Search "career crooks" 2865 Items

These Evil Things Curacao Colored Vinyl Edition

LP | 2004 | EU | Reissue (Svart)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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The original creators of Psychobilly Music, The Meteors began as a reaction against soft neo-rockabilly music of the late 70’s rock revival era. Since then the loud, sneering lovers of horror, perversion and death have released a few dozen records and are still going strong, 40 years into their career of evil.

Svart Records are demonically proud to present an official reissue of The Meteors’ 2004 album These Evil Things. Long out of print on physical formats, this authorised reissue comes with a secret bonus track, all pressed on pitch black or ghostly curacao blue vinyl and stuffed into a gatefold jacket.

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These Evil Things Black Vinyl Edition

LP | 2004 | EU | Reissue (Svart)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Psychobilly Black Vinyl Edition

LP | 2003 | EU | Reissue (Svart)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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The original creators of Psychobilly Music, The Meteors began as a reaction against soft neo-rockabilly music of the late 70’s rock revival era. Since then the loud, sneering lovers of horror, perversion and death have released a few dozen records and are still going strong, 40 years into their career of evil.

Svart Records are overwhelmed with psychotic joy to present an official reissue of The Meteors’ 2003 album Psychobilly. Long out of print on physical formats, this authorised reissue comes with a secret bonus track, all pressed on pitch black or poisonous green vinyl and wrapped in a gatefold jacket.

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Hymns For The Hellbound Red Vinyl Edition

LP | 2007 | EU | Reissue (Svart)

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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The original creators of Psychobilly Music, The Meteors began as a reaction against soft neo-rockabilly music of the late 70’s rock revival era. Since then the loud, sneering lovers of horror, perversion and death have released a few dozen records and are still going strong, 40 years into their career of evil.

Svart Records are hellishly excited to bring you an official reissue of The Meteors’ 2007 album Hymns For The Hellbound. Long out of print on physical formats, this authorised reissue comes with a secret bonus track, all pressed on pitch black or blood-dripping red vinyl and wrapped in a gatefold jacket.

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Hymns For The Hellbound Black Vinyl Edition

LP | 2007 | EU | Reissue (Svart)

Oh My Goodness / We Fell In Love

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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The original creators of Psychobilly Music, The Meteors began as a reaction against soft neo-rockabilly music of the late 70’s rock revival era. Since then the loud, sneering lovers of horror, perversion and death have released a few dozen records and are still going strong, 40 years into their career of evil.

Svart Records are hellishly excited to bring you an official reissue of The Meteors’ 2007 album Hymns For The Hellbound. Long out of print on physical formats, this authorised reissue comes with a secret bonus track, all pressed on pitch black or blood-dripping red vinyl and wrapped in a gatefold jacket.

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The Masqueraders

7" | 2018 | EU | Original (Soul 4 Real)

13,59 €* 15,99 € -15%

The Girl Next Door / Stop Let Your Heart Be Your Guide

Release: 2018 / EU – Original

Genre: Organic Grooves

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At times The Masqueraders must have felt like they were Soul music’s best kept secret; a career overflowing with some of our music’s finest recordings, yet never gaining the recognition and worldwide fame they truly deserve. “Man, everyone tells us ‘how good we are’… but that don’t pay the bills. After 50 years of trying we still don’t have anything to show for it”, Harold wryly laughed.

Somehow, by chance, we found ourselves sat in Harold’s Memphis home as he played “just an old tape” he had found buried in his garage, “Oh my goodness”. Suddenly, we were goose-bumped back to December 67’ inside American Sound Studio, as The Masqueraders´ exquisite vocals poured out over the legendary “Memphis Boys” rhythm section led by the illustrious Tommy Cogbill.

Originally scheduled for release in the spring of ’68, the record sadly got caught amidst the tragic and turbulent troubles of Martin Luther King’s assassination in Memphis and was never released. Until now…enjoy!

(Tats Taylor and Mike Charlton)

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The Mansion

7" | 1974 | UK | Reissue (Soul Junction)

Tootsie Rolls Feat. Giuda

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Two fine examples of Sweet/Group Soul Harmony that was originally released as vanity project on the local Gibbs label by this former ex Prison group with original copies being excruciatingly hard to find in any condition.

Artist Bio:

The Mansion were initially a prison group formed by Charles Lorenzo Blakely in 1970 while serving time in the Green Bay Reformatory at Allouez, Wisconsin. The Mansion’s line up included at different times Michael Locke, Stanley Newburn, Carl Anderson, John Crawford, Michael Smith, Larry Moses, Ronald Hardin, Jerome Wagner, Larry Lister, Maurice Payne and Charles himself. One day while rehearsing in the prison chapel, the Mansion attracted the attention of the warden’s wife who happened to be showing some local dignitaries around. Impressed by what she heard the warden’s wife was instrumental in the Mansion being invited to perform for the city’s television station Wbay, where they recording two holiday programs. The warden later gave them permission to perform outside the prison which brought them to the attention of a Milwaukee neighbourhood program adviser by the name of Al Dunlap of the Commando Project One. It was through Dunlap that the Mansion recorded their solitary 45 release in 1974 “The Girl Next Door /Stop! Let Your Heart Be Your Guide” for a local Milwaukee label Gibbs (406). The label’s owner Bill Gibbs held the release back until some of the members of the Mansion were granted their release papers as at that time prisoners were unable to sign any contract agreements while still incarcerated. Although Charles Blakely remained incarcerated, he was later moved to a medium security prison in Fox Lake County, Wisconsin. While there he formed a gospel group, called the ‘Bell Tones’ who’s line up included Charles, Mayweather Lee, Joe Hayes, and Levell Rudd. The formation of this group was seen as major factor in Charles’s rehabilitation which led to his eventual parole in 1976. Once on the outside Charles with former ‘Bell Tone” member Mayweather Lee were joined by Charles (Sonny) Bryant and Jimmy Taylor to form a new ensemble by the name of The “Final Chapter”. As the final Chapter they recorded a solitary release for Marvel Love’s New World Label “Now I Know/Get Down For Your Action” (nw800) during 1980, a brief association that for several reasons was to eventually brake down. Although Jimmy Taylor left to pursue a career as a blues musician the remaining three members of the ‘Final Chapter’ continued to perform until they finally disbanded in 1987. Three previously unissued Final Chapter songs can be found on Soul Junction Various Artists CD compilation “We Got A Sweet Thing going On” Volume II. The Mansion’s Gibbs 45 is now is a highly prized and sort after item amongst Sweet and Group Soul collectors.

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The Manges

7" | 2021 | EU | Original (Damaged Goods)

10,99 €*

LP | 2021 | UK | Original (Outernational)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Brand New Limited Edition Red Vinyl 7" Single By The Manges. Formed In La Spezia, A Small Seaside Town Located In Northern Italy, The Manges Started To Play Ramones-Style Punk Rock In 1993 And They Are So Dumb That They Never Stopped. Old School Punk Rockers, Matching Striped T-Shirts, Speed, Melodies, Fun. The Lyrics Are Inspired By Movies And Novels; Irony, Crime, War, Rock References. They've Recorded 5 Albums And Their Discography Includes Many Other Releases (Anthologies, Eps, Live, Splits With Queers, Apers, Mcrackins, Hard-Ons). In Their 27-Year Career They Have Toured Europe, North America And Japan, Sharing The Stage With Bands As Bad Religion, Anti-Flag, Descendents, Marky Ramone, Screeching Weasel, Queers, Riverdales, And Mr T Experience. They Own The Record Label Striped Records And Manage The Italian Festival Punk Rock Raduno. "We Like Giuda. A Lot. Over The Years We've Met At Shows, Played Together A Bunch Of Times, And We Believe The Respect And Admiration Is Mutual.We Didn't Want Our Latest Album To Sound Like All Contemporary Punk Rock Of Our Scene. We Are A So-Called "Ramonescore" Band But We Started More Than 25 Years Ago So We Think That Definition Is Not Enough To Describe What We've Done And What We're Still Doing. Massimo From The Manges Talks About Working With Giuda: "We Love What Giuda Did With '70s Glam Rock_ They Took A Kind Of Music That Was More Than 40 Years Old And Made It Fresh, Catchy, Relevant Today, While Still Following A Specific Canon. They Produce Their Own Records So We Thought They Could Totally Improve A Manges One. They Know Punk Rock Pretty Well Too And That's A Fact. Just Think About Their Astonishing Previous Band Taxi! We Wanted To See What Could Happen By Having Lorenzo And Danilo's Approach On Our Band's Music. The Studio Sessions In Rome Were Great, We Have Been Very Productive Although The Environment Was Pretty Laid-Back. One Of Our Favorite Songs For Our New Album Is Called 'Tootsie Rolls', And It Kinda Stands Aside From The Rest Of The Album...

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The Mallory-Hall Band

The Last Special

LP | 2021 | UK | Original (Outernational)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.

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The Mallory-Hall Band

Song Of Soweto

A Historical Glimpse Of The Future Record Store Day 2019 Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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The Magnetics

LP | 1981 | EU | Reissue (Strange Disc)

The Magician & A-Trak Feat. Griff Clawson

Release: 1981 / EU – Reissue

Genre: Pop

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* Record Store Day Europe / UK 2019 Exclusive Release!
* First ever vinyl reissue since 1981
* Limited to 1,000 copies
* Includes insert with extensive liner notes + obi strip

Strange Disc Records proudly presents the first ever vinyl reissue of a landmark Icelandic minimal Synth album: The Magnetics ‘A Historical Glimpse Of The Future’ (1981). The Magnetics were Jakob Magnússon and Alan Howarth, an intriguing international & iconic duo. Keyboard player Magnússon was an Icelander who already had an impressive jazz resume, while Howarth was making a name for himself as a Hollywood composer – in 1981, the same year that A Historical Glimpse of the Future was released, he also was involved in the soundtracks for two hit John Carpenter movies, Escape from New York and Halloween II. Both have been quite successful in their post-Magentics careers, Howarth with more soundtrack work (They Live, Big Trouble In Little China, Christine etc. ) and Magnússon with various jazz outfits. Jakob would end up working as the Icelandic ambassador to the UK during the 90’s. Throughout the fantastic A Historical Glimpse of the Future album you can hear the soundscapes people came to associate with the 1980s films scored by Carpenter/Howarth. Dark and moody material but with a strange twist as you can hear on the synth cover of “The Lion Sleeps Tonight” & the old-timey cabaret-styled “I’m Getting Married Today”, two truly bizarre pieces that doesn’t seem to fit at all… and somehow by not fitting actually fits perfectly, which is the real story of A Historical Glimpse of the Future. Originally released in 1981 on WRT (and going for hefty amounts on the second hand market), Strange Disc Records proudly presents a deluxe vinyl reissue (1000 copies) containing an insert with extensive & exclusive liner notes from Jakob Magnússon himself. Released exclusively for Record Store Day (UK & Europe) 2019, available in participating stores on April 13.

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Love On You

12" | 2023 | UK | Original (Ministry Of Sound)

The Lords Of The New Church

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Following an inspiring moment during a back-to-back live appearance at Fool’s Gold Presents: A-Trak & Friends in Oasis Wynwood during this year's Miami Music Week, The Magician and long-time friend A-Trak have collaborated on the captivating new single 'Love On You' (ft. Griff Clawson).

The Magician - known for his seminal Magic Tapes compilation series - heads up Potion Records and is a veteran of high-profile collaborations with Kolombo and Samaran, amongst many more. He has a mystic touch and spellbinding sound full of emotion and has taken it to places like Ushuaia Ibiza, Tomorrowland, and Crssd festival in San Diego while also holding down his influential residency at Elsewhere Brooklyn. Here, he works with A-Trak, a.k.a. Alain Macklovitch, a legendary talent on the decks, president of Fool's Gold Records and a quintessential cultural connector. His 25-year career has seen him take turns as an internationally renowned DJ and World Champion turntablist, as well as being one half of the Grammy-nominated duo Duck Sauce and The Brothers Macklovitch, all of which have meant he continues to reshape the very role of the DJ as tastemaker and storyteller.

Their sublime 'Love On You' (ft. Griff Clawson) is an uplifting dance track that radiates positive vibrations. The rhythm section is married to tender piano chords and plenty of subtle synth details that bring it to life. The standout feature is the well-treated vocal that sounds fresh and futuristic but comes laden with a bittersweet sense of emotion that hooks you in and is sure to be sung back by vast crowds worldwide.

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Rockers

2LP | 2007 | UK | Reissue (Easy Action)

Caveman Logic Blue Vinyl Edition

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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• Limited pressing of 700 on splatter vinyl • Remixed from original 2” master reels at Abbey Road by founder member Brian James to give a rockier contemporary sound to these Original Studio recordings • Cover art painting by original Lords cover designer Graham Humphries • The Lords of the New Church was an English/American gothic rock supergroup with a line-up consisting of four musicians from 1970s punk bands (Dead Boys, Sham 69, The Damned & The Barracudas). They were launched in 1982 until they disbanded in 1989. The band toured the world none stop adding extra musicians to some tours. Their stage antics became notorious early in their career, with Bators stunts on one occasion reportedly resulting in his clinical death for several minutes. They took advantage of the MTV era by providing as provocative videos as they could get away with.(or not, in the case of the Derek Jarman directed promo for ‘Dance with Me’). With successful singles high in the indie charts such as “Dance With Me”, “New Church”, “Russian Roulette”, “Open Your Eyes”.

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The Limit

LP | 2021 | EU | Original (Svart)

LP | 2023 | JP | Original (Soundflat)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Svart Records is proud to present The Limit. Punk & Doom originators go straight to the soul of heavy rock on their new album Caveman Logic to be released via Svart Records on the 9th of April 2021.

More than a super-group, The Limit goes over the edge, to deliver real-deal, soulful Rock and Roll. Consisting of members of legendary Punk instigators The Stooges, the founders of Doom Rock Pentagram, legendary NYC Punk originators Testors and infamous Portugese metal band Dawnrider, The Limit break out from the foundations of heavy rock and defy all expectations, to show a new generation what doom and punk really means. On the new album Caveman Logic, Bobby Liebling, singer and main-man of Pentagram, one of the originators of early Doom Rock and an inspiration for generations of Heavy Rock fans, on vocals, gives the performance of his career, singing like his life depended on it. Sonny Vincent, enigmatic legend of the early NYC Max’s Kansas City, Cbgb Punk scene with his band Testors, having been on the road and recording with members of The Velvet Underground, lays down the guitar driven songs, his writing bearing all the hallmarks of ground-breaking Rock history in it’s filthy DNA. Phenomenal bass playing from Jimmy Recca, ex- The Stooges, and Ron Asheton’s New Order, gives The Limit the intense and world-class, speaker-destroying bottom end. Joined by Hugo Conim on Guitar and João Pedro Ventura on Drums from Portuguese band Dawnrider, The Limit fuses star-dust pedigree with an organic incendiary chemistry that’s instantly raw and real. A dream come true to those that know their Doom/Punk history, The Limit brings the past right up to date on Caveman Logic, with an essential, burning passion at the heart of their songs. Seldom has a collaboration of well known stars in music sounded so vigorous and frenzied as The Limit’s caveman-like roar. The Limit is an astoundingly fresh and hot-blooded shot to the veins that Heavy Rock needs in this day and age. Conjured forth by stone-age pioneers, Caveman Logic goes to the heart of impassioned Heavy Rock and Punk, to deliver the basic and vital elements often missing in so much of today’s music. If you want primitive and straight to the soul primal rock, fresh from the grave and exhumed for a new unwitting future, look no further than Caveman Logic. This is it. This is as far as it goes. The Limit!

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The Let's Go's

Kill By Pop

LP | 2020 | EU | Original (Albina Music Trust)

Release: 2023 / JP – Original

Genre: Rock & Indie

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The band boasts a 17-year career as a band, but the current members are the strongest lineup yet. THE Let's Go's, the spearhead of the girl's punk/rock 'n' roll band, has been touring around the country with their wild style. Their latest full-length album "kill BY POP," which was released last year to great acclaim, is now available on long-awaited LP from Soundflat Records!

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The Legendary Beyons

40,99 €*

2CD | 2019 | US | Original (Ropeadope)

Release: 2020 / EU – Original

Genre: Organic Grooves

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As with The Gangsters LP in 2018, Albina Music Trust now returns with another buried treasure from Portland’s past: a lost album by The Legendary Beyons. AMT is a unique taxpayer-funded initiative of arts and education non-profit, World Arts Foundation. This initiative serves the underrepresented musician community in Albina, Portland's historically Black neighborhood. For over fifty years, The Legendary Beyons have delighted Portlanders with their music. And now, for the first time, their work has been documented in this high fidelity LP accompanied by a detailed oral history of the group. The album's well-designed booklet features a wide range of archival photography, serving as a period piece for the uninitiated. On the cover of this previously unreleased 1977 album, there's an image that tells you nearly everything you need to know: four Black men, resplendent in custom-tailored suits, are working it with synchronized steps before the rushing falls of Portland’s Fourcourt Fountain. In their joyous faces is written a brotherhood that began when this core of singers—Jeddy Beasley, Thurtis Channel, James Tims, and Ira Hammon—endeavored to harmonize as The Legendary Beyons. The group's presentation in this image reveals the richness of their soulful, Motown-inspired vocal sound. These songs are the culmination of a story that began when these young men began singing in the locker room after basketball games at Jefferson High School. As their reputation grew, The Beyons––with the help of a crack backing band featuring arranger Dan Brewster and The Soul Masters––aspired for greatness in Albina's club scene. A litany of touring acts on the Chitlin Circuit stopped through the area, performing side-by-side with The Beyons: The Whispers, Bloodstone, Blue Magic...the list is deep. But without a local recording industry or sustainable income for gigging Black musicians, The Beyons never released a recording in their heyday. This session represents a seasoned group roughly a decade into their career. It is their only 20th century recording that has survived. These songs, ranging from the jazzed “Dreaming You In My Mind” to the quiet storm of sweet soul ballad “There We Were, Here We Are,” spotlight the group's tightly knit harmonies––pleading, sensual, playful, and romantic. Meanwhile, album single "Love Notes" comes as a burst of energy and "Let's Talk About Love" begets a cosmic intro calling upon Greek philosophers Plato and Aristotle to assist in sharing the band's take on a topic called L-o-v-e. To put it simply: put this record on and look inside the jacket. There is a booklet with classic photography and an oral history that provides not only a snapshot of this great group but a well-portioned inquiry into the experiences of Portland's Black musician community in historic Albina––a truly unique project from Albina Music Trust.

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The Last Poets

Transcending Toxic Times

10,44 €* 18,99 € -45%

CD | 2021 | EU | Original (Hip Hop Enterprise)

Release: 2019 / US – Original

Genre: Hip Hop

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The Last Poets are widely credited as the godfathers of Hip-Hop. Transcending Toxic Times is the album that fully defines their careers and legacy. Artfully recorded and produced by Jamaaladeen Tacuma (Ornette Coleman), the album intertwines the groove of Black culture with The Last Poets powerful words and cadence. Special Guests Malik B, Ursula Rucker, Tim Motzer, and Wadud Ahmad. This record will finally define the correct blend of poetry, jazz, Hip-Hop, and Soul, with the full expectation that it will be emulated for years to come.
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The Last Emperor

Gotta Have Love EP

Gotta Have Love Color Edition

Release: 2021 / EU – Original

Genre: Hip Hop

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Limited to 350 copies. HHE is proud to announce The Last Emperor's "Gotta Have Love EP" for the first time ever on CD! The CD edition will contain 8 early legendary tracks from the Last Emperor's vaults recorded in the late 90's and early 00's!! The Last Emperor is a Philly born MC who first burst upon the scene back in 1996 with the epic Bums/Monumental/Secret Wars Part 1 12". After studying political science at Lincoln, the Philly native originally saw himself working for the United Nations. That is until Dr. Dre, who got Emp’s tape from a college buddy, signed him to his Aftermath label. Even though his debut never came to fruition, The Last Emperor made the decision to further pursue a rap career. The Last Emperor made the decision then to permanently move to New York where he began performing at open mic nights and started getting a lot of attention from labels. He then proceeded to sign with Rawkus, where he released a single but Rawkus folded 6 months after he signed so his debut album was postponed once again. After that The Last Emperor decided to take matters into his own hands and launched Red Planet Music. In collaboration with Raptivism he then released "Music, Magic, and Myth" in 2003 and later on the same year "Palace of the Pretender" in the UK which pretty much had a similar tracklist. Limited to 350 copies only!

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The Last Emperor

LP | 2020 | US | Original (Dope Folks)

38,99 €*

Live At The House Of Blues

Release: 2020 / US – Original

Genre: Hip Hop

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Dope Folks are proud to announce their 99th release!!! The Last Emperor is a Philly born MC who started to make waves in the Lyrical Underground movement of the late 90's early 2000's. Moving to New York in the early 2000's, he began performing at open mic nights and became a protege of Dr. Dre. After being featured on KRS-One's "C.I.A" with Zach De La Rocha, The Last Emperor was signed to Rawkus Records. In the span of 6 months, a handful of singles were released and the label stopped putting out new music. Being without a label, the Last Emperor formed Red Planet Music to release his debut "Music, Magic, and Myth." We are excited to release these tracks from the Last Emperor's vaults! 8 tracks in all from the The Last Emperor's underground career. Limited to 350 copies, (100 colored copies, 250 standard black) Get your copy now!

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The Knack

LP | 2023 | EU | Original (Liberation Hall)

40,99 €*

The Kingstonians / The Crystalites

Release: 2023 / EU – Original

Genre: Rock & Indie

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Recorded at the House of Blues in Los Angeles in 2002 for the launch of power pop label, Smile Records. Double LP pressed on baby blue vinyl.Recorded at the House of Blues in Los Angeles at the launch for Smile Records and release of band's last studio album, on Sept. 25, 2001, just 2 weeks after 9/11. Discussions were held with the band, management, distributor, and HOB, all of whom were very concerned with the timing but after talking pros and cons, it was agreed that the show should go on to show how strong we are as Americans. This 18-track set includes cuts from the band's recording career with 8 tracks from their ground breaking best selling debut album, 'Get The Knack' including "My Sharona", "Good Girls Don't", "Frustrated" and 5 others. Features a cover of the Monkees "Last Train To Clarksville" and a blistering medley of "Tequila" into the Doors "Break On Through (To The Other Side)". It's a must have for loyal fans of the highly revered power pop legends. Double LP set is pressed on baby blue vinyl.For fans of Blondie, Cheap Trick, The Beatles and power pop bands of the late '70s/early '80s"Get The Knack" LP was the #1 LP for 5 weeks and "My Sharona" was the #1 song of 1979Contains all their best known songs and covers of Monkees, Doors and Champs classicsDouble LP set is pressed on baby blue vinyl packaged in a gatefold sleeve'Sounding as ambitious and energized as if they were auditioning for their first record deal, the foursome revisit the Knack's glory days, devoting eight of the show's 18 songs to material from their debut album: ''Good Girls Don't,' 'Let Me Out,' 'Oh Tar _The Aquarian

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Sufferer / Sufferer

7" | 2022 | UK | Original (Harlem Shuffle)

13,99 €*

Little Bastards Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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These two avidly sought-after early Reggay tracks are quite rare. Splash Down is the instrumental version of Sufferer and both songs have been produced by Derrick Harriott. This is the first time these two wicked tracks are released together on a 7inch vinyl single.

THE Kingstonians Jamaican vocal trio, the Kingstonians were formed around 1966 by Cebert Bernard (aka Jackie Bernard) and his brother Lloyd "Footy" Bernard, along with mutual friend Lloyd Kerr. They began their recording career with producer J.J. Johnson, but had their greatest success between 1968 and 1970 with producer Derrick Harriott, who helped steer the singles "Singer Man" and "Sufferer" to the top of the Jamaican charts. An LP of the Harriott material was released in 1970 under the title “Sufferer”. The album was the career high point for the Kingstonians, who left Harriott to work briefly with producers Leslie Kong and Rupie Edwards before breaking up as the roots reggae era began.

THE Crystalites The Crystalites were the backing and studio band for legendary producer Derrick Harriott and included top 60s Jamaican musicians e.g. Bongo Herman, Bongo Les, Boris Gardiner, Gladstone Anderson, Karl Bryan, Winston Wright among others!

They were extremely productive between 1968 and 1974 and recorded 4 albums and countless singles covering many styles from Boss Reggae to Dub. More specifically, they recorded many wicked and awesome “versions” of hit songs of that time e.g. Sufferer by THE Kingstonians!

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The Kills

2LP | 2020 | Original (Domino)

Whatever It Takes Black Vinyl Edition

Release: 2020 / Original

Genre: Rock & Indie

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The Kills have compiled an extraordinary career spanning b-sides and rarities album titled, appropriately, Little Bastards. The songs date back from the band’s first 7-inch singles in 2002 through to 2009. All of the material has been newly remastered for release on 2xLP, CD & Digital and marks the first ever vinyl pressing for some of these tracks.

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The James Hunter Six

LP | 2018 | US | Original (Daptone)

Pick Of The Pops Volume 1 Pale Blue Vinyl Edition

Release: 2018 / US – Original

Genre: Organic Grooves

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A permanent fixture in the world of Rhythm and Soul, James Hunter follows up five critically acclaimed albums with his latest recording, Whatever It Takes, for New York City’s renowned label, Daptone Records. At the height of his famed recording career, Hunter and Daptone co-founder and producer Bosco Mann recorded an elegantly crafted collection of 10 originals that are evermore poignant and compelling than the singer’s previous works. The James Hunter Six and Mann recorded Whatever It Takes straight to tape at Daptone's Penrose Studios in Riverside, California.

The first Brit to sign to Daptone Records, Hunter is revered by critics both in his native UK and stateside, with MOJO touting Hunter as “The UK’s greatest soul singer” and the Los Angeles Times praising his “extraordinary soul voice.” Of his prior recordings, Rolling Stone called his U.S. debut People Gonna Talk, “a treat not to miss” and his second album “unbelievably awesome,” while The New York Times noted of The Hard Way, Hunter’s “tight, slithery groove” and “sweet growl.” Hunter’s accolades include milestones of reaching #1 on the Billboard Blues Chart, a GRAMMY® Award nomination for “Best Traditional Blues Album”, years as a singer touring and recording with Van Morrison, and many TV appearances on Conan, Later…with Jools Holland, and other late night TV shows.

Subsequent to his acclaim as one of today’s renowned soul singers, Hunter’s restless genius penning emotive and captivating works results in his best written compositions to date on Whatever It Takes.

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The Hit Parade

LP | 2022 | EU | Original (Optic Nerve)

The Hill District / Richie Merrett

Release: 2022 / EU – Original

Genre: Rock & Indie

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14 track vinyl version of the 2012 CD compilation. Pressed on pale blue vinyl, with printed lyric inner sleeve. First time on vinyl. Includes poster and postcard. A swish compilation LP featuring fourteen of the most memorable songs in the career of the top notch indie band THE HIT Parade. Entitled ‘pick OF THE Pops (vol1)’ the LP collects together the most poignant moments in the career of THE HIT Parade, and includes their thoughtful recording for Sarah Records “In Gunnersbury Park”, their tubthumping single for Minty Fresh USA “Hitomi” as well as other cuts, both cheerful and desolate in style, that feature Cath Carroll (Factory Records), Amelia Fletcher (Heavenly and Talulah Gosh) and Harvey Williams (Another Sunny Day and The Field Mice). THE HIT Parade was formed by Julian Henry with his school friends Matt Moffatt and Raymond Watts in 1984 when they released their first single ‘Forever’ on JSH Records. Since then they’ve clung to the sensibilities of pure pop and have become a curiosity item with their retro attitudes and songs about dead writers, disused swimming pools and failed love affairs. Their early vinyl singles were lauded by John Peel, the NME and Melody Maker, the now defunct weekly paper that published Julian Henry’S writing. In the 1990s the band toured alongside Edwyn Collins, The Milkshakes and Sarah Records notables, and signed to Japanese and US labels, releasing a sequence of albums that have since become collectible.

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You're Scared Of Falling In Love / You'll Always Have Yesterday Standing By

7" | 2022 | UK | Original (Soul Junction)

The Gypsy (Shirley Bunnie Foy)

Release: 2022 / UK – Original

Genre: Organic Grooves

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The Hill District were a group of working musicians assembled by bassist Walter “Sonny” Hughes who following one afternoon rehearsal session together the very same evening recorded their only ever 45 outing the somewhat elusive and now sort after amongst group harmony collectors “Your Scared Of Falling In Love”. The other group members were Sonny’s brother Richard Hughes (Lead Guitar), Anthony Law (Keyboards), William M. Standard Jr (Piano), Mark Smith (Drums) and Daniel S. Lee Jr (Lead Vocals). The groups name was taken from a grouping of African American neighbourhoods in the city of Pittsburgh P.A. locally referred to as ‘The Hill’. The recording session was held under the direction of record producer and song writer James Richard Calloway (A.K.A) Rich Calloway. Calloway would go on to release “Your Scared Of Falling In Love” on his own ‘C-Way Records’ label featuring a instrumental version on the flipside. Rich Calloway hailed from Uniontown P.A. with Uniontown being known affectionately by the local black community as ‘Oniontown’ the name which Calloway adopted for his publishing company. Unfortunately for the Hill District the final mastering of their song left something be desired (a scenario we’ve now rectified with our release) and as a result local Pittsburgh Disc jockeys refused to plug their song leaving their one and only 45 outing to fade into obscurity with the group members going their own separate ways to continue their careers as session musicians with other ensembles. Producer and lyricist Rich Calloway also continued with his own C-way Productions company later composing both sides of The Cleveland Ohio group ‘The Entertains’1975 outing for Steel Town records “Love Will Turn It Around/Why Couldn’t I Believe Them”. Calloway was no stranger to Cleveland having been earlier employed by Way Out Records owner Lester Johnson to compose the lyrics to Jesse Fisher’s “Your Not Loving A Beginner”, the songs arrangement’s being originally laid down by members of the Way Out group The Soul Notes, William Bell (A.K.A Bill Spoon), John Washington and Ricki Dannison under the working title of “I’ve Been Waiting For Your Love”. Prior to the Hill’s District release Rich Calloway had penned and released a 45 single on another local Pittsburgh artist Richie Merrett. The 1973 outing You’ll Always Have Yesterday Standing By” b/w “I Gave It Up” (C-Way 103). Merritt a professional singer who performed with several groups including The Electron’s on their 1968 outing “Turn On Your Lovelight (Shock 209) recorded his first solo outing on the Nashville Deltron label “Can I Get A Rebate/It’s Never Too Late” which he later released again on his own R.A.M label followed by two early 90’s outings, the modern soul favourite’s “Where Did I Go Wrong” and “You Got Problems”. Richie still performs today doing one off shows in between his solo performances aboard 7 Day Cruise ships travelling between Los Angeles and Sant Cabos, Mexico. “You’ll Always Have Yesterday Standing By” was later produced by Walt Maddox under the shortened title of “Yesterday’s Standing By” on his own group ‘These Gents’.

Therefore Soul Junction brings you two 70’s soul/Lowrider in demanders back to back for your delectation.

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Way-O

LP | 1974 | EU | Reissue (Mono Jazz)

LP | 2023 | EU | Original (Deko Entertainment)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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This extraordinary album, which we are re-issuing on the occasion of RT 30 (the celebration of Right Tempo's thirty years of activity), is a tribute to the great Trinidadian pianist Sonnie Taylor who in these recordings, accompanied by the singer Bunnie Foy, expresses all his musical nature connected to Africa and the spiritual roots of jazz music. Many of you will recall Mayfra Combo, well, the leader of that seminal soul jazz ensemble was Sonnie Taylor. “I'm a Harlem Flower” sais Bunnie “I was born right in Harlem, where I've listened to an infinite number of popular songs of all kinds since I was a child. That's why I learned to sing spirituals, blues, classic and modern jazz pieces by Billie Holiday and Ella Fitzgerlad, and even calypso and African music. These are things that are all equally familiar to me. On this record, for example, I interpret a Gershwin medley but also Go Down Moses which is spiritual, Uelelé which is an Angolan piece and Way-O Comin' home which comes from the Caribbean”. Her real name is Shirley, but the nickname - which in Italian means bunny - grew up with her. She arrived in Italy in 1968 after a very flattering career start, during which she collaborated with famous names such as Dizzy Gillespie and John Coltrane. When she decided to settle in Milan she had already been to France, Switzerland, Germany, Belgium and North Africa. Sonnie Taylor, the distinguished pianist and organist who leads the nine recordings contained herein, is a native of Trinidad. He has performed in England, Spain and Italy with a rhythm and blues ensemble. He currently leads a quintet that plays Afro-Cuban music. For about a year he has been working with Bunnie Foy on her concert tours.

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The Guess Who

Plein D'amour

Roadhogs: Live From Richmond To Pocon

Release: 2023 / EU – Original

Genre: Rock & Indie

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For Fans of The Guess Who, Bachman-Turner Overdrive, and Classic Rock! The Guess Who is a legendary Canadian band who enjoyed chart-topping hits in the late 60s and early 70s with an impressive catalogue of songs including "American Woman," "These Eyes," and "No Time." During the course of its career, the band has released 11 studio albums, all of which charted in Canada and the United States. The Guess Who is best known internationally for its 1970 album, American Woman, which hit number one in Canada and number nine in the United States, with five other albums also hitting the top ten in Canada. All in all, the Guess Who boasts 14 top-40 singles in the United States and more than 30 in Canada. The band released its first single "The King" on February 10 and it immediately landed on multiple Spotify playlists racking up over 50,000 streams, making it the highest new release in the band's history. The band is now gearing up to release its latest creation, Plein D'Amour. Band members Derek Sharp, Michael Staertow, Leonard Shaw, Michael Devin, and founding member Garry Peterson have crafted a collection of songs that raises the bar and continues to take it up a notch both musically and sonically. The album Plein D'Amour was recorded at Villa Sound in Singhampton, Ontario, Canada, with Adam Fair, featuring other stand out tracks such as "Headline" and "Across the Line". Artwork for the release is provided by world renowned graphic designer Ioannis (Deep Purple, Allman Brothers Band, Led Zeppelin, etc.)

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The Groundhogs

LP | 2021 | UK | Original (Fire)

40,99 €*

LP | 2023 | UK | Original (Junior Aspirin)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Triple Black Vinyl, 12"X24" Poster, Vinyl "Bumper" Sticker, Dl Card. An Essential Rock Artefact Tracing The Groundhogs From Their Pre - 'Thank Christ For The Bomb' Blues Roots To The Final Live Show For The Classic Line Up Of Tony Mcphee (Guitar And Vocals), Pete Cruikshank (Bass) And Ken Pustelnik (Drums).Never Before Heard Recordings From The Warner Brothers' Vaults Including A Vintage 1969 Set From Their Show At The Richmond Athletic Ground (Aka The Crawdaddy Club) And Their Final Explosive Set At The Pocono Raceway Track.Includes The Live Debut Of What Would Become The Anthemic 'Cherry Red' And Mcphee's Seismic Destruction Of 'Amazing Grace'.A Career-Spanning Gem From The Ultimate Heavy Rock Power Trio Book-Ending 976 Days And 250-Plus Live Shows."In Their Stage Act They Concentrate On Being As Heavy And As Hard-Hitting As Possible." The Scene Magazine"Performing On Stage We Feel That The Emphasis Is On Excitement So We Play The Numbers That Involve The Greatest Amount Of Movement And Dynamics," Tony Mcphee Told Star Pop.

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The God In Hackney

The World In Air Quotes

The George Ohtsuka Quintet

Release: 2023 / UK – Original

Genre: Rock & Indie

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'The World in Air Quotes' is a genre-shifting style-melting kaleidoscope of art-rock, jazz, techno, folk & industrial. The God In Hackney sound like very little else from the early 2020's and whilst 'The World In Air Quotes' innovative progenitors are manifold - Eno, Coil, The Durutti Column, 1980s ECM jazz to name a few - it sounds beholden to none of them.
The God In Hackney's first album 'Cave Moderne' was Andrew Weatherall's album of the year for NTS Radio.
The God In Hackney's second LP, 'Small Country Eclipse', was album of 2020 for critic Sukhdev Sandhu of The Colloquium for Unpopular Culture: "Mordant music: stuttering, dread, black humour. A record that felt truly independent, beholden to no genre, out of step with all centres and signposted nodes."

'The World In Air Quotes' is The God In Hackney's 3rd album and their most musically emotive and lyrically inventive to date. It's an album that resonates with feelings about climate change, isolation, extinction, the social impact of technology, the flattening of history—and illuminates the darkness with imaginative rhythm, melody, noise & poetry. Songs range from widescreen, anthemic rock, to strange intricately arranged jazz-influenced songs, to abstract, textural electronic pieces. There's a strain of dark and surreal comedy too that runs through the lyrics and some of the choices the band makes in their sounds and arrangements.
The core God in Hackney quartet of Andy Cooke, Dan Fox, Ashley Marlowe and Nathaniel Mellors has expanded to include American multi-instrumentalists and composers Eve Essex (Eve Essex & The Fabulous Truth, Das Audit, Peter Gordon & Love of Life Orchestra, Peter Zummo, Liturgy) and Kelly Pratt (Father John Misty, David Byrne/St Vincent, Beirut, and Lonnie Holley among many others), signalling a new and ambitious direction for the band.

The album cover features original artwork by Iranian-American artist Tala Madani, recently the subject of a career survey exhibition at the Museum of Contemporary Art, Los Angeles.
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The Wire, Maggot Brain

Reviews & features:
Maggot Brain - forthcoming feature
Hi-Fi+ Magazine - album review in April 2023 issue
Dereck Higgins (You Tube review)
Sonosphere - interview / feature
Weirdo Shrine - interview
It's Psychedelic Baby - interview
Spettacolo (Italy) - feature.
Ghettoblaster Magtazine (usa) - feature

Airplay:
Gilles Peterson - BBC Radio 6 Music
Steve Lamacq - BBC Radio 6 Music
Dublab - playlisted & featured in Dublab Recommends (Los Angeles)
Cian Ó Cíobháin - RTE Raidió na Gaeltachta (Ireland)
Wfmu - playlisted
Resonance FM - The Wire presents Adventures In Sound & Music
Human Pleasure Radio (New Zealand)
Pete Wiggs & James Papademetie - The Seance (Repeater Radio, Sine FM & others)
Peter Hollo's Utility Fog - FBI Radio (Australia)
Jonathan Lethem & Sam Sousa on Radio Free Aftermath (ksp Claremont 88.7)
Life Elsewhere
Wrpb Princeton
In Memory of John Peel
Mike Watt's Watt from Pedro Show

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Loving You George

LP | 2021 | EU | Original (Wewantsounds)

LP | 2020 | EU | Original (Allo Floride Artist Services)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Sought-after Live LP BY THE George Otsuka Quintet, Recorded AT THE Nemu Jazz INN AND Originally Released ON THE Cult Japanese Label Bellwood Records IN 1975, Reissued ON Vinyl FOR THE First Time AND Remastered From THE Original Tapes.

Wewantsounds is delighted to announce the reissue of cult LP by master Japanese drummer George Otsuka and his quintet, recorded live on 19th July 1975 at the Nemu Jazz Inn. The album was released by cutting-edge Japanese label Bellwood, which had recently made waves with Haruomi Hosono's landmark "Hosono House". The album "Loving You George" is comprised of four superb performances fuelled by Otsuka powerful drumming and Fumio Karashima's fender Rhodes. It also includes a wonderfully funky take on Minnie Riperton's 'Loving You'. It's the first time the album is reissued since the 70s and it comes with original artwork featuring OBI strip and audio remastered from the master tapes by King Records in Japan.

George Otsuka is one of the giants of the Nippon jazz scene. The drummer, who sadly passed away in 2020, enjoyed a 50 year career recording with the best musicians and labels in Japan. Born Keiji Otsuka in 1937 in Tokyo, Otsuka joined Sadao Watanabe's Cosy Quartet in the late fifties before switching to Hidehiko Matsumoto's quartet where he gained exposure as one of Japan's premier drummers. In the mid 60s, he formed his own trio with Hideo Ichikawa (p) and Masaoki Terakawa (b) recording several highly-acclaimed albums and also playing with international stars such as Hampton Hawes and Roy Haynes. The 70s were a productive decade and Otsuka embraced the latest development in jazz including fusion and modal jazz enthusiastically. Having recorded for Trio, Three Blind Mice and Nippon Columbia, the musician signed with Koki Miura's groundbreaking Bellwood Records (responsible for producing the emergent wave of folk rock artists led by Happy End and Haruomi Hosono) and recorded a live album at Nemu Jazz Inn in the Nemu resort, south of Nagoya. The evening was a special one. On top of The George Otsuka quintet (featuring Mitsuaki Furuno (b), Norio Ohno (perc), Shozo Sasaki (sax) and Fumio Karashima (p)), were the supergroup of Norman Connors, Eddie Henderson and Gary Bartz who were also recording a live album, “Dance Of Magic” that has since become legendary. On the night, Otsuka and his sidemen recorded four tracks including "Little Island" a Karashima original and "Something Everywhere" a faithful rendition of Steve Kuhn brazilian-flavoured original which had just appeared on his ECM album "Trance". Showcased on this version are Karashima's superb Fender Rhodes playing and Sasaki's inspired soprano sax. Side 2 begins with a breathtaking version of the Coltrane standard "Miles Mode" finishing with a great drum solo by Otsuka followed by a superb version of the Minnie Riperton classic, "Loving You" played in a mid-tempo funky mode with a great Rhodes solo. A unique time capsule, the album finds the quintet on fire and "Loving You George" is a vivid testimony that Otsuka and his musicians were at the top of their game and one of the best groups in Japan, playing a mix of modal and groovy tunes full of exciting and inspired solos. An album known to the Japanese music lovers that Wewantsounds is happy to reissue for the first time in decades with original artwork, OBI strip and audio remastered from the original tapes by King Records in Japan.

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The Geek & Vrv

Time Machine

17,99 €*

LP | 2022 | US | Original (BYM)

Release: 2020 / EU – Original

Genre: Hip Hop

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For The Geek and VRV, everything is a matter of time. Since they first met six years ago, the two beatmakers have been broadcasting their music to the four corners of the world, and their collaboration is as strong as ever after the years. Vanguards of the French instrumental hip-hop scene, they’re coming out today with their first album, Time Machine, a synthesis of the sounds and the ideas they’ve been working on from the very beginning of their careers. A trip back through time, as its name suggests, demonstrating the range of sound possibilities that they created in previous projects and on their international tours.

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The Ganjas

Generation

LP | 1969 | EU | Reissue (Mad About)

Release: 2022 / US – Original

Genre: Rock & Indie

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New Studio Album after long 8 years! Produced by Jack Endino in Chile and Mastered by Tony Cousins (The Verve, The Stone Roses) at Metropolis Studios U.K, Lacquer cut by Richard Simpson (Beck, Flamin' Groovies, Lou Reed). After 8 long years The Ganjas returns with a new studio album, a joint production between Jack Endino and the band. Like the 2012 album 'Resistance', this LP combines sounds and styles that have marked the band since its inception; long space rock songs, neo grunge guitars, Manchester-reggae rhythms, and ballads with R&B vocal harmonies. For fans of: Sundial, Keith Richards, The Stone Roses, Swervedriver A job that very well summarizes the more than 20 years of uninterrupted career. After the compilation album ?Ghost River ? (2015) and having finished the European tour in September of the same year, the drummer changed, the long-lived founder Aldo Benincasa left and Nes entered, who had already replaced him on a couple of occasions. In March 2017 they embark on a trip to El Me?dano a mountain refuge that is on the border between Chile and Argentina, and in there for several days they shaped the songs that gave life to this album. Then, in 2018, Jack Endino, an old acquaintance of the group, travels from Seattle to Santiago to record 10 songs with different nuances and colors, lyrics in English and Spanish, radio cuts and long durations, rock, groovy and power ballads, at Estudios Lautaro. The album has songs like 'America' and 'Ex-Pilot' an opening and closing of almost 10 minutes in a cadenced and hypnotic groovy march, spatial and psychedelic in the purest style of The Verve's A Northern Soul album. While 'Space Trees' and '10.000 An?os' are short, powerful, fast and acid songs with the grunge and alternative rock stamp that sounded in the 90's, nothing to envy to Sundial and Swervedriver. There is room for Manchester-reggae moments in 'New Berlin', an instrumental dance song that was born in that city thanks to the collaboration with Andre?s Bucci and 'Listen To The Lion', a tri...

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The Four Sounds

Jazz From District Six

My Heart Is Broken / Hurt Took The High Road

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Impossible-to-find gem from 1969 finally reissued in a deluxe edition. Ultra Rare South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.

True Jazz today is becoming a rare art whose existence depends not only on the Jazz-musician but also on the medium by means of which it is propagated. This album is the combined effort of musician and Trutone Record Company to add their contribution to the interest of the arts. The theme for this album is set in "District Six", the community which brought forth "The Four Sounds".

Basil Moses is perhaps most widely known, in the context of South African jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim’s 1970s recordings. He also features on Sathima Bea Benjamin’s African Songbird (The Sun, GL 1839).

Guitarist Cliffie Moses, three years older than brother Basil, was also a professional musician and the two, along with Richard Schilder and Billy Bowers (aka Billie Dollie), formed the Four Sounds in the early 1960s. The group with Basil ‘Manenburg’ Coetzee and Roy Nolly recorded their debut album, Jazz from District Six, in 1969 for Trutone (tblc 1).

In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as the core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. Percy Sledge described it as the “greatest tour of [his] career”.

Notes by Siemon Allen at Flatinternational”

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The Four Dudes

7" | 2021 | EU | Reissue (Symphonical)

14,99 €*

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Within any creative expression about love there's a shared experience, a sentiment hard to articulate but understood through emotion. One of the defining examples of a song that holds such sincerity is 'My Heart Is Broken' by 'The Four Dudes'.

Charles 'Pooky' Russell, the lead singer of 'The Four Dudes' shares his story of a broken heart; his ambition to pursue a life immersed in music is what led Charles to leave his hometown of San Antonio for Houston and in doing so, leaving his lady. Charles' music career began whilst studying at Sam Houston High during the mid-60s. During choir is where he met Reginald Whitaker & Lawrence Alexander, and the trio would go on to establish their first vocal harmony group, 'The Three Dudes'. The Dudes, inspired by groups such as The Cadillacs & The Platters, would gain a strong local following that led to their first single 'Sad Little Boy' & 'I'm Beggin' You' produced & released in 1967 on E.J. Henke's 'Satin' label.

By 1969, 'The Three Dudes' had become 'The Four Dudes' with the addition of Kenneth Ball. The Dudes had made the decision to pursue a full time career with their music and the opportunities available Houston propelled the move. Within the first year 'The Four Dudes' had found themselves a manager, James Davis, whom pieced the vocal group with Houston's own 'The Heavy Accents Band'. The group were gaining notoriety around town, performing several times a week, which led Davis to bring the outfit into the studio to release a single on his independent label, 'Sivad-J'. It was when Davis heard 'My Heart Is Broken' for the first time that they decided this would be the single, and within the same year would be recorded at SugarHill Studios & released as a 7" single.

The sincerity of the song is what serenaded Houston across the airwaves in 69', a staple for George 'Boogaloo' Frazier on his show for Kyok 1590 AM amongst many others. The single became a local hit however, due to the lack of distribution and small pressing, the single barely made it out the city limits. 'The Four Dudes' continued to perform in Houston for 3/4 more years before heading to Philadelphia and forming a group called 'Image'.

For the first time since its 1969 release, 'The Four Dudes' single is once again available through Symphonical Records as a limited 7" pressing. Licensed directly through the Davis family with the approval of Charles Russell.

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Silver Flames Red Vinyl Edition

LP | 2021 | EU | Original (Svart)

Release: 2021 / EU – Original

Genre: Rock & Indie

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It might’ve taken 20 years but here it is: the original line-up of the Flaming Sideburns unleashes a brand new album “Silver Flames”. It can be seen as a follow-up to their now legendary debut “Hallelujah Rock’n’Rollah”, which was released two decades prior in 2001. “Silver Flames” is an album nobody expected to happen. Most certainly it’s out of time and out of place in 2021 but that has never stopped the Flaming Sideburns on their mission. Instead they launch a rock’n’roll assault at full throttle. It’s all there from straight-ahead rockers (“Silver Flame”, “Searching Like a Hyena”) to deep psychedelia (“Niburu”, “Reverberation”) and from classic rock (“A Song for Robert”) to pop-tinged choruses (“Perfect Storm”, “Cast out my Demons”). The album is wrapped-up by “Trance-Noché” and its unusual combination of Latin American madness and Arctic hysteria — topped with the lyrics en Español. ”Silver Flames” might be versatile but all of the tracks have a common goal: to make it on the album they had to be good enough to stand on their own as a single release. “Hallelujah Rock’n’rollah” gave us seven singles and “Silver Flames” is well on its way to top that. “Soulshaking”, “Trance-Noché”, “Neverending” and “A Song for Robert” are already out on 7” vinyl and there’s more to come later this year. The Flaming Sideburns started out in Helsinki in 1995 and soon found themselves touring both sides of the Atlantic. Their early releases were compiled on “It’s Time to Testify” but it was the launch of “Hallelujah Rock’n’Rollah” that put the band on top of the early 2000s garage rock revival. Stateside the record was released under a new moniker “Save Rock’n’Roll”. “Hallelujah Rock’n’Rollah” kept the band busy touring across the world and sharing the stages with their original inspirers like The Sonics or The Stooges. It also gained them exposure on U.S. television: “Loose My Soul“ was featured on HBO’s “The Wire,” “Flowers” made it to Fox’s “The O.C.” and “Street Survivor” was picked up by Toyota for a tv commercial. The break-through album also meant the end of the original line-up. Soon after the release, the guitar player Arimatti Jutila moved to the United States and the band was forced to soldier on with various line-ups. After two more albums, “Sky Pilots” and “Keys to the Highway,” and hundreds of shows, the Flaming Sideburns found themselves inactive for the first time in their career in 2016. That was not bound to last long. In 2018 the five original members — four Finns led by Argentine-born vocalist Eduardo Martinez — joined forces for a string of shows in The UK, Spain and The Nordics. As soon as they hit the road, the new songs started coming out. Soon the band hit the studio and the old gang was completed by Jürgen Hendlmeier who’s been serving as the producer for the Flaming Sideburns since day one. “Silver Flames” makes the comeback complete. Enjoy.

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Silver Flames Black Vinyl Edition

LP | 2021 | EU | Original (Svart)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Rocket Science: Original Artyfacts From The Psychedelic Era 1996-1999 Transparent Red Vinyl Edition

LP | 2024 | EU | Original (Svart)

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Rocket Science! – The Flaming Sideburns to release rarities collection in November

Garage rock cornerstone The Flaming Sideburns will release a unique compilation of their early material in November. The carefully curated collection, put together by the band and Svart Records, features a total of 13 studio recordings from 1996–1999, three of which are previously unreleased, while the rest appeared on sold-out limited releases around the turn of the millennium.

The team behind the compilation, titled Rocket Science, is familiar to those who know the band: the cover art was created by the band's early guitarist Vilunki 3000 and the mastering was done by the band's trusted producer Jürgen Hendlmeier. Some of the material on the compilation album hits the moment when the band was at the most significant juncture in its career.

"Musically, Rocket Science tells the story of the moment when the band's long-dreamed-of US tour finally came true in 1999 and The Flaming Sideburns made it to New York for a recording session before returning to Finland. While on tour, we had verbally signed a record deal with Bad Afro in Bellingham at the Garageshock festival. As a result, our first 'official' album It's Time To Testify...Brothers & Sisters was released at the end of the same year, and so the band's story really began when Rocket Science's time was over," explains the band's singer Eduardo Martinez, contextualizing the importance of the upcoming release as a kind of watershed moment in the band's history.

Founded in 1995, The Flaming Sideburns had already toured both sides of the Atlantic before the turn of the millennium, well before the garage rock boom of the early 2000s kicked in with hundreds of new bands. During its active years, the band has released three compilation albums and four studio albums, the latest of which, Silver Flames, was released by Svart Records in 2021. The band is currently on a creative hiatus and will announce its plans next year.

The Flaming Sideburns' compilation album Rocket Science – Original Artyfacts from The Psychedelic Era 1996–1999 will be released on November 1, 2024.

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Rocket Science: Original Artyfacts From The Psychedelic Era 1996-1999 Black Vinyl Edition

LP | 2024 | EU | Original (Svart)

29,99 €*

Tape | 2023 | EU (Radiation Reissues)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Fall

Dragnet

The Exclusive / The D C Blossoms

Release: 2023 / EU

Genre: Rock & Indie

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Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith's distinctive vocals and often cryptic lyrics. “Dragnet” is the second studio album – released 26th October 1979. Originally released through record label Step-Forward, it predicated 2 major factors in the group’s career – high productivity and high group turnover. The album has historically garnered excellent reviews, including 4/5 in Mojo, 8.7/10 on Pitchfork and 4/5 in Q Magazine. Featuring the one and only Mark E. Smith alongside Steve Hanley (bass), Marc Riley (guitar), Craig Scanlon (guitar), Mike Leigh (drums), Kay Carroll (backing vocals) and Yvonne Pawlett (keyboards).

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I Still Love You / This Is Your Last Chance

7" | 2024 | UK | Original (Kent)

LP | 1967 | EU (Trading Places)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Eddie Singleton had a musical career in Los Angeles after his Shrine Records venture had bloomed then died. He cut this heart-felt soul ballad on an undocumented group called the Exclusive around 1969, but it was left on tape only until now.

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The Esquires

Get On Up And Get Away

The Sojourner 2024 Repress

Release: 1967 / EU

Genre: Organic Grooves

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Family vocal group the Esquires was formed in Milwaukee in the late 1950s; by the time they moved to Chicago to launch their recording career the group featured Gilbert Moorer, Alvis Moorer, and Sam Pace and although Curtis Mayfield turned them down, Bunky Sheppard recognised their potential, their debut single ‘Get On Up’ a smash hit that led to the recording of this brilliant debut album, an excellent collection of upbeat melodic soul with the group’s vocal harmonies in the spotlight. Further permutations would follow but Get On Up And Get Away captures the group in its illustrious eginning, full of shining joy. A top-notch release!

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The Ensemble Al-Salaam

LP | 2024 | JP | Original (P-Vine)

Just A Closer Walk With Thee

Release: 2024 / JP – Original

Genre: Organic Grooves

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Originally released in 1974 on pioneering jazz label Strata-East, ‘The Sojourner’ by the incredible Ensemble al-Salaam would become one of the label’s most sought-after records. A highlight of the spiritual jazz movement, the record sees a band at the height of their powers, perfectly in sync as they express their spirituality through one ethereal groove after another. Album opener “Music is Nothing But a Prayer” sets the tone for the album, as gentle piano arpeggios, warm flute improvisations, and spacy guitar combine with the haunting vocals of Beatrice Parker to create a sonic atmosphere which seems to wash over you with every passing beat. The song picks up as a repeating bass riff emerges, with blaring saxophone improvisations contrasting with Parker’s clear vocals - yet nothing ever clashes. In comparison to the enveloping avant-jazz of “Music is Nothing But a Prayer”, “Malika” takes inspiration from late-career Coltrane, with sheets of sound-esque saxophone solos set to breakneck rhythms. “Peace (Salaam)” sees the group return to warm spiritual tones, complimenting a beautiful melody to bring the album to a close.

For years, the only way to get your hands on this record was to spend your entire life savings, or pray that you stumbled upon it at a yard sale. With our previous two pressings selling out almost immediately, we knew we had to give this legendary record a third pressing. P-vine is proud to be repressing this phenomenal album for the third time, now with a new and improved obi-strip!

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The Emotional Carpenters

LP | 2020 | EU | Original (Radio Bongo)

13,29 €* 18,99 € -30%

Hard Pass: Singles / Rarities 2006 / 2020

Release: 2020 / EU – Original

Genre: Organic Grooves

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Saga: Ólafur Stephensen 01.02.1936 – 28.04.2016 Wife: Klara Stephensen Children: Ingibjörg “Día” Ambonguilat Stephensen, Stephan Stephensen, Magnús Stephensen & Ólafur Björn Stephensen

Ólafur was born in Reykjavik. His parents were Stephan Stephensen, a shopkeeper at Verðandi, and Ingibjörg Stephensen, a housewife.

Ólafur graduated from The Commercial College of Iceland on June 16, 1956 and then studied public relations as well as marketing and propaganda at Columbia University in New York where he graduated in 1962.

Ólafur was a pioneer in the advertising services in Iceland which with him turned away from being solely a profession of illustrators to a new era of marketing. Ólafur touched on many subjects through his career. Alongside his study Ólafur worked for NBC News and Meta educational TV. He reported for UN Radio and Voice of America as well as for Afrts under the pen name of Sonny Greco. Ólafur was the managing director of The Icelandic Red Cross, a jazz pianist in Harlem, the spokesperson for the media center of the Nato ministerial summit in Reykjavík in 1968 and hosted a program on the Icelandic National Television. Ólafur was the first Scandinavian citizen to become a member of the Advertising Club of New York, the first president of the Reykjavik chapter of JC as well as the first vice-president of JC International, the host of a jazz program on Icelandic National Radio, a judge for the American Advertising Awards and an active Freemason in Iceland as well as Portugal. Ólafur was awarded a Badge of Honour by the Finnish Red Cross in 1967.

Ólafur founded both ÓSA advertising agency and later Gott Fólk and was the first elected president of the Icelandic Advertising Association. He wrote a large number of published newspaper and magazine articles on his trade of advertising and marketing and released a book on the subject, “New and Better”, in 1987. Ólafur Stephensen released three jazz albums with his jazz trio named Tríó Óla Steph, played music both in Iceland as well as internationally with various jazz combos and was a big fencing enthusiast.

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The Dopamines

LP | 2021 | EU | Original (Rad Girlfriend)

21,99 €*

Let The World Burn Down Clear Blue Vinyl Edtion

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Dopamines - Hard Pass: Singles/Rarities 2006/2020massive Complete Collection Of Their Every 7", B-Side, Comp Track, Rarity, Cover & Unreleased Song Dating Back To 2006.Massive, Complete Collection Of Every 7", B-Side, Comp Track, Rarity, Cover & Unreleased Song From The Dopamines Dating Back To 2006. 60+ Minutes, It Spans Their Entire Career Starting With The "Soap And Lampshades" Ep. Contains All Their Eps & Tracks Found Previously Only On Long Lost Cassettes, Comps And Limited 7"S, Along With Many Unheard Songs From All 4 Of Their Album Sessions.

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The Devils

LP | 2024 | EU | Original (Go Down)

37,99 €*

Let The World Burn Down Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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“After releasing our third album in 2021, during the lockdown, we thought we would never play again. But all that anguish and disillusionment gave us the energy to go back to writing new songs, thanks to our desire to discover new musical horizons and many inspirational blues and soul listenings in recent years. Let The World Burn Down is dedicated to all the Brothers and Sisters who have had enough of Humanity.” - The Devils This quote from the Naples-based power duo introduces us to their fourth studio album. Let The World Burn Down marks their renewed collaboration with California musician Alain Johannes. The tracklist includes covers of ‘Big City Lights’ by Cleo Randle (1966) and ‘Teddy Boy Boogie’ by Crazy Cavan ‘n’ The Rhythm Rockers (1975), here adapted into ‘Teddy Girl Boogie.’ About THE Band THE Devils formed in Naples, Italy, in 2015. Their first two albums, Sin, You Sinners! (2016) and Iron Butt (2017) were produced by Jim Diamond (The White Stripes, The Sonics) and released by Voodoo Rhythm Records. Since 2016, they have been consistently touring with over 500 shows throughout Europe, the UK and Canada. Gianni Blacula rapes the guitar, and Erika Switchblade hits the drums. The Devils embody the definitive sound of chaos; their style is primitive, filled with sex, sin, and Rock’n’Roll. They are wild, very loud, and sexy. They named themselves after Ken Russel’s legendary movie The Devils (1971).Their third album, Beast Must Regret Nothing (2021), was produced by Alain Johannes (qotsa, Them Crooked Vultures, Chris Cornell, PJ Harvey) and features Mark Lanegan on lead vocals for ‘Devil Whistle Don’t Sing.’ Their upcoming studio album still features the multifaceted musician Johannes in mixing, mastering, and performing guitar solos for ‘Horror and Desire.’Let The World Burn Down will drop via Go Down Records in February 2024. The same label released The Devils’ first live album in January 2023. The band has toured with great acts such as The Sonics, Jon Spencer & The Hitmakers, Boss Hog, Mudhoney and many others. They have also performed at several major European festivals, including Azkena Rock Festival and Helldorado

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The Devils

LP | 2024 | EU | Original (Go Down)

32,99 €*

Live Lullabies And Other Bedtime Stories Yellow Vinyl Edtion

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Cure

LP | 2024 | EU (Yellow Vinyl)

Suck My Shirt Green Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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Legendary emo indie outfit The Cure have played all over the world in their decorated careers but back in 1996 when they headed to Brazil, it was the first time they had been to the country since 1988. They were there for the 1996 edition of the Hollywood Rock Festival which they headlined in superb fashion and wowed their Latin American fans. Live Lullabies & Other Bedtime Stories is a special recording of that night that comes on nice yellow vinyl and features the likes of signature anthems like 'Boys Don't Cry,' 'Friday I'm In Love,' 'Just Like Heaven' and many more.

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The Coathangers

LP | 2014 | US | Reissue (Suicide Squeeze)

Parasite EP Limited Edition Colored Vinyl

Release: 2014 / US – Reissue

Genre: Rock & Indie

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The Coathangers

12" | 2017 | EU | Original (Suicide Squeeze)

LP | 2021 | UK | Original (Athens Of The North)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Parasite kicks off with the title track, a rowdy throwback to a younger, angrier
incarnation of the band. Crafted in the wake of the election and during a tumultuous
period in the band members' private lives, "Parasite" is pure catharsis. "During the
making of our last album, I didn't want to scream anymore, I just wanted to sing and
focus on melody. When we came to this recording, I just wanted to scream and
curse," says guitarist/vocalist Julia Kugel. If the EP is meant as a journey through the
various stages of the band's career, it certainly storms out of the gate with the same
kind of piss-and-vinegar of their eponymous debut. And while "Wipe Out" is another
rowdy venture, with bassist Meredith Franco taking over the lead vocal duties over a
steady barrage of pointed power-chords, it also showcases the rousing choruses that
elevated the trio from underground heroines to an internationally renowned garage
act. Despite the adverse times, The Coathangers' mastery of pop cannot be contained
forever, as is evident in the EP's single "Captain's Dead", with its sultry verses,
triumphant chorus, and a bombastic freak-out of noisy guitar. The journey through
The Coathangers' musical evolution leads to a revamped version of "Down Down" off
2016's Nosebleed Weekend LP and the smoky twang of "Drifter", in which
drummer/vocalist Stephanie Luke demonstrates her knack for solid Dusty Springfieldstyle
ballads.

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The Coast To Coast Band

Coast To Coast

I Am Not There Anymore Black Vinyl Edition

Release: 2021 / UK – Original

Genre: Organic Grooves

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Our second LP this month is an unreleased magical modern soul LP from the band Coast To Coast, the full story below by band leader Mark Beiner...

I met Ben iverson in 1976 when I was 17 years old. I was a junior at Newtown High School in Elmhurst, Queens. At that time, I took a part time job as a Produce Clerk at Walbaum's Supermarket on Northern Boulevard in Jackson Heights, Queens, where I met Ben Iverson who was the "Frozen Food Manager." In between the music, this job was steady income, and he and his Wife, Diane, started a family and raised two Daughters, Tonia and Cytherea, whom I am still in contact with today.

Back then, I remember going to work early just to talk to him about his musical background and his time spent in the 50's and 60's with the Ohio Doo Wop Group, "The Hornets", or better known as, "Ben Iverson and The Hornets." However, Ben was somewhat quiet and at a loss for words when I questioned him with regard to "Ben Iverson and the Nue Dey Express", as well as his short career as Manager and Songwriter for Brooklyn's own, "Crown Heights Affair" in the early 70's.

Between the 50's and 60's, "Ben Iverson and The Hornets" shared billing at music events with recording artists such as, The Drifter's, Bill Haley and The Comets, Pat Boone, Etta James, Mary Wells, Nancy Wilson, Jackie Wilson, Sam Cooke, Aretha Franklin, Lloyd Price and Al Green. Many of these names got their start in the 50's, which Ben met at music concert events hosted by Radio Disc Jockey, Alan Freed. Alan was truly the first Concert Promoter for Doo Wop, Rhythm & Blues, and early Rock & Roll.

In 1978 after Ben and I discussed getting together and composing music, I started writing poetry and expressing in writing my break up with my college girl friend, Paula Vasta. Paula's middle name was Marie, so in kidding around, I would call her "Paula Marie." Ben thought my lyrics were "powerful" and wanted to put them in music. Thus our first recorded 45 rpm record called "Paula Marie", backed with "I Want You Dear." This launched our musical partnership and within a year, the Coast to Coast Band was formed. Ben and I went on to writing two albums worth of material, which in turn gave us a lot of time and presence on stage at our live gigs.

The regular Coast to Coast Band members consisted of Ben Iverson on Lead Vocals, Rhythm Guitarist and Co-Executive Producer, Joe Crowley, who is known today as "New York Congressman Joe Crowley." Carl (Woody Wood) Morton on Bass Guitar, Jimmy Johnson on Keyboards. Woody and Jimmy used to hang and play rap in its early days with "Run Dmc" in St. Albans, Queens. Lead Guitarist, Lou Jimenez, currently owns his own recording studio, Music Labs in Elmont, Long Island. On Drums, Eddie Byam, on Alto Sax, Jay Cohen, who in the 70's used to record for "Gary U.S. Bonds." Gary Pevols on Trumpet. On Bone, Scott Burrows, Trumpet player, Steve Becker, whom we lost to Testicular Cancer at the age of 25, along side Neil Levine, Stan Stockley, Tom Russo and additional members that came and went that we used for live gigs and studio recordings.

In addition, special recognition goes out to our Producer, Recording Engineer and Multi-sound Recording Studio, Owner, Dave Weiner and staff. Dave and I launched Multi-Sound Records under the Multi-Sound label in 1980.

Last, of course myself, Mark Beiner, where I served as Executive Producer, Songwriter, Business/Marketing Manager, and background vocals.

Unfortunately, Ben Iverson passed away on March 21, 2008, and cannot be here to share this with us, but his music and voice still lives on!

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The Clientele

2LP | 2023 | US | Original (Merge)

29,99 €*

4LP | 2014 | US | Original (Merge)

Release: 2023 / US – Original

Genre: Rock & Indie

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On July 28, 2023, Merge Records will release I Am Not There Anymore, The Clientele's first new record in six years. Over The Clientele's 32-year career, critics and fans have described their songs with words like "ethereal," "shimmering," "hazy," "pretty," and "fragile." Their singer, guitarist, and lyricist, Alasdair MacLean, has his own interpretation of the effect his music creates. "It's that feeling of not being there," he says. "What's really been in all the Clientele records is a sense of not actually inhabiting the moment your body is in." I Am Not There Anymore, regularly evokes what MacLean calls "the feeling of not being real." Many of the songs were inspired by MacLean's memories of the early summer in 1997, when his mother died, but also represent The Clientele pushing towards a new sonic frontier as a band, experimenting over the course of a three-year recording period. Of this stretching out, MacLean says, "We'd always been interested in music other than guitar music, like for donkey's years." This time out, he and bassist James Hornsey and drummer Mark Keen incorporated elements of post-bop jazz, contemporary classical, and electronic music. According to MacLean, "None of those things had found their way into our sound other than in the most passing way, in the faintest imprint." With those elements in the foreground, I Am Not There Anymore reasserts The Clientele's standing among the great stylists of pop music, deftly shifting from image to image, mood to mood, in a way that feels both new and classically them.

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The Clean

Anthology

65,99 €*

The City Of Prague Philharmonic Orchestra

Release: 2014 / US – Original

Genre: Rock & Indie

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Anthology serves as a celebration of The Clean, a band whose influence extends so far beyond their New Zealand home that even if you have never heard of The Clean before, you have surely heard of some of the bands (Pavement, Yo La Tengo, and Superchunk, to name a few) who have been influenced by their unique blend of homemade garage rock, hook-filled melodies, and psychedelic experimentalism.

The album is a compilation of songs from across The Clean’s legendary musical career, which began in 1981 and continues today.

The Clean’s story is on-again/off-again purely by design. It suits the trio’s creative desires and keeps them clear of the machinery that threatened to interfere with that process from the moment they threatened to get awfully popular awfully quickly over thirty years ago. The Clean’s modern age has seen them splitting time and hemispheres: David Kilgour has a reputable solo catalog; Robert Scott has The Bats; and Hamish Kilgour has been an endearing and enduring fixture in New York City, playing with assorted combos.

180g vinyl.

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Batman Black Vinyl Edition

LP | 2023 | EU (Diggers Factory)

31,99 €*

Dali's Picture / Aufführung In Berlin

Release: 2023 / EU

Genre: Soundtracks

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* Soundtrack to Christopher Nolan's 'Batman' trilogy * Composed by Hans Zimmer and James Newton Howard * Pressed on black vinyl

This unique compilation brings together the soundtracks of the three films directed by Christopher Nolan, composed by two of the greatest contemporary film composers: Hans Zimmer and James Newton Howard.

Hans Zimmer's illustrious career encompasses some of the greatest films of the past two decades, including The Lion King, Gladiator, Pirates of the Caribbean, The Da Vinci Code, Inception and Sherlock Holmes. James Newton Howard's works include Pretty Woman, The Prince of Tides, The Sixth Sense and The Hunger Games.

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The Chameleons

2LP | 1993 | EU | Reissue (Blue Apple Music)

47,99 €*

The Byrds / Buffalo Springfield

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Available on vinyl for the first time in thirty years this double LP showcases The Chameleons in the early stages of their career, bursting with unbridled passion and raw energy as they explore and develop their distinctive sound. A sound that influenced a generation of musicians and still reverberates across the globe today with fans old and new. The LP is presented on 2 x heavyweight Colored Vinyl discs in a wide spine sleeve featuring a brand new cover drawing by guitarist Reg Smithies. All tracks have been expertly re-mastered for this release. Disc 1 - Dali's Picture - is a collection of early studio recordings that pre-date Script of the Bridge and features early versions of well-known songs such as 'Monkeyland', 'Nostalgia' and 'Less Than Human' as well as 'Dreams in Celluloid', an early take on 'Second Skin' with entirely alternative lyrics. Disc 2 - Auffuhrung in Berlin - is a live concert from 1983 showing the band on full throttle belting out songs from Script of the Bridge and showcasing early versions of songs that would later appear on the band's second studio album - tracks such as 'Singing Rule Britannia', 'One Flesh'; and 'Perfume Garden' performed here with many interesting lyrical differences.

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The Byrds / Buffalo Springfield: Live At The Monterey International Pop Festival Black Friday Record Store Day 2024 Edition

2LP | 2024 | Reissue (The Monterey International Pop Festival Foundation)

49,99 €*

Nigel The Gannet Record Store Day 2022 Vinyl Edition

Release: 2024 / Reissue

Genre: Rock & Indie

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RSD First, Limitation: 3000

The two most important American rock bands performing at the Monterey International Pop Festival—Buffalo Springfield and The Byrds—had one thing in common: David Crosby. These sets mark a pivotal moment in Crosby’s career: One of his final performances before leaving The Byrds and, sitting in with Buffalo Springfield at the request of Stephen Stills, the beginnings of the partnership that would become Crosby, Stills, and Nash. While the sets by Otis, The Who, Janis Joplin, and Jimi Hendrix were revolutionary moments, these sets by The Byrds and Buffalo Springfield tell a different story, of one artist’s evolution that in turn changed rock music itself.

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The Burning Hell

7" | 2022 | UK | Original (Nine X Nine)

15,99 €*

The Lemon Of Pink Vinyl Me, Please Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Nigel the Gannet is the true story of a gannet in New Zealand, who briefly became an international media star when he died of old age next to the concrete decoy gannet he had chosen as his mate. Though the press spun his story as a lonely one, the song celebrates Nigel’s choice of solitude over social life, suggesting that he knew the difference between being lonely and being alone all along. Comes with a postcard.. of which 1 in 5 wil lbe signed by Mathias. • For the B side, The Burning Hell took a crack at a cover of the excellent Half Man Half Biscuit song Lark Descending, recorded outside in the woods of Eastern Canada with the help of a solar-powered recording studio trailer. • The Burning Hell is the songwriting project of Mathias Kom, particularly known for their literate—often literary—and humorous lyrics. Theirs is a diverse yet distinctive brand of DIY Indie Pop. • Over a varied musical career, The Burning Hell have often remained idiosyncratic and unclassifiable, much to the delight of those who love them. Although musical style and influence differs from record to record, and song to song, the constant has always remained Kom’s singular outlook on the world: wise and naive, cynical and life-affirming, full of brilliant, unexpected narratives and a deeply felt generosity of spirit. The band’s live performances underscore these themes: they exhibit a joy and camaraderie too infrequently seen on stage. Indeed, the essence of the band is inclusive and celebratory; whether on stage or on record, there’s something for everyone.

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The Books

LP | 2003 | US | Reissue (Vinyl Me, Please)

35,99 €*

Total Megalomania Colored Vinyl Edition

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
When the music of The Books arrived, it was precisely this kind of implacable feeling that garnered the album so much praise. It didn’t seem to be connected to any other sounds or styles at the time, and Zammuto credits Mark Richardson’s revelatory 8.4 review at Pitchfork for really kickstarting The Books’ career. Richardson captured what still is so readily wonderful about The Books: There is just so much mystery to discover. Once you drop into the album and get your bearings, there’s the appearance of freak folk, musique concrète, electro-acoustic neo-classical, and cafe indie. But the songs shift in and out of form as if each measure of music was a replica made out of a million grains of sand.

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The Blood

2LP | 2022 | EU (Radiation Reissues)

The Morning Papers Have Given Us The Vapours Record Store Day 2024 Yellow Vinyl

Release: 2022 / EU

Genre: Rock & Indie

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Legend has it that The Blood were ‘discovered’ by Cockney Rejects vocalist Jeff ‘Stinky Turner’ Geggus on the top deck of a bus in Charlton. What they were all doing on the South East London bus has never been fully explained! Still, it was Jeff who introduced Coming Blood (as they were then known) to ‘Sounds’ journalist Garry Bushell and, suitably impressed, he offered them a spot on the fourth volume of the Oi! compilation series, “Oi! Oi! That’s Yer Lot”. It wasn’t just the Punk scene that took to the band, the more open minded in the Metal fraternity also embraced them, making them one of the first Punk-Metal crossover bands, equally at home with followers of the Anti Nowhere League or Motorhead. Though the initial career of The Blood may only have been brief, the two singles, 12” and album they released have all stood the test of time, many of the songs later covered by bands not even born when they were first recorded! Respect. This compilation includes all their singles and rare early tracks, all remastered and packed with exclusive unseen photos, with liner notes by Business' bass player and Captain OI! masterming Mark Brennan

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The Black Watch

LP | 2024 | UK | Original (Dell'orso)

22,99 €*

LP | 1961 | EU | Reissue (Not Now)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Morning Papers Have Given Us the Vapours was made with the black watch bandmates and producers/engineers Rob Campanella (Brian Jonestown Massacre, The Tyde, The Warlocks) and Andy Creighton (The World Record, Parson Red Heads). Ben Eshbach, formerly of The Sugarplastic, arranged the strings. Kesha Rose guests on lead vocals on the second single, Oh Do Shut Up. And the great Lindsay Murray once again lends her beautiful backing vox to a number of tracks.

the black watch songwriter/frontman John Andrew Fredrick wrote the ten songs on this, his Los Angeles-based band's latest album, entirely unselfconsciously, with no set goal in mind other than to revel in the joy of songwriting, and, eventually, the luxury of recording his music with his more-than-accomplished band. The Morning Papers Have Given Us the Vapours, produced separately and together by Rob Campanella and Andy Creighton evinces the black watch's often stunning ability to, as Andy Gill once observed in The Independent, "find chaos in the calm, melody in the miasma."

Fredrick, who has also published four comedic novels and a book on the early films of Wes Anderson, jovially describes himself as "a recovering Anglophile--one who'll never, one hopes, fully recover." From his home studio in the Angeleno Heights district of L.A., he waxes eloquent about how being branded, as it were, as a too-ardent lover of British music, film, and literature has left him as bemused as has the tag "prolific" that is often affixed to reviews of his work.

"I just don't think it's all that interesting to note that we've made so many records. Looked at one way, it's a sort of deflection from talking about the timbre if not the quality of the individual songs. Though I know it can be intimidating for fans who've just discovered us--a sort of 'My goodness, where do I start with this band that has put out LPs since 1988?' I get it. I do. I picture someone standing at our slot at a bin at a record store becoming overwhelmed at the prospect of picking the 'wrong' title. And then walking away and not picking up anything from us!" Fredrick laughs. "What can you do indeed?"

He started his career as a songwriter as a result of an American Football injury that left him bedridden in the home he grew up in in Santa Barbara, California. The year The Beatles immortal double-album came out at Christmastime he broke his leg so badly that he had to be home-schooled for an entire year. His parents, ex-teachers themselves, refused to let him watch telly for more than an hour a day. He propped a Silvertone acoustic on top of the massive cast that screamed all the way up to his thigh from his toes, and began to write little melodies and lyrics that, doubtless, did not in the least mask his love for the Fabs, The White Album in especial.

And he read and read and read--histories of the American Revolution and Civil War, mostly, and as many Dickens novels as his mum and dad could bring him. "That year," Fredrick observes, "surely made me who I am today. Proof that intensely unfortunate-seeming events can prove most fortunate. As a sport-mad kid, it made me absolutely mental that I was exiled from the activities I loved most and the school teams I played on. What a blessing undisguised that injury was! Not that I'd like to experience anything like it ever again, mind you."

Fredrick can even recall a few of the melodies he wrote as boy ("Utterly trite, of course, completely jejune"); and in a way, The Morning Papers Have Given Us the Vapours showcases a kind of get-back-to-where-you-once-belonged sensibility. "I didn't intend, this time, to make an album per se. I write both songs and fiction in order to find out what happens, to find out what I might want to say," he notes. "Rob often asks me what a particular song is about; and I often reply that I either don't know, or would prefer that others say. Same thing goes for when people ask me where they should start with our discography. I never know what to say. Our LP from 2011, Led Zeppelin Five (remastered in 2021 for its tenth anniversary), has been our best seller, I think--but that may be because some stoned Zepheads thought their gods had perhaps put out a record they'd missed!"

Despite being deadly serious about music-making, TBW's been known to either whimsically or perversely title their albums. Examples: Jiggery-Pokery (an allusion to John Lennon assessing George Martin's productions), After the Gold Room (a pun on the Neil Young classic plus a local eastside L.A. watering hole), Sugarplum Fairy, Sugarplum Fairy (echoing Lennon's famous count-off to A Day in the Life), Fromthing Somethat (a garbled spoonerism/lyric while doing a vocal), Brilliant Failures (the 2020 release that, along with Fromthing Somethat, was named Album of the Year by venerable indie rock magazine The Big Takeover), and the aforementioned LZ5.

For the new LP, the band recruited longtime friends and allies Ben Eshbach (the Emmy-Award-winning frontman of The Sugarplastic) and Lindsay Murray (Gretchens Wheel) to compose and arrange strings and sing heaps of lovely backing vocals, respectively.

And the result? A collection of songs that Fredrick, in his quite-but-not-quite self-deprecatory way, might call another set of brilliant failures. "Every song, every LP we do, is a failure of sorts--no matter how powerful or beautiful or pleasing-to-us it turns out," John concludes. "I have often said that my aim is to write songs as good as anything on The Beatles... and I will never achieve my goal. And thus I'll have to keep at it, keep trying. And chin-chin to that!"

And now your attention's been brought to a band (or you've heard of them or heard a track or two down the years) that has been pegged by The L.A. Weekly as "a national treasure" as well as "the most criminally-neglected indie pop group imaginable."

So here's to the prospect of that ostensible neglect becoming as much of a thing of the past as John Andrew Fredrick's year-long stint in bed.

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The Bill Evans Trio

Explorations

Jump Rope Gazers Lemon / Lime Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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When Bill Evans played those haunting exploratory notes that introduce So What on the Miles Davis album Kind Of Blue he made a lifelong impression on generations of music lovers. Bill thereafter launched a solo career greeted with the kind of critical acclaim the bespectacled, classically-trained Pianist no doubt found unsettling yet deeply satisfying. While his association with Miles, which included performing on the most influential Jazz album of all time, was relatively short, his time with the Bill Evans Trio was longer lasting and in many ways more productive. Certainly Explorations proved a great success when first released by the Riverside label in 1961. The trio was completed by Scott LaFaro on double bass and Paul Motian on drums, gave the leader the right combination of swing and subtlety needed to suit Evans’ sensitive and yet ultimately commanding style. It was the second album by the trio and Bill claimed it was his personal favourite. Explorations produced by Orrin Keepnews certainly impressed the Jazz critics of Billboard magazine who voted it the Best Piano LP of 1961 in their annual poll.

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The Beths

LP | 2023 | UK | Reissue (Carpark)

12" | 2020 | EU | Original (La Casa Tropical)

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Everything changed for The Beths when they released their debut album, Future Me Hates Me, in 2018. The indie rock band had long been nurtured within Auckland, New Zealand’s tight-knit music scene, working full-time during the day and playing music with friends after hours. Full of uptempo pop rock songs with bright, indelible hooks, the LP garnered them critical acclaim from outlets like Pitchfork and Rolling Stone, and they set out for their first string of shows overseas. They quit their jobs, said goodbye to their home town, and devoted themselves entirely to performing across North America and Europe. They found themselves playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie. Almost instantly, The Beths turned from a passion project into a full-time career in music. Songwriter and lead vocalist Elizabeth Stokes worked on what would become The Beths’ second LP, Jump Rope Gazers, in between these intense periods of touring. Like the group’s earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home. "If you're at a certain age, all your friends scatter to the four winds,” Stokes says. “We did the same thing. When you're home, you miss everybody, and when you're away, you miss everybody. We were just missing people all the time.” With songs like the rambunctious “Dying To Believe” and the tender, shoegazey “Out of Sight,” The Beths reckon with the distance that life necessarily drives between people over time. People who love each other inevitably fail each other. “I’m sorry for the way that I can’t hold conversations/They’re such a fragile thing to try to support the weight of,” Stokes sings on “Dying to Believe.” The best way to repair that failure, in The Beths’ view, is with abundant and unconditional love, no matter how far it has to travel. On “Out of Sight,” she pledges devotion to a dearly missed friend: “If your world collapses/I’ll be down in the rubble/I’d build you another,” she sings. “It was a rough year in general, and I found myself saying the words, 'wish you were here, wish I was there,’ over and over again,” she says of the time period in which the album was written. Touring far from home, The Beths committed themselves to taking care of each other as they were trying at the same time to take care of friends living thousands of miles away. They encouraged each other to communicate whenever things got hard, and to pay forward acts of kindness whenever they could. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it -- a sentiment we need now more than ever.

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The Bees

Mamezala / Never Give Up

Pet Sounds 45RPM, 200g Vinyl Mono Edition

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The Bees are a textbook case of the chew and spit cycle that was the late 80’s South African music industry. Although their unknown story is likely unique, it is just as likely that it is no different to that of many other young artists who dreamed of getting their music heard at the time. By 1988, the independent record label was no longer as uncommon as it had been at the beginning of the decade. As the 80s went on, more seasoned A&R reps and Producers that had gained experience and connections from their work under major labels would be trying to cash in on a market they helped create. Without the need of big rooms or expensive recording equipment, the digital advancements allowed many Producers to open or work in smaller studios and promote unknown artists under their own imprints. They would then have their catalogs marketed and distributed by the same major labels they had been working for just years prior. This would open up the possibility of a new era of stars as potential talent no longer had to be pitched to major labels in hopes of them taking a chance on a new signee over their already established artists. With the market growing and a struggle to keep up with the demand for new sounds this agreement would allow the major labels to put new emerging artists or groups on their catalog with little investment and high reward if it happened to be a hit. ON Records was just one of the independent players at the time. Ronnie Robot had just signed the unlikely trio The Bees in hopes of adding a hit group to his label roster that consisted of solo acts. Despite the debut’s fresh house inspired sound, it failed to catch on was outsold by the bubblegum disco the label was known for. Over the years unsold back stock and promos would build up with the distributor. Luckily this allowed sealed copies from the label’s catalog to survive into the 90s when the distributor’s stock was unloaded and picked up by legendary Johannesburg jazz shop Kohinoor. Here sealed copies of the Bees first attempt sat under appreciated for over 20 years before becoming a hot title after they started circulating online and became club staples. This is how the first album of an unknown group with no success was able to become a collectors item and earn a reissue over 25 years later. With their first record behind them The Bees were ready move forward and get back into the studio. A suggestion from producers had the trio change camps and go work with the newly formed Creative Sound Recordings, the label that promised “Music for the Future” and ended up being an essential studio in the early years of Kwaito. They would work with producer Chris Ghelakis and guitarist George Vardas, while a young Marvin Moses sat behind the desk. Musically the sophomore album was as good as a follow up as you could get. Building on the first album, Mashonisa delivers catchy melodies backed by heavy drum programming that would score points with any Pantsula. The Black Box inspired “ Never Give Up” was one of two tracks chosen to be pressed as the promo for the album, hoping to trick listeners with their catchy version of the hit( A year later the label would release their first volume of Black Box covers sang by neo soul diva BB, it would be a great seller). The label printed up an unknown amount of these in a last attempt to push the release in Shabeens and on Radio. The cheaper route of flooding the market with promo copies would only pay off 25 years later when unplayed copies started being rediscovered and had survived the years in a quantity that original run of the full album could not. Once again it was clear that with no mainstream appeal, the quality of the music on its own was not enough to garner any success at the time. The album flopped worse than their first and failed to make it past it’s initial run, making it one of the harder titles to get from the CSR catalog. Mashonisa would be the last attempt from the Bees. They would disappear from the scene as quickly as they appeared. Of the three members it is only known that lead Singer Solomon Phiri continued in music fronting a wave dance group before he mysteriously vanished in 1993, never to be heard from again. Through a combination of luck and circumstance the group, which is unknown in South Africa to even the most plugged in musicians, producers and radio hosts of the time, managed to finally get some of the recognition they deserved 30 years later. Unfortunately this small blip of fame would happen with none of the band members present to give their side of the story, or even aware of how their two albums became popular enough to be printed on different continents in a new millennia. The Bees suffered the same fate as countless other artists of the time, who thanks to emerging independent labels and willing producers were given an opportunity to have a short career, only to be replaced by the meat grinder of the music industry when they failed to produce a hit.

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The Beach Boys

2LP | 2017 | US | Original (Analogue Productions)

90,99 €*

Chance And Fly / B Bro Super 8

Release: 2017 / US – Original

Genre: Pop

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To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And we’ve got ‘em!
For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!
We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl”, “In My Room”, “Little Deuce Coupe” and more lend themselves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in 'old school' Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
"Pet Sounds" is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.
Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice", "God Only Knows", "Caroline No", and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me", "Don't Talk", "I Know There's an Answer", and "I Just Wasn't Made for These Times". It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best).
VH-1 named "Pet Sounds" as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. It's been ranked No. 1 in several music magazines' lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone's 500 Greatest Albums of All Time list.

Recording: in mono

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The Baker Brothers

7" | 2021 | JP | Original (P-Vine)

7" | 2021 | EU | Original (Jalapeno)

Release: 2021 / JP – Original

Genre: Organic Grooves

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UK jazz-funk band "The Baker Brothers", one of the biggest hits in their career "Chance And Fly" with the participation of Average White Band Hamish Stuart is released as vinyl for the first time!

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The Allergies

Move On Baby

When The World Comes Down 15th Anniversary Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Time to bust out those shades as we have two brand new blasts of sonic sunshine from Bristol beatmakers, The Allergies. 'Move On Baby' finds the duo on career-best form. With their sampling savvy hitting new heights, as vintage rhythm 'n' blues vocals ride highly re-energised Latin loops, and some seriously funky drums. Totally their signature sound â€“ Tough beats, catchy hooks and horns, and feel-good dancefloor vibes â€“ But turned up to 11. It's got "Sound of the Summer" written all over it, weather permitting. Also shining bright is B-side banger, 'Are You Ready'. This stomping soul sensation features LA rap legend, Andy Cooper [Ugly Duckling] and the powerful pipes of Miss Marietta Smith. The peak-time powder keg is set to detonate on this one. And the call-to-arms manifesto gives you the full Allergies' band stage show experience in one beefed up jukebox single.

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The All-American Rejects

LP+7" | 2008 | US | Reissue (Dark Operative)

44,99 €*

Kids In The Street Silver Vinyl Edition

Release: 2008 / US – Reissue

Genre: Rock & Indie

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When The World Comes Down is the

third studio album from THE All- American Rejects. Originally released

on December 16, 2008, the follow-up to 2005’s multi-platinum Move Along album propelled the band to newer, more dizzying heights, fueled by the breakaway success of the hit single “Gives You Hell,” the band’s highest-charting single in AAR’s storied career. 2023 marks the 15th anniversary of When The World Comes Down. To celebrate this milestone (and the launch of the band’s first North American headlining tour in over a decade), Dark Operative is proud to bring the record “home” (the original pressing was on Magic Bullet Records before the rebrand) via a proper reissue LP that includes the long out-of-print/ lost-to-time rarity “Sierra’s Song” on an exclusive 7” picture disc flexi sealed into every copy.

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The All-American Rejects

LP | 2012 | US | Reissue (Dark Operative)

39,99 €*

Kids In The Street Hot Pink Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Kids In The Street is the fourth studio album from THE All-american Rejects. Originally released on March 26, 2012, this album was the follow-up to 2008’s When The World Comes Down and an absolute cultural moment, fueled entirely by the breakaway success of the hit single “Gives You Hell,” the band’s highest-charting single in AAR’s storied career. Having already climbed to the most dizzying of heights in the pop/rock realm in the years and albums prior, Kids In The Street captures THE All-american Rejects amidst a more expansive period wherein various members had become wholly fluid in the fine arts of studio album creation, arrangements, and production. The result is the most lush, fascinating, and intricate program the band has ever put to tape—the type of record that artists make to reward active, engaged listeners—those who are still willing to slow their lives down enough to sit still and let everything happening in every nook and cranny of a well-crafted record to envelop the experience.

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The All-American Rejects

LP | 2012 | US | Reissue (Dark Operative)

29,99 €* 39,99 € -25%

LP | 2020 | EU | Original (Pirates Press)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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The Aggrolites

Reggae Hit L.A.

2x10" | 2022 | UK | Original (Ghost Box)

Release: 2020 / EU – Original

Genre: Rock & Indie

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For the first time on vinyl. The Aggrolites delivered a third album that completely busted the myth that surrounds this often difficult time in a band’s career. In 2007 they released this phenomenal record, containing what many consider their best ever track “Free Time.” This explosive album just built upon a momentum and trajectory that just continued to build steam and take them to new heights. Some of the real burners on this record still remain in the band’s live set, but for whatever reason, this one never made its way onto vinyl, until now. Using what could be unearthed of the original design, Pirates Press Records is proud to give this fantastic album new legs, and to give fans and collectors alike something very special to commemorate this period of the band’s history.

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The Advisory Circle

Full Circle

29,99 €*

2LP | 2021 | EU | Original (U-Trax)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Full Circle is the sixth album by long time Ghost Box roster member, The Advisory Circle. Self-avowed synaesthesiac, Cate Brooks conjures a very visual fantasy in four acts (the vinyl version across four sides of a luxurious gatefold double 10”). Her tracks evoke human dramas played out against the timeless backdrop of a utopian built environment, where leisure, luxury, elegance and romance are always in fashion.

Brooks' music is by turns ambient, dramatic, upbeat and melancholic. It's instrumental electronica of the very highest calibre, an expert and masterly manipulation of electronic equipment both old and new. Light touches of acoustic and electric instrumentation and flourishes of both tape and digital sound manipulation add colour throughout.

This long running solo project is saturated in 70s and 80s TV and library music influences, and in some ways Full Circle is a call back to the 2005 debut EP Mind How You Go. However, the music and production have evolved over the yers, into a distinctively rich and three dimensional soundworld. The album wears its influences and sonic components proudly, but feels contemporary, cool, and fresh. Brooks' music career predates and now transcends the world of hauntological electronica that it inspired.

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Thavius Beck

Cosmic Noise

LP | 2020 | EU | Original (Count Your Lucky Stars)

Release: 2021 / EU – Original

Genre: Hip Hop

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Since our first contact with NYC based producer Thavius Beck in 2018, he sent us over 100 unreleased tracks, or beats, as he calls them. 25 of them have been selected for releases on U-trax, good for over 2 hours of music, across this album and the Lovesick EP.
Growing up in LA, Thavius Beck entered the hip-hop scene as member of Global Phlowtations, and released several solo albums under the Adlib moniker. In later years, he released five albums under his own name on labels like Mush, Big Dada and Plug Research, and also produced albums for artists like Saul Williams and Kâ€‘theâ€‘I???, and did some remixing for amongst others Nine Inch Nails. Nowadays he combines making music with a career as a succesful certified Ableton and Bitwig trainer and as a music teacher at Berklee NYC.
The tracks vary in style a lot, but what they have in common is that they either are moody â€“ in U-trax lingo: deep - or they are drum heavy. The common denominator would probably be 'experimental/instrumental hip-hop', reminiscent of producers like Flying Lotus. People have tried all sorts of comparisons to pinpoint Thavius' sound, ranging from 'between DJ Shadow and Orbital' and 'a mix of Massive Attack and The Orb'. None of these are spot on, yet quite a few of these tracks feel like a happy marriage between hip-hop beats and techno sounds.
Despite the fact that some tracks are 20 years old and have been made with widely different gear (one track was even made on a PlayStation 2), this selection sounds remarkably balanced, yet diverse.
From the irresistible single 'Lovesick/Still Sick' to the dark and massive 'Birdsong' (that echoes the sound of his popular song 'Atmos'), and from the head-nodding 'Work!' to the soothing 'Reunited With The All' - if this collection showcases anything, it's Thavius' brilliant production and composing skills, as well as his wizard-level sampling techniques. The result is a luscious electronic music album with a broad appeal.
Available on double 180 grams colored vinyl vinyl, comes in gatefold picture sleeve.

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Thank You I'm Sorry

I'm Glad We're Friends

The Magnificent Thad Jones Blue Note Classic Vinyl Series

Release: 2020 / EU – Original

Genre: Rock & Indie

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"Olive in Gold" Vinyl, limited to 300 copies!Nerves are one hell of a tool. Short bursts of anxiety and fear often lead to songwriting that doubles down on winking through catharsis. It's in the spaces between sudden inspiration and deliberate wit where Minneapolis' Thank You, I'm Sorry resides. Their debut LP, The Malta House, charted a course towards self-acceptance while surrendering to the pull of a music career and a constantly buzzing heart. The charm of that release comes from its set-up: it's an acoustic record that draws on the confessions of guitarist and frontperson Colleen Dow to generate visceral electricity. Thank You, I'm Sorry is already here with their follow-up, I'm Glad We're Friends. You're welcome.I'm Glad We're Friends plusses up selections from The Malta House and offers plenty of new surprises. Bassist Bethunni Schreiner and drummer Sage Livergood upgrade "Ten Dollar Latte" with a rhythm section that elevates a simple crush into a pop-punk meditation on healthy boundaries. The new additions here point to a bright future, both internally and externally. "Follow Unfollow" draws a line between infectious grooves and spaced-out isolation, even with a reference to how tight-knit and relaxed the recording sessions were. (Close collaborator Abe Anderson was behind the boards.) "Between Hell and Hair School" fights then embraces its own gravity, combining strings and guitar crunch to appeal against glazed-over indifference. As the second release from this outfit in under a year, I'm Glad We're Friends is as invigorating and confident as making a new connection. Perhaps Thank You, I'm Sorry will connect with you.

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Thad Jones

LP | 1956 | EU | Reissue (Blue Note)

CD | 2020 | EU | Original (Nature Sounds)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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) "The Magnificent Thad Jones" is widely regarded as the greatest small group recording of the trumpeter and composer’s career. Following his Blue Note debut "Detroit – New York Junction" in March 1956, Jones returned to the studio in July to record this supremely swinging date with Billy Mitchell on tenor saxophone, Barry Harris on piano, Percy Heath on bass, and Max Roach on drums. The album opens with an iconic performance of “April In Paris,” a reprise of the famous version featuring Jones that the Count Basie Orchestra had cut the previous year, complete with the trumpeter’s sly “Pop Goes The Weasel” quote. Other highlights of the set include two Jones originals—the laid-back “Billie-Doo” and lightly swinging “Thedia”—as well as the stunning ballad “If Someone Had Told Me.” This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Single Sleeve.

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Tha God Fahim

Lost Kingz

17,99 €*

Mehr Oder Weniger HHV Exclusive Transculent Vinyl Edition

Release: 2020 / EU – Original

Genre: Hip Hop

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Known for impressive lyricism and streetwise wordplay set to dusty soul and jazz loops, Atlanta native Tha God Fahim has defied expectations for hip-hop from his city, and his steady stream of output continues to draw attention. Just a few years into his career, the talented emcee/producer has already released more than 100 projects, establishing himself as one of the most prolific artists in rap today. Despite his rapidly growing audience, Tha God Fahim remains an enigma, releasing little background information and maintaining an air of mystery about himself, similar to frequent collaborator Mach-Hommy. Now, Nature Sounds is proud to announce "Lost Kingz", a brand new album from Tha God Fahim. Available worldwide on CD, vinyl, and digital outlets, "Lost Kingz" features appearances from Mach-Hommy and Vinnie Paz, plus production by DJ Muggs, The Architect, C-Lance, and Fahim himself.

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Texta

LP | 2021 | EU | Original (Tontraeger)

Do You Know Who You Are: The Complete Collection Opaque Brown Vinyl Edition

Release: 2021 / EU – Original

Genre: Hip Hop

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Limited edition of 200 copies! TEXTA have not only written Austrian HipHop history, they ARE Austrian HipHop history.

After a small teaser 2020 with the song and video "Rundherum" including unreleased Huckey part, the three sat down in the studio and polished the new album "Mehr Oder Weniger". 13 tracks that represent everything that makes TEXTA unique: sophisticated beats, cuts and scratches by DJ Dan and the two MC's Laima & Flip, who jump on the instrumentals with fresh energy. Philosophical as ever, perhaps more personal than ever, with the necessary wink towards their long career, but the conviction that this changed rap game still needs the three old masters.

So now finally live on tour again, in Run DMC style two MCs and a DJ, HipHop to the fullest with all the hits and the new material, more is not possible, less certainly not.

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Texas Is The Reason

2LP | 2015 | US | Reissue (Revelation)

36,99 €*

2LP | 2024 | EU | Original (As Shams)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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This new, expanded version of Texas Is The Reason's groundbreaking album includes the last two songs the band wrote before splitting up, but had never released. These two songs, which fit right into the band's canon, were finally put to tape this year with "Do You Know Who You Are?" producer J. Robbins - making this, for the first time, a complete career retrospective. Fully remastered by Vlado Meller (Muse, Jeff Buckley, Kanye West, Weezer). New pressing now available on opaque brown vinyl with a gatefold cover.

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Tete Mbambisa

African Day

30,99 €*

LP | 1969 | EU | Reissue (Le Très Jazz Club)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Awarded an honorary doctorate from the University of Cape Town in 2023, pianist Tete Mbambisa (84) is a legendary figure in South African jazz. Supported by the cream of the local scene, his albums from the 1970s are among the most cherished vinyl documents from this golden era. A monumental archival undertaking, African Day compiles unreleased recordings from 1976 to resurrect a "lost" Tete Mbambisa double album that falls between his seminal works Tete's Big Sound (1975) and Did You Tell Your Mother (1979).

Born in 1942 and raised in South Africa's Eastern Cape province, Tete Mbambisa’s childhood home served as an informal tavern where social gatherings orbited around the family's carefully curated music collection with live performances by a local pianist. Growing up in this environment, his musical roots are embedded in marabi, the syncopated piano sound that blended cues from American jazz, blues and ragtime with the cultural sensibilities that shape modern South African jazz.

A self-taught musician, it was as leader of the vocal group The Four Yanks in the early 1960s that Tete Mbambisa’s music career began in earnest. With encouragement from Abdullah Ibrahim, he dedicated himself to the piano and went on to record with The Soul Jazzmen in 1969. Mbambisa's two solo recordings from the 1970s were produced by Rashid Vally for the independent As-Shams/The Sun record label. With an abundance of strong material but limited resources, some of the label's prospective releases were not issued at the time of recording. Featuring the intended artwork commissioned for the project in 1976, African Day marks the first major unveiling of unreleased gems from the As-Shams master tape archive.

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Terumasa Hino Quintet

Hi-Nology

33,99 €*

12" | 2023 | EU | Original (Creak Inc.)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Terumasa Hino is undoubtedly one of the most famous Japanese jazzmen. Learning the trumpet at the age of 9, he began his career as a professional musician by playing in the orchestra of an US Army base, before joining Hideo Shiraki"s Quintet and then forming his own band in 1964. On Hi-Nology we find his brother Motohiko Hino on drums, Hiroma Suzuki on electric piano, Kumitsu Inaba on electric bass and Takeru Muraoka ontenor sax. The inspiration from the "electric period" of Miles Davis (notably Miles In The Sky released in 1968) is felt and is even accepted, since the opening piece is entitled "Like Miles". Coincidentally, Hi-Nology was recorded on July 31, 1969, the day after the release of In a Silent Way and has nothing to envy of this great record by Miles Davis.

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Terry Tester

Walkin'

13,99 €*

7" | 2023 | EU | Original (Creak Inc.)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Copenhagen’s Terry Tester (Brownswood / Bbe) serves up five slabs of deep and gritty Detroit-inspired house on new outing ‘Walkin’’ for Creak Inc., seamlessly weaving snappy snares and crunchy kicks into soulful chord progressions in his trademark MPC-infused sound. For fans of Kyle Hall, Zopelar, DJ Spinna, Jason Hogans or Jay Sound Within Terry Tester’s two-decade long career as a turntablist and beatmaker his eminent take on house, hiphop and soul has been commissioned by Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood, Jahi ft. singer Dwele, and Marc Mac on BBE remixing alongside DJ Jazzy Jeff. Terry’s latest efforts has yielded spins from influential selectors such as Carista, Sassy J, Alexander Nut, Mr Beatnick, Soulection and FS Green.

Walkin’ releases via sonic soulseekers Creak Inc. – a Copenhagen-based label specializing in groundbreaking Danish music.

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Terry Tester

Space Million Remixes

Rhythms From World Volume 1 EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Back in 2001, Terry Tester, Buscrates and Ian Wallace sat in a van in Pittsburgh, PA bugging out over Pete Rock instrumentals. Since then, Buscrates (Bastard Jazz / Razor-N-Tape) has made a name for himself as a top shelf boogie craftsman and avid synth head, while Brooklyn’s Ian Wallace boasts a seemingly never-ending run of raw, soulful remixes with partners OP! And Nick Bike. Now, more than two decades later, they reunite on wa with Buscrates and Wallaceremixing their favorite jams off Terry’s 2018 four-tracker “Space Million”.Buscrates molds ‘Grace’ into his signature modern funk & boogie sound, while Ian Wallace lifts ‘Space Million’ into peak summertime deep house. Within Terry Tester’s two-decade long career as a turntablist and beatmaker his eminent take on house, hiphop and soul has been commissioned by Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood, Jahi ft. singer Dwele, and Marc Mac on BBE remixing alongside DJ Jazzy Jeff.

Terry’s latest efforts has yielded spins from influential selectors such as Carista, Sassy J, Alexander Nut, Mr Beatnick, Soulection and FS Green.

Space Million RMXs releases via sonic soulseekers Creak Inc. – a Copenhagen-based label specializing in groundbreaking Danish music.

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Terry Tester / Jay Sound

12" | 2024 | EU | Original (Series Of Taboo)

15,99 €*

CD | 2018 | US | Original (St.)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Series of taboo records present its third release a split EP featuring two artists. The first artist is the established Copenhagen producer Terry Tester, two-decade long career as a turntablist and beatmaker his eminent take on house, hip hop and soul has been commissioned by artists such as Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood or for the BBE remix together with DJ Jazzy Jeff.

Terry’s latest outings has yielded spins from influential selectors such as Soulection, Carista, Alexander Nut (nts), Mr. Beatnick (nts), Marina Trench, EVM 128, James Rudie and Sassy J (Red light Radio).

The second artist is the talented producer Jay Sound, keyboardist and composer based in Detroit, known in the scene with productions played by artists of the caliber of Funkineven, Benedek and many others.

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Termanology

Bad Decisions

Blue Skies Blue Vinyl Edition

Release: 2018 / US – Original

Genre: Hip Hop

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After 15 years in the game, Termanology is still going strong. His latest release will be his 35th project to date, and it is titled “Bad Decisions”. The album is an ode to his past life and experiences before making a full time career in rap. Boasting 14 tracks filled with powerful production from some of Rap’s greatest producers (Erick Sermon, Statik Selektah, Dame Grease, The Beatnuts & more), any fan of real hip hop would enjoy this piece of work. Veteran MC’s Raekwon and Smif-N-Wessun bring their signature flavor to the project while some of Rap’s hottest new lyricists (Conway, Benny, ANoyd, Millyz & Crimeapple) come through and show why they have recently been given much praise. Term even tries his hand at production on the latter half of the album, producing three songs.

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Teresa Bright

LP | 2022 | US | Original (Aloha Got Soul)

31,99 €*

12" | 2017 | EU | Original (NovaMute)

Release: 2022 / US – Original

Genre: Organic Grooves

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In 2005, acclaimed Hawaiian singer Teresa Bright —whose recording debut, Catching A Wave, was reissued by Aloha Got Soul in 2020 — recorded a jazz-tinted album with pianist/engineer Kit Ebersbach. The project brought to to life Bright's favorite standard songs alongside tunes that feel expressly written for her sultry voice. The singer's original composition, “Sp-r-ing”, fits right at home in the collection. These recordings patiently sat on Ebersbach’s hard drive for 15 years until 2020, when Aloha Got Soul released the album digitally. The vinyl is scheduled for release on February 25, 2022.

In December 2020, Bright received a Lifetime Achievement Award from the Hawai’i Academy of Recording Arts. The award came following a lifelong career spanning more than a dozen albums, numbers Na Hoku Hanohano awards, countless songwriting, arranging, and producing credits, domestic and international concert performances, plus a long list of Hawaiian language translations for peers near and far. In anticipation of the awards ceremony, Ebersbach approach Aloha Got Soul with the suggestion to finally release Blue Skies, the 2005 jazz record they'd cut with studio veterans Dean Taba, Noel Okimoto, Rocky Holmes, Casey Olsen, and Sam Ahia, Jr. Together with the help of Bright's partner, Derrick C.M. Llanos, we released 'Blue Skies' digitally in December 2020.

“Iʻm so glad we waited,' said Ebersbach of the digital release in 2020. 'There can be no better moment to do this than on this very day, commemorating her lifetime of making beautiful music.”

Ags-057 is a wonderful addition to the catalog of beautiful sounds that Bright has been singing since the beginning of her career, from Catching A Wave through today.

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Terence Fixmer

Dance Of The Comets

LP | 2021 | US | Original (Awesome Tapes From Africa)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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In a career that spans two decades, Terence Fixmer reached worldwide recognition with the release of his debut album Muscle Machine on DJ Hell's seminal International Deejay Gigolos imprint in 1999. The album opened a whole new genre by combining Electro, Industrial, EBM and Techno into a more dance floor-focused EBM style, simply called ‘Techno Body Music'. The French producer and live act has consistently explored and redefined the boundaries of modern Techno –and he is not slowing down. Dance Of The Comets is the second release on the newly relaunched NovaMutelabel. NovaMuteis the seminal techno label that has been home to Plastikman, Speedy J, Juan Atkins, Luke Slater, Joey Beltramand more. NovaMute, born again, recently released Cognitive Resonance by Nicolas Bougaïeffand will release the forthcoming EP by Charlotte De Witte. Terence Fixmer'ssound deftly avoids repetition by developing soundscapes which maintain musical depth and integrity. He above all preserves an original style, an increasingly experimental, simultaneously ruthless and instantly recognizable aesthetic.

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Teno Afrika

Amapiano Selections

23,99 €*

Country Hits ... Feelin' Blue

Release: 2021 / US – Original

Genre: Organic Grooves

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The past five years have seen amapiano, South Africa's electronic music movement born in the townships of the country's Gauteng province, evolve from an underground sound to a nationwide mainstream staple. Even with its commercial success though, amapiano's DIY ethos has continued to disrupt music creation and distribution in the country. Most amapiano commercial successes today began their careers on cracked versions of production software like FL Studio, distributed their work through file sharing platforms like datafilehost and marketed it using social media pages they controlled and influenced. Amapiano Selections, the debut album by DJ and producer Teno Afrika, gives listeners outside the movement's online release economy an insight into the high-burn nature of amapiano that has spawned a distinct typology under its larger umbrella. Twenty-one-year-old Lutendo Raduvha has spent the bulk of his life moving between different townships on the outskirts of Johannesburg and Pretoria in the Gauteng province. The palette of amapiano styles on the album reflect these influences. But at first, South Africa's youngest electronic music movement lived underground with a small, loyal following. "Amapiano is a genre that I chose because I have a passion for it," says Teno "I started following amapiano in 2016 because I wanted to explore how it's produced. It was not taken seriously in our country." Interestingly, Teno Africa only gives vocals prominence on the closing track "Chants of Africa." As a way of making their music recognizable and relatable for broadcast, amapiano producers have sometimes overly relied on vocals in the form of singing, catch-phrases and party refrains for the purpose. "It was my decision not to use vocals on this project," says Teno "The reason is I wanted people to feel my instrumentals and style because this is my first album." On his closing track the young producer gives a glimpse of the considered approach to music which buoys anticipation for greater things from his future releases.

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Tennesse Ernie Ford

LP | 2020 | US | Original (Analogue Productions)

46,99 €*

They Could Have Been Bigger Than The Beatles (Restored Art Edition)

Release: 2020 / US – Original

Genre: Rock & Indie

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"Country Hits...Feelin' Blue", released by Tennessee Ernie Ford in 1964, is a throwback — or as the liner notes to this country classic (perhaps Ford's best) say, »You don't hear much singing like this nowadays — just a voice with easy guitar and bass accompaniment«. But oh, what a voice. Ford's resonant-voiced baritone might be best known for his 1955 cover of Merle Travis' grim coal-mining song "Sixteen Tons“, with sales topping 4 million copies. The hit cemented Ford's place as one of America's top entertainers — a singer and TV host who enjoyed success during the 1950s, '60s and '70s in multiple musical genres — country, pop, and gospel.
He first guested on the Grand Ole Opry in 1950, and in 1953 he became the first country singer to appear at London's prestigious Palladium. Soon NBC hired him to emcee the television game show "Kollege of Musical Knowledge", and also to host his own weekday program. His subsequent prime-time network variety programs made »Bless your little pea-pickin' hearts« a household catch phrase and provided wide exposure for his musical renditions of great country and gospel favorites.
The songs chosen by Ford for "Country Hits...Feelin' Blue" are all favorites, some of the best tunes from the inspired pens of such country composers as Hank Williams, Fred Rose, Jenny Lou Carson, Willie Nelson, and Don Gibson. The album (one of Ford's favorite LPs) was recorded with backup provided by just two musicians; guitarist Billy Strange and bassist John Mosher.
Some of these songs go back to the start of Ford's career when he and Strange were working together as cast members of Los Angeles's "Hometown Jamboree" country music radio show. Mosher was a member of Ford's TV show band since its inception. Strange created the musical arrangements for "Country Hits...Feelin' Blue" — a quiet, simple get-together with the songs they had been playing and singing down through the years. That's why it's more than just another album. You can hear the affection and understanding coming through.
For this Analogue Productions reissue we turned to the experts who once again bring their stellar craftsmanship to the creation of a phenomenal-sounding release. Lacquers were cut by Kevin Gray at Cohearent Audio who mastered the LP from the original tape. Plating and 200-gram pressing was by our own Quality Record Pressings, makers of the world's finest-sounding LPs noted for their superior sonics and silent backgrounds. And nothing less than a Stoughton Printing old-style tip-on jacket would suit such a great LP.
Albums have been made with lots more people and lots more sound. But quantity never did mean quality. This is just a simple, great album. Great voice, great guitar and bass, and great songs — the best of each.

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Television Personalities

LP | 1982 | UK | Reissue (Fire)

Affection/Defection Clear Vinyl Edition

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Originally released in 1982, ‘They Could Have Been Bigger Than The Beatles’ was the influential band’s third album. A collection of singles, demos, outtakes and rarities that was intended to mark the band's breakup in 1982, had they not got back together again so soon. This 2024 reissue comes with faithfully restored artwork, from one the album’s original hand painted sleeves.

The record features ‘David Hockney's Diaries’, ‘The Boy In The Paisley Shirt’ and ‘Psychedelic Holiday’. With the formidable Daniel Treacy at its core, Television Personalities remain one of new wave’s longest serving and seminal artists, with a career spanning over three decades. The indie pop visionaries have influenced many people across the industry including Pavement, The Lemonheads, Fat White Family, Mgmt and Creation Records’ Alan McGee.

“Its scope is incredible, its ambition outstanding and its heart damn near broken.” Melody Maker.

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Teleclere

LP | 1983 | US | Reissue (Tidal Waves Music)

22,39 €* 27,99 € -20%

Affection/Defection Black Vinyl Edition

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Rare Seattle Electro-Funk Boogie
Originally Released & Privately Pressed in 1983
First ever vinyl reissue
180g Clear vinyl limited to 100 copies (lita Exclusive)
A central figure in Seattle’s fading disco scene, radio DJ, producer, engineer, writer and multi-instrumentalist…Tony Benton was the driving force behind the Seattle soul-funk sound during the late 70s & 80s. Starting off his career at the age of ten he learned how to play the piano and then finally got to take a music class in the 7th grade. Having access to an electric piano made him fall in love with the thought that he could make his own music. At the age of 16 Tony and his friends already formed their first band called 'Crystal Clear' and were making up songs in his basement. Things would really start of when Tony Benton teamed up with his group to form the avant-boogie group Teleclere who went on to release their first single in 1982 (Fantasy Love / Ultra Groove). That’s when Tony started playing all of the other instruments and thus earning him the title ‘multi-instrumentalist’. Teleclere was all about creating and performing original music, there was no music scene in Seattle at that time for a black artist or group who played original compositions. Rap-music was also emerging and clubs slowly started to switch from live performances to deejays. Through the success of their independent EP release, Teleclere followed up a year later with their Affection/Defection album which created a serious hype. This gave them the chance to regularly open at concerts for national artists in halls and clubs. They played at nightclubs, bars, festivals, private parties and did mini tours in the Washington State cities & Canada…including opening for Grammy-award winning soul-star Peabo Bryson (performing for a crowd of 3,000 in their hometown Seattle) Sadly, radio would not play their music so folks never really had the chance to hear it unless they saw them perform live (they always won the crowd over). To add insult to injury, venues and the likes started to mainly book cover bands playing top 40 music. Disappointed by this Tony Benton became a radio personality but would continue to record and perform under the name 'Teleclere' with various players and vocalists for many years to come. Only a handful of his tracks recorded were released in the end. Thankfully we are left with the unique audio-document that is the Affection/Defection LP. The album took the scene by storm in 1983 and sounds like a sci-fi space odyssey unfolding on an intergalactic dance floor…a chopped and slapped slice of 80ies electro-funk, sensual soulful serenades, pulses of Innervisions-worthy bass, top of the line vocals and a plethora of vocoder magic. Also included is the hit ‘Steal Your Love’ that was featured on the acclaimed 2014 Light In The Attic compilation ‘Wheedle’s Groove Volume II: Seattle Funk, Modern Soul And Boogie 1972-1987’. Tidal Waves Music (in collaboration with the Numero Group) now proudly presents the first ever vinyl reissue of this fantastic private pressed Seattle electronic soul/funk album (originally released in 1983 on Telemusic Productions). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork and obi strip.

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Teleclere

LP | 1983 | US | Reissue (Tidal Waves Music)

LP | 2024 | UK | Original (Cyclic Law)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Tehôm

Legacy

LP | 2021 | EU | Original (Hot Mule)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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New full length album from Croatia's long standing Ritual Ambient act. "Legacy" stands as a testament to an enduring and tumultuous career that originate back in 1991. Permeated with deep esoteric meanings we are graced by slowly evolving cinematic soundspaces and ritualistic atmospheres. Spectral incantations floating in the ether, sensory sacraments that develops gradually and are interspersed with thick dramatic swells. The title track features vocal appearance by Rob Bees Fisk (Cruse All Kings / Common Eider, King Eider), recorded in an underground tunnel beneath Zagreb. The track "Lamentation" is a reconstructed version of an original track, under a different name, by Estonian composer Arvo Pärt. TeHôm has long carved a unique path in the Industrial underground and it's with great honour that we help perpetuate they legacy

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Teddy Lasry

Funky Ghost 1975-1987

2LP | 2024 | UK | Original (Nervous)

Release: 2021 / EU – Original

Genre: Organic Grooves

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French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he approached the craft of composing and experimenting with sounds and sonics. Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to fuel these life long affections. As a performer in a parisien cabaret, Teddy’s father Jacques would mingle with giants like Serge Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores, with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really explore unconventional methods of composition. Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member Laurent Thibault, their album Mëkanïk Dëstruktïẁ Kömmandöh and its sound were strong influences on David Bowie during the recording of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades. Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade his sound would become increasingly mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obession of his (he once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths). To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side, even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving "Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising Sun in Bali" and the title piece both emphasise an ever present passion for synthesisers. "Birds of Space", a standout track off the e=mc2 album, closes the comp, and is a fitting way to end this journey. Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.

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Teddy Douglas

I’m Here

Teaspoon And The Waves Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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US House Music legend Teddy Douglas of Basement Boys and Jasper St. Co. fame gets set to unleash his first solo artist album, ‘I’m Here’, on the iconic label, Nervous Records. Teddy has gone all out to deliver one of his most creative and musically diverse albums to date. ‘I’m Here’ is a colourful pallet of meaningful songs and grooves that reach far beyond Teddy’s signature soulful Baltimore House sound, with added infusions of Funk, Rock and Jazz, yet still loaded with plenty of Teddy’s trademark House and Disco sounds that we all know and love.

Across the album he’s pulled together an array of heavyweight international vocal talent including; UK vocal diva Pauline Taylor; Danish award winning Folk and Blues artist, Richard Farrell; Chi Town Hip House legend, Fast Eddie; dance music’s legendary No.1 vocal queen, Ultra Naté; up and coming Brit Soul talent, Sipho; and Buckshot from Blackmoon appearing as BDI Thug. From the shimmering cover of The Frontline Orchestra’s ‘Don’t Turn Your Back On Me’ with Pauline Taylor on the vocals, to the downtempo rocky vibes of ‘Help!’ with Sipho delivering a spine-tingling gravelly vocal, ‘I’m Here’ is testament to Teddy’s finely tuned expert musicianship and impeccable knack for penning great songs and delivering vibrant covers.

Baltimore’s Teddy Douglas has produced everyone from Michael Jackson, Lenny Kravitz, Crystal Waters, Erykah Badu, Martha Wash and Ultra Nate’ and was an important figure in the development of the Baltimore “House” Sound. Teddy has held down a long and successful DJ career since 1983 staring out in Baltimore and spreading his wings globally gracing the decks at clubs such as Yellow in Japan to London’s Ministry of Sound and beyond. In 1985 he met Jay Steinhour and Thommy Davis, who later formed The Basement Boys production company. The Basement Boys have produced countless dance classics like Crystal Waters’ 1991 Gold single, ‘Gypsy Woman’. In the mid 90’s Teddy Douglas and Jay Steinhour opened Basement Boys Records and released club anthems from Teddy Douglas, Jasper St. Co., Ann Nesby, Those Guys, DJ Spen, Byron Stingly, Karizma, Kenny Bobien, Taja Seville and more

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Teaspoon And The Waves

LP | 1977 | UK | Reissue (Mr Bongo)

26,99 €* 29,99 € -10%

Teaspoon And The Waves Black Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz.

Official replica re-issue of a South African jazz-funk rarity from Teaspoon & The Waves. Released in 1977 on Soul Jazz Pop, a subsidiary label of Mavuthela Music Company / Gallo, Teaspoon & The Waves’ self-titled album is an absolute masterpiece. Best known for the song 'Oh Yeh Soweto’, which is an astonishing adaptation of Lamont Dozier's anthem 'Going Back to My Roots', this track has become a contemporary underground club classic in recent times and has been featured in sets from a cross-section of DJs. With such a massive calling card song, it could be easy to write off the album as a typical one-tracker (like so many records often are), but that is a long way from the truth. Each of the remaining four tracks are super strong and, for us here at Mr Bongo, this has to be our favourite South African record of this era. 'Saturday Express' is a jazz-funk/disco stomper which will soon be lighting up dancefloors again. 'Wind and Fire' is true afro-jazz-funk excellence, with great spacey synths and reggae-inspired guitar grooves riding throughout. The opener, 'Friday Night’, also has a slightly reggae-tinged tropical groove, whilst 'Got Me Tight' finishes off the session with a feel-good jazz-funk workout that features cool, quirky, Patrick Adams-esque synths. Saxophonist Teaspoon Ndlela has had an amazing and rich musical career. Releasing albums on records labels Soul Jazz Pop, Hit Special, Gallo GRC, alongside working with and writing for South African artists such as Mpharanyana, Stimela, Sipho Gumede and Sgu. He also features on the Paul Simon track 'Gumboots' taken from the iconic 'Graceland' project. Though best known for 'Oh Yeh Soweto' we hope this re-issue helps demonstrate that there is much more magic in this wonderful musician's repertoire to discover.

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Teaspoon And The Waves

LP | 1977 | UK | Reissue (Mr Bongo)

22,99 €*

Familiar Faces Yellow Vinyl Edtion

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Official replica re-issue of a South African jazz-funk rarity from Teaspoon & The Waves. Released in 1977 on Soul Jazz Pop, a subsidiary label of Mavuthela Music Company / Gallo, Teaspoon & The Waves’ self-titled album is an absolute masterpiece. Best known for the song 'Oh Yeh Soweto’, which is an astonishing adaptation of Lamont Dozier's anthem 'Going Back to My Roots', this track has become a contemporary underground club classic in recent times and has been featured in sets from a cross-section of DJs. With such a massive calling card song, it could be easy to write off the album as a typical one-tracker (like so many records often are), but that is a long way from the truth. Each of the remaining four tracks are super strong and, for us here at Mr Bongo, this has to be our favourite South African record of this era. 'Saturday Express' is a jazz-funk/disco stomper which will soon be lighting up dancefloors again. 'Wind and Fire' is true afro-jazz-funk excellence, with great spacey synths and reggae-inspired guitar grooves riding throughout. The opener, 'Friday Night’, also has a slightly reggae-tinged tropical groove, whilst 'Got Me Tight' finishes off the session with a feel-good jazz-funk workout that features cool, quirky, Patrick Adams-esque synths. Saxophonist Teaspoon Ndlela has had an amazing and rich musical career. Releasing albums on records labels Soul Jazz Pop, Hit Special, Gallo GRC, alongside working with and writing for South African artists such as Mpharanyana, Stimela, Sipho Gumede and Sgu. He also features on the Paul Simon track 'Gumboots' taken from the iconic 'Graceland' project. Though best known for 'Oh Yeh Soweto' we hope this re-issue helps demonstrate that there is much more magic in this wonderful musician's repertoire to discover.

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Tears For Fears

LP | 2024 | EU (Yellow Vin)

LP | 1984 | EU | Reissue (Arabusta)

Release: 2024 / EU

Genre: Rock & Indie

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When two British teens made the switch from mod to new wave, the became one of the most well-known new wave synthesizer bands of the 1980’s and gained international chart success as part of the Second British Invasion. Tears for Fears know the secret recipe for a chart success. This vinyl features the hit singles "Shout", “Mad World”, "Everybody Wants to Rule the World" and "Mothers Talk", recorded at the height of their career in 1985 at the Hammersmith Odeon in London.

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Tchiss Lopes

Ja Bo Corre D'Mim