Search "men+i+trust" 20078 Items

Release: 2013 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2022 | EU | Original (Samosa)

Gledd

The Difference EP

14,99 €*

LP | 2024 | US | Original (Mean Dorris Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Samosa Records continue their hot streak with ‘The Difference EP’ - a superb four tracker from a producer who is all about the funk, Gledd. This wonderfully constructed EP kicks off with the first track on the A-side - ‘I Don’t Know’. From the get go, this is a slinky, catchy funky number. The warm, all consuming bass line jogs along, aided by subtle guitar riffs that light up the melody. The chugging train suddenly breaks for an outrageous blues vocal - deep growls and female backing singers take control before the track launches straight into the stratosphere. A guaranteed dance floor bomb. Next up on the A-side is ‘Amapola Sunrise’, a latin infused 125bpm slice of heaven. Gledd knows these rhythms inside out - and this hypnotic ‘love dance’ of a track proves it. You can only imagine the sunrises and sunsets this will provide the soundtrack to. It’s a deep, glorious journey into hedonism - let the lead guitar and sax take you by the hand to the rug-pull breakdown. Gledd at his incomparible best. Meanwhile, over on Side B, De Gama is setting out the party stall early with his ‘Re-Groove’ of Muni. When De Gama masters the grooves in the ‘Re’Groove’ workshop, the flames can be seen for miles. African horns, organ stabs and Mali-inspired guitar riffs combine with the superb vocals. It’s a tribal, ethereal and very spiritual funk dream, which is De Gama’s trademark. Closing off this excellent EP is B.2 - ‘Japan Lips’. In no time, we’re off around the seedy back street bars where gifted but washed up bass players hang out to find work. The bass line is as clean as a whistle as it kicks against the snares and cymbals of the beat, and the melody wraps around you instantly with rhythm guitar, jazz flute and breaks. Another mesmerising piece from a man who knows how to mesmerise. The perfect topper to this thoroughbred release. ‘The Difference EP’ is a welcome Samosa debut for Gledd and is sure to be a hit with lovers of the groove. This has to be in your collection. Ste Hendry [Black Light Disco]

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Gleeman

Something To Say

56,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

7" | 1999 | JM | Original (Jah Music)

Glen Judah

Mr Coolie Man

11,99 €* 39,99 € -70%

2LP | 2023 | US | Original (Audio Recon / Ooohhh That's Heavy / Inner Current)

Release: 1999 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Plays with steady background sounds and crackles.

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Glen Porter

Blessed By A Young Death

33,74 €* 44,99 € -25%

Release: 2023 / US – Original

Genre: Hip Hop

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In honor of the 15-year anniversary of Glen Porter's debut album "Blessed by a Young Death," we are thrilled to present it as a limited edition 2xLP. This marks the first time the album has been available in its entirety on vinyl, with only 200 copies worldwide courtesy of Audio Recon, HHV, Inner Current Recordings, MISM, and Ooohh! That's Heavy.

“Blessed by a Young Death" holds a special place in our hearts and we’re sure many feel the same. The album's haunting melodies and compositions have captivated the listener since its original release in 2008. It's an album that evokes a wide range of emotions, from melancholy and introspection to moments of hope and tranquility.

In addition to celebrating the album's anniversary, this release serves as a tribute and 5 year memorial to the late Ryan Stephenson (Glen Porter). The album resonates with themes of loss, acceptance, and the bittersweet beauty of life, making it a perfect tribute to our friend and collaborator.

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7" | 2001 | JM | Original (Energy Production)

I'll Sing My Song

Release: 2001 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 2000 | JM | Original (Joe Frasier)

Jah Glory

8,99 €*

Release: 2000 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 2001 | JM | Original (Joe Frasier)

Moving On

5,99 €*

Release: 2001 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 1976 | EU | Reissue (Joe Gibbs Music)

Rockers Nuh Crackers

Release: 1976 / EU – Reissue

Genre: Reggae & Dancehall

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Glen Washington / The Roots Radics

Caught Up In Danger / Stormy Weather Version

7" | 1998 | JM | Original (Ranking Joe Music)

Release: 1998 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Glen Washington, Zion I Kings

Jah Children

LP | 2023 | EU | Original (Before Zero)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Glen Washington’s long lasting musical legacy continues to flourish with JAH Children, a roots and culture showcase ep with the celebrated roots and culture reggae sounds of the Zion I Kings.

Starting from the mid-1970s, Glen Washington’s singing and drumming have been mainstays in reggae dance halls and on stage shows worldwide. In 2012, Zion High Productions paired the Jamaican born and Florida-based singer with the Zion I Kings on Masterpiece to great critical acclaim. JAH Children is further evidence that working with producer/ engineer JAH David Goldfine over many years brings out the best in the singer’s songwriting and vocal performances.

On the four songs with matching dub mixes, the Zion I Kings are joined by a stellar array of reggae’s top musicians. Included are drums by Roberto Sanchez, Winston “Horseman” Williams, and Lincoln “Style” Scott, saxophones by Donald “jah Bless” Toney and Garrett Kobsef, trombone by Balboa Becker, trumpet by Okiel Mcintyre, flute by Zoe Brown, and percussions by Scully Sims and Norman Grant. Russ “Tuff Lion” Williams does the lead guitar on “No Limit” and Chet Samuels is a featured vocalist on the title track.

Cover artwork is by longtime Zion High Productions collaborator Ato “Art of the Covenant” K.D. Roberts.

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12" | 2018 | DK | Original (Tartelet)

C.I.W.

6,99 €*

Release: 2018 / DK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 2020 | EU | Original (Tartelet)

Homespun

14,99 €* 19,99 € -25%

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Five years after his critically acclaimed debut album Throwback, Glenn Astro returns with his deeply personal album Homespun. Marking a change in course from his first release on Tartelet Records, Glenn Astro is set to showcase his sophomore album Homespun, a testament to a visionary artist who has come into his own. Made up of ten tracks spanning 45 minutes, the record twists and turns between electronic meditations, soulful vocals by Ajnascnet, and futuristic electro, carving out a world of spacey eclecticism that is as nostalgic as it is experimental. “This album is in all facets different from the first one, which was a deliberate decision. No vintage sounds and references, no sampling, combined with futuristic sound design and song structures.I tried to keep it as current and intuitive as possible,” he says. Known for his chunky beats and fuzzy textures, Glenn Astro has released on labels such as Ninja Tune and Apollo, leaving a distinctive signature on everything he touches. But Glenn Astro has quietly been crafting a new sound for himself. Sometimes taking detours – morphing into his dark alter ego and experimenting with artist collaborations. The sound of Homespun is a culmination of several years of reflection and artistic development – however, the album itself was produced in less than three months. “I set myself an ultimatum to finish the album within three months. If I didn’t make it, I’d have to rethink my career path and keep music as a hobby, he says. On the introspective first single and album title track “Homespun,” Ajnascent’s vocals lend a sincerity to the melancholic production. “It’s about the regret of not taking chances and giving in too much, but also about taking responsibility and being honest with yourself. Homespun is a nod to nostalgia and a desire for simplicity and prudence, being equally the culprit and the cure,” elaborates Ajnascent. On “The Yancey,” an homage to J Dilla, Glenn Astro paints his vision of contemporary dance music with shimmering melodies, deep ambient soundscapes, and advanced drum programming. “Moreira” and “Look at You” feel like spaced-out electronic funk hybrids, while “Taking Care of Business” goes back to the future with Glenn Astro’s take on jungle. Other tracks such as “Mezzanine,” “Slow Poke Flange,” and “Viktor’s Meditation” provide the finest dubby electronics.

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LP | 2023 | EU | Original (Tartelet)

Nothing Is Real

14,24 €* 18,99 € -25%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Taking his cue from seminal mix albums of days gone by, Glenn Astro is back with a compilation of original productions from a cast of fictional artists on Nothing Is Real. Across 13 tracks, the Tartelet mainstay celebrates the thrill of discovery which came as standard listening to new entries in series’ like X-Mix and DJ Kicks, moving between head-nodding downtempo, ambient techno, broken beat and all manner of chill-out room delights. You might be left wishing artists such as DJ 1999, Mental Trance and Eye Soul8r had actual discographies to go and explore, but as Astro himself is keen to point out, “nothing is real.”

Astro has never been shy to embrace classic tropes and tones in his past albums for Tartelet, Apollo and Ninja Tune, but he’s drawing on a different set of influences for this album and embracing the flexibility afforded by using imagined aliases for varied production styles.

“I had the idea to do a mixtape, preferably with unknown dance tracks that also reflect that whole 90s/early 00s vibe,” Astro explains. “Instead of digging for some records that haven’t been sourced yet or trying to find those ‘forgotten’ treasures, I made the tracks myself. That way I had full control over BPMs, feel and the whole arrangement of tracks. I thought of a few alter egos and started producing the tracks in the order that I intended to play them in a mix. In the end a whole compilation of tracks emerged.”

While the concept might suggest you’re going to hear a lot of over- familiar sounds, don’t be fooled. Astro is inspired and inquisitive, channeling the experimental spirit of the 90s and early 00s when electronic music was still continually being redefined in all kinds of micro-scenes. In many cases, Astro’s productions slip into the cracks between genres rather than specifically mimicking a style.

Even if the reference points are detectable, the end result is a curious blend as indebted to ambiguity as the overall concept of the compilation. Like the spine-tingling sensation of hitting play and awaiting the waves of unknown sonics on one of those seminal mixes, you never know exactly what you’re going to get as you take the trip through Nothing Is Real.

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12" | 2021 | EU | Original (Tartelet)

Purple

12" | 2021 | UK | Original (Deeper Groove)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Glenn Astro returns to Tartelet Records with Purple, a four-tracker of minimal slow burners and futuristic dance music, marking the label’s 50th 12-inch release. Since releasing his second album Homespun in late 2020, Glenn Astro has been quietly channeling his funky instincts towards new production approaches. Purple, a four-piece compilation of mutant future-boogie daubed in Rogers-Nelson hues, comes through with emotional heft. It also marks the 50th 12" release for Tartelet Records. “Following up on Homespun, I wanted to try out some more dancefloor- oriented tracks again,” says Glenn Astro. “Keeping it simple and practical, while not being too predictable. I incorporated a lot of modular synth bits and experiments, with ‘Flux’ being an almost exclusively modular-based jam.” Incorporating tricky sound design and fluid structures, Astro’s new lines of enquiry never come at the expense of the groove. From the opening thump of ‘Penduloop’ onwards it’s apparent that his rugged rhythmic kinks are present and correct to hook in the dancers, while the melodic drops later in the track edge in a little melancholic flavour to take the mind somewhere else entirely. On this opening track, the artist explores new territory with his version of early naughties minimal house – a welcome slow burner. The EP title track ‘Purple’ slaps with purpose, not least in the Linn-esque drums and melodic bassline, but it’s a positively dreamy piece which skips on crooked beat formations and floats upwards via a multi-timbral tapestry of yearning synth shapes and robotic vocals. On ‘Out Of Office’ Glenn Astro provides a generous dose of electro nostalgia when he amps up the heavy-hearted feeling with aching string pads and electro-informed machine logic. The track becomes alive with its deep un-synced rhythms and dark bass notes, pushing further into the abyss. ‘Flux’, with its tooly feel, takes the electronic mantra further and sheds light on the source of much of Astro’s new sound palette. Crucially, even in its techiest moments, an irrepressible humanity shines through across Purple. Glenn Astro’s soul is the binding agent which links his early, sample-heavy house to his more explorative new angles, and it comes through in abundance on this fully-formed release.

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Glenn Davis

I Need You Feat. Lady T

13,99 €*

12" | 2021 | UK | Original (F*CLR)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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With a plethora of hot house releases already under his belt, Dublin remixer/producer/DJ Glenn Davis drops another stunner with his I Need You EP. Glenn’s production skills really shine on the tracks on this and trust me – you won’t be disappointed. On 'I Need You', Lady T rocks fly and intimate vocals over Glenn’s deep and murky groove. You can hear the roots of house flowing through the track reminding the listener of producers lie Wayne Gardiner, Mood II Swing and Kerri Chandler with Glenn’s deft production touch bringing it firmly into the present. ‘Freedom’ is the second cut on the EP and this is where Glenn lets go and delivers an outstanding, uplifting sampled vocal monster, once again harking back to the glory days of underground dance music for the true heads, This track seriously goes to church! A definitive double header EP – you need this!

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Glenn Davis

Special EP

13,99 €*

Glenn Echo & Daniel Meinecke

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Glenn Davis returns to F*clr for his 3rd EP on the label and all I can say is that this EP is an absolute killer. It’s been almost impossible to keep the lid on this house track of epic proportions for the last 12 months. Simple, effective and deadly, Ashley Beedle dropped the original on dubplate at one of the now legendary ‘Heavy Disco’ parties at the beginning of 2020 and the crowd lost their minds. Shazam went into meltdown and nobody could find the answer! Glenn’s original harks back to the halcyon days of classic New York house - think Masters at Work, think Kerri Chandler, think Tony Humphries, think ‘category is taking it to church’. This is what ballroom beats are all about – attitude, realness and taking no prisoners. It really is a thing of beauty and has already gone into the realms of ‘classic’ with all the heads who have had the dubplate. It is the distillation of everything good about true house music – it remains faithful to the early pioneers’ vision of what they hoped house music would become. Once again, the ‘North Street’ crew, Ashley Beedle, Darren Morris and Jo Wallace, flip the script on their ‘North Street West’ remix of ‘Special’ and inject a late 80’s toughness into the groove while bringing it bang up to date with chopped beats, nasty piano and a jacking tempo that ‘werks’ Glenn’s original track.

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What Happened To Yesterday? Volume 2 Translucent Purple Vinyl Edition

LP | 2024 | US | Original (Motorcity Wine)

20,79 €* 25,99 € -20%

LP | 1981 | EU | Reissue (No Frills)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Glenn Echo & Daniel Meinecke are back with their hotly anticipated follow-up of What Happened To Yesterday?! This one makes a hat trick on MotorCity Wine Recordings, and cranks up the heat in time for the summer.

Vol. 2 grabs from our favorite moments of both their debut "Partly Cloudy" and Vol. 1, perfectly synthesizing the heady and dubby with the cosmic dance flavors, while always eschewing a genre-box. As the opening invocation "World In My Head" says, "why should I repeat myself?", and the boys continue to push the envelope and find new boundaries. The A-side continues with muscular downtempo joints, with highlights including the Psychedelic Hip-Hop of “Explanation of The Funk” (feat. sultry trumpet from Dre King and cuts by DJ Stylus) and the Gogo-Afrobeat fusion of “Three-Season Crank” (featuring the brilliant Raja Kassis on guitar).

Over to the flip side, "Off The Rails" kicks it off with the most dance-floor oriented joint on the record. From there the album gets dubbier and more meditative, culminating with the blissed out "Black Bird Dub". It's the perfect come down after the earlier beatdown.

Glenn's multi-influenced production is as inspired as ever, while Mr. Meinecke continues to show us why he's earned his stripes as *the* seminal keyboard player in the scene. Whether it's drawing from 70's weed jazz, early 80's dancehall, 90's downtempo, or the most rippin' jazz fusion, Glenn Echo & Daniel Meinecke round out the "What Happened To Yesterday" series in fine singular style.

Housed in a beautiful matte finish picture sleeve with art from Michal Rafaj and pressed on deep translucent purple vinyl. TIP!

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Glenn Miller

Very Best Of

20,99 €*

GU Edits 1&2 Blue Vinyl Edtion

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Glenn Miller, leader of the best-loved dance band of all time enlisted in 1942 in a personal crusade to entertain Allied troops with his own distinctive brand of music. Whether delivering ballads or setting the dancefloor moving with 'Pennsylvania 6-5000' and 'The Woodpecker Song', Miller and his merry men set the mood of not only his fellow troops but whole nations. He, and they, will never be forgotten.

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Glenn Underground

2x12" | 2024 | US | Original (GU Edits)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Both out of print GU EDITS 12" singles unavailable for years (since 2018) now repressed together on blue colored vinyl. GLENN's killer remixes of AMP FIDDLER's "MORNIN" b/w RAUL MIDON's "SUNSHINE" and MOS DEF's "LIFETIME" b/w INCOGNITO's "I CAN SEE THE FUTURE". Limited stickered white labels.

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1967-1971 Antologia Blue Transparent Record Store Day 2021 Edition

Release: US

Genre: Organic Grooves, Electronic & Dance

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nice disco-edits of Donna Summers I Feel Love!

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Gli Uh!

LP | 2021 | EU | Original (Udp Disco Piu)

32,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Record Store Day 2021 Release.

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LP | 1984 | JP | Original (CBS/Sony)

I Am Gloria Gaynor

16,14 €* 16,99 € -5%

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI and insert. Copy close to VG+

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LP | 1979 | JP | Original (Polydor)

I Have A Right

9,49 €* 9,99 € -5%

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert

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LP | 1976 | US | Original (Polydor)

I've Got You

8,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy with white labels.
Vinyl close to VG+

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LP | 1976 | US | Original (Polydor)

I've Got You

8,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+.

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LP | 1976 | JP | Original (Polydor)

I've Got You

14,24 €* 14,99 € -5%

LP | 1961 | US | Original (Everest)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM. Japanese pressing with OBI and insert

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Gloria Lynne

I'm Glad There Is You

8,79 €* 10,99 € -20%

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Original (Everest)

Gloria Lynne

I Wish You Love

5,09 €* 5,99 € -15%

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 2022 | UK | Original (Acid Jazz)

Gloria Scott

So Wonderful

Release: 2022 / UK – Original

Genre: Organic Grooves

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What Am I Gonna Do Black Friday Record Store Day 2024 Edition

Gloria Scott

LP | 1974 | UK | Reissue (Selector Series)

LP (Double Double Whammy)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Coming Soon 2024-11-29, 12:00 CET

Gloria Scott’s ‘What Am I Gonna Do’ is considered by many as one of the greatest soul records of all time. A masterpiece produced by Barry White, that oozes class, lush instrumentation and the remarkle vocal talent and emotive delivery of Ms Scott.

From the impecable opener ‘What Am I Gonna Do’ through to the Modern Soul scenes favourite, ‘(A Case Of) Too Much Love Makin’, nearly every cut on the LP is a classic.

An extremely rare LP since it’s release in 1974, with original copies changing hands for over £100. Now 50 years on it has been officially licenced & lovingly reissued by the Selector Series label and arguably an LP every Soul fan needs in their collection.

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Glow

Am I

20,99 €*

Genre: Rock & Indie

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12" | 1993 | DE | Original (Pulse-8)

Gloworm

I Lift My Cup

3,59 €* 3,99 € -10%

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Gnonnas Pedro Et Ses Dadjes

The Band Of Africa Vol. 2 - "I Feel Alright"

LP | 1980 | NG | Original (World Wide Music)

Go Ahead And Die White Vinyl Edition

Release: 1980 / NG – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: G+

Original Nigerian pressing. There's a James Brown Cover on here! Cover has some discolourations and wear, close to VG.

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Go Ahead And Die

LP | 2021 | EU | Reissue (Nuclear Blast)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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7" | 1984 | JP | Original (I.R.S.)

Go-Go's

Head Over Heels

18,99 €*

Peaceful Sound For Broken Minds

Release: 1984 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear

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Go.Soul.Map.

LP | 2024 | EU | Original (Space Echo)

21,99 €*

Joy In Fear Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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The debut album by musician and producer GO.SOUL.MAP. is a little gem in which pop and soul intersect and the clichés between mainstream and underground leap. A sexy and pensive nocturnal journey, immersed in thirteen songs between soft bass and space disco trips, with the voice of London based Derane Obika of Living Sounds. The selection of songs in this album were made with the hope to bring the listener to deep thought, the lyrics and melodies seamlessly married to tracks that drive the listener's emotions. Produced, written and performed by Derane and Salvo, they came together by chance and were inspired to make the album making sure to balance the sound between the Lyrics, Melody and Music to insure that not only the songs are heard but the experience remembered and both spirit and soul are touched. The album is truly "Music From The Heart" Behind the alias GO.SOUL.MAP. hides one of the most authentic and purest talents of the current Catania music scene. Of which, moreover, under other guises and names, he has been an indispensable pillar for over a decade. An artist of immediate sensitivity, not only artistic. His training is fairly canonical: as a child, he studied piano. From there, as if following the movements of concentric circles, the passion for synths, drum machines, the world of samples and the recording studio. Above all, an uncommon ability to breathe in music. Accepted and found without prejudice, but always with the need to reveal a distinctive track, a signature. Touring between bars, streets, concerts and clubbing. An experience very consistent with the subject matter of this disc. Which is, in fact, the debut of a non rookie. An ambitious record, because it possesses a sound that is as sexy as it is thoughtful and a writing style, exemplary, that lies on that borderline that, in the stereotype, defines underground and mainstream. Fields that instead it crosses naturally and between which it moves without any particular problems. After all, the music comes not from the malice of the intellect but from the nuances, tender or vehement, of naivety. Peaceful Sound For Broken Minds is a pop record, pop soul, of modern urban pop. Yes, labels, even in the sense of tags, are definitely that. Of course, it is the way in which ideas are rendered that makes the difference. The record is about the need to find one's peace, but it is the fall that it shows and not the landing. With honesty and, above all, style. That is, mastery of means and an important file work with which to decline that therapeutic soul pain in which his songs are immersed. We wait for hours more, the initial Fall Into The Flame and I Am Believe seem to tell us from there we move on. Hold The Line is where trip hop forgets itself, immersing itself, to the point of blurring, with the retro atmospheres of someone like Curtis Harding. Pushing has a space disco cadence that, more pronounced, we also find in the lunar expedition sound of Watergate. The exotic visions of Back In Underwater, between the stardust of Air and the innocence of Plone, become more jazzy in Cat With Camera. Just as in the urban streaks of Don't You Worry, which in upbeat mode would sound like a great reggae song, or Are U Ready, or in the disco funk of Right Of Me, the soulful accent of Derane Obika of Living Sounds emerges, a Londoner of Nigerian origin who grew up listening to gospel, Prince and Stevie Wonder, whose voice guides us through the songs of Peacefull Sound For Broken Minds. Which is a new point for that work of redefining the standards of pop today that Space Echo is doing. Throwing the clock overboard, because the time it wants to capture is nothing more than the movement of its hands

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Goat (Jp)

LP | 2023 | UK | Original (Nakid)

Medicine Splatter Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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goat (jp) are renowned for two albums released in 2013 and 2015 that took Kraftwerk’s man-machine concept back to its roots with swingeing, inch-tight drums, bass and guitar patterns that needed to be heard to be believed. For their long-in-the-making new album ‘Joy In Fear’, band leader Koshiro Hino (ypy, Kakuhan) describes the process as “90 percent pain” - and we can well believe it - few other records we can think of transmute DAW-composed rhythmic precision into such an expressive instrumental performance. It really is a feat of determination, skill and execution that seems to defy human dexterity. Make no mistake - an academic exercise it ain’t - in the most visceral sense, goat (jp) make Body music, for dancing, flailing, for losing yourself in completely. As usual, Hino plays guitar, backed by bassist Atsumi Tagami, while Akihiko Ando joins on saxophone, while Takafumi Okada and Rai Tateishi step in to handle percussion, with the latter moonlighting on flute. Every sound is sculpted into a fragment of cadence: guitar and bass prangs alternately echo and dance between the drums, and Ando’s sax is mutated into a respiratory slobber of guttural smacks and phantom breaths. In some respects, it’s tempting to label it jazz, but the kind of jazz that Miles Davis spearheaded on the game-changing ‘On The Corner’, the blueprint for so much post-punk, electronic music and avant rock. goat (jp) take that raw alloy and sharpen it like a blade, mangling the template with the knotty metrics of Autechre or Ryoji Ikeda. The accuracy is galvanic; it’s almost impossible to comprehend each player keeping a mental note of the mathematical time signatures, and yet they floss them out with trills and icy stutters that seem to evaporate around the thick, taiko-like thuds. They practically get our teeth gnashing with the bruxist rictus chatter of ‘iii I Iiii Iii’ , before ‘Cold Heat’ introduces subtly harmonised, new aspects to their sound with slivers of Hassellian flute and ringing overtones of their percussion, while the winding sensuality of ‘Warped’ slips down very nicely. Their links to OG no-wavers like Glenn Branca & Wharton Tiers’ Theoretical Girls - is manifest in the 8 mins of chipping stop/start pulse and parry to ‘Modal Flower’, while a total left turn into Mark Fell-meets-Ligeti-esque messed up metronomics in ‘gmf’ ties it off with a properly beguiling flourish.

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Goat

LP | 2023 | UK | Original (Rocket)

OST Suspiria Splatter Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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It is hard to know how many times the mythology and mystery of Goat’s backstory can be written about, but new release ‘Medicine’ does away with any need to dwell on the past, returning with a more introspective, slightly mellower psych-folk sound that remains recognisably them.

There is a consistently restrained, warm feel across the whole work, and the band suggest that the overall theme of the album is about “the impermanence of life in different ways: sickness, relationships, love, death and how our time is finite”.

At times the album’s sound has nods to classic Swedish 70s psych/prog/folk acts such as Arbete & Fritid, Charlie & Esdor and Träd, Gräs & Stenar. ‘Vakna’ takes on this influence, progressing across nearly six minutes of swaying, warping guitar solos, without ever breaking out into chaos.

The ‘Medicine’ of the title may refer to a number of salves, or the value of relationships and love: “For our families, friends, society, this could be done through the use of psychedelics, through meditation, through learning from other people, staying curious and never settling for a ‘solid’ identity”.

Flute is foregrounded throughout, threading across several tracks from the opener ‘Impermanence And Death’. It duets elegantly with keening synth lines through the beautiful ‘You’ll Be Alright’, and leads the melody of the closing track ‘Tripping In The Graveyard’. ‘tsod’, with its backdrop of sitar and acoustic guitar, has an indelible vocal melody that could be a lost George Harrison recording.

The title of the full album version of first single, ‘I Became The Unemployment Office’, comes from an expression for someone taking advantage of you. The joyous, echo-laden groove of penultimate track ‘Join The Resistance’ bursts into life and continues to build to a moment of release with a huge Sabbath-esque riff.

Whatever your dosage, and regardless of your remedy, it is now time to take your medicine.

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Goblin

LP | 1977 | US | Reissue (Death Waltz)

37,99 €*

LP | 2021 | EU | Original (One Little Independent)

Release: 1977 / US – Reissue

Genre: Soundtracks

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This score is an absolute tour de force. It’s arguably one of the most outstanding horror scores ever recorded. It’s ferocious, full of wailing, screaming, and guttural noises. Incredibly intense yet still retaining a musicality that Italian cinema excelled at in the 1970s. Dario Argento and Goblin were a match made in heaven, and I’m not sure anyone has created such a nightmarish mix of visuals and sounds in the history of cinema. In addition, the artwork by Randy Otiz is one of the best interpretations of this film I have ever seen! A Masterpiece in every way.

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God Damn

Raw Coward

Release: 2021 / EU – Original

Genre: Rock & Indie

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February 2020 saw God Damn disrupt the quiet before the storm with a blistering UK tour that shook the walls of some of the country's favourite grassroots venues, showcasing their new material to hordes of sweaty bodies, but the incoming pandemic put a stop to the promo train and subsequently plunged them back into the shadows just when they were at their most amped. You can feel the pent-up aggression in every fibre of 'Raw Coward', from its opening riff to its final feedback educed fade-out, it brims with an abrasive heaviness that threatens to buckle under its own weight at any time. Ambitious and cynical, it lashes out in all directions, taking wild swings at nationalism, structural power abuse, the music industry and capitalist machine.Intro 'English Slaughterhouse Blues' and 'Yout' are a powerhouse combined opener that make their intentions undeniably clear, with ferocious distorted vocals and savage guitar sounds. Famously relentless drummer Ash Weaver battles fearlessly behind walls of chaos while frontman Thomas Edwards' strained delivery has never sounded so raw.Having previously recorded with the legendary Sylvia Massy (Smashing Pumpkins, Deftones, Johnny Cash, Slayer), and taking on two new band members, Hannah Al Shemmeri on keys and Robert Graham (Working Men's Club, Drenge, Wet Nuns) on additional guitars, God Damn were confident in their ability to put something strong down themselves. With their back-to-basics approach and unrelenting desire to let it all hang out, they used lockdown as a time to bash through 10 destructive anthems while putting an emphasis on home experimentation, completely free from the pressure of the studio or outside influence. In true DIY fashion Al Shemmeri was also on art and design duties, utilizing her creative skills to help visualise the disturbing world of God Damn and fine-tune its concepts.

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Beats, Bangers & Biscuits At 535 E 55th St

Digipak CD | 2020 | EU | Original (90's Tapes)

14,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 300 copies on CD.

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!

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Beats, Bangers & Biscuits At 535 E 55th St

Tape | 2020 | EU | Original (90's Tapes)

12,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 100 copies on gold colored tape!

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!

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Beats, Bangers & Biscuits At 535 E 55th St Black Vinyl Edition

3LP | 2020 | EU | Original (90's Tapes)

36,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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The black 3LP vinyl set comes with a gatefold sleeve, download, sticker and inlay card!

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!

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Beats, Bangers & Biscuits At 535 E 55th St Gold Vinyl Edition

3LP | 2020 | EU | Original (90's Tapes)

38,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 300 copies on gold colored vinyl. The 3LP gatefold set comes with soft touch sleeve, download, sticker and inlay card!

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!

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That's How I'm Going Out / Instrumental

7" | 2021 | EU | Original (HHV Boombap 45s)

12,99 €*

Release: 2021 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 300 copies of the next release in our »HHV Boombap 45's« series.

Two charmers from the one and only Godfather Don available on 45 for the very first time. Enjoy "That's How I'm Going Out" plus the instrumental version on the B. Tip!

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Allelujah! Don't Bend! Ascend!

LP+7" | 2012 | US | Original (Constellation)

Release: 2012 / US – Original

Genre: Rock & Indie

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First album in 10 years! 180 gram LP in tipped-on gatefold jacket. Includes 7" vinyl + 12"X 48" pull-out poster!

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'Allelujah! Don't Bend Ascend

LP+7"+All Media | 2012 | US | Original (Constellation)

Release: 2012 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

7" included

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Asunder, Sweet & Other Distress

LP | 2015 | US | Original (Constellation)

Release: 2015 / US – Original

Genre: Rock & Indie

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Back in 2012, the shadowy, majestic Canadian post-rock collective Godspeed You! Black Emperor released Allelujah! Don’t Bend! Ascend!, their first album after a decade-plus hiatus, and it was just as thundering and grand and powerful as everything else they’ve ever done. The band won Canada’s Polaris Music Prize for the album, and they issued a statement about the “tone-deaf” ceremony, but that story should not overwhelm the gut-grabbing power of the album itself. And now they’ve announced that they’ll have another album for us in about a month, which is just excellent news. The new album, Asunder, Sweet And Other Distress, clocks in at an overwhelmingly brief 40 minutes, which is pretty surprising coming from a group whose individual tracks often inch past the 20-minute mark. The album only has four songs, but 10-minute songs are still concise by Godspeed standards. The band recorded the album with Electrical Audio engineer Greg Norman at studios in North Carolina and Montreal.

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LP | 2005 | US | Reissue (Constellation)

F-A-OO

Release: 2005 / US – Reissue

Genre: Rock & Indie

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G_d's Pee At State's End!

LP+10" | 2021 | CA | Original (Constellation)

Release: 2021 / CA – Original

Genre: Rock & Indie

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GYBE returns with another soundtrack for our times, like only this inimitable and venerable ensemble can forge. As the heretical impudence of the anarcho-punk title implies, Godspeed harnesses some particularly raw power, spittle and grit across two riveting 20-minute side-length trajectories of noise-drenched widescreen post-rock: inexorable chug blossoms into blown-out twang, as some of the band's most soaring, searing melodies ricochet and converge amidst violin and bassline counterpoint. Field recordings and roiling semi-improvised passages frame these fervent epics, and two shorter self-contained 6-minute pieces find the band at its most devastatingly beautiful, haunting and elegiac. Poignant atmospherics, noisedrenched orchestration, drone, hypnotic swingtime crescendos, inexorably-layered towers of distorted clarion sound: State's END encapsulates every beloved facet of the band. Twenty-five years on, this new album is as vital, stirring, timely and implacable as any in Godspeed You! Black Emperor's storied discography. Just as State's END summons the gamut of Godspeed's constituent sonic trademarks, so the album artwork spans the entirety of the band's visual history: the grainy monochromatic photography of recent releases finds its way onto the inner sleeves, while the gatefold cover art harkens back to the iconic graphics of earlier classic records like Slow Riot For New Zero Kanada and Lift Your Skinny Fists Like Antennas To Heaven. State's END features illustrations by William Schmiechen, with the front cover taijitu flowers and back cover tear gas canisters rendered in raised thermographic black ink on the double-vinyl album jacket. The illuminated cross from Godspeed's debut F#a#8 also makes a reappearance on the inside gatefold drawing, in recurrent homage to the electrified hilltop landmark crucifix of the band's Montreal hometown. State's END was recorded and mixed in Montreal in October 2020 at the group's homebase studio Thee Mighty Hotel2Tango by Jace Lasek, the veteran awardwinning indie producer (and co-founder of The Besnard Lakes) who works with Godspeed for the first time on this recording. Thanks for listening. OUR Side HAS TO WIN. (R.I.P. D.H.)

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Lift Your Skinny Fists Like Antennas To Heaven!

2LP | 2000 | US | Reissue (Constellation)

Release: 2000 / US – Reissue

Genre: Rock & Indie

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LP | 2017 | CA | Original (Constellation)

Luciferian Towers

Release: 2017 / CA – Original

Genre: Rock & Indie

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The seventh record by Godspeed You! Black Emperor will be released 22 September 2017 on Constellation.

‘Luciferian Towers‘ was recorded during the winter of 2016/2017 at Montreal’s Hotel2Tango, with Greg Norman once again engineering and co-producing (as he did on the band’s previous album ‘Asunder, Sweet And Other Distress‘).

The music on ‘Luciferian Towers‘ took shape over the past two years, amidst GYBE’s collaborative performances with the Holy Body Tattoo dance company’s monumental, and spurred by the commissioning of new compositions memorializing the 100th anniversary of the WWI Battle of Messines, which premiered at a live concert event on the site of the massacre at Heuvelland, Belgium this past June.

‘Luciferian Towers‘ is Godspeed’s third album since the group’s ‘reunion’ in 2011 and their second consecutive single LP-length record (following three double-album releases in 2000, 2002 and 2012).

this, this long-playing record, a thing we made in the midst of communal mess, raising dogs and children. eyes up and filled with dreadful joy – we aimed for wrong notes that explode, a quiet muttering amplified heavenward. we recorded it all in a burning motorboat.

(context as follows:)

1. UNDOING A LUCIFERIAN TOWERS – look at that fucking skyline! big lazy money writ in dull marble obelisks! imagine all those buildings much later on, hollowed out and stripped bare of wires and glass, listen- the wind is whistling through all 3,000 of its burning window-holes!

2. BOSSES HANG – labor, alienated from the wealth it creates, so that holy cow, most of us live precariously! kicking at it, but barely hanging on! also – the proud illuminations of our shortened lives! also – more of us than them! also – what we need now is shovels, wells, and barricades!

3. FAM / FAMINE – how they kill us = absentee landlord, burning high-rise. the loud panics of child-policemen and their exploding trigger-hands. with the dull edge of an arbitrary meritocracy. neglect, cancer maps, drone strike, famine. the forest is burning and soon they’ll hunt us like wolves.

4. ANTHEM FOR NO STATE – kanada, emptied of its minerals and dirty oil. emptied of its trees and water. a crippled thing, drowning in a puddle, covered in ants. the ocean doesn’t give a shit because it knows it’s dying too.

finally and in conclusion;
the “luciferian towers” L.P. was informed by the following grand demands:
+ an end to foreign invasions
+ an end to borders
+ the total dismantling of the prison-industrial complex
+ healthcare, housing, food and water acknowledged as an inalienable human right
+ the expert fuckers who broke this world never get to speak again

much love to all the other lost and wondering ones,
xoxoxox god’s pee / montréal / 4 juillet, 2017

PERSONNEL
Aidan Girt: Drums
David Bryant: Electric guitar, MG-One
Efrim Manuel Menuck: Electric guitar, organ, OP-1
Karl Lemieux: 16mm film projections
Mauro Pezzente: Electric bass
Michael Moya: Electric guitar
Sophie Trudeau: Violins, organ
Thierry Amar: Contrebasse, electric bass
Timothy Herzog: Drums

GUESTS ON TRACK ONE
Bonnie Kane (saxophone, flute, electronics)
Craig Pederson (trumpet)

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No Title As Of 13 February 2024 28.340 Dead

2LP | 2024 | EU | Original (Constellation)

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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THE PLAIN TRUTH==we drifted through it, arguing.every day a new war crime, every day a flower bloom.we sat down together and wrote it in one room,and then sat down in a different room, recording.NO TITLE= what gestures make sense while tiny bodies fall? what context? what broken melody?and then a tally and a date to mark a point on the line, the negative process, the growing pile.the sun setting above beds of ashwhile we sat together, arguing.the old world order barely pretended to care.this new century will be crueler still.war is coming.don't give up.pick a side.hang on.love.

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Slow Riot For A New Zero Kanada

LP | 2004 | US | Reissue (Constellation)

21,99 €*

Release: 2004 / US – Reissue

Genre: Rock & Indie

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2LP | 2002 | US | Reissue (Constellation)

Yanqui U.x.o.

Release: 2002 / US – Reissue

Genre: Rock & Indie

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LP | 2021 | UK | Original (La Sape)

Godtet

Meditations & Suite

LP | 2021 | US | Original (Sabotage)

Release: 2021 / UK – Original

Genre: Organic Grooves

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After releasing their aptly titled first three LPs (I, II & Iii) Godtet concluded their
triptych with the idea of a 'clean slate'. To allow the universe of Godtet to grow
the band hit reset somewhat. Returning to their original conception of the band;
Hitting record in the studio without preconceived thought or discussion on the
outcome.

After recording Meditations Godtet were asked to pay homage to the great John
Coltrane at The Sydney Opera House during their lockdown web series in 2020. To
celebrate the 50 year anniversary of 'Giant Steps' Godtet reimagined the seminal
body of work into one long set. The band collaborated with local artists Chris Cooper
& Sam Whickham who designed the audio visual aspect of the show. And after an
astounding reception, decided to utilise the two artists to build upon Meditations.
The 'Suite' EP (which features on the B side of 'Meditations') is the amalgamation of the earlier Godtet LP sounds and Godriguez's produced albums, through-composed as a 15 minute suite. To be true to the long-form, through-composed piece, the band recorded this release live; one take, no over-dubs and straight to
tape much like the 'Meditations' sessions, but composed.
The cathartic opening of 'Suite' awakens the gods with a sombre Welsh men's choir.
Their vibrato ripples across the ocean as the second movement lands the listener in
the Solomon Islands where bamboo sticks are tapped against rock. As the band
nods to 'Struck Bamboo Pipes' from their last LP. Dub Horns blaze out of the
calming movements, fractured polyrhythmic, post-dub-step energy takes hold. 'The
sounds bleed into a neighbouring Trinidadian street festival as they march across
the Atlantic. The end is nigh, Moroccan percussion and vocals dance as Godriguez's
roots shine bright. What it all a dream? A Ghanian 'Women's Choir' lulls back
consciousness. The 5-piece bids us farewell, sounds of the forked harp and Baoule
men singing is all that remains. And just like that, the trip is over.

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Going Away Party

A Ride With Our Ghosts

11,19 €* 15,99 € -30%

Release: 2021 / US – Original

Genre: Rock & Indie

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12" | 2019 | US | Original (Fire Talk)

Gold Dime

My House

Emergency (One More Time)

Release: 2019 / US – Original

Genre: Rock & Indie

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Sometimes we can only come to know ourselves best when we let others in. Such can certainly be said of NYC multi-instrumentalist and artist Andrya Ambro, and her band Gold Dime, on the eve of their second full-length My House. See, she's played these instruments and crafted these songs her entire life, having honed her decisive sit/stand style of transfixing drumming and provocative singing to a degree of perfectionism. Coming from her previous, highly acclaimed noisy rock duo Talk Normal, Gold Dime's first release, 2017's Nerves, was the first time Ambro has had no one to answer to but herself. My House sees a new, more collective effort being made, with Ian Douglas-Moore on bass and John Bohannon (Ancient Ocean || J.R. Bohannon) on guitar. And it very much shows. Walking a tightrope between unapologetic art rock and disarming intimacy, she integrates triumphant doubled guitars whose distorted fuzz winks at the mayhem of Les Rallizes Denudes, deep floor toms that quick pivot to galvanizing beats on a bed of dead spinning cymbals, to sometimes spoken, sometimes sung Laurie Anderson-esque words that uplift into a many voiced choir. And the warm bass lines, well they would make Holger Czukay from CAN very proud.

My House, according to Ambro, is intended to be something of a gruff father's declaration at dinner, fist slamming on the table, but rather than the stubborn, undying manners that would come with 'living under my roof,' she only demands that everything be done with the same degree of tireless dedication and authenticity. 'I want every beat to be played with intention. 'Cause why play if you don't mean it?' Every moment of this album acts as just that'a demand to own something, whether it be self or art or place in this world. We have no choice but to listen, to respect it. This is her house... well Gold Dime's house.

Produced by Andrya Ambro recorded and mixed by Ernie Indradat, mastered by Sarah Register with artwork and layout by Eric Copeland.

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Gold Mine

12" | 1995 | IT | Original (Ground Move)

9,99 €*

Release: 1995 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Skee Mask & Daniel Avery Remixes

Gold Panda

12" | 2023 | Original (City Slang)

19,99 €*

12" | 2013 | US | Reissue (Ghostly International)

Release: 2023 / Original

Genre: Electronic & Dance

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In November 2022, GOLD PANDA released his long-awaited album "The Work". It includes the two singles "I've Felt Better (Than I Do Now)" & "Plastic Future". These were remixed by Gold Panda's friend and companion Daniel Avery and the one and only Skee Mask respectively.

On Side A, British techno producer Daniel Avery turned "I've Felt Better" on its head. With a perfect balance of light and shadow, it now races at top speed like a techno bullet train through a blizzard and a multitude of barren landscapes, while the listener sits in an empty wagon, safe from the threat of nature just inches away. On Side B, Skee Mask, the enigmatic versatile electronic producer gives 'Plastic Future' a totally new identity. Known for his rolling rhythms combined with electronic soundscapes, Skee Mask slams the breaks on this remix in a big way. It's a magic combination that begs the question how did it take these 2 producers so long to collaborate like this? A match made in heaven!

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Gold Panda

Trust

16,99 €*

LP | 2023 | US | Original (Lame-O)

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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"Three years on from Lucky Shiner and following his DJ-Kicks set, the new EP from Gold Panda finds him refining his approach and exploring familiar themes, mixing bell-like textures, slow-mo house, and foggy drone." - PITCHFORK.comGold Panda is the moniker of English electronic record producer and songwriter Derwin Schlecker. He released several small-issue 7" records and singles in 2009, and in 2010 he signed with Ghostly International to release his debut full-length Lucky Shiner.In 2013, Gold Panda started the year releasing the EP Trust. His second album, Half of Where You Live, followed six months later.

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Golden Apples

Bananasugarfire

Golden Bridge (Monolog & T-Groove)

Release: 2023 / US – Original

Genre: Rock & Indie

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"In the corner of your vision, there's a daydream on a mission"says Russell Edling in the beginning of "Park (Rye)".Humming vibrations crescendo around the words floating inthe air and a listener may visualize a flower growing in fastmotion, or a dog running backwards, lava flowing, childrenjumping rope in the evening sun. Suddenly these visionsplumet and new frenetic images appear as drums, percussion,and full accompaniment burst into space. The band hasarrived, a theme recurrent in Golden Apples' new record,Bananasugarfire.A listener might hear echoes of the Velvet Underground, Stereolab,Stone Roses, Yo La Tengo, but there is more goingon than just a studied homage to indie rock's progenitors.The themes of doubt and bewilderment found on previousalbums are still present, but they are thrown into a kalaedoscopewith beams of positivity, hope, and optimism.

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Wouldn't Be The Same / I Can Prove It Special Uk Mixes

7" | 2023 | EU | Original (Six Nine)

15,99 €* 19,99 € -20%

LP | 2024 | Original (La Belle)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Six Nine Records Ltd. UK proudly presents two brand new mixes of the Golden Bridge tunes “Wouldn’t Be The Same” and “I Can Prove It” (an excellent updated version of Tony Etoria’s 70s modern soul track), where Matt Antunes delivers vocals on the first and Leon Beal on the latter. Both tracks originates from the first (and so far only) full length album from 2019 by the duo consisting of Monolog (Yukihiro Kanesaka) and T-Groove (Yuki Takahashi) and are hereby released on 7” vinyl for the first time ever. Definitely not to be missed as it is a limited UK press with full colour printed picture cover!

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Golden Bug

Piscolabis II

Live (Outtakes) Black Friday Record Store Day 2022 Blade Bullet Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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Piscolabis (Part II) is a super sonic fan, featuring the organic yet robotic atmosphere of Piscolabis (Part I) and, of course, Golden Bug's own sonic experimentation.

The 10 new tracks on this follow-up are even wilder and stranger, in the best sense of the word. The rhythms are heavy, the guitars of Lionel from The Limiñanas are razor-sharp and the distorted grooves of the drum machines convey curious electronic impulses!

The introductory track ‘Paradis’, with its choral, fairytale and epic atmosphere, gives way to a series of slow, raw and bewitching tracks, such as ‘Hi No Tori’, with guest appearance by Japan's Vega Voga, and the heady, mechanical ‘Ricochet’, ‘L'E et Domino', driven by the voice of Anna Jean from Juniore, “Boomerang”, which rides the wave of dub with shamarnic tinges, “Poc a Poc”, which plunges us into the world of acid-western, or the retro-futuristic “Autobahn” embodied by the voice of Ruben Kielmannsegge.

Piscolabis II builds its own psychological environment to inhabit. And the deeper you go into it, the more synaesthetic the music becomes, the more the textures swirl together, igniting the senses. We encourage you to press play, sit back and listen to the album unfold in its entirety.

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Golden Earring

10" | 2022 | EU | Original (Music On Vinyl)

22,99 €*

LP | 2023 | US | Original (Jazz Re:Freshed)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Reissue. Color: Blade Bullet. Limitation: unknown. Live (outtakes) is an album by Golden Earring, released in 2022. Live (outtakes) includes a.o. the following tracks: “Fightin' Windmills (live Brugge 1977)”, “I Need Love (live Brugge 1977)”, “Eight Miles High (live Brugge 1977)”, “Radar Love (live Single Version)” and more. The album is a Black Friday, Colored Vinyl, High Quality rock 12in.

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Golden Mean

Oumuamua

30,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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12" | 2017 | US | Original (Fit Sound)

Golden Mean

Resonance

Live At Third Man Records

Release: 2017 / US – Original

Genre: Electronic & Dance

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"Resonance" is the debut 12" by the duo Golden Mean. A beat stripped down to its essence, while a voice and strips of melody become textures wrapped around it. Hazy, Sensual, Hypnotic. Lose yourself in the dark. Lose yourself in the sound…

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Golden Pelicans

7" | 2017 | US | Original (Third Man)

Release: 2017 / US – Original

Genre: Rock & Indie

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12" | 2024 | UK | Original (Unspun Heroes)

Golden Shoulders

Friendship Is Deep

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 2024 / UK – Original

Genre: Rock & Indie

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In 2004, California-based indie band Golden Shoulders followed up their highly acclaimed debut with their second album, Friendship Is Deep. Now, on the twentieth anniversary of its release, the album most requested by their fans for a vinyl release is finally set for one on Unspun Heroes. Described as “one of the great semi-lost albums of the 21st Century”, the album showcases singer, songwriter, and band mainstay, Adam Kline’s knack for lyrical hooks and penchant for catchy melodies. But, like friendship, this is deeper than its pop sensibilities might suggest.

From the moment the opening track I Will Light You On Fire opens with its simple piano refrain and vocal harmonies you know you’re listening to something worthy of further exploration. From this building of tension between its temporary aural chaos and the beauty that ultimately emerges, you’ll be hooked. Yet, scratch beneath the surface and you’ll find this is an album that carries with it a political, pro-peace, and pro-humanity message, albeit somewhat more satirical than you might expect of a band hailing from America’s West Coast. This is particularly notable on tracks such as Golden Soldiers and the Committee, where Kline’s turn of phrase and wit shines through, cleverly weaving words so they create detailed poetic mosaics.

Golden Shoulders is a loose and ever-changing lineup of international talent, with Kline as the kingpin and sole songwriter. Given the pedigree of those whose talents grace the album – among them, Todd Roper and Greg Brown (Cake), Josh Klinghoffer (PJ Harvey, Rhcp, Pearl Jam), Neal Morgan (Joanna Newsom, Fleet Foxes), and Dan Elkan (Broken Bells) – it’s no surprise the compositions and attention to detail present in each and every one of the 14 songs is top notch. It’s this pleasing mix of accomplished individuals, and their mishmash of influences, which lend a pinball effect to the set of stylistically diverse songs on Friendship Is Deep. Collectively though, the music you’ll hear has a focus, one that channels late 90’s Brendan Benson, the poppier side of 80’s Violent Femmes, and even the mid-60’s flair of the Beatles’ Rubber Soul.

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Goldenrod

Goldie And The Gingerbreads

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Vietnam war, the excruciating motto ‘turn on, tune in, drop out’, all of a sudden we were in a new era, just across the lysergic exploitation and the political turmoil. The self-titled album by American trio Goldenrod was released on a small run in 1969 on the enigmatic Chartmaker. An instrumental album full of extended and improvised jam recorded in their hometown of Los Angeles. It comprises of just four tracks, enough for an essential trip. Titles such as "Karmic Dream Sequence" and "Descent Of The Cyclopeans" offers a new exploratory vision, between the past and the future. Goldenrod was a rare metaphysical drug experience you wouldn’t miss again! All three band members met while playing behind The Fifth Dimension and they had earlier played with Ballroom who were a pre- The Millennium-Sagittarius band. After all the three members became all of a sudden top LA session men. Jerry Scheff went on to play with The Millennium (the Californian super group led by Curt Boettcher, basically consisting of psychedelic rock musicians) while Ben Benay appeared in the blues-rock outfit Funzone in the seventies.

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Thinking About The Good Times 1964-1966

LP | 2021 | UK | Original (Ace)

LP | 1983 | US (Elevation)

Release: 2021 / UK – Original

Genre: Pop

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In that enticing, enthralling school of 1960s “girls with guitars”, Goldie & the Gingerbreads are top of the class. Self-contained and accomplished as instrumentalists, with an eminently soulful vocal prowess, the Gingerbreads remain true pioneers of women in rock’n’roll, and with a fascinating history to boot.

Born in the discotheques of Gotham, Goldie & the Gingerbreads were a popular club act with a handful of recordings under their belt when an admiring Animals caught them on a NYC visit in late 1964. “Imported” into the UK, the group scored a hit with ‘Can’t You Hear My Heartbeat’ and went on to tour with the Rolling Stones, Kinks and others, as well as maintaining a high visibility in the UK on their own. They made several more worthy if unsuccessful discs with producer Shel Talmy before splitting in 1967.

“Thinking About The Good Times” is the first-ever Goldie & the Gingerbreads collection, and it’s a fine testament to their undoubted abilities. Gathering together their sessions for Scepter, Decca and Atlantic, the versatility of the group is quite apparent on tracks that range from chunky beat and R&B (‘Look For Me Baby’, ‘Think About The Good Times’) through dramatic soul balladry (‘That’s Why I Love You’, ‘Little Boy’) to classic girl group sounds (‘Sailor Boy’, ‘Something Beautiful’).

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Gombloh

Live Gila

40,99 €*

LP | 2023 | EU | Original (Elevation)

Release: 1983 / US

Genre: Rock & Indie

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* Fully-licensed * From original master tape * Remastered at Abbey Road Studio * Long out of print after first pressing in 1983 * New and improved artwork * Folk-rock composition a la Bob Dylan’s Blood on Tracks

Most of Gen X-ers who grew up in the mid-1980s Indonesia must have seen Soedjarwoto Soemarsono, known with his nom de guerre “Gombloh” performing on a state-run television station, playing some of his biggest hits from that era, pop gems like “Kugadaikan Cintaku (I Pawn Off My Love)”, “Setengah Gila (Half-Crazy).”

But of course, it is not fair to judge Gombloh only from these hits. Dig deeper and you will find buried treasure in his early stuff from Indra Records, and there are many of them.

His album with the band Lemon Tree’s Anno ‘69 (yes, that’s the name of the band) is all remarkable, but what he did for Chandra Records was no less spectacular. How can you go wrong with songs like “Kebyar-Kebyar”, the unofficial national anthem for Indonesia, dan “Berita Cuaca” one of the better epic songs in a catalogue full of epochal songs? These were all long out of print and in our journey to source the original master for these albums we met Bob Djumara of Nirwana Records, the Surabaya, East Java-based label which broke Gombloh into the mainstream in the mid-1980s. Almost all albums Gombloh recorded for his early labels, Indra Records and Chandra Records were critically acclaimed, but commercially they bombed, big time. Nirwana Records came up with an ingenious plan. What if they recorded Gombloh performing live and release it as is. After all, the first song in Gombloh debut record Nadia & Atmospheer is him strumming on his guitar backed by the cheering of a crowd, who could be heard going wild when he hurled that epithet “bastard” at the end of the song.

The end result is a brilliant recording which despite being recorded live the sound quality so pristine leading many to doubt the claim of being live. Regardless, Nirwana shipped a decent number of units and Gombloh could buy his first car, a Katana Jeep, with money from the royalty.

One of the best things about Live Gila is its perfect sequencing, beginning with Gombloh’s social commentary on the rich’s debauched lifestyle of preying on young boys and girls, one of the most popular subjects allowed by the censoring machine of the New Order authoritarian government. The second song “Untuk Persada” is a soaring ode to the nation. For this song, Gombloh could be heard drawing his inspiration from The Police, which was undoubtedly popular in the early 1980s, even in a faraway port city like Surabaya.

Listening to this record as a whole (we omitted the last song from the original master tape “Bagimu Negeri” which sounds too jingoistic), we could not help but point to some of similarities it has with Bob Dylan’s Blood on the Tracks. Not a single composition in this record sound indigenous (the Malay-influenced rock of Panbers or Koes Plus come to mind); they all sound modern and effortlessly catchy, and had it not been for the language, this album could be mistaken for a musical output from someone growing up in Laurel Canyon or Southern France.

There are only limited copies of vinyl records in the second-hand market today available for Gombloh music, if at all. For his ardent fans, they have to scavenge for old cassettes to continue to be able to enjoy his music and have to pay top dollar for that. In Indonesia, where he was a superstar in the early 1980s, Gombloh was largely forgotten. With this project, we can only hope that the time is ripe for Gombloh to reemerge and now, more than ever, his music could speak to a bigger audience.

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Gombloh

Live Gila

25,99 €*

LP | 2023 | EU | Original (Elevation)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Most of Gen X-ers who grew up in the mid-1980s Indonesia must have seen Soedjarwoto Soemarsono, known with his nom de guerre “Gombloh” performing on a state-run television station, playing some of his biggest hits from that era, pop gems like “Kugadaikan Cintaku (I Pawn Off My Love)”, “Setengah Gila (Half-Crazy).”

But of course, it is not fair to judge Gombloh only from these hits. Dig deeper and you will find buried treasure in his early stuff from Indra Records, and there are many of them.

His album with the band Lemon Tree’s Anno ‘69 (yes, that’s the name of the band) is all remarkable, but what he did for Chandra Records was no less spectacular. How can you go wrong with songs like “Kebyar-Kebyar”, the unofficial national anthem for Indonesia, dan “Berita Cuaca” one of the better epic songs in a catalogue full of epochal songs? These were all long out of print and in our journey to source the original master for these albums we met Bob Djumara of Nirwana Records, the Surabaya, East Java-based label which broke Gombloh into the mainstream in the mid-1980s. Almost all albums Gombloh recorded for his early labels, Indra Records and Chandra Records were critically acclaimed, but commercially they bombed, big time. Nirwana Records came up with an ingenious plan. What if they recorded Gombloh performing live and release it as is. After all, the first song in Gombloh debut record Nadia & Atmospheer is him strumming on his guitar backed by the cheering of a crowd, who could be heard going wild when he hurled that epithet “bastard” at the end of the song

The end result is a brilliant recording which despite being recorded live the sound quality so pristine leading many to doubt the claim of being live. Regardless, Nirwana shipped a decent number of units and Gombloh could buy his first car, a Katana Jeep, with money from the royalty.

One of the best things about Live Gila is its perfect sequencing, beginning with Gombloh’s social commentary on the rich’s debauched lifestyle of preying on young boys and girls, one of the most popular subjects allowed by the censoring machine of the New Order authoritarian government. The second song “Untuk Persada” is a soaring ode to the nation. For this song, Gombloh could be heard drawing his inspiration from The Police, which was undoubtedly popular in the early 1980s, even in a faraway port city like Surabaya.

Listening to this record as a whole (we omitted the last song from the original master tape “Bagimu Negeri” which sounds too jingoistic), we could not help but point to some of similarities it has with Bob Dylan’s Blood on the Tracks. Not a single composition in this record sound indigenous (the Malay-influenced rock of Panbers or Koes Plus come to mind); they all sound modern and effortlessly catchy, and had it not been for the language, this album could be mistaken for a musical output from someone growing up in Laurel Canyon or Southern France.

There are only limited copies of vinyl records in the second-hand market today available for Gombloh music, if at all. For his ardent fans, they have to scavenge for old cassettes to continue to be able to enjoy his music and have to pay top dollar for that. In Indonesia, where he was a superstar in the early 1980s, Gombloh was largely forgotten. With this project, we can only hope that the time is ripe for Gombloh to reemerge and now, more than ever, his music could speak to a bigger audience.

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Gombloh

Sekar Mayhang

25,99 €*

2LP | 2024 | UK | Original (Discrepant)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Gombloh’s forgotten masterpiece

What if you have Brian Wilson and Bruce Springsteen rolled into one? And what if he came of age as an poor buskers in in Surabaya, Indonesia, but then summoned enough strength to record six albums that flew in the face of everyone in the country’s rock scene back in the early 1980s?

Genius, be they Brian Wilson or Soedjarwoto “Soemarsono” Gombloh, don’t conform to rules written for us mere mortals. They have their own way of doing things and in the case of Gombloh, writing music, conducting recording session and spending cash from his music, must be conducted on his own terms and his terms only. Studio time was expensive back in the early 1980s, yet Gombloh could be three-hour late for his session, and while engineers, session musicians and producers were jittery about the prospect of another botched session, Gombloh took his time for a nap before the recording begun.

Yet, some of his greatest works came into being in the wake of this napping session. Recording session for Sekar Mayang is no exception, despite the fact there’s foreboding sense of doom with Gombloh being unsure about the possibility of selling enough units to help his label break even. This is, after all, this is his last record with his band Lemon Tree’s. No one knew that Gombloh was operating with all his cylinders running and what came out of this Indra Record session, in the waning days of 1980, were some of the best compositions ever committed to magnetic tapes (to wax, if now you’re holding this on vinyl).

This is Gombloh at the peak of his creative genius. You can argue that his debut album Nadia & Atmospheer (what’s with the spelling mistake?) is the most sprawling and complex album (both sonically and thematically), but Sekar Mayang certainly had the best songs and I can make the argument that this album’s 10 songs are strong contenders for biggest hits in blues, country, psychedelic rock charts. “Prahoro & Prahoro” is one of those impossible song which appears to have sprung from a bottomless well of inspiration, encompassing King Crimson’s sprawling epic, Deep Purple’s deepest blues and Genesis’ most progressive tendencies. Or “Sekaring Jagat”, which begins as Lennon-McCartney lullaby before launching a thousand ships traveling to the end of the rainbow with children choir singing heavenly melodies backed by droning harpsichord and synclavier, while a buzzing Hammond B3 tightly locks with Gombloh’s guitar strumming.

For many of his fans, Gombloh is known as generous man of the people. A Robin Hood type if you please. He spent his royalty checks to buy foods for beggars and buskers and dish out some more to buy undergarments for Surabaya’s prostitutes. In Sekar Mayang, Gombloh went full Springsteen mode in “Mitra Becakan,” a social commentary that cut so deep you can end up with tears in your eyes and lump in your throat (even if you don’t understand any of its Javanese language lyrics). This is one the most devastating social commentary ever recorded for a pop song, and even if you discount the greatness of its musical composition, you chalk this up as a great social-realism poetry. His years of hanging out with pedicab drivers, street vendors and street-bound prostitutes certainly gave him enough insight into their (in)human condition.

Yet, a record this stellar was largely forgotten. First, this record was a flop upon its release in 1981. Indra Records reportedly only did one pressing on cassette tape and be done with it. For those who were lucky enough to have come across one of songs from this album on the radio were likely growing up in East Java, where Gombloh had a massive cult following early in the 1980s. Nothing was heard from this record again.

There were only a handful of cassette tapes from the first pressing found on second-hand market and I recently stumbled upon one online with a price tag of Rp 50 million (US$3,500). It’s no longer available now.

In Sekar Mayang, Gombloh harbours an obsession for a long-lost utopia, Java’s distant past, where farmers have their barn full of rice and corn, where blacksmith working around the clock making tools and children singing and dancing in their seminaries. Or the fact that he opens the song with stanza from Serat Weddhatama, arguably the most monumental poem in neo-classic Javanese literature, could be his pledge of allegiance. The question for him is should a modern-day Indonesia, rife with poverty, corruption and environmental degradation not be an anathema to that utopia?

In the end, you don’t need to be someone fluent in Javanese to enjoy this majestic record. And if this record turns out to be the last in Elevation Records catalogue and we shut down this label tomorrow, we will be very happy. Mission accomplished!

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Goncalo F. Cardoso

Exotic Immensity

39,99 €*

2LP | 2022 | EU | Original (Kscope)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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More than two years after the release of 'Impressões de Outra Ilha', Discrepant's head honcho returns home under his birth name with the appropriately titled 'Exotic Immensity'. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities. Discarding the more rough around the edges collages of previous works under a myriad of aliases - Discogs it, if you will -, Cardoso's approach here is more meticulously composed, with seamless transitions within his own personal soundworld giving way to this hallucinated landscape of field recordings, subtle electronic tweaks, cascading patterns, queasy ambiences and kösmiche-like synth harmonies.

Perfectly embodied in Evan Crankshaw's cut up poem, filled with occult and sci-fi references such as Agrippa's Book of the Occult, William Blake's Book of Urizen, Dr. Moreau or 50's pop-science books, the music on 'Exotic Immensity' transverses time and cartography in a deeply personal matter, from the cricket-like textures and reverse loops of 'Réplica(s)' until the closing moments with the touching chord progression and mangled voices of 'Pó Nuno'. In-between, the foghorn meets bass clarinet melody of 'Ossos' recalls the unassuming but essential harmonic patterns of Laurence Crane, surrounded by an almost percussive sheet of field recordings that drift into the gliding synth tones of 'Desumanização (I & Ii)' until tape orchestral swells carry us into the aether. 'Aquário Novo Mundo' brims in an undisplaced cartography, from electronic marimba stabs to synth choirs, the call of the loom to labyrinthine keyboard harmonies and underwater radiance. Are we still here? Somewhere? The muffled looped rhythmic sequence of 'Imagem/Miragem', cut by the glow of cascading synths doesn't offer a reply. Nor does it need to.

'Exotic Immensity' exists on the perpetual outside. Blessed be Cardoso for showing us a way in.

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Gong

Pulsing Signals

37,99 €*

2LP | 2019 | EU | Original (Kscope)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Formed in 1969 by Daevid Allen, one of the founding members of Soft Machine, classic albums such as ‘Camembert Electrique’, ‘Flying Teapot’ and ‘You’ established Gong as one of the most unique, innovative and experimental rock groups of the Seventies.

Before he sadly passed away in 2015, founding Gong member, Daevid Allen, laid out his hopes for a future Gong, that it should be uplifting, exploratory and a positive force. Kavus Torabi, Fabio Golfetti, Ian East, Dave Sturt and Cheb Nettles, chosen by him, continue his vision.

‘Pulsing Signals’, recorded live at The Wardrobe in Leeds, The Cluny in Newcastle and Rescue Rooms in Nottingham in 2019 during The Universe Also Collapses tour finds the group in spirited form, unbeknownst to them, it being their final tour before the global pandemic took charge.

Owing to Gong being an international band, lockdown and restrictions on travel made it impossible to convene and work on new music. The band received many requests by fans to release a live album and fortunately enough, the band had multitrack recordings of several shows from the 2019 tour. Bassist Dave Sturt went through all the master tapes and selected the best performances which became ‘Pulsing Signals’.

The album was recorded by Pete Wibrew and mixed by Frank Byng, while mastering was handled by Andy Jackson. The stylish artwork was designed by Steve Mitchell, who has worked closely with the band since 2016’s 'Rejoice I’m Dead'.

With touring now set to recommence and bookings going long into 2022 and beyond, Daevid Allen’s vision for the future looks set to be fulfilled.

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Gong

Rejoice! I'm Dead!

40,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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The Universe Also Collapses

Gong

LP | 2019 | EU | Original (Kscope)

Release: 2019 / EU – Original

Genre: Rock & Indie

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The vanguards of 20th and 21st Century psychedelic music lead the way with their new studio album
Gong is more than a band. It’s an idea. A way of life. A continuum that exists in all times, in all places, everywhere.

Gong’s new album, The Universe Also Collapses, due for release on 10th May, their first for Kscope, is the latest shining point on that continuum, a masterpiece of visionary 21st century psychedelia, a celebration of the magick of science, a journey both internal and external, bridging the worlds of lysergic exploration and quantum physics, equal parts Terence McKenna and Stephen Hawking.

“We wanted to make what we thought of as the ultimate psychedelic rock album,” says Gong’s singer and guitarist Kavus Torabi of The Universe Also Collapses. “The word ‘psychedelic’ gets bandied around a lot, and a great deal of the stuff that gets called psychedelic nowadays doesn’t match up to the description. I want to hear music that makes me feel like I’m on drugs.”

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LP | 2021 | DE | Reissue (Tonzonen)

Release: 2021 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl.

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LP | 2021 | DE | Reissue (Tonzonen)

20,24 €* 26,99 € -25%

Release: 2021 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear magenta vinyl!

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Gong Wah White Vinyl Edition

LP | 2020 | EU | Original (Tonzonen)

19,59 €* 27,99 € -30%

Release: 2020 / EU – Original

Genre: Rock & Indie

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Gong Wah White Vinyl Edition

LP | 2020 | EU | Original (Tonzonen)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1977 | EU | Reissue (Wah Wah)

Gontran

L'Envol

Gonzalo Roig Y Su Orquesta

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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In his youth days, Gontran lived on the road. He describes himself as a member of the alternative hippie generation, not of those who claimed wanted to change the world, but of those who actually took an alternate way of living. He travelled, took any jobs available to make some money to live wherever he was, and wrote beautiful songs accompaining himself on guitar. From time to time, when the stars aligned, when there was the chance, he would rent some studio time and lay down his compositions, always in a pretty bare way with little arrangements added on the spot, mostly by musicians who happened to be there and who improvised their parts - one take, we have it. With this procedure he released Funambule in 1975 and L'envol in 1977. He also worked with Dominique Le Roux on a joint venture LP in 1979.

On offer here is the first ever vinyl reissue of Gontran's second album L'envol, recorded in two hours on a Paris studio with a bass player (F.D. Aldonse) and two female vocalists whose surnames have been lost in the depths of time - Victorine and Theodorine. As the other Gontran albums, it was self released in a limited run private pressing which has nowadays become an elusive piece in the collectors market - so rare that it doesn't even appear on Phileas Folk's great The French Folk Magic Time Guide book.

The beautiful music contained within is a delightful sample of Gontran's excellent singer-songwriter qualities and his commitment to portray his inner world and livings through his musicated poems. He names as his biggest influences big names like Leonard Cohen, who he had the chance to meet and chat with when in Mumbai back in 1999, Bob Dylan or Jack Kerouak, but Gontran was centered in his vivences and commited to his need to express himself that he really doesn't sound like anyone but Gontran.

Amazing homemade folk sounds from an artist who, ironically, was always traveling abroad and stayed little at home!

A very rare private pressing, recently featured in Hans Pokora's last Record Collector Dreams book, valuing an original copy with 4 stars!

The Wah Wah reissue has been made with the great help of Gontran himself and features a faithfull reproduction of the original album artwork with the addition of an insert with photos, lyrics and liner notes. It is an edition of 300 copies only!

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En Un Jardin Cubano

LP | CU | Original (RCA Victor)

4,99 €*

LP | 2018 | EU | Original (Barely Dressed)

Release: CU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

The vinyl is dense with scuffs, marks and scratches. Cover with completely open seam splits, tape and shelf wear. Cuban pressing

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Good Boy

Shirk Life / Plum Double

14,29 €* 25,99 € -45%

Release: 2018 / EU – Original

Genre: Rock & Indie

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Good Kid 12 Limited Orange Vinyl Edition M

Good Kid

LP | 2024 | US | Original (Many Hats)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Good Kid 3 Limited Blue Vinyl Edition

Good Kid

LP | 2024 | US | Original (Many Hats)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Many Hats)

Good Kid

Good Kid 4 Black Vinyl M

31,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Into Lake Griffy Panoply Marble Vinyl Edition

Good Luck

LP | 2008 | US | Reissue (No Idea)

25,99 €*

Tape | 2012 | EU | Original (Project: Mooncircle)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Good Luck are friends who knew each other from playing in past musical projects like Matty POP Chart, ONE Reason, ABE Froman, and MT. Gigantic. They used to live in Mississippi, Kentucky, and Michigan before something drew them all to Bloomington, IN.

“Flat-out inspiring, wonderful people who immediately light up a room. Intricate and direct, raucous and thoughtful, noodley and restrained. This record puts me in a good mood. Some days it's all I need to get through."—Var (No Idea)

First vinyl pressing in nine years,

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Good Paul

Finest Ego | Find

9,99 €*

LP | 2024 | US | Original (Spin The Blues)

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Available digitally and on limited chrome cassettes (with digital download code), we are releasing a series of albums and EP’s from talented and promising artists. Expect all facets of instrumental hip-hop, future beats and electronic beat music….

Good Paul has been searching for that right sound ever since his career started. Never confining to only one genre or branch of music, he has been looking in various genres, but especially in the gray area between hip-hop and house, drum and bass and dub-step, always being attracted by soulful emotion with bass and broken beats. In these last 14 years he was unable to find that one special sound. This EP, however, is his solution for this neverending search.

In his own words:
“To live well we need to learn and know about a lot of different things. Draw your plans in an attempt to consciously create the future. It turns out that often the decisive moments in our life are found. I have never sought music by artists or genres, but instead, I am just trying to find music that gets to me in terms of emotion.
I hope there will be people who find the music from this EP, because that music found me.”
The artwork was created by Mateusz Kolek, who is known for his playful, psychedelic and dreamlike illustrations, heavily influenced by Soviet science fiction flicks and Japanese anime’s.

Bio:
Good Paul from Krakow, Poland, has spent already 14 years behind the decks and is well known for his musical selection and technical skill. Being a Red Bull Music Academy alumni (Toronto, 2007) and lecturer (Warsaw, 2012), he self-released a free EP entitled „One More Time“ and has been remixing various projects in the advanced futuristic music scene in Poland, in particular for U Know Me Records from Warsaw.

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Good Rockin' Charles

36,99 €*

Good, The Bad & The Zugly, The

Release: 2024 / US – Original

Genre: Organic Grooves

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Japanese Obi-Strip Pressed on Black Vinyl Originally released in 1976 Note: artwork to be updated This is the only album released by Charles Edwards, also known as Good Rockin' Charles who was an American blues singer and harmonica player. Because he missed chances by own, he left behind very few recordings that have survived. In 1956, he was appointed to recording session of "Walkin' By Myself" with Jimmy Rogers. However, for reasons unknown, he got cold feet or left to have a drink and canceled the session. After all, as many blues fans know, Big Walter Horton filled in for him and delivered a memorable performance on that song. In 1957, Cobra Records arranged another recording opportunity, but he was not particularly fond of studio recording and didn't show up to the session.

However, his unique and powerful blues harmonica flavor cannot be found anywhere else. While influenced by Sonny Boy Williamson I, his singing has a distinct and forthright vocal style that sets him apart, delivering a unique and compelling performance.

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Classic Oslo Attitude / I Hate Conversations

7" | 2021 | EU | Original (Fysisk Format)

12,99 €*

7" | 1999 | JM | Original (Hi-Profile)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2021 saw The Good The Bad and The Zugly return to the formula that birthed their now fading credibility almost a decade ago. This is the third release in a series of 7" split singles with exclusive new tracks only available on vinyl with artwork by Flu Hartberg. This time around we get a split between Tgtbtz, and... Tgtbtz.

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Goofy / Beenie Man

Dark Glass

7" | 2000 | JM | Original (Young Blood)

Release: 1999 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Original Jamaican pressing, play with background crackles.

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Goofy

I Sit And Wonder

Release: 2000 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2023 | EU | Original (No Coincidence)

Goose

Autumn Crossing