Search "twit+one" 29276 Items

12" | 1986 | EU | Reissue (Vintage Pleasure Boutique)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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A timeless piano jazz classic: Bill Evans’ first-ever performance at a concert hall in New York City. Featuring the sensitive accompaniment of Chuck Israels on bass and Arnold Wise on drums. Includes a thirteen-minute solo suite dedicated to the memory of Bill’s father who had only recently passed at the time of the recording.

Verve Acoustic Sounds Series: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Taigher

Città / Notte

19,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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A unique italo disco masterpiece and one of the most obscure italo “barn finds” that most Italo world learned about thanks to the “Lost Treasures Of Italo disco” mix by Fleming Dalum and Filippo Bachini as well as the Hysteric’s edit from the “Mothball Dance Classics” sampler a few years back. Now Vintage Pleasure Boutique has prepared a fully official 12″ reissue with extended versions and Italoconnection remix. The material has been remastered from the original master tape, which was stored in Vittorio Acunzo’s archives for the entire 35 years.

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2x12" | 2022 | EU | Original (PIV)

Summer Sampler

23,99 €*

Special Sound Series Volume 1

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The summer season is here and to celebrate this we present this year's brand new PIV Records Summer Sampler. 8 exclusive tracks perfectly crafted in the studio for all those special moments of sunshine with you and your friends. Straight off the bat, it's the label's executive producer M-High - Void that kicks off some delightful pads and keys-oriented melodies, followed by German sound provider Djoko with another club anthem Fun With House. British producer Demarzo takes it on a smooth ride this time with Make it, while Litmus - Ribbon Bass takes it up a groovy notch from down under. Next up is Kellie Allen - Like The Sun and it shows her elegant summer night vibes all around. The Ruze boys deliver us a cocktail of rhythm with their rendition of The Concorde Club, followed by the addictive Keep The Groove by Louden. Rounding up is the raw talent of Moglis making this groovy sampler the one to have by your side this summer.

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Shigeo Sekito

LP | 1975 | EU | Reissue (Holy Basil)

12" | 2022 | UK | Original (First Light)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Considered by many one of the most gifted and outstanding players in the Electone community thanks to his fresh, energetic, rhythmic and sometimes humorous style of playing, from 1975 to 1977 Shigeo Sekitō released a four-LP album set titled Special Sound Series for the iconic Nippon Columbia. On the first chapter of this series, Sekitō revisits, in his own colourful style, compositions such as "You Are The Sunshine Of My Life" by Stevie Wonder, "Oh, My Love" by John Lennon and Yoko Ono, "Andalucia" by Ernesto Lecuona, alongside some of his own composition such as "My Sweet Girl" and the title track "Catch In Alice", creating a blend of easylistening jazz with funk and soul influences. Long out of press, we are very proud to bring this "brilliant electone" album back on vinyl under exclusive license from Nippon Columbia.

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Flora Yin-Wong

The Sacrifice

12" | 2022 | UK | Original (Tessellate)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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In 2020, a year shaped by stringent Covid-19 restrictions, many of us paused for thought about our collective futures. For First Light Records, this reflection, plus the support of Sound and Music's Composer-Curator programme, led to the development of Unbuilt Sound, a new series of commissions centred around acoustic ecology; the relationship between listener and environment. The first iteration of the Unbuilt Sound series sees Flora Yin-Wong retreat to an isolated cabin outside Machynlleth, North Wales, to collect the field recordings that provide the basis for her folklore-inspired album, The Sacrifice.
A collage of twisted field recordings, rich waves of synth, and whispered vocals, The Sacrifice oscillates between gentle familiarity and dreamlike distortions, inspiring a folkloric sense of place that extends across time. Softly dissonant drones envelop the sounds of rocks underfoot and rippling pools, a continuous call and response between artist and landscape. These themes are perhaps best captured on 'Willow Bends', which features spoken word written and performed by Berlin's Rachel Lyn. "Ride," she says, "these ancient and contemporary currents, carrying their secrets from up-stream. Wanderwaves, when pebbles skip across the ripples, I reflect upon it, this water mirror..."

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Bodj

Inner Cosmos

Together Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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For Tess013 Tessellate have looked to Bodj to supply the goods. The Greek born artist has had excellent previous releases on labels such as Ewax, O.G.E, & Memoria and Visionquest and this one also does not dissapoint. The EP features three originals plus a remix from Slow Life affiliate Paolo Mosca.

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Duster

LP | 2022 | US | Original (Numero Group)

2LP | 2022 | EU | Original (Bramar)

Release: 2022 / US – Original

Genre: Rock & Indie

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Gather your loved ones, Together is here. Duster's fourth album is a 13-song exploration of comfortable, interplanetary goth. A sonic vaseline of submerged guitars, solder-burned synths, and over-driven rhythm tracks. "I know people say, `Oh Duster music so sad, we've even said it ourselves before," Clay Parton said. "But it's a lot more like absurdism than nihilism."

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Camel Power Club

Narukanaga

Im The Baddest Bitch Moodymann Mixes Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Pop

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Camel Power Club is a french Indie act active since 2015, touring from Mexico where he played one of the biggest South American festivals (Tecate Pal’Norte, Monterrey) to Eastern Europe (Zorlu PSM, Istanbul). Reminiscent of LCD Soundsystem, it's a blend between late 60's British music and electronic textures.

His synthetic sounds feel like a dream world above the clouds, in which the symbiosis of indie-electronic combines with the timbres of escapist narratives. This Spring, on May 20th, he'll release a new album "Narukanaga", supported by a European tour in 2022.

Narukanaga, quite a mysterious name. Before the album release, Narukanaga did not give any results on Google. It's pretty rare nowadays to find a series of letters on which google has nothing to say about. Léonard found the word in an antique spellbook...

This double LP with 19 tracks is a subtle blend between late 60's British music and electronic textures. His synthetic sounds feel like a dream world above the clouds, in which the symbiosis of indie-electronic combines with the timbres of escapist narratives. Pop without being naïve, its indie vibe echoes to Vampire Weekend, LCD Sound System and the Beatles.

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Norma Jean Bell

12" | 1997 | US | Reissue (F Communications)

LP | 2022 | EU | Original (Hole In One)

Release: 1997 / US – Reissue

Genre: Electronic & Dance

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Be Quick! Very limited repress of one of Moody's classic remixes from the 90's!

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Guice

Ashes Off My Blunt

30,99 €*

LP | 2021 | UK | Original (La Sape)

Release: 2022 / EU – Original

Genre: Hip Hop

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This is Guice with 'Ashes of my Blunt'. One of the sickest and smokiest classic rap albums Memphis got to date. First time on vinyl and official as fuck. Tracks like 'Murder on they Minds', 'Fire it up' and 'Find myself' are genius and timeless bombs for your eardrums. Enjoy them tunes while drinking Alizé and smoking a big fat blunt. Wet dreams come true!

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Godtet

Meditations & Suite

23,99 €*

Adventures In Counter-Culture 10 Year Anniversary Edition

Release: 2021 / UK – Original

Genre: Organic Grooves

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After releasing their aptly titled first three LPs (I, II & Iii) Godtet concluded their
triptych with the idea of a 'clean slate'. To allow the universe of Godtet to grow
the band hit reset somewhat. Returning to their original conception of the band;
Hitting record in the studio without preconceived thought or discussion on the
outcome.

After recording Meditations Godtet were asked to pay homage to the great John
Coltrane at The Sydney Opera House during their lockdown web series in 2020. To
celebrate the 50 year anniversary of 'Giant Steps' Godtet reimagined the seminal
body of work into one long set. The band collaborated with local artists Chris Cooper
& Sam Whickham who designed the audio visual aspect of the show. And after an
astounding reception, decided to utilise the two artists to build upon Meditations.
The 'Suite' EP (which features on the B side of 'Meditations') is the amalgamation of the earlier Godtet LP sounds and Godriguez's produced albums, through-composed as a 15 minute suite. To be true to the long-form, through-composed piece, the band recorded this release live; one take, no over-dubs and straight to
tape much like the 'Meditations' sessions, but composed.
The cathartic opening of 'Suite' awakens the gods with a sombre Welsh men's choir.
Their vibrato ripples across the ocean as the second movement lands the listener in
the Solomon Islands where bamboo sticks are tapped against rock. As the band
nods to 'Struck Bamboo Pipes' from their last LP. Dub Horns blaze out of the
calming movements, fractured polyrhythmic, post-dub-step energy takes hold. 'The
sounds bleed into a neighbouring Trinidadian street festival as they march across
the Atlantic. The end is nigh, Moroccan percussion and vocals dance as Godriguez's
roots shine bright. What it all a dream? A Ghanian 'Women's Choir' lulls back
consciousness. The 5-piece bids us farewell, sounds of the forked harp and Baoule
men singing is all that remains. And just like that, the trip is over.

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Blueprint

2LP | 2021 | US | Original (Rhymesayers)

Zeal & Ardor Black Vinyl Edition

Release: 2021 / US – Original

Genre: Hip Hop

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The 10 year anniversary edition of this classic album includes a 2xLP on custom blue and purple colored vinyl in gatefold jacket with matte UV and spot-gloss finish, a 24-page zine in 7" size, plus digital download card. First trained in his church choir, Blueprint played in R&B bands in high school and later developed a reputation as a standout rapper. On Adventures in Counter-Culture, he experiments with the synths, keyboards, and drum machines that connected the musical dots of those early days. Print began pursuing his career as a musician in 2001, working on several hip hop projects including his collaborative project Soul Position with DJ/Producer Rjd2. Releasing The Unlimited EP & 8,000,000 Stories on Rhymesayers Entertainment with RJ, Blueprint began work in 2004 on what would become his first solo album, 1988. The success of that album allowed him to tour extensively throughout North America and Europe, before returning home to focus on writing and recording his next album. When he sat down to work on this sophomore effort, Print began with the dark, soulful and sample heavy hip hop of the early 90's, but soon found himself hitting a creative wall. What shook him loose was a new mission: to create an album that encompassed every facet of music he knew, blurring genre lines and bringing it back home as one cohesive listening experience. The more he worked to pair new found interest in rock & electronic music with his love of hip hop, the more he was able to break down that creative barrier. Thus began his Adventures in Counter-Culture, a monumental undertaking that would involve reinventing himself as a musician and person. His growing cynicism with the world, his disdain for pop culture, the state of politics, and an apathetic, uninspired society, all worked as fuel to inspire this sophomore album. Moved by the impact that sampling lawsuits were having on the music community, Blueprint also decided to return to his roots and began writing and producing his own original content.

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Zeal & Ardor

LP | 2021 | EU | Original (MVKA)

24,99 €*

Evidence of Dilated Peoples

Release: 2021 / EU – Original

Genre: Rock & Indie

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Swiss firebrand alchemists Zeal & Ardor are excited to announce forthcoming, self-titled new album!

Hissing and seeping justifiable rage from every pore - yet not an unrelenting musical battering - the 14-track opus was recorded by Marc Obrist and Manuel Gagneux at Hutch Sounds and mixed and mastered by Will Putney at Graphic Nature Audio. All songs were written by the softly spoken, multilingual frontman Gagneux, with some German lyrics intermixed with the English. Gagneux declares, “With the self-titled record, we have arrived at where I imagined this project should sound like. It’s the longest we’ve worked on a single record and I believe it shows. The most important thing for an album of ours to do, is transport you instantly into our mood, our world. Even though this might not be the one you might expect from us, this record certainly delivers on that front. We had time to hone in to what we think makes us interesting and what sounds we would like to explore through this we have found our home. Home is burning. Welcome home.”

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Unlearning Volume 1

CD | 2021 | US | Original (Rhymesayers)

16,99 €*

12" | 2021 | UK | Original (Research)

Release: 2021 / US – Original

Genre: Hip Hop

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In March 2020, right as the whole world was entering into a transitional phase, Evidence released a single titled "Unlearning". Now, a year later, Evidence launches the campaign for his upcoming album, Unlearning Vol. 1, picking up where the single of the same name left off, and going beyond. Throughout his career, Evidence has always been adept at both staying true to his roots and evolving as he grows and learns from life experiences, including recognizing when the time comes to unlearn. During the campaign for his last album, Weather or Not (2018), he expressed a desire to close the chapter on the weather-related theme that had been a staple of his solo career to that point. Unlearning Vol. 1 not only sees that vision come to life, but shines brilliantly in the process. Unlearning Vol. 1 pairs Evidence's own production with works from The Alchemist, Nottz, Sebb Bash, Animoss, Mr. Green, V Don, Daringer and Eardrum (QThree). This highlights perhaps an undervalued skill of Ev's - his ability to collaborate with a multitude of producers on a project, while still creating an album with a cohesion and consistency rarely found in such extensive collaboration. While the album's musical soundscape sets the scene, it's Ev's gift for relatable yet inventively clever writing that really paints the picture, continually pulling the listener in. That said, a small but powerful cast of guest appearances also decorate the landscape, courtesy of stellar performances from Boldy James, Conway The Machine, Fly Anakin, Navy Blue, and Murkage Dave. Unlearning Vol. 1 embodies the sound and feeling of pure artistic expression, capturing a moment in time where marketability, album sales & streaming potential, and the desire to please anyone other than the artist themselves, are all just an afterthought. As one could expect, such freedoms allowed Evidence to tap into something special that sounds engaging and unique, and also remains true to his foundation. In essence, Unlearning Vol. 1 finds Evidence at yet another creative peak, creating a listening experience poised to catch the attention of new listeners while strengthening his core fanbase.

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Big Yawn

No! Remixes

12,99 €*

7" | 2021 | UK | Original (Names You Can Trust)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Electronic four-piece Big Yawn invites five revered artists to reconstruct their debut album No!, originally released in March 2020 through Research Records.

The remixes convey a unique combination of darker textures and brooding sounds, clearly indebted to their source material.

The release features interpretations from Sleep D, Jay Glass Dubs, Maria Moles, Bullant and Raymond Scottwalker.

Rhythm merchants Sleep D (Butter Sessions) up the tempo and weave their signature expansive production in their fearless take on 'Reflex'.
Prolific producer Jay Glass Dubs (Bokeh Versions) flavours the 'Body Double' refix with looping clattering drums and glitchy murk, creating a compelling arrangement.
Like a drift into a warm gorge, percussionist Maria Moles (Nice Music) inserts gentle sustained synth work into 'Doodle Damage'.
Bullant (Flightless Records) pulls the listener out abruptly with a rework of 'Skinrat', a house-streaked churner.
Raymond Scottwalker (Fallopian Tunes) wraps up the record with another rework of 'Reflex', creating a mind-bending, aggressive industrial rejig.

Big Yawn's remix EP is a dynamic pairing to No!, entrusting an exceptional group of musicians to adhere to the spirit of the record, yet take it in a totally re-imagined direction

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Mancha 'E Platano

No Me Da Pena

LP | 2020 | EU | Original (Funkiwala)

Release: 2021 / UK – Original

Genre: Organic Grooves

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For Mancha 'E PlÃ¡tano, la bomba is a transformative exercise, a way for this group of transplanted young women to teleport to the other side of the Atlantic Ocean, and step into the land of their birth, la isla de encanta, Puerto Rico. Bomba has become a way to be in two places at once for them, a tool of expression in their adopted city of Barcelona, itself a Mediterrean melting pot filled with diverse cultures and countless musical influences. Formed in 2018, the group has been studying and performing the bomba tradition alongside an adoring collective of multi-national musicians and collaborators, strengthening their reverential pride in this uniquely Caribbean cultural tradition. Their debut release was produced and recorded together with Names You Can Trust while in Barcelona at NaciÃ³n Funk Studios, and contains one original composition, "No Me Da Pena," and one traditional, "Remigio TombÃ©." This balance of tradition and new growth represents their life and musical movements within the bustling borders of Barcelona. It is also a dedication to all those who are constantly fighting for their own representation and a thank you to those who have accompanied these talented women on their journey thus far, both on and off the island of Puerto Rico.

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Lokkhi Terra

Cubangla

22,99 €*

LP | 2021 | EU | Original (Spinefarm)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Funkiwala Records presents Cubangla - the sixth album by London fusionistas LoKkhi TeRra. Following on from their hugely successful collaboration with UK afro-beat ambassador Dele Sosimi on 2018's "Cubafrobeat"(mixing afrobeat and Cuban Rumba/Timba), this album sees them return to their Bangla-Afro- Latin-Jazz-Roots. 8 tracks of 21st century London groove â€“ from Sufi Samba to Baul Blues to Bengali folk-Son to Bangla Roots Reggae to London Descargas - recorded in between tours, sessions and collaborations â€“ a true celebration of traditions taking on new forms as they travel and co-exist. In these divided times, their collective musical journey has never been so relevant.
Background Kishon Khan's Lokkhi Terra have been blending the musical traditions that surround them in London, for many years now. "Stunning Headliners... A majestic multi-cultural blend of sounds... effortlessly builds bridges between rolling Indian raga rhythms, Afro-Cuban grooves, Acid Jazz/funk and free flowing improvisation" (Timeout London).

The band is composed of musicians who take seriously the different languages of the different genres they mix. Each in their own right play with calibre purist outfits. Members have collaborated with the likes of Hugh Masekela, Tony Allen, Ibrahim Ferrer, Johnny Clarke, Orlando Poleo, Africa Express, Jazz Jamaica, Ska Cubano, Giles Peterson's Havana Cultura, Kyle Eastwood, Bellowhead, Akram Khan to name a very few. The tracks on this album were gigged for a number of years before being recorded, with the exception of the last 2 tracks which were recorded in 2015 just before performing at Womad and Songlines Encounters. With Cubangla the band has come round full circle â€“ a journey that started a decade ago with their debut No Visa Required (2010). An urban London view on the musical world.
Songlines Review
"Acclaimed groovesters Lokkhi Terra continue their creative roll, returning to their Bangla-Afro-Latin-Jazz roots after a wildly successful colaboration with Afrobeat keyboardist Dele Sosimi. Featuring a who's who of London based players from, variously, Bangladesh, Brasil, Cuba, Spain and Nepal, Cubangla offers more sparkling genre crossing. Its eight tracks veer from fresh takes on traditional Bengali folk tunes to unlikely but sophisticated pairing including Baul blues, Sufi Samba and Cubangla funk. Keys player and main man Kishon Khan â€“ here on piano, Fender Rhodes, microKORG and (on root-reggae remake "Bhandari Revisited") wah-wah harmonium â€“ has written and/or arranged a clutch of tunes that respect tradition while forging new pathways. "Badaam"jumps off the Cuban standard "El Manisero" into a suhg conversatio between Cuban sonero Javier Camilo and Bangladeshi songbirds Sohini Alam and Aanon Siddiqua.
The albums title-track is a glorious descarga jam riffing on themes Cuban and Bengali, stoked by piano, percussion, trumpet and Jalal Ahmed's snaking Bansuri (flute). An upbeat variation on a legendary Sufi song, "Lal Mere" finds Alam and Siddiqua in powerful form and Khan deploying a fiery Rhodes solo. Originally performed at a Songlines Encounters festival, "Kon Kole Revisited" features the rough-hewn voice of the late Baul musician Rob Fakir, his lyrics celebrating Bengali philosopher Lalon and his attitude of religious tolerance. Deep, laced with joy and a masterly lightness of touch, Cubangla rewards repeated listening"
John Armstrong review
Despite Latin and Afro-Cuban music's longstanding popularity in the UK, there have been relatively few UK based artists who have pushed the limits of convention, adding novel elements whilst remaining (more or less) 'en clave' . Alex Wilson is one, and another is the formidably talented pianist, keyboardist, arranger and producer Kishon Khan with his band Lokkhi Terra. Kishon can play straight afrobeat, timba and Afro-Cuban descarga with the best, but his musical curiosity leads him in other directions, too- most specifically, to Bangladeshi music. To these ears, Lokkhi Terra's third (fourth?) outing, Cubangla, is their crowning glory to date. Lazy reviewers will call this a 'fusion' album: i don't know about you, but I find the term 'fusion' as meaningless as the term 'world music': all modern music is a fusion of something or other. This is Afro-Cubano-Bangladeshi music, please don't call it 'fusion'.
Khan's real arranging achievements here can be heard immediately in one of the shortest tracks, 'Bhromor' - described as a 'son cubangla'. The melancholy traditional Bangla song is subjected to the strict conventions of the Eastern Cuban son format, but nevertheless finds space and time for the strong improvisational elements in Bangla singing, a space that the singer Aneira Khan fills to perfection. The rest of the album is equally arresting, with a couple of instrumental descargas and more of that beautiful Bangla melody and vocal impro rising above the Afro-Cuban bedrock. Almost thirty musicians and singers...studios in London, Dhaka, Brooklyn..this must have been a helluva logistical feat (well done Kishon!), as well as being one of the outstanding albums of the year so far for me."
Jazzwise Review
London-based collective Lokkhi Terra have been blending sounds from around the globe since 2010. They describe their music as Bangla-Afro-Latin-Jazz, but even that doesn't do justice to the range of traditions that find their way onto Cubangla, which weaves in everything from funk grooves and Afrobeat hornlines to bluesy guitar and the music of the Bauls, a group of musician-mystics from Bengal. Lots of bands mix African and Latin sounds with jazz and it's these Indian influences that really set Lokkhi Terra apart. Among the highlights is 'Bhromor', a traditional Bengali song about the love between Radha and Krishna that drifts over lilting Cuban guitar, fluttering tabla and delicate flutes. 'Lal Mere' sets a traditional Sufi song to breezy samba percussion and 'Badaam' has an easy-going reggae feel with both Spanish and Bengali vocals. Remarkably, the blend of styles always sounds natural, never forced or cluttered, which is testament to the ingenuity of the arrangements and the standard of the playing. Flautist Finn Peters and trumpeter Graeme Flowers are on particularly good form.
John Warr Review (AfroBase)
"Tracks like Como with its Cachao phrasing, hats off to Graeme Flowers and Justin Thurgur for some stunning solos, the Spanish/Bangla tinges, not forgetting your inspiring piano work and arrangements. Love the percussion throughout and especially on Cubangla, the beautiful Banzuri flute solos from Jalal Ahmed, the joyous vocals on Kalare, and not forgetting the very radio friendly Bandari although I really want to play Como!
This album is a true high point in the work of Lokkhi Terra and its worldly mix of influences. I hope I get to see the band play this live whenever that is."

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Dead Poet Society

25,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Feelings Black Vinyl Edition

Brijean

LP | 2021 | US | Original (Ghostly International)

24,99 €*

LP | 2020 | EU | Original (Wagram)

Release: 2021 / US – Original

Genre: Electronic & Dance

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"Do you feel what I feel too?" Brijean Murphy floats the question at the start of Feelings, the full-length Ghostly International debut from Brijean, her collaborative project with Doug Stuart. Guided by a lush mix of charismatic keyboard chords, grooving bass lines, and radiant bongo-driven rhythms, the "Day Dreaming" lyric doubles as an invitation and a statement of intention. Brijean want you to move, physically, mentally, dimensionally; this is dance music for the mind, body, and soul. With Feelings, they've manifested a gentle collective space for respite, for self-reflection, for self-care, for uninhibited imagination and new possibilities. The album cultivates a specific vibe, a softness Murphy has come to call "romancing the psyche." Growing up in a family immersed in jazz, Latin and soul music, Murphy would become an accomplished DJ, session and live player in Oakland's diverse music scene and one of indie's most in-demand percussionists (Poolside, Toro Y Moi, U.S. Girls). In 2018, she began recording songs with multi-instrumentalist and producer Doug Stuart, who shares a background in jazz and pop in bands such as Bells Atlas, Meernaa, and Luke Temple. Following their first sessions, which resulted in the mini-album Walkie Talkie (released in 2019 on Native Cat Recordings), the duo continued freeform hangs in Oakland, inviting friends Chaz Bear, Tony Peppers, and Hamir Atwal. "We improvised on different feels for hours," says Murphy. "Nothing quite developed at first but we had seeds. We re-opened the sessions a couple months later, after returning from tours, and spent a month developing the songs in a little 400 square foot cottage." Aforementioned album opener "Day Dreaming" is a dynamic celebration of newness: the excitement in finding deeper understandings of yourself as you get to know someone, something, or somewhere new. "Wifi Beach" drops a pin in pure psych-pop exotica. With Atwal on drums, Stuart on bass, Peppers on keys, and Bear engineering, the group improvised the track's intro sequence based on the vision of a lavish 1970s pool party. Establishing the scene is a mid-frequency drum kit disco shuffle augmented by tight congas and timbale effect, as Murphy sings in spurts: "I want to be / Deep in love / I want to be / Say you love me too / I want to be / Honey." The stanzas cut between "reflective moments of wants and being overwhelmed by feelings of the present," she explains. "A lot of the `love songs' I write are to my psyche, self-reflections on how to encourage tender perspectives and make more time for the sweet stuff." Though there is a loose, dance-oriented motif throughout, the material gives way to somnolent turns. On "Ocean," Brijean's anodyne lyrics, reminiscent of Astrud Gilberto's airy croon, float atop a brushed drum pattern, sparkling rhodes lines, and pittering and softly funky woodblock bops. The opening line sets up the rest, "In this gentle space we lay" _ among the album's propensity for movement, tracks like "Ocean" stand out by leaning back for momentary sways of blissful introspection. Murphy calls the charming "Hey Boy" a "psychedelic guide _ the exploration of finding what feels good _ through sorrow, anxiety, apathy." This mentality applies to Feelings on the whole: in these nebulous and verdant worlds of hazy melodies, feathery hooks, and percussive details, the songs simply want us to feel alive. They radiate in wonderful abandon and with a sense of devotion to the self. Riyl: Stereolab, Astrud Gilberto, Air, Little Dragon, Broadcast, Khruangbin, Poolside.

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Peggy Lee

Fever

Release: 2020 / EU – Original

Genre: Organic Grooves

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Black Fire - Soul Love Now: The Black Fire Records Story 1975-1993

2LP | 2020 | EU | Original (Strut)

Mark Fell, Rashad Becker & Sote

Release: 2020 / EU – Original

Genre: Organic Grooves

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Strut present the first ever compilation bringing together classics and rarities from the seminal spiritual jazz and conscious soul label Black Fire, covering 1975 to 1993. Formed by DJ and record producer Jimmy Gray in Richmond, Virginia, and following in the footsteps of other influential black-owned independent labels like Strata-East and Tribe, the foundation of Black Fire coincided with saxophonist James "Plunky" Branch returning to the city from New York to form Oneness Of Juju. The band's 'African Rhythms' album in 1975 was the perfect fusion of jazz, deep African polyrhythms and empowering lyrics and bassist Muzi Branch, a trained artist, created the first of many Black Fire hand-illustrated sleeves for the label's debut release.

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Parallel Persia Remixes

12" | 2020 | EU | Original (Diagonal)

LP | 2020 | US | Original (One Little Indian)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Cutting edge innovators Rashad Becker and Mark Fell re-work material from Sote’s extraordinary ‘Parallel Persia’ album alongside a killer non-album track by Ata Ebtekar aka Sote himself. Highly recommended if yr into the complex tunings and arrhythmic geometry of Dariush Dolat-Shahi, Autechre, Xenakis. Last year’s ‘Paralell Persia’ album took the trajectory of his preceding ‘Hardcore Sounds From Tehran’ (2016) and ‘Sacred Horror In Design’ (2017) to thrilling new heights for Diagonal. Turning traditional instrumental music inside-out with computers and modular synths, he arrived at a thrilling mix of sound that stood out as one of the year’s most original and striking releases.

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Asgeir

Satt Icelandic Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 1985 | US | Reissue (Dark Entries)

Konstruktivists

Glennascaul

Round About Midnight Transparent Blue Vinyl Edition

Release: 1985 / US – Reissue

Genre: Pop

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Konstruktivists is the Industrial project of Glenn Michael Wallis from Kent, England. In the late ’70s Wallis was a “control agent” for Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, and SPK, Glenn began to record his own material. After several cassette releases, Konstruktivists’ first LP A Dissembly was released in 1982 followed by Psykho Genetika in 1983 and Black December in 1984. That same year Wallis collaborated with his friend Chris Carter, of Throbbing Gristle and Chris and Cosey fame, on CTI’s Conspiracy International One. In 1985, Glenn spent a week at Chris and Cosey’s studio recording 11 tracks that would become the Glennascaul album originally released on Nigel Ayers' Sterile Records. Produced and mixed by Chris Carter, it marked a complete change in style for the band towards a beat-orientated rhythmic sound. Glennascaul is proto electro at its very best, with Glenn’s hallucinogenic vocals on top. A musical collage designed to invoke images in the mind. The back cover clearly states “No guitars. No Fairlights.” For this deluxe reissue we’ve added two bonus tracks recorded around the same time, now vinyl for the first time ever. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is housed in an exact replica of the original jacket featuring cover art, which is a co-production of Trevor Brown, Nigel Ayers and an image Glenn Wallis supplied. Each copy includes a double-sided 8x11 insert with liner notes by Nigel Ayers, press clippings, and photos.

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Miles Davis

LP | 2019 | EU | Original (Waxtime In Color)

18,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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12" | 2019 | EU | Original (Galdoors)

Junes

Cafe Nostalgia

LP | 2019 | EU | Original (Intuitive)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The latest from the Galdoors stable: Cafe Nostalgia takes off, a pumping slab of bubbling bleeps and bass with creeping pads to chew on as you go. Conclusions Like Curtains keeps up the pace on the B-side – driving arpeggiator-tech with FM tweaks and washes taking it deeper. Looped-up rounds off, with layers of restless, twittering snippets wrapping you up in a wigged out groove. One-to-watch from Junes on his own imprint.

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Thylacine

Roads Volume 1

LP | 1994 | EU | Reissue (Music On Vinyl)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. Regardless of whether or not the thylacine, a species of marsupial with a tiger-striped back, still lives in Tasmania or not, it is in Argentina that this young star of the French electro scene decided to record his second album. To create a follow up to Transsiberian, his brilliant first album that he recorded in 2015 aboard the train that links Moscow to Vladivostok, William Rezé, aka Thylacine, bought a 1972 trailer, one of the famous all-aluminum Airstreams.

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Melvins

Stoner Witch

LP | 1977 | UK | Reissue (Mr Bongo)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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The true gods of the stoner underground music, The Melvins, released their album Stoner Witch in 1994. The album is one of their most successful efforts and an album where their musical capacities can be heard in the depth, powerful and experimental sound.

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Cesar Mariano & Cia.

Sao Paulo Brasil

22,99 €*

LP | 2018 | EU | Original (Caroline)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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One of the finest Brazilian jazz funk fusion albums ever recorded; thoroughly deserving of its cult status. First official reissue outside of Brazil. Cesar Camargo Mariano is a celebrated Brazilian jazz pianist, composer and producer, born in Sao Paulo in the 1940’s. He has played and worked with the likes of Elis Regina (to whom he was married at one point), Som Tres and Sambalanco Trio and still plays very regularly today. ‘Sao Paulo Brasil’ saw Mariano and co. step deep into jazz funk/fusion territory – and nail it. Tight, tough drum grooves, intricate arrangements, layers of synthesisers, percussion and FX transport and tell a story from the first beat.

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John & Beverly Martyn

Stormbringer

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Fortuna)

Hafla!

32,99 €*

Birth Of The Cool Transparent Red Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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A Fortuna-selected compilation for Tel-Aviv restaurant "The Brothers". Only available locally except for a few limited export copies. Fortuna describe this compilation as "A set of ten killer tunes we licensed especially for the restaurant. One-off tracks from the golden Jaffa, dancefloor certified bangers, and all-time personal favorites!"

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Miles Davis

LP | 2018 | EU | Original (Waxtime In Color)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Voyage Aux Fonds De La Mer

Alain Meunier

LP | 1979 | EU | Reissue (Wah Wah)

LP | 1984 | EU | Reissue (4AD)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Issued on le Kiosque d'Orphée in 1979, Voyage aux fonds de la Mer is the only LP by Alain Meunier (not to be confused with French classical music cellist of the same name), and is one of the most elusive collector pieces of the 1970s electronic experimental French scene.

This rare sought after album starts with an instrumental guitar introduction but from the second track onwards it becomes a totally electronic experimental psychedelic trip that can be aligned with the most kosmische side of kraut rock, and of course also with other works by French experimentalists of the era like Pascal Comelade's Fluence or Richard Pinhas' production (including Heldon). Guitar comes in now and then showing also a certain Robert Fripp influence.

Instruments used according to the insert sheet that came with the LP are a Korg 800 DV synthesizer, a K.O. Welson Clavinet, effects like a Fender Echo or a Electroharmonix Small Stone phaser and a fuzz pedal, plus Meunier also used a Gibson Les Paul Custom Guitar, a 12 string acoustic Eko guitar and a 6 string Morris guitar.

First ever vinyl reissue. Limited edition to 500 copies only. Remastered sound.

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Cocteau Twins

Treasure

Release: 1984 / EU – Reissue

Genre: Pop

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LP+7" | 2018 | EU | Original (Wah Wah)

Zanov

Moebius 256 301

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself an EMS VCS3 and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. By the time of his second LP, Moebius 256 301, issued also on Polydor in 1977, Zanov had already gathered a small collection of gear, including an ARP 2600 and an ARP sequencer, his old VCS3, an RMI Harmonic and a PS 3300. Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer sound is found, not only due to the use of the new gear, since some of its tracks where recorded using only his old EMS, but also due to his won experience after having taken his works to the life stages in the Golf Drouot boite, the Lase Olympia venue (on the basement of the famous Olympia), the Paris Planetarium or those for planned one month tour (of which in the end only four dates were accomplished).

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

We offer the first ever vinyl reissue of Zanov's Moebius 256 301 under license from Pierre Salkazanov himself and with his cooperation, in a limited edition of 500 copies that reproduce its original artwork, come with remastered sound and an 8 page insert with liner notes and photos courtesy of www.audionautas.com plus one bonus 7" with previously unreleased on vinyl format material.

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Judee Sill

LP | 2016 | EU | Original (Jakarta)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Judee Sill was an American singer and songwriter. She released two albums and partially completed a third album before her death in 1979. Sill encountered Graham Nash and David Crosby and toured with them for a time as their opening act, a year before the release of her eponymous debut album.

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Suff Daddy

Birdsongs

17,99 €*

Linval Presents: Encounters Pac Man

Release: 2016 / EU – Original

Genre: Hip Hop

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After a couple of years without a new solo release & makin moves with his
Betty Ford Boys Brenk & Dexter, it was time for Suff Daddy to lay another
egg in the form of a new album entitled „Birdsongs“.
Deeply rooted in the Suff Daddy signature sound, it is also proof of an
evolutionary process. A little less sample chops, a little more synth, a little
less straight hip hop, a little more melody. This doesn’t mean that you won’t
be able to recognize the bird by its call anymore, it’s just a slight change in
tonality.
After extending his stomping grounds to neighboring European countries by
frequently playing international shows, including a London Boiler Room, he
also opened for the mighty Anderson.Paak during his German shows in
early 2016. Suff Daddy also remixed Lion Babe's “Wonder Woman” for
Gilles Peterson Worldwide. He'll also be featured on the next “Spring in
Jakarta“ compilation.
The album features some of the fellow birds Suff Daddy is known to fly
with. Betty Ford Boy's Dexter adds drums and baselines, and Mayer
Hawthorne delivers some vocals.

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Linval Thompson

2LP | 2016 | UK | Original (Greensleeves)

34,99 €*

Release: 2016 / UK – Original

Genre: Reggae & Dancehall

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One Nation Under A Groove

Funkadelic

12" | 1978 | US (Warner)

Vulnicura Remixes - Lionsong Juliano Huxtable Remix

Release: 1978 / US

Genre: Organic Grooves

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/ instrumental

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Björk

12" | 2015 | UK | Original (One Little Indian)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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LP | 1976 | EU | Reissue (Music On Vinyl)

Blue Öyster Cult

Agents Of Fortune

The More I Get The More I Want

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The hit song "(Don't Fear) The Reaper" is just one of the wonderful tunes on Blue Öyster Cult's fifth album from 1976. This record rocks 'n thunders, with a sensual boogie permeating these 10 great tracks.

180g vinyl.

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Teddy Pendergrass

12" | US (East End)

Release: US

Genre: Organic Grooves

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12" | 2024 | EU | Original (Augmented Research)

sr²

Diving Solo

12" | 2024 | UK | Original (Mas O Menos)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Diving Solo" is the debut album of an artist who, after years of recognition under a different alias, has now redefined himself as "sr²." Central to this project is a deliberate departure from self-staging—shifting the focus entirely onto the art itself.

The album emerges from a deeply rooted vision that took shape over a decade ago. It navigates the fundamental questions of existence: the inevitability of impermanence, the search for meaning, and the quest to carve one's own path. Each track draws from formative experiences—from the electrifying pulse of countless club nights to the quiet, introspective moments that challenge our understanding of everyday life.

The tracks on this 9-track double LP transcend mere functionality; they evoke profound emotions and offer space for personal reflection. "Perpetuated on Canvas..." delves into how the first encounter with mortality can profoundly shape one's perception of life. "Diving Solo" inspires a break from conventions to seek what truly matters—even if that journey must sometimes be taken alone.

While the album weaves a coherent narrative, every listener is invited to discover their own nuances and shades of meaning within it. For, in the end, the artwork always extends beyond the artist.

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Jos Ma

Mongo's Dance

LP | 2024 | EU | Original (Caf?)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Mongo's Dance, so-called after the Cuban Mongo Santamaria is driven forward by a chopped-up pachanga rhythm taken from one of the pioneering percussionist's tracks. He then adorns it with wavy synths and flutes, each intertwining over the top as though engaged in ritual with one another. It's a euphoric, slightly delirious end to an EP that puts Jos Ma firmly in Mas O Menos' "neither here nor there" camp – a producer who simply follows his instincts and revels in the enthrallingly wandering music it throws up.

Jos Ma is the highest-selling DJ on Mas O Menos. His EP Mongo's Dance has been incredibly popular, driving sales through Bandcamp. The 4th track 'Like Honey' was picked up by Gilles Peterson and played on BBC 6 Music in September 2021.

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Vrvn

Storia

23,99 €*

Artificial Paradise Light Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After more than ten years, four albums and countless shows, Swiss artist Joell Nicolas takes a turn and releases her last album as Vrvn. Despite being an ending, Storia is also a place for beginnings. For the first time, Vrvn brings together her semi-modular synth with an acoustic instrument, but not just any: a church organ. Filled with air like a dragon, it becomes both emancipating and dangerous, weaving its sounds with synthetic ones, together with voices and lyrics: in English and –also for the first time– in French. Three years of musical research condensed in ten tracks, sometimes structured as songs, sometimes as sensitive soundscapes. Stemming from an exploration of textures over structure, Storia meanders through intimate topics, such as childhood, silence, risk, healing and transformation. With the support of Ville de Lausanne and Canton de Vaud.

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OneRepublic

LP | 2024 | EU | Original (Universal Music Italia)

60,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Groovin)

Kikko Esse

Soul Departure EP

One Day 20th Anniversary Deluxe Edition Europe Exclusive

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Italian producer Kikko Esse is a talented artist from southern Italy who has been showcasing his skills in producing quality deep house since 2009. Previously prolific, releasing many well-received tracks with respected labels in the underground scene, Kikko Esse makes his debut on the Italian Groovin' Recordings with an EP that sets the bar high. Soul Departure EP is arguably one of his best works to date, where deep house meets intricate melodies and live instrumentation, creating a profound journey into electronic music.

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Bambu Station

2LP | 2024 | EU | Original (Soulbeats)

36,99 €*

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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12" | 2024 | UK | Original (Central Processing Unit)

Karsten Pflum

Liars

12,99 €*

12" | 2024 | EU | Original (Malka Tuti)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In a convergence of two of the most celebrated names in contemporary electronic music, Karsten Pflum steps out on Central Processing Unit with the Liars EP. As anyone who has followed either Pflum's work for labels such as Worm Interface/Furthur Electronix or the Sheffield imprint's recent run of top-quality electro joints will have expected, this coming together proves to be a match made in heaven.
What we have here is a tour de force of modern machine music. With Liars, Pflum achieves that rare feat of making something that is at once boundary-pushing yet also thrillingly immediate, his attention to detail shining through with each well-placed snare hit or leftfield structural choice. Equally apt for home listening or dancefloor deployment, Liars is a delight for heads and hedonists alike.
Constantly evolving while also cleaving to a relentless groove throughout, opener 'wan1' is a brilliant scene-setter for Liars. The track slinks between sections of seething post-Drexciyan acid and eerie vignettes which balance out haunted house synth licks with the sort of punishing bass blasts that recall early grime classics like Youngstar's 'Pulse X'. A sly shift of key halfway through the track only serves to redouble 'wan1's restless brilliance.
After 'wan1', 'lola' represents something of a gear-switch. The track's wiggly opening bassline is a red herring - make no mistake that we're fully into braindance territory on this one, the drums skittering across the mix as Pflum fills the track out with jungle-adjacent delays and softly insistent synth pads. As 'lola' goes on, blurts of synth and some stiffening in the drum work pushes the track into pure rhythm workout territory.
First B-side 'mousfolk' somewhat splits the difference between Liars' A-sides. This track has 'wan1's unyielding stomp and prominent acid bass line, but the helter-skelter drum breaks and wandering keyboard lines are very much pulling from 'lola's zanier energy. As with the other joints here, 'mousfolk' is elevated by Pflum's composerly touch, the Dane frequently throwing in new sonic tidbits - a skippy snare tattoo, a single-note synth loop which sounds like a hovering spaceship - that reinvigorate the mix.
Pflum's musicality is at the fore once more on closer 'balm'. For the first section of 'balm', a rich and sombre keyboard fugue, you'd be hard pressed to say whether you're listening to a producer of club music or a contemporary classical maestro. The way Pflum builds this central motif up with deft broken-beat drum programming, a wheezing synth countermelody and distant vocal sighs is equally delightful, the whole track coming off like a kindred spirit of the electronica-infused experiments on Radiohead's 2000 masterwork Kid A.
A brilliantly unorthodox collection of electro-braindance hybrids, Liars is a barnstorming Central Processing Unit debut from the seasoned Karsten Pflum.
Riyl: AFX, Silicon Scally, DMX Krew, Matmos

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Andrei Rusu

I've Lost Control

LP | 2023 | EU | Original (Det Nordenfjeldske Grammofonselskab)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Malka Tuti is proud to present the solo debut EP by mister Andrei Rusu,
one half of Khidja.

After a series of stellar remixes in the past year to Cosmo Vitelli (on Im a Cliché), Dadalus & Bikarus, Santaka & Nic Arizona, Rusu is finally ready to present his own original solo materials to the world.

Ahead of a full LP planned on MT for later this year, Rusu is presenting us with 2 fresh new tracks. The A-side is a 120bpm dirty and distorted super- trippy banger for the biggest floors and the darkest rooms.

On the B-side Rusu collaborates with an artist known to the followers of the label - Decha, who contributes her signature expressive vocals on this half time industrial dub track. This time however, the vocals run through the hands of Rusu who soaks them with distortion and even more punk attitude, almost echoing the energies of the late Genesis P-Orridge.

The release includes 2 remixes by a couple of master remixers who also happen to be part of our extended family.

Remixing the title track, and off the success of his 2 incredible albums released on 2023 (Music From Memory & Offen), Philipp Otterbach supplies a remix for the books, channeling the original track’s intensity through oceans of reverb, whimsical samples and addictive trippy rhythms. For the Hedesch Remix we’ve asked one of our favourite remixers out there aka Black Merlin to contribute his cut and boy he didn’t disappoint (does he ever?)

Black Merlin supplied us with a long and addictive psychedelic synthetic and very dubby journey for the b-side.

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Motorpsycho

Yay!

33,99 €*

2LP | 2003 | EU | Reissue (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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After a series of epic, sprawling and headphones-friendly albums, Motorpsycho is back with a short, reasonably pop-formatted and intimate album of mainly acoustically based songs. For once playing the game instead of trying to reinvent it, this 10-song album of tunes is clearly a reaction in some way to too much architecture and too many grand visions, and dials the music down to more comprehensive and digestible sizes than have been the band's métier lately. While as ever clearly drawing on inspiration from late 60s/early 70s heroes, Yay! is as indebted to earlier iterations of Motorpsycho as anything else, and will be recognizable to fans of vintage Motorpsychodelia as well as a breath of fresh air to newer Psychonauts that only ever heard the heavy progressive side of the band.

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Moloko

Statues

33,99 €*

Release: 2003 / EU – Reissue

Genre: Pop

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12" | 2023 | EU | Original (Nacht)

The Pilotwings

Leuven Works

Distopic (Traumer And Jinger Remixes)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In November 2021, right before the second lockdown, Guillaume and Louis were invited by the nacht crew in Leuven to play their first dj-set together since the start of the pandemic. At the time, the nacht crew had just received the first physical release on their brand new imprint, and the team was eager to get the record out into the world. For the second release, however, everything was possible. Before the show, somewhere between the obligatory nasal swab and the third drink, the idea of an unusual collaboration sprouted.

Since Louis recently moved to Athens and Guillaume lived in Lyon, the duo found less time and opportunities to work on their shared project. However, wouldn’t Stelplaats be the ideal venue for a temporary studio in which the two of them could create music? For all the frustration the new lockdown on clubs brought with it, one upside to it was that not that long after the birth of this idea, Louis and Guillaume found their way back to each-other and to Leuven. The duo found their workspace in the dark club that is Stelplaats’ staple. For the occasion, the room was equipped with studio monitors, a sofa, and instruments lended by Leuven based musicians.

Leuven Works compiles five tracks that flowed out of the sessions in Stelplaats and is a testament to the week that Louis and Guillaume had under the Stelplaats roof. During their stay, the blood brothers got looked after with love by the nacht team, who provided homemade pizzas and a well-stocked fridge full of Duvels, allowing The Pilotwings to truly root into the Leuven soil and enrich the local landscape with their colourful presence.

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Priku And Dinu

12" | 2023 | EU | Original (Gettraum)

What Do We Do Now Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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We're thrilled to welcome back Bucharest's Priku and Dinu, showcasing their warm, dub-infused grooves, along with reworks by label head Traumer, including one under his new moniker, Jinger. It's a highly effective lineup for our "get-together" event.

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J Mascis

LP | 2024 | US | Original (Sub Pop)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, "J's week beats your year." What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. "When I'm writing for the band," he says, "I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened." Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, "Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones." Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on "I Can't Find You," where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew "Doc" Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, "Your Feel," he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads. What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly Recognizable approach to making music. So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him. - Byron Coley

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Living Colour

Vivid

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2000 | EU | Reissue (Dance On The Beat)

Y.O.M.C.

Oasis / Wiedergeburt

Release: 2000 / EU – Reissue

Genre: Electronic & Dance, Pop

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Nippon Acid Folk 1970-1980

LP | 2024 | UK | Original (Time Capsule)

Ray Charles Atlantic 75 Series

Release: 2024 / UK – Original

Genre: Rock & Indie

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The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.

Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.

At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.

Some, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.

Perhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.

Charting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.

Nippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.

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Ray Charles

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

LP | 1960 | EU | Reissue (Blue Note)

Release: 2023 / US – Reissue

Genre: Organic Grooves

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Iconic musician and singer Ray Charles' classic 1957 album!

Includes the hits "Hallelujah I Love Her So," "Ain't That Love" and "I Got a Woman"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Bernie Grundman

Pressed at Quality Record Pressings and RTI

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Ray Charles' self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the LP, its raison d'etre.

Charles does just as well with his interpretations of others' work, most notably the ominous, gospel-focused rendition of "Sinner's Prayer" (which offers a virtuoso piano performance, and comes courtesy of the pen of Charles' former mentor Lowell Fulson) and Henry Glover's wrenching ballad "Drown in My Own Tears," which is topped out on each verse by a gorgeous chorus. "Funny (But I Still Love You)" offers a guitar break played in such an understated fashion that it almost doesn't seem so much a part of R&B as it was usually being offered in 1957 as it does a part of Charles' early career output.

The second side of the LP is even better, opening with the title track, a number that is almost too ubiquitous in its various cover versions — the original has a mix of urgency and playfulness that's absolutely bracing, and the album carries this mood forward with "Mess Around," an Ahmet Ertegun-authored piano- and sax-driven romp with Charles at his most ebullient as a singer. "This Little Girl of Mine" offers him in a surprisingly light, almost acrobatic vocal mode, while "Greenbacks" is a knowing, clever cautionary narrative that is almost a throwback to 1940s-style R&B. "Don't You Know" is as salacious a piece of R&B as one was likely to hear in 1957, and "I Got a Woman" closes the record out on a pounding, driving note.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram at Quality Record Pressings and RTI, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Tina Brooks

True Blue

LP | 2023 | EU | Original (Columbia International)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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The only one of tenor saxophonist Tina Brooks’ albums as a leader to be released during his too-brief lifetime, 1960’s True Blue is a hard bop masterpiece featuring Brooks’ distinctive compositions performed by an exceptional quintet with Freddie Hubbard on trumpet, Duke Jordan on piano, Sam Jones on bass, and Art Taylor on drums.

Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

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Blink 182

One More Time...

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Repeat)

Terry Francis

All & All Volume 2

Joni Mitchell Archives Volume 3: The Asylum Years

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Terry Francis, a true pioneer of the UK Acid-Tech House scene and one of the most outstanding DJs the scene knew in the last 3 decades. A DJ and producer that set the UK House sound in legendary clubs such as Fabric, back when the music there was still dark and underground.This right here is an essential compilation of Terry’s most outstanding productions and some of the best UK Acid-Tech House out there!! A must have… Hell Yes!

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Joni Mitchell

4LP | 2023 | EU | Original (Rhino)

124,99 €*

Release: 2023 / EU – Original

Genre: Pop

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LP | 2005 | EU | Reissue (Music On Vinyl)

Lifehouse

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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The Jolisa EP 2023 Repress

Luca Dell'Orso

12" | 2021 | EU | Reissue (Bordello A Parigi)

LP | 2023 | EU | Original (Rrc Music)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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The Jolisa EP marks a significant shift in Luca dell’Orso’s sound. Although the electric hooks and rolling rhythms that characterise the dutchman’s signature style are still present, new avenues are explored. One notable change is the addition of vocals, care of the EP’s namesake: Jolisa. The opening, “Sixteen”, smoulders with a palpable intensity. Steady beats and textured pads support synth stabs as impassioned vocals recant a tale of past lessons. “Reach Out”, on the flip, is a different animal. Big and daring, chords chug next slicing snares while lyrics brim with hope. Two instrumental works balance the four tracker. “Nighttime” is perfectly sculpted with a soulful melody and clean percussion, vocoder lyrics giving a sorrowful slant to track. A true epic closes: “Tomorrow’s Already Here.” Bold keys and racing rhythms collide in this 80s steeped extravaganza, electro-disco and car chases in this incredible end. A defining EP from Luca dell’Orso.

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Grea8gaw

Snowday

31,99 €*

LP | 2023 | US | Original (Soul Tune)

Release: 2023 / EU – Original

Genre: Hip Hop

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Over the last few years upstate NY has been breeding some stone-cold killers in the rap game, and the mysterious natural-born storyteller Grea8gawd is one of the standout names, turning people’s heads with his cold-blooded rhymes and catching the attention of many legends in the game getting co-signs from the likes of Roc Marciano and Benny The Butcher among many others. Gritty tales of street life viciously delivered over productions by Merc Betz, who curated the entire album with Grea8gawd himself, as well as Whip Beats, Thanos Beats, Inkwelltwowords, Sypooda, Alcatracks, Agallah, Nomass, Big Skoon, and guest appearances by Hell Rell, Joey Majors and Rellion

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Soul Tune Allstars

The Soul Of The Viking

Natalie Ofenböck & Der Nino Aus Wien

Release: 2023 / US – Original

Genre: Organic Grooves

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The new album from Soul Tune Allstars is finally here! Strong soulful vocal tracks by Carlton Jumel Smith and M ar ia Sanchez mixed with powerful instrumental tracks that are full of feeling and that bring to mind early blaxploitation soundscapes; something that this record wants to pay homage to. “Music offers up redemption. In fact it's been known to save a soul or two from time to time. Music is the window through which we peek into an artist's heart as well as their soul. So on that note we leave you with the latest release on Soul Tune Records, 'The Soul Of The Viking'. This is an album that features music from deep inside the heart and soul of Niclas Wretelid and Mikko Räisänen - lush arrangements over glorious horns, beautiful strings and funky beats. What more could you ask for? On the vocal tracks you'll find Desmond Foster singing good news on the super smooth "Love Comes Easy". Then you have the West Coast soul of the groovy MS - Ma ria Sanchez; her song will make you dance close with the one you love. The latest Soul Tune Allstar to join the family is Mr. Soul himself Carlton Jumel Smith, who's coming here "Looking For Trouble" and talking a lot of smack on "Inside A Man's Mind". This is the album to add to your collection...it only hints at the mighty things to come from Soul Tune records!” –Carlton J Smith All songs were recorded at the Soul Tune Studio in Stockholm, Sweden, and at the Song Loft, in Brooklyn, New York, except for Ma ria's track "Oh Your Love", which was recorded in sunny California.

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Songs Aus Dem Wiener Wald

12" | 2023 | UK | Original (Sony Music)

Release: 2023 / UK – Original

Genre: Pop

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Marshall Suite Red Vinyl Edition

The Fall

2LP | 2023 | EU | Original (Music On Vinyl)

33,99 €*

Brous One & Felipe Gordon

Release: 2023 / EU – Original

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
FEATURES 3 SIDES OF MUSIC (BLANK D-SIDE)
INCLUDES THE TRACK “FINALE: TOM
RAGGAZZI” & A COVER VERSION OF THE

SAINTS “THIS PERFECT DAY”

LIMITED EDITION OF 1500 INDIVIDUALLY
NUMBERED COPIES ON TRANSLUCENT RED

COLOURED VINYL

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Nod Your Head Limited Colored Vinyl Edition

LP | 2023 | EU | Original (55 Music)

Lifeform / Follow The Rabbit

Release: 2023 / EU – Original

Genre: Electronic & Dance

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“Nod Ya Head“ is not only the name of the new EP by the two talented artist Brous One & Felipe Gordon but it’s also what the tracks wants you to do. So nod your head to some experimental acid house vibes and let the atmosphere of this tune take control of you. You will get some mellow but also funky acid jazz vibes that will get you in the right relaxing mood.

This records has the right mix between house tracks that will make you start dancing and jazzy & laid-back tracks which were produces with lots of love for details.

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2lanes & 1morning

12" | 2024 | EU | Original (Floorspeed)

I'm Caught Up (In A One Night Love Affair)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Funky techno meets hardgroove from the heart of North America - that’s the mission statement of new Washington, DC based label, Floorspeed. In its first release, Floorspeed invites two of the most exciting contemporary US producers at the moment: 1morning representing Los Angeles on the A side complimented by Detroit’s own 2Lanes on the B side.

“Lifeform” kicks off the A1 slot, showcasing a party-rock Beltram style beatdown peppered with comforting chord pads and stimulating arps. Ready for peak time blastoff! A deeper groove takes control in A2’s “Thought Pattern” shifting the energy to a locked, hypnotic close-your-eyes moment. A pattern to get lost in and one that flexes 1morning’s range of techno expertise.

“Follow The Rabbit” flips the script as a certified red-pilled hardgroove banger. Buckle your seatbelt on this B1 as 2Lanes takes you down the wormhole and through the other side over a 7 minute relentless drive. “The Bounce Route” closes out the record on a funky note with a frisky bassline, high spirited sampling and playful dub sirens for a continuous dancefloor switch up. You can find this one at the intersection of groovy and sexy.

Don’t know what to play next? Need to throw on a guaranteed dancefloor popper Asap? Hit the Floorspeed button. Dancefloor ready weapons on every release.

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Inner Life

12" | 1979 | US (Prelude)

Release: 1979 / US

Genre: Organic Grooves

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12" | 1984 | US (Elektra)

Patrice Rushen

Remind me

12,99 €*

12" | 2024 | EU | Original (Salty Nuts)

Release: 1984 / US

Genre: Organic Grooves

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/ number one (instrumental)

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Harry Wills

Heads & Volleys EP

CD | 2024 | EU | Original (Sony Classical)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Next up on Salty Nuts is groove maestro Harry Wills, one-third of the Phonetraxx trio. Harry delivers four original tracks that showcase his musical range and unique ability to craft mesmerizing vibes with elegant simplicity, guaranteed to send dancers into a trance on the floor.

The title track, “Heads & Volleys,” brings just the right amount of energy, blending in some quirky, jazzy, slightly dissonant chord layers for a touch of delightful weirdness. “Cruisin’” offers a perfect blend of housey vibes, ideal for closing out the night or setting the tone during the day.

Opening the B-side, “Encounters” is a late-night stomper that introduces a moody atmosphere with spoken vocals in the breakdown. The final track, “Glideride,” infuses electronic elements to elevate those special moments on the dance floor.

The “Heads & Volleys” EP will be available on vinyl only and in highly limited quantities, so don’t miss out!

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John Williams

OST Home Alone

18,99 €*

Release: 2024 / EU – Original

Genre: Classical Music

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12" | 2024 | UK | Original (Find Your Own)

Ceri, Alex Arnout & Cna

Higher

Release: 2024 / UK – Original

Genre: Electronic & Dance

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THE Remix IS Vinyl Only!

With Early DJ support from: Lakuti, DJ Deep, Kerri Chandler, Chloe Caillet, Fred P, Jeremy Underground, Cici, D'Julz, Chez Damier and more…
Ceri and Alex Arnout launch their new collaboration alias 'CnA', for the eagerly anticipated third release on Ceri's Find Your Own Records label.

The A Side 'Higher' is a happy house summer festival banger, inspired by getting High from the Music, and the B side 'Show me What you Got' is an eerie slice of breaksy techno, reminiscent of the early UR sound.
On the remix is Ukranian Se62, famed for his releases on labels like My Love is Underground and Slapfunk. He reworks the original into a dubby summer laid back deep house minimal cut.

The first two releases sold out on vinyl, had plays on BBCRadio1, BBC6Music, Have rave reviews in dance music press, as well as being MixMag's Techno 'tune of the month', and was also supported by some of the biggest and most respected selectors in the scene (such as Ben UFO. Fred P, Mr G, Midland, George Fitzgerald, Paranoid London, Move D and more).

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12" | 2024 | EU | Original (Piff)

Piff Ltd 001

LP | 2024 | EU | Original (Avant!)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Piff Records welcome 4 in - demand artists to the label on their latest release, also available as a limited 500 press vinyl release. Home to forward-thinking house, trance, and techno, Piff Records boasts a diverse yet united musical output. Cosmic, dub - driven techno, atmospheric house beats, and everything in between coalesces under the imprint’s distinctive output of thoughtful, club - ready sounds. All aspects of Piff Records come together on this release as the featured artists balance the cerebral and visceral in their productions.

Cybernet kicks off the release with Resonant Shifter. Pumping kicks lay the foundation for captivating synth arpeggios and warped call and response basses in this ‘90s - inspired cut of contemporary progressive trance. The perfect soundtrack for any location from sunset on the Ibiza seafront to sunrise as the shutters open at a warehouse rave.

Goa elements are out in full force on Hoe Down, courtesy of Glen S. Squelchy 303s, low textures, and metallic arpeggios resonate above a pulsating bassline and weighty kicks, relentlessly pushing forward and ascending to a new sonic dimension - taking you along for the ride. Body Clinic substitutes the progressive trance for progressive house on Love X, bringing down the tempo but keeping intensity intact. An infectious, syncopated plucked bassline dances around groove - rich drums, psychedelic effects and leads indebted to early ‘90s releases. A masterful blend of the past, present, and future together on one track.

Closing the EP with Empty Clip, Tom Jarmey disrupts the 4x4 rhythms of the preceding tracks w ith a genre - bending cut of electro - infused breaks. Two-step drums are matched with clinical sound design, deep basses, and mystical arpeggios. Sure to add depth to any set and turn heads in the process.

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Plastic Estate

Code D'Amour

24,99 €*

Audio Smith Volume 3 Charles Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Plastic Estate is a contemporary synth-pop act from Wales, UK.

With an onus placed on atmosphere and refinement, the duo evoke a rich palette of romance and lustre with their polished marque of pop music.

They have garnered support from the likes of Simon Le Bon of Duran Duran, KEXP and BBC Radio, and played sold-out shows with the likes of LA Priest, Home Counties, and Real Lies, as well as playing at large regional festivals like Ritual Union and Sŵn Festival.

Having previously released a 7” and LP with Avant! Records, they are now releasing their second album on 11th October with new tracks gaining critical acclaim being added to BBC Radio Wales’s ‘Welsh A-List’.
Their sophomore album hails a new era for the act; moving away from darker sonic roots, their sound has progressed to a brighter, more polished aesthetic with fresh influences from the ‘Hi-Fi luxury’ of West Coast Sound, and the gloss of 2010s Chillwave.

What’s more, ‘Code d’Amour’ makes you wonder: What is Pop today?

For many years it has been synonymous with melody, harmony and emotions. These days it seems to be still about emotions but not very good ones, probably because the world is as ugly as it’s ever been, have you noticed?

But what about the fundamental role of popular music which is to represent and at the same time to celebrate and enforce the ties of social living? What about the good times?

Yes, there is a lot to be changed and to fight for but good vibes are not just for recreational use, they can literally build a sense of community among people. If you are looking for that kind of sound right now, you should look no further.

FFO: Talk Talk, Blue Nile, Spandau Ballet, Ian Broudie’s Care, Small Black, Alan Palomo of Neon Indian, Wild Nothing.

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AMON.CIN

12" | 2024 | EU | Original (QH)

12" | 2006 | US | Original (Antagonist)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This is the compilation album series of the craft brand QH, titled “Audio Smith.” The title is a portmanteau of ‘audio,’ meaning ‘sound,’ and ‘smith,’ signifying ‘blacksmith.’ It represents a new channel for QH that introduces music created based on the craftsmanship, which is the motto of QH.
This album was produced in collaboration with ‘AMON.CIN,’ a South Korean underground electronic music producer.
AMON.CIN is a DJ and producer based in Seoul. He produces electronic music through sampling based on classical soul, funk, and jazz. In this album, he utilized the technique of sampling as one of the tools of craftsmanship.

Artwork was done by Korean tatooist and Illustrator Metal Pinkman.

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KRS-One

My Life

4,99 €*

Release: 2006 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2024 | EU | Original (Escapismo Ediciones Limitadas)

Escapismo

31,99 €*

Richard Hamilton & Dieter Roth

Release: 2024 / EU – Original

Genre: Pop

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The first Escapismo output was described by Bleep as “a slow burning synth-pop killer”. Bandcamp’s “New & Notable” section has defined Escapismo as “Marvelously gothy electronic music from Barcelona. A New Wave delight”. And according to Boomkat, “Escapismo brings a touch of ‘80s romance”. This LP includes the first three Escapismo EPs (a short run of 10″s which fastly sold out) plus one additional song. A mixture of post-disco, dark italo, new wave, post-punk and a hint of Belgian new beat. An obscure collection of songs already supported by renowned DJs like Stephen Dewaele from Soulwax / Despacio or Ivan Smagghe and Nathan Gregory Wilkins, who have played Escapismo on their Channeling show on NTS Radio.

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"Collaborations" Readings

2LP | 2024 | US | Original (Recital)

53,99 €*

Where Light Touches (A Nima Story)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Recital presents an artists’ record from the two giants Richard Hamilton and Dieter Roth. Hamilton (1922-2011) is revered as the father of British Pop Art as both theorist and practitioner, in addition to famously designing the artwork for The Beatles’ White Album. Dieter Roth (1930-1998) was a Swiss German artist who blithely ignored all artistic boundaries and aesthetic dictums. His oeuvre includes hundreds of artist books, almost half a thousand prints, sculptures, multiples and records, all balanced between magnetic playfulness and self-deprecating paranoia. Roth also ran his own record/book press Dieter Roth's Verlag and was a major force in the reckless improvisational music group Selten Gehörte Musik (1973-1979).

The two artists most significant collaborations happened between 1976 and 1978, beginning with a series of 74 paintings in which they reworked each other’s art. The paintings were made for an exhibition for dogs (as suggested by the late Marcel Broodthaers, to whom the works were dedicated) in Cadaqués, Spain. Hamilton and Roth then produced the catalogue Collaborations of Ch. Rotham with reproductions of all the paintings alongside four brilliant new collaborative texts. The narrative of the texts sprung from the “fairy story” (Hamilton) quality that emerged from these dog paintings – a hallucinatory tapestry of sausages, gestating giants, Sancho Panza, Don Quixote, and a donkey. Together they gallop, humorous and beautifully absurd, across the wild field of an imaginary seaside backdrop with endless garbled iterations of ever-mutating names riddled with mad typos.

For these recordings the individual texts were read by Roth and Hamilton, actor friend Duncan Smith, and a huge cast of British artists for the final play Die Grosse Bockwurst, performed at the Whitechapel Gallery in London in 1977. The recordings were first released on cassette on the Audio Arts label in 1978, and have now been remastered from the original ¼″ tapes for this double vinyl edition.

Also included are two booklets: one is a new essay written for this edition by artist and co-producer Malcolm Green (Red Sphinx, Atlas Press), alongside full reproductions of the Roth / Hamilton collaborative Ch. Rotham texts. Thanks to Björn Roth, Rita Donagh, Hansjörg Mayer, William Furlong, Tate Modern, and Hauser & Wirth.

Limited edition double-vinyl record of 300 copies in full color gatefold sleeve with over 70 minutes of audio recordings. Including two booklets: a 16-page new essay on Roth & Hamilton by Malcolm Green that includes new Roth translations, and a 20-page complete reproduction of the collaborative Ch. Rotham texts.

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Rasmus Faber

2LP | 2024 | UK | Original (Farplane)

32,99 €*

12" | 2000 | US (Not On Label (James Brown))

Release: 2024 / UK – Original

Genre: Classical Music

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Rasmus Faber 'Where Light Touches' [A Nima Story] Album Farplane Records / Fp076 https://www.rasmusfaber.com https://www.instagram.com/rasmusfaber/ https://myanimelist.net/people/36680/Rasmus_Faber https://rossdraws.com https://www.instagram.com/rossdraws
Available IN Dolby Atmos Where Supported.
Sweden's worldwide acclaimed composer, producer, DJ and pianist, Rasmus Faber, reveals his first album of ambient / neo-classical work, 'Where Light Touches' [A Nima Story]. The album is inspired by, and in collaboration with, Los Angeles based illustrator Ross Tran (RossDraws), as an audio interpretation of his highly praised book, 'Nima'. Crafting a fully immersive listening experience, Rasmus paints stunning audio pictures with delicate melodic hues, abound with atmospheric conversations between emotive pianos, soothing strings and sophisticated electronica that gracefully flow through this enchanting body of work. Composed, arranged and produced entirely by Rasmus, and conceived and mixed using Atmos surround sound, the album was recorded with a full orchestra in Stockholm and fused with contemporary electronic elements from Rasmus' rich musical heritage.

'Where Light Touches' [A Nima Story] began after Ross contacted Rasmus to make music for one of his projects. They immediately found admiration and kinship in each other's work. Ross sent Rasmus his new illustrations book entitled 'Nima', which served as the perfect catalyst for a musical idea Rasmus had - to make an album of subtle beauty and immense production and technical dexterity. Rasmus became absorbed in the characters and worlds in the 'Nima' book, encouraging him to match his composing and production skills with Ross's otherworldly illustrations and boundless talent. The result is something quite extraordinary and beautiful that can be enjoyed accompanying the 'Nima' book, or purely as an audio gift for the senses.

Rasmus Faber started his career as a Jazz musician and house DJ, touring the world, performing to fans of the melodic side of electronic music over the last two decades. His success as an artist in Japan, and being fan of Anime and Manga opened the doors to becoming a composer (one of the only non-Japanese) of music for Anime. He's composed music for the Meta Quest VR platform, AAA games such as Metal Gear Solid and is behind an almost constant stream of music releases under aliases and his on name garnering hundreds of millions of streams.

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James Brown

DJ Tool: Volume 1

16,99 €*

The Endless Coloured Ways: The Songs Of Nick Drake

Release: 2000 / US

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

promo

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Emeli Sande / John Grant

7" | 2023 | UK | Original (Chrysalis)

Release: 2023 / UK – Original

Genre: Rock & Indie

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One Of These Nights Sacd Edition

The Eagles

SACD | 1975 | UK | Reissue (Mobile Fidelity)

51,99 €*

2CD | 2023 | US | Original (Important)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Sacd

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Eliane Radigue

11 Dec 1980

Can't Buy A Thrill 200g Clarity Vinyl Uhqr 45rpm Vinyl Deluxe Limited Edition Box Set

Release: 2023 / US – Original

Genre: Electronic & Dance

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A two CD set containing Eliane Radigue's live performance of »Chry-Ptus« (1971), her first work for modular synthesizer, and the world premier of parts one and three of »Triptych« (1978) – Part 2« is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has characterized her pioneering electronic work.

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Steely Dan

Box | 1973 | US | Reissue (Analogue Productions)

201,99 €*

LP | 1992 | EU | Reissue (Music On Vinyl)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Analogue Productions are giving us the Ultimate Steely Dan experience. Their first seven classic albums are being released on Uhqr vinyl. You will never have had heard these recordings sounding so good, period! They are super deluxe packages with booklets, pressed on clarity vinyl using the best techniques to extract the maximum analogue information. They will be strictly Limited to 20,000/15,000 respectively worldwide. Expect huge demand. Pre-order now! The first two titles are due to ship in November/December with the rest to follow next year. Can't Buy A Thrill — Steely Dan's platinum-selling debut studio album now on Uhqr! Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl! 45 RPM LP release limited to 20,000 numbered copies Mastered directly from the original master tape by Bernie Grundman Pressed at Quality Record Pressings using 200-gram Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Steely Dan's platinum-selling debut studio album Can't Buy A Thrill, released in November 1972, was a commercial success, peaking at No. 17 on the Billboard chart. It later appeared on many professional listings of the greatest albums, including Colin Larkin's All Time Top 1000 Albums (2000) and Rolling Stone magazine's "500 Greatest Albums of All Time" (2003)

The album was written by band members Donald Fagen and Walter Becker, recorded in August 1972 at The Village Recorder in Los Angeles, and produced by Gary Katz. Its music features tight song structure and sounds from soft rock, folk rock, and pop, alongside philosophical, elliptical lyrics. Two songs recorded during the Can't Buy A Thrill sessions were left off the album and released as a single: "Dallas" b/w "Sail the Waterway." This is the only Steely Dan album to include David Palmer as a lead vocalist, having been recruited after Donald Fagen expressed concerns over singing live. Drummer Jim Hodder also chips in lead vocals on one song, "Midnite Cruiser" (sometimes spelled "Midnight Cruiser"), as well as singing the "Dallas" single. By the time recording of the next album began, the band and producer Gary Katz had convinced Fagen to assume the full lead vocalist role.

AllMusic gave the album 4.5 stars, with reviewer Stephen Thomas Erlewine praising the core duo Walter Becker and Donald Fagen as "remarkable craftsmen." Erlewine noted that "there are very few of the jazz flourishes that came to distinguish their (later) albums", but added that the first single from the album, "Do It Again," incorporates a tight Latin jazz beat, while the second single, "Reelin' In the Years," features jazzy guitar solos and harmonies.

Rolling Stone, in its review, said the debut album was a collection of some of the group's best jazz/rock songs.

"Two of Fagen's four (vocal solo) songs were the singles, ‘Do It Again' and ‘Reelin' In The Years,' the later starting off (and continues throughout) with a ripping solo by session player, Elliot Randall, and in fact, was rated by Led Zeppelin's Jimmy Page as his favourite guitar solo of all time. That's quite an endorsement. The song peaked at No. 11 on the Billboard Charts. ‘Do It Again' charted at No. 6, making it their second highest chart for a single. ‘Dirty Work,' another great song from the record features Palmer. The album is tight, with some of the best musicianship money can buy." — Rolling Stone

The album cover features a photomontage by Robert Lockart that includes an image of a line of prostitutes, standing in a red-light area from Rouen in France waiting for clients. The image was chosen because of its relevance to the album title. Walter Becker and Donald Fagen themselves commented on the album art in their liner notes to the reissued The Royal Scam, saying that The Royal Scam album possessed "the most hideous album cover of the seventies, bar none (excepting perhaps Can't Buy A Thrill)." The cover was banned in Francisco Franco's Spain and was replaced with a photograph of the band playing in concert.

After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.

This stereo Uhqr reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.

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Soul Asylum

Grave Dancers Union

LP | 1994 | EU | Reissue (Mississippi)

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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LIMITED BLACK & GOLD MARBLED 180 Gram Audiophile Vinyl, 30th Anniversary Edition, insert, deluxe sleeve with leather laminate finish, numbered to 5000. Grave Dancers Union is the sixth studio album by the American Alternative Rock band Soul Asylum, released in 1992. The album spent 76 weeks on the Billboard music charts and was certified triple-Platinum in 1993, establishing Soul Asylum as one of the most successful Rock groups of the first half of the 1990s. The album yielded the mega-hit 'Runaway Train', which by winning a Grammy, put the band in a whole new league. Tracks like 'Home Sick' and 'New World' bear the roots of the Country-Rock revival. 'Somebody to Shove' is pure joy Soul Asylum style.

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Dead Moon

Crack The System

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Thriller Limited Edition Numbered Hybrid SACD

Michael Jackson

CD | 1982 | US | Reissue (Mobile Fidelity)

49,99 €*

LP | 2022 | EU | Original (We Run This)

Release: 1982 / US – Reissue

Genre: Pop

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Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time – Michael Jackson's Thriller – has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman. Mastered from the original analog master tapes, pressed at RTI, and limited to 40,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative – the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.

Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180g LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.

The gorgeous packaging of the Thriller Ud1s pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.

Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers – even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59-week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.

The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at No. 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. Time deemed it "the greatest pop album of all time." The Independent called it "the most inspiring album of all time."

Thriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.

Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single – "The Girl Is Mine," a duet and co-write with Beatles legend Paul McCartney – captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen – at the time, the world's premier rock guitarist – performed a similar bridge role by supplying the electrifying solo on "Beat It."

Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.

Sacd

Surpassing the sonics of earlier reissues and pressings, this hybrid Sacd strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism. Put simply, this reissue makes the phenomenon that is Thriller eternal.

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B-Side

Inner Life

State Of The World Address Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Hip Hop

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B-Side is one of the cornerstones of the german Instrumental-beats scene and has been here for a minute. His unique approach for cutting and programming drums made him well known and gave his music a very distinct touch. His last LP came out three years ago and since then he released a number of collaborations with other international producers, rappers and singers. But now it’s time to show the world his interpretation of modern Instrumental-beats. Of course is he a man of the classic retro jazzsound but his record „Inner Life“ is pushing boundaries to the next level. Rhythmical Trap patterns clash with head nodding Boom-Bap vibes. B-Side really took his time. Three years of constant work on the right sound for this album did certainly pay off. This Record takes you on a journey that is not your average sleepy sound. It is hypnotizing and straight up futuristic, both sonically- and productionwise. It just sounds grown up, but in a good way.

He gathered a bunch of his friends for some partial collaborations. Devaloop, Tesk, OG Nuage, Ødyssee and Flitz&Suppe are really contributing to the whole picture of „Inner Life“.

While the world is busy chasing the right sound for playlists, B-Side made an album that will stand the test of time. Purely good music by an artist that is passionate about his art. He mixed and mastered every single track and also took care of the complete artwork himself with photos shot by Flitz&Suppe. Inner Life is released on The Breed's WE RUN This Records.

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Biohazard

LP | 2019 | EU | Reissue (Music On Vinyl)

American Capitalist 10th Anniversary Edition

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Limited To 1000 Copies On Silver Vinyl

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Five Finger Death Punch

LP | 2012 | EU | Reissue (Sony)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Recital)

Loren Rush

Dans Le Sable

Black Country Communion Glow In The Dark Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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The first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. The title piece "Dans le Sable" (1967-68, 70) covers the first side of the record, the second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.

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Black Country Communion

2LP | 2021 | EU | Reissue (Mascot Label Group)

25,99 €*