Tom Chasteen (Exist Dance/Dub Club) featuring legendary Jamaican DJ and toaster U Brown, and mixed by equally legendary producer/keyboardist David Harrow who first came to our attention through his regular keyboard contributions to all things On-U Sound related in the 1980s.

The rest of the tracks may not be peak time bangers but they are sure to please the more esoteric and adventurous dancefloors out there...it's an honour to have on board Calypso Records head honcho Thomass Jackson, Thomash (Voodoohop) and Gats (Suçuarana / Curuba) who together as Changa Boys bring in Senegalese drummer Ndiaxo dal Jaam, and last but not least a certain Machine with assistance on percussion from the mysterious Congo Caveman.

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Mr Bongo Record Club Volume 1

2LP | 2016 | UK | Original (Mr Bongo)

Release: 2016 / UK – Original

Genre: Organic Grooves

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The first instalment in our new ‘Mr Bongo Record Club’ compilation series – a
selection of favourites, recent discoveries and sought after obscurities, which
form the basis of our DJ sets and our radio show of the same name. Including
cuts by Claudia, Cortex, Dave Pike Set, Fruko, Neno Exporta Som, Connie
Laverne, Barbosa and more.
The original concept for ‘Mr Bongo Record Club’ was a radio show that allowed
us to air our treasured record collections, recorded and broadcast once a
month. We wanted to create an outlet free from any genre or BPM restrictions,
not constrained by the need to beat-mix every record, a space where we could
play latest finds alongside favourites. The only self-imposed rule being that
it had to be played from vinyl.
We have always DJ’d across-the-board, but playing in an eclectic way hasn’t
always been easy. Recently DJ’s such as MCDE, Floating Points, Nick The Record,
Leon Vynehall, Four Tet, Jeremy Underground, Antal (Rush Hour), Sassy J and
Young Marco – to name a few – have opened things up with very diverse sets to
younger audiences; Brazilian samba-rock, next to modern soul, highlife, disco,
boogie, jazz, house, techno and beyond.
We’re seeing a rare groove like sensibility. A shift towards the attitude of
legendary club nights hosted by the likes of Mr Scruff and Gilles Peterson,
where you could hear house, hip hop, Turkish funk, boogie, jazz, dub and Latin
back to back. At the same time it isn't a nostalgic or retro movement, people
have a progressive attitude and a thirst for new-old music. It is a vibrant and
exciting time – we are proud to be a part of it.

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John Gomez & Nick The Record Present Tangent Black Vinyl Edition

2LP | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

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Mr Bongo Record Club Volume 6 Black Vinyl Edition

2LP | 2023 | UK | Original (Mr Bongo)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Curating and ordering the tracks for a Mr Bongo Record Club is always special. You’re reminded of the feelings you had when sitting at home with a cassette player on pause trying to compile the perfect mixtape to impress the latest object of your affection, or that friend with whom you share a musical kinship and spark off each other’s latest discoveries. Hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight.

Here, for volume six, we present recent finds and treasured classics from Brazil, Sweden, the USA, South Africa, Portugal, Japan, Trinidad and Tobago, and Canada. We have included selections by the Brazilian rising star Dora Morelenbaum as well as from heritage-Brazilian musicians and vocalists Haréton Salvanini, Copa 7, and Mirna. There’s also the wonderful Brazilian-not-Brazilian take of 'Ye Me Le' by Hazel Scott And The Braza Brasil, plus sublime gospel from the New York Community Choir. We’ve picked disco and soul rarities by General Lee and Ash Soul, Inc., and for the first time on vinyl, an incredible psych-pop song by the illustrious Matthew Tavares. There are cuts from some of our favourite contemporary Swedish musicians, Sven Wunder and Dina Ögon too.

This compilation is packed full of gems that are plucked from differing times and spaces, but somehow all gel together beautifully. We hope you love them too.

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Mr Bongo Record Club Volume 5 Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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It's hard to believe we are now up to Volume 5 of our renowned Record Club series. Curating these compilations, where we share our latest musical discoveries and old favourites from the global stage, is always a labour of love. This selection is less dancefloor-driven than our previous volumes, as fewer opportunities for live events drove us to explore other paths and styles in the musical spectrum. But, whether you're DJing for a kitchen or a club, there is still a generous serving of spicy dancefloor magic. For Volume 5, we looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. We pulled songs from the 70s up to the present day and feature a stellar cast of artists. There’s an exclusive track from Sven Wunder which was recorded solely for this compilation. We also have a track from Admin which was released as a private press 7" at the start of 2021 and one we felt was far too good to only be available for the lucky few. You’ll also discover one of our most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus! We hope you will enjoy this selection of seventeen eclectic songs as much as we do.

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Mr Bongo Record Club Volume 4 Black Vinyl Edition

2LP | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The latest release in the much loved Mr Bongo Record Club Series, Available on CD, 2LP Standard Vinyl & Special Edition 2LP Pink Translucent Vinyl. Curating the tracks for a Mr Bongo Record Club compilation is always such a pleasure. At a time when the expression "Music is My Sanctuary" has an even greater cathartic impact for many people, we set out to make this volume an extra special one - like an old favourite mixtape or playlist. For Volume 4 in this series we continue in the same mould as with previous editions, selecting current favorites and rare lost gems from the Brazilian, African, soul, funk, and disco genres. We present tracks from artists such as Azwon, Cindy & The Playmates, and Zé Roberto to name just a few. However, one main departure and progression to this edition is the first time inclusion of recordings by contemporary artists. These come from Matthew Tavares (of Badbadnotgood fame), Wax Machine, and DJ Format & The Simonsound, which were originally featured on either limited private press vinyl releases or were previously only available digitally. We felt their inclusion was important and wanted to share these wonderful discoveries with a wider audience. They also complement, enrich, and fit perfectly with the flow and journey of the compilation. Here at Mr Bongo we hope you will enjoy this selection of seventeen eclectic songs (in tempo and style) as much as we do, whether they make you move your feet, take you on a trip somewhere, or trigger a happy memory.

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Onda De Amor: Synthesized Brazilian Hits That Never Were (1984-94)

2LP | 2018 | EU | Original (Soundway)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. On Soundway’s latest release - a treasure trove of synth jams, pop, samba boogie, balearic and electro from 1980 & ‘90s Brazil - the tracks are picked by Millos Kaiser, one half of the Brazilian duo Selvagem, who are at the helm of throwing some of the country’s best dance parties. It’s a rare compilation that offers Brazilian music actually picked by a Brazilian.
Whilst names such as Ricardo Bomba, Villa Box, Fogo Baiano, Electric Boogies and Batista Junior may not be household names, they tell an untold, yet rich and important part of musical history in Brazil. The release also covers a decade that has been intentionally forgotten and brushed aside by many in the country.
Onda De Amor is a release that is loaded with smooth grooves, bubbling bass, glistening synthesisers, funk strutting guitar lines and sheen of production that undeniably marks it of its time. For Kaiser this compilation is about reintroducing music during a period of reappraisal, catching a new wave and hoping contemporary listeners will ride it with him. “The idea is to do justice to these songs. Songs that combine all the right ingredients that should have put them on radio playlists when I was growing up or at least in the cases of more adventurous DJs”.
Millos Kaiser is a DJ, digger, vinyl junkie/dealer born in Rio de Janeiro and living in São Paulo for the past 8 years. He launched the dance party/club night Selvagem with partner Trepanado in 2010, bringing thousands of dancers one Sunday a month to a public square in the heart of São Paulo.

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Tropicale: When The Dolce Vita Discovered Exotica, Calypso, Mambo, Samba And Other Tropical Rhythms (1959-1969)

2LP | 2024 | EU | Original (CAM SUGAR)

39,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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You don't have to travel halfway around the world to find top-class Brazilian and Caribbean grooves; some of the finest bossa nova, samba, mambo and calypso recordings were made in sunny Italy, still perfect for dancing and lounging today. From the legendary Italian soundtrack archive of CAM Sugar comes a compilation that as it has never been heard before: “Tropicale”, tropical rhythms and irresistible catchy tunes from films of Italian cinema’s golden era, composed by masters such as Ennio Morricone, Piero Piccioni, Bruno Nicolai, Armando Trovajoli and many others. 26 remastered tracks, 8 of which are previously unreleased, 2LP in an elegantly designed gatefold sleeve.

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Disco É Cultura Volume 2 HHV Exclusive Crystal Clear Vinyl Edition

LP | 2024 | EU | Original (Mad About)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Limited to 200 copies on crystal clear vinyl. Only available at hhv.de

A tribute to a glorious and sophisticated era in Brazil music.

"Disco é Cultura, vol. 2" brings 15 tracks of the funkiest Brazilian music from the 70s and 80s. Soul and Funk were taking the world by storm in the 1970s. Brazilians developed their own sound by combining influences from Funk and Soul music from abroad to create something uniquely Brazilian.

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John Gomez & Nick The Record Present Tangent Colored Vinyl Edition

2LP | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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The Roots Of Chicha / Psychedelic Cumbias From Peru

2LP | 2011 | EU | Reissue (Barbes)

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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Tudo Ben (Jorge Ben Covered)

2LP | 2023 | UK | Original (Mr Bongo)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Jorge Ben is surely one of the world’s greatest all-round musical artists. He is internationally renowned and vastly influential as a vocalist, musician, performer and phenomenal songwriter. Famed for penning ‘Taj Mahal’, which was the source for Rod Stewart’s ‘Do You Think I’m Sexy?’, and also ‘Mas Que Nada’, one of Brazil’s most iconic anthems, Jorge Ben is a powerful musical force. A simple glance at his impressive back catalogue reveals a master of his craft, with a depth and quality that is seldom paralleled.

For 'Tudo Ben' we take a side-step, focusing on Jorge Ben’s songs that have been performed by other artists. Complied by Mr Bongo, Greg Caz and Sean Marquand, this collection features the Brazilian legends Elza Soares, Claudette Soares, and Wilson Simonal, alongside prodigious artists such as Marijô, Os Brazoes, and Doris Monteiro to name but a few. The selection covers a wide range of genres including samba, bossa nova, MPB and batacuda workouts. Many of the songs featured have become staples in Mr Bongo DJ sets over the years and are some of our most loved classics. As with many of history’s great songwriters, Jorge Ben’s songs transcend genres and styles, they can be covered and reinterpreted, yet the quality of the writing holds up to the standard of the original.

In the dark days of the mid to late 2000s when the end of vinyl seemed inevitable, Mr Bongo released 'Tudo Ben' on CD only. Years later, we finally get to put this right and present it for the first time on vinyl with alternative artwork by Mr Krum.

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Cumbia Cumbia Cumbia!!! Vol. 2

2LP | 2024 | EU | Original (Vampisoul)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Discomoda Salsa De Venezuela 1964-1977

2LP | 2024 | EU | Original (Olindo)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Established in 1948 by César Roldán, Discomoda is one of the earliest record labels of Venezuela and the oldest family operated label in the country. Home to one of the most complete folkloric and popular music catalogues of Venezuela, the label also invested heavily in Afro-Caribbean and tropical rhythms that became popular in the 60s and 70s. In the 1960s and before the Salsa era truly kicked off, Venezuela had a significant dance orchestra and big band movement. Unlike local record competitors dedicated to selling foreign productions, Discomoda achieved its leading position by recording the most important national bands, including Los Megatones de Lucho, Orquesta Sonoramica and Super Combo Los Tropicales; all featured in this compilation. Later on, surrounding the festivities for the 400th anniversary of Caracas in 1967, the word "Salsa", which had been recently coined by famed radio host Phidias Danilo Escalona, was formalized to identify an Afro-Caribbean musical style with growing popularity in Venezuela and beyond. By then, the country was among the top 20 music markets in the world, with the local label Discomoda leading the way, responsible for one out of every five records sold in the country. With the prolonged celebrations approaching due to the 400 years of the city, Discomoda and other labels began to capitalize on this new musical style by betting on both established and new local bands, such as Nelson y sus Estrellas, Los Kenya, Principe y su Sexteto and Los Satélites. As a result, this would kick off what could be considered a golden era of Salsa in Venezuela and which lasted until the mid-70s. As we approach the 80s and with the emergence of new musical styles and bigger multi-national record labels funded by larger pockets, a lot of the previously popular bands begin to disband or choose to leave the country. Nonetheless, a few artists, like Rodrigo Mendoza, La Renovación and Grupo Yakambu, were still pushing out quality music. We are thrilled and honored to celebrate one of Venezuela's and, equally, Latin America's most significant record labels, and to share a slice of their enduring influence in advancing Venezuelan-made Salsa music.

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12" | 2023 | EU | Original (Legofunk)

Special Disco Version

13,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Glorious Various Artist on the beloved Legofunk Records. Moving sensations for an always pleasant vibe!

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LP | 2024 | BR | Original (Discos Nada)

Pra Quem Sabe Das Coisas

Release: 2024 / BR – Original

Genre: Organic Grooves

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One of the rarest and most enigmatic LPs in the Brazilian discography, Prá Quem Sabe das Coisas is a collective album that gathered a group of students from São Paulo Law School, supported by the organist/pianist Renato Mendes, one of Samba-Jazz's most important names. Released in 1973 by the label Ebrau, finally has a refined reissue and its mysteries revealed, exactly half a century later, considering that it was recorded in 1971 but put in the market as LP only two years later. This reissue comes with an original insert replica with lyrics and an extra insert with unseen photos and an exclusive interview that the journalist and researcher Marcelo Pinheiro did with CAU Pimentel adding even more to the richness of this workpiece, composed by many writers and performers in 1971.

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2x7" | 2023 | EU | Original (Act Of Sedition)

Creole Gumbo

19,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Claremont Editions Volume 3

2LP | 2022 | UK | Original (Claremont 56)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Since launching in early 2020, Claremont 56’s Claremont Editions series has served up two impeccably curated and lovingly curated compilations of label rarities, unheard archive cuts and brand-new music. Two years on from the release of the second volume, C56 boss Paul Murphy has finally got round to compiling a third instalment, and as you’d expect it’s full of attractive, sun-soaked treats.

The set introduces us to a handful of label debutants. German collective Neumayer Station, a group who emerged from the same musical and social circle as existing Claremont 56 artists Fürstattl, contribute two cuts: ‘Unterführung’, an evocative, low-slung, reverb-laden fusion of krautrock and horizontal psychedelic dream-pop featuring Fürstattl’s Frank Mollena and Patrick Göbel, and the subtly jazz-flecked krautrock hypnotism of ‘Crossings’, a cut whose atmospheric intent and well-placed dub delays make it undeniably Balearic.

Speaking of Balearic, experienced musical daydreamer Mike Salta finally makes his Claremont 56 bow, joining forces with regular collaborator Marty Mortale on the deliciously tactile, warming, electric piano-sporting sunset shuffle of ‘Seashore Redemption’. The final new addition to the C56 family is Taichi Arakawa, the DJ/producer behind Japan’s Café Goofy. His track, ‘Ocean Sunrise’, is a gorgeously dreamy and kaleidoscopic shuffle through drifting synth-sax, slow-motion beats, immersive pads and layered synthesizer melodies.

As with its predecessors, Claremont Editions Volume Three also boasts fresh, unreleased material from label stalwarts. Jpye, whose Samba With You album was one of the label’s highlights of 2021, once again joins forces with regular collaborator Renato – and newcomer Michael T – to deliver a dose of club-ready Balearic samba smothered in glistening jazz guitar licks, lazy synth solos and languid electric piano licks (‘Va Là-Bas).

Ferdi Schuster, who released his sole album to date on the label back in 2019, offers up the pastoral, folksy and hand percussion-heavy brilliance of ‘The Fuzz Version’, while C56’s own in-house trio, Hillside (aka Paul Murphy, Alex Searle and Patrick Dawes) deliver the utterly gorgeous and cinematic ‘Pole Vault’ – a delightful hat-tip to classic library music featuring brilliant brass and string arrangements from Michele Chiavarini.

Rounding off another excellent package are two remixes from the vaults: Bosq’s pitched-up, Latin-tinged Balearic jazz-funk interpretation of Hillside’s deeply personal and emotive ‘For Daniel’ (a revision previously only available digitally) and a previously unheard revision of Paqua’s ‘The Visitor’ from Idjut Boys’ Conrad McDonnell, a long-time friend of the label. His take is predictably magical and dubbed-out to the max, with Quinn Luke’s evocative vocals seemingly drifting above sparse, stripped-back beats, echoing guitars, hissing cymbals and hazy bass.

To complete the package, Claremont Editions Three features a specially commissioned cover painting from Andy Kehoe, an illustrator whose distinctively colourful, detailed and fantastical images are a perfect match for the vividly evocative music contained on the LP.

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Nowhere Like Here: Love Songs From The Caribbean & Diaspora

2LP | 2022 | UK | Original (Emotional Rescue)

Release: 2022 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Emotional Rescue is delighted to debut a first. Rather than a straight reissue of an (obscure) classic or a collection of music by an artist or label, here presented is a compilation of various artists centered around a sound and movement reggae-tinged music and how it influenced and spread from the Caribbean and diaspora.

Drawn from the off kilter digging of archivist, DJ and collector Bruno (perfectliv.es), Nowhere Like Here is not a follow up, but a sideways accompaniment, to his recent and already cult like 'Perfect Motion' collection of left field pop and new wave, recently self-released with Flo Dill (nts).

This is a special release to celebrate the label's 10th year and beyond, offering a treasure trove of lo-fi and often pop inspired reggae cuts, mixing heartfelt Lovers Rocks style paeans and quirky private press oddities, all guaranteed to 'make-a-move and tap', these are, in the main ridiculously rare or impossible to find alternative bombs, that are just as sound system rocking and massive bass line quaking showcases of the enduring legacy of this Jamaican music phenomenon. As with much of the early 80s period, the music community was in the throes of a Do-It-Yourself cultural renaissance as small labels, where crazy limited, one off White Labels Onlys came and went. Songs like Avalanche 's 'Your Love is Such a Good Thing 'or Warp Speed's 'Take It To The Night' were part of the claiming the means of production in to their own hands, pressing up the records and self-distributing. This raw, naive exuberance can be heard in the songs themselves. This is not reggae or Lovers as known, but something more expressive. Musical, simply produced, but with intelligible and uplifting optimism that is just superlatively catchy.

While Paul Thompson's 'Can I Take You Home' and Ras Ibuna's 'Black Beauty' are more straight-ahead Lover's style cuts, there is the parallel dance pop private pressing vibrations of the two Keith Robinson songs and Majority's 'Caroline' included all part of a thread; a joining the dots that Nowhere Like Here is at its most basic, a warmth the whole album exudes.

This is not a Lovers Rock Hits of some, but a left-of-center versioning, spread across Double Pack and cut loud for DJ play, fitting the ethos of Emotional Rescue by presenting something most will not have heard before and all the better for it.

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Liguria Transatlantica / Bossa Figgeu Black Vinyl Edition

LP | 2022 | EU | Original (Time Is The Enemy)

Release: 2022 / EU – Original

Genre: Organic Grooves

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"South American Jazz & Bossanova flavours from 60s & 70s in Liguria, north west Italy. As you might notice after the first listening, surprisingly, the melody sounds very similar to Brazilian Portuguese and the instrumental tracks have a distinctive touch of South American Jazz. Nonetheless, the sound landscape clearly reflects the Italian libraries of the time. This mingling was possible because at the time of the discoveries of the New World, due to commercial and cultural interconnections, the local Ligurian language was influenced by new stimuli from the new territories and vice-versa. Moreover, since the end of the Nineteenth Century, there has been a strong migration of Italians to South America, similar in numbers to the migration of Italians to North America, but less known because less represented in films or narrative."

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Color De Tropico Volume 3

LP | 2022 | EU | Original (Elpalmas Music)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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El Palmas Music are back with a third instalment of rare Venezuelan sounds from the 60s and 70s, a wild trip through salsa, boogaloo, garage rock, jazz and delinquent pop. Venezuelan music was moving at such a pace through the 60s and 70s that almost as soon as a new craze was born, another was preparing to eclipse it. In barely 10 years, musicians latched on to the sound of the Latin big bands of Cuba, New York and Colombia, turned to the 60s pop and rock ‘n’ roll of England and the US, before heading back to salsa as it took root across Latin American, before forays into jazz, psych rock and Afro-Venezuelan rhythms took hold in the 70s. This fertile musical period, coming at a time when Venezuela was economically abundant and culturally as relevant as any other developed country, has always been the focus of the Color de Trópico series, and continues to be the case on this third instalment, though it should also be noted that the tracks are getting rarer and rarer, indicative of the curatorship of DJ El Palmas and El Drágon Criollo and their constant search for new sounds that reflect Venezuela’s musical treasures at this time. Color de Trópico Vol. 3 starts with Un, Dos, Tres Y ... Fuera’s “Aquella Noche”, a song that’s fully indicative of Venezuela’s coastline with the much-loved Un, Dos, Tres Y ... Fuera giving a llanero rhythm (normally played on a harp and other stringed instruments in its rural incarnation) a fully Afro-Caribbean makeover with pulsating bass and an electric keyboard that teases and energises the groove. It possesses some of that same mid-70s vitality and need to experiment as Grupo Vaquedanus, the band of sax maestro Santiago Baquedano, and their cover of Dave Brubeck’s “Take Five”, here fashioned as “Toma Cinco”. This version strips away all the niceties of the original, turning it in to a psych-fuzz jazz romp with Baquedano’s raspy sax leading the way. Step back 10 years and the energy remains even if the musical terrain was different. Girl group Los Pájaros hit hard with a boogaloo whose instruction is simple enough: “shake it baby, kiss for you, take the rhythm, and do the boogaloo”. Los Pájaros were one of a number of groups who were taking inspiration from the 60s sounds of the US and Britain but repackaging it for Venezuelan youth. Pop stars Geminis 5 were at it too with a fuzzy ballad “Tus 16 Años”, and Junior Squad even injected a bit of San Francisco hippy charm into affairs with their loose adaptation of The Turtles “She’d Rather Be With Me”, retitled as “Siempre Para Ti” and sounding as rough, ready and full of youthful vim as anything made north of Mexico. On the farthest end of the pop spectrum is The Pets with their cult hit “El Entierro de un hombre rico que murió de hambre” (“The Burial of a Rich Man Who Died of Starvation”), a true countercultural anthem that even dips into “The Funeral March” for a minute, and which is much desired by record collectors. Finally, we must mention the salsa ensembles and their big band predecessors, always an important element of any Color de Trópico compilation. On Volume 3, we find one of the earliest salsa groups in Venezuela, Los Megatones De Lucho, who recorded a pachanga, “Yo Se Que Tu”, long before salsa was even a thing. Influenced by Venezuela’s very own Los Dementes and Joe Cuba’s sextet, Principe Y Su Sexteto were one of Venezuela’s most prominent salsa ensembles. On their 1969 track “San De Manique” we get a different vibe altogether, it’s a creeping son with just vocals, bass and congas for its opening minute, before really kicking into action with a twisted guitar line and wild percussion, while always retaining a raw, Afro-Latin feel. Last, but not least by any means, is one of Venezuela’s most beloved salseros, Johnny Sede, who pipes up with a classic salsa, “Guararé”, showing how the style had developed in just a few short years. You could accuse El Palmas and El Dragón Criollo, the curators of this collection, as getting some sort of a sick thrill at throwing such a weird and unwieldy bunch of tracks together, and that may be true, but there is logic too. These are songs full of life and creativity that signalled an era of boundless optimism. Listen to them now, and you’ll find yourself feeling those emotions once again.

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Luke Una Presents E-Soul Cultura

CD | 2022 | EU | Original (Mr Bongo)

14,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of “E-Soul Cultura”.

It’s best described by Luke himself, who writes: “As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33bpm pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again.”

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene, and later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to E soul, house, disco and techno. Luke’s much loved, long running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s Lgbtq cultural landscape.

Luke’s Friday evening show on Worldwide FM has captured imaginations and has already become a cult four hour must-listen monthly journey with fans all over the world. Today Luke remains, as ever, at the forefront of a changing scene, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

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Luke Una Presents E-Soul Cultura

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Elpalmas Music)

Sabor Surf

Release: 2021 / EU – Original

Genre: Organic Grooves

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The album that you now enjoy has been compiled by El Palmas & El Drágon Criollo an begins with the theme that every afternoon, starting at 6 O´clock, all the youth of Caracas waited anxiously: “Introduction Theme” by Los Supersónicos was the wake-up call to introduce the charge of surfing that that later it would explode in El Club Musical.

And from the same group, another of their greatest hits is included, such as “Rosas Rojas para una Dama Triste”.

The Dangers were in charge of entertaining many youth parties in Venezuelan society. Their great success was “Congratulations”, an obscure Ricky Nelson song, of which they made an excellent cover. And to demonstrate the great influence of the British group The Shadows - present in all the youth bands of the time - here they shine with their recreation of the song “González” The Blonders were by far the possessors of the purest and most crystalline sound among the surf groups in Venezuela. A bold and highly imaginative arrangement of the classic “Lamento Borincano” is enough to justify its inclusion in this compilation.

And although The Impala came to have the most aggressive and rock-and-roll sound, here they show another facet of their music with the songs “Triste” and “Desafinado”.

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The Paths Of Pain The Caife Label Quito 1960-68

2LP | 2021 | UK | Original (Honest Jon's)

27,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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A dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions.

Forms like the tonada, albazo, danzante, yaravi, carnaval, and sanjuanito; the yambo, with roots in pre-Incan ritual, and the pasillo, a take on the Viennese waltz, arriving through the Caribbean via Portugal and Spain.

Exhumations like the astoundingly out-there organist Lucho Munoz, from Panama, toying with the expressive and technical limits of his instrument; and our curtain-raiser Biluka, who travelled to Quito from Rio, naming his new band Los Canibales in honour of the late-twenties Cannibalist movement back home, dedicated to cannibalising other cultures in the fight against post-colonial, Eurocentric hegemony. He played the ficus leaf, hands-free, laying it on his tongue. One leaf was playable for ten hours. He spent long periods living on the street, in rags, when he wasn’t in the CAIFE studio recording his chamber jazz-from-space, with the swing, elegance and detail of Ellington’s small groups, crossed with the brassy energy of ska — try Cashari Shunguito — and an enthralling other-worldliness.
Utterly scintillating guitar-playing, prowling double bass, piercing dulzaina, wailing organ, rollicking gypsy violin, brass, accordion, harps, and flutes. Bangers to get drunk and dance to. Slow songs galore to drown your sorrows in, with wildly sentimental lyrics drawn from the Generacion Decapitada group of poets (who all killed themselves); expert heart-breakers, with the raw passion of the best rembetica, but reined in, like the best fado.

Sumptuously presented, in a gatefold sleeve and printed inners, with a full-size, full-colour booklet, with wonderful photos and excellent notes. Limpid sound, too, courtesy of original reels in Quito, and Abbey Road in London; pressed at Pallas.

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Instrumental Gems Volume 3 Spanish Bossa Nova 1972/1977

LP | 2021 | EU | Original (Adarce)

21,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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The third installment of our "Instrumental Gems" compilations is finally out, focused on discovering treasures of instrumental music recorded in Spain during the 60s and 70s. Those were years when a significant number of orchestras and dance ensembles proliferated in Spain, most of which barely managed to press their songs on vinyl, but if we look deeper into the catalog of small labels of the time or self-released singles, we find pieces of undoubted quality. Many did not have a commercial course since the orchestras used them basically on a promotional level to get concerts or generate copyright, and it is for this reason that they are so hard to find for collectors of the genre. Most authors opted for pasodoble, swing, groove and Spanish soul, being bossa nova a genre less used in their compositions. The purpose of this compilation is to highlight a hidden treasure among those wonderful EPs, instrumental jewels that drink from the simplicity of bossa, to flirt with hotter rhythms close to Latin jazz, an explosive mix hidden in the 14 cuts of the LP.

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LP | 2020 | EU | Original (El Palmas Music)

Color De Trópico

27,54 €* 28,99 € -5%

Release: 2020 / EU – Original

Genre: Organic Grooves

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Color de Trópico is a carefully-compiled work of healing and reconstruction, documenting a special moment in the history of Venezuelan music, when the country’s democracy was just a few years old and the profound impact of the oil industry on society had only just begun. DJ El Palmas and El Dragón Criollo have chosen eight impossibly hard-to-find jewels, originally released between 1966 and 1978, reissued here for the first time on vinyl. In this period, Venezuelan musicians assimilated a wide range of influences and styles, both local and global, to generate something new, a “modern” identity for Venezuelan music; artists who set their eyes on the future without giving up the search for their own sabor (flavour). This is how jazz, rock, salsa, funk, psych, prog and disco, sat next to guajira, cumbia, cha-cha-cha and even the hugely-popular Venezuelan style of joropo. It started a long tradition of Venezuelan musical pioneers, many of whom are still to get the recognition they deserve. Seconds after the needle drops on the vinyl, “El Despertar” (“The Awakening”) kicks off things with a goodbye for it was the last single Los Darts released before their dissolution in 1974. In the 60s they became the youthful face of pop, however, “El Despertar” settles into a later maturity, having digested the tumult of the times. A cha-cha-cha rhythm with bossa nova piano, bluesy stylings and a Caribbean context – a blueprint for tasty miscegenation – with the use of electric guitar, arriving in waves of chords, signalling the onset of modernity. “Guajira con Arpa” by the pioneering Hugo Blanco, who lists the creation of countless rhythms and his early adoption of rhythms like ska amongst his claims to fame, is a fusion that arrives without complexities. It approaches indigenous forms from a multitude of different angles, yet in the middle of its Caribbean approach it creates a melody so close to the pajarillo that the song seems to flip on its head. With “Zambo” the party is on. Here we have an all-star line-up comparable to master Cortijo’s brief project with his Time Machine in Puerto Rico. Alex Rodríguez, one of the most important jazz guitarists in Venezuela and his Retreta Mayor give a twist to the fusion by daring to venture into Latin jazz, funk and salsa. “Gaita Universal” by El Combo Los Capri, gives us a moment of solace, recalling the cultural, rhythmic and even spiritual brotherhood of Venezuela not only with the Caribbean but with the continent, South America and neighbouring Colombia. This cumbia is special, it interweaves musical phrases in the style of a popular party wanting to propose the permanence of culture. Rhythm is the point of union between all human beings and, as its name indicates, its proposal goes beyond the physical and particular. It’s pure tropical hedonism. Nelson y sus Estrellas reminds us once again of the Caribbean wave but here under his “urban” outfit. Nelson plays guaguancó in the style of original salsa, specifically in this version (the theme evolves over time) with a disco-soul twist on “Fantasía Latina”. It takes the sound of early masters like Eddie Palmieri but is developed with eclectic elements, a climatic structure in which a trumpet with vibrato, salsa-rock riffs with acoustic guitars and a flute that, unlike the charangas in those that Johnny Pacheco partook at the same time, rather have a cinematic character. The cosmic “Tu y Yo” from Almendra plots a journey between soul-jazz and psychedelia that sails over a Moog until ending as a P-Funk descarga. Despite the fact that the principal instruments are an organ and a synthesizer, the acoustic guitar provides a unique colour. A tropical psychedelic journey from beginning to end seasoned with congas. The album closes with Tulio Enrique León y Su Organ playing “Bimbom”, a European pop-styled track from 1975. It’s a version of Bimbo Jet’s Eurodisco “El Bimbo” that immediately became famous among popular easy listening orchestras throughout summer in Europe. Tulio Enrique shines by turning it into an enigmatic and spectral cumbia. Tulio was an organist whose blindness did not prevent him from becoming one of the most popular artists in the world, as cited by Billboard in 1965. We have left the politically-incorrect “Socorro, Auxilio” by Germán Fernando for the end. According to music journalist Alfredo Churión “those who saw him attested to having witnessed something indescribable”, a mysterious man who doubted even his sanity and of whom today practically nothing is known. He was someone who dared to show a completely foreign effrontery, signing unintelligibly, moving frantically and throwing himself to the ground before the stunned gaze of his audiences. Venezuelan writer Luis Armando Ugueto states: “his art could go from the sublime to bad taste – and it was craved by the press – when he subjected viewers to strange songs where he pleaded for socorro and auxilio [help].” Germán Fernando had a histrionic proposal that was a thousand times misunderstood and that even popular presenters of the time like Renny Ottolina dubbed “his follies”. A theme close to the jazz orchestra soundtracks of James Bond and Batman accompanies the showman here who comes across like a creole Screaming Jay Hawkins. He creates a whirlwind of sound that, while as agile as a featherweight, is also capable of knocking out all the old ideas we had about Venezuelan music.

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LP | 2019 | EU | Original (Les Disques Bongo Joe)

Soul Sega Sa! Volume 2

Release: 2019 / EU – Original

Genre: Organic Grooves

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Still untouched by human settlement barely 500 years ago, the islands of the Southwest Indian Ocean, Mauritius, Reunion Island, Rodrigues and the Seychelles were colonized by Europeans (French, English and Dutch) from the end of the 16th century on and operated as trading posts on the Indian route. Slaves were deported from Africa and Madagascar to cultivate coffee, spices and sugar cane. On the margins of the plantations, during clandestine gatherings, they exorcised their daily lives through percussion, singing and dancing. It is the tschiéga, chéga or sega, from Mozambique and Malagasy influence.

The gradual appropriation by the Creole populations of Western instruments and European melodic traditions (quadrilles, waltzes, polkas, scottish, romances, mazurkas), as well as the cultural contribution of committed workers from India laid the foundations of the modern sega.

This crossroads of influences was to continue to grow, especially from the 1950s, when the first phonographs arrived, playing all kinds of varieties but also jazz, soul, rock'n'roll, and even Cuban or Brazilian music.

For the Sega, these were the first steps towards a period of intense creativity that would cover the 1960s and 1970s. Amplified instruments arrived, and electric guitars, basses, drums and keyboards quickly replaced violins and accordions. Record production exploded and saw the advent of many micro-labels featuring genius arrangers such as Marclaine Antoine, Gérard Cimiotti, Eric Nelson, Claude Vinh San, or Narmine Ducap who explored the Sega in its many facets. Psychedelic keyboards, fuzz guitars and undulating basses invited themselves on the furious ternary polyrhythms of drums, ravannes, bongos, claves, triangles and maracas, to produce a unique style.

Here are some pearls from this golden age of the segas of Mauritius, Seychelles and Reunion Island that are compiled in this volume 2 for our greatest pleasure!

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Jambú - E Os Míticos Sons Da Amazônia

2LP | 2019 | EU | Original (Analog Africa)

31,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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The city of Belém, in the Northern state of Pará in Brazil, has long been a hotbed of culture and musical innovation. Enveloped by the mystical wonder of the Amazonian forest and overlooking the vastness of the Atlantic Ocean, Belém consists of a diverse culture as vibrant and broad as the Amazon itself. Amerindians, Europeans, Africans - and the myriad combinations between these people - would mingle, and ingeniously pioneer musical genres such as Carimbó, Samba-De-Cacete, Siriá, Bois-Bumbás and bambiá. Although left in the margins of history, these exotic and mysteriously different sounds would thrive in a parallel universe of their own.

I didn’t even know of the existence of that universe until an Australian DJ and producer by the name of Carlo Xavier dragged me deep into this whole new musical world. Ant it all began in Belém do Pará. Perched on a peninsula between the Bay of Guajará and the Guamá river, sculpted by water into ports, small deltas and peripheral areas, Belém had connected city dwellers with those deeper within the forest providing fertile ground for the development of a popular culture mirroring the mighty waters surrounding it. Through the continuous flow of culture, language and tradition, various rhythms were gathered here and transformed into new musical forms that were simultaneously traditional and modern.

Historically marginalized African religions like Umbanda, Candomblé and the Tambor de Mina, which had reached this side of the Atlantic through slaves from West Africa – especially from the Kingdom of Dahomey, currently the Republic of Benin – left an indelible stamp on the identity of Pará´s music. They would give birth to Lundun, Banguê and Carimbó, styles later modernised by Verequete, Orlando Pereira, Mestre Cupijó and Pinduca to great effect. The success of these pioneers would create a solid foundation for a myriad of modern bands in urban areas.

Known as the “Caribbean Port,” Belem had been receiving signal from radio stations from Colombia, Surinam, Guyana and the Caribbean islands - notably Cuba and the Dominican republic - since the 1940s. By the early 1960s, Disc jockeys breathlessly exchanged Caribbean records to add these frenetic, island sounds to liven up revelers. The competition was fierce as to who would be the first to bring unheard hits from these countries. The craze eventually reached local bands’ repertoires, and Belém’s suburbs got overtaken by merengue, leading to the creation of modern sounds such as Lambada and Guitarrada.

To reach a larger audience, the music needed to be broadcast. Radios began targeting the taste of mainstream audiences and played music known as “music for masses.” As the demand for this music grew, it led to the establishment of recording companies. Belém’s infant recording industry began when Rauland Belém Som Ltd was founded in the 1970s. It boosted a radio station, a recording studio, a music label and had a deep roster of popular artists across the carimbó, siriá, bolero and Brega genres.

Another important aspect in understanding how the musical tradition spread in Belém, are the aparelhagem sonora: the sound system culture of Pará. Beginning as simple gramophones connected to loudspeakers tied to light posts or trees, these sound systems livened up neighbourhood parties and family gatherings. The equipment evolved from amateur models into sophisticated versions, perfected over time through the wisdom of handymen. Today’s aparelhagens draw immense crowds, packing clubs with thousands of revelers in Belém’s peripheral neighbourhoods or inland towns in Pará.

The history of "Jambú e Os Míticos Sons Da Amazônia" is the history of an entire city in its full glory. With bustling night clubs providing the best sound systems and erotic live shows, gossip about the whereabouts of legendary bands, singers turned into movie stars, supreme craftiness, and the creativity of a class of musicians that didn’t hesitate to take a gamble, Jambú is an exhilarating, cinematic ride into the beauty and heart of what makes Pará’s little corner of the Amazon tick. The hip swaying, frantic percussion and big band brass of the mixture of carimbó with siriá, the mystical melodies of Amazonian drums, the hypnotizing cadence of the choirs, and the deep, musical reverence to Afro-Brazilian religions, provided the soundtrack for sweltering nights in the city’s club district.

The music and tales found in Jambú are stories of resilience, triumph against all odds, and, most importantly, of a city in the borders of the Amazon who has always known how to throw a damn good party.

“Jambú is a plant widely used in Amazonian and Paraense cuisine. Known for having an appetitestimulating effect, it is added to various dishes and salads but is most famously one of the main ingredients in Tucupi and Tacacá, two delicacies that have been immortalized in countless Carimbó songs. Chewing the leaves of the Jambú plant will leave a strong sensation of tingling on the tongue and lips. Indigenous communities have relied upon its anaesthetic qualities for centuries as an effective remedy against toothaches and as a cure for mouth and throat infections. A decade ago, a distillery from Belém discovered the euphoric effects of the Jambú plant when combined with distilled sugarcane based spirit - known as cachaça - and created the now legendary “Cachaça de Jambú“.

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LP | 2019 | EU | Original (Wagram)

Spirit Of Salsa

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Wagram)

Wanted Bossa Nova

Release: 2018 / EU – Original

Genre: Organic Grooves

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Mr Bongo Record Club Volume 2

2LP | 2017 | EU | Original (Mr Bongo)

23,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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This instalment follows on from our acclaimed ‘Volume One’ – Lauren Laverne’s ‘Compilation Of The Week’, supported by the likes of Disclosure, Jeremy Underground, Horsemeat Disco, Hunee and Laurent Garnier. ‘Volume Two’ picks up where the last one left off — with a touch more soul and disco — records we’ve been spinning in our DJ sets and on the radio show of the same name, that inspired this series.

Compiled by David ‘Mr Bongo’ Buttle and Gareth Stephens, plus a few personal favourites from Gary Johnson, Ville Marttila and Graham Luckhurst.

TRACKLIST, VINYL 2-LP: A1. Elbernita ‘twinkie’ Clark – Awake O Zion (full length, original version) / A2. Dee Edwards – Put Your Love On The Line / A3. Anubis – Ecology / B1. Guy Cuevas – Ebony Game / B2. Kiru Stars (Julius Kang’ethe) – Family Planning / B3. Teaspoon & The Waves – Oh Yeh Soweto / C1. Leny Andrade – Não Adianta / C2. Rosa Maria – Samba Maneiro / C3. Tom & Dito – Obrigado Corcovado / C4. Inezita Barroso – Maracatu Elegante / C5. Joao Diaz – Capoeira / C6. The Equatics – Merry Go Round / D1. Elias Rahbani And His Orchestra – Liza… Liza / D2. The Beaters – Harari

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2LP | 2010 | EU | Original (Vampisoul)

Cumbia Beat Volume 1

Release: 2010 / EU – Original

Genre: Organic Grooves

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We've Got A Groovy Thing Going (The Latin Soul Of Bobby Marin)

LP | 2024 | EU | Original (Vampisoul)

Release: 2024 / EU – Original

Genre: Organic Grooves

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2x7" | 2023 | EU | Original (Act Of Sedition)

Creole Gumbo

8,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG+

Records are slightly warped but still enjoyable.

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Sentinel Island Disco - Soca Jams

12" | 2024 | EU | Original (Sentinel Island Disco)

23,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Re-issue label Sentinel Island Disco returns to the stage with their long-awaited soca compilation featuring highly sought after soca cuts, raw 90’s soca house and deep blends of reggae, calypso and disco.
Structured by a PARTY and a SOUL side, the compilation offers a snapshot of the 90s electronic soca scene in all its multifaceted glory. The party side serves up a selection of pulsating, feel-good party tracks that encapsulate the carefree spirit that is the very heartbeat of soca parties. While the soul side explores a more introspective soundscape, where soulful vocals and deep electronic beats merge to create a powerful emotional experience and where melodies linger long after the music stops.
Label owners Barney Graman and Coco Vink have spent the past 3 years on bringing these lost and obscured recordings back into the limelight, some of which now pressed on vinyl for the very first time. All tracks are carefully remastered and some have been edited or remixed for the modern dancefloor, while staying as close as possible to the original brilliance. The result is more than just a collection of songs; it’s a celebration of soca’s rich heritage and its ability to unite both different cultures as well as divergent musical themes, from joyous celebration to soulful reflection. All in all, a must-have compilation for all the collectors and aficionados of the rich and uplifting music of the African diaspora, as well as dj's, dancers and music lovers looking to spice up their collection with some incredible soca music! Comes as a transparent colored vinyl, featuring a small booklet with artist and label pictures as well as full liner notes on the genre's history and introduction of the tracks.
Limited to 500 copies.

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Colin Curtis Presents Jazz Dance Fusion Volume 2

CD | 2024 | UK | Original (Z)

16,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Tape | 2024 | UK | Original (Ebf)

Acicalao - Volume One

Release: 2024 / UK – Original

Genre: Organic Grooves

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A Mix Tape of extremely rare and hard to find Salsa music. Mainly from the mid-late 70s with a few from the early 70s and 80s. Solidly in the Salsa Dura / Guaguanco style.

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Luke Una Presents E-Soul Cultura

Release: 2022 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Original Italian Classics Vol. 1

LP | 2024 | DE | Original (ZYX Music)

Release: 2024 / DE – Original

Genre: Organic Grooves

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John Gomez & Nick The Record Present Tangent

2CD | 2024 | UK | Original (Mr Bongo)

16,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Les Belgicains - Na Tango Ya Covadia 1964-1970

LP | 2024 | EU | Original (Covadia)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The compilation ‘Les Belgicains – Na Tango Ya Covadia 1964-1970’ (‘Les Belgicains’ during the time of Covadia 1964-1970) tells the remarkable story of the first Congolese student orchestras in Belgium. During that time Congolese referred to countrymen living in Belgium as ‘Les Belgicains’. The music presented on this compilation blew a new, fresh wind through the musical landscape of Congolese popular music under the supervision of the legendary editor and producer Nikiforos Cavvadias (Ngoma label)

The largest country in Africa is experiencing its early independence. During that period, Belgium invites many Congolese students to take classes at its universities. They are the future executives and ministers of the new republic. Out of a feeling of homesickness for their beautiful country, these students set up music groups. To dance and get carried away by the music the 45 rpm records they brought with them from Congo were too short. That is why they decide to bring live music to the events of the Congolese diaspora. Their own compositions are strongly influenced by their life in Belgium, resulting in a unique sound.

Nikiforos Cavvadias arrives in Belgium around the same time. At that moment he is one of the best-known editors and producers in Congo and he works for the Ngoma label based in Léopoldville. Niki is at the origin of the success of, among others: Antoine Mundanda, Léon Bukasa, Manuel d'Oliveira, Wendo Kolosoy... Due to the political instability in Congo, he permanently moved to Belgium with his wife and two children (1964). The student orchestras, like Los Nickelos and Yéyé National, are quickly noticed by Niki, who is looking for young, talented musicians to house under his new label Covadia.

You can hear the extraordinary result on this compilation!

This album is available in a deluxe vinyl edition with gatefold sleeve (1lp) + insert or a CD with a 24-page booklet. Both editions contain the story of 'Les Belgicains' and the Covadia label, with unique photos of the original orchestras. Renown sound engineer Roger Verbestel made the recordings between 1964 and 1968 in the recording studio Studio Madeleine in Brussels. All music has been remastered from the original master tapes.

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Tango Argentino Marbled Vinyl Edition

LP | 2024 | EU | Original (Magic Of Vinyl)

30,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Tango Argentino is not only a sensual and intoxicating dance and musical style, but also a cultural symbol that reflects the history, passion and identity of Argentina. Originating in the suburbs of Buenos Aires in the late 19th century, tango combines African rhythms, European social dances, and the influences of immigrants to Argentina to create a unique dance form. Initially considered scandalous, tango gained acceptance and popularity over time. Traditional tango music, characterized by soulful melodies and melancholy lyrics, is dominated by the bandoneón, an accordion-like instrument, and accompanied by violin, piano and guitar. Beyond the borders of Argentina, tango has become a worldwide phenomenon, with international tango festivals and dance clubs in cities worldwide. Unesco declared tango culture an Intangible Cultural Heritage of the World in 2009. Tango Argentino has produced timeless masterpieces and great musical artists that are considered important cultural symbols of Argentina and are compiled in this collection. Tango Argentino remains the universal language of passion, longing and joy that enchants dancers and listeners alike.

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Mr Bongo Record Club Volume 5

2LP | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mr Bongo Record Club Volume 3

CD | 2024 | UK | Original (Mr Bongo)

14,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mr Bongo Record Club Volume 2

CD | 2024 | UK | Original (Mr Bongo)

11,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mr Bongo Record Club Volume 1

CD | 2024 | UK | Original (Mr Bongo)

11,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Crazy World Of Music Hall Volume 3

LP | 2023 | EU (Beat Generation)

Release: 2023 / EU

Genre: Organic Grooves, Rock & Indie

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Finally, and thanks to the hard work of the fine folks at Inamu (Instituto Nacional de la Música de Argentina) and the amazing selection job of Nekro (Fun People & Boom Boom Kid), we're proud to present "The Crazy World of Music Hall vol 3", the third of a 3 volume set of mind blowing lp's compiling the finest of the 60's and 70's cuts output from the legendary Argentinian label Music Hall. This final volume presents tracks from both decades with a great selection of hot sounds ranging from pure unaltered wild Rock'n[Roll to Psychedelia, Latin sounds, visceral Hard Rock, Soul or Funk. Can't miss this final installment, the cherry on top of an amazing set!

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Tudo Ben (Jorge Ben Covered)

CD | 2023 | UK | Original (Mr Bongo)

Release: 2023 / UK – Original

Genre: Organic Grooves

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2LP | 2023 | UK | Original (Jazzman)

Jukebox Mambo Volume 4

Release: 2023 / UK – Original

Genre: Organic Grooves

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Ten years after our initial survey of Afro-Latin accented rhythm & blues from the mid-century, Jazzman proudly presents a fourth installment, packed with as many musical surprises as the first. With music plucked from an era spanning the late 1940s into the early 60s, Jukebox Mambo IV highlights yet again the unparalleled musical creativity of the post war era, and shows how the infusion of afro-latin rhythms was key to these revolutions.

Lovingly and painstakingly researched and curated, the album boasts 23 tracks, many previously uncompiled, touching on jazz, blues, doo wop, calypso, rock & roll, gospel and more. Featuring individual track notes for every song along with some never seen before photographs of the artists, Jukebox Mambo Vol IV maintains the same high production values of each previous volume, and indeed the wider Jazzman catalogue.

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Cuba: Music And Revolution (Culture Clash In Havana Cuba: Experiments In Latin Music 1975-85 Vol. 1)

3LP | 2021 | UK | Original (Soul Jazz)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Afrosound Of Colombia Volume 3

2LP | 2022 | EU | Original (Vampisoul)

44,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Third volume in our series of Afro-Latin sounds from the golden period of the seminal Discos Fuentes label in Colombia.An outstanding selection of 26 hard-to find-tracks, many reissued for the first time, covering a wide array of Afro-rooted genres, with an stronger focus on the music's folkloric origins than in previous volumes, comprising recordings by the likes of Michi Sarmiento, Wganda Kenya, The Latin Brothers, Los Corraleros De Majagual, Peregoyo_It's been a few years, but Vampisoul is back with the next installment of Colombian tropical bangers from the deep vaults of Discos Fuentes.The term Afrosound denotes an always exciting, sometimes surprising soundtrack chronicling the embrace, development, dissemination, and commercialization of the country's rich Afro-Coastal musical heritage over more than four decades. It is the proud sound of African-rooted culture translated, transformed, and transmitted throughthe commercial enterprise of Discos Fuentes, and this third collection offers an even more diverse and chronologically wide-ranging array of tracks than the previous two volumes, with an even stronger focus on the music's folkloric origins.The unifying factor this time is the same: African roots or influences and the period of experimentation, self-expression, upheaval, rebellion, and rebirth in the industry, nurtured by the label and its stable of musicians, song-writers, producers, and engineers.Although this volume does not list Fruko Y Sus Tesos in the track-by-track credits, the presence of Julio Ernesto Estrada Rincón can be felt throughout, with the first half setting the stage for his artistic birth, schooling and eventual emergence at the label, and the second half featuring bands that he was an integral part of or had a hand in creating, producing, and composing for. And with that said, we dedicate this collection to Fruko: long may he reign as The King of Afrosound.This incredible stream of black gold adorned and enriched the public airways of Cali, Buen...

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Gladys Palmera Compiled By Andy Grey

LP | 2022 | EU | Original (Gladys Palmera)

Release: 2022 / EU – Original

Genre: Organic Grooves

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A musical selection of alternative and modern Latin music with the label Gladys Palmera via Andy Grey. Gladys Palmera compiled by Andy Grey is an energizing mix of Latin rhythms and peripheral sounds. Ten songs which symbolize the strenghts of the new times in the Latin music. A box of tropical sounds linked by Andy Grey, resident DJ of Gladys Palmera and one of the producers that is already glimpsing how the night clubs will be in the future.

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Antal Presents Beyond Space & Time Volume 2

2LP | 2022 | EU | Original (Beyond Space And Time)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Regular Edition WITHOUT the 7".

Rainbow Disco Club and Rush Hour, a long-standing friendship that transcends continents! House, disco, new wave, Caribbean, rare groove, leftfield.. Antal compiles the second release on "Beyond Space And Time", loaded with personal choice cuts.

Internationally recognised and much-loved festival from Japan, Rainbow Disco Club’s offshoot project "Beyond Space And Time" record label presents their sophomore release! Following the work by DJ Nobu, their second compilation has been compiled by none other than Antal. Also known as the festival's headliner and the man behind Amsterdam record shop/label Rush Hour, all 11 tracks are selected by Antal in a 2 x 12-inch + bonus 7-inch format. From local Dutch newcomers to '80s Japanese cult music, rare grooves to danceable house music, and rare Caribbean soul, this compilation is a portrait of music enthusiast Antal Heitlager’s enormous collection and 30-year DJ career, a work of art that can be enjoyed by all music fans!

An afro electronics track recommended by South African collector DJ Okapi, who co-produced the masterpiece compilation "Pantsula!: Rise Of Electronic Dance Music In South Africa: 1988-90" released in 2017, which brought Kwaito back onto the map. A-1

Improvisation Organic Deep House track by New Zealand’s newcomer. A-2

A rare breezin' boogie by Larry Heard’s alias Trio Zero from 1989. Highly sought after by all collectors as a cult Balearic track. Previously unreleased version. B-1

From the 2015 album by L.A. funk maker DAM-FUNK on the prestigious Stones Throw label. LO-FI beats and synthetic breakdowns that are reminiscent of early Rush Hour works and ‘90s house. B-2

The debut single of Japanese idol unit, Shohjo-Tai. Haruomi Hosono also produced some of their tracks later on in their career. Japanese new wave disco from 1984. C-1

The soundtrack from the Japanese manga "Touring Express". RDC fans will recognize this track from the final hours of the festival. A nostalgic oriental disco from 1985. C-2

80s Silky Mellow Soul by Connecticut jazz vocalist Dianne Mower who also contributed to the re-press of the prestigious Numero Group. D-1

The original version is a masterpiece from 1983 by Zouk singer Jocelyn Mocka of French Guadeloupe. This edit still very much emphasizes an emotional mid-tempo Caribbean soul, nicely reconstructed by Rush Hour's Bonnefooi. D-2

The first 500 copies will include a limited 7-inch bonus disc featuring a Dutch artist.
Modal jazz track from the Han Litz Group led by Han Litz, a jazz flute player representing the local Amsterdam scene. A-1

A freestyle percussion jam track inspired by Brazilian and Klaus Weiss music. Los Calxunxos Tuyos, derived from the band Zuco 103 formed by students of the Rotterdam Conservatory. B-1

A mysterious electronic pop floating, between the dance floor and easy listening by Rush Hour's Kamma. B-2

A total of 11 tracks from all types of genres and generations, a true masterpiece and representation of Rainbow Disco Club’s vision “Beyond Space And Time”. Bringing you the love from Amsterdam to the world!

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CD | 2022 | UK | Original (Mr Bongo)

Brazilian Beats Brooklyn

11,99 €* 14,99 € -20%

Release: 2022 / UK – Original

Genre: Organic Grooves

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Compiled by Sean Marquand and Greg Caz, 2 DJs well-known for their epic parties at Williamsburg’s legendary Black Betty club, that sadly closed in 2009. The duo played a deep variety of strictly vintage samba, samba-rock, Tropicalia, and Brazilian funk under the banner of ‘Brazilian Beats Brooklyn’.

Sean is known as half of Embassy Sound Productions. He took his team to Brazil to help resurrect Black Rio legends Uniao Black for a new release. Greg has DJ'd at some of the hottest Brazilian parties around the globe and presents a monthly radio show ‘Warm Wave’ on Soho Radio NYC.

Featuring Noriel Vilela’s singular “16 Toneladas,” a sublime cover of the Tennessee Ernie Ford smash “16 Tons” with a spare samba groove and unbelievable baritone vocals and hot jams from Tim Maia, Erasmo Carlos, Joao Bosco, Toni Tornado.

Included in this compilation of original 60's and 70's Brazilian gems are some of Greg and Sean's favourite tracks that have been filling dancefloors for years.

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LP | 2022 | EU | Original (Secousse)

OST Rumba Rules

Release: 2022 / EU – Original

Genre: Organic Grooves

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The official soundtrack of the 2021 Rumba Rules, New genealogies documentary movie by Congolese artist Sammy Baloji and Quebec filmmaker David Nadeau-Bernatchez. A deep dive into Kinshasa’s vibrant Rumba scene, including remastered classics by Brigade Sarbati, Werrason, Papa Wemba, Franco & le Tout Puissant O.K. Jazz Rumba Rules, New genealogies is about contemporary rumba in Kinshasa, but this music has deep historical roots nevertheless. Born in the interstices of the colonial world and thriving during the three decades of the Mobutu era in Zaïre, Congolese rumba has been iconic and popular all over Africa for decades. The roots of Rumba are even deeper, and the many paths it evokes trigger the imagination. The story goes that this music came with the migration of the ‘Kumba’ drum and dance in previous centuries, African slaves having carried it all around the Americas and giving birth to Cuban ’Rumba’, Colombian ‘Kumbia’ and many others. With its varied rhythms, guitars and horns, through LPs and radio stations, Rumba came back to (re)conquer Africa throughout the 20th century, paving the way for new practices. One could say this music is a sort of palimpsest, a memory in itself of Atlantic migrations and histories. Rumba is nowadays discussed all around the world, igniting many debates among the Congolese diaspora. Being the constant talk of the town sometimes overloads public debate, and many people get tired of this broken record. Thus, over the last decade, enterprising producers have worked hard to promote Kinshasa’s musical diversity and tried to emulate new sounds to reach worldwide attention. But Kin’ locals and urban dwellers will not be fooled : new shoots cannot hide the forest. Despite some difficulties to innovate, despite the pastoralist sermons and the diaspora fighters pushing for concert cancelations, rumba is still at the core of the Congo today. Talented artists such as Fally Ipupa, Ferré Gola, Brigade Sarbati and others are leading the fifth generation, and the religious world has also proven to be a nurturing environment for the cultural and economic dynamism of this music. Focusing on the music of Brigade Sarbati and his Orchestra, this record offers a deep dive into Kinshasa’s rumba scene. Halfway between professional studios and Zoom H4 field recordings, the rumba herein is about today’s youth : dense, full of energy and breakdowns, insights and name-dropping. The cavacha rhythm, the solo and bass guitar’s playing style, the singing style and numerous dedications all resonate with the history of Rumba. In an era where digital sound is taking over, it is interesting to highlight the instrumental and live performance compositions of this music. Digital technology is indeed used during the recording and mixing phases, but Congolese rumba still relies strongly on instrumental playing. There is all that but also, many other things to hear on this record… It’s time to let it be. A big thanks to Étienne Tron for making it possible: it is on his initiative and through his patience that this album is in your hands today. (David Nadeau-Bernatchez, december 2021)

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LP | 2022 | EU | Original (Musica Macondo)

Brasil Novo

Release: 2022 / EU – Original

Genre: Organic Grooves

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Musica Macondo unearths eight contemporary Afro Brazilian tracks on the compilation Brasil Novo, disseminating the rich and percussive heritage of black Brazil and Samba De Coco. Selected by DJs Tahira (São Paulo) and Tim Garcia (London), the diversity and positivity of Brazil shines, featuring elements of samba, Candomblé, batuques, jazz, folk and beyond, designed with the esoteric dancefloor in mind. UK label Musica Macondo place their focus on contemporary Brazilian and African diaspora on Brasil Novo, an eight track compilation of discovery, snare and tamborim heavy, showcasing both celebrated and unfamiliar artists south of the equator from the cities of Recife, Rio de Janeiro and São Paulo. With the aim of presenting and thus preserving these moments in music - some tracks like Dona Celia's O Bar and Toró Instrumental's Dunas never been released before - DJs and co-curators Tahira (São Paulo) and Tim Garcia (London) dig deep into the troves, avoiding mainstream Brazilian popular music clichés, and also giving a sense of what fuels their dancefloors and radio sets. It was their joint passion for record collecting, Djing and 'the dance' which, not surprisingly, brought these two leading figures within their respective scenes and cities together. The selection also includes tracks by Grupo Bongar, Renata Rosa and women's Afro Bloco, Ilú Obá De Min. DJ Tahira is a massive Brazilian music fan and has been on a research journey for a number of years, dedicated to the preservation and archiving of music made or influenced by black and indigenous Brazilians. Based out of São Paulo he has a particular interest in the history of Samba de Coco, a folkloric musical form that was very popular in, (and probably originated from), the northeast of Brazil, by slaves and indiginous people from working class backgrounds who came together, making a rhythmical mesh of sounds dating back hundreds of years and allowing them to carve a unique cultural identity. Ignored or disregarded as inferior by Brazil's predominantly white faced recording industry, there are few existing original recordings of this music from the twentieth century, relying instead on oral tradition and carnivals like those in Recife or Pernambuco. In recent times, there has been a flux of contemporary proponents who mix Samba de Coco with other contemporary Brazilian musical forms. Brasil Novo features both the roots, and more divergent fusions. Perhaps the best example of the Samba De Coco of old is from Dona Celia Coquista or Dona Celia do Coco as some people called her. She was a singer from Pernambuco who released only one album Nasci Com Dois Dentes in 2007 despite being an enormously important proponent of Samba De Coco for many years. She sadly passed 4 years later in 2011. The track O Bar features a plethora of local and native percussion instruments and a call and answer harmony of uplifting choir, a cacophony of positivity.

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LP | 2022 | US | Original (Numero Group)

Ebirac All-Stars

Release: 2022 / US – Original

Genre: Organic Grooves

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Far from the twin epicenters of New York and Miami, Carlos Ruiz and his Ebirac label were both feeling and generating the aftershocks of the mid-'70s salsa boom. Holed up in their own bustling Puerto Rican community center on Chicago's west side, these third coast salseros plied their trade outside the hot lights, cutting their teeth in city parks, VFW halls, and Holiday Inn rec rooms. Nearly 50 records survive in the wake of orquestas La Justicia, La Solucion, and Tipica Leal '79, the most impassioned, singular moments of which are compiled here.

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Naino, Naino: Spanish Gipsy Soul Funk 1971-1978

LP | 2022 | EU | Original (Adarce)

Release: 2022 / EU – Original

Genre: Organic Grooves

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We are true to the principles of the first "¡Naino!". Flamenco rumba fusion which in the hands of intrepid producers becomes Catalan Rumba under the influence of sounds coming from Cuba and Puerto Rico in the early 1960s, Rumba Pop under the umbrella of the British Invasion and American pop of the late 1960s, and Disco Rumba with the arrival funk and disco from the USA in the mid-1970s. Everything happens thanks to a flourishing record industry located mainly in Barcelona with labels such as Belter, Discophon or Vergara. After the death of the fascist, sanguinary dictator Paquito Franco in November 1975, the international record industry establishes in Madrid through major labels CBS, RCA, and a new fusion led by producer Jose Luis de Carlos and labeled as Gipsy Rock, Caño Roto or, in the Flamenco field, especially in couplets, Flamenco Pop. As Oriol Farràs pointed in the previous volume, rumba moved from tablaos to discotheques, understanding the concept of discotheque at that time with a slightly different meaning and less conditioned style-wise. The selection on offer here complements volume one. Starting with an A side packed with floor fillers, with Peret's "Chavi" as the top example of gypsy funk fusion under production of Josep María Bardagí and Josep "Rabbit Rumba" Cunill, and four examples of the answer to that sound as produced by Jose Luis de Carlos, showing the four cardinal points of this fusion success: Las Grecas, Los Chorbos, El Luis and Chango. De Carlos transforms the sound of Madrid's flamenco artists spicing it with soul, rock, glam, dub, funk, disco and gospel. These five opening tunes alone could feed a whole scholar course on the possibilities of rumba fusion and its incredible dance potential. Back to the record. There are not only examples of Afro-American flavored fusions. Progressive rock and Anglo-American psychedelia of the seventies are also influences represented here. They started a path that would later be known as "rock progresivo andalúz" (Andalusian progressive rock) with a crowded band scene and a hardcore hash impregnated following. But before reaching that point, here are some early efforts on side B. Synth-fueled rumba with Canterbury sound inspired electric guitars. A sound that, as it happened with rumba funk and flamenco pop, also had its moment of glory with the arrival of bands and solo artists such as Triana, Gualberto, Smash, Storm or Medina Azahara, or even the more blues-rock oriented Pata Negra.

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Mr Bongo Record Club Volume 5

CD | 2022 | EU | Original (Mr Bongo)

14,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mr Bongo Record Club Volume 5 Pink Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Brazil 45 Volume 3 Curated By Kenny Dope Record Store Day 2022 Vinyl Edition

5x7" | 2022 | EU | Original (Mr Bongo)

34,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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This special Record Store Day 5 x 45s collection comes packaged in a limited-edition Brazil 45 clamshell collector’s box.

The long-running relationship between Masters At Work and Mr Bongo has been a fruitful affair. Beginning in the 90s, it has included releases such as their seminal 'Brazilian Beat' 12" featuring Liliana, their magnificent rework of Atmosphere’s ‘Dancing In Outer Space’, and their recent hit Surprise Chef remixes 12". The influences of Brazilian music is evident in their DJ sets and productions, take the poly-rhythms of the 'Nervous Track’ as a prime example. We couldn't think of anyone more fitting to curate the third volume in our "Brazil 45 Boxset Curated by" series than one half of the MAW duo, the mighty Kenny Dope.

For his volume of the series, Kenny selected 10 knockout tracks from the golden era of Brazilian music. As you would expect from such a legend, he surpassed the brief of simply compiling the tracks, as he re-edited and remixed a number of his favourites especially for this boxset. Amongst these exclusives is a blazing, heavy psych-funk remix of Antonio Carlos & Jocafi's 'Quem Vem Lá’, and a hip-hop breakbeat bounce woven into Luli Lucinha E O Bando's folky-MPB beauty 'Flor Lilás’. Di Melo and Miguel De Deus are also given the Dopeman remix and edit treatment.

Kenny's selections pull out some forgotten classics and recently overlooked gems, many of which were once top of the want-lists for collectors in the 90s. These include Milton Banana Trio and the irresistible version of 'Berimbao' by Jayme Marques. Along with the Brazilian funk and jazzy-bossa dancefloor-oriented tracks, Kenny has also chosen the leftfield, deeper, trippy psychedelic folk sounds of Papete.

As with previous volumes, the selections are very personal and represent the individual sound and taste of the selector digging from the rich tapestry of Brazilian music. Its unique palate and stamp are exactly what you would expect from a Master At Work.

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2LP | 2022 | Original (Analog Africa)

Saturno 2000

34,99 €*

Release: 2022 / Original

Genre: Organic Grooves

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In 2010, I had asked Eamon Ore-Giron - aka DJ Lengua - if he would be interested in compiling a Latin project for Analog Africa, and if so, if he had a theme in mind. He replied, “Have you ever heard of rebajada?“ The question mark above my head, together with the wall of China, must have been the only other object visible from out of space because Eamon, probably noticing I got paralysed, continued, “Rebajada in Spanish means “to reduce, to lower”. It’s basically Mexican sonideros (sound-system operators) slowing down the beat of a Cumbia to create a much more tangible music to dance to. I’ll send you a mix I made last year and let me know what you think.“ And so he did.

That mix was called Rebajada Mota Mix and I began listening to it on a loop. Although I was not immediately hooked it was intriguing from the get-go, and so I kept listening until magic began unfolding. Slowed down music allows you enough time to hear right through it, revealing itself in ways I had rarely experienced before. Everything became more transparent and I was noticing sounds normally only perceptible by bats. A near psychedelic experience. That mysterious mix included a few Ecuadorian songs by Junior y su Equipo - aka Polibio Mayorga (a cult figure in the sonidero scene), a couple of Mexican tunes, one Colombian, and various Peruvian songs, undoubtedly the driving force behind this project.

The sonidero who brought Peruvian and Ecuadorian music to Mexico was the legendary Pablo Perea from Sonido Arco-Iris, and although his fingerprints are all over the compilation Saturno 2000, this selection of songs in rebajada is exclusive to DJ Lengua. With the exception of a few classics from Polibio Mayorga and La Sampuesana – the queen of all rebajadas – most of these songs were probably never performed as such before, let alone released.

So how did rebajada come to be? In a nutshell; Rebajada started with two families of brothers – the Pereas and the Ortegas – who travelled all over Latin America and returned to Mexico with heavy loads of records which they would sell to the various sonideros always on the lookout for new tunes. Colombian beats especially seemed to fit almost perfectly with the Mexican dance steps – but they were just a bit too fast. As a result some sonideros began experimenting with equipment, and Marco Antonio Cedillo of Sonido Imperial created a revolutionary pitching system that could slow records down to an extent other players could only dream about. And so rebajada was born . . . or so we thought.

At the same time in north of the country, in Monterrey, sonidero Gabriel Dueñez almost got electrocuted by a short circuit that nearly set his record player on fire. As a result the platter started spinning in slow motion for the rest of the party, turning Cumbia into a different affair altogether. The youngsters went crazy for it and started harassing the sonidero with requests to record cassettes for them. Reluctant at first, Dueñez finally began recording a series of pirated cassettes called “Rebajada” which included mainly Colombian cumbia and porro in slow-mo exclusively. Those tapes took the city by storm and turned rebajada into a celebrated and defiant movement of the youth.

Of course it would not be a Mexican urban legend if it didn’t include dramaturgical elements, and so for nearly 30 years, until this day and probably for ever, both cities have been arguing and claiming ownership the creation of rebajada for themselves. But sonidera Joyce Musicolor, who never has time for such trivial arguments, got straight to the point: “Rebajada, and the equipment to perform it, is from here [Mexico City] but it was Monterrey that popularised it.“

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V.A. - Chicha Popular: Love & Social Political Songs From Peru's Discos Horoscopo 1977-1987

2LP | 2022 | EU | Original (Rebel Up)

36,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Deluxe Gatefold Vinyl 2LP, 12 page booklet with liner notes, lyrics in Spanish / English, and rare photographs from that era). This compilation brings together 24 iconic songs from that era, with a focus on the theme of love songs (A + B side) as well as social political songs (C + D side), highlighting the emotions that this music brought to the popular working classes of Lima, nationwide and the diaspora. More than 30 years later, these songs continue to resonate like the mirror of a country that was reborn but this time is looking at itself and its own identity.

From the mid-1960s onwards, there was a unique moment of fusions in Peruvian culture brought about by Andean migration from the countryside to the city which gave rise to adaptations and intercultural mixing. The culture and music they brought created the powerful genre of Andean tropical cumbia, via electric instruments and arrangements along with modern, popular pop sounds, creating a legacy that is alive to this day. Musical revolutions are often born from the people. Peruvian “chicha” cumbia is the music born in the "barrios bajos” (slums), alleys, hills and the peripheries of Lima on the coast and cities on the edge of the Andes mountains in the late 70’s and 80’s. The true new Peruvian sound was not played with folk instruments but with guitars and timbales. In the 60’s and 70’s Peruvian tropical music was characterized by psychedelic hybridity and instrumentals for mass delight, by the mid-70s the appearance of a "class consciousness" and therefore a subaltern narrative. “Chicha” is perhaps the genre that has most emphasized its pride in being proletariat, itinerant, provincial and hardworking.

Founded in Lima by Juan Campos Muñoz, a businessman, dreamer, and also a lover of music, Discos Horóscopo was a label company on the margins of the official Peruvian music industry. Learning the ins and outs of capitalism in the 80’s was hard because it was the decade where the wildest neoliberal policies and the most extreme Maoist sendero luminosa revolt began simultaneously. On Juan Campos’s end, it was the moment to initiate this new venture of Chicha music, which would allow Chicha to emerge symbolically (and then economically) to a new social class composed mostly of migrants, landless peasants, and proletarians without a factory.

Between 1977 and 1987, the Discos Horóscopo label produced the largest wave of Andean tropical cumbia in the world; Chicha, a reference to the fermented alcoholic drink from the Andes. The label was filled with contemporary icons such as Chacalón y La Nueva Crema, Los Shapis, Pintura Roja, Los Ovnis, Grupo Alegría and other groups which today still have a cult status in Peru and beyond. Together they created a unique style with the capacity to talk about both love and uprooting, unemployment, struggle of classes, internal violence and impossible loves.

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12" | 2006 | DE | Original (Compost)

The Football EP

3,99 €*

Release: 2006 / DE – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

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Fuera De Atracción. 60s Psychedelic Garage From El Salvador

LP | 2021 | EU | Original (El Tigre)

21,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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El Salvador, the last frontier... the psychedelic revolution also reached this small country from Central America in the 60s, resulting in the formation of many teen garage bands. Until now, little was known about this amazing local music scene that took place in the late 60s and early 70s... a true musical revolution. Due to the lack of resources, musicians often had to build their own fuzz and effects pedals and in studio recordings, primitive tape experimentation and echo were often used... the result was a very unique sound, 100% raw & wild. Hear tremendous fuzzed-out covers of Doors, Blue Cheer, Country Joe & The Fish or Alan Bown along with cool self-penned songs. All tracks taken from very hard to find 45s, most of them unknown outside of El Salvador until now. Feat: Kiriaps, Los Saltos, San Miguel, Los Vikings, Los Rebeldes, Los Junior’s, Los Intocables… Includes color insert with detailed liner notes in English/Spanish and cool photos.

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Outro Tempo Ii Electronic And Contemporary Music From Brazil 1984-1996

2CD | 2020 | EU | Original (Music From Memory)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996 is the second installment of Music From Memory’s Brazilian series. This volume picks up where the first Outro Tempo left off, shedding light on a new wave of experimentalism that emerged in Brazil in the late 1980s and 1990s. The twenty tracks collected uncover another area of Brazilian music that looked to the future for inspiration. This time it drifts beyond the rainforest and into the pulsating heart of Brazil’s great cities, where it meets a generation of young artists eager to radically change the face of contemporary Brazilian music. In Outro Tempo II the avant garde and pop worlds meld in a haze of percussion and electronics. It presents another uncompromising and magnetic reinterpretation of the limits of Brazilian music. Outro Tempo II is compiled again by John Gómez and features original artwork by Alice Quaresma. The CD version also includes the 2 tracks 'Bruhahá' & 'Eyes' which were released as a separate single on vinyl and were not included in the 2xLP version.

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2LP | 1979 | US | Original (Columbia)

Havana Jam 2

23,70 €* 24,95 € -5%

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Sol Vibrations: Latin Dance Movements

2LP | 2020 | Original (Staubgold)

23,99 €*

Release: 2020 / Original

Genre: Organic Grooves

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Body Beat: Soca-Dub And Electronic Calypso (1979-98)

3LP | 2019 | EU | Original (Soundway)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Body Beat: Soca-Dub and Electronic Calypso (1979-98) comprises 17 obscure Soca B-side versions, dubs, instrumentals and edits as well as vocal tracks influenced by disco, boogie, house-music, soul and the more conscious lyrics of roots reggae. This compilation traces the soca genre from its explosion in the late 1970s right up to the period just before contemporary soca became established around the end of the 1990s.

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Voulez Vous Cha-Cha? French Cha-Cha 1960-1964

LP | 2019 | EU | Original

Release: 2019 / EU – Original

Genre: Organic Grooves

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Careful, “Let’s not get angry” suggests Spartaco Sax, the famed song accompanying French daily paper FRANCE-SOIR’s campaign against road violence: music isn’t that serious, often times really not. In any case, it is with this not so serious ear that one should listen to this selection of chachacha, mambo and other genres to twist and madison to, as music-lovers pinch their noses and block their ears. And yet, these breezy and light songs under their false airs of effortlessness draw out an astonishing analysis of late 1950s France with its partying baby boomers. Put on your dancing shoes, everyone on the dancefloor, let’s go baby.
The record starts out with an esoteric organ, a guitar straight out of a western, a vibey rhythm section, a speeding saxophone, a glamorous voice, a curious keyboard, a slightly panicky tempo… “Please Mr Hitchock!” calls out a voice from the unknown, on an arrangement that’s about to lose control.
The tone is set. Eins Zwei Drei, cries out Spartaco Andreoli, creator of the Chachacha for tunas, lyrics that are absurd accompanying music that isn’t so much so. And this is just the beginning. I can already see those making fun of it, and yes, I admit it does sound a bit comically-tragic, but more often than not, a persistent riff or melody will get stuck in your head, a chorus that you’ll start unintentionally humming, your foot that starts beating unbeknownst to you. “C’est bon ça dis donc !” (This is pretty good), suggest the Los Goragueros, at the start of their Mambo Miam Miam (Yum Yum). A smooth sax, a double bass that sways and shattering percussions, this song anonymously written by Alain Goraguer (there is often an “os” (bone), added to the band name for a little authenticity, i.e Los Chiquitos and Los Albinos) is actually quite tasty. This arranger and pianist who went on to write the indispensable Planète Sauvage (Wild Planet) is not the only one to have advanced half-masked in these tropical times. Just as Michel Legrand devoted himself to rock music, for better or worst.
Tropical music and France go way back. Indeed, this tropism for exotic music, not without the mannerisms that go with it, has been around. Just think of the period between both world wars, when the Paris of the roaring twenties fluttered to the sound of Latin-American orchestras. The influential Brazilian musician Pixinguinha came through in 1922, the charismatic Cuban singer Rita Montaner triumphed a few years later at the famed Palace and the brilliant clarinettist Stellio from Martinique had everyone dancing through the night to the beguine (a dance style from Martinique)… Seedy cabarets and fishy clubs mixing up different peoples and music until the early hours. From Montparnasse to Montmartre, dancing clubs bloomed throughout the capital while the World Exhibition sold a rather uncertain idea of the other tropics: a discounted and fantasized exotic dream of island life. It’s in bars like Jimmy’s, by La Coupole, or the Melody’s nestled in the heights of Pigalle, where Don Marino Barreto’s (Cuban pianist and singer who emigrated to Paris in the 1920s) orchestra made the heyday of a surreal and carefree Paris. Parisian Ray Ventura and his band Les Collégiens, quite the breeding ground for funny songs, at times almost delirious, were always a big part of the party.
And after the Second World War, it started all over again. Rico’s Creole Band was one of the great Creole orchestras to sway all of Paris, the Blomet Ball brought together the Afro-Caribbean communities, L’Escale became an essential dancing ground for lovers of Latin music, the pianist Eddie Warner was one of these pillars, accompanied by his “rhythms”, a “witty orchestra with 85% of French musicians, only the percussionists were South American”. Another jazzman, Henri Rossotti, also navigated in the warm waters of these gentle tropical shores. They covered sambas and mambos, adapting Benny Moré and Pérez Prado. Hot, like the hard-hitting Benny Bennett and his orchestra of Latin American music, which ended up being the training grounds of many apprentice improvisers. On the menu: calypso, merengue… and of course chachacha. Shortly after, the Los Machucambos, a South American band created in the Latin Quarter performed music between guajira and flamenco and its song Pepito marked the start of the trio’s success.
At the time, Latin-style combos were all the rage in France such as the chachacha which was officially invented in the early 1950s by Enrique Jorrin, soon followed by the pachanga, becoming a staple of black-and-white films. In the long run, this music has become a sort of French standard, adapted by many: Boris Vian oftentimes, Bourvil, Bob Azzam, Gainsbourg, Carlos (jokingly), Louis Chedid, Vanessa Paradis… Taking it a little far, you could even detect the beginnings of the french touch. This Chachacha affair is emblematic of the atypical history of popular music, that of back-alleys, far from the paths and furrows of glory. Music, raised from the grave and dusted off by the Born Bad record label. In terms of latin music, these records that were patiently found in flea markets are becoming a rarity, even if most are worth three euros and six cents: this low cost hobby is underestimated by licensed collectors, who run like lunatics towards triple-zero rarities.
Chachacha Transistor, predicted the unlikely Jacky Ary, known for his less digestible Mange des tomates (Eat tomatoes). With the approach of the 1960s, typical music styles were found all over the country, from the northern plains to the southern sea. Never failing to cheer up dances, nor to whet the appetite of a burgeoning industry, which often seized it by opportunism, not without a tinge of cynicism. After all, one must sell records to the desolate youth, at all costs and any price. These 7-inch vinyl records were therefore recorded at Barclay, Vogue and co. Low-consumption products intended to supply the shelves of budding suburban supermarkets. The idea was to convert a North-American trend in the studio, by summoning old geezers (Paul Mauriat under the pseudonym of Eduardo Ruo, at the top of the list…) who would play young and interpret these rhythms with a distorted vision. All for just one season and all this before summer hits were a thing. It was already the same idea though, but in more of a D.I.Y fashion. A quick fix, just enough time for the producers to get some juicy revenue, the same ones who recruited teams to perform these “inferior” works. Most were flops, but a few made it big such as Jean Yanne answering to Henri Salvador for Allo Brigitte, a classic of the “comic-musical” genre. It’s author Norma Maine went on to write quite a few of these quirky songs.
Most had improbable dialogue, as well as senseless adaptations such as the Marchand de melons (The Melon Merchant) distorting Herbie Hancock’s Watermelon Man, a result of automatic writing in order to come up with ridiculous lyrics. What can be said about Tarte à la nana (Girl Pie), and how about Ça c’est du poulet ? (This is Chicken?) Or the terrible Soukou Soukou, on the limit of bad taste, words of a colonist… When it comes to reappropriating foreign know-how, the results can turn out strange like a surreal shock of cultures. Improbable mixes, like chacha bebop, latino tempo and scat jazz… It all definitely swings and is sometimes even quite impressive. Because magical loose moments are to be found in these records made to order, records that were just trying to recreate a successful pre-existing North American formula. They recorded them on the line, in the original spirit, or inconspicuously modified them, not only for fun, but also for the pleasure of adding on a chorus which would take the song a little further, or a well adjusted rhyme that would denote a touch of derision, a French tradition that was to be repeated in rock as in punk, and even bossa nova. The key often being explosive arrangements, occasionally beautiful choruses, radiant mishaps, confusing mistakes, not necessarily off-topic, all in all some sweet musical trips that always have an effect on the dancefloor when it’s time to boogie. Try it out, you’ll see, it works every time, if you don’t abuse of it. Moderation is recommended for this music that should be served either at cocktail hour or after midnight…

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LP | 1965 | DE | Original (HÖR ZU)

Stereo Extrem

3,99 €*

Release: 1965 / DE – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Discrepant)

La Danza Del Agua

Release: 2019 / EU – Original

Genre: Organic Grooves

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"La Danza del Agua" (The Dance of Water) is an eclectic musical journey through Latin American experimentalism - a sort of unofficial companion to the Anthologies of Atypical Portuguese Music volumes but focussing on South American music themes instead. Originally released as two volumes on digital and tape versions on Papaki Records (2017, Argentina), this new concise edition presents 12 of the original 38 artists. Not to be seen as exhaustive document representing the wide styles of the even wider continent, it hopes to showcase some of its more marginal music with artists from a variety of countries such as Argentina, Mexico, Peru, Bolivia & Venezuela.

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Mr Bongo Record Club Volume 3

2LP | 2019 | EU | Original (Mr Bongo)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Volume three in the Mr Bongo Record club series. Another showcase of recent vinyl finds and favourites from our DJ sets and radio shows. This is an extra special one however, as it lands in 2019, the year that we celebrate 30 years since it all began way back in 1989.
In celebration of the 30 years of Mr Bongo, 2019 will see a host of exciting events and even more releases. We take over Brighton Dome on the opening weekend of the Brighton Festival in May, an in-store takeover at Rough Trade East, in July a week long ‘Album Club’ at Spiritland, more at RAPPCATS in LA, record fairs in Utrecht and New York, alongside the digging (and no doubt surfing!) trips to Brazil, India, Australia, Portugal and France…
We’re releasing brand new music from punk-reggae superstars, The Skints; the previously undiscovered 25-year old master composer & arranger, Kit Sebastian; and crossover UK hip hop live show dons, Jungle Brown, this year.
Compiled by David Buttle and Gareth Stephens, assisted by Graham Luckhurst and Gary Johnson.

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12" | 2018 | EU | Original (Cree)

Tropical Tricks

Release: 2018 / EU – Original

Genre: Organic Grooves

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We thought turning five this year would be a good reason to ask some friendly DJs and producers to go through our catalogue and select their favorite track to do an edit or remix on.
The first selection by DJ Nomad from Berlin is Barbara Hernandez' 'All Nite Tonight', written and produced by Leston Paul from Trinidad. Nomad's edit drives the song's dance floor ambition even further beyond the top. As a DJ Nomad does not necessarily put a label on his style, but always expresses love for Polyrythms, Soulful harmonies and the African drums and Percussion. He's notorious for finding fresh world music dance tracks all around the globe, before they become hits, and a massive collector of Tropical Soul, Funk and Disco.
His energetic and surprising , always fresh DJ set's earned him a residency in Paris's infamous ‚Tropical Discoteq’ Parties among the best Dj's of the genre. He is the founder of ‚Vulkandance’ Parties, Blog and Label in Berlin .. He's together with Edna Martinez cofounder of ’El Volcan’ - The first continental European Colombian Pico Soundsystem. As a Producer he's breaking ground and travelling the world together with Dirk Leyers and the transcultural Project Africaine 808, besides working as a master Editor for other artists around the globe. Keshav Singh who is part of Trinidadian/British production duo Jus Now put his hands on Trinidad's Mansa Musa's ’Beat The Drum’.
Being a percussionist in his own right he transformed the song into a housy Soca track and pure dance floor fiah! With his partner Sam Interface, he has produced soca music with EDM influence for Bunji Garlin, Machel Montano and 3Canal. Keshav commutes between Trinidad and the U.K.
The next two tracks are taken from our upcoming compilation ’Gotta Nice Buzz - The Funky Sound of Semp Studios Trinidad, W.I.’. French DJ & record collector Waxist gives Zodiac's ’I Believe’ a proper treatment. ’I Believe’, written by Francis Escayg, is an uptempo Caribbean Disco tune with a strong Giorgio Moroder influence with Denise Plummer on vocals.
Waxist, based in Lyon, France, started his love story with records as a teenager when he bought his first reggae 7 inches. If his love for Jamaican music has survived through the years, the DJ has progressively extended his interests to different, more dancefloororiented music genres like Disco, Modern Soul, Boogie or even a touch of House when needed... Being careful with the technique, as well as with the coherency of his selection, his sets are an invite to a dancing musical journey taking the audience from Disco to Modern Soul, through more Caribbean or Brazilian sounds.

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The Joint Ventures EP (Part One)

12" | 2001 | US | Original (Tango)

8,99 €*

Release: 2001 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: Generic

LP | 2018 | EU | Original (Sonor Music Editions)

New Tape

Release: 2018 / EU – Original

Genre: Organic Grooves

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Founded in early 70s by historical Rai TV trumpeter and composer Cicci Santucci (Looking Around, On The Underground Road etc.), New Tape grown up during the golden period of Italian music production and was dedicated to experimentation of new forms of sound, always hailing from the solid Jazz basis of the musicians and theme music inspiration. Andrea Galtieri aka Cavalier Piscopo sequenced the very best shots from the whole label production including exclusive liner notes, with an explosive mix of Jazz-Rock, Bossa, spellbinding groove and raw Experimental stuff.
"A leading figure in the Italian Jazz scene, Francesco 'Cicci' Santucci worked as trumpeter in the legendary Rai TV orchestra for over 20 years. He was renowned for collaborations with such international jazz legends as Lionel Hampton, Gato Barbieri, and Kenny Clarke – that is until his foray into the avant-garde progressive experience of The Living Music, a project founded by his brother Umberto. During these same years, he took part in important Italian jazz sessions like "Looking Around", "Mondo Operaio", and "On The Underground Road", with his close colleague Enzo Scoppa.
It was just around this period of great music production and experimentation that Cicci founded his own label, the NEW TAPE, in the very early '70s. His goal was to dedicate himself to composing library music with a new expression of music, less linked to hard bop or American standards, but rather more focused on the new sounds of the time that brought the listener closer to modern vibes, like jazz-rock and avant-garde music.
"Mixed Grill" opens this series, composed by the maestro's alias, 'Girosan', along with Lesiman (a.k.a. Paolo Renosto) who added a more esoteric and captivating atmosphere, closer to English progressive rock. "Rengran Mix" and "Tropical" follow, with music by Paolo Renosto and the old avant-garde connoisseur, Romolo Grano. This work gave way to electronic instrumentation and weird experimentation, and was built on a rich rhythmical carpet – tropical percussions, rock and blues inspired vibes, sleazy psych, and jazz improvisations. Music from “Rengran Mix” was also used as the soundtrack for the TV programme "Futili Motivi", and also featured the great backing sound of I Marc 4 with the accompaniment of Nora Orlandi's warm vocals.
The trademark of the label, and the most important production, is the fourth album, "Mirage" by Cicci Santucci and Enzo Scoppa themselves. This record is an explosive mix of elegant jazz, funk, and psychedelia, where every instrument finds its expressive space. We can clearly hear the connection on both the 'On the Underground Road' and 'Looking Around' albums, recorded that same year, bringing that unmistakable underground jazz dopeness typical of the magical duo of Santucci and Scoppa.
The last album of the series is "Appunti Di Guerra" by the mysterious 'Ruscigan' – a very obscure alias which probably belongs to Renosto and Guido Baggiani. This work features complex and dramatic sounds properly composed for war scenes and gloomy atmospheres, with a large assortment of percussion, distorted effects, and tape manipulation – an album that foreshadowed what would become industrial music.
With a ridiculously small pressing of only 100 copies per title, NEW TAPE is among the most interesting discoveries to date in terms of original production library music, and as a result, a very respectable journey begins inside the creative underground jazz of 1970s."
Andrea Galtieri

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LP+CD | 2018 | EU | Original (Grosso)

Roots Of Salsa Volume 3

Release: 2018 / EU – Original

Genre: Organic Grooves

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his is the third in Grosso! Recordings' compilation series on the roots of salsa. In a nutshell 'The Roots Of Salsa' series is an investigation into early Cuban or Cuban-derived tunes that were either covered by salsa groups later (mid-1960s through today) or were highly influential on the development of salsa over the decades. The main criterion was to pick tracks that sounded adequate for today's DJ or collectors to play at a gig or on the radio, or were sufficiently interesting (or enough of a surprise to fans of the later version) to merit inclusion, but were not perhaps the best known or of more recent vintage.

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LP | 2018 | EU | Original (Born Bad)

Antilles Mechant Bateau

18,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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The West Indies - a sweet coastline subject to many clichés from another time. That postcard with coconut trees, a glass of rum to sip on, those so exotic madras dresses... Almost as many as in Compagnie Créole's "doudouist" songs, that say a lot about the misunderstandings from both sides of the ocean. West Indians are still as stuck with this distorted outlook as in the good old days of the colonies. Because, underneath the veneer of moldy images, a completely different reality is woven. 'They beat drums but were never number one' - to misquote the chorus by a Martinique-born French singer. This is the subject of this collection - musicians drumming on percussion as a way of asserting their creolized identity. Songs that tell, in veiled terms, a different reality from what mainlanders were fed with. Special cases, with cries of joy and laments accompanied by cadences, as an invitation to trance, all immersed in the Caribbean melting pot of rhythm.

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Rumbita Buena: Rumba Funk & Flamenco Pop From The 1970s Belter & Discophon Archive

LP | 2017 | EU | Original (Pharaway Sounds)

21,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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From the archives of the legendary BELTER and DISCOPHON labels, essential to understand the birth of the Catalan Rumba and Flamenco-Pop genre in Spain, we’ve selected 14 dance-friendly tracks taken from overlooked LPs and 45s.
This is the real gipsy–funk sound, full of screaming flamenco vocals, funk drums, electric guitars, wah–wah, organ, electric bass, exotic percussions, soulish horns, latin and even oriental touches...
Featuring folkloric ye-yé singers, gipsy princes, teen rumba stars and groovy rumba–pop bands: DOLORES VARGAS “La Terremoto”, CHANGO, ROSA MORENA, RUMBA 3, EL PRÍNCIPE GITANO, EL NOI...

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10" | 2018 | EU | Original (Doghouse & Bone)

Samba Do Brazil

18,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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A great samba release, pressed on 10-inch wax and featuring a.o. Betty Reilly & Les Baxter, Dircinha Batista, Noriel Viela, Barney Kessel and Silva & Gade.

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LP+CD | 2017 | EU | Original (Grosso)

Roots Of Salsa Volume 2

Release: 2017 / EU – Original

Genre: Organic Grooves

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The second volume of this amazing series with classic tunes from Caribbean music that became great successes of salsa. Compiled by Pablo Yglesias aka DJ Bongohead.

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Guarapo! Forty Bangers From Barranquilla

2LP | 2017 | UK | Original (Honest Jon's)

20,99 €* 27,99 € -25%

Release: 2017 / UK – Original

Genre: Organic Grooves

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Rough, tough, tumping, bumping soundboy breakbeat from the Caribbean coast of Colombia.

Forty brand new buckaroos, tooled and primed by Jeanpi Perreo, Edwin Producciones and DJ Ander — all from local sound-systems — careering guarapo-style out of punches of vintage Nigerian highlife, waka and co, by legends like Steven Amechi, Sagbeni Aragbada and Cardinal Rex Jim Lawson.

Edited and mastered by CGB at D&M for maximum oomph and worries, and presented in a gatefold sleeve with cool and deadly varnishing. Plus a full-size booklet detailing the fascinating history of this music, seamed into the strange, tentacular byways of hand-to-hand vinyl distribution, record collecting and musical connoisseurship, and the soundclash traditions of the region, suffused with the politics and culture of the Black Atlantic, stretching back to the 1950s.

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The Best Of Blue Brazil (Blue Note In A Latin Groove)

2LP | 2001 | UK | Original (Blue Note)

49,99 €*

Release: 2001 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Labels with writing and sticker. Cover with creasing.

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LP | 2017 | FR | Original (Born Bad)

Disque La Raye

Release: 2017 / FR – Original

Genre: Organic Grooves

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This cool release
compiles some of the best tunes in Creole boogaloo. The charm
of the restored sound of these old 7-inches is only matched by
the ardor of the interpretations. Like no music genre ever
before, boogaloo brought together African Americans and
Latinos, who already attended the same parties, but danced to
different tunes. Indeed, boogaloo overtook the West Indies with
amplified keyboards and electrified guitars, and this new wave
knocked out hierarchy and habits.

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LP | 2017 | EU | Original (Grosso)

Mamey Colorao

Release: 2017 / EU – Original

Genre: Organic Grooves

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More Afro-Cuban Roots Of Boogaloo' - The third release in the series that collects music by Latin bands that were based in New York between the '40s and '60s, expanded with recordings done in Cuba by orquestas or conjuntos such as Félix Chappotín, José Curbelo or La Playa Sextet, all of whom had a big influence on the Latinos in New York.

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Vodou Drums In Haiti Volume 2 - The Living Gods of Haiti: 21st Century Ritual Drums & Spirit Possession

2LP | 2017 | UK | Original (Soul Jazz)

Release: 2017 / UK – Original

Genre: Organic Grooves

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Soul Jazz Records’ new album features the truly intense, hypnotic and fascinating Vodou drums of Haiti, a stunning collection of trance-like rhythms and beats traditionally used to induce spirit possession in the Vodou religion.
Soul Jazz Records first journeyed to Haiti in 1996 to record a series of three albums about Haitian Vodou music and culture. One of these, ‘Voodoo Drums’, featuring the drum rhythms used to bring about spirit possession, struck a striking chord with listeners and amazingly went on to become one of their best-selling albums.
"I haven't heard anything quite like this; the rhythms are very deeply orchestrated yet it also sounds like improvisation. There are tonalities and textures coming from this album like I've never heard. A great album by Soul Jazz, very well recorded. Some of the sounds I have no idea how they are getting them! This album is bending my ear and setting off the dancing devils in my soul!! Unreal!" Guardian
In 2016 Soul Jazz Records returned to Haiti once more to record a new second volume of the same intense Vodou drumming. Recorded in the capital of Port-au-Prince, Haiti, some 20 years after their first visit, this album also features the very same musicians, the Drummers of the Société Absolument Guinin.

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Outro Tempo: Electronic And Contemporary Music From Brazil 1978-1992

2LP | 2017 | EU | Original (Music From Memory)

Release: 2017 / EU – Original

Genre: Organic Grooves

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For their first multi-artist compilation, Music From Memory take us on a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 is a double LP that explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerising tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders.

The product of extensive research, this compilation is a unique introduction to this visionary music and features many fresh discoveries in a country well trodden by record diggers. It gathers tracks from obscure albums that have for too long been neglected by even the most avid collectors of Brazilian music. It includes now highly sought after music by Andréa Daltro, Maria Rita, and Fernando Falcão, as well as unknown gems like those of Cinema, Carlinhos Santos, and Anno Luz. This is an essential release that reveals a broader spectrum of Brazilian music, striking a unique sonic signature that is full of innovation, experimentation, and beauty.

Compiled by John Gómez and featuring extensive liner notes, Outro Tempo showcases this overlooked corner in Brazil’s rich music history for the first time.

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Hypnotic Cajun & Obscure Zydeco Volume 2

LP | 2015 | EU | Original (Mo J'Connais)