Search "tim+hecker" 19925 Items

It All Comes Down To This Neon Pink Eco Vinyl Ediiton

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.

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A Certain Ratio

LP | 2024 | UK | Original (Mute)

28,99 €*

12" | 2022 | EU | Original (Electric Ballroom)

Release: 2024 / UK – Original

Genre: Rock & Indie

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It All Comes Down to This, for now at least, is the sound of the current incarnation of A Certain Ratio. Indeed, in many senses, it is the purest distillation of their essential sound ever committed to tape. Their thirteenth studio album, it is the first time ever they have recorded strictly as the core trio of principle band members – multi-instrumentalists Jez Kerr, Martin Moscrop and Donald Johnson.

From the moment the rattling, call-to-arms drumroll intro of opener ‘All Comes Down to This’ gives in to a wall of slithering, watery guitar squawks and bounding, rubbery bass notes, it is obvious that A Certain Ratio have once again been able to tap into a new artery of life. The record’s ten tracks present ten distinct moods, from the urgent, muscular, foreboding groove of ‘Keep It Real’ to the open, breezy, melodic synth of ‘God Knows’, every bursting moment of It All Comes Down to This is defiantly, resiliently alive.

The essential difference between It All Comes Down to This and its immediate predecessors is that for this recording process, the band turned to the doyen of contemporary underground rock producers, Dan Carey (Black Midi, Kae Tempest, Black Country New Road).

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A.D.H.S

Dancin' 4ever

2LP | 2013 | EU | Reissue (Eptaph)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A.D.H.S. aka Michael Gross spearheads a new generation of techno producers that are stirring up our scene. His 90’s Rave inspired sound is bold and packs a punch. Electric Ballroom proudly presents two full on prime time cuts that stand out in every DJ set.

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A Day To Remember

Common Courtesy

27,99 €*

12" | 2024 | US | Original (Docile)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Common Courtesy is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. The newly packaged vinyl includes updated cover art and pressed on lemon and clear color in color vinyl with die-cut album packaging. Since its initial release in 2013 Common Courtesy has gone on to amass over 500k in total consumption and includes some of the bands biggest hits including “Right Back At it Again” and “Sometimes You’re the Hammer, Sometimes You’re the Nail”. Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1 on Billboard’s Rock, Indie and/or Alternative Charts, they’ve sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions.

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A.Garcia

Last Of A Kind E.P.

12" | 2023 | US | Original (Docile)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Docile Recordings is for itself. We are an expression of the beautiful moments that hold us frozen. Warm confusion that breathes life to the senses. The Docile sound captures a nostalgia for times yet to come. We are a familiar resonance always shifting for the correct approach. Always aiming for the heart and soul. Docile speaks to the basic instincts of the techno rebel; supplying sonic reasons to trudge on. The “last of a kind e.p.” is the 32nd release from the Docile Recordings record label. The feel of this release ranges from a pragmatic spiritual funk to a loose heabangin’ frivolity. Docile 32 is 4/4 minimal held together by soulful synth and smart percussion advanced by ringing highs and detuned horns. Proper mathematics of programming moves a mix match of harmonies through a gauntlet of invisible edits gaining momentum until it is taken away. This is Docile music.

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A.Garcia

Nihilism EP

The Drum Is The Shaman's Horse

Release: 2023 / US – Original

Genre: Electronic & Dance

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Each realm moves its own time in the now. Our space in this realm moves in time with the greater mechanism, at our own pace. We focus less on the gears of the mechanism and more on the energy that turns motion. Our music is a reaction to falling; an instinctual jerk that breaks momentum. Our sounds are taken from the background of our environment. Conversations that blend, the rattling hydraulics of a bus, the ringing of your ears, the random bangs of a floundering stumble corralled into a rhythm and submerged in synth. Docile is a style that is gritty to smooth on an honest simple funk. It is a stripped down 4\4 minimalism with a backbone. We transmit the frequency of our time and space through the noise of the technosphere; determined to advance our movements into unknown areas.

Docile Recordings is owned and managed by Andy Garcia. Docile 31 was produced by Garcia in his laboratory located in downtown Detroit. Every Docile product is pressed by Garcia at Archer Records on an American made Lened press.

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A Handful Of Dust

LP | 2023 | US | Original (Carbon / Feeding Tube)

25,19 €* 35,99 € -30%

The Eightness Of Adam Qadmon

Release: 2023 / US – Original

Genre: Electronic & Dance

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With the death in 2020 of long-standing occasional third member Peter Stapleton (percussion / electronics), A Handful of Dust has regrouped as the core duo of Alastair Galbraith (violin, guitar, cello, piano, drums) and Bruce Russell (guitar, electronics). This new set of live-to-four-track recordings from January 2022 is the first album to be wholly recorded 'in the studio' since 1995's Towards a Soundtrack to the 'Anabase' of St-John Perse. Committed to tape at the Rugby Hotel in Dunedin, the four-track recordings were played back in the room where they were made and recorded again, this time to Android telephone, to make a digital mono master which you hear on this record. Unadorned, brutal and sonically austere, this new set captures the 'wild Mercury sound' for which this long-standing unit is rightly feted among cognoscenti of the Antipodean New Thing. Three pieces that will pop your third eye in seconds flat. Astral travel for now people. Duck and Sally continue their unplanned career in the extreme abuse of the rock'n'roll toolkit. Drowned Phoenician sailors bob disconcertingly to the surface while the captain's tower rocks to a sustained monomachy 'twixt Ezra Pound and T.S. Eliot, brought back from the grave for that specific purpose. Don't be shy - please jump out of your window. You know you gotta trust us, when you need a friend...

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A Handful Of Dust

LP | 1994 | EU | Reissue (Ikuisuus)

12" | 2023 | EU | Original (Label Affaire)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Originally released on cassette by Corpus Hermeticum (Hermes003), 1994. All sounds by Alastair Galbraith and Bruce Russell.
"New Zealand is on summer holidays all through the month of January. For some reason I had the house to myself, the wife and kids were elsewhere. Alastair Galbraith brought over some instruments and we plugged in a cassette recorder. We spent the sunny afternoon setting up combinations of instruments and seeing what happened.
We had recorded the Concord LP the year before and done two gigs at the Empire tavern that became The Philosophick Mercury. The idea of Dust was taking shape through experimental practice. Some of it worked better than other bits, but it all made sense as a collage of sound, pointing in the direction of freedom. Our collective practice was making leaps and bounds; and starting to get heard abroad. In Australia the young Jon Dale was listening:
'The Eightness Of Adam Qadmon was one of the first releases I heard from A Handful of Dust… I've always been drawn to this cassette for its utterly unique, acroamatic sensibility - it seems less interested in third-eye-rupturing … and more about a late night session, bleeding into early morning, under the influence of heady wisdom and headier substances… What we had here was very much the real deal, collective and solo eviscerations from the heart of sound itself. I love it, unconditionally.'
Jon got the time of day wrong, but not much else. Going back to this session recently, I became aware of the strange, ungainly and unrepeatable shapes our practice assumed during these first forays into total free improvisation. Re-mastered with help from Lasse Marhaug, at the request of some visionary Finns; here Adam Qadmon, the ur-Golem, comes again. Walking from the graveyard of the past, blinking in the autumn sun, and shaking twenty-five years of clay from his coat."

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A-Link

Global Warning

12" | 2021 | EU | Original (Amore)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After more than a year of frenzied production, A-Link unveils his first physical EP, "Global Warning"

Mindful of current environmental issues, the artist expresses through this project a sense of nostalgia, for a world where the carefree disregard of humanity's impact on its habitat prevailed - a form of solastalgia. Supported by meaning-laden track titles, they describe states of mind, sensations, and thoughts on the actions to be taken today.

This melancholic atmosphere, crafted with jazzy chord progressions and retro/dreamy synth sounds, serves as the cornerstone of this record, at times ethereal, at times energetic, perfectly representing A-Link's universe. This project is elevated by our friend Maxime Génier, who flawlessly captures the essence of this vinyl. Don't wait any longer and immerse yourself in this auditory journey that, we hope, will make you experience unique emotions!

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A Mountain Of One

Custards Last Stand

12" | 2021 | EU | Original (Amore)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A Mountain Of One are set to return to the musical landscape with their brand new track “Custard’s Last Stand”, released 30th July through new label Amore via Above Board distribution. It is the first new piece of music the band have released in over a decade.

”Custard’s Last Stand” shows the band, made up of musical soulmates Mo Morris and Zeben Jameson, have lost nothing in the past decade. Recorded over Skype during the coronavirus pandemic, with Mo now in Bali and Zeben in west London, it is a shimmering, modern classic, experimental but accessible, melodic and adventurous. As ever, it is utterly unique, made in a musical universe all of their own.

“Custard’s Last Stand” EP is out 27th August, and will come with an incredible Denis Bovell Dub Remix, as well as another new track “Stars, Planets, Dust, Me”. The full EP package will come with a dub remix from musical pioneer Dennis Bovell.

The forthcoming album will be released this autumn. The whole project has been mastered then remixed for a forthcoming album by the legendary Ricardo Villalobos.

When they first started performing, they quickly became one of the most-acclaimed bands out there, with the likes of i-D, Sunday Times Culture, Pitchfork, NME and more raving about them and their inspired and original approach, led by Mo and Zeben’s almost telepathic understanding.

Sold-out shows and awesome reviews followed with “Collected Works” and “Institute of Joy”, two phenomenal records that have stood the test of time, criss-crossing folk, jazz, dance, rock and psychedelia.

A Mountain Of One have collaborated to create a coming together of music and virtual reality. With NYX VX, the band have developed a virtual world, one that will help provide inspired opportunities for artists looking to identify, connect and engage with audiences on multiple levels. This is the first stage of a new world that people will be building out and inhabiting, as venue for performances, home for musical and visual archives, space for play and exploration. Welcome to 'Stars, Planets, Dust, Me'.

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A Mountain Of One

Dealer

Takin' It To The Streets / Dailey Routine

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A Mountain of One return with their second single from eagerly awaited forthcoming album "Stars Planets Dust Me". "Dealer" sees them push further into the Cosmos with a modern take on the electronic disco pulses of Kraftwerk and Giorgio Moroder mixed with organic sensibilities, Electric sitar and reverse guitar akin to the heady moments of The Beatles track "Tomorrow never knows". Criss crossing Balearic, psychedelia, disco and electronica. ”Dealer” shows the band, made up of musical soulmates Mo Morris and Zeben Jameson, have lost nothing in the past decade. Recorded over Skype during the coronavirus pandemic, with Mo now in Bali and Zeben in west London, a shimmering, modern classic, experimental but accessible, melodic and adventurous. As ever, it is utterly unique, made in a musical universe all of their own. When A Mountain Of One first started performing, they quickly became one of the most- acclaimed bands out there, with the likes of i-D, Sunday Times Culture, Pitchfork, NME and more raving about them and their inspired and original approach. Sold-out shows and awesome reviews followed with “Collected Works” and “Institute of Joy”, two phenomenal globally acclaimed albums that have stood the test of time, This heady odyssey is mastered again by Global Electronic music icon "Ricardo Villalobos", and soon to also be remixed by Ricardo on a full album of his interpretations of the forthcoming album. Their first single "Custards last stand" from the forthcoming album had radio support from NTS radio, Worldwide FM / BBC 6. The forthcoming album “Stars Planets Dust Me” will be released March of 2022.

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A.P.G. Crew

7" | 1991 | JP | Reissue (P-Vine)

18,69 €* 21,99 € -15%

12" | 2020 | EU | Original (Pomme Frite)

Release: 1991 / JP – Reissue

Genre: Hip Hop

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Action Packed Gangsters, also known as A.P.G. Crew was a hip-hop group from Oakland, California, made up of Marlon “M.C. Mello Mar” Blackwell, Jimmy “J-Cutt” Robinson, Cold Comin' Up (Professor T & DJ Pause), MC Red & DJ Red Slice (The Red Connection). Their second album Oaktown's Finest, known as a 90s Hip-Hop / Random Rap masterpiece, was released in 1991 on YO Records and the songs "Takin' It To The Streets" and "Daily Routine" on the album were considered classics of 90s random rap, sampling sources are "Party Time" and "Panama" from Roy Porter's classic album "Inner Feelings", respectively. Both tunes are highly regarded not only by rare groove freaks, but also by hip-hop fans. P-vine is pleased to announce this 7" featuring these two classics released in one-time limited pressing which might be one that rare groove collectors will be desperate to find decades from now!

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A/P

You EP

A Place To Bury Strangers

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Yearning for a lost summer, free of pandemic pandemonium, Pomme Frite go all out with this three-track disco house whirlwind from A/P complete with a fizzing collaborative opener alongside Husko. Peaktime sunshine business, iced just how you like it, with an extra shot of the good stuff to get those limbs moving. Closing out proceedings, Dance System flips ‘Terrace Fever’ drawing on some nostalgia from a much happier time during the the summer of 2002 and the World Cup Final. Goooaaalll…

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Change Your God / Is It Time White Vinyl Edition

7" | 2024 | US | Original (Dedstrange)

CD | 2023 | EU | Original (Hip Hop Enterprise)

Release: 2024 / US – Original

Genre: Rock & Indie

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Introducing "The Sevens” - A Sonic Revelation from A Place To Bury Strangers Prepare to embark on a transcendent auditory journey with "The Sevens” a series of four 7-inch vinyl records that unveil a treasure trove of previously unreleased tracks from A Place To Bury Strangers' critically acclaimed 6th album, "See Through You." Renowned for their visceral sonic assault and immersive live performances, A Place To Bury Strangers has cemented the end-all-be-all space for over-the-top post-punk / shoegaze destruction. With this special vinyl collection, the band invites listeners to delve deeper into their sonic universe, exploring uncharted territories and hidden gems. Change Your God/Is It Time is the first release coming February 23. "When looking back at the recordings that were done around the time of See Through You there were a bunch of great tracks that just captured life back then and really had something incredible going on. Even though they are a bit raw and a bit personal, I thought it would be a mistake if they didn't come out. I thought it would be best to go back to my roots and put out a series of 7"s the way A Place To Bury Strangers started. That strange weird format where the tracks each speak for themselves, no album context to muddy the water. These tracks are such a contrast to the way I am feeling now and the current songs we've been working on so slip back into this moment in time.” says Aptbs’ Oliver Ackermann.

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A-Plus & The Architect

Blvck Switzerlvnd

12" | 2022 | UK | Original (Nummer Music)

Release: 2023 / EU – Original

Genre: Hip Hop

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"blvck Switzerland" was the third collaborative release of 2020 between A-Plus and The Architect. Souls of Mischief / Hieroglyphics legend A-Plus lays his poetically driven narrative over another barrage of Architect bangers. "blvck Switzerlvnd" shows the evolving nature of the artistry these two master craftsmen create together. Nothing but dope Hip-Hop! Features include Ras Kass, Planet Asia and Tajai!

HHE has teamed up with The Architect to do a one-time limited pro press for the CD headz. Limited to only 125 copies and that's it!

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A Psychic Yes

Ep4

4LP | 2023 | UK | Original (Rocket Girl)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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On his fourth EP, Tim Crombie aka A Psychic Yes invites us to follow him off the beaten track – or dancefloor. With their mix of leftfield grooves, intuitive instrumentation and dreamlike field recordings, these cuts apply club principles to the soundscape of a distant yet familiar world. A bus radio clamours in a terminus in South India. Industrious algorithms go about their daily routines. The sun breaks through a dense canopy, illuminating the damp undergrowth and the psychedelic critters that call it home. Close your eyes and let your mind and feet lead you. Words by Joe Delon

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A.R. Kane

A.R. Kive

147,99 €*

LP | 2024 | UK | Original (Rocket Girl)

Release: 2023 / UK – Original

Genre: Pop

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A.R. Kive collates the three most astonishing works from that most miraculous of

duos - A.R. Kane - comprising the ‘Up Home' EP from 1988 that signified the

band's dawning realisation of their own powers and possibilities, their legendary

debut LP ‘sixty nine' (1988) and its kaleidoscopic, prophetic double-LP follow up ‘i'

(1989).

In founder-member Rudy Tambala's new remastering, the music on these pivotal

transmissions from the birth of dream pop, have been reinvigorated and re-infused

with a new power, a new depth and intimacy, a new height and immensity. Vivid,

timeless and yet always timely whenever they're recalled, these records still force

any listener to realise that despite the habits of retrospective myth-making and the

safe neutering effects of ‘genre', thirty years have in no way dimmed how resistant

and dissident to critical habits of categorisation A.R. Kane always were. Never quite

‘avant-pop' or ‘shoegaze' or ‘post-rock' or any of those sobriquets designed to file

and categorise, A.R. Kive is a reminder that those genres had to be coined, had to

be invented precisely to contain the astonishing sound of A.R. Kane, because

previous formulations couldn't come close to their sui generis sound and

suggestiveness. This is music that pointed towards futures which a whole generation

of artists and sonic explorers would map out. Now beautifully repackaged,

remastered and fleshed out with extensive sleeve notes and accompanying

materials, ‘A.R. Kive' reveals that 35 years on it's still a struggle to defuse the

revolutionary and inspirational possibility of A.R. Kane's music.

A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-

generation immigrants who grew up together in Stratford, East London. From the off

the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian)

milieu of the East End, with Alex and Rudy's folks first generation immigrants from

Nigeria and Malawi, respectively. The two of them quickly developed and fostered an

innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious

autodidacts in all kinds of areas, especially around music and literature. Diving deep

into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and

Hendrix, as well as devouring the explorations of lysergic noise and feedback from

contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly

immersed themselves in the alternate literary realities of sci-fi and ancient history

(the fascination with the arcane that gave the band their name), all to feed their

voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that

spurred A.R. Kane into being - “They had no drummer. They used tapes and

technology and Liz Fraser looked completely otherworldly with those big eyes. And

the noise coming out of Robin's guitar! That was the ‘Fuck! We could do that! We

could express ourselves like that!' moment”, recalls Tambala - and through a mix of

confidence, chutzpah, ad hoc almost-mythical live shows and sheer innocent will the

duo debuted with the astonishing ‘When You're Sad' single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain' by a press unsure of

Where to put a black band clearly immersed in feedback and noise, what was

immediately apparent for listeners was just how much more was going on here - a

tapping of dub's stealth and guile, a resonant umbilicus back to fusion and jazz, the

music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the

press, but it was the ‘Up Home EP' released in 1988 on their new home, Rough

Trade that really suggested something immense was about to break. Simon

Reynolds noted the EP was: Their most concentrated slab of iridescent

awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home' that forms the first part of ‘A.R. Kive' is even

more dazzling, even more startling than it was when it first emerged, and listening

now you again wonder not just about how many bands christened ‘shoegaze' tried to

emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy

those words imply. A.R. Kane, thanks to that second generation auto-didacticism

were always supremely aware about the interstices of music and magic, but at the

same time gloriously free in the way they explored that connection within their own

sound, fascinated always with the creation of ‘perfect mistakes' and the possibilities

inherent in informed play.

‘sixty nine' the group's debut LP that emerged in 1988 had

critics and listeners struggling to fit language around A.R. Kane's sound. As a title it

was telling - the year of ‘Bitches Brew', the year of ‘In A Silent Way', the erotic

möbius between two lovers - and as originally coined by the band themselves,

‘dream pop' (before it became a free-floating signifier of vague import) was entirely

apposite for the music A.R. Kane were making. Crafted in a dark small basement

studio in which Tambala recalls the duo had “complete freedom - We wanted to go

as far out as we could, and in doing so we discovered the point where it stops being

music”. There was an irresistibly dreamy, somnambulant, sensual and almost surreal

flow to ‘sixty nine's sound, but also real darkness/dankness, the ruptures of the

primordial and the reverberations of the subconscious, within the grooves of

remarkable songs like ‘Dizzy' and ‘Crazy Blue'. Alex's plangent vocals floated and

surged amidst exquisite peals of refracted feedback but crucially there was Bass

here, lugubrious and funky and full of dread, sonic pleasure and sonic disturbance

crushed together to make music with a center so deep it felt subcutaneous, music

constructed from both the accidental and the deliberate, generous enough to dance

with both serendipity and chaos. ‘sixty nine' remains - especially in this remastered

iteration - ravishing, revolutionary.

The final part of this ‘A.R. Kive' contains 1989's astonishing double-LP ‘i' which

followed up on ‘sixty nine's promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo's strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i' now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space' to the liquid dub of ‘What's All This Then?', from the alien drone-pop of

‘Conundrum' to the sinister shoegazer miasma of ‘Supervixens' — it's all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i' bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i' the duo's output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994's ‘New Clear

Child' a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane's music has endured, not

thanks to the usual sepia'd false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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A.R. Kane

Up Home!

Die Grüne Reise - The Green Journey

Release: 2024 / UK – Original

Genre: Pop

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A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-generation immigrants who grew up together in Stratford, East London. From the off the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian) milieu of the East End, with Alex and Rudy’s folks first generation immigrants from Nigeria and Malawi, respectively. The two of them quickly developed and fostered an innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious autodidacts in all kinds of areas, especially around music and literature. Diving deep into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and Hendrix, as well as devouring the explorations of lysergic noise and feedback from contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly immersed themselves in the alternate literary realities of sci-fi and ancient history (the

fascination with the arcane that gave the band their name), all to feed their voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that spurred A.R. Kane into being - “They had no drummer. They used tapes and technology and Liz Fraser looked completely otherworldly with those big eyes. And the noise coming out of Robin’s guitar! That was the ‘Fuck! We could do that!

The duo debuted with the astonishing ‘When You’re Sad’ single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain’ by a press unsure of Where to put a black band clearly immersed in feedback and noise, what was immediately apparent for listeners was just how much more was going on here – a tapping of dub’s stealth and guile, a resonant umbilicus back to fusion and jazz, the music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the press, but it was the ‘Up Home EP’ released in 1988 on their new home, Rough Trade that really suggested something immense was about to break. SimonReynolds noted the EP was: Their most concentrated slab of iridescent awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home’ is even more dazzling, even more startling than it was when it first emerged, and listening now you again wonder not just about how many bands christened ‘shoegaze’ tried to emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy those words imply. A.R. Kane, thanks to that second generation auto-didacticism were always supremely aware about the interstices of music and magic, but at the same time gloriously free in the way they explored that connection within their own sound, fascinated always with the creation of ‘perfect mistakes’ and the possibilities inherent in informed play.

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A.R. & Machines

LP | 1971 | EU | Reissue (Life Goes On)

12" | 1996 | EU | Reissue (F Communications)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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A.R. & Machines is the solo project of one Achim Reichel. Released in 1971 the album still retains a magical touch. Ranked between the most original kraut albums of all the time, Die Grune Reise (aka The Green Journey) really is a trip. Turning his back to the original beat movement, Reichel embraced the infinity of a multi-layered sound, experiencing the most prolific path of prog rock while joining the obscure meanders of the lysergic renaissance.

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A Reminiscent Drive

Flame One

2LP | 2022 | EU | Original (Krachladen Dub)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Limited edition remastered, originally released on F Communications 1996. For a long time, Jay Alansky has always had within him the complete music culture, from decadent folk to pre-punk. His Balearic House project 'A Reminiscent Drive' was electro reinvented without samples or computers, by hijacking Burt Bacharach and/or The Residents. For a long time, Jay Alansky has always had within him the complete music culture, from decadent folk to pre-punk. His Balearic House project 'A Reminiscent Drive' was electro reinvented without samples or computers, by hijacking Burt Bacharach and/or The Residents. Enriched with modal mutations, down-sampled drums and creeping tempos, created prophetic electronics by tapping into a giant jukebox, which served as its brain. Otherwise, simply caught up in the emotion, oblivious to references and obsessions.

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A Rocket In Dub

Ltd.

30,99 €*

12" | 2018 | EU | Original (Seance Centre)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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For some, melancholy is the joy of being sad. But for A Rocket In Dub, the reawakened project of Düsseldorf producer Stefan Schwander, also known under pseudonyms like Antonelli Electr. or Harmonious Thelonious, Viktor Hugo's famous saying always applies. Two years ago, the Düsseldorf producer and musician released a 4x 7" box set on Krachladen Dub, his first release after a break of 17 years at the time. Now, two years later, 9 new tracks follow as a longplayer on double vinyl and music cassette. Even more experimental, more playful, more hypnotic and with a trombone! Monotony is nice! The rocket is back in the club, teaching genres like house and minimal Jamaican dub deepness again.

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A-Team

Trouble

17,99 €*

Step Off / Don't Fool With The Dips Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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In 1982, a group of friends deep into post-punk, jazz and dub got together in Mad Professor's studio and lay down their youthful interpretation of a NYC disco cut. Their unique take included trombone, vibraphone, piano, and an ital dose of tape delay. They called the song Trouble and released two versions (vocal and dub) on their friend Tony McDermott's !Drum! label with artwork inspired by Russian Constructivism. TIP!
The group, comprised of Justin Langlands, Chrysta Jones, John Schofield, Tom Dixon, and Dave Killen, decided to call themselves A-Team, having no idea that Mr.T and Co. would make them almost totally ungoogle-able 30 years later. The result of their adolescent studio idealism sounds akin to otherdisco misfits like Arthur Russell, Maximum Joy, Talking Drums and wouldn't sound out of place on legendary NYC label 99 Records. Remastered with an extended Club Dub formaximum dance-floor action.

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A-Trak

7" | 2023 | US | Original (Flipnjay / Fools Gold)

16,79 €* 20,99 € -20%

Release: 2023 / US – Original

Genre: Hip Hop

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A-Trak! You may have been introduced to him as a World Champion turntablist, an iconic indie record label owner, half of Duck Sauce, a producer, a festival DJ, a remixer, Kanye’s Tour DJ, OR, a former Juicero advocate, but you may not know that he had a Hip-Hop record label in the early to mid 2000’s called Audio Research Records.

During this time, Trizzy hooked up with arguably 2 of the best Hip-Hop groups to come out of that era, producing records for Little Brother and the mighty Dipset! One of the very few Little Brother records that 9th Wonder didn’t produce, “Step Off” falls right in line with the whole LB aesthetic. A-Trak got busy with a bouncy joint that ended up on tons of mixtapes, available Only on ARR 12” until now! Same story with the b-side, A-Trak teamed up with Dipset for “Don’t Fool With The Dips!” featuring 40 Cal, Hell Rell, J.R. Writer.

FlipNJay Records is excited to re-release these joints in collaboration with Fool’s Gold Records on 7 Inch vinyl along with brand new original artwork designed by Rhek!

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CD | 1996 | EU | Reissue (Jive)

Beats, Rhymes & Life

Release: 1996 / EU – Reissue

Genre: Hip Hop

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A Tribe Called Quest are widely hailed as one of the greatest rap acts of all time. This trio (2-mic pioneers, Phife Dawg & Q-Tip, along with their DJ Ali Shaheed Muhammad) was one of the most lyrically gifted in the music genre of Hip-Hop. The blends of jazz ‘n bass-heavy beats (East Coast “muddy bass”) was truly and still is truly innovative. Instead of being a great rap album like the one before it, “Beats, Rhymes & Life” is a great Tribe album. It takes time to understand it but it fits perfectly in its place in the Tribe canon and in the mid- 90s. It has their trademark smooth style and flow with a much darker theme and subject matter than their previous album. It’s a real work of art and still fresh so many years after its release.

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CD | 1996 | EU | Reissue (Music On CD)

Beats, Rhymes & Life

Release: 1996 / EU – Reissue

Genre: Hip Hop

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LP | 1993 | EU | Reissue (Sony)

Release: 1993 / EU – Reissue

Genre: Hip Hop

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Midnight Marauders is the third studio album by A Tribe Called Quest, released on November 9, 1993. It is widely regarded as one of the greatest hip-hop albums of all time, known for its sophisticated jazz-infused production, smooth lyricism, and impactful social commentary. The album helped cement A Tribe Called Quest as pioneers of the alternative hip-hop movement.

Midnight Marauders continues the group’s fusion of jazz samples and boom-bap beats, much like their previous album, The Low End Theory. However, the production on Midnight Marauders is tighter, more polished, and showcases a richer sound with more layers of sampling and instrumentation.
The album features both Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) at the height of their lyrical powers. Q-Tip delivers introspective, philosophical verses with his signature smooth, laid-back delivery, while Phife Dawg provides sharp, witty, and streetwise commentary, offering a perfect contrast to Q-Tip’s style.

The album addresses a range of topics, from the complexities of Black identity and the state of hip-hop to reflections on love, competition, and the music industry. The lyrics are often intellectual yet grounded in everyday experiences, making them accessible and thought-provoking.
The themes in the album extend to the critique of societal issues like police brutality and systemic racism, but they are presented in a conversational, unpretentious manner.

Key Tracks and Highlights:
"Award Tour" (featuring Trugoy from De La Soul) – One of the album’s biggest singles, this track celebrates Tribe’s success while maintaining a humble, down-to-earth tone. It’s driven by a catchy, upbeat beat and has an infectious hook.
"Electric Relaxation" – A classic, smooth track known for its laid-back vibe and jazzy production. The song features witty, flirtatious lyrics, where both Q-Tip and Phife Dawg reflect on relationships and romance. It remains one of the group’s most popular songs.
"Oh My God" (featuring Busta Rhymes) – A high-energy track that blends frantic, lively production with sharp lyricism from Q-Tip and Phife, while Busta Rhymes brings his signature hype-man energy on the chorus.
"Sucka Nigga" – In this controversial track, Q-Tip delves into the history of the N-word, its reclamation, and the complexities of language in African American culture. The track is a reflective and thought-provoking commentary on racial identity.
"We Can Get Down" – A track that highlights the camaraderie between Q-Tip and Phife Dawg as they rap about friendship and mutual respect, reinforcing the tight bond within the group.
"Clap Your Hands" – With its boom-bap beat and jazz-heavy instrumentation, this track is a quintessential Tribe song, showcasing their ability to create music that is both catchy and intellectual.

Midnight Marauders was produced by A Tribe Called Quest themselves, with the assistance of their longtime collaborator Ali Shaheed Muhammad. The production continues to focus on sampling jazz records, but it’s more refined, with a greater emphasis on layered sounds, creating a warmer, fuller sonic experience.
The album also features funk, soul, and R&B influences, giving it a dynamic, genre-blending feel that set it apart from the more sample-heavy hip-hop albums of the time.

Midnight Marauders was both a critical and commercial success, debuting at #8 on the Billboard 200 and receiving widespread acclaim for its innovative production and insightful lyricism. Critics praised the album for its balance of jazz-inflected beats and clever wordplay, as well as its thoughtful approach to social issues.
The album is often included in "greatest albums" lists and is considered one of the essential works of 90s hip-hop. It influenced a wide range of artists, from Kendrick Lamar to J. Cole, and helped solidify A Tribe Called Quest’s legacy as one of the most innovative and impactful groups in hip-hop history.

Midnight Marauders represents the perfect blend of jazz, hip-hop, and social commentary, with A Tribe Called Quest striking a balance between intellectual exploration and accessible, feel-good music. The album’s cohesive sound, sharp lyricism, and cultural relevance have made it a cornerstone of hip-hop and one of the genre’s most beloved records.

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CD | 1993 | US | Original (Jive)

12,99 €*

Release: 1993 / US – Original

Genre: Hip Hop

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lyricism, and impactful social commentary. The album helped cement A Tribe Called Quest as pioneers of the alternative hip-hop movement.

Midnight Marauders continues the group’s fusion of jazz samples and boom-bap beats, much like their previous album, The Low End Theory. However, the production on Midnight Marauders is tighter, more polished, and showcases a richer sound with more layers of sampling and instrumentation.
The album features both Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) at the height of their lyrical powers. Q-Tip delivers introspective, philosophical verses with his signature smooth, laid-back delivery, while Phife Dawg provides sharp, witty, and streetwise commentary, offering a perfect contrast to Q-Tip’s style.

The album addresses a range of topics, from the complexities of Black identity and the state of hip-hop to reflections on love, competition, and the music industry. The lyrics are often intellectual yet grounded in everyday experiences, making them accessible and thought-provoking.
The themes in the album extend to the critique of societal issues like police brutality and systemic racism, but they are presented in a conversational, unpretentious manner.

Key Tracks and Highlights:
"Award Tour" (featuring Trugoy from De La Soul) – One of the album’s biggest singles, this track celebrates Tribe’s success while maintaining a humble, down-to-earth tone. It’s driven by a catchy, upbeat beat and has an infectious hook.
"Electric Relaxation" – A classic, smooth track known for its laid-back vibe and jazzy production. The song features witty, flirtatious lyrics, where both Q-Tip and Phife Dawg reflect on relationships and romance. It remains one of the group’s most popular songs.
"Oh My God" (featuring Busta Rhymes) – A high-energy track that blends frantic, lively production with sharp lyricism from Q-Tip and Phife, while Busta Rhymes brings his signature hype-man energy on the chorus.
"Sucka Nigga" – In this controversial track, Q-Tip delves into the history of the N-word, its reclamation, and the complexities of language in African American culture. The track is a reflective and thought-provoking commentary on racial identity.
"We Can Get Down" – A track that highlights the camaraderie between Q-Tip and Phife Dawg as they rap about friendship and mutual respect, reinforcing the tight bond within the group.
"Clap Your Hands" – With its boom-bap beat and jazz-heavy instrumentation, this track is a quintessential Tribe song, showcasing their ability to create music that is both catchy and intellectual.

Midnight Marauders was produced by A Tribe Called Quest themselves, with the assistance of their longtime collaborator Ali Shaheed Muhammad. The production continues to focus on sampling jazz records, but it’s more refined, with a greater emphasis on layered sounds, creating a warmer, fuller sonic experience.
The album also features funk, soul, and R&B influences, giving it a dynamic, genre-blending feel that set it apart from the more sample-heavy hip-hop albums of the time.

Midnight Marauders was both a critical and commercial success, debuting at #8 on the Billboard 200 and receiving widespread acclaim for its innovative production and insightful lyricism. Critics praised the album for its balance of jazz-inflected beats and clever wordplay, as well as its thoughtful approach to social issues.
The album is often included in "greatest albums" lists and is considered one of the essential works of 90s hip-hop. It influenced a wide range of artists, from Kendrick Lamar to J. Cole, and helped solidify A Tribe Called Quest’s legacy as one of the most innovative and impactful groups in hip-hop history.

Midnight Marauders represents the perfect blend of jazz, hip-hop, and social commentary, with A Tribe Called Quest striking a balance between intellectual exploration and accessible, feel-good music. The album’s cohesive sound, sharp lyricism, and cultural relevance have made it a cornerstone of hip-hop and one of the genre’s most beloved records.

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LP | 1993 | EU | Reissue (Jive)

30,99 €*

Release: 1993 / EU – Reissue

Genre: Hip Hop

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CD | 1993 | EU | Original (Jive)

17,99 €*

Release: 1993 / EU – Original

Genre: Hip Hop

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7" | 1992 | EU | Reissue (Mr Bongo)

Scenario

Release: 1992 / EU – Reissue

Genre: Hip Hop

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Official Mr Bongo reissue /// All-time classic hip-hop of the highest possible grade from A Tribe Called Quest, featuring that verse from Busta Rhymes. Replica reissue of the prized, Germany-only 7” from 1992, cut loud.

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The Love Movement Vinyl Me, Please Edition

3LP | 1998 | US | Reissue (Vinyl Me, Please)

43,99 €*

Release: 1998 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-08

Why you'll love it...
The Love Movement is the unfairly overlooked Tribe record; their fifth–and at the time final–LP, released after the group broke up, and after almost a decade as the leading lights of Native Tongues. But because it came so close to the group’s dissolution, and because it’s concept album trappings of love as the leading light for human existence were far removed from The Shiny Suit era that was starting in earnest, it’s rarely been reconsidered in their oeuvre. No longer, we say: Ride in the immaculate auras presented on this album; hear the Tribe vibe and glide across lush beats and laid back bars. Our edition is the deluxe 25th anniversary edition, on exclusive “Cobweb” vinyl, remastered by Ryan Smith, and with a deluxe heavyweight tri-fold jacket.

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2LP | 1991 | EU | Reissue (Sony Music Catalog)

The Low End Theory

Release: 1991 / EU – Reissue

Genre: Hip Hop

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The Low End Theory is the second studio album by A Tribe Called Quest, released on September 24, 1991. Widely regarded as one of the greatest hip-hop albums of all time, it marked a significant moment in the genre, blending elements of jazz with boom-bap beats, and pioneering what would become the cornerstone of alternative hip-hop.

The album is known for its innovative fusion of jazz samples with minimalist hip-hop beats, creating a sound that was both sophisticated and accessible. Unlike the dense, layered production of many contemporary hip-hop records, The Low End Theory focuses on space and simplicity, with deep basslines and crisp drum patterns.
Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) trade verses over the jazzy instrumentals, creating a unique vocal dynamic, where Q-Tip’s smooth, philosophical tone contrasts with Phife Dawg’s more playful, energetic style.
Ali Shaheed Muhammad handled the DJing and production, contributing to the overall smooth, laid-back vibe of the album.

Lyrically, The Low End Theory covers a wide range of topics, including Afrocentricity, Black identity, the music industry, and the state of hip-hop culture at the time.
The album is both introspective and socially conscious, with songs like “Excursions” reflecting on the evolution of hip-hop and its roots in jazz, while “Check the Rhime” is a more playful celebration of the group’s rise in the rap scene.
“Jazz (We’ve Got)” explicitly pays homage to the connection between hip-hop and jazz, reinforcing the album’s central theme of blending the two genres.

"Excursions" – The opening track, which features Q-Tip reflecting on the history of music and the parallels between jazz and hip-hop. It sets the tone for the album’s jazz-influenced sound.
"Check the Rhime" – One of the album’s lead singles, this track is an upbeat, braggadocious song that showcases the chemistry between Q-Tip and Phife Dawg, with its catchy hook and memorable horn sample.
"Scenario" – A high-energy posse cut featuring Leaders of the New School, including a young Busta Rhymes, who delivers one of his most iconic verses. The song is a standout due to its explosive energy and rapid-fire lyricism.
"Jazz (We’ve Got)" – This track serves as a tribute to the connection between jazz and hip-hop, with a smooth, mellow beat that perfectly complements Q-Tip and Phife Dawg’s lyrical flows.
"Butter" – A Phife Dawg showcase, this track finds him reflecting on relationships with wit and humor, over a funky, bass-heavy beat.

The Low End Theory was not just a commercial success, reaching #45 on the Billboard 200, but it also had a profound influence on the direction of 90s hip-hop. Its emphasis on live instrumentation and jazz influences inspired countless artists, including The Roots, Common, and Kendrick Lamar.
The album is widely considered one of the best hip-hop albums of all time, often appearing in "greatest albums" lists. It was instrumental in defining the alternative rap movement and proved that hip-hop could be both musically sophisticated and commercially viable.
The fusion of jazz and hip-hop on The Low End Theory created a template for the genre’s future evolution, especially with its influence on the development of neo-soul and jazz rap in the following years.

The Low End Theory is a landmark album that changed the landscape of hip-hop. Its minimalist production, jazz influences, and thoughtful lyricism continue to resonate today, and its impact on the genre remains undeniable. A Tribe Called Quest created a timeless record that pushed the boundaries of hip-hop, showing that the genre could be introspective, artistic, and intellectually engaging while still maintaining mass appeal.

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2LP | 1991 | US | Reissue (Jive)

The Low End Theory

42,99 €*

Release: 1991 / US – Reissue

Genre: Hip Hop

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CD | 1991 | EU | Original (Jive)

The Low End Theory

17,99 €*

Release: 1991 / EU – Original

Genre: Hip Hop

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THE LOW END THEORY 7" COLLECTION (BOX SET) BLACK VINYL EDITION

8x7" Box | 2022 | US | Original (Get On Down)

139,99 €*

Release: 2022 / US – Original

Genre: Hip Hop

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After years in the making, last year we released our The Low End Theory 7" Box Set for the 30th Anniversary. It was a labor of love and a work of art. We know there are DJs out there asking and vinyl purists that aren't interested in colored vinyl so we have pressed up the collection on all black 7" vinyl.

Originally released 32 years ago on September 24, 1991, A Tribe Called Quest's second studio album is regarded as one of the greatest hip-hop albums of all time. From Check The Rhime to the posse cut Scenario, the trio of Q-Tip, Phife Dawg, and Ali Shaheed Muhammad deliver jazzy hip-hop beats and rhymes like butter.

Limited Edition Box Set Includes:

-The full album is presented on eight black 7" records with 2 bonus tracks.

-Five of the 7" records are housed in custom picture sleeves that form the iconic album cover along with 3 replicas of the original 12-inch singles that were released.

-The 7" collection is housed in a deluxe, fabric-wrapped 45 singles carrying case, with 360-degree original album art and custom inner wrapped ATCQ logo graphics and group photo.

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The Low End Theory Vinyl Me, Please Edition

2LP | 1991 | US | Reissue (Vinyl Me, Please)

43,99 €*

7" | 2023 | US | Original (Star Creature)

Release: 1991 / US – Reissue

Genre: Hip Hop

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A Vision Of Panorama

Piano Sunset

A Winged Victory For The Sullen

Release: 2023 / US – Original

Genre: Electronic & Dance

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A Vision OF Panorama comes with their third vinyl release from the collaboration & each one gets heavier & gets more dance floor friendly. On Side A "piano Sunset" delivers an uptempo Balearic night time groove. "lost IN Palms" on Side B takes us on a chuggin' deep house excursion.

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Atomos

2LP | 2014 | US | Original (Kranky)

A Winged Victory For The Sullen

Release: 2014 / US – Original

Genre: Electronic & Dance

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Received a 7.3 rating from Pitchfork.

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

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OST Iris Clear Vinyl Edition

LP | 2017 | EU | Original (Erased Tapes)

23,99 €*

A Winged Victory For The Sullen

Release: 2017 / EU – Original

Genre: Soundtracks

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A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O Halloran, commence the New Year with their third full-length titled Iris available worldwide via Erased Tapes on January 13th 2017. Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic. The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

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The Undivided Five Black Vinyl Edition

LP | 2019 | Original (Ninja Tune)

A_a (Aka Satoshi Tomiie & Nao Gunji)

Release: 2019 / Original

Genre: Electronic & Dance

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Diskordant (Live)

12" | 2024 | EU | Original (Artificial Owl)

12" | 2019 | EU | Original (Noir Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Satoshi and Nao performed their live “Diskordant” using their analog machines and object-activated sounds in front of the New York crowd. These sounds are transformed and improvised through reconstruction and sample synthesis.

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A_GIM & Alex Mine

Dual EP

10,99 €*

12" | 2023 | EU | Original (Draganenii)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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I am very proud to present this DUAL release from artists A_GIM and Alex Mine who both deliver some hard hitting peak time stompers for the dance-floors around the globe. And I am equally proud to have the 2 remixers I admire Yan Cook and Moteka onboard for the more underground remixes of the tracks. I honestly love all versions. The involved artists really delievered some special treats for Noir Music and I am so happy with the end results for this release. People who have attended my gigs the past 5-6 months have heard these tracks out loud. Now its time to unleash the goodness to the world. Dual is here. - Noir

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A_r

About Time EP

2LP | 2024 | EU | Original (Trip)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The 4th Draganenii iteration brings another studio collab from the A_R duo titled "About Time EP", a 3-tracker destined to boggle minds on a dancefloor near you. Solid groove, packing Detroit references, brain melting acid shots and roaring bassliness. It’s a keeper.

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AADJA

Pyrocbs EP

31,99 €*

12" | 2021 | US | Original (Omen)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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born in canadian Newfoundland, aadja was drawn to music early. growing up in nature made a profound impact, the surrounding woods, rugged landscapes and nearby ocean inspiring her innate music language. she picked up a guitar at age five, and went on to play clarinet, piano, flute and baritone saxophone, as well as receiving classical vocal training.

isolation of the early 20's meant chaos for some, but for the canadian dj and producer this period in time presented itself as a gift. it became an environment to control and create, a time to dive into the fire of pyrocbs and emerge stronger and unfettered.

''pyrocbs'', the follow up of her excellent ''thought dealer'' record, features 11 compositions orchestrated by the prophet 6, and spiced with hilary's unique vocals. a bold, minimalist approach weaving a romantic dialogue between sounds.

like the eye of a storm, ''pyrocbs'' is what aadja defines as finding stillness amidst chaos.

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Aahan

We'll Rave Again

12" | 2019 | EU | Original (Crown Ruler)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Omen Recordings welcomes a new artist for their 17th release. Since the last few months, Aahan has been storming the world techno scene with his unique style. The Canadian producer contributes two excellent driving tracks, featuring a hard-hitting masterpiece remix by long time running UK techno champ, Perc, plus another rendition by our very own Axkan. We’ll Rave Again - Pushing forward at a tempo that will get you sweatin’, mixed with rolling hi-hats and catchy leads, this will be a favorite to get everyone back on the dancefloor, again. Crossing The Rubicon - A river of flowing melodies with hard underlining kicks that pulse makes this track sound big and dancers to lose themselves. There’s no turning back. We’ll Rave Again (Perc Remix)- Storming out of the gates faster than anyone is this rager of a remix. When the hi-hats start to enter you know you’re about to be hit hard with even more. This piece promises to be a dancefloor peak time favorite. We’ll Rave Again (Axkan Remix) - Starting with voices from the outerworld and delivering heavy rounded kicks is this beast of a mash-up. Analog noise and crunch take the spotlight.

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Aaron Broomfield

Boomerang

Aaron Choulai X Daichi Yamamoto

Release: 2019 / EU – Original

Genre: Organic Grooves

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Crown Ruler Records returns with a slab of unreleased disco-funk from Miami musician, Aaron Broomfield. HEAVY tune, in two mixes.. TIP.
“Boomerang” was first recorded in 1979, when the Broomfield Corporate Jam leader was attempting to plot a solo career. It was the first cut Aaron Broomfield recorded under his own name – Initially, at the family band’s home studio, Kilimanjaro, and later at professional studios in L.A and Miami – but it was never released.
“I always wanted to be able to share ‘Boomerang’ with my fans some day – I didn’t release it back then because I thought the time wasn’t right,” Broomfield explains. “It was so different to what was considered commercial then and felt ahead of its time.”
Before deciding against releasing it, Broomfield had two test pressings made. It was the accidental discovery of the one remaining record by digger Arun Brown (the other perished when Broomfield’s Kilimanjaro studio was damaged by a fire in 1996) that set in motion the chain of events that finally led to its release.
The jacket boasts a written essay by Broomfield himself, telling the remarkable story behind the song. The wax features the two versions of Boomerang, of which both were meticulously restored and re-mastered by celebrated Australian sound engineer, Dan Elleson.
Head to side A for the “test press” version, a cosmic, starry-eyed chunk of elastic Miami disco-funk where the Broomfield family’s killer instrumentation – all rubbery bass, deep space synths and crunchy Clavinet motifs – arcs around the sound space like a boomerang in flight. The vocal arrangement, in which Aaron Broomfield’s conscious lyrics come through loud and clear, brings it home. On the flipside, you’ll hear how dynamic the band was through the “Demo Version” - a relaxed, loose and spacey groover that sounds as ahead of its time in 2018 as it would have when it was recorded in 1979.

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All Day Remix

7" | 2022 | JP | Original (P-Vine)

20,99 €*

Release: 2022 / JP – Original

Genre: Hip Hop

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Lifted from Daichi Yamamoto and Aaron Choulai’s 2018 collaborative album Window, this 7” pressing of album closer “All Day Remix” features guests Gapper and Senninsho. P-vine is delighted to present the release on limited edition 7” vinyl for the first time.

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CD | 2024 | US | Original (Dead Oceans)

Into The Blue

Release: 2024 / US – Original

Genre: Rock & Indie

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"Into The Blue is the clearest portrait of who I am as an artist. It's me through and through," says multi-instrumentalist Aaron Frazer. A daring blend of soul, psychedelia, spaghetti western, disco, gospel and hip-hop, Into the Blue represents the impressive range of Frazer's sonic talents. Frazer maintains the unmistakable falsetto and classic songwriting he's known for, but plants Into the Blue firmly in the now with a hip-hop mentality at its core, weaving together genres and production techniques to form something new. Into The Blue was conceived, like so many classic records, out of actual heartbreak. Frazer moved cross-country from Brooklyn to Los Angeles and embarked on a journey that's reflected in the album's themes of grief, loneliness, and searching for healing. "Into The Blue really means heading into the unknown. That has been the last year of my life and I'm still in the blue," Frazer explains. "But there are also songs here that celebrate love and the giddiness of a new relationship and all that. That's part of a breakup to me, processing the whole thing, remembering the things that were right as much as the things that were wrong." Frazer wrote on every track and played several live instruments on the album. The title track, "Into The Blue", is a haunting, resolute anthem, combining cinematic strings and tough-as-nails breakbeats as Frazer heads west. "Here I go, to a place where the broken heart knows," he sings. "It's all I can do. Back into the blue." "Payback" is an explosive dancefloor heater, featuring shimmering tambourines and driving bass lines. Northern soul drums meet snarling fuzz guitar, hurdling towards its epic conclusion. The album features moments of towering arrangements, recalling David Axelrod and Ennio Merricone, balanced by rawness, incorporating iPhone recordings and one-take vocals. For Into the Blue, Frazer enlisted Grammy-winner Alex Goose as coproducer, known for his crate-digging samples and collaborations with hip-hop artists like Freddie Gibbs, Madlib and Brockhampton. Frazer also experimented with samples for the first time on a record, drawing from unexpected sources like 90s R&B group Hi-Five. Though Into the Blue is born out of heartbreak, Frazer hopes it leaves listeners with a sense of optimism. "You know, you can still laugh on a day when you're grieving," he says, "there's no peaks without valleys," he says, but Into The Blue sees Aaron Frazer at new heights.

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Into The Blue Black Vinyl Edition

LP | 2024 | US | Original (Dead Oceans)

27,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Into The Blue Frosted Coke Bottle Clear Vinyl Edition

LP | 2024 | US | Original (Dead Oceans)

29,44 €* 29,99 € -1%

Release: 2024 / US – Original

Genre: Organic Grooves

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Into The Blue HHV European Exclusive Clear Teal Wave Vinyl Edition

LP | 2024 | US | Original (Dead Oceans)

27,54 €* 28,99 € -5%

LP | 2024 | Original (Carton)

Release: 2024 / US – Original

Genre: Organic Grooves

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Abacaxi

Quetzal

28,99 €*

2LP | 2024 | EU | Original (Analogue Foundation & Oshu)

Release: 2024 / Original

Genre: Rock & Indie

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Quetzals are strikingly colored birds in the trogon family. Their wings are suited to camouflage under rainy conditions.The name quetzal , from the mesoamerican Nahuatl language, refers to " an upstanding plume of feathers " in terms of standing up. The origin of churros is unclear. One theory suggests the concept was brought to Europe from China by the PortugueseAnother theory is that the churro was made by Spanish shepherds to substitute for fresh baked goods. Churro paste was easy to make and fry in an open fire in the mountains, where shepherds spend most of their time.Licasso is a thermodynamic sound world where colors and sounds become the same thing.

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Àbáse

Awakening

37,99 €*

2LP | 2023 | EU | Original (Verve)

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP on 180g vinyl. Housed in a deluxe gatefold 'tip on' sleeve with full liner notes (Jeff Mao) and studio photography.

On a quest for cosmic grooves of unity, Àbáse is the imagination of Hungarian producer and keyboardist Szabolcs Bognár. Now based in Berlin, he’s become a protagonist of a fast-rising jazz movement in the German capital. Bringing together musicians from Hungary, Germany, Ghana and Australia for moving project with a global outlook - here is his highly anticipated new album ‘Awakening’ released by Analogue Foundation and Oshu Records

Created following a move to Berlin, marriage, new parenthood, and the inevitable interrogation of mortality that takes place when a loved one has transitioned, ‘Awakening’ demonstrates a deep understanding of music’s ability to cross time and geographic boundaries, conveying a message of unity, dialogue and self-reflection. Recorded in four days at Berlin's Brewery Studios, the album coalesces Àbáse’s varied musical influences and reference points (classic Lagos Afrobeat, traditional Hungarian folk, Yoruba rhythms, house and techno, hip-hop et al) with exquisite modalimprovisation à la Coltrane, spurred by Szabolcs’ introspection.

“Awakening was the first working title I gave to the project, and I decided to stick with it as it felt authentic and descriptive of what I wanted to express. The name comes from the concept that babies can hear and remember their parents voices from the belly, they recognise the voices upon birth and can be soothed with them. Being born is to enter an elevated state of existence, transitioning from just sounds and feelings to sight upon birth. I believe the way we experience life on earth and trying to make sense of the universe will shift upon our transition or ‘death’, and its only a pathway to something higher. The imagined moment of rebirth and entering to this new realm of existence is what I call “Awakening”.

Mostly composed of first and second takes with minimal overdubs, a striking level of intimacy is achieved between Szabolcs, Ziggy Zeitgeist (drums), Ori Jacobson (saxophone), Fanni Zahár (flute), Andras Koroknay (bass, synths), Ernö Hock (double bass) and Eric Owusu (vocals, percussion). This intimacy extends to the listening experience, with moments like atmospheric opener ‘Greeting Mother Sea’ and ‘Bloom (Flora)’ welcoming listener’s into Ábàse’s world through trance-inducing, glistening piano motifs, swirling synths and fluttering woodwinds.

Singles ‘Destruction Everywhere’ and ‘Menidaso’, paired with ‘Shango’, perhaps best highlight Szabolcs’ worldview and efforts to bridge creative ideas and cultural viewpoints. All three tracks are a bold fusion of spiritual jazz and afrobeat, with the latter two featuring the Twi vocal and driving percussion of Eric Owusu. Elsewhere, Szabolcs explores his own heritage with a stirring iteration of Hungarian folk song ‘Gyászba Borult Isten Csillagvára (God’s Star Castle Has Fallen To Grief)’, whilst also nodding to musical lineage through J Dilla homage ‘Shining’, and ‘Sunisaway’, a tribute to Sun Ra upon which Sun Ra Arkestra members Cecil Brooks and Knoel Scott are warmly welcomed to contribute.

‘Awakening’ is a new chapter for Àbáse, whose work has already drawn widespread critical acclaim. Debut album ‘Laroyê’, recorded entirely during a five- month trip to Brazil, found global praise from the likes of The Guardian, BBC Radio 6, Soulection, KEXP and Complex. Szabolcs has toured and collaborated as a keyboardist with the likes of Wayne Snow, Dele Sosimi, Pat Thomas and Zeitgeist Freedom Energy Exchange. The new album begins an era of partnership with Analogue Foundation, who are dedicated to preserving and furthering analogue creation via record releases, international events, and activities at its recording studio and hi-fi listening bar. The Foundation is headed up by Grammy-winning New York City recording and mixing engineer Russ Elevado (D’Angelo, Erykah Badu), Audio-Technica, Soundwalk Collective, and Berlin recording and mix engineer Erik Breuer.

Personnel:

Fanni Zahár, Ori Jacobson Szabolcs Bognár, Eric Owusu,
Ernő Hock & Ziggy Zeitgeist, drums

With Special Guests: Flóra Bognár, Youka Snell, Cecil Brooks Knoel Scott, Dumama, Rhea Sodemann, Wayne Snow.

Liner notes by Jeff 'Chairman' Mao and session photos by Dario Raspudic.

"Certainly a producer to watch" -Gilles Peterson
“ Hungarian producer Àbáse blends west African and Brazilian rhythms with a satisfying and uncluttered efficacy on Laroyê” -The Guardian
“We were instantly gripped upon hearing the work of Hungarian jazz collaborative project Àbáse” Stamp The Wax

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Abbey Lincoln

Who Used To Dance

12" | 2023 | EU | Original (Patterns Of Perception)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The late Abbey Lincoln was one of the greats in jazz singing and composition. 65 at the time of this recording, the singer performs a fiery musical statement and maintains her own distinctive manner of delivering a lyric. This 1998 Verve release mostly emphasizes slow tempos and melancholy moods. Seven of the nine tracks on Who Used To Dance are ballads that serve to demonstrate the graininess in Lincoln's voice, with highlights such as the nostalgic "Who Used to Dance" (featuring Savion Glover's tapdancing) "Street of Dreams" and an exceptionally charming "Mr. Tambourine Man". Alto saxophonists Frank Morgan, Steve Coleman, Oliver Lake, Justin Robinson, and Riley Bandy III provide feature work and several insightful solos, and the rhythm team of pianist Marc Cary, bassist Michael Bowie, and drummer Aaron Walker provide finest ballad accompaniment.

This 140-gram vinyl is the first international vinyl reissue, pressed at Optimal, and is presented in a wide-spine, single-sleeve jacket.

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Abby Echiverri

Deformation

Abderraouf B Grissa & Dan Drohan

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Bunker New York luminary Abby Echiverri joins the Patterns of Perception imprint with her Deformation EP, a diverse collection of playfully psychedelic techno tracks infused with a radiant cosmic energy. Produced in 2021-22, Abby drew inspiration from the captivating physics simulations her partner was working on at the time, ultimately imbuing the music with an ethereal atmosphere that permeates the entire EP, and from which the tracks derive their names. Ptn03 presents a cohesive yet diverse collection of tracks, blending psychedelic energy with delicate and profound moments. Abby's music carries an almost hopeful quality, with drum programming that leans towards groove and shuffle, and the incorporation of diminished chords and progressions that pose questions to the listener. The Deformation EP is an intricate record that showcases Abby Echiverri's distinctive, three-dimensional approach to techno: one that never feels oppressive, but calls to mind a sense of exploration and freedom.

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RBGxDD

LP | 2023 | EU | Original (Uno Loop)

22,49 €* 29,99 € -25%

Nuits D'Ete Avec Naima Samin

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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"Some albums act as tickets to travel through time and space, ones where you hear history and venture to worlds familiar, yet undeniably foreign and exciting. RBGxDD, the inaugural release for indie-label Uno Loop Records, is one of these albums. The LP is the beginning of a collaboration between two virtuosos you’ll want to keep an eye (and ear) on: producer Abderraouf B Grissa (Pink Siifu, Abstract Abder on Radio alHara) and drummer/producer Dan Drohan (Nick Hakim, Olden Yolk, Carrtoons, Andrew VanWyngarden of Mgmt).

Think CAN, Makaya McCraven, Sun Ra, or Madlib, and you’ll scratch the surface of what this LP has to offer, what it reminds you of, what it's inspired by. Grissa says of its creation, ""what began as a clear cut, beat-album featuring blistering acoustic drums evolved into a fluid, sonic journey that throws time- signature and structure to the wind."" RBGxDD is an album that expands the notion of how live instrumentation and sampling can continually innovate in unexpectedly catchy ways. The arrangements give space for both dancing and relaxing, with no shortage of finding the groove.

Joining them are artists who have perfected their craft upon arrival. Bobbie Johnston(Ear Yoga Ensemble,élan)delivers guitar riffs so smooth that they somehow blend into the music yet stand out in crispness and quality. Jarrett Gilgore (Heart of the Ghost; Jaimie Branch) takes a scorching approach to the saxophone that rejuvenates us, feeling as if we've been hit with a splash of cold water. Ahmad Kafari's (Sudan Archives, Pink Siifu, Jaw Gems, Chakram) piano playing is a gift, you hear expertise - years of influence by spiritual jazz and classical piano music emerge in a language first developed by Dorothy Ashby and honed by Dilla. Mastering was done by Kelly Hibbert (The Heliocentrics, Knxwledge, Flying Lotus, Karriem Riggins) who sends your ears to another sonic planet.

The LP is physically surrounded by something just as beautiful as the music it houses. We have artist Carol Summers and designer Daniel Rocha to thank for that. LP and artwork was licensed directly from Summers’ family. One of America's foremost printmakers with a career spanning over half a century, Summers has his works found in the Moma Lacma, NGA, and more. Rocha's LP designs are impeccably on cue with the music contained within, making the release look like it could’ve been released in 1973 or 2023. "

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Abdou El Omari

LP | 2017 | EU | Original (Radio Martiko)

16,99 €* 19,99 € -15%

LP | 2017 | EU | Original (Radio Martiko)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Part 2 of the Abdoul El Omari trilogy. For the first time on vinyl.

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Abdou El Omari

Nuits De Printemps

19,99 €*

7" | 1972 | EU | Reissue (Top Ranking Sound)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Part 3 of the Abdoul El Omari trilogy. For the first time on vinyl.

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Abe Broadway

Take Away

12" | 2024 | UK | Original (Atjazz Record Company)

Release: 1972 / EU – Reissue

Genre: Reggae & Dancehall

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Prepare to be captivated by the soul-stirring melodies of Abe Broadway's timeless masterpiece "Take Away." Despite his brief career and recording less than a handful of songs, each one serves as a testament to his talent. Notably, he self-produced all of his works with unwavering dedication, leaving an unforgettable impact that continues to resonate.

"Take Away" was originally recorded in late 1972, and the composition showcases the musical brilliance of the early The Upsetters band (before disbanding and forming other groups). It includes the talented organist Glen Adams, brothers Aston Barrett on bass and the unmistakable Carlton Barrett on drums, the soulful trombone melodies of Vin Gordon, and the skilled guitar work of Alva Lewis. Unfortunately, "Take Away" suffered from bootlegging a few years ago. However, we are delighted to bring you the long-awaited legitimate reissue of this remarkable song.

"Take Away" continues to shine as an absolute gem that withstands the test of time and tugs at your heart. And with this highly anticipated reissue, its brilliance can be savored anew.

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Abel feat. Brutha Basil

Hand Made

7" | 2020 | EU | Original (Dig This Way)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A slick techy dance-floor banger featuring the sultry tones of US Vocalist ‘Brutha Basil’.

Hand Made has been a go-to number from Abel’s well-received ‘Cosmic Law’ album. Taking a deeper and much more techy approach to sound design, Abel and Atjazz enlisted the brilliant ‘Brutha Basil’ to lay down some truth about ‘doing this music thing for the right reasons’. With some incredible remixes from Peacey who swipes things up to a new energy level, Rocco Rodamaal whose punchy re-work takes us way back to NYC’s early days of house music, and South Beach Recycling’s Chicago and Detroit-inspired late-night groover. This is one of those releases that will stay on target for a long time, no doubt!

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Abeng / Eeyun Purkins

Downtown Blues

11,99 €*

7" | 2022 | EU | Original (Dig This Way)

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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For us is a big pleasure to work together with Claudio AKA Abeng , other than a long time friend is a great musician with a deep Ska , Rocksteady & Roots Knowledge , we have been asking him a riddim which we could use for an instrumental and that's the 1st of the few we are working on right now (Yes we love instrumentals!)! It's always a pleasure to open new cooperations , have new musicians and studios playing together to create Roots Music! Rootikal Horns is the horn section of an historical Reggae Band from our area (Countryside of Milano) , Rootical Foundation , Gabri (Trombone) & Filippo (Sax) came to studio with us and we recorded few lines that will appear in a number of future releases. Obviously from this meeting , some more seeds has been planted and hopefully flowers will appear probably in the early 2021... Eeyun Purkins at Waggle Dance Studio, made a great job mixing the A side and Dubbing the B side! Many of you may already know this name ;) , founder of the Co-Operators and of the Waggle Dance Studio/Records have delivered a number of killer Roots productions in the last months and years , that's the 1st of a number of projects we have been working on during Lockdown Period , expect some Fyah Roots music from this Roots Heads meeting!

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Abeng

Run Come Rally

11,99 €*

No Bad Intention / Intention In Dub

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Following the inspiration of the great 70's Roots, Abeng drop this brand new Heavy Weight Roots track " Run Come Rally " spreading Gathering and Unity Vibes. After a long time of de-socialization "locked in Babylon, it's time to gather and be free" he sangs.

Abeng, the multi-instrumentalist "roots-head" arranges, plays and sings the whole track. This project signs a new co-operation for our label in order to follow our ideal of worldwide connections!!! Flip side "No Botha Dub" is the dub version coming from our friend Michael Exodus at the Dub Basement Studio in Rome.

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Abeng /Russ D

7" | 2021 | EU | Original (Dig This Way)

11,99 €*

Links Berge Rechts Seen Deluxe Edition

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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For us is a big pleasure to work together with Claudio AKA Abeng , other than a long time friend is a great musician with a deep Ska, Rocksteady & Roots Knowledge First side Abeng - Poor Man is an Old-Fashioned Bluesy-Rocksteady lovers track talking about the pains of love. Flip side Abeng - Together Soul Rockin' is a different cut to the riddim , a celebration of the feelings that reggae music carries on "Come everybody a come ya , rock together in this sorrow"

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Abfahrt Hinwil

2LP | 2020 | EU | Reissue (Lapsus)

33,99 €*

5LP | 2024 | US | Original (End Hits)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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From its creation in the late 90s until its closure in 2009, the Toytronic label witnessed a digital revolution that transformed the record industry, turning glitch into a production tool for a whole generation heir to the of bleep 'n' bass sound. Thanks to their impeccable A&R credentials, its head honchos, Martin Haidinger and Chris Cunningham, created an incredible IDM label catalogue, as well as producing their own material under pseudonym Abfahrt Hinwil. Their only album to date 'Links Berge Rechts Seen' [Toytronic, 2002] was released as a compilation featuring tracks from their brief career that over the years has become a benchmark for the Toytronic sound. This album included their first -and only- three releases signed to Expending Records and Toytronic, and also included two previously unreleased songs: 'Planquadrat' and a hidden track at the end of the CD version. Lapsus proudly presents 'Links Berge Rechts Seen', which will be released on vinyl for the first time as part of its'Perennial Series'. The collector's format marbled 2LP is accompanied by a double-sided lithographic print, which includes a unique and exclusive interview from Martin and Chris, talking to prestigious electronic music journalist Philip Sherburne.

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Abhinanda

Complete Discography

171,99 €*

Bag | 2024 | UK | Original (I9m)

Release: 2024 / US – Original

Genre: Rock & Indie

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Orange, yellow, cyan blue, aqua blue, baby blue vinyl. Limited to 400 copies.

After being out of print for decades, End Hits Records has partnered with the Swedish hardcore punk legends Abhinanda to re-release their complete discography on vinyl. Founded in 1992 in Umea, now recognized as a European punk hub, Abhinanda played a significant role in shaping the history and development of the 90's hardcore scene. Alongside their contemporaries Refused (with whom they frequently shared and swapped members), they were instrumental in the international breakthrough and popularization of Scandinavian hardcore. Much credit for this goes to singer Jose Saxlund, who, along with Dennis Lyxzen (Refused, Int. Noise Conspiracy), operated the Straight Edge label "Desperate Fight" and played a vital role in consistently releasing recordings from the thriving Swedish scene. Finally, the entire Abhinanda discography will be available once again, this time on strictly limited vinyl: The five-vinyl box set comes in an elegant cardboard slipcase, with each individual record housed in a gatefold cover and accompanied by a large-format poster. Additionally, there are numerous never-before-seen pictures, along with detailed liner notes/interviews featuring band members and contemporaries such as Dennis Lyxzen (Refused), Vique Simba (Revelation Records, Simba Zine+Records), Sara Almgren (Doughnuts, Int. Noise Conspiracy), and Kate Tucker-Reddy (108). The box set includes the three full-length albums "Senseless," "Self Titled," and "The Rumble," as well as a double LP featuring all demo recordings, EPs, and 7" tracks. The music has been completely remastered, and the artwork has been entirely updated.

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Ability II

Rediscovered

22,99 €*

LP | 2024 | UK | Original (World Of Echo)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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UK artist David Duncan recorded only one EP as Ability II and it recently got reissued and soon snapped up. Now, much to the delight of fans of the man behind the classic tune 'Pressure Dub' he is back. This album features an exclusive collection of tunes he made back in his heyday in the 90s, none of which were related at the time, and none of which you will have ever heard before anywhere. They feature his signature sound designs across seven cuts that sound as futuristic now as they ever could as they combine jacked-up house, techno and tech into scintillating and dub-weighted sounds for the club.

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Able Noise

High Tide

25,99 €*

12" | 2021 | EU | Original (De Rio)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Able Noise are a cross-continent duo based between The Hague (nl) and Athens (gr), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock anti-formalism, emerged in low-key fashion in 2020 as a cassette through Glasgow’s famed Glarc label. Numerous European wide tours and left-of-centre festival appearances led the pair back to the studio for the recording of debut LP, High Tide, to be released via World of Echo on 1st November.

The shift to a studio environment was a significant one, since Able Noise was primarily conceived as a live band, thinking of and writing for the live concert experience specifically. Consider their practice an Active Performance of sorts, one that seeks to challenge understandings of the medium of the live arena, how its properties and limitations can be addressed creatively, and the dialogical relationship between performer and the audience. Those who have caught them live will have witnessed very physical yet malleable performances, shaped each time by the context at hand, be that the time of day, the acoustic properties of the space, and the shared energy of the assembled patrons.

True to this approach, the pair have embarked upon the recording of their debut album with a similar exploratory impetus. In a studio without a physical audience to confront, the questions are suddenly quite different: how does one create a definitive recorded music initially rooted in improvisation, how is that recording then listened to and understood, and, without the spectacle of performance, how is it possible to work with the sense of hearing alone. Unsurprisingly, the music of High Tide is significantly different to that of an Able Noise live set. Minimalism has been traded for a detail-oriented approach, the limitations of two sets of hands suddenly lifted by the possibilities of multi-tracked thinking, post-production and various processing techniques. Real-time gives way to fragmentation, distortion and dilation, and the shift is notable - High Tide is a woozy and often disorientating listen that plays quick and easy with conventional notions of structure, at once both centreless and impressionistic, yet somehow guided by an imagined formless space.

Reliant much less on their own capabilities - and limitations! - as musicians, Knegtel and Andropoulos heartily invited the contributions of friends from both their local Athenian music community and those made while playing the UK, with the important disclaimer given that anything played during the recording session will not sound the same once on record. The result is duos, trios, quartets and sextets playing in different experiences of time, and on dynamic scales vastly different from one another, brought to equal footing.

Critically, the wholesomeness of their creative communion belies the darker theme of inertia that the pair acknowledge runs throughout the album, a sense of bodies of very different weights and momentums existing alongside each other, either adapting to or clashing with one another. In short, the outside world can’t help but seep in, even as you create within your own hermetic universe - the feeling of hopelessness amidst endless political and social strife, obsolescence in the face of technological development, time’s inexorable march. These are things we’ve all felt, and while High Tide, like much before it, doesn’t provide any definitive resolution for these challenges, it does present its own set of unique possibilities written in the shared language of its creators.

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Abo, Tomo & Plastique 01

De Rio 001

12,99 €*

LP | 2022 | EU | Original (Billbrook)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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DE RIO 001 is the first release of the collective from Florence ‘DE Rio’ as a newborn label. The record is a V/A born and conceived in 2021 featuring three banging dj-tool tracks from DE Rio’s residents. The sound and stylistic research of each artist is shown in different sides of techno music: on the A-side we find ‘Climax’ by Abo, a trance-y, progressive, acid track, mixing glitched sounds and acid basslines, evolving and turning into continuous and frenetic drops; Tomo then delivers breaks and Detroit stabs in ‘Banagalore’, a big-hitting-kick, percussive and warehouse-oriented track. The Ep is closed on the B-side with ‘Red Dial’ by Plastique01: a solid 90’s rhythm with a dreamy and romantic pad giving life to a 145 BPM proper techno track.

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Aboriginal Voices

Instant Music

Kali Yuga Bizarre Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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For a quarter of an hour, Zürich was the navel of the world. Let's look back: at New York's CBGB's, pre-punks were shredding away, Malcolm McLaren, as a man with a fine-tuned taste for the hip, imported the sound to London, where his sweetheart Vivienne Westwood dressed the test-tube band The Sex Pistols. A few pop magazines later (we are in an analog world!) punk bands sprouted everywhere, like shiny pimples on poorly fed teenagers. Contrary to legend, even back then, it was often those with a musical background who were the most successful. One such example, Henrich "Wüste" Zwahlen, who had learned the violin, attended a jazz school and went into prog-rock before joining the Nasal Boys, one of the first punk bands in Zürich. The scene included the female band Kleenex (cover: Fischli of art heroes Fischli/Weiss), whose minimalism was praised by the London music press, while the world's most important rock theorist, Greil Marcus, wrote an ode highlighting Zürich's role as the birthplace of Dadaism. A fertile ground for the militant youth movement that exploded in 1980 and stirred up the city of banks, protestantism and boredom with raw wit and expressive violence. Gathering at concerts of local bands and fueled by endogenous and artificial substances - they paid homage to exuberance and self-indulgence. The mantra of "everything-is-possible" was driven forward on the musical front by progress in terms of means of production: analog electronic instruments were no longer reserved for hippie nerds, who sat in front of large plug-in boards like autistic-psychedelic switchboard operators connecting cables for their sound carpets. Now snazzy stage personnel elicited fast-paced sounds from handy devices often made in Japan. Kraftwerk was fashionable, the Zurich duo Yello experimented with new synthetic sounds, and the groundbreaking album "Alles Ist Gut" by the Düsseldorf based duo D.A.F. (Deutsch Amerikanische Freundschaft) was released, which chanted its program of provocation times danceability with lines such as "Tanz den Jesus Christus, tanz the Mussolini, tanz the Adolf Hitler." In England meanwhile, electronically backed New Romantic bands were replacing New Wave. The Human League, Heaven 17, Duran Duran, OMD, Depeche Mode or Visage stormed the charts. In Zürich's underground, the duo Aboriginal Voices caused a stir at that time. A couple, good-looking, styled, looking cool into the cold neon light, with a danceable beat and sequenced electro sounds, to which Micheline gave a very unique touch when she sang in French and English. Micheline had a classical piano education, had left home early, worked as a lighting technician in a strip joint and at Booster, the hottest boutique in town (one of the relicts that still exists). Voilà: a musician who was as stylish as she was tough. She was already playing with Wüste in the band "Doobie Doos", a band where everyone played an instrument they didn't master. In 1980 the Aboriginal Voices were formed, initially with vocalist Magda Vogel (of later UnknownmiX fame), who was trained as a classical singer.

Frustrated by organizational friction and constant hassles with band lineups, Wüste and Misch decided to do everything as a twosome: self-mixed, self-styled, self-produced. With the top-of-the-line Linn drum machine clocking the beat, Wüste's guitar and Micheline on the Yamaha synthesizer created a unique sound of danceable electronic music. Whereby the Aboriginal Voices acted as a kind of proto-influencer, receiving the latest equipment to try out, especially since they made it a point not to work with tapes, but to design everything for live shows. They had an interface built for the legendary Roland Mc-4b, who sequenced the modular Roland System 100m but where one output controlled a light show synchronized with the sound. A pioneering act that fit well into the DIY spirit of punk, with its self-distributed tapes and fuck-you attitude towards the cretins of the music industry. Consequently only two cassettes and an EP were released. There was something futuristic about the sound, the vestiary style and the electronics, while the attitude remained rebellious. Of course something so deeped in the Zeitgeist wasn't meant to last. Wüste moved to New York, Micheline stayed in Zurich, both still active in the music scene to this day.

Sven Regener, head of the band Element of Crime and one of Germany's most successful pop writer said a few years ago when asked if he knew of any Swiss music: "Of course! In 1983, a Swiss band called Aboriginal Voices played with us at a festival in Zurich. Great, avant-garde electro-pop. That was my first encounter."

If you ever saw them live, you never forgot them, and so over the years you belonged to a teeny-tiny circle of insiders, happy to be joined after all these years by new aficionados who appreciate the sound of that quarter-hour, when Zurich was ravishing, creative and exciting.

- Thomas Haemmerli

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Aborym

LP | 1999 | EU | Reissue (Subsound)

27,99 €*

Kali Yuga Bizarre Colored Vinyl Edition

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Kali Yuga Bizarre was originally released in 1999 by Scarlet Records. Recorded at Temple of Noise Studios - Rome, October 1998. Mixed by Christian Ice and Fabban. Produced by Fabban and Christian Ice. Mastering: Elettroformati Studios, Milan. Music and lyrics by Fabban (1992-1998). Roma Divina Urbs by Totaro/Giannese. Darka Mysteria lyrics by Csihar. For the first time on vinyl Line up in this recording: Fabban (bass, synths, programming) Yorga SM (vocals) Sethlans (guitars) | Nisrok (guitars) Attila Csihar (vocals on Darka Mysteria, The First Four Trumpets, Hellraiser)

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Aborym

LP | 1999 | EU | Reissue (Subsound)

28,99 €*

LP | 2018 | EU | Original (Treader)

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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About Group

Rak

CD | 2024 | EU | Original (Most Wanted)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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“The second About Group recording for Treader,this time replacing Charles Hayward with Rupert Clervaux. His elegant drumming takes the group into new territories which together with Coxon’s simple and insistent guitar themes forms a regular backbone for four extended group compositions containing a surprising collision of sounds and influences. Pat Thomas, with his background in free jazz and improv, and Susumu Mukai, more commonly heard in the company of Floating Points, make strange bedfellows with Alexis Taylor’s mooger-foogered rhodes, but somehow it all crystallises perfectly.The clearest precedent for this engaging recording is Ege Bamyasi era Can,but really it occupies a position of its own…”

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Above The Law

Sex, Money & Music

Are We A Danger To Ourselves?

Release: 2024 / EU – Original

Genre: Hip Hop

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We are excited to announce the official release of this album that has remained unreleased since 2002. The tracks were recorded in 2002, but only a maxi single was released at the time because Cold 187um, went to prison shortly after. Now, for the first time, these tracks are available in their entirety on CD.

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Above Them

LP | 2012 | DE | Original (Yo-Yo)

9,99 €*

LP | 2023 | UK | Original (Melodic)

Release: 2012 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Brown vinyl

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Abracadabra

Shapes & Colors

25,99 €*

2LP | 2022 | UK | Original (Black Lodge)

Release: 2023 / UK – Original

Genre: Rock & Indie

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If you find the time, please come and stay a while in abracadabra’s beautiful neighbourhood; a magically wonky wonderland where strangers leave as friends to a block party soundtrack as eclectic as it is infectious. The California duo’s album shapes & colors is a dazzling collage of psych-fuelled synthscapes and contemporary Baroque-pop of anti-capitalist movements and escapism, precisely pieced around their own working lives in a blue-collar town.

In the heart of Oakland’s industrial Jingletown above a former auto-repair shop in what was once a mechanics’ break room where poker rounds ensued, Hannah Skelton (Vocals, Synthesizers) and Chris Niles, (Bass, Synthesizers) constructed the angular 80s-tinged anthems (think John Hughes montages to Talking Heads) of their new album, to positively offset the pandemic’s amplification of dysfunctional society. “It reflects our current reality: a huge mess that is systematically broken but isn’t entirely lost,” Hannah tells. “We’re inviting listeners to conjure up every drop of hope and willpower left inside them, pour that into the giant vat of anger and frustration bubbling inside us all, and with this potion collectively enact the necessary change to bring love and light into this dark space.”

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Abramis Brama

Live!

33,99 €* 39,99 € -15%

The Riot City Years 1981-1982

Release: 2022 / UK – Original

Genre: Rock & Indie

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Abramis Brama captured live in 2006 at its maximum intensity, and presented on vinyl for the first time with two unreleased songs from the same tour. It features the dual guitar line-up after the acclaimed ”Rubicon” album, and was a farewell to original drummer Fredrik Jansson who joined Witchcraft) and a welcome to present-day drummer Fredrik Liefvendahl previously in Grand Magus) on the studio bonus track.

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Abrasive Wheels

LP | 2022 | UK | Original (Audio Platter)

Monte Carlo Alien Eggshell Pink Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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The Riot City Years 1981-1982 from punk rock band of the late 1970s – early 1980s Abrasive Wheels! Hailing from Leeds, England and by far the biggest punk band from the area they were seldom out of the Independent charts between 1980 and 1984. Specialising in the sort of massive rowdy choruses that could put an ear-to-ear smile on the face of a dead man. Like so many of those intense bands of the time, their fire burnt brightly for just a relatively short time, but the shadows it cast, and the colourful musical legacy they bestowed the punk scene, were both important and influential!

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Abraxas

LP | 2022 | EU | Original (Suicide Squeeze)

26,99 €*

Quand Viennent Les Serpents

Release: 2022 / EU – Original

Genre: Rock & Indie

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Carolina Faruolo (ex-Los Bitchos) and Danny Lee Blackwell (Night Beats) had been friends and mutual admirers of each other's musical projects for years, though with Faruolo residing in the UK and Blackwell residing in Texas, their interactions were limited. Yet as was so often the case for many of us during the shelter-in-place stretches of 2020, geographic proximity wound up being a non-issue as our socializations became almost exclusively online endeavors. In this era of isolation and uncertainty, Faruolo and Blackwell invented their own private escape to Latin rhythms, colorful vistas, and smoky revelries under the project name of Abraxas. Combining their shared love of Wendy Renee, Los Destellos, doo-wop and R&B, they crafted their debut album Monte Carlo by bouncing ideas across the Atlantic. "Planet Abraxas is a world filled with jungles, mist-covered rivers, panthers lurking in the night, desolate shopping malls, Neolithic citadels and sand-worn walls," Blackwell says of the muse behind Monte Carlo. "The nights are usually dense with fog and the air is filled with the sounds of cicadas and faraway drumming." This visual manifestation of their sound stands in stark contrast to the environment in which the songs were written. "I remember the feeling I got the first time Danny added vocals to one of my tracks," Faruolo recalls. "I was sitting on my sofa in rainy Manchester in the middle of winter. I pressed play and the song just made my heart jump. It instantly felt special and, more importantly, it felt like a perfect portrait of both of us." Uruguayan-born Faruolo grew up with the tropical beats of cumbia and the psychedelic flavor of classic chicha artists, and it became her mission to infuse those sunny influences in her work as a UK musician. Blackwell's work under the Night Beats handle involves the fusion of outlaw soul and R&B with a resourceful DIY spirit. Despite the apparent contrast in their styles, the two musicians bonded over their reverence for Selena and Sade, exemplars of the humid pulse and sultry spirit of their respective approaches. As Abraxas, their distinctive musical perspectives created a sound that encompassed the tropicalia of Os Mutantes, the scrappy songwriting of Cleaners From Venus, and the trippy production of Lee "Scratch" Perry, though the duo is quick to assert that they were finding their own distinctive voices rather than adhering to pre-existing stylistic codes and constraints. And indeed, Monte Carlo feels rooted in tradition but blossoms into its own unique timbres and vibrations. Monte Carlo opens with "Sunrise State (of Mind)," where a hypnotic cumbia beat serves as the bedrock for cosmic guitar leads, hazy choral melodies, and Blackwell's seductive vocals. From there, the album continues its steady Latin pulse on "Mañana," a perfect soundtrack to feverish nights in dancehalls, sipping on caipirinhas and sharing cigarettes with strangers on the dancefloor. Across its twelve tracks, Monte Carlo unfurls a myriad of exotic influences, from the Eastern melodies and guitar trills on "Sultan," through the dub-infected stomp and scorching fuzz of "La Estampida," and on to the Anatolian psych-funk of album closer "Göbekli Tepe."

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Abschaum

LP | 2024 | UK | Original (Macadam Mambo)

19,99 €*

12" | 2020 | EU | Original (Myst)

Release: 2024 / UK – Original

Genre: Rock & Indie

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After more than 6 years of silence, Abschaum is finally back with a new album, and it was about time because this new opus is sublime!!

‘Shamanic’ Chris (Abschaum’s mastermind), made alone this magnificent piece of Folk, Ambient, Kraut music, that he carefully recorded in the mountains of Jura, experimenting with his guitar and a little electronic set-up, composing beautiful melodies and singing French lyrics with powerful voice to bring us to another level of harmonies, the all merged with special atmospheres that are not without remembering Eno or Froese sometimes. In our opinion, this record could easily been recognise as a timeless masterpiece in the future.

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Absl & Size Pier

Chaines Et Denuement

LP | 2024 | EU | Original (Six Eleven)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Myst launches his label and wishes to leave a trace of his past events through immersive records. This first EP takes us back to the Prologue of our history and invites two emblematic artists: ABSL & Size Pier. In these uncertain times, we still want to claim our ideals through this passion that brings us together. Chaines et Denuement will therefore be the first vinyl of a long series.

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Absolem

Les Yeux Grands Fermes

26,99 €*

10" | 2021 | EU | Original (Mecanica)

Release: 2024 / EU – Original

Genre: Hip Hop

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Les yeux grands fermés is a spontaneous new EP that is an ode to freedom, both in the creative process and in everyday life. This opus depicts the rather raw feelings of a young artist who had a tough time of it when he was starting out, and who is now finally experiencing the success he had been hoping for. More liberated, the protagonist is now enjoying a new life: a more freestyle lifestyle full of surprises and lightness, with days governed by studio sessions, parties and carnal relations... all the while keeping his feet firmly on the ground and his goals firmly in mind! In terms of songwriting and production, Les yeux grands fermés is an improved blend of Absolem's last two projects, Leur dire and Balle d'Argent, featuring both their introspective songwriting, here even more touching, and their arrogant, second-rate side. Absolem continues the journey begun on Balle d'Argent, a project in which the rapper discovered himself to be more than ever in harmony with his music (spontaneity, introspection, fluidity of text) and less concerned by all the external factors (industry, the race for numbers, social networks, pressure, etc.), social networks, pressure, etc.).

Produced in a very short space of time, Les yeux grands fermés is a highly intuitive and spontaneous project with some tracks created from scratch in just a few hours.

Entirely produced, recorded and mixed by Dee Eye in their cellar-home studio, the project retains the 'live' touch. studio, the project retains the 'home-made' touch that characterises the duo and which they are constantly perfecting. The featuring with JeanJass, who is very close to the duo, was just as natural, having worked with with Dee Eye and advises them on the creation of their projects. projects. The result is a track with a very intimate theme (esotericism and introspection), which takes the form of an astral journey.

Project after project, the chemistry between Absolem and Dee Eye grew stronger and stronger and the main objective remains the same: to break new ground in every area production, writing, interpretation, mixing and mastering). Continuing to continue to work on a number of projects on their own, Dee Eye continues to progress experience and a keen eye in the artistic direction of Absolem's projects. projects. With quality, consistency and efficiency always in mind and efficiency, Absolem and Dee Eye are increasingly asserting their desire to create their own musical colour, a sort of hybrid between Slowthai and Asap Rocky with and Asap Rocky, with innovative production and flows, featuring rap lyrics.

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Absolute Body Control

A New Dawn EP

4LP | 2021 | EU | Original (Mecanica)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Absolute Body Control is back with new material after more than ten years. The legendary minimal-synth-wave duo formed in 1980 by Dirk Ivens (The Klinik, Dive, Sonar) and joined a bit later by Eric van Wonterghem (Insekt, Monolith) has been working together again and got finished a new EP. Six songs that fuse their classic sound with a theme that reflects the times of change that humanity is going through.

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Absolute Body Control

Lost / Found

99,99 €*

Midnight Ensemble Splatter Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

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Absolute Body Control was formed by Dirk Ivens in 1980 influenced by the sound produced by the likes of Suicide, D.A.F. and the UK electronic scene. Eric Van Wonterghem joined the project next year just after the release of the debut 7" "Is There An Exit?". They released together just some cassettes during its brief initial run, but this was enough to gain a following in and outside Belgium. A compilation of tracks entitled "Eat This" was eventually done in 1993 and a first edition of the collection "Lost / Found" was issued on CD in 2005.

Dirk and Eric took the project back on stage in 2006 and decided to re-activate it. They first re-recorded some of their classic songs for the album "Wind[Re]Wind" and then continued releasing new material and touring all Europe and beyond.

"Lost / Found" is the definitive collection of this minimal-synth-wave act and is now available for the first time on vinyl record with a total of 52 songs including 8 previously unreleased.

Limited edition of 1,000 copies with 4 records on individual sleeves, insert and numbered certificate.

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Abstract Division

2x12" | 2022 | EU | Original (Dynamic Reflection)

35,99 €*

Midnight Ensemble - The Remixes - Part 1 Marbled Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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When two musicians intensively work together for a period of time, at some point the whole becomes greater than the sum of its parts. If Paul Boex and Dave Miller hadn't already reached that status under their Abstract Division moniker, they certainly have now, with the release of Midnight Ensemble, their first full length album.

Those who have followed the duo since their early days of playing dj-sets together, know that it's hard to define their style anywhere beyond techno or even electronic music, as it is ever evolving and always dependent on the time of the day or night. When listening to this album, the resemblance between their unpredictable selection behind the decks and the eclectic range of subgenres on this album is more obvious than ever before. Midnight Ensemble could be interpreted as an ode to nightlife; a reminiscence of all that happens between dusk and dawn, captured and compressed into about one hour of music. An hour in which they so delicately time their changing of styles and tempos, always reading the room and always being one step ahead of the crowd.

This album is a reflection of that skill, starting its journey with soothing, moodsetting ambient, followed by timeless pieces of Detroit and dubtechno. A daring electro cut providing a refreshing break from the four to the floor tradition, only to be followed by the stripped down sound the duo is so comfortable with.

The final minutes consist of experimental breaks, one last banger to pull out the last bits of energy that is left and a beautiful outro, which concludes the allnighter vibe. There are no open endings, it doesn't make you want to stay in the dark forever. Rather it makes you want to close your eyes one last time before walking outside to see the sun come up again before going home, overwhelmed and satisfied.

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Abstract Division

12" | 2023 | EU | Original (Dynamic Reflection)

Abstract Tribe Unique / Syndrome

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After the success of their first full length album Midnight Ensemble, it's now time for a massive remixpack divided in 2 EP's; Part 1 followed by Part 2 (which will be follow soon after this).

The Dynamic duo asked some of their close friends, label residents and inspirators to rework all of the tracks taken from the original album.

On Part 1 you will find remixes from DJ Nobu, Rrose, Jeroen Search on the 12" added by 2 Digital Bonus tracks bij Pyramidal Decode and Hitam.

Expect a diverse range of techno cuts and ambient drones as you are used to from Dynamic Reflection.

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Caught Up In The Rappcha / Luv 2 Luv

12" | 1998 | US | Original (Deemo Records Inc)

9,99 €*

Release: 1998 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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2LP | 2021 | JP | Original (P-Vine)

Aburadako (Ana Ban)

44,99 €*

Release: 2021 / JP – Original

Genre: Rock & Indie

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Abradako was formed in 1983 by Hirotomo Hasegawa. In the punk / hardcore scene of the time, it has attracted attention as a completely different personality compared with other bands and gained cult popularity. In 1985, released the 1st album "Aburadako". Since then, he has released seven albums by the time he stopped their activity in 2009. All album titles are "Aburadako". P-vine presents parts of their discography as LP for the first time. All titles come with OBI-strip. This album is their 6th album released in 2004, commonly called "Ana Ban", including 10 songs, 60min of mysterious psychedelic world.

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LP | 2021 | JP | Original (P-Vine)

Aburadako (Fune Ban)

31,99 €*

Release: 2021 / JP – Original

Genre: Rock & Indie

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Abradako was formed in 1983 by Hirotomo Hasegawa. In the punk / hardcore scene of the time, it has attracted attention as a completely different personality compared with other bands and gained cult popularity. In 1985, released the 1st album "Aburadako". Since then, he has released seven albums by the time he stopped their activity in 2009. All album titles are "Aburadako". P-vine presents parts of their discography as LP for the first time. All titles come with OBI-strip. Their last album and one of the masterpieces "Abradako (Fune Ban)" was originally released from P-vine in 2008.

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LP | 2021 | JP | Original (P-Vine)

Adk

43,99 €*

Release: 2021 / JP – Original

Genre: Rock & Indie

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Abradako was formed in 1983 by Hirotomo Hasegawa. In the punk / hardcore scene of the time, it has attracted attention as a completely different personality compared with other bands and gained cult popularity. In 1985, released the 1st album "Aburadako". Since then, he has released seven albums by the time he stopped their activity in 2009. All album titles are "Aburadako". P-vine presents parts of their discography as LP for the first time. All titles come with OBI-strip. "adk" is their early stadio recordings which including the tracks before their music style are getting more avantgarde, more proressive. some tracks is come from compilation albums from Tokuma Japan.

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LP | 2021 | JP | Original (P-Vine)

Adk Live (Ok Ban)

31,99 €*

Release: 2021 / JP – Original

Genre: Rock & Indie

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Abradako was formed in 1983 by Hirotomo Hasegawa. In the punk / hardcore scene of the time, it has attracted attention as a completely different personality compared with other bands and gained cult popularity. In 1985, released the 1st album "Aburadako". Since then, he has released seven albums by the time he stopped their activity in 2009. All album titles are "Aburadako". P-vine presents parts of their discography as LP for the first time. All titles come with OBI-strip. these 13 tracks of live recordings were originally included in a CD from P-vine in 2008 along with "adk" LP (plp-7166).

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LP | 2023 | JP | Original (P-Vine)

Adk Picture Disc Edition

38,99 €*

Release: 2023 / JP – Original

Genre: Rock & Indie

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Compiling Japanese hardcore punk band Aburadako’s earliest recordings, this collection of rarities and early singles is absolutely brutal! With songs taken from their earliest self-released flexi-disc, a Tokuma Japan punk compilation (Greatest Punk Hits (1983)), and their 1984 mini album, ADK is 14 songs of pure, unrestrained punk spirit! Hirotomo’s vocals are at times incomprehensible, and the recording quality isn’t the best - but who needs those when you have some of the heaviest basslines and brutal drum grooves to come out of Japan? Pressed on a limited edition picture disc, this compilation of Aburadako’s earliest recordings is a must-have for all fans of Japanese hardcore!

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12" | 2022 | JP | Original (Yokujitsu)

Kerosene

LP | 2023 | EU | Original (Ad 93)

Release: 2022 / JP – Original

Genre: Rock & Indie

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Aburadako's "Yokujitsu" (The Day After), a masterpiece that will remain in the history of Japanese punk/rock, was performed at Shimokitazawa Shelter on May 12, 2002, for 23 minutes and 56 seconds, and is now available in analog form for the first time after 20 years!

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Abyss X

Freedom Doll

23,99 €*

7" | 2024 | UK | Original (Z)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Composed, produced and arranged by Evangelia VS, the artist behind Abyss X, Freedom Doll is the culmination of a year of emotional unloading through songwriting, offering an introspective journey into the ocean of her mind. Produced and recorded between an artist residency near the Mayan jungle in Mexico and her Berlin home, the album chronicles transformations the performer tackled mentally during the writing process, tracing the rollercoaster of falling in love during the pandemic, as well as the pleasures and tribulations of womanhood.

Freedom Doll encapsulates the romantic escapade between her voice and the guitar. The amalgamation of seduction, sexual tension, vulnerability and assertiveness pulses throughout the entirety of the album, spiralling out of the cracks spawned from her vocal chords. From the twirling dance between her lush harmonies and the progressions of the acoustic guitar in tracks such as Ascend and From Hot to Cold, to the explosive confrontation between the metallic and operatic qualities of her voice, the searing sound of the electric guitar in industrial rock / psychedelic anthems such as Torture Grove and Banyana and the cathartic momentum found in the gospel inclined chants in A Chew - Freedom Doll untethers the dramatics and theatricality that defines Abyss X’s vocal performance and music production, while maintaining the sensual vibrations of her creative essence.

Freedom Doll is the encapsulation of the Minoan woman, the elusive harlequin tiptoeing her way through the “circus of terror” that is living and loving her way through womanhood. With this visual reference, Abyss X pays tribute to her ancestors and their groundbreaking ancient artistry. The back cover of the vinyl features a reiteration of depictions of bulls leaping found in Minoan frescoes; an inherently male cultural act that in the ancient Minoan times presumably gave expression to a tension that underlies man's somewhat tenuous mastery of nature. Freedom Doll’s artwork challenges this preconceived notion through an eco-feminist approach, bringing the Minoan woman slash Gaia in the seat of the bull leaper, taming the unhinged and predominantly male earth - threatening human force.

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Ac Soul Symphony

Special 45 Versions

You Can Do Things With Bean Curd EP

Release: 2024 / UK – Original

Genre: Organic Grooves

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Dave Lee's "AC Soul Symphony" alias has been releasing delectable and sultry disco since 2005 but reached his magnus opus in 2023 with the release of the "Metamorphosis" LP. Here we find two tracks handpicked from the album and delivered, for the first time, in a 7" format. The single starts much as the album does with the track "Windy City Theme", beautifully scored, recorded, and produced legato strings envelope the track, punctuated with horns and vocals reminiscent of a Love Unlimited Orchestra production. This version of the track has been rearranged, speeding up the pacing of the track and reaching the juicy parts in a really satisfying way. On the flip side we have the title track from the album "Metamorphosis", which is the first time the vocal version has been made available on Vinyl. A bass laden intro gives ways to glistening pianos and those signature strings (have we mentioned how good the strings are?). A more laid back and seductive track than the A side, but no less appealing. Again, due to the limitations of the 7" format, "Metamorphosis" has been expertly rearranged with loving care and attention.

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AC$

12" | 2023 | EU | Original (Sakskobing)

7" | 2023 | EU | Original (Lexi Disques)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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For the third time to the house of Sakskøbing we are witnessing return of a close friend to the label, Portland-based Aaron Carlson who goes by the moniker ac$. This legend of a human being has crafted a 5 audio pieces which has been made on his modular machines at his home studio and showcases a good range of what I believe we call house music.

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Accou

French Fried

9,09 €* 12,99 € -30%