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LP | 1962 | EU | Reissue (Dialogo)

Passaporto Per L'italia

53,34 €* 96,99 € -45%

Don't Play That Song Crystal Clear Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Ben E. King

LP | 1962 | UK | Reissue (Rhino Atlantic)

38,99 €*

LP | 1962 | FR | Original (Atlantic)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Although Ben E King's name is synonymous with The Drifters, he only actually sang on a dozen tracks with them, most of which were recorded concurrent with the start of his own solo career. This compilation anthologises Ben's solo recordings between 1960-62, presenting his early singles plus a handful of standout album tracks.

All his early hits are here, including the Drifters-like First Taste Of Love, his first million-seller Spanish Harlem, his signature song Stand By Me, the lilting Latin shuffle of Amor, the dramatic, bluesy Here Comes The Night/Young Boy Blues, his Sex'n'Soul double-sider Ecstasy/Yes, the explosive Don't Play That Song, the soulful Too Bad, the haunting I'm Standing By and Goffin & King's Tell Daddy.

Ben E. King’s ‘Don’t Play That Song!’ album is pressed on a single clear LP and is a one time pressing.

This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.

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David "Fathead" Newman

Untitled

7" | 1962 | FR | Original (Philips)

Release: 1962 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: Generic

Cover is missing.

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Rosita

Tango

LP | 1962 | US | Reissue (New Jazz)

Release: 1962 / FR – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Back cover with faint ring wear.

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Dave Pike

Limbo carnival

Lalo = Brilliance (The Piano Of Lalo Schifrin)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy.
Cover as new with slightly dented corners.

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Lalo Schifrin

LP | 1962 | US | Original (Roulette)

30,99 €*

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1963 | BR | Reissue (Polysom)

Jorge Ben

Samba Esquema Novo

39,99 €*

Release: 1963 / BR – Reissue

Genre: Organic Grooves

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Latin In A Satin Mood 200g Vinyl Edition

Julie London

LP | 1963 | US | Reissue (Analogue Productions)

46,99 €*

LP | 1963 | BR | Reissue (Polysom)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was 'discovered' while running a department store elevator in Hollywood.
Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.
The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.
Analogue Productions has brought back Julie London sings Latin In A Satin Mood in damatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200-gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.
Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male 'mariachi-esque' serenade adds to the romantic ambiance.
And as to the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal Music.
Describing her smoky vocal style, London once said, »It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate.« A style inimitable, in our estimation.

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Jorge Ben

Sacundin Ben Samba

37,99 €* 39,99 € -5%

Willie Rosario And His Orchestra

Release: 1963 / BR – Reissue

Genre: Organic Grooves

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Polysom Brazil vinyl LP repress import, released in 1964.

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El Bravo Soy Yo!

LP | 1963 | EU (Survival Research)

Samba Esquema Novo Clear Vinyl Edtion

Release: 1963 / EU

Genre: Organic Grooves

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Puerto Rican composer, bandleader and percussionist Willie Rosario was a giant of Latin music, known as Senor Afinque or Mr. Tight for the strength of his musical arrangements. Born in Coamo in 1930, Rosario had already formed the Coamex band, prior to his emigration to New York in 1947, where he played in various orchestras, forming his own band in Spanish Harlem in 1959 and also presenting a Spanish-language music show on radio station Wado. Signing to Alegre in 1962, he began touring widely, the label issuing this sought-after debut in 1963; mixing covers and original, the hot salsa here features the dulcet tones of lead singer, Frankie Figueroa.

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Jorge Ben

LP | 1963 | EU | Reissue (Sowing)

Sings Latin In A Satin Mood

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! First released in 1963 on Phillips Records, this was Jorge Ben's debut album. "Samba Esquema Novo", which translates to 'New Style Samba' deliberately sets a new standard in Brazilian music. A beautiful, fresh and vital combination of Ben's percussive guitar and smooth/rough voice backed by Big Band style horns, percussion (the great Dom Um Romao) and strings. In 2007, it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history, but It would be enough to remind you that this is the album containing the first original version of "Mas Que Nada' one of the most popular songs in the world!

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Julie London

LP | 1963 | EU | Reissue (Waxtime)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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O Bem Do Amor Clear Vinyl Edtion

Ellis Regina

LP | 1963 | EU | Reissue (Sowing)

Stan Getz & Joao Gilberto

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Elis Regina one of the greatest Brazilian interpreters of all time! Originally released in 1963 when she was not even 20 years old, this was her fourth album and second for Columbia records. Still a few steps before she became a star, here Elis Regina's fresh and extremely ductile voice shines on top of sophisticated Jazz arrangements by Astor Silva and a mixed repertoire based on charming romantic songs and vibrant sambas, all composed by Brazilian authors, among them a couple of highlights such as Baden Powell's "Se Você. Quiser" and "O Ben do Amor" the title track composed by guitarist Rildo Hora. This is an an early and fine statement in Regina's fast way to the peak of Brazilian music history.

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Getz / Gilberto #2

LP | 1963 | EU | Reissue (Elemental Music)

31,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | JP | Reissue (Think!)

Mighty Sparrow

The Outcast

38,99 €*

LP | 1963 | UK | Reissue (Liberty)

Release: 1963 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Originally released in 1963, "The Outcast" is a masterpiece that includes "Tour of Jamaica", the strongest jazzy calypso song that continues to captivate many DJs and music lovers!! No other song makes the listener dance with such happiness! The quality of the album as a whole is excellent, and this is truly one of Mighty Sparrow's masterpieces! Please enjoy these two historical masterpieces by the god of calypso, Mighty Sparrow, together with "Tattoo Woman", which will be released at the same time on analog LP!!

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Monty Norman

OST Dr. No

Ballet Folklorico De Mexico

Release: 1963 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

1987 reissue.

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LP | 1963 | MX | Reissue (RCA Victor)

3,99 €*

LP | 1963 | US | Original (Time)

Release: 1963 / MX – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Seam split.

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The Guitar Kings

Mexican Guitars

4,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split on bottom spine.

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LP | 1963 | US | Original (Atlantic)

Live At Newport

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tear in spine. original us mono pressing

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Traumreise Afrika Asien / Musik Zum Tanz

LP | 1963 | DE | Original (Electrola)

Release: 1963 / DE – Original

Genre: Organic Grooves, Rock & Indie, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Rumba Samba Cha-Cha-Cha - Weltschlager aus Südamerika

Trio San José

LP | 1963 | DE | Original (Ariola)

4,99 €*

Release: 1963 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Charlie Byrd Featuring The Woody Herman Big Band

Bamba-Samba Bossa Nova

LP | 1963 | US | Original (Everest)

11,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Herbie Mann Returns To The Village Gate

LP | 1963 | US | Original (Atlantic)

14,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1963 | US | Original (Philips)

Dizzy Gillespie

New Wave!

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Herbie Mann Returns To The Village Gate

LP | 1963 | US | Original (Atlantic)

14,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Stan Getz / Joao Gilberto

Getz / Gilberto

LP | 1964 | EU | Reissue (Verve)

28,99 €*

Quiet Nights Clear Vinyl Edtion

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The Latin Jazz classic that started it all! Mandatory!

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Miles Davis

LP | 1964 | EU (Destination Moon)

Release: 1964 / EU

Genre: Organic Grooves

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The last of the collaborative LPs Miles Davis recorded with Gil Evans for Columbia, Quiet Nights is easily the most controversial. Following the success of Sketches Of Spain, Davis and Evans aimed to further the Latin explorations, this time pointing to Brazil, as heard on the adaptation of Antonio Carlos Jobim’s ‘Corcovado’ and Joao Gilberto’s ‘Aos Pés Da Cruz,’ with its stellar Ron Carter bass accompaniment, though some were surprised by the brevity of the proceedings, including Miles himself. Nevertheless, those who get to know the album will appreciate its intricacies, the product of the pair’s unique creative chemistry.

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Wes Montgomery

Movin' Wes

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Seam split. Original US mono pressing.

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Wes Montgomery

Movin' Wes

Vagabundeando! Hangin' Out

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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Joe Cuba Sextet

LP | 1964 | US | Reissue (Craft)

37,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Gals And Pals Sing Gals And Pals' Favorites

Gals And Pals

LP | 1964 | SE | Original (Metronome)

23,99 €*

Release: 1964 / SE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Quinteto Real En Japon Vol. 1

Quinteto Real

LP | 1964 | JP | Original (CBS)

49,99 €*

Laurindo Almeida & Bud Shank

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI not included.
Cover slightly yellowed but close to VG+

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Jazz Goes Brazil

LP | 1964 | UK | Original (Fontana)

Release: 1964 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

A Stan Getz Sampler: An Introduction To The World Of Stan Getz

Stan Getz

7,99 €*

Carlos Lyra E Dulce Nunes Com Moacir Santos / Catulo De Paula / Thelma Soares

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on back cover. punch out hole.

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Pobre Menina Rica

LP | 1964 | BR | Original (CBS)

79,99 €*

The New Stan Getz Quartet Featuring Astrud Gilberto

Release: 1964 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear

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Getz Au Go Go

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing.

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Wes Montgomery

Movin' Wes

9,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1965 | BR | Reissue (Polysom)

Moacir Santos

Coisas

39,99 €*

Release: 1965 / BR – Reissue

Genre: Organic Grooves

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LP | 1965 | JP | Reissue (Think!)

Mighty Sparrow

Tattoo Woman

31,19 €* 38,99 € -20%

LP | 1965 | US | Original (Atlantic)

Release: 1965 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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"Tattoo Woman" was originally released in 1965 and includes "Under My Skin", a favorite not only among calypso fans but also Ska and Reggae lovers! This is a calypso arrangement of Cole Porter's original song "I've Got You Under My Skin" and is truly a masterpiece! The album as a whole contains many wonderful pieces that convey the breath of calypso in its heyday! Please enjoy these two historical masterpieces by the god of calypso, Mighty Sparrow, together with "The Outcast", which will be released at the same time on analog LP!!

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Nat Adderley

Autobiography

LP | 1965 | EU (Endless Happiness)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Tears in spines. Writing on cover. Drill hole.

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Astrud Gilberto

The Shadow Of Your Smile

The Best Of Harry Belafonte

Release: 1965 / EU

Genre: Organic Grooves

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The Shadow of Your Smile is a studio album by Astrud Gilberto. With arrangements by Don Sebesky, Claus Ogerman, and João Donato, it was released via Verve Records in 1965. It peaked at number 66 on the Billboard 200 chart.

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Harry Belafonte

LP | 1965 | JP | Original (Victor)

14,99 €*

Release: 1965 / JP – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1965 | DE | Original (HÖR ZU)

Stereo Extrem

3,99 €*

Release: 1965 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1965 | DE | Reissue (Sonorama)

Jonny Teupen

Love And Harp A La Latin

LP | 1965 | DE | Original (Fontana)

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. 2008 reissue.

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Eumir Deodato

Attention! Deodato!

6,99 €*

LP | 1965 | US | Original (Columbia)

Release: 1965 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

tiny sticker tear

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Charlie Byrd Trio

Travellin' Man

3,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Mi Mami Dijo / Pobre Nina

Los Monjes

7" | 1965 | EU | Reissue (Discos Quilombo)

Nara Leão / Edu Lobo / Tamba Trio

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Reissue of this incredibly wild proto-punk garage 45 released in Mexico in 1965!!! 500 copies only!!!

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5 Na Bossa

LP | 1965 | EU | Reissue (Life Goes On)

The Wonderful World Of Antonio Carlos Jobim

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

The collaborative album 5 Na Bossa was originally released in 1965 on Philips Brazil and featured some of the top player of the genre. If you are into the sound of Nara Leão, Edu Lobo and Tamba Trio this is a magical encounter, bringing together Nara's soft voice, Edu's battering guitar and Tamba's swinging vocals. Featuring classic compositions like ‘Reza’ and ‘Zambi’ this album is a must have for any fans of the latin jazz legacy. The set was recorded live at the Paramount Theater in Sao Paulo.

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Antonio Carlos Jobim

LP | 1965 | US | Original (Warner)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Herb Ellis - Charlie Byrd

Guitar/Guitar

LP | 1965 | US | Original (Columbia)

13,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Perez Prado And His Orchestra

Prado In Japan

LP | 1965 | JP | Original (Victor)

11,99 €*

LP | 1965 | BR | Original (Odeon)

Release: 1965 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split. OBI is missing

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Milton Banana Trio

54,99 €*

Phil Moore And The Afro Latin Soultet

Release: 1965 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Nice copy considering its age, with some yellowing and light ring wear, but artwork still looking good. Clear signs of use and slightly worn grooves, however plays fine, with just minimal surface noise audible only in some quiet sections.

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Afro Brazil Oba!

LP | 1966 | US | Reissue (Tower)

25,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Mark Wirtz Orchestra & Chorus

Latin A Go-Go

LP | 1966 | EU | Reissue (Vinilisssimo)

7" | 1966 | EU | Reissue (Mr Bongo)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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ark Wirtz' most famous output was recorded during the mid/late '60s when he was working as an in-house producer for EMI at Abbey Road. His 'Mood Mosaic' LP and the unfinished concept album 'A Teenage Opera' (a single off this LP, 'Grocer Jack', was actually released in 1967) provided Wirtz with an iconic status. However, his lesser known 1966 album 'Latin A Go-Go' is the one to have if you aim to hit the dancefloor. To get an idea of the music, think of wild cocktail parties in sunny California in the mid-'60s, cosmopolitan hotel lounges in Copacabana or the hippest clubs in Swinging London.
The LP co-features the likes of Barbara Moore (from the legendary library music album 'Vocal Shades And Tones') and Jim Sullivan (Lord Sitar).

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O’Seis

Suicida / Apocalipse

11,99 €*

LP | 1966 | EU | Reissue (Mr Bongo)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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‘O’Seis’ are the core members of the mighty and legendary ‘Os Mutantes’ – namely Rita Lee and brothers Arnaldo and Sérgio Baptista, accompanied here by Raphael Vilardi, Maria ‘Mogguy’ Malheiros and Luiz Pastura. The record features anthemic, heavyweight, psychedelic rock on ‘Suicida’ b/w deeper, tripped-out MPB-folk on ‘Apocalipse’. Both tracks were written by Rita Lee, assisted by Tobe and Vilardi respectively. The term ‘holy grail’ is a little overused these days perhaps, but this definitely is one. Originally pressed and released by the band themselves in 1966, apparently only a handful of copies are known to exist (sources/numbers vary). The record has changed hands for up to a staggering $5000! Ouch.
Official Mr Bongo reissue. Licensed courtesy of Warner Music UK LTD.

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Marcos Valle

Braziliance!

22,99 €*

LP | 1966 | US | Reissue (Nature Sounds)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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To call Marcos Valle 'a legend' of Brazilian music is much more than just easy press-release hype. As singer, writer, musician and record producer, Marcos has played an integral role shaping the sound of the country’s music from the 'golden era' of the 60s and 70s, through to the modern day. Alongside his brother, Paulo Sergio Valle, they have penned a huge catalogue of classic songs, not just for themselves but for other greats such as Elza Soares, Astrud Gilberto, Claudia to name a few.
‘Braziliance!’ takes things back to the early heady days of Marcos’ career with the bright and optimistic sound of Rio's Bossa Nova scene. It includes an instrumental version of ’Crickets Sing For Anamaria’ or 'Os Grilos’ in Portuguese, which would also be re-recorded with
vocals. Though only in his early twenties at the time, ‘Braziliance!’ depicts very sophisticated production for a musician so young. Recorded in 1966, produced by Louis Oliveira and Ray Gilberts with arrangements by the very talented Emir Deodato, the album was released on Warner Bros. Records. The artwork presents a very clean-cut, wholesome looking Marcos but darker things were around the corner for Brazil. The ‘Tropicalica’ movement was on its way and about to shake thighs up both musically and politically. Unlike some of his Bossa Nova contemporaries, Marcos continued to stay relevant, surfing the changes and adapting to the musical developments that culture and society projected and needed, without comprising his art.
Under exclusive license to Light In The Attic Records & Distribution, LLC | Mr Bongo Records.

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Dave Pike

Jazz For The Jet Set

29,99 €*

LP | 1966 | EU | Reissue (Far Out)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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With his 1966 debut for Atlantic, jazz vibraphonist and marimba player Dave Pike and an all-star lineup produced a perfect blend of Jazz, Latin, Soul and R&B that stands the test of time. Produced by Pike's frequent collaborator Herbie Mann, ''Jazz for the Jet Set'' featured a young Herbie Hancock on organ (an instrument he rarely played again), Clark Terry on trumpet, Billy Butler on guitar, Grady Tate on drums, and many other talented musicians. From an artistic perspective, the album marked a pivotal time in Pike's career, where he began to move away from straight ahead jazz and forge a relationship with soul music, Latin rhythms, pop arrangements and more experimental styles. With this official reissue courtesy of Nature Sounds, ''Jazz For The Jet Set'' is now back on limited-edition vinyl while supplies last. 1. Blind Man Blind Man 2. Jet Set 3. Sunny 4. When I'm Gone 5. You've Got Your Troubles 6. Sweet Tater Pie 7. Just Say Goodbye 8. Devilette

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Jose Roberto Bertrami

Jose Roberto Trio

23,74 €* 24,99 € -5%

Baile Ud. Con Betico Salas

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time vinyl reissue of Jose Roberto Bertrami's 1966 ‘José Roberto Trio’ via Far Out Recordings. Best known as the keyboardist and bandleader of legendary trio Azymuth, the late José Roberto Bertrami also wrote for, arranged for and performed with Elis Regina, George Duke, Sarah Vaughn, Jorge Ben, Eddie Palmieri, Milton Nascimento, Flora Purim and Erasmo Carlos, among countless others.

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Betico Salas Y Su Sorona

LP | 1966 | EU | Reissue (Vampisoul)

17,99 €*

Continental Tango Golden Album

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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HIGHLIGHTS:First solo LP by the talented Peruvian artist Betico Salas, lead trumpet player of the great Sonora de Lucho Macedo, one of the best ensembles playing Cuban repertoires in the early '60s.This 1966 album features Alfredo Linares on piano and sonero vocals by Benny del Solar, and combines a mix of guarachas, guanguancó and even cumbias. Betico Salas would later release two more albums and become a legendary trumpet player in Peruvian musical history.First time reissue.- DETAILS:Alfredo Linares on piano and sonero vocals by Benny del Solar stand out on this album. Benny del Solar sings lead vocals on the cumbia of Argentine origin 'Nos vamos a casar'; the Colombian 'Lo que pasa es que la banda está borracha', a continental hit since the early sixties; the guaracha 'A los muchachos de Belén', by Puerto Rican musician Tito Rodríguez; the guaracha 'Ritmo del amor'; the elegant Cuban guaguancó 'Así namá', also well known for Tito Rodríguez's rendition; and the cumbia 'Qué le digo a mi mujer'. Singer, César Gonzales, who would have an extensive career in Peruvian tropical music, sang lead vocals in the guaguancó by the Sonora Matancera 'Lindo Omelenko' and the bolero 'El árbol', a hit for the singer Roberto Ledesma, also recorded that same year by Peruvians Carmita Jiménez, Anamelba, Raul del Mar and Lucho Macedo himself, who decided to sing for his new record label.The mythical singer Johnny Arce, years later known as Mr. Macondo, also appears on the album on the two guarachas: 'La renga', a composition by Esther Forero, known as La novia de Barranquilla; and 'Yo soy candela', a composition by the Colombian Ray Rodríguez.Finally, 'La chola' is a cumbia by Peruvian composer Tomás Benítez; and 'Mambo Jazz' is a version of the descarga 'Yayi's instant mambo', an innovative instrumental track performed by Puerto Rican Willie Rosario, who recorded it in the United States at the start of 1966 with his own orchestra.Betico Salas would later release two more albums and bec...

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Stanley Black

LP | 1966 | JP | Original (London)

8,54 €* 8,99 € -5%

Milford Graves / Don Pullen

Release: 1966 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI not included.

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In Concert At Yale University

LP | 1966 | US | Reissue (Superior Viaduct)

25,99 €*

The Golden Sword (Torero Impressions In Jazz)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC's loft era – he is, simply put, free jazz royalty. In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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Gerald Wilson Orchestra

LP | 1966 | US | Original (Pacific Jazz)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | GDR | Original (AMIGA)

Modern Jazz Studio Nr. 2

Release: 1966 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Percy Faith & His Orchestra

Bim! Bam!! Boom!!!

LP | 1966 | JP | Reissue (CBS/Sony)

7" | 1966 | FR | Original (Roulette)

Release: 1966 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1970 reissue.

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Joe Cuba Sextet

Oh Yeah! / Sock It To Me

LP | 1966 | EU | Reissue (Jazz Samba)

Release: 1966 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record plays with surface noise without overpowering the music.

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The Sérgio Mendes Trio

In The Brazilian Bag

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Baden Powel E Vinicius De Moraes

Os Afro Sambas

LP | 1966 | EU | Reissue (Forma)

25,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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El Juego De Desaparecer / Chica Tiéntame

Los Syn

7" | 1966 | EU | Reissue (Madmua)

20,89 €* 21,99 € -5%

LP | 1966 | US | Reissue (Tower)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Los Syn were born in 1966 in Chile, formed by four young lads from the US whose parents were working in Santiago at the time, and they released this sole 45 before all going back to the US next year. The record is practically nowhere to be found, and such an amazing example of teen garage folk-punk the way we all lose our head for.

Limited reissue of 500 copies, with an insert with liners by Gary Pilgram (bass player), and two postcards with unseen photos!

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The Sérgio Mendes Trio

In The Brazilian Bag

The Touch Of Gold (Charlie Byrd Plays Today’s Great Hits)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl with scuffs and hairlines, Cover with seam split and writing

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Charlie Byrd

LP | 1966 | US | Original (Columbia)

4,99 €*

LP | 1966 | US | Original (World Pacific)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has many hairlines and surface marks. Cover has seam split.

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Joe Pass

A Sign Of The Times

5,99 €*

LP | 1966 | US | Original (Verve)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Cover is close to VG+.

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Walter Wanderley Trio

Cheganca

10,99 €*

Sérgio Mendes & Brasil '65

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Gatefold cover has a damaged corner, drill hole in bottom left corner. Vinyl side 1 is VG+. Original US pressing.

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In Person At El Matador

LP | 1966 | US | Original (Atlantic)

Machito And His Orchestra

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Soul Source

LP | 1966 | US | Reissue (VSP)

6,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Arsenio Rodriguez & The Afro-Cubano Sound

Viva Arsenio!

LP | 1967 | US | Reissue (Bang)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Boo-ga-loo & shing-a-ling

The Latin Souls

LP | 1967 | US | Reissue (Kapp)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Culture Factory)

Sérgio Mendes

Beat Of Brazil

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Elpalmas Music)

Frank Y Sus Inquietos

7" | 1967 | UK | Reissue (Coolumbia)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Venezuelan aggressive guaguanco originally released in 1967 and reissued for the very first time. Frank y sus Inquietos is a little-commented Venezuelan treasure in our time, an amazing, almost unknown jewel of Venezuelan hard salsa, treasured with zeal by music lovers of all times. This group is evidence of the musical communion of the young Caracas of the late sixties with the sounds of the Caribbean in their nascent marriage with urban aggressiveness. As a result of these meetings of “friends who played instruments” such as congas, bongos, piano, timbales and their fiery discharges on the top floor of Block 3 of La Silsa, a building located in this humble and highly populated Caracas popular area, the repertoire of songs by the homonym Frank y sus Inquietos (1969), with an exquisite imagination and brimming with vitality, authentic vocals and choirs, overwhelming percussion, strong bass and fierce piano conducted by Frank González.

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Latin Combo

I'm A Man

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Elpalmas Music)

Los Calvos

Estos Son Los Calvos

LP | 1967 | EU | Reissue (El Palmas Music)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Few have done as much for salsa in Venezuela as band-leader, composer and pianist Ray Pérez. He burst on to the scene in the mid-60s with his group Los Dementes, creating the blueprint for guaguanco, pachanga and boogaloo in Venezuela. When the name salsa began to be used as something of a catch-all-term he was still at the forefront, recording two hugely-popular salsa albums with Los Dementes in 1967. Remarkably, that very same year, he also recorded two albums with a brand new group, Los Calvos, that showed how as well as being the genre’s most visible band-leader, he was also pushing the nascent genre to its limits. Looking back, revered journalist Alfredo Churion states that Los Calvos were “one of the most innovative experiences in Venezuelan popular music.” Estos Son Los Calvos is the first of the two albums he made with Los Calvos. On it, he made a few alterations to the line-up that may seem minor, but created a completely new sound. For the first time, he recruited a drummer (unprecedented at the time for a salsa ensemble, which always used percussionists), he switched from the trombones of Los Dementes to the much harder, direct sound of trumpets, and he recruited Carlos Yanez, best known as El Negrito Calavén, as singer. Whereas Los Dementes had been aligned with the slightly pop sound of tropical orchestras, Los Calvos took an almost-jazz approach, allowing room for the musicians and vocalists to improvise, and they also took inspiration from the sounds of surf rock swirling around Caracas. The group’s drummer El Pavo amusingly once described the group’s sound as like “wearing a dinner suit with flip-flops”. Opening track “El Kenya” is the clearest example of that surf rock influence; it’s opening lines make clear its intentions: “una linda trigueña que me invitó a bailar el Kenya” (“a beautiful trigueña – tri-ethnic girl – invited me to dance the Kenya”). They are intent on creating their own dance craze, El Kenya. If the group had ever performed live, then maybe it would have taken off, as the song had all the credentials: rollicking montuno piano from Pérez, ingenious scatting and vocal improvs from Calavén, and a middle section where the drums and trumpets battle it out hard, with an audience screaming its appreciation throughout. It’s followed by ‘Mi Salsa Llego’, which Pérez had already recorded with Los Dementes; here, it’s a tougher beast, the sparser hits of the drums and trumpets giving a harder sound evocative of the times, with more and more people moving to the cities, and wanting a grittier, urban soundtrack. The secret weapon in Los Calvos was the fact that this was a group made up of some of Venezuela’s finest musicians, many of which, Pérez included, had working class roots. Music for them was as much a part of their day-to-day lives, as it was a profession, it was what they did. The legendary Frank “El Pavo” Hernandez was on drum kit, with revered names like Alfredo Padilla, Carlos “Nene” Quintero, Pedro García, Miguel Silva, Enrique Vazquez, Rafael Araujo and Luis Lewis, also involved in the group. Their versatility allowed Los Calvos to go from the slower, haunting groove of “Negrito Calavan”, a showcase for their singer to improvise, and on to “Bailemos Kenya”, another attempt by the group to create their own version of “The Twist”! Los Calvos never played live, but that was always the intention. Pérez was in demand by the record labels of the time and his deal with RCA Victor to make two albums as Los Calvos was only ever that. But the spirit of Los Calvos remained when Pérez then formed Los Kenya, whose name came from the opening track of this album, and whose line-up featured the same inventions as Los Calvos, with a drum kit, two trumpets and the same vocalists (for their second album, Carlín Rodríguez joined as a singer, and remained for Las Kenya). For this reason, Los Calvos would never have the same successes as Pérez’s other groups, though even Pérez has revealed in interviews that the two albums he made as Los Calvos are some of the most fun he ever had recording. With the price of originals for both albums ever increasing for vinyl collectors, this is a great chance to get hold of two of the heaviest salsa albums ever issued in the 60s, and an important moment in the life of Venezuela’s salsa king, Ray Pérez.

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Jesus Gomez Y Su Grupo

Jesús Gómez Y Su Grupo

22,39 €* 27,99 € -20%

2LP | 1967 | EU (Endless Happiness)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.

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Tamba 4

We And The Sea

Release: 1967 / EU

Genre: Organic Grooves

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Gypsy Woman Yellow Vinyl Edition

Joe Bataan

LP | 1967 | US | Reissue (Craft)

34,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Digno Garcia Y Sus Carios = Digno Garcia Y Sus Carios

Digno Garcia En Japon = 日本のディグノ・ガルシア

LP | 1967 | JP | Original (Columbia)

Release: 1967 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Music For The Small Hours

Clarke-Boland Sextett

LP | 1967 | JP | Reissue (P-Vine)

34,99 €*

LP | 1967 | US | Original (Columbia)

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Formed by Kenny Clarke and Francy Boland, the Clarke-Boland Sextett, with the participation of numerous musicians from both Europe and the United States, made significant contributions to the development of jazz in Europe. At the core of this ensemble, the powerhouse sextet consisting of Kenny Clarke, Francy Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi came together to record the album "Music For The Small Hours" in 1967, and it is now set to be reissued with an obi.

This album spans a wide range of styles, from standards like Burt Bacharach's "Wives & Lovers" to Brazilian and Afro-Cuban influences such as Luiz Bonfá's "Ebony Samba" and Dizzy Gillespie's "Tin Tin Deo." Additionally, it features original compositions like Shihab's "Please, Don't Leave," where he takes on vocal duties. The entire recording exudes a sophisticated and relaxed mood, showcasing the utmost skill of this formidable sextet. "Music For The Small Hours" is a masterpiece that deserves a place in the history of European jazz, boasting the ultimate level of refinement.

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The Dave Brubeck Quartet

Bravo! Brubeck!

5,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1967 | EU | Reissue (Elemental)

Antonio Carlos Jobim

Wave

31,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the 5th studio album by Brazilian jazz legend Antônio Carlos Jobim. Considered one of Jobim’s best albums, this masterpiece peaked at #5 on the Billboard Jazz Albums chart. It features a plethora of star sidemen, such as Dom Um Romão, Claudio Slon, Jerome Richardson, Ron Carter & Urbie Green, among others, as well as superb arrangements by Claus Ogerman.

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LP | 1967 | US | Reissue (A&M)

Glory Of Love

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | US | Original (A&M)

Glory Of Love

9,99 €*

Herb Alpert & The Tijuana Brass

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Sounds Like...Herb Alpert & The Tijuana Brass

LP | 1967 | US | Original (A&M)

7,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | US | Original (Smash)

Jimmy Castor

Hey Leroy

The Lebron Brothers Orchestra

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

Cover has two seam splits and shelf wear.

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Psychedelic Goes Latin

LP | 1967 | EU (Get On Down)

20,99 €*

Release: 1967 / EU

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Lilith)

Os Mutantes

26,99 €*

LP | 1968 | UK | Reissue (Mr Bongo)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Os Mutantes' debut album that made the psychedelic sound popular in Brazil.

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Pedro Santos

Krishnanda

22,99 €*

LP | 1968 | EU | Reissue (Speakers Corner)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Krishnanda is an album in the truest sense of the word – a spiritual, psychedelic Brazilian masterpiece from start to finish – celebrated by everyone from Seu Jorge and Kassin to Floating Points, Madlib and DJ Nuts. These days, originals change hands for thousands of dollars.

Pedro dos Santos, born in Rio in 1919, was a percussionist virtuoso, composer and inventor of instruments that apparently included oddities such as the ‘Tamba’ (electrified bamboo drum) and the mouth berimbau whistle. Nicknamed Perdo ‘Sorongo’ after the rhythm he invented, that features throughout ‘Krishnanda’. A highly spiritual man who was regarded as a philosopher by many.

He worked with greats including Baden Powell, Elis Regina, Maria Bethany, Elza Soares, Sebastião Tapajós, Roberto Ribeiro, Milton Nascimento, Clara Nunes, Paul Simon and Arthur Verocai, playing on his legendary self-titled LP. In the same vein as Verocai and his self-titled LP, ‘Krishnanda’ was Pedro’s chance to shine with his own, and only, solo recording.

Krishnanda was produced by Hélcio Milito, the drummer of Tamba Trio, and arranged by conductor Joppa Lins, and originally released in 1968 on CBS (Brasil). Musically, the album touches folk, samba, afro-brazilian and psychedelia plus added effects, with a lyrical depth and diversity to match; themes including morality, perception, existence and ego.

Despite the genius of the record and the influence that it had on musicians at the time of release, it disappeared into obscurity. We first discovered the record around 2003, through a friend Julio Dui. Around that time Brazilian funk and bossa was the flavour of the day, so didn’t catch our ear immediately, however it continued improve with age and now we consider it to be one of the best albums ever made, regardless of genre or origin.

The Mr Bongo reissue is produced as a replica original LP / audio master by Ricardo Garcier at Magic Master (Rio de Janeiro) / artwork restored by Andrew Edwards, from the original copy borrowed from Julio Dui – thank you, sir!

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Lalo Schifrin

OST Bullitt

34,99 €*

Introducing George Guzman

Release: 1968 / EU – Reissue

Genre: Soundtracks

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A high-speed car chase between a Dodge Charger and a Ford Mustang, with super-cop Bullitt at the wheel, who forces the hitman off the road and into a petrol station, which explodes and incinerates him. Prior to that, harsh clashes of metal, hubcaps flying all over the place, and the chief character Steve McQueen, who grimly changes gears and hurtles through the streets of San Francisco, wheels screaming and rubber burning. That was how Hollywood staged one of the longest and most dramatic car chases, long before the days of the Anti-Blocking-System and Anti-Slide-Control.
Very up-to-date and just as exciting as the screenplay is the music Lalo Schifrin wrote for the film, which embeds the characters, places and events in a musical context. For example, "Bullitt": the metrically angular main theme portrays a mysterious, cool character who sums up a situation with keen alertness and then makes his attack with the speed of lightning.
Initially the music travels through easy-going Latin terrain. But gradually the rhythmic texture changes and takes a rougher path, with clicks, knocks and hammering. Legendary flute lines create a compensatory placidness with airy clouds floating above the sharp mix. A really special track is "Shifting Gears": here you can listen to Schifrin tuning the car, how he manipulates a jammed springy bossa to take on the sound of clean, smooth-running rock.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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George Guzman

LP | 1968 | US | Reissue (Get On Down)

23,99 €*