Search "re:st" 8159 Items

LP | EU | Reissue (Columbia)

Genre: Electronic & Dance

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Deluxe re-issue of the 1994 studio album from one of the architects of the Brtish Blues Rock explosion, Savoy Brown!

Led by superstar guitarist Kim Simmonds, this is one of the band's most scroching albums with a mix of original tunes and blues classics! This reissue features a complete digital remastering of the audio plus all new artwork! Available on digipak CD and - for the first time ever - on 12" RED vinyl in a gatefold jacket!

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Louis Armstrong

Satch plays Fats

27,99 €* 34,99 € -20%

LP | US | Reissue (Blue Note)

Release: EU – Reissue

Genre: Organic Grooves

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180 gram vinyl analogue limited edition audiophile re-mastering

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Lou Donaldson

Hot Dog

2LP | EU | Reissue (Grönland)

Release: US – Reissue

Genre: Organic Grooves

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- "It's Your Thing" sampled by Brand Nubian for "Punks Jump up to Get Beat Down",
Casual for "That's How it is (Pt II)",
Chocolate Bamboo & Nubian Crackers for "Test Da Rocket Launcher",
De La Soul for "Bitties in the BK Lounge",
Funkmaster Flex & 9DoubleM for "6 Million Ways to Die",
Lord Finesse for "Stop Sweating the Next Man",
Madonna for "I'd Rather Be Your Lover",
Real Live for "Turnaround",
Skoolbeats for "It's Your Thing",
Super Cat for "Ghetto Red Hot",
The LOX for "Get this $",
The Roots for "It's Comin'" and
Tragedy for "Funk Mode" & "Pass the Teck"

- "Hot Dog" sampled by De La Soul for "3 Days Later"

- "Turtle Walk" sampled by Kool Keith & Percee P for "You're Late",
Pete Rock & CL Smooth for "All Souled Out" and
Yo-Yo for "You Better Ask Somebody"

- "Who's Making Love?" sampled by A Tribe Called Quest for "Hot Sex",
Craig G for "Droppin' Science" & "U R Not tha 1",
Das EFX for "Kaught in Da Ak",
De La Soul for "Once again Strong Island",
Mary J. Blige for "Everyday it Rains",
MC Lyte for "Why U Wanna Get Fly",
Nice & Smooth for "Pump it Up",
Notorious B.I.G. for "One More Chance",
Run-DMC for "Wreck Shop" and
Skoolbeats for "Science"

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Harmonia & Brian Eno

Tracks And Traces

30,99 €*

Quex-rd / Kin Up, You're Already Dead

Release: EU – Reissue

Genre: Rock & Indie

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For real avid fans of the Cluster/Eno axis, this is going to be an essential purchase! - After the release of the second longplayer "Deluxe" in August 1975 Harmonia went back to touring the rest of the year until Roedelius, Moebius and Rother ended their collaboration in summer 1976. All three members started solo projects, but rejoined as Harmonia in September 1976 for a short time when renown Brian Eno visited them in Forst, Germany for eleven days, living and recording with Harmonia, before Eno went on to work with David Bowie. The material from "Tracks And Traces" is from this eleven days, and was not released until 1997 because the tapes were long considered lost - Rykodisc and Sony's S3 label did release nine tracks on CD only - but here's the expanded re-issue for Grönland Records from 2009 with an excluisve new artwork and three additional tracks on CD and for the first time as well as 2LP-Vinyl-set!

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AFX / Autechre

12" | US (Saint)

Release: US

Genre: Electronic & Dance

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Africano / Why Can't We Live Together

Timmy Thomas

12" | US | Reissue (Get On Down)

16,99 €*

Release: US – Reissue

Genre: Organic Grooves

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The Label: TK Records in essence represents the city of Miami when it came to Soul/R&B
and the early stages of Disco. In 1974, George McCrae gave the label its first #1 Disco
hit with Rock Your Baby. A little more than a year after McCrae's hit, the record label
struck gold with KC & The Sunshine Band with five #1 songs on the Billboard Hot 100.
Needless to say at the height of the genre’s cultural domination TK did pretty well.
Timmy Thomas: Without a doubt, he’s most famously known for the hit song Why Can’t We
Live Together. The record topped the U.S. Billboard R&B chart, made the top three in the
Billboard Hot 100 and was charted in top 10 in many countries including the UK. A staple
in the R&B scene, he had a succesful solo career until the mid 80s, later focusing on
the writing and production side of the business.

Why Can’t We Live Together: It may have been his biggest hit, but also one that keeps
resonating to this day. A response to the devastating news coming from the war in
Vietnam, its words “No more wars, we want peace in this world, and no matter what color,
you’re still my brother.” are indicative of a time marked by the horrors of war abroad,
and the racial discrimination in America. Written and Produced by Timmy Thomas himself
solely on a Lowrey organ, and an early rhythm machine, the song however was far from
simple as its emotive message continues to provide a profound context. And even though
it’s been covered over the years by many artist including Sade and Joan Osborne, Why
Can’t We Live Together has managed to come back on the charts again in 2015, as the
instrumental backing to Drake’s Hotline Bling, which has now sold over 2 Million copies
in the U.S. Alone. Once a hit, always a hit.

Africano: When it comes to this Deep Disco cut, Africano is one of those tracks that
probably never got much shine in America, but has since become a dancefloor favorite of
underground disco DJs worldwide. Curiously, years after its release, its biggest
supporters were Italian DJs like Danielle Baldelli, Mozart and Gianni Maselli who during
the 80s played Disco, African records, American R&B, and reggae to create what has been
since become known as the Afro-Cosmic scene at the height of Club culture in the
discothèques of Northern Italy.

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Gutschein / Voucher - 25 EUR

25,00 €*

Release: Original

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The Gift Voucher will be sent via e-mail after the checkout.

We all know this situation: There’s no more time to waste, and you’re still looking for a matching gift. You even lack a good idea for a present. How about a gift voucher? It’s the perfect solution, as the presentee can pick what she or he really likes. With the voucher to print, we offer the best last-minute gift you can imagine. It opens the door for a shopping tour at HHV – you can choose out of thousands of vinyl, urban fashion, footwear or accessory items. Plus, we also offer lots of stuff to read, gaze, collect, trade, adore, cuddle et cetera. You can also choose between a couple of voucher designs and customize it with a personal dedication. No doubt, with the HHV voucher, you're on the safe side!

You can convert the voucher in an order whose value is equal or higher than the voucher-credit. The voucher is valid for 3 years.

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Gutschein / Voucher - 50 EUR

50,00 €*

Release: Original

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Gutschein / Voucher - 100 EUR

100,00 €*

Release: Original

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Gutschein / Voucher - 150 EUR

150,00 €*

Release: Original

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Gutschein / Voucher - 80 EUR

80,00 €*

Release: Original

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Gutschein / Voucher - 250 EUR

250,00 €*

Release: Original

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Gutschein / Voucher - 200 EUR

200,00 €*

Release: Original

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Australia Does Not Exist / Always Remembering

Release: EU

Genre: Rock & Indie

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Though they're often most remembered for their later era psychedelic masterpieces The Pretty Things were one of the greatest UK blues-rock groups of the early to mid-60s. Right up there with early Rolling Stones, this is some of the finest rock and roll out of England, and their 1964-1967 BBC performances prove The Pretty Things were a force to be reckoned with. Essential live blues-rock from The Pretty Things on No Kidding! Limited edition splatter vinyl LP.

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Drmngnw

7" | AU | Original (Northside)

12,99 €*

Arba Lijoch, Version, Dubplate Mix / Enoch, Version, 1st Prophet Dubplate Mix

Release: AU – Original

Genre: Organic Grooves

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Neil Morris, or DRMNGNOW, is a Yorta-Yorta man and musician with a purpose. DRMNGNOW (pronounced Dreaming Now) is a project which is firmly focused on raising awareness around Indigenous justice in a post colonial society. This work is complex and is as equal parts system challenging as it is celebratory.
The single Australia Does Not Exist has been re-visited featuring Kee’ahn, a proud Kuku Yalanji, Jirrbal and Torres Strait Island woman, exciting emerging artist, and intergral part of the DRMNGNOW live experience . Her voice as an Indigenous woman speaks powerful volumes on this iteration of DRMNGNOWs debut track first released January last year.
Always Remember is a new song also ft Kee'ahn and Paul Gorrie adding a soulful touch to this piece on the hook. It is a song about Indigenous resillience in the face of colonial violence. It is a song that reflects on the link to thousands of years of spiritual power that the indigenous experience holds.
This seven inch release is as part of Naidoc Week and to give eternal life to important local songs.

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Ras Teo, Lone Ark

12" | UK (Blackheart Warriors)

Release: UK

Genre: Reggae & Dancehall

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Youthman & His Boots

You're No Good / Version

7" (Old Hard Bread)

11,99 €*

10" | UK (Pressure Sounds)

Genre: Reggae & Dancehall

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300 copies made

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Lee Perry & Friends

Disco Jam

17,99 €*

2LP | UK | Original (Hive Mind)

Release: UK

Genre: Reggae & Dancehall

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6 tracks including two new wigged out re-dubs from Paolo Baldini 'Dubfiles', demonstrating the effect of dropping an echo chamber down a sink-hole. Upsetter magic at its finest. Comes in a grey house bag.

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King Champion Sounds

Between Two Worlds

30,99 €*

Release: UK – Original

Genre: Organic Grooves

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‘Hive Mind Records are excited to announce a new album from King Champion Sounds, the shifting Holland based collective centred around Ajay Saggar and Oli Heffernan (University Challenged), GW Sok (The Ex), Mees Siderius, Holly Habstritt Gaal & Elsa van der Linden.

On “Between Two Worlds”, the band bring the same insatiable appetite for experimentation and exploration that made their previous four albums so special. This is music as an open conversation. An opportunity to exchange ideas. To be open-minded. To push boundaries and explore new worlds. Whereas elements of krautrock, electronica, free jazz and dub have always been part of the KCS armoury, they have never stuck to a formula in the music making process, occupying instead the open space that lies between musical worlds. The core members have brought their different experiences into this rich new album that draws influence and inspiration from a dizzying range of sources - from ambient guitar experiments, noisy avant-rock workouts, spidery gothic pop, otherworldly folk inflections - and pulls them all together into a unique and coherent whole.

Guest appearances on the album come from Gerry Love (formerly of Teenage Fanclub) adding beautiful vocals and instrumentation to "I'm In Between Two Worlds", Mia Doi Todd bringing her incredible voice to "Easby Abbey Remembered", Sally Timms of The Mekons takes lead vocals on "Thou Hurricane" with Jon Langford (The Mekons) and Janet Beveridge Bean (Eleventh Dream Day) on backing vocals. Finally, the Glasgow poet Marieke McKenna brings words from her diary to “Seasick” on which she recalls a surreal escape to a millionaires yacht and the stark contrast it provided to the"real" world outside.

We're very excited to help bring this urgent, transcendent and wonderfully varied music out into the world in a beautifully designed gatefold package.’

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Genre: Reggae & Dancehall

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Jonah Dan / Uprising Sounds

Can't Fight, Dub / Babylon Fall Verse 3, Verse 4

12" (St.Annes Yard)

9,89 €* 10,99 € -10%

Genre: Reggae & Dancehall

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Genre: Electronic & Dance

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Series Two 'You're My Wife Now'

League Of Gentlemen

3LP | US (Demon)

28,59 €* 51,99 € -45%

Release: US

Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Five Eight

Songs For St.Jude

2LP (MVD)

11,54 €* 20,99 € -45%

Genre: Pop

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Running Back To You / Can't Nobody Love Me Like You Do Record Store Day 2022 Vinyl Edition

Las Vegas Connection

7" | UK | Reissue (Hep' Me)

Fly Away Record Store Day 2022 Vinyl Edition

Release: UK – Reissue

Genre: Organic Grooves

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One of the more idiosyncratic U.S. independent labels must be the Hep’ Me imprint from New Orleans run by veteran Soulman Senator Jones. Very few of Hep’ Me's numerous releases made it out of New Orleans and the ones that did, tended to go into collections and nowhere else. Las Vegas Connection's ‘Running Back To You’ surfaced some time in the mid 1970s but there were never enough copies for it to take off. Hopefully that will change with this re-release on the original label.

Also, a lovely piece of mid-tempo soul on the flip with the stunning ‘Can't Nobody Love Me Like You Do’. Original copies are few and far between and the current price benchmark for this superior slab of New Orleans vinyl is hovering around the £250 mark. As with most of our reissues this will appeal to across-the-board scenes.

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Electrified A.G.B.

12" | UK | Reissue (Dome City)

15,19 €* 15,99 € -5%

Soothsayers Horns / Rasta Indian

Release: UK – Reissue

Genre: Organic Grooves

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Anyone got a spare $3000.00? That's what it will cost you for the Only available 12" copy in the world right now and one of the world's holy grail independent Jazz-Funk gems.

"Fly Away" by Electrified A.G.B. (All Girl's Band) is a flawless slice of super-rare New Orleans slinky Jazz-Funk which could have come straight out of a ‘70s Lonnie Liston-Smith or Patrice Rushen session. It's literally that good. Previously stymied by it's extreme rarity, we're proud to finally be able to reissue the 12" on the original Dome City label and finally see this hypnotic and infectious jam reach a wider audience. Expect demand from across the board as there will be much interest in this previously unknown classic.

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Wadada, Dub / Jah Music, Dub

10" (Universal Roots)

9,99 €*

Genre: Reggae & Dancehall

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Dos Siki (1st & 2nd Season) Japan Import Edition

Dos Monos

CD | JP | Original (Ultra-Vybe)

19,49 €* 25,99 € -25%

Release: JP – Original

Genre: Hip Hop

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Release: JP

Genre: Pop

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LP | UK | Reissue (Otoroku)

Blue Notes

For Johnny

28,99 €*

Roberto Sanchez & I-Man Cruz / Lone Ark Riddim Force

Release: UK – Reissue

Genre: Organic Grooves

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The first vinyl reissue of Blue Notes for Johnny - a defining statement by one of the greatest ensembles in the history of jazz. Recorded in mid-1987 by Blue Notes - then reduced to the trio of Dudu Pukwana on alto sax, Louis Moholo-Moholo on drums and Chris McGregor on piano - it encounters the band 25 years after their founding embarking on an inward meditation through collective music making dedicated to Johnny Dyani, their former bandmate and friend.

Blue Notes were founded in Cape Town in 1962, and stand among the most important ensembles in the history of jazz. Artistically brilliant and groundbreaking - gathering, within a few short years, a devoted following that included Don Cherry, Steve Lacy, Abdullah Ibrahim, Dexter Gordon, Kenny Drew, Keith Tippett, Evan Parker, John Stevens and numerous others - they were also the first widely visible multiracial band in South Africa.

As a mixed race band under apartheid, this group of friends and like-minded artists - Chris McGregor, Mongezi Feza, Dudu Pukwana, Nikele Moyake, Johnny Dyani and Louis Moholo-Moholo - existed within a context that viewed their mere existence as a dangerous and subversive act. In 1964 they joined an exodus of musicians leaving for Europe and eventually settled in London the following year. Sadly, not long after arriving and facing continued economic peril, the group buckled. Johnny Dyani left to join Don Cherry’s band. Moholo-Moholo and Dyani followed suit and joined Steve Lacy on tour, and the remaining members morphed into a number of ensembles that eventually grew to become Chris McGregor's Brotherhood Of Breath.

Following the death of Mongezi Feza in 1975 the remaining members of the group had come back together to record Blue Notes For Mongezi, reigniting a sporadic period of activity over the coming years. Following the untimely passing of Johnny Dyani in late 1986, the last three members of the original line-up - McGregor, Pukwana and Moholo-Moholo - reformed to pay tribute to yet another of their fallen brothers. Blue Notes for Johnny, the group’s second musical memorial to a band member, incorporates a considerably broader range of touchstone and practices than its predecessor, nodding toward the band’s foundations in be-bop and post-bop without abandoning where they had journeyed along the way. Internalising equal elements of hard-bop, modalism, and free improvisation, it is a startling creative statement, imbued with a tension that renders an equally radical and sophisticated challenge; a furious tide - slow in pace and it slow to reveal itself - masquerading in gentler forms. A celebration and a memorial. Joyous and tragic. A real time resurrection of personal experience, Blue Notes for Johnny dodges, dances, and transforms across its two sides, refusing to be nailed down. As the trio pushes against each other, bristling tonal and rhythmic collisions leave the impression that something is bound to explode, without ever fully letting go.

Blue Notes for Johnny’s memorialisation is unwittingly doubled by capturing the final time that the Blue Notes would come together in the studio. Both Dudu Pukwana and Chris McGregor would pass away three years later in 1990, leaving Moholo-Moholo - who continues to carve a groundbreaking trajectory across the world of jazz - as the last surviving member. The album remains as a journey between an imaged future and the beginning of it all. Six friends meeting and communing through sound. Six friends who had triumphed against the odds, becoming some of the greatest creative voices of their generation. Six friends who were five, then four, and then three, before they were done. Friends who never failed, in whatever form, to come together and play. It is a story begun 60 years ago that remains just as prescient today.

This 2022 re-issue has been made with permission and in association with Ogun records. Transferred from the original masters and featuring an exact reproduction of the original artwork. Remastered by Giuseppe Ilelasi and packaged in a high gloss sleeve.

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We're Going To Zion / Rest In Zion Dub

7" (Soul & Drums)

10,99 €*

LP | EU | Original (Warner)

Genre: Reggae & Dancehall

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with insert

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A Day To Remember

You're Welcome

26,99 €*

Release: EU – Original

Genre: Rock & Indie

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Resurrection Of St.Vincent

Me Pay To Small / Please Don't You Go

7" (Trex)

14,99 €*

Genre: Reggae & Dancehall

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2LP | Original (Jazz Re:Freshed)

Daniel Casimir

Boxed In

31,99 €*

Release: Original

Genre: Organic Grooves

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Genre: Soundtracks

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The Max Romeo album from 1975 gets the re-issue, remastered as LP-vinyl in original sleeve artwork with printed innersleeves and comprehensive linernotes! - Recorded at Randy’s Studio 17 and Lee Perry’s Black Ark, Max Romeo’s "Revelation Time" is rightfully regarded as one of the cornerstones of Jamaican music. Released in JA in 1975 on the Black World label the album was picked by United Artist for US release and later listed in The Rough Guide to Reggae as one of the essential reggae albums to own. Includes the classic Lee Perry production "Three Blind Mice" and one of the all-time killer herbman anthems "A Quarter Pound Of I'Cense". Collector's Note: The "Revelation Time" album is also known as the "Open The Iron Gate" album.

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Antiseen/Flat Tires

Hail To The Chief

7" | US (Rusty Knuckles)

14,99 €*

Release: US

Genre: Rock & Indie

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Linval Thompson, Rsd, Radikal Guru, Riddim Tuffa, Adam Prescott

Tribulation Time, Rsd Rmx / Radikal Guru Rmx, Riddim Tuffa Rmx // Dub Time, Rsd Rmx / Radikal Guru Rmx, Riddim Tuffa Rmx

2x12" (Vibration Lab)

15,99 €*

Genre: Reggae & Dancehall

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Antiseen

Sweet Blood Call

7" | US (Rusty Knuckles)

Release: US

Genre: Rock & Indie

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Genre: Rock & Indie

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Primo Victoria (Re-Armed)

Sabaton

2LP (Nuclear Blast)

Genre: Rock & Indie

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Attero Dominatus (Re-Armed)

Sabaton

2LP (Nuclear Blast)

44,99 €*

Genre: Rock & Indie

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We're Going To Hell For This

Carpathian Forest

LP (Peaceville)

32,99 €*

Genre: Rock & Indie

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Reggae Roast Ft.Horace Andy, Earl 16, Soom T, Gappy Ranks, Etc

More Fire!

2LP (Music On Vinyl)

Genre: Reggae & Dancehall

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LP | Original (Cooperative Music)

The Goon Sax

We're Not Talking

32,99 €*

Release: Original

Genre: Rock & Indie

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Green Day

Wfmu Broadcast 1992

Tape | US (C30c60c90go!)

Live In St Louis 1980 Grey Marble Vinyl Edition

Release: US

Genre: Rock & Indie

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Professionally re-mastered original broadcast with background liners, interviews and rare archival photos.

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Rush

2LP | EU | Original (Second)

33,99 €*

Release: EU – Original

Genre: Rock & Indie

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Live In St Louis 1980 White/Red Splatter Vinyl Edition

Rush

2LP | EU | Original (Second)

35,99 €*

Release: EU – Original

Genre: Rock & Indie

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Need You So Much Baby / We're Gonna Grove You

Gilles Pellegrini

7" | FR | Original (Obio Disques)

49,99 €*

Coups de Coeur Coups de Soleil

Release: FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with lamination creases and small writing.

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Réséda

LP | FR | Original (Not On Label)

79,99 €*

Release: FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

7" | EU (Demons Run Amok Entertainment)

Hatebreed

Picture Shape Vinyl

Release: EU

Genre: Rock & Indie

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DRA is happy to announce another Shape Vinyl in their upcoming Shape Vinyl Series. We´re excited to offer this adorable collectors items of Metal and Hardcore Kings Hatebreed! Honor Never Dies and Own Your World are taken from the album "The Divinity Of Purpose" an unapologetic, furious and fiercely catchy cluster of tracks that perfectly and pit-worthily marry metal with hardcore.

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V.A.

Punks In Asia Volume 1

LP | EU (Rusty Knife)

Release: EU

Genre: Rock & Indie

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Old Boys In Town

Our Present World

LP | EU (Rusty Knife)

Release: EU

Genre: Reggae & Dancehall

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Hot Child In The City / 21st Century

Nick Gilder

7" | JP | Original (Chrysalis)

8,99 €*

Release: JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Uno Mas Record Store Day 2024 Vinyl Edition

Galen & Paul

12" | EU (Sony Music Catalog)

24,79 €* 30,99 € -20%

I Told You Before: Unreleased Get Back Sessions

Release: EU

Genre: Rock & Indie

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12" Get A Life / A La Derivde /One More For the Road/ While We’re Waiting erstmals physisch. Plus signierte Postkarte !

125%

Galen & Paul releasen dieser 12" mit den Songs

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The Beatles

LP | EU (Israeli Fan Club)

20,99 €*

7" | UK | Reissue (Epsilon)

Release: EU

Genre: Rock & Indie, Pop

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For the first time ever on vinyl here are four original Lennon/McCartney compositions which not many people have heard before. All the performaces here were recorded during the January 1969 sessions and were concidered not good enough for the 'Let It Be' and the 'Abbey Road' albums. 1st generation tapes. The first track which spreads all over side 1 is a fine example of how the Beatles could work together, exploring new ideas as this Lennon original devolpes into a jam session around the line of 'I told you before, get out of my door'. In the middle of this track you can hear John discussing accord changes with George while Paul sings this line as a rugh guide. Ringo is in his best form here, you've never heard him using sticks before like that! It's imortant to indicate that this song is NOT 'I found Out' from Lennon's Plastic Ono Band" album of 1970. The opener of side 2, is a also a Lennon track, the longest version ever to appear, a track that could do well along 'Mean Mr. Mustared' and such. Closing the album are two long McCartney Tracks. Fast rockers in the 'Helter Skelter'/I'm Down' tradition. The last one could not appear on any Beatles album as the Feminist Mafia would ban it!

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The Williams Brothers

That's Life / Rap On

16,99 €* 19,99 € -15%

Release: UK – Reissue

Genre: Organic Grooves

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Originally From East Orange NEW Jersey

THE Exciting Williams Brothers Band GOT Their Start BY Their Father AND Mother MR. Roscoe Williams SR. AND MRS Esther Maude Walker Williams IN THE Late 60’s. They StartED OUT IN Gospel Music Like Their Father AND Family OF Brothers Before Them Whom YOU Will SEE Photos OF “the Original Williams Brothers” Throughout This Site From Time TO Time. THE Group From Oldest TO Youngest AT That Time Consists OF: Roscoe Williams JR. (lead Vocals) Eugene Williams (lead Guitar AND Background Vocals) Osbert Williams (bass Guitar AND Background Vocals) Alexander Williams ( Keyboard AND Background Vocals) AND Anthony Williams (lead Vocals) Anthony WAS THE Youngest Member OF THE Group AT That Time When ONE DAY While ON Their WAY TO Perform A Gospel Show ON MotherS DAY OF 1969, They HAD A Terrible CAR Accident Which Brought THE Family TO A Stand Still DUE TO Injuries AND Left Anthony Paralyzed TO This DAY. BY THE Time THE Exciting Williams Brothers Band Began High School They Asked Their Father IF They Could Play R&B Music. AT First Their Father WAS Against IT BUT When They Began PlayING Dances AND Clubs, SO Many People Began TO Book Them That Their Father HAD TO Install A Business Phone IN THE House TO Keep UP With THE Calls. IN 1975 THE Brothers Auditioned FOR A Beer Company Based IN NEW Zealand (the NEW Zealand Breweries) THE Company Came TO NEW York TO Audition American BandS AND THE Exciting Williams Brothers WON Against 12 Other BandS. THE Brothers Career Skyrocketed. They Toured FOR SIX Months IN NEW Zealand, Recorded A Record AND DID 3 Television ShowS IN NEW Zealand AND A Soft Drink Commercial FOR Sarsaparilla Soft DrinkS. When THE Brothers Came Back TO THE States Their Father Auditioned Them TO THE NEW York BookING Agencies AND That Began THE Group Touring IN THE United States. They Began 3 Months ON THE Road AND 2 Weeks Home AND They DID This FOR 8 Years. THE Exciting Williams Brothers Band Have Come Together TO Unleash A NEW Dimension OF EDM Music Through ESP. They ARE True Legends OF Music AND ONE OF Their RecordINGS Today Sell FOR Nearly $4000.00 PER Copy. THE Brothers USE There Roots IN Gospel Music TO Deliver Hard Hitting Jams AND Grooves TO THE LateST Dance Music Scene, “live” AS They Emerge AND Establish ThemSELVES AS AN Exciting Opening ACT FOR Major DJS.

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A Private Display Of Trouble

Release: EU

Genre: Rock & Indie

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Eigth cuts, all covers of our favorite Noo Yawkers: Lou Reed, Richard Hell, Suicide, Ramones, Patti Smith, The Velvet Underground… incredibly sweet and dry vocals, and Suicide´s Alan Vega himself singing dueto on two of the songs. In this album Angel Corpus Christi give us her very own vision of the already classical songs, naked and minimalist, sometimes naive, emphasizing the sweetest side of the compositions. With a very simple instrumentation and the unusual sound of the accordion being the toping on the ice, Angel re-creates songs everybody loves like Femme Fatale, Blank Generation, Here Today Gone Tomorrow, or Cheere a new and captivating dimension.

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Twerks

LP | EU (Venti3)

22,99 €*

Release: EU

Genre: Rock & Indie

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The Twerks started in Sesto San Giovanni, on the outskirts of Milan, in 2013, with members coming from previous bands of the same area. Largely influenced by the sound of 70’s and 90’s, they mix punk rock with power pop elements. Their first studio experience dates back to 2014, a six-song EP called “Rat Race”. Two years later they released their first full-length, “Kinky Boredom”, published by Rocketman Recordings on CD. After a two years hiatus and with a new line-up as a trio, they come back with a cassette-only release, “(No) Opinion”, full of guests from the Italian punk rock scene. On September 1st, 2024, they will make a full comeback with a single-sided white vinyl: “A Private Display of Trouble” will be the first release of the new label Venti3. A powerful mix of 90’s punk rock and power pop with both female and male vocals, infectious melodies, singalong choruses and insightful lyrics. (Set your) stereo on fire…

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Hot Girls (Hip Hop Remix)

Release: EU

Genre: Rock & Indie

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Spectre comes from Como, a small town in the north of Italy, just a few inches away from Switzerland. Born as Croutons in 2013, they recorded three records with that monicker, “Possible Mood Disorder” (lp) in 2014, a 7” in 2016 and a CD, “Murmuring Voices” in 2018. Heavily influenced by bands like Adolescents, T.S.O.L. and early Dead Kennedys, they recently changed their name in Spectre, adding a dark tone to their songs and a Christian Death (Rozz Williams era) feel, as stated by their promo tape “Love is Dead”, released in a small amount of copies last year. “Slow Emotional Death”, available on dark vinyl on September 1st 2024, will be the second release of the newborn Venti3 label. Six songs full of desperation and anger, the perfect soundtrack for a wild night at your local cemetery…

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Elephant Man

7" | JM (Club Re-Mix)

3,99 €*

Release: JM

Genre: Hip Hop, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | JM | Original (Lion)

Capleton

Hands Up (Re-Mix)

5,99 €*

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | JM | Reissue (Main St.)

Buccaneer

Man Thief Sonata

3,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Wonderful World / The Best Of The 4-Skins Blood Red Transparent Vinyl Edition

4-Skins

LP | EU (Step One)

20,99 €*

Back To Rhythm Clear Lime Yellow Vinyl Edition

Release: EU

Genre: Rock & Indie, Reggae & Dancehall

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Blood red transparent vinyl/ Sleeve re-design and full band background info added. 2024 re-release of the one of the original and biggest and best selling UK Oi! bands of the early 80`s which still continues today! All of this amazing early 80`s Oi! band`s most popular early tracks are included... 200 copies transparent blood red on 160g vinyl, Semi-Translucent Microtene Poly Inner sleeves, Vinyl placed behind jacket in clear outer re-usable poly bags, Updated sleeve artwork and band history added. Great re-packaging!

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Akira Ishikawa

LP | JP | Original (Nippon Columbia)

36,99 €*

Sing And Dance With Frank

Release: JP – Original

Genre: Organic Grooves

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Japanese jazz, rare groove masterpiece re-released on clear lime yellow color vinyl!

The pleasure of feeling numb all over your body with a single drum beat. Akira Ishikawa, the super funky drummer born in Japan, runs through a wonderland of grooves!

Akira Ishikawa is a super funky drummer born in Japan. His ability to freely explore and fuse jazz, rock, and African music to create a unique musicality has been highly praised in many fields. His career includes masterpieces from jazz rock to rare groove, but this work is especially beloved for its outstanding song selection and exciting musicality. "Let's Start" is a tight cover of Fela Kuti's Afro-funk, "Bongo Rock" is a dynamic song with drum breaks, and "Pick Up The Pieces" is a jazz-funk version of the Average White Band's classic song. It is full of amazing monster tunes that are hard to believe were recorded in 1975. Support from masters such as Kiyoshi Sugimoto, Hiromasa Suzuki, and Takeru Muraoka also shines. text by Yusuke Ogawa (universounds/Deep Jazz Reality)

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Frank Sinatra

LP | 1950 | UK | Reissue (Impex)

51,99 €*

LP | 1955 | EU | Reissue (Capitol)

Release: 1950 / UK – Reissue

Genre: Rock & Indie

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Numbered LTD Edition OF 5000 Copies Only! Expanded 70th Anniversary 180g Audiophile LP Re-issue OF THE Iconic 1950 Album Originally ON Columbia. AN Essential Sinatra Classic With THE Swing Style Arrangements OF George Siravo. These Analogue Mono Tape Transfers Sound Spectacular AND Shine AS Never Before.

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Frank Sinatra

In The Wee Small Hours

22,99 €*

The Boss Of The Blues Sings Kansas City Jazz

Release: 1955 / EU – Reissue

Genre: Organic Grooves

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2014 re-mastered edition of Sinatra's classic cut!

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Big Joe Turner

LP | 1956 | UK | Reissue (Pure Pleasure)

38,99 €*

Detroit-New York Junction Black Vinyl Edition

Release: 1956 / UK – Reissue

Genre: Organic Grooves

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Besides helping to invent rock 'n roll with his hit "Shake, Rattle and Roll", Big Joe Turner was one of the most soulful blues shouters of all time. His best albums married the boogie-woogie piano stylings of the great Pete Johnson with a jazzy jumpin' horn section. "Boss Of The Blues" is arguably Joe's best recording, in part because he sang with particular gusto during these 1956 sessions. At the time, "Boss Of The Blues" marked a nostalgic return to the jump-blues style that Turner helped pioneer in the '40s. Besides Johnson, Boss featured some of Kansas City's finest ever jazzmen and various members of Count Basie's band, including Joe Newman (trumpet), Pete Brown (alto sax), Lawrence Brown (trombone), Frank Wess (tenor sax) and Freddie Green (guitar). The bawdy "Cherry Red" and the rollicking "Roll 'Em Pete" are my favorite Turner-Johnson collaborations. Both feature some incredible playing by the piano master. Turner's versions of "I Want A Little Girl", "Low Down Dog", "You're Driving Me Crazy", and "Morning Glories" are definitive. If I had to compile a list of my 10 favorite albums, "Boss Of The Blues" would be there.

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Thad Jones

LP | 1956 | US | Reissue (Blue Note / Third Man)

42,99 €*

Release: 1956 / US – Reissue

Genre: Organic Grooves

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Detroit-New York Junction Opaque White Vinyl Edition

Thad Jones

LP | 1956 | US | Reissue (Blue Note / Third Man)

48,99 €*

Release: 1956 / US – Reissue

Genre: Organic Grooves

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LP | 1957 | UK | Reissue (Pure Pleasure)

Nina Simone

Little Girl Blue

34,99 €*

LP | 1957 | EU | Reissue (Speakers Corner)

Release: 1957 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by Ray Staff at Air Mastering!

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Charles Mingus

The Clown

34,99 €*

Rusty Bryant And The Carolyn Club Band

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Who hasn't got an ancient, worn-out copy of "The Clown" on his shelf, with a tatty cover and torn inner sleeve? Or maybe one of the rare re-releases made of cheap, thin vinyl with dreadful graphic art? And if you haven't heard this gem for a long time, despite the flood of Mingus LPs, CDs and downloads on the market, then you really should seize this opportunity to do so. "The Clown" was, and still is, an absolute must-have for every jazz collector. The small ensemble, only five musicians, came into the New York Atlantic Records studio in March 1957 to record music exclusively composed by the double bassist. Over the next 15 years, three of them were to be heard in numerous concerts with other ensembles. But the original recordings on this LP were the most deeply concentrated, the most versatile, and quite simply the best of all. The more so because the label attached great importance to optimal studio conditions and allowed the instrumentalists plenty of time to make the recordings.
In the present new release, "The Clown" can be enjoyed to the full from the very first note of "Haitian Fight Song" up until the words »William Morris Sends Regrets« in the title work.

Recording: Februay and March 1957 in New York City by Tom Dowd and Larry Hiller in mono
Production: Nesuhi Ertegün

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America's Greatest Jazz

LP | 1957 | US | Reissue (Dot)

5,99 €*

LP | 1958 | UK | Reissue (Sam)

Release: 1957 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: F

Both seams completely opened.

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Donald Byrd Quintet

Parisian Thoroughfare

35,99 €*

LP | 1958 | UK | Reissue (Sam)

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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In its October ‘58 issue, the title carried by Jazz Hot magazine was: »Revelation at the Chat Qui Pêche. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.« And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins had played bass with them, and that pianist Walter Davis Jr. had been with Charlie Parker before he was 19. As for Art Taylor, if he’d already enjoyed a career longer than that of his colleagues, it hadn’t yet brought him recognition beyond a small circle of cognoscenti. Only Bobby Jaspar – who’d shone at the Club St. Germain – was famous with the Parisian audience.

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Donald Byrd

Byrd In Paris

Piaf ! Clear Vinyl Edtion

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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»They’d been living in Europe for months. They’d appeared in Cannes and at Knokke (…) yet the only thing missing was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio, in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well-served in Paris.« (Jazz Magazine). Hard bop had arrived! Hallelujah! On its first French appearance, in July ‘58 at the Cannes Festival – the first and only Cannes jazz festival – the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France … The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers’ bassist, and that pianist Walter Davis Jr. was still only 18 when he’d played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who’d decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 – J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the “Jazz Wednesdays” that were organised there, ever since the "Jazz At Carnegie Hall” tour – Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn – had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public’s pleasures throughout the evening. The complicity that united the rhythm section – Walter Davis Jr., Doug Watkins and Art Taylor – was much in evidence on Ray’s Idea; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion’s share of the honours on a theme that was then much in fashion, "Dear Old Stockholm", adapted from a Swedish traditional song; on "Flute Blues", Bobby Jaspar proved he was still a specialist on that instrument, and Paul’s Pal showed that, on tenor, the playing of Sonny Rollins hadn’t gone unnoticed. It must be said that it didn’t have much effect on the discreet lyricism underlying the choruses he played during his “St. Germain” period. The Olympia spectators weren’t sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like "The Blues Walk"? It wouldn’t take much for us to applaud, too, even if it is fifty-five years later…

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Edith Piaf

LP | 1958 | EU (Destination Moon)

17,09 €* 17,99 € -5%

Julie Wilson At The St. Regis

Release: 1958 / EU

Genre: Organic Grooves

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One of the most celebrated vocalists of the 20th Century and the best-known French singer of all time, the iconic cabaret and chanson performer Edith Piaf had an incredible life and an equally amazing career. Abandoned by her mother at birth and raised partly in a brothel by her granny, Piaf began performing in her father’s acrobatic street troupe as a teen and made her name in occupied Paris. For 1958’s Piaf! her torch-song deliveries are aided by the subtle strings of the Orchestra of Robert Chauvigny; if you’re an Edith Piaf fan there is plenty to savour here, especially ‘En Pourtant,’ ‘Les Orgues De Barbarie’ and ‘Le Gitan Et La Fille.’

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Julie Wilson

LP | 1958 | US | Original (Vik)

LP | 1958 | EU (Shellac Disc)

Release: 1958 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

Cover with long open seam splits

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Cal Tjader

Goes Latin

26,99 €*

Time Out 180g Vinyl Edition

Release: 1958 / EU

Genre: Organic Grooves

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Callen Radcliffe Tjader Jr. has often been described as “the most successful non-latino Latin musician.” He was a pivotal figure in the expansion of Latin Jazz in the USA, but he also explored rhythms of Africa and the Caribbean in addition to those arriving from Latin America. He was born in St. Louis, Missouri, in 1925 to touring Swedish American vaudevillian parents. At age two the family established in California and opened a dance studio. Young Cal soon became a music prodigy, learning piano, drums, vibraphone and every other instrument that would fell in his hands. In the mid ‘50s, after having played drums in the Dave Brubeck Trio, he formed the Cal Tjader Mambo Quintet that produced several successful albums for Fantasy, including the mythical Mambo with Tjader. it was in those years that he met the Afro-Cuban big bands led by Machito and Chico O’Farrill and also Mongo Santamaria and Willie Bobo, both members of the Tito Puente orchestra by the time. It was obvious that Tjader grew in the Latin sounds, and the album you hold in your hands, originally released in 1958 is a superb prove of the authenticity of his music.

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The Dave Brubeck Quartet

LP | 1959 | EU | Reissue (Dol)

15,99 €*

LP | 1959 | UK | Reissue (Pure Pleasure)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection. - allmusic.com

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Annie Ross & Zoot Sims

A Gasser

LP | 1959 | EU | Reissue (Life Goes On)

Release: 1959 / UK – Reissue

Genre: Organic Grooves

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Although best known as a member of the vocalese supergroup Lambert, Hendricks & Ross, the great jazz singer Annie Ross's solo albums are gems unto themselves and "A Gasser!" from 1959 is the finest of them all. Miss Ross is in peak vocal form here and is joined by the great Zoot Sims on saxophone and much of the same band featured on the Lambert, Hendricks & Ross classic "The Swingers". Don't expect any of the vocal acrobatics of the Lambert, Hendricks & Ross recordings however. This is straight-ahead jazz singing by one of the great singers in her prime. From the wry wit of "Everything I've Got" through the sheer perfection and beauty of "You're Nearer", this set is a must-have for jazz vocal fans. Highly recommended.

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Ethel Azama

Exotic Dreams

Le Dernier Message De Lester Young

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Exotica masterpiece finally re-issued ! Which record is produced by Martin Denny, arranged by pianist Paul Conrad and features vintage Exotica's second lady who is only outclassed by the Peruvian chantress Yma Sumac? It's Exotic Dreams, released in 1958 that puts – so tells the cover artwork – "the enticing voice of Ethel Azama" (1934–1984), a Hawaiian Jazz singer, into the spotlight. Martin Denny discovered her a few years later and was able to negotiate with his house label Liberty Records, which granted Azama the opportunity to release one LP on which Denny also provides the liner notes (on a side note, Jimmie Rodgers succeeded with his negotiations as well, granting Azama a contract for a second LP in 1959). Exotic Dreams is one of those superb records that live up to the hype due to both the beautiful voice of the singer and the exotic arrangement alike, causing the listener to execrate the missed opportunities of releasing further material, as Azama faded into obscurity shortly thereafter despite her obvious talent, various gigs in Hawaiian and Australian night clubs and her recurring role in the 70's TV series Hawaii Five-0.

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Lester Young

LP | 1959 | UK | Reissue (Sam)

31,99 €*

The Shape Of Jazz To Come Vinyl Me, Please Edition

Release: 1959 / UK – Reissue

Genre: Organic Grooves

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Re-mastered from the original master tapes.
Limited edition 2000 copies.
180 gr vinyl pressed by Optimal in Germany.

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Ornette Coleman

LP | 1959 | US | Reissue (Vinyl Me, Please)

33,99 €*

Art Blakey & The Jazz Messengers

Release: 1959 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
“In 1959, Coleman released his boldly titled magnum opus, 'The Shape of Jazz to Come', on Atlantic Records. Prioritizing mood over traditional orchestration, it was the highest-profile free jazz album, released before the terms ‘free jazz’ and ‘avant-garde jazz’ even existed. Coleman’s bravery opened the door for others to experiment with the genre in ways they wouldn’t have before. Without 'The Shape of Jazz to Come', who knows if Coltrane would have had the heart to try spiritual jazz, or if an up-and-coming pianist named Herbie Hancock would’ve been bold enough to blend funk into his atmospheric hybrid. Coleman was the first major artist to leap into unforeseen territory, and he did it at a time when the courage wasn’t always rewarded. Despite the hardships, Coleman pressed on with his objective and did what the album declared he would. Jazz has never been the same, and we’re all better for it.”

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Au Club St. Germain Vol. 2

LP | 1959 | JP | Original (Victor)

7,99 €*

LP | 1960 | US | Reissue (Vee Jay)

Release: 1959 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: F

Japanese pressing, no Obi.
Sleeve has heavy wear, seam-splits and creases.
LP has scratches.

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Paul Chambers

1st Bassman

16,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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The Wonderful World Of Jazz

John Lewis

LP | 1960 | UK | Reissue (Pure Pleasure)

34,99 €*

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body And Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
S.C.Berry
Whether you're an old-time jazz afficionado or new to the genre, this album is essential. In my opinion, Lewis' lovely solo on "Body & Soul" makes his version virtually definitive - 15 minutes of bliss. The rest of the album, particularly "Afternoon In Paris", is at the same level. "Wonderful" is the perfect title for this record.
E Barrios

Recording: July and September 1960
Production: Nesuhi Ertegun & Tom Dowd

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The John Wright Trio

South Side Soul

23,99 €*

Clark Terry & His Orchestra

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7190) Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7190) The John Wright Trio John Wright (piano), Wendell Roberts (bass), Walter McCants (drums). Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, August 30, 1960 Engineered & mastered by Rudy Van Gelder Cover photo & design: Esmond Edwards Back-liner notes: LeRoi Jones Recording supervised by Esmond Edwards

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Clark Terry

LP | 1960 | EU | Reissue (Sam)

31,99 €*

Sextet & Quartet Blue Vinyl Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Re-mastered from a copy of the Mono Master Tapes. Limited edition 2000 copies. 180 gr vinyl pressed by Pallas in Germany. Deluxe high-gloss flipback album jacket. Facsimile reissue using the original photo by JP Leloir. Double insert using an original photo by JP Leloir from 1959. Each record has been visually checked to prevent defects.

Recorded October 1959, Paris.

Original LP issue: Decca 153.924

Critics often complain that small-group sessions comprised of members of the Duke Ellington Orchestra are somewhat disappointing; this is definitely not the case with this session led by Clark Terry, recorded during a 1959 tour of Europe in the final month of the trumpeter’s almost eight-year tenure with the band. Fellow Ellington sidemen Paul Gonsalves, Jimmy Woode, and Sam Woodyard are present, along with Raymond Fol at the piano. Terry was one of the most gifted trumpeters to grace the Ellington band and he blossoms when he has more opportunities to solo in a small group setting like this one. Gonsalves proves to be the perfect foil for Terry as they trade lines on several of the numbers. Unlike many dates led by Ellington veterans, this one doesn’t rely heavily on songs from the vast Ellington songbook; instead, Terry includes only ‘Satin Doll’, a Monk’s tune, one by Babs Gonzales and three of his own compositions, with ‘Serenade to a Bus Seat’ (a remake of his upbeat instrumental interpretation of the hectic life of a touring musician) proving to be the most memorable.

This studio date was recorded for French Decca label and was almost impossible to find until now.

Clark Terry (Trumpet) Paul Gonsalves (Tenor saxophone) Raymond Fol (Piano) Jimmy Woode (Bass) G. T. Hogan (Drums)

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Chet Baker

LP | 1960 | EU | Reissue (SAAR)

25,99 €*

LP | 1961 | US | Reissue (Tamla)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Saar Records, through its famous Music subsidiary, re-releases the second Chet Baker’s LP, recorded with his sextet and quartet and originally released in March 1960; one of the rare occasions for our musicians to team together with an American trumpet player for a rather long period.

Chet Baker is one of the most important and essential characters of modern jazz and over the years he has not lost his strength and colour, a fact that’s clearly demonstrated by this release, indeed showing us a quite different Chet Baker. His style has become less slender, more excited, more precise, more violent, and several tracks of this record prove it.

The musicians here accompanying Chet Baker are the very best the Italian jazz scene of the time could offer: Glauco Masetti on alto sax, Gianni Basso on tenor sax, Renato Sellani on piano, Franco Cerri on double bass, together with the Italian-American Gene Victory on drums. As usual in such situations, arrangements were entrusted to Giulio Libano, who wisely provided the musicians with ample space for their solos. Chet Baker is undoubtedly the protagonist, but a lot of freedom of expression is granted to his fellow adventurers.

The album was recorded on 25 and 26 September and on 6 October 1959 at the Guertler Bros studio.

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Miracles

Hi We're The Miracles

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | UK | Reissue (Burning Sounds)

Owen Gray

Sings

22,99 €*

LP | 1961 | US | Reissue (Impex)

Release: 1961 / UK – Reissue

Genre: Reggae & Dancehall

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Owen Gray was the island’s first home grown star to sing in a style that wasn’t mento, calypso or jazz. This is a 180 gram vinyl reissue of his 1961 album. This was the first Jamaican album to be manufactured and released in the UK. This re-issue commemorates the 60th anniversary of its original release.

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Bud Shank

Barefoot Adbenture

49,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Exotic Percussion Sea Glass Colored Vinyl Edition

Martin Denny

LP | 1961 | US | Reissue (Jackpot)

25,99 €*

Angelo Francesco Lavagnino

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Sourced From The Original Master Tapes; Out of print since the 1960s

Now joining Jackpot Record's ever-expanding collection of Martin Denny re-issues is the hypnotic "visual sound" of Exotic Percussion, which has not been on vinyl since its original release in 1961.

His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, shamisens, Manga harp, and Burmese gongs.

As always, the choice of compositions on a Martin Denny record is a bizarre yet exciting spin around the globe, but this one is even weirder than usual. From the faster-than-light of "Cumana" to the luscious groove of "Moonlight On The Ganges" (made famous by Frank Sinatra and a track that is still being played on a loop at Disneylan's Jungle Cruise attraction), it's a whiplash of a ride. But the stand-out on the record is the combo of "Misirlou" (which would be made famous a few years later by Dick Dale and even decades later with its appearance in Pulp Fiction).

So join the conga line and head out into the street as Martin Denny once again creates a world we yearn to return to and an album we can always revisit.

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OST Kali-Yug: La Dea Della Vendetta

LP | 1962 | EU | Reissue (Contempo)

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1962 / EU – Reissue

Genre: Soundtracks

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Lavagnino's soundtrack to the great 1962 movie 'Kali-Yug: La Dea Della Vendetta' directed by Mario Camerini and starring Senta Berger and Lex Barker, finally gets a proper reissue since its 1963 release on CAM Records. Composed and directed by Lavagnino, 'Kali-Yug' is one of the best soundtracks ever written by the late Maestro. Known for his beautiful orchestral themes, Lavagnino outdoes himself in 'Kali-Yug', with stunning exotic themes which makes this score a must have for serious soundtrack collectors. Original artwork. Master and sound restoring done by Roberto Zamori at Film Music Art Studio. Original copies, if you're lucky enough to find one, change hands for more than 350 euro!!!

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John Wright

Mr. Soul

24,99 €*