Search "dan-e-o" 15072 Items

LP | 2024 | US | Original (Dandy Boy)

Release: 2022 / US – Original

Genre: Rock & Indie

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Yea-ming AND THE Rumours swing, shimmer, and whisper through a confessional map of the landscape of heartbreak on their new album, So, Bird… Yea-Ming Chen has a distinctive, whispery alto that delivers the kind of confident melancholy—a matter-of-factness about her own emotional ghosts—that shows itself in varying opacities, from psychedelic dream-logic to the nakedness of a psychotherapist’s notepad. Touching on everything from American indie pop, twee and jangle pop to country, folk, and even a bit of Brill Building pop, So, Bird... offers 11 more broken hearted songs to fall to pieces over. The perfect record for solo adventures and long drives with no specific destination. The Oakland based four piece features Yea-Ming Chen on vocals, guitar and keys, Anna Hillburg on bass and backing vocals, Eoin P. Galvin on guitar and lap steel and Sonia Hayden on drums. Chen and Hillburg have been playing together since their college indie pop group, Dream Date. So, Bird... is their second album following their self released digital album I Will Make You Mine and their self released 7" single Baby Blue.

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Yea-Ming And The Rumours

I Can't Have It All

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

I Can’t Have It All is the third studio album by Yea-Ming and The Rumours and marks a new line-up and creative era for the band. Frontwoman Yea-Ming Chen has masterfully curated her self-proclaimed “pop record.” Weaving melancholy narratives with catchy hooks in a sound that is more surfy, more punk and more indie than anything the Rumours have done before. Fuller sounding production heavily influenced by groups like Yo La Tengo, Camera Obscura and other early '90s underground college radio favorites, I Can’t Have It All marks the band’s continued evolution.

Alongside the usual beautiful imagery, Yea-Ming’s songwriting remains as introspective as ever, but I Can’t Have It All marks a changing point both creatively and personally in the songstress’ life. Written during a difficult period in which she struggled to identify and painfully shed a “false-self" imposed by the outside world, the album follows the personal and relatable journey of accepting loss and making changes. “I realized one day that I have spent most of my life pretending to be someone that other people wanted me to be, and that was probably the source of my anxiety and depression.” Recalls the songwriter. “So I made changes that were really hard and I experienced a lot of grief in letting go of people and situations that held a lot of power over me emotionally—even if it wasn’t intentional—and I became someone that is closer to who I want to be. In that transition, I discovered that it is completely possible to experience total sadness and extreme happiness simultaneously within the same body." These complicated feelings are clearly reflected in the new record—especially in ‘Pretending’, ‘Somebody’s Daughter’, ‘I Can’t Have It All' and ‘Ruby’.

The title track and the first single, “I Can’t Have It All”, describes the ugly journey of accepting unrequited love. Brutally honest and painful, the narrator confesses to finding solace in a night of drinking and a stranger in their bed as they accept they can’t have it all. The lyric video features animated drawings offering an innocent and playful take on the somber and sobering realization that everything might not work out in the end and a bit of distraction helps ease the pain.

Produced by Chen, the album was mostly recorded and sculpted in her home studio after basic tracks were recorded with Meric Long (The Dodos) at Tiny Telephone Studios and Mike Walti at Wyldwood Studios. As usual, the record is performed by Yea-Ming with the help of long-time Rumours collaborators Eóin Galvin on lead guitar, lap steel and backing vocals and Sonia Hayden on drums and percussion on several of the tracks. New Rumours members Jen Weisberg (Hits) and Luke Robbins (Latitude) also make their debut and appear on bass and drums throughout the record. I Can’t Have It All is a new album with a new line-up and a new perspective, signifying Yea-Ming and The Rumours’ entry into a new era.

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Ye Vagabonds

Hare's Lament

LP (River Lea)

17,24 €* 22,99 € -25%

Genre: Rock & Indie

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LP | Original (River Lea)

Ye Vagabonds

Hare's Lament

7" | 2011 | UK | Original (First Word)

Release: Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Includes original inner sleeve.

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Ye Mighty

Fuse

6,99 €*

Release: 2011 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2020 | US | Original (L.I.E.S.)

Ye Gods

Demah

23,19 €* 28,99 € -20%

12" | 2023 | UK | Original (TRMNL)

Release: 2020 / US – Original

Genre: Electronic & Dance

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With prior releases on the legendary Den Hague label Bunker Records, Antoni Maiovvi now debuts on L.I.E.S. with his occult industrial electronics project, Ye Gods. Through two discs Maiovvi paints a grim sonic picture of a decaying world straddling the line of strange fiction, fokelore and ancient history. Apocalyptic and very appropriate for these modern times, this lp is unrelenting in its presentation of absolute heavy modern electronics...think gothic industrial electro-doomcore that doesn't let up.

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Yaya

Para Siempre EP

12" | 2024 | EU | Original (Laguna Raw)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Tamango Records boss Yaya heads to Trmnl Records as he unveils his latest EP on the imprint, backed by remixes from Salty Nuts head honcho Fabe and label resident Vito. Heading up his Tamango Records imprint while serving up killer cuts and remixes on Desolat, Moan, Revival New York and more, Yaya is a man in high demand across the globe. With his take on house music bridging influences from Africa to Italy, his percussive-driven and slick sound has made him a favourite for those looking for productions leaning towards the more energetic yet minimal end of the genre. That style is on show once more as he adds a new label to his catalogue. Joining the likes of Djebali, East End Dubs, Ray Mono and Samu.l, late July brings the release of his new EP ‘Para Siempre’ on UK imprint Trmnl Records, accompanied by a slick pair of remixes from Fabe and Vito to shape up the package. Title track ‘Para Siempre’ is a skippy and bouncy lead effort as crisp drums, a zippy bassline, and warped vocals go to work to showcase a production bursting full of vigour, while ‘Umbrella Corps’ leans towards more organic, rolling percussion arrangements, shuffling rhythms and elastic melodies guide things towards the later hours. On the flip, Fabe steps up for the first remix as he brings his signature groove-led style to proceedings for a swingfuelled slice of funk, before Vito’s crisp take on ‘Umbrella Corps’ closes the show with a final injection of early hours goodness.

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Yaya & Nacho Bolognani

LGNRV02

11,39 €* 11,99 € -5%

12" | 2020 | EU | Original (Audionik Ltd.)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Returning with our anniversary vinyl, the flamingo present us with a release with the legends Yaya, Nacho Bolognani, alongside with remixes from our good friends that recently playing and party with us Dimmish and Rich Nxt. Enjoy

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Yaya & Nacho Bolognani

Flantastic EP

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The Things I Can't Take With Me

Tape | 2021 | UK | Original (Big Dada)

Release: 2021 / UK – Original

Genre: Organic Grooves

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„The Things I Can't Take With Me“ ist die neueste Veröffentlichung der multidisziplinären Künstlerin und Singer-Songwriterin Yaya Bey. Die selbstproduzierte, sechs Tracks umfassende EP folgt auf ihr letztes Album, das intime und politische „Madison Tapes“ aus dem Jahr 2020, das von Pitchfork (7.7), Fader, Afropunk, Noisey und anderen Medien gelobt wurde. Dem gleichen Geist ihrer früheren Projekte folgend, sucht „The Things I Can't Take With Me“ nach den zutiefst persönlichen und erfrischend ehrlichen Wahrheiten des schwarzen Frauseins und der Liebe.

Geboren und aufgewachsen in Queens/ New York, betrachtet Bey sich selbst hauptsächlich als „East Coast girl“, da sie ihre prägenden Jahre als Erwachsene in der DMV-Region (Washington DC, Maryland & Virginia) verbrachte und dort kreativ tätig war. Es war der aus Wahington DC stammende Produzent Chucky Thompson (bekannt für seine Arbeit mit Notorious B.I.G. und Diddy), der Bey ermutigte, ihre eigenen Songs aufzunehmen, nachdem sie jahrelang für andere geschrieben und Spoken Word Poetry vorgetragen hatte. Wie ihr Vater, Old-School-Rap-Legende Grand Daddy I.U., machte Bey das Beste aus dem, was sie als autodidaktische Musikerin mit einer Vorliebe für Storytelling und einem Ohr für Sampling hatte.

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Ten Fold Red Vinyl Ediiton

LP | 2024 | UK | Original (Big Dada)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Ten Fold Black Vinyl Edition

LP | 2024 | UK | Original (Big Dada)

28,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Remember Your North Star Blue Vinyl Edition

LP | 2022 | UK | Original (Big Dada)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Long Walk Of The Navajo Red, Yellow & Pink Vinyl Edition

Yawning Man

LP | 2023 | EU | Original (Heavy Psych Sounds)

36,99 €*

Long Walk Of The Navajo Gold Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Long walk of the Navajo features Gary Arce (Guitar), Bill Stinson (Drums), and the return of Billy Cordell (Bass). The Long Walk Sessions were inspired by a desert storm that hit the Joshua tree landscape that created a dark and gloomy backdrop for the bands creativity and improvisations. Blood Sand was recorded at Gary’s house by Steve Kille of Dead Meadow in Oct of 2022. It was a complete improvisation. Long Walk of the Navajo and Respiratory Pause were recorded at Gatos Trail Recording Studio by Dan Joeright in January of 2023. All songs mixed and mastered by Steve Kille.

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Yawning Man

LP | 2023 | EU | Original (Heavy Psych Sounds)

29,99 €*

Long Walk Of The Navajo Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Yawning Man

LP | 2023 | EU | Original (Heavy Psych Sounds)

12" | 2023 | EU | Original (Genie In A Bottle)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Yate & Badmango

GIABR005

12" | 2011 | US | Original (Aesthetic Audio)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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So A - This song, written during the Covid-19 pandemic, carries a distinct Ghetto House atmosphere and reflects my dreams of freedom. It contains elements of utopia and was created in a dawless mode, like a timeless song. It's a solo creation. "Jakivgusto" - Another solo song of mine, composed during the pandemic, also carries the spirit of the ghetto. This song reflects my contemplations about the moment and our inner strength during challenging times. In collaboration with Yate, we crafted the songs "Black Camel" and "Sun Day." "Black Camel" is a musical journey that narrates a cosmic rally, bringing excitement and energy to the listener. "Sun Day" is a musical message about a bright future before the onset of wartime events, reminding us of peace and harmony.

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Yasuo Sato

The Hikari E.P.

9,74 €* 14,99 € -35%

Yasunori Mitsuda & Masato Kato

Release: 2011 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Kirite

2LP+Book | 2023 | EU | Original (Wayo)

59,99 €*

Release: 2023 / EU – Original

Genre: Soundtracks

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Yasiin Gaye (Yasiin Bey (Mos Def) Vs. Marvin Gaye)

The Return

2LP | 2014 | US | Original (Amerigo Gazaway)

29,99 €*

2LP | 2022 | UK | Original (Lavalava)

Release: 2014 / US – Original

Genre: Hip Hop

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Another slammer by Amerigo Gazaway mashing up Mos Def and Marvin Gaye classics. This time Marvin's producer skills are in the focus, but you can expect nothing but S.O.U.L.! Tip.

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Yao Bobby & Simon Grab

Wum

34,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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7" | 2022 | EU | Original (Lavalava)

Yao Bobby & Simon Grab

Nyagblodi / Church

12,99 €*

Lagos Paris London EP Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Edition of 100 - printed sleeve, hand-stamped centre labels.

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Yannis & The Yaw

12" | 2024 | EU | Original (Transgressive)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lagos Paris London EP Black Vinyl Edition

Yannis & The Yaw

12" | 2024 | EU | Original (Transgressive)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Yann Kornowicz & Dan Amozig

Videoclub 2

LP | 2024 | EU | Original (Beatsqueeze)

LP | 2019 | EU | Original (Wah Wah)

Release: 2024 / EU – Original

Genre: Hip Hop

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«The almighty golden vhs tape has been stolen !!!" An enigmatic lady contacts our heroes, claiming she saw the tape At an illegal auction in istanbul. The adventure begins, and will lead them through Egypt, India, UK, to run against the evil ancestral cult before it uses the golden tape to summon dark forces... » 3 years ago, Videoclub concept album was released, using 70s movie soundtracks memories as an inspiration to create original compositions. It met warm reception all around the world. Beatsqueeze records is proud to announce Videoclub II this year, an ambitious sequel full of rich dusty theatrical arrangements. Take some pop-corn and enjoy the musical narration. Yann Kornowicz, composer. Starting from classical music by learning violin in his childhood, he began his film music obsession during the 90s, and used the piano as a tool to decompose the scores airing on tv. Many years later he continues his mono-maniac exploration through his albums and through works for tv, platforms, documentaries or advertising. Dan Amozig, multi-instrumentalist. After learning guitar in his teenage years , he graduated the cim jazz school in paris in the 2010s. He is touring with several projects since then, and focuses on live music. He recently added horns to his scope To enrich his beloved musical territories : jazz and hip hop.

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Yan Tregger

To The Land Of No Return

18,69 €* 21,99 € -15%

Love Session Feat. Maika, Kaja / Drivin' Feat. Maika

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Best known to funk / groove collectors for his 70's library efforts (Freezing Point, The Pop World Of Yann Tregger, Schifters, Catchy, Ducks & Drakes) on such cult labels as L'Illustration Musicale, MTS or Montparnasse 2000 or his late funky disco output via projects like Major Symphony or M.B.T. Soul; french trumpet player / composer /arranger Yann Tregger also devoted time and efforts to delve into electronic sound abstraction when needed. Based around the possibilities of the legendary ARP 2600 synthesizer, To The Land Of No Return was an outrageous and nightmarish collection of sound vignettes that pushed the instrument's capabilities to the limit. Thrilling, uneasy, surreal, spellbinding or just plain spaced out - an album "whose theme is the departure of a psychedelic train on a trip with no return to a lost world, leading its only passenger to unreal adventures" according to composer's words. An essential slice of musical lunacy coming from the most experimental fringes of the french library world!

First time ever reissued on vinyl, remastered from the original tapes in a gimmick cover and a limited edition of only 500 copies!

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Yamashiroll & P.O.P

7" | 2025 | JP | Original (Urban Discos)

18,99 €*

Yam Who? Featuring Christian Fontana

Release: 2025 / JP – Original

Genre: Pop

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Preorder shipping from 2025-01-17

A 7-inch single from the collaborative project by guitarist “YamashiRoll” and “P.O.P.” will be released! In addition to his ally Deejay / Human Beat Boxer “kaja”, singer-songwriter “maika” will also join in the fun. Both sides of the song are a rare party tune that intersects YamashiRoll's quintessential, robust sound with positive lyricism.

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Wrap You Up

12" | 2005 | US | Original (Ubiquity)

4,99 €*

Release: 2005 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 2023 | EU | Original (Les Disques Bongo Joe)

Yalla Miku

32,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Bongo Joe Records is pleased to announce the release of Yalla Miku"s debut album. It is a new way of combining African, European, electronic, acoustic and electric music and cultures. The project was launched by Cyril Cyril duo, then joined by Simone Aubert and Vincent Bertholet from Hyperculte and three musicians with migrant backgrounds: the Moroccan Anouar Baouna, the Eritrean Samuel Ades and the Algerian Ali Bouchaki.

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Jewel Case CD | 2024 | EU | Original (90's Tapes)

Release: 2024 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on CD in jewel copies.

Yall So Stupid came from Atlanta's underground and gave their listeners the low down on their town on their debut album "Van Full Of Pakistans", originally released on Rowdy Records in 1993. MC's Unkle Buk, H2O, and Logic, with DJ Sha Boogie on the turns, stuck to what they knew and did best: busting straight up hardcore tracks for macks, honeys and tricks. Entirely produced by Spearhead X eccept a few productions by label mates Da King & I and Sylvan Sargeant.

Available in a limited run on 2LP+7", extra 7" of the title track "Van Full Of Pakistans" ("Album Version" b/w "Spearhead X Remix"), CD in jewel case, cassette and digitally on all major platforms.

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7" | 2024 | EU | Original (90's Tapes)

Release: 2024 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies of the title track "Van Full Of Pakistans". Comes with the album version on side A backed with the Spearhead X remix on the B.

Yall So Stupid came from Atlanta's underground and gave their listeners the low down on their town on their debut album "Van Full Of Pakistans", originally released on Rowdy Records in 1993. MC's Unkle Buk, H2O, and Logic, with DJ Sha Boogie on the turns, stuck to what they knew and did best: busting straight up hardcore tracks for macks, honeys and tricks. Entirely produced by Spearhead X eccept a few productions by label mates Da King & I and Sylvan Sargeant.

Available in a limited run on 2LP+7", extra 7" of the title track "Van Full Of Pakistans" ("Album Version" b/w "Spearhead X Remix"), CD in jewel case, cassette and digitally on all major platforms.

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2LP+7" | 2024 | EU | Original (90's Tapes)

39,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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Limited edition of 500 copies on 2LP in gatefold sleeve incl. inlay card and bonus 7" ("85 South (Scanda Remix)" b/w "Van Full Of Pakistans (Skeff Uncensored Remix)").

Yall So Stupid came from Atlanta's underground and gave their listeners the low down on their town on their debut album "Van Full Of Pakistans", originally released on Rowdy Records in 1993. MC's Unkle Buk, H2O, and Logic, with DJ Sha Boogie on the turns, stuck to what they knew and did best: busting straight up hardcore tracks for macks, honeys and tricks. Entirely produced by Spearhead X eccept a few productions by label mates Da King & I and Sylvan Sargeant.

Available in a limited run on 2LP+7", extra 7" of the title track "Van Full Of Pakistans" ("Album Version" b/w "Spearhead X Remix"), CD in jewel case, cassette and digitally on all major platforms.

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Tape | 2024 | EU | Original (90's Tapes)

LP | 2024 | EU | Original (Road Trip / Lawson Entertainment, Inc.)

Release: 2024 / EU – Original

Genre: Hip Hop

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Limited edition of 100 copies on cassette.

Yall So Stupid came from Atlanta's underground and gave their listeners the low down on their town on their debut album "Van Full Of Pakistans", originally released on Rowdy Records in 1993. MC's Unkle Buk, H2O, and Logic, with DJ Sha Boogie on the turns, stuck to what they knew and did best: busting straight up hardcore tracks for macks, honeys and tricks. Entirely produced by Spearhead X eccept a few productions by label mates Da King & I and Sylvan Sargeant.

Available in a limited run on 2LP+7", extra 7" of the title track "Van Full Of Pakistans" ("Album Version" b/w "Spearhead X Remix"), CD in jewel case, cassette and digitally on all major platforms.

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Yahho

Yahho No Tanoshimikata

30,99 €*

3LP | 2014 | EU | Reissue (Delsin)

Release: 2024 / EU – Original

Genre: Pop

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Preorder shipping from 2024-11-29

"Limited to 300 copies. Okayama's 8-bit hardcore punk band Yahho has released their 1LP, 45rpm, 39-track ""Yahho no Tanoshimikata"" on analog!

Okayama's Yahho, who has played numerous legendary live shows at the All Senses Festival hosted by Juusangetsu/GEZAN, Meteo Night hosted by Less Than TV, and more, will release their first album "" Yahho no Tanoshimikata "" (4-disc set: 3 CDs + 1 DVD)in August 2023. Despite not being distributed nationwide, they sold hundreds of copies through their own live merchandise and their own online shop. And one year after the release, "" Yahho no Tanoshimikata "" is finally being released on analog for nationwide distribution! The vinyl version also includes two new songs not yet released on CD! Limited to 300 copies pressed, so hurry up! ----------------------------------------------------------- We have received comments from everyone regarding the release of the vinyl version of YAHHO's "" Yahho no Tanoshimikata ""! ----------------------------------------------------------- (Yahho) That's why it's fun, and that's why it's lonely. (Together with someone) That's why it's fun, and that's why it's lonely.

Asano (wetnap, GAME&chips) ----------------------------------------------------------- My image of Yahho is him stumbling around on his own over 8-bit sounds, and he's also a friend who often invites me out. He recently performed overseas. I think he's an artist who doesn't fit into a box. It's great to archive his work! He makes me feel free. Yahho of the World

Moto Kawabe ----------------------------------------------------------- The first album by Yahho, the greatest punk rocker born at Kurashiki University of Science and the Arts, has finally been released on vinyl. Yahho is here to rewrite and update the view of Japanese punk history!

Kawakami Konosuke (Author of ""Punk no Keifugaku"") ----------------------------------------------------------- On ""How to Enjoy Yahho"" Hey, Yahho! Isn't this first album packed with the romanticism of Yahho, music, and love for friends? While laughing, I read the lyrics and it hits me hard, and there are various gradations of blue. Seriously, no matter what mood I'm in, Yahho always responds with the best Yahho at that time. He'll be stupid with me and get depressed with me. Yahho's Yahho is bottomless! Infinite! Look, just saying Yahho makes me feel like I'm floating. Then I hear Yahho! from far away. After that, I can jump really high. It's a dream to have this sound source become a record! Come a little closer, Yahho! Please keep shouting and letting us hear it to each other. I love you forever!

THE Guays Captain Ryosuke ----------------------------------------------------------- He may look ordinary, but he's a weirdo. I love Shintaro's way of life.

Goto(MASTERPEACE) ----------------------------------------------------------- Yahho Analog Record Release! I was asked to comment, but when I hear Yahho, it's just a nightmare.

Contrary to Hamai's appearance, Yahho's charm is its over-the-top performance and sound, but when they visited Miyazaki Prefecture on a live tour, this caused a disaster, and they were banned from both the live house they performed at and the bar where they had their after-party. Rumors about their performance and sound spread to the Chamber of Commerce, and they were banned from all live houses and bars in Miyazaki Prefecture, and on top of that, all the bands they played with that night were also banned, which was a nightmare-like bonus. The rumor spread like wildfire among the prefecture's residents, and if a hiker shouts ""Yahho"" at the top of a mountain, they are looked at with disdain and spat on, and they can't stand it anymore and rush down the mountain... It has developed into a situation like this.

Yahho, congratulations on the release of the analog record!

Hiroaki Sakai ----------------------------------------------------------- 「Don't Forget Youth Memories,Forever.」

Boredom is the reason why I'm constantly irritated. Boredom is also the reason why I'm constantly spacing out.

Of course, boredom is also the reason why any mathematical formula, no matter how important, slips in one ear and out the other. That winter when I was 16 years old. I wanted something to destroy the saturated negative emotions. And I found it. It was undoubtedly the music of ""Yahho"".

Loud 8-bit sound and booming guitar. Screaming vocals writhing on the rough waves of that sound. In ""Extra Yahho"", the 8-bit sound is transformed into a hardcore band sound, with blast beats and screaming vocals exploding. What follows are unique raps and acoustic pop masterpieces. A fast-paced legend of 47 songs and 40 minutes. (*These comments are based on the CD version. The LP version contains 39 songs.) From the day I pressed the play button on my player, ""Yahho"" music became a part of my life.

When I listen to ""Yahho"" music, I feel the urge to scream. I'm sure I'm not the only one who feels that way. ""Ya-ho"" shouts out the boredom and frustration we've been holding inside, using it as a springboard. The poetic, yet endlessly straightforward lyrics really bring that home.

I pack all my boredom and endlessly overflowing frustration into a backpack and start running. I don't need to decide where to go. Just look ahead. This album gives me the push I need. I hate it. No, I'm totally against it. It's okay if you're bad at it, just keep going. I'm convinced that becoming an adult isn't that hard. "" Yahho no Tanoshimikata"" taught me everything.

It was a winter when I was 16, not sure if I was an adult or a child. Alone in my messy room, I pumped my fist into the air and said, ""I hope this album will help me become an adult.""

Shokudou (door TO Door) ----------------------------------------------------------- Hitting your forehead on the strap. Earphones and sighs leaking out as the train moves slowly. The music that plays when you take that first step to transfer from one crowded train to the next.

Nishioka (Peoples) ----------------------------------------------------------- How to enjoy Yahho I said out loud, ""This is the ultimate Famicom hardcore punk!!!!!!!!!!!!!!""＼(^o^)／ I love how the song ends so quickly＼(^o^)／ I love how it's gentle and tenacious＼(^o^)／ More than anything, I love how it's fun＼(^o^)／ In the end, I was lucky to be able to listen to a variety of music＼(^o^)／

Nozawa Dive Kinshi (Niji no Tasogare) ----------------------------------------------------------- For the vinyl release of Yahho's ""How to Enjoy Yahho"", I asked people around Yahho who are close to me and have always looked after me for comments, and they all replied promptly and readily agreed, which really made me realize how charming Yahho is and how charismatic he is as an artist. *From the beginning, Yahho said he felt bad about asking for comments from everyone, so I took the initiative and did it on my own.

It wasn't easy to get to the point where we decided to release it, but I was driven by a mysterious sense of mission that even Yahho himself probably didn't want, that made me reach this project. Yahho released a CD last year and sold hundreds of copies individually without national distribution, so I took a selfish action that even he didn't want at all, in order to put him in a more interesting situation. Yahho has already established a solid position in the underground, but we approached Yahho with the idea of releasing this album with the sole desire that more people listen to their music, that they come to their live shows and get excited and laugh, and that we want them to become a part of everyone's lives.

This is a wonderful album that you should listen to and experience for yourself if something isn't going right every day and you're struggling and wondering if things are okay. Once you've listened to it, all that's left to do is gather in the mosh pit at the live venue.

Thank you Yahho!

Hiracchi (manga Shock) ----------------------------------------------------------- I think if you listen to this album on vinyl you'll want to run out the door as fast as you can. Awesome!! Mikuru (ANORAK!) ----------------------------------------------------------- To Hamai Congratulations on the release! The three of us used to go to coffee shops together Do you remember? Don't you remember? I hope we can go again someday

Y.I.M. Omiru Asu chan ----------------------------------------------------------- That packs a punch!

Watson (Dotsuitarunen) -----------------------------------------------------------"

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Yagya

Sleepygirls 2024 Repress

32,99 €*

LP | 2015 | EU | Original (TÔt Ou Tard)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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Limited 10 year anniversary repress with black/white artwork. In May 2014, Icelandic producer Yagya released his fifth album, Sleepygirls, across three slabs of vinyl on Dutch label Delsin. It's a deep, spacious and dubbed out affair that stays locked at a pleasingly sedentary tempo throughout. Since 2002 Yagya has been crafting lush electronic albums and always manages to find pure bliss and beauty and his simple, nature inspired soundscapes. "I wanted to create an album that's atmospheric, repetitive, and easy to listen to over and over again," says the man himself. "Something that works well in the background (e.g. when concentrating on work), as well as up close in a big sound system. I also wanted to learn how to make my music sound better than before, since I'm a huge sound-nerd, so that was a part of the goal for me personally." The album is a fine fusion of tropes from Yagya's earlier albums, features jazz instrumentalists that improvise beautiful melodies over monotonic, almost drone-like, techno beats and also uses live recordings of Japanese vocals, saxophone and guitar to counter the repetitiveness of the rhythms. Right from the rolling bliss of the opener, you're suspended in a womb like pillow of sound that is soft, warm and serenely beautiful. As tracks roll on, the pace stays the same but themes vary from upright and summery to more elongated and insular. This is natural, organic dub that is a delight and a pleasure to listen to. The vinyl versions of each track have been specially mixed with random LFOs, sonic quirks and unique fingerprints making them the subtly different to the CD version, but overall this is a brain soothing and mind melting album that can soundtrack lazy days, long summer afternoons and warm winter evenings in equal style.

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Yael Naim

Older

Jah Over I / United Africa Dub

Release: 2015 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy.
Cover as new with slightly dented corners.

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Yabby You & The Prophets

7" | 2022 | UK (Pressure Sounds)

Conquering Lion Expanded Edition

Release: 2022 / UK

Genre: Reggae & Dancehall

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Conscious lyrics on this lesser known Yabby track. Never before pressed on 45 and comes with the correct version on the flipside. Comes in a printed Yabby bag. Tommy McCook on flute Sly and Robbie on rhythmic duties.

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Yabby You & The Prophets

2LP | 2021 | UK | Original (Pressure Sounds)

27,99 €*

Release: 2021 / UK – Original

Genre: Reggae & Dancehall

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2LP | 1975 | UK | Reissue (Pressure Sounds)

Yabby You & The Prophets

Conquering Lion

41,99 €*

Release: 1975 / UK – Reissue

Genre: Reggae & Dancehall

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Yabby You Meets Mad Professor & Black Steel

In Ariwa Studios

LP (Ariwa)

21,99 €*

Jah Vengence Dub Plate Mix / Version

Genre: Reggae & Dancehall

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sealed

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Yabby You

7" | 2017 | UK | Reissue (Pressure Sounds)

Yabby You / Jah Fingers All Stars

Release: 2017 / UK – Reissue

Genre: Reggae & Dancehall

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Deep spaced out cut of the classic Jah Vengeance from Yabby and the Prophets. A side lifted from the Deeper roots 2 set. The version from the Beware dub set.

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Mighty Counselor, Dub Mix 1 / Dub 2, Inst.

12" (Jah Fingers)

Genre: Reggae & Dancehall

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Dread Propecy Crucial Cuts

Yabby You

LP | 2024 | US | Original (Shanachie)

35,99 €*

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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7" | 1981 | UK | Reissue (Pressure Sounds)

Yabby You

Beware / Lazy Mood

9,99 €*

Yabass Yaba Radics Meets T-Jah / Ft.Mono Elekin

Release: 1981 / UK – Reissue

Genre: Reggae & Dancehall

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Hypnotic and the jewel in Yabbys musical crown. A side taken from the Beware dub Lp and the flipside is the same off key but still charming keyboard cut of the same rhythm.

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Thanks And Praises / Horns Praises

7" (Infinite Density)

15,99 €*

Genre: Reggae & Dancehall

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7" | 2014 | EU | Original (Pingipung)

Ya Tosiba

Mollah The Machine

LP | 2017 | Original (Asphalt Tango)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Ya Tosiba is a Berlin-based duo producing bass-heavy riddims with energetic female vocals. On the mic we have Zuzu Zakaria, the versatile singer who uses mainly found, historical lyrics in her mother tongue Azeri. On synths and drum machines we have Mesak.

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Ya Tosiba

Love Party

21,99 €*

Release: 2017 / Original

Genre: Electronic & Dance

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Exordium Ep Transparent Magenta Vinyl Edition

12" | 2024 | EU | Original (Fundaments)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Y2C, Curses & Younger Than Me

Still There

12" | 2022 | EU | Original (Live At Robert Johnson)

12" | 2022 | EU | Original (Time Is Now)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Are you still here? Or are you still there? Berlin-based/Italian warehouse-rave warrior, Younger Than Me, and Italo-American romantic goth-wave prince, Curses are There. They're there where it's at! It was the bond of bold friendship that brought these guys together - and of course a shared history of subgenre juxtaposition and meshing. Both grew up on Punk, Rap, and of course the early days of Techno. »Still There« is their first EP together and thus of course their first for Live At Robert Johnson. It's a venture into the euphoric, psychedelic power of early Trance and Breaks mixed with the attitude and energy of EBM and Electro. Starting with the moody slow beats of the title tune »Still There«, Y2C takes you on a journey to a faraway chill-out room in some dark yet warm and cozy cellar. Or is this place to be found in synth heaven? It could well be if you listen to those dreamy melodies. Melodies as beguiling as the song of the Sirens that seduced good old Ulysses. Y2C pick up on that dreamy vibe but throw in that slight and subtle Trance-factor, taking up speed with »Romantic Squat«, dragging you into their very own romantic squat. Next up is »Love Your Enemy« - oh yes, shouldn't we all? Icey claps with lots of reverb and a bass line draw you onto the dry ice flooded aluminum floor and there's no way back - especially when that strange break with that crazy sound makes you stop for a second and think, why did I stop dancing? Get back on the floor y'all! The last track »Lullapaluza« is indeed some kind of a lollapalooza ride, a very special ride. And no, it does not lull you to sleep because the beat created by Y2C here is a demanding one, a special which gets you going all over its eight and a half minutes. It's sheer bliss, you gotta believe it. This is not a one-off novelty EP, it's a kinetic collaboration. Y2C is a force of nature, a force of Rave/wave energy, with many more to come, a force to reckon with.

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Y U QT

Sweet Fantasy

12" | 2021 | EU | Original (Time Is Now)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Y U QT are back on Time Is Now, and with them they're bringing the sun. "Sweet Fantasy" EP sees the Leicester duo return to what they do best: capturing UKG at its least po-faced, and most energetic.

And who better to help kick off proceedings than the one of the most recognisable voices in today's UKG revival? Ell Murphy's smooth-as-syrup vocals add another level of dynamism to the already-buoyant 4x4 garage banger "Fantasy", coming complete with a hook just as irresistible as the ones which shot their previous releases to success. "Buss Down" picks up the energy with propulsive kickdrums and old school MC vocal chops before "Leaving All Your Cares Behind" follows suit, adding a feel-good vocal melody for an extra serotonin hit. It's up to the more light-footed "Just Be Friends" to leave a sweet taste in our mouths. Euphoric Korg organ stabs give a sense of nostalgia whilst a meandering bassline lends it plenty of swing.

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Y U QT

5 A Day

15,99 €*

Yesterday & Today Live Lilac Marbled Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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- 2022 repress -

It was surely a matter of time before Leicester natives, darlings of the UKG revival Y U QT graced Time Is Now with a release. Cooper and Darryl Reid have been repping the Midlands' oft-forgotten 2-step and bassline scene since being picked up by Riz La Teef's South London Press in 2019; since dropping two EPs on Warehouse Rave and getting picked up for a remix by Conducta's award-winning Kiwi Rekords. For Time Is Now, the duo have put together five tracks of dynamic, cheeky garage that takes influence from the full breadth of the genre.

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Y&T

2LP | 2023 | EU | Original (Metal Blade)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Y Society (Insight & Damu The Fudgemunk)

Travel At Your Own Pace Instrumentals Picture Disc Edition

LP | 2018 | US | Original (Redefinition)

21,99 €*

Y Society (Insight & Damu The Fudgemunk)

Release: 2018 / US – Original

Genre: Hip Hop

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Limited edition picture disc of the “Travel At Your Own Pace “instrumentals!

Redefinition brings us the long-awaited instrumental versions of ”Travel At Your Own Pace” by Y Society aka Insight & Damu in conjunction with the “Travel At Your Own Pace 10 Year Anniversary Vinyl Edition”. The album was entirely produced by the Damu The Fudgemunk. This high-quality picture disc pressing is limited to 700 units only worldwide.

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Never Off (On & On) / Pyramids To The Ghetto

7" | 2017 | US | Original (Redefinition)

12,99 €*

12" | 2022 | EU | Original (Wicked Wax)

Release: 2017 / US – Original

Genre: Hip Hop

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The lead single from the highly sought-after “Travel At Your Own Pace” features the exclusive, previously unreleased B-side, “Pyramids”. This song includes a rare vocal appearance from Damu The Fudgemunk.

This the song's first official reissue and its first appearance pressed on a 45. Both songs packaged in full color double sided cover art.

Known to many as the group Y Society, Insight the Truncator and Damu the Fudgemunk celebrate 10 plus years of friendship and a creative partnership that hold the two in high esteem of their fans. The MC & producer's new 7" is a compelling display of why the duo have always been at the top of their game despite their reserved output since debuting as a team in 2007.

Surprising the world at the top of the year with their full length, "Ears Hear Spears" was a great way to sound the alarm for the excitement of new activity. Selective by nature, Insight and Damu's calculations have served advantageous in making moves and presenting listeners with the right music at the right time. The latest incarnation of this truth can be heard in the previously unreleased b-side track entitled "Pyramids to the Ghetto." Although it was recorded in 2008, it was archived and remained unreleased until now. Now in 2017 this particular song couldn't be any more relevant in how the artists analyze the effects racism of the past & present and its correlation to black plight throughout the Americas (both Insight & Damu drop verses on this track).

Continuing narratives of such legends as Public Enemy and Jeru the Damaja in which the track title quotes, the group individually presents short essays in rhyme form that give a candid account of what they've witnessed as black U.S. citizens living in the 20th and 21st Century. Not only are the social effects on the table for examination, but the positive and negative impacts a racist society has had on black contributions to art and culture are discussed. For the songwriters, "Pyramids to the Ghetto" is therapeutic in which harsh realities are confronted in an unapologetic manner contrasting the previous socially charged material in Insight and Damu's back catalog.

For the listeners, it's a history lesson and a call to motivate us all that history doesn't always have to repeat itself even when it's been the norm for centuries. Adversity and oppression historically have hold some back and made some stronger, but acknowledgement is the first step of progression.

The A-Side, "Never Off (On & On)" speaks on just that. It's a roadmap to dealing with everyday adversity, maintaining faith in self and striving to reach your full potential. Insight presents sermons of encouragement to the everyday person over the Fudgemunk's uplifting beat. The producer chimes in on the chorus with a few words of his own that insists to keep on your path and never fall off. The old saying goes, "Life ain't easy", but the group knows success is not unrealistic. "Never Off (On & On)" was the debut single from the debut album, "Travel at Your Own Pace" which has remained a staple in Insight the Truncator's and Damu the Fudgemunk's legacy.

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Y.O.P.E.

Lost But Here Here

12" | 2000 | EU | Reissue (Dance On The Beat)

Release: 2022 / EU – Original

Genre: Organic Grooves

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"Cutting edge live jazz and beat-inspired debut EP by Dutch bass player Joop de Graaf (Brintex Collective). Resonates with the current UK jazz sound and artists such as Yussef Kamaal and Moses Boyd."

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Y.O.M.C.

Oasis / Wiedergeburt

Release: 2000 / EU – Reissue

Genre: Electronic & Dance, Pop

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12" | 2000 | IT | Original (BXR)

Y.O.M.C.

Oasis

169,99 €*

12" | 2023 | UK | Original (Transmission)

Release: 2000 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Ships in a brand new plain sleeve.
Record with clean lables plays with great sound, close to VG+.

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Y-Nøt

Structures EP

10" | 2019 | US | Original (Tender Loving)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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We are proud to finally present you the first release of our label. Starting with a powerful vinyl by Dutch newcomer Y-nøt.

The melodic, more modern A-side is a mix of classic synthlines and modern drums, while the B-side consists of two pure, timeless peaktime tools. The EP already gained early support by DJs like Amelie Lens, Shdw & Obscure Shape, Klangkuenstler and many more.

Remixes by: Cynthia Spiering, Jayat & Lamin

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Y La Bamba

Entre Los Dos

Release: 2019 / US – Original

Genre: Rock & Indie

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12" | 2000 | CH | Original (Friendship)

Equilibrium

4,99 €*

Release: 2000 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 2022 | EU | Original (Pingipung)

Y Bülbül / Yumurta

Not One, Not Two

27,99 €*

Y-Bayani & Baby Naa & The Band Of Enlightenment, Reason & Love

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Y Bülbül is back on the controls accompanied by Yumurta, a percussionist from Istanbul. Pingipung introduced the London based artist in 2020 with his psychedelic, synth-laden debut “Fever”.

“Not One, Not Two” is based on a one-way transmission of improvised drum recordings from an industrial estate in Maslak, Istanbul to another one in Tottenham, London, where Y Bülbül laid down fragmented layers of bass, synths, guitars and field recordings over Yumurta’s singular drum takes. The result is a free-form deep listening album for fans of dub, ambient and kosmische music, where the groove and harmonies are mystically interwoven, yet somehow manage to stay on the brink of collapse. Although the sessions were non concurrent and scattered over two continents, the collaboration evokes scenes of a telepathic communion where individual perspectives, circumstances and stories are exchanged between the two.

Resembling Moondog, Holy Tongue or Luis Paniagua in the sense that they favor the raw over the polished, holistic presence over conceptual perfection and questions over answers, the duo’s focus on bare sounds and repetition guides the listener throughout the album. The ride cymbal opening the minimalistic “I’m This”, for instance, briskly disarms the listener who might have been looking for more traditional songwriting or production clues. There are plenty of immediately rewarding moments too in “Not One, Not Two,” like the organic acid bassline in “Maurin Quina”, the euphoric drum fills of “Big K” and the intoxicating groove of the hypnotic vibe-setter “Jah Oto”.

Bülbül is Turkish for a singing bird while Yumurta simply means egg. Which one is first? Who is to follow? It’s this enigmatic entanglement between the two artists which creates the lurking tension, emphasized by the Zen Kōan-like title. The beauty in this album is a peculiar one, and it certainly is a rabbit hole too. Dissonance is fluid as everything moves, and whenever two sounds collide, a third one emerges.

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Asembi Ara Amba

7" | 2019 | EU | Original (Philophon)

LP | 2024 | EU | Original (Stereofox)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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With his third single release, Y-Bayani (pronounced like Why-Bayani) shows clearly that he is the most intriguing roots-reggae sensation coming out of Ghana. He is backed again by the lushly grooving Band of Enlightenment, Reason and Love.
Asembi Ara Amba, sung in Fanti language, is an old Fanti story about having bad luck if you see a vulture up in the sky. As Y-Bayani sees one suddenly and for no reason he gets in trouble with the police. Being hold back in the police station he finally takes his chance to escape into freedom while the police men taking a nap.
On We Are The Band of Enlightenment, Reason And Love the group presents their personal anthem. The song is a cinematic journey starting with a mighty horn theme, followed up by a mantric chant and enters finally into a wall of sound in double time. It's a small symphony for sure.

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Y A N A & Gena

Under My Skin

14,39 €* 23,99 € -40%

Release: 2024 / EU – Original

Genre: Hip Hop

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2LP | 2002 | UK | Reissue (Diggers Factory / Open Bar Entertainment)

Xzibit

Man Vs Machine

41,99 €*

Release: 2002 / UK – Reissue

Genre: Hip Hop

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12" | 2022 | EU | Original (Mono-Tone)

XYZ

5 Stars EP

26,99 €*

LP | 2022 | US | Original (Half A Million)

Release: 2022 / EU – Original

Genre: Rock & Indie

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XYZ = the transatlantic (USA/France) duo made of Ian Svenonius (singer extraordinaire with Escape-ism, Chain & the Gang and the legendary Make-Up) on vocals + Memphis Electronic (Dum Dum Boys, NON!) on instruments. Fuzz guitars! Drum machines! Analog synths! Groovy Glam! Sexy soul! Dancefloor rockers! FIVE hit singles on one 12", a real "5 Stars EP

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The Basement Tapes

27,89 €* 30,99 € -10%

12" | 2024 | EU | Original (Moral Standards)

Release: 2022 / US – Original

Genre: Rock & Indie

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"'Free punk' that's by turns playful, absurd, weirdly funny, oblique, and catchy as hell. Always on the verge of falling apart, or actually doing so, though these recordings are imbued with a certain warped vision and propulsion that holds up the Shaggs-ish disorder. We're mega psyched to be releasing one of our favorite current bands."

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Xupid

Hexing Hour EP

G.O.L.D Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Berlin based producer Xupid lands his next release on Falling Ethics sub label Moral Standards. After his magnificent debut album 'Trust Me' from last year, Xupid once more delivers four explosive dancefloor weapons in his own remarkable style. Working on a high pace he works his way from percussive bass stepper 'Fractal Keel' via the playful hard groovers 'Hexing Hour' and 'Planet Creep' to a more subtle dub house affair 'Direct Dub'. In the middle of all this, label curator P.E.A.R.L. steps up to rework 'Fractal Keel' where he flawlessly elaborates the broken tip of the original into an exciting no-nonsense off beat techno jam.

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XTR Human

12" | 2021 | EU | Original (Braids)

XTC as The Dukes Of Stratosphea

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Though the hallowed halls of Berlin’s nightlife excess now sit cold, the sounds that once haunted their depths beat ever onward, and colder still. Birthed in these hushed plaguelands, XTR HUMAN’s new full-length G.O.L.D evokes the frozen melancholy of a post-pandemic city, driven ever onward by the impetus of night’s primary currencies: sweat, release and change. The latest full-length from Johannes Stabel, G.O.L.D finds the German producer evolving as much as the rest of the world has had to. Taking his political and socially conscious lyrics into his native tongue brings a deeper and more powerful thrust to their weight—particularly at a time when Germany is weighing its own social consciousness after years of being seen as a leading world figure. Across G.O.L.D’s ten tracks, Stable brings our zeitgeist into a new realm, where the anger and frustration at our current existence is refined into the energy that fuels our engines, that primal desire always amplified during times of social upheaval—the desire to move your body. Many of the songs delve into Stabel’s own experiences as a German, from explorations of the Deutsch mentality of persistent fear to tackling the fake news, jingoism, racists and coronavirus deniers on hypnotic bangers ‘Dark Germany’ and ‘Dieser Klang’; issues just as prevalent in Germany as in the USA and UK. Yet each song carries just as much weight on to the dance floor, melding driving EBM bass with soaring synthlines and coldwave atmospheres that dispel the tenseness that such heavy topics imbue, in favor of intensity and beauty. Influenced by the pop hooks of Austrian New Wave legend Falco, G.O.L.D never neglects its danceability and HD club accessibility, no matter how heady the lyricism. ‘Starker Junge’, a dissection of toxic masculinity, drops down onto the listener with sparkling synths and razor-sharp guitar, while capitalist critique ‘Fleisch’ is a pogo synthpop anthem that could send any floor into a twirling frenzy. Wrapped in darkened beats and political ideals, G.O.L.D can’t hide the light that emanates from within its glistening, imminently catchy hooks and groove-laden rhythms. In a time where the dance floor sometimes seems like a distant memory, it’s the perfect philosopher’s metal to transmogrify your existence. All songs written and recorded by Johannes Stabel Mixing by Andrew Wiseman Arwork by Nicolas Zupfer Mastering at Dadub Studio Distributed by ReadyMade Distribution Braid Records 2021

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25'o Clock Remastered Edition

LP | 2019 | UK | Original (Panegyric)

Release: 2019 / UK – Original

Genre: Rock & Indie

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7" | 2011 | US | Reissue (Hardly Art)

Xray Eyeballs

Sundae

10,99 €*

LP | 2024 | Original (Energy Exchange)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Xray Eyeballs is the brainchild of O.J. San Felipe. Originally from San Francisco, O.J. landed in Brooklyn in 2000 after numerous cross-country adventures. Upon settling, O.J. quickly cemented himself in the underground Brooklyn punk, noise, and indie scene playing in numerous bands including Golden Triangle (Mexican Summer, Hardly Art). While Golden Triangle is known as an all around party band that bashes out garage pop tunes that could easily be found on a Nuggets compilation, O.J. had something else in mind for Xray Eyeballs. Starting as a solo project, O.J. aimed to make pop songs that kids could remember after leaving the party. O.J. explains, "I just wanted to make every song sound like a lullaby." These songs are filled with dreamy pop hooks and melancholic melodies, covered in a spooky haze.

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Xpress Point

Been Remindin' Me

24,99 €*

12" | 2022 | EU | Original (1ø Pills Mate)

Release: 2024 / Original

Genre: Electronic & Dance

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After a string of ambient and experimental releases across labels such as Bedroom Suck, Best Effort, Ken Oath and Analogue Attic, Matthew Hayes - veteran bassist of Z*F*E*X, welcomes his latest project Xpress Point, designed to keep your hips moving rather than kicked back on your couch. Born out of jam sessions and collaborations with artists such as Dreamcastmoe, Jitwam, Ziggy Zeitgeist, Finn Rees and Allysha Joy and an obsession with reclaiming the nostalgic sound sounds of the Korg M1 and Yamaha DX7, Xpress Point, which takes Its name from a local surf break off the coast of Phillip Island, draws heavily from the boogie tradition with a nod to vapourware, downtempo, balearic and funk breaks.
Assembled in 2023 across Melbourne/Naarm, London and Berlin, from surf breaks to crusty drum breaks, Xpress Point is a vehicle for Hayes to search for the perfect bass line, explore funk minimalism, continue nurturing longtime musical relationships with close friends and offer his own take on music to make you move.

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Xiorro

Chromatic Meteor Shower

LP | 2023 | EU | Original (Knekelhuis)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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ATL via NYC producer Xiorro follows up his killer release on Brooklyn based label Sorry Records with four slabs of ravey industrial concrete on 1O Pills Mate. Co-founding Alkhemy - a collective whose genesis is dedicated to spreading diversity within techno and making space for marginalised, people of colour and women to play - their The Black Hole parties have helped to re-shape the NYC soundscape.

Xiorro's moniker is a reference to his Puerto Rican heritage and to African revolutionary Marcus Xiorro. Touted as one to watch by DJ Mag and Magnetic Mag, he has played Tresor;s New Faces and Berlin party Staub, co-hosting nights with Discwoman and Arts on both sides of the atlantic. 'Zemi Of A Riot' begins with a surprisingly familiar sample before diving straight into a bass-driven, unrelenting groove. An instant curve-ball designed to delight and startle, it's an off-road space jam hurtling through a multi-verse of dark clubs and asteroid fields. 'Pa' Que Brinquen' turns the space rocks to goo with its frantic, melting analog patterns and hardcore aeshetic, striking a perfect balance between otherworldly and organic.

'Tooth and Nail' is an evocative cut of heads-down energy; a total surrender to the mundane that exists outside the walls of right now, hypnotic, groove-focused techno that's as bassy as it is heavy. Belgium based French producer Julian Muller caps the release off with a punchy remix of 'Pa' Que Brinquen', pushing the tempo slightly higher with a piece of trance-licked techno.

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XIII

Permanent Rain

12" | 1990 | EU | Reissue (Bless You)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Permanent Rain’ is introspective listening. Lean back and let your ears catch a source that moves, breaths, resonates and rises, until a quiet truth swells upon us. XII captures truth in all its honesty. Sometimes it feels so physical, it’s as if time and elements of nature are peeled of layer after layer.

This record combines songwriting with sonic hypnosis. A rhythmic, esoteric oasis, containing currents of mysticism, yet accompanied by contemporary electronics. Its elements translate to a brew of mutant raga, neofolk and tripped out celtic fantasies.

Ffo: Rapoon, Breadwoman, O Yuki Conjugate

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Xiaolin

Romance: Afterwards

18,99 €*

12" | 2012 | BE | Original (Token)

Release: 1990 / EU – Reissue

Genre: Electronic & Dance

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After seeing her cover of Mariya Takeuchi's "Plastic Love" flying off the shelves (earlier on Blessyou0021), Xiaolin is back with another cover version, this time a refreshing take on Hong Kong 80's pop starlet icon Prudence Liew's work - "Afterwards" - originally released in 1990. Xiaolin prepares another tasty recipe for the ear, clearly exposing her seasoned studio knowledge which serves as the foundation over which her powerful vocals can shine. If that wasn't enough, this release also comes with a Dub version and two remixes by non other than Tornado Wallace and Androo. A very generous package - hard to go wrong here, buy on sight.

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Xhin

The Realm E.P.

7,95 €*

Xenogears aka The Analogue Cops

Release: 2012 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Label cover.

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72 Bridges E.P.

12" | 2011 | UK | Original (Tabernacle)

6,99 €*

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Via Negativa (In The Doorway Light) Ruby Red Vinyl Edition

Xeno & Oaklander

LP | 2024 | US | Original (Dais)

26,99 €*

Via Negativa (In The Doorway Light) Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Ruby Red Vinyl. The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feel...

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Xeno & Oaklander

LP | 2024 | US | Original (Dais)

26,99 €*

LP | 2023 | US | Original (Mt. St. Mtn.)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feelreal / So many pasts...

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Xds

Bicycle Ripper

Lockertmatik 014 Blue Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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It started in a cafe in Chico, California, with a flier, covered in glitter, wires, feathers, and assorted melted items, with a three-word advertisement: “Noise person wanted.” It wasn’t a sign. It was a sample. A tiny piece lifted from the visionary environment that the band XDS would continue building over the next couple of decades, hoarding an eclectic stockpile of collage materials/influences/approaches for assembling psychedelic dance-punk jams played with homemade instruments, blown-out samples, off-kilter drumming and dub baselines. Shoko Horikawa had come from Japan to (the small, music-crazy college town) Chico for school, and responded to Jesse Hall’s mysterious flier and a pitch to collaborate on making interesting sounds. The partnership would end up featuring her syncopated polyrhythmic drums alongside his vocals (through a duct tape-and-PVC-pipe mic) and custom-built Guitar-o-bass, plus synths/samplers and various noise-making devices. The two-piece Experimental Dental School eventually morphed into XDS as the duo moved the operation from Chico to Oakland to Portland and back to Chico, touring the world (playing alongside the likes of Deerhoof and other innovators) and releasing 11 recordings (on Cochon Records, German label Tcwga, etc.) as they went. On the new XDS album, Bicycle Ripper, the band’s genre-bending roots are as deep as ever, but the goal now is to be less “noise” people and more “fun” people. The songs are weird yet cohesive, with jittery grooves and inventive hooks. Throw a dart at the album and hit “Hot Panther, Cold Moon” for one random sample: an unrelenting fuzzed-out bass dances with a insistent drums; a sharp turn into sparse tin-can-guitar break; then a return to the dance floor with a bonus overdriven bass riff and full-throttle drums. The Panther stays hot whether she’s under the “hot hot sun” or the “cold cold moon.” It’s all very irresistible and, yes, really really fun.

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Xdb Vs. Kryptic Universe

12" | 2023 | EU | Original (Lockertmatik)

Swan Storm | The Quiet After The Storm

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Great deep techno on this collaborative split release between XDB and Kryptic Universe! They're bringing 2 of their favorite cuts onto the table. C.O.N. and Cloud Riders do dive deep and relentlessly into dub techno territory. Limited copies, blue wax. Recommended!!

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Xczircles | Aamir

2CD | 2011 | US | Original (Ooohh! Thats Heavy)

12,99 €*

Release: 2011 / US – Original

Genre: Hip Hop

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12" | 2014 | EU | Original (Modelhart)

Xavier De Enciso

Alternative Modes E.P

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Call In Sick Feat. Chelmico / Cue-Tie Feat. Moeka Shiotsuka

Xavier

7" | 2021 | JP | Original (P-Vine)

19,99 €*

LP | 2022 | UK | Original (C.A.N.V.A.S.)

Release: 2021 / JP – Original

Genre: Pop

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"Xavier" is a collaboration project by three Japanese musicians - guitarist Masayuki Ishii who was an essential member of The Chang and manages his own activities with Tica and Gabby & Lopez, ZAK who is a sound engineer and has worked with Fishmans, Boredoms, Ryuichi Sakamoto.etc andYumiko Ohno who is bassist of her own band Buffalo Daughter and is also known her support work forCornelius. In addition, this project will welcome a variety of up-and-coming artists / rappers as guests.The first of these works will feature chelmico, a female rap unit by Rachel and Mamiko. The B side features Moeka Shiozuka, the guitarist and vocalist of Hitsuji Bungaku.

"Call In Sick" is composed by Masayuki Ishii with chelmico taking over the making of lyrics and hooks. The supporting musicians include Masato Suzuki (b / Little Creatures), Toru Nishiuchi (sax & flute / Reggae Disco Rockers, Shintaro Sakamoto, etc.), and Numazawa (ds / Theater Brook, blues.thebutcher-590213, etc.) . It's a great dance single full of 80s flavors and chelmico's trademark humorous rapping. TheB-side "Kyuutai (Sphere)" is sung by Moeka Shiozuka and composed by Masayuki Ishii, and Tatsuhisa Yamamoto (ds / UA, Eiko Ishibashi, Jim O'Rourke, etc.).Moeka Shiozuka's singing voice strikes the heart with an excellent ballad that oozes an old-school rock taste in an alternative appearance. Furthermore, the artwork made by illustrator Mayu Yukishita who is currently attracting much attention.

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Xao

Wirehead

LP | 2024 | JP | Original (Cutting Edge)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Chrome-plated sound design and bristling textures frame the latest speculative sci-fi experiment from Xao, meshing sonic concepts inspired by Rabit, Visionist and Lotic into the cybernetic scapes of Hyph11E or Algorave proponent Renick Bell.

Xao has been working alongside the C.A.N.V.A.S. label since the beginning, and his second album builds on the promise of 2019's Astral Black-released "Eternal Care Unit", by burying some of his most recognisable inspirations into an algorithmic shimmer of vaporous sound design and cyborg percussion. The roots of ‘Wirehead’ can be traced to the mid 2010s obsession with shaping global club echoes and videogame FX into music that accurately scored our descent into digital dystopia, but Xao makes a clear link between those ideas and the brain-fried cyberpunk vistas of William Gibson. His guiding theme is the idea of the contemporary digital attention economy with its algorithmically-powered tidal wave of content, and the mental states that follows - employing procedural and algorithmic compositional methods to shatter this status quo, reaching in the direction of a proposed "digital spirituality" in the process.

On opening track 'Bone Theory', he burns fragments of death metal into warped airlock club stumbles, welding evocative, clanging sound design to tempered forms of weightless grime and gravel-throated trap. 'Aqua Tofana' is more fucked, sounding like a frosted-glass take on Autechre's latter day post-electro rhythms, or an algorithm-warped AI rendition of Lanark Artefax's 'Touch Absence', while 'Hyperfixate For Me' stutters barely-audible vocals beneath cracked Vladislav delayed percussion and the corrupted data throb of guitar noise and loopy synthesis.

The rest of the album plays like a Johnny Mnemonic-style braindump: the last few years of underground electronic music melted into a frayed patchwork of textures, rhythms and sonic signifiers. It comes to a head on 'I Wed My Shadow', when opera singer Marie Requa Gailey's voice just about cuts through the static like a candle in the dark, making the escape route from the techno dystopia just about visible. Moments later we're exposed to the corrosive 'Ophanim Plushie' - all jazz clatter and anodised rolls, accompanied by drones and squashed breaks that barely make it off the surface. By the time we reach the album's final track 'Threnody for the Child of Omelas', it’s all repair and recovery, twisting beatless echoes from strangled neural networks into blankets of aesthetic warmth.

Wirehead is a smart album that fits well into the deconstructed club/post-club lineage, deploying hyperkinetic sound design and a whelming flux of feelings echoing contemporary classics in its progressive field by TCF or Lee Gamble or indeed the same algo-powered artificiality as James Ferraro, or even the hyperpop set, fused with nu-metal and dembow somewhere between Arca and Oxhy.

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X0o0x_

Ningyou

66,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Factory Benelux)

X-O-Dus

English Black Boys

28,99 €*

X. A. Cute /Ethnique Punch

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Manchester reggae band X-O-Dus are best known for their single English Black Boys, produced by Dennis ‘Blackbeard’ Bovell and released on Factory Records (Fac 11) in February 1980. This remastered compilation collects together 7 of their best tracks and is limited to 500 copies on 180 gsm vinyl (plus digital copy). Talent-spotted by Joy Division manager Rob Gretton, X-O-Dus performed at live events such as Zoo Meets Factory Halfway (August 1979) and Factory By Moonlight (April 1980). In time-honoured Factory fashion Fac 11 was released almost a year late, being the only reggae record to appear in a sleeve designed by Peter Saville. Digitally remastered by Peter Beckmann in 2021, this 7 track vinyl edition includes both sides of the Factory single as well as 5 album demos recorded in 1980. For optimum sound quality the album is pressed on 180 gsm vinyl. The vinyl inner bag contains sleeve notes by former manager Martin Dunlop, along with archive images including previously unseen shots from the Moonlight Club show on 4 April 1980 by Peter Anderson.

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Fasih / Sligo

7" | 2019 | EU | Original (N/A)

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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LP | 1981 | JP | Reissue (Vee Jay)

Wynton Kelly!

18,99 €*

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Reissue (Vee Jay)

Kelly Great

23,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1984 | JP | Reissue (Vee Jay)

Kelly Great

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

rare japanese pressing, with insert !

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LP | 1960 | US | Reissue (Vee Jay)

Kelly Great

19,99 €*

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1964 US reissue.

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Wynder K. Frog

Sunshine Super Frog

20,99 €*

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Wynder K. Frog

Out Of The Frying Pan

20,99 €*

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wynder K. Frog

Into The Fire

20,99 €*

LP | 2012 | US | Reissue (Sacred Bones)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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Wymond Miles

Earth Has Doors EP