Search "david haf" 3137 Items

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | UK | Original (Ndeya)

Jon Hassell

Listening To Pictures

31,99 €*

Release: 2018 / UK – Original

Genre: Organic Grooves

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Kingdoms In Colour Black Vinyl Edition

Maribou State

LP | 2018 | UK | Original (Counter)

Heart Of Saturday Nigh Remastered Edition

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Maribou State announce their new album “Kingdoms In Colour”, via Ninja Tune’s Counter Records imprint, their first full-length since 2015’s breakthrough debut album “Portraits”. The record features new single ‘Feel Good’ - a collaboration born of their friendship with Houston-based trio Khruangbin and a shared love of breakbeats, vintage surf riffs and a common desire to explore worldwide music cultures. "Sometimes a chance meeting plants the seed for something bigger,” say Khruangbin. “Such was the case when we met Maribou State at KOKO a couple of years ago. We are very happy to be involved in this project. And we ‘feel good’ already.”

The band continue their long standing relationship with Holly Walker who has previously vocalled fan favourites such as ‘Midas’, ‘Steal’ and ‘Tongue’. Also featured on the record is recent single ‘Turnmills’ - named after the legendary London club which closed its doors in 2008 - the release was accompanied by a sold-out ‘all-night’ DJ set at Corsica Studios raising money and awareness for the The Night Time Industries Association's #SaveNightlife campaign to protect the UK’s most vulnerable music venues from closure.

Today they also announce a new headline UK tour this Autumn. Returning with a 5-piece band, they play at London’s iconic Roundhouse on the 18th October. Ahead of this they will also embark on a string of European festival dates which include a headline show at Sonar By Day, Parklife Festival, Roskilde, Pukkelpop Festival, Nova Batida and recently DJ’d after Flying Lotus at All Points East festival in London.

Beginning life in 2011 as a project between Chris Davids and Liam Ivory, Maribou State had released a string of EP’s and singles before the arrival of debut album “Portraits” propelled them to the world stage. Spawning a live show that took them around the globe and included standout festival performances at Glastonbury, Bestival, a headline slot at Secret Garden party; a 32-date European tour with two sold-out London shows including the legendary KOKO; plus dates throughout Asia, Australia and America. They received radio support from the likes of Annie Mac, Zane Lowe and Gilles Peterson, addition to the BBC 6 Music A-list, a 5-show BBC Radio 1 Residency, a slot on the legendary BBC Radio 1 Essential Mix and performed a session Live from Maida Vale. Critical support came from the likes of The Guardian, I-D magazine and Vogue, with the album amassing over 80 million streams to date and drawing comparisons to acts such as The XX, James Blake & Mount Kimbie, as well earning them plaudits from the likes of DJ Koze and Bonobo.

This incredible success that followed the release of “Portraits” took Chris and Liam quite by surprise, “It was like Christmas every day” laughs Liam, “stuff like doing a show in Bangalore and having a crowd come and see us who knew the music and would sing all the words. It was an incredible experience”.

After more than a year of touring they returned to the UK to begin work on new material, but relocating their studio from The Shack - their home-built studio at the back of Liam’s garden in Hertfordshire - to a new base in London found them struggling to find their creative flow. The solution was to start looking outward and back over their journey of the past two years. They began making regular excursions out of the city, setting up a temporary studio space for weeks at a time, they started to piece together a “sonic collage” - drawing on ideas that were written while touring in places like India, and on field recordings from Asia, Australia, Morocco, America and beyond - the result of which is the stunning "Kingdoms In Colour”.

“The first album felt quite insular for us” says Chris, "not just in sound, but literally that it was all written in The Shack. We always had a bigger idea of what we wanted it to be, we wanted to create something that was palpable, that could in some way transport you to another country or another place entirely in your mind”. “The idea with Maribou State was always to draw on influences from different parts of the world” continues Liam "by traveling, sampling, recording, we wanted to create this all encompassing thing. Which is what this second record has ended up being for us”.

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Tom Waits

LP | 1974 | EU | Reissue (Anti)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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2LP | 2000 | EU | Reissue (Sony)

Craig David

Born To Do It

Release: 2000 / EU – Reissue

Genre: Pop

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Low (2017 Remastered Version)

LP | 1977 | EU | Reissue (Parlophone)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 2017 | EU | Original (Capitol)

OST Labyrinth

22,99 €*

Release: 2017 / EU – Original

Genre: Soundtracks

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“Labyrinth” is a soundtrack album by David Bowie and Trevor Jones, released on cassette and vinyl in 1986 for the film “Labyrinth”. The first audio CD release was in 1989. It was the second of three soundtrack releases in which Bowie had a major role, following “Christiane F.” and preceding “The Buddha of Suburbia”. The soundtrack album features Trevor Jones' score, which is split into six tracks for the soundtrack: "Into the Labyrinth", "Sarah", "Hallucination", "The Goblin Battle", "Thirteen O'Clock", and "Home at Last".

“Labyrinth” is a 1986 British-American adventure musical dark fantasy film directed by Jim Henson, executive-produced by George Lucas, and based upon conceptual designs by Brian Froud. The film revolves around 15-year-old Sarah's (Jennifer Connelly) quest to reach the center of an enormous otherworldly maze to rescue her infant brother Toby, who Sarah wished away to Jareth, the Goblin King (David Bowie). With the exception of Connelly and Bowie, most of the film's significant characters are played by puppets produced by Jim Henson's Creature Shop.

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OST Guardians Of The Galaxy Deluxe Edition

2LP | 2017 | EU | Original (Hollywood)

38,99 €*

Hans Zimmer & Lisa Gerrard

Release: 2017 / EU – Original

Genre: Soundtracks

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“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2” (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film Guardians of the Galaxy Vol. 2.

Featuring the songs present on Peter Quill's mixtape in the film and the separate film score album, “Guardians of the Galaxy Vol. 2” (Original Score), composed by Tyler Bates.

Featuring songs by Electric Light Orchestra, Fleetwood Mac, Sam Cooke, Glen Campbell, George Harrison, Silver, Cat Stevens, Parliament and The Sneepers featuring David Hasselhoff.

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OST Gladiator

2LP | 2017 | EU | Original (Decca)

38,99 €*

A World Of Masks Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Soundtracks

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Finally back on vinyl!

“Gladiator” is the original soundtrack of the 2000 film of the same name. The original score and songs were composed by Hans Zimmer and Lisa Gerrard and were released in 2000, titled “Gladiator: Music From the Motion Picture”. The Lyndhurst Orchestra performing the score was conducted by Gavin Greenaway.

The album won the Golden Globe Award for Best Original Score and was also nominated for the Academy Award and BAFTA Award for Best Score ("Anthony Asquith Award for Film Music").

“Gladiator” is a 2000 epic historical drama film directed by Ridley Scott and written by David Franzoni, John Logan, and William Nicholson. It stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Ralf Möller, Oliver Reed (in his final role), Djimon Hounsou, Derek Jacobi, John Shrapnel, and Richard Harris. Crowe portrays Hispano-Roman general Maximus Decimus Meridius, who is betrayed when Commodus, the ambitious son of Emperor Marcus Aurelius, murders his father and seizes the throne. Reduced to slavery, Maximus rises through the ranks of the gladiatorial arena to avenge the murders of his family and his emperor.

The film was released in the United States May , 2000, and grossed $457 million worldwide. The film won multiple awards, including Best Picture, Best Actor for Crowe and three other Oscars at the 73rd Academy Awards. It has also been credited with rekindling interest in entertainment centered around ancient Greek and Roman culture, such as Rome.

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The Heliocentrics

LP | 2017 | EU | Original (Soundway)

17,99 €*

LP | 1973 | EU | Reissue (Beat Goes Public)

Release: 2017 / EU – Original

Genre: Organic Grooves

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The Heliocentrics are a group for which genres are meaningless and boundaries invisible. Since first appearing on DJ Shadow’s 2006 album The Outsider the group have gone on to release a string of records that float through jazz, hip-hop, psych, krautrock, and musique concrete whilst collaborating with numerous genre heavyweights from Mulatu Astake to Gaslamp Killer and picking up prestigious fans along the way, such as Madlib and the recently departed David Axelrod.
The primarily instrumental group, who operate out of their vintage analogue studio in East London called the Quatermass Sound Lab, bring in a new singer on album number four - a young Slovakian singer called Barbora Patkova. The result is an album that takes the band, already solidified in ever-expanding grooves and rhythms into new previously unexplored dimensions.The group’s deep-set ability to craft music intuitively and impulsively stems from a desire to avoid typical processes or generic structures. Since its conception, the band’s music has mainly been created from live improvisation. This musical approach gives the band its own sound and identity -”for anything to happen it must be at that time from the people in the room, and on the spot”. A decade of such sonic adventures has resulted in a tightly knit bond that the group refer to as “almost a form of telepathy” with “musical changes that otherwise would be near impossible to write.”

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Funk Inc.

Superfunk

19,99 €*

LP | 2006 | EU | Reissue (Parlophone)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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produced by David Axelrod !

- "Message from the Meters" sampled by Eric B & Rakim for "Keep 'em Eager to Listen"

- "Goodbye, So Long" sampled by Brand Nubian for "Hold On",
Lench Mob for "All on My Nut Sac" and
YG for "Ghetto Celeb"

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David Gilmour

On An Island

41,99 €*

Release: 2006 / EU – Reissue

Genre: Pop

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2LP | 2024 | US | Original (Amish)

Primitive Art Group

1981-1986

44,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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This gatefold 2xLP is a combination of the group’s only two albums, consisting of one LP of Five Tread cuts plus “Cecil Likes to Dance” a never-before-released live recording from Thistle Hall (1984) and the full 1985 LP Future Jaw-Clap. This material that has been unavailable since mid-1980s. It is well documented that in the early ‘80’s New Zealand was awash with adventurous new music. Though sharing the kind of happy isolation and the DIY ethic with contemporaneous outfits like Flying Nun, South Indies and Xpressway, one band cut a decidedly different path. The Primitive Art Group, formed in Wellington, devoted itself to collective improvisation coming out of a jazz tradition. With the line-up of Anthony Donaldson (drums), David Donaldson (bass), Neil Duncan (saxes), Stuart Porter (saxes), David Watson (guitar), and originally with Pam Grey (on cello), the group’s relatively brief existence left a lasting impression on the New Zealand’s free music scene. Musically, there was no precedent in New Zealand for their combination of noise, collective playing and compositional freedom. Gary Steel from the local music rag TOM, wrote “The first time I saw the Primitive Art Group they blew my tiny mind… Great sheets of architectural noise coming at you from the stage. Where else would you see free music in New Zealand in the early 80s? You just didn't.” The band’s five-year lifespan was non-stop activity: rehearsing, touring, the creation of Braille Records (their own record label which released ten LPs), dance and theater work, appearances at music festivals, and hosting two hugely influential national festivals of improvisation at Thistle Hall, Wellington. In 1984, Primitive Art Group spent a week making their first recording, an ambitious double LP, Five Tread (Braille 001) which had only a single pressing and sold-out locally. One year later they were back in the studio making their second album, Future Jaw-Clap (Braille 002). This outing contained tighter pieces, as the band widened its repertoire with nods to broader influences and antecedents. In 1986, The Primitive Art Group gave their last concert at the Wellington Town Hall, just a half mile from Rawa House and the legendary Thistle Hall where their first shows had taken place. The band’s Braille Records’ recordings have never been released outside of New Zealand, nor have ever been available digitally. As Thurston Moore writes, “these are magic time capsule, lost-n-found recordings, previously shared only by deep-diving record collector aesthetes”. The group’s brief tenure has continued to inspire new generations of improvisers, but nothing has ever quite matched the visceral blast of the Primitive Art Group’s arrival on the scene. Every member of the group has carried on doing creative work at the highest levels: scoring films, making art, mentoring, organizing, touring and always playing.

· Gatefold 2xlp of improv / free jazz from legendary Wellington, NZ group Primitive Art Group originally released between 1981-1986 · Available on LP for the first time since 1985 · Includes one never-before released live song · Features guitar playing of NY-based David Watson who has worked with artists such as Phil Niblock, Lee Ranaldo, Marc Ribot, Christain Marclay + · Album liner notes by Thurston Moore (Sonic Youth) and Bruce Russell (Dead C)

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Yellow Productions: A French Touch By Bob Sinclair & DJ Yellow

3LP | 2024 | EU | Original (Qagram / Balagan Music / Yell)

48,99 €*

More Than A Dream Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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To celebrate the 30th anniversary of bob sinclar's iconic label, Yellow Productions, step into the catchy world of the french touch with an exceptional and limited boxset with 3 LP vinyl records plus a poster. Discover hits, unreleased nuggets and rare tracks ranging from house to trip-hop, jazz and hip-hop. Discover some of the biggest names on the electronic music scene : Like Dimitri From Paris, Dj Gregory, Kid Loco, Martin Solveig and David Guetta!

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David R. Jones

12" | 1991 | EU | Reissue (I.D. Limited)

16,99 €*

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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Live At River Plate 50th Anniversary Golden Vinyl Edition

AC/DC

3LP | 2012 | EU | Reissue (Sony Music Catalog)

53,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Flick Of The Switch 50th Anniversary Golden Vinyl Edition

AC/DC

LP | 1983 | EU | Reissue (Sony Music Catalog)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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12" | 2024 | EU | Original (Theory Of Swing)

St. David

Old School Jams EP

7" | 2024 | EU | Original (Hits38)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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fter the great success of his previous “Club Swing EP” , Label boss St. David returns on his own Theory Of Swing for the 10th release with another pumping 90s banger EP called “Old School Jams”.

If you enjoyed the Hardcore Hip House sound of DJ International, Hot Mix, Trax Records or the 90’s house rave sound, this is a must have to not miss.

Written, Mixed & Mastered by St. David at TOW Records Studio in Bari, South Italy

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Wayne Smith

Under Me Sleng Teng

LP | 1968 | EU | Reissue (Wiseraven)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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The facts behind Wayne Smith's "Under Mi Sleng Teng" is deliciously interesting. This instrumental changed the course of reggae music forever, churning out a plethora of digital riddims on its heels. Wayne Smith and Noel Davey originated the digital sound using a Casiotone Mt40 Keyboard, the riff being a sample from "Hang Onto Yourself" from David Bowie's Album Ziggy Stardust. Casio's employee Okuda Hiroko improved the riff for the Casiotone keyboard and the Jamaican youths tinkered creating an everlasting anthem under the masterful hands of Lloyd "Kings Jammy" James. This fresh and dynamic sound drew many outside of Jamaica to the genre of dancehall. At this time the 18 year old Wayne Smith had been on the reggae scene for some time voicing dubs for sound systems, even releasing two full albums by the time he was 14. Barrington Levy's dancehall hit "Under Mi Sensi" was his inspiration for "Under Mi Sleng Teng". The song's success heralded a historical milestone revolutionizing the sound of reggae and also the way in which dancehall songs were recorded. Up until that time the artist would approach the studio with a song taking along the lyrics and the instrumental, but the Sleng Teng hit created the role of the digital engineer who churned out sturdy computerized riddims and then invited artistes to voice. To date there are more than 500 titles using the Sleng Teng instrumental.

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Tim Hollier

Message To A Harlequin

7" | 2024 | EU | Original (Tramp)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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An acid-folk masterpiece finally revealed ! When two worlds collide here’s where the legacy of Tim Hollier begins, his first album was released on United Artists in 1968 and this long overdue re-issue is a definitive statement of the master genius. Guest on the opening night of a Beckenham folk club run by his friend David Bowie, Hollier recorded ‘Message To A Harlequin’ with the assistance of Donovan arranger John Cameron. Hollier was also a regular on London's folk club circuit for several years alongside the likes of Paul Simon, Al Stewart and Nick Drake. Here’s your chance to finally grab his visionary songwriting.

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The Shake And Bake Band

Shake And Bake

Nancy In London Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Tramp Records International proudly presents: The 1975 Baltimore Colts Glenn Doughty and his All-Pro Shake & Bake Band! In 1975 Glenn "Shake & Bake" Doughty Wide Receiver for the Baltimore Colts formed the Shake & Bake Band. Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history!

Doughty is a Detroit 'Motown' native and All-American from the University of Michigan, that was recently crowned national champion and the winningest college football program in Ncaa History. Doughty and his four world-class athletic teammates formed the heart of the band. The Shake & Bake Band in the mid 70s played live at Baltimore's hottest Clubs with teammates in attendance on Monday nights after Shakin' & Bakin' their opponents on Sunday at Memorial Stadium. Doughty's sports hero was Muhammad Ali. He originated the popular Shake & Bake athletic movement scoring touchdowns. He recited Shake & Bake poetry like Ali to make predictions after games on local and national TV to celebrate Colts victories. His lyrics in his music were used to fire up thousands of his Colts fans and his teammates. Many fans felt the group sounded like WAR the popular funk group from California. Members of the Shake & Bake Band were: Glenn "Dr. Shake" Doughty #7, All-Time Colts leading Wide Receiver, producer, lead singer, congas and lyrics, Ray "RC Cola" Chester, All-Pro Tight End, Super Bowl Champion, Bass, Baltimore, Maryland, David "dt" White, Wide Receiver Lead Guitar, producer, sound technician. Buffalo N.Y., Lloyd "The Bullet" Mumford, Defensive Back Harmonica, Miami Florida, Freddie "Bones" Scott, All-Pro Wide Receiver on percussion, Grady Arkansas, and Bruce "Turn it Loose" Barnett, Drummer and shoe salesman. Randallstown, Maryland. This group of talented stars lead the Colts to its first ever three consecutive Eastern Division Championships.

Between 1975 and 1977 they also became the first group of pro athletes to create two records while playing football together for a NFL team. Their debut 7-inch single from 1976 was cut at 33 1/3 RPM due to the length of the songs. "Shake and Bake Pt.1" lasts for 4:30 minutes while Part 2 stretches out to an incredible 7:00 minutes!

Additionally, "Shake and Bake Pt.1&2" will be featured on the forthcoming "Movements Vol.12" compilation album, due September this year.

Key selling points:
- limited to 500 copies!
- deluxe picture sleeve edition!
- official re-issue, done in cooperation with Glenn Doughty!
- Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history!

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Nancy Sinatra

LP | 1966 | US | Reissue (Light In The Attic)

39,99 €*

The Peel Sessions Coke Bottle Clear Vinyl Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”

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Aerial M

LP | 2024 | US | Original (Drag City)

34,99 €*

They Could Have Been Bigger Than The Beatles (Restored Art Edition)

Release: 2024 / US – Original

Genre: Rock & Indie

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For those of you who"ve mislaid your history goggles, this archival release recalls an ancient time in the world of recorded music. Yes, back in the dinosaur days of the 1990s, a creature known as Aerial M walked the earth, before evolving into Papa M and PAJO and beyond and back. Even then, the music of M had a next-wave vibe, walking upright among the knuckle-draggers (and having drinks in the evening with others of its genetic detatchment). It was too much to last very long, of course - but some things end up lasting forever, don"t they? Fuck! So it is today that Drag City, an organization largely set up to bring you the best of all available M recordings, is proud to be there for the release of the only Aerial M session ever recorded for John Peel"s BBC Radio One show, as it was originally recorded on 3rd March 1998 and broadcast on 2nd April of the same year.The studio versions of these songs, which appear on Aerial M"s S/t album (DC114) and Papa M"s Hole of Burning Alms comp (DC231), were played by "M" himself (now revealed to be David Pajo!), which makes this album a rare alternative view of the canonical M, played by an actual Aerial M band who, all too briefly, embodied the sound for a year or so before Papa brought a brand new bag.This Session found them fortuitously roadburned from several weeks in the European Theatre. So much the better for our archival ears, as OG-M"s signature minimalist long-fuse sizzle is thrillingly intact here; in fact, even more so, as the tunes are jammed out past the studio versions" originally delineated borders, reaching rudely across the table in moments of liveness that the studio-bound project might have decided against when conferring only with the walls.For fans of their epic version of "Turn Turn Turn", this is more sweetmeats from that raucous old skull - but if you"ve not been down this road before, be prepared: the taste will set you slowly aflame. And then, before you know it, the band is dined and dashed - just like the band that Aerial M w...

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Television Personalities

LP | 1982 | UK | Reissue (Fire)

Horse Black Vinyl Edition

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Originally released in 1982, ‘They Could Have Been Bigger Than The Beatles’ was the influential band’s third album. A collection of singles, demos, outtakes and rarities that was intended to mark the band's breakup in 1982, had they not got back together again so soon. This 2024 reissue comes with faithfully restored artwork, from one the album’s original hand painted sleeves.

The record features ‘David Hockney's Diaries’, ‘The Boy In The Paisley Shirt’ and ‘Psychedelic Holiday’. With the formidable Daniel Treacy at its core, Television Personalities remain one of new wave’s longest serving and seminal artists, with a career spanning over three decades. The indie pop visionaries have influenced many people across the industry including Pavement, The Lemonheads, Fat White Family, Mgmt and Creation Records’ Alan McGee.

“Its scope is incredible, its ambition outstanding and its heart damn near broken.” Melody Maker.

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Horse

LP | 1970 | EU | Reissue (Guerssen)

12" | 1992 | EU | Reissue (Glossy Mistakes)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Psychedelic hard-rock with occult overtones by this London based band featuring drummer Ric Parnell (Atomic Rooster, Spinal Tap…) This is their sought-after sole album, originally released in 1970 and housed in a cover designed by Roger Wootton of Comus. Horse formed in 1968 when former high school friends Rod Roach and Adrian Hawkins started writing songs together. Rod had previously played lead guitar with various groups (included a brief stint with Andromeda). Horse final line-up was established in early 1969 with Adrian Hawkins on vocals, Rod Roach on guitar, Colin Standring on bass and Ric Parnell on drums. Horse started gigging around London, sharing stage with acts like Deep Purple, Joe Cocker and David Bowie, soon establishing a large following due to their exciting live shows. After receiving interest from several record companies, they finally signed with RCA Records. The Horse self-titled album was recorded at Olympic Studios, produced by Rod Roach, and released in 1970. It’s a fantastic example of post-psychedelia and early hard-rock / proto-metal, dominated by Roach’s killer fuzz-wah guitar and Hawkins powerful vocals. Including tracks like the occult themed “The Sacrifice” and more!

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FSOM

Melodia

16,19 €* 17,99 € -10%

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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Reissue of Future Sound of Melbourne's iconic "Melodia" EP. Originally released in 1992 as a maxi two song record, and now added two extra bonus tracks, this timeless collection of tracks, meticulously remastered by Damian Schwartz, promises to ignite dancefloors festivities with its infectious blend of techno, rave house, and breakbeat piano anthems. Bursting with retro-futuristic energy, each track transports listeners to the golden era of electronic music while retaining an undeniable contemporary allure.

Formed in 1990 by bass and drum producer Davide Carbone, bass guitarist and vocalist Josh Abrahams, and acid house DJ Steve Robbins, Future Sound of Melbourne crafted a sonic legacy that continues to resonate with audiences worldwide.

The EP kicks off with "Alien," a high-octane journey through techno's upbeat 90s soundscapes, setting the stage for an exhilarating sonic adventure. "Heaven" follows suit, delivering a euphoric rave house anthem guaranteed to lift spirits with its infectious energy. Next up is "Melodia," a breakbeat piano banger that harkens back to the glory days of underground raves, its infectious rhythms and haunting melodies captivating listeners from start to finish. Rounding out the EP is "Melodia 95," a reimagined version that offers a fresh perspective on the timeless classic, showcasing FSOM's versatility and innovative spirit.

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12" | 2024 | EU | Original (Sosilly Edits)

Ep Number 6

12,99 €*

Another Day Milky Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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We're back! And we've brought some local aussie legends to join us on a cosmic outback bush boogie with 4 x epic dub-olicious, psych rock, Afro disco jams. On the A-side is the Space Jockeys who consist of Ash Moses (Tunnel Signs) and David Smith of mid 80's and 90's seminal dance act 'Boxcar' fame. If you don't know who Boxcar are then you need to hit that search tab and get familiar! Space Jockeys deliver an epic twist on Kingdom Comes - Time Captives, followed by Barney In The Tunnel with their take on classic Australian psych rock group The Ferrets - Tripsville. On the B-side Jerk Boy delivers some JB Edit re rubs of Snakeskin Tracksuit by African Head Charge followed by Super Mama Djombo's funky number tittled Dissan Na M'bera. JD Twitch (Optimo) - super good Charles Webster - headcharge edit is my fave here....thnx Fred Everything - Sankeskin and Time Captains for me thanks! Rob Da Bank () - wondrous music! Kenny Carpenter - Love this track. Horse Meat Disco (Severino) (Severino) - yeeeeees DJ Coco (Nitsa / Primavera Sound) - great, thanks!

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Fucked Up

LP | 2024 | US | Original (Fucked Up)

Beresford, Steve & Beretta, Anne Marie

Release: 2024 / US – Original

Genre: Rock & Indie

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Fucked Up formed in 2001 in Toronto, Canada. Meeting each other through the local diy hardcore punk scene they developed a cult following early on which blossomed into a long career of releasing genre expanding music.

"Another Day" is their 7th full length album, they have released over 60 7” singles, countless hours of open-format guitar music, and toured consistently all over the world since early in their career.

Their first three LPs, “Hidden World,” “the chemistry of common life,” and “David Comes to Life” have all been canonised as classic, critically acclaimed, genre defining efforts. The three to follow, “Glass Boys,” “Dose Your Dreams,” and “One Day” have challenged expectations in scope, style, and delivery, the latter which was written and recorded within the span of 24 hours.

Alongside their LPs, the band have been releasing their more experimental “Zodiac” series since 2006. Fucked Up have released 9 12”s of compositional, genre-less, long format songs (20mins plus) corresponding to the Chinese Zodiac, diving ever deeper into narrative forms including a 4 act opera (year of the horse), a musical palindrome (“onno”).

Fucked Up has toured the world extensively and under extraordinary circumstances – a vegetable oil powered school bus through the mountains of the American West Coast, a literal slow boat to China across the sea of Japan, and of course a humble van on any highway that will have them – and bring the same idiosyncrasy to the stage that they do to their records.

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Dancing The Line

LP | 2024 | EU | Original (Wewantsounds)

34,99 €*

Bag | 2024 | UK | Original (I9m)

Release: 2024 / EU – Original

Genre: Pop

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Wewantsounds is delighted to announce the reissue of Steve Beresford"s highly sought-after album "Dancing the Line", released in France in 1985 on the French label nato. The album, taking its inspiration from French designer Anne Marie Beretta"s fashion, features his Alterations acolyte David Toop plus Alan Hacker and Kazuko Hohki (Frank Chickens) with lyrics by Andrew Brenner. The music mixes sophisticated ambient pop powered by a RX11 drum machine with elements synth funk and experimental music. "Tendance" and "Comfortable Gestures" have become underground classics over the years and this is the first time the album is reissued.

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Ability II

Rediscovered

22,99 €*

2LP | 2024 | EU | Original (Black Truffle)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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UK artist David Duncan recorded only one EP as Ability II and it recently got reissued and soon snapped up. Now, much to the delight of fans of the man behind the classic tune 'Pressure Dub' he is back. This album features an exclusive collection of tunes he made back in his heyday in the 90s, none of which were related at the time, and none of which you will have ever heard before anywhere. They feature his signature sound designs across seven cuts that sound as futuristic now as they ever could as they combine jacked-up house, techno and tech into scintillating and dub-weighted sounds for the club.

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David Rosenboom

Future Travel

47,99 €*

LP | 1972 | UK | Reissue (Westbound)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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THE RECORD INCLUDES A 12-PAGE BOOKLET WITH NOTES ABOUT THE ALBUM

Black Truffle is thrilled to present the first vinyl reissue of David Rosenboom’s unique Future Travel, originally released on the short-lived Detroit label Street Records in 1981 and here presented in an expanded edition with an additional LP of wild, previously unheard live and studio material from the same period.

Future Travel emerged from the confluence of two important streams in Rosenboom’s work at this time. First, his exploration of ‘propositional music’, defined as ‘complete cognitive models of music’ that start from the radical question, ‘What is music?’ In this case, the music belongs to the universe of Rosenboom’s In the Beginning (1978-1981), in which proportional relationships determine the material available to the composer in all musical parameters (harmonic relationships, melodic shapes, rhythmic subdivisions, dynamics, and so on). Second, the work documents a key moment in Rosenboom’s long collaboration with synthesizer pioneer Don Buchla. Having played a role in developing concepts for some of the modules of the Buchla 300 Series Electric Music Box (an innovative analogue modular system controlled by micro-processors), Rosenboom went on to write the software for Buchla’s hybrid analogue-digital keyboard synthesiser, the Touché, the instrument heard most prominently here.

In a way that no purely analogue synthesizer could, the 300 Series and Touché allowed Rosenboom to work with the In the Beginning algorithms in real time, the synthesizers becoming ‘intelligent instruments’ that actively collaborate with the performer. Developing the open structures of the electronic pieces from In the Beginning, Future Travel explored the possibilities of simply ‘playing the system’, recording live at Francis Ford Coppola’s Zoetrope studio in San Francisco. Working from loose sketches, Rosenboom added acoustic instruments to the electronic sounds and, on some pieces, the processed voice of Jacqueline Humbert. Like Rosenboom’s collaboration with Humbert on the abstracted synth-chanson of Daytime Viewing, this music set out deliberately to challenge the ‘stratified and illusorily coagulated identities in the musical culture of the time,’ refusing distinctions between ‘serious’ and popular music. But where Daytime Viewing achieves this in part through genre references, Future Travel is bracingly sui generis, existing in a unique universe where radical formalisation à la Xenakis spontaneously gives rise to expressive jazz harmonies and old-timey folk melodies.

The crystalline quality of many of the Touché sounds gives Future Travel a sparkling, immediately enticing surface, its layers of shifting ostinato patterns pulsating outside conventional meter, rippling like waves on the surface of water. On opener ‘Station Oaxaca’, ping-ponging synth arpeggios and hand percussion accompany a sentimental violin melody, abruptly overtaken by layered keyboard runs, before the entry of tinkling marimba-like sounds reframe the scene as sci-fi Martin Denny exotica. ‘Time Arroyo’ begins as an austere study in staccato synth sounds in multiple overlapping tempi, reminiscent of Ligeti’s famous ‘clock’ rhythmic effects. Before long, it opens up into a melodic passage with the gentle heroism of classic Roedelius, which proves to be only a brief interlude before the layers of rhythmically distinct synthesiser patterns begin to build and accelerate into an increasingly dense cacophony. The wildest twists and turns are saved for the epic closer ‘Nova Wind’, where the arrangement focuses on Rosenboom’s virtuoso piano playing, perfectly embodying the project’s radical disregard of stylistic orthodoxies as he moves from hyperactive pointillistic flurries to a kind of space-age gospel.

At several points throughout the record, the distinctive voice of Jacqueline Humbert is heard reading passages from the text component of In the Beginning, a dialogue between The Double (an embodiment of humanity’s timeless desire to replicate itself in spiritual and technological copies) and two Spirit Characters. Fittingly, as all are conceived as embodiments of a future form of techno-human collective consciousness, distinctions between the three characters are not immediately evident in Humbert’s delivery, just as the music blurs the boundaries between intelligent computing and human spontaneity. Adorned with a striking retro-futurist cover (and here accompanied by extensive new liner notes and archival images), Future Travel is a time capsule of radical imaginings at the birth of our digital age, reminding us of utopian possibilities of which our own present seems so often to fall short.

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Fatback Band

Lets Do It Again

19,19 €* 23,99 € -20%

Expansions & Everybody Loves The Sunshine 2024 Repress

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Formed by drummer Bill Curtis in 1970 the Fatback Band signed to Perception Records who issued this debut album in America in 1972.Recorded at Blue Rock Studio in New York, “Let’s Do It Again” featuring the soon to be patented Fatback sound, the album included originals like ‘Street Dance’ – that became a Billboard R&B hit in 1973 – ‘Free Form’, ‘Take A Ride (On The Soul Train)’ , ‘Give Me One More Chance’, ‘Goin’ To See My Baby’ and the title track. There were also cover versions of Jimmy Webb’s ‘Wichita Lineman’, David Gates ‘Baby I’m A Want You’ and the evergreen ‘Green Green Grass Of Home’. SIDE ONE1. STREET DANCE2. FREE FORM3. TAKE A RIDE (ON THE SOUL TRAIN)4. WICHITA LINEMAN5. BABY, I'M A WANT YOUSIDE TWO1. LET'S DO IT AGAIN2. GOIN' TO SEE MY BABY3. GIVE ME ONE MORE CHANCE4. GREEN GRASS OF HOME

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Ghost

7" | 2022 | US | Reissue (Star Creature)

15,99 €*

LP | 1973 | US | Reissue (Numero Group)

Release: 2022 / US – Reissue

Genre: Electronic & Dance

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The original pressing sold out within a month and then we found some copies in August of 2022. Itâ€™s been out of stock and out of print since then. Now a limited repress back in stock. Two bananas version of two jazz-funk classics reworked by DAVID ZYLBERMAN (AKA GHOST) from EGYPTIAN LOVER's spaced out synthfunk backing band. New school, breakbeat electro-jazz-funk house future classics of "EXPANSIONS" and "EVERYBODY LOVES THE SUNSHINE".

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The Family Circle

Familiy Circle

23,99 €*

Mountain Of Piss Clear Piss-Yellow Vinyl Edition

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Family Circle’s 1973 LP draws a tight ring around the most beguiling soul tropes of its era, with its full house of ambitious players and hook-laden originals. Newark, New Jersey’s Simmons siblings—George, James, Mary, Don, and David—rallied around journeyman arranger George Andrews and business maven/producer Randy Irwin, whose industry ties brought studio luminaries into the Simmons orbit: session guitar giant Cornell Dupree, guitarist/songwriter Billy Vera, and the inimitable Bernard “Pretty” Purdie on drums. Charles Simmons’ “Well Runs Dry” dipped several toes into Jackson 5-saturated waters, while “I Hope You Really Love Me” stayed together with the Al Green ethos. Where the bowling, basketball, and karate-obsessed Simmons fivesome was hitching to—thumbs unfurled and dressed to impress in Central Park on Family Circle’s back cover—is anyone’s guess, but their sparkling, layered sound, gospel-honed vocal chops, and instantly relatable melodies should’ve dropped them off on everybody’s turntable. Give Family Circle a lift, drive ‘em around awhile.

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Cosmic Psychos

LP | 2021 | EU | Reissue (Subway)

Songwriter Indie Exclusive Black & White Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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For the Australians' anniversary European tour, the follow-up to the 2018 comback "Loudmouth Soup" from 2021, now for the first time in European pressing! Pure piss yellow vinyl, carefully coloured by Subway Records. In their 40-year career, Cosmic Psychos have recorded absolute anthems: 'Hooray Fuck', 'David Lee Roth', 'Down on the Farm', 'Go the Hack', 'Nice Day to Go to the Pub', 'Fuckwit City' and many more. And the 2021 album contains many songs that will be performed re...

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Johnny Cash

LP | 2024 | CZ | Original (Ume)

Reflections Vol. 2: Black Decelerant

Release: 2024 / CZ – Original

Genre: Rock & Indie

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Das Album Songwriter entstand im Jahr 1993 als Cash ein Album mit selbst geschriebenen Songs aufnahm. Jedoch vergaß er dieses Album prompt wieder, als er bei American Recordings unterschrieb und sich daraufhin nochmal einer komplett neuen Generation von Fans als einer der besten Songwriter der Welt präsentierte. Diese (fast) vergessenen 11 Songs des Songwriters wurden nun von seinem Sohn John Carter und dem langjährigen Produzenten von Cash, David Ferguson, überarbeitet. Diese sind nun erstmalig als LP verfügbar.

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Black Decelerant

LP | 2024 | US | Original (Rvng Intl.)

My Light, My Destroyer Pink Clear Wave Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Black Decelerant is the second installment of Reflections, a series showcasing contemporary collaborations orchestrated by RVNG Intl., recently inaugurated by Steve Gunn and David Moore.Black Decelerant, the duo of Khari Lucas, aka Contour, and Omari Jazz, explores jazz traditions, improvising with synthesizers, guitars, and electronics as a practice laid forth by their musical ancestors. This experience allows for sonic meditations on themes such as Black being/nonbeing, mourning/life, expansion/limitation, and the individual/the collective. The two strive to create a sonic surface which can simultaneously allow Black listeners a place to be still, and to serve as a basis for a movement beyond "the moment." The album's ten compositions configure vast, resonant landscapes with signals, weathers and spirits, suspended in memory and distilled in time. The Black Decelerant machine recalibrates archival relics and acoustic impulses into collages of amalgamated timbres, where harmony exists not without discordance. Across the expansive space of the record, cadent storms of modulated sound ascend beside serene melodic spells. Piano keys and bass lines tumble in free fall throughout the release, accompanied on tracks "two" and "eight" by the spectral trumpet improvisations of Jawwaad Taylor.The duo arrived at their name upon reading Aria Dean's Notes on Blacceleration, an article which explores Accelerationism within the context of Black being or non-being as a foundational tenet of capitalism. Coupled with the record's intended effect, "Black Decelerant" references the music being an invitation to slow down, while hinting at the shared politics between themselves and the artists and thinkers who inspire them.

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Cassandra Jenkins

LP | 2024 | US | Original (Dead Oceans)

Pajko, Fire In The Forest On The Mountain

Release: 2024 / US – Original

Genre: Rock & Indie

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Cassandra Jenkins is quite simply one of the best songwriter-storytellerscurrently making music. Hers is a specific and singular corner of the Great AmericanSongwriters, artists like David Berman, Adrianne Lenker, Jeff Tweedy and Sufjan Stevens.They're artists connected by a sense of immediacy, not just in the writing - which is precise,evocative, brutal at times, pitch-back funny right when you need it - but by their delivery, bythe way they sing with an immersive, total belief that carries you through their songs. Theseare the artists and songs that sneak up and really live with us forever, and on My Light, MyDestroyer, Jenkins joins their ranks.What's most remarkable about My Light, My Destroyer is it captures anartist at an exciting leap in her evolution. So much about the album feels of-a-kind with itspredecessors; field recordings and found sound permeate, narrative songwriting crashesinto heady, swirling compositions. Jenkins sings with what can only be described as a powerwhisper(think Sufjan Stevens, Annie Lennox, Margo Timmins or YHF-era Tweedy), hervocals up close and intimate but subtly confrontational. But it all feels bigger here, morefinely honed, bolder and richer than her previous work and than her peers.Born and raised in New York City, Jenkins has been touring and performingsince she was a child, self-releasing her early recordings before releasing breakthrough AnOverview on Phenomenal Nature in 2021. On My Light, My Destroyer, many of the songs aredevoted to specific feelings, and to really getting inside those feelings as opposed to gettinginside a narrative arc. Lead single "Only one" is one example, as Jenkins's asserts that amoment, or a song, can be wholly myopic; it can embody a singular feeling, and provides noanswers.Songs like Devotion, Delphinium Blue, Clams Casino, Echo, and Only One,speak to the liberating quality of focused observation, even to the point of disillusionment."There's this idea about disillusionment that I've held on...

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Sokratis Votskos Quartet

LP | 2024 | UK | Original (Fair Weather Friends)

37,99 €*

Into The Blue Frosted Coke Bottle Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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A few words for the album Moment’s Aeternity: a 12/8 composition celebrating the raw power of the “moment”, marked by whirling improvised moments between drums, bass clarinet and Harris P’s Armenian duduk.

Pajko, fire in the forest on the mountain: in Sokratis own words: “I have a really vivid memory as a child. I was staring at the Djena mountain from my window in Archangellos which sits on the Pajko mountain. A little beam of light shone far in the horizon; it was a fire that in my little eyes looked as if the giants of Almopia were trying to communicate with each other using phryktoria (a way of contacting through fire in Ancient Greece).”

Footprints of some Giant Steps: While the classic compositions of two true Jazz Giants- Wayne Shorter and John Coltrane- are certainly different, they do both connect in a mystical way. Rearranged in 5/8 combining half of each melody and half of each one’s chord progression, keeping the form of the piece for improvisation, still in 5.

Oson Zeis Fainou (Seikilo’s Epitaph): found in a tomb stone in the Northeast of Greece, this is the only melody saved from the ancient times. It is accompanied by lyrics contemplating the meaning of life: Ὅσον ζῇς φαίνου μηδὲν ὅλως σὺ λυποῦ πρὸς ὀλίγον ἐστὶ τὸ ζῆν τὸ τέλος ὁ xρόνος ἀπαιτεῖ. ‘’While you live, shine don’t feel blue for anything because our life is short and time demands an end.’’

Here is to Oghene K: ’’Hey man, where is the groove?’’, he would say, just to trigger another wave of inspiration for Sokratis. Oghene was a true force of nature, a well of kindness, a masterful artist that left this world too early. This one is for him.

Balkan Riff (for Milcho Leviev): Milcho Leviev (1936-2019), was a long-time friend and collaborator and a true inspiration for expression, creativity and colorfulness. Expressing the deep sentiments evoked by the Balkan sound and history, this is a sorrowful dialogue between bass clarinet and contrabass.

Spirits of Djena: one of the most esoteric and personal moments of the album. Composed and recorded during the challenging times of the COVID-era, you can hear the baritone and tenor saxophone firmly grounded on a crispy, hypnotizing contrabass groove.

Sokratis Votskos Quartet Kostas Anastasiadis / Giorgos Klountzos - Chrysidis: Drums Leandros Pasias: Piano Vaggelis Vrachnos: Contrabass Sokratis Votskos: Soprano Saxophone, Bass Clarinet and Compositions

Sokratis Votskos is a jazz saxophonist, clarinetist, composer, educator, and bandleader from Greece. Deeply invested in unearthing the folk sounds and heritage music of Greece and Eastern Europe, he weaves these into modern jazz compositions though the use of melodies, polyrhythms, and his reedy, timeless tone. He leads the Sokratis Votskos Quartet, he is one half of Kolida Babo and member of the Reggetiko Project. A highly regarded sideman and ensemble player, he has worked extensively with renowned jazz musicians with several highly acclaimed releases (MiC, Jazzman, Walt Disney and now Fair Weather Friends Records).

He has performed his music in numerous venues and festivals worldwide from Vinterjazz in Copenhagen, to the EFG London Jazz Festival where he performed at the legendary Ronnie Scott’s alongside Greg Foat.

He is also an archaeoacoustics researcher and enthusiast, having completed his Master studies on the field of ancient ritualistic caves of Greece research.

Leandros Pasias was born in Thessaloniki, Greece. At age 10 was introduced to piano, continuing his studies at the Modern Conservatory of Thessaloniki and later at the Conservatorium van Amsterdam in the department of jazz piano.Ηe holds a classical harmony diploma and a BA at the Department of Music Studies at the Aristotle University of Thessaloniki. In 2020 he received jazz improvisation lessons from Aaron Parks.

With a series of appearances in multiple international jazz festivals, Leandros has collaborated with a wide range of musicians from Nicolas Masson and James Wylie to Marina Osk, Ivo Papasov and Haris Lambrakis, among others.

A member of the Yako Trio, he released “OdesSea” on Fair Weather Friends Records (2021).

Vangelis Vrachnos was born in Thessaloniki, Greece, in 1989. While he started playing the bass at the age of 12, alongside his brother, his studies would commence a few years later. Introduced to double bass at the age of 23, he undertook jazz double bass studies at the Codarts Αcademy of Rotterdam. He has participated in several festivals such as the Technopolis and Odessa international jazz festivals. Since returning to his hometown, in 2015, he has been a founding member of Mordana and Yako Trio and has collaborated with a series of musicians like James Wyllie, Sokrates Votskos and Dimitis Agelakis, among others.

Kostas Anastasiadis is a tireless researcher, that has been diligently studying Tradition and its evolution, creating a fresh amalgam of sound moods. His mature improvisational virtuosity highlights a uniquely individual artistic expression and was recognized with the ̈Unique Individual Stylist" award by the PIT (Percussion Institute of Technology) in Los Angeles, California. He has been associated with various ensembles that have garnered significant interest in the global music scene. As an educator, he is the founder of "The Harmony of Rhythm" musical method, which aims to explore and establish the elements that constitute the concept of rhythm.

Giorgos Klountzos-Chrysidis was born in Thessaloniki in 1991. Following studies at the Modern Conservatory of Thessaloniki, he moved to France and the Conservatoire de Nice. With performances at well-known festivals like Nice Jazz Festival, Nuits du Sud and Jazz à Vienne, he had the opportunity to meet the American drummer Leon Parker, who encouraged him to move to Paris, where he spent the next two years under his tutoring and guidance.

In 2016, came a defining moment in his career as he traveled to New York for the first time. He participated in the quartet of saxophonist Diego Rivera for a series of performances and attended lessons by Rodney Whitaker and Randy "Uncle G" Gelispie at Michigan's State University.

Collaborations include Xavier Davis, Ricky Ford, Nicolas Masson, Diego Rivera, Craig Bailey, Baptiste Herbin, Marc Abrams, Pantelis Stoikos, Antonis Anissegos, David Lynch, Ziad Rajab and Ivo Papasov, among others

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Aaron Frazer

LP | 2024 | US | Original (Dead Oceans)

29,44 €* 29,99 € -1%

12" | 2024 | UK | Original (Nunorthern Soul)

Release: 2024 / US – Original

Genre: Organic Grooves

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"Into The Blue is the clearest portrait of who I am as an artist. It's me through and through," says multi-instrumentalist Aaron Frazer. A daring blend of soul, psychedelia, spaghetti western, disco, gospel and hip-hop, Into the Blue represents the impressive range of Frazer's sonic talents. Frazer maintains the unmistakable falsetto and classic songwriting he's known for, but plants Into the Blue firmly in the now with a hip-hop mentality at its core, weaving together genres and production techniques to form something new. Into The Blue was conceived, like so many classic records, out of actual heartbreak. Frazer moved cross-country from Brooklyn to Los Angeles and embarked on a journey that's reflected in the album's themes of grief, loneliness, and searching for healing. "Into The Blue really means heading into the unknown. That has been the last year of my life and I'm still in the blue," Frazer explains. "But there are also songs here that celebrate love and the giddiness of a new relationship and all that. That's part of a breakup to me, processing the whole thing, remembering the things that were right as much as the things that were wrong." Frazer wrote on every track and played several live instruments on the album. The title track, "Into The Blue", is a haunting, resolute anthem, combining cinematic strings and tough-as-nails breakbeats as Frazer heads west. "Here I go, to a place where the broken heart knows," he sings. "It's all I can do. Back into the blue." "Payback" is an explosive dancefloor heater, featuring shimmering tambourines and driving bass lines. Northern soul drums meet snarling fuzz guitar, hurdling towards its epic conclusion. The album features moments of towering arrangements, recalling David Axelrod and Ennio Merricone, balanced by rawness, incorporating iPhone recordings and one-take vocals. For Into the Blue, Frazer enlisted Grammy-winner Alex Goose as coproducer, known for his crate-digging samples and collaborations with hip-hop artists like Freddie Gibbs, Madlib and Brockhampton. Frazer also experimented with samples for the first time on a record, drawing from unexpected sources like 90s R&B group Hi-Five. Though Into the Blue is born out of heartbreak, Frazer hopes it leaves listeners with a sense of optimism. "You know, you can still laugh on a day when you're grieving," he says, "there's no peaks without valleys," he says, but Into The Blue sees Aaron Frazer at new heights.

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Jasper van't Hof

Pili Pili

15,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In 1984, Jasper Van’t Hof, a prominent European jazz pianist, propelled to fame with the energetic ‘Pili Pili’ a 15-minute trance collaboration with Guinea's Isaac Tagul Group. Inspired by a fiery red pepperoni, the track sold over 100,000 copies, leading the group to adopt the name Pili Pili, becoming a hit in the club and disco scene.

Pili Pili's musical roots trace back to Van’t Hof's 1982-83 tour in Central Africa, where he discovered a love for African music. The band embraced authenticity by collaborating with diverse African musicians from Mali, Congo, Senegal, and Guinea. In 2000, Van’t Hof initiat-ed a project with the young Zulu choir Phikelela Sakhu-la from Durban, South Africa. Pili Pili's style, described as experimental fusion, blends intricate African rhythms with jazz, fusion, funk, and dance. Van’t Hof emphasized the importance of groove over complex solos, stating that intellectual approaches are lost in their music.

The band's performances, marked by their energetic fusion of jazz and African rhythms, gained acclaim across Europe. Regular tours and festival appearances, such as the Jazz Festival of Montreux, solidified Pili Pili's reputation as an excellent live band. Reviews praised the band's dynamic and explosive music, turn-ing every performance into a rhythmic and fiery expe-rience.

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Legacy The Very Best Of David Bowie

2LP | 2017 | EU | Reissue (Parlophone Label Group)

51,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Viernulvier)

Miaux

Never Coming Back

23,99 €*

LP | 1981 | EU | Reissue (Mad About)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Miaux Presents NEW LP ‘never Coming Back’ ON Viernulvier Records

The Belgian Composer’s upcoming LP IS Inspired BY THE NEW Film Score SHE wrote FOR 60S Cult Film ‘carnival OF Souls’

Antwerp-based composer and synth virtuoso Miaux presents her new album, 'Never Coming Back’ on Viernulvier Records. The record is rooted in the recent film score she composed for the surreal and haunted cult movie 'Carnival of Souls' (1962).

Directed by American filmmaker Herk Harvey, this enigmatic ghost film influenced contemporary directors like David Lynch, George A. Romero, and Lucrecia Martel.

Miaux meticulously crafted the score in her home studio, relying solely on her two hands and a single synthesizer during the spring and summer of 2022. The inaugural performance of this renewed score with film, unfolded at Videodroom / Film Fest Gent 2022 in Ghent, Belgium. The compositions were subsequently unraveled, rewritten into full-fledged songs, and assembled into a new record entitled 'Never Coming Back’, bearing Miaux’s unmistakable signature.

The album is scheduled for release on May 3 and will be available on vinyl LP and all digital platforms.

Miaux will perform the album live at Roadburn Festival (nl), offering a pure interpretation of the new songs. Additionally, there are shows planned a Stuk (Leuven) and Palmarium (Ghent), where she will perform the film score alongside the film.

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Quintessence

The End Of A Cold Experience

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Mad About Records officially reissues super rare private press Quintessence’s 1981 LP. With every famous jazz recording, many others remained on the shelf of oblivion without ever receiving the recognition they deserved, and this is the case of Quintessence.

Led by Ron Ancrum, with George Sovak, David Gaedeke, Winston Johnson and Steve Muse recorded an exceptional and fundamental album of 80's jazz.

If you are into Fender Rhodes, this is an LP to be collected.

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Bakers Of The Holy Bread

Tape | 2022 | EU | Original

17,99 €*

Lonely Planet 2024 Repress

Release: 2022 / EU – Original

Genre: Hip Hop

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Bakers Of The Holy Bread from Umeå, Sweden, was composed in the 1990s by David Lenneman, Göran Lindhof and Tobias Addo. This trio are some of Sweden's early hip hop pioneers and Return Of Boom Bap Records will drop "The End Of A Cold Experience" in its entirety on vinyl now, 27 years later. Produced by the Swedish dream-team Pete W & P Collén and features by Field Nigga Soup from New York.

Limited to only 300 copies on double vinyl, including inlay and an extra bonus track called "Underground Funk"!

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Tornado Wallace

LP | 2016 | Reissue (Running Back)

21,99 €*

Michelle David & The True-Tones

Release: 2016 / Reissue

Genre: Electronic & Dance

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2024 Repress

The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.

How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.

Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.

Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.

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Brothers & Sister / That Is You

7" | 2025 | EU | Original (Record Kicks)

10,99 €*

Deer Jade / David Hasert / Niconé

Release: 2025 / EU – Original

Genre: Organic Grooves

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Gospel-soul sensational Michelle David & The True-Tones "Brothers And Sisters". Limited edition 500 copies on clear transparent vinyl and will be release on March 22nd. It's a stormer!

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Jukurpa / Wasting My Time With You

12" | 2024 | EU | Original (Kompakt)

12,99 €*

The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Tired of grey skies and long faces? We’ve got a serious dose of musical vitamin D for you! This 12" is the inauguration of a new split EP format on Kompakt. More hits on one record. Less environmental impact. Everybody wins.

Deer Jade – Jukurpa

Deer Jade is hailing from the picturesque Lake of Geneva, an area about which the late Jean Paul Belmondo had to say a thing or two. Her infectious smile and uplifting energy behind the decks already made her a household name in clubs and festivals around the globe. This solo debut is an expression of her strong self confidence and in-syncness with the world surrounding her. “Jukurpa” might be just one of the most flamboyant house tunes you’ll come across this year, readymade for swaying to on an early summer morning dancefloor. “Cosmic Dream” is of a more introspective nature, putting gentle psychedelic synth movements to good use. There’s a lot of heart in Deer Jade’s music. We’re happy to give it a home.

David Hasert & Niconé – Wasting My Time With You

This Cologne – Berlin joint venture is shedding rays of sun galore with this lost in reverie deep house jam. Built around a catchy as hell soul vocal and occasional piano outbursts “Wasting My Time With You” will certainly be one of our favorite tunes to waste our time to in 2024.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

125,99 €* 139,99 € -10%

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Nippon Psychedelic Soul 1970-1979

LP | 2024 | UK | Original (Time Capsule)

27,54 €* 28,99 € -5%

Here In The Pitch Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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The kaleidoscopic psychedelia of 1970s Japan captured a fragile and fertile moment as the country sought its future in funk grooves, heavy reverb and lyrical hallucinations. The follow-up compilation to Time Capsule’s Nippon Acid Folk, Nippon Psychedelic Soul takes myriad pathways into the tripped-out undergrowth of 1970s Japan. Finding their feet at home and looking for inspiration abroad, the musicians featured here were engaged in the communal soul-searching that followed the breakdown of the 1960s protest movements. Some made it big, others drifted into oblivion. The music they left behind shimmers with intensity.

At the core was Happy End, the first project of YMO’s Haroumi Hosono, whose distortion-heavy guitar and crisp back-beat laid the foundations for Japanese lyrics that flipped the paradigm of Japanese rock music on its head. With it came a new found sonic ambition, such as in the bold Philly-soul style arrangements of producer Yuji Ohno, whose work with occult wandered Yoshiko Sai shares some of the bittersweet grandeur of Rotary Connection or David Axelrod.

Then there was Jun Fukamachi, a pioneer of Japanese synthesis, whose debut album was a carnival of orchestral funk, euphoric horn lines and rich production, complete with soaring guitar solos, psychedelic organ and a truly cinematic finale. The first and only time Fukamachi would sing on record, ‘Omae’ rips like the ultimate end-of-nighter.

Influenced by giants of the US soul scene, maverick composer Hiroshi “Monsieur” Kamayatsu (otherwise known as ‘the Brian Wilson of Japan’) went one step further, enlisting Tower of Power to play on ‘Have You Smoked Gauloises?’ The B-side to Monsieur’s biggest-selling single, it coasts with sophisticated cool - a liquid bassline and suave keys comping under a roaring trademark ToP sax solo. No surprise it found favour once more on the Acid Jazz dance floors of ‘90s London.

Such was the spirit of experimentation that big studio productions and private press releases sat side-by-side, with the likes of Momotaro Pink and Kazushi Inamura, taking their hopes of success into their own hands with the resources available to them. More reflective but no less robust, theirs was a heavy, fat-backed drum sound, soaked in dramatic, soulful psychedelia.

If some were dreamers and others space cadets, none were further out than sci-fi writer, musician, activist and self-made scientist Tadashi Goino, who transformed his own fantasy novel Messenger from the Seventh Dimension into an operatic prog odyssey with few discernible musical reference points – a majestic and completely bonkers outlier even among company as strange and brilliant as that which is collected here.

Less a compilation of a scene, as a compilation of a sentiment, Nippon Psychedelic Soul is a wild ride from start to finish, shattering the narratives of the Japanese folk and rock tradition into a million tiny pieces.

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Jessica Pratt

LP | 2024 | EU | Original (City Slang)

Release: 2024 / EU – Original

Genre: Rock & Indie

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On her fourth album, west coast artist Jessica Pratt expands the scope of her artistry, placing her sharpest songs to date within an ever-broadening pool of influences including spectral '60s pop, Hollywood psychedelia and bossa nova. Whereas Pratt's 2019 record, Quiet Signs, floated elegantly in the ether, Here in the Pitch is entrenched in more earthen characteristics, as the title suggests, and her craft is emboldened with a newfound gravitas.

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Diamond Dogs 50th Anniversary Picture Disc Vinyl Edition

LP | 1974 | EU | Reissue (Parlophone Label Group)

37,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)

Skorpion Im Stiefel HHV Exclusive Yolk Red In Clear Vinyl Edition

LP | 2020 | EU | Reissue (a sexy)

23,99 €*

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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12" | 1999 | EU | Reissue (Chiwax Classic Edition)

Dana Kelley

Beta

11,69 €* 12,99 € -10%

Assignment Kirchin - Two Unreleased Scores From The Kirchin Tape Archive

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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Dana Kelley gets a lot more recognition these days since the excellent Boston Boy retrospective compilations which came out over the past year or so. The late US house heavyweight has a huge legacy behind his various aliases, and now Chiwax are looking at the Beta 12" from 1999. Opening cut 'Left With Nothing' is a powerful dose of deep house with a vocal turn from David Walker, while 'Nastiness' shows how gnarly and experimental Kelley could make his productions when he wanted to. 'Armageddon' is a hot and heavy worked with pumping compression creating the kind of locked in, sweaty atmosphere basement raves are made for.

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Basil Kirchin

LP | 2024 | UK | Original (Trunk)

Erregung Transparent Magenta Vinyl Edition

Release: 2024 / UK – Original

Genre: Soundtracks

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Assignment K (with lots of pencil scribbles everywhere). The Strange Affair (with lots of pen scribbles everywhere).

As usual with Basil tapes / things there is little else to go on, no tracklist, no list of musicians, no singer names, no dates or anything. I have actually tried to establish the name of the singer on the song from Side One (we have called it “Love Is To Walk Away “ as it is unnamed) but having played it to a handful of knowledgeable collectors and enthusiasts who I would count as experts in this field, no one has a clue who it might be. If you think you know please get in touch. We know who it isn’t.

We can tell you that Assignment K dates from 1968, was a film about a toy maker who has a double life as an international spy. It was directed by Val Guest, who’d just finished trying to rescue the cinematic hotchpotch that was Casino Royale - he had been brought in by the Bond producers after Peter Sellers had walked off the movie. We imagine Assignment K may have been a slightly less stressful few months of shooting. As for the Kirchin score that we have here, we can tell you very little indeed, apart from the fact that the bass player was Ron Prentice (an ex blacksmith turned musician and craftsman) who worked on several Bond scores, but we know little else. And we only know this because it says so in the academic tome “Jazz On The Screen” by David Meeker.

The Strange Affair is also from 1968, and was not only controversial but also a reasonably unsuccessful movie. Directed by David Greene who also directed, amongst other films, I Start Counting and the quite brilliant Sebastian. In this rather grubby flick a policeman called Peter Strange (played by Michael York) falls for an underage girl (played by Susan George), finds himself compromised by a pair of pornographers and gets lured into an errand for a smack gang. We can tell you little else because I have no more information about it all.

But we do know that this music has all the classic Kirchin mid-period sonic hallmarks that have always set him apart.

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Klez.e

LP | 2024 | EU | Original (Windig)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Madlib Invazion Music Library Series)

Joe Harrison

Shadowboxing

LP | 1968 | EU | Reissue (Elemental Music)

Release: 2024 / US – Original

Genre: Organic Grooves

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The Madlib Invazion Music Library Series Entry #7: Producer/multi-instrumentalist Joe Harrison (El Michels Affair/Gunna) fuses modern production with vintage instruments, drawing a line between J Dilla and David Axelrod. This is the next up in a series of music library releases, with future volumes produced by DJ Muggs, Karriem Riggins and more. The Madlib Invazion Music Library Series was created by Madlib and Egon to give their creative friends a chance to stretch out and indulge in whatever type of music they wanted. This music was created for easy, one-stop clearance in film and television synchronization usage and for sampling. You can also enjoy these albums in the way that many do with the best of the best vintage library catalogs – listen, ponder, repeat.

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David Axelrod

Song Of Innocence

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 2017 | US | Original (TVT)

Sevendust

36,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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The Kick Inside 2018 Remaster Mango Chutney Vinyl Edition

Release: UK

Genre: Electronic & Dance

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RFXN kicks off life with a new single from David Agrella that comes with a bunch of great remixes. First off he offers up his own Acid Mix of 'Perro Balearico' and it's a supple, deep and dubby track with liquid synths and prog chords that sound both retro and future all at once. The orange is a more dreamy and spaced-out sound for 5 am sessions. On the flip is a more punch but still silky and warmly melodic remix from Mario Liberti before last of all, Gabriel Rai gets darker. His drums hit harder and the synths are moodier as he takes dancers down a late-night path of mystery and intrigue.

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Kate Bush

LP | 1978 | EU | Reissue (Fish People)

47,49 €* 49,99 € -5%

Maxinquaye Black Remastered Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. Kate's debut album "The Kick Inside" was released on 17 February 1978 and contains the UK number one hit, "Wuthering Heights".

The album peaked at number three in the UK album charts and has been certified Platinum by the British Phonographic Industry.

The production included contributions from Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, Stuart Elliott and David Gilmour. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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Tricky

LP | 1995 | EU | Reissue (Island)

36,99 €*

LP | 2023 | EU | Original (Innervisions)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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UK Import.
‘Maxinquaye’ remains one of the most groundbreaking records in British music history. Upon its released in 1995, it was met with resounding critical acclaim receiving near perfect scores from music critics across the board – Melody Maker deemed it “gripping, original, sublime”, NMEsaid the record was “… unprecedented, spellbinding and revealed something new with every listen”, Q Magazine“… Tricky proves himself to be more challenging and eclectic than his peers”, Pitchfork “An unrepeatable record so unbelievably wrong it could only be right”… even David Bowie took it upon himself to write a letter to Tricky in the August of 1995 proclaiming “I’ve loved Maxinquaye for some time”. In more recent times The New York Times and Guardian have respectively said of it “… [an] album-length masterpiece” and “Time has not dimmed the impact of this extraordinary record”.

In its year of release, NME, Melody Maker and The Wire all named it their album of the year and it was nominated for a Mercury Prize(losing out to Portishead’s ‘Dummy’). It continues to be sited for its impact on music being a mainstay of “Greatest Albums Of All Time” lists such as NME’s 2013 list of the 500 greatest albums, Uncut Magazine’s 2016 200 Greatest Albums, Q Magazine’s 100 Greatest British albums, Mojo’s 100 Modern Classics, Rolling Stone’s ‘Essential Recordings of the 90s’ to name but a few. Celebrating Maxinquaye as it approaches its 30th Anniversary (2024) the Reincarnated 1LP package is a welcome reappraisal of this seminal album containing the original album remastered at Abbey Road Studios.

The album has brand new artwork featuring the only known photograph of Tricky with his late mother, of whom this album is named after. The image was recently discovered by his cousin.

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David August

Epikur Ep 2023 Repress

14,99 €*

David Byrne & Fatboy Slim

Release: 2023 / EU – Original

Genre: Electronic & Dance

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David August is somebody you would't expect on Innervisions, but once you've listened to his "Epikur" everything makes sense immediately.

Blue Vinyl in a redesigned Innervisions backcatalogue cover.

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Here Lies Love

2LP | 2010 | EU | Reissue (Nonesuch)

41,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | UK | Original (Fire)

Vanishing Twin

Afternoon X

22,99 €*

12" | 2023 | EU | Original (Have A Nice Day)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Vanishing Twin furthers their exploration of decidedly experimental territories with Afternoon X. Crafted with a playful balance of humour and rigour, with each member embracing the role of the multi-instrumentalist and process, over outcome.

Following a series of line-up changes, Vanishing Twin is now the tightly honed collective of singer and multi-instrumentalist Cathy Lucas, drummer Valentina Magaletti (Holy Tongue, Tomaga, Moin) and bassist Susumu Mukai (Zongamin). Harnessing the diverse touchstones of its members; Lucas’ left-field song-craft, Magaletti’s singular approaches to experimental percussion, and Mukai’s long history in the production of electronic music, the band has refined a hypnotic sound at the juncture of minimalism, kosmische, post-punk, and dream-laden, psychedelic pop.

These eight fluttering abstractions, culled, collaged, and built upon from a vast constellation of instruments, samples, and unclaimed sources. Lucas employs her voice as an instrument and a generator of raw sound, weaving surreal imagery and uncanny juxtapositions amongst the dance and propellant drive. From infectious grooves of the album’s title track and the constrained minimalism of “Subito”, to the ambitious heights of pieces like ‘The Down Below’ and Lazy Garden, which unfurl a psychedelic avant-gardism on the scope and scale of David Axelrod and Scott Walker.

Vanishing Twin embark upon a new multifaceted journey that collectively culminates as the bands most forward-thinking and groundbreaking release to date.

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Have A Nice Day

Onlypromo-02

15,99 €*

Ethio Meditations / Drama Al Dente

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Another mysterious offshoot from the H.A.N.D. label, bringing down the tempo a bit and moving into more mediterranean latitudes. Possibly the "Britney Spears" of Flamenco for some experts, but at the same time, a life changing "exotische" anthem for sun toasted retired German/British pensioners sipping cheap wine in places too warm for their own good. Either way, Gipsy Kings can be a powerful thing if you surrender your pre-pubescent associations surrounding their chart hits. Be honest with yourself and forget about everything you heard, these previously unreleased mixes bring out the best of this sometimes too accessible consumer-Flamenco nugget without any of the guilt. Raging rhythmic flamenco guitars, Nile Rodgers in Paella version, reinforced with a completely different kick concept that keeps you gliding at a cruising altitude of 100% tranquilo. Balearische Grammophon is here to make your summer better. First 10 copies sold come with a pair of free castanets.

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JJ Whitefield

LP | 2023 | US | Original (Madlib Invazion Music Library Series)

2LP | 2018 | UK | Reissue (Hive Mind)

Release: 2023 / US – Original

Genre: Organic Grooves

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The Madlib Invazion Music Library Series Entry #1: JJ Whitefield (Poets of Rhythm/Whitefield Brothers/Karl Hector) takes on Ethiopian Jazz and Psychedelic Funk. This is the first in a series of music library releases, with future volumes produced by DJ Muggs, J-Zone, and Karriem Riggins, among others. The series starts here, with JJ Whitefield’s Ethio Meditations/Drama Al Dente. The Madlib Invazion Music Library Series was created by Madlib and Egon to give their creative friends a chance to stretch out and indulge in whatever type of music they wanted. This music was created for easy, one-stop clearance in film and television synchronization usage and for sampling. You can also enjoy these albums in the way that many do with the best of the best vintage library catalogs – listen, ponder, repeat.

Drums: Jakob Thu, Sam Davids, Igor Zhukovsky
Bass: Karl Hector
Keyboards: Essatu Baraki
Saxophone, Flute: Wolfi Schlick
Vibraphone: Getachew Atya
Guitar, Sitar, Bamboo Flute, Synth: JJ Whitefield
Viola, Violin, String Arrangements: Thomas Lea

Produced and Mixed by JJ Whitefield

Mastered By Jason Bitner

Art Direction by Errol F. Richardson

Produced for issue by Madlib and Egon

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Maalem Mahmoud Gania

Colours Of The Night

31,99 €*

Shapes Black Vinyl Edition 2023 Repress

Release: 2018 / UK – Reissue

Genre: Organic Grooves

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2023 Repress.
Hive Mind Records are proud to present the 2023 repress of Colours of the Night, the final studio recordings of deep, hypnotic Gnawa trance music from the late, great Maalem Mahmoud Gania.

The landmark recordings saw their first release outside of Morocco in September 2017 as a double LP through Hive Mind Records, however the album soon sold out and has since been commanding high prices on the collectors market. We are delighted to once again work with the Gania family to bring you this repress. Colours of the Night is his first solo recording to receive a vinyl release.

Maalem Mahmoud Gania was one of Morocco's most famous Gnawa musicians. Gnawa is a musical and spiritual tradition originating in sub-Saharan Africa that has survived as a subculture within Moroccan society for centuries. The roots of the blues can be heard in its hypnotic rhythms.

Born in 1951 and brought up in the coastal city of Essaouira, Mahmoud was raised in one of the country's great Gnawa families. A well-respected singer and master guimbri player renowned for his command of the Gnawa songbook, he became one of Morocco's most prolific recording musicians. From the 1970s until his death in 2015 he released numerous albums for a variety of local labels including Tichkaphone, La Voix El Maaraf and Sonya Disques, as well as recording with Western musicians such as Pharoah Sanders, Peter Brotzmann, and most recently James Holden and Floating Points. The original recordings have been remastered for vinyl by Julian Tardo at Church Road Studios, and the sleeve features the beautiful portrait photography of Nicolas Diop.'

Players:
Maalem Mahmoud Gania: guimbri & lead vocal
Chorus and qraqebs: Karima El Filali, Asmae Hamzaoui, Chaimae Lofti, Hamza Gania, Ahmed Elbnoua, Mehdi Mnouer, Abdellah Malibo and Soufiane Aghmam.

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Robohands

LP | 2021 | UK | Reissue (KingUnderground)

Lonnie Liston Smith & The Cosmic Echoes

Release: 2021 / UK – Reissue

Genre: Hip Hop, Organic Grooves

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2023 Repress on Black Vinyl.

The third album from London-based multi-instrumentalist, Robohands. ‘Shapes’ fuses elements of jazz, krautrock, hip hop and ambient music. For fans of Khruangbin, Yusef Dayes, CAN, Coltrane and 70s library music moods.

Shapes is the solo project of London based composer, instrumentalist and producer Andy Baxter. His debut LP Green was released on Village Live Records in 2018 and was received with much love and acclaim in the UK Jazz, hip hop and surrounding scenes.

His follow up full-length, 'Dusk’, dropped in 2019, combining soul, funk, Latin & experimental moods. It featured vocalists & musicians from around the world including legendary New York French horn player, John Clark, who has worked with Isaac Hayes, Gil Evans Orchestra, McCoy Tyner, Jaco Pastorius, Ornette Coleman and many more greats.

'Shapes' is inspired by 1970s library music and their legendary composers including Piero Umiliani, David Axelrod, Brian Bennett and co. The album builds on these influences and incorporates modern motifs, contemporary jazz/hip hop drumming styles with a nod to 1990s Mo Wax artists such as DJ Shadow. The theme for the record is future/nostalgia, mixing vintage & modern instruments and production techniques.

Much of ‘Shapes’ was recorded with JB Pilon at Buffalo Studios in Limehouse, London. Due to the COVID restrictions that changed everything in 2020, the remaining parts were recorded in Andy’s flat using a collection of old mixing desk preamps and instruments.

For the heads – ‘Shapes’ features an array of vintage snares, including a 1960's Ludwig Pioneer and a mono, overhead ribbon mic on the drum kit provided extra old school points! The kick drum was re-amped through a huge vintage bass amplifier on a couple of tracks to give it some real character. “My favourite guitar sound achieved on this LP project is a

Sontronics Sigma ribbon microphone in front of a WEM Dominator amp, which you can hear on the track 'Odysea'. The bass sound for all the tracks is a 1973 Fender Precision into an old Altec valve preamp, the one used on most Motown recordings.”

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Reflections Of A Golden Dream

LP | 1976 | UK | Reissue (BGP)

2LP | 2023 | US | Original (Audio Recon / Ooohhh That's Heavy / Inner Current)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album 'Expansions' is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis. Released in 1976,"Reflections On A Golden Dream", the follow-up to "Expansions", was his fifth album for Flying Dutchman and featured the core band of the Cosmic Echoes, including his brother Donald Smith, David Hubbard and Wilby Fletcher. As for the music, this album is a classic, with the funky 'Get Down Everybody (It's Time For World Peace)', the reflective 'Quiet Dawn' and 'Meditations' and the sumptuous 'Beautiful Woman'. "Reflections Of A Golden Dream" was also the first of Lonnie's albums to feature his own vocals. It's a lost classic everyone should own.

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Glen Porter

Blessed By A Young Death

33,74 €* 44,99 € -25%

LP | 2024 | UK | Original (Parachute)

Release: 2023 / US – Original

Genre: Hip Hop

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In honor of the 15-year anniversary of Glen Porter's debut album "Blessed by a Young Death," we are thrilled to present it as a limited edition 2xLP. This marks the first time the album has been available in its entirety on vinyl, with only 200 copies worldwide courtesy of Audio Recon, HHV, Inner Current Recordings, MISM, and Ooohh! That's Heavy.

“Blessed by a Young Death" holds a special place in our hearts and we’re sure many feel the same. The album's haunting melodies and compositions have captivated the listener since its original release in 2008. It's an album that evokes a wide range of emotions, from melancholy and introspection to moments of hope and tranquility.

In addition to celebrating the album's anniversary, this release serves as a tribute and 5 year memorial to the late Ryan Stephenson (Glen Porter). The album resonates with themes of loss, acceptance, and the bittersweet beauty of life, making it a perfect tribute to our friend and collaborator.

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Bob Dylan & The Band

Boston Garden 1974

33,99 €*

LP | 2024 | US | Original (Grapefruit)

Release: 2024 / UK – Original

Genre: Rock & Indie

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THE FIRST LIVE RENDITION OF THE WORLD FAMOUS TUBULAR BELLS! Mike Oldfield was a member of rock-band Barefoot for a while, and then became bass player for Kevin Ayers’ backing group The Whole World. He also played on an album by the Edgar Broughton Band, worked as reserve guitarist in the London production of Hair, and gigged with Alex Harvey. Then he met Richard Branson. Working at Branson’s recently acquired Manor studios as a backing guitarist, Oldfield played some of his own tapes to Branson’s engineer Simon Draper, who played them to Branson – Branson then offered Oldfield a six-album deal with his new label Virgin Records. Tubular Bells was released on 25 May 1973 as the first album on the Virgin label. The title track became a top 10 hit single in the US after the opening was used in the 1973 movie The Exorcist. Virgin now decided to organise a live performance of Tubular Bells at London’s Queen Elizabeth Hall to promote the LP. Oldfield assembled a line-up to perform the music that on record he’d all-but single-handedly created. Mick Taylor, then still with the Rolling Stones played, alongside David Bedford, Robert Wyatt, Steve Hillage and members of the band Henry Cow – all of whom, save for Taylor, ended up making records for Virgin subsequently. At a later date Mike was to comment that he was unhappy with the performance adding, “I stood on the stage at the end of the concert and looked at the audience, and they looked at me. And do you know what they did? They actually applauded. I was amazed. I hated that concert”. However, the assembled masses who witnessed the first live rendition of this ground-breaking record disagreed, and Mike Oldfield’s preconceived ideas about the project not working were totally unfounded. The concert was recorded for live radio broadcast both in the UK and across the US, where it was synched by a number of networks and is now at last available on vinyl! SIDE A1. Tubular Bells Part One SIDE B2. Tubular Bells Part Two 3. The Sailor’s Hornpipe

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Simon Joyner

Coyote Butterfly

LP | 2024 | EU | Original (Comic Helden)

Release: 2024 / US – Original

Genre: Rock & Indie

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Coyote Butterfly is the first album of new songs in two years from singer-songwriter, Simon Joyner, following the overdose death of his son, Owen, in August of 2022. Drawing on the kaleidoscopic nature of grief, Joyner explores his loss through a series of imagined dialogues and raw confessions. The album is a tribute to Owen, but what Joyner generously delivers is an intimate glimpse at his attempt to comprehend the incomprehensible.

The album is bookended by field recordings overlaid with minimalist guitar laments. The first, a spring thrum of sparrows and red-winged blackbirds, functions as an invitation to the elegies which follow, while the last, the late-August drone of cicadas returns us to a life of sweat on the skin, sirens in the distance, and the things we cannot change but must somehow accept. In between these instrumentals, Joyner grapples with regret and fear, shame and love. From the opening song, “I’m Taking You With Me” to the gut-wrenching remorse of “My Lament,” Joyner lays bare the struggles of those left in the wake of personal devastation. On the title track, we hear Joyner perform an elemental incantation, a heartbroken ode infused with forgiveness. The final song of the album, “There Will be a Time,” is a meditation on a future where such suffering, both personal and universal, might be softened by understanding.

The musicians playing alongside Simon on Coyote Butterfly are among his closest friends; David Nance, James Schroeder, Kevin Donahue, Ben Brodin, and Michael Krassner. It’s thanks to their sensitive arrangements and loving support that the songs on Coyote Butterfly could be performed and documented.

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Keimzeit

Irrenhaus / Kapitel Elf

Release: 2024 / EU – Original

Genre: Pop

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Veterans Memorial Coliseum, New Haven, Ct 5/5/77 Black Friday Record Store Day 2024 Edition

Grateful Dead

4LP | 2024 | Reissue (Grateful Dead/Rhino)

99,99 €*

LP | 2024 | EU | Original (Fruits)

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 4500

The May 1977: Get Shown The Light vinyl saga comes to a close with the New Haven 5/5/77 opening night performance
Featuring: “Sugaree,” “Scarlet > Fire,” “St. Stephen > Sugar Magnolia,” “Estimated Prophet,” And What Is Widely Considered One Of The Best Performances Of “Peggy-O.”
A limited edition 4 x LP box set mastered By Jeffrey Norman from the original analog tapes, produced for release by David Lemieux.

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Kumar, The 18th Parallel

Tales Of Reality

Rage And Ruin A/B-Side Effect Vinyl Edition

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Kumar, former lead singer of GRAMMY-nominated roots reggae band Raging Fyah, meets Switzerland’s The 18th Parallel on this album filled with Golden Age of Reggae-inspired riddims and positive roots lyrics and energy. Kumar has recently appeared on a number of releases, including as a guest on Jesse Royal’s GRAMMY-nominated Royal and Winta James’ Gratitude Riddim EP. The 18th Parallel, based in Switzerland, is the house band for Fruits Records and recently released music with Max Romeo, Big Youth, Lee “Scratch” Perry, Derajah, Micah Shemaiah, and Joe Yorke. The album is mixed by Tippy I and JAH David of Zion I Kings.

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Slower

LP | 2024 | EU | Original (Heavy Psych Sounds)

31,99 €*

Jac Berrocal / David Fenech / Vincent Epplay

Release: 2024 / EU – Original

Genre: Rock & Indie

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A/B Side-Effect Vinyl. Limited to 75 copies.Bob Balch from FU MANCHU here. The idea for the SLOWER project started around four years ago. I was teaching a student how to play "South Of Heaven" by SLAYER but she was a beginner so we slowed it down. I thought that sounded cool so I tuned down to B standard and tried it. I added some drums and thought "someone in the doom community should do this and name it SLOWER."A few years later I befriended Steven "Thee Slayer Hippy" Hanford, best known for his work as the drummer in the influential Oregon punk band Poison Idea. He was backstage at a FU MANCHU show. Oddly enough I was wearing a POISON IDEA shirt and he told me that my shirt sucks. I asked who he was and why he was in our backstage. He told me and I felt stupid. We started drinking whiskey and talking about music. We stayed in touch over the next year or so and during Covid I told him about my SLOWER idea. He asked me to send him tracks. I waited too long because the day I sent the tracks he passed away. Totally tragic. I'm glad I got to know him even for a few years. He was a monster musician with a giant heart.He will be greatly missed.I shelved the project for a while after that. One day Esben from MONOLORD posted about musical collaborations. I love MONOLORD so I thought what the hell. I sent him some tracks and he killed it on drums. So I sent more. Then more. Shortly after that we started reaching out other musicians to get them involved. That's how we ended up with this lineup. Everyone that contributed completely knocked it out of the park and I can't thank them enough.This project has been a long time coming and I'm beyond stoked on how it turned out. Without all of the players involved, Steven Hanford and my baritone Reverend guitar it wouldn't have happened. Thanks to everyone involved and I hope you dig it! I'm a giant SLAYER fan so it's been a treat to dig into these classic songs. Hopefully we can do another record in the near future. Look out for shows because they will happen!

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Broken Allures Transparent Yellow Vinyl Edition

LP | 2024 | UK | Original (Cold Spring)

Limits Of Language Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"Broken Allures", the fifth LP from trio Jac Berrocal (NURSE WITH WOUND collaborator), David Fenech, and Vincent Epplay (following releases on Blackest Ever Black, Akuphone, KlangGalerie), furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Fenech and Epplay have paired with legendary French musician Berrocal, renowned for his collaborations with Nurse With Wound, Vince Taylor, Jaki Liebezeit, Pascal Comelade, Sunny Murray etc. "Broken Allures" is arguably their most coherent and fully accomplished album to date. For this album, the trio has invited two fantastic musicians to compose with them: COSEY FANNI TUTTI and JAH WOBBLE. COSEY FANNI TUTTI (Throbbing Gristle, Chris & Cosey, COUM Transmissions) contributes vocals, cornet, and electric guitar in her unique style. She has also written lyrics for two tracks on the album and brings a radical touch to the instrumental track 'Viva la Hacienda', which, in her own words, recalls her time recording with Throbbing Gristle.JAH WOBBLE (founding member of Public Image Limited, and collaborator with African Head Charge, Brian Eno, Björk, Holger Czukay, Jaki Liebezeit, Bill Laswell, Primal Scream, Evan Parker, Sinéad O'Connor etc) plays a deep bass line on one track. He adds his signature industrial dub sound, with deep sub-bass frequencies.File next to Throbbing Gristle, early Clock DVA, Chris & Cosey, Bill Laswell, Master Musicians Of Jajouka. 1. Warszawa2. Tones Of Blue And Red3. Cerbère Passage4. Outspoken Caress5. Viva La Hacienda6. Zadar Melodia7. Morocco Shanghai8. Broken Allures9. Coiffeur Pour Vince10. Christal Venus11. Sondelimosa12. Preacher Feature

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Field Music

LP | 2024 | UK | Original (Memphis Industries)

27,99 €*

12" | 2024 | EU | Original (Into The Wizard's Sleeve)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Field Music will release Limits of Language, their first album of new music for almost four years. Back in 2022, the touring cycle for the Flat White Moon album ended with a sense of finality. For the first time since the Mercury-nominated Plumb ten years earlier, Peter and David had no plan for what, if anything, would come next. However, after six years of continuation, they were clear that if Field Music was to carry on then it would have to be different, in both sound and scope.

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David Gtronic & Reboot

ITWS 008

14,99 €*

Rattle The Cage Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Repress. Two more wizards enter the wizards sleeve , 4 outrageous tracks on 12â€vinyl. Set to be one of the eps of the year supported by the biggest names in the industry, from Ricardo Villalobos, Sonja Moonear, Skream and more !

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The Rods

LP | 2024 | EU | Original (Massacre)

27,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1972 | EU (Trading Places)

Jade Warrior

Last Autumn's Dream

20,99 €*

Africa Brasil Beer Colored Vinyl Edition

Release: 1972 / EU

Genre: Rock & Indie

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Experimental fusion project Jade Warrior began in the early 70s when percussionist/flutist Jon Field and guitarist Tony Duhig joined forces with bassist Glyn Havard; Field and Duhig had been in Second Thoughts which later became July. By the time of Last Autumn’s Dream the group was a quintet with drummer Alan Price and Tony’s younger brother David on lead guitar, allowing for denser explorations of the contrast between world music fusion and acid rock: Dave’s searing guitar leads jostle with eastern flute melodies, African rhythms and meditative folk motifs. Another fine piece of Jade Warrior’s evolution, ripe for rediscovery!

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Jorge Ben

LP | 1976 | EU (Future Shock)

Only You Know What I Like

Release: 1976 / EU

Genre: Organic Grooves

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África Brasil is a 1976 release by Brazilian artist Jorge Ben. It was Ben's 14th studio album and a milestone in his career with a switch to electric guitar and funk music leaks. For África Brasil Ben reworked three of his earlier compositions: "A Princesa e o Plebeu" from Sacundin Ben Samba, "Taj Mahal" from Ben, and "Zumbi" from A Tábua de Esmeralda. The album's opening track "Ponta de Lança Africano (Umbabarauma)", a song about an African football striker, became a well known soccer-associated track and it was later included on David Byrne's 1989 compilation Brazil Classics Beleza Tropical, prompting rotation of a video for the track on Vh-1

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Eddie Capone's Treatment

12" | 2024 | UK | Original (Freestyle)

18,99 €*

Jac Berrocal / David Fenech / Vincent Epplay

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Freestyle Records drop another UK boogie 12" rarity from Eddie Capone's Treatment, this time the previously white label-only "Only You Know What I Like" from 1985. Limited to 300 copies worldwide.
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A mainstay of the UK's reggae, soul, funk & rock circuits since the early 1970s, Eddie Capone has played with a diverse and revered collection of acts; Chairmen of the Board, The Foundations, Black Velvet, The Elgins, Arthur Brown's Kingdom Come, Arthur Lee's Love, Billy Preston and Edwin Starr to name but a few. Eddie was also part of short-lived group Casablanca, with David Costa & Barry Clarke of early 70's folk-rockers Trees, signed to Elton John's Rocket Record Company.
Eddie founded the Treatment band in the early 1980s bringing in a revolving cast of singers and players, and created the Treatment Records imprint out of his own Black Rock studio in South East London in 1982. Releasing a string of singles - with efforts from Eddie Capone's Treatment, a side-project with singer Beryl Marsden as Salt & Pepper, and a single from Norwegian group Wave - Treatment Records then followed this up in 1985 with the 12" release of "I Won't Give You Up" with Diane Jones brought in on vocal duties. This received solid support amongst DJs and radio at the time, and was quickly followed with this solid slice of white label-only UK boogie-funk that has since become a favoured deep cut on the selectors circuit.
Treatment Records continued through the 1980s through to early 1990s releasing Eddie's music, both as a solo artist and as part of collaborative side-projects, and Eddie has continued to write, perform and produce music from his home studio right through to the present day. As a committed community figure & activist in South East London, Eddie has since 2014 re-started Treatment Records under the name of 3G Treatment - bringing together three generations of people from the local area to ensure young artists & musicians have access to the expertise and experience of their elders for support and encourage successful careers in the industry.

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Broken Allures

LP | 2024 | UK | Original (Cold Spring)

LP | 2024 | EU | Original (Afar)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Lone Justice

Viva Lone Justice

David Oistrach / Andre Cluytens / Onortf

Release: 2024 / EU – Original

Genre: Rock & Indie

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From the band who invented Alt-Country, 'Viva Lone Justice' is the first album to be released by Lone Justice in nearly 40 years. Featuring ori...

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Violinkonzert Kreutzersonate Encores

2LP | 2024 | EU | Original (Warner Classics)

34,99 €*

Release: 2024 / EU – Original

Genre: Classical Music

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Selected Rhythm Tracks 1988-1994 Volume II

L.G. Mair, Jr.

2LP | 2023 | US | Original (Choon!!)

42,99 €*

Alvin Davis & Alien Dread

Release: 2023 / US – Original

Genre: Electronic & Dance

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Available for the first time on vinyl and presented over two expansive volumes, the Selected Rhythm Tracks 1988-1994 of L.G. Mair, Jr. reveals a hidden archive of introverted electro-minimalist songwriting culled from over 30 years of unreleased cassettes. Produced in cooperation with the artist’s estate for chOOn!!. Remastered for 180g heavyweight 2LP vinyl, with sleeve artwork by the internationally acclaimed book designer Luke Bird

As the resident bass player for renowned Manhattan comedy club Catch A Rising Star, Lloyd George Mair, Jr. worked alongside a host of iconic entertainers and comedians from the past 50 years inc. Robin Williams, Jerry Seinfeld, Andy Kaufman, Billy Crystal, Eddie Murphy, Larry David, Chris Rock and plenty more. This was a creatively vibrant and socially dynamic period in New York’s history marked by the unique meeting and synthesis of post-disco, post-punk and early hip-hop; shaped by a hybrid party culture in which cross-cultural music scenes (Afrika Bambaata, Anita Sarko) collided with artistic ones (Keith Haring, Jean-Michel Basquiat) as well as intellectual spheres (Sylvère Lotringer, Antonio Negri) on NYC’s dance floors (Danceteria, Mudd Club), offering unique social and sonic possibilities of interaction, openness and exchange.

As the 1980s progressed, together with increasingly tough Reaganomics, the crack epidemic, real estate inflation, demographic shifts and musicians and clubs catering to increasingly segregated audiences, the synergistic elements that first set the scene apart weakened severely from 1984 onwards. However, thanks to a dedicated underground, the forward-looking sensibilities of Mair, Jr. found an audience, gripping the imaginations of a select group of collaborators and peers from the so-called ‘cassette culture’ movement.

These were not simply ‘demos’, but fully realised art projects primarily traded with other like-minded artists around the world. All kinds of folk found this a simpatico space to make music, think aloud, drift in and out of focus.

Mair, Jr. started recording a dizzying array of home-baked cassettes, most of which remained unreleased or traded internationally. Captivated by the promise of possibility, his sound totally embraced the plastic potential of MIDI and digital, in all their unreal perfection. The sound of placeless, dream-like environments: movie sets,photo shoots, videogame backdrops. Dense webs of flickering neon, laser-strafed minimalism and thick sawwave synths.

This expansive second volume of rarities is drawn from Mair, Jr’s ‘Selected Rhythm Tracks 1988-1994’, a hidden archive of introverted electro-minimalist songwriting culled from over 30 years of private and unreleased cassettes. There's the boogie of the opening ‘Rhythm Track’, rendered in such perfect hi-res, it approximates digi-Motown via sci-fi Library Music soundtracks. ‘The Escape’ strings the most plastic of trumpets over an avant- funk stroll that’s so laidback you feel like it must be hiding something. The Afro-tropicalia of ‘Winefride XL’ is a beatific series of polyrhythmic kalimba lines that you can imagine gathering and drifting over and over again, like tides. There’s a distinct cinematic quality in Mair, Jr’s sequencing, and most of all on the outro to the blissful sweet-sour synth spirals of ‘Winefride LIV’, which sounds like Angelo Badalamenti scoring Perry Henzell instead of David Lynch.

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My Homeland 2022 Repress

7" | 2022 | UK | Original (Iron Soun)

11,99 €*

LP | 2024 | Original (Dyse Nation)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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The long awaited re-press of the Alvin Davis, ‘My Homeland’, track is now available again. Sax/Hornz instrumental track and features top Jamaican Hornzman, Alvin Davis. The B side has a heavyweight Dub version from Alien Dread. Alvin is also well known ref Jazz and other musical areas, as well as Reggae and has worked with many Jazz, Soul and mainstream artists including: Andy Hamilton, Rose Royce, Prince, Edwin Starr, The Foundations, Neville Staples (Specials & Fun Boy Three), Jackie Graham, Nigel Kennedy and Reggae-wise, Alton Ellis, Macka B, Maxi Priest and David Hinds (Steel Pulse) and many others.

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Dyse

Audiochimaere

Release: 2024 / Original

Genre: Rock & Indie

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One Night In Amsterdam Pink/Blue Color In Color Vinyl Edition

Chic

LP | Reissue (Magic Of Vinyl)

Release: Reissue

Genre: Pop

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Electric On The Eel: August 29th, 1987 Black Friday Record Store Day 2024 Orange Vinyl Edition

Jerry Garcia Band

3LP | 2024 | Reissue (ATO)

TBA

The final price is not yet known.

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 4000

Electric on the Eel: August 29th, 1987 brings the first Eel River show to vinyl.
Co-produced by Bill Graham Presents and the Hog Farm, this show lent an air of familiarity not always present in the urban setting Jerry usually played in. With his quintessential band in tow – Gloria Jones, John Kahn, David Kemper, Jacklyn LaBranch, and Melvin Seals – fans traveled across the country to see JGB in the heart of the Emerald Triangle.
Limited edition of 4,000 pressed on Orange Sunshine vinyl.

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Plantfood

Carnivores

LP | 2024 | EU | Original (Bridge The Gap)

Review Your Choices Neon Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Leeds jazz scene is the gift that keeps on giving. From the dub-leaning ambience of Submotion Orchestra through to the afro-jazz fusion of Nubiyan Twist and TC & The Groove Family, a multi-generational lineage has emerged. Adding yet another page to the eclectic story of jazz from the city, emerging punk-jazz upstarts Plantfood announce the imminent arrival of their debut album ‘Carnivores’ on Friday 4th October via Bridge The Gap.

Consisting of JJ Petrie (percussion), Ruben Maric (keyboards), Joe van der Meulen (tenor saxophone), Woolley (baritone saxophone), Finn Hamilton (drums) and Woody Hayden (bass), Plantfood began in the throes of lockdown, during which all the members lived together. The group spent day after day sharing their eclectic music tastes, ranging from the electronic punk of The Prodigy and art-rock of Black Country New Road, through to the jazz dance of Steam Down and The Comet Is Coming. Taking these influences, they crafted their own sound, but without live shows, their only audience was the plants in their rehearsal room:

“We called the band Plantfood because we were writing and rehearsing in one of our bedrooms which was full of house plants. The plants kind of became our only audience, so it was like the music was food for the plants.”

The band’s debut album ‘Carnivores’, plays on this theme, referring to the plants as carnivores for consuming the bands music, whilst also reflecting the apocalyptic palette of sounds and chaos found within the record. However, mirroring the dynamism of a Plantfood live show, the album is anything but one-dimensional. The group expertly balance moments of serenity and vulnerability with cataclysmic urgency, all brought together under the guidance of producer David Haynes (TC & The Groove Family, Nubiyan Twist). The group share:

“The album’s moments of vulnerability and hope are intended as the depiction of a return-to- earth theme (circle of life, growth and decay), reflecting that the cycle of nature is not simply destructive.”

The project’s lead single ‘Y.U.S.’ drew praise from tastemakers including Jamz Supernova on BBC Radio 6, with the track featuring the talents of UK-Palestinian MC Yung Yusuf, a serial collaborator who also appears on album closer ‘Monstera’. Both tracks channel Plantfood’s explosive live energy into a blend of afro-latin rhythms and broken grooves, with the distinctive blend of tenor and baritone saxophone weaving in and out of grime-leaning, poetic exchanges with Yusuf.

Elsewhere, the second single from the project ‘Birdgang Pt. II’ is a fresh take on the band’s contemporary jazz sound, blending jazz, Balkan folk and Moroccan rhythms with a punk edge. The album’s title track resets the balance, soothing the soul through a swirling approach to spiritual jazz that wouldn’t be amiss amongst the Gondwana Records catalogue.

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Pentagram

LP | 1999 | EU | Reissue (Heavy Psych Sounds)

27,99 €*

12" | 2023 | EU | Original (Infrastructure New York)

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Brand new remastered version of PENTAGRAM legendary album Review Your Choices in new Colored Vinyl and with a brand new cover desgined by Mirkow Gastow.PENTAGRAM's fourth studio album "Review Your Choices" marked the band's sixth comeback after several changes of line-up and label. These acclaimed protagonists of Doom Metal proved once more indestructible by drug addiction, break ups, bad deals, jail terms, chronic illness, satanic blood sacrifices and various acts of self destruction. Main-man and singer Bobby Liebling has kept his band alive for over 35 years now and might easily be awarded the title of "longest serving cult band" - highly acclaimed by fans, press and fellow musicians alike. "Review Your Choices" marked the return of multi-instrumentalist Joe Hasselvander to join Bobby Liebling in his eternal quest of creating the heaviest sound possible. The album features a mix of re-recorded lost Liebling tracks from the 70's and stellar new numbers penned by Hasselvander, which gave "Review Your Choices" an extra heavy feeling. PENTAGRAM once again set a standard to be followed by such illustrious followers as Cathedral, Spirit Caravan, Goatsnake, St. Vitus, Trouble or High On Fire among many others. Dive down deep into gloom and despair with this classic Doom recording.

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Function

Green EP

Gustavo Santaolalla & David Fleming

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Known for its groundbreaking techno releases, Infrastructure New York, is relaunched! Celebrating 27 years of Function releases this year and the label's 25th anniversary, the label will serve as an outlet for his new material, reissues of out-of-print classics from Synewave, Sandwell District and Ostgut Ton (and of course, Infrastructure), as well as developing new artists. As a member of the Sandwell District collective, David Sumner aka Function, from 2007 onward was instrumental in cultivating and ushering in a new sound of dark, cerebral hypnotica - forcing the hand of change in global techno. Green EP serves as a testament to this, further exploring these depths. The EP pays homage to the day when David arrived in Berlin with his green suitcase where his record "Isolation" on Sandwell District was released, hitting the ground running and springboarding into an incredibly successful career, becoming a stalwart DJ/producer, after years as a struggling artist. Green EP encapsulates the same raw power and hypnotic energy of his genre-defining Sandwell District releases Isolation, Anticipation and Variance, updated with a modern flair. Subject f (Function) has clearly transcended, as expressed through the opening track "Initiation" arriving at his "New Designation". On the b-side Function communicates his divine alignment through the broken beat, etheric "Aeternum (Meridian)". Finally, Function closes Green EP with a live extraction of "Desire and Memory", a brooding club stormer in contrast to the more experimental leanings of the original version, which appeared on Rrose's label Eaux. One thing is clear: Function is back on track and more on form than ever!

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OST The Last Of Us: Season 1

2LP | 2019 | EU | Reissue (Masterworks)

39,99 €*