€
/
DE
Please select:
Language:
DE
EN
Currency:
€ EUR
$ USD
£ GBP
CHF
All Currencies
All Currencies
Australian dollar (AUD)
Bulgarian lev (BGN)
Canadian dollar (CAD)
Chinese yuan (CNY)
Czech crown (CZK)
Danish crown (DKK)
Euro (EUR)
Great Britain Pound (GBP)
Hong Kong dollar (HKD)
Hungarian forint (HUF)
Icelandic krona (ISK)
Israeli shekel (ILS)
Japanese yen (JPY)
Norwegian krone (NOK)
Polish zloty (PLN)
Romanian leu (RON)
Russian ruble (RUB)
Singapore dollar (SGD)
South Korean won (KRW)
Swedish crown (SEK)
Swiss franc (CHF)
Thai baht (THB)
Turkish lira (TRY)
US Dollar (USD)
Shoe Size:
US
EU
UK
JP
Shipping to:
Germany Germany
USA USA
France France
United Kingdom United Kingdom
Austria Austria
Switzerland Switzerland
Netherlands Netherlands
Belgium Belgium
Italy Italy
Spain Spain
All Countries
All Countries
Afghanistan
Albania
Algeria
Andorra
Angola
Anguilla
Antigua and Barbuda
APO/FPO (US-Military Post)
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan Republic
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia and Herzegovina
Botswana
Brazil
British Virgin Islands
Brunei Darussalam
Bulgaria
Burkina Faso
Burma
Burundi
Cambodia
Cameroon
Canada
Canary Islands
Cape Verde Islands
Cayman Islands
Central African Republic
Chad
Channel Islands
Chile
China
Colombia
Comoros
Congo, Democratic Republic of the
Congo, Republic of the
Cook Islands
Costa Rica
Cote d Ivoire (Ivory Coast)
Croatia, Republic of
Curaçao
Cyprus
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Ethiopia
Faeroe Islands
Falkland Islands
Fiji
Finland
France
French Guiana
French Polynesia
Gabon Republic
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guadeloupe
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Guyana
Haiti
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Iraq
Ireland
Italy
Jamaica
Jan Mayen
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Korea, North
Korea, South
Kosovo
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Libya
Liechtenstein
Lithuania
Luxembourg
Macau
Macedonia
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mayotte
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Namibia
Nauru
Nepal
Netherlands
Netherlands Antilles
New Caledonia
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norway
Oman
Pakistan
Palau
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Poland
Portugal
Puerto Rico
Qatar
Reunion
Romania
Russian Federation
Rwanda
Saint Helena
Saint Kitts-Nevis
Saint Lucia
Saint Pierre and Miquelon
Saint Vincent and the Grenadines
San Marino
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Sudan
Spain
Sri Lanka
St. Kitts Nevis
Suriname
Svalbard
Swaziland
Sweden
Switzerland
Syria
Tahiti
Taiwan
Tajikistan
Tanzania
Thailand
Togo
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom
Uruguay
USA
Uzbekistan
Vanuatu
Vatican City State
Venezuela
Vietnam
Virgin Islands (U.S.)
Wallis and Futuna
Western Sahara
Western Samoa
Yemen
Zambia
Zimbabwe
Cancel
Apply
 
€
/
DE
All Items / HHV Records / Vinyl, CD & Tape

Search "shearwater+animal+joy" 10524 Items

Vinyl, CD & Tape 10524 Hip Hop 959 Organic Grooves 2051 Rock & Indie 2992 Electronic & Dance 3382 Reggae & Dancehall 800 Pop 652 Classical Music 64 Soundtracks 281 Childrens 1 Christmas 24 Used Vinyl 1960 Merchandise 82 DJ Equipment 37 Print & Design 82
Hide Filter & Categories Show Filter & Categories
Filter Results
Filter
Reset all Filters
Refine Vinyl, CD & Tape
Strict Search
Search only in
Format
Used Vinyl
Artist
Label
Pressing
Country
Year
Price
Coming Soon
Sale
New In Stock
Back In Stock
Availability
Preorder
Preorder expected in
Cancel
Strict Search
Strict Search
Strict Search
Close
Search only in
Search only in
Artist
Title
Label / Brand
EAN
Catalog-No
Close
Format
Format
Vinyl
LP
12"
10"
7"
CD
MCD
Mixed CDs
Tape
DVD
KiT Album
8 Track Tape
Close
Used Vinyl
Used Vinyl
No Used Vinyl
Used Vinyl Only
Sealed
Mint
Near Mint
VG+
VG
G+
G
F
Close
Artist
Artist
...And You Will Know Us By The Trail Of Dead
2 In A Room
A Burial At Sea
A Certain Ratio
A Day To Remember
A Flock Of Seagulls
A Giant Dog
A Girl Called Eddy
A Great Big Pile Of Leaves
A Guy Called Gerald
A Man Called Adam
A Perfect Circle
A Place To Bury Strangers
A Sagittariun
A Swarm Of The Sun
A Tale Of Golden Keys
A Taste Of Honey
A Thousand Details
A Tribe Called Quest
A Vision Of Panorama
A Winged Victory For The Sullen
A$AP Rocky
a-ha
A-Sides
A-Trak
A.A. Bondy
A.A. Williams
Ability II
Abner Jay
Abwärts
Actress
Advance Base
Aesop Rock & Homeboy Sandman
African Head Charge
Akae Beka
Akne Kid Joe
Al Green
Al Jarreau
Alicia Keys
alt-J
Amon Düül II
Anatolian Weapons
And So I Watch You From Afar
Angel Olsen
Animal Collective
Animal Nightlife
Animals
Anomalie
Anthony Moore
Argonautiks
Aroma Di Amore
Ash Ra Tempel
Aspidistrafly
Atlantic Starr
Aua
Augenwasser
Average White Band & Ben E. King
B From E
B O D Y L I N E
Barrington Levy
Barrio Lindo
Batu
Ben E. King
Big Joe Turner
Billy Preston
Björk
Black Disco
Black Shepherd
Blitzkrieg
Bob Log III
Böhm
Bow Wow Wow
Boygenius
Brian Jonestown Massacre
Brothers Johnson
Bruce Springsteen & The E Street Band
Bubbha Thomas
Bushman
Byard Lancaster
C*Y*B
Calm
Caribou
Carpenters
Cee O Funk
Chaos In The CBD
Child
Chouk Bwa & The Angstromers
Chris Cornell
Christo Graham
Christopher Jay
Chuck Mangione
Clap Your Hands Say Yeah
Clive Matthews
Como Asesinar A Felipes
COS
Country Joe & The Fish
Creation Rebel
Cristina D'avena
Curren$y
Curren$y & Harry Fraud
Curren$y & The Alchemist
Current Joys
Da King & I
Damaged Bug (John Dwyer of Thee Oh Sees)
Damily
Dan Auerbach
Dan-E-O
Daniel Johnston
Dave Maze
David Gray
David J
David Jahson
Dax J
Death At The Derby X Big Ghost Ltd
Death Valley Girls
Dennis Brown
Derya Yildirim & Grup Simsek
Devin The Dude
Dim Kelly
Dina Carroll
Divine Who
DJ Joe Lewis
Doctor Who
Dog Slaughter Beach
Domkraft
Donnie & Joe Emerson
Drew McDowall
Dua Lipa
E L U C I D
E-40
E-GZR
E-Rotic
E-Versions
E. Live
E. Lundquist
EA 80
EA80
Eazy-E
Ed Rush & Nico
Edan
Eek-A-Mouse
Eels
Elcamino & 38 Spesh
Elephant Tree
Erobique (Carsten Meyer)
Esther Phillips W/ Joe Beck
Esther Phillips With Joe Beck
Esther Satterfield
Everyone Asked About You
Eye
Falcom Sound Team JDK
Featherstone
Fleet Foxes
Franz Scala
Fruko y sus Tesos
Fu Manchu
Funk E
G.Rag Y Los Hermanos Patchekos
Gato Barbieri
Gee Dee
Geezer
Ghia
Gia Margaret
Giles Corey (Dan Barrett of Have A Nice Life)
Gino Vannelli
Glass Animals
Glasvegas
Glen Washington
Godspeed You Black Emperor!
Gong Wah
Gouge Away
Greenleaf
Group A
Gruff Rhys
Grupo Los Yoyi
Guilherme Coutinho E O Grupo Stalo
Guy J
Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)
Hans-A-Plast
Have A Nice Life
Herb Alpert
Herbie Mann
Hey-O-Hansen
High Vis
Hiroshi Suzuki
Horace Andy
Howard Jones
Hurry
I
I Am The Night
I David
I Dont Know How But They Found Me
I Hate Models
I Marc 4
I Prevail
I-Man Cruz
I/Y
Ichisan
IDLES
IE
Illa J
iO
iO (Mulen)
Isaac Birituro & The Rail Abandon
It's Not Over We Hustle Harder
Italoconnection
J Ax
J Dilla
J Majik
J Mascis
J. Albert
J. Cole
Ja, Panik
Jah Baker
Jah Cure
Jah Free
Jah Mason
Jah Schulz
Jah Thomas
Jah Wobble
Jah9
Jay Gadian
Jay Jay Johnson
Jay Lumen
Jay Tripwire
Jay-Jay Johanson
Jay-Z
Jaya The Cat
Jaye Jayle
Jeffrey Osborne
Jenny O.
Jim Rider
Jimmy Reed
JJ
JJ Whitefield
Jo Lawry
Jo Stafford
Joan Armatrading
Joao Donato
Joao Gilberto
Joao Selva
Joe Albany
Joe Armon-Jones
Joe Bataan
Joe Bonamassa
Joe Cleen
Joe Cocker
Joe Farrell
Joe Gibbs
Joe Gibbs & The Professionals
Joe Goddard
Joe Henderson
Joe Henry
Joe Hisaishi
Joe Jackson
Joe Lovano / Marylin Crispell / Carmen Castaldi
Joe McPhee
Joe Pass
Joe Roberts
Joe Sample
Joe Sample - David T. Walker
Joe Satriani
Joe Simon
Joe Strummer
Joe Strummer & The Mescaleros
Joe Tex
Joe Walsh
Joe Webb
Joe Williams
Joe Yellow
Joell Ortiz & Kxng Crooked
Joey Anderson
Joey Beltram
Joey Gilmore
Joey Negro
John Lee Hooker
John Prine
John Robinson (Lil Sci of Scienz Of Life) & MF DOOM
Joi Cardwell
Jonah Parzen-Johnson
Jose Cabrera
Joseph Washington Jr.
Joy
Joy Crookes
Joy Denalane
Joy Division
Joy Salinas
Juan D'Arienzo Y Su Orquesta Típica
Juice WRLD
Jw Francis
Kanye West
Katy J Pearson
Kesha
Kids On A Crime Spree
Koma Saxo
L'Orange & Jeremiah Jae
L.T.D.
Lady Wray
Lake Haze
Lalalar
Lamusa II
Larkin Poe
LHAS
Linda Jo Rizzo
LL Cool J
Loudon Wainwright III
Love A
Lump
Magic In Threes
Malcolm R & Waseem
Man Man
Marc With A C
Mariah Carey
Martin Matiske
Mary J. Blige
Mas Aya
Matthew E. White
Max Raabe
Men I Trust
Meridian Brothers
Meril Wubslin
Miles Jaye
Mixture
Monophonics
Mood II Swing
Mormos
Moss Icon
Move D & Pete Namlook
Mudhoney
Nancy Sinatra
Nancy Sinatra & Lee Hazlewood
Nelson Can
New Order / Joy Division
Nils Frahm
Nirvana
No Use For A Name
O Morto
O-Wells (Orson Wells)
O.B.F X Iration Steppas
OCS (Thee Oh Sees)
Odessey & Oracle
Oh Hiroshima
Oh No
Oh Sees (Thee Oh Sees)
Oi Polloi
Oliver Dollar
One Way
One Way featuring Al Hudson
Orbital
Osees (Thee Oh Sees)
Otis Sandsjö
Pablo Cruise
Pablo's Eye
Pal Joey
Pale Jay
Panda Bear
Panthera
Para One
Patrick Andy / Yabby You
Patrick Paige II (The Internet)
Pee Wee Bluesgang
Pentagram
Pepe.
Peter Allen
Peter Frampton
Petter Eldh & Koma Saxo
Pieces Of A Dream
Porridge Radio
Prince
Prince Far I
Principles Of Joy
Pseudo Intellectuals
Quincy Jones
Ranking Joe
Raul Monsalve Y Los Forajidos
Rich Aucoin
Rita Coolidge
Roddy Woomble
Rodrigo Y Gabriela
Roger Waters
Rome Is Not A Town
Roosevelt
Rose City Band
Rüfüs Du Sol
Ryo Fukui
Salute
Samara Joy
San Soda
Sault
Screamin' Jay Hawkins
Seasick Steve
Seiji Yokoyama
Selofan
Sérgio Mendes
Sérgio Mendes & Brasil '66
Shakeena
Sharam Jey
Sheila E.
Simon Joyner
Slaughter Beach, Dog
SNK Sound Team
Soul II Soul
Soul Sugar
Soundgarden
Speedy J
Spread Joy
Stan Getz & Joao Gilberto
Statik Selektah
Sting
Styx
Suede
Sunn O)))
Supertramp
Sydney Joe Qualls
System Of A Down
T.D.
Tankzilla
Tek (Smif-N-Wessun)
Teri Desario With Joey Carbone & Richie Zito
The Abstract Eye
The Animals
The Brian Jonestown Massacre
The Dead South
The Duke Ya Love To Hate
The Guess Who
The J. Geils Band
The Jesus And Mary Chain
The Mighty Clouds Of Joy
The Police
The Raincoats
The Soft Moon
The Stance Brothers
The Unknown Artist
The Vendetta Suite
The Who
The Who & Isobel Griffiths Orchestra
The World Is A Beautiful Place & I Am No Longer Afraid To Die
Thee J Johanz
Thee Oh Sees
They Hate Change
Third Eye Blind
This Will Destroy You
Tigers Jaw
Tiken Jah Fakoly
Timo Lassy & Teppo Mäkynen
Timothy J. Fairplay
Tocotronic
Tom Ze
Tony Joe White
Toro Y Moi
Tre Burt
Type O Negative
U Brown
U Roy
U-Roy
U2
Unknown Artist
V.A.
Vance Joy
Verbz, Nelson Dialect & Mr Slipz
Vis-A-Vis
Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhiro Yamamoto
W O L F C L U B
Wa Wu We
Wa Yo Set
Walter Smith III
Wayne Shorter
We All Together
We Are Scientists
We Are The Union
Web Web
Wendy O. Williams
Wes Montgomery
Wheez-ie
Whispers
Why Bonnie
Why Bother?
Woo
Wu-Lu
Wu-Tang Clan
Wu-Tang Clan Vs. Jimi Hendrix
Wyatt E.
Wye Oak
Wynder K. Frog
Wynton Kelly
Yabby You
Yabby You & The Prophets
Yaya Bey
Yeah Yeah Yeahs
Yo La Tengo
Yo-Yo Ma
You
You Blew It!
You Me At Six
Your Old Droog
YU
Yu Su
Zakk Sabbath
Zha
Zito Righi E Seu Conjunto
Close
Label
Label
17 North Parade
A
A & M
A Colourful Storm
A Harmless Deed
A Sacred Geometry
a sexy
A Strangely Isolated Place
A Tree In A Field
A Turntable Friend
A&M
A&M PM
A-Lone
A-Lone Productions
A-Ton
A1
A24 Music
ABC
ABKCO
Ace
AE Productions
AFD. O
Afm
Air Vinyl
Albert's Favourites
Alien Transistor
All Day I Dream
Alone
Analogue Productions
Animal Style
Animal63
Anime Limited
Anti
AOE
AOP
Apollon
Ariwa
Arts
Astigmatic
Asylum
Athens Of The North
Atlantic
ATO
Avian
Bad Time
Ballyhoo
Bang Ya Head
BB*Island
BBE Music
Be With
Before I Die
Beggars Banquet
Bella Union
Best Record Italy
BFD
Big Crown
Big Dada
Black Rain Entertainment
Black Screen
Black Truffle
Blanco Y Negro
Blank Forms Editions
Bless You
Blue Note
BMG
BMG Rights Management
Bordello A Parigi
Born Bad
Bros Music
Brownswood
Buh
Bureau B
Can You Feel The Sun
Capitol
Caroline
Carpark
Castle Face
CBS
CBS/Sony
Central Processing Unit
Chopped Herring
Chrysalis
City Slang
Classic
Cleopatra
Club U Nite
Cold Diggin'
Cold Transmission Music
Colemine
Columbia
Compost
Concord
Constellation
Cooking Vinyl
Couldn't Care More
Count Your Lucky Stars
Craft
Croatia
Crusaders
Dais
Dalmata Daniel
Damaged Goods
Daptone
Dark Entries
Dark Operative
De Rap Winkel
Dead Oceans
Dear Boss
Decca
Dedstrange
Dee Jay
Def Jam
Dekmantel
Delusions Of Grandeur
Demon
Denovali
Deutsche Grammophon
Dig This Way
Dischord
Discrepant
do you have peace?
Domino
Don Giovanni
Drag City
Drum & Bass X Rock A Shacka
Drumcode
Drunken Sailor
Dubquake
E-Beamz
E-Works
Earmusic
Easy Eye Sound
Eaux
ECM
Edition
Editions Mego
EEE
El Gran E
Electric Valley
Elektra
Elpalmas Music
EM
EMI America
Empire
Epic
Epitaph
Epitaph Europe
Erased Tapes
Erato
Ernest's Way
Evar
Eya
FA>IE
Fabrika
Fantasy
Far Out
Fat Possum
Fat Wreck
Fat Wreck Chords
Favorite
Fearless
Feeding Tube
Feel It
FFRR
Finders Keepers
Fire
Fire Talk
First Word
Flash
Flipnjay
Footwork
Four Flies
Fruits
Fuzz Club
Galaxy Sound
Gee
Gee Street
Geffen
Get On Down
Ghostly International
Greensleeves
Grönland
Groovin
Have A Nice Day
Have-A-Break
Heavenly
Heavy Psych Sounds
Hell Yeah
HHV Records
High Focus
Hip Hop Enterprise
Hot Creations
How Do You Are?
I Dischi Del Barone
I Had An Accident
I Hate
I Shall Sing Until My Land Is Free
I Surrender
I Venti d'Azzurro
i!
Iam8bit
Ill Adrenaline
Improved Sequence
In The Red
Infine
Infrared
Innovative Leisure
Interscope
Irie Ites
Island
J
J. Cole / Dreamville
JA-Man
Jagjaguwar
Jah Fingers
Jah Guidance
Jah Life
Jah Life Time
Jah Waggys
Jah Warrior
Jah Works
Jai Alai
Jakarta
Jam II Records
Jazz Images
Jive
Joe Frasier
Joe Gibbs
Joe Gibbs Music
Joe Gibbs Record Globe
Joyful Noise
Kaoz Theory
Karma Chief
Keeled Scales
Kidnap Music
KingUnderground
Knekelhuis
Kompakt
Kudu
La Tempesta Dub
La Vida Es Un Mus
Lame-O
Lantern
Lawson
Leaving
Left Ear
Les Disques Bongo Joe
Lewis
Light In The Attic
Like A Can Of Beans
Lion's Den
Lipposen Levy Ja Kasetti
Lofi
London
Loud
Love What You Feel
M>O>S
Mack Avenue
Mad About
Magnetic Eye
Major Label
Mama Told Ya
Manhattan
Mas O Menos
Mascot Label Group
Matador
May I
MCA
Mello Music Group
Melting Pot Music
Memphis Industries
Men I Trust
Mercury
Merge
Microids
Mighty Eye
Miles Away
Miss You
Mississippi
Mobile Fidelity Sound Lab
Modern Harmonic
Mondo
Monnom Black
Morr Music
Mr Bongo
Mulen
Munster
Music From Memory
Music On Vinyl
Musica & Entretenimiento
Musique Pour La Danse
Mute
Naan
Names You Can Trust
Napalm
Nature Sounds
Near Mint
Needlejuice
Nervous
New West
Newretrowave
Night School
Ninja Tune
Nippon Columbia
No Idea
No U-Turn
Nois-O-Lution
Not An Animal
Notes On A Journey
Now-Again
Nuclear Blast
Numero Group
O*RS
O-Tone Music
Off Ya Tree
Oh Boy
On-U Sound
Onderstroom
Ouie
Outta Sight
P-Vine
Palto Flats
Pan
Partial
Partisan
Pelagic
Peoples Potential Unlimited
Philophon
Phoq U Phonogrammen
Pick A Skill
Pingipung
Pirates Press
Planet E
Polydor
Polysom
Post Present Medium
Pow Wow
Pressure Sounds
Pride & Joy Music
Project: Mooncircle
Proper
Pure Pleasure
Push II Shove
R.A.N.D. Muzik
R=A
Radiation Reissues
Radiation Roots
Raggedy Joe
Railroad
Rap-A-Lot
Rarenoise
Razor-N-Tape
Razor-N-Tape Reserve
RCA
RCA Victor
Regrooved
Rekids
Rent A Dog
Reprise / WEA
Revelation
Rhino
Rhymesayers
Rhythm Section International
Riding Easy
Roc-A-Fella
Rock-O-Tronic
Rocket
Rookie
Room In The Sky
Roots
Rough Trade
Roulette
Rrc Music
Rubyworks
Ruffnation
Run For Cover
Running Back
Rush Hour
Rvng Intl.
Sacred Bones
Season Of Mist
Second
Secretly Canadian
Sentient Ruin Laboratories
Shall Not Fade
Shaw Cuts
Shimmy Disc
Silva Screen
Silver Current
Sing A Song Fighter
Skylax
Slumberland
Sm:)e Communications
Soave
Sony
Sony Legacy
Sony Music
Souffle Continu
Soundway
Southern Lord
Speakers Corner
SRFSCHL
Srrschl
Staatsakt
Stag-O-Lee
Star Creature
Stickman
Stones Throw
Stroom
Strut
Studio Ghibli
Sub Pop
Subsound
Suicide Squeeze
Sunday Best
Superior Viaduct
Svart
Sweat It Out
Syncrophone
Tapete
Telephone Explosion
Temporary Residence
Thank You
The Flenser
The Get Down
The Outer Edge
The Trilogy Tapes
There's A Dead Skunk
Think Like A Key
Thrill Jockey
Tidal Waves Music
Time Capsule
Time Is Now
Tonzonen
Topshelf
Track
Transgressive
Trapped Animal
Tresor
Tricki-Woo
Trouble In Mind
Tuff Kong
U Know Me
U-Trax
Umor-Rex
Un Je-Ne-Sais-Quoi
Underdog
Unique Leader
Universal
Universal Music Japan
Urban
Urban Discos
Urbnet
Urpa I Musell
V I S
Vampisoul
Vee Jay
Verve
VIC
Vinyl Me, Please
Virgin
Voodoo Rhythm
VP
Wagram
Wah Wah
Wah Wah - Supersonic Sounds
Wah Wah 45s
Walk This Way
Warner
Warner Bros / WEA
Warner Classics
Warp
Warrior Salute
Waxtime
Waxwork
Wayo
We Are Busy Bodies
We Can Do It!
We Jazz
We Love Music
We Play House
We Release Jazz
We Stay True
We Three
WEA
Western Vinyl
Wewantsounds
What You Want
Whirlwind
Wolf Music
Wort
WRWTFWW
XL
Yay
Yo Mama's
Yo-Yo
You Are The Cosmos
Z
ZYX
ZZK
Close
Pressing
Pressing
Original
Reissue
Close
Country
Country
DE
EU
JM
JP
UK
US
Other Countries
Close
Year
Year
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1986
1985
1984
1983
1982
1981
1980
1979
1978
1977
1976
1975
1974
1973
1972
1971
1970
1969
1968
1967
1966
1965
1964
1963
1962
1961
1960
1959
1958
1957
1956
1955
Close
Price
Price
Up to 5 €
5 – 10 €
10 – 15 €
15 – 30 €
30 – 50 €
50 – 100 €
100 – 200 €
200 – 500 €
Over 500 €
Close
Coming Soon
Coming Soon
Coming Soon Only
No Coming Soon
Close
Sale
Sale
No Sale Items
All Sale Items
Up to 30%
30 – 50%
More than 50%
Close
New In Stock
New In Stock
2 Days
5 Days
7 Days
14 Days
30 Days
60 Days
90 Days
180 Days
365 Days
Close
Back In Stock
Back In Stock
1 Day
2 Days
5 Days
7 Days
14 Days
30 Days
60 Days
90 Days
180 Days
365 Days
Close
Availability
Availability
Stocked Items Only
Close
Preorder
Preorder
Preorder Only
No Preorder
Close
Preorder expected in
Preorder expected in
This week
Next week
This month
Next month
Penultimate month
Following months
Close
Search "shearwater+animal+joy"
Sorting: Release Year (ascending)
Relevance Popular New In Stock Back In Stock Price (ascending) Price (descending) Alphabetic (ascending) Alphabetic (descending) Release Year (ascending) Release Year (descending)
Show as Small Gallery Show as List
1
...
5 6 7
...
110
1
...
6
...
110
1
...
6
...
110
Pat & Roxie - Way Of Fortune
Pat & Roxie
Way Of Fortune
7" | 1965 | JP | Reissue (Drum & Bass X Rock A Shacka)
14,39 €* 17,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1965 / JP – Reissue
Genre: Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Pat & Roxie's "Way Of Fortune" begins flowing from the impactful theme of the Skatalites. The duo vocals are not as slick as those of the Blues Busters, but the mood is stylish. The original release was on Jamaica's Down Beat label, and the UK version was never released. Rare ska vocal that fetched over 150,000 yen at the Drum & Bass Recoreds auction.
Go to Item
Richard Chamberlain - Joy In The Morning
Richard Chamberlain
Joy In The Morning
LP | 1965 | US | Original (MGM)
4,99 €*
Incl. VAT plus Shipping Costs
Release: 1965 / US – Original
Genre: Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
Go to Item
The Who - My Generation
The Who
My Generation
LP | 1965 | UK | Reissue (Virgin)
44,99 €*
Incl. VAT plus Shipping Costs
Release: 1965 / UK – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl is close to NM. 1980 reissue.
Go to Item
Joe Henderson - In 'N Out
Joe Henderson
In 'N Out
LP | 1965 | US | Reissue (Blue Note)
89,99 €*
Incl. VAT plus Shipping Costs
Release: 1965 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: G+, Cover: VG
Slightly warped vinyl, no skipping, plays VG. Cover has discolouration, tear in bottom spine and slight wear. 1968 reissue.
Go to Item
Nancy Sinatra - Sugar Black Friday Record Store Day 2024 Pink & White Swirl Vinyl Edition
Nancy Sinatra
Sugar Black Friday Record Store Day 2024 Pink & White Swirl Vinyl Edition
LP | 1966 | US | Reissue (Light In The Attic)
37,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / US – Reissue
Genre: Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Coming Soon 2024-11-29, 12:00 CET
"Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy’s second highest charting album after Boots). It is a peculiar record that pairs one of Nancy’s biggest songs, “Sugar Town,” with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture."
Go to Item
Nancy Sinatra - Sugar Black Friday Record Store Day 2024 Pink Vinyl Edition
Nancy Sinatra
Sugar Black Friday Record Store Day 2024 Pink Vinyl Edition
LP | 1966 | US | Reissue (Light In The Attic)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / US – Reissue
Genre: Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Coming Soon 2024-11-29, 12:00 CET
"Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy’s second highest charting album after Boots). It is a peculiar record that pairs one of Nancy’s biggest songs, “Sugar Town,” with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture."
Go to Item
Nancy Sinatra - Sugar Black Friday Record Store Day 2024 Edition
Nancy Sinatra
Sugar Black Friday Record Store Day 2024 Edition
CD | 1966 | US | Reissue (Light In The Attic)
16,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / US – Reissue
Genre: Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Coming Soon 2024-11-29, 12:00 CET
"Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy’s second highest charting album after Boots). It is a peculiar record that pairs one of Nancy’s biggest songs, “Sugar Town,” with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture."
Go to Item
The Who - A Quick One
The Who
A Quick One
2LP | 1966 | US | Reissue (Geffen)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Brenner's Folk - Daurat Oest +3
Brenner's Folk
Daurat Oest +3
7" | 1966 | EU | Reissue (Wah Wah)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The most elusive Edigsa 7" gets its first ever vinyl reissue on Wah Wah. An unsung moody garage folk-rock act, Brenner's Folk where the embryonic Pic-Nic (of "Cállate niña" fame) and featured a very young Jordi 'Toti' Soler right after he had gone through Els Xerracs (who also had released an EP on Edigsa), drummer Jordi Barangé (also from Els Xerracs) and brothers Vytas and Haakon Brenner. The Brenner brothers were born in Germany but grew up in Venezuela, where their family had emigrated after the devastation of World War II. The Brenner family would return several years later to establish in Europe, first in Italy and later in Barcelona. The new band started to rehearse under the name of The Vytas Brenner Quartet, and their main influences came from american modern folk acts like Peter Paul and Mary or The Mamas & The Papas, a.o. Not long after they started rehearsing, a very young Jeanette joined them thus becoming Brenner's Folk. Edigsa approached them and offered a contract for the recording of their only EP, sung in catalan and issued in 1966. A showcase of their folk and folk rock influences, the Brenner's Folk 7" is a lo fi garagey jewel that has become an elusive piece due to the importance that its band members would gather in years to come. Toti Soler became the biggest master of guitar, he went to psychedelic and progressive / jazz rock with Om prior to trading in his electric for a Spanish guitar and pioneering instrumental flamenco jazz rock fussion sound on his early solo albums. He is still active nowadays, he is one the biggest Catalan geniuses of modern guitar. The Brenner brothers returned to Venezuela where Vytas became a big solo act, recording the sought after LPs "La Ofrenda de Vytas" and "Hermanos" with his brother Haakon on production duties. Vytas continued a solo carrer that would last until his premature death in 2004 at only 57 due to a heart attack. Jeanette, of course, went on to lead the successful Pic-Nic along with Toti Soler and later enjoyed a successful solo career in the 1970s and 1980s, plus a come back in the early 2000s.

The 4 original Catalan sung tunes will appeal to lovers of Catalan sixties aborigen sounds, Euro & Nederbiet or American teen moody folk rock garage a la Rising Storm, Dovers, Nightcrawlers, Tormentors and the likes.

A facsimile reproduction of this mega rare EP, originally released on Edigsa in 1966, coming with remastered sound and an insert with lyrics, photos and notes.
Go to Item
Wayne Shorter - Speak No Evil
Wayne Shorter
Speak No Evil
LP | 1966 | EU | Reissue (Blue Note)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Patty Waters - You Loved Me
Patty Waters
You Loved Me
LP | 1966 | EU | Reissue (Cortizona)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single 'My One And Only Love' and a recorded live session at Lone Mountain College in 1974.

The album 'You Loved Me' is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60's and her post 90's releases. The missing link between the radical ingenue of the 1960s and her late 90's songs wherein she expressed the resolution of all of her life's moments through mature readings of traditional songs and jazz standards. This collection aims to provide that missing link and to finally complete the picture of her storied recording career.

In what would have been her third LP, the 'You Loved Me' album serves as the inverse of Patty's debut. While her debut "Sings" concerned itself with themes of heartbreak, loneliness and yearning, there's an abundance of love, joy and togetherness on "You Loved Me".

Or in Patty's own words:

"I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love could be"

On 'You Loved Me' Patty Waters velvet voice captures this longing for love, straight from her soul to your heart. Crossing the border of the avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-sides while the 14 minute composition 'Touched By Rodin In A Paris Museum' on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.

'You Loved Me' proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, impressed Miles Davis, Pharoah Sanders and Henry Grimes with her concerts and can count Patti Smith and Yoko Ono (to name a few) amongst her fans.
Go to Item
Barney Wilen - Zodiac
Barney Wilen
Zodiac
LP | 1966 | US | Reissue (We Are Busy Bodies)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
We Are Busy Bodies is proud to announce the first official reissue of 'Zodiac' by brilliant French tenor saxophonist, Barney Wilen. Originally released on the Disques Vogue label in 1966, the album has been restored and remastered from Barney Wilen's personal copy of the album. The album was recorded a few years after performing on albums and European tours with Art Blakey's Jazz Messengers and Miles Davis. The album is an exploration of free jazz, dedicated to the signs of the zodiac. Wilen and his friend, photographer Jean Larivière worked together to create the photos and artwork for his album, Zodiac. The intention at the time was to also create a film with a storyline and characters developed by Jean. Unfortunately, the concept was never fully realized at the time,. Sketches, photos and further context are included in the accompanying album insert.
Go to Item
Betico Salas Y Su Sorona - Baile Ud. Con Betico Salas
Betico Salas Y Su Sorona
Baile Ud. Con Betico Salas
LP | 1966 | EU | Reissue (Vampisoul)
17,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
HIGHLIGHTS:First solo LP by the talented Peruvian artist Betico Salas, lead trumpet player of the great Sonora de Lucho Macedo, one of the best ensembles playing Cuban repertoires in the early '60s.This 1966 album features Alfredo Linares on piano and sonero vocals by Benny del Solar, and combines a mix of guarachas, guanguancó and even cumbias. Betico Salas would later release two more albums and become a legendary trumpet player in Peruvian musical history.First time reissue.- DETAILS:Alfredo Linares on piano and sonero vocals by Benny del Solar stand out on this album. Benny del Solar sings lead vocals on the cumbia of Argentine origin 'Nos vamos a casar'; the Colombian 'Lo que pasa es que la banda está borracha', a continental hit since the early sixties; the guaracha 'A los muchachos de Belén', by Puerto Rican musician Tito Rodríguez; the guaracha 'Ritmo del amor'; the elegant Cuban guaguancó 'Así namá', also well known for Tito Rodríguez's rendition; and the cumbia 'Qué le digo a mi mujer'. Singer, César Gonzales, who would have an extensive career in Peruvian tropical music, sang lead vocals in the guaguancó by the Sonora Matancera 'Lindo Omelenko' and the bolero 'El árbol', a hit for the singer Roberto Ledesma, also recorded that same year by Peruvians Carmita Jiménez, Anamelba, Raul del Mar and Lucho Macedo himself, who decided to sing for his new record label.The mythical singer Johnny Arce, years later known as Mr. Macondo, also appears on the album on the two guarachas: 'La renga', a composition by Esther Forero, known as La novia de Barranquilla; and 'Yo soy candela', a composition by the Colombian Ray Rodríguez.Finally, 'La chola' is a cumbia by Peruvian composer Tomás Benítez; and 'Mambo Jazz' is a version of the descarga 'Yayi's instant mambo', an innovative instrumental track performed by Puerto Rican Willie Rosario, who recorded it in the United States at the start of 1966 with his own orchestra.Betico Salas would later release two more albums and bec...
Go to Item
Beat 4 - Boots A Go Go
Beat 4
Boots A Go Go
LP | 1966 | EU | Reissue (Musica & Entretenimiento)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This is one of the first Chilean rock albums recorded in Spanish. "Boots a Go Go" (1966) by Beat 4 is released now on vinyl, from the original IRT masters! Los Beat 4 (Santiago de Chile, 1966) began as the partnership of four childhood friends: brothers Mario and Willy Benitez, Johnny Paniagua and Reinaldo Rhino Gonzalez. Under the influence of the Beatles, the Kinks and the Animals, they formed Los Electrones, a group with which they played at school parties and various meetings, following the style of the New Wave. Around 1966, and after the explosion of the beat rhythm in our country with the arrival of the Beatles, they decided to change their name to Beat 4 and sing in Spanish. In 1967, backed by the wide radio diffusion of their single "Llora conmigo" (a Spanish version of an Italian pop song), they toured throughout the country. The band's second hit came with the jingle "Dame un Bananino", composed to promote a banana-flavored ice cream. The song was released as an EP, was a great success and took them on tour to the main beaches of Chile. They would later replicate the model with the song "Ta ta ta ta", as simple and catchy as the previous one. The Beat 4's career was short but intense and popular. At the beginning of the 70's they had already released four LPs, and since then they began to incorporate their own compositions. When Willy Benítez left the band, Tilo Mandiola replaced him, but soon after, the Beat 4 decided to leave. Willy Benítez entered the theater school of the Catholic University, to later begin a career as a humorist in television programs such as "El festival de la una". Reinaldo Rhino González, vocals (1966 - 1971). Johnny Paniagua, guitar (1966 - 1971). Willy Benítez, bass (1966 - 1971). Mario Benítez, drums (1966 - 1971). Tilo Mandiola, bass (1971).
Go to Item
Joe Henderson - Mode For Joe
Joe Henderson
Mode For Joe
LP | 1966 | DE | Reissue (Blue Note)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / DE – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Joe Cuba Sextet - Oh Yeah! / Sock It To Me
Joe Cuba Sextet
Oh Yeah! / Sock It To Me
7" | 1966 | FR | Original (Roulette)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / FR – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: Generic
Record plays with surface noise without overpowering the music.
Go to Item
Baden Powel E Vinicius De Moraes - Os Afro Sambas
Baden Powel E Vinicius De Moraes
Os Afro Sambas
LP | 1966 | EU | Reissue (Forma)
25,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Joe Pass - A Sign Of The Times
Joe Pass
A Sign Of The Times
LP | 1966 | US | Original (World Pacific)
5,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: G+, Cover: VG
Cover is close to VG+.
Go to Item
Wayne Shorter - The All Seeing Eye
Wayne Shorter
The All Seeing Eye
LP | 1966 | US | Original (Blue Note)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: G, Cover: G
Vinyl with many marks, scuffs, hairlines and deeper scratches, plays with grainy background noise. Cover with completely open top and bottom spine, shelf wear
Go to Item
A Pot Of Flowers - With love
A Pot Of Flowers
With love
LP | 1967 | US | Reissue (Mainstream)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
180 gram vinyl
Go to Item
The Who - The Who Sell Out
The Who
The Who Sell Out
LP | 1967 | US | Reissue (Geffen)
37,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
The Charles Lloyd Quartet - Love-In
The Charles Lloyd Quartet
Love-In
LP | 1967 | UK | Reissue (Pure Pleasure)
34,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Four-and-a-half decades after the event, saxophonist Charles Lloyd's "Love-In", recorded live at San Francisco's Fillmore Auditorium in 1967, the counterculture's West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance", "Temple Bells"), and the inclusion of John Lennon and Paul McCartney's "Here There And Everywhere", "Love-In's" semiology reeks of the acid-drenched zeitgeist of the mid 1960s, a time when creative music flourished, and rock fans were prepared to embrace jazz, provided the musicians did not come on like their parents: juicers dressed in sharp suits exuding cynicism.
It is likely that more joints were rolled on "Love-In's" cover than that of any other jazz LP of the era, with the possible exception of saxophonists John Coltrane's "A Love Supreme" (Impulse!, 1965) and Pharoah Sanders's "Tauhid" (Impulse!, 1967). Chet Helms, a key mover and shaker in the West Coast counterculture, spoke for many when he hailed the Lloyd quartet as »the first psychedelic jazz group«.
It is to Lloyd's credit that, at least in the early stages of his adoption by the counterculture, he resisted dumbing down his music. The adoption stemmed from Lloyd's espoused attitude to society, his media savvy, his sartorial style and his sheer nerve in playing jazz in the temples of rock culture. He took the quartet into the Fillmore West three years before trumpeter Miles Davis took his into the Fillmore East.
So "Love-In" comes with a load of baggage, some of it less than fragrant. But as 45 minutes of music, it still has legs. Lloyd's vocalized tenor (and flute on two tracks) has Coltrane-derived muscle; the young Jarrett's lyrical and funky solos, particularly on his 07:55 showcase, the gospel-ish "Sunday Morning", his two featured originals ("Sunday Morning" and the soul jazz-ish "Is It Really the Same?"), and his playing the strings of the piano directly with his hands, all remain compelling; McClure and DeJohnette are solid and inventive.
Go to Item
Wynder K. Frog - Sunshine Super Frog
Wynder K. Frog
Sunshine Super Frog
LP | 1967 | EU | Reissue (Wah Wah)
20,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve
Go to Item
Ennio Morricone - OST A Fistful Of Dollars & For A Few Dollars More Red Vinyl Edition
Ennio Morricone
OST A Fistful Of Dollars & For A Few Dollars More Red Vinyl Edition
LP | 1967 | EU | Reissue (Klimt)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / EU – Reissue
Genre: Soundtracks
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This is one of the most memorable film soundtracks ever, a rival for that other great example of the art `The Good, The Bad, The Ugly'. Sergio Leone's direction was a breath of fresh air, and his use of music in his films was an integral part of his style and the film successes. "For a Few Dollars More" is the natural progression from that movie, with the addition of a third protagonist - Lee Van Cleef - who joins the two actors: a triad that made history for another masterpiece Sergio Leone's masterpiece. Ennio Morricone's music is equally important. The Maestro here chooses a 'poor' registry, consisting of folk instruments such as ocarina, Jew's harp and chimes, respectively used to accompany the entry stage of the three main actors. But there are, as usual, the contributions of Alessandro Alessandroni and his Cantori Moderni choir, for an incredibly exciting final result
Go to Item
The Who - The Who Sell Out
The Who
The Who Sell Out
2LP | 1967 | EU | Reissue (Polydor)
32,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend
Go to Item
The Who - The Who Sell Out
The Who
The Who Sell Out
2CD | 1967 | EU | Reissue (Polydor)
13,59 €* 15,99 € -15%
Incl. VAT plus Shipping Costs
Release: 1967 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend
Go to Item
Frank Y Sus Inquietos - Frank Y Sus Inquietos
Frank Y Sus Inquietos
Frank Y Sus Inquietos
LP | 1967 | EU | Reissue (Elpalmas Music)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Venezuelan aggressive guaguanco originally released in 1967 and reissued for the very first time. Frank y sus Inquietos is a little-commented Venezuelan treasure in our time, an amazing, almost unknown jewel of Venezuelan hard salsa, treasured with zeal by music lovers of all times. This group is evidence of the musical communion of the young Caracas of the late sixties with the sounds of the Caribbean in their nascent marriage with urban aggressiveness. As a result of these meetings of “friends who played instruments” such as congas, bongos, piano, timbales and their fiery discharges on the top floor of Block 3 of La Silsa, a building located in this humble and highly populated Caracas popular area, the repertoire of songs by the homonym Frank y sus Inquietos (1969), with an exquisite imagination and brimming with vitality, authentic vocals and choirs, overwhelming percussion, strong bass and fierce piano conducted by Frank González.
Go to Item
Joe Bataan - Gypsy Woman Black Vinyl Edition
Joe Bataan
Gypsy Woman Black Vinyl Edition
LP | 1967 | US | Reissue (Craft)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Reissue
Genre: Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Albert Ayler - In Greenwich Village
Albert Ayler
In Greenwich Village
LP | 1967 | US | Reissue (Superior Viaduct)
27,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
In the mid-'60s, Albert Ayler found himself at the center of major transformations within jazz. On his albums for ESP-Disk', his delivery was radically aggressive and his tone blistering – aiming for something beyond the New Thing. His music would be further energized when (at the behest of John Coltrane) Bob Thiele signed him to Impulse! As Ayler told The Plain Dealer at the time, "It's not about notes anymore. It's a sound – a feeling. The approach we're taking will discontinue the use of the word 'jazz.'" In Greenwich Village, Ayler's first LP on Impulse!, perfectly captures the Cleveland-born saxophonist's radiant intensity. Sourced from a pair of live engagements – February '67 at the Village Theatre on New York's Lower East Side and December '66 at the Village Vanguard – these recordings show an improved clarity in production and performance. Both sets feature two basses (including Alan Silva and Henry Grimes) which allowed the ensemble to go in different harmonic directions while maintaining an organic unity. Of particular interest are "For John Coltrane," a tribute to Ayler's mentor who would pass later that year, and "Truth Is Marching In" where trumpeter Donald Ayler joins his brother to celebrate and ultimately deconstruct several jazz traditions to stunning effect. Vibrant in sound and vision, Albert Ayler's In Greenwich Village is a landmark statement in free jazz and a career high-point for this truly original artist. Superior Viaduct is honored to present this classic album on vinyl for the first time domestically in 30 years.
Go to Item
Jesus Gomez Y Su Grupo - Jesús Gómez Y Su Grupo
Jesus Gomez Y Su Grupo
Jesús Gómez Y Su Grupo
LP | 1967 | EU | Reissue (El Palmas Music)
22,39 €* 27,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1967 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.
Go to Item
Ewa Demarczyk - Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion
Ewa Demarczyk
Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion
LP | 1967 | EU | Reissue (Warner)
27,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Joe Bataan - Gypsy Woman Yellow Vinyl Edition
Joe Bataan
Gypsy Woman Yellow Vinyl Edition
LP | 1967 | US | Reissue (Craft)
34,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Les Marquis - Fire Horses / Silence On The Shore
Les Marquis
Fire Horses / Silence On The Shore
7" | 1967 | EU | Reissue (You Are The Cosmos)
11,04 €* 12,99 € -15%
Incl. VAT plus Shipping Costs
Release: 1967 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Les Marquis were an Austrian band active in the 1967-1971 period. Their debut single - Fire Horses - released in 1969, is one of the best Garage/Folk-Rock European gems of the late sixties. Limited edition of 400 copies.
Go to Item
Digno Garcia Y Sus Carios = Digno Garcia Y Sus Carios - Digno Garcia En Japon = 日本のディグノ・ガルシア
Digno Garcia Y Sus Carios = Digno Garcia Y Sus Carios
Digno Garcia En Japon = 日本のディグノ・ガルシア
LP | 1967 | JP | Original (Columbia)
8,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / JP – Original
Genre: Organic Grooves, Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Go to Item
The Esquires - Get On Up And Get Away
The Esquires
Get On Up And Get Away
LP | 1967 | EU (Trading Places)
20,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / EU
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Family vocal group the Esquires was formed in Milwaukee in the late 1950s; by the time they moved to Chicago to launch their recording career the group featured Gilbert Moorer, Alvis Moorer, and Sam Pace and although Curtis Mayfield turned them down, Bunky Sheppard recognised their potential, their debut single ‘Get On Up’ a smash hit that led to the recording of this brilliant debut album, an excellent collection of upbeat melodic soul with the group’s vocal harmonies in the spotlight. Further permutations would follow but Get On Up And Get Away captures the group in its illustrious eginning, full of shining joy. A top-notch release!
Go to Item
Joe Tex - Skinny Legs And All
Joe Tex
Skinny Legs And All
7" | 1967 | DE | Original (Atlantic)
3,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / DE – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Go to Item
Big Joe Turner - Singing The Blues
Big Joe Turner
Singing The Blues
LP | 1967 | US | Original (Bluesway)
11,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Tiny seam wear.
Go to Item
Herbie Mann - Glory Of Love
Herbie Mann
Glory Of Love
LP | 1967 | US | Reissue (A&M)
8,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Go to Item
Herbie Mann - Glory Of Love
Herbie Mann
Glory Of Love
LP | 1967 | US | Original (A&M)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
US original.
Go to Item
Herb Alpert & The Tijuana Brass - Sounds Like...Herb Alpert & The Tijuana Brass
Herb Alpert & The Tijuana Brass
Sounds Like...Herb Alpert & The Tijuana Brass
LP | 1967 | US | Original (A&M)
7,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Go to Item
Wes Montgomery - A Day In The Life
Wes Montgomery
A Day In The Life
LP | 1967 | US | Original (A&M)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: G+, Cover: G+
US original.
Go to Item
Wes Montgomery - A Day In The Life
Wes Montgomery
A Day In The Life
LP | 1967 | JP | Reissue (A&M)
16,99 €*
Incl. VAT plus Shipping Costs
Release: 1967 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: G+, Cover: VG
Japanese pressing without OBI! Gatefold cover is close to VG+ and the record is close to VG!
Go to Item
The Eyes Of Blue - Crossroads Of Time
The Eyes Of Blue
Crossroads Of Time
LP | 1968 | EU | Reissue (Wah Wah)
20,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
UK psychedelia moved into prog rock with spices of hard rock in the late sixties, some even coined a new label to describe the strong textures resulting of the mixture of rockier blues sounds, jazz, revolutionized freakbeat and the hardest side of popsike - ‘heavy psych’. Amongst the best works of the era were the two splendid LPs recorded by Welsh band Eyes Of Blue.

The Eyes Of Blue where formed in 1966 and soon won the Melody Maker Beat Contest, a fact that secured them a recording deal with Deram records. The label issued their first 45s, they were good but -due to company pressure- more Blue Eyed Soul or even bubblegum oriented. By the time they released their first LP, on Mercury, their real sound had surfaced, showing influences by some of the coolest bands from the US West Coast like The Doors or Love, and also counted on the help of Graham Bond, who penned some of the most significant tunes on the album. Heavily Hammond organ driven athmospheres taking things one step further than The Nice, guitar pyrotechnics, an excellent vocal work, some eastern influenced guitar raga, a great taste in choosing cover versions and strong songwriting make Crossroads Of Time one of the best progressive LPs from 1968.

First ever legit vinyl reissue, in a limited run of only 500 copies, in remastered sound and featuring an insert with photos and liner notes.
Go to Item
Karin Krog - Joy
Karin Krog
Joy
LP | 1968 | EU | Reissue (Meantime)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
George Guzman - Introducing George Guzman
George Guzman
Introducing George Guzman
LP | 1968 | US | Reissue (Get On Down)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
It was 1968 when Fania Records President, Jerry Masucci, received a phone call from conguero George Guzman, inviting Jerry to listen to his band. Jerry turned the project over to Harvey Averne, who later reported to Jerry that the band was “out of sight” and suggested that Masucci sign them up. A short time later, things became complicated for George and his band. First of all, the lead singer was drafted into the military, leaving George high and dry. By the time a replacement was found, George learned that his trumpet player was leaving to join another orchestra, so the search was on for his replacement. One problem led to another and before you knew it several months had gone by before George was finally ready to enter the studio and begin recording. Thanks to George and Harvey’s perseverance, “Introducing George Guzman” was released in time for George to join the fray of Boogaloo bands that had brightened up the night scene in New York City in 1968. - Bobby Marin
Go to Item
Wynder K. Frog - Out Of The Frying Pan
Wynder K. Frog
Out Of The Frying Pan
LP | 1968 | EU | Reissue (Wah Wah)
20,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".
Go to Item
Joe Thomas Group - Comin' Home
Joe Thomas Group
Comin' Home
LP | 1968 | US | Reissue (CBS)
15,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
The Underdogs - Blues Band
The Underdogs
Blues Band
LP | 1968 | EU | Reissue (Wah Wah)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Wah Wah is proud to release the first ever legit vinyl reissue from master tape of New Zealand's legendary Underdogs' first LP from 1968. Lovers of John Mayall and his Bluesbreakers (note the Eric Clapton tribute paid on the sleeve of this album) will love this album. The Underdogs formed in 1964 and shared the scene with other greats from the country like The La De Da's, The Action (NZ band, not to be confused with the UK mod godfathers) and The Pleazers. They spread the rhythm and blues word from their native Auckland through several 45s on the Zodiac label and went through a series of line-up changes prior to the release of their fabulous first long player. The Underdogs Blues Band LP was recorded by Murray Grindlay on vocals, Lou Rawnsley on guitars, Neil Edwards on bass and Tony Walton on drums, and shows the group’s appreciation for Mayall's combo - just like The Bluesbreakers' Crusade LP the Underdogs open their album with a cover of Albert King's "Oh, Pretty Woman," one of three "Bluesbreakers" songs covered on the LP. On this first long player the band storm into a world of guitar led rave-ups a la Yardbirds, organ blues grinders and even give a sight to what's to come next with some incipient heavier sounds a la Cream.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and insert
Go to Item
Joe Williams - Presenting Joe Williams And Thad Jones / The Mel Lew
Joe Williams
Presenting Joe Williams And Thad Jones / The Mel Lew
LP | 1968 | US | Reissue (Culture Factory)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Ibrahim Khalil Shihab Quintet - Spring
Ibrahim Khalil Shihab Quintet
Spring
LP | 1968 | UK | Reissue (Matsuli)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
“South Africa’s lost jazz history contains many an overlooked classic. But even within that hidden tradition, there are few albums that suffered such an unlucky fate as Spring, the monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

Though Shihab was only twenty-two when Spring was recorded, he was already a lynchpin of the Cape Town scene, and the album was to be his first major statement as leader and composer. It is a magnum opus gilded by the presence of the upcoming saxophonist Winston ‘Mankunku’ Ngozi, who was soon to find huge acclaim with the hit album Yakhal’ Inkomo.

Three months of touring southern Africa in 1968 honed the band to the point that this entire album was recorded within the just two hours of allocated studio time. This album was repressed just once before the master tapes were destroyed by an ignorant record company executive. While it has remained out of print since then, the album was ‘kept alive’ as an ‘add-on’ to a 1996 CD of Mankunku’s Yakhal’ Inkomo. As a result, many modern jazz lovers still incorrectly believe these five compositions come from Yakhal’ Inkomo.

With this edition of Spring, Matsuli Music corrects an historic wrong. This edition of Shihab’s stunning debut, produced with the blessing of the man himself, is the first time it has been properly available in over forty years, and the first time it has ever been available outside South Africa. Restored and presented with new liner notes by Valmont Layne, Spring can now be seen for what it is: a peerless masterwork of Cape Jazz, blessed by the presence of the great Mankunku, but truly animated by the subtle vision and original musical spirit of its creator, Ibrahim Khalil Shihab.”

• The monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

• Almost lost recording is back on vinyl after more than 50 years.

• Heavyweight 180g vinyl with remastered audio, inner sleeve with photographs and new notes by Valmont Layne
Go to Item
Nancy Sinatra & Lee Hazlewood - Nancy & Lee Black Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Black Vinyl Edition
LP | 1968 | US | Reissue (Light In The Attic)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Go to Item
Nancy Sinatra & Lee Hazlewood - Nancy & Lee
Nancy Sinatra & Lee Hazlewood
Nancy & Lee
Tape | 1968 | US | Reissue (Light In The Attic)
10,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Go to Item
The Showstoppers - Ain't Nothing But A House Party EP
The Showstoppers
Ain't Nothing But A House Party EP
7" | 1968 | EU | Reissue (You Are The Cosmos)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The Show Stoppers was formed in 1967 by Alex Burke and Laddie Burke (Yes! they were brothers of Solomon Burke...) who joined with fellow brothers Timmy Smith and Earl Smith, all of them were students of Germantwon Highschool (Philadelphia). They are best remembered for their 1967 hit "Ain't Nothin' But A House Party" and they have recorded a bunch of 7" EP/Sge until they disbanded in 1972. This EP contains four of their best songs.
Go to Item
Jon & Jeannie - Lover's Holiday EP
Jon & Jeannie
Lover's Holiday EP
7" | 1968 | EU | Reissue (You Are The Cosmos)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Very unknown artists from Brixton (London), they have recorded two singles on Beacon label in 1968. And no more info about them. But we Love these four tracks of killer Soul & R'n'B in the vein of Ike & Tina.
Go to Item
Piero Umiliani - OST Playtime
Piero Umiliani
OST Playtime
LP | 1968 | US | Reissue (We Are Busy Bodies)
31,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Soundtracks
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
We Are Busy Bodies is proud to announce the first official reissue of ‘Playtime’ by popular and prolific Italian composer, Piero Umiliani. Incorporating styles like jazz, easy listening/lounge, rock, funk, and bossa nova to a genre largely dominated by orchestral scores, he penned some of the most outstanding film music from the '60s and '70s with over 150 titles under his belt. Originally released on Umiliani‘s own Omicron label in 1968, the album has been remastered from the original recordings by Noah Mintz.
Go to Item
Nancy Sinatra & Lee Hazlewood - Nancy & Lee 8Track Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee 8Track Edition
8Track | 1968 | US | Reissue (Light In The Attic)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Go to Item
Nova Local - Nova 1
Nova Local
Nova 1
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The sole album by cultish psychedelic pop band from Chapel Hill, North Carolina. They formed in 1964 and split up after their debut, which appeared on prestigious label Decca in 1968. The lines "Is it much too much to ask / Not to hide behind the mask?" from "If You Only Had the Time" weree sampled on MF Doom's 2005 song "The Mask". All along with classic blues standard ‘Tobacco Road‘ (covered by anyone from The Animals to Brother Jack McDuff via Jefferson Airplane) and contemporary folk number ‘Morning Dew’ (originally penned by Bonnie Dobson) the record shows a series of original numbers verging on the happiest side of jangle-rock with a ‘nuggets’ feel all in all.
Go to Item
Herbie Mann - Glory Of Love
Herbie Mann
Glory Of Love
LP | 1968 | JP | Original (A&M)
17,49 €* 24,99 € -30%
Incl. VAT plus Shipping Costs
Release: 1968 / JP – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Go to Item
The Wind In The Willows - The Wind In The Willows
The Wind In The Willows
The Wind In The Willows
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.
Go to Item
Joya Landis / Alton Ellis, Phyllis Dillon - Angel Of The Morning / Love Letters
Joya Landis / Alton Ellis, Phyllis Dillon
Angel Of The Morning / Love Letters
7" | 1968 | UK | Original (Trojan)
89,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / UK – Original
Genre: Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: Generic
Record in excellent condition with clean labels and just a few hairlines. Plays with very faint surface noise in the run-ins, far from over powering the music. Prong has been removed.
Go to Item
Jay & The Techniques - Love, Lost & Found
Jay & The Techniques
Love, Lost & Found
LP | 1968 | US | Original (Smash)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Go to Item
Sérgio Mendes & Brasil '66 - Fool On The Hill
Sérgio Mendes & Brasil '66
Fool On The Hill
LP | 1968 | US | Original (A&M)
11,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Sticker rip off on back cover.
Go to Item
3's A Crowd - Christopher's Movie Matinee
3's A Crowd
Christopher's Movie Matinee
LP | 1968 | US | Original (Dunhill)
18,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
US original. Small tears in spines. Tiny drill hole.
Go to Item
George Benson - Shape Of Things To Come
George Benson
Shape Of Things To Come
LP | 1968 | US | Original (A&M)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: G+
- "Face it Boy, It's Over" sampled by Abstract Rude for "Switch the Station",
Brand Nubian for "Stip into Da Cipher",
Champ MC for "Keep it on the Real",
DJ Jazzy Jeff for "For Da Love of Da Game",
Ed OG for "Love Comes and Goes",
Pete Rock & CL Smooth for "I Get Physical" & "In the Flesh"

- "Shape of Things to Come" sampled by B Love for "Lucy",
Karlito for "T'inquietes" and
Ras Kass for "Soul on Ice"
Go to Item
Joe Tex - You Need Me, Baby / Baby, Be Good
Joe Tex
You Need Me, Baby / Baby, Be Good
7" | 1968 | DE | Original (Atlantic)
5,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / DE – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Go to Item
Joe Tex - Keep The One You Got
Joe Tex
Keep The One You Got
7" | 1968 | DE | Original (Atlantic)
3,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / DE – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Go to Item
Sérgio Mendes & Brasil '66 - Herb Alpert Presents Sergio Mendes & Brasil '66 = 豪華盤 セルジオ・メンデスとブラジル'66
Sérgio Mendes & Brasil '66
Herb Alpert Presents Sergio Mendes & Brasil '66 = 豪華盤 セルジオ・メンデスとブラジル'66
LP | 1968 | JP | Reissue (A&M)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Japanese pressing without OBI. Vinyl with scuffs and hairlines. Cover closer to NM
Go to Item
Improved Sound Limited - OST - Engelchen Macht Weiter
Improved Sound Limited
OST - Engelchen Macht Weiter
LP+7" | 1969 | EU | Reissue (Wah Wah)
20,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves, Soundtracks
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The soundtrack to this 1969 German sexual comedy was produced by Improved Sound Limited, showcasing their killer blend of experimental pop, blues, rock, jazz, funk and easy listening, augmented with tape effects, phasing, distorted guitar... Groovy songs influenced by 60's beat and psychedelia.

Newly mastered sound by Jörg Scheuerman. Comes complete with an insert with photos and liner notes. Limited to 500 copies only.
Go to Item
The Who - Tommy Deluxe Edition
The Who
Tommy Deluxe Edition
2LP | 1969 | EU | Reissue (Polydor)
38,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Kevin Ayers - Joy Of A Toy
Kevin Ayers
Joy Of A Toy
LP | 1969 | EU | Reissue (Music On Vinyl)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
As the Soft Machine's first bassist and original principal songwriter, Kevin Ayers was an overlooked force behind the group's groundbreaking recordings in 1967 and 1968. Joy Of A Toy is his debut solo album, its whimsical and unique vision is a clear indication of how Soft Machine might have progressed under Ayers' tenure. On the LP he is accompanied by his Soft Machine colleagues Robert Wyatt, Mike Ratledge and Hugh Hopper.

180g vinyl.
Go to Item
Andre Tanker Five - Afro Blossom West
Andre Tanker Five
Afro Blossom West
LP | 1969 | EU | Reissue (Cree)
16,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
When this album was first released in 1969, the young combo around vibraphonist and singer Andre Tanker conveyed a new style mix, which apparently naturally merged quite different musical influences into a new whole. At the centre of the music of the Andre Tanker Five was jazz in its Caribbean, Trinidadian style, a combination of the modern jazz of those days and the sounds of the extremely popular steeldrum bands of the time. A very decisive addition is typical for Trinidad: Calypso. Calypso stands for the attitude to life of this young generation of musicians, for the 'Good Time Feeling' and the desire to incorporate danceable Caribbean rhythms and Afro-Latin grooves into their individual style.
Although the original sounds of the young Andre Tanker Five are deeply rooted in the music of the West Indies, Afro-American elements always remain in the foreground. The young combo is musically equally at home in the Caribbean as in the 'hip' jazz clubs of the US megacities and the juke joints of the south with their sultry blues as well as the soul dance halls in Detroit or Memphis. The combination of vibraphone and electric guitar plus bass/drums is also rather unusual in those days. Not a pure instrumental album, 'Afro Blossom West' delivers some surprising vocals - rather unusual for a groove-jazz-based project with a sophisticated rhythmic sound.
Bandleader and vibraphonist Andre Tanker is considered a very creative and versatile musician. His exciting improvisations are a dominant feature of this group. Party In The City, Lena and Swahili are original compositions of which he sings the first two himself. Guitarist Clarence Wears is a gifted accompanist and effective soloist. His sometimes 'funky soul style' is more reminiscent of 'Memphis' than 'Trinidad'. Bass player Clive Bradley, who also plays piano and guitar, is a fine all-round musician who knows his music to the limit, and the rhythm section around Kester Smith (drums and timbales) and Mikey Coryat (congas) are able to provide the necessary power, but they can also play softly and subtly when the mood demands it.
As the album's name suggests, the combo refers deeply to the music and rhythms of Africa, whose roots - when shifted to the West - have produced the calypso, blues and Afro-Latin rhythms heard on this LP. We have had the album reworked from the original master tapes for this limited high quality LP edition by mastering expert Tom Meyer. New liner notes by Ron Reid shed light on the history of Andre Tanker, his combo and the circumstances that led to this creative product!
Go to Item
Alfredo Linares Y Su Sonora - Yo Traigo Boogaloo Record Store Day 2020 Edition
Alfredo Linares Y Su Sonora
Yo Traigo Boogaloo Record Store Day 2020 Edition
LP | 1969 | EU | Reissue (Vampisoul)
17,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Record Store Day 2020 Release.
Limitation: 500 copies.

Long sought after by collectors, DJs and lovers of hard salsa and boogaloo alike, 'Yo Traigo Boogaloo' is now lovingly reissued in replica form with the original cover art, remastered from the studio tapes, reproducing that magical MAG stuio sound for today's aficionados to enjoy like it was 1969 all over again.
Go to Item
Tony Joe White - Black And White
Tony Joe White
Black And White
LP | 1969 | US | Reissue (Analogue Productions)
46,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!
Go to Item
Sage And Seer - Sage And Seer
Sage And Seer
Sage And Seer
LP | 1969 | EU | Reissue (Wah Wah)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.
Go to Item
Marvin Peterson And The Soulmasters - In Concert
Marvin Peterson And The Soulmasters
In Concert
LP | 1969 | JP | Reissue (P-Vine)
31,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
An impressive live album by Marvin Peterson who was one of the finest trumpetersin the 60's-70's is making its return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add "Hannibal" to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and theirperformance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organistEugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny "Guitar" Watson.

With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to its many fans. The opening "Groove for Otis" (m1) with a jazz-funk whose edgy beat excites rare groove fans. "Our Groove" (m4) is also a fine track whichhas a slick bassline and Eugene'sorgan fusing in harmony. P-vine are very proud to be repressing this record with its intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.
Go to Item
Zito Righi E Seu Conjunto - Alucinolandia
Zito Righi E Seu Conjunto
Alucinolandia
LP | 1969 | EU | Reissue (Mr Bongo)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969.

The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger.

Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe its crown-jewel 'Poema Ritmico Do Malandro’. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at its finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.

The fact the record was released in 1969 meant it was probably a bit out of step with its contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since its release, the work can finally be judged on its own merit; and what a beauty it is.
Go to Item
Hugo Y Osvaldo - La Bossa Nova De ...
Hugo Y Osvaldo
La Bossa Nova De ...
LP | 1969 | EU | Reissue (Sommor)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
After the demise of LOS Shakers, brothers Hugo & Osvaldo Fattoruso released in 1969 "La Bossa Nova de Hugo & Osvaldo".

Here, they paid homage to the music they grew-up with: jazz, bossa nova and candombe but adding Beatlesque pop-psych and Brazilian/Latin sounds to the mix, following what they had already done with Los Shakers in songs like "Never Never" or "Adorable Lola".

Cool covers of Burt Bacharach, George Harrison and candombe pioneer Manolo Guardia blend together with lovely self-penned songs and even new, bossa-styled versions from Los Shakers catalogue.

Recorded in 1968 mostly by Hugo and Osvaldo playing all the instruments by themselves, it was originally released in 1969 in a tiny edition of 400 copies, making it one of the most desirable collectable albums related to Los Shakers.

The missing link between "Toto's Bar" and OPA's "Goldenwings"?
Go to Item
Yuya Uchida & The Flowers - Challenge!
Yuya Uchida & The Flowers
Challenge!
LP | 1969 | EU | Reissue (Cosmic Rock)
19,99 €* 24,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.
Go to Item
Andromeda - Andromeda Black Vinyl Edition
Andromeda
Andromeda Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Du Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon).

Andromeda was formed during the final days of Du Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Du Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band. Tired of the lack of promotion and support, John accepted an offer to join Atomic Rooster… but that’s another story.
Go to Item
Jimmy Thomas - (We Ain't Here Looking For) No Trouble
Jimmy Thomas
(We Ain't Here Looking For) No Trouble
7" | 1969 | EU | Reissue (You Are The Cosmos)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First official reissue of this Soul classic originally released in 1969 by Spark label.
Go to Item
Jim Sullivan - U.F.O. Black Vinyl Edition
Jim Sullivan
U.F.O. Black Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Go to Item
Jim Sullivan - U.F.O. Blue Splatter Vinyl Edition
Jim Sullivan
U.F.O. Blue Splatter Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
32,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Go to Item
Eero Koivistoinen Kvintetti & Sekstetti - Odysseus Black Vinyl Edition
Eero Koivistoinen Kvintetti & Sekstetti
Odysseus Black Vinyl Edition
LP | 1969 | EU | Reissue (Svart)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Masterful Finnish jazz available on wax again!

Odysseus, Eero Koivistoinen's first proper jazz album, gets its title from the wandering spirit of its songs, traveling from one mood to another. Performed by the Eero Koivistoinen Quintet & Sextet, because Koivistoinen wanted to extend his standard quartet (Koivistoinen-Sarmanto-Laine-Hietanen) to a quintet and invited trumpetist Bertil Lövgren to join. Also Juhani Aaltonen is questing on two tracks. Odysseus is an excellent, youthful package of forward-thinking jazz played by ambitious young jazz superstars-to-come. The compositions are at times lyrical, at others furious and complex, but ever captivating.

The original Odysseus LP, released by the book publisher Otava Kustannus in 1969, is among the ten most expensive pieces of Finnish vinyl. Jazzpuu/Sähkö Recordings reissued Odysseus in 2006 as did we in 2016, yet both of these releases have been hard to find ever since. This time around Svart brings the masterful album back on the market on a limited Svart exclusive transparent red vinyl edition, classic black vinyl and CD.
Go to Item
Country Joe McDonald - Thinking Of Woody Guthrie
Country Joe McDonald
Thinking Of Woody Guthrie
LP | 1969 | US | Original (Vanguard)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Go to Item
The Checkmates Ltd. - Love Is All We Have To Give
The Checkmates Ltd.
Love Is All We Have To Give
LP | 1969 | US | Original (A&M)
5,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Sticker on sleeve.
Go to Item
Joe Henderson - Power To The People
Joe Henderson
Power To The People
LP | 1969 | US | Reissue (Craft)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-01
Go to Item
Chris Montez - Nothing To Hide / Day By Day
Chris Montez
Nothing To Hide / Day By Day
7" | 1969 | JP | Original (A&M)
4,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / JP – Original
Genre: Organic Grooves, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Go to Item
Pesky Gee! - Exclamation Mark
Pesky Gee!
Exclamation Mark
LP | 1969 | EU | Reissue (Wiseraven)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
The Who - Tommy
The Who
Tommy
2LP | 1969 | US | Original (Decca)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Indianapolis Pressing.
Cover with ring wear.
Go to Item
Sérgio Mendes & Brasil '66 - Fool On The Hill
Sérgio Mendes & Brasil '66
Fool On The Hill
LP | 1969 | JP | Original (A&M)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / JP – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG
No obi.
Go to Item
Paul Desmond - Summertime
Paul Desmond
Summertime
LP | 1969 | US | Original (A&M)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Go to Item
Stefan Gnys - Horizoning
Stefan Gnys
Horizoning
LP | 1969 | Reissue (We Are Busy Bodies)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-15
Go to Item
Bossa Rio - Bossa Rio
Bossa Rio
Bossa Rio
LP | 1969 | JP | Original (A&M)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / JP – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Japanese pressing without OBI, with insert. Gatefold cover with foxing on the inside, otherwise VG+.. Vinyl close to VG+
Go to Item
Quincy Jones - Walking In Space
Quincy Jones
Walking In Space
LP | 1969 | US | Original (A&M)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Original US pressing.
Go to Item
Wes Montgomery - Road Song
Wes Montgomery
Road Song
LP | 1969 | JP | Original (A&M)
11,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / JP – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
Go to Item
Joe Bataan - Riot Black Friday Record Store Day 2024 Edition
Joe Bataan
Riot Black Friday Record Store Day 2024 Edition
LP | 1970 | US | Reissue (Craft)
TBA
The final price is not yet known.
Release: 1970 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 1000

Classic 1968 sophomore album from the King of Latin Soul, accompanied by the Latin Swingers band. This RSD Black Friday release was pressed at Memphis Record Pressing on 180g black vinyl and comes in a paper-wrapped jacket.
Go to Item
Back To Top
1
...
4 5 6 7 8
...
110
1
...
4 5 6 7 8
...
110
1
...
5 6 7
...
110