Search "dj+kentaro+contrast" 10107 Items

12" | 2023 | EU | Original (PME)

Release: 2022 / EU – Original

Genre: Hip Hop

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Following several tragedies in his personal life, New York rapper El Gant had a decision to make—face those losses head on or bury them deep within. Luckily for us, he chose the former. The result is O.S.L.O., the emcee’s most gripping and personal project yet. It’s also his most relatable, because it shows what we’re all capable of when we’re equipped with the right tools to cope and, in El Gant’s case, transform that tragedy into something powerful.

The album arrives nearly a decade after his previous solo effort, 2014’s great Beast Academy, and after several years spent touring and recording with his group, Jamo Gang, with Ras Kass and J57. Despite the highs associated with that time, El Gant also experienced major personal losses. In particular, he lost three close friends—The Last Original, Bones, and Jim Misa—all of whom had a major impact on his life and career. In fact, the album’s title, O.S.L.O., references the Last Original, because it’s an acronym for “Our Sun the Last Original.”

But it wouldn’t be an El Gant project without some straight-up dope hip-hop, too. Tracks like “Avirex (feat. Innocent? & King Magnetic)” and “Chromed Out (feat. Ras Kass & Planet Asia)” are absolute bangers filled with shape-shifting flows and crazy wordplay.

There’s a reason for these tonal shifts, too; El Gant didn’t want to simply create a linear album. “I want to take the listener on a few ups and downs, just like life does for most of us,” the emcee says. It’s those qualities that make O.S.L.O. so immediately satisfying, and why it’s his most accomplished work to date.

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Handshaking

There Was A Chance LP

21,24 €* 24,99 € -15%

Children Of The E Music Remixes

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Producer & musician Handshaking continues the legacy of Finnish electronic music with the upcoming album ‘There was a chance’, due for release on May 19th of 2023. Handshaking is a familiar name in the Helsinki underground scene and has become known for surprise-filled and versatile DJ gigs and energetic live performances.

Handshaking’s 2020 debut LP Garden Clogs was a long-awaited work for the electronic and dance music audience. The limited 200 vinyl edition sold out during the release weekend. Image Magazine said the “Handshaking’s debut album is of the highest quality in terms of production value, which competes with peers like Yaeji, Peggy Gou and Jaakko Eino Kalevi”. Handshaking releases via PME Records, which is the biggest independent label in Finland, representing artists like Alma, Babel and AHO. Founded in 2012, the label has almost 30 artists in its roster with a wide variety of genres.

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Radio Slave

12" | 2017 | DE | Original (Running Back)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2023 | EU | Original (Rebound Lounge)

DJ Dog & Double Dancer

Rebound Lounge 4

12" | 2021 | US | Original (Buena Gente / Sheweytrax)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The fourth Rebound Lounge EP. DJ Dog and Double Dancer keep on pushing the boundaries of their weird and wonderful gene Basketball House! Their sound always changing and evolving into different territories, but still keeping their flavour and strickt concept. Here we got five new tracks as always, and a new fantastic color scheme and pic on the back of the sleeve. Limited edition. So not to miss!

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Ivan Am / Delinstr

Expo 2000, Belmondawg, Liroy

Release: 2021 / US – Original

Genre: Electronic & Dance

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Introducing a joint label Buena Gente Recordings (bg-01) and Sheweytrax (shew-33) connection! Side A - Buena Gente side featuring new Los Angeles producer, Ivan AM, with two DJ friendly cuts - "Exceed" a straight up tech-funky cut leading to 2nd track "Mourning Rain" perfect for rolling into the mornings. SideB - Sheweytrax side features two by Delicate Instruments - a remastered version of tripped out "High Life" and last cut goes deep with "Turnaway" previously only available digitally. Solid beat focused 12" for the floors! Limited edition

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A Milli Milli

7" | 2024 | EU | Original

Savathun's Puritan Knight Of Gehenna Ep Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Hip Hop

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First single from upcoming Expo 2000 producer album, single recorded in cooperation with first ever polish raper Liroy. 7” Included 2 tracks + exclusive remix and instrumental version

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Ruffneck Prime

12" | 2022 | EU | Original (Absolete)

11,89 €* 13,99 € -15%

Irrational Numbers Volume 2

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Newest Ruffneck Prime (DJ Ruffneck) at his own label - a great hardtechno banger!! Available on limited Colored Vinyl!!

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Krust

2x12" | 2023 | UK | Original (Wonder Palace Music)

30,59 €* 35,99 € -15%

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Welcome to the unmissable second part of this momentous collection, collecting the output of a true outlier in UK creative culture, an artist that has helped change the landscape of electronic music, Krust.

Introducing 'Irrational Numbers,' a meticulously curated collection of five parts, available on both vinyl and digital formats. This compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.

'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.

This 2nd volume of seminal and forward thinking music from the legendary Bristol producer and DJ boasts a plethora of unmissable cuts; the staccato and clipped jazz funk of 'Blaze Dis One', the widescreen epic futurism of 'True Stories' and the all-time classic anthem 'Warhead' all feature, proving what a formidable and original force Krust is.

For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

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12" | 1990 | US | Original (Ultimix)

Ultimix 36

7,64 €* 8,99 € -15%

Andreas Gerth & Carl Oesterhelt

Release: 1990 / US – Original

Genre: Hip Hop, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Only record 1! Record 2 and 3 are missing. In stickered label cover.

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The Aphorias Of Futurism

2LP | 2021 | EU | Original (Umor-Rex)

23,79 €* 27,99 € -15%

12" | 2024 | EU | Original (Doo)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This double album represents a new collaboration between long-time Umor Rex artists Andreas Gerth (one half of Driftmachine) and Carl Oesterhelt (11 Pieces for Synthesizer). Both developed their shared musical cosmos while playing together in the Tied+Tickled Trio. Oesterhelt is also known for his solo compositions for orchestras and for his collaboration with Johannes Enders and Hans-Joachim Irmler of Faust.

Since its beginnings, a kind of futurism has been inherent in Electronic Music through its link with technological progress; to the same extent, a backwards-looking view is alien to its essence - a dialectical dispute between these principles, a sceptical position, is consequently difficult to express with the means of electronics. Today, it is all the more the music of mass culture, standing for global conformity, for renewal and postmodern oblivion of history. "The Aporias of Futurism" attempts to define a critical place through the link back to history that opposes the postmodern concept of interpretation, deconstruction and reformulation and the belief in progress that goes with it.

Andreas and Carl's working method for the album was the usual musique concrète technique: cutting/assembling/editing/processing pre-recorded sounds - but instead of deconstructing the concrete noises into an abstract sound entity, they took a different approach: organically interweaving orchestral structures with the electronically processed noise layers to create a composition in the spirit of classical modernism at the beginning of the 20th century.

Carl began with sketches recorded via a broken CD player and processed through a ring modulator, reminiscent of the timbre of old electronic music from the 1950s. To interact with these fragments, Andreas recorded and processed a plethora of everyday noises, atmospheres, sound fragments from the modular system, industrial and shortwave radio noises, percussion in the form of slamming doors, falling metal sheets, ball tracks and so on. So while they played in the futuristic discipline, the reference to the past is still unmistakable. You can hear it in the tonality of the contrasting orchestral passages, in the sound character of the processed samples and the electronic sound layers. But it is precisely here that a narrative tension develops. Theses and antitheses, extreme (unresolved) opposites, contrasts... basically inner contradictions, aporias... ... but another category enters, which plays a subordinate, almost outlawed role in the postmodern context: beauty (and be it the beauty of ruins seen on the album cover) - beauty, refuge of the pessimist.

In the course of the process, a multitude of motifs and ideas emerged from the fog of memory. Free associations of concepts, books and authors from a wide period of time, such as Milton's Paradise Lost, William Blake, Robert Graves, ancient Rome, but also Borges and Juan Rulfo. This flood of images is also reflected on the album cover, as a "free interpretation" of cultural objects and their relationships in time.

The overarching motif of sceptical rejection of the idea of Futurism is illustrated by a quote from Emile M. Cioran, the writer who most closely embodies the common spirit of the works presented here: "But now comes the strangest thing: the Futurist idolises becoming only until he has enforced that order for which he fought; then the ideal conclusion of time becomes apparent to him, the ‘always’ of utopia, which concludes and crowns the historical process. The idea of the Golden Age, the paradise par excellence, thus grips believers and unbelievers alike. But between the original paradise of religions and the eschatological one of utopia lies all the distance that separates a nostalgia from a hope, a repentance from a delusion, an achieved from an unrealized perfection."

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Sentena And DJ Spence

Smoke Barometer

The Programme / Conga Quinto (Dub)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Bent downtempo and no tempo half and whole things from a wide time span with noise in between. Collaborations with Montrealers Kozz (aka Drainolith) and Sweets of the Night on the A side +

ancient Doo on the B.

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Contours

7" | 2021 | EU | Original (Band On The Wall)

11,04 €* 12,99 € -15%

Love Is So Nice (Remixes)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Band on the Wall's latest 7" release is from producer, musician & DJ Contours. Known for applying his own percussive dexterity, his sound is placed within the intersection of House, Jazz, Broken-Beat and percussive experimentation. Double A-side 'The Programme / Conga Quinto (Dub)' is the latest in an ongoing sonic evolution for Contours, having released music on labels including Rhythm Section, Tru-Thoughts, Anma Records, in turn receiving praise from the likes of Gilles Peterson, Mr Scruff, Alex Nut and Bradley Zero.
Premiered by Gilles Peterson on BBC Radio 6 Music, covered by The Vinyl Factory, Music is My Sanctuary, Stamp the Wax, Resident Advisor, Bolting Bits. Airplay from Laani on Worldwide FM, Gilles Peterson on BBC Radio 6 Music.

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Urban Soul

12" | 1998 | DE | Original (Jive)

3,39 €* 3,99 € -15%

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 2021 | EU | Original (Ostgut Ton)

Jasss

A World Of Service

19,54 €* 22,99 € -15%

DJ Pippi & DJ WT Present Porno Featuring Jenna Bare

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Giving form to a broad personal project of continuous inquiry and existential expression, A World Of Service marks the Ostgut Ton debut of Spanish producer, DJ and artist Jasss aka Silvia Jiménez Alvarez.

The evolution of A World Of Service has curved around genre collapsing and unexpected metamorphoses. Formerly the name of the monthly radio show Jasss hosted in Berlin, and soon to be the title of her expansive multi-sensory touring concept in collaboration with Ben Kreukniet, here A World Of Service is powerfully concentrated in sonic form. Throughout the album Jasss muses on the especially current human and technological barriers to interconnectivity; both lyrically and musically she deconstructs the self, unmasks anxieties and interrogates the insufficiencies of language as applied to gender, identity and interpersonal relationships. Forming her own fluid, nuanced lexicon in response, Jasss seeks a deeper understanding of her multiple selves, emerging through unbridled adolescent rage and the wisdom of maturation, traversing liminality with abstract electronics and baroque industrial pop. Visually this is underscored by Matt Lambert’s uncanny floral cover portraiture, as well as the record’s distinct scent of wet earth, flower and woods developed for the album by Meri Bonastre and applied to the vinyl innersleeve.

Following the imaginative nostalgia of Weightless, her 2017 debut album for iDEAL Recordings, as well as her blistering dancefloor 12” for Whities / AD 93, A World Of Service folds personal and societal concepts in on themselves, not seeking answers but rather luxuriating in the unique friction that questions create. Jasss is intensely focused yet musically unbridled; this is reflected in tonal shifts of A World Of Service. Through the computerised yearning and bruising of a heartbreak on “Luis”, to the jagged and wordless tundra of “Vapor Dentro”; the intriguing juxtaposition of warm, alluring Spanish vocals against rigid pillars of industrial heft and bass grind (“Camelo”), and the soaring maximalist industrial pop of the album’s closer, “Wish.”

As intensity rises through the pandemic-era trip hop of the album’s title track “A World Of Service”, Jasss sings: “Pleasure / Is nowhere to be found inside this world of service / I call to be my life.” Pleasure may remain elusive to her, but in the determination to make peace with her various identities in this technological age, Jasss offers a compelling glimpse into an essential type of artistic voice.

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I Can Do It Better Myself

12" | 1995 | DE | Original (Club Tools)

3,99 €*

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Chrysanthemum Seal Red And White Colored Record Store Day 2021 Edition

2LP | 2021 | EU | Original (Stella Polaris Music)

21,24 €* 24,99 € -15%

DJ! (Some Men Are Groovy)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Record Store Day 2021 Release. LTD Edition (500) Colored Vinyl. Stella Polaris is the world largest free chill out event, and this is their 16th album release featuring new material from upcoming Danish artists and exclusive Stella Polaris custom made remixes of well-known artist. Past highlights include the launch of Trentemøller material before his world debut and remixes of legends like Phil Collins, Moby, Groove Armada and Forster the People to name a few. The music is always a great eclectic mixture of Scandinavian Electronica, Leftfield, Balearic and Chill-out. It takes all kinds, as long as it’s a tune you could envision played in at Mambo, Café Del Mar La Torre in Ibiza or the like. This release features Stella Polaris remixes of Yeasayer, Unkle, Der Dritte Raum, Erasure, Thomas Dybdahl, moi Caprice, Days Of May, and Ian Dawn. If you are a fan of the Back To Mine or Late Knight Tales compilations, then this is right up your alley.

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De La Groove

12" | 1997 | DE | Original (Flying High)

3,39 €* 3,99 € -15%

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2024 | UK | Original (Delusions Of Grandeur)

Lex

Without You EP

15,29 €* 17,99 € -15%

50 (More Hits) Feat. Qnc / No Way Out Feat. Slimkid3 & Moonbeam Kelly

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Lex makes a welcome return to Delusions Of Grandeur with a brilliant follow up to last years 7 Day Path EP. The Athenian producer, DJ and former record shop owner has been honing his unique sound for the last 7 or 8 years resulting in releases for labels such as Leng, Samosa, King Street, Black Riot and B2. His densely layered textures incorporating lots of live elements and expansive Ron Trent inspired arrangements bring a warm, musical flavour to his productions but without ever losing sight of the dance floor.

Without You sets the tone with touches of acid melting into sun-drenched strings and Rhodes making for an atmospheric tune tailor-made for daytime beach sets and late night dancing under the stars. Both hypnotic and trippy in equal measures, this is the kind of versatile track that will make a big impression and put you under its summery spell. Next up we have Strip Town which features some brilliant live bass bringing a jazz-funk swagger whilst the tasty synth chords ensure maximum deepness.

Flipping over we have a percussive roller going by the name Purity which features the spoken word of Guto Fernandez and sees Lex joining up with regular collaborator Locke. Closing out this special EP Dennis Liber joins the party injecting pure energy with the help of a serotonin-boosting classic piano house riff and old school house beats.

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Slick Walk

7" | 2024 | EU | Original (Rs Records)

World Contact Day Cream Vinyl Edition

Release: 2024 / EU – Original

Genre: Hip Hop

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The latest slice of tasty vinyl from RS Records, the third one to be exact, is a 45 dedicated to that hip-hop love: heads who’ve had it bad for the culture and hip-hop lovers who just happened to catch a stray from Cupid! This time around, production was handled by Slick Walk, aka SaturnVybz and DJ Robert Smith. Side A kicks off with “50 (More Hits)," a space funk-inflected mellow banger featuring NYC legends QNC (Q-Ball and Curt Cazal) professing their love for the one and only. The combo of Premo-type crisp drum programming, soft cumulus cloud-like synths, and a warm, velvety bass will make you feel like you’re flying, that is, if you’re cruising in your car. If you’re just taking a stroll down your block, the sensation is that of walking on air. Stitched from references to old school and golden era gems, where almost every bar is a hyperlink to a deep classic, the track is literally a hip-hop encyclopedia.

Side B takes a turn into another type of mellow with “No Way Out.” The drums get thicker, the programming loses the retro inflection. The high hats start skipping, stuttering, and scuttling about, while the bass drops hella low to counterbalance a snare that straight up smacks you upside the head. The track features Slimkid3 of the legendary Pharcyde crew alongside Portland native R&B singer Moonbeam Kelly, going for a classic hip-hop duet. If you’ve ever been in love — as in, the type where you can’t sleep for days and all you can think about is... That’s the vibe right here! The instrumental will rattle the trunk lovely, while this extra sticky blend of voices will hijack your ears for a minute and some.

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Blue States

LP | 2022 | UK | Original (Memphis Industries)

22,94 €* 26,99 € -15%

Ecce Homo Split Colored Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Blue States returns with his sixth album titled World Contact Day, set for release via Memphis Industries on 18 March 2021 and named after the day each year on which UFO society International Flying Saucer Bureau tries to contact alien lifeform. World Contact Day arrives six years after the previous Blue States album, written and recorded partly at Dragazis' Lightwell Recordings studio in Hackney featuring a combination of instrumental soundscapes and vocal songs that draw from influences as diverse as world as Morricone, Vangelis, Beak, Broadcast and The Carpenters. Songs on the new record feature guest vocals from the likes of Giampaolo Speziale and Federica Caiozzo of the Italian band, Malihini, English folk-musician, Rachael Dadd and Miami-based Allison May-Brice (The 18th Day Of May, Lake Ruth).

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Voodoo Sound Club

LP | 2023 | EU | Original (Cinedelic)

23,79 €* 27,99 € -15%

Release: 2023 / EU – Original

Genre: Organic Grooves

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2CD | 1967 | EU | Reissue (Polydor)

The Who

The Who Sell Out

LP+CD | 2020 | EU | Original (Magazine)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend

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Curd Duca

Waves 1

18,69 €* 21,99 € -15%

Flowers At Your Feet Green Marbled Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Waves 1 is the first release of Curd Duca since the legendary Elevator series (1998-2000). Waves is an album trilogy. Waves 2 and 3 will be released on Magazine in 2021. The Box is intended for all three records of the series.

If we think of Curd Duca’s Waves in terms of sound, rather than in terms of form, each track on Waves is actually like the large, illuminated, richly decorated initial letter that introduces the narrative of so many medieval manuscripts. It is as if Duca was collecting extraordinary letters, opening up an alphabet of sounds, and developing a musical phonetics between adjacent terms. From gong to gone; bell to bells minus drone; dome to father.

The real beauty of Curd Duca’s cycle lies in the fact that it opens up differently from so many perspectives. That we can understand it as a collection of treasures, as a commentary on our acoustic environment, as an attempt to dissect the world and stylize its parts. Much like a printer's typesetting box, Duca proposes an inventory of everything that sounds.
Some of the pieces are exaggerations. Some allusions. Others abstractions, parodies, and transfigurations. It is often not even clear whether the music is based on a recording or a synthetic sound. Is the nightjar real or is it a synthetic imitation? Did Duca really use brass and zither sounds or simulate them on the computer? The hermaphroditic nature between reality and arti ciality is a central aspect of Duca’s sound world.

There is only one thing you must not do with this music: trivialize it or underestimate it. With Waves, Duca is exploring the very essence of sound, and its possible meanings and contradictions.

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Rahill

LP | 2023 | UK | Original (Big Dada)

26,34 €* 30,99 € -15%

12" | 2023 | EU | Original (Mass)

Release: 2023 / UK – Original

Genre: Pop

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Iranian-American singer-songwriter Rahill announces a deeply personal solo project ‘Flowers At Your Feet’ on Ninja Tune imprint Big Dada, her new label home in which she sits comfortably alongside labelmates Yaya Bey and Lyzza.

The album – which across its 14 tracks features collaborations with Beck and Jasper Marsalis (Slauson Malone) – follows Rahill’s nostalgic 2022 covers EP ‘Sun Songs’ and sees her moving along a journey of self-acceptance and self-love; reflecting on childhood and family while honouring the people and moments that defined her. The project draws on elements of trip-hop, jazz and alt-rock music, all underpinned by Rahill’s reverent and thoughtful lyricism. Recorded in phases during the lockdown, the album was created in close collaboration between Rahill and producer Alex Epton (fka Twigs, Arca) who immediately identified the strength and potential of Rahill’s pre-existing solo compositions, some of which she’d written years earlier.

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A² & Stopouts

Alien Contact EP

12" | 2024 | EU | Original (Small Great Things)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The legacy of the UK’s prolific Alien Recordings lives on with another classy four track EP. Andy Panayi, Alec Stone and Rob Collman have been pivotal in shaping electronic music for decades. Their raw aesthetic formed Alien Recordings’ identity in the 90s, releasing timeless music from their several projects A², Skat and Stopouts.

The humble London collective are behind many influential records from tech-house’s golden era, pushing an infectiously groovy sound perfect for many scenarios. After connecting with the Mass crew in Leeds shortly before Andy’s passing, this release is a heartfelt tribute presenting four unreleased gems recorded between 1996 and 2010.

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Quadrakey

Head Over Heels EP

14,44 €* 16,99 € -15%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Our seventh vinyl chapter at Small Great Things is presented by our residents Quadrakey. The limited vinyl and digital release, titled "Head Over Heels EP," consists of three original tracks and two remixes. This collection seamlessly fuses deep and classic house vibes with contemporary beats, ensuring a fresh dance floor experience.

Starting with the A1 side, 'Head Over Heels' kicks off the journey with a deep house groove complemented by stabs and a robust bassline. Moving to the A2 track, 'Yeah' takes center stage with its infectious groovy bassline, piano chords, and captivating drums. The A3 track, "2 Ways Out," adds a touch of nostalgia with hints of the 80s.

Flipping over to the B side, we come across two remixes. On B1, Luca Olivotto delivers a disco-house dance floor-ready cut, featuring vocals and guitars. B2 presents a fantastic remix from DJ Merci of the

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12" | 2023 | EU | Original (Rocky Hill)

Armenian White Label

14,44 €* 16,99 € -15%

2LP | 2021 | EU | Original (Quartet)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Next up on Rocky Hill is a limited edition, vinyl only white label, featuring 2 edits licensed from Terrestrial Funk and Darone Sassounian's compilation from 2021, and two original tracks from LA - based DJ and producer, Lara Sarkissian. The A side (Silk Road Side), features two previous exclusives from Darone's compilation on Terrestrial Funk titled, 'Silk Road: Journey of the Armenian Diaspora (1971 - 1982)'. The two edits on the A side were only available digitally, on CD, and Cassette formats. A1 features an edit of Marten Yorgantz's "Ammenain Serdov [De Tout Coeur]" from NY-based DJ duo, Fundido. A2 features an edit of Jozeph Sefian's "Karoun E Yegel" from Darone Sassounian. The B Side (Lara Sarkissian Side), features two original tracks sampling duduk (Armenian woodwind), songs - named as Lezginka Dance Scene and Ojakhum Nightmare. The tracks are reworks of the originals from 2016 - 2017, when Sarkissian began the creation of her own unique process of synthesizing duduk as percussion, bass and voice. Both tracks have been used in her early live sets from 2017 - 2018. They're finally available now only on vinyl. This is Rocky Hill.

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Piero Piccioni

Shake & Soda

38,24 €* 44,99 € -15%

Ruffkut/Dope On Plastic Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Soundtracks

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Used Vinyl

Medium: Sealed, Cover: VG

Sealed copy with seam split on the tops spine!

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DJ Kid Twist

12" | 2023 | EU | Original (Liquid Wax)

14,44 €* 16,99 € -15%

Drug Dilling EP DJ Bone Remix

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Originally released in 1993 on DJ Phantasy’s Liquid Wax label, it has now been repressed in conjunction with Vinyl Fanatiks on Colored Vinyl – options red/white/blue.

DJ Phantasy co-production alongside his mate Simon aka DJ Kid Twist. This was produced at Jack Smooth’s studio and engineered by a young Alex Reece, who later found fame on Metalheadz.

This record, as with most of the Liquid Wax backcat, is sought after on original press so we are delighted to be able to get this repress out to you in a high quality gloss Liquid Wax housebag and white inner sleeve. Released on either red, white or blue 180g heavyweight vinyl.

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The/Das

12" | 2017 | EU | Original (Life And Death)

12" | 2024 | EU | Original (Abend Kollektiv)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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With further announcements forthcoming with Life and Death later this summer, Drug Dilling offers up the first new material from The/Das on the label since 2013’s Outfashioned. Now as a duo, Fabian Fenk and Philipp Koller’s latest EP is the result of playful and pure studio sessions, during which they aimed to capture the often-overlooked club-friendly side of their project. Top Vibes’ breakbeats come as a welcomed surprise, while Holy Rollers pairs wobbling synth pads with a vocal cameo by DJ Tennis. The standout title-track recalls hazy afterparty moments. Detroit stalwart DJ Bone delivers a focused reinterpretation on the flip, backing expertly-sampled organ takes and flanged vocal lines in an enticing bed of afro-cuban rhythms.

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Ko-Ta

Abd Tools

12" | 2024 | UK | Original (Black Pattern)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The third release of >abend kollektiv limited< named >Abd Tools< is produced by ko-ta from Kushiro, a land blessed by Kotankorkamuy. We are fairly certain that these four percussive minimal tools build a groove that works multipotent on your DJ set.

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Ten Fingerz

Flip Da Floor EP

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Ten Fingerz produces tracks bursting with dancefloor energy, influenced in turn by acid house, 90s techno, the French Touch, or jazzy Afro-House sounds. An insatiable vinyl collector, it's when he's at the turntables that his ten fingers twitch to play furious, powerful and groovy house, flirting with the funkier side of techno.

With an ep of 4 tracks on the Swiss label Black Pattern Records, he returns to the forefront of the scene accompanied by solid house music warriors such as The Checkup, DJ Merci and Dexter Troy.

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Sabrina Bellaouel

Al Hadr

LP | 2023 (Infine)

20,39 €* 23,99 € -15%

LP | 2015 | EU | Original (ZYX)

Release: 2023

Genre: Pop

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On Al Hadr, Sabrina Bellaouel taps into myriad influences: from spirituality, astrology to club culture, romance, the body and self-love. Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.

Following two solo EPs, also on InFiné — 2020’s We Don’t Need To Be Enemies and 2021’s Libra — the French-Algerian producer and vocalist’s unique style of electronic R&B blossoms with Al Hadr, a 13-track album featuring collaborations with dance producer Basile3, experimental club DJ and writer Crystallmess, jazz musician Monomite and pop singer Bonnie Banane, among others.

Born, raised and based in Bagneux, outside the southern périphérique of Paris, Bellaouel lives between worlds. At home, her Algerian heritage and Muslim faith have fused tight familial bonds and a keen sense of history and culture; as “Berbers”, she speaks French and Arabic. In her headphones, she finds comfort in the sparse experimentalism of Radiohead and romantic tales of Jill Scott. On the hot club dance floors of Paris, driving house beats connect her to her body.

In swirling these private and public passions together on Al Hadr — which translates from Arabic as “the present time” — Bellaouel is the most vulnerable she’s ever been on record. Classic neo-soul and silken R&B blend with club electronics. Tender harmonies are sung and rhymes are spoken in English, French and Arabic, exploring love, faith and identity. Samples of drum machines are the backbone for wisps of woodwind, strings, keys and environmental ‘found sounds’, including Bellaouel’s own live recordings.

Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.

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Cappella

The Remixes

15,29 €* 17,99 € -15%

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Year Of Redemption Random Colored Vinyl Edition

Die-Rek

LP | 2022 | EU | Original (Illect)

22,94 €* 26,99 € -15%

Neon Genesis: Soul Into Matter Silver Vinyl Edition

Release: 2022 / EU – Original

Genre: Hip Hop

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On his second full-length release with Illect Recordings, The Canadian born rhyme writer lifts up his head, drops his guard and pours out his heart across ten self-produced tracks. The project comes together like a part journal and part motivational monologue. Eyes Across The Room is an earnest celebration of love and longevity as Die-rek salutes his significant other for her ride or die brand of loyalty. He speaks his love language fluently over tinkling piano keys that sound like they were rescued from RZA's flooded basement. Ditty Dum Ditty Doo is a bespoke bop where Die-rek speaks life atop a stuttering bass line with a stop and go flow. He encourages the listener to embrace their one of one identity and live life with authenticity. The spaced-out melody is deceptively addictive, but the empowering message reaches home. In the spirit of community, He Paid It All finds Die-rek clicking up with his friends Rel McCoy and Griffin. Neither one of them mince words about how their faith had been funded, and all three verses are declarations of humble gratitude. Die-rek saves the best for last with the final song. Runnin', which is the album's true man in the mirror moment. Die-rek pledges allegiance to God and the grind, promising to make use of grace and not waste his days on Earth. This particular slice of sound thrusts consciousness above the clouds with a dream-like sensation that shifts seamlessly between realms and reality. After years of losses and lessons, redemption is closer than ever. Written by Christopher Mitchel (Breaking Atoms)

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Comma Meemo

LP | 2021 | UK | Original (Planet Mu)

23,79 €* 27,99 € -15%

12" | 2022 | EU | Original (Afternoon Delight)

Release: 2021 / UK – Original

Genre: Organic Grooves

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On "Neon Genesis: Soul Into Matter²" Meemo Comma (A.K.A. Lara Rix-Martin) Takes Kabbalistic Text And Jewish Prayer And Guides Them Through Twinkling Ambient Synths, Breakbeats And Cranking Industrial Noise, Full Of Strange Wonder And Drama. You Can Hear Soft Synths Transmuted Into Choirs Of Seraphim And Moments Of Occulted Dancefloor Rapture, From Aramaic Chanting And Ravey Breakbeats To Readings From The Zohar. It Is Quite Beautiful At Times. Jewish Mysticism Is At The Root Of Western Esoteric Beliefs And Therefore Has Formed The Structure Of Many Films And Books That Explore The Question Of Humanity. Inspired By The Visuals Of Evangelion And Nineties Anime Soundtracks Such As Ghost In The Shell (And Its Later Stand Alone Complex Series), The New Meemo Comma Album Is A Soundtrack To An Imaginary Anime That, Like Its Real Counterparts (E.G. Full Metal Alchemist), Takes The Beautiful Parts Of Kabbalah And Sets Them To Science Fiction Stories. When Asked About The Themes That Inform Her New Album, Lara Rix-Martin Says "Judaism Is Filled With Many Tales And Teachings That Prevail In Science Fiction To This Day - Whether Consciously Or Not. Sci-Fi Is The Genre Best Equipped To Explore The Immensity And Challenges Of Human Experience. Something That Judaism Has Also Been Attempting For Over Three Thousand Years." "I Watched Ghost In The Shell When I Was 14 And It Was So Striking, Visually And Sonically. The Soundtrack Has Acted As A Backdrop To Explore My Jewish Identity. I Have Been Reading The Talmud Since Last Year, Discovering A Deeper Love For Jewish Stories And Teachings. There Are Some Beautiful, Hopeful Ideas In Kabbalah Too, Which Were A Central Inspiration To This Album Such As The Idea That The First Human Was Non-Gendered And Just This Form Made Up From The Qualities Of Hashem (God) Who Performed 'Tzimtzum', Contracted Their Form Using Their Ein Sof (Eternal Light) To Create 'Adam Kadmon' Whose Form Split Into All Human Souls." Lara Playfully Subheads Her Album: "In The Year 5781 Humanity...

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Kenny Summit

Burnin'

11,89 €* 13,99 € -15%

12" | 2017 | EU | Original (Fly By Night Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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30 years as a full-time touring nightclub DJ sounds like one hell of a career, and for Kenny Summit it's as much of a milestone as it is a turning point. Having shared the stage with greats such as David Byrne, Stevie Wonder, Chaka Khan, George Michael, Kylie Minogue and Prince over the years, Kenny took that influence and inspiration and decided it was time for him to get behind the mic too. ‘Burnin’ is a song written, produced and performed by Kenny Summit that speaks on a desire that's been burning inside of him for three decades. Across those 30 years he’s made many an influential friend too, three of which come on board to remix ‘Burnin’ - the late great Paul Johnson, D&B icon DJ Aphrodite and Brooklyn legend DJ Spinna. "I caught the fever for house in 1990 and by 1992 I was booked for my first DJ gig at New Jersey's famed Zanzibar nightclub where house legend Tony Humphries held court on a weekly basis. Something changed that night, a fire started and its been building, growing inside of me and now it's time to put paper to pen and write my own songs." Clearly influenced by the artists Kenny's worked with over the years, ‘Burnin’ is a culmination of one man's journey through dance music; from the Nile Rogers-ish 70s guitar riff to the whining Steely Dan-like keys, to the lush strings and synth pop stabs that would make Moroder blush, the track itself is masterfully produced and punctuated with Kenny's unique uplifting vocals, sang in a manner as if David Byrne and Boz Scaggs were put together and yet still very uniquely Kenny Summit. Up on remix duties the late great Paul Johnson, Chicago's shining star, serves up a dark, very much after house vibe, that still keeps that trademark Paul Johnson sound. Drum & Bass icon DJ Aphrodite applies his unique sound to ‘Burnin’ with a stellar remix the D&B community has been patiently waiting over three years for. And finally, long-time friend, Brooklyn's DJ Spinna steps up, who after hearing the track commented 'this needs a dope DUB! Leave it to me, imma hook you up bruh!'. The Discoelectric Dub does not disappoint.

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Step Time Orchestra

Jazz Error NYC

9,34 €* 10,99 € -15%

Lorenzo Dada / Luciano Michelini

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Step Time Orchestra was the collaborative work of producers Jori Hulkkonen and Toumas Salmela, who began producing music together in the nineties whilst studying in Oulu, Finland. Whilst all their friends would be getting up early to go to university, they would only just be going to bed, having spent the night listening to house records from New York, drinking Whiskey and programming their MPC 2000!
Step Time produced a slew of tracks during this time, some of which were licensed and pressed on 12" singles during the late nineties/early noughties on labels operating in North America and Europe, but not everything they made saw the light of day. Heavily influenced by labels like Ibadan and Spiritual Life Music at the height of the New York House Scene, 'Jazz Error NYC' and '2am in Africa' were never signed, not fitting the profile of their other releases at the time, they were left in the drawer and sadly forgotten!
Skip forward to Winter 2016, and FBNM's Lorenzo, whilst over on a DJ excursion, visits Jori in Finland. Keen to keep working together, he presses him for something uniquely special. Magically, the Ajos E.P jumps out of the drawer into Hulkkonen's hand, and as it turns out, it has aged with a rather remarkable grace. Written using a combination of MPC sequencing and an Atari ST powering vanilla Cubase for some midi programming duties, it features the sounds of the Italian made Siel Opera 6, an Alesis S4 Rompler and other vintage Roland, Yamaha and Kawai Synths. They went full out on this one, even finally learning to play keys for that jazzy piano action. It was recorded live through a soundcraft analog board with outboard Fx, creating a sound that transcended it's time to feel remarkably fresh today!
The Ajos EP is named after an area in their native city of Kemi, Northern Finland, which is where they wrote and produced it in 1999.

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Lucifer

CD | 2024 | EU | Original (Kompakt)

12" | 2020 | EU | Original (Emotional Response)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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With Lucifer, Kompakt presents an album of rare beauty from two masters of modern music. A family affair, it’s a collaboration between the Italian father-and-son duo of Luciano Michelini and Lorenzo Dada, whose combined histories bring to Lucifer a depth of experience alongside clarity of vision and a finely tuned, neatly developed combined compositional voice. A lovely, beguiling suite of music that combines the electronic and the acoustic, the urban and the pastoral, its gorgeous night-eye vision and tender melancholy sits neatly within the Kompakt universe, while offering the curious listener some rich new perspectives.

There is already plenty to know both artists by. Lorenzo Dada creates across multiple fields – a techno producer and DJ who has already worked with the likes of Jay Haze, Fete, Leo Benassi, and Der, he’s released a small clutch of stylish, smartly designed EPs, and a solo album, Second Life (2018). His complementary background in classical music and composition informs his ensemble project, Tears Of Blue (who appear on Lucifer), where Dada paints with neo-classical tones for a quartet of violin, viola, cello and grand piano, supplemented by electronics for live performance.

Luciano Michelini’s history is yet richer. He may be best known, to many, for his piece “Frolic”, the theme to Larry David’s Curb Your Enthusiasm series; it was also sampled by Snoop Dogg for 2022’s “Crip Ya Enthusiasm”. But there’s much more to Michelini’s story. A successful soundtrack composer, Michelini both studied and taught at the Conservatoro di Santa Cecilia, and worked for RCA from the sixties to the eighties; his soundtracks from this period are gorgeous examples of the form, particularly his work for Il Decamerone Nero (1972), L’Isola Degli Uomini Pesce (1979), and the devastatingly gorgeous Dimensione Donna (1977).

In the eighties, Michelini and his wife Anna Gutling founded the Electronic Music Division studio and academy in Rome, which is where the majority of Lucifer was recorded. Dada reflects on the experience: “We never worked together before, so it was all new for both of us,” with Michelini adding, “I truly love this experience with my son. He’s a talented pianist and composer. I am not very familiar with electronic music nowadays, but we did it fluently.” There’s certainly a familial energy at play through Lucifer, and you can hear how Dada and Michelini, through exploration and experiment, find a shared language, balancing Dada’s tendency toward minimalism, and Michelini’s composerly voice.

Lucifer flows as a suite that interweaves electronic music with acoustic instruments: the lonely sigh of saxophone; Michelini’s lush, verdant piano; the weeping strings of Tears Of Blue (recorded at the studio of Michelini’s friend, the late Maestro, Ennio Morricone). These multiple voices are located within the electronic sighs and swarms from Dada’s kit; there are moments of propulsion, and passages of lambent drift, where the album revels in its tonal sweetness. If it flows so effortlessly, that’s because Lucifer was designed that way, as a suite or a sonata of sorts.

And the title? Dada reflects, “Lucifer was an angel who decided not to be one anymore. The miracle of life is that we can decide what we want to be, even if we are born as angels or vice versa.” This feels somehow apposite: there’s certainly something of the transformative, and the transportive, in Lucifer, a unique family collaboration of rare poetry and sensitivity, where two generations meet in the modern crucible that is the electronic music studio.

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Cherrystones

Aged In Bronz

Passion Night feat. Massimo Urbani

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Following 2012's acclaimed Red Nail album, machine manipulator, DJ, collector and music auteur, Cherrystones has been consistently working - composing, producing, editing, educating, programming, soundtracking and performing.
Biding time, considering and now ready to present the latest instalment of his journey. After completing the Critical Mass compilation - with part 2 due late 2020 - he left London for Scotland for two years to isolate. An experiment to truly find himself, with no social circle or need to engage, the objective to alchemise and create.
Building an intensive, all analogue studio running to 1/4 & 2 tape, the majority of these recordings are the emotions and moods drawn from this detoxification. The widescream Rave Digger, horror-haus Lavid Grinch show a more expansive Cherrystones. The occult beats of Uhuru Glue lead to the anthem Amaziac, with it's organic AFX rising, before again down to future beats of Silver Soarde and closer, Sethodone Recess Plant.
A musical blacksmith, a magician, conjurer a part of me i knew existed but have never fully spoken to or back to, i saw the sun rise and the clouds swarm, i saw dark settle and as the process speaks for itself they were aged in Bronze, dawn of man-man of dawn.

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Miro

12" | 1985 | EU | Reissue (Disco Segreta)

12" | 2022 | EU | Original (Confused Machines)

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Pop

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Disco Segreta teams up again with Miro (b. Mario Baldoni) in the re-release of his 1970s-80s productions, after the italo-disco burner Stranamore by Brina (DS M 002) and the tropifrutti balearic italo-house smasher Tobago by Pat & Pats (DS M 006), we are back introducing to italo-disco connoisseurs a truly atomic jam ! “Passion Night” was originally written by Miro in 1985. Story goes that envisioning a release by 1987, Miro teamed up with legendary south-african sound engineer Allan Goldberg, in light of their previous Vedette Records disco-infused collaboration for the “Slang“ studio project and the “Real Life Games” LP. The team featured also track co-writer Gregorio Puccio, ready to unleash the synths (Roland Jd800 + D50, Yamaha DX7, Oberheim 12, Prophet 5), along with two young vocalists, Giulia Fasolino and Silver Pozzoli, later to become household names for the italo-disco heads. As a special feature on the track, Miro brought in the studio contribution of the top italian jazz contralto saxophone virtuoso of the era, Massimo Urbani. In September 1987 a session at Pomodoro Studio had the track recorded on a 24 tracks tape, where has been sitting unreleased for 35 years, until now ! Within its cross-genre blend of synth-pop, italo-disco and jazz, “Passion Night” is an outstanding musical time capsule, a picture-perfect vivid snapshot of year 1987, with the additional historical value as a document itself: it’s the only strictly non-jazz project in Massimo Urbani’s repertoire, in a revelatory performance shedding a light over an unusual facet of Urbani’s versatile talent, regardless of boundaries, a few years before his untimely passing.

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Zadik Zecharia

Remixed Kurdish Melodies

12" | 2024 | UK | Original (High Priestess)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Legowelt, Juju & PRZ and Mule Driver Remixes. Our story begins in Jerusalem 1980 – Zadik Zecharia – a folk musician whose speciality is the Zorna – a traditional kurdish woodwind instrument – recorded a cassette of kurdish melodies played on Zorna and Dola, a kurdish drum. The tape was released independently and distributed mainly around the kurdish-jewish community in Israel. Zadik mostly performed at weddings and ha as / celebrations and was also known by the nickname “Iron Lungs”, because of his ability to take only a few pauses for breath during his long gigs. In 2005, one tape found its way to “Something on the Road” – an underground CD-r Jerusalem based label which reissued the music on CD-r. Overnight, these intense melodies became a cult phenomena in the hipster-ish circles of Jerusalem and beyond. The kurdish melodies could suddenly be heard during dj sets, topping electronic beats, or adding drones to heavy experimental sessions. which later led “Something on the Road’s” founder to initiate a remix compilation with Jerusalem’s nest producers. One of them is your truly, Mule Driver. The remix has became a cult by its own. Fast forward to present time, a conversation with Legowelt about folk music led Mule Driver to dig an unreleased longer version of this techno remix. As well as ask the mighty Legowelt for his interpretation, that turned out as a killer acid track followed by an EBM – electro belter by Juju (Juju and Jordash) and PRZ (Clone).

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Excelsior Ruth

19,54 €* 22,99 € -15%

12" | 2024 | EU | Original (No•Id)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Excelsior Ruth is a composer, DJ and producer born in the North-East of England but who currently resides in South London.

On her eponymously titled debut, she combines a life-long love of euphoric trance with echoes of her live performances as exlRuth, which incorporate sound recordings, drone, traditional choral music and the makina backdrop of her youth. Embedded in community heritage, it’s a record that probes connections between the classical and contemporary.

Gossamer harp drifts across time on ‘Haunt’, leading to the affecting arpeggios, strings and high BPMs of ‘Dream Of Night’, programmed, as much of the EP was, on classic 90s synthesisers, including the Roland JP8080 and Quasimidi Rave-0-Lution 309. Drinkwater’s ‘Dawn Return mix’ reduces ‘Dream Of Night’ down to a moment of 6am E-motion, limbs weaving through dry ice like mist on long-forgotten moors.

A cathedral of angelic voices swells in ‘Dream Of You’, their hymn to oceanic feeling rooted to earth by a raining cascade of kicks. And ‘Sleepy Hollow’ journeys further into deep, unspeakable bodily knowing, pushed and pulled between propulsion and stasis as fizzy high hats and restless melodies weave through shrouds of ambient pads.

Words by Joe Roberts.

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Dave N.A.

Altura EP

Tenderness George Semper Mix

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Hailing from Yerevan, Dave N.A. drops his 'Altura EP,' a seamless blend of jungle and deconstructed club. This marks his debut on no•id, the second release on the label. The four tracks showcase Dave N.A.'s nostalgic yet innovative sound, with sharply cut breaks, a lush palette, and vivid effects, solidifying his place in the label's diverse lineup. For the occasion, 'Pulse' and 'Novox' were co-produced with Belgium’s freq444. The DJ’s join forces around a sultry groove: it goes down smooth as cocoa on a freezing winter’s day.

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Candy Rae

7" | EU (Inner City DJ)

21,24 €* 24,99 € -15%

Release: EU

Genre: Organic Grooves

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CD | 2023 | EU | Original (Ninja Tune)

Roisin Murphy

Hit Parade

15,29 €* 17,99 € -15%

7" | 2024 | US | Original (Jump Up)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Produced by DJ Koze

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The Skatalites

Ska Train & Dance

11,89 €* 13,99 € -15%

12" | 2013 | NL | Original (Electric Deluxe)

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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Jamaica's ska originators celebrate their 60th anniversary with two new songs on a limited edition 45! Both tracks are midtempo ska groovers, with cool lyrics and hot horns. Beautiful old skool label art designed by Chema Skandal, big hole black vinyl DJ friendly press of 1000 copies. (

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Black Asteroid

Black Acid Rmx

9,34 €* 10,99 € -15%

12" | 1996 | UK | Original (Prohibition Recordingz)

Release: 2013 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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DJ Sappo / Tripwire

What Iz It? / Gangstas

4,24 €* 4,99 € -15%

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2022 | EU | Original (Yellow Van)

Mailbox Vol. 1

11,19 €* 13,99 € -20%

Steampunx (Abroo, Pawcut & Headtrick)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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First Various Artists series on Yellow Van Records.

It includes tracks by Tilman, Yann Polewka, Innocent Soul and DJ Delivery.

As always only on Vinyl.

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Steampunx

LP | 2017 | DE | Original (New Def)

15,99 €* 19,99 € -20%

Release: 2017 / DE – Original

Genre: Hip Hop

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When I Hit You You'll Feel It

Leslie Winer

CD | 2021 | US | Original (Light In The Attic)

21,59 €* 26,99 € -20%

LP | 2019 | US | Reissue (Dirt Cult)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Pandemix

In Condemnation

16,79 €* 20,99 € -20%

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Pandemix is back with In Condemnation, a 10 song LP expanding on their political, peace-punk indebted hardcore canon. The band churns out unapologetic outsider anthems in the tradition of Crass Records bands, with flashes of the angular iconoclastic wit of Flux of Pink Indians or Poison Girls juxtaposed against the jarring and heavy guitar textures of Profane Existence style crust punk. It’s the appropriate tone for Pandemix’s incisive social commentary. On the album closer “Column of Light,” they offer a thesis: “May every breath I ever draw be used in condemnation.” Vocalist Shannon Thompson's breath finds well deserved targets at nearly every lyrical turn. In “Can’t Assimilate” for example, she oscillates between a homophobic street harasser and a cop at a pride parade, finding no solace in any corner of the public sphere. The antagonists on In Condemnation are both political and personal. “It’s all about a relationship to violence,” she spits in “Synthetix.” “If it’s constant and random then you can’t politicize it.” This dismal sentiment clashes appropriately against a jagged bass line and harsh militaristic drum lines. In “Oblivion Lullabies,” a catchy rager that barrels ahead at full throttle, she turns her focus inward. “There’s something nameless inside me / Barren and burned / I can’t believe / That I could be the only one / Who feels like a voyeur in her own life.” A culture of constant performance and decentralized surveillance is critiqued not only for its usefulness to authoritarian figures but also for how it shapes the way we think about ourselves. On the soaring penultimate track, “Past Selves,” we are offered the closest thing to optimism that Pandemix is willing to offer. Its melodramatic, goosebump inspiring riff sets the mood for an anthem of finding strength in oneself in the face of a degrading cultural landscape. “Remain steadfastly human in the face of all this dehumanization,” is the coping mantra Thompson offers as the record nears its end. Even at its most uplifting, In Condemnation shines brightness only in contrast to the constant misery and violence of modern life.

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Special Species' Anthoza Anthology

LP | 2021 | US | Original (Special Species)

12" | 2024 | UK | Original (Second Drop)

Release: 2021 / US – Original

Genre: Electronic & Dance

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This is the 30th release and 3rd Anniversary of our first tape, so to celebrate the label has brought together friends new and old for a spectacular compilation ranging from ambient to dreampunk to uk garage to house. All proceeds from this release will be donated to the Coral Reef Alliance.

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DJ Beeno

The Journey EP

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Affection/Defection Clear Vinyl Edition

Teleclere

LP | 1983 | US | Reissue (Tidal Waves Music)

22,39 €* 27,99 € -20%

Fear-E / Head Front Panel

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Rare Seattle Electro-Funk Boogie
Originally Released & Privately Pressed in 1983
First ever vinyl reissue
180g Clear vinyl limited to 100 copies (lita Exclusive)
A central figure in Seattle’s fading disco scene, radio DJ, producer, engineer, writer and multi-instrumentalist…Tony Benton was the driving force behind the Seattle soul-funk sound during the late 70s & 80s. Starting off his career at the age of ten he learned how to play the piano and then finally got to take a music class in the 7th grade. Having access to an electric piano made him fall in love with the thought that he could make his own music. At the age of 16 Tony and his friends already formed their first band called 'Crystal Clear' and were making up songs in his basement. Things would really start of when Tony Benton teamed up with his group to form the avant-boogie group Teleclere who went on to release their first single in 1982 (Fantasy Love / Ultra Groove). That’s when Tony started playing all of the other instruments and thus earning him the title ‘multi-instrumentalist’. Teleclere was all about creating and performing original music, there was no music scene in Seattle at that time for a black artist or group who played original compositions. Rap-music was also emerging and clubs slowly started to switch from live performances to deejays. Through the success of their independent EP release, Teleclere followed up a year later with their Affection/Defection album which created a serious hype. This gave them the chance to regularly open at concerts for national artists in halls and clubs. They played at nightclubs, bars, festivals, private parties and did mini tours in the Washington State cities & Canada…including opening for Grammy-award winning soul-star Peabo Bryson (performing for a crowd of 3,000 in their hometown Seattle) Sadly, radio would not play their music so folks never really had the chance to hear it unless they saw them perform live (they always won the crowd over). To add insult to injury, venues and the likes started to mainly book cover bands playing top 40 music. Disappointed by this Tony Benton became a radio personality but would continue to record and perform under the name 'Teleclere' with various players and vocalists for many years to come. Only a handful of his tracks recorded were released in the end. Thankfully we are left with the unique audio-document that is the Affection/Defection LP. The album took the scene by storm in 1983 and sounds like a sci-fi space odyssey unfolding on an intergalactic dance floor…a chopped and slapped slice of 80ies electro-funk, sensual soulful serenades, pulses of Innervisions-worthy bass, top of the line vocals and a plethora of vocoder magic. Also included is the hit ‘Steal Your Love’ that was featured on the acclaimed 2014 Light In The Attic compilation ‘Wheedle’s Groove Volume II: Seattle Funk, Modern Soul And Boogie 1972-1987’. Tidal Waves Music (in collaboration with the Numero Group) now proudly presents the first ever vinyl reissue of this fantastic private pressed Seattle electronic soul/funk album (originally released in 1983 on Telemusic Productions). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork and obi strip.

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3 Hours Up The M6

12" | 2023 | UK | Original (Posh End Music)

15,19 €* 18,99 € -20%

2LP | 2024 | EU | Original (Dimension Of Being Human)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Glasgow and Liverpool collide for the 5th release on Posh End Music. Label boss Fear-E is joined by one of Liverpool’s finest in John Heckle under his Head Front Panel guise. The result is 4 slightly contrasting, but energetic techno tracks.

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Daniela La Luz

System Reset

I Found Love / Heaven Knows

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Daniela La Luz announces her highly anticipated 3rd album, ‘System Reset’. For the first time, Daniela has compiled all the music and artworks featured in the album, showcasing her genre-blending style in this 11-track collection rooted in electronic dance music.

Recognized and celebrated for her exceptional live sets and productions, Daniela has garnered support from some of the industry’s most esteemed DJs, including Solomun, Adam Port, and Sven Väth. Her track ‘Did You Ever’, featured on Moodymann’s ‘DJ Kicks’ mix, has amassed nearly 3 million plays on Spotify, proof of her growing influence and popularity.

‘System Reset’ is a testament to Daniela’s ability to reflect on personal crises and global issues through her music. The album features dancefloor-oriented tracks with influences from a diverse range of genres including house, techno, dub, electro, wave, jazz, and breakbeat. The linguistic diversity of the songs, in English, Polish, and Arabic, further adds to the album’s global nuance. The AI-generated artworks are a unique visual representation of the music. The tracks were mixed by Tobi Neumann and J Manuel at Apollo Studio Berlin and mastered by Manmade in Berlin.

Daniela’s music serves as a powerful call to action against climate catastrophe, underlining her belief in the unifying and inspiring power of music for a sustainable future. The album will be released on double vinyl on June 14th and digitally on June 21st via her label, Dimension Of Being Human.

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Mr K

12" | 2023 | US | Original (Most Excellent Limited)

11,19 €* 13,99 € -20%

Malsons Del Raval (With Slightly Damaged Cover)

Release: 2023 / US – Original

Genre: Electronic & Dance

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It’s back to the heart of disco with the next release — our sixtieth! — in Most Excellent Unlimited’s long-running series of collaborations with master editor Danny Krivit, this installment on long-play 12-inch vinyl.

Our A-side features the work of Euro-disco maestro Alec Constandinos, whose symphonic suites and long form arrangements for stars like Cerrone and Don Ray made him an essential ingredient on many a glittering dancefloor in the late ’70s. Love & Kisses was one of his earliest disco projects, and one of his most popular. Their song (the “band” was a studio fabrication of Constandinos) “I Found Love” stretches across the entire side of an LP in its original form, but for discerning disc jockeys who leaned towards the funkier side of the spectrum, the percussion and bass breakdown is where it’s at. And if you are a long-time follower of Mr. K, it will come as no surprise that it is here that he focuses his metaphoric razor on the iconic breakdown, and we are left with a tough, driving track that will suit throwback sets as well as slot nicely into modern uptempo programming. As an added bonus, stick around to the very end when Krivit lets the song’s memorable acapella sample (“And I suppose you thought it was all over??”) finish it out.

It simply does not get much bigger than Donna Summer in the world of disco. Her song “Heaven Knows,” a duet with Brooklyn Dreams singer “Bean” Esposito, is one of the many gems in her catalog, and one that still evokes powerful reactions in heads, both old and new. Produced by the dream team of Giorgio Moroder and Pete Bellotte, the power and groove are propulsive and indisputable. Krivit begins with an extended "Mac Arthur Park" horn crescendo that teases the emotion before introducing a newly stripped down singalong verses and chorus of “Heaven Knows”. As the song progresses, a fabulous building effect until the end, a six-minute run through the clouds, enveloped in the ecstasy of that same horn crescendo. A sudden finale, fading into the ether, takes us out and leaves the listener (and DJ) with an open path of which musical road to take next, a master’s touch from an editor who excels at his craft.

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Contacte Visual

LP | 2024 | EU | Original (Mahres)

17,59 €* 21,99 € -20%

Jamil Honesty X Squeegie O

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Unfortunaley the last batch of these arrived with ceased corners and therefore we sell it a bit cheaper.

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Harbor Kidz Colored Vinyl Edition

LP | 2023 | EU | Original (Appledizzle)

31,99 €* 39,99 € -20%

Almost There Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Hip Hop

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Harbor Kidz is here! The brand new album from Jamil Honesty x Squeegie O on very limited vinyl!

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Livgone

LP | 2024 | EU | Original (Svart)

23,19 €* 28,99 € -20%

LP | 2019 | US | Original (Brick)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Livgone haunt, enthrall and uplift on their new crescendo of ethereal Doom, “Almost There”

Newly kindled flame of atmospheric heavy dark rock, Livgone digs deep into the bare and personal with an iron fist of defiance

Embark on a haunting journey within Livgone's atmospheric monument “Almost There”. Releasing their new album under the wings of Svart Records, Livgone emerges as a newly kindled flame of emotional Doom metal. Within their sonic web, Livgone transcends the traditional bounds of heavy music, weaving monumental Doom with instrumental ecstasies, drawing parallels to bands like Messa and Godspeed You Black Emperor.

With Elise Aranguren’s beautifully anguished and goosebump inducing voice, cloaked in earthy heaps of heavy riff gloom, Livgone are defiantly unafraid to show their feelings. Casting off the shackles of genre confinement, “Almost There” is at once familiar and excitingly, fresh, raw, and new at the same time.

Born from the depths of personal turmoil during the Pandemic, Livgone emerged as an artistic catharsis. The project, initially a refuge for unspoken emotions, evolved into a collaboration with Elise, Emil Svensson and Michal Kielbasa, fusing their past experiences in the contrasting realm of Black Metal into an expansive and boundary pushing work of art. Livgone's music, penned from 2020 to 2022 and using automatic writing, lays bare the rawest emotions of the artist's battle with anorexia nervosa.

"Almost There" is more than an album; it's a chronicle of the darkest episode in Livgone's life. This musical diary captures the emptiness, physical weakness, and the emotional void experienced during a battle with a disorder. The melodies mirror the wandering soul and the storms within, with no room for hope. From start to finish, the album is a descent into the depths of the soul, a visceral journey toward the inevitability of "there."

Echoing with profound introspection, Livgone's lyrical narrative is encapsulated in quotes like "I can see you already are watching a cadaver" and "Feeling nothing is better than absorbing acts of violence." "Almost There" is not just experimental; it's an intimate revelation that took courage to share. Livgone are an audible punch against the stronghold of disorder.

Immerse yourself in Livgone's sonic odyssey, where every note resonates with the echoes of survival and the pursuit of recovery. For fans of Emma Ruth Rundle, Russian Circles, and This Will Destroy You, Livgone beckons you to explore the shadows and find solace in the haunting beauty of "Almost There."

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Dope KNife

Things Got Worse

18,39 €* 22,99 € -20%

Dreaming/ What's This World Coming To Record Store Day 2024 Edition

Release: 2019 / US – Original

Genre: Hip Hop

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Dope KNife is a Liberian-American MC/producer and self-described “Rap Junkie.” Born Kedrick Mack, to a Liberian mother and American diplomat father, he spent his childhood hopping the globe before being taken by Hip-Hop and claiming Savannah, GA as home. As one of the founding members of the Dope Sandwich hip-hop collective, he gained a reputation as a formidable freestyle rapper, as well as honed his unique style of “Progressive Boom Bap.” His style was cultivated in Savannah's freestyle-heavy scene of the early 2000's, where he distinguished himself with a darker and more abrasive approach. He has officially dropped several well-received solo projects including 2017’s Strange Famous Records release NineteenEightyFour, and the EP Weekend At Brodie’s on Fake Four Inc. As he prepares a new body of work, his mantra has remained the same: “Dope raps, dope beats, dope songs, it ain’t rocket science.” After nearly two years of touring the country with the likes of Sage Francis, DJ Abilities, and Ceschi Ramos, he started to put the pieces in place for what would become Things Got Worse. A self-contained project (Dope Knife produced all of the songs as well as designed the artwork), KNife calls the album a “collection of visceral songs, crafted to serve as Rorschach that we can project or reflect meaning onto. From claustrophobic Black paranoia, to Grindhouse Hip-Hop references, Things Got Worse is whatever your mind hears it to be.”

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Ashaye

12" | 2024 | UK | Original (South Street International)

LP | 2015 | EU | Reissue (Downbeat Melody)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Originally released on the cult V4 Visions label in 1991 & 1994, Ashaye’s 'Dreaming' and 'What’s This World Coming To' showcased the sound of Steet Soul, a genre that emerged in the 1990s, blending elements of soul, R&B, and hip-hop, that could be heard playing across London’s pirate radio stations. As the popularity of UK soul has grown in the last 5 years, DJ’s and tastemakers have put 'Dreaming' and 'What’s This World Coming To' into heavy rotation which has only increased demand & price for the original vinyl considerably. At present this demand is so high that it’s not even possible to purchase 'Dreaming' on the second hand market, while copies for 'What’s This World Coming To' are changing hands for £50+. On this fully licenced, RSD release, two of Ashaye’s biggest tracks are together on one 12 inch for the first time! Don’t sleep on this double header of premium UK street soul on South Street International's debut foray into vinyl!

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Count Bobo

Bird Of Paradise

19,19 €* 23,99 € -20%

Release: 2015 / EU – Reissue

Genre: Reggae & Dancehall

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Downbeat Melody records is a brand new label operated by Bristol based dj Frankie Downbeat. This label is a side project to the Downbeat Melody Soundsystem owned and operated by Steve Rice. The first release will be a reissuing of “Bird of Paradise” LP , a downbeat musical journey in Rocksteady by “Count Bobo”. Count Bobo are a 6 piece group from Bristol playing in the style of early ska and rocksteady. Formed in 2012, they are part of the Bloom collective. Their debut album 'Bird of Paradise' was originally released on limited edition 12 inch vinyl in 2015 by the band themselves and mainly sold at live shows. Downbeat Melody proudly presents this quality repress with fresh updated artwork.

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Remix Records & Kniteforce Presents 'The Remix's Part 20' EP

12" | 2024 | UK | Original (Kniteforce)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | DE | Original (Kommerz)

DJ Swagger

Chemistry Forever

17,59 €* 21,99 € -20%

LP | 2023 | CH | Original (STR)

Release: 2024 / DE – Original

Genre: Electronic & Dance

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After his first two one-off singles "Black Pegasus" and "Day Without You" introduced DJ Swagger's massive songwriting abilities and love for recording instruments, his first album on Kommerz Records, "Chemistry Forever", showcases his background in UK-leaning elec- tronic music as well as new tendencies towards neo soul, indie pop and jazz. Welcome DJ Swagger to the Kommerz Records stage and prepare for the album to drop on March 22nd.
The 25-year-old from West Germany's Bielefeld is pretty much the archetype of a so-called Wunderkind. At his young age the producer, DJ, multi instrumentalist and songwriter released more than 40 vinyl records including two solo albums and endless rave tracks since turn- ing 16. As of most recently and even though coming from an electronic music background DJ Swagger's creative agenda ventured more and more into classic songwriting and taking over the role of lead vocalist of his one-man-band. His third solo album "Chemistry Forever" show- cases this transformation from UK-influenced electronica towards
neo soul and indie without losing its listeners at any point. His subtle melancholic vocal performance and the just as subtle, yet constant pop appeal make this equation solve itself magically. From electro, 2 step and breakbeat over hip-hop, indie and R&B to a final bebop (!) madness - "Chemistry Forever" is a trip for music lovers while each and every song has heavy potential to be listened to on repeat.
Besides his own vocal performances DJ Swagger also invited rappers TripSixVivo (London), Vitus04 (Bielefeld), Kaba (Paris) and poet Dainell Aiken (NYC) for mesmerizing guest perfomances. Additional production work came from Hamburg dance producer Speckman and jazz outfit Jonas Gersema Trio.
Aaaand since we called him a Wunderkind: Be aware that he's not only a next level musician, but studied graphic designer, illustrator and most likely many more things. Just an example: Most recently he sold self-made perfumed candles through his D.I.Y. label and fashion brand Goddess Music. He obviously designed everything around the album, directed the music videos and merch drops are to be expected.
For us, brothers Lukas and Jonathan, the love story goes way back though. In the midst of the long gone lo-fi house hysteria (2017-2018) we discovered the Bielefeld native's dance floor productions, which fused hip-hop braggadocio with pumping electronic music. We kept following up on his ever evolving musical journey into new genres and felt super honored when he reached out to release his upcoming projects via Kommerz.

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DJ Str

3001

LP | 1967 | EU | Reissue (El Palmas Music)

Release: 2023 / CH – Original

Genre: Hip Hop

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Introducing DJ STR's highly anticipated album "3001" – a bold fusion of boom bap beats and futuristic soundscapes. Immerse yourself in a symphony of relentless rhythms and timeless melodies that pay homage to hip-hop's roots. Available on high-quality vinyl and CD, "3001" transports you to the heart of the underground, where authenticity and craftsmanship reign supreme. Experience the future of boom bap, etched forever in DJ STR's passionate compositions. Get your copy today and embark on a sonic journey unlike any other. Welcome to "3001" – where the beats speak volumes.

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Jesus Gomez Y Su Grupo

Jesús Gómez Y Su Grupo

22,39 €* 27,99 € -20%

Strade Di Citta Black Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.

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Articolo 31

LP | 1993 | EU | Reissue (RCA)

27,99 €* 34,99 € -20%

Release: 1993 / EU – Reissue

Genre: Hip Hop, Pop

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LP | 2024 | EU | Original (Warner)

Giuni Russo

Mediterranea

27,19 €* 33,99 € -20%

Release: 2024 / EU – Original

Genre: Pop

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Vic Spencer & Small Professor

Mudslide Brown W/White Color In Color Vinyl Edition

LP | 2022 | US | Original (Coalmine)

23,19 €* 28,99 € -20%

Grim Moses X Really Hiiim

Release: 2022 / US – Original

Genre: Hip Hop

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Chicago-meets-Philly when Vic Spencer and Small Professor connect on Mudslide, the incredible new album from this pairing of raw talents. Coalmine Records is proud to share this project with the world, and it marks Small Pro’s third collaborative release on the label after he previously linked with Guilty Simpson and the late Sean Price. For the producer, it was an exciting new opportunity to team up with an emcee who’s gruff-voiced, hilarious, and can out-rap anyone on the planet. “Plus, my past Coalmine projects have their own neo/prog-boom-bap vibe, and ‘Mudslide’ continues that particular sonic blueprint,” Small Pro said. And for fans of that sound, you’re not going to find a better example of that sound than this album. It’s just as experimental as it is steeped in the traditions of rap thanks to Vic’s boundary-pushing rhymes and Small Pro’s immensely satisfying instrumentals. Tracks like “Lil Jon’s Weed Stash,” “Ew McNasty’s Revenge,” and “Selfcare Welfare” marry psychedelic vibes with grounded and clever lyricism. Another immediate standout is the lead focus track “Pitfall Music,” which features a mean-mugging guest verse from Flee Lord with cuts supplied by acclaimed turntablist, DJ Revolution.

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Jesus Piece Revival Colored Vinyl Edition W/ Obi Strip

LP | 2023 | EU | Original (Appledizzle)

38,39 €* 47,99 € -20%

Release: 2023 / EU – Original

Genre: Hip Hop

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Le Rap Francais Vu De La Pologne

Milionbeats

Tape | 2024 | EU | Original (Andrew Funk'b)

9,59 €* 11,99 € -20%

Release: 2024 / EU – Original

Genre: Hip Hop

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12" | 2024 | UK | Original (Crosstown Rebels)

Jaden Thompson

Downtown

12,79 €* 15,99 € -20%

12" | 2019 | EU | Original (Decabaret)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Jaden Thompson returns to Crosstown Rebels with ‘Downtown’, with remixes from HoneyLuv and Ghoulish. Marking his first solo outing on the label following ‘Talking Walls’ alongside Seth Troxler, the fabric resident impresses once more following recent material on Classic Music Company, PIV and his own Midnight Parade imprint.

A new school talent whose sound takes cues from Chicago while pointing to the future with forward-thinking allure and energy, Jaden Thompson’s ascent is well-documented, having been tipped by an endless list of industry heavyweights and global media outlets from an early age. Releasing on labels such as Cuttin’ Headz and Classic Music Company, amongst others, plus his own Midnight Parade imprint, Thompson’s sound and dynamic sets have seen the UK talent become a favourite for many while also hosting his ongoing Rinse FM show and curating mixes for the likes of Circoloco and Keinemusik through to Nike for it’s annual Air Max Day. Having made his label debut on Crosstown Rebels in 2022 with his standout collaboration ‘Talking Walls’ with Seth Troxler, Thompson now returns to Damian Lazarus’ legendary imprint as he serves up his first solo record on the label ‘Downtown’ - backed by remixes from surging US DJ/producer HoneyLuv and emerging UK talent Ghoulish, who makes his debut on the imprint.

Merging various shades and sounds from across the electronic sphere, ‘Downtown’ brings vibrant vocals, energy-charged synths, and sharp metallic percussion, all balanced perfectly, to the fore. HoneyLuv’s remix brings jacking drums while warping the original’s vocals todeliver a peak-time interpretation before Ghoulish flips the script, utilising off-kilter drums and spiralling lasers amongst heavy low-ends.

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DJ Yaroze

Country Club EP

8,79 €* 10,99 € -20%

Chicago Edits (Blue Lines)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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DJ Yaroze delivers a 4 track ep with some raw late night house tracks and uplifting sample house for the real deep house warriors!

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Cratebug

12" | 2016 | UK | Original (Bug)

11,19 €* 13,99 € -20%

12" | 2024 | UK (Further)

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Cratebug is a Chicago Dj, Producer & Remixer. His remixes and edits are hot gold and have found their way into the mixes and live sets of COUNTLESS DJs all over the world. MAINLINE - Legendary disco track reworked like never before. PIPELINE - A hot flip on this Bruce Johnston classic! The beat patterns alone will drive Disco freaks to the edge.

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Yeti Mind Tricks

We Ain't Like Them

Another Side Clear Vinyl Edition

Release: 2024 / UK

Genre: Electronic & Dance

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The king is dead, long live the king, as they say - except in this case the late king is DJ Bone's legendary Subject Detroit label, which has now been shuttered after 25 years, and the newly anointed king is his new outlet Further, taken from his Amsterdam parties of the same name. It kicks off with a pair of new EPs on the same day and this is the first from Yeti Mind Tricks. 'We Ain't Like Them' is a hammering Motor City techno cut for the peak time which Bone remixes into a more stripped-back but no less edgy and potent cut. On the flip are 'Bimini Road' and 'Vandelay,' both of which bring stylish techno drenched in machine soul.

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Leo Nocentelli

LP | 2021 | US | Original (Light In The Attic)

33,59 €* 41,99 € -20%

DJ Kicks Black Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet, alongside handwritten lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960s and early 1970s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard... Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Special Request

2LP | 2021 | EU | Original (!K7)

26,99 €*

LP | 2023 | UK | Original (Young Ethics)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Special Request continues his impeccable run of form with a typically fervent entry into the DJ-Kicks mix series. His adventurous 25 track mix takes in personal favourites, new school classics and of course a selection of his own brand new and exclusive edits, dubs and reworks next to some overlooked gems. Leeds based Paul Woolford dares to go where few others do. He can do face-melting underground bangers, peak time piano anthems, ambient cinematics or chart climbing crossover hits. What unites his work as Special Request across labels like Houndstooth and R&S, though, is precision engineering, but never at the expense of real, raw emotion and visceral impact. He is an artist who very much pours his heart into everything he does, and has been on such a prolific run in recent years that it has been impossible to keep abreast of all his many projects. Even in this mix, he hints at yet more new sides and sounds. As always with Special Request, this is an emotional, full spirited ride through the musical mind of one of the most accomplished artists of the day.

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Sorenious Bonk

De Beauvoir Cars

14,39 €* 17,99 € -20%

LP | 2022 | EU (Cardinal Fuzz / Centripetal Force)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The seventh release on DJ Seinfeld’s Young Ethics imprint, sees Danish electronic music producer and multi-instrumentalist Sorenious Bonk, put forward an enrapturing LP of electronica and techno.

Originally classically trained in guitar and piano, Soren spent many years working to a strict regime, until he shifted into the electronic sphere and unlocked a new appreciation and direction with sound. He cut his teeth in the world of musical composition for film and television, notably contributing to the soundtrack of hit Netflix series “Sex Education” and has now turned his attention to a more electronically focussed output.

Touching on elements of ambient, electronica, indie-dance and techno, Soren shows an adept range throughout the LP, approaching electronic music from a new stand point and delivering a unique listening experience.

Young Ethic’s are pleased to present Sorenious Bonk’s debut LP.

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Mirage

Telepathic Radio

17,59 €* 21,99 € -20%

Release: 2022 / EU

Genre: Rock & Indie

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Recognize Ali / Sultan Mir

Too Visible Too See Black Vinyl Edition

LP | 2023 | US | Original (1332)

Release: 2023 / US – Original

Genre: Hip Hop

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2LP | 2023 | EU | Original (Koryu Budo)

Groof

When The Uncanny Arises

22,39 €* 27,99 € -20%

LP | 2024 | EU | Original (Mahres)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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For this special release he provides 8 cuts of advanced techno, from mental and hypnotic to broken and industrial or simply arpeggiated and beatless.

When THE Uncanny Arises starts with No Gender Role an elastic mental exercise with metallic and processed components flying over a solid kick and white noise percussive elements add some hypnotic pads and you have a powerful mind and body tool.

Blue follows in a similar approach, clean drum programming, bleepy synth lines and a progressive arrangement constantly evolving and changing Flipping the vinyl, it’s time for the broken rhythms of Feel and understand combining distorted kicks with gummy sequences again administered in a quite wise structure.

Klonger closes the B side with obsessive metallic hits repeating until madness, a powerful industrial beat for the experienced dj’s out there.

The second vinyl slice begins with Negative One, returning to the martial beat combining a precise drum workout with floaty and liquid components, followed by Anonimo coercitivo exploring the deepest side of techno using textures and drones to spice the relentless beat.

Zero opens the C side, providing a solid distorted groove with metallic details and sci fi interstellar bell like sequences, proper futuristic vibes here.

Saying goodbye, the beatless Nothing To fear, an arpeggiated synth solo reminiscent of the old Berlin School of electronics from the seventies.

A touchable proof of his craftsmanship in the studio by one of the key figures in the European techno scene.

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Contacte Visual

Malsons Del Raval

20,79 €* 25,99 € -20%

Quintessence Brown Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A few copies of this arrived with creased/bended corner - we therefore sell them at a reduced price.

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JPQ

LP | 1983 | US | Reissue (Tidal Waves Music)

21,59 €* 26,99 € -20%

LP | 2023 | EU | Original (Closed Sessions)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies. JPQ (Jimmy Person Quintet) was a short-lived soul & funk band from the Greensboro, North Carolina area who released just one album in 1983. Their only album (Quintessence) would become a much sought-after private pressed holy grail within the record collecting community.

Jimmy Person started performing as a singer/guitarist in the early 70’s in Greensboro…after appearing at several local events and multiple appearances on Wfmy-tv, he was approached to perform regularly at a restaurant (named Sammy’s) that featured live music. By the mid 70’s Jimmy began working with his sister (Rhoda Randolph) and his then wife (Marilyn Person) both featuring as background singers. Other skilled musicians began to sit in on Jimmy’s performances…starting with Charles Carlton (guitar), followed by Cirt Gill (bass guitar) and then finally by Larry Clay (drums). The group gained quick popularity and played to a regular packed house. After Talib Din (keyboards) joined…JPQ was now complete!

Offers for gigs started coming in fast and the group began giving regular performances at a larger restaurant named Huck’s. With a fast growing fanbase, the group started evolving beyond just being Person’s “backup band” to a serious outfit with strong lead-vocals by Jimmy, Larry, and Cirt. The group started traveling to perform at dances, wedding receptions, concerts, clubs, and outdoor jazz events. The group performed as an opening act for many national artists from the likes of Melba Moore, Archie Bell and The Spinners as their popularity increased. JPQ is still remembered today for their memorable live performances in North Carolina, South Carolina, and Virginia!

JPQ’s first recording was, “Have A Little Faith in Me” released as a 45 single. The 7inch got radio airplay on stations in North Carolina and this then led to the production of the “Quintessence” album (released on Jam-A-Ditty Records in 1983). The name of the label was a reference to Cirt’s father who was a radio pioneer (and the first Black DJ at Wgbg Radio) from 1949 to 1960. He was known on the air as ‘Jam-A-Ditty’.

After JPQ disbanded in the mid 80’s, members went their own way… Cirt Gill started his work as a band director in the Guilford County School system where he directed marching bands & jazz bands at different schools and in numerous concerts/performances. He has been busy teaching academic music production, playing in regional bands (that were opening acts for major artists such as Earth, Wind & Fire, Millie Jackson, Bobby Womack, The Isley Brothers, etc.) and has performed on tours both at home as abroad (from Iceland to Japan). In 1985 Gill was cast as the ‘Juke Joint Musician’ by Quincy Jones to star in Steven Spielberg’s 1985 film ‘The Color Purple’ and got the chance to work with Whoopi Goldberg, Laurence Fishburne & Oprah Winfrey.

JPQ was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is their “Quintessence” album. The entire album is filled with sexy (yet strong) vocals, groovy bass lines & even cosmic/bluesy guitar touches …one can clearly hear the influences of artists like George Benson, The Crusaders, as well as several Motown acts like Marvin Gaye softly slipping in. If you like your tracks either slow, sexy and groovy or prefer them fast paced and more experimental…look no further, “Quintessence” has it all. This is THE perfect combination of slick soul, timeless funk, smooth jazz and melancholic R&B.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic private pressed North Carolina soul/funk album (originally released in 1983 on Jam-A-Ditty Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition complete with the original artwork and insert. Limited to 100 copies 180g Brown Vinyl (available exclusively from HHV Records).

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Closed Sessions

Closed Sessions Volume 2

23,19 €* 28,99 € -20%

Kidcutup, Grzly Adams & Trackstar The DJ

Release: 2023 / EU – Original

Genre: Hip Hop

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Recorded between 2010-2012, Closed Sessions Vol. 2 is a snapshot of a begotten time in Hip-Hop music and blog culture. The album features an eclectic class of artists such as Action Bronson, DJ Babu, Vic Mensa, The Cool Kids, Rockie Fresh, Freddie Gibbs, and others coming to the legendary SoundScape Studios and participating in the Closed Sessions program. Every song was followed by a documentary on Mtv2 Sucker Free. CS Vol. 2 was originally released August 23, 2012 and has been offline since 2015, the album has been re-mastered and is being released on vinyl for the 1st time ever. Limited to 500 copies.

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Timezones

Tape | 2024 | EU | Original

11,99 €* 14,99 € -20%

Espontaneamente Se Tenta: Aventuras Sonoras De DJalma Correa

Release: 2024 / EU – Original

Genre: Hip Hop

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KidCutUp from L.A., Trackstar the Dj from St. Louis and Grzly Adams from Berlin connected through the mutual love for Hip Hop. 3 different Timezones and one goal - Make timeless shit!!!

After sending mixes back and fourth for quite a while here is the final Mixtape.

Yes you heard it right, we decided to make an actual Tape.

Artwork & Design by Skor82

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DJalma Correa

2LP | 2024 | WW | Original

32,79 €* 40,99 € -20%

CD | 2020 | US | Original (Air Vinyl)

Release: 2024 / WW – Original

Genre: Organic Grooves

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"Espontaneamente se Tenta: Aventuras Sonoras de Djalma Corrêa is an album of deeply exploratory pieces by legendary percussionist and composer Djalma Corrêa. This double-LP set features previously unreleased recordings that cover a wide range of sonic experiments, revealing an unknown side of the prolific and groundbreaking Brazilian artist. Most of the tracks on this album were digitized for the first time – directly from the original tapes – and were compiled in collaboration with Corrêa just before he passed.

The result is a wild and unsettling collage that shows us just how original and intense Corrêa could be: from the unorthodox electroacoustic piece Evolução (Para Fita e Filme), which channels ancestral African inspirations to create a sonic cosmogonical narrative, to the proto-mixtape Exemplo de Sintetizadores, in which he transitions from transcendental drones to astral cha-cha-chas.

While the compilation might seem disjointed at first listen, it is in fact the most accurate translation or representation of his central concept: spontaneous music. Djalma's relationship with sound was always guided by his fearless approach to listening, and by his audacious and dynamic interaction with both musicians and equipment, which enabled him to work across a wide array of genres: from jazz to completely abstract music, always through a personal DIY ethic.

Corrêa developed a strong bond with experimentalist and inventor Walter Smetak, with whom he shared a studio during his formative years at Universidade Federal da Bahia. Suite Contagotas, featured in this collection, is no less than a sonic materialization of that bond: an experiment revolving around dripping water and its randomness – a tentative exploration of the ideas and possibilities envisioned by Smetak for his audacious, albeit unrealized, Estúdio OVO.

Djalma, however, is best known for his studio work in historical albums, including many by Caetano Veloso, Gilberto Gil and Jorge Ben, and for his own polyrhythmic opus Baiafro. The last track is an early recording called Bossa 2000 dC, first performed by Djalma at the 1964 Nós, Por Exemplo concert, an event which is often cited as marking the beginning of the Tropicalia movement. At the time, he was the only artist in the lineup using electronic devices to create sounds, e.g. medical oscillators and contact mics to augment his percussive palette.

The artwork is an amalgamation of material found in the Djalma Corrêa Archive (currently managed by his son Caetano Corrêa) and other material created during the period in which the record was being put together. The intention is to guide the listeners through this possibly tempestuous soundscape, giving them additional resources so that they may draw their own meanings and make their own sense of this extremely immersive and original experience – which is like nothing we've ever heard before."

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Elcamino

Walking On Water

14,39 €* 17,99 € -20%

Release: 2020 / US – Original

Genre: Hip Hop

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Diggin Groove-Diggers - Best Of Tribe - Selected By Muro

LP | 2022 | JP | Original (P-Vine)

27,99 €* 34,99 € -20%

Leonard Lothlen Project / Gospel Clouds

Release: 2022 / JP – Original

Genre: Organic Grooves

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Compiled by the one and only DJ Muro!

Japan’s “King of Diggin’”, Muro, selected his favorite songs from the Tribe catalog, and we’ve compiled them onto a single LP! From spiritual jazz to funky grooves, don’t miss this special edition compilation!

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In The Presence / Let Us Pray

7" | 1971 | UK | Reissue (Izipho Soul)

12,79 €* 15,99 € -20%

12" | 2023 | UK | Original (Marker)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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It was a blessing to make contact with California gospel music icon Leonard Lothlen.

The concept behind this release was to place two gospel compositions recorded fifty years apart on one record! Musically diverse, both inspirational. IN THE Presence features Derick Hughes’ powerhouse vocals with a nod of respect to the late great Bishop Rance Allen

Leonard’s first record in the group G.C.’s from 1971, LET US Pray is a proven rarity with only a handful of copies documented as sold online. Uniquely trippy in sound with the sweetest of harmonies. Limited edition of 300 copies.

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DJ MK

Safety First

19,19 €* 23,99 € -20%

Release: 2023 / UK – Original

Genre: Hip Hop

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LP | 2023 | EU | Original (Dualismo Sound)

Teknoafro

Teknoafro Mix

21,59 €* 26,99 € -20%

LP | 2022 | EU | Original (Tuff Kong)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Borgo Dora is a multiethnic neighborhood located in the centre of Torino. A perfect example of inclusion between different people from (mainly) the Mediterranean area and home to Porta Palazzo, the largest open-air market in Europe. In 1991, a newly born studio located in the middle of the district guided by Biagio Puma decided to give birth to a dance lp called Teknoafro with the support of local Techno dj Bart Spinelli. The title almost speaks for itself, mixing the Italian "Afro" dj culture and the new Akai samplers with 909-driven Techno rhythms. The result was impressive, giving birth to a quite unique recording that reveals many aspects of the '90s Italian dance creativity and tapestry. Dualismo Sound comes with a fully remastered selection of 6 tracks taken from the original lp.

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Dom Dirtee

The Hardcore Composer 2

27,19 €* 33,99 € -20%

Release: 2022 / EU – Original

Genre: Hip Hop

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Step Off / Don't Fool With The Dips Black Vinyl Edition

A-Trak

7" | 2023 | US | Original (Flipnjay / Fools Gold)

16,79 €* 20,99 € -20%

LP | 2022 | DE | Original (Staubsound)

Release: 2023 / US – Original

Genre: Hip Hop

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A-Trak! You may have been introduced to him as a World Champion turntablist, an iconic indie record label owner, half of Duck Sauce, a producer, a festival DJ, a remixer, Kanye’s Tour DJ, OR, a former Juicero advocate, but you may not know that he had a Hip-Hop record label in the early to mid 2000’s called Audio Research Records.

During this time, Trizzy hooked up with arguably 2 of the best Hip-Hop groups to come out of that era, producing records for Little Brother and the mighty Dipset! One of the very few Little Brother records that 9th Wonder didn’t produce, “Step Off” falls right in line with the whole LB aesthetic. A-Trak got busy with a bouncy joint that ended up on tons of mixtapes, available Only on ARR 12” until now! Same story with the b-side, A-Trak teamed up with Dipset for “Don’t Fool With The Dips!” featuring 40 Cal, Hell Rell, J.R. Writer.

FlipNJay Records is excited to re-release these joints in collaboration with Fool’s Gold Records on 7 Inch vinyl along with brand new original artwork designed by Rhek!

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Gavin Sense

Rooftop Microcosm

14,39 €* 17,99 € -20%

Release: 2022 / DE – Original

Genre: Hip Hop

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Syncrophone 15 Years Anniversary Volume 1

12" | 2021 | EU | Original (Syncrophone)

9,59 €* 11,99 € -20%

LP | 2023 | US | Original (Phantom Limb)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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First volume of a long series for the fifteenth anniversary of Syncrophone. This first EP brings together the first artist released on Phonogramme. John Jastszesbki, talented French artist with multiple facets & not stereotyped. Cold sun is one of the flagship tracks ever released & produced in 2015. Its dazzling style is reminiscent of a flagship track released by Mike Grant remixed by Mr G. Cold sun is surely one of the tracks not to be missed on this first volume. To finalize this first EP, we wrote the classic of 1993 "Symphonium" already released with an edit by DJ Deep in 2018 but this edit is surely one of the most timeless of the edit series made by the godfather of electronic "frog" music.

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WaqWaq Kingdom

Hot Pot Totto

25,59 €* 31,99 € -20%