Search "dave+aju+heirlooms" 2679 Items

Release: 2019 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Tony Tuff / Keety Roots

More Love / More Dub

7" (Black Legacy)

7,69 €* 10,99 € -30%

Genre: Reggae & Dancehall

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Broad Back / Broad Heart Dub

Tony Tuff / Jah Life

7" (Jah Life)

Genre: Reggae & Dancehall

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7" | 1992 | JM | Original (Penthouse)

Tony Tuff

Come Fe Mash It

5,99 €*

Tony Tuff, Askan Vibes / Ben Jammin, Askan Vibes

Release: 1992 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Bumps on grooves

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Give Jah Praise, Dub From Di Ghetto / Sunshine Street, Dub

12" (Vineyard)

Genre: Reggae & Dancehall

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The Piece Maker 3: Return Of The 50 Mc's Colored Vinyl Edition

Tony Touch

2LP | 2013 | EU | Reissue (Tuff Kong)

38,99 €*

Release: 2013 / EU – Reissue

Genre: Hip Hop

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12" | 2022 | EU | Original (Acid Boom)

The Acid Masters EP

Tone Def & Terminal Frost

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tone Def are the original Bournemouth ravers with some absolute classics released in the early 90’s on Moving Shadow. Rog from the band is also the founder of Void Acoustics, the ultimate in club and festival audio equipment, a hobby that became a huge business empire for him. This EP was written during 1990 to 1991 and had been lost for 30 years until recently, when Rog was checking some of his old ¼” tapes that he took out of storage. These are 4 original UK acid breakbeat rave tracks, encapsulating the raw DIY ethos of the era, of kids messing about in their bedrooms, writing music with no boundaries or templates. Never heard before, never released before… until now. Acid Boom is a sister label to the Vinyl Fanatiks family. A vehicle to release that early 90’s acid sound that would later morph into rave. High energy 303’s, 808 and 909 drum machines, synced up to rolling breakbeats. Whether music from back in the day or new music that’s been created to emulate that early warehouse sound, Acid Boom is here to take you on a rush.

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Admission/The Haunting Pink Vinyl Edition

12" | 2023 | UK | Original (Vinyl Fanatiks)

9,34 €* 16,99 € -45%

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Tone Def were one of the original batch of artists to sign to Moving Shadow back in 1991, who brought there early demos into the studio with label head honcho Rob Playford, releasing 4 records on the label between 91-92. At the same time Rog from the band was also building speakers and installing club and free party sound systems. His skills were unchallenged and he soon went on to be one of the top speaker/system makers in the UK, if not the world with his company Void Acoustics.

But not all the band’s music from back then ended up on Moving Shadow … some of it was lost to ¼” tape and forgotten about until 2019 when Vinyl Fanatiks reached out to the band, being that we are all Bournemouth based. Rog dug out the tapes and went through them, finding many tracks which have been released on Vinyl Fanatiks and sister label Acid Boom.

This is the final chapter of the lost tapes – two tracks written in 1992, finally getting a release after 31 years!

Big Love for Big Music!

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12" | 2022 | EU | Original (Vinyl Fanatiks)

Projection Demo's EP

16,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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These are the demos of what would later go on to be the ‘Projection’ EP, released on Moving Shadow back in 1992 by Tone Def. The original release was a collaboration between the band and Rob Playford, recorded in both his Hertfordshire studio and Tone Def’s Bournemouth studio. Rob used to like to get hands on with his early signings to the label by helping to mould the releases to fit brand.

This EP has been licensed courtesy of Moving Shadow and these are the original demos that were written by the Rog, Paul and Tony and handed into Shadow for consideration. These 4 tracks were lost until recently, rediscovered on a ¼ tape by Rog Mogale in his archives. Never before heard or released, this is some proper UK rave history, fresh out the box 30 years after conception.

During the early days of house music and into the progression of rave, Rog built speakers and sound systems for clubs from scratch. He was so good at it, he built his own company, Void Audio, which is now the worlds leading supplier of club and festival sound systems.

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Can You Feel It / On The Attack

12" | 2019 | UK | Reissue (Vinyl Fanatiks)

17,99 €*

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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This record was originally released by us in 2019 on yellow vinyl, part of the Holy Quattro. Only 250 were pressed back then and sold out that year. We have done a limited repress of 150 units on 180g black vinyl.

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Can You Feel It/On The Attack

7" | 1992 | UK | Reissue (Vinyl Fanatiks)

LP | 2023 | UK | Original (Riot Season)

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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Two tracks that were lost for nearly 30 years on ¼ tape but rediscovered by Void Acoustics head honcho Roger – who also wrote the music back in 92! Originally pressed in 2019 on yellow vinyl by Vinyl Fanatiks – the tracks have had the 7” edit treatment by Rog, creating a unique collectors item for the hardcore heads out there.

Back to attack!

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Tomoyuki Trio

Mars

Tommy Peltier & Judee Sill

Release: 2023 / UK – Original

Genre: Rock & Indie

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For fans of Up-Tight, Les Rallizes Denudes, Acid Mothers Temple, and deep psych rock. Introducing Tomoyuki Trio, a blistering Japanese/UK psych-rock power trio featuring Tomoyuki Aoki, Mike Vest & Dave Sneddon. Tomoyuki Aoki is the founding member and lead guitarist of the legendary Japanese psychedelic rock band Up-tight, who’ve been active and since 1992 building up a cult following worldwide. This debut collaboration between Tomoyuki Aoki & Mike Vest (of Blown Out, Bong, Modoki, Artifacts & Uranium, Drunk In Hell etc) greets two titans of guitar feedback and blissful ‘improvised every-time’ leads. Experimental ultra-delayed vocals, shimmer over downer minor chord basslines, leaving room for Aoki’s guitar devastations. This is introverted mournful psychedelic rock music, yet it still grooves all the way to it's inevitable oblivion.

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Chariot Of Astral Light

LP | 2017 | EU | Original (Mapache)

20,99 €*

A Willed And Conscious Balance "Contemplation" Colored Vinyl Editoin

Release: 2017 / EU – Original

Genre: Rock & Indie

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Tommy Peltier was born in New Orleans and came out to Los Angeles with his mom on his 13th birthday. A decade later he was a regular playing cornet with his group the Jazz Corps at the famous jazz club, The Lighthouse. In 1966 the Jazz Corps cut an album for Pacific Jazz and featured the fantastic Roland Kirk. In 1970, due to an injury, Peltier could no longer play the horn and looked for other means for expression.

Not one to be undone, he took a few chords that he had learned from friends like Jude Sill - who became occasional collaborator, sometime lover, and lifelong friend - and set out as a singer-songwriter. None of that music saw the light until It was collected together as Chariot of Astral Light. They worked together on a lot of Peltier's material, and Judee pops up on half of the disc handling backing vocals, guitar and organ lines.

He had a house in Echo Park where he held weekly Saturday recording sessions in his front room that a number of peripheral scenesters would attend (Lynn Blessing, Wolfgang Melz, Dave Parlato, and Barry McManus - all of whom appear here). Aside from the few takes done at actual studios, the bulk of the stuff was recorded in that tiny room.

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Tomin

LP | 2024 | US | Original (International Anthem)

A Willed And Conscious Balance Black Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

A Willed and Conscious Balance is the first album of material arranged for an ensemble by multi-instrumentalist composer Tomin Perea-Chamblee.The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch"s FLY or DIE. Tomin"s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.

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Tomin

LP | 2024 | US | Original (International Anthem)

LP | 2018 | EU | Original (RCA)

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

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Tom Grennan

Lighting Matches

26,99 €*

Release: 2018 / EU – Original

Genre: Pop

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7" | 2022 | EU | Original (YNFND)

Tofu Resistance

Thurídur

LP | 2019 | EU | Original (YNFND)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Classical Music

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Tofu Resistance returns with his new ep “Thorídur”, marking his 3rd release on Ynfnd after his full length debut “1//23“ in 2019.

This EP sits comfortably between both the world of beats and a more relaxed environment. Returning to his roots, Tofu Resistance aka Tobias Kleine remembers his early influences of sample based music and classy hip hop grooves.

The result is a sonorous sketch of deceleration, answering with bouncy rhythms to nod your head to. You can hear him playing the drums, guitars and various other instruments on this record. A beautiful blend of organic and electronic production, adding his unique Tofu flavor.

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Tofu Resistance

1//23

17,99 €*

12" | 2022 | EU | Original (Mindcolormusic)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Exploring rhythms and instruments from all over the world has always been a motive in the music of German producer Tobias Kleine aka Tofu Resistance. His full length debut following a 7“ release on the label YNFND shows him expanding, deepening and developing his passion and techniques in a fusion of various influences. Although sampling still plays a key role in his productions, kleine plays most of the instruments featured in the album, from Fender Rhodes inspired synthesisers to his Brasilian berimbau or the asian jaw drum. Originally a trained drummer, you can hear his focus on rhythm and percussion without losing sight of harmonies or intrumentation. 1//23 is a stunning debut with depths and edges that dive into colorful downbeats and shapes, often creating mystery yet solidity, as the album title promises.

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Toffo

Aux4433

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Radio Tisdas Sessions White Vinyl Edition

2LP | 2001 | EU | Reissue (Wedge)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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The Radio Tisdas Sessions White Vinyl Edition

2LP | 2001 | EU | Reissue (Wedge)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2022 | EU | Original (Wedge)

Kel Tinariwen

Release: 2022 / EU – Original

Genre: Rock & Indie

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Picture
Coming Soon

Idrache (Traces Of The Past)

CD | 2024 | UK | Original (Wedge)

20,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Amatssou White Vinyl Edition

LP | 2023 | EU | Original (Wedge)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Amatssou Deluxe Bonus Tracks Picture Disc Edition

LP | 2024 | EU | Original (Wedge)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Amatssou Black Vinyl Edition

LP | 2023 | EU | Original (Wedge)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Wedge)

Amatssou

Timmy Thomas (Late Nite Tuff Guy)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

White vinyl

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Why Can't We Live Together

12" | 2016 | Reissue (Tk Disco)

Release: 2016 / Reissue

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Het)

Tigerhead

Silk Road EP

Tiffy L'Amour / Die Gesunden

Release: 2021 / EU – Original

Genre: Electronic & Dance

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a1: Tigerhead – Rave 4 Dave (07:14) a2: Tigerhead – Lethal Combination (04:25) b1: Tigerhead – Lethal Combination (Matrixxman Darkside Remix) (05:28) b2: Tigerhead – Rave 4 Dave (Matrixxman Remix) (05:24) After Tigerhead’s highly anticipated appearance on Het006 with “Sleeping Paralysis”, she now comes up with her very own release named “Silk Road EP”. The A-Side of the vinyl: “Rave 4 Dave” is just made for the peaktime dancefloor – pure banging power. “Lethal Combination” is breaking things down hard, while citing and quoting the drum’n’bass-genre. On the B-Side Matrixxman deliveres two remixes of Tigerhead’s tracks. His “Darkside Remix” of “Lethal Combination” can be heard as a Techno-Electro-fusion – this one is definitely putting the cowbell back on the map! Finally Matrixxman’s remix of “Rave 4 Dave” is a trippy dancefloor track, that is rounding up the EP nicely.

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Follow Me (Frey & Menqui Glockenspiel) / Film Musik (Frey & Otter Dive)

12" | 2022 | EU | Original (Serious Trouble)

14,99 €*

Tiffy L'Amour / Die Gesunden

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Serious Trouble label presents a mind bending record that brings together forward thinking jams from the early 80’s into present time with reworks of Tiffy L’Amours’ „Follow Me“ and „Film Musik“ from Die Gesunden. Both received an editorial treatment by Benedikt Frey, Menqui & Philipp Otterbach. With kind allowance by the original composers this 12“ marks the editorial spirit of Serious Trouble and waves tribute to moist cellar jams.

The A-Side „Follow Me“ Rework by Frey & Menqui is a wild extension of the original which gently adds a weird drummy cowbell intro before it introduces the chanting eccentric original. That got enhanced with an extra electronic bass recording and relooped cut & phrases emphasing you to hit the bell just one more time.

On the flip side „Film Musik“ Frey & Otterbach dived into the artists main motive and layerd it with a lyra, sh101 and external drums in an 8 hour session. It respectfully keeps the spirit of the playful original. In comparison to that though they managed to built a seamless endless „escheresque" staircase to mad mountain. An Immortal Acid exploration.

12“ 180 gr. heavy Vinyl, Limited to 300 copies. Artwork by Cid Hohner.

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Follow Me (Frey & Menqui Glockenspiel) / Film Musik (Frey & Otter Dive)

12" | 2022 | EU | Original (Serious Trouble)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Three Clear Vinyl Edition

Throw Down Bones

LP | 2023 | UK | Original (Fuzz Club)

20,79 €* 25,99 € -20%

LP | 2021 | EU | Original (Motvind)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Milan/London experimental band Throw Down Bones are returning with their new album 'Three' on February 24th. A towering body of work that feels both apocalyptic and jubilant, 'Three' is Throw Down Bones' eagerly-awaited return following 2018's 'Two' and the tragic passing of founding member Dave Cocks in a motorcycle accident in 2019. Choosing to continue the band in honour of Cocks, in February 2020, surviving co-founder Francesco Vanni returned to London's New River Studios with long-term collaborator and producer James Aparicio (Spiritualized, Nick Cave) and a new band in tow, made up of bassist Marion Andrau and drummer Raphael Mura. Working in the studio with the new band for the first time, several hours of improvised recordings were captured over the course of those early New River sessions, which were then expanded and pieced together between Aparicio in London and Vanni in Milan. Ready to lacerate eardrums and send into a trance once more, the result is a 9-track album spanning feedback-blasted industrial psychedelia, heavy electronics, krautrock and dark ambient. Overcoming huge psychological and practical difficulties, 'Three' is a powerful and moving record in more ways than one - a post-industrial triumph that's at once hedonistic, cathartic and poignant. Describing 'Three' and its intentions, Vanni says: "This album tries to reverse the usual band-listener interaction. We hold no truth and we're not willing to serve any universal answers to anything. Instead, we question the listener who, according to their experiences and sensitivity, will find a reply for themselves. That's the role of instrumental music and why we love it so much. It brings the listener to the centre of the project, giving them an active role in translating music into meaning. Every single note in this album is dedicated to our brother Dave Cocks."

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Thov G. Wetterhus

Stålslått

16,49 €* 21,99 € -25%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | DE | Original (Prophecy Productions)

Thief

Map Of Lost Keys

12" | 2007 | DE | Original (Sonar Kollektiv)

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition

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Thief

Hold On, Hold On

3,99 €*

Release: 2007 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Bleed, Memory Trans Orange Vinyl

Thief

LP | 2024 | UK | Original (Prophecy)

38,99 €*

Release: 2024 / UK – Original

Genre: Pop

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Decade Black/Red Splatter Vinyl Edition

They Fell From The Sky

LP | 2021 | EU | Original (Say Something)

2LP | 2024 | EU | Original (A Strangely Isolated Place)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Debet release from 'They Fell From The Sky'! They Fell From The Sky formed after Colin Doran (Hundred Reasons) and Jason Bowld (Bullet For My Valentine, Pitchshifter, Killing Joke) got together for Jason’s collaborative project ‘This Is Menace’. They then started writing with Dave Draper and completed the line up with Lee Erinmez (Snuff) and Oly Edkins. Once in the studio the band’s song writing flourished and the album ‘Decade’ began to take shape, blending the multitude of styles each member brought to the table. The songs started to flow and the sound honed to make the unique song writing juggernaut that is ‘They Fell From The Sky’!

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Theef

Sun & Smoke

40,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Working Elite / Tuff City Kids

Ten Years After / See Men Jump

12" | 2014 | DE | Original (Terre Des Pommes)

9,99 €*

The William Loveday Intention

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl is close to NM! Stamped generic sleeve.

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The Bearded Lady Also Sells The Candy Floss

LP | 2021 | EU | Original (Damaged Goods)

17,99 €* 19,99 € -10%

The William Loveday Intention

Release: 2021 / EU – Original

Genre: Rock & Indie

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This Winter 2020/2021 Sees The Release Of Four Albums By Thewilliam Loveday Intention.This Is The Fourth Album In The Series, Entitled Thebearded Lady Also Sells The Candy Floss.For The Uninitiated, The William Loveday Intention Is Thelatest Band Put Together By Billy Childish. The Four Albumproject Includes Guest Appearances By James Taylor(The Prisoners, Jtq), Dave Tattersall (The Wavepictures) And Huddie Hamper (The Shadracks) Amongstothers.

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Paralysed By The Mountains

LP | 2022 | EU | Original (Damaged Goods)

The William Loveday Intention

Release: 2022 / EU – Original

Genre: Rock & Indie

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Brand new studio album by The William Loveday Intention as part of their "career in a year"! "The cover pic is from a visit I made with my son and friends to the artist Giovanni Segantini's hut in the High Alps sometime around 2016. Segantini (1858-1899), was an illiterate and stateless artist famous for his paintings made in the Engadin.The title track is about living your life through someone else's YouTube channel: a blow by blow account of how their life in the frozen north is more, picturesque, sensitive, fun, enlightened and artistic than yours could ever be.'Stood Upon a Chair' is about the villain Jessie James, but without the romance part that is usually added to such tales.'You Gotta Move', a Mississippi Fred McDowell cover, is one of the best recordings we've ever made. Here I'm accompanied by my wife Julie and my friend Dave Tattersall who plays electric slide guitar. A true gem which should make someone, somewhere, rich and famous. (Or at least make Mick Jagger blush with shame.)Topping it all off we hit a couple of old Headcoats numbers with added verses that reveal the hidden depth behind those impeccable pop songs." - WILLIAM LOVEDAY 2022

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Blud Under The Bridge

LP | 2021 | EU | Original (Damaged Goods)

Sirens Opaque Jade Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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This Winter 2020/2021 Sees The Release Of Four Albums By Thewilliam Loveday Intention. This Is The Third Album In The Series, Entitled "Blud Under The Bridge". For The Uninitiated, The William Loveday Intention Is The Latest Band Put Together By Billy Childish. The Four Album Project Includes Guest Appearances By James Taylor (The Prisoners, Jtq), Dave Tattersall (The Wave Pictures) And Huddie Hamper (The Shadracks) Amongst Others.

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The Wild Feathers

LP | 2024 | US | Original (New West)

LP | 2024 | US | Original (New West)

Release: 2024 / US – Original

Genre: Rock & Indie

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How would you define The Wild Feathers? Some may immediately check a box for Americana – and they wouldn’t be wrong. Others may lean on a version of rock: Country-rock, folk-rock, heartland rock. They’d all be right, too. Blues? A Southern flare? Occasional punk attitude? It’s all in there. Now, it’s time to hop on the bus and sing along.

The longtime Nashville band returns this year with Sirens, a new LP of road-worn, sharply-woven tales chronicling a life worth living, love worth holding and the hard-earned lessons found along the ride. To cut the follow-up to 2021 album Alvarado – the band’s debut on independent label New West Records – The Wild Feathers decamped from Music City, U.S.A., to Los Angeles for sessions with producer Shooter Jennings (known for his work with Brandi Carlile, Turnpike Troubadours and Tanya Tucker, among others) at Dave’s Room in North Hollywood.

Listen intently and without genre in mind. Because when the so-called Sirens make their sound on this new album, don’t worry about how to define it. Just enjoy the ride.

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The Wild Feathers

Sirens

The Loneliest Time Of Year / Memento Mori

Release: 2024 / US – Original

Genre: Rock & Indie

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The Wedding Present

7" | 2023 | US | Original (Clue)

17,99 €*

2LP | 2014 | US | Reissue (Secretly Canadian)

Release: 2023 / US – Original

Genre: Rock & Indie

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At last! The Wedding Present single series comes to an end. Sad for fans of the Weddoes but a good day for those of us who have to find all these damn things in the stock room. They round the year off with 'The Loneliest Time Of The Year' which might be a cover of the Mabel Christmas tune or just another song about the time Dave Gedge's girlfriend left him. The release of this monthly series, in 2022 The Wedding Present is releasing a new 7" single every month, the final this year's Christmas available for indie record stores only in December. This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features two brandnew recordings of the current WP incarnation. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww.

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The War On Drugs

Lost In The Dream

33,99 €*

2LP | 2014 | US | Original (Secretly Canadian)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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THE WAR ON DRUGS, the Philadelphia-based project of Adam Granduciel, release their third full-length album, the beautifully sweeping "Lost In The Dream via Secretly Canadian. Written and recorded over two-plus years in Philadelphia, North Carolina, New York and New Jersey, following almost two years of nonstop touring in support of 2011's "Slave Ambient", "Lost In The Dream" is the outstanding presentation of Granduciel's progression and growth as a songwriter, performer, and producer. It is an immense listen to be absorbed and discovered now and for decades to come.

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The War On Drugs

Lost In The Dream

12" | 2023 | EU | Original (OGE White)

Release: 2014 / US – Original

Genre: Rock & Indie

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Lost In The Dream is the third album by Philadelphia band The War on Drugs, but in many ways, it feels like the first. Around the release of the 2011 breakthrough Slave Ambient, Adam Granduciel spent the bulk of two years on the road, touring through progressively larger rock clubs, festival stages and late-night television slots. As these dozen songs shifted and grew beyond what they'd been in the studio, The War on Drugs became a bona fide rock 'n' roll band.
That essence drives Lost In The Dream, a 10-song set produced by Granduciel and longtime engineer Jeff Zeigler. In the past, Granduciel built the core of songs largely by himself. But these tunes were played and recorded by the group that had solidified so much on the road: Dave Hartley, (his favorite bassist in the world), who had played a bit on The War on Drugs' 2008 debut Wagonwheel Blues, and pianist Robbie Bennett, a multi-instrumentalist who contributed to Slave Ambient. This unit spent eight months bouncing between a half-dozen different studios that stretched from the mountains of North Carolina to the boroughs of New York City. Only then did Granduciel--the proudly self-professed gearhead, and unrepentant perfectionist--add and subtract, invite guests and retrofit pieces. He sculpted these songs into a musical rescue mission, through and then beyond personal despair and anxiety. Lost In The Dream represents the trials of the trip and the triumphs of its destination.

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The Unknown Artist

Untitled

14,24 €* 14,99 € -5%

12" | 2018 | EU | Original (OGE)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Next up on our White Series are these 4 bangers from Italy.

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The Unknown Artist

Untitled

12" | 2021 | EU | Original (OGE White)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Ittetsu Remix

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The Unknown Artist

Untitiled

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Fairweather Friend Pink Vinyl Edition

The Umbrellas

Fairweather Friend Green Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Riyl: Orange Juice, Sarah Records, early Creation, Mary Chain, C86, Lush. Tlv168lpxx repress edition of 300 copies on pink vinyl. The first run sold out very quickly so a small repress has been ordered. The Umbrellas are four renegade romantics crafting irresistible indie pop hymns. The band’s self-titled 2021 debut album became a breakout moment, winning critical praise and sparking an international tour. Follow-up LP ‘Fairweather Friend’ goes a step further – absorbing the sonic attack of their live shows, it balances this with studio finesse, allowing the San Francisco four-piece to become the band they’ve always aspired to be. It's a record overflowing with highlights. The candyfloss melodies of introductory track ‘Three Cheers!’ are matched to an impactful percussive punch; ‘Say What You Mean’ finds The Umbrellas working with total confidence, letting the song ride out to its chiming conclusion, four voices working in precision. ‘When You Find Out’ offers rotating notes of guitar punctuated by a vocal that pushes past angst to accept a world full of hope. A lean 10 track affair, it grasps towards beatific pop while fuelled by a sense of risk, and the precision that comes from long months on the road. The Umbrellas coalesced around a group of musicians who would frequent legendary San Francisco record emporium Amoeba Music. Singer and guitarist Matt Ferrera links with bassist Nick Oka, while Keith Frerichs is the powerhouse drummer. A chance encounter with Morgan Stanley singing karaoke at a Fourth of July party cemented the line-up around an avowed thirst for melody. “All of us love really earnest pop songs,” Nick points out. “I guess we got to a point in our lives where we wanted to be genuine.” Playing shows at San Francisco’s vital DIY redoubt Hit Gallery, The Umbrellas would share line-ups with local heroes such as April Magazine and Cindy. Recording their debut album across a two-day spell at Matt’s parents’ house, the results won a devoted cult following. Yet the experience of touring bonded them tightly and allowed the volume to tick up a little higher, and higher, and higher. “I think we got tired of people saying, oh you’re so much louder than I thought you’d be!” laughs Matt. “Our early recordings are sweet and earnest… and we wanted it to be louder.” Kicking off sessions in November 2022, the band used an ad hoc space Matt created in his basement, working across a four-month period. Sessions were a little more relaxed in terms of timescale than their debut, but The Umbrellas were incredibly focussed on the project. “We gave ourselves more space for this album,” says Keith. “We wanted time to sit on the songs, and really work on them.” Allowing their live dynamic to bleed out on tape, The Umbrellas are at once more physical and yet also more controlled on their new album. Take opening track ‘Three Cheers!’ – the peppy, sun-soaked rush masks a barbed lyric, courtesy of Nick Oka. “It’s a pseudo-political song about power struggles that occur in a job situation, or a friend group. It’s an observational song.” ‘Toe The Line’ has an unkempt, rollicking sense of energy, the playful relationship analogy of the lyric pushed to the speed of light by Keith’s ultra-fast punk drumming. ‘When You Find Out’ meanwhile epitomises their unified, egalitarian way of making music – with The Umbrellas, each voice counts. “It sounds different from any song we’ve ever written together,” says Morgan. “It shows how much we’ve grown. Trust helps us to build the songs. It’s definitely a team effort.” It's also a record of ambition. ‘Say What You Mean’ stretches past the four-minute mark, the viola performance informed by Estonian minimalist composer Arvo Pärt. ‘Gone’ was the first song attempted for the new album, and the last they actually finished, endless re-writes transforming it into a manifesto of control and release. Taken as a whole ‘Fairweather Friend’ is a bold indie pop triumph, crafted with purpose and attention. Taking their time over each note, the four-piece have strengthened their songwriting, adding depth and assurance while unlocking their potential. Some bonds last a lifetime – The Umbrellas are ready to capture your heart.

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The Umbrellas

30,99 €*

12" | 2024 | UK | Original (Tessellate)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Umbrellas are four renegade romantics crafting irresistible indie pop hymns. The band’s self-titled 2021 debut album became a breakout moment, winning critical praise and sparking an international tour. Follow-up LP ‘Fairweather Friend’ goes a step further – absorbing the sonic attack of their live shows, it balances this with studio finesse, allowing the San Francisco four-piece to become the band they’ve always aspired to be. It's a record overflowing with highlights. The candyfloss melodies of introductory track ‘Three Cheers!’ are matched to an impactful percussive punch; ‘Say What You Mean’ finds The Umbrellas working with total confidence, letting the song ride out to its chiming conclusion, four voices working in precision. ‘When You Find Out’ offers rotating notes of guitar punctuated by a vocal that pushes past angst to accept a world full of hope. A lean 10 track affair, it grasps towards beatific pop while fuelled by a sense of risk, and the precision that comes from long months on the road. The Umbrellas coalesced around a group of musicians who would frequent legendary San Francisco record emporium Amoeba Music. Singer and guitarist Matt Ferrera links with bassist Nick Oka, while Keith Frerichs is the powerhouse drummer. A chance encounter with Morgan Stanley singing karaoke at a Fourth of July party cemented the line-up around an avowed thirst for melody. “All of us love really earnest pop songs,” Nick points out. “I guess we got to a point in our lives where we wanted to be genuine.” Playing shows at San Francisco’s vital DIY redoubt Hit Gallery, The Umbrellas would share line-ups with local heroes such as April Magazine and Cindy. Recording their debut album across a two-day spell at Matt’s parents’ house, the results won a devoted cult following. Yet the experience of touring bonded them tightly and allowed the volume to tick up a little higher, and higher, and higher. “I think we got tired of people saying, oh you’re so much louder than I thought you’d be!” laughs Matt. “Our early recordings are sweet and earnest… and we wanted it to be louder.” Kicking off sessions in November 2022, the band used an ad hoc space Matt created in his basement, working across a four-month period. Sessions were a little more relaxed in terms of timescale than their debut, but The Umbrellas were incredibly focussed on the project. “We gave ourselves more space for this album,” says Keith. “We wanted time to sit on the songs, and really work on them.” Allowing their live dynamic to bleed out on tape, The Umbrellas are at once more physical and yet also more controlled on their new album. Take opening track ‘Three Cheers!’ – the peppy, sun-soaked rush masks a barbed lyric, courtesy of Nick Oka. “It’s a pseudo-political song about power struggles that occur in a job situation, or a friend group. It’s an observational song.” ‘Toe The Line’ has an unkempt, rollicking sense of energy, the playful relationship analogy of the lyric pushed to the speed of light by Keith’s ultra-fast punk drumming. ‘When You Find Out’ meanwhile epitomises their unified, egalitarian way of making music – with The Umbrellas, each voice counts. “It sounds different from any song we’ve ever written together,” says Morgan. “It shows how much we’ve grown. Trust helps us to build the songs. It’s definitely a team effort.” It's also a record of ambition. ‘Say What You Mean’ stretches past the four-minute mark, the viola performance informed by Estonian minimalist composer Arvo Pärt. ‘Gone’ was the first song attempted for the new album, and the last they actually finished, endless re-writes transforming it into a manifesto of control and release. Taken as a whole ‘Fairweather Friend’ is a bold indie pop triumph, crafted with purpose and attention. Taking their time over each note, the four-piece have strengthened their songwriting, adding depth and 2 assurance while unlocking their potential. Some bonds last a lifetime – The Umbrellas are ready to capture your heart.

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The Trip

Uncovered

Hatarakimonono Uta Record Store Day 2024 Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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4 years into The Trip's music production journey, they release their fifth EP 'Uncovered' on their in-house label Tessellate. Taking inspiration from 90's and 00's house music, each track radiates nostalgia. 'Love Struck' offers the perfect mash up; an iconic hook, ravey vocals and the ultimate bouncy, house energy. 'I Need (Speed)', is the funky, speed garage tune reminiscent of your favourite summer festival classics. Side B brings you 'Trip Life Xtra', an instantly recognizable banger, followed by feel-good 'Foxy Dave'.

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The Tiger

7" | 2024 | JP | Original (Just Luck / Diw)

15,74 €* 20,99 € -25%

Release: 2024 / JP – Original

Genre: Rock & Indie

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Lullaby In C / High Cost Of Living

The Threat

7" | 2023 | EU | Original (Allchival)

12" | 2023 | UK | Original (Sprechen)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Legendary Dublin punk band formed in November 1978 by Maurice Foley (guitar/vocals), which had a number of iterations before disbanding in 1981. The Threat built up a following in Dublin and maintained a heavy reputation through the 1979 and 1980. Playing the legendary Dandelion on a couple of occasions towards the end of 1979 and became friendly with members of the Virgin Prunes and U2. Stano, another friend of the band, bought a synthesizer, purely as a sound generator, and joined them. As a nonmusician, his synth added noise and texture to the band's sound and brought out their experimental side.

This "Lullaby in C" / "High Cost of Living" - their sole single - recorded in 1980 with Irish traditional musician Donal Lunny producing, providing his services for free. Lunny went on tour with Planxty before the recordings were completed. Impatient to get the single out, the band completed the work themselves with cover art from Dave Clifford of Vox fanzine. Self-financed, self-released and distributed by the band around Dublin with a few making it over the sea to Rough Trade. A second single was recorded in 1981 with the Virgin Prunes Danny Figgis producing but the mastertapes are lost to the midst of time. We've added a demo from Stano recorded in 1979.

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The Thief Of Time

Where Do I Belong

It'll All Be Over Opaque Maroon & Transparent Yellow Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Debut long-player from label boss Chris Massey. A dazzling and very personal collection, with a host of local Mancunian heroes on board, this array of condensed influences manages to be a coherent and quite unique exploration of sound.

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The Supreme Jubilees

LP | 1980 | US | Reissue (Light In The Attic)

Listen Love Dave Lee & Louie Vega Mixes

Release: 1980 / US – Reissue

Genre: Organic Grooves

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New LP Color Edition pressed on opaque maroon & transparent yellow wax
First ever LP reissue

Liner notes by Jessica Hundley interviewing the band, plus rare archive photographs
LP housed in an expanded gatefold jacket
If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time.

A band of brothers and cousins, the group was founded from two families: brothers Joe and Dave Kingsby plus Dave’s son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and, prophetically, only–album, It’ll All Be Over.

Released in 1980 on the group’s own S&K (Sanders & Kingsby) label, It’ll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it’s a feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.”

Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album’s title track in a single take.

After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did.

A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbecue in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.

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The Sunburst Band

12" | 2021 | EU | Original (Z)

The Sunburst Band / Dave & Maurissa

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dave Lee dons his Sunburst Band trousers and calls in the vocal talents of Wayne Hernandez with this slice of Brazilian flavoured Jazz Funk ‘Listen Love’ - yes the Jon Lucien jazz dance favourite. The sizzling drums & percussion blend perfectly with the pulsating bassline that allows Wayne to scat and weave his way into the blissed out yet uptempo jazzy keys. For those thinking this would be an even better track if it had a flute solo, we’ve got you covered! with Dave Lee’s ‘Flute Reboot’ for that maximum Latin edged jazz-funk feel. On the flip two people who need not introducing, Louie Vega & Josh Milan get frenzied on the drums and piano, as they up the ante and deliver a jazz dance fusion clocking in at 9 minutes. Their mix really works up a sweat in the second half as the groove and scatting lock together for an intense rhythmic workout. All in all a very impressive outing.

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Secret Life Of Us / Look At The Stars Record Store Day 2023 Edition

7" | 2023 | UK | Original (Z)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Never before on 7" format, a special version of the title track from The Sunburst Bands critically acclaimed 4th album backed with a special 7" exclusive version of 'Look At The Stars' from Dave Lee's Produced With love II Album. Black vinyl with Z Records house sleeve.

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LP | 2019 | EU | Original (Tough Love)

Whoosh

Release: 2019 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

White vinyl. Original inner sleeve. Limited edition. Cover is close to NM.

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LP | 2020 | EU | Original (Tough Love)

22,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Levity Clear Vinyl Edition

LP | 2022 | EU | Original (Tough Love)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Riyl: Guided by Voices, Pavement, The Clean, XTC, Flying Nun. The title of The Stroppies' newest LP, Levity, serves as a creative statement of intent and an acknowledgment of the dichotomy between the music they have made and the conditions in which they were produced. Levity, The Stroppies strongest creative statement to date, is the result of this new approach to creative process. Playful yet focused, but broader in scope and experimentation than previous efforts, the ten songs that comprise Levity continue the band's exploration of the pop song as both foil for experimentation and conduit for personal reflection. Whereas the group's debut LP Whoosh! demonstrated their ability to craft clean, concise jangle pop, Levity takes a different route by utilizing a darker pallet of sounds to create its impressionistic whole. Fuzz and distortion are employed to add weight to songs built on tape loops and Motorik drum patterns. Warbling synthesisers and modulated keys add new moods and dimensions to The Stroppies unique brand of pop classicism. Thematically, the band continues their exploration of the personal refracted through the lens of the absurd, though this time around the music feels a few shades darker, a somewhat inevitable consequence of the collective trauma of the past 24 months. While the narrative around the 'lockdown record' is increasingly commonplace, there are unavoidable realities involved in making creative decisions under such circumstances that can't be overlooked, especially for a band that thrives on collaboration. "The restrictions around Covid really informed the way we made the record', says Angus Lord, the band's co-founder and guitarist. "It meant that there was a lot less opportunity to meet and build ideas collaboratively, which is how we've worked in the past. Instead, ideas were developed in isolation, then shared digitally, developing slowly over correspondence and only bearing fruit when we were able to be in a room together. I think this had a big effect on the songwriting and execution." This process even extended to the studio, where The Stroppies found a kindred spirit in John Lee of Phaedra Studios, who mixed the record in isolation, somehow managing to synthesise the band's pop sensibilities with their penchant for studio experimentation. Furthermore, the addition of new member Zoe Monk, known for playing in a diverse array of Melbourne acts (Eggy, Thibault, The Opals) contributed both synthesiser experimentation and rock solid rhythm guitar, a huge addition to the band's developing sound, an infectious combination of the off-kilter 90s US underground, British artpunk ala Wire and a more than generous love of classic Pop songwriting. The Stroppies have managed to craft a record of weight and substance. Through Levity the Stroppies have, at least temporarily, found their feet amongst the chaos.

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Levity Black Vinyl Edition

LP | 2022 | EU | Original (Tough Love)

26,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Spiritual Pajamas)

The Skiffle Players

Skiff

18,99 €*

LP | 2019 | EU | Original (Lion Productions)

Release: 2018 / US – Original

Genre: Rock & Indie

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Their second album, Skiff, is a new direction for The Skiffle Players. Now, they all sing and write. There is no leader. Recorded at Infinitespin Recorders in Van Nuys CA, with engineer Matt “Linny” Linesch, the album begins with a bold opening; the Farmer Dave Scher-penned “Cara,” heavy information for the soul. Then, into classic Cass McCombs insanity on “Local Boy,” a wild ride on the run from the cops. Third is a touching tribute to a bygone companion, “Miss It When It’s Gone,” written and led by Neal Casal.

The album’s revolving perspective continues to bounce around, leaving no apparent land to stand upon. In that, it is deeply subversive. For there is nothing to defend, but the ability to transform and imagine.

The album continues to unfold back to McCombs with a satire on justice, “The Law Offices Of Dewey, Cheatum And Howe.” It goes from the saloon “Long Horns, Long Necks, Long Legs,” to the rainforest “Herbamera.” Casal blasts in again with the sun-bleached rambler, “Los Angeles Alleyway.” Scher’s “Skiffleman” sings a song for everyone. McCombs plays with memory in a song about coming of age in the Bay Area on “Oakland Scottish Rite Temple Waltz.” Penultimately, “Santa Fe” is an elliptical broadside about materialism and waste. The album concludes by pushing off again, out into the familiar waters of a traditional skiffle number, “Sweet Georgia Brown,” each member taking a perhaps all-too casual solo.

This is acoustic dance music at its finest. It is also refreshingly contradictory, irreverent and mystical, deeply personal and communal, and traditional and profane—the ever revolving and disintegrating ship known as Skiff.

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The Sidewinders

Cuacha!

25,99 €*

LP | 2017 | US | Original (In The Red)

Release: 2019 / EU – Original

Genre: Rock & Indie

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• First-time reissue of this 1987 sleeper rural rock classic
• Insert includes band memories

“By the time they recorded Cuacha!, the Sidewinders had almost figured out what kind of band they wanted to be. On some cuts here the Hüsker Dü-goes-West mix of acoustic textures and roaring guitar is almost perfect. ‘I Guess It Doesn’t Matter’ and ‘Blood on Our Hands’ are punk-pop masterpieces driven by Rich Hopkins’ snarling guitars and Dave Slutes’ country-inflected but brash singing… The album is worth having for the first released version of ‘What She Said,’ a song that the band released on three different albums, each time rocking a bit harder and at greater length. The version here is a dark, mournful folk-rock piece.” —AllMusic

“More than one observer of the Arizona rock scene has noted that had the Sidewinders not been derailed by legal and label problems, the Tucson quartet might’ve beaten neighboring Tempe’s Gin Blossoms to the brass ring. Or maybe it was just a case of the too-good/too-early American band syndrome in the conservative pre-Nirvana era. Formed around the songwriting core of guitarist Richard Hopkins and vocalist David Slutes, the Sidewinders quickly garnered local acclaim and recorded “Cuacha!” for Hopkins’ own San Jacinto label. The album has its share of jangly folk-rock moments instantly familiar to any fan of mid-’80s R.E.M. Yet its traditional feel—part psychedelic pop and part dustbowl blues—suggests influences stretching back at least two decades.” —Trouser Press

Take a look at a quick list of "Best Albums” from 1987 and you quickly get a sense of the musical mood of the year: the Joshua Tree by U2; Appetite For Destruction by Guns N’ Roses; Sign ‘O’ The Times by Prince; You’re Living All Over Me by Dinosaur Jr.; Document by R.E.M.; Sister by Sonic Youth; Darklands by The Jesus And Mary Chain; Diesel And Dust by Midnight Oil; Come On Pilgrim by Pixies; and Pleased To Meet Me by The Replacements. It’s not a stretch at all to plunk the Sidewinders “Cuacha” right amongst those records—both in terms of quality and “sound.”

The Sidewinders formed in the spring of 1985. The group released “Cuacha!” in 1987 (and again in 1988), and subsequently signed to RCA/Mammoth Records, with whom they released two full-length albums, 1989’s “Witchdoctor” and 1990’s “Auntie Ramos’ Pool Hall.” “Witchdoctor" cracked the lower echelons of the Billboard 200 on the strength of two rock radio hits. The band scored exposure on MTV and VH1 and embarked on a worldwide tour. But the Sidewinders were soon sidelined due to legal problems stemming from a challenge over the band’s name. As the Sand Rubies, they released an album on Polydor/Atlas in 1993 (at one point, Pearl Jam served as their opening act). However, the strain of the legal tussle led the Sand Rubies to dissolve during a tour in 1993—just as two other Arizona rock bands, Gin Blossoms and The Refreshments, attracted mainstream attention.

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The Side Eyes

So Sick

20,99 €*

LP | 2020 | EU | Original (Tuff Kong)

Release: 2017 / US – Original

Genre: Rock & Indie

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So Sick, the debut album on In the Red Records by Southern California punk quartet the Side Eyes, raises interesting questions about nature versus nurture—the eternal scientific debate about whether a human being’s personality is predetermined by genetics or whether it’s actually shaped by the environment one grows up in. Their lead singer, Astrid McDonald, is a fascinating test case. The 22-year-old Angeleno is the real-wild-child daughter of Go-Go’s guitarist-songwriter Charlotte Caffey and Redd Kross singer-guitarist Jeff McDonald. How much has McDonald’s notoriously fiery onstage presence been influenced by basic heredity and how much was her personality inspired by being raised by two legendary punk-pop icons?

Similarly, how did growing up together as brothers in New Jersey affect the hard-driving musical attack of 22-year-old guitarist Kevin Devine and 20-year-old bassist Chris Devine? Much of rock history has been fueled by the unique familial dynamics and sibling rivalries of brothers in bands, from the Everly Brothers and the Kinks’ Ray and Dave Davies to Redd Kross’ Jeff and Steven McDonald. When the two Devines’ aggressive approach is combined with 23-year-old San Diego native Nick Arnold’s remorselessly throttling drumming, the Side Eyes end up as a powerfully controlled punk rock machine that blows past the sonic barriers of their past inspirations.

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The Shelter

Opus

The Shelter (9th Uno & Shy The Beat Yoda)

Release: 2020 / EU – Original

Genre: Hip Hop

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BSA members 9th Uno and Shy The BeatYoda have teamed up to form The Shelter. Their debut album entitled Opus incorporates the tried and true "one MC one producer" formula and features no guest appearances. Dope rhymes, hard beats, ill scratches = Real RAP!!! Limited edition of 300 handnumbered copies.

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Opus Yellow Vinyl Edition

LP | 2020 | EU | Original (Tuff Kong)

Release: 2020 / EU – Original

Genre: Hip Hop

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The Rudy Schwartz Project

Salmon Dave

CD | 1994 | DE | Original (Musical Tragedies)

8,99 €*

Release: 1994 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Undun Black Vinyl Edition

The Roots

LP | 2018 | EU | Original (Def Jam)

22,99 €*

LP | 2012 | US | Reissue (Def Jam)

Release: 2018 / EU – Original

Genre: Hip Hop

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Official and limited reissue on Def Jam. Previously released as a 2LP set, this version has now been converted to 1LP, in addition to a limited edition CE color vinyl version.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

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The Roots

Undun

37,99 €*

CD | 2011 | EU | Original (Def Jam)

Release: 2012 / US – Reissue

Genre: Hip Hop

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Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

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The Roots

Undun

LP | 2024 | UK | Original (Nine X Nine)

Release: 2011 / EU – Original

Genre: Hip Hop

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The Room

The Telling

LP | 2023 | UK | Original (Nie X Nine)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Liverpool post-punk pioneers The Room are back with a new album. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel; they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen.

Following 2023’s warmly recieved ‘Restless Fate’ is new album ‘The Telling’. Consisting of 11 songs that tell a continuous folk-horror story set in a mythical 17th-century European forest. A traveling storyteller mesmerizes an isolated village with macabre tales of wonder, mystery, and the supernatural. The idea was conceived as an aural movie told in self-contained songs that represent chapters in a complete narrative and has no lyrical choruses that repeat its themes. The album comes with a full lyric sheet influenced by the layout of the Guttenberg Bible. Frontman and lyricist Dave Jackson’s interest in folklore and myths is absolutely apparent, the story is effortlessly conveyed through his spirited yet acerbic vocals. The album features: the welcome return of original The Room drummer Clive Thomas and his fluid open-handed drumming; the haunting backing vocals of Helena Jacks; founder-member Becky Stringer (bass guitar); Ethan Kyme (keyboards); Darren Brown (guitar). A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics.

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The Room

Restless Fate

LP | 2024 | EU | Original (Nice Swan)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Early 80’s Liverpool stalwarts The Room are back. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen. New album ‘Restless Fate’ picks up where the band left off. At times shimmering, at times haunting, but at all times an arresting and urgent listen. An exploration of man’s search for meaning and the dysfucntion of the human condition, there is still a relentless optimism at the core of this record. A stark post-punk soundcape provides plenty of space for frontman Dave Jackson’s spirited yet acerbic vocal. Perhaps one might find more wisdom in Resless Fate’s songwriting and lyrics than in The Room’s previous catalogue, this could just be experience showing.

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The Rills

Don't Be A Stranger

32,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

12" | 2019 | US | Original (In The Red)

The Revenge

Four Song 12inch

18,99 €*

Unsuitable For Airplay: The Lost Kfai Concert Record Store Day 2022 Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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If the original intent of punk rock was to reject the excesses of mainstream rock, strip things back to bare bones basics, jettison slickness and embrace a DIY ethic, then THE REVENGE were punk rock personified. Formed in 1977 in Cheshunt, London by Lol Hammond (vocals/guitar), Ian Strange (bass/vocals) and Dave Edgar (drums/vocals), these teenagers played most of London’s punk clubs, including the Roxy. The band self-released two singles in 1978 on their own Loony Records before disbanding in 1979. Both 7-inches were pressed in incredibly small amounts and now have legendary status amongst collectors going for ridiculous sums. The recordings are extremely raw, even by punk standards—particularly on the band’s first single, where the guitar sound is so tough and scuzzy it would not sound out of place on a volume of Back From The Grave. Needless to say, the singles received little press and vanished without a trace. Nowadays Lol Hammond is one of London’s well known DJs who has recorded as Drum Club and Girl Eats Boy, collaborated with Roger Eno, directed film scores and has remixed the likes of Jah Wobble, Killing Joke and The Fall, to name but three. In The Red is proud to issue the first legitimate (these singles have been bootlegged) reissue of The Revenge’s two singles.

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The Replacements

2LP | 2022 | UK | Original (Twin-Tone)

34,99 €*

A Stiff One Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Limited to 10000 copies.

One of the earliest soundboard recordings of the band and featuring the original lineup of Paul, Bob, Tommy and Chris as captured by Twin/Tone’s mobile unit on January 23, 1981, at the 7th St Entry in Minneapolis, MN. The concert took place as the band was in the midst of work on their debut Sorry Ma, Forgot to Take Out the Trash and the show’s twenty-seven song setlist is packed with evolving versions of classic songs that would appear on their debut album along with other early numbers that were never released plus choice covers of The Heartbreakers’ I Wanna Be Loved, Slade’s My Town, The Kinks’ All Day And All of the Night, and Dave Edmunds’ Trouble Boys, among others. Limited edition 2LP set on 140-gram vinyl.

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The Refreshments

LP | 2023 | UK | Original (Sound Pollution / Wild Kingdom)

25,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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A Stiff One Black Vinyl Edition

The Refreshments

LP | 2023 | UK | Original (Sound Pollution / Wild Kingdom)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Remixes Joey Negro, Playboys & C.J. Mackintosh

The Reese Project

12" | 2022 | EU | Original (Network)

14,99 €*

The Reds, Pinks & Purples

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It started with a night out at New York’s Sound Factory - and turned into an obsession, Inner City main man Kevin “Reese” Saunderson and his then manager, Neil Rushton, were at the NY uber house club when The Pressure by The Sounds Of Blackness got its’ debut World play, with the ecstatic response from the crowd meaning it was spun three times in a row. Nobody was more knocked out than Kevin who vowed there and then to come up with a Detroit answer, much to the delight of Soul mad Rushton, co-owner of the Network label. The idea of The Reese Project was quickly turned into House Heaven reality as Kevin recruited Detroit vocalist diva Rachel Kapp to record the anthemic Direct Me & The Colour Of Love as the first two singles. Network made the group a main priority, coming with a whole slew of remixes to complement the original USA mixes on the subsequent album. Three of the most loved Network remixes are on this wonderful timeless 12. The Dave Lee Joey Negro mix from 1991 is rated by many as one of Network’s finest moments, and maybe Lee’s finest ever “remixed with extra production” epics. Rushton remembers meeting Lee to collect the remix, and instantly phoning Saunderson proclaiming “you won’t believe this”. Underground Resistance’s Mike Banks added his magic to the 1991 original mixes of “The Colour Of Love” and the results were so overwhelming great that the idea of subsequent remixes was daunting.but the classic 1994 Network remix by The Playboys flew the flag for U.K. House. C.J, Mackintosh set the production standards for U.K. Soul filled House and his 1993 remix of “So Deep” - sung by La’Trece - is a gem to be cherished forever and a day. Network’s passionate crusade to crossover The Reese Project from House Music superstars to Pop success came tantalising close but never quite happened. But the Network remixes are a glorious legacy of House Music’s golden age and three of the very finest are remastered here and presented on one glorious 12. Reese Project - Songs Not Slogans.

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Still Clouds At Noon White Vinyl Edition

The Reds, Pinks And Purples

Release: 2024 / UK – Original

Genre: Pop

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Recorded as part of the same daydreaming puzzle as Unwishing Well, Still Clouds at Noon brings out the slowcore/sadcore elements that drift through The Reds, Pinks & Purples’ melancholy catalogue. Donaldson names '90s hometown San Francisco acts such as American Music Club and the more obscure Timco as pivotal to his guitar playing and development as a songwriter, both of which shine bright here. The slower tempo ballads on Still Clouds… often culminate in heavy fuzz drenched codas and showcase the more abstract poetic side of Donaldson’s lyricism. There’s an inherent pop-sensibility always at work though, with ear-worm melodies appearing over intoxicating circular riffs.

Formerly a Bandcamp only digital release, this white vinyl version is remastered and adds two unreleased tracks, one featuring Mark Monnone from Australian pop-legends The Lucksmiths on bass. Edition of 500.

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Unwishing Well White Vinyl Edition

The Reds, Pinks And Purples

Release: 2024 / UK – Original

Genre: Rock & Indie

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The cinema of the scenes as told from the heart and spirit of the omniscient narrator shines through the awe-inspiring oeuvre of Glenn Donaldson's canonical titan that is The Reds, Pinks & Purples. The storied and esoteric histories of every underserved underdog becomes immortalized in records and poignantly penned paeans that evoke the eras and underachievers that became synonymous with their own respective corresponding localized micro-movements. Donaldson channels that psychic spirit and journeyman earned wisdom to provide contemporary era rock operas that eulogize tales of infinitely influential rises and falls. Crystalizing the tragic self-celebrating kingdoms of fortunate failures, false heroes, music press deities of limitless deceit, hometown dive gods and humanity in the grips of all its romanticized wonder and woe — the latest sortie of the sensational and spectacular takes aim at the threads of hope and an untethered abandon into the intimacy and dualities of idolatry and isolation with Unwishing Well.

Ever since its emergence from the harried late 2010s — The Reds, Pinks & Purples have become the absolute encapsulation of Donaldson's own proliferation and prestige. From a musical legacy that chronicles a long list of minor successes and major tragedies; Glenn distills the timelines of distinction from yesterday, today, tomorrow and whatever may be into a musical phenomenon that embodies something more than all of its analogous inspirations. Beyond the clamor about the retro cult pop artistic allusions and tropes that can be found in those spirit expanding kaleidoscope chord chimes; Donaldson takes you on a guided tour through the San Francisco underground movements that would have been, could have been or perhaps never were at all from the start. The Reds, Pinks & Purples’ coveted catalog inadvertently, consciously or unconsciously, offers an authorized and anonymous history of imperfect and ambitious debutantes, dilettantes, auteurs, et al. The lauded visionaries whose volition informed the big money touring stage headliners, but only enjoyed a fleeting jaunt through the glorious corporate clad carnival canopies from the touring circuit routes and tech funded festival tent tabernacles. Unwishing Well is a eulogy for the buzz bands that crashed, the wily one hit wizards, and omnipresent (and often uninspired) eternal aesthetes who work the lucrative outlets of licensing media markets.

Glenn pulls no punches with the promiscuity of the pop machines and their exploited propped up brand ambassadors on the cutting "Your Worst Song is Your Greatest Hit" that tangles with the lumbering and inescapable creatives and careerist trajectories that trade in boardroom playbooks and verticals. Expressions and influencers break out into the collective commissaries of commerce exhibitionism on “Public Art”, to auditing the forums of fandom that pertain to developed affinities and the roads to rabid infatuation with the obsessive in earnest, “Learning to Love a Band”.

And while the Glenn spins many yarns on the under-appreciated secret histories of DIY, Unwishing Well offers cathartic hymns of modern malaise. Sighing in lamentation of regressive trends, “What’s Going on with Ordinary People'' balks with concern over contemporary states of devolution, while “Faith in Daydreaming Youth” questions what vestiges of hope and valor can be found in the new vanguards of political bodies that govern the world’s sovereign daydream nations. The dustbins of dastardly discontinuity are imbued with desire and grief on the dramatist tragedy of “Dead Stars in Your Eyes”, to basking in the discarded ditches of the damned below in voids of obscurity on “Nothing Between the Lines at All”. The human addiction to languishing in anguish, misery and negativity tussles, tosses and turns on “We Only Hear the Bad Things People Say”, the penultimate ode to inherent human infallibility as Donaldson rides the audience out into the gilded sunset glow of “Goodbye Bobby”.

The central set piece of Unwishing Well revolves around the title track that wrestles with wellness and wishes tempered by the sobering reality of ultra pragmatic skepticism. Donaldson shows the audience where the dream falls short, an indictment on the fickleness of wants and the life/work/art balances of making it all work. It's the group that never makes it, the idea that never gets off the ground, the recognition that never arrives, the raise that is never awarded, nor the promotion to the next ladder rung that remains laughably inaccessible. Glenn has the gift of bridging the divide between the hunger artist, their adoring cult public and the common threads that connect these local and global communities through the humanist cause of collective commiseration.

As increasingly found in the continued adventures of The Reds, Pinks and Purples canon — Glenn circles the drain of surrendering to unabashed sentimentality in passions worthy of being showcased as the top headlining spot that your favorite revered then later reviled pop act never even had the chance to claim or ascend. Unwishing Well uplifts and uproots the undercurrents that carry the commonalities between the spectators and the spectacles. Donaldson pays homage in heart to everything and everyone that never got their due or to the lucky ones that made the grade, but paid an ultimate price. The cycle of these pop vignettes depict successes and failures in the same sentences, existing within the same stanzas, where the stories of making it and breaking it operate as events that live on different sides of the same coin. Unwishing Well is a reflection of us, the icons we adore, the Adonises we worship, the false prophets that proselytize the edicts from theses cults of personality, the fallouts, the third acts and the artistic fabrics that spool these sub-sects of artful dodgers into the stuff of legend.

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The Town That Cursed Your Name Pastel Green Vinyl Edition

LP | 2023 | UK | Original (Tough Love)

LP | 2023 | EU | Original (Columbia International)

Release: 2023 / UK – Original

Genre: Rock & Indie

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It's ok to play out of time. Music toys with time. Or, maybe songs reflect back that time is always toying with us. The world of a song takes hold of us like an eternity to be lost in, with its repetitions and variations, but ultimately, as with everything else, it has a start and then ends. And there's no place to lose time like San Francisco, where there are no seasons and all the seasons occur within one day; where the fog takes the space where your plans might have been; where there's insane wealth all around and everyone you know and love is hanging on at the periphery and making art on any given Tuesday night. About Glenn Donaldson's new record, The Town That Cursed Your Name, he says, "I realized as I was piecing it together that it's a song cycle about trying to live while also feeling called to make music". It's a double life when it works and a deeper doubleness to mirror the Gemini nature of songs themselves. The Town That Cursed Your Name contemplates this problem with wryness, generosity, and the micro- and macroscopic realness Donaldson is known and loved for.Whereas the 2022 collection Summer at Land's End was a softer, gauzier world, The Town That Cursed Your Name is heavier, with fuzzed lines running through. 'Leave It All Behind' starts out with an amorphous whine but quickly launches into something both supremely melodic and buzzing at the edges. 'Here Comes the Lunar Hand' is an impressionist geometry that seems to capture the album's themes without telling you how. Lyrically, Donaldson embraces the earnestness of his heroes Paul Westerberg and Grant McLennan. Sonically, late '80s college rock is filtered through song-forward lo-fi acts like East River Pipe and House of Tomorrow-era Magnetic Fields. Like the images that accompany his releases - flowers and residential street scenes are pushed to the breaking point with colour - Donaldson's songs are at the same time dazzling and lurid, beautiful and burdened, not unlike life as a musician around here.In the liner notes, Donal...

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The Raven Age

Blood Omen

26,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 1992 | EU | Reissue (Vinyl Fanatiks)

The Rave Doctor

Lost In Bass EP

16,14 €* 16,99 € -5%

I Ep Marbled Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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The Rave Doctor - Lost In Bass EP

Label: Vinyl Fanatiks
Cat No: VFS046
Format: 12" 180g Vinyl
Release Date: 5th August 2022
Preorder Online: Here
Genre: Jungle / Breaks
Price: £8.30

*WRITE UP UPDATE, PLEASE AMEND*

a1. The Rave Doctor - Lost In Bass
a2. The Rave Doctor - This Is Not Music (This Is A Trip)
b1. The Rave Doctor - Something For Your Mind
b2. The Rave Doctor - U4RIA

This is the debut vinyl release of Dave Wallace from 1992 (Aquasky/Mad Dog/Fugitive), though he had been producing a number of years prior to this, creating early rave demo tapes. A highly sought after record online, this originally came out on a handstamped white label, on Olly Underdogs Rave Doctor Recordings, run out of Brockenhurst in the heart of the New Forest.

You wouldn’t be able to find a better EP that showcases the anthemic piano/rave stab sound of early 90’s UK dance music. This is a peak time release that was played by a lot of DJ’s back in the day. Its also a part of rave history as it shows the starting block of Dave’s musical journey which is still active to this day, 30+ years later with Fugitive releases on Amen Brother/Sub System and a future release on Amentec with a MOY remix.

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The Rave Doctor

12" | 1993 | UK | Reissue (Vinyl Fanatiks)

16,99 €*

LP | 2022 | UK | Original (Domino)

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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The Rave Doctor – a pseudonym of Dave Wallace, who had a huge input and impact in the UK rave, hardcore, jungle and drum & bass scenes under numerous names such as Mad Dog, Fugitive as well as Aquasky, plus many, many others!

This is the second EP under his Rave Doctor alias that was originally released in 1993 on the Southampton label Adrenalin Records, that was run by Stu J (who also had a release on Vinyl Fanatiks a few years back). Featuring the track ‘Ruff In The Jungle’ that went on to become an anthem in Tenerife where 10,000 ravers will all throw their hands up and cheer when its dropped at a festival. I am reliably told that the track is bigger than Liquid’s ‘Sweet Harmony’ over there which came as quite a surprise to Dave who only recently found this out.

All four tunes are anthemic party tracks with that Dave Wallace melodic midas touch. If you like this, then grab a copy of The Rave Doctor ‘Lost In Bass’ EP which is still available via Sequence.

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The Range

Mercury

Release: 2022 / UK – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Sundazed Music Inc.)

The Pyramids

Penetration!

30,99 €*

Passing Through The Doorways Of Your Mind

Release: 2022 / EU – Original

Genre: Rock & Indie

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A gonzo crew of shaved-headed, sax-blowing, reverb-stomping maniacs, the fivesome tore it up on the stages of unsuspecting West Coast teen haunts and hit the big screen via the 1964 B-Movie “Bikini Beach.” The album features “Penetration,” one of the undisputed all-time surf cornerstones! Back in the 1960s, when surf music was burning up and down the beaches of the Southern California coastline, it was often a gimmick that made one band stand out from the others. The Surfaris had the laugh at the beginning of ""Wipe Out."" The Chantays had the great guitar run at the beginning of ""Pipeline."" The Tornadoes tried “Shootin’ Beavers”; The Pyramids simply had great surf music…and bald heads. Their big hit, “Penetration,” stayed in the top ten (Billboard) for 13 weeks reaching as high as #4 nationally. Only The Beatles kept the song from going higher. The Pyramids appeared on American Bandstand (twice), The Bob Eubanks Show, Shebang, Dave Hull's Hullabaloo, and The Lloyd Thaxton Show. The band went on to record a handful of killer singles and one album before splitting up in 1965. Now back in print after 25 years, the Pyramids are back in action and ready to rock!

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The Psychedelic Freaks

LP | 2021 | UK | Original (La Sape)

LP | 2024 | EU | Original (Bobo Integral)

Release: 2021 / UK – Original

Genre: Organic Grooves

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The Psycedelic Freaks is a new alias of Horatio Luna's. The aptly titled debut LP 'Passing Through The Doorways Of Your Mind' is an introspective 70s fusion space odyssey.

An Afrobeat, Psychedelic jazz, funk fusion experience inspired by the Miles Davis's electric era.

Inspired by the genius of Fela Kuti, Miles Davis, Frank Zappa, Dave Holland, Paul Jackson, Carol Kaye, Jimmy Hendrix, James Brown, and Alice Coltrane.

Special thanks to Mandarin Dreams for putting a guitar in my hands and On-Ly for putting a wah pedal in front of it.

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The Psych Fi's

Can Con

The Prophet & His Disciples

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

"You're traveling through another dimension - a dimension not only of sight and sound but of mind. A journey into a wondrous land whose boundaries are that of imagination". This iconic introduction is from Rod Serling's timeless and influential television program, The Twilight Zone. Perhaps he would also apply this description to Can Con, the debut album by The Psych Fi's. The group is an offshoot of Canadian singer-songwriter Jerry Leger's rock 'n' roll side project, The Del Fi's. Just as The Psych Fi's describe themselves as "spontaneous psychedelic rock", The Del Fi's recorded two albums characterized by spontaneity, spirit, and trust. This time Leger brings his songs to a revolving door of musicians and singers (18 members, including Jerry, in the case of Can Con). Most of the performers have not heard these compositions before recording them. They have no chance to second-guess; they must be fearless and jump in with both feet and perform live in studio. Leger acts as a sort of loose conductor, allowing certain soloists to emerge from the musical collage. The group takes you on a hypnotic journey from the epic opening medley "Alone in a Room of Mirrors / James Cagney" to the groove of "You Know that I Love You, I Do" and the openness of "Song for Vultures". You'll get lost in "Summer's Right Around the Corner", which also features Don Stevenson (founding member of the legendary 60s psychedelic rock band Moby Grape) on backing vocals, alongside Kate Boothman (Katie Cruel) and Angie Hilts. This sound has evolved out of Del Fi performances, specifically when musicians Nichol Robertson, Jason Kenemy, Dave Clark (The Rheostatics, Woodshed Orchestra), and Michael Eckert were involved. Leger and these "Fi's" eagerly ventured down less-traveled roads to destinations unknown. Other Psych Fi's include Ken Yoshioka, Matthew Cooke, Les Armstrong, Chris Bennett, Shawn Clarke, Katie Methot, and members of "Jerry Leger & The Situation" (Dan Mock, Kyle Sullivan, Alan Zemaitis). Leger tells us at the...

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You Fool, You Fool Part1 & Part 2

7" | 2019 | UK | Original (BGP)

LP | 2017 | EU | Original (Tough Love)

Release: 2019 / UK – Original

Genre: Organic Grooves

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You Fool You Fool (Pt1) / B/W You Fool You Fool (Pt 2) - Prophet & The Disciples
Super-rare 45 from Dave Hamilton’s Detroit studio. A collaboration with Clarence Coulter about the evils of drugs, this song is a street funk classic reissued on 7” for the first time with facsimile label.

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The Proper Ornaments

Waiting For The Summer

LP | 2023 | UK | Original (Cooking Vinyl)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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The Proclaimers

Dentures Out