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Franc Moody - Chewing The Fat Hot Neon Pink Vinyl Edition
Franc Moody
Chewing The Fat Hot Neon Pink Vinyl Edition
LP | 2025 | UK | Original (Night Time Stories)
36,99 €*
Release: 2025 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
Franc Moody - Chewing The Fat Black Virgin Vinyl Edition
Franc Moody
Chewing The Fat Black Virgin Vinyl Edition
LP | 2025 | UK | Original (Night Time Stories)
33,99 €*
Release: 2025 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
Alligator Ladies - Alligator Ladies
Alligator Ladies
Alligator Ladies
LP | 2025 | UK | Original (Anova Music)
24,99 €*
Release: 2025 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2025-02-28
Before they were Alligators, They were Ladies.
Ben Avgay (Silvi Jan) and Eden Atiya (Rasco) met in 2020, both working on their own musical projects and bands. In 2021 love has sprung and it was inevitable that the two would start their own musical project. Thus came Alligator Ladies to the world, a love-child of two people who share excitement for the same genres and aesthetics. Influenced from garage, freak folk and mystical creatures such as Ramases & Selket, Thee oh Sees, Ty Segall, Mgmt and more, Ben and Eden begun writing songs and recording Demos in their home studio. Eden's song writing qualities and Ben's production, sound engineering and orchestrations mesh together to form the two-headed monster we call - Alligator Ladies.
"It was only natural for us to make this album the way that it is - short, funny and emotional"
Lots Of Hands - Into A Pretty Room Black Vinyl Edition
Lots Of Hands
Into A Pretty Room Black Vinyl Edition
Tape | 2025 | US | Original (Fire Talk)
17,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-01-17
into a pretty room — lots of hands’ debut on Fire Talk Records — exists in the tear-stained early mornings of adolescence, just as the sun makes its first appearance over the horizon and thoughts of the night before begin to subside. A collage of reworked demos, freewheeling session standouts, and swatches of instrumental electronics, into a pretty room offers a touching rumination of grief and loss, growing up and letting go.

Billy Woodhouse and Elliot Dryden, the core duo behind lots of hands, first connected in a Newcastle school music program at age 16. Following years of cultivating a dedicated fanbase across 3 self-released records, into a pretty room marks the duo’s first truly collaborative effort, with Dryden often trekking the vast northern English countryside to write and record in Woodhouse’s bedroom studio. Between pints of beer and rounds of Fortnite, the two slowly chipped away at into a pretty room.

Newly relocated from Leeds to their current base of Newcastle-upon-Tyne, lots of hands is anchored by the duo’s friendship, which emanates across the album’s 14 tracks.
Lots Of Hands - Into A Pretty Room Hazy Green Between Clear Vinyl Edition
Lots Of Hands
Into A Pretty Room Hazy Green Between Clear Vinyl Edition
LP | 2025 | US | Original (Fire Talk)
28,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Amir Alexander - Feel Me EP
Amir Alexander
Feel Me EP
12" | 2025 | EU | Original (Phonogramme)
15,99 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Phonogramme Drops Feel Me Ep by Amir Alexander—four Potent Tracks
Blending Raw House Grooves With Techno Intensity. a Must-Have for PeakTime Energy...
Exposé - Etc
Exposé
Etc
LP | 2025 | EU | Original (Quindi)
24,99 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2025-01-24
In a continued disruption to the airwaves following releases from Bondo and Monde UFO, Quindi returns to the Californian noise rock scene-not-scene to dig on the gnarled riffs of Expose. On their new release, the LA outfit double-down on a unique blend of bloated guitar fuzz and grimy analogue synths, and come out with a curiously cosmic kind of kick-ass.
If there was a dreamy, sun-bleached quality to Bondo and Monde UFO, their label mates Expose sound more wrought from sweat-drenched jam sessions under halogen strip lights in grease-stained garages. But the guttural quality of their blown-out guitar tone is matched for vibrancy by the dexterity of their playing, bringing angular free jazz to post hardcore and sludge rock, capped off with the unearthly sonic possibilities of flamboyant synthesis.
This dual-layered wall of sound lends extra weight to the likes of shit-kicking 'Speed Dial', which thunders like a kosmische juggernaut with amped up leads and a dead-eyed vocal condensed into a visceral minute, all with enough time for a dramatic breakdown, synth eruption and a final thrust. Similarly scooped out of the trash compactor, 'Description' rides for longer with one foot pressed firmly on the fuzz pedal, letting the electronics squeal around the punked-up rush of the guitars.
But Expose are not a one-dimensional band constantly thrashing it out. By contrast, 'The Constant' hits a crushing emotional note in its more structured push and pull between delicacy and heaviness, hitting bittersweet notes along the way throughout the peaks and troughs of the arrangement. 'Self Terror' washes languid, discordant guitar strum into swirling FX accompanied by sax from Monde UFO's Ray Monde.
Smart as a whip, sharp as a tack and boiling over with an untameable urgency, Expose make their presence felt in brilliant, bruising form on this particularly fierce addition to the Quindi catalogue.
Drop Nineteens - 1991 Grey Vinyl Edition
Drop Nineteens
1991 Grey Vinyl Edition
LP | 2025 | US | Original (Wharf Cat)
26,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Following the release of Drop Nineteens' first al bum in 30 years, Hard Light and the re issue of their 1992 shoegaze masterwork Delaware, we are excited to announce the official release of Drop Nineteens' 1991. This LP comprises the band's first two demo sessions which were mailed out via cassette to labels in 1991 finding their way to the UK music press and generating instant buzz and an ensuing feeding frenzy to sign the band. After signing with Caroline Records Drop Nineteens decided to write an entirely new record, Delaware, for their first official release, leaving the songs on 1991 behind, frozen in time.Swells of layered guitars and buried vocal harmonies adom these tracks, displaying Drop Nine-teens when the comparison to their UK contemporaries like Slowdive and Ride were apt. 1991'S songs, recorded with a low fi charm, show an ambitious young band capable of writing songs filled with texture and hooks, on the eve of their breakthrough with Delaware.
Setenta - Apollo Solar Drive
Setenta
Apollo Solar Drive
LP | 2025 | EU | Original (Latin Big Note)
25,99 €*
Release: 2025 / EU – Original
Genre: Organic Grooves
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Preorder shipping from 2025-01-17
10, 9, 8, 7, 6… the countdown to blastoff has started! Paris-based band Setenta is preparing for their upcoming 20th anniversary by releasing their sixth album, Apollo Solar Drive. The record is poised to be their best yet and is the culmination of an odyssey of artistic discovery. Setenta has been constantly striving for illumination through the years, yet also exploring the dark side of the human condition along the way. As the band describes it, this record is an Afro-Latin retro-futurist tribute to the sun. If their previous album, Materia Negra, launched the Setenta space shuttle crew into the void of “dark” matter and black holes, they now change course and valiantly approach the sun at full warp speed, taking us from darkness into the light. Miraculously, Setenta manage to bring some of the rhythmic and harmonic material they’ve explored on Earth with them, yet boldly dare to go where no one has gone before, challenging themselves to take their music, and their audience, to uncharted dimensions and new realms of existence.

In keeping with the themes of Materia Negra, FIP (Radio France) selection in 2020, Setenta’s sixth mission to explore “the great beyond” of “inner space” is aptly titled Apollo Solar Drive, emphasizing the band’s turning to the life-giving light of the sun for inspiration while playfully echoing the title of Eddie Palmieri’s Latin funk and social commentary masterpiece, Harlem River Drive. The overall vibe is warm and positive, propelled by the dual energy thrusters of funky, fierce beats and deceptively complex arrangements, yet going down smooth in the best sense of the word, like your favorite tropical cocktail or classic jazz dance fusion record of the 1970s. Of course this delicious treat is served with a special Setenta flavor all its own.

This time around, Apollo Solar Drive celebrates the trajectory of the band’s unique interstellar journey by deploying a resolutely jazzy, “funkadelic” angle to their beloved Afro-Latin music. Setenta’s band members tell their truths as a collective, with an emphasis on instrumental sections, focusing on the interweaving of multiple keyboards and guitars, while condensing the vocals to group choruses, as opposed to the solo voices of the past. The overall approach is more futuristic in its conception and realization, from the arrangements to the sonic engineering, although the rhythmic base still remains rooted in Afro-Cuban traditions as well as those of other Caribbean nations.

Pablo E. Yglesias (DJ Bongohead) of Peace & Rhythm (usa)
Setenta - Apollo Solar Drive
Setenta
Apollo Solar Drive
CD | 2025 | EU | Original (Latin Big Note)
14,99 €*
Release: 2025 / EU – Original
Genre: Organic Grooves
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Preorder shipping from 2025-01-17
10, 9, 8, 7, 6… the countdown to blastoff has started! Paris-based band Setenta is preparing for their upcoming 20th anniversary by releasing their sixth album, Apollo Solar Drive. The record is poised to be their best yet and is the culmination of an odyssey of artistic discovery. Setenta has been constantly striving for illumination through the years, yet also exploring the dark side of the human condition along the way. As the band describes it, this record is an Afro-Latin retro-futurist tribute to the sun. If their previous album, Materia Negra, launched the Setenta space shuttle crew into the void of “dark” matter and black holes, they now change course and valiantly approach the sun at full warp speed, taking us from darkness into the light. Miraculously, Setenta manage to bring some of the rhythmic and harmonic material they’ve explored on Earth with them, yet boldly dare to go where no one has gone before, challenging themselves to take their music, and their audience, to uncharted dimensions and new realms of existence.

In keeping with the themes of Materia Negra, FIP (Radio France) selection in 2020, Setenta’s sixth mission to explore “the great beyond” of “inner space” is aptly titled Apollo Solar Drive, emphasizing the band’s turning to the life-giving light of the sun for inspiration while playfully echoing the title of Eddie Palmieri’s Latin funk and social commentary masterpiece, Harlem River Drive. The overall vibe is warm and positive, propelled by the dual energy thrusters of funky, fierce beats and deceptively complex arrangements, yet going down smooth in the best sense of the word, like your favorite tropical cocktail or classic jazz dance fusion record of the 1970s. Of course this delicious treat is served with a special Setenta flavor all its own.

This time around, Apollo Solar Drive celebrates the trajectory of the band’s unique interstellar journey by deploying a resolutely jazzy, “funkadelic” angle to their beloved Afro-Latin music. Setenta’s band members tell their truths as a collective, with an emphasis on instrumental sections, focusing on the interweaving of multiple keyboards and guitars, while condensing the vocals to group choruses, as opposed to the solo voices of the past. The overall approach is more futuristic in its conception and realization, from the arrangements to the sonic engineering, although the rhythmic base still remains rooted in Afro-Cuban traditions as well as those of other Caribbean nations.

Pablo E. Yglesias (DJ Bongohead) of Peace & Rhythm (usa)
The Smashing Pumpkins - Inside The Dream Machine 1993 Clear Vinyl Edition
The Smashing Pumpkins
Inside The Dream Machine 1993 Clear Vinyl Edition
2LP | 2025 | EU | Original (Expensive Woodland)
35,99 €*
Release: 2025 / EU – Original
Genre: Rock & Indie
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Classic Radio broadcast recording from Smashing Pumpkins' Siamese Dream tour.With their uncompromising vision and diverse, swirling, guitar-heavy sound, Chicago quartet The Smashing Pumpkins touched on prog rock, metal, psychedelia and dream pop, becoming one of the most successful bands of their generation.This fantastic 2LP set captures them at their peak, documenting the Westwood One FM broadcast of the October 26, 1993 show in Del Mar, California during the Siamese Dream tour. The band perform most of the album, including a sparkling version of 'Disarm'. SIDE A:1. Geek U.S.A. 5:012. Rocket 4:313. Today 3:024. Disarm 3:12Total side length – 15:46SIDE B:5. Bury Me 4:406. Drown 5:167. Hummer 6:06Total side length – 16:02SIDE C:8. Soma 6:339. Siva 6:0810. Quiet 3:26Total side length – 16:07SIDE D:11. Cherub Rock 4:5112. I Am One 5:4313. Mayonaise 6:52Total side length – 17:26
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Coming Soon
Oscar Trio Peterson
City Lights - Live In Munich 1994
LP | 2024 | Original (Mack Avenue)
61,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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Preorder shipping from 2024-11-15
Maara - Drama On
Maara
Drama On
12" | 2024 | EU | Original (Punctuality)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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A third Punctuality enters the chat; its latest member Maara proclaiming Drama On for Spray’s ever-evolving label. The Montreal maverick cues up a psy-eyed sesh for the ages, 5 wily thumpers shaded sapphic for those enthralled by the mischievous dance.

Since 2021, Maara has operated on an ‘all pills, no frills’ basis. Her prolific run of EPs for the likes of Kalahari Oyster Cult, Step Ball Chain and Radiant Records has cemented her rightful place within the club pantheon of the prog and divine. Spray and his Punctuality cohort reside there also, teasing clubland salvation for those who dare. Maara giddily joins for the ride, offering a gift in the name of Drama On; an EP of direct dancefloor transmissions that map out kinetic paths to sordid euphoria.

The curtains rise as What U Do 2 Me skips, gallops and jumps across theatrical plains, breaking for a titular reflection before reuniting with its ravey chaos. Drama On swings sharper, riding a sleazy donk through a dimly lit groove of pulsating vulgarity. An outright sassier affair celebrates Sigmund Freud’s Big Day Out; an unconscious slip of the hard house tongue that feeds an otherwise techno-driven delirium with wry glee. Give Me Ecstasy eases the tempo while raising the temperature, commanding your gaze with a noxious roller that seductively writhes in sexed-up delight. The house lights beckon, and Not My Web, Not My Problem she retorts with an unforgiving groove thrusting its charged-up rump through a cauldron of salacious murmurs and groans.

It’s Maara’s world, and we’re all just dancing in it.
Terry Tester / Jay Sound - Rhythms From World Volume 1 EP
Terry Tester / Jay Sound
Rhythms From World Volume 1 EP
12" | 2024 | EU | Original (Series Of Taboo)
15,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Series of taboo records present its third release a split EP featuring two artists. The first artist is the established Copenhagen producer Terry Tester, two-decade long career as a turntablist and beatmaker his eminent take on house, hip hop and soul has been commissioned by artists such as Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood or for the BBE remix together with DJ Jazzy Jeff.

Terry’s latest outings has yielded spins from influential selectors such as Soulection, Carista, Alexander Nut (nts), Mr. Beatnick (nts), Marina Trench, EVM 128, James Rudie and Sassy J (Red light Radio).

The second artist is the talented producer Jay Sound, keyboardist and composer based in Detroit, known in the scene with productions played by artists of the caliber of Funkineven, Benedek and many others.
2lanes & 1morning - Lifeform / Follow The Rabbit
2lanes & 1morning
Lifeform / Follow The Rabbit
12" | 2024 | EU | Original (Floorspeed)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Funky techno meets hardgroove from the heart of North America - that’s the mission statement of new Washington, DC based label, Floorspeed. In its first release, Floorspeed invites two of the most exciting contemporary US producers at the moment: 1morning representing Los Angeles on the A side complimented by Detroit’s own 2Lanes on the B side.

“Lifeform” kicks off the A1 slot, showcasing a party-rock Beltram style beatdown peppered with comforting chord pads and stimulating arps. Ready for peak time blastoff! A deeper groove takes control in A2’s “Thought Pattern” shifting the energy to a locked, hypnotic close-your-eyes moment. A pattern to get lost in and one that flexes 1morning’s range of techno expertise.

“Follow The Rabbit” flips the script as a certified red-pilled hardgroove banger. Buckle your seatbelt on this B1 as 2Lanes takes you down the wormhole and through the other side over a 7 minute relentless drive. “The Bounce Route” closes out the record on a funky note with a frisky bassline, high spirited sampling and playful dub sirens for a continuous dancefloor switch up. You can find this one at the intersection of groovy and sexy.

Don’t know what to play next? Need to throw on a guaranteed dancefloor popper Asap? Hit the Floorspeed button. Dancefloor ready weapons on every release.
Huey Mnemonic - Brainscraatch
Huey Mnemonic
Brainscraatch
12" | 2024 | UK | Original (Subsonic Ebonics)
18,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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For centuries, the drum and its practitioners have been stewards to the physical and ancestral planes.

Detroit afroteknologist Huey Mnemonic advances his sound into a tomorrow unheard with his latest Subsonic Ebonics record, Brainscraatch, a 4-tracker of his researched and highly developed Afriko Tekno.

A portal tears open with the speaker splitting ‘Ankhobi’, blurring the lines between ritual and rave. An opening ceremony of a drum circle in the year 3000, knocking on the door of a domain beyond our own.

Entering the gateway with ‘Brainscraatch’ , a peak time percussive calling where a high pitched whine of sacred electronics becomes the foundation for a slippery hypnotic rhythm. Warranting a double take for the heads in the back fully immersed into the moment.

The portal collapses onto the unknown with the dramatic closer ‘Slipping Into Madness’. Rushing you beyond the dance into a flow state where time and space behave a little differently.

Offering his own perspective, Sard shares a jacking ‘Rescratch’ of the title track, leaning into an acidic groove faithful to the timeless freak funk of the midwest.

With this release, Mnemonic forges ahead to the borderlands of techno, leaving us with an ancient-to-the-future message,
Liou - Night Warrior EP
Liou
Night Warrior EP
12" | 2024 | EU | Original (Revolt!)
19,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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REVOLT proudly presents its latest release, a powerful 4-track EP by Liou, recorded in his Athens studio. This limited vinyl-only release showcases Liou's signature blend of diverse sounds and influences, seamlessly weaving unexpected twists with rich sonic textures and immersive atmospheric soundscapes.

Night Warrior kicks off the EP with punchy basslines and epic vibes, enhanced by acid and cosmic vocals, perfectly crafted for peak-time dancefloor action. Dark Matter delves into a breaks workout, creeping up your spine and taking control of your movement, making it a secret weapon for any DJ set. With Atom, Liou offers deeply electrifying rhythms infused with twirling acid riffs and raw emotion, a track that resonates on a profound level. Equinox rounds out the record with energetic dreamy synths, ideal for those early mornings. Music destined to unite bodies in the rave zone.

Comes with a color-printed tracing paper poster designed by Angeriki, inspired by the paradox, the freedom of thought and the twisting of perception.
Rasmus Faber - Where Light Touches (A Nima Story)
Rasmus Faber
Where Light Touches (A Nima Story)
2LP | 2024 | UK | Original (Farplane)
32,99 €*
Release: 2024 / UK – Original
Genre: Classical Music
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Rasmus Faber 'Where Light Touches' [A Nima Story] Album Farplane Records / Fp076 https://www.rasmusfaber.com https://www.instagram.com/rasmusfaber/ https://myanimelist.net/people/36680/Rasmus_Faber https://rossdraws.com https://www.instagram.com/rossdraws
Available IN Dolby Atmos Where Supported.
Sweden's worldwide acclaimed composer, producer, DJ and pianist, Rasmus Faber, reveals his first album of ambient / neo-classical work, 'Where Light Touches' [A Nima Story]. The album is inspired by, and in collaboration with, Los Angeles based illustrator Ross Tran (RossDraws), as an audio interpretation of his highly praised book, 'Nima'. Crafting a fully immersive listening experience, Rasmus paints stunning audio pictures with delicate melodic hues, abound with atmospheric conversations between emotive pianos, soothing strings and sophisticated electronica that gracefully flow through this enchanting body of work. Composed, arranged and produced entirely by Rasmus, and conceived and mixed using Atmos surround sound, the album was recorded with a full orchestra in Stockholm and fused with contemporary electronic elements from Rasmus' rich musical heritage.

'Where Light Touches' [A Nima Story] began after Ross contacted Rasmus to make music for one of his projects. They immediately found admiration and kinship in each other's work. Ross sent Rasmus his new illustrations book entitled 'Nima', which served as the perfect catalyst for a musical idea Rasmus had - to make an album of subtle beauty and immense production and technical dexterity. Rasmus became absorbed in the characters and worlds in the 'Nima' book, encouraging him to match his composing and production skills with Ross's otherworldly illustrations and boundless talent. The result is something quite extraordinary and beautiful that can be enjoyed accompanying the 'Nima' book, or purely as an audio gift for the senses.

Rasmus Faber started his career as a Jazz musician and house DJ, touring the world, performing to fans of the melodic side of electronic music over the last two decades. His success as an artist in Japan, and being fan of Anime and Manga opened the doors to becoming a composer (one of the only non-Japanese) of music for Anime. He's composed music for the Meta Quest VR platform, AAA games such as Metal Gear Solid and is behind an almost constant stream of music releases under aliases and his on name garnering hundreds of millions of streams.
Askkin - Nech027
Askkin
Nech027
12" | 2024 | EU | Original (Nechto)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Askkin's latest release, 'NECH027' marks his debut on Nastia's NECHTO. A former resident of techno nights at Faktice in Nantes, Askkin has found his footing in the Brussels techno scene. His work at Faktice, now a label co-founded with producer Exal, has garnered
attention across the European scene. With collaborations alongside artists like Hadone and releases on labels such as TWND and Maison Close, Askkin continues to develop a distinctive sound.
For Askkin, producing music serves as an expressive outlet, capturing a range of emotions and reflections. 'NECH027' conveys both introspective and uplifting moments, especially the
track "Social Medication" exemplifying his approach to blending light and darkness while maintaining a strong groove and energy.
The EP features five tracks: "Keep Your Chin Up", "Not All Silences Sound The Same", "Social Medication", "Tick", and "Yes". Each track showcases Askkin’s focus on deep emotions with a touch of hope, making 'NECH027' a notable addition to his growing discography.
Nitai Hershkovits & Daniel Dor - The Garden Suite
Nitai Hershkovits & Daniel Dor
The Garden Suite
LP | 2024 | Original (Circus Company)
24,99 €*
Release: 2024 / Original
Genre: Electronic & Dance
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Acclaimed musicians Nitai Hershkovits and Daniel Dor will release their highly anticipated album, “The Garden Suite”, on Circus Company. Following their previous collaboration on Daniel Dor’s debut album, “Four Petals”, this new project sees the duo exploring uncharted musical territory with an innovative, Moog-based sound.
Inspired by the groundbreaking work of synth pioneer Malcolm Cecil, “The Garden Suite” marries electronic textures with the richness of orchestral sound. Drawing from a vast range of influences, including the works of Benjamin Britten and Fredrick Delius, Hershkovits and Dor meticulously composed each track, layering Moog synthesizer melodies to emulate various instruments from the orchestra - from French horn to percussion, guitar, brass, and woodwinds. The result is a sound that is lush yet light, deeply textured yet not dense.
“The Garden Suite” marks a significant evolution in the partnership between Hershkovits and Dor, with their new compositions shifting from the rhythmic focus of “Four Petals” to a more texture-driven approach. The album showcases their ability to create genre-defying soundscapes, blending Daniel’s rhythmic system, “The Flower,” with lush, ambient layers of sound created on the Moog.
Nitai Hershkovits, known for his extensive work in jazz and classical music, began his musical journey as a clarinetist before transitioning to piano at the age of 15. His early passion for improvisation and jazz earned him several jazz competition awards in Tel Aviv. Nitai’s career highlights include his fiveyear tenure with the Avishai Cohen Trio, and his numerous projects as a solo artist, including work with ECM and his band Apifera.
Daniel Dor, a drummer and multi-instrumentalist, was born into a family of musicians in Tel Aviv. He began exploring rhythm at the age of 10, building his first drum set out of household objects. His innovative rhythmic method, “The Flower”, gained attention with his debut solo piano album, “Four Petals”, which led to his collaboration with Hershkovits. Daniel has performed with notable artists such as NOA, Avishai Cohen, and Chano Dominguez, and regularly lectures on rhythmic symmetry and music.
With “The Garden Suite”, Hershkovits and Dor offer a unique listening experience that challenges traditional genre boundaries. Their seamless fusion of rhythm, melody, and texture creates a soundscape that is as experimental as it is captivating.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Bedouin Ascent - Science, Art And Ritual 30th Anniversary Edition
Bedouin Ascent
Science, Art And Ritual 30th Anniversary Edition
3LP | 2024 | EU | Original (Lapsus Perennial Series)
36,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Science, Art And Ritual' is a story of 'process'. Growing up in Harrow (a then quiet suburb of London) in the 70's and 80's from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80's dub via David Rodigan's Roots Rockers shows was the first prominent influence he received, and with punk roots --and his burgeoning record collection-- became exposed to the breathless post punk experimentation that followed in the early 80's sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent's house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby's Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers --punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. 'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before --'sar' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too. Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean Iii", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80's soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70's MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines --tr-808, Tr-707 and R-8-- is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul. Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" --regularly performed live at that time and produced in the same period as the album sessions in 1993. 'Science, Art And Ritual' may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey.
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
53,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
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Jeremy Sylvester
The Lights EP
12" | 2024 | EU | Original (Time Is Now)
15,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-12-06
Bass music OG Jeremy Sylvester returns to Shall Not Fade sister label Time Is Now for his second full EP on the label.

Jeremy again shows on The Lights EP why is highly regarded as one of the OG's of bass music, having been a producer of non stop consistent releases for the last 20+ years. The Lights EP has everything from dreamy synths, bass warpers, choppy breaks and infectious vocals, all merging together to create a truly unique take on bass music. All topped off with a weighty remix from artist of the moment Soul Mass Transit System on the B-side. BIG TIP!

The Lights EP drops December 6th via Time Is Now.
Patrick Holland - Your Life / Take It Remixed
Patrick Holland
Your Life / Take It Remixed
12" | 2024 | EU | Original (Verdicchio Music Publishing)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Reloading, revamping, reinstalling - we've peered under the hood of last year's singles, Your Life and Take It, and decided they required the peak-time-remix-alignment. While Your Life's refix was self-inflicted by Patrick, Take It required the expertise of frequent collaborator Physical Therapy. Both reworks maintain the originals' essence, while bringing higher BPMs, weightier subs, and jacked up percussion to the table. Test driven during the summer of '24, this package is ready to rip.
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Akira Miyazawa Quartet
Kiso
LP | 2024 | JP | Original (Think!)
47,99 €*
Release: 2024 / JP – Original
Genre: Organic Grooves
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This work was released in 1970 as part of Victor's Japanese Jazz series. "We are Japanese, so we have to create something that only we, as Japanese, can create," said Miyazawa during this period. Inspired by the landscapes of his childhood, "Kiso," "Asama," "Hakuba," and "Hida" are reflective of his reverence for nature's grandeur. This album is a peak of artistic expression for Miyazawa, blending his personal roots with his heartfelt imagery.
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Alpharisc
Remain Seated
12" | 2024 | EU | Original (Mutual Rytm)
18,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Aussie techno innovator Alpharisc returns to Mutual Rytm for a second standout EP.

Shane Yates, aka Alpharisc, has been living and breathing techno for over 30 years. He first began producing in the mid-90s and has amassed a fine hardware collection that lends his sounds a raw, rugged feel. After breaking through with the Wetmusik party and label collective, he has let his music do the talking and isn't afraid of colouring it with a hint of nostalgia. Previous material has come via several notable labels over the years, but his most recent outings have been on SHDW's Mutual Rytm imprint, with his solo EP 'Ram Face' from 2023 becoming an underground favourite alongside a fine outing as part of the label's 'Federation Of Rytm II' and 'Federation Of Rytm Iii' compilations. Once again, he returns in style, uncovering an impactful selection of gems across his new 'Remain Seated' EP.

The opener 'Peace Be With You' is a straight-up techno weapon with urgent synth flashes peeling off the groove like a police siren. The drums hit hard in true Alpharisc style before 'Hail' builds on that with a more hard-edge groove topped with frosty waves of white noise that electrify the dance floor. 'Remain Seated' brings a hint of trance-leaning energy with its bright sheets of synth lighting up the driving drums and saw-tooth bass loops. Next, 'Look At This' is another brilliantly forceful techno sound with slamming drums and rusty synth loops, layering melancholic pads up top and adding a cerebral edge, while closer 'In Your Mind' is from the Jeff Mills school of synth-laced and serene deep techno with lush pads radiating cosmic light. As a bonus, digital-only cut 'Expedition' brings some backlit celestial synth work to a rubbery and pummelling drum pattern for pure techno escapism.

Alpharisc 'Remain Seated' EP lands via Mutual Rytm on 8th November 2024.
Pleasure Planet - Pleasure Planet Remixes
Pleasure Planet
Pleasure Planet Remixes
12" | 2024 | EU | Original (Self:Timer)
17,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Pleasure Planet is back in orbit, summoning some of their
favorite producers to reimagine the two lead singles from
their self-titled debut album. Earth Trax transforms Go With
Madness into a euphoric peak time corker. Full of smiles and
surprises, it’s a pure endorphin rush, and masterclass in
making an irresistible dance track. Maara goes with
madness, cranking up the bpm, and conjuring a version that
is deep into prog territory. A propulsive proto trance journey
through winds and dungeon echoes. On her version of Alien,
Roza Terenzi casts a hypnotic spell of ghostly melodies and
vocal hooks. Her deeper interpretation takes listeners on a
breakbeat mission through sizzling electronics and emotive
sub bass. Alex Kassian’s Sphinx Gate Mix of Alien closes it
out by slowing things down and transporting Alien into
nostalgic territory with melodic arps and peak Haceinda-era
breaks and bass. If you listen to his emotional remix
carefully enough, you may hear a vocal response from Kim
Ann’s partner Cora in its
Funky Trip - Alpha EP
Funky Trip
Alpha EP
12" | 2024 | EU | Original (Bohrium)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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We have a proud introduced 4th vinyl-only release from our original series, featuring Romanian artists Funky Trip with two original cuts and Barac on remix duties. Titled “Alpha EP”, the record delivers a solid dose of inspiring minimal rhythms mastered by Mike Grinser at Manmade Mastering Berlin.

Funky Trip stands out from the Romanian new wave of electronic music producers, exploring an endless universe of distinct sounds and emotions reflected on his releases with Rawax, Nazca, Stamp Records, Artreform and others. On this EP, he invites acclaimed local artist Barac of Moment Records to join in and leave his fingerprint on the title track, laying out a soothing rhythm influenced by psychedelic elements.



Side A opens with the title track, “Alpha”, an immersive minimalistic composition powered by dreamy background atmospheres, swinging drumming patterns, a solid wobbling bassline and mysterious vocals that seamlessly intertwine with tension-building chords and breathing moments. Following, “Dreams” gets a bit more groovy, focusing on the percussion, the punching keyboard stabs and the phased effects that run throughout the track, all while having a subtle touch of melancholy radiating from the piano and complementary layers.



On the flipside, we find Barac‘s reinterpretation of A1 dropping a twisted progressive sound that constantly evolves as wave upon wave of spiralling synths and chugging drums mix in a massive dancefloor tool perfect for peak-time moments at any party.

Artwork by Jose Alvarez
Delta Sleep - Blue Garden Clear Vinyl With Purple Splatter Vinyl Edition
Delta Sleep
Blue Garden Clear Vinyl With Purple Splatter Vinyl Edition
LP | 2024 | UK | Original (Sofa Boy)
32,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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In Camera - Arrival
In Camera
Arrival
LP | 2024 | EU | Original (La Scie Doree)
23,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Sixth album by Christoph Heemann and Timo van Luijk. Four years after we got Lost in Spice we reached the point of Arrival. An altar on the surface of the water is burning with flames. Behind it you can see a half of the Earth's globe, and on it there’s a bright throne. A pale, translucent ruler wearing a crown sits in the throne. The globe is surrounded by a ball of shadows on which sits a larger dark ruler on a dark throne. Behind the globe are mountain peaks, and all of it is reflected in the water. Above the mountains are clouds which merge into rivers and end in a curved horizon on which forests stand, and the sun rises between them. Above this horizon is another sky with lunar crescents and comets. Above this sky are rows of angels bent over, above which the stars shine. The sun shines in the top left corner and the crescent moon in the right.
V.A. - OST Cult Of The Lamb: Hymns Of The Unholy
V.A.
OST Cult Of The Lamb: Hymns Of The Unholy
LP | 2024 | US | Original (Laced)
40,99 €*
Release: 2024 / US – Original
Genre: Soundtracks
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Preorder shipping from 2025-03-21
Massive Monster, Devolver Digital and Laced Records have formed an unholy alliance with an all-star line-up of musicians to release Cult of the Lamb: Hymns of the Unholy. The six-track album is a metal reimagining of River Boy’s award-winning soundtrack for Massive Monster’s breakout indie game, Cult of the Lamb.

Written, arranged and produced by Sam George (Pick Up Goliath) at Mammoth Sound Studio, the six songs feature vocals written and performed by Howard Jones (Light The Torch, Sion, ex-Killswitch Engage), Matthew K. Heafy (Trivium); guitar work by Scott LePage and Clay Gober (Polyphia), Javier Reyes (Animals as Leaders), Josh Baines (Malevolence) and Sean Long (While She Sleeps); and drums by Mike Malyan (ex-Monuments).
Indigesti - Live In Lübeck, 02.09.1987
Indigesti
Live In Lübeck, 02.09.1987
LP+7" | 2024 | UK (Foad)
31,99 €*
Release: 2024 / UK
Genre: Rock & Indie
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Indigesti captured live in 1987 at the peak of their hardcore intensity! Their best soundboard recording and the greatest live album in the history of Italian HC. Originally released on CD nearly 30 years ago by Vacation House Recordings, now finally appearing for the first time on vinyl remastered from the band’s 1st generation tape, housed in a luxurious gatefold sleeve. Also includes a bonus 7″ with: “Slide behind your eyes” rare studio version (1987) and “Doppio confronto” live in Long Beach, CA (1986). But perhaps the most important feature that sets this release apart is having enclosed a massive 11″x11″ 64-page full-color Book titled “live through the 80s” – a stunning collection of tour photos, stagediving madness, flyers and memorabilia from the legendary furious years!
Ananda Shankar - Ananda Shankar And His Music
Ananda Shankar
Ananda Shankar And His Music
CD | 2024 | UK | Original (Mr Bongo)
15,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Mr Bongo proudly presents an official reissue of an iconic, exploratory album by Indian maestro of the sitar, Ananda Shankar, aptly titled 'Ananda Shankar And His Music'.

Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.

First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting 40 years on.

Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.

A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.
Take Three - Music & Time, 1983-1985
Take Three
Music & Time, 1983-1985
LP | 2024 | UK | Original (Freestyle)
27,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves
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Basierend auf der Südlondoner Lovers-Rock-Vocal-Harmony-Act Alpha (mit den Schwestern Jackie & Jean Heron und Marlene Richardson) war Take Three die Idee des Autoren/Produzenten-Trios S.H.E. (Steve Sinclair, Peter Hinds, Kevin Ellis). Der erfahrene Peter Hinds war Mitglied der Brit-Funk-Bands Light Of The World und Beggar & Co und spielte bei Incognito, Imagination und Loose Ends. Die Zusammenstellung präsentiert erstmals den kompletten Output (samt bisher unveröffentlichtem Material) von Take Three, dem ersten von mehreren Projekten dieser kreativen Partnerschaft in der britischen Soul/Funk/Dance-Szene, die bis heute andauert.
Exos - Green Light
Exos
Green Light
12" | 2024 | DE | Original (Tresor)
13,99 €*
Release: 2024 / DE – Original
Genre: Electronic & Dance
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Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.
Trauma Ray - Chameleon Mint Green Vinyl Edition
Trauma Ray
Chameleon Mint Green Vinyl Edition
LP | 2024 | US | Original (Dais)
24,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.
Mathias Kaden - Circulate EP
Mathias Kaden
Circulate EP
12" | 2024 | UK | Original (Rekids)
15,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Mathias Kaden returns to Rekids with the 'Circulate' EP, featuring a William Kiss Remix.

Mathias Kaden is back on Rekids after 2022’s ‘Blackbird’ EP, this time with the four-track ‘Circulate’ EP featuring a remix from the hotly tipped William Kiss. Kaden’s ‘Freedom’ kicks things off with stripped-back machine rhythm, tasteful stab melodies and a deeply satisfying low-end groove before an iconic gospel vocal joins in. Title track ‘Circulate’ is another infectious low-slung crawler with crunchy synth hits and a hypnotic and classy vibe that will get the dancefloor moving.

On the flip, William Kiss remixes Mathias Kaden’s ‘Freedom’ following his recent EP on Rekids' sibling label Rspx and the release of his collaborative project, Not Without Friends, with Luke Alessi and Jordan Brando on Rüfüs DU SOL’s Rose Avenue. Kiss turns the track into a pumping peak-time cut with additional percussion and plenty of his signature Jackin’ flavour. Closing out the record, Kaden’s ‘Twisting Shadows’ introduces an acidic bassline and warped, dubbed-out vocals before dropping into an energetic trip.

Active since the mid-90s, Mathias Kaden appeared on Radio Slave’s Rekids for the first time in 2019 for ‘Liberate Drums’. He now returns to the label with the ‘Circulate’ EP, adding to his versatile discography on labels like Dyinamic and Vakant while also remixing work by Matthias Tanzmann, Onur Özer, Anja Schneider, and Trentemöller.
Floorplan - The Master's Plan
Floorplan
The Master's Plan
2LP | 2024 | EU | Original (Classic)
34,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Robert and Lyric Hood deliver their acclaimed fourth studio album The Master’s Plan on vinyl. This one-of-a-kind pressing features gold foiling on the sleeve and contains two transparent, red-coloured records, loaded with the remaining tracks from the LP that have not yet seen wax. Spanning 14 crafted house and techno tracks, Robert and Lyric playfully juxtapose the light and dark of their signature sound, navigating a spectrum of genres and styles on the revered body of work. The father and daughter duo demonstrate their unparalleled outlook on electronic music, operating on a divine level of blood harmony with their generational gap only strengthening their breadth of musical inspiration. From the dreamy house soundscapes of single ‘Feel It’, to features from Detroit artists Dames Brown, Earthtone and Lowell Pye, The Master’s Plan is an album with its sound deeply rooted in Floorplan’s Motor City home. With Classic remaining the duo’s home for some time since their solo debut on the imprint in 2021, it seems only right that label-mate Honey Dijon would also feature, adding her signature allure to ‘Fake & Unholy’. Described by Robert as “an invitation to eternal salvation”, Floorplan’s faith remains at the forefront of what they do, cementing this special vinyl edition of The Master’s Plan as a must-have for house and techno lovers globally.
Charles A.D - Deep Diver
Charles A.D
Deep Diver
LP | 2024 | EU | Original (AvantRoots)
21,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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The sea has long been central to Japanese culture, symbolizing both sustenance and spiritual
depth. Charles A.D.'s Deep Diver draws inspiration from this, channeling the ancient traditions
of diving and fishing into his music. Historically, the sea has influenced everything from Shinto
rituals to the livelihoods of coastal communities. In Deep Diver, this reverence flows through
aquatic soundscapes, where rhythmic waves of 90s house and Detroit techno meet Japanese
minimal production techniques, New Age and Pacific Jazz. Like the tides, the album ebbs and
flows, creating a serene yet dynamic homage to the timeless connection between Japan and
the sea.
The opening track 'Deep Diver' plunges into the depths, its abstract sound design capturing the
sensation of deep-sea propulsion. Rhythmic bubbles pulse gently alongside slow-moving
chords, creating an otherworldly atmosphere. The textures are lush yet restrained, setting a
tranquil stage that pulls the listener into a submerged world. 'Underwater Ruins' builds on this
aquatic theme, introducing rhythmic layers and bass-heavy notes reminiscent of mid-90s
Japanese ambient techno. The smooth, melodic flow nods to pioneers like Mr.YT and Susumu
Yokota, while subtly incorporating the Detroit techno influence through soulful, deep basslines.
The track feels like a fusion of ambient and techno, balancing serene tones with a rolling
groove, emblematic of Japanese techno soul. As the album progresses into 'Bubble Ring', it
becomes clear that Charles A.D. is a master of minimalism. The production is timeless, leaning
on analog techniques where echo-drenched chords and carefully layered soundscapes take on
an addictive, hypnotic quality. The simplicity of the composition is deceptive, as each element
carries weight, drawing the listener deeper into the rhythm and space between the notes.
'Merperson' is where organic rhythms truly come into play. Charles A.D. gently evolves the
patterns, allowing each percussive hit to flow naturally into the next. Soothing melodies emerge
from within the track’s structure, eventually reaching an emotional peak without ever feeling
forced. The organic nature of the arrangement creates an effortless progression that feels
deeply connected to the natural movement of water.Starting the second half with 'Deep Exploration', the theme of underwater excursions becomes
even more pronounced. Light, steady drumming anchors the track, allowing the melodic layers
to develop gradually. It unfolds with a calm, measured pace, before ending softly, almost as if
the sounds are drifting off into the oceanic depths. 'Diffuse Reflection' stands out as the most
dub house-influenced on the album, with rolling rhythms and hypnotic elements reminiscent of
Maurizio's deep, pulsing sound. Yet here, the production feels submerged, with aquatic effects
swirling around the rhythmic core, blending dub house with a fluid, oceanic touch. 'Traitors'
delves even deeper into dub-inspired territory. Deep, resonant bass hits combine with wooden
drums, while static-like sounds evoke the image of a radio tuning through static to find clarity.
Chords shimmer briefly before fading back into the liquid depths, evoking the ebb and flow of
the tide. The final track on Deep Diver 'Levitation', is a fitting conclusion, as the rhythms merge
and overlap like waves gently lapping the shore. The minimalistic arrangement allows each
element to blend effortlessly into the next, creating a sense of unity and closure. The sounds
move with the gentle grace of water, ending the album in a way that feels both complete and
open-ended, like the infinite motion of the sea.
Fashion Club - A Love You Cannot Shake Red Vinyl Editoin
Fashion Club
A Love You Cannot Shake Red Vinyl Editoin
LP | 2024 | US | Original (Felte)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Red Vinyl. Listening to Fashion Club's self-produced second album ALove You Cannot Shake feels like being caught in the crossfireof a profound beam of light. You can't help but feel bothenlivened and exposed as its aberrant synth lines, artful stringsand disfigured guitars swell into larger-than-life crescendos,which evoke a divine yet probing spotlight.Pascal Stevenson, the Los Angeles-based musician behindFashion Club, likens the experience of hearing A Love YouCannot Shake to staring into the sun, and though the recordwasn't written with religion in mind, its heavenly sonics andemotional sagacity also make it feel like a prophetic encounter.The album was shaped by Stevenson's gender transition andsobriety journey and parses her fluid emotions surroundingthese events and other personal trials and tribulations. But asmuch as it's a dialogue between Stevenson's current andformer selves, it's also an invitation for listeners to join her inthe work of discarding bitterness and re-centering hope,especially when such efforts feel futile. Musically, A Love YouCannot Shake is an unshackling of expectations, asStevenson's previous stint as bassist in the L.A. post-punkoutfit Moaning and her first record as Fashion Club, 2022'sScrutiny, didn't necessarily reflect the full range of her taste,which includes ambient, pop, classical and dance music, orembody her sensitive tenderness and femininity.A Love You Cannot Shake also thrives on a fluid sonic palette.The album's magnetic immersiveness hinges on its strangedynamic shifts, jagged production and ambitious songstructures with parts that don't repeat_choices influenced byher love of left-field electro-pop and her classical musicbackground. While Stevenson handled most of theinstrumentals on Scrutiny, this LP is much more collaborative,featuring an array of contributors who lent strings, piano, pedalsteel and more. Plus, this album boasts country harmoniesfrom Perfume Genius ("Forget"), high-pitched c...
Trauma Ray - Chameleon Black Vinyl Edition
Trauma Ray
Chameleon Black Vinyl Edition
LP | 2024 | US | Original (Dais)
23,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.
Mazy Day - Go 'Swish
Mazy Day
Go 'Swish
Tape | 2024 | UK | Original (Kit)
13,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Goldsmiths graduate, visual artist and composer Maz Gilkes - aka Mazy Day - untethers a debut of simmering organ improvisations and disembodied pop, with Go 'Swish.

Working from organ recordings made in a Cornish church, Mazy can be heard toying with familiar structures, as popular music forms and progressions are delicately pulled apart and held up to the bliss and crackle of electroacoustic light.

The album reads like a crumpled collection of charcoal rubbings; melodies and hooks traced and pondered over like bundled inscriptions - a burnished record of exultant song, from a forgotten place and time.

Recommended if you like Sarah Davachi, Aphex Twin, Klein, Low.
Atrio - The King
Atrio
The King
CD | 2024 | EU | Original (My Redemption)
16,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Giessen-based band ATRIO proudly present their forthcoming album "The King", which will see the light of day in October. The artists have earned a reputation for their unique combination of powerful sound and profound lyrics that capture the human experience in all its facets. The album promises an emotional journey that tells of inner struggles, self-delusion, the calm before the storm and the desire for freedom from societal norms."The King" is more than just music; it is a sincere telling of human stories. The songs reflect the challenges we all go through within ourselves and invite listeners to connect with their own journey.ATRIO's haunting lyrics, bluesy guitar and beating drums are skillfully interwoven with a variety of melodies that range from powerful to empathetic. The band has created a sound that pushes boundaries of new and old while appealing to a wide range of emotions.
Gomrath - Gomrath
Gomrath
Gomrath
LP | 2024 | EU | Original (Bright Carvings)
40,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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A genuine lost gem of late psychedelia/very early progressive which has lain slumbering on a couple of ancient reel to reel tapes and a single 7” Acetate in an attic since 1971. Lead track Spare Time is a sublime, insouciant garage psych classic at the Open Mind/ Magic Potion level, with DR Hooker vibes on the vocals: from there the album goes on a trippy sonic voyage of light and shade, never losing an innate sense of melody, dreamy vocals, garage organ, lots and lots of distorted, unhinged guitar and featuring a blowtorch live cover of Better By You Better Than Me. No moment wasted here and the last track a magical surprise! 227 released copies in Fully Laminated sleeve that features the original artwork for The Moon of Gomrath. Printed Inner and Insert. Barcodes on Stickers, No Shrink-wrap.
Wand - In A Capsule Underground
Wand
In A Capsule Underground
LP | 2024 | US | Original (Drag City)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Demos and unreleased songs from Wand"s salad days, the time of the immortal Ganglion Reef. Available for download since 2017, this album"s at last firmly sunk into vinyl grooves that realize its fullest potential in a listener"s ears. These light, fizzy versions have distinctive gleaming magic energies all of their own and they fly thrillingly through the air. Catch a wave through beautifully-abandoned space on your turntable eternal!
Atras Del Cosmos - Cold Drinks, Hot Dreams
Atras Del Cosmos
Cold Drinks, Hot Dreams
LP | 2024 | EU | Original (Blank Forms Editions)
30,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Atrás del Cosmos were a central force in Mexico City's creative arts community, and often considered the first free jazz group in the country. Founded by a trio composed of pianist Ana Ruiz, percussionist Evry Mann, and saxophonist Henry West, the ensemble was prolific in mentoring a generation of improvisers, cultivating an expanded additive roster, and organizing workshops in downtown Mexico City_including inviting Don Cherry to play and instruct on his "organic music" approach in 1977. Between 1977 and 1983, the group lived and rehearsed in a residential space behind the Cosmos theater, hence their celestial-tinged name. But despite their central importance to the local scene, Atrás was rarely recorded and had a scant international presence, leaving behind just a single cassette before their disbandment.Now issued on LP for the first time, the aforementioned tape Cold Drinks, Hot Dreams is a red-hot recording documenting the core group plus double-bassist Claudio Enriquez performing live in 1980_a delirious improvisation with high peaks and low valleys, sucking in an amalgam of influences including New York loft style, Mexican folk music, and the surrealism of Alejandro Jodorowsky into its heady gravitational pull. Ruiz's playing style is virtuosic and expressive, pulling off monumental chords and using the piano's whole register, recalling Cecil Taylor's percussive approach, Matthew Shipp's emotive voicing, and Duke Ellington's mystifying arabesques. Evry Mann dabbles in polyrhythms in tracks like the solo marimba meditation "Clapping Music II," and Henry West wails heavy in the show-stopping cut "M.D." Now finally available after forty years, the music of Atrás del Cosmos will be sure to stun spiritual jazz veterans and newcomers alike.
Julius Lind - Lights
Julius Lind
Lights
LP | 2024 | Original (Kapitän Platte)
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Psych, space, kraut and drones from songwriter Julius Lind and his trio with members from Action & Tension & Space, The Megaphonic Thrift and Gold Celeste.Arising from the Norwegian alternative scene they experiment with a vibrant mix of genres and refer to many golden eras on the history of pop and rock music!The album was recorded in Studio Paradiso with Christian Engfelt (Cato Salsa Experience) as technician and co-producer in 2023.
Danny & The Champions Of The World - You Are Not A Stranger Here Clearvinyl Edition
Danny & The Champions Of The World
You Are Not A Stranger Here Clearvinyl Edition
LP | 2024 | EU | Original (Loose Music)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Luke Una - Everything Above The Sky
Luke Una
Everything Above The Sky
2LP | 2024 | UK | Original (Rewarm)
44,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Exploring late-night, after-hours meditations on sound; ‘Everything Above The Sky (Astral Travelling with Luke Una)’ is a new compilation by the titular DJ, promoter and enigmatic cultural curator. Off the back of the E Soul Cultura phenomena, this compilation comes at a timely point in Luke’s rich career as he soars the heights of playing all over the world. Avoiding any chance of his sound being pigeonholed, Luke has put together a tracklist of songs and music that have a transcendental feel, after coming off the grid, going back to source, outside the city walls .

Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.

Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.
Neoser - Inner Glow
Neoser
Inner Glow
12" | 2024 | EU | Original (Pa'volar)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Prepare to groove with the freshest release from Pa’volar - the Pav004 Inner Glow EP by Neoser!

Neoser's versatility as a producer shines through in this record, showcasing his ability to create captivating music across multiple styles.

Crafted with DJs in mind, Inner Glow EP is the perfect tool for setting the mood in any situation. Whether you're looking for upbeat energy or laid-back vibes, this EP has got you covered.

Don't miss out - let the Inner Glow EP light up your record bag today!
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Koki Nakano
Ululo
LP | 2024 | EU | Original (No Format)
26,99 €*
Release: 2024 / EU – Original
Genre: Classical Music
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With "Ululo", pianist and composer Koki Nakano immerses us in the depths of his emotions, carried by the striking voices of Jordy, WAYNE SNOW and Yael Naim.For his fourth album, Japanese pianist and composer Koki Nakano moves beyond the conceptual to reveal an intimate and visceral musical expression, a reflection of his deep emotions. Each piece conveys the desire and passion of a cry. The title "Ululo" (which translates to "Howl" or "Cry" in Latin) echoes a childhood memory of being in his father"s arms, yearning to touch the moon. This unfulfilled desire, reminiscent of a famous haiku by famous poet Issa Kobayashi, symbolizes his early realization of his limitations in the face of the vastness of the world and the seemingly unattainable. Koki reinvents himself with a unique fusion of piano and modern vocal collaborations. He is joined by UK rap sensation Jordy and the captivating voices of WAYNE SNOW and Yael Naim. He offers an avant-garde music style distinguished by its emotional simplicity and sonic depth. Beyond virtuosity, Koki explores his classical sensibilities by blending subtle ambient textures with his poignant and sophisticated melodies. While "Ululo" is a cry of frustration with melancholic tones, it is also romantic, filled with beauty, humor, and light.
Ben Kaczor & Niculin Barandun - Pointed Frequencies
Ben Kaczor & Niculin Barandun
Pointed Frequencies
LP | 2024 | EU | Original (Dial)
26,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Ben Kaczor & Niculin Barandun - Pointed Frequencies

mending space entering streams of mist for visible becomes the rays of light, time touches the equilibrium in transition echoes of ephemeral breathing to the floating forest folding futures present wake the dust in obscurity the sea brings, waves of casted silver softly crawls, into moss we sink shallow winds in atoms kissing, harvest nights forgotten lights. strain the end of new beginnings

Carla Patricia Kojich

Ben Kaczor and Niculin Barandun reveal their debut album on Dial Records, dedicated to the healing properties of sound. Pointed Frequencies contains six mesmerizing compositions and comes along with two video shorts by the artist Marie Sutter. The collaboration between Niculin Barandun and Ben Kaczor started in 2022 with a carte blanche for an audiovisual show at Digital Art Festival Zurich. While working on the performance, a common understanding of sound aesthetics emerged and the foundation for the duo’s project was laid. At that time Ben Kaczor studied sound therapy. Niculin Barandun was intrigued by the concept, and it became subject of the album's creation. The intention behind Pointed Frequencies is to explore the therapeutic potential of binaural beats and solfeggio frequencies, providing listeners with a healing experience. These elements are subtly integrated into the recordings, becoming a freeform blend of experimental and ambient music. A contemporary approach suspends the esoteric background common in this field. Instead, the focus is on crafting a unique sound that is appealing to those seeking a more accessible form of musical recreation. With the dynamics of free improvisation, Ben Kaczor and Niculin Barandun create virtuosly interwoven sound structures. Ambient timbres evoke the presence of the room and create an experience of wordless thinking. An immersive journey invites the listener to sense of intimacy and movement. Calmness and contemplation, beauty and melancholy meet unconventional and stochastic scenes of dramatic character. The exquisite visualizations for the live performance as well as two experimental short-films are supplied by artist and director Marie Sutter. Fluid abstractions of light move inside her structural compositions. Sutter’s videos reflect the brooding energy and nascent forms of Pointed Frequencies perfectly. A poem by writer Carla Patricia Kojich is embedded in the titles of the tracks. Artist Inga Danysz created the cover artwork and the graphic design comes by Sandro Weber (Atelier Maeve). Pointed Frequencies marks the 25th anniversary of Dial Records, founded in the winter of 1999/2000. While the label is best known for it’s club-oriented music, Dial has a long tradition in releasing experimental music and ambient, starting with the album by Gluehen 4 (2003) followed by Phillip Sollmann’s Something Is Missing (2006). Recent releases in this regard are Lawrence’s Music For Plants (2020) and Christian Naujoks, Nocturne (2024).
Seoi Nage - The Gentle Way
Seoi Nage
The Gentle Way
LP | 2024 | EU | Original (Fin Du Monde)
25,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Hill Collective is a jazz ensemble based in Brighton, UK. Led by saxophonist and composer Pete Piskov, the group offers a fresh musical attitude, employing modern improvisation techniques and nuanced compositions - a soulful, avant-garde addition to the bustling UK jazz landscape.

"Tonal Prophecy" is their first studio album, being released on the 20th April with the help of German label, Fin Du Monde. The sound is varied and rich, drifting from almost-big band horn arrangements to riotous free jazz. Latin rhythmic attitudes and playful excursions to the absurd lay out a tonal palette that brings both solace and revelation.

The inclusion of the "Grand Unison Choir" in the recording is an important statement of community and the DIY ethics that surround the album. A group of about 20 friends chant, laugh, scream and sing, embracing the full spectrum of what makes this music so magical.

Holistic in its ethos, this album explores the warmest depths of the mind, body and spirit while keeping things light and honest- a music that speaks for itself, about itself and the world around it.

The album sits comfortably in it's own vibrant identity greatly inspired by the idiosyncrasies of Sun Ra, Art Ensemble of Chicago and Ornette Coleman.

"Enthusiastically embracing the full gamut of freewheeling experimentation ... from wonky bossas to deranged swinging Mingus-ism, this new release from Hill Collective is a compelling refutation to anyone who still thinks that jazz is no fun"

Eddie Myer (New Generation Jazz / QOW Trio)

"Hill Collective seem at ease creating some of the boldest, bombastic and liberating music I have heard from any other release ... Fearless, passionate and deeply joyous"

Ozzy Moysey (Ancient Infinity Orchestra)

Pete Piskov - Alto Saxophone, Flute
Joe Edwards - Drums
Federico Micheli - Bass
Luke Congdon - Piano
Will Roberts - Trombone
Phil Smith - Trumpet
Jojo Circle - Harp
Sudhi S Pooniyil - Percussion

Grand Unison Choir (A-Z):
Gina Boyle, Jamie Broughton, Milo Costelloe, Oceanmae Davis, Edward Deeney, Noah Fox, Oscar Godfrey, Tom Gregory, Fae Haley, Rose Io, Tamara Klüver, Edmund Lloyd-Winder, Constance Nash, Ed Prideaux, Zosia Szymanowska, Joss Trevena-Samson, James Virtue, Freddie Willatt, Tam Zin

Recorded at Church Road Studios by Paul Pascoe
Album Cover by Pete Piskov
Mixed and Mastered by Pete Piskov
Hill Collective - Tonal Prophecy
Hill Collective
Tonal Prophecy
LP | 2024 | EU | Original (Fin Du Monde)
25,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Hill Collective is a jazz ensemble based in Brighton, UK. Led by saxophonist and composer Pete Piskov, the group offers a fresh musical attitude, employing modern improvisation techniques and nuanced compositions - a soulful, avant-garde addition to the bustling UK jazz landscape.

"Tonal Prophecy" is their first studio album, being released on the 20th April with the help of German label, Fin Du Monde. The sound is varied and rich, drifting from almost-big band horn arrangements to riotous free jazz. Latin rhythmic attitudes and playful excursions to the absurd lay out a tonal palette that brings both solace and revelation.

The inclusion of the "Grand Unison Choir" in the recording is an important statement of community and the DIY ethics that surround the album. A group of about 20 friends chant, laugh, scream and sing, embracing the full spectrum of what makes this music so magical.

Holistic in its ethos, this album explores the warmest depths of the mind, body and spirit while keeping things light and honest- a music that speaks for itself, about itself and the world around it.

The album sits comfortably in it's own vibrant identity greatly inspired by the idiosyncrasies of Sun Ra, Art Ensemble of Chicago and Ornette Coleman.

"Enthusiastically embracing the full gamut of freewheeling experimentation ... from wonky bossas to deranged swinging Mingus-ism, this new release from Hill Collective is a compelling refutation to anyone who still thinks that jazz is no fun"

Eddie Myer (New Generation Jazz / QOW Trio)

"Hill Collective seem at ease creating some of the boldest, bombastic and liberating music I have heard from any other release ... Fearless, passionate and deeply joyous"

Ozzy Moysey (Ancient Infinity Orchestra)

Pete Piskov - Alto Saxophone, Flute
Joe Edwards - Drums
Federico Micheli - Bass
Luke Congdon - Piano
Will Roberts - Trombone
Phil Smith - Trumpet
Jojo Circle - Harp
Sudhi S Pooniyil - Percussion

Grand Unison Choir (A-Z):
Gina Boyle, Jamie Broughton, Milo Costelloe, Oceanmae Davis, Edward Deeney, Noah Fox, Oscar Godfrey, Tom Gregory, Fae Haley, Rose Io, Tamara Klüver, Edmund Lloyd-Winder, Constance Nash, Ed Prideaux, Zosia Szymanowska, Joss Trevena-Samson, James Virtue, Freddie Willatt, Tam Zin

Recorded at Church Road Studios by Paul Pascoe
Album Cover by Pete Piskov
Mixed and Mastered by Pete Piskov
V.A. - Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999
V.A.
Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999
2LP | 2024 | EU | Original (Music From Memory)
29,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.

The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.

'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.

'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.

Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita,
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999
V.A.
Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999
2CD | 2024 | EU | Original (Music From Memory)
20,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.

The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.

'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.

'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.

Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita,
Doctr & Julia - Now You Can Fly
Doctr & Julia
Now You Can Fly
12" | 2024 | EU | Original (Bordello A Parigi)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Doctr is no stranger to the Bordello. Now You Can Fly is his third visit to the label, his first with company. Paired with Julia, the offering is pure peak-time elation. Bending bars are cut through by beats and synth stabs, Doctr building a palpable energy with vocals synergising perfectly. Daring key shifts unveil the full track, inspirational words and melodic wizardry waltzing arm-in-arm. Flying ever higher, electrical pulses of hi-nrg jolt this dancefloor burner. Julia’s vocals are parred back for the flip, leaving those sun-kissed synthlines to soar above calypso-infused percussion. Two works of sheer happiness; just what the Doctr ordered.
Lauritz Skeidsvoll - Rapid Light
Lauritz Skeidsvoll
Rapid Light
LP | 2024 | EU | Original (Ultraääni)
26,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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140g Vinyl LP Limited number of 500 hosted in silk printed cover. “Rapid Light is a result of a need to create a raw, powerful and open musical landscape where the musicians can thrive and explore together. The tunes are inspired by my love for strong melodies in orchestral film music and the raw energy and creativity in American and European free jazz. I have put together a band with some of the most inspiring and interesting musicians I know and I believe that together we make up a powerful quartet, which with the help of melodious compositions, great rhythmic drive, and a sincere urge to explore, conjures up a raw and energetic primal force”
V.A. - Mondo Ritmo
V.A.
Mondo Ritmo
12" | 2024 | UK | Original (Invisible, Inc)
17,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves, Electronic & Dance
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Following on from last years's "Mondo Organico" compilation, the latest Invisible Inc compilation EP "Mondo Ritmo" sets its sights firmly on rhythm and percussion. Featuring a global array of artists hailing from Argentina to Senegal and everywhere in between, the influences and styles featured include latin, afro, dub, dancehall, experimental, acid and more. Proven and tested dancefloor bombs are Mytron & Balam's opening track "Cabasa Loca" which label boss GK Machine has been spinning at his Wrong Party nights and elsewhere for the last 6 months or so...and the house/dancehall hybrid floor filler "Wicked Can't Run" by LA producer Tom Chasteen (Exist Dance/Dub Club) featuring legendary Jamaican DJ and toaster U Brown, and mixed by equally legendary producer/keyboardist David Harrow who first came to our attention through his regular keyboard contributions to all things On-U Sound related in the 1980s.

The rest of the tracks may not be peak time bangers but they are sure to please the more esoteric and adventurous dancefloors out there...it's an honour to have on board Calypso Records head honcho Thomass Jackson, Thomash (Voodoohop) and Gats (Suçuarana / Curuba) who together as Changa Boys bring in Senegalese drummer Ndiaxo dal Jaam, and last but not least a certain Machine with assistance on percussion from the mysterious Congo Caveman.
Weiss Vs. James Hype - Feel My Needs
Weiss Vs. James Hype
Feel My Needs
12" | 2024 | UK | Original (Toolroom)
16,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Arguably the biggest and most in-demand electronic artist in the World, James Hype, puts his spin on Toolroom’s classic ‘Feel My Needs’. James needs little introduction, attracting more than 12 million listeners to his music monthly, accumulating over a billion streams and selling out arena’s all over the globe including his weekly residency at Hi, Ibiza.

The record is a peak-time monster and has become the ‘id’ everyone is asking for on his social media and in his DJ sets! James has taken the essence of the original and added trademark tough drums and bundles of energy, very much akin to the vibe of his DJ sets.

Included on the flip is the unmistakable original from Weiss.
Wehbba - Awaken
Wehbba
Awaken
12" | 2024 | UK | Original (Drumcode)
15,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Wehbba returns with an impressive two-tracker ‘Awaken’.

Anything the on-point Brazilian contributes to Drumcode is always top notch. From his 2020 album ‘Straight Lines & Sharp Corners’ to the cracking ‘Catarse’ EP from 2018 to last year’s sci-fi themed ‘Premonition’, the vast collection of quality music the artist has dished up on Adam Beyer’s label always stands out amongst the crowd.

The producer, who’s a practitioner of Vipassana meditation, takes inspiration from the spiritual realm for his latest production work. ‘Awaken’ is a hyper euphoric anthem inspired by light that packs plenty of bottom end power. We can’t wait to hear this played during the upcoming festival season. ‘Revelation’ is a spitfire trippy techno outing, which utilises Eastern scales and takes influence from ritualistic ceremonies from Middle Eastern and South Asian cultures. Mark this down as another timeless Wehbba EP on Drumcode.
V.A. - Music Team Sampler
V.A.
Music Team Sampler
12" | 2024 | EU | Original (Afrosynth)
19,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Selection of all winners from the Music Team label - mid 80s to early 90s gems on here!

One of South Africa’s biggest independent labels for more than a decade, Music Team offered working musicians a shot at fame via access to top studios, producers, songwriters and session musicians, as well as distribution via a number of imprints: CTV, Red Label, Solid, Spinna, Mambo Music and others. Artists in the stable who tasted success would typically release a few albums over as many years before moving on to other labels or falling off the radar as times changed. At their peak, according to label boss Maurice Horwitz, Music Team was selling a million records a month, and was at the forefront of South African pop music as it evolved from soul to disco and beyond.

Afrosynth Records’ ‘Music Team Sampler’ dusts off six rare and long-forgotten gems from the Music Team catalogue, originally released between 1986 and 1992. Four are typical of the label’s take on the popular ‘bubblegum’ sound of the day — Isaac ‘Cool Cat’ Mofokeng’s ‘Candy’, ‘I Won’t Let You Go’ by Linda Oliphant, Jappie Lebona’s ‘My Love is Yours and ‘Instant Love (Eyami Lendoda)’ by Thandi Zulu (aka TZ Junior). Two instrumentals — Mr. Ace’s ‘Ace 1’ and ‘Axe Chop’ by The Hard Workers, a studio project by Music Team’s in-house producer Tom Mkhize — meanwhile hint at the imminent rise of kwaito and house.

Forged in the fire of a cruel and volatile political system that was gradually unraveling, instead of addressing political realities these indelible pop songs sought to provide an escape to a world where love and music were all that mattered.
V.A. - We Call It Good 2 Me
V.A.
We Call It Good 2 Me
12" | 2024 | EU | Original (Whiskey Disco)
15,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Whiskey Disco #74 follows up Michael The Lion’s stellar single with a return to classic Whiskey Disco form; a mix of somewhat recognizable samples tweaked for the floor or the poolside.

Summer is in full swing and so are the artists on the latest Whiskey Disco ode to summer parties. The A side showcases a long lost gem from Cole Medina that never quite saw the light of day. It’s a longtime honour to be able to put this song on the label and we can’t wait to have a loud 45 side in our hands to drop at the choicest of rooftop parties, poolside, beachside, or to break the tension after a dirty underground session. On the flip, we see Love Athletics breaking out with All of My Love, a cheeky vocal sample underpinned by a rocking bass groove and high hats that are more than a nod to Sex Shooter. The flanged groove will be perfect for day or night tie parties. Closing out, label boss, Sleazy McQueen provides an all analog cut up with palpitating drums and hypnotic grooves, with a nice surprise to break things up a bit.
V.A. - No-Ones Listening Anyway - UK DIY Post Punk & Dubs 1980-1984 (Volume 1) Compiled By Jason Boardman
V.A.
No-Ones Listening Anyway - UK DIY Post Punk & Dubs 1980-1984 (Volume 1) Compiled By Jason Boardman
LP | 2024 | UK | Original (Caroline True)
27,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Lots of crazy 80s UK stuff on here.

An album of early 1980s Post-Punk era musical bedroom & small studio innovations & DIY Inspirations - Featuring rarely / never heard cuts from that period. Including tracks sampled by DJ Shadow & a singular Post-Punk era back-handed tribute JCC track :-) From Coventry's 2-Tone associated Skeet to Surface Mutants Cabaret Voltaire facilitated Dub & the out-there pastoral Post-Punk spaciness of The Dealers ..A rich vein .

"This is a snapshot of a fertile time in UK music, a time of independent artists, studios, labels & distributors collaborating to do it themselves, sidestepping the majors to take their shot at the big time. It didn't always work out but they made a record and that's what counts. It is a collection of the lost and overlooked - not intended to be a definitive guide to the period but an opportunity to shine a light on the creative output of these artists and share them once again so they can get the recognition they deserve."

(Jason Boardman May 2024 - Jason Boardman ( Before I Die Records) Celebrated Manchester club-night curator & record Label Owner , DJ & digger - supreme.
Barber In The Livingroom - Moon & Palms Pink Vinyl Edition
Barber In The Livingroom
Moon & Palms Pink Vinyl Edition
LP | 2024 | JP | Original (Lawson)
38,99 €*
Release: 2024 / JP – Original
Genre: Pop
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A runway leading into the night sky, accompanied by the sea breeze. Barber IN THE Livingroom, a 5-piece city pop band from Fukuoka, will release their long-awaited second album (pink vinyl)!

Barber IN THE Livingroom is a 5-member city pop band based in Fukuoka that has become a hot topic with its soulful singing voice and groovy rhythm section, along with a jacket drawn by Hiroshi Nagai. Continuing from last year, the long-awaited second album "Moon& Palms" will be released at "citypop on Vinyl 2024"! If the debut album "Barber IN THE Livingroom" was a landscape of daylight and mirages, "Moon & Palms" is a landscape of lights and nighttime flights flowing from dusk to night. Like the previous album, this album was produced remotely, and the songs and sounds spun by the members far away become five birds, gliding over skyscrapers, over the city, and soaring beyond the horizon of the ocean...a song that evokes the image of... is being knitted.
Hotmood - Baby Come Down EP
Hotmood
Baby Come Down EP
12" | 2024 | UK | Original (Sound Of Style)
15,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Hailing from Playa Del Carmen, Mexico our dude Hotmood keeps it funky with his 'Baby Come Down EP'! Hot off his multi pressing sellout release on Blur Records Hotmood gets straight to the funk with the title track 'Baby Come Down'. All heat for your feet for this jam! House music legend DJ Sneak comes correct with his bangin floor stomper B.B.B. (Big Boss Bizness) Remix of 'Baby Come Down'. Peak time biz right here, bang it out! Back to the Hotmood sure fire floor filler 'Disco Lady' with baseline for days, and a catchy spoken word over steamy funk filled disco heat. Natural Rhythm kicks in the cruise control as we hit high velocity with a deep and funky slice & dice of 'Disco Lady'. Heavy drum work and tight percussion is the call with this cleverly woven gem that’ll fill the floor and get em moving! Next up we have the House music icon Nail of Robsoul, Classic and Diy fame with his 'Fleng EP'.
V.A. - Toolroom Sampler Volume 13
V.A.
Toolroom Sampler Volume 13
12" | 2024 | UK | Original (Toolroom)
15,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Kicking things off on Toolroom’s next 4-track vinyl sampler series is Mark Knight’s hugely successful rework of Groove Armada’s seminal classic ‘Get Down’. Considered one of the holy-grail records of their back catalogue so it’s an absolute honour for us, and Mark Knight, to be re-presenting this incredible record to a new audience. Fusing those unique vocals from Stush and classic Groove Armada synth line, coupled with the energy and insatiable groove of a Mark Knight record, this is a sure-fire dance floor weapon for 2024! Next up are a fan favourite of the label, the mighty duo Illyus & Barrientos who make their long overdue return with ‘When You Gonna’. Tracks such as ‘Shout’, ‘Promise’ and most famously, ‘So Serious’, propelled them to be one of the most exciting and sought after acts in the World. This record is trademark Illyus & Barrientos and reflects their personalities as artists perfectly. Think high energy house music filled with fun and peak-time dance floor vibes! Leading the charge on the b-side is an incredible collaboration from 2 heavyweight house artists, working together for the very first time! David Penn has a career spanning over 25 years. He was recently crowned the #1 house artist on Beatport and boasts over 1 million monthly listeners across leading streaming platforms. Offaiah appears on Toolroom for the first time in his career under this alias, although he was a firm part of the original Toolroom Family line up as Michael Woods. So this is a Special ONE! The record screams sun-drenched terraces, pool parties and chilled cocktails! A huge bass line, infectious tribal vocals and some lush house pianos for good measure. Last but not least, Long-standing Toolroom Family member and fan favourite, Ben Remember returns to the label with ‘Waiting 4 You’. As with all of Ben’s records, this is super creative and super original. Based around an infectious disco vocal sample and all created using out-board, analogue studio gear which gives the track a real gritty undertone.
Lifted - Trellis
Lifted 
Trellis
LP | 2024 | UK | Original (Peak Oil)
31,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-22
The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.

Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.
V.A. - Brown Acid - The Nineteenth Trip Black Vinyl Edition
V.A.
Brown Acid - The Nineteenth Trip Black Vinyl Edition
LP | 2024 | US | Original (Riding Easy)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
There is NO Light at the end of this tunnel! Brown Acid: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history. Both of those angles of awareness can coexist, some of these bands deliver unrelenting sideways positive energy but they aren’t over-thinking it, they are youthfully driven by hunger for life and satisfying the undeniable urges their DNA thrusts upon them. Sonically, the results in the Brown Acid series never fail to breathe hot and heavy, the guitars kill it every time, the variety of approaches these tracks take keep the scenery shifting into new places. The key element that makes this stuff so potent is that They (the bands) are in control. Captured genuinely with no compromise, right out of the gate. No doubt they had ambition with high hopes for the future when they laid down these primal efforts, the fact that they captured their energy so vividly at a moment in time when the only direction imaginable was UP creates a hard hitting life affirming subtext to the proceedings. That is the core energy of blues and rock and roll, dealing with the struggles of existence by flipping a gigantic ‘what the fuck’ high energy bird right in the face of the moronic defective reality these bands were born into. If you take this stuff too ‘seriously’ you are utterly missing the point, it is beyond analysis, it is life itself! No amount of thinking will get you there quicker! Brown Acid: The Nineteenth Trip is scary... the bottomless pit of deranged vintage heavy rock the series presents continually expands over time... one deadly dose too many and you might be trapped in the bad trip loop forever... enjoy it or lose your mind!
V.A - Brown Acid - The Nineteenth Trip Colored Vinyl Edition
V.A
Brown Acid - The Nineteenth Trip Colored Vinyl Edition
LP | 2024 | US | Original (Riding Easy)
34,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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There is NO Light at the end of this tunnel! Brown Acid: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history. Both of those angles of awareness can coexist, some of these bands deliver unrelenting sideways positive energy but they aren’t over-thinking it, they are youthfully driven by hunger for life and satisfying the undeniable urges their DNA thrusts upon them. Sonically, the results in the Brown Acid series never fail to breathe hot and heavy, the guitars kill it every time, the variety of approaches these tracks take keep the scenery shifting into new places. The key element that makes this stuff so potent is that They (the bands) are in control. Captured genuinely with no compromise, right out of the gate. No doubt they had ambition with high hopes for the future when they laid down these primal efforts, the fact that they captured their energy so vividly at a moment in time when the only direction imaginable was UP creates a hard hitting life affirming subtext to the proceedings. That is the core energy of blues and rock and roll, dealing with the struggles of existence by flipping a gigantic ‘what the fuck’ high energy bird right in the face of the moronic defective reality these bands were born into. If you take this stuff too ‘seriously’ you are utterly missing the point, it is beyond analysis, it is life itself! No amount of thinking will get you there quicker! Brown Acid: The Nineteenth Trip is scary... the bottomless pit of deranged vintage heavy rock the series presents continually expands over time... one deadly dose too many and you might be trapped in the bad trip loop forever... enjoy it or lose your mind!
UEVPD - UEVPD
UEVPD
UEVPD
LP | 2024 | UK | Original (World Of Echo)
24,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-18
UEVPD - Usage/Efficiency/Variance/Platform/Domain - is the solo project of Dominic Goodman, a former member of Mosquitoes and currently one half of Komare.

The self-titled UEVPD debut LP, released on 22nd November via World of Echo, consists of eight sequentially numbered electro-acoustic tracks made over approximately five years, living recordings that have morphed in shape over time, each systematically stripped back to their elemental form before being deemed complete. From the outset, Goodman purposefully deployed a relatively limited array of equipment and adopted a determinedly minimalist approach to composition, a practice in restraint that privileges detail and nuance. Field recordings, made using a combination of dynamic, condenser, contact and electret microphones, geophones and hydrophones, were allied to a basic modular/analogue synth setup, allowing for little in the way of excess or indulgence.

The results are markedly defiant, displaying an expert exercise in control and restraint that lets in little light but plays a great service to space and time. This is patient, claustrophobic sound design that bears out the value in attentive listening, a meditation on the acceptance of passing time, change, growth, death and regeneration. As such, listeners might connect associative lines with the likes of Pan Sonic and Mika Vianio’s solo work, Emptyset and Civilistjavel (who’s Tomas Bodén shows up on mastering duties here), though this remains distinctively Goodman’s vision, a continuation of his interests shown in Mosquitoes and Komare that further pushes out into the murky unknown.

UEVPD is released digitally and on vinyl in an edition of 250, each in hand printed, die cut sleeves.
Three Men - Inside
Three Men
Inside
12" | 2024 | EU | Original (Funkscapes)
22,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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The 1980 space disco hit you probably never heard of. Now officially remastered including new stunning edits by Peaking Lights and Korkut Elbay. Picture sleeve with an outstanding painting by Antonia Freisburger.

'Inside' with loads of synths and some vocoder on top is a wild jam that is propelling more and more into a frenzy during its course.

Following the orginal is a dancefloor-edit by Korkut Elbay which puts the vocal part into focus. Korkut Elbay, part of the Cómeme camp and an integral part of Cologne's electronic music scene for over 20 years, crafted an edit in its purest form.

On the flipside Aaron Coyes of the California-based duo Peaking Lights stretches out the original and reaches higher grounds with his stomping rework. He gently adds some more keys and puts you into a trance with his soothing melodies. Now dance!

But what's the story behind this unearthed gem stone? In the late 1970s a marketing company owner faced an increasing competitve market and wanted to work indepently from the professional studios which were charging high rates for commercials back then. The solution was to build his own sound studio. So he set one up in the basement of his company in Saarbrücken, Germany. He hired a studio operator and a composer that got quite a reputation in the local scence back then and besides daily job routines 'Inside' was created.
Tim Heidecker - Slipping Away Indie Exclusive Frosted Teal Vinyl Edition
Tim Heidecker
Slipping Away Indie Exclusive Frosted Teal Vinyl Edition
LP | 2024 | US | Original (Bloodshot)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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After the breakthroughs of 2020’s wistfully lush Fear of Death, and 2022’s High School, whose tales of nostalgia were never quite as distant as they seemed, the multi-hyphenate comedian and songwriter Heidecker has reached a new peak with Slipping Away, his warmest and fullest record to date. While all of his albums are concept records to some degree, this one tells a story on a larger scale, offering an imagistic framework that allows for some of his brightest melodies, heaviest themes (the feeling of before the fall and after), and most direct and vulnerable lyrics.
Weather Report - Live At Fox Theater, Atlanta February 1980
Weather Report
Live At Fox Theater, Atlanta February 1980
2LP | 2024 | EU (Whp)
22,99 €*
Release: 2024 / EU
Genre: Organic Grooves
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Back in 1980, Weather Report consisted of Wayne Shorter - tenor & soprano sax, Joe Zawinul - keyboards, Jaco Pastorius - bass, Peter Erskine - drums and Bobby Thomas Jr. - percussion. Often considered as one of the best line ups in the band's history, this was a super tight combo playing with the same energy and power of a big band. The 1980 tour, also known as the "Night Passage" tour, is also remembered for the great visual impact, a large scale staging including laser and film projections. The Atlanra Fox Theater show sees the band at its peak, performing great renditions of classic tunes such as Zawinul's "Madagascar" and "Fast City", Pastorius' "Three Views of a Secret" and Shorter's "Port of Entry". This is an important live document from the greatest electric jazz band of all times, period!
Jonas Munk - Mirror Phase
Jonas Munk
Mirror Phase
LP | 2024 | Original (Azure Vista)
29,99 €*
Release: 2024 / Original
Genre: Electronic & Dance
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Jonas Munk closes his ambient trilogy with mammoth drone pieces, multi-layered guitars and hymnal krautrock."Mirror Phase" concludes a trilogy of minimal ambient albums in Munk's (Causa Sui) own name. These eight compositions, based on guitar and synthesizer loops, marks a return to the warmer sounds Munk is often associated with. Sonic structures that slowly and gradually evolves and changes, like cloud formations in the sky. The title track, "Mirror Phase", is Munk's most expansive drone opus so far. It's a carefully arranged piece where sounds that oscillates with the same interval, but at different phases, are continuously added, hence creating shifting patterns throughout the track's nearly 18 minute duration.Elsewhere, in "Transition", multi-layered guitars creates the sonic equivalent of waves gently splashing on the shore. "At a Distance" creates a haunting, and hypnotic, soundscape by using slightly out-of-tune analog synthesizers, summoning the transcendent krautrock of Popol Vuh. And "Rise", as well as the closing track, "Return to Nowhere", recalls the glistening sounds of his Manual releases. "Mirror Phase" might just be Munk's ambient oeuvre reaching its zenith.The CD edition comes with an extra CD with Jonas Munk's 2021 album, "Altered Light", which has previously only been released on digital download and streaming.
David Edren - Binnenin
David Edren
Binnenin
LP | 2024 | EU | Original (Black Sweat)
19,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Probably in another life David Edren (dsr Lines) was a visionary biologist or chemist. In this new sound adventure, he becomes the narrator of anatomical and cellular symphonies, catharsis of invisible biochemical processes, painting the micro-dimensional flows of the subtle body or imaginary geographies of hidden micro-bodies. Here, his organic electronic music is enriched with new lymphs that also vaguely recall the influences of non-European music, especially Chinese and Japanese music (stick and chimes percussions) in an intimate and twilight dimension, poised between exotic ambient and cinematic suggestions. A miniaturistic description of liquid currents, labyrinthine veins, weaving streams, molecules and particles in multi-orbital dances, muscular chords, drowning bubbles, light waves; all in a confident compositional overview that is absolutely unique and fascinating.
Tim Heidecker - Slipping Away Summer Sky Splash Vinyl Edition
Tim Heidecker
Slipping Away Summer Sky Splash Vinyl Edition
LP | 2024 | US | Original (Bloodshot)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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After the breakthroughs of 2020’s wistfully lush Fear of Death, and 2022’s High School, whose tales of nostalgia were never quite as distant as they seemed, the multi-hyphenate comedian and songwriter Heidecker has reached a new peak with Slipping Away, his warmest and fullest record to date. While all of his albums are concept records to some degree, this one tells a story on a larger scale, offering an imagistic framework that allows for some of his brightest melodies, heaviest themes (the feeling of before the fall and after), and most direct and vulnerable lyrics.
Matryoshka - Laideronnette
Matryoshka
Laideronnette
2LP | 2024 | JP | Original (Virgin Babylon)
41,99 €*
Release: 2024 / JP – Original
Genre: Electronic & Dance, Pop
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Matryoshka's 2nd album "Laideronnette" released in 2012 is now available as a long-awaited analog version in 2LP format!

Their first album, "zatracenie,'' released in 2007, although still unknown, spread by word of mouth and recorded amazing sales. Their second album "Laideronnette'', their first in five years, features majestic strings, soft piano, inorganic yet organic rhythms, melancholy songs, and carefully placed noises.

The sound image, melody, and worldview all deepen, and the darkness of the past resonates with the new light. When the album "Laideronnette'', named after "the world's ugliest queen'' from Ravel's Suite Ma Mère Roi "Laideronnette, Queen of the Pagodas'' is played, a beautiful abyssal world that has never been seen before appears.
Freddy King - Live Away
Freddy King
Live Away
LP | 2024 | EU | Original (Retroworld)
28,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Texas born Freddie King was one of the all time great Blues guitarists. He is considered one of the "Three Kings of the Blues Guitar" (along with Albert King and B. B. King, none of whom are related). Mostly known for his soulful and powerful voice and distinctive guitar playing, King had a major influence on electric blues music and on many later blues guitarists including the likes of Eric Clapton, Jeff Beck, Peter Green, and Mick Taylor. This selection showcases live recordings from his classic repertoire over a period from 1969 to 1975. SIDE 1 1. San-Ho-Zay2. Hideaway3. Sen-Say-Shun4. Big Legged Woman5. Woman Across The RiverSIDE 21. Ain't No Sunshine2. Red Light, Green Light3. Let the Good Time Roll4. Key To The Highway
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Five For Fighting
Two Lights
LP | 2024 | EU | Original (Music On Vinyl)
28,99 €*
Release: 2024 / EU – Original
Genre: Pop
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Preorder shipping from 2024-11-22
Furui Riho - Green Light Clear Yellow Vinyl Edition
Furui Riho
Green Light Clear Yellow Vinyl Edition
LP | 2024 | JP | Original (Lawson)
39,99 €*
Release: 2024 / JP – Original
Genre: Pop
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It has been decided that the 1st Album "Green Light" by SSW "Furui Riho" from Hokkaido will be released in clear yellow vinyl!!

She has been actively performing live performances all over the country, and her first album title is "Green Light." His songs include "I'm free," which affirms who he is, "Purpose," which he has released so far, and "Kirai," which was selected for JFL's "music FOR THE Next" and received a power play on five stations nationwide. In addition to the original songs, the album contains 9 new songs, including ``Aoshingou,'' produced with the producer ``Yaffle,'' who has produced numerous hit songs, and ``Candle Light,'' a collaboration with the up-and-coming track maker ``A.G.O.''

As Furui Riho herself says, ``It's the culmination of the last three years, when I started running from my old self, who had been at a standstill for a long time, as if a green light had been turned on.'' This work, which is full of raw energy and speaks in a way that may never be possible before, makes listeners rediscover their inner power and driving force, and lights a green light in their hearts.

With unique lyric work and grooves that express struggles, conflicts, clumsiness, and love, I feel like I'm putting an end to the thoughts of the past three years, calling it "leaving it all behind," and moving forward anew. The works that are released are overflowing with green light that makes you think, ``That's okay.''
Your Old Droog - Movie
Your Old Droog
Movie
LP | 2024 | US | Original (Nature Sounds)
35,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Bloto - Grzybnia
Bloto
Grzybnia
LP | 2024 | EU | Original (Astigmatic)
24,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Błoto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant that fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Błoto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in late January 2023 at Warsaw's Studio Pasterka, under the careful guidance of Piotr Zabrodzki. It was by far the most fruitful session in the group's history, with ideas flowing in abundance. The chosen tracks not only resulted in two well-received singles, Szlam / Ścieki and Bakteria, but also provided enough material for an EP set to drop next year.

The seemingly chemical title of the album Kwasy i zasady (Acids and Bases) ultimately referred to interpersonal relationships, describing traits that prevent harmony. The album embodied the polarization of societies in the 21st century. The metaphor of Grzybnia (Mycelium) goes a step further. It emphasizes the importance of cooperation as a fundamental skill that can yield various results (fruits, fungi)—both good and bad. Above all, it underscores the power of collective action beyond divisions.

In a complex, unstable modern world that is breaking apart into pieces, the concept of mycelium offers a powerful model. Mycelium thrives in degraded, seemingly lifeless environments created by humans. A key aspect of the broader significance of mycelium is that cooperation benefits all involved parties, where each contributes something and receives something in return. Mycelium is a symbiont, meaning it forms a symbiotic relationship with certain tree species through mycorrhiza, where the roots of the trees and the mycelium exchange essential life-sustaining substances. This results in mutual benefits. The world of mycelium exemplifies cooperation.

A single mushroom, like a person, dies, but mycelium endures, much like humanity itself. Thus, similar to culture, it is immortal. Błoto operates in a manner akin to mycelium. It undoubtedly belongs to the underground realm, embodying the essence of the underground. It is also a destructor of music. In what sense? The Polish Nobel laureate Olga Tokarczuk noted in her book Primeval and Other Times that “[...] Mycelium thrives by drawing the last remnants of life from what dies, decomposes, and seeps into the earth. Mycelium is the life of death, the life of decay, the life of what has died.” In the same way, Latarnik, Cancer G, Wuja HZG, and OlafSaxx, through their collaboration, process cultural products to create entirely new and surprising combinations. The result of this work is both edible and poisonous mushrooms, manifested in the form of fat beats, house, spiritual jazz, improvised music, illbient, organic techno, and genre-defying electronics.

The peak mushroom season in Poland occurs in autumn, which is why Grzybnia will be released on October 10, 2024, via Astigmatic Records. The limited edition vinyl, restricted to 500 copies, will be available for pre-order starting September 6, 2024, on Bandcamp. As always, mixing and mastering are handled by the mighty Kwazar, while the original visual representation of the mycelium metaphor is crafted by Sainer.
V.A. - Killowat Hour Va
V.A.
Killowat Hour Va
12" | 2024 | UK | Original (A Lifetime On The Hips)
16,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Sub-label to the ever-flourishing Semi Delicious and the brainchild of Demi Riquisimo - A Lifetme On The Hips returns for VA number five – the biggest one to date – releasing on 4th October.

Featuring singles from L.P. Rhythm, Mad.Again, and Rokar, this VA effortlessly bridges the gap between raw, peak-time club hitters and deeper, more introspective cuts—all designed to keep the dance floor grooving.

Hips005 delivers six gritty, no-nonsense club tracks, making it a dream release for any dedicated raver. With a tracklist that includes both familiar names and emerging talent, this latest VA encapsulates the label's unwavering dedication to pushing the finest in electronic music.
Ostraaly - Misery Guests
Ostraaly
Misery Guests
LP | 2024 | US | Original (Siltbreeze)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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To say that the vinyl release of Ostraaly's Misery Guests has overcome monumental challenges isn't hyperbole, but fact. The label had been in cahoots with principal band members Katharine Daly & Leonie Brialey as far back as the Luggs Cd-r in 2016. Initially this release was to see vinyl action, but a series of setbacks prevented that from happening & when we next caught up w/each other it was 2019. Ostraaly was now a full on unit & a new set of tracks entitled Misery Guests was slated for a cassette issue by the estimable Tenth Court label. Katharine was quite keen for Siltbreeze to release it on vinyl & both sides set about to make it happen. Tenth Court released the cassette in Jan of 2020, vinyl to follow. However, a series of mechanical issues-a new track was added, artwork needed to be revamped-reared up & by the time it was off to press, Covid slammed shut the world. Diligence was the key here, as was hope. And as the world began to come out of its pandemic cocoon sometime in 2021, the project was on once more. But in the midst of retrieving new masters & artwork, Katharine Daly passed away unexpectedly, & that shock naturally put everything into what seemed to be a perpetual limbo. The years passed, but never the desire to see this album fulfilled. It was through the tenacity of the surviving band members, relocating & getting Siltbreeze the new masters & jacket art, that this LP finally sees the light of day as it was meant to some 5 years prior.

What you'll find within the grooves of Misery Guests is a band assuredly zoned into what they're laying down. It woozily rollicks in a way that's fetchingly out of step & swings in a rural-like, rough hewn manner that's unimpeachable. To say nothing of the out-of-time folk ruggedness stitched in, which makes these tracks seem almost plucked out of some mid-70's time warp that contemporary alt/retro bands could only dream of conceiving. And while its existence will forever remain bittersweet that Daly isn't here to embrace its ultimate fruition, her spirit is forever locked into every nuance of this stone-cold masterpiece. Dedicated to the memory of Katharine Daly & all who sailed w/her.

FFO: Fairport Convention, Etchingham Steam Band, 'Desire'/Rolling Thunder era Dylan, Patti Smith Group, The Garbage & The Flowers.

Edition of 400.
Bloto - Grzybnia
Bloto
Grzybnia
CD | 2024 | EU | Original (Astigmatic)
11,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Błoto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant that fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Błoto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in late January 2023 at Warsaw's Studio Pasterka, under the careful guidance of Piotr Zabrodzki. It was by far the most fruitful session in the group's history, with ideas flowing in abundance. The chosen tracks not only resulted in two well-received singles, Szlam / Ścieki and Bakteria, but also provided enough material for an EP set to drop next year.

The seemingly chemical title of the album Kwasy i zasady (Acids and Bases) ultimately referred to interpersonal relationships, describing traits that prevent harmony. The album embodied the polarization of societies in the 21st century. The metaphor of Grzybnia (Mycelium) goes a step further. It emphasizes the importance of cooperation as a fundamental skill that can yield various results (fruits, fungi)—both good and bad. Above all, it underscores the power of collective action beyond divisions.

In a complex, unstable modern world that is breaking apart into pieces, the concept of mycelium offers a powerful model. Mycelium thrives in degraded, seemingly lifeless environments created by humans. A key aspect of the broader significance of mycelium is that cooperation benefits all involved parties, where each contributes something and receives something in return. Mycelium is a symbiont, meaning it forms a symbiotic relationship with certain tree species through mycorrhiza, where the roots of the trees and the mycelium exchange essential life-sustaining substances. This results in mutual benefits. The world of mycelium exemplifies cooperation.

A single mushroom, like a person, dies, but mycelium endures, much like humanity itself. Thus, similar to culture, it is immortal. Błoto operates in a manner akin to mycelium. It undoubtedly belongs to the underground realm, embodying the essence of the underground. It is also a destructor of music. In what sense? The Polish Nobel laureate Olga Tokarczuk noted in her book Primeval and Other Times that “[...] Mycelium thrives by drawing the last remnants of life from what dies, decomposes, and seeps into the earth. Mycelium is the life of death, the life of decay, the life of what has died.” In the same way, Latarnik, Cancer G, Wuja HZG, and OlafSaxx, through their collaboration, process cultural products to create entirely new and surprising combinations. The result of this work is both edible and poisonous mushrooms, manifested in the form of fat beats, house, spiritual jazz, improvised music, illbient, organic techno, and genre-defying electronics.

The peak mushroom season in Poland occurs in autumn, which is why Grzybnia will be released on October 10, 2024, via Astigmatic Records. The limited edition vinyl, restricted to 500 copies, will be available for pre-order starting September 6, 2024, on Bandcamp. As always, mixing and mastering are handled by the mighty Kwazar, while the original visual representation of the mycelium metaphor is crafted by Sainer.
Corker - Hallways Of Grey
Corker
Hallways Of Grey
LP | 2024 | US | Original (Feel It)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Fragments of the past intersect with a dynamic sonic vision on Hallways of Grey, the second full length from Corker. Expanding upon the dense, rhythmic post-punk of their 2023 debut—the Cincinnati group have not only tightened the screws on their repertoire, they've upped the ante significantly. Decamping from drab studio confines to the expanses of an Indiana farm, Hallways of Grey finds the collective style and creativity of Corker flourishing. While the delivery and dark-to-light balance might echo shades of what Adrian Borland patented decades ago, Corker add their own color (more than just grey, mind you) in a convincing manner across the album. Lead cuts, "Distant Dawn" and "Vital Fall" showcase the range and dexterity that Ohio seems to inherently cultivate, but tracks like "Forever Silent" (featuring Angie Willcutt from Artificial Go and Rod) and the finale, "No Necessities", are like a death trip from the cosmos down to the factory floor. It's a focused frenzy towards the finish line, a rush of calculated execution, a mad dash run with style.
V.A. - The Sinergy Between Like And Darkness
V.A.
The Sinergy Between Like And Darkness
12" | 2024 | EU | Original (Musuq Nuna)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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'The Sinergy Between Like and Darkness' represents the balance between light and darkness, a powerful combination that gives birth to this vinyl release. Featuring four tracks curated by Alquimic, Artesano Titer, Samuel Jabba, and Nicolás Longo, this release blends vibrant rhythms and retro-futuristic atmospheres with mystery and enveloping melodies.
Kevin Mccormick - Passing Clouds
Kevin Mccormick
Passing Clouds
LP | 2024 | CH | Original (Second Thoughts)
36,99 €*
Release: 2024 / CH – Original
Genre: Organic Grooves
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"It’s been a long time since I last recorded an album - a break of some 40 years! Passing Clouds now builds on my earlier retrospective work on “Light Patterns” and “Sticklebacks” released in the past few years by the wonderful Smiling C label. I still have a daily obsession of writing tunes and experimenting with sound and was recently inspired to record again. On Passing Clouds, I have tried to capture my love of sky watching and of being in peaceful places. I set about my sessions, as always, alone with my electric/acoustic guitars and bass, playing through simple analog equipment such as valve reverb, tremolo and tape delay. I use a violin bow to get the drone and ambient sounds into a tape looper. Whilst working on the album, I tried hard to get the feel of my favourite ECM artists such as Collin Walcott, Ralph Towner, John Abercrombie and Eberhard Weber - my heroes! They are as inspiring to me now as they were in the 70s." Kevin McCormick
Jeremy & The Harlequins - Abra Cadabra
Jeremy & The Harlequins
Abra Cadabra
2LP | 2024 | US | Original (ORG Music)
35,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Magic materializes in many forms, but it's clearest manifestation in our world would be music. It exists unseen in the ether, yet certainly leaves a physical, emotional, and spiritual imprint. Jeremy & The Harlequins deal in this sort of magic. Finding the crossroads between sun-soaked sixties California harmonies and New York garage rock gutter fuzz, the quintet kickstart a new phase of American rock 'n' roll. Following 2013's American Dreamer, they quietly emerged as a critical and fan favorite with Into The Night [2016] and Remember This [2018]. Along the way, they earned the endorsement of USA Today, Paste, Interview, Wall Street Journal, Nylon, Consequence of Sound, Atwood Magazine, Relix, and Huffington Post who christened them "true originals." Meanwhile, they can be heard loud and clear throughout popular culture with syncs in Edge of Tomorrow: Live. Die. Repeat., Seal Team, Shameless, Vampire Diaries, Royal Pain, Heavy, Life Partners, and a Miller High Life national campaign. On SiriusXM, Little Steven's Underground Garage selected "Starlight" as it's "Coolest Song In The World" and "Trip Into The Light" as the "Coolest Song of the Year." Everything just set the stage for their fourth full-length and 2022 Pasadena Records debut, ABRA CaDaBRA.
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Katran
Structures Of Chaos
12" | 2024 | EU | Original (Depth.Request)
17,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-29
Serbian powerhouse Katran, the mastermind behind Jezgro label and one half of Ontal, unleashes four colossal, rhythm driven, noise infused industrial techno anthems accompanied by nasty remix from talented 6siss. This meticulously crafted dystopian soundscapes are engineered to obliterate any dancefloor, heralding the chaos. Handle with caution this is dangerous material. The album ignites with intricate drum patterns that thunder like tanks across a barren, icy wasteland, while haunting atmospheric elements loom, setting a menacing tone for the journey ahead.

Next, a feverish descent into robots nightmare ensues, where mechanical drum liturgies weave relentless tension, immersing listeners in a post human auditory realm. As the odyssey progresses, doom laden horns and mechanized drums merge to unleash subversive, devastating frequencies.

Just when the intensity seems to peak, filthy analog sine waves bubble through obscurity, pushing the boundaries of industrial techno music to its limits. Annihilation is the word that resonates here.

Closing the chapter, one of Belgiums finest producers, Peter Adrienssens aka 6siss, delivers a sinister remix showcasing his hyper cerebral syncopated signature bringing the release to another level of chaos.

Not for the faint hearted is no mere euphemism for this EP it is a stark warning that demands to be heeded.
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Eusebeia
Realization Colored & Marbled Vinyl Edition
12" | 2024 | EU | Original (Curvature)
17,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-08
No stranger to the Spatial family following the release of his excellent Age of Awareness EP back in 2023, Eusebeia brings his eclectic breakbeat driven vibes to sister label Curvature for an EP spanning a variety of energies with a free-spirited approach to drum patterns and atmosphere you wont want to miss.

A1 Set In Motion Shimmering melodic keys and light hi hats quietly introduce Set In Motion, as Eusebeia takes a laid back opening approach to his Curvature debut. Clean, wandering breaks enter the mix and develop continually, as a subtly used, luscious female vocal greets the listener with a curiously soothing vibe. Following the breakdown, a deep, pounding bassline punctuates skillful synthwork riddled with intrigue and atmosphere to round off a unique, eclectic track.

A2 In Perpetuum Stepping things up with a doggedly breakbeat focus, In Perpetuum is an energetic piece with an opening backdrop akin to an aging printer being coaxed back to life, before an echoed vocal welcomes hyperactive, rasping breaks, edited and chopped with the scintillating talent we have come to expect from Eusebeia. The latter half of the track changes up the vibe slightly with inquisitive padwork gliding above the omnipresent edits.

B1 Flow State Subtle cowbell style cymbals and gentle melodies introduce Flow State, before an inimitable duality of old school atmospheric breaks pass the baton repeatedly through the track in typically impactful style from Eusebeia. The melodies and an understated bassline wrapped around kickdrums continues through the various phrases before the beats depart, leaving the listener to reflect on a truly captivating track just as the title suggests.

B2 The Cure For What Ails You Reverberating percussion and classic whale sounds instantly grasp your attention before ominous 808 bass ushers in a thunderous helping of pure amen pleasure sent straight from the old school - edited and programmed to perfection by Eusebeia with a finesse seldom seen in modern production. Dense kickdrums vibe perfectly with the highs and mids of a track destined to headline many an atmospheric junglists set.
New Issue - Diminished & Transmitting
New Issue
Diminished & Transmitting
LP | 2024 | US | Original (Fontee Fount)
39,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-18
Recorded quickly at the Unknown -- the recording studio which is home to the band, and is owned and run by member Nicholas Wilbur. It picks up where they left off (released under former band name Hungry Cloud Darkening), pointing new light into that old familiar hollow, as well as putting forward some new experiments including what the band deviously refer to as "rock songs". Most of all, the record seems to be the natural progression of the 3 now 30-somethings (Nich, Allyson Foster, & Paul Frunzi [Ever Ending Kicks]) continuing to follow a thread with no outside pressure or illusions of where it might lead, exercising their strange luck to be available for such tinkering.
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