Search "Jessie+Ware" 12175 Items

Black Ice 50th Anniversary Golden Vinyl Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie, Christmas

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Why you'll love it...

Traditional Christmas songs performed and arranged by Bright Eyes' Conor Oberst and Maria Taylor along with the help of Jake Bellows, Gretta Cohn, Armand Costanzo, Denver Dalley, Stefanie Drootin, Orenda Fink, Neely Jenkins, Jiha Lee, Andy LeMaster, Mike Mogis, Matt Oberst, Stephen Pedersen, Blake Sennett, Macey Taylor and Nick White.

Limited to 2000 copies, the VMP exclusive version of Bright Eyes' A Christmas Album is pressed on Blue Seafoam Wave vinyl at Independent Record Pressing (IRP). The 1 LP will arrive in a single direct-to-board, foil-stamped and numbered jacket.

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AC/DC

2LP | 2008 | EU | Reissue (Sony Music Catalog)

46,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Grand Jury Music)

Jordana

Lively Premonition

23,99 €*

Release: 2024 / US – Original

Genre: Pop

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LP | 2024 | Original (We Are Busy Bodies)

Christo Graham

Music For Horses

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | US | Original (EOS)

Empire Of Sound

All Mine

21,99 €*

Release: 2023 / US – Original

Genre: Hip Hop

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Dedication Orange Vinyl Edition

Tribe

LP | 1977 | UK | Reissue (Soul Jazz)

A Certain Kind / Everybody's Talkin' Record Store Day 2022 Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Soul Jazz Records are issuing this album as a one-off pressing special orange Colored Vinyl edition, fully remastered and with exact reproduction artwork.In similar vein to groups such as Mandrill, Jimmy Castor Bunch, The Blackbyrds, Pleasure and Kool and the Gang, Tribe blends together elements of funk, jazz, rock, latin and soul music into a unique sound (their first album was aptly named "Ethnic Stew")."Dedication" is a fantastic long-lost album of deep funk, soul and jazz from the group, originally released independently in 1977 and out-of-print for over 45 years.

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Weyes Blood

7" | 2022 | US | Original (Mexican Summer)

19,99 €*

Fruit Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited to 2000 copies. A Certain Kind b/w Everybody's Talkin' is a double A-side 7" of cover songs by Weyes Blood, originally recorded by Soft Machine and Fred Neil. This limited edition of 2,000 worldwide on Blood Starburst color vinyl is available exclusively for Record Store Day 2022.

A Certain Kind b/w Everybody's Talkin'

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The A's

LP | 2022 | US | Original (Vinyl Me, Please)

Gently Powerful, Live (As If It Were Forever) Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Amelia Meath and Alexandra Sauser-Monning have been sharing the stage for upwards of fifteen years; they have now come together for a new band called The A's. Their debut album, Fruit, shares a beautiful ten-song collection that features covers of folk songs, lullabies, ballads and more. The album includes their rendition of “He Needs Me,” the Harry Nilsson and Shelley Duvall classic from 1980’s Popeye along with standouts like the ballads “Swing and Turn Jubilee,” “Copper Kettle,” “Buckeye Jim” and others. Fruit is a glimpse a deep collaboration and friendship between the two artists and bandmates.

Limited to 400 copies, the VMP exclusive edition of The A's Fruit is pressed on 1LP Banana Yellow vinyl at Citizen Vinyl. The album will arrive in gatefold direct-to-board, hand-numbered jacket. It's mastered by Patricia Sullivan of Bernie Grundman Mastering.

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Anna Wise

LP | 2021 | US | Original (Vinyl Me, Please)

Relief - A Benefit For The Jazz Foundation Of America's Musician's Emergency Fund Vinyl Me, Please Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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Why you'll love it...
Recorded inside a geodome at upstate New York's The Outlier Inn, Gently Powerful is a live reimagining of Anna Wise's debut solo LP, As If It Were Forever (and includes one track, ‘’Balance In All'' from Wise's earlier release, The Feminine: Act II). Almost exactly one year to the date of its release, Wise and some of her closest collaborators safely gathered to celebrate As If It Were Forever with these intimate live recordings.

All tracks on Gently Powerful feature performances by Anna Wise (vocals, loops), Jon Bap (drums, vocals, samples, guitar), Joy Morales (keys, synthesizer, vocals) and Juuwah (bass), recorded and mixed by Steve Vealey, and mastered by Kevin Moo. The arrangements heard on these recordings were originally conceptualized as part of Re/Birth, Wise’s February 2020 residency in Los Angeles produced in partnership with Gxrlschool.

Wise first gained recognition with her band, Sonnymoon, and through collaborations with Kendrick Lamar. Wise won a Grammy for Best Rap/Sung Performance for her collaboration on Lamar's ‘’These Walls,'' and she has appeared on each of his projects since good kid, m.A.A.d. city. In 2016, Wise independently released The Feminine: Act I, her first solo EP, and followed it up in 2017 with The Feminine: Act II. The studio version of As If It Were Forever saw a return to collaboration, featuring Little Simz, Jon Bap, Nick Hakim, Denzel Curry, Pink Siifu and more. Recently, Wise has also collaborated on records from Durand Bernarr, Mndsgn and L'Rain.

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V.A.

2LP | 2024 | US | Original (Vinyl Me, Please)

41,99 €*

Strange Communication Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Why you'll love it...
In a never-before-heard-of collaboration, major jazz labels Blue Note Records, Concord Music Group, Mack Avenue Music Group, Nonesuch Records, Universal Music Group, Verve Label Group and Warner Music Group have joined hands to offer a compilation of unreleased music. Part of the proceeds earned from the album will go toward the Jazz Foundation of America’s Musician’s Emergency fund, which supports musicians who have been affected by COVID-19 shutdowns.

Joe Petrucelli of JFA shared, “The Jazz Foundation of America deeply appreciates the artists, songwriters and label teams who contributed to this project with such compassion and generosity. As pandemic restrictions continue to lift, we recognize that musicians will face a particularly lengthy recovery. They were among the first to be hit by the effects of the crisis and will be among the last to achieve a true sense of normalcy or stability. We and our partners are here for the long haul.”

Among the featured artists are Herbie Hancock, Joshua Redman, Christian McBride, IRMA and LEO, Cécile McLorin Salvant and more. The highly hailed pianist Herbie Hancock commented, “I'm honored to be part of this meaningful project that supports the important work of the Jazz Foundation, who has always been there for musicians going through tough times. They have been an especially critical resource for the community during the pandemic, helping those in need of medical care, putting food on the table and paying their rent.”

While the album supports musicians across the industry, it also commemorates the artists whose lives were lost to the pandemic and throughout the year, including Wallace Roney and Jimmy Heath. The collaboration illustrates the camaraderie among labels and musicians, tying together the talents of a roster of stars to support the people who have brought the world together through music.

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Is Bliss

LP | 2019 | EU | Original (Club AC30)

22,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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...And You Will Know Us By The Trail Of Dead

Worlds Apart Clear Vinyl Edition

2LP | 2023 | Original (Silverdoor Music)

51,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Club AC30)

Air Formation

Daylight Storms

44,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Edged Circle Productions)

Yoth Iria

Blazing Inferno

48,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hallucinogen Purple / Blue Merge & Green / Purple Merge Vinyl Edition

Blut Aus Nord

LP | 2019 | FR | Reissue (Debemur Morti Productions)

63,99 €*

Release: 2019 / FR – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (BB*Island)

Simon Joyner

Coyote Butterfly

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rythmetic: The Compositions of Norman McLaren

Norman McLaren

LP | 2024 | US | Original (We Are Busy Bodies)

Rare Birds Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) - creator of seminal short films Dots, Neighbours, Synchromy and many more - is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music.

Norman McLaren was once described by composer, music theorist, and mathematician Milton Babbitt as “the first electronic musician.” In addition to his pioneering work in animation, the electronic soundtracks McLaren created for his own films employ astonishing foresight and a characteristically precise methodology. They also crystallise boundless creativity, wit and whimsy, and illuminative brilliance into a unique insight to his remarkable mind, with or without visual accompaniment.

Rythmetic: The Compositions of Norman McLaren marks the first time his soundtracks have been released on record, carefully curated from his most important film works, hours of archival tapes, and multiple versions of the same key compositions. It represents an essential overview of McLaren as a composer, in neat dovetail with McLaren the filmmaker. Both are crucial figures in the respective developments of their fields, opening doors to a future that might not have existed without McLaren.

As an animator, McLaren was renowned for utilising or inventing techniques at their very vanguard and shaping to his needs the rudimentary technology of the era. Many of these techniques and technological adaptations, developed at the National Film Board of Canada over the 1940’s and 50’s, would eventually become adopted into standard practice for animation. He also blazed new trails for soundtrack composition: having heard the glue of spliced film reel produce sound as it passed through his equipment, he began meticulously applying his own cuts and notches to the tape and measuring the frequency values of the tones these striations would emit. Over years of refinement, he created a series of cards to correspond to eight octaves of musical notes, frequency by frequency, and to recruit these cards to compose his soundtracks. It was a way to maintain total creative control and freedom over his own work - every single frame would be processed “the McLaren way”.

“He could have used a synthesiser,” writes long-term assistant, friend, and filmmaker of McLaren documentaries Don McWilliams, also at the National Film Board, “but he had his own method and he stuck with it.” John Cage was an ardent fan, inviting McLaren to his infamous downtown NYC socials and once even writing to McLaren to beg a recommendation for his recruitment at the National Film Board.

Unsurprisingly, McLaren was musically capable and aware throughout his career. He was an inquisitive listener, often drawn to rhythmic expression found outside western music, and he collected records for both reference and enjoyment. West African and Chinese music were particular pleasures, as well as the gypsy jigs that in his youth had informed his own practice as a violin player.

The opening piece to this compilation, “Now Is The Time”, is crafted from trilling, birdsong arpeggiations of dulcet high frequency tones that chatter and warble in scattered dialogue. Accompanying the clouds, multiple suns, and dancing figures of the film, the soundtrack is alive with joy and wonderment. Next, “Rythmetic”, soundtracking McLaren’s famed numeric sequence visualisation, pitters and patters with the types of glitching rhythms so coveted by contemporary electronic music almost a century later. Even from these first pieces alone, it is readily apparent that McLaren could not have achieved the effect he desired with scored instrumentation. The “McLaren way”, so crucial to his process, is as much foundational to his soundtracks as it is to the films themselves.

Despite his acclaim and recognition within the world of film and animation - he won an Oscar, a Palme d’Or, is a favourite of George Lucas’, and is recorded in UNESCO’s cultural heritage archives (none of which interested him) - Norman McLaren is not a Walt Disney, Tex Avery, Chuck Jones, or an Ub Iwerks. His work is unflinchingly outré. Seeking out experimental, innovative, and unconventional modes of storytelling, his creative expression went even deeper than pioneering methodology and a prolific output, becoming part of the man himself as his working hours in the studio became longer and longer as his career blossomed. Even his straightest films are decidedly odd at their core, revealing not only a playful and joyously childlike sense of humour, but also the perpetual pursuit of perfection that fuelled his filmmaking throughout his life.

A gay man, McLaren also resisted the normative social structures of the day in his personal life, acutely aware of the legal implications of his relationship with lifelong partner and fellow NFB director Guy Glover. He also remains revered as the most generous and trusting of teachers, bringing under his wing young or inexperienced filmmakers in whom he saw passion and promise. His second protegee George Dunning, who went on to produce Yellow Submarine for the Beatles, had only recently graduated when McLaren brought him to work in the NFB studios.

Towards the end of McLaren’s career, McWilliams asked him how he perceived his own legacy; how Norman McLaren would be remembered in a hundred years’ time. “A filmmaker who made some interesting films,” was his reply. Modest, funny, wise, and yet knowingly sly. An answer most McLaren.

William Norman McLaren was born 11th April 1914 in Stirling, Scotland. He died January 27th 1987 in Hudson, Canada.

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The Bug Club

2LP | 2024 | CA | Original (We Are Busy Bodies)

38,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Reissue (Music On Vinyl)

Greatest Hits

36,99 €*

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

LP | 1978 | Reissue (BMG Rights Management)

Jean-Michel Jarre

Oxygene

Release: 1978 / Reissue

Genre: Pop

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LP | 1976 | Reissue (BMG Rights Management)

Jean-Michel Jarre

Equinoxe

Release: 1976 / Reissue

Genre: Pop

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Les Chants Magnetiques Magnetic Fields

Jean-Michel Jarre

LP | 1981 | Reissue (BMG Rights Management)

Release: 1981 / Reissue

Genre: Pop

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Propaganda HHV Exclusive Yellow Vinyl Edition

LP | 2024 | EU | Original (Bureau B)

27,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Funky Best Black Vinyl Edtion

Jiro Inagaki & Friends

LP | 1975 | EU | Reissue (Cinedelic)

21,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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From Within Colored Vinyl Edition

Mortimer

2LP | 2024 | US | Original (Easy Star)

46,99 €*

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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Dance Of Love Mixed Coloured Vinyl Edition

Tucker Zimmerman

LP | 2024 | Original (4AD/Beggars Group)

27,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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I'm Wide Awake, It's Morning Vinyl Me, Please Edition

Bright Eyes

LP | 2024 | US | Original (Vinyl Me, Please)

Luz De Luna Feat. Leo Power & Pablo Dominguez

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
"I’m Wide Awake, It’s Morning came out in 2005, Conor Oberst’s folky foil to Bright Eyes’ concurrent release, the electronic experiments of Digital Ash in a Digital Urn. It’s distinct placement in an Americana lineage takes center stage, from the detailed, no-holds-barred vulnerability in its storytelling to gripping vocal appearances from Emmylou Harris. For many, it’s looked fondly upon as the well-worn soundtrack to a distinct coming-of-age period, much like the time of exploration Oberst chronicles across the songs on the album, where even the mundane is something worthy of marveling at."

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Lono Ritmo

12" | 2024 | UK | Original (Is It Balearic)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Lono Ritmo arrive at IIB HQ from some distant mysterious exotic land bringing a deeply authentic gypsy flamenco rhythm with them. Luz de Luna has a Spine tingling vocals and emotive guitar transporting you to a Spanish mountain side camp under the setting sun. Pablo's Groove highlights the percussion tracks. Ibiza legends Dj Pippi and Willie Graf turn the OG into a trademark deep dance floor groove that would sound right at home in their Ibiza dj sets The Dubstrumental drops the Vox and the hypnotic dance is on. Already roadtested on the white Isle last summer, Authentico!

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Propaganda Black Vinyl Edition

LP | 2024 | EU | Original (Bureau B)

27,99 €*

Release: 2024 / EU – Original

Genre: Pop

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2LP | 2024 | US | Original (Varese Sarabande)

Jerry Goldsmith

OST Haunting

49,99 €*

Release: 2024 / US – Original

Genre: Soundtracks

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Busy Bee Cafe Vinyl Me, Please Edition

Marty Stuart

LP | 1982 | US | Reissue (Vinyl Me, Please)

LP | 2024 | EU | Original (Alien Transistor)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“The moment country music was born, it started dying — at least according to a particular substrate of purists. For decades, they have dug in their heels for fiddle, for mandolin, for harmonies. Every so often, they get a win, pulling the rope over to their side in the endless tug-of-war between country music that incorporates the pop trends of the day (for both creative and commercial reasons), and country music that prioritizes mining the music’s widely mythologized tradition.

Marty Stuart was one of those artists. On 1982’s Busy Bee Cafe, the singer and mandolin player flaunted his real country bona fides via both his prodigious picking and the gaudy talent among the album’s personnel — earned in the course of a career that had already, apocryphally, lasted a decade in spite of the fact that Stuart was just 24 years old when the album was released. Far from being an appetizer to Stuart’s eventual commercial success, Busy Bee instead showcases his deep reverence for his musical forebears, radio playability be damned. The folksy release falls in line with a persistent strain of traditionalism even more than it does the commerce-minded revivals of Strait and Skaggs — a strain that endures today, fueled in part by inspiring performances like those captured on this album.”

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o'summer vacation

Electronic Eye

Eiga Demo Miyou (Let's Watch A Movie) / 4 Mills Brothers

Release: 2024 / EU – Original

Genre: Rock & Indie

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Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.

“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)

Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (dmbq, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).

Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.

Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”

It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.

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Cassette Con-Los

7" | 2024 | JP | Original (Con-Los Jazz International)

20,99 €*

LP | 1980 | US | Original (Warner)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Catchy melodies and tropical rhythms. CaSSETTE Con-los, the best calypso/Latin band in Japan, is releasing a 7-inch ahead of their long-awaited full-length album, their first in 13 years! CaSSETTE Con-los, which boasts deep-rooted popularity among various fans for its genre-less and borderless musicality and euphoric live shows, has completed its long-awaited full-length album, their first in about 13 years. This album is a precursor single that serves as a greeting to the fans. The release includes two songs, "Eiga Demo Miyou" (Let's watch a movie), a Japanese calypso with a catchy melody and superb vocals, and "4 Mills Brothers," a serious and mellow song that will not be included on the album, but is familiar to the live audience and is a perfect greeting.

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Al Jarreau

This Time

6,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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The Best Of Earth Wind & Fire Vol. II

LP | 1988 | US | Original (Columbia)

28,99 €*

LP | 1980 | US | Original (Motown)

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Still in shrink but opened with hype sticker. Original US Carrollton Pressing.

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Four Tops

The Four Tops

13,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1975 | JP | Original (Atlantic)

The Modern Jazz Quartet

The Last Concert

14,99 €*

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with insert. OBI is missing.

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LP | 1983 | US | Original (Columbia)

Electric Universe

8,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1962 | US | Original (Liberty)

Timi Yuro

What's A Matter Baby

12,99 €*

LP | 1986 | US | Original (Def Jam)

Release: 1962 / US – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Small tear in bottom spine. Original US mono pressing.

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Oran 'Juice' Jones

Juice

18,99 €*

LP | 1975 | US | Reissue (Atlantic)

Release: 1986 / US – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original US pressing. Still in shrink but opened with hype sticker. Tiny corner wear and some paper scuffs. Original inner sleeve.

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The Modern Jazz Quartet

The Best Of

7,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1957 | US | Reissue (Everest Records Archive Of Folk & Jazz Music)

Charles Mingus

Charlie Mingus

7,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Label variation. US pressing.

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LP | 1977 | US | Original (Columbia)

All 'N All

21,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1983 | US | Original (Arista)

Ray Parker Jr.

Woman Out Of Control

9,99 €*

LP | 1957 | US | Reissue (Original Jazz Classics)

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

US RCA Indianapolis original. Few slight paper scuffs. Original inner sleeve.

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Jackie McLean

Jackie McLean & Co.

LP | 1963 | UK | Original (Ace Of Hearts)

Release: 1957 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Still in shrink but opened. US mono reissue from 1983.

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Billie Holiday

The Lady Sings - Vol. 1

18,99 €*

LP | 1981 | US | Original (Warner)

Release: 1963 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

UK mono pressing.

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Al Jarreau

Breakin' Away

7,99 €*

The Modern Jazz Quartet With Laurindo Almeida

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Collaboration

LP | US | Reissue (Atlantic)

14,99 €*

LP | 1980 | JP | Original (East Wind)

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover closer to VG+

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The Great Jazz Trio

Chapter II

23,99 €*

LP | 1969 | JP | Original (Sun)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI. Vinyl with a couple of light scuffs, Cover with light shelf wear. Copy closer to VG+

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Sunny Boy Jazz Band

Mood In Jazz

10,99 €*

The Modern Jazz Quartet Guest Artist: Sonny Rollins

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. With booklet. Japanese pressing.

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The Modern Jazz Quartet At Music Inn — Volume 2

LP | 1973 | US | Reissue (Atlantic)

17,99 €*

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Medium: VG+, Cover: VG

LP | 1987 | JP | Original (Geffen)

Ray Parker Jr.

After Dark

11,99 €*

LP | 1961 | US | Original (Liberty)

Release: 1987 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Close to NM. Japanese pressing. OBI is missing.

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Timi Yuro

Hurt!!!!!!!

LP | 1982 | JP | Original (Elektra)

Release: 1961 / US – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Original US Mono Hollywood pressing.

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Grover Washington, Jr.

The Best Is Yet To Come

Y2K Alternate Cover Artwork & Green Vinyl Edition

Release: 1982 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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Ice Spice

LP | 2024 | US | Original (Polydor)

41,99 €*

LP | 1963 | US | Original (Liberty)

Release: 2024 / US – Original

Genre: Hip Hop

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Y2K! is a sugar rush of playful sensuality and unbothered cool—a true representation of the Bronx baddie herself. Ice Spice, born on January 1st, 2000, brings the Y2K vibes and undeniable beats that will make you want to party like it's 2000, before you had to worry about your late-night social media going viral. Ice Spice lives up to her name, bringing straight fire to your speakers this season.

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Timi Yuro

Make The World Go Away

Release: 1963 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2024 | US | Original (Code 7)

Fear Of The Known

Last Song

47,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Last Night Glasgow)

We Are Muffy

Lost Things Returning

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Moshi Anison Ga Subete Showa No Robot Anime Fu

Ichiro Kageyama

LP | 2024 | JP | Original (Kabuki Lounge Ace)

39,99 €*

Túnel Acústico Pink Vinyl Edition

Release: 2024 / JP – Original

Genre: Soundtracks

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Finally, the album "Moshi Anison ga Subete Showa no Robot Anime Fu Datta Ra" (If all anime songs were in the style of robot anime from the Showa era), which covers classic anime songs in the "Showa Robot Anime" arrangement, is now available on LP! A total of nine songs, including a cover of Neon Genesis Evangelion's theme song "A Cruel Angel's Thesis"!! A number of classic anime songs, all reincarnated in the style of Showa-era robot anime! The singer is Ichiro Kageyama, a veteran singer who loves Ichiro Mizuki, the king of anime songs, so much that he has developed a voice that sounds just like Ichiro Mizuki.

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Marcos Valle

LP | 2024 | WW | Original (Far Out)

CD | 2024 | UK | Original (Far Out)

Release: 2024 / WW – Original

Genre: Organic Grooves

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No one has lived a life quite like Marcos Valle. He became an overnight international sensation, fled a military dictatorship, dodged the Vietnam war draft, had his music sung by Homer Simpson, made enemies with Marlon Brando, and became an unsuspecting fitness guru for multiple generations. But to truly understand the great Brazilian composer, arranger, singer and multi instrumentalist, one must listen to his music.
Between the release of his first album in 1962 and today, Marcos Valle has released twenty-two studio albums traversing definitive bossa nova, classic samba, iconic disco pop, psychedelic rock, nineties dance and orchestral music. He has also had his songs recorded by some of the all time greats, including Frank Sinatra, Sarah Vaughn, Sergio Mendes, Elis Regina, and (last but not least), Emma Button of the Spice Girls. He has also had his music sampled by Jay-Z, Kanye West, Pusha T and many more.
With his twenty-third studio album Túnel Acustico, Valle set out to bring it all together.
“I believe my music is many things. It goes in different directions. I have many different ways of writing music, sometimes it’s melodies and harmony, sometimes the groove is the focus. But all the music I have made over my sixty year career is unified. It is all natural and it is all sincere. And this is what I wanted to bring to my new album.”
A prominent feature of Valle’s career has been his dual residence between Brazil and the USA. Originally moving over in the mid-sixties on the back of bossa nova’s international proliferation, Valle toured with Sergio Mendes and became hugely in demand as a composer and arranger. But the Vietnam War loomed and the threat of being drafted saw him return to Brazil. He spent the following years in Rio writing music for TV and film, as well as four cult favourite albums in collaboration with some of Brazil’s most groundbreaking musicians including Milton Nascimento, Azymuth, Som Imaginario and O Terco.
By 1975, Brazil's military dictatorship was at its most oppressive, making living and working increasingly difficult. Valle moved back to the US where he would reside in LA, writing songs for, and collaborating with the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, amongst others.
Túnel Acústico features two songs originally conceived during Valle’s time on the West Coast: “Feels So Good”, a stirring two-step soul triumph written in 1979 with soul icon Leon Ware, and the sublime AOR disco track “Life Is What It Is”, composed around the same time, with percussionist Laudir De Oliveira from the group Chicago.
Built around an unfinished demo Marcos found on a shelf in his house 44 years after it was made, the “Feels So Good” demo was restored with the help of producer Daniel Maunick, who also utilised AI stem-separation to remove the placeholder vocal ad-libs. Valle added Portuguese lyrics to sit alongside Ware’s vocal hook, as well as extra keyboards and percussion.
Also written in late seventies LA, “Life Is What Is It” was co-penned by Laudir De Oliveira from the band Chicago and first released on the bands’ Chicago 13 album with lyrics by Robert Lamb. Another nod to his good times in LA, Valle recorded his own version for Túnel Acústico, upping the tempo and deepening the groove for a blast of irresistible summer soul.
On Túnel Acústico, Valle's core band features two members of the renowned Brazilian jazz-funk group Azymuth: Alex Malheiros on bass and Renato Massa on drums. The rhythm section is completed by percussionist Ian Moreira, with additional contributions from guitarist Paulinho Guitarra and trumpeter Jesse Sadoc.
The contemporarily composed music on Túnel Acústico features an impressive lineup of guest lyricists, including renowned Brazilian artists: Joyce Moreno (Bora Meu Vem), Céu (Nao Sei), and Moreno Veloso (Palavras Tão Gentis) as well as Valle's brother Paulo Sergio Valle (Tem Que Ser Feliz).
The album closes with "Thank You Burt (For Bacharach)", a tribute to the legendary composer who passed away in 2023.
Túnel Acústico will be released on 20th September 2024 via Far Out Recordings. Valle is set to tour Europe and America in support of the album.

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Caixa Cubo

Modo Avião

13,99 €*

LP | 2024 | US | Original (Palilalia)

Release: 2024 / UK – Original

Genre: Organic Grooves

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A sublime expedition from Brazil to the sky, “Modo Avião” (Airplane Mode) sees São Paulo based trio Caixa Cubo jet further forth from the lineage of Brazilian instrumental music.

Following in the footsteps of heroes like Azymuth, Antonio Adolfo, Cesar Mariano and Marcos Resende, with the tried and tested trifecta of synthesizers, bass and drums, Caixa Cubo have carved out their own idiosyncratic ideal of golden-era Brazilian jazz-funk and samba-jazz. Encapsulating the vitality and experimentalism synonymous with Sao Paulo’s musical history, Caixa Cubo playfully straddle the elegant and the surreal, with masterful songwriting and the consummate musicianship of longtime friends and bandmates Henrique Gomide (keyboards) Noa Stroeter (bass) João Fideles (drums).

Caixa Cubo have been playing together for over 14 years - and that’s ‘playing’ in the truest sense of the word. As bassist Noa Stroeter explains:

“A story, a joke, images, invented words, people we met on tour, places, fictitious or not, have always been part of our creative process. And they are precious materials beyond the musical work itself. This dynamic has stayed with us to this day, and for me it is the characteristic that guarantees that no matter what, we will have fun working.”

Presenting a contemporary reimagining of Brazilian grooves from the 1970s, Modo Avião marks an evolution for Caixa Cubo’s music which delves deeper into the tradition of Brazilian instrumental music, while continuing to develop its rhythmic and harmonic possibilities. Utilising an extensive understanding of Brazilian music history and Brazilian rhythm in particular, the group explore the seemingly endless possibilities of fusing carnaval marches, frevo and Baião, with jazz, MPB and funk.

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Ava Mendoza

The Circulat Train

OST The Coward Brothers Indie Exclusive Licorice Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Ava Mendoza has never made an album quite as personal as her second solo full-length, The Circular Train. Through her decades of collaborations with Nels Cline, Carla Bozulich, William Parker, Fred Frith, Matana Roberts, and Mick Barr—plus years leading her power trio Unnatural Ways and playing in Bill Orcutt’s quartet—the guitarist’s name has become synonymous with virtuoso technique, raw passion, and visceral resonance, a player pushing the edges of the guitar’s possibilities. Along the way, from 2007 to 2023, Mendoza was writing these slow-burning, incandescent songs. The Circular Train is comprised solely of her single-tracked guitar playing and, on two songs, her corporeal singing. Her first solo LP of original material since relocating from California to New York City a decade ago, much of The Circular Train was honed amid pandemic years that clarified the virtues of slowing down.

This expressive avant-rock is a definitive introduction to one of the most uncompromising and inquisitive visions in creative music. Mendoza’s thrilling melange of free jazz, blues, noise, classical training, and blazing experimental rock’n’roll all coheres with ecstatic feedback, with picking and solos that crest with shimmer. Sometimes she sounds like a one-woman Sonic Youth with guttural and poised vocals that equally evoke Patti Smith and blues greats like Jessie Mae Hemphill. Conceptually, The Circular Train is presented as a psychogeographical train ride through certain of Mendoza’s musical homelands. The songs draw on ancestral and recent familial memories, notably of her parents’ roots in mining towns—in her father’s home country of Bolivia and mother’s hometown of Butte, Montana, each country with its own history of colonialism, racism, forced labor, the eradication of culture and the subsequent excavation of it.

These adventurous songs were composed in cars and planes, in the heart of the Mississippi Delta, in Los Angeles and upstate New York—which is to say in motion. “Ride to Cerro Rico,” named for the mountain and silver mine at the center of Potosi, Bolivia, was inspired by Mendoza’s great grandmother’s life there in a Quechua mining family. “Dust From the Mines” drew from that history as well as Mendoza’s familial lineage of miners in Montana, building up to stunning swaths of shredded iridescence. “Pink River Dolphins” was inspired by a visit to the Amazon rainforest, swimming with dolphins alongside her father—the pink bufeos that inhabit both Bolivia and Columbia—and the song is dedicated to the memory of Mendoza’s late friend, the Colombian-American trumpeter jaimie branch. They shared a fascination with those intelligent and agile creatures who often communicate by echolocation. “Make a sound, it comes back around,” Mendoza sings, and later, “Echo, echo/The answer in a sound,” evoking what branch knew well: through music we navigate life.

The Circular Train contains one cover, “Irene, Goodnight,” composed by Gussie Lord Davis and popularized by Leadbelly; Mendoza has been performing it for over 20 years. Almost as deeply embedded in her repertoire is the penultimate track, “The Shadow Song.” “Treat your shadow kind and it might treat you good,” Mendoza sings on this song that she’s been reworking for over a decade, an emblem of devotion. “Treat your shadow kind and it might treat you right,” she repeats, becoming a blues mantra. What is a shadow self if not one’s secret world, which, once laid bare, awaits an echo, a return?

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The Coward Brothers

2LP | 2024 | US | Original (New West)

37,99 €*

OST The Coward Brothers Black Vinyl Edition

Release: 2024 / US – Original

Genre: Soundtracks

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The exact relationship between Henry (T-Bone Burnett) and Howard Coward (Elvis Costello) remains ambiguous. They often referred to themselves as “One and a Half Brothers,” which might hint at their height difference or imply they were not actually siblings but were involved in an elaborate ruse.

Their musical partnership, known as The Coward Brothers, was initiated by Smiley “Doc” Snipson, who discovered Henry Coward in 1956 and signed him for a UK tour. The brothers' hit single, “My Baby Just Squeals (You Heel),” was followed by less successful records and a controversial Cold War-themed song. To preserve their fading fame, Snipson orchestrated their supposed death in a plane crash, but they were actually in hiding on a Caribbean island, secretly recording music and sending it back to Snipson.

When their funds ran out, they returned to Miami and made sensational claims about writing famous songs, leading to a brief stint as songwriters for Bill Bogguss. They later resumed recording, but their partnership eventually fractured, leading to years of estrangement.

Their music, from early rock and roll hits to later, more introspective songs, is compiled in the album, The Coward Brothers. After years of silence, their story was explored in a radio program, revealing the complexity of their relationship and their enduring bond. Despite their tumultuous history, their music remains a testament to their unyielding spirit.

The Coward Brothers are Elvis Costello and T-Bone Burnett. The Audible Original radio play, The True Story Of The Coward Brothers, is directed by Christopher Guest, and stars Howard Coward, Henry Coward, Harry Shearer, Edward Hibbert, Rhea Seehorn, Stephen Root, and Kathreen Khavari. Available at Aubible.com on Nov 21, 2024.

The physical release of this record is November 15, 2024. The Digital Release is November 21, 2024

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The Coward Brothers

2LP | 2024 | US | Original (New West)

37,99 €*

Unsterblich 1999-2024: Die 25 Jahre Jubiläumsedition

Release: 2024 / US – Original

Genre: Soundtracks

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Die Toten Hosen

LP+2CD | 1999 | EU | Reissue (JKP)

51,99 €*

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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LP | 2025 | US | Original (Mardi Gras)

Rebirth Brass Band

Hot Venom

42,99 €*

Release: 2025 / US – Original

Genre: Organic Grooves

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Rebirth Brass Band is New Orleans premier Brass Band. This is their 2001 recording that includes their collaboration with Rap Legends Soulja Slim ("You Don't Wanna Go To War") and Cheeky Blakk ("Pop That Pussy"). First time on vinyl! Two Record Set!

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LP | 2024 | AU | Original (ABC Music Oz)

Black Sorrows

Way We Do Business

45,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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Tv En Francais: 10th Anniversary

We Are Scientists

LP | 2024 | US | Original (Universal)

45,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Finding My Way Home Black Virgin Vinyl

Yazz Ahmed

LP | 2024 | UK | Original (Night Time Stories)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Keep Planting Flowers Cornetto Black & Red Vinyl Edition

Stick To Your Guns

LP | 2025 | EU | Original (Sharptone Inc.)

30,99 €*

Release: 2025 / EU – Original

Genre: Rock & Indie

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La Saboteuse Black Virgin Vinyl Vinyl Edition

Yazz Ahmed

2LP | 2017 | UK | Reissue (Night Time Stories)

Release: 2017 / UK – Reissue

Genre: Organic Grooves

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LP | 2024 | EU | Original (Comic Helden)

Keimzeit

Irrenhaus / Kapitel Elf

Release: 2024 / EU – Original

Genre: Pop

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Polyhymnia Black Virgin Vinyl Vinyl Edition

Yazz Ahmed

2LP | 2019 | UK | Reissue (Night Time Stories)

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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LP | 2018 | US | Reissue (Run For Cover)

Fiddlehead

Springtime And Blind

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Fiddlehead's debut LP Springtime and Blind is an exploration of grief both introspective and through the insight of others. Following the release of their Out of the Bloom EP on Lockin Out Records, the Boston-based band have created a debut LP that shares an anguishing, relatable story of love and loss through the catharsis of spirited, loud indie rock. Consisting of guitarist Alex Henery (also of Basement), vocalist Patrick Flynn and drummer Shawn Costa (both of Have Heart), Fiddlehead explore musical styles different from their other projects while bringing a familiar energetic and emotional core to the collaboration.Springtime and Blind stemmed from Pat's loss of his father. Flynn looks at how his mother coped with the situation- losing her spouse, her center of gravity -writing the lyrics as an emotional catharsis for both of them. While the process of writing and recording helped Flynn cope with his personal loss there's no doubt it carries a universal message that can help ease others' loneliness. A contrast to itself, Springtime and Blind is a multidimensional and relatable journey through its cathartic message and spirited instrumentals.

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Lin-Manuel Miranda & Eisa Davis

The Warriors

2LP | 2024 | US | Original (Atlantic)

87,99 €*

Release: 2024 / US – Original

Genre: Pop

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Magnolia Leafy Green Half And Half Vinyl Edition

Turnover

LP | 2013 | US | Reissue (Run For Cover)

Soul Jazz Records presents

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Two acclaimed releases into their short career - a debut EP and a split 7" with Citizen - Virginia's Turnover have quickly grabbed the attention of a scene of angst filled teens and twenty-somethings who grew up on Drive-Thru records classics and 90's grunge radio. Turnover spent a month last November with producer Will Yip (Title Fight, Circa Survive) and emerged with Magnolia. Their debut LP fulfills the promise set forth in their prior releases - contemplative, brooding pop-punk songs written with a somber, yet undeniable catchiness.

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Miami Sound 2: More Funk & Soul 1967-74

2LP | 2024 | UK | Original (Soul Jazz)

The Modern Sound Of Harry Beckett

Release: 2024 / UK – Original

Genre: Organic Grooves

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Soul Jazz Records" new Miami Sound 2 is a superlative collection of 70s soul, funk, disco and boogie featuring tracks from legendary artists such as Betty Wright, Timmy Thomas, Gwen McRae, Milton Wright, T-Connection and many more, all released on the mighty TK Records musical empire based in Miami, Florida.

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Harry Beckett

LP | 2024 | UK | Original (On-U Sound)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Propaganda Limited Orange Vinyl Edition

LP+12" | 2024 | EU | Original (Bureau B)

34,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Propaganda Limited Blue Vinyl Edition

LP | 2024 | EU | Original (Bureau B)

34,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Soul Jazz Records presents

Electro Throwdown (1982-1989)

2LP | 2024 | UK | Original (Soul Jazz)

Goat Splatter Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Soul Jazz Records" new collection, "Electro Throwdown - Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982-89", is a journey into the outer reaches of electro, a galactic roller-coaster ride of turbo-charged sci-fi grooveology.The album is comprised of mainly private-press and independent label electro jams of the highest calibre (with some as rare as space ships landing on Mars) all created in the 1980s, at a time when a vocoder, a Roland TR-808 drum machine and a groove was all that was needed to get the party started.With a few notable exceptions (Michael Jonzun"s Jonzun Crew and The Packman) the album features mainly under-the-radar killer tracks from a host of one-off artists and back-room electronic pioneers - including Pretty Tony, Planet Detroit (James McCauley, aka Maggotron) and Rich Cason - who together helped shape the sound of electro across the USA from Miami to New York, Los Angeles and beyond during the 1980s.

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Goat

LP | 2024 | UK | Original (Rocket)

34,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Eunoia Transparent Red Vinyl Edition

Envy

LP | 2024 | EU | Original (Pelagic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Love Is Opaque Yellow Vinyl

Kim Wilde

LP | 1992 | UK | Reissue (Demon)

Release: 1992 / UK – Reissue

Genre: Pop

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Love Moves Opaque Orange Vinyl

Kim Wilde

LP | 1990 | UK | Reissue (Demon)

Release: 1990 / UK – Reissue

Genre: Pop

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East My Love Olive Vinyl Edition

Current Joys

LP | 2024 | US | Original (Secretly Canadian)

30,99 €*

Ray Parker Jr. And Raydio

Release: 2024 / US – Original

Genre: Rock & Indie

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Olive Vinyl. East My Love, the resplendent, country-tinged 12th album byCurrent Joys, feels familiar. It's meant to: th...

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A Woman Needs Love

LP | 1981 | US | Original (Arista)

6,99 €*

LP | 2024 | UK | Original (Soul Jazz)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Hawksmoor

Oneironautics