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“In under two years since the release of their debut LP Ultra, Kadabra has earned a reputation as a captivating and explosive live act through “passionate stage presence drawing you into their own world with lengthy, mesmerizing, songs building from a slow boil into full crescendos.” - Brian Lopez, New Noise Magazine The band formed during the dark days of 2020 and were quickly signed by Heavy Psych Sounds, who released Ultra in the fall of 2021 and established the band’s penchant for delivering crushing doom riffs and haunting vocals accentuated by bursts of psychedelic flair and swampy Americana swagger. And while the chemistry of long-time friends Garrett Zanol (guitar/vocals), Ian Nelson (bass) and Chase Howard (drums) was apparent upon listening to their debut, their bond was further strengthened by relentlessly touring the western United States and completing a month-long tour of Europe. The trio almost immediately began looking forward, road-testing and crystalizing the songs that would comprise their follow-up, which found the band reuniting with Ultra producer Dawson Scholz. The result is Umbra: a singular statement that is more focused and cohesive than its predecessor, while managing to capture the immersive, free-flowing experience of their live show. For fans of: Uncle Acid and the Deadbeats and Dead Meadow !!

“In under two years since the release of their debut LP Ultra, Kadabra has earned a reputation as a captivating and explosive live act through “passionate stage presence drawing you into their own world with lengthy, mesmerizing, songs building from a slow boil into full crescendos.” - Brian Lopez, New Noise Magazine The band formed during the dark days of 2020 and were quickly signed by Heavy Psych Sounds, who released Ultra in the fall of 2021 and established the band’s penchant for delivering crushing doom riffs and haunting vocals accentuated by bursts of psychedelic flair and swampy Americana swagger. And while the chemistry of long-time friends Garrett Zanol (guitar/vocals), Ian Nelson (bass) and Chase Howard (drums) was apparent upon listening to their debut, their bond was further strengthened by relentlessly touring the western United States and completing a month-long tour of Europe. The trio almost immediately began looking forward, road-testing and crystalizing the songs that would comprise their follow-up, which found the band reuniting with Ultra producer Dawson Scholz. The result is Umbra: a singular statement that is more focused and cohesive than its predecessor, while managing to capture the immersive, free-flowing experience of their live show. For fans of: Uncle Acid and the Deadbeats and Dead Meadow !!

Following on from the Primal Scream frontman’s brilliantly-received previous release for Ace, ‘Sunday Mornin’ Comin’ Down’ (accolades included being short-listed for Rough Trade’s compilation of the year), Bobby Gillespie brings us another slice of the music that soundtracks his life. And in this case, it’s his touring life. Drawing on the experience of ‘the way that the noise and clamour of the road can tire you out, wear you down and frazzle your nerves to shattered fragments of jangled exhaustion’, these are the records Bobby turns to for solace, for comfort, for empathy and for resourcefulness.

The compilation features an introduction from the man himself, talking us through his personal choices as though he’s sitting cross-legged on the carpet going through records with you in his lounge. Also long-time cohort of the band, Kris Needs has written extensive liner-notes, serving up an intensive track by track insight and analysis.

Titled after and kicking off with the Willie Nelson track of the same name, ‘I Still Can’t Believe You’re Gone’ leads us through a darker and deeper exploration than its predecessor, featuring Nick Cave’s funereal version of ‘By The Time I Get To Phoenix’ and Ry Cooder’s sparse and beautiful reworking of ‘Dark End Of The Street’. And we get there via such greats as Bob Dylan, JJ Cale, Donnie Fritts, Crazy Horse, Lee Hazlewood, Al Green, Thin Lizzy and so many more.

In Bobby’s own words: ‘These songs are soul savers to soothe frayed and battered nerves and to ease and settle the heart. They work on me like medicine every time. I would like to share this wonderful music that has given me strength, joy and inspiration over the years with you the listener, so that you too might get the same feelings of protection and inspiration that I do whenever I listen to these songs. We're all travellers on some kind of road through this life, and we all need respite from time-to-time - the music on this compilation is soul food of the highest order - I hope you enjoy it.’.

Due for release on July 28, 2023 on High Focus Records, a new collaborative LP ‘Sight Beyond Sight’ from the powerhouse trio of producer Mr Slipz with rappers Verbz & Nelson Dialect. This new LP is a continuation and culmination of the sounds heard on their previous records. The dynamic rhyming partnership of Nelson Dialect & Verbz going back and forth with relentless wordplay over the signature hard hitting drums & jazzy samples of Mr Slipz production. Showcasing a variety of moods throughout the record from neck snapping, classic rap joints like 'Strike Back’ & the album title track 'Sight Beyond Sight’ to more reflective & personal songs about loss and relationships heard on 'Homecoming’ or 'Beside Me’. To vivid storytelling and conceptual cuts like 'Cause and Effect’ Verbz and Nelson communicate the aspirations and the choices of young artists in the modern world like a roadmap any individual can reference; ‘Sight Beyond Sight’ truly offers something for every listener. There are notable features on the album including the deeply reflective cut 'Homecoming’ with Hiatus Kaiyote back up vocalist Jace XL on the chorus. There is also the blistering posse cut 'Starting 5’ featuring UK Hip Hop legend King Kashmere, NuphZed & Renelle 893, who recently signed to High Focus. Having already released critically acclaimed albums on the cult UK Hip Hop label High Focus, the anticipation is brewing and stage is set for another landmark release for the label from this exciting new trio with ‘Sight Beyond Sight’.

Due for release on July 28, 2023 on High Focus Records, a new collaborative LP ‘Sight Beyond Sight’ from the powerhouse trio of producer Mr Slipz with rappers Verbz & Nelson Dialect. This new LP is a continuation and culmination of the sounds heard on their previous records. The dynamic rhyming partnership of Nelson Dialect & Verbz going back and forth with relentless wordplay over the signature hard hitting drums & jazzy samples of Mr Slipz production. Showcasing a variety of moods throughout the record from neck snapping, classic rap joints like 'Strike Back’ & the album title track 'Sight Beyond Sight’ to more reflective & personal songs about loss and relationships heard on 'Homecoming’ or 'Beside Me’. To vivid storytelling and conceptual cuts like 'Cause and Effect’ Verbz and Nelson communicate the aspirations and the choices of young artists in the modern world like a roadmap any individual can reference; ‘Sight Beyond Sight’ truly offers something for every listener. There are notable features on the album including the deeply reflective cut 'Homecoming’ with Hiatus Kaiyote back up vocalist Jace XL on the chorus. There is also the blistering posse cut 'Starting 5’ featuring UK Hip Hop legend King Kashmere, NuphZed & Renelle 893, who recently signed to High Focus. Having already released critically acclaimed albums on the cult UK Hip Hop label High Focus, the anticipation is brewing and stage is set for another landmark release for the label from this exciting new trio with ‘Sight Beyond Sight’.

Digital Tape Recordings dial it back to ’96 to reissue the third part in 24hr Experience’s Dub Essentials series, remastered straight from the DAT. Masterminded by two certified UKG legends, Grant Nelson and Simon Firmin, it’s another signature package of rough, ready, chest rumbling garage heat. Four skippy bubblers that have done the business on dancefloors from day dot and continue to cause chaos wherever they’re set loose.

Quantity: 1700
Release type: RSD Exclusive Release

Dark Horse Records is proud to reissue Leon RUSSELL’s 1984 album Hank Wilson Vol. II on limited Red Vinyl for Record Store Day Black Friday. The album notably features a duet with Willie Nelson on the country standard “Wabash Cannonball,” plus takes on classics by Hank Williams, Lefty Frizzell, and Don Gibson. Russell was born in Oklahoma, had a home in Tulsa, and grew up around country and blues music. After making successful rock albums, touring, and releasing the concert album Leon Live, he returned to his roots under the name of a fictional musical personality: Hank Wilson. His second outing under this assumed name, Hank Wilson, Vol. II, was self-produced in 1981 at Leon’s Paradise Studios in Burbank, California.

Pioneering new music from members of the iconic and legendary funk band Parliament Funkadelic. Detroit Rising is an exciting artist collective created by 10 groove masters including the current and original members of P-funk, Prince, Public Enemy and Mary J Blige. Taking a break from relentless touring, the musicians step out in a whole new direction, creating a hybrid sound of funk-jazz with injections of soul and hip hop. The album, “A Cosmic Jazz Funk Adventure” was recorded live at the world famous Motown affiliated United Sound Studios in Detroit and studios in New York, Los Angeles, Las Vegas, Baltimore and Florida. For this remix release a handpicked selection of some of the top DJ producers in the UK have been brought together to create a soulful house and nu-jazz hybrid record: Jimpster, Kaidi Tatham, Sean McCabe with Z records (Dave Lee) and Evm128 – with mastering by UK wizard AtJazz. First up, Jimpster remixes the Detroit Rising space opera, ‘Rocket Love’ – showcasing two funk-fused house tracks with guitar licks from Duminie Deporres (Public Enemy) and bass lines courtesy of Kern Brantley (Mary J Blige, Beyonce, Aretha Franklin). The vocal remix is expertly laced with parts of the original P-funk instrumental and hip-hop vocals, with the dreamy Dub version letting that infectious hook and melody hit hard. Next up, Sean McCabe was brought in by Dave Lee of Z records to remix the original Detroit hit ‘Little Bit of Love’ into a fast-paced dance heater. King of the keys Kaidi Tatham is then welcomed to remix two different Detroit Rising tracks, creating a double dose of signature, broken beat infused cuts. ‘Our World’ stars P-funk vocalist and keyboard wizard Danny Bedrosian, alongside granddaughter of George Clinton, Tonysha Nelson. The emotive, soulful broken brilliance of ‘Peace & Harmony’ also gets the Kaidi treatment starring Sue Ann Carwell and Steve Boyd, vocalists for Prince and Kool & The Gang respectively. Evm128 of Coop rounds off the package presenting a fast futuristic Bruk beat from the romantic Detroit Rising song called ‘Gorgeous’.

Since forming in 2002, Philadelphia’s Paint IT Black have rewritten the rules of hardcore punk with each new release. Across three full-length albums and three 7” EPs, the fourpiece of vocalist Dan Yemin, bassist Andy Nelson, guitarist Josh Agran, and drummer Jared Shavelson have been crafting concise, incisive statements that meld hardcore’s fury with a nuanced lyrical perspective. On Famine, the band’s upcoming EP on Revelation Records, Paint IT Black shows all sides of itself, returning as inspired—and inspiring—as they were a decade ago. Famine is the product of years of plotting, planning, and prepping, with the goal of making the most impactful statement possible. In many ways, Famine is a record about the blurring between history and mythology, especially as it pertains to the current moment in America. On Famine, Yemin explores the stories we grew up being told—the truths, the lies, and everything in between. Yemin’s vocals, as charged as ever, sound like a decade’s worth of frustration has finally boiled over, allowing him to dissect the rose-colored tellings of American history with surgical precision. Similar to this exploratory lyrical approach, the music on Famine creates richer textures out of pieces rarely found on hardcore punk albums, as distinct struts shift between pummeling pieces and melodic touches in ways that continually take the listener by surprise. Throughout the eight songs that make up Famine, Paint IT Black proves that the most potent hardcore punk releases are ones that come from a space of vulnerability, honesty, and authenticity. It’s what makes each moment on Famine feel vibrant and vital, just like Paint IT Black has always done.

* 20–track collection includes Charles Bradley & The Menahan Street Band covering Sixto Rodriguez, Iggy Pop & Zig Zags performing a Betty Davis classic, Ethan & Maya Hawke interpreting Willie Nelson, and Angel Olsen paying homage to Karen Dalton * Double LP pressed on special limited edition color wax * Featuring new cover art by renowned British artist Sophy Hollington * Booklet with track–by–track notes by Lydia Hyslop For more than 20 years, acclaimed reissue label Light in the Attic Records has shined a spotlight on some of music’s most unique — and often forgotten — voices. But reviving these long-out-of-print recordings is only half of the process. “We believe that an essential component of archival work, aside from simply honoring the music, is to seek ways in which to bring fresh perspectives, context, and reverence to the original artists and their work,” says Lita founder, Matt Sullivan. Thus, Lita’s acclaimed cover series was born, in which contemporary acts pay homage to their favorite Lita artists and songs. Spanning more than a decade, 20 of these inspired cover songs will be available together for the very first time, exclusively for Black Friday (November 24) on the 2xLP Light in the Attic & Friends. From Charles Bradley & The Menahan Street Band covering Detroit singer-songwriter Sixto Rodriguez and Mac DeMarco performing a song by Japanese icon Haruomi Hosono, to Iggy Pop & Zig Zags honoring funk queen Betty Davis, and Ethan & Maya Hawke covering country great Willie Nelson, these performances bridge the gap between generations, languages, and musical traditions.

THE VINYLBOX COLLECTION IS BACKREDISCOVER ALL THE BEST SONGS FROM THE CULT MOVIES OF QUENTIN TARENTINO.STARRING : JOETEX, ISAAC HAYES, DICK DALE, ELVIN BISHOP, JOHNNY CASH, AL GREEN, RICKY NELSON, LINK WRAY, ...

a Sino/Japanese twist.

In the early 1960s Justin Yap and his brother Ivan [aka ‘Jahu’] ran the Top Deck sound system from their family’s ice cream parlour and restaurant in Barbican, Kingston. The local success of the sound system encouraged them to venture into the recording business, and by 1962 Justin had recorded singers Larry Marshall, Ephraim ‘Joe’ Henry and Ferdie Nelson. The fledgling label enjoyed a modest local Jamaican hit in 1963, with trumpeter Baba Brooks and the Trenton Spence Orchestra's “Distant Drums” issued on Top Deck Records as the b-side to Larry Marshall’s hit “Too Young To Love”. As a fan of exotica composer Martin Denny, Justin had heard “Jungle Drums” on Denny’s 1959 LP “Afro-Desia”. His liking for Martin Denny would prove fruitful later, when Justin recorded the Skatalites in a mammoth all-night session in 1964 at Clement Dodd’s Studio One on Brentford Road.

By 1963-1964, hundreds of ska tracks were being recorded by Clement Dodd, Arthur ‘Duke’ Reid, Vincent Edwards, Vincent Chin, Leslie Kong and Prince Buster and others. Justin had linked up with Allen ‘Bim Bim’ Scott, a friend of Clement ‘Coxson’ Dodd, owner of the Studio One label who had already recorded the musicians who became the Skatalites.

Justin and Ivan organised a session in November 1964 at Studio One; it lasted 18 hours. The length of the session allowed for alternate takes to be recorded, but the highlights of the sessions were the five original compositions by Don Drummond – “Marcus Junior”, “The Reburial”, “Confucious”, “Chinatown” and “Smiling”. The first two are in tribute to the Pan-Africanist Marcus Garvey; “The Reburial” refers to the occasion of his interment in Jamaica in 1964, his remains having been brought from the cemetery in Kensal Green London, where he was originally buried in 1940, and reburied in King George VI Memorial Park Kingston [later renamed National Heroes Park].

Along with these originals were some well-chosen cover versions. Two came from the Duke Ellington songbook: “Ska-Ra-Van” is of course Ellington and his trombonist Juan Tizol’s classic composition “Caravan”, while “Surftide Seven” is Ellington’s “In A Mellotone”. The LP title track “Ska-Boo-Da-Ba” is a version of Bill Doggett’s 1958 “King” US 45 “Boo-Da-Ba”. “Ringo” had also appeared on Arthur Lyman’s “Taboo” LP [1958] as “Ringo Oiwake”. Originally it was sung by Hibari Misora – a very famous vocal song in Japan, recorded in 1952, the melody composed by Masao Yoneyama. Yet another tune copped from Lyman’s “Taboo” LP is “China Clipper”, composed by the pianist / arranger / orchestrator Paul Conrad.

The last track on this fine LP is “Lawless Street”, a feature for Roland Alphonso. Unlike the other Skatalites, Roland wasn’t a graduate of the celebrated Alpha School, like many of Jamaica’s top musicians from Bertie King to Yellowman. Alphonso was a graduate of Boys Town School in Denham Town. “Lawless Street” was another tune that was recorded twice at the session – the second version features vocal ‘peps’ and exhortations by DJ King Sporty.

By late 1966, Justin emigrated to the USA, settling permanently in New York. There he took up US citizenship and was called up to serve in the US Army in Vietnam, In the early 1970s he worked in computers and eventually drove a New York cab. In his all too brief involvement in the competitive Jamaican music business he certainly left his mark as a producer. He produced some of the best ska ever made, and the LP reissued here is perhaps the most coherent LP in that genre, deriving as it does from a single session.

The celebrated record producer at Randy’s Studio, Clive Chin:

“It wasn’t the fact that they [the musicians] really love Justin; it was the fact that Justin used to pay them the right money and make them comfortable. Make sure them have them smoke, them food, them drink, and after them finish they got paid.” Unlike many other producers, Justin actually attended the sessions.

It stands as his defining legacy in Jamaican music history.

The Joy Of Flying (German title ?Silvia im Reich der Wollust?) is a porn soundtrack from 1977 which doesn?t have a parachute. It going directly into heaven without return. Similar situation as with the prices on the Discogs of the 1978 Hongkong compilation soundtrack featuring some songs of this movie, the prices are astronomical? Finest Comic, Disco, Bossa, Ambient album by legendary Gerhard Heinz from 1977. Reminding over long passages of classics like Richard Schneider ? Dreamlike Land or Wolfgang Maus ? Children Of The Universe, both produced also in 1977. Official first time ever full LP album soundtrack release.First pressing with 2 foldout bonus posters

180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!

RSD First, Limitation: 1000

Los Angeles-based dark melodic metal outfit Witherfall proudly presents their fourth full-length, “Sounds Of The Forgotten”, via DeathWave Records. With predecessor "Curse Of Autumn" garnering high praise in Metal Insider, Deaf Forever, and KNAC.com, as well as admirable positions on Germany’s Top 20 Albums chart and Billboard’s Top New Artist Albums and Billboard 100 chart, “Sounds Of The Forgotten" advances Witherfall to legendary status with its epic, foreboding expanse. The album is supported by an ambitious schedule of seven singles, each with an official video linking the album’s story of heartbreak, anger, and tenacity. This is genuinely Witherfall, always willing to go the extra mile to outclass the past.

Witherfall was formed in Los Angeles in 2013. Joseph Michael (also of Sanctuary fame) and Jake Dreyer (ex-Iced Earth/Demons & Wizards) built their new band around drummer Adam Sagan (rip) and accomplished bassist Anthony Crawford (Allan Holdsworth, Chon). Since then, the group have released three highly regarded albums: "Nocturnes And Requiems" (2017), "A Prelude To Sorrow" (2018), and "Curse Of Autumn" (2021) and an EP "Vintage" (2019). Not one to cut corners, Witherfall enlisted famed drummer Marco Minnemann (The Aristocrats, Steven Wilson, Jordan Rudess) on "Curse Of Autumn", ensuring the foundations of singles 'As I Lie Awake', 'The Other Side Of Fear', and 'The River' were second to none. On "Sounds Of The Forgotten", Minnemann returns to the fold with an album-only appearance, while drummer Chris Tsaganeas (Wax Owls) and multi-instrumentalist Gerry Hirschfeld (Willie Nelson) Witherfall’s newest permanent members.

Every Witherfall album is a defining moment. From the moment "Nocturnes And Requiems" thundered across metaldom to the group’s wine endeavours (Tempest Red Blend) with Charlie & Echo Winery, their video collaboration with Cig Neutron (Devil’s Workshop) on 'The Other Side Of Fear', a beer partnership with Adroit Theory Brewing Company (Shadows Black Ipa), and custom Funko Pop set, Michael and Dreyer have made Witherfall their mission. The journey to this point hasn’t been without toil and upheaval. Determination, however, is the key. Today, Witherfall brings “Sounds Of The Forgotten" to the masses. Experience it all with them.

From the Dolls-meets-the-devil opening title track to thedesperate Sister Lovers-adjacent finale "The Findings," TheInterrogator is thirteen vibrant, crackling, scary and hilarious songs which taken together represent nothing less than a thorough and thrilling moral inventory of our decadentand depraved times. Following up and doubling down on the themes of last year's lionized cult favorite For ExecutiveMeeting, Elizabeth Nelson has authored an album as politically potent and pointedly hilarious as antecedents like The Mekons' Rock `n' Roll and Neil Young's On the Beach and wed it to the sound of ZZ Top's Eliminator. As writers like Rob Sheffield and Robert Christgau have known for years, Elizabeth Nelson has been one of our very best songwriters for going on a decade. On the charged anthem "Bad Day for the Group Chat" she reassesses the current state of affairs: "I have bested all my peers.