Search "Six Organs Of Admittance" 2991 Items

When The Wind Forgets Your Name

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The Oystercatcher is the first collaborative LP from Cucina Povera (Maria Rossi) and ELS (Edward Simpson) Recorded in London over two days, hours’ worth of improvisations have been edited down to form these six tracks. A fragile interplay is at work between Maria’s drifting vocals and the ominous churn of Edward’s modular synth. Each sonic element takes a turn at leading the way.

The opening track ‘Mantle’ is formed from sparse, monolithic electronics, woven gently with a thread of vocals. In the closing track ‘Eon’ Maria’s voice shepherds spontaneous bursts of sounds, almost Rave-like if order were imposed, through 15 minutes of turmoil and resplendent until the end. Maria’s vocals make their own trails amongst the noise, bringing to mind the the exploratory language from Ursula K. Le Guin’s album ‘Music and Poetry from the Kesh’, recalling the same understated mystery.

The overall effect of this collaboration is a completely unique creation albeit within a recognisable lineage of predecessors. The artwork reflects the vision of these two artists, collaged together. Both images are from a trip to Helsinki. Edward’s photograph of Tulips caught after dark are reviled by a flash. Maria’s seemingly abstract drawing is a graphite rubbing taken from a granite slab of a pavement somewhere in Kallio. Together the two images represent two different methods for capturing a city’s haptic landscape.

The album moves with a feeling of transience, which is no surprise given that the idea to collaborate was formed in Helsinki, realised in London and edited together in Rotterdam. The Oystercatcher tells a fragile tale, one that spins out into the unknown. A cold union of voice and machine, still tentative and probing, learning to co-exist. A kind of fundamental shift whereby shared moments have been turned to sound. The Oystercatcher is a bird that can freely travel between the earth, sea and sky. The motif is taken from a Tove Jansson short story. A dead bird washes ashore, two different versions of events are presented to how the bird came to die. The album feels like two different stories being presented on top of one another but ultimately coming to the same tragic conclusion.

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Built To Spill

CD | 2022 | US | Original (Sub Pop)

Flying First Class / Shake That Fnkn Booty

Release: 2022 / US – Original

Genre: Rock & Indie

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Since the band's inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of musicians making music and playing live together. "I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas," says Martsch. "And it's nice to be in a band with people who aren't sick of me yet." Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of its own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. "I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed." (The rumors are true, we love quinquagenarians_) When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.

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J Daw

7" | 2020 | EU | Original (Six Nine)

13,99 €*

Ain't Right Girl / That's All You Get

Release: 2020 / EU – Original

Genre: Organic Grooves

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Soul/Disco/Funk single here for the first time ever on vinyl! The independent label Six Nine Records Ltd. UK, based in Newcastle upon Tyne, proudly presents J Daw featuring Tim Tucker and SkyFunker and the two magnificent electro boogie tracks "Flying First Class" and "Shake That Fnkn Booty”. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

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Rocket 455

7" | 1997 | US | Reissue (Third Man)

10,99 €*

Boxes Paradise Purple Vinyl Edition

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Rocket 455 is a Flamin' Groovies-loving garage rock band formed in Detroit in 1992 after the breakup of local scene essentials The Nervo Beats. Although this was Rocket 455's third single, it was the first that featured the new, longest and current line up, including founding member Marco Delicato back in the fold as well as Steve ''Disco'' Nawara from the Electric Six. This 7'' was released on Devil's Night in 1997 and is notable as the first record ever produced and released by Italy Records.

Ain't Right Girl b/w That's All You Get

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Sensations' Fix

LP | 2019 | EU (AMS)

No Roof No Floor Clear Vinyl Edition

Release: 2019 / EU

Genre: Rock & Indie

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Listening today to the music produced by Sensations' Fix, a project founded and directed by Franco Falsini in '70s, can't just leave anyone indifferent. Already in the mid-'60s, Falsini was full-time involved in musical activities: a tireless traveler and experimenter, an artist with uncommon curiosity and intuition, after having lived for some time in the United States and England, he finally established again in Italy where he gave shape to Sensations' Fix and signed a contract with Polydor for the release of six records in five years. Often associated with the sound of Tangerine Dream and the so-called German 'cosmic couriers', Sensations' Fix were much more than mere clones of something already existing.

"Boxes Paradise" is the fifth Sensations' Fix album, originally released in 1977 and never officially reissued on vinyl to date. Musically, it follows the same path inaugurated on the previous "Finest Finger", with an even more refined and elegant production, more structured and longer tracks (three out of seven exceeding the 6-minute length), all sung by an increasingly confident Franco Falsini. There are also various instrumental sections, guitar solos and 'spacey-sounding' keyboards reminiscent of the band's previous records. A real gem that sounds fresh and ripe even today!

Sensations' Fix albums are generally difficult to find; almost none of them has been reprinted in over forty years, but thanks to this series of reissues on the VM label it is now possible to rediscover them all.

First ever LP reissue, on violet Colored Vinyl!

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Scout Gillett

LP | 2022 | US | Original (Captured Tracks)

27,99 €*

CD | 2022 | UK | Original (Mr Bongo)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Home" is a tough thing to pinpoint for someone who's constantly in motion. Scout Gillett knows this well, but since relocating from Kansas City in 2017, she's found one in Brooklyn's DIY scene, playing in multiple live bands and even starting her own booking company to organize local shows. Her intrepid nature results from a childhood spent running barefoot through rural Missouri and coming of age in Kansas City's punk scene. Her debut solo album no roof no floor is a bold and spirited yet warm, intimate meditation on trust, surrender, and what makes a home. Following the sudden overdose of a lover in 2018 and the onset of the 2020 quarantine, Scout returned to Missouri in search of reprieve. Instead, she was dismayed to find that her hometown was suffering; friends and family members were caught in the grips of drug and alcohol addiction. Overcome by grief and helplessness, she retreated inward, channeling her fears and frustrations, as she always had, into songwriting. The resulting songs were more vulnerable than any of her prior work, and it was a while before the notion of sharing them even occurred to her. Then Nick Kinsey, the album's producer, called from his recording studio The Chicken Shack in Stanfordville, New York to tell Scout that his friends Ellen Kempner (Palehound) and David Lizmi (MS MR) had relocated upstate, and were interested in working on an album with her. Recorded in a big wooden barn with the doors wide open, there's a sense of spaciousness on no roof no floor befitting its title. On some songs, there are even audible cricket chirps. The arrangements, too_ which feature contributions from Kempner, Lizmi, and Kevin Copeland (The Big Net)_reflect Scout's rural roots and her indie spirit; a fusion of upbeat, guitar-driven melodies and folk/country instrumentation like pedal steel, harmonica, and tenor banjo. All of these elements are underpinned by Scout's signature soaring, velvet vocals and open- hearted lyricism. She arrives at her thesis on the haunting six-minute centerpiece "hush, stay quiet": "you can only save yourself," she muses over a resolute guitar. We can't always know what to expect, even in a place we've been before. With a little trust, though, we can find a safe place within. No roof required.

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Project Gemini

The Children Of Scorpio

14,99 €*

Atsuko Hatano & Midori Hirano

Release: 2022 / UK – Original

Genre: Rock & Indie

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Good things come to those who wait. The album 'The Children of Scorpio' by Project Gemini aka Paul Osborne is a result of his steeped 30-year musical journey that’s seen him dig deep, study his record collection and re-emerge to fine-tune his craft.

A cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio’ was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. The album draws on iconic classics such as the masterful cinematic funk of Lalo Schifrin's 'Dirty Harry', Ennio Morricone's 'Vergogna Schifosi’ and Luis Bacalov’s 'The Summertime Killer’, to name but a few. You can also hear the folk sounds of Mark Fry's iconic 'Dreaming With Alice', the Britsh folk-jazz of The Pentangle and the David Axelrod-produced 'Release Of An Oath' by The Electric Prunes, woven into the cultural tapestry of this gem. The influence of these vintage productions of the 60s and 70s is evident; however, it could be argued that there’s also echoes of the funkier psychedelic moments of bands such as The Stones Roses and The Charlatans, alongside contemporaries such as The Heliocentrics and Little Barrie, thus giving the album a broader crossover potential beyond the world of crate digging and vintage soundtracks.

A bass player and musician since the age of 16, the arrival of his first child in 2010 saw Paul move away from live performance and retreat to his home studio, recording a wealth of music that was destined to never be heard. One of the first tunes to be made was a demo entitled ‘The Children Of Scorpio’, inspired by his long-time obsession with Lalo Schifrin’s soundtrack to violent Clint Eastwood cop classic 'Dirty Harry'. Recorded for fun, the track was fated to sit in the archives untouched. However, like a phoenix rising from the ashes, connections to a wealth of inspirational musicians and labels would re-ignite Paul's musical fire and give him the impetus to develop his slept-on ideas into something more concrete. Firstly resulting in releasing two limited 7'' records on Delights Records and now the long-player for Mr Bongo.

Assisting in the recording of the record were several close friends that have helped spark Paul's musical creativity along the way, including well-renowned guitarist and Little Barrie frontman Barrie Cadogan (who contributes killer six-string guitar to four tracks), Delights Records head-honcho Markey Funk (who adds spooked out keyboards to ‘Path Through The Forest’), Kid Victrola, the chief songwriter and guitarist with French psych girl group Gloria who added wild 12-string to ‘Scorpio’s Garden’, Haifa-based multi-instrumentalist and producer Shuzin who brings the heat behind the drum kit, and Paul Isherwood, co-founder of Nottingham’s The Soundcarriers, who mixed the album on his wealth of vintage gear.

We are delighted to be releasing this slowly-brewed timeless classic that manages to achieve that rare feat of keeping one foot firmly in the past whilst still sounding totally contemporary.

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Water Ladder

LP | 2021 | EU | Original (Alien Transistor)

LP | 2014 | EU | Original (Wah Wah)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following their recent solo releases Soniscope (Dauw) and Cells #5 (Important Records), Berlin-based multi-instrumentalist Midori Hirano and Tokyo based string experimentalist Atsuko Hatano have teamed up for their first collaborative full-length: Water Ladder. An intense, multilayered continuation of earlier collaborations (Atsuko was featured on Midori’s debut LP back in 2006), the foundation for this new collaborative album was laid when they shared stages in Berlin (Ausland) and Japan in 2019. Working remotely at first, they later recorded parts of the album in Nara’s snoihouse (using omnidirectional polyhedral speakers).

“As we rallied back and forth with our recordings in the process of creating this album, unanticipated fluctuations and irregularities emerged, coming together into a kind of music with a unique resilience and buoyancy that cannot be confined to existing molds. It was as though we had built a Water Ladder to bridge the gap between us,” explains prolific composer and viola player Atsuko Hatano, who’s been busy recording solo and with colleagues such as Jim O’Rourke, Eiko Ishibashi, Mocky, Tatsuhisa Yamamoto, Takeo Toyama, and Anzu Suhara (Asa-chang & Junrei).

Kyoto-born, Berlin-based Midori Hirano, who’s also been releasing music under her MimiCof moniker, adds multiple instruments to the ever-changing sonic landscapes of Water Ladder – an album defined by suspenseful and seemingly suspended compositions that often feel like floating in midair, a sensation the musicians compare to “that distinctive feeling you get from riding a high-speed elevator, where you can no longer tell whether you’re going up or down.”

Devoid of birdsong, the late summer air is nevertheless full of buzzing, whirring, hissing sounds on foreboding album opener “Summer Noise,” a cinematic intro with slow-moving piano chords and an ominous build-up over the course of its sprawling eight minutes. Elsewhere, sudden bursts of viola cut through nighttime peace (“Nocturnal Awakening”), followed by “Cotton Sphere” – which makes the sensation of floating in midair complete: harmonies and melodies rise and form to fall apart again, leaving only trails of previously defined space shimmering in their wake…

Whereas the title track truly explodes half-way in, the final “Cascade” brings closure to the electro-acoustic six-track collection: the floating continues, but the interlocking musical planes are no longer ruffled or rippling, no longer torn in many directions at once. Instead, the sonic streams merge and eventually disappear like ephemeral water falls after heavy rain or sudden snowmelt.

“Water cannot retain its form on its own, and can take any shape as effected by external forces. Its movements cannot be captured by eyesight alone: A body of water that appears to be crashing down into a deep, bottomless waterfall could actually be rising up very slowly into midair,” says Atsuko. “This is an invitation for you to cross the ever-transforming Water Ladder built between Midori and myself.”

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Mark Jenkins

Analog Archives

21,99 €*

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Analog Archives is a collection of recordings from the early to mid eighties. Armed with his Moog Sonic Six, Sequential Prophet 600, EDP Wasp & Spider and other legendary electronic weapons Mark Jenkins delivers envolving electronic textures that could be filed along those of artists like Klaus Schulze or Ash Ra Tempel. These recordings are issued in vinyl format for the first time ever, in a limited edition of 500 copies only.

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Purple: Chino, Johannes Albert, Lake People, Rvds

12" | 2020 | EU | Original (Uncanny Valley)

12" | 2021 | EU | Original (Higher Love)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After Brexit, we thought it would be a brave attempt to snatch the Queen's interpretational sovereignty over the colour purple. So, we have named our new record just like that. Of course, this is only half the truth, as we named all six other UV050 compilation records after colours as well. The purple one, this one right here, is the second to last, completely with the wonderful artwork by Leipzig's Doppeldenk and four tracks to dance your ass off to. Krakow's Chino shows us how to balance perfectly between straightforward urgency and mystic playfulness. His acidic FORBIDDEN VOICES sports just the right amount of chaos to make you go crazy on the dancefloor. Being a spiritual brother for a long time, it's actually the first time Berliner Johannes Albert releases on Uncanny Valley with his VISION UTOPIA, a subtle House bomb, that pushes just the right buttons to trigger your desire to escape into cosmos. Also from Berlin comes Lake People, who does what he does best with ROAMING THE STREETS: A subtle and razor-sharp track that points out that good dance music can sweeten your life everywhere, not only in the club. Finally, RVDS, one of Hamburg's finest, blesses us with MOON OPERATOR, a deep and masterful dive into sonic sceneries that no one has ever listened to before. Except of course for your expert friends, who claim to have heard even the most obscure dreamy Acid track.

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Attraktors

Ron Basejam Remixes

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Attraktors are a power trio, currently residing in Nottingham. Bass player John Thompson is a veteran of the 2-Tone ska revival, having done stints with both Bad Manners and The Selector. He also spent time in Davy Henderson’s wonderful avant / art pop outfit, The Nectarine No. 9. James Flower was a founding member of post-rockers, Six By Seven, where he supplied saxophone and keys. Antony Hodgkinson previously beat the skins for Derby 'alternatives', Bivouac, and collaborated with Julian Cope. Their debut, self-titled LP was released to some acclaim in the press, on Ali Renault`s Vivod label, last summer. The set referencing influences such as Depeche Mode, Eno, Harmonia, Human League, and Kraftwerk. Ron Basejam, from live-wire festival favourites, Crazy P, has now remixed two choice cuts for Brighton`s Higher Love. 'Heavy Water' rushes in on a siren-like synthetic fanfare, while dramatic, rattling percussion promises some kind of imminent lift-off. Mr. Basejam doesn’t disappoint, delivering a dynamite, deep, bottom-heavy chug, tested by depth-charge sonar blips. A menacing LFO arpeggio propelling the piece out onto the peak-time dance-floor. Its snarl softened slightly as Ron launches that fanfare once more. Moody, magnificent, body-moving, it drops down to a conga break, and then hits you with some real horns, before bringing that bolshy bastard of a beat back. 'Maximum Minimum' initially subdues, suckers, listeners with a more serene start - one of cinematic synths, and kosmische squiggles. Counterpointing this gurgling gear with theremin sighs and epic keyboard arcs. Suddenly this is all then set running, racing, to a riot of rumbling motorik funk. Chunkily bass-ed, its punk edges are eventually buffed by pretty prog harmonies, as the track evolves into an opulent, vocoder-ed, expanse. A piano rolling and rolling, as that robotic voice readies you for ignition on this righteous cosmic rocket. This 10" single comes with a free digital download of the Attraktors debut album. Just tag in the label @higherloverec into a picture or video of your purchased copy on instagram, facebook or twitter for a download code.

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Teddy Douglas Presents Monday Night Studio Sessions Live @ Rockwell

2LP | 2021 | EU | Original (Basement Boys)

22,99 €*

12" | 2021 | EU | Original (These Eyes)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Teddy Douglas presents Monday Night Studio Sessions Live @ Rockwell is a unique recording from a legendary event that is all about putting the focus on house music's finest artists. Monday Night Studio Sessions @ Rockwell is the brainchild of the imitable house impresario Teddy Douglas and his partner DJ Tanz. The night started in 2017 and ever since has showcased true artistic talent in a perfect setting with the legendary likes of Byron Stingly, Lalah Hathaway, Jasper St Company and Josh Milan, just a few of the animus who have played in the past. This session was live on the Monday and then recorded in Teddy's studio the night after with Davon McCoy on percussion, Charles Dockins on keyboards and the maestro DJ Tanz and Teddy Douglas conducting the show. Standout tracks on this essential collection include the 'I'm Blessed' Remix by Richard Burton with its driving gospel handclaps and Charles Dockin's magical live piano over the top. 'Spanish Joint' is a chunky dance floor party record that builds and builds with mesmerizing and hypnotic Spanish guitar played by Skip and the Whole Nine Yards. It is the Monday night theme song and gets played twice a night. 'You Can Do It' by Barbara Tucker, Zhana, and Teddy Douglas was the first single from the LP last year and epitomizes the musical house grooves you can expect at one of these sessions. Rochelle Fleming's 'Nobody's Fool' and 'Get Lifted' by Andrea Holdclaw were two strong singles before the pandemic, and 'We Belong Together' from the voice of house, Mr Bryon Stingily, and Teddy Douglas is the 100th release on the label, and it has a catchy hook that adds to the legacy of Byron Stingly classics. 'Rise (instrumental)' from Teddy Douglas is an absolute crowd favourite with powerful grinding organs that wail and moan with intensity throughout the tune. 'Gotta Get Away' is DJ Tanz's first production and an absolute killer with a techy 80's edge design to get the floor pumping. Add in the live and off-the-cuff happenings of Navasha Daya scatting to the crowd over 'Supernova Spinning' and percussionist Davon McCoy and saxophonist Brandon Moultrie having a jam session - you have a magical session captured in all its glory. The sublime collection is a real labour of love that features superbly talented artists at the top of their game.

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Tjade

Balancing Act EP

Weedsconsin Transparent Neon Yellow And Green Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dutch-native Tjade marks his maiden release on These Eyes this July with the two-track Balancing Act EP. It continues a standout 2021 for the young talent, which has seen him release on Live at Robert Johnson already this year.

Balancing Act leads the charge, taking no prisoners with a gritty, acid-flecked bassline. Chilling hords soon converge upon uplifting synth rolls, to form a well-balanced dancefloor cut. Means To An End brings things to a close, a near six-minute number that pulls deeply on the heartstrings as soothing pads merge with hard-hitting percussion throughout.

Tjade is one of the most exciting prospects to come out of the Netherlands in recent years. Regularly gracing established labels in the form of Live at Robert Johnson, Mule Musiq and many more besides, several of electronic music’s most-esteemed have picked up his productions in recent years. Most notably is 2019’s Koi Jaye, a track that springboarded him into the global spotlight thanks to plays at Dgtl, Dekmantel and AVA by the likes of Palms Trax, Job Jobse and Hunee to name a few.

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Bongzilla

LP | 2021 | EU | Original (Heavy Psych Sounds)

39,99 €*

Paloma Clear Vinyl Edtion

Release: 2021 / EU – Original

Genre: Rock & Indie

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On the fringe of chaos, in the Year of the Pandemic, the Cannabeast has awoken!! Bongzilla is back with a new full length album, 16 years since their last record. These Pioneers of Weed Metal would like to present “weedsconsin” to the universe. An album written by the three long standing original members of Bongzilla - Muleboy (bass, vocals), Spanky (guitar), and Magma (drums). Recorded and mixed by the late John Hopkins at Future Apple Tree Studios in Rock Island, Illinois in October 2020. The six brand new tracks will blow your mind! In a single instant you are contaminated by the classic Weed-Infected sounds the band is known for, while also finding new elements mixed into the bowl. In the unique piece that is Weedsconsin, Bongzilla delivers heavy doses of Crushing Stoner Doom and Psychedelic Space Rock that sets it apart from earlier material. (That’s why HPS Records is the perfect label to release this stuff). This record travels down a path of heavy riffs, mind-expanding jams, sonic tones, and stomping beats in the band's first release as a thunderous three piece, with Muleboy moving from guitar to bass. Approaching these songs as a three piece has created more space musically and allowed the band to showcase their musicianship in a different way. It results in a sound that is very heavy, along the lines of Gateway tone-wise, but sonically more clear. The album is mastered by Carl Saff at Saff Mastering in Chicago, Illinois, and Eli Quinn (Madison, Wisconsin) is the artist behind the astounding new cover art. Weedsconsin is dedicated to the memory of John Hopkins.

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Laila Sakini

LP | 2022 | UK | Original (Modern Love)

24,99 €*

12" | 1985 | EU | Reissue (Onderstroom)

Release: 2022 / UK – Original

Genre: Electronic & Dance, Classical Music

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When Laila Sakini's debut album ‘Vivienne’ arrived in 2020, it felt like the record we were waiting for to map out our tangled reactions to an uninvited reality. Never self-consciously strange, it revealed itself slowly and cautiously, like a shadow in the corner of the eye, or an alchemical symbol in a bowl of alphabet spaghetti. This time around Sakini has worked her unique world-building to an even finer point, forming six tracks around a theme that's so close to our heart it's almost beating in time. Initially inspired by Krzysztof Kieślowski's 1991 arthouse classic "The Double Life of Veronique", the cult Polish director's enduring modern fairytale that serves as a cosmic rumination on identity and choice. Detailing two identical women - both singers, both in love - the film lets one live as the other dies, forcing us to consider the implications of art and endurance in the face of life's myriad challenges.

Sakini takes Polish composer Zbigniew Preisner's influential score for the film and uses it as a jumping-off point for ‘Paloma’, bending the more grandiose moments into baroque awkwardness on opening track 'Fluer D'Oranger' and evoking the mood of scene-setting cues 'Weronika' and 'Véronique' on the recorder-led 'The Light That Flickers In The Mirror'. And while Preisner's score zeroed in on the musical virtuosity of the film's lead characters, Sakini reinterprets that as a metaphor for self-discovery. Playing piano, violin, glockenspiel, timbale, recorder, and occasionally singing, Sakini captures a mood of innocence that immediately transports the listener back to simpler times. Her music isn't self-consciously simplistic, but forcing herself to interface with instruments impulsively rather than studiously, her sounds are all heart, no filigree.

In spirit, it reminds us of cult Canadian album "The Langley Schools Music Project", a collection of 1970s recordings of school kids singing rudimentary renditions of pop songs in a school gymnasium. That album's genius was in the bottling of hope and innocence: the feeling of joy from hearing and wholesomely interacting with music that's known and loved without a sense of hierarchy or desire for cultural clout. Sakini subtly subverts this by evoking the amateur spirit in the most bewitching way; instead of sourcing her ideas from Bowie, Fleetwood Mac and the Beach Boys, her stock is the established art canon, and by reforming those sounds she makes an insightful comment on intellectualism and access. European classical music is all too often trapped behind the frosted glass of respectability and assumed skill - craft replaces spirit, and technique replaces soul. By approaching these gestures from a different angle, Sakini softens the edges sonically and intellectually, finding music that bubbles with emotion, and most strikingly - hope.

Her choice of instruments and the way she interacts with them allows us to feel as if we're not only listening but contributing. It's a bottom-up way of absorbing art that's traditionally been top-down, and a reminder that we're all part of the experience, whether we're humming along to the remnants of a theme as it dribbles out of an ear in the shower, or dreaming of spotlights in a parallel life that may or may not be real. Sakini's music is nostalgic in a sense, but nowhere near the buttered popcorn and high-fructose candy migraine of the Netflix/Spotify algorithm generation of regurgitated churn. She makes sounds that remind us of what time and experience may have stolen from us, and how we might recover it. We're gagged.

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Aroma Di Amore

De Sfeer Van Grote Dagen

LP | 2022 | EU | Original (Cellule 75)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Marc Richter

Diode, Triode

LP | 2021 | US | Original (Western Vinyl)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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This album presents two multichannel works recorded at the seminal INA GRM Studio in Paris and ZKM Institute in Karlsruhe respectively, mixed to stereo at the composer's Cellule 75 Studio in Hamburg with excellent mastering by Rashad Becker. While his releases under the Black To Comm moniker often touched the fringes of acousmatic techniques and Musique Concrete this is Richter's first foray into a more abstract spatial music.

Recorded in the week leading up to the Paris terror attacks at the GRM studio, "Diode, Triode" (21:57) is loosely based on a reading of (and, in parts, a failure to understand) "Le Parasite" (1980) by Michel Serres, a philosophic metaphor about human interaction and communication (which can also be interpreted as a lyrical essay on capitalism; part confusion, part enlightenment).

As core elements Richter is using speech synthesis and the transformation and distortion of concrete sounds, instruments, voices and breathing. Abstract incognisable sounds are combined with strings, reeds and percussion while dismembered musical fragments emerge and vanish rapidly. Chunks of interfering noise are followed by long periods of silence; chaos and order are alternating. Choirs of synthetic and processed human voices are recounting stock market values, seemingly random sequences of numbers and inscrutable lyrics while parasitic sounds are trying to crack, collapse and fractionise the compositional stream and sonic interactions. Finally, a haunting piano chord is wrestling with a broken Publison machine. Like the book, it's part confusing, part enlightening - and a radical piece of sonic art.

"We are buried within ourselves; we send out signals, gestures, and sounds indefinitely and uselessly. No one listens to anyone else. Everyone speaks; no one hears; direct or reciprocal communication is blocked." (Le Parasite)

"Diode, Triode" was premiered on the Acousmonium at INA GRM's Akousma Festival in Paris, January 22, 2016 alongside new works by François Bayle, Robert Hampson, Leo Kupper and Ragnar Grippe.

The second piece "Spiral Organ of Corti" (17:00) has been composed in 2014 for the 47-speaker Klangdom concert hall at ZKM Karlsruhe at the foot of the Black Forest (where Richter was born and raised).

How does one listen with closed ears? Sine tones, alienated human voices and breathing noises build a labyrinthine puzzle alternating between the natural and the artificial. Human sounds merge with winds and strings, sine tones morph into metal sounds. Acoustic illusions confuse the listener, and dense noise-clouds slowly emerge from deceptive silence. Deep base sounds define space. Temporary focus glides into chaos. "Spiral Organ of Corti" is yet another extended composition that proves Richter is on a path of his very own.

"Spiral Organ of Corti" is dedicated to the late Gary Todd.

"Tongues that came from wind and noise. To speak in tongues after the fire." (Le Parasite)

Marc Richter records as Black To Comm for Thrill Jockey, Type and Dekorder and under the Mouchoir Ètanche and Jemh Circs monikers for his own Cellule 75 imprint. He collaborated with visual artists such as Ho Tzu Nyen, Jan van Hasselt and Mike Kelley. Under his own name he is composing for film and installations.

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Chorusing

Half Mirror

12" | 2020 | EU | Original (Visions)

Release: 2021 / US – Original

Genre: Rock & Indie

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On his debut album Half Mirror, Matthew O'Connell superimposes warm analog synths onto self-described "confessional folk" with a simultaneously cosmic and earthly outcome. Tracked at home in the mountains of North Carolina using a vintage tape delay, electric guitar, and a self-designed synthesizer named `Balsam,' Half Mirror is at once a lonesome push-pull of electronics humanized by folk elements, and folk music made alien by electronic adornments. O'Connell's own story is just as captivatingly segmented. While growing up on a farm in Palmyra, Indiana, he became obsessed with metal drumming and spent most of his free time practicing in the garage, occasionally recording on four-track tape machines with his brother Joe (Elephant Micah). Reflecting on those formative years, O'Connell says, "I think that period instilled two things in me: a long attention span, and the ability to work obsessively on something in solitude." It's these monastic inclinations that helped form the spirit of Half Mirror. While in college, his interest in math led him to participate in a six-month intensive study program in Budapest, Hungary. There, he continued writing song fragments on a borrowed guitar and fiddling with musical electronics at the Kitchen Budapest_a collective of artists, theorists, and coders. In 2011, his interest in electronics and engineering led him to Asheville, North Carolina, where he worked for Moog Music calibrating and building synthesizers, and testing vintage analog delay chips by day. At night he would spend his time building homemade synths and writing songs. It was here in Asheville that he began the bulk of the work on Half Mirror, imbuing his music with the qualities of his environment almost by necessity. O'Connell made a deliberate effort to keep the album's production sparse. His interest in restraint stems in part from his love of albums like Nearly God by Tricky and Ghost Tropic by Songs: Ohia, both of which feature uncomfortably bare vocals and uncanny production that commands the listener's attention. Additional inspiration came from Mark Hollis' striking minimalism, and the freeform songwriting of Arthur Russell and John Martyn. Filtering the poetry of fractured, imperfect memories through a lush, yet sparse palette of sounds, Half Mirror evokes a profoundly moody sense of place: the fog heavy in the mountain peaks, the dew present on early morning walks, and the musky smell of rhododendrons in the air.

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Fabrizio Fatorre

Ojibwa/Namid

The Malefactor's Bloody Register Pool Of Blood Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After his remarkable first EP “Planetary Love” out on Joe Clausell Label World Peace Music , we are very happy to welcome Fabrizio Fattore with 2 solid, deep and Afro house tracks for Visions Recordings 30th release .Fabrizio is a young Dj and producer coming from Naples in Italy and he’s part of the NEUHM camp/family/club with a group of super talented deejays and producers .On this ep Fabrizio achieved his goal once again to produce dope jams. On the A side, Ojibwa is an amazing journey into deepness with spacey sounds, pads, organ solo and percussions mixed around a groovy tech-soul bassline and transporting you into a groovy peak time trance. the B side Namid is a beautiful positive deep house track full of shimmering synthesizer layers and emotive components, composed with soft pads and synth leads on top of a subtle house beat and percussions. This ep is a really beautiful piece of music from a true master in the genre and we are happy to share it with you.

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Vulture Industries

LP | 2021 | EU | Original (Dark Essence)

24,99 €*

LP | 2019 | EU | Original (blundar)

Release: 2021 / EU – Original

Genre: Rock & Indie

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To celebrate the 11th anniversary of the 2nd album from Vulture Industries, “The Malefactor’s Bloody Register” has now gotten a makeover and will for the first time be available on vinyl. Re-mixed, de-mixed, remastered and unmastered, this release has been in the making for some time. Intent on an impeccable vinyl presentation, the band originally set out to re-mix the album. But good intentions turned to shit as the new master sounded worse than the original. So, two steps back, press reset, the original master was tweaked for vinyl and we are mighty pleased with the result. Originally released in 2010, “The Malefactor’s Bloody Register” was released to critical acclaim and took the band to big festivals such as Hellfest Open Air and Metal Days. With the band growing in size, and the latest single, “Deeper”, reaching half a million streams, we know the fans are hungry for something new. And this is the only Vulture Industries album that hasn’t been out on vinyl yet. So, while we wait for something completely different and new from the band, we can enjoy a trip down memory lane with “The Malefactor’s Bloody Register”. “The Malfactor’s Bloody Register” was originally recorded at Conclave & Earshot Studios with Bjørnar Nilsen, and was mastered by Brian Gardner (Isis, NIN, David Bowie). The album also features a guest performance by Herbrand Larsen (ex-Enslaved) on hammond organ, and performers on cello, viola and saxophone.

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Benjamin Brunn

Untitled

Salvation Army Black Friday Record Store Day 2022 Orange Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After Lowtec, Alex Cortex, STL and iridescence; Swedish label ‘blundar' presents Benjamin Brunn 11th solo album, 20 years after his debut. BLUNDAR7 comes as a 10 tracks / 38 minutes long-player, coloured cover on a 180g black vinyl. Artwork by ‘mutantexture’
Brunn wrote and produced all tracks between 2017 and 2018; In contrast to most releases that were limited to one or two synthesisers, this time a whole array of instruments was used: tELHARMONIC, Music Thing Modular Chord Organ, Doepfer A-111-3V Precision VCO, 4ms STS, Yamaha DX7, Clavia Nord Modular G1 & G2. The long-player comes after a collaborative album with Dave Wheels out on Sushitech early this year, and will be followed by one together with Move D, via Smallville in 2020.

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Salvation Army

LP | 1982 | EU | Reissue (Yep Roc)

2 Hype Black Friday Record Store Day 2022 Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Exclusive. Color: Orange. Limitation: 1100.

Before The Three O'Clock, Michael Quercio was the lead singer/bassist of The Salvation Army, who released their self-titled album just six-months after releasing their debut, a 45, on D. Boon's (Minutemen) New Alliance label. In honor of it's 40th anniversary, this album is being released for the first time under its original title, since it was originally released in 1982, exclusively for Record Store Day Black Friday. In celebration of the album's 40th anniversary, it's being pressed on orange vinyl.

Status

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Kid 'N Play

LP | 1988 | US | Reissue (Select)

Connie Price & The Keystones

Release: 1988 / US – Reissue

Genre: Hip Hop

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Late arrival, coming next week.
Black Friday Record Store Day 2022 Reissue. Color: Black. Limitation: Unavailable on vinyl for decades, Select Records presents 2 Hype in an opaque white pressing exclusive to RSD Black Friday. For a certain generation of hip hop fans, just the mention of Kid ‘n Play brings on wave of nostalgia. The group released three full-lengths between 1988 and 1991 with a focus on positive lyrics and pop friendly production. The success of the group’s music lead to countless House Party films, a Saturday morning cartoon show and even a series of comic books for Marvel (so, technically speaking, are Kid ‘n Play are part of the Marvel Universe?). It all started here on the 1988 full-length 2 Hype which features “Do The Kid 'n Play Kick Step”, the musical accompaniment to their trademark dance, “Rollin’ With Kid ‘n Play” which hit number 11 on the Billboard R&B Singles chart and of course Kid's now classic hi-top fade haircut, which measured up to over six inches high at its peak. Producer Hurby “Luv Bug” Azor, instrumental in the success of Salt-N-Pepa, was certainly a factor and the full length went on to chart in the Billboard Top 200 and to Riaa certified gold status.

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For The Wicked Feat. Rakaa Iriscience

7" | 2022 | EU | Original (Superjock)

17,99 €*

LP | 2018 | US | Original (Sub Pop)

Release: 2022 / EU – Original

Genre: Hip Hop

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New Orleans and Cali unite on this onslaught of gris-gris funk from Connie Price & Keystones featuring legendary MC, Rakaa Iriscience, of Dilated Peoples. The Crescent City label, Superjock Records puts forth another gem in the ongoing NOLA Breaks series (V.12)...

This time around they’ve enlisted the multi-talented Jay "J-Zone” Mumford on the drums, Dan Ubick on guitar (Breakestra, Big Daddy Kane), Julius Augustus on bass (The Sandollars), Dan Hastie on organ (Orgone, Alicia Keys), Steve McCormick on dobro and Professor Shorthair on the cuts and edits. Mastered by Dave Cooley (J Dilla, Madlib).

“The soundtrack to keep the wicked in flames” in both words and sounds, this 45rpm will leave you equally angered by the wrongs of the past but with a dip in your hip as you saunter through Congo Square!

Produced, recorded and mixed by Dan Ubick for DanUbe Productions at Lions Den Studios, Topanga, CA.

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Low

Double Negative

23,99 €*

Return Of The SP-1200 V.2 Black Friday Record Store Day 2022 Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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In 2018, Low will turn twenty-five. Since 1993, Alan Sparhawk and Mimi Parker_the married couple whose heaven-and-earth harmonies have always held the band's center_have pioneered a subgenre, shrugged off its strictures, recorded a Christmas classic, become a magnetic onstage force, and emerged as one of music's most steadfast and vital vehicles for pulling light from our darkest emotional recesses. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites. Instead, in faithfully defiant fashion, Low will release its most brazen, abrasive (and, paradoxically, most empowering) album ever: Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low's career. To make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver's home studio, April Base. Burton recorded Low's last album, 2015's Ones and Sixes, at April Base, adding might to many of its beats and squelch and frisson beneath many of its melodies. This time, though, Sparhawk, Parker, and bassist Steve Garrington knew they wanted to go further with Burton and his palette of sounds, to see what someone who is, as Sparhawk puts it, "a hip-hop guy" could truly do to their music. Rather than obsessively write and rehearse at home in Duluth, Minnesota, they would often head southeast to Eau Claire, Wisconsin, arriving with sketches and ideas that they would work on for days with Burton. Band and producer became collaborative cowriters, building the pieces up and breaking them down and building them again until their purpose and force felt clear. As the world outside seemed to slide deeper into instability, Low repeated this process for the better part of two years, pondering the results during tours and breaks at home. They considered not only how the fragments fit together but also how, in the United States of 2018, they functioned as statements and salves. Double Negative is, indeed, a record perfectly and painfully suited for our time. Loud and contentious and commanding, Low fights for the world by fighting against it. It begins in pure bedlam, with a beat built from a loop of ruptured noise waging war against the paired voices of Sparhawk and Parker the moment they begin to sing during the massive "Quorum." For forty minutes, they indulge the battle, trying to be heard amid the noisy grain, sometimes winning and sometimes being tossed toward oblivion. In spite of the mounting noise, Sparhawk and Parker still sing. Or maybe they sing because of the noise. For Low, has there ever really been a difference?

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Pete Rock

LP | 2022 | US | Original (Tru Soul)

12" | 2021 | EU | Original (Kulor)

Release: 2022 / US – Original

Genre: Hip Hop

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Late arrival, coming next week.
Black Friday Record Store Day 2022 Original Release. Color: Black. Limitation: unknown. For RSD Black Friday, Pete Rock debuts Return Of The Sp-1200 Volume 2 in an exclusive opaque red pressing Pete Rock is widely recognized as one of the greatest hip hop producers of all time. His name is oft included in the pantheon of the greatest, alongside DJ Premier, RZA and J Dilla. In addition, Pete has one of the worlds most extensive vinyl collections, the sort of collection whose size can only be estimated, and that estimate stands in excess of 100,000 LPs. In 2019 Rock launched his own imprint, Tru Soul Records, with the release of Return Of The Sp-1200 which debuted exclusively on RSD 2019. For Black Friday, Pete Rock goes back to his roots - the Sp-1200 and his vinyl - to debut Return Of The Sp-1200 Volume 2.

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Reece Cox

Emotion 1

2LP | 2020 | EU | Original (Allchival)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Reece Cox’s debut EP for Kulør is Emotion 1. The much anticipated Emotion 1 will be accompanied by remixes from Upsammy, Parris, Call Super, as well as Kulør regular, DJ Ibon. Kulør is a record label and multidisciplinary artistic platform that since 2018 has produced records, books, exhibitions, and programming across the music and contemporary art worlds. W/P by Reece Cox Mastered by Joel Krozer, Six Bit Deep Creative direction: Najaaraq Vestbirk Artwork: Holler in the Green by Miriam Kongstad Graphic design: Spine Studio

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Stano

Anthology

22,99 €*

12" | 2020 | EU | Original (Continually)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Following on from our 2018 repress of his debut album “Content to Write in I Dine Weathercraft “ we’re delighted to present an Anthology of Stano’s productions spanning the start of his solo career in 1982 to his 1994 “Wreckage” LP. Featuring 18 tracks from the five LPs he released in that time span on double vinyl with extensive liner notes, it is a comprehensive look at one of Ireland’s more enigmatic musical characters. A member of the legendary punk / post-punk group The Threat which disbanded after lead singer Maurice Foley disappeared to join the Hare Krishnas, he had set up his outsider stall early on. The Threat had Stano on synths, one of the first female bassists in Deirdre Creed and their debut single was produced by progressive trad musician Donal Lunny of Planxty. Stano’s solo career of improvised electronic music continued in this vein of the unexpected – sitting outside both the country’s mainstream and alternative rock scenes. An indigenous musical industry with few resources even at the top level – studios, labels and venues being scarce – and with few of the cross water big independent acts venturing over the Irish sea to play Dublin in the early 80s, it was an isolated place where due to its intimate size the more traditional rock bands nestled in close proximity to the few electronic acts. News travelled through a small scene via fanzines such as the influential Vox, which was associated with Stano publishing his poetry and releasing his debut 45 « Room », the Peel & Fanning shows of course and the newly established Freebird records. Eschewing both live performance and the spotlight for studio collaborations he worked with a number of Irish musicians - Roger Doyle, Michael O Shea, Daniel Figgis, My Bloody Valentine - and following the debut on local rock label Scoff records he signed to German experimental label Dossier where a further two LPs – 1986’s The Protagonist 28 Nein and Daphne Will Be Born Again the following year - were released. Signing to U2’s Mother records, he released their first Long player “Only” on the label which garnered praise from the UK music press including LP of the week in The Guardian. The final LP of this anthology featuring collaborations with Colm O'Coisoig of My Bloody Valentine "Wreckage" was released on Independent label Hue Records in 1994.

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Ruton

Coconuts Falling

7" | 2020 | US | Original (Urbnet)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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New Norwegian imprint Continually with a debut EP from Ruton (Rub800 & Tonchius), touching through a variety of genres within the modern sound between house and techno. A-side kicking off with “Coconuts falling from a Clear Sky”, introducing heavy kicks and bumping basslines, which sets the mood for the dancefloor with its mysterious and playful vibe. “Introvert Acid” offers introspective up-beat techno with bleepy and modulating melody lines. Moving over to the B-side, which attempts the house vibe. “Partly Sun”, accompanied by organ sounds and rhythms, are clearly UK-flavored with hints of garage house. Finally, “Taste of Spring” wraps it sweetly up with melodies that draws parallels towards deep-house and synth-pop.

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Anzola

Caracas

14,99 €*

Live At A.D. Splattered Grey Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

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Anzola is a recording artist whose loop-based neo-psychedelic music incorporates elements of Instrumental Hip Hop, Electronic, Jazz and Latin influences. The multi-instrumentalist creates a groove-heavy and laid back landscape utilizing samplers, classic synths, drum machines and live instrumentation. His new EP Caracas finds him in a reflective mood, looking back at his youth spent growing up in the city of Caracas, and his experience immigrating to Canada. Entirely self-produced, these six tracks transport us into Anzola's kaleidoscopic vision of his youth: a world of heat and haze, colour and texture, of lazy afternoons and late-night dances, languid jungles and chaotic streets. All created instrumentally utilizing drum machines, bass, synths, electric pianos and samplers. "I've always been better at communicating through chords and rhythm than with words. On this record, I followed my feelings and memories to return home."

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The Midnight Pine

LP | 2020 | US | Original (The Redwoods Music)

22,99 €*

LP | 2020 | EU | Original (Ekster)

Release: 2020 / US – Original

Genre: Rock & Indie

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Part retrospective, part metamorphosis, The Midnight Pine Live at A.D. finds a band fully realizing itself with searing, updated interpretations of its carefully produced studio recordings. When The Midnight Pine first appeared in 2013, it established an ethereal take on western Americana, the sound of acoustic strums and humming organ keys channeled by the cool night air, adorned by rattling chains, hand-claps, and transistor radio sweeps. Against this backdrop emerged the staggering talent of Shelbi Bennett, who’s preternaturally practiced voice reveals a combination of sweetness and power rarely seen since the days of Dusty Springfield and Cass Elliot. Over the course of three albums, the psychedelic folk of those first stirrings has evolved, as has the band itself. Since signing with the Redwoods Music label in 2015, The Midnight Pine has increasingly drawn from The Redwoods’ collective of accomplished Southern California musicians, swelling to seven members, who’ve added layers upon layers of vintage tones and fleshed out percussion to build on the songs penned by prolific lyricist and co-founder of the band, Alfred Howard. Recorded live at the Audio Design recording studio, where most Redwoods Music recordings are produced using analog equipment, these updated tunes represent The Midnight Pine as it currently stands, with more spirited rock underpinnings informed by electric guitar tones, chewy basslines, and the timeless vibe of Rhodes organ. The new arrangements also give Bennett a chance to build on her own performances. Working with familiar material embellished over countless live performances, her vocals on this new release are less constrained, yet at the same time more refined, offering tantalizing glimpse of the direction this young singer and band are heading.

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Elko B.

Realm Of Rides & Romance

21,99 €*

4xLP | 2022 | US | Original (Earth)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Album composed, recorded and mixed by Elko Blijweert. Mastered & cut by Frédéric Altstadt. Original cover artwork painted by Joe Brockerhoff. Album pressed on 180g vinyl, in an edition of 500 copies. Here we add a new classic chapter to tradition. A tradition known as the many exotic sounds of Maestro Elko B. The multi instrumentalist member of bands like ‘The Horse Head Bed’, ‘The Groovecats Deluxe’, ‘Dino And The Chicks’ and many more has once again composed a new solo album for Ekster. This fine and tasty selection of musical pieces vibrate colourful echoes ranging from blossoming fountains over casino-esque gambling. Space-cowboys play hide and seek with childlike innocence in an adult world. Many of the songs on “Realm of Rides & Romance” have found its origin in Blijweert’s work as a composer of soundtracks for theatre, dance performance and artistic installations. Cinematic reflections providing EXO “Paradise Moods” by this multitrack one man band. Recorded from 2017 to 2020, Elko has expressed finding inspiration in chance, the Sphinx, the casino, the Decap organ, colonialism, bats and frogs.

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Bert Jansch

Bert At The Bbc

116,99 €*

LP | 2020 | UK | Original (Young Turks)

Release: 2022 / US – Original

Genre: Rock & Indie

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Bert At the BBC is a comprehensive collection of Jansch's appearances at the BBC, featuring over eight hours (CD box set & vinyl bonus download) of rare and unreleased recordings, including live-on-air spots, studio sessions and full concerts straight from the BBC vaults, delving further into this legendary performer's canon. Bert Jansch was the very essence of folk music, providing inspiration for everyone from Paul Simon and Neil Young to Led Zeppelin and countless folk revivalists. This unparalleled limited-edition compendium is available as a 4xLP and 8xCD set, housed in a coffee-table book set with a lavish 40-page book tracing the recordings from Bert's earliest moments at the BBC. It includes interviews and insights from Lauren Laverne, Jools Holland, Johnny Marr, Jacqui McShee, Bob Harris, Bernard Butler, Mark Radcliffe and many more. Twenty broadcasters, producers and collaborators contribute at length to the booklet, with great affection for this gentle, maverick genius. Bert's BBC legacy remains the most significant and exciting untapped reservoir of his music. The undeniable advantage of recordings made for broadcast is that they were, by their nature, created for public consumption and, barring live-on-air appearances - which might go well or go badly, but were going out either way - were explicitly signed-off by the artist as representations of his art that were good enough to be heard. The set is compiled by Colin Harper, author of Dazzling Stranger: Bert Jansch and the British folk and blues revival (Bloomsbury, 2000), who contributes detailed liner notes to the package. The release is mastered by IFTA award-winning engineer Cormac O'Kane. The vinyl release features 48 tracks on LP and is accompanied by a download card with over six hours of extras spanning 1966-2009, including BBC4's St Luke's concert (2003), and a complete Queen's Hall, Edinburgh concert (2004) for BBC Radio Scotland. It is also available as a special 8xCD set containing all 147 tracks and encased within a coffee-tab...

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Kamasi Washington

OST Becoming (Score)

27,99 €*

7" | 2020 | JP | Original (Ethbo)

Release: 2020 / UK – Original

Genre: Organic Grooves, Soundtracks

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Kamasi Washington composed and produced the original score for Becoming, the four time Emmy-nominated film that provided an intimate glimpse into the life of Michelle Obama. Produced by Netflix Originals, Becoming documented a moment of profound change for the former First Lady, not only for her personally but for the country she and her husband served over eight impactful years in the White House. Washington, who joined the project in its embryonic stages, provides the powerful musical backdrop. Young Turks Recordings will be releasing Vinyl and CD of this Emmy nominated score on 11th December 2020.

Recorded at Sunset Sound Studios, LA. Engineered by Tony Austin. Mixed by Randy Emata. Mastered by Kevin “Daddy Kev” Moo. Kamasi Washington – Soprano, Alto, Tenor Saxophnone Rickey Washigton – Flute, Alto Flute Ryan Porter – Trombone Dontae Winslow – Trumpet Sean Sonderegger – Contra Bass Clarinet, Bass Clarinet, Bb Clarinet Matt Haze – Guitar Cameron Graves – Piano, Rhodes Kenneth Crouch – Organ, Keyboards, Piano Miles Mosley – Electric Bass, Upright Bass Tony Austin – Drums and Percussion Jen Simone, Yvette Devereaux, Reiko Nakano, Tylana Renga - Violin Michael Whitson, Chad Jackson – Viola Artyom Manukyan – Jared Snyder – Cello

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Omochi

Devil / Happy Moment

Tape | 2022 | UK | Original (Ecstatic)

Release: 2020 / JP – Original

Genre: Electronic & Dance

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Omochi’s debut single, Devil is an amorphous urban lysergic bass-pop expulsion. A motorbike ride through late night Tokyo, headlights and neon ooze across wind battered eyeballs. A sudden lurch takes the ramp up to the overpass, revealing the electrified vista. With a dime bag of psychoactive tweaks and bleeps, a foraging bassline - a Billy Cobham on K. Dial-ups cry out to connect, once the signal catches, it's moved out of view, as the organ mourns the hint of dawn on the horizon.

A Happy Moment: percussive spasm, bass once again lurches, unfolding. Omochi’s lyrical push-me-pull-you phased out vocal, the drum machine falls down the stairs, while church organ goes secular, concentrating on the notes outside - mind your pews and Qs.

Omochi, (honorific “O” before mochi - show some fucking respect) in daily parlance is actually a rice cake, a dense glutinous product suited to many recipes, be they sweet or savoury. Stick one under the grill, watch it burst open, wrap it in crisp seaweed and dip it in soya - a healthy snack, and a staple around Japanese New Year. Like everything, Omochi also has its dark side - each year it kills off a small section of the aged community, the gluey bolus a hard act to swallow - the unwary can quickly choke to death.

So maybe Omochi's music is best to sample in small chunks initially? Could be too much for the uninitiated? A 7” might be a safer initial taste of what Omochi is going to do to your brain - there's an album on the way - could be time to stock up on soft furnishings.

Omochi is in fact Tadaki Matsunaga, of early 2000s Tokyo three piece Femini Flyers. The Feminis were Tadaki (bass), Sachie (vocals) and Koji (drums). Their 7” single “Like You See” / “Masterbed” was an early Ethbo release - the most requested track from Japan Blues’ Boiler Room Collections video, since it was first aired, way back in 2014. Since that recording, Tadaki has built, and been working in, his home studio. Devil and Happy Moment are a hint of the album that Omochi has ready. Grill-ready - wanna bite?

Mastered by Kuratani, pressed at the only independent record pressing plant in Japan: Toyo Kasei. Housed in psychoactive sleeve and label artwork by Mishumaro Nakamura.

With airpay support from Ben UFO, On The Wire (BBC),
Do!! You!!! (NTS) and Japan Blues (NTS).

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More Eaze

The Joker

15,99 €*

LP | 2022 | EU | Original (Damaged Goods)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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mari maurice aka more eaze returns to Ecstatic with a tenderly gorgeous solo side after her standout claire rousay collaboration last year for the same label - a big recommendation if yr into Elysia Crampton, Mica Levi, MBV, Vegyn, Organ Tapes, Grouper, Dntel, Nozomu Matsumoto, Rainy Miller.

Nestling in the space between ambient, indie-/synth-, and what’s now termed hyper-pop, more eaze specialises in lower case songcraft that effortlessly gets under the skin. Featuring notable guest input by Spivak, Dialect, and Pam3, ‘The Joker’ is perhaps more eaze’s most significant long player, forming a filigree distillation of soft-touch, emo-core pop styles wreathed in fractal electronics and blessed by a gentle sensitivity that feels like micro-dosing with mates on a sunny day.

’The Joker’ was inspired by more eaze’s experiences travelling extensively during 2021-22, absorbing and transmuting time spent meeting new people, seeing new places, and watching established relationships change. Like regular spar claire rousay, ‘The Joker’ finds micro-insights crystallised to odd-pop imperfection, merging ohrwurm hooks with field recordings and traces of electronica, R&B, reggaeton, and classic indie-rock chops to divine a personal truth that should resonate with lovers of low key ambient as much as hi-key poptimism.

Through nine subtly effected snapshots of daily life, mari somehow encapsulates the feeling of trying to endear yourself to someone new, the tactility of another’s touch, chuckling at misfired jokes. Beginning with fractured toytronics and autotune vox in ‘yours’, melodies spill over from the Dntel-like licks of ‘fall apart’, to the mutant shoegaze bliss of ‘vindictive’ (it properly sounds like an autotuned version of MBV’s ‘to here knows when’), plus E+E-via-Palmistry reggaeton of ‘hablar contagion', with Spivak lending featherlight vox to ‘a chat’, while ‘comedy’ dials up a sense of outsider irony with a wry shrug.

Liverpool-via-Brooklyn’s Dialect helps seal the deal with the burbling touch of ‘eyeliner’, a fittingly hypnagogic ending to a dreamlike album whose effect lingers like latent fractals of a therapeutic psilocybin session.

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The Daggermen

Dagger In My Mind

19,99 €*

LP | 2021 | EU | Original (Apollon)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Daggermen all went to Rede Secondary School in Medway, Kent. It was a school for those that failed their 11 plus, or who passed it but decided to go there anyway (as Jon pretends). Being in some of the same classes we became friends and found we liked the same music; The Who, The Small Faces, The Kinks, The Beatles and The Jimi Hendrix Experience. We started going to Carnaby Street, wearing Beatle boots and generally being a bit Moddy. Dave's older brother, James Taylor, played organ in The Prisoners and we'd listen to cassette tapes of them along with other local band, The Milkshakes as we bounced on the trampoline during P.E. After watching both bands play live in local venues such as the M.I.C. club in Chatham we formed The Daggermen, working out who was going to play which instrument as we stood next to the now demolished school sports hall. No one can quite remember who thought of the name, The Daggermen (it was me) or how comes Jon was playing bass on a guitar in the band at the very start and then Terry took over when we started gigging (it was because he had a real bass guitar and a car). But the next thing was that we were supporting The Prisoners both in Medway and places such as the 100 Club in Oxford Street. Then, one sunny day at around the age of 17, I bumped into Billy Childish walking across a field. I formally introduced myself and told him that he should definitely come and see our band that night because we were "fucking brilliant". He did turn up and bought us a tray of whiskies whilst we were on stage, a sure sign that he had liked it. This led to him and Russ Wilkins, bass player in The Milkshakes alongside Billy, asking us if we wanted to record an E.P. for Russ's label, Empire Records. This was our first ever recording called Introducing The Daggerman which was made in a brick arch under Rochester bridge that we rented for £2 a week to rehearse in and lovingly referred to as 'The Hole'. We got ourselves a "manager" (our mate, Vic Templar) and started playing up and d...

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Dang!!!

Sociopathfinder

32,99 €*

LP | 2022 | US | Original (No Quarter)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Norwegian rockers Dang is a seven-headed monster on a mission to create a new world post-pandemic rock n roll order releases their debut album “Socipathfinder”. This weirdness began in mid-March 2020 after Arne Thelin (ex The Kwyet Kings/The Lust-O-Rama, The Cosmic Dropouts) contacted Stu Manx (ex Gluecifer/Order) as the world as we all knew it was entering uncharted territory.Soon joined by organ player extraordinaire Geir Nilsen (ex Russian Amcar Club) and Norway’s best rock ‘n roll drummer Håvard Takle Ohr (Kvelertak, El Cuero). American Karen Cuda (ex Nashville Pussy/HemiCuda) joined on bass and Håkon Gebhardt (ex Motorpsycho) and Andre Dahlmann ( both guitars and sounds) completed the line-up. Guest stars includes Gregg Kostelich (The Cynics), Lorenzo Moretti (Giuda), Øystein Alsos (ex Senit) and Thomas Eriksen (Mork) all provided guitar parts and last but not least Richard Gjems on some vailing harp.

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Garcia Peoples

Dodging Dues

24,99 €*

12" | 2019 | EU | Original (Sum Over Histories)

Release: 2022 / US – Original

Genre: Rock & Indie

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Dodging Dues is a startlingly expansive record_"startling" in part because it's relatively short (seven songs, all but one hovering around the four minute mark), but also because it traverses so many moods and styles: languid and dreamy one moment, surging and intense the next. Garcia Peoples (these days a six-person band) "hit their stride" a long time ago, but here they seem to be hitting a different one, working themselves loose of influnces (though this tree has roots: traces of Thin Lizzy, of more arcane bits of U.K. folk-prog, of vintage Meat Puppets in some of the softer passages) while at the same time opening themselves up to their own individual strangeness, becoming ever more singular and ever more free.

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Saint Is

Something In Common EP

LP | 2016 | US | Original (Peoples Potential Unlimited)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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As DJs Frankey & Sandrino are used to scour platforms or infinite emails/ messages through music that fits their sets and fulfills the duo's musical demands. A recurring task the both benefit from when it comes to finding new music and artists for their label Sum Over Histories. For the label's third installment of this year Sandrino and Frankey have digged up newly founded duo Saint Is, who deliver an eclectic four-tracker called “Something In Common“ that draws on and pursues the musical history of the past six releases.

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REKchampa

Dream Sequence

LP | 2022 | US | Original (Mt. St. Mtn)

Release: 2016 / US – Original

Genre: Electronic & Dance

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REKchampa's six track LP for Peoples Potential Unlimited, featuring some previously released cassette only material from harsh riddims blood sucking cassette co.

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Massage

Lane Lines

Speak Low II Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Just a few months after releasing their acclaimed second album Still Life, Los Angeles indie-pop band Massage returns with Lane Lines a six-track EP out in early 2022 on Mt. St. Mtn. (Cindy, Flowertown, Blues Lawyer) that finds the quintet expanding on their Sarah-meets-Creation Records sound with new touches of soft psychedelia, Feelies-ish frenzy and Haçienda-era escapism. The band didn't plan to follow Still Lines so quickly. But after the pandemic further delayed that multi-year project, Alex Naidus (guitar, vocals, former Pains of Being Pure at Heart), Andrew Romano (guitar, vocals), Gabrielle Ferrer (keyboards, percussion, vocals), David Rager (bass) and Natalie de Almeida (drums) leapt at the chance to make music together again in real life and started gathering on random summer evenings in the tiny rehearsal-space studio of producer-composer Andrew Brassell (Susanna Hoffs) with no clear goal in mind. Lane Lines is the surprise product of those informal sessions - a flash of pent-up creative energy that serves as both a companion piece to Still Life and an exploration of textures and influences that didn't quite fit the full-length but have always been deeply embedded in the band's DNA, with new echoes of 1980s artists that sought to refract the 1960s through their own skewed prisms: Flying Nun, the Paisley Underground, The Feelies covering The Beatles, "Second Summer of Love" New Order. "The songs on Still Life and Lane Lines seem to straddle the line between indie and pop without exactly being 'indie pop,'" Romano says. "To me they feel more like descendents of 'college rock' a moment that lasted from about 1986 to 1991, right before the underground and the mainstream converged, when it seemed like any scrappy indie band might stumble across a hit." The EP begins with the new single version of Still Life standout "In Gray & Blue," which along with previous singles "Half a Feeling" and "Made of Moods" is part of a trio of songs written during the first days of lockdown and later added to the...

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Lucia Cadotsch

LP | 2020 | EU | Original (We Jazz)

LP | 2020 | EU | Original (Burning World)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Berlin-based Swiss vocalist Lucia Cadotsch returns with her celebrated Speak Low trio for their second album, released by We Jazz Records on 27 Nov. "Speak Low II" features Cadotsch on voice, Otis Sandsjö on tenor saxophone and Petter Eldh on double bass, and introduces guest artists Kit Downes on hammond organ and Lucy Railton on cello. "Speak Low II" picks up where their genre-bending and forward-looking debut album left off, introducing new shades into the band's sound and also diving even deeper into the songs they tackle. What makes Speak Low special is their approach to really get to the heart of each composition with seemingly minimal means, yet generating a sound which is both instantly recognisable and remarkably impactful.

"Speak Low II" comes almost five years after the band's lauded debut, and proves the depth of the band's approach right from the start. At the core of the trio's operation is an openness to their love of the music and to their surrounding scene(s). The album comes across as a unified collection of songs made truly theirs and found through listening to records and spending time with their musician friends, often on the road. The highly evolved band sound and the equality of the musicians shines through on the Speak Low sound, as the group uses their 100+ performances together as a vehicle for the development of their music.

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Somnus Throne

19,79 €* 21,99 € -10%

OST No Mori / Animal Crossing New Horizons Original Soundtrack 2

Release: 2020 / EU – Original

Genre: Electronic & Dance

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When Burning World Records Takes Notice Of A New Band, Your Ears Should Perk Up. Somnus Throne Would Seem To Be A Project For An Era Of Working Remotely, With Members Spread Throughout Multiple Cities, And Though Their Origins Are Murky, That's Nothing Compared To Their Riffs. They Come Big And Slow On The Band's Self-Titled Debut, Topped With Samples And A Free-Your-Mind Lumber That's Thoroughly Genre-Based And It Knows It.With Members Spread Out Across New Orleans, Los Angeles, Portland And San Antonio, Somnus Throne Is A New Heavy And Psychedelic Doom Band That Pays Homage To Legends Such As Sleep, High On Fire And Pentagram.The Band's Self-Titled Debut Album Is Now Set For Release On October 9 Via Burning World Records And Sees Somnus Throne Playing Some Sabbath-Tinged, Mammoth-Size And Hypnotic Doom Riffs Across Five Epic Tracks. Each Riff Is So Spine-Asphyxiating Heavy As If They Possess The Power To Create A Seismic Tremor In The Walls Of Your Houses.Somnus Throne Proves That The Music Black Sabbath Birthed Decades Ago Can Still Hit Hard And Sound Engaging After All These Years.

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Atsumare Dobutsu

5CD+DVD | 2022 | JP | Original (Nippon Columbia)

84,99 €*

LP | 2021 | EU | Original (Midnight Cruiser)

Release: 2022 / JP – Original

Genre: Soundtracks

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Nintendo Switch "Atsumare Animal Crossing" Soundtrack CD Vol. 2 Released. The last free update for Nintendo Switch's "Atsumare Animal Crossing" was released in November 2021 and included a lot of content, and fans are once again excited about it. The second volume of the soundtrack CD includes 110 songs from "Totakeke Music Live" that were not included in the first volume released in June 2021, as well as BGM added in the free update, and instrumental versions of Totakeke Music on five CDs. In addition, a DVD containing "Totakeke PV" and "Radio Gymnastics," which were created based on in-game footage, is also included. Live soundtrack of "Totakeke Music" (4 CDs) Additional free updates ("Radio Gymnastics," "Kappei no Funauta," etc.) <1 CD Totakeke PV and Radio Gymnastics choreography . Picture label . Tall size 3-sided digipak specification Enclosed benefits 12 postcards with new song jacket design by Totakeke CD original radio calisthenics attendance card

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Disturbios

18,89 €* 20,99 € -10%

LP | 2021 | UK | Original (Chinabot)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Disturbios, Rocio And Matt Verta-Ray Have Animated The Bones Of The Perfect Electro Dream Punk Golem.Disturbios Was Formed By The Art Rock And Roll Power Duo Rocio And Matt Verta-Ray To Try To Quench Their Insatiable Thirst For All Things Analog, Electronic, Minimalist, Dada And Electrifying. Rocio, Who Comes From The Worlds Of Film And Philosophy, Cut Her Teeth Playing Farfisa Organ In Spanish Surf Bands, Completing The Buzzing Short Circuit Between Primordial Ibero-Arab Melodies And Twanging, Sizzling Jimmy Smith Riffs By-Way-Of The Ventures And Marcel Proust. Her Haunting Intimate Singing Style Sneaks Into The Brain Just Behind The Pre-Frontal Cortex, Calling Up Inarticulate Memories From Generations Still Untouched By Shame Or Convention. Matt Has Been Slinging Six String Hash In Such Groundbreaking Outfits As Madder Rose, Speedball Baby And Heavy Trash, Riding The Underground Zeitgeist Like An Electrobilly Monorail Since The New York '80s. Haunting, Jagged Riffs Channeled Directly From A Deep Vein Of Sun Records And Link Wray, Slice The Music Open To Reveal One Part Backwoods Canadian Savant, One Part Jaded Big City Huckster, All Folded Into A Techno Nightclub Nightmare. Now With Disturbios, Rocio And Matt Verta-Ray Have Animated The Bones Of The Perfect Electro Dream Punk Golem, Making Her Dance In The Eerie Light Of Overheated Radio Tubes, Glowing Absinthe And Crackling Meat On The Fire. Disturbios Will Take The Listener On A Wild Ride Into The Greasy Depths Of The Human Psyche That Will Leave Her Breathless, Exhilarated And Dying To Blast The Record Out Into The Air Again, Again And Once Again!Black Vinyl Version, Full Color Insert. Incudes Mp3 Download Code.

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Tafaa

Random Activity (...)

15,99 €*

Evil Deeds / Time & Space

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Tafaa - Random activity of the work of art, escalates an extension of accepted (unproductive) concepts of art, nature and society' is a sound editing project led by Chloé Delarue, a visual artist based in Geneva (ch) in collaboration with Adeena Mey, a curator, art critic, managing editor of the magazine Afterall (Central St Martins, London, UK) and researcher/teacher at Ecal (Lausanne, ch).

Together, they gathered sound artists Jaeho Hwang, Lafidki of the Chinabot label and the performer-composer Seth Ayyaz in a desire to bring together horizons of thoughts with a singular tonality in resonance with the Tafaa* cycle. The release is a continuation of the deployment of Chloé Delarue's solo show - Tafaa - THE Century OF THE Snitch, which took place at the Villa du Parc - Contemporary art center in Annemasse (fr).

The four compositions resulting from this meeting are materialized in a hybrid compilation. Each of the tracks, affected by the aesthetic spectrum of Tafaa - THE Century OF THE Snitch, results from unique paths that each sound artist builds in their own works. This compilation released in the exhibition space and in its vinyl form, was infused under this particular atmosphere with the aura of sodium, as an echo of the previous opus Tafaa - Acid Rave. The title evokes territories in wasteland and multitude of theaters of an urbanity that has become tropical for one night.

For Chloé Delarue, the environment produced under Tafaa - THE Century OF THE Snitch and its aesthetic feeling is linked with the dissemination of these four tracks. As she says, it becomes “like the deep trance of a noise invisible to oneself but that we perceive thanks to the questioning of its own imperception, the work no longer looks at itself, it injects itself.”

Moult and Dystopia by Jaeho Hwang, Pandæmonium Cctv by Lafidki in collaboration with Ayankoko and Pisitakun (from Chinabot) and Apophenic studies | stochastic iqaat by Seth Ayyaz thus bring out, through their sound characteristics, a powerful emotional expanse driven by their glimpse of the conceptual reconfigurations of a world increasingly accessible through its ersatz.

The vinyl title Tafaa - Random Activity (...) is borrowed from Gustav Metzger taken from an extract from his Manifesto On random activity in material / transforming works of art in July 30, 1964.

Chloé Delarue constitutes what she calls environments under the influence of the Tafaa perception system, an acronym for Toward A Fully Automated Appearance. Tafaa is a conceptual organ that she builds as a cognitive outgrowth allowing her access to the reasoning that feeds her work. It is under this name, indexed by a number or a subtitle, that each occurrence of her work has been presented since 2015. Thus, she probes the ambiguous relations that our society maintains with its multitudes of transfigurations, real or simulated, at the time of permanent interconnections and raises questions relating to changes in perceptions and cognitive transformations of our beings under the visible and invisible authority of cosmotechnics.

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Smith & Gordera

7" | 2022 | US | Original (Preservation Project)

Bruce Marshall / Bill Thomas

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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These sides are prototypical for the "Sounds Like Santana" genre coined at the Friends of Sound record store in Austin, TX years ago. Heavy Latin Rock fusion on these tracks, with just a pinch of Jazz thrown in for good measure. "Evil Deeds" starts right into it the moment the needle hits the groove on your turntable - heavy organ, percussion, shakers, and guitar all greet your ears. Moving into the track you get the typical shredding guitar solo, organ solo, and a sax solo, for good measure. "Time and Space" starts with a nod to the classic Dave Brubeck "Take Five" and continues on an adventure into a more psychedelic groove and more of a Rock vibe. Time changes and tempo shifts and big solos round out the side.

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Gimme My Wife / Ease My Mind

7" | 2018 | US | Original (Preservation Project)

14,39 €* 15,99 € -10%

CD | 2022 | EU | Original (Angelica)

Release: 2018 / US – Original

Genre: Organic Grooves

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Come be our special guest at the P-Funk party of PP-005 — a release reminiscent of those pioneers of funk, Parliament and Funkadelic. These found tracks by Bruce Marshall and Bill Thomas were likely recorded around the time of “Osmium” and “Maggot Brain” — in fact, the artists featured here may have been directly influenced by the movement as it was happening, making these discoveries remarkable entries into the history of psych funk.
Where to begin with Bruce Marshall’s “Gimme My Wife” on the A side? Try to imagine a psychedelic football game, with driving wah wah funk as the halftime show. The frenetic instrumentation is guided by an infectious guitar hook, coupled with a loose chorus of voices and whistle blows. They all come together at the end to chant what sounds like “parrrr-tay,” a foreshadowing of that refrain the Beastie Boys would popularize.
Things get a little more solemn on side B with an instant classic by Bill Thomas, “Ease My Mind Pt. 1.” A surprising dirge of fuzzy guitar leads into a chorus that sings, like a mantra, “I have seen much trouble...ease my mind.” Things morph into tight horns backed by some prominent organ — in fact, this is one of the tightest horn sections on any of our releases to date.
Psych funk is alive and well on our fifth release — adding a new dimension to the amazing body of P-Funk that’s already out there. Who knows what could have happened had these cuts reached ears during the 70s — but the time for the Marshall-Thomas ship to land is now. Put this on to get your next party going, and it’ll do most of the work for you. Get this special, split 7” on limited-run vinyl while you can.

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Terry Riley

Organum For Stefano

18,89 €* 20,99 € -10%

Wayne County & The Electric Chairs

Release: 2022 / EU – Original

Genre: Organic Grooves

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"I was invited to an art gallery in Los Angeles to hear a solo String Bass recital by Stefano. I arrived late and the concert was in progress, I was walking down a series of concrete halls to reach the galley chamber where the music was taking place. In the distance I could hear the sounds of french horns, trombones, strings and brass all mixing in a beautiful modal ensemble, and at the time I thought that Stefano must be playing his bass with a chamber group. I was amazed when I entered the gallery to find Stefano all alone playing his bass ... " - Terry Riley, 1997 Organum for Stefano, the third record that I Dischi di Angelica dedicates to the work of Terry Riley, represents a significant example of “coming full circle”: indeed, in 1997 AngelicA Festival organized a concert in Bologna for Terry Riley and Stefano Scodanibbio – it was their first tour together, and the beginning of a collaboration that would last for years, promoting their first album Lazy Afternoon Among the Crocodiles (aiai 008), recorded in the Shri Moonshine studio in Riley’s home between 1994 and 1995. After his magnificent piano solo at the 2000 edition, AngelicA invited Riley back in 2013 to dedicate a special tribute-portrait to him, presenting his music in a series of concerts held in three different cities (Bologna, Modena, and Lugo), with different line-ups: The 3 Generations Trio (with Tracy Silverman and Gyan Riley, documented on the record IDA 034); the Arte saxophone quartet from Switzerland; and indeed a concert, commissioned as a world premiere, dedicated to Stefano Scodanibbio who had passed away the year before, in January 2012. The venue selected for the concert was the Basilica of Santa Maria dei Servi, hence Riley decided to use its historic Tamburini opus 544 pipe organ for the concert paying homage to the memory of Stefano. The organ was built in 1968 based on a design by Luigi Ferdinando Tagliavini, with a total of approximately 5000 pipes divided into 60 registers – incidentally, this is the same instrument used four years later in 2017 by Francesco Filidei in his duet with Roscoe Mitchell, documented on the record Splatter (ida 040), and in 2019 by Hermann Nitsch on the record Orgelkonzert (ida 045). As Riley himself explains in the liner notes: “I arrived in Bologna with no idea of what I would play, only thinking that I would make this concert a reflection on our deep association, friendship, and music adventures together. I was given a few days prior to the concert to rehearse and compose ideas on the ancient organ. These were magical times for me to also imbibe the resonances of the history of the Basilica and its organ as I composed. Stefano and I had a long history of touring and playing concerts together and one of the features of our concerts was always an arrangement of a vocal raga for bass, voice and tamboura. Stefano, although not trained in Indian Classical music, had an uncanny ear for the right choices in pitch and rhythm to accompany my traditional vocal renditions. Two of Stefano’s favourite ragas were Malkauns and Bageshri, late night ragas with deep feelings ideally suited to the profound sounds emanating from his string bass. The concert was completely improvised, introducing the melodies of ragas Malkauns and Bageshri, both vocally and in the harmonized organ passages of an intuitively structured form. The last section is an improvisation upon the passages of my composition Simply M..., a piece I frequently played for Stefano”. The result was a very precious concert – the only official recording of Riley on the pipe organ – which ranges from minimalism to Indian music, grandiose Bachian architectural constructions, even progressive echoes – in a kaleidoscopic flow of ideas which, both spontaneously and with a great clarity of intention, travels through topical moments and reminiscences of the respective musical identities and experiences shared by the two musicians. Organum for Stefano is release n. 50 by the label i dischi di angelica, which celebrates its 30 years of activity in 2022

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Storm The Gates Of Heaven

LP | 1978 | EU | Reissue (Spittle)

19,79 €* 21,99 € -10%

Weedsconsin Splattered Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Prior to his release this record was simply ‘labeled’ as Punk-Rock but this one comes from the New York Dolls side of Glam Punk. Storm the Gates of Heaven reveals unusual aspects of County's work: serious, reflective and profound. The monologue introducing the title track is the only part that may be considered offensive. The sound is a blend of bass, lead & rhythm guitar, drums & percussion by the versatile Electric Chairs. Embellished by Hammond organ, the title track rages against and laments the suffering caused by religious wars. Cry Of Angels is an eloquent, even anthemic defense of Enlightenment values on which the guitar textures and the hook around the chorus superbly complement one another. An artful blend of County's characteristic outrage and the pure pop genius that lay behind the garish accoutrements, Storm the Gates of Heaven jams its eight tracks between two undisguised classics, the anthemic title track and a so-optimistic reading of "Tomorrow Is Another Day, not to mention a stunning cover-version of the Electric Prune´s "I had too much to dream last Night"

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Bongzilla

LP | 2021 | EU | Original (Heavy Psych Sounds)

28,79 €* 31,99 € -10%

Make Me A Pallet Of Fire On Your Floor

Release: 2021 / EU – Original

Genre: Rock & Indie

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Self Defense Family

7" | 2020 | US | Original (Run For Cover)

11,89 €* 13,99 € -15%

LP | 2022 | EU | Original (Art'verne Productions)

Release: 2020 / US – Original

Genre: Rock & Indie

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Over the years Self Defense Family's revolving lineup and improvisational writing process has led to the band often recording new music while on tour, putting the focus on capturing a specific moment between the current collaborators. The Island singles have been snapshots of the band in studios all over the world, from Jamaica, to Iceland, to Scotland, and now Australia. The songs on Make Me A Pallet Fire On Your Floor / Local Clerics are marked by a raw, spacious recording, winding guitar lines mixed with swirling organ, and of course Kindlon's one-of-a-kind vocals and unflinching lyricism.

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Kicca

Call Me Sugar

27,19 €* 31,99 € -15%

Norma Evangelium Tenebris

Release: 2022 / EU – Original

Genre: Pop

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Without following Fashion trends, Kicca only embraces styles that inspire her. Devilishly funky, definitely groovy, straightforward Disco, when all these subtly mix together that is when the magic happens! What’s her secret weapon? Her voice! Kicca conceals in her voice a real gem that she masters perfectly and with which she plays with sensually and with great power. It is the reflection of her soul. Soul music is in fact the basis from which she started all those years ago - music from the soul! And to express it she has surrounded herself with vintage sounds tinted with 70s colours and an irresistible groove. Bass line and guitar never skipping a beat, old school keyboards and organ sounds, all punctuated by vigorous and chiseled brass, and at this point everything becomes possible! Kicca writes all her songs with pianist Oscar Marchioni, singing in English, French, Italian … regardless of the fine wine, it will get you drunk on it! Energy and joy to get you through today’s world and pick-out your best memories. Kicca succeeds in the ever popular return to the future. The main road to the happiness of sharing and to togetherness, all with great sensuality. See you on the dance floor!

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Noctu

LP | 2022 | UK | Original (Dusktone)

24,64 €* 28,99 € -15%

Double Know Pink Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Italian tortured black doom juggernaut Noctu takes another bold step in their musical and lyrical progression with the blazing new anticipated full length album "Norma Evangelium Tenebris" via Dusktone. On this six-track album, Noctu brings us a heavily layered black murk and a veil of staticky black hiss unfolding into broken-down melodies and fractured pieces of tortuned guitars and vocals, building into a strange ghostly noisescape with howling blackened shrieks and psychotic moaning that worm their way through the gales of slow distortion. Combined with their penchant for sombre imagery and apocalyptic undercurrents, this produces something far bleaker and more unsettling than anything else we're hearing in the realm of black funeral doom right now. again, a dreamlike descent into the realm of death and human despair

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Naomi Alligator

LP | 2022 | US | Original (Carpark)

23,99 €*

LP | 2021 | EU | Original (One Little Independent)

Release: 2022 / US – Original

Genre: Rock & Indie

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Naomi Alligator is fed up. She’s sick of trying to make relationships work that have already run their course, and tired of sitting in a wintry apartment waiting for her life to kick into gear. On »Double Knot«, the modern folk singer/songwriter from Virginia attempts to unwind her life from all that is holding her back. In a way, it’s a coming-of-age record about shedding what no longer serves you and, ultimately, finding something like deliverance.

On the opening track, “Seasick,” Naomi Alligator is already in the midst of a sort of awakening. Right off the bat, she sings, “I don’t know what’s happened to me / It’s like I turned 16 / It’s like I grew to be 6-feet tall.” This is the announcement of a wide-eyed artist coming out of hibernation and into their own. Still, Naomi’s vocals ache with guilt and longing, belying the track’s playful catchiness. Longing for what? Maybe attention from a crush, but mostly a sunnier place to call home.

Naomi Alligator began writing Double Knot while living in Philadelphia during the height of the pandemic and the deterioration of a longterm romance. “I scream: How’d the hell I end up here? / I’m 1-inch tall, it’s crystal clear,” she chants on “Neighborhood Freak,” returning to height and size as an emotional barometer. When asked though, Naomi rejects the notion that Double Knot is a breakup album, or autobiographical at all. Moreso, she says, it’s a personal reckoning in which, “the minute before you make a big decision, you tally up the reasons why you don’t want to do what you’re doing anymore.”

That desire to turn the page expands to the production of the album as well. Naomi Alligator generally houses her narratives in beds of minimal, home-tracked instrumentation—influenced by the stripped-down poeticism of Joan Baez and Liz Phair’s Girly-Sound tapes. Double Knot finds Naomi continuing to hone the winning combination of guitar and banjo she established on 2021’s Concession Stand Girl EP. For Double Knot though, Naomi wanted a fuller, more dynamic sound: more instruments, more harmonies, more layering, more, more, more. Inspired by the impressionistic melodies of Animal Collective and Mgmt, Naomi peppers in computer-generated synths throughout the album, most notably on the song “Burn Out.” These electronic flourishes augment the more grounding string instruments, arriving somewhere more ethereal than Naomi’s earlier work while still maintaining her warm songwriting.

If anything, Double Knot is a reminder that you can always pack up your bags, try something new, and change your life. As for Naomi Alligator herself? She moved west, to California.

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Lomond Campbell

Lup

17,84 €* 20,99 € -15%

Live At Nancy Jazz Pulsations

Release: 2021 / EU – Original

Genre: Organic Grooves

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Ivan Jullien

LP | 2019 | EU | Original (Mimetik)

18,69 €* 21,99 € -15%

Stop That Fussing And Fighting

Release: 2019 / EU – Original

Genre: Organic Grooves

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It was in 1973, on the 14th of October, late in the afternoon; on a pretty Sunday under the Big Top in the heart of the “Parc de la Pépinière”, in Nancy; it was the “premiere”, the world first hearing, and it has so far remained the only one commissioned by composer and trumpet player lvan Jullien, for the first international Nancy Jazz Pulsations festival.

In order to complete this work of composition and orchestration, Ivan asked the great Eddie Louiss on organ, and chose to do without a double bassist who would have been drowned in a telluric outburst, for the best drummers in Europe and beyond had accepted out of sympathy to offer their contribution to such a festival. The only melodist with Louiss was the English John Surman (born in 1944) here on soprano saxophone, discharging torrents of incandescent lava.

Conversing with drums, cymbals, xylophones, kettledrums, vibraphones, tumbas, djembes and all other percussive things that you’ll like to imagine – a bunch of talents such as those of the French André Ceccarelli, Daniel Humair or Bernard Lubat, the New Yorker Stu Martin, who reminds of Paul Motian in his “breaks”, South African Louis Mo-Holo, young Lamont Hampton, the great trombonist “Slide” Hampton’s son and the Malagasy Franck Raholison, the Senegalese Lamine Konte.

And we will scrupulously refrain from omitting the four musketeers, here representing percussion in classical music, namely the Percussion Quartet of Paris under the leadership of Mr. Lucien Lemaire.

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Glen Adams

12" | EU | Reissue (Jamwax)

11,04 €* 12,99 € -15%

Meakusma (Generators) Clear Vinyl Edition

Release: EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Emotional Rescue and Jamwax end their Capo Disco series by returning to Glen Adams and his cover of Bob Marley’s classic. The early 70s Lee Perry produced original raw sound is taken to the disco reggae dancefloors of the early 80s with a bottom heavy jam, while his Capo Crew works a killer dub flipside.
“Fussing & Fighting” was originally released on the 1971’s Soul Revolution album and for many came during the pinnacle of Bob Marley & The Wailers output, before the smoothing out of their sound during the later “Island” years. Whichever, the guidance and collaboration with Perry transformed the Wailers from a successful Ska / Rocksteady group towards a visionary, conscious, crossover phenomenon.
Perry’s in-house band, The Upsetters, lent so much to this early period, the brothers Aston and Carlton Barrett creating a perfect drum and bass bedrock. With Glen Adams on organ, the original version known simply as is an incessant, rumbling message and in that light, Adams return to it over a decade later makes justified and righteous sense.
Actually released on both Capo Disco and Marley’s own Tuff Gong, Adams’ vocal marries a disco-dub and guitar groove, dropping, in the latter half, right down to tambourine into perfectly stretched Discomix.
Things get even more laid out on “Mad Blank” aka the version. Riding the desk, “Capo” lets each instrument time and space, dropping to just a kick and dubbed piano before slowly coming back with hats, guitar and then when the bass comes, the Gospel purity of dub reggae shines, all before the teasing fade calls for a rewind. Rest and rise, Glenroy “Capo” Adams.

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Keith Fullerton Whitman

LP | 2022 | UK | Original (Nakid)

All The Brightest Pictures

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Keith Fullerton Whitman brings his 3-part Generators series for Japan’s Nakid label to a close with a third and final instalment that ravishes the senses with hybrid analogue/digital systems tekkerz. Hazing into a solemn start of floating organ and slurred drums, the first part fizzes into action with pranging irregularities, tentatively allowing the system to voice varying pitches and nimble rhythms that resemble balletic footwork plies as much as classically-trained instrumentalist flurries. It’s deeply trance-inducing, meditative gear that over the course of 25 minutes slowly gains momentium and complexity, first adding robust arps to complicate the structure, treading the finest line of chaos and discipline. In time, those arps turn themselves into a rhythm track, landing somewhere between Whitman’s earliest junglist works as Hrvatski and a sort of plucked rhythmic minimalism that reminds us of Mark Fell’s Sensate Focus, gliding on natural, brownian motion and flux of texture, punctuated by what sound likes a plucking of a drum machine from the inside-out. In part 2 the mood pools and diffracts in slow-fast meter, bristling ruptures of atonality that send limbs flailing one way and then another, adding subs for a dimensional shift that’s rhythmically fractured but always grounded at the low registers. The wavy embroidery of Whitman’s machines trigger each other in endlessly fascinating forms of gyring workshop ballistics and dub reverberations. A special bonus piece ‘Meakusma (Generators, Soundcheck)’ is the most curious of the lot, with a lone clarinet heard in the air, perhaps a serendipitous inclusion form someone else’s soundcheck, lending an enchanting depth perception to his frolicking bleeps.

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Pembroke

LP | 2022 | US | Original (Handstand)

26,34 €* 30,99 € -15%

LP | 2022 | EU | Original (Metaphon)

Release: 2022 / US – Original

Genre: Rock & Indie

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With an impressive pedigree of NYC veteran musicians, PEMBROKE’s energetic debut is brimming with melodic punk riffs, galloping hardcore, mosh-inducing breakdowns, a tightly wound rhythm section, and a pinch of DC post-hardcore flavor. Think Sick Of It All covering Rites Of Spring or vice versa. There’s catchy, crunchy guitar work provided by JON Biviano of the legendary Supertouch. Jamie Behar from Saetia / OFF Minor infamy manhandles the six-string bass duties, while former Lytic drummer Frankie Zerilli covers all ground between a gallop and a mosh. The record is rounded out with the gruff commanding vocals courtesy of RON Treasure from NYC street punk/oi band Guns Don’t RUN. “An interesting sonic stew that brings to mind everything from Nyhc to New Wave of British Heavy Metal to Revolution Summer-like melodic hardcore.”—No Echo

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Johannes Fritsch

Kyo Mu / Hochtöner

25,99 €*

Tales Of Belle Part 2 Unveiled By Fire

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Johannes Fritsch (1941–2010) was an award-winning composer, musician, publisher, studio owner, author and music teacher. He studied viola and composition with Bernd Alois Zimmermann and was member of the Stockhausen Ensemble from 1964 to 1970. Together with Rolf Gehlhaar and David Johnson (also from the Stockhausen Ensemble) he established the Feedback Studio Köln and the Feedback Studio Verlag, the first publishing house owned by composers in Germany.

Fritsch’s complex musical estate consists of approximately 130 works: it covers electronic music, chamber music, ballet, theatre and film music, organ compositions, an opera and pieces for large orchestras. Although Fritsch’s compositions are varied, all of them convey a strong interest in new sound combinations and sound colours.

‘Kyo Mu’ and ‘Hochtöner’ both reveal a mesmerizing symbiosis of innovative sound exploration and visionary interior music, a sublime compound of fine-drawn intricate arrangements skillfully projected in space and time, or perhaps beyond space and time.

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Adventure

LP | 2022 | UK | Original (Apollon)

30,39 €* 37,99 € -20%

On Earth, And In Heaven Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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The second part of the duology on mass-murderess Belle Gunness is due. The follow-up to Tales OF Belle, Part 1 – Across THE Ocean by the Mid-Norwegian six-piece band Adventure continues the unbelievable story of the poor Norwegian immigrant’s hunt for wealth. Part 1 finished with the suspicious death of her first husband and the move to LaPorte, Indiana. Tales OF Belle, Part 2 – Unveiled BY Fire features 10 tracks that were all written and recorded during various states of lockdown in Norway. The theme is now the mysterious death of her second husband, all the men seeking prosperity with the widowed Belle only to disappear, the horrendous fire on her farm, the gruesome findings in the grounds after the fire, the absurd theatre that took place after the news broke, the trial of the farmhand, and finally his confession. Nobody can tell for certain if Belle Gunness perished in the fire or not. There is no final confirmation… Adventure is still exploring the golden era of 70's symphonic hard rock, mixing in proggy and folky elements. The guitar and Hammond organ still the heart of Adventure’s sound, augmented by multipart harmony vocals and a rock steady rhythm section. Clive Nolan of Pendragon and Arena fame has a little cameo appearance. Cellist Marit Aspås from The Trondheim Soloists also appears on a couple of tracks.

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Robin Thicke

LP | 2021 | EU | Original (Empire)

19,19 €* 23,99 € -20%

12" | 2022 | EU | Original (Local Action)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Marking his first full-length album in six years, Five-Time Grammy Award nominee and diamond-selling performer, actor, entrepreneur, and philanthropist Robin Thicke makes a return in 2021 with the long awaited new album, "On Earth, and in Heaven." Setting the stage for the record, the scorching single "That's What Love Can Do," ignited this new flame and hit #1 on the Urban A.C. charts. The second single, "Forever Mine," garnered high praise from Vibe, and has already amassed over 2 million Spotify streams and counting. Presenting the same bold, bright, and boisterous R&B that turned him into a household name, he ascends to new heights on his eighth full-length album.

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Uniqu3

Heartbeats

17,99 €*

Little Orphan Boy EP (Two Soul Fusion A.K.A Louie Vega & Josh Milan Remixes)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Jersey's club queen UNIIQU3's Heartbeats EP finally comes to vinyl, following a slew of Best of 2021 accolades (including The Quietus's #1 Track of 2021, Crack's #3 Track of 2021, and Best of 2021 lists from Resident Advisor, Mixmag, Billboard, Pitchfork, NPR and more. Released on Local Action (home of India Jordan, DJ Q, Finn and more), Heartbeats represents both a new creative phase for UNIIQU3, and her most ambitious and personal project yet - dealing with themes of "self-love, heartbreak, intimacy and lust" across six narrative-driven tracks that showcase her production, singing and rapping at its most accomplished. That's never more evident than on lead single 'Microdosing', a modern classic that squares the circle between New Jersey's house history and its legacy of modern club music - racking up millions of streams and six weeks on the BBC radio playlists in the process. Although it's not the longest release of UNIIQU3's career, in terms of its scope, detail, depth and honesty it feels like a true landmark moment for one of contemporary dance music's most exciting talents.

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Brian Jackson

2x12" | 2022 | UK | Original (BBE Music)

32,24 €* 42,99 € -25%

Tape | 2022 | EU | Original (90's Tapes)

Release: 2022 / UK – Original

Genre: Organic Grooves

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‘Little Orphan Boy’ is the second single taken from album ‘This Is Brian Jackson’, presented with remixes by Two Soul Fusion, a.k.a. Louie Vega and Josh Milan.

The veteran artist’s first true solo LP in over 20 years, ‘This Is Brian Jackson’ is produced by Phenomenal Handclap Band founder Daniel Collás. Collás lovingly re-frames and updates ideas and demos that Jackson first laid down back in 1976, right around the time he recorded ‘Bridges’ with Gil Scott-Heron, for a solo project that never saw the light of day… until now.

Alongside his ‘Two Soul Fusion’ partner Josh Milan, Louie Vega gives the album’s closing track ‘Little Orphan Boy’ two truly vintage remix treatments, taking the song on an eclectic, soul-stirring, timeless journey. The extended ‘Two Soul Fusion’ mix calls to mind the golden era of Masters at Work productions, featuring a Latin-infused percussion groove, shimmering organs and in-the-cut funky guitar lines. The ‘Downtempo’ remix lets Brian Jackson’s vocals ride over a head-nodding, stripped back, yet equally soulful arrangement.

“A dream to work with Brian Jackson” says Louie Vega. “I mean, he’s a big part of our musical landscape and has been a huge inspiration in our lives. From way back to my early years in the Bronx, through to my DJing and producing career, into productions like Nuyorican Soul, Elements of Life, Kenlou, Brian and Gil have always been with us! Now to work on such an amazing song with Brian’s keyboard work and lead vocal, it made it so much easier for Two Soul Fusion (Josh and I) to find that pocket and groove. We had to create an epic piece and take you on a trip through several styles, it was calling for it. That’s due to the original work of Brian Jackson, a true Master at Work & Two Soul Fusion hero!!! I’m looking forward to seeing what’s next on the horizon with us and the one & only Brian Jackson.

Brian Jackson: “I have always loved the musicality and the rhythmic power that surges through the artistry of Louie Vega since I first heard him in Masters at Work. I made a silent wish that one day I would hear one of my songs given that special treatment. Imagine my elation to know that it would finally happen – with a song I wrote and recorded 45 years ago for a solo project that might have never happened if not for producer Daniel Collás and BBE chief Peter Adarkwah! Louie, along with Two Soul Fusion partner Josh Milan and I are alike in so many ways, I knew that if we ever got together, magic would happen and well… here’s to magic! My love and gratitude to Louie, Josh, Daniel, Peter and the beautiful BBE family.”

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Rec Center

Lonely People

14,99 €*

Pike Vs. Automaton Orchid Vinyl Version

Release: 2022 / EU – Original

Genre: Hip Hop

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Limited edition of 100 copies on cassette.

Hailing from Elgin, Illinois, the Rec Center is a collective composed of six MC’s with impeccable gifts of gab and a DJ blessed with the art of spinning. From the humbled beginnings of countless basement ciphers in the early 90’s a niche was crafted, a mission was charted and a journey to Reveal Eternal Creation was embarked upon. Originally consisting of nine MC’s, Rec Center released their first full-length album "Lonely People" on CD only in the fall of 1999 which made them a household name in the Chicago underground scene.

Available in a limited run on black vinyl 2LP in gatefold sleeve, CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

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Matt Pike

2LP | 2022 | US | Original (eOne Music)

20,24 €* 26,99 € -25%

Parece Que Tuvimos Demasiados Hijitos

Release: 2022 / US – Original

Genre: Rock & Indie

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“I wanted to play guitar since I was born, basically,” proffers Matt Pike when asked about the formative years of his musical maturation. The iconic guitarist of High on Fire and Sleep seemingly came into the world with inherent talent

From reverent youth to Grammy-winning riff-wielder, Pike has always housed a boundless enthusiasm for the six-string and the stupendous sounds that – in the right hands – the instrument can produce.

“Trapped in A Midcave” was the first song we wrote. It’s kind of like “God of Thunder”. I tried to make my vocals mimic a David Lee Roth-type melody. Then I thought, “Who should I play the solo like?”, so I studied a bunch of Michael Schenker solos and then put a Michael Schenker solo that’s like four minutes long on it. It’s such a good riff. Soon after, it felt like ‘I want to record this, this shit’s really good,’” Pike admits.

The Automaton, in Greek mythology, is the big robot that’s the guardian of the Gods, basically. It’s a soulless, big machine named Talos. The big machine that’s working against mankind at this moment. In ‘Jason and the Argonauts’, Jason and the Argonauts have to battle this big machine guy that protects the island. Basically, what the album title is saying, metaphorically, is ‘Pike against the World.’”

“I made a psychedelic rock record that Sleep and High on Fire fans would like,” Pike says when asked for a CliffsNotes description of ‘Pike vs. the Automaton’. “And maybe if you’re not a Sleep or High on Fire fan, you might like it too. I definitely think it’s interesting; it has D-Beat punk, two-step. It’s got everything and it still works together, it doesn’t sound odd. It’s just an off-the-wall psychedelic rock record.”

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Ignorantes

LP | 2022 | EU (F.O.A.D.)

In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette

Release: 2022 / EU

Genre: Rock & Indie

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Raw, uncompromised nihilism from Chile's premier fuzzed out hardcore punks! After multiple cassette only releases and 2 x 7"s here's their first time on 12".. 13 tracks of snotty angry punk blending the simplistic in-your-face aggression of typical Latino-American taste with a noisy distorted approach recalling 80's Japanese and British classics (Gai, Confuse, Chaos UK, Disorder). Ignorantes stands above as one of the current gems of punk, their sound and attitude are totally spontaneous and out of the guts, without any ambition or intention. Quoting the singer Gabriel: "In the beginning we didn't even try to go out and play. The idea was just to record once and that was it. Then we enjoyed the process of recording six or eight songs and that's how it all started." LP with large 6-panel foldout insert and lyric sheet.

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Karen Dalton

8Track | 1972 | US | Reissue (Light In The Attic)

51,99 €*

LP | 2022 | UK | Original (Alone)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

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Orthodox

Proceed

21,99 €*

Freaky With You / Welcome To My World

Release: 2022 / UK – Original

Genre: Rock & Indie

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Orthodox was born as a trio in Seville, Spain at the end of 2004. Starting from doom metal and absorbing influences from drone, jazz, and extreme metal, the band represents one of the most relevant but unpredictable bands of the Spanish metal underground. After breaking through the international underground with their Gran Poder debut LP in 2006, Orthodox has released another six studio albums, multiple EPs, splits, singles, and more, released through respected labels like Southern Lord, Utech Records, God Unknown, and long-running allies, Alone Records. Since 2014, Orthodox has operated as a duo, with bassist/vocalist Marco Serrato and drummer Borja Díaz handling all recording and live performances. However, Proceed sees the return of guitarist Ricardo Jiménez to the lineup for the first time since 2011’s Baal. To capture this mammoth album, in November 2021, Billy Anderson (Sleep, Melvins, High On Fire, Om, Neurosis, EyeHateGod) was flown to La Mina Studios in Sevilla, Spain, and recorded the album with assistant engineers Raúl Pérez and Nacho García. Anderson mixed the record at his Everything Hz back in Portland, Oregon, after which it was sent to Justin Weiss at Trakworx in San Francisco, California for mastering. Proceed was completed with artwork and illustrations by Fernando Rivas and layout/design by José Postigo. Proceed represents Orthodox's return to its original essence, but also a step forward as a band. After a multitude of different projects around the band and a long way traveled, they are back to reel off heavy riffs like a three-headed juggernaut. Orthodox has performed at international festivals such as Hellfest, Roadburn, Supersonic, Amplifest, Primavera Sound, and many others, has collaborated with artists as diverse as Julian Cope and flamenco dancer Israel Galván, and has opened for Voïvod, High On Fire, Corrosion Of Conformity, and countless more.

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Superior Elevation

12" | 2020 | EU | Original (Family Groove)

16,49 €* 21,99 € -25%

LP | 2022 | EU | Original (Thirty Three Thirty Three)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Previously Unreleased material recorded in 1979 at Allen Toussaint's legendary Sea-Saint Recording Studio in New Orleans, LA.

Freaky With You is a Six-and-a-half minute Psychedelic Disco Funk excursion taking you on a wild mojo trip with a four on the floor backbeat and extended conga breakdown peppered with some New Orleans Voodoo that reaches for the Bondye Celestial Heavens.

On the B-Side, Welcome To My World is a Modern Soul Steppers masterpiece. A version was also recorded by Joe Chopper for the Lanor Records label.

James Dumaine remembers the studio session well. After having oral surgery that morning, a grotesque, theatre of the absurd incident followed causing him to bleed onto the microphone as he was singing. That combined with the miscommunication with the audio engineer to watch the volume levels on his new synthesizer: The Engineer decided not to take heed to the warning… Half way into the recording all the band could see from the other side of the glass were heads frantically rushing to the mixing board. The synthesizer levels had caused the monitors in the control room to blow up. Superior Elevation wasn't invited back to record at Sea-Saint. 40 years later, with all that chaos, hoodoo and gris-gris enveloped into the magnetic tape, it magically survived the catastrophic 2005 floods during Hurricane Katrina and ended up in the hands of Mike Nishita along with many other Reel to Reel Tapes of Allen Toussaints' masters of The Meters albums he produced and recorded. It's available now, preserved with Family Groove Records.

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Fuji||||||||||Ta

Noiseem

30,99 €*

World Contact Day Cream Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Following on from acclaimed recent releases on Hallow Ground and Boomkat's Documenting Sound series, NOISEEM is a major new work from Japanese sound artist/instrument inventor Yosuke Fujita, who performs under the name FUJIIIIIIIIIIIITA. Where Fujita's recent recorded output has focussed primarily on documentation of his remarkable self-built pipe organ, NOISEEM is the culmination of half a decade of work with highly amplified water. The evocative and timbrally rich sound of water has inspired concrete and experimental music practices since ground-breaking works such as Hugh Le Cain's 'Dripsody' and Knud Viktor's obsessively aquatic 'Images'. However, other than his compatriot Tomoko Sauvage, few have explored the possibilities of water in live performance to the extent that Fujita has, constructing a series of water tanks that, with their pumps and amplification controlled by the performer, become a new musical instrument. The recordings contained here are drawn from live performances in Tokyo and London, edited and mixed by Fujita into two side-length pieces dominated by water, pipe organ, voice and subtle electronics. On 'AWA', which occupies the LP's first side, the listener is immediately immersed in an aqueous world of recognisable drips and splashes, as well as more mysterious squeaks and squawks. While the liberal use of delay at times conjures up the sound world of early electronic music, the sparklingly clear amplification is unmistakably contemporary, lending the music a stunning weight and tactility. Building over several minutes, the piece eventually comes to a rapid boil, criss-crossed by washes of white noise splashes of electronics, before the untempered long tones of the pipe organ enter. The slowly shifting harmonies lend the remainder of the side a meditative, almost oneiric quality, inviting listeners to lose themselves in the aquatic layers that ripple across the harmonic foundation. On the second side, 'UZU' begins more starkly, with a single rapid bubble, quickly joined by full-...

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Blue States

LP | 2022 | UK | Original (Memphis Industries)

22,94 €* 26,99 € -15%

Release: 2022 / UK – Original

Genre: Rock & Indie

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Blue States returns with his sixth album titled World Contact Day, set for release via Memphis Industries on 18 March 2021 and named after the day each year on which UFO society International Flying Saucer Bureau tries to contact alien lifeform. World Contact Day arrives six years after the previous Blue States album, written and recorded partly at Dragazis' Lightwell Recordings studio in Hackney featuring a combination of instrumental soundscapes and vocal songs that draw from influences as diverse as world as Morricone, Vangelis, Beak, Broadcast and The Carpenters. Songs on the new record feature guest vocals from the likes of Giampaolo Speziale and Federica Caiozzo of the Italian band, Malihini, English folk-musician, Rachael Dadd and Miami-based Allison May-Brice (The 18th Day Of May, Lake Ruth).

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An Intermediary Plane Of Existence Part 1

12" | 2018 | EU | Original (P-RT-L)

8,99 €* 11,99 € -25%

12" | 2021 | EU | Original (Tripmastaz)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Dasha Rush, Daniel Kane, Alex Bau, Frame Six, Anouk De Vos. We’ve been working on the album for quite a few months now, but we can finally announce not only our second release, but also our third and fourth: 2 vinyl EP’s, 10 tracks, all of which are later to be released as a digital album.

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Tripmastaz

Partying With Illusions

9,74 €* 12,99 € -25%

The Acoustic Storm Session

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tripmastaz is back, this time drenched in Summery, laid-back Sunday vibes. The main title, appropriately named 'Sunday Mix 1,' is steeped in rich organ arrangements, deep vocals, and funky bass stabs, the kind of combination one wishes on a laid-back Sunday afternoon. The subtle percussive variations and the thorough but discreet synth work fill up the sonic space with an infectious swag - which is even more evident on 'Mix # 3.1.' And whereas the main title, "Sunday," relies on a more laid-back approach, the flip-side 'Puppi Luv' literally flips the gears to a scenario where the groove is the focal point, and everything is playful - but strangely hypnotic. "Partying With Illusions" is a lush, uplifting record that finds Tripmastaz once again showcasing his skills as an outstanding music producer.

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Elkhorn

LP | 2020 | US | Original (Centripenal Force / Cardinal Fuzz)

21,74 €* 28,99 € -25%

LP | 2022 | US | Original (Carpark)

Release: 2020 / US – Original

Genre: Rock & Indie

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Centripetal Force (North America), in conjunction with Cardinal Fuzz (UK/Europe), is excited to announce the upcoming release of Elkhorn’s The Acoustic Storm Sessions, the sister album to the much-lauded The Storm Sessions released earlier this year on Beyond Beyond Is Beyond. Elkhorn is known for their unique blend of psych/folk guitar music, with Jesse Sheppard on fingerstyle twelve-string acoustic and Drew Gardner on six-string electric. The Acoustic Storm Sessions, recorded the evening before The Storm Sessions, also features Turner Williams (Ramble Tamble, Guardian Alien) on guitar and marks the first time Elkhorn has created an entirely acoustic album. The Acoustic Storm Sessions is comprised of two side-long tracks drawing on the trio’s intimate knowledge of each others’ playing as they immerse themselves in the spirit of improvisation and allow it to guide the music’s course. As a result, there are raga-like qualities to these pieces, a revolving array of melodies, rhythmic flourishes and subtle embellishments that not only entrance the performers but the listener as well. There is no doubt that the group’s meditative intensity on The Acoustic Storm Sessions is at an unprecedented level. Edition of 500 copies.

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Deer Scout

Woodpecker

17,99 €* 23,99 € -25%

12" | 2018 | US | Original (Dark Entries)

Release: 2022 / US – Original

Genre: Rock & Indie

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Deer Scout’s debut full length Woodpecker is a record about memory and the subconscious. And like an unforgettable dream that keeps you puzzling over its riddles for days, it’s as packed with direct symbols as it is with ruminative haze. “I approach songwriting as a process of boxing things up, or putting away a time capsule,” explains front person Dena Miller, who wrote the album over a period of six years. It’s a culminating collection of the project’s many sounds and influences to date, from Philly’s punk cooperatives to Oberlin’s conservatory experimentalism to New York’s DIY history. At the center is Miller’s assured guitar fingerpicking and boldly clear voice, firmly grounded even as it gently probes uncertain emotional and musical terrain.

Raised by two folk musicians in Yonkers, Miller began recording songs as Deer Scout her freshman year of college in Philadelphia. There, she wrote Woodpecker’s earliest song “Synesthesia” about a train ride home from a basement show: “Night in the city / Big house on the corner / Her voice has the timbre of summers ago,” recalls Miller resonantly. After Miller’s transfer to Oberlin College, Deer Scout began touring DIY venues around the country and sharing stages with favorite artists including Waxahatchee and Told Slant. The twinned intimacy and intricacy of those two influences is reflected in the carefully adventurous arrangements on Woodpecker, which features, among other contributors, bass from close collaborator Ko Takasugi-Czernowin, cello from Zuzia Weyman, drums from Madel Rafter, and guitar from Miller’s father Mark—who also wrote the song “Peace with the Damage” and originally released it with his band Spuyten Duyvil in 2011.

Many of the songs on Woodpecker were written during periods of grief or change. “I used to sing myself to sleep as a baby and I think music still plays the same role in my life—it’s a way of self-soothing or seeking comfort,” explains Miller. “But there’s also part of it that comes from wanting to connect with people." Recorded and mixed primarily by Heather Jones at So Big Auditory in Philly with overdubs by Miller at home, Woodpecker is an exercise in portraying the incommunicable. “Cup”—about a relational psychology test called “a walk in the woods” that turns encounters with symbols into meaning—uses watery arpeggios, wintry strings, and roving bass to create a liminal sonic space, optimistic but tense. “Cowboy,” with airy layers of acoustic guitar riffs and Miller’s charmingly double tracked voice, takes its little fish, big pond inspiration from the character Joe Buck in Midnight Cowboy. And “Afterthought,” with its unexpectedly bright resolutions, is about God, love, and the complexity of empathy; “Heaven isn’t watching us,” sings Miller candidly over pedal steel.

Though Woodpecker is a record about uncertainty and the unknown, it’s also about compassion and connection—as Miller was able to find over the course of writing and recording this next chapter for Deer Scout and first release for Carpark, which she’s excited to at last share with the world.

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Photonz

Etheric Body Music EP

12,74 €* 16,99 € -25%

12" | 2020 | EU | Original (Something Happening Somewhere)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Photonz is the alias of Marco Rodrigues a DJ, producer and driving force of Lisbon's underground scene. For little over a decade now, he's been crafting his own deeply personal style of Portuguese house and techno for labels such as Créme Organization, 20:20 Vision, Don't Be Afraid, Skylax, Unknown To The Unknown and his own One Eyed Jacks. As a DJ, Photonz grew a reputation for deep crates and intensely euphoric sets and in 2017, together with Violet (co-founder at his Radio Quantica) and Lisbon's own Rabbit Hole collective, he started the now infamous Mina parties - a monthly, sex-positive, queer and intersectional-feminist techno party aimed at using the dissociative potential of intense raving to create a temporary space of suspension away from patriarchal expectations.

Etheric Body Music is Photonz’s debut 6-track EP for Dark Entries and a simultaneous reference to hermeticism and EBM (Electronic Body Music). Marco loves that “aesthetic when 80s industrial and EBM bands split up and start to make trance in the early 90s and all the ritual magick pushes them to zen stuff and they do ecstasy.” There's this concept in theosophy and hermetic philosophy of the Etheric Body, which is an energy body superimposed and connected to the physical body, similar to the acupuncture idea of an energetic body. That idea manifests itself as six primal club cuts, which also channel early techno, Drexciyan rhythms, balearic & old school jack. Raw arpeggiated synth lines and bass blast jut against metallic stabs and highly percussive shakedowns to create mournful atmospheric warped house. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a psychedelic jacket with snakey green and purple velvet in an electric acid spewing weird biological alien energy form designed by Eloise Leigh.

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Freek Fabricius

Lost My Controller EP

LP+CD | 2020 | US | Original (Vhf)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Besides being a school teacher, a dedicated dj, a label boss and a party organiser, Utrecht’s most famous fluo-raver Freek Fabricius also started producing a few years back. It’s hard to believe that Lost My Controller actually is Fabricius’ debut EP. So matured and full of character do the six tracks on this release sound. With a touch of vintage electro and the melancholic side of IDM, yet with a unique sound of its own. Lost My Controller has Fabricius’ trademark tongue-in-cheek puns, like the videogame frustration in the title track, a sweet hybrid of Dopplereffekt-basslines and AFX-infused melodies. Or on the aptly titled Pigs Are Here, where a stomping kick and gloomy synth set the pace. Halfway through we suddenly receive a ‘breaking news message’ about an illegal rave somewhere on the shores of northern England, complete with an eye witness report. Images of running ravers immediately pop up. Fabricius does not hide his admiration for Richard D. James on Lost My Controller. On the contrary. He cultivates it and makes it his own. ‘Aphex Twin is one of the few artists that can make me cry’, he once said in an interview. He meant it. Lost My Controller has some beautiful intimate moments, like the sampled rain on his attic window during ‘Zolderraam’ or the rolling closing track ‘Mother’. In which a vintage Underworld- esque beat gently rubs against Laurie Anderson’s legs. Freek’s EP is joint release between SoHaSo and Marguerita Recordings, the label run by fellow Utrecht dweller Cosmic Force. They couldn’t have wished for a better debut record.

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Ashtray Navigations

Greatest Imaginary Hits

26,99 €* 35,99 € -25%

Drug Dilling EP DJ Bone Remix

Release: 2020 / US – Original

Genre: Rock & Indie

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27th Anniversary set for the multi-dimensional midlands-crew, led by Phil Todd and Melanie O’Dubhslaine. Nearly six hours of cosmic, psychedelic, mind-boggling sounds, featuring a newly recorded LP plus four max-length CDs curated by AshNav connoisseurs Rob Hayler, Henry Rollins, Pete Coward, and Neil Campbell. The CDs are drawn from the band’s massive back catalog of mostly small run / private releases, covering activity dating back to 1994. Mining a deep well of thousand-yard stare psychedelia, Ashtray Navigations possess of one of the most exciting outré music catalogs of the contemporary era, matching the classics from any era in originality and straight-up bonkers fun. This epic release includes a full range of hypnotic jams, including sequencer-led cosmic workouts, drifty ambience, and a heavy dose of Phil Todd’s ripping, laser guitar leads. The gatefold LP also includes pithy liner notes from Matt Valentine, Henry Rollins, Jon Dale, and more.

“Phil. Well I am glad you’re finally back from your place in Monaco and getting to work. The pictures of you with the polo mallet and the horses you sent were impressive, sure but when you sell yourself as an artist type and then are seen cavorting with those over tanned Euro trustfunders, it is alienating to your audience. You are, however, the only person I have ever met who has actually cavorted and that’s why you will always be a mid-level god to me.” —Henry Rollins

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The/Das

12" | 2017 | EU | Original (Life And Death)

10,19 €* 11,99 € -15%

10" | 2021 | EU | Original (Faux Lux)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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With further announcements forthcoming with Life and Death later this summer, Drug Dilling offers up the first new material from The/Das on the label since 2013’s Outfashioned. Now as a duo, Fabian Fenk and Philipp Koller’s latest EP is the result of playful and pure studio sessions, during which they aimed to capture the often-overlooked club-friendly side of their project. Top Vibes’ breakbeats come as a welcomed surprise, while Holy Rollers pairs wobbling synth pads with a vocal cameo by DJ Tennis. The standout title-track recalls hazy afterparty moments. Detroit stalwart DJ Bone delivers a focused reinterpretation on the flip, backing expertly-sampled organ takes and flanged vocal lines in an enticing bed of afro-cuban rhythms.

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The Attendant

Audit

22,49 €* 29,99 € -25%

Grey Skies In A Dear Green Place

Release: 2021 / EU – Original

Genre: Rock & Indie

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A New Project From Pete Astor (The Loft, Weather Prophets, Wisdom Of Harry, Ellis Island Sound) And Ian Button (Death In Vegas, Papernut Cambridge, Go Kart Mozart), The Attendant Started In The Strange Days Of March 2020, Using Off-Grid Electronics To Frame Astor's Poems. The Record Comes In Numbered, Signed, Hand-Stamped And Embossed Sleeves, Along With A Full Lyric And Photo Booklet. The Six Tracks Comprise The Three, Sold-Out Lathe Cut Singles That Were Released Last Year. Live And Online Shows Are In Place Throughout The Summer And Autumn To Support The Release.

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Fear-E

12" | 2020 | US | Original (Dark Entries)

16,99 €*

Release: 2020 / US – Original

Genre: Electronic & Dance

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We are proud to welcome Fear-E for his Dark Entries debut Grey Skies In A Dear Green Place. Fear-E is the moniker of Scott McKay a Glasgow based DJ and producer. Scott has already made a name for himself as one of Glasgow’s most technically-gifted and diverse selectors over the past decade. Then a slew of releases on the home-grown Dixon Avenue Basement Jams and Super Rhythm Trax introduced Fear-E, equally skilled studio operator, to the world. Grey Skies In A Dear Green Place contains six club-ready tracks to “smash sound systems and illuminate sweaty warehouses.” The title is a reference to a nickname that Glasgow has, coming from Cumbric, means 'green hollow' or (dear) 'green place'. Layering cut-up vocals with warm thumping beats, Scott creates a stripped-back yet deeply jackin’ vibe. Call these tracks what you will, “acid attacks”, “club destroyers”, “pickle ticklers?!” All songs have been mastered by George Horn at Fantasy Studios. For the cover, Scott commissioned legendary Detroit illustrator Alan Oldham, who’s artwork has graced established an identity for Transmat and DJAX-UP-BEATS, to create a futuristic portrait of Glasgow in black & white and with green kryptonite flourishes by Eloise Leigh.

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Guarapo! Forty Bangers From Barranquilla

2LP | 2017 | UK | Original (Honest Jon's)

20,99 €* 27,99 € -25%

LP | 2022 | EU | Original (Holidays)

Release: 2017 / UK – Original

Genre: Organic Grooves

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Rough, tough, tumping, bumping soundboy breakbeat from the Caribbean coast of Colombia.

Forty brand new buckaroos, tooled and primed by Jeanpi Perreo, Edwin Producciones and DJ Ander — all from local sound-systems — careering guarapo-style out of punches of vintage Nigerian highlife, waka and co, by legends like Steven Amechi, Sagbeni Aragbada and Cardinal Rex Jim Lawson.

Edited and mastered by CGB at D&M for maximum oomph and worries, and presented in a gatefold sleeve with cool and deadly varnishing. Plus a full-size booklet detailing the fascinating history of this music, seamed into the strange, tentacular byways of hand-to-hand vinyl distribution, record collecting and musical connoisseurship, and the soundclash traditions of the region, suffused with the politics and culture of the Black Atlantic, stretching back to the 1950s.

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James Rushford

Block Gifts

4CD | 2022 | EU | Original (Holidays)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Classical Music

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Block Gifts is a collection of three works for organs composed by James Rushford between 2015 and 2018. Using harmonium, portative organ and electric organ, each piece is linked by Rushford’s idiosyncratic combination of strict intervallic systems in different tunings (Werckmeister, quarter-tone, equal temperament), and haptically-informed rhythmic and expressive freedom. Creaks, stutters and sweeping fingers on keys become instrumental sounds in their own right, creating a further logical layer in Rushford’s compositional world. An intimate, nocturnal, and slightly suffered dialogue between the instrument and the body building a shining and fragile monument to the ephemeral nature of the organ, one of the most intriguing and ancient families of musical instruments in history. Mixed by Joe Talia, mastered by Giuseppe Ielasi, cut by Daniel Krieger at SST, Frankfurt am Main. Composed and recorded 2015-2018 at Akademie Schloss Solitude (Stuttgart), California Institute of the Arts (by Sam Dunscombe) and Chinatown Studios, Melbourne (by Joe Talia). Cover artwork and fold out poster by Graham Lambkin.

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Tongues Of Mount Meru

Naga Mountain

24,74 €* 32,99 € -25%

2LP | 2021 | EU | Original (Supraphon)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lasse Marhaug and Jon Wesseltoft have collaborated in a variety of projects over the years, but started the Tongues of Mount Meru duo back in 2008 as a collaboration to pursue their shared interest in sustained and closely calibrated sounds, and the phenomenological impact they have on the act of listening. They started recording a session each year from 2008 to 2011 in Oslo utilising harmoniums, organs, shruti boxes, oscillators, and computers and accumulated a large pool of material. Some of that material wound up on tapes and vinyls over the years, but they kept the hour-long pieces with an intended major future release in mind. These pieces are now collected in this monumental 4 disc box set.

Clocking in at the total of over 4 hours, with over 10 years in the making, this music was crafted with a clear intent to influence its listeners sense of time and mental colour analogous to the music’s stringently, and at times claustrophobic, unfolding narrative. Slowly blooming clusters of wave interference kaleidoscopic blending together with lower frequency binaural pulse patterns. It is as if light has been pitched down, and its oscillating and shimmering coating of gradually shifting overtone cycles opens up and crashes down again into the ocean of waves continually churning around its own time axis.

Drawing upon their joint interest in minimalism and long-form music, raga theory and electro-acoustics, Marhaug and Wesseltoft conjures up a focused power of both beauty and unease to deeply establish a state of hypnotic attentiveness. The result is a hallucinatory and intense set of finely tuned and tectonic long-form pieces, and is a must for anyone even remotely interested in any form of sustained sounds, and its impact on the mind.

Pressing info: 200 copies, black cardboard box set with embossed gold print

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Hana Hegerová

Merci!

27,29 €* 38,99 € -30%

2LP | 2014 | US | Original (Software)

Release: 2021 / EU – Original

Genre: Organic Grooves

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A gift to Mrs. HH on her ninetieth birthday – and her to us

A year ago, in preparation for the celebration of Hana Hegerova’s 90th birthday, the idea of summarising her francophone repertoire was conceived. She liked the theme very much and gladly agreed to it. As fate would have it, this year’s preparatory work could only be observed – and enriched by the provision of archival material – by her descendants.

The recordings from 1965 to 2010 include everything that was recorded, mainly studio shots but also rare stage moments. A chronology has been preserved, allowing for logical continuation of period arrangements and sounds, but also showing the maturation of artistic expression. Between her thirties and eighties or so, Hana Hegerova met Brel, Ferre, Becaud, Moustaki, Aznavour and Gainsbourg to add her own singing and personal experiences. The original versions, as well as the lyrics by Pavlo Kopta, zak and Vrba, O. Suchy, J. Fikejzova and others, have helped make these songs a permanent part of the top of our popular music of the last six decades.

In the form of a 2LP set, it is actually a thank you to France by Mrs. Hegerova for her musical inspiration and at the same time our thanks to her for a lot of beautiful music. The cover features a photograph by Jakub Ludvik, capturing the charmingly relaxed singer. Inside the cover you’ll find historic footage from Paris Olympia and other concert images, as well as reminiscences of her career and sheet music, lyrics and other material from Hana Hegerova’s personal archive.

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Suicideyear

Remembrance

21,69 €* 30,99 € -30%

Flutterama Brown Vinyl Edition

Release: 2014 / US – Original

Genre: Electronic & Dance

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Received a 7.3 rating from Pitchfork.

Software Recording Co, the label in part run by Daniel Lopatin aka Oneohtrix Point Never, present a solo release from American producer Suicideyear. The Remembrance EP follows on where the well-received Japan mixtape left off; constructing hard, trap-inspired percussion over gentle, minimalistic ambient soundscapes. The celestial ‘Hope Building A’ fits the EPs title with its nostalgia-tinged, awe-inspiring organ riff complimented by tinkering percussion, widescreen pads and sparse snare fills.

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Half-Handed Cloud

LP | 2022 | US | Original (Asthmatic Kitty)

Western Union Gold Record Store Day 2022 Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Flutterama, the seventh album from Half-handed Cloud is a record of 18 jubilant indie-pop songs by John Ringhofer, investigating spiritual incompetence with lively arrangements and radiant melodies that skillfully dissolve into deterioration using herky-jerky tape manipulation, analog wow-and-flutter, and an animated orchestra of home-recorded sound effects. Ringhofer's work on Flutterama was mainly inspired by late '50s/early '60s pre-synthesizer academic tape music (Henk Badings, Tod Dockstader, Ilhan Mimaroglu, Malcolm Pointon), along with Frances Mary Hunter Gordon's adolescent liturgies (recorded at Abbey Road during The Beatles era), turbid sights and sounds in Guy Maddin films, R. Stevie Moore's home-taped pop universe, Alberto Burri's stitched wound burlap assemblages, Lou Barlow/Dinosaur Jr's lo-fi "Poledo" sound collage (which name-checks Jesus), Julie Canlis book A Theology of the Ordinary, Wallace Berman's visual collage, and The Raincoats' magnificently shaky D.I.Y. aesthetic.The tape machine itself plays a vital role in the album's drive, interrupting moments of ecstasy and revelation with varispeed pitch shifts and grainy decay. These tape-fiddled tunes - recorded on a 16-track reel-to-reel recorder - employ surprisingly little synthesizer ("it felt like cheating," says Ringhofer). He preferred to craft most of the album's effects the long way, frequently going behind the back of rock instrumentation by hand-feeding 1/2" magnetic open reel recordings of deflating balloons, chord organs, tablecloth swipes, piano (occasionally tracked with a baby on his lap), brass, some guitars, and a quickly-cranked half-speed music box. Ringhofer was assisted by long-time Half-handed Cloud contributor Brandon Buckner on drums, and single-song backing vocals from Anacortes, WA songsmith John Van Deusen.

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Five Americans

LP | 1967 | US | Reissue (Sundazed)

30,99 €*

Tape | 2022 | US | Original (K)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Limited to 1200 copies. While overshadowed by its euphonic earworm, this is a remarkably deep and diverse album. With saccharin-saturated jangly pop that verges on bubblegum ('If I Could'), infectious Vox organ propelled grooves ('Sound Of Love'), fuzz-driven garage ('Reality') and the splendid and inventive sonic atlas 'Big Cities'! Come for the single, stay for the album! All analog, pressed on Abnak gold vinyl!

1. Western Union 2. Gimme Some Lovin’ 3. Husbands & Wives 4. If I Could 5. Sympathy 6. Big Cities 7. Sound Of Love 8. I Put A Spell On You 9. Tell Ann I Love Her 10. Reality 11. Now That It’s Over 12. See-Saw-Man

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Ghost Bitch

Blood And Honey

9,79 €* 13,99 € -30%

Then, Now And Neil Red & Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Ghost Bitch, like most suburban-bred "American" girls, has followed the traditional Britney Spears to Rowland S. Howard trajectory. On her 10th birthday, her wish came true when she was given an electric guitar, but she somehow managed not to learn a single chord (by her estimate) for the next 13 years. That did not stop her from beginning to perform in "Olympia, WA" on her own and in the short-lived punk band KZV, and later, Desire Complex, Di.Or. and Babyface Evil. What originally started (Ghost Bitch!) as a solo noise project and an outpouring of grief has slowly transformed into a poetic yet primal force of rock-n-roll while maintaining the touch of an exorcism, of late, a danceable one nonetheless.Ghost Bitch's new album Blood and Honey was recorded in six hours by Capt. Tripps Ballsington at High Command in October 2021. It was written in "Olympia" during the pandemic while long awaiting a move to Naarm ("Melbourne, Australia"). Blood and Honey is brutally romantic and funny the way a Baudelaire poem is funny, reveling in turning things upside down, most of all- beauty, yet this time spoken from the mouth of the razor-sharp, decaying Venus herself.

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Six By Seven

2LP | 2021 | UK | Original (Saturday Night Sunday Morning)

34,99 €*

Jatinder Singh Durhailay & David Edren

Release: 2021 / UK – Original

Genre: Rock & Indie

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Double coloured Red and Blue Vinyl Recorded At The New Batcave in Nottingham during 2021. Limited to 250 copies only. A double album compilation of two double CDs called: 'Neil Young's Shirt' and 'Now And Then' which were released on Bandcamp during mid 2020 and early 2021. Although Chris Olley's songwriting is obviously heavily influenced by the legendary Talk Talk albums 'The Colour Of Spring' and 'Laughing Stock', 'Then, Now And Neil', makes sure the songs and sounds are not just content with the slow burning melancholy of the Talk Talk albums, but that they build up and have the added aggression of the distinct Six By Seven post rock style which earned them such accolade in the 2000's. Although there are shorter more rocking songs and a couple of trademark lyrically twisted ballads, most of the songs on this album sound like mini-symphonies as they extended and are allowed to evolve and build into epic soundscapes. As one fan recently wrote on six by seven's Bandcamp site: "Another brilliant collection from start to finish. The whole album is just beautiful. 2020-2021 has had some of the absolute best music ever released under the name Six By Seven."

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Tea Notes

LP | 2019 | EU | Original (Ekster)

15,39 €* 21,99 € -30%

2LP | 2022 | EU | Original (Aguirre)

Release: 2019 / EU – Original

Genre: Pop

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Jatinder Singh Durhailay and David Edren released Tea Notes as a cassette back in April of 2018. London-based Jatinder Singh Durhailay is a painter and student of Indian Classical music. He has trained in both the sitar and the Hindi singing technique, Dhrupad. He also plays two traditional Sikh instruments; the bowed, stringed Dilruba and Taus. Poetic Pastel Press issued his solo debut, The Last Ballad Of Mardana, in 2017. David Edren`s expertise lies with machines and modular synthesis. His Kosmische and New Age-Inspired electronics have featured on numerous cassettes, and compilations, produced for imprints from the current Belgian underground, such as Jj Funhouse, Social Harmony, and Ultra Eczema. These recordings appearing, since the turn of the millennium, either under his own name, or the moniker DSR Lines. Jatinder and David’s collaboration, Tea Notes, is a celebration, a meditation, on both the beverage, and the communal time shared imbibing. The coming together to partake in its ritual. Each of the six tracks represents a different infusion. The opening piece is a tribute to semi-oxidised Oolong, from China`s Wuyi Mountains, with hammered dulcimer-like glissando. Gongs shimmering, gently crashing, as if signaling a change in the weather. A calm of thin, stretched synths and Ai angels introduces Tulsi from India. The Holy Basil of Hinduism, used in the worship of Vishnu, Krishna, and Rama. A traditional herb of Ayurveda and Siddha medicine. Automated arpeggiated sequences raising a vibrating wall of hallucinatory sound. Pairing swooning strings with a racing robot heart. Ceylon is a modern twist on the classical raga. Serving to tell the story of a tea smuggled into Sri Lanka in the 19th century. Plants stolen from South West China, where the brew had been enjoyed since the days of the Shang Dynasty (1766 to 1122 BC). The contraband founding fresh industry in its new home when the indigenous coffee crops failed. Muted organ and sleepy, treated sine wave microtones describe Kava, the Polynesian fireweed root, whose extract serves as both sedative and euphoriant.Shincha are the first young leaves of the season. Picked in Southern Japan and steamed to prevent oxidization, retain their flavour and green / gold colour. Their musical counterpart finds Edren establishing an ecclesiastical drone, while Durhailay`s strings chart an ancient romantic ache. Sonic stars shine. Singing out to the infinite, the universe, before dissolving into knots of Radiophonic Workshop noise.Melodies treated with subtle sustain and delay denote Pu-Ehr, from the Yunnan province. The only truly fermented black tea - made distinctive by the action of bacteria, moulds, and yeasts. Its musical themes hovering in the vapour trails, the atmospheres, they themselves create. Spiraling, soaring, reaching for the heavens, while pretty music box glitches - tiny chimes turned in on themselves. Catching, reflecting, like light at play on fresh running water. (words: Robert Harris)

Recorded january to march 2018 in Antwerpen and London. Mixed and edited by David Edren at ll150.
Mastered & cut by Anne Taegert at Dubplates & Mastering Berlin. Artwork by Victor Robyn.

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Ignatz

I Live In A Utopia

Disturbios Pink Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Double album in gatefold sleeve with artwork by Zully Adler. In co-production with House Rules & released in an edition of 500.

This sprawling collection by Belgian loner blues savant Bram Devens aka Ignatz encapsulates the mystery, murk, and melancholy of his uncanny craft at its most windswept and wayward. Originally issued via Goaty Tapes in September of 2015, this long-anticipated vinyl edition expands the saga with an additional 17 minutes of archival material. Deven’s palette remains constant throughout: feathery fingerpicking, modal loops, and intuitive six-string navigations interspersed with candlelit passages of mournful voice, alternately whispered, mumbled, moaned. His is an aesthetic of embers and resin, cracked masks and distant lights, of what’s left behind and what lingers on.

I Live In A Utopia was recorded following a relocation from his longtime base of Brussels to Landen, with a second child due soon: “I remember the weather being nice and having just bought a hammock.” The change of scenery seeded a promise of slower days and lighter times – no utopia perhaps, but a sense of faint hope glowing on the horizon. The songs slide between loose acoustic spirituals and smoky basement ragas, late afternoon haze and midnight moons, a seesawing restlessness reflected in the titles (“I Have Found True Love,” “Time Does Not Bring Relief,” “We Used To Smoke Inside”). The fidelity is grainy but vivid, refracted by tape warp and Flemish dust.

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Disturbios

LP | 2021 | EU | Original (Midnight Cruiser)

16,24 €* 24,99 € -35%