Search "rom+foot+signal" 4602 Items

Release: 2019 / US – Original

Genre: Electronic & Dance

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For their second release, NBN Records select Walter Mecca, the enigmatic character out of Paris' suburbs, who built an extensive catalogue over the last decade under various aliases on his own imprint Weirdata. He steps up here to deliver his first vocal opus "Lose Control" under the moniker of Waltaa as we discover another side of the multi-faceted artist. The result is a truly unique hybrid R&B project spiced up with touches of Jazz fusion.

Blending contemporary vibes and early Timbaland productions on the hit single "Ready Or Not" , his song writing and arrangements are further illustrated on the smoothed-out low funk of the two-part title track - "Lose Control". An alien in the music industry, Waltaa reaffirms his eccentric character, staying out of step with current trends while maintaining a timeless quality, rooted one foot in the next.

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International Disco Mafia EP

12" | 2019 | EU | Original (Fatty Fatty Phonographics)

9,99 €*

Wax Cutters White Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After a spell on the disco sidelines, Dublin label Fatty Fatty Phonographics are back with the 2nd instalment of their 'International Disco Mafia' series. Extending its reach around Ireland and then again over the sea to Italy, it begins with a 13 minute disco trip by a young man called The Crown Prince of Waterford, with the wirey Catholic white boy spirit of Walter Gibbons in his veins.

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DJ T-Kut & DJ Player

7" | 2019 | EU | Original (Play With)

9,99 €*

LP | 2019 | US | Original (Fat Beats)

Release: 2019 / EU – Original

Genre: Hip Hop

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DJ T-Kut & DJ Player proudly present an essential tool for beginners and advanced deejay players. You can practice skratches endless. 12 Loop tracks. You can find 2 different speeds 100 BPM and 133 BPM for UltraPitch use, optimizing at maximum the use of the vinyl. This 2019 comes with a new limited version presented in 7” format in colour solid white vinyl to enjoy in both ways of this wonderful LP. Great release for the veteran guys in the house.

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Clear Soul Forces

Still

Release: 2019 / US – Original

Genre: Hip Hop

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Nearly four years and a number of solo projects later, Detroit’s Clear Soul Forces are back with their most impressive release to date. Still is what happens when four proven artists continue to hone their craft and find their collective flow. At 11 tracks deep, this album eschews trends and instead provides timeless, straight-up dope Hip-Hop.

Speaking on why Still sounds so organic and cohesively produced, group member Noveliss says, “Everyone’s growth has made the creative process easier.” He adds that CSF may have been a team before, but each member had to prove himself individually. “Now, we and the world know what’s up, and it’s all about bouncing off each other and being a unit on every song.”

That sense of true teamwork and partnership is heard and felt on each track, from the neck-snapping opening track “Blaow (feat. DJ Odilon)” through to album closer “Don’t Stop” that serves up a wild burner-to-banger beat-switch. Other instant highlights include “Hit Me Now,” which Noveless says features “all of the random things that describe CSF,” and L.A.Z.’s favorite track “They Shootin’,” which is also the album’s lead single.

Those tracks, and the majority of the album, were produced by rapper-producer Ilajide, who complements his CSF brothers with beats primed for verses bursting with clever bravado, video game references, and head-spinning wordplay. Still is golden era Boom bap for the modern age, and it’s delivered through a lens that’s wholly unique to CSF. It’s also one of integrity, because there’s no fluff or superficial window dressing here—simply some of the best hip-hop you’ll hear this year.

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Townes Van Zandt

Sky Blue

Release: 2019 / US – Original

Genre: Rock & Indie

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Zara McFarlane with Dennis Bovell

East Of The River Nile

12" | 2019 | UK | Original (Brownswood)

Release: 2019 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Hopefully, Again Colored Vinyl Edition

Malihini

LP | 2019 | EU | Original (Memphis Industries)

Release: 2019 / EU – Original

Genre: Pop

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Hopefully, Again Black Vinyl Edition

Malihini

LP | 2019 | EU | Original (Memphis Industries)

Release: 2019 / EU – Original

Genre: Pop

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LP | 2019 | US | Original (577)

Federico Ughi

Transoceanico

18,99 €* 19,99 € -5%

LP+CD | 2019 | EU | Original (Voodoo Rhythm)

Release: 2019 / US – Original

Genre: Organic Grooves

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"Federico Ughi, New York drummer, improviser and producer releases a new studio recording to celebrate the 20 year anniversary of his very first album, recorded when he resided in London, UK. The theme of the album is Ughis experience of home, and how it has evolved, living between Brooklyn, New York, his native Rome, Italy and all the places in the world he has passed through while touring. Its Ughis deeply personal meditation on all the incredible things hes gotten from traveling to so many places, intertwined with the melancholy of never being able to feel like he entirely belongs to any one of them. The album features British saxophonist Rachel Musson, one of the most prominent voices in improvised music in the UK and Europe. Combining the timbral savvy of Tony Oxley with the controlled power of Rashied Ali - All About Jazz Whatever your particular tastes, you need to hear what Ughi and his band are doing - Rolling Stones Hank Shteamer"

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E.T. Explore Me

Shine

Release: 2019 / EU – Original

Genre: Rock & Indie

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Ewa Bem With Swing Session

Be A Man

LP | 2019 | EU | Reissue (Polskie Nagrania)

26,99 €*

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Radical American Hippy Kraut

Wharp & Rom

LP | 2019 | US | Original (Astro Nautico)

The Matthew Herbert Big Band

Release: 2019 / US – Original

Genre: Electronic & Dance

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Wharp X ROM is Time Wharp and CH-ROM, two longstanding experimental producers who have garnered significant press in New York and around the world with their previous projects. Though this album is primarily a collaboration between the two of them, it includes over 10 other collaborating musicians. This a joint release between Astro Nautico and Time Wharp's label, JASS Records, which should increase the audience size. There is a making-of-the-record mockumentary in the works, along with at least 1 or 2 music videos and a sustained press campaign.

"We designed Radical American Hippy Kraut to meet the semi-necrotic but self-assured geriatric ambling last dance of patriarchy, monoculture, and the society of the unbound prioritized self. From a coffee shop-bar-workshare-space identical to many others came the elemental code to the disruptor class’ ribbons of co-cultivating career gossamer light, and we’ve harvested this code to design instructions for developing higher pathways for the exchange of compassion and psyber-spiritual healing. The blockchain prosperity silicon contagion continues to spread as the Earth is cannibalized by its children, who under duress of the elephant head patriarchy succumb to the compulsion to auto-post and lifestream until we’re reduced to piles of calcium dust atop shattered lucite frames—but Wharp and Rom’s thundering motor drums rattle on in radical contrast! The group-selfthink grand optimization singularity is upon us, and thus we devote ourselves to dyspiritual para-American affective labor towards sculpting the counter-hymn of righteous joy and ecstatic hope against the unending statist drone of the convenience supremacist utopia." - Wharp & Rom

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The State Between Us

3LP | 2019 | EU | Original (Caroline)

31,99 €*

LP | 2019 | US | Original (Rum Bar)

Release: 2019 / EU – Original

Genre: Classical Music

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Matthew Herbert releases a new big band album - The State Between Us. The double album is released on the day the U.K. is scheduled to leave the European Union. Made in collaboration with over a thousand musicians and singers from across the EU, The State Between Us began as a project responding to the triggering of Article 50 and the dramatic shift in the national story that began in June 2016. Over the course of the next two years - against the backdrop of a relentlessly challenging news cycle and via large-scale recording sessions abroad - something unexpected emerged.

The State Between Us is an album that contemplates what it means to be British in 2019. Its sixteen tracks reflect a journey on foot across Great Britain (and beyond) imagined in beautifully elegiac melodies carefully woven with site-specific recordings. World War II planes in flight rub against a Ford Fiesta being broken down into its component parts; the loneliness of a cross-channel swimmer follows a single cyclist riding around Chequers. Here, the evocative sounds of empty harbours, and factories being demolished, of ancient trees and the calls of soon to be extinct animals ebb and flow through music that poses one hugely significant question - Where’s Home? - and leaves the listener with one resoundingly hopeful answer: You’re Welcome Here.

Whilst the record is a giant collaboration, there are a number of notable special guests including singers Rahel Debebe-Dessalegne, Arto Lindsay, Merz, Patrick Clarke and highly respected solo instrumentalists Enrico Rava, Byron Wallen, Sheila Maurice Gray and Nathaniel Cross. Lyrics include words by Britain’s greatest living playwright Caryl Churchill, Percy Shelley, John Donne and various abusive members of the public and the secretary general of UKIP. Artwork by longtime collaborator Sarah Hopper for The State Between Us is based on an image taken by renowned photographer Eva Vermandel.

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Brad Marino

Extra Credit

12" | 2019 | EU | Original (Drumcode)

Release: 2019 / US – Original

Genre: Rock & Indie

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Brad Marino, singer, guitarist, songwriter, and co-founding member of beloved garage rock n’ roll band The Connection, is about to embark on a journey
stepping into the spotlight front and center on his own. Brad has spent the past year writing, recording, playing every instrument, and producing his
solo full length debut ‘Extra Credit’ with a little ‘extra’ help from his friend Kris Rodgers on the keys and mixing board. What you have is an album filled
with tried and true rock n’ roll with hints of country, stabs of punk, and jolts of power pop, created in the garage. Rockpile meets the Ramones, Mick and
Keef get into a tussle with the Flamin’ Groovies, The Knack gets all tangled up in blue… get the picture? Featuring the lead single “C’Mon C’Mon C’Mon”
which sat atop at #1 on the Indie Radio Alliance’s Secret Weapon Radio for several weeks, along with the power pop punk sweetness of “Broken Record
Baby”, head boppin’ and fist raising of “Fit To Be Tied”, Mick Jagger swagger of “No One Else Tried It”, and the country hearted barroom twang of “What
Comes Naturally”, we can go on and on but we want you to hear this for yourself.

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Pig & Dan

Inifinity

15,99 €*

Horace Tapscott with The Pan-Afrikan Peoples Arkestra

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Pig&Dan signal their first solo outing on Drumcode since 2016, with a stirring three-track work.
The duo stands as one of electronic music’s most prolific artists, shapeshifting between different shades of house and techno over a 15+ year period, all the while displaying a startling breadth that’s ensured their enduring demand. Their relationship with Adam Beyer has solidified over the years, first impressing with a debut EP ‘Mexico’ in 2016, before collaborating with the Swede himself in 2017 for the fantastic four-tracker ‘Capsule’, a notable highlight. With their contribution to last year’s A-Sides compilation ‘La Bruja’ one of the strongest of the bunch, their return for a full-length EP is timely.

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Horace Tapscott with The Pan-Afrikan Peoples Arkestra Live At I.U.C.C

3LP | 2019 | UK | Original (Outernational Sounds)

34,99 €*

Aidan Moffat & RM Hubbert

Release: 2019 / UK – Original

Genre: Organic Grooves

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“I love Horace Tapscott! I love his music, his philosophies, and everything he did for the community that I grew up in” Kamasi Washington
Soul Jazz Records are proud to release the first in a series of albums by the legendary Los Angeles radical jazz artist, Horace Tapscott and The Pan-Afrikan Peoples Arkestra. Horace Tapscott is the key figure in the Los Angeles political and underground jazz scene of the late 20th century – his stridently independent and radical music, as far-reaching, cosmic and spiritual in scope as it was rooted in the Watts community of Los Angeles where he lived.
This superb rare, deep and spiritual jazz opus album was recorded at the Immanuel United Church of Christ, Los Angeles, in 1979, and has been unavailable on vinyl for over 40 years. ‘I had a vision of the inside of this church, and I went there, and it was just like I had dreamed it.’ This location remained the residence of the musical collective for most of the 1970s.
The music of Horace Tapscott and The Pan-Afrikan Peoples Arkestra is part Sun Ra Arkestra, part John Coltrane, part Art Ensemble of Chicago. This ground-breaking and monumental album (released here for the first time ever on expanded triple vinyl and double CD) explores the multi-faceted deep and spiritual jazz of Tapscott – Afro-centric rhythms, hypnotic bass lines, Tapscott’s stabbing modal piano playing and stunning flute and horn arrangements. ‘The Pan-Afrikan Peoples Arkestra – Live at I.U.C.C.’ is a true high point in the cannon of great independent underground jazz music recorded during this era.

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What The Night Bestows Us Clear Record Store Day 2019 Edition

LP | 2019 | UK | Original (Rock Action)

23,99 €*

California Voodoo, Part Ii Record Store Day 2019 Edition

Release: 2019 / UK – Original

Genre: Rock & Indie

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Recorded live in November 2018 on a 5-date tour of England, the album features new and intimate stripped-back arrangements of album tracks as Aidan & Hubby are joined for the first time by violinist and vocalist Jenny Reeve. This release also includes completely reworked versions of Party On and Wolves of the Wood, the latter being a particular highlight for the band: "As we walked on stage, we decided to ask the audience in Oxford to join us for the new version of Wolves and howl as best they could all through the song - they were brilliant and it turned out lovely, and it's probably my favourite track of ours we've ever released," says Aidan. There' s also a cover of Rosalie Allen's post-war anti-fascist song Hitler Lives, while the album ends with Car Song, the first track the duo wrote together back in 2012.

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Houndmouth

7" | 2019 | US | Original (Reprise)

Serfs Up! Black Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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'California Voodoo, Part II isHoundmouth's second installment of state-sponsored witchcraft featuring two unreleased
songs.
''Talk Of The Town'' is an indie music myth. It's whispered about in quiet corners of small record label offices. Or
shared via email with the subject head ''You didn't get this from me''. As it were, the public has never heard it. Neither
the time nor the place ever seemed quite right to release the track... until now. Written by maestro Jonathan Rado (of
Foxygen) and the late, great Richard Swift,Houndmouth's version of ''Talk'' picks up Bruce Springsteen in a flying
saucer and drops him off ''down on High Street'' in 1989. The jam features synth-y bass, foot-stomping drums and
fuzzy guitar riffs that linger in your head.
Accompanying the collab track is one fromHoundmouth's Shane Cody appropriately titled ''Shane's Song''. The band
slows it down then speeds it up this time for a reflective song of ''could-have'' and ''should have''. The percussion focus
here is tastefully accessorized by smooth guitar licks and Cody's falsetto. Crescendoing into a dizzying whirlwind,
''Shane's Song'' takes heartbreak and makes a beautiful sound for all to enjoy.''
''Talk of the Town'' was recorded at Vox Studios and Sonora Records in Los Angeles. ''Shane's Song'' was recorded at
Boulevard Studio in Los Angeles. Both songs were co-produced by Shawn Everett and Jonathan Rado.

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Fat White Family

LP | 2019 | UK | Original (Domino)

Release: 2019 / UK – Original

Genre: Rock & Indie

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Skratch Practice White Vinyl Edition

DJ T-Kut

LP | 2019 | Original (Play With)

14,99 €*

Release: 2019 / Original

Genre: Hip Hop

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K.O.G. & The Zongo Brigade

Wahala Wahala

2LP | 2019 | EU | Original (Pura Vida Sounds)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Transmit Sound)

Son Volt

Union

25,99 €*

LP | 2019 | UK | Original (La Vida Es Un Mus)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Son Volt’s ninth studio album, Union (Transmit Sound/Thirty Tigers), will be released worldwide on March 29th.

Jay Farrar channels folk music’s enduring legacy of the troubadour on Union. “There are so many forces driving our country apart,” observes Farrar. “What can we do to bring our society back together?” Initially intended to be an entirely political statement, Union morphed into a combination of politically inspired material balanced by a cluster of new songs reflecting the power of love, time and music that sustains us. “While Rome Burns” emphasizes finding unity during times of turmoil while an album highlight, “Devil May Care,” offers the distraction we need, an effusive tribute to the fun of playing and creating music.

A unique aspect of Union is that eight of the thirteen songs were recorded at places associated with two figures in American history whom Farrar considers important – labor and community organizer Mary Harris “Mother Jones” and iconic folk hero Woody Guthrie. Three songs were tracked at the Mother Jones Museum in Mount Olive, IL and four others were recorded at the Woody Guthrie Center in Tulsa, Oklahoma. The legacy of Woody Guthrie helped to inform Union’s closing song “The Symbol” which was inspired by Guthrie’s classic “Deportee” (“Plane Wreck at Los Gatos”).

Union features long time band members Mark Spencer (piano, organ, acoustic slide, lap steel, backing vocals) Andrew DuPlantis (bass, backing vocals), returning member Chris Frame (guitar), as well as newest member Mark Patterson on drums and percussion.

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Rakta

Falha Comum

Release: 2019 / UK – Original

Genre: Rock & Indie

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A.A. Bondy

Enderness

Release: 2019 / US – Original

Genre: Rock & Indie

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12" | 2019 | EU | Original (El Milagro)

Fede Lijtmaer

Daramar

10,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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It'll All Be Over DJ Koze Remix

Gerry Read

12" | 2019 | EU | Original (Pampa)

13,99 €*

LP | 2019 | UK | Original (La Vida Es Un Mus)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names. The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression.

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Enzyme

Howling Mind

Release: 2019 / UK – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Crows Feet)

JD Simo

Off At 11

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 2019 | EU | Original (Enemy)

Dustin Zahn

Juvenoia

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Dustin Zahn returns to his own label following last years big releases on Rekids, Mistress, and Parabel. Zahn heads straight into the tone zone with three emotive and uncompromising techno cuts. With >Juvenoia< Zahn has made a clear statement that signals a new era of his musical and artistic direction.

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LP | 2019 | US | Original (Numero Group)

Planisphere

33,99 €*

2LP+7" | 2019 | EU | Original (Pampa)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Ten incredible albums culled from the deepest, weirdest co-op of record enthusiasts ever gathered under one banner. We’ve spared no expense packaging these, pairing the idea of the Art of Compilation with living and breathing art, creating little fortune cookies baked in a factory of forgotten dreams. Video games, pyramids, trading cards, matchbooks, mazes, lottery tickets, film canisters, yearbooks, and various other exercises in design absurdity.

Static filled signals emanating deep from inside the walls of Laurel Canyon, bouncing off clusters of incipient late century technology, are pulled through the twisted rabbit ears of a Chevy Astro Van. Planisphere. The equivocal sound of hippies fresh from their back-toland sojourns shuttling drum machines through heartworn aspirations, as if the music section of the Whole Earth Catalog came to life. Let out from astronomy class with an arm full of Brain and Sky label releases, these 9 nomads scribble plein air narrations over a landscape turning its back on the sun. Bask in the reverberations of our celestial home sweet home.

Our Planisphere, for those within the 30-40 degree zone, will provide you with a fairly discernible chart for discovering both deep-sky objects and telluric emotional pulses.

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Robag Wruhme

Venq Tolep

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Voulez Vous Cha-Cha? French Cha-Cha 1960-1964

LP | 2019 | EU | Original

Release: 2019 / EU – Original

Genre: Organic Grooves

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Careful, “Let’s not get angry” suggests Spartaco Sax, the famed song accompanying French daily paper FRANCE-SOIR’s campaign against road violence: music isn’t that serious, often times really not. In any case, it is with this not so serious ear that one should listen to this selection of chachacha, mambo and other genres to twist and madison to, as music-lovers pinch their noses and block their ears. And yet, these breezy and light songs under their false airs of effortlessness draw out an astonishing analysis of late 1950s France with its partying baby boomers. Put on your dancing shoes, everyone on the dancefloor, let’s go baby.
The record starts out with an esoteric organ, a guitar straight out of a western, a vibey rhythm section, a speeding saxophone, a glamorous voice, a curious keyboard, a slightly panicky tempo… “Please Mr Hitchock!” calls out a voice from the unknown, on an arrangement that’s about to lose control.
The tone is set. Eins Zwei Drei, cries out Spartaco Andreoli, creator of the Chachacha for tunas, lyrics that are absurd accompanying music that isn’t so much so. And this is just the beginning. I can already see those making fun of it, and yes, I admit it does sound a bit comically-tragic, but more often than not, a persistent riff or melody will get stuck in your head, a chorus that you’ll start unintentionally humming, your foot that starts beating unbeknownst to you. “C’est bon ça dis donc !” (This is pretty good), suggest the Los Goragueros, at the start of their Mambo Miam Miam (Yum Yum). A smooth sax, a double bass that sways and shattering percussions, this song anonymously written by Alain Goraguer (there is often an “os” (bone), added to the band name for a little authenticity, i.e Los Chiquitos and Los Albinos) is actually quite tasty. This arranger and pianist who went on to write the indispensable Planète Sauvage (Wild Planet) is not the only one to have advanced half-masked in these tropical times. Just as Michel Legrand devoted himself to rock music, for better or worst.
Tropical music and France go way back. Indeed, this tropism for exotic music, not without the mannerisms that go with it, has been around. Just think of the period between both world wars, when the Paris of the roaring twenties fluttered to the sound of Latin-American orchestras. The influential Brazilian musician Pixinguinha came through in 1922, the charismatic Cuban singer Rita Montaner triumphed a few years later at the famed Palace and the brilliant clarinettist Stellio from Martinique had everyone dancing through the night to the beguine (a dance style from Martinique)… Seedy cabarets and fishy clubs mixing up different peoples and music until the early hours. From Montparnasse to Montmartre, dancing clubs bloomed throughout the capital while the World Exhibition sold a rather uncertain idea of the other tropics: a discounted and fantasized exotic dream of island life. It’s in bars like Jimmy’s, by La Coupole, or the Melody’s nestled in the heights of Pigalle, where Don Marino Barreto’s (Cuban pianist and singer who emigrated to Paris in the 1920s) orchestra made the heyday of a surreal and carefree Paris. Parisian Ray Ventura and his band Les Collégiens, quite the breeding ground for funny songs, at times almost delirious, were always a big part of the party.
And after the Second World War, it started all over again. Rico’s Creole Band was one of the great Creole orchestras to sway all of Paris, the Blomet Ball brought together the Afro-Caribbean communities, L’Escale became an essential dancing ground for lovers of Latin music, the pianist Eddie Warner was one of these pillars, accompanied by his “rhythms”, a “witty orchestra with 85% of French musicians, only the percussionists were South American”. Another jazzman, Henri Rossotti, also navigated in the warm waters of these gentle tropical shores. They covered sambas and mambos, adapting Benny Moré and Pérez Prado. Hot, like the hard-hitting Benny Bennett and his orchestra of Latin American music, which ended up being the training grounds of many apprentice improvisers. On the menu: calypso, merengue… and of course chachacha. Shortly after, the Los Machucambos, a South American band created in the Latin Quarter performed music between guajira and flamenco and its song Pepito marked the start of the trio’s success.
At the time, Latin-style combos were all the rage in France such as the chachacha which was officially invented in the early 1950s by Enrique Jorrin, soon followed by the pachanga, becoming a staple of black-and-white films. In the long run, this music has become a sort of French standard, adapted by many: Boris Vian oftentimes, Bourvil, Bob Azzam, Gainsbourg, Carlos (jokingly), Louis Chedid, Vanessa Paradis… Taking it a little far, you could even detect the beginnings of the french touch. This Chachacha affair is emblematic of the atypical history of popular music, that of back-alleys, far from the paths and furrows of glory. Music, raised from the grave and dusted off by the Born Bad record label. In terms of latin music, these records that were patiently found in flea markets are becoming a rarity, even if most are worth three euros and six cents: this low cost hobby is underestimated by licensed collectors, who run like lunatics towards triple-zero rarities.
Chachacha Transistor, predicted the unlikely Jacky Ary, known for his less digestible Mange des tomates (Eat tomatoes). With the approach of the 1960s, typical music styles were found all over the country, from the northern plains to the southern sea. Never failing to cheer up dances, nor to whet the appetite of a burgeoning industry, which often seized it by opportunism, not without a tinge of cynicism. After all, one must sell records to the desolate youth, at all costs and any price. These 7-inch vinyl records were therefore recorded at Barclay, Vogue and co. Low-consumption products intended to supply the shelves of budding suburban supermarkets. The idea was to convert a North-American trend in the studio, by summoning old geezers (Paul Mauriat under the pseudonym of Eduardo Ruo, at the top of the list…) who would play young and interpret these rhythms with a distorted vision. All for just one season and all this before summer hits were a thing. It was already the same idea though, but in more of a D.I.Y fashion. A quick fix, just enough time for the producers to get some juicy revenue, the same ones who recruited teams to perform these “inferior” works. Most were flops, but a few made it big such as Jean Yanne answering to Henri Salvador for Allo Brigitte, a classic of the “comic-musical” genre. It’s author Norma Maine went on to write quite a few of these quirky songs.
Most had improbable dialogue, as well as senseless adaptations such as the Marchand de melons (The Melon Merchant) distorting Herbie Hancock’s Watermelon Man, a result of automatic writing in order to come up with ridiculous lyrics. What can be said about Tarte à la nana (Girl Pie), and how about Ça c’est du poulet ? (This is Chicken?) Or the terrible Soukou Soukou, on the limit of bad taste, words of a colonist… When it comes to reappropriating foreign know-how, the results can turn out strange like a surreal shock of cultures. Improbable mixes, like chacha bebop, latino tempo and scat jazz… It all definitely swings and is sometimes even quite impressive. Because magical loose moments are to be found in these records made to order, records that were just trying to recreate a successful pre-existing North American formula. They recorded them on the line, in the original spirit, or inconspicuously modified them, not only for fun, but also for the pleasure of adding on a chorus which would take the song a little further, or a well adjusted rhyme that would denote a touch of derision, a French tradition that was to be repeated in rock as in punk, and even bossa nova. The key often being explosive arrangements, occasionally beautiful choruses, radiant mishaps, confusing mistakes, not necessarily off-topic, all in all some sweet musical trips that always have an effect on the dancefloor when it’s time to boogie. Try it out, you’ll see, it works every time, if you don’t abuse of it. Moderation is recommended for this music that should be served either at cocktail hour or after midnight…

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Jambú - E Os Míticos Sons Da Amazônia

2LP | 2019 | EU | Original (Analog Africa)

31,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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The city of Belém, in the Northern state of Pará in Brazil, has long been a hotbed of culture and musical innovation. Enveloped by the mystical wonder of the Amazonian forest and overlooking the vastness of the Atlantic Ocean, Belém consists of a diverse culture as vibrant and broad as the Amazon itself. Amerindians, Europeans, Africans - and the myriad combinations between these people - would mingle, and ingeniously pioneer musical genres such as Carimbó, Samba-De-Cacete, Siriá, Bois-Bumbás and bambiá. Although left in the margins of history, these exotic and mysteriously different sounds would thrive in a parallel universe of their own.

I didn’t even know of the existence of that universe until an Australian DJ and producer by the name of Carlo Xavier dragged me deep into this whole new musical world. Ant it all began in Belém do Pará. Perched on a peninsula between the Bay of Guajará and the Guamá river, sculpted by water into ports, small deltas and peripheral areas, Belém had connected city dwellers with those deeper within the forest providing fertile ground for the development of a popular culture mirroring the mighty waters surrounding it. Through the continuous flow of culture, language and tradition, various rhythms were gathered here and transformed into new musical forms that were simultaneously traditional and modern.

Historically marginalized African religions like Umbanda, Candomblé and the Tambor de Mina, which had reached this side of the Atlantic through slaves from West Africa – especially from the Kingdom of Dahomey, currently the Republic of Benin – left an indelible stamp on the identity of Pará´s music. They would give birth to Lundun, Banguê and Carimbó, styles later modernised by Verequete, Orlando Pereira, Mestre Cupijó and Pinduca to great effect. The success of these pioneers would create a solid foundation for a myriad of modern bands in urban areas.

Known as the “Caribbean Port,” Belem had been receiving signal from radio stations from Colombia, Surinam, Guyana and the Caribbean islands - notably Cuba and the Dominican republic - since the 1940s. By the early 1960s, Disc jockeys breathlessly exchanged Caribbean records to add these frenetic, island sounds to liven up revelers. The competition was fierce as to who would be the first to bring unheard hits from these countries. The craze eventually reached local bands’ repertoires, and Belém’s suburbs got overtaken by merengue, leading to the creation of modern sounds such as Lambada and Guitarrada.

To reach a larger audience, the music needed to be broadcast. Radios began targeting the taste of mainstream audiences and played music known as “music for masses.” As the demand for this music grew, it led to the establishment of recording companies. Belém’s infant recording industry began when Rauland Belém Som Ltd was founded in the 1970s. It boosted a radio station, a recording studio, a music label and had a deep roster of popular artists across the carimbó, siriá, bolero and Brega genres.

Another important aspect in understanding how the musical tradition spread in Belém, are the aparelhagem sonora: the sound system culture of Pará. Beginning as simple gramophones connected to loudspeakers tied to light posts or trees, these sound systems livened up neighbourhood parties and family gatherings. The equipment evolved from amateur models into sophisticated versions, perfected over time through the wisdom of handymen. Today’s aparelhagens draw immense crowds, packing clubs with thousands of revelers in Belém’s peripheral neighbourhoods or inland towns in Pará.

The history of "Jambú e Os Míticos Sons Da Amazônia" is the history of an entire city in its full glory. With bustling night clubs providing the best sound systems and erotic live shows, gossip about the whereabouts of legendary bands, singers turned into movie stars, supreme craftiness, and the creativity of a class of musicians that didn’t hesitate to take a gamble, Jambú is an exhilarating, cinematic ride into the beauty and heart of what makes Pará’s little corner of the Amazon tick. The hip swaying, frantic percussion and big band brass of the mixture of carimbó with siriá, the mystical melodies of Amazonian drums, the hypnotizing cadence of the choirs, and the deep, musical reverence to Afro-Brazilian religions, provided the soundtrack for sweltering nights in the city’s club district.

The music and tales found in Jambú are stories of resilience, triumph against all odds, and, most importantly, of a city in the borders of the Amazon who has always known how to throw a damn good party.

“Jambú is a plant widely used in Amazonian and Paraense cuisine. Known for having an appetitestimulating effect, it is added to various dishes and salads but is most famously one of the main ingredients in Tucupi and Tacacá, two delicacies that have been immortalized in countless Carimbó songs. Chewing the leaves of the Jambú plant will leave a strong sensation of tingling on the tongue and lips. Indigenous communities have relied upon its anaesthetic qualities for centuries as an effective remedy against toothaches and as a cure for mouth and throat infections. A decade ago, a distillery from Belém discovered the euphoric effects of the Jambú plant when combined with distilled sugarcane based spirit - known as cachaça - and created the now legendary “Cachaça de Jambú“.

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12" | 2019 | EU | Original (Fit Sound)

Inside Me / Geist Bahn

10,99 €*

LP | 2019 | UK | Original (La Vida Es Un Mus)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Two mind melting acidic drippers that Ron Hardy would've been proud of!

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Asid

Pathetic Flesh

Release: 2019 / UK – Original

Genre: Rock & Indie

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Searching For A Former Clarity

Against Me

2LP | 2019 | US | Original (Fat Wreck Chords)

36,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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CD | 2019 | US | Original (Lewis)

DJ Yoda

Home Cooking

14,99 €*

12" | 2019 | EU | Original (Sional)

Release: 2019 / US – Original

Genre: Hip Hop

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Home Cooking' is the new, mature sound of DJ Yoda. Maximising the experience and enjoyment gained from recording live instruments and prioritising songs over beats for his previous two albums 'Breakfast of Champions' and 'Chop Suey', this is a big step for the cut-and-paster as a producer, having wowed the world over for over two decades with his celebrated turntable tomfoolery. Recorded between his own studio and the world famous Abbey Road, 'Home Cooking' keeps one foot in the hip-hop old school with collaborations with the returning Jungle Brothers (the party-starting 'Afrika') and Boston bastion Edo. G (a peaceful route from London to 'Roxbury'), and spreads to a melodic vibe scoring chilled Sunday mornings.

"I titled this one 'Home Cooking' because the music is so close to my heart, in terms of what I grew up on, and what really speaks to me on a personal level". Imbued with the spirit of Guru's 'Jazzmatazz', the output of Acid Jazz and 90s vitals from the Jungle Brothers, A Tribe Called Quest and De La Soul, Yoda admits that it's a happy accident that, whilst drawing on jazzy, soulful hip-hop from 25 years ago, the sound of 'Home Cooking' is very much of-the-moment.

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Aemris

The Presence Of God

CD | 2019 | EU | Original (Pura Vida Sounds)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Supported by: 999999999, answer code request Slam, Rebekah, Takaaki Itoh, Zitto, MXMLXXXV, Reka, 14anger, hd substance, Emma Blake, Krenzlin, Kaiser, Bleak, Astronomical Telegram, Casper Hastings, Metrist, Johannes Volk, Exilles, Sugar Lobby, Raphael Dincsoy, dMIT.RY, Kris Goad, Luke Creed, L.A.W.

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Guts

Straight From The Decks

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Fati)

Ambien Baby

En Transito

16,99 €*

Eyes Glide Through The Oxide

Release: 2019 / EU – Original

Genre: Electronic & Dance

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En Transito is a document of the evolution of the Ambien Baby collaboration between D Tiffany and NAP. An ode to friendship and creative symbiosis. The tracks on this record showcase the project from its beginnings in 2015 to present day.

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Ondo Fudd Aka Call Super

2x12" | 2019 | EU | Original (The Trilogy Tapes)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Nata Alma / Venq Tolep EP

Robag Wruhme

12" | 2019 | EU | Original (Pampa)

13,99 €*

LP | 2019 | UK | Original (Finders Keepers)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other! Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage.

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Suzanne Ciani

Flowers Of Evil

Let Me Know When You Give Up

Release: 2019 / UK – Original

Genre: Electronic & Dance

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As a genuine vanguard of electronic music composition at the forefront of the modular synthesiser revolution in the late 1960s, Suzanne Ciani’s forward-thinking approach to new music would rarely look to the past for inspiration, which makes this unheard composition from 1969 a rare exception to the collective futurist vision of Ciani and synthesiser designer Don Buchla. In choosing to adapt the controversial prose of French poet Charles Baudelaire, Suzanne would join the ranks of ongoing generations of pioneering musicians like Olivier Messiaen, Karlheinz Stockhausen, Serge Gainsbourg, Etron Fou Leloublan, Celtic Frost and Marc Almond (not forgetting Star Trek’s William Shatner!), all equally inspired by the 19th century writer’s works of “modernité” (modernity), a self-coined term dedicated to capturing the fleeting, ephemeral experience of life in an urban metropolis, best exemplified in his symbolic, erotic and macabre ode to Parisian industrialisation, Les Fleurs du mal (Flowers Of Evil).
In her varied career that would combine art gallery installations, major film soundtrackings and commissions for Atari, Suzanne Ciani’s earliest experiments remain some of her most challenging, beguiling and timeless... Flowers Of Evil ticks all the above boxes and flicks switches that would power-up a new uncharted universe of her own musical modernité. For the many enthusiasts that have already drawn the parallels between Baudelaire’s writings and experimental/electronic music (a relationship rivalled only by the likes of J. G. Ballard and Aldous
Huxley) some might instantly recognise an unconscious sistership between this recording and another 1969 electronic adaptation of Flowers Of Evil by celebrated female electronic composer Ruth White. An interesting distinction of White’s excellent version of Flowers Of Evil (released via Limelight records, home to the likes of Fifty Foot Hose and Paul Bley) is that its dark tone generation and vocal manipulation was created with a Moog synthesiser, the commercially triumphant
rival to Suzanne and Don’s Buchla Systems (Buchla and Moog’s historic, simultaneous, neck-and-neck synth developments are well documented.) The fact that Ciani’s version was never intended for commercial release (not unlike her 1975 Buchla concerts, which could easily have taken Morton Subotnick’s Bull by the horns!) is also poetically reflective of the nature of Ciani and Buchla’s alternative perspective. The choice to present this extract from Flowers Of Evil in its intended French language further distances Ciani’s faithful reaction from some of its better-known variations. Having attempted to voice the poem herself, the multilingual Italian-American composer’s French accent did not meet her own standards, resulting in the request for a fellow unnamed French student who lived on campus at Mills College in Oakland to accurately verbalise the section of Baudelaire’s collection entitled Élévation.

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Joey Cape of Lagwagon

LP | 2019 | US | Original (Fat Wreck)

LP | 2019 | FR | Original (Baco)

Release: 2019 / US – Original

Genre: Rock & Indie

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Originally known as the singer, songwriter, and founder of both LAGWAGON and BAD ASTRONAUT, JOEY CAPE has established himself as a recognized solo artist over the past 13 years. His solo ventures have allowed him to stretch the bounds of his musical stylings, highlighting more diverse instrumentation, subdued pace, and experimental elements. The one constant, of course, is his unique ability to craft unforgettable songs. Joey doesn’t want to call it an epiphany, but in recent years he’s come to a realization about life—specifically, the best way to live it. It’s a simple philosophy: even though we’re living in very troubled times, it’s important to not get bogged down by it all. As he incorporates that mindset into his day-to-day life, it naturally gets absorbed into his music, and serves as the crux of Joey's new solo album Let Me Know When You Give Up.

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Max Romeo

Words From The Brave

26,99 €*

Release: 2019 / FR – Original

Genre: Reggae & Dancehall

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CD | 2019 | EU | Original (Mello Music Group)

Georgia Anne Muldrow

Vweto II

14,99 €*

LP | 2019 | EU | Original (Mello Music Group)

Release: 2019 / EU – Original

Genre: Hip Hop

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i'd like to thank the silence
it's the womb of all vibration
and very rare to find
because most of the time
everything is singing
but when it does arrive
it's a healing force too.
i'd like to thank the wind
for being so dear.
i wanna thank the blues
for helping me out
and the fonk
for setting me free
as i can possibly be
under this oligarchy.
and a special thanks
to the sweet scent
the rain leaves behind itself
cause
it makes me wanna make music
i wanna thank you
for sharing this moment with me.
uhuru na haki
g
produced mixed and recorded by g.a.m. at SomeOthaShip
mastered by Romeo "D.J. ROMES" Jimenez

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Kool Keith

Keith

OST Spell - Dolce Mattatoio

Release: 2019 / EU – Original

Genre: Hip Hop

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It’s been more than forty years since Kool Herc starting throwing parties in the South Bronx, and so you could forgive the casual fan for thinking that nearly every permutation of hip-hop has already been explored. But KEITH, the new album from the iconic rapper Kool Keith and the master producer Psycho Les (due out July 12 on Mello Music Group) argues just the opposite: that what’s absurdly funny can also be sinister and strange, that the form can still be broken in new and radical ways. Keith is, of course, one of the pivotal figures in the history of hip-hop, and has been one of the genre’s most singular writers and original voices. The Bronx native was a founding member of Ultramagnetic MCs, whose debut album, 1988’s Critical Beatdown, served as a blueprint for both internationally famous acts like Public Enemy and for the entire future of underground rap. But Keith’s solo work, which began in earnest in the mid-’90s with Dr. Octagonecologyst (released under a pseudonym, naturally) is even stranger, more experimental, more brilliant. He will enjamb seemingly unrelated ideas and images against one another with a poet’s love for language and a pornographer’s knack for camp. Subsequent records like 1997’s Sex Style, ‘99’s Black Elvis/Lost In Space, and 2000’s Matthew were hailed as instant classics; Keith has spent the last several years crafting expertly written records that are rewardingly bizarre, unlike anything else on the rap landscape –– and KEITH is a crown jewel in that excellent late-period run.

Psycho Les is a founding member of the Beatnuts, who were first notable as the only Latino members of the Native Tongues, the collective of groups that pushed hip-hop to its avant edges in the early ‘90s. They were staples throughout that decade, both with their own albums and via the production they did for artists as disparate as Fat Joe and Common –– as well as for their work pioneering the remix. The Beatnuts’ music had in its foreground cramped house parties and reckless debauchery; Les developed the unique ability as a producer to merge that abandon with technically rigorous sample manipulation and unique arrangements.

If you’re worried that two artists who have been working at this for so long would be tempted to rest on their laurels or make music that’s predictable, disabuse yourself of that notion. Keith opens the album with a tangent about Foot Locker –– not about buying shoes, but about lusting after the footwear chain’s employees, with their tight, referee-striped shirts and form-fitting black pants. It only gets stranger from there. His Lamborghinis aren’t just green, they’re pistachio green; his head is perfectly round like Charlie Brown’s; his handkerchief is worth your per diem. And as a vocalist, Keith is still as slippery and innovative as ever: see the way he slides right into an unorthodox flow at the beginning of “Slave Owner,” only to thin out his writing to allow for a string of insults from the titular slave owner.

KEITH is a laser-focused, remarkably vital work from two artists entering the fourth decades of their respective careers. If nothing else, take as an example a couple of the guests who appear here: there’s Jeru the Damaja, who represents the true-school ethos of New York in the early ‘90s, but there’s also Paul Wall –– he rides shotgun on “Foot Locker” –– who broke through more than a decade after Jeru, as the woozy, laconic Houston scene of the mid-2000s briefly stole the national spotlight. Both serve as ideal foils for Keith: they’re somehow tethered to Earth as we understand it, while he’s free to orbit around them, and us, in a path that only he will ever understand.

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Claudio Tallino

7" | 2019 | EU | Original (Sonor Music Editions)

Peter Green & Nigel Watson

Release: 2019 / EU – Original

Genre: Soundtracks

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We're pleased to announce the release of a previously totally unreleased Italian soundtrack on 45. Claudio Tallino "SPELL – DOLCE MATTATOIO" from 1977, originally composed for the censored erotic thriller movie directed by the visionary genius Alberto Cavallone. A shocking, freaking and occult storyline set in the province of Rome, scene of shady affairs and private dramas that protagonists try to hide behind a respectable front. Stunning and booming Italian OST production with 2 killer sleazy Funk shots selected from the original recording sessions.

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Hot Foot Powder

LP | 2019 | EU | Original (Madfish)

28,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Aether EP Jeff Rushin Remix

Black Lotus

12" | 2019 | EU | Original (Flash)

LP | 2019 | EU | Original (Room 40)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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This third release of Black Lotus on Florian Meindl's FLASH Recordings enqueues in her reflection on space and physics and hypnotizes the listener in her usual kind.
According to ancient and medieval science, Aether is the material that fills the region of the universe above the terrestrial sphere.
In mythology it is seen as the personification of the heaven - the soul of the world and element of all life. An undetectable substance.
The invisible material thought to permeate all the empty space in the universe. The pure air that the gods breathe in the heavens.
Kicking off with the opening theme, with its wild synth hook and sweeping ride, ÔAetherÕ induces a solid trip on the dancefloor.
The second track explores deeper territories with its dynamic cymbals, spacey 303 textures and monotonous dark mood.
Distant Signal is a supernatural story about incessant galactic bleeps, accompanied by heavy kicks and a highly energetic percussion.
On remix duties, Jeff Rushin delivers a trippy vinyl version plus an additional digital bonus.
Safe trip!

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Siavash Amini

Serus

28,99 €*

12" | 2019 | EU | Original (Faith Beat)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Iranian composer Siavash Amini creates an ode to night; literal and metaphorical. Using textural electronics and post classical arrangements, he asks us to dwell in the ‘dark’ of sound and forgo the sensory certainty of light.

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Ryan Elliott

The Introduction EP

2LP | 2019 | EU | Original (Be With)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Ryan Elliott provides the first EP on his new label Faith Beat. An intricate blend of techno, house, and hypnotica.

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Marcia Griffiths

Sweet And Nice

34,99 €*

LP | 2019 | US | Original (Asian Man)

Release: 2019 / EU – Original

Genre: Organic Grooves

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140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.

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Small Crush

Aidan Moffat And RM Hubbert

Release: 2019 / US – Original

Genre: Rock & Indie

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"The debut full length from Oakland Indie darlings Small Crush. The band’s members, including vocalist, bassist, and primary songwriter Logan Hammon, are all teenagers, and this youthful energy shines through in their music. Take the songs “Signal Dreams,” that finds Hammon daydreaming about a crush; and “Chicken Noodle,” clocking in at just over a minute, is a playfully self-deprecating firework of a song with the instant sing-along line that repeats, “I’m a mess, I’m a mess, I’m a mess!”"

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Cut To Black

7" | 2019 | EU | Original (Rock Action)

6,59 €* 10,99 € -40%

Release: 2019 / EU – Original

Genre: Rock & Indie

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Who's Here? I'm Here, You're Here

Pentagram Home Video

LP | 2019 | US | Original (Death Waltz)

Release: 2019 / US – Original

Genre: Pop

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Remy-X, Aadja, Deep Dimension & Dave Simon

Genx004

12" | 2019 | EU | Original (Gen X)

LP | 2019 | US | Original (Fat Wreck Chords)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The fourth output on the imprint GEN X is a various artists EP featuring Remy-X, AADJA, Dave Simon and label owners Deep Dimension. Featuring four hard-hitting old school ravey cuts with new age soundscapes. Bringing back the energy of the early nineties raves.

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Mean Jeans

Gigantic Sike

Release: 2019 / US – Original

Genre: Rock & Indie

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Shlomo, Telefon Tel Aviv, CUB, In Aeternam Vale & Netsh

Mercurial Skin Remixes: Tome 2

12" | 2019 | EU | Original (Taapion)

Roberto Surace / Cosmin Horatiu

Release: 2019 / EU – Original

Genre: Electronic & Dance

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2018 was a year in which Shaun Baron-Carvais, aka Shlomo, fully arrived as one of techno's most exciting talents. An individual at the centre of the city's rich and diverse scene, the Parisian affirmed the thoughts of many as he unveiled his fourteen-track debut album "Mercurial Skin" on Taapion to critical acclaim, marking a significant chapter in the Shlomo journey and a first for the imprint, with DJ Mag naming the LP #6 in their Best Albums of 2018, whilst featuring in Tsugi's top three albums of the year, with praise extending throughout the dance music world and beyond from the likes of Groove Magazin, TRAX and Mixmag, through to publications such as Liberation, Le Bonbon and more. The project signaled both the arrival of a highly anticipated album, but also a complete presentation of Shaun's universe as an artist, with Tsugi noting the release as a "first step towards the total blossoming of a big name in electronic music" as they welcomed him to curate their highly coveted cover CD, showcasing his diverse, expansive palette as both a skilled producer and also a highly accomplished DJ. Having revisited the project's material with updates and edits throughout his own live sets, the Frenchman now welcomes an impressive cast of emerging and established names to remix the package, spanning pockets of IDM and ambient textures through to warping techno as he releases the four-part "Mercurial Skin Remixes" on Taapion this September.

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Sintonia EP

12" | 2019 | EU | Original (Bamboleo)

10,49 €* 13,99 € -25%

12" | 2019 | EU | Original (Voodoo Gold)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Roberto Surace and Cosmin Horatiu head to Bamboleo to close August with their split EP ‘Sintonia’.
Launched in early 2019, Neverdogs’ Bamboleo Records imprint has quickly emerged as a go-to outlet for fresh productions for the industry’s biggest names within house and tech house, with support over the first four releases to date from the likes of Marco Carola, Stacey Pullen, Jamie Jones, Paco Osuna and Oxia to name just a few.
Next up, the Italian duo welcome Rome’s ‘man of the moment’ Roberto Surace, following releases on NONSTOP, elrow and Noexcuse, and rising Romanian talent Cosmin Horatiu as each artist delivers two tracks forming their split release entitled ‘Sintonia’.
Roberto Surace’s ‘Sintonia’ opens the package as the Italian opts for slick, rolling grooves that snake amongst soft floating melodies, before easing into second track ‘Subtitle’, featuring hazy synth lines, punchy kicks and rich chord patterns throughout.
On the flip, Cosmin Horatiu’s ‘Milk & Egg’ ups the energy levels with metallic drum shots, off the wall vocal samples and bubbling bass patterns, whilst switching things up and laying the focus on organic percussion hits and sizzling hats with closing production ‘Make It Rain’.

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Jeremiah R

Tales From The Dark Reef

Jatinder Singh Durhailay & David Edren

Release: 2019 / EU – Original

Genre: Electronic & Dance

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7 cuts of machine funk from the abyssal plain!

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Tea Notes

LP | 2019 | EU | Original (Ekster)

15,39 €* 21,99 € -30%

2LP | 2019 | EU | Original (Be With)

Release: 2019 / EU – Original

Genre: Pop

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Jatinder Singh Durhailay and David Edren released Tea Notes as a cassette back in April of 2018. London-based Jatinder Singh Durhailay is a painter and student of Indian Classical music. He has trained in both the sitar and the Hindi singing technique, Dhrupad. He also plays two traditional Sikh instruments; the bowed, stringed Dilruba and Taus. Poetic Pastel Press issued his solo debut, The Last Ballad Of Mardana, in 2017. David Edren`s expertise lies with machines and modular synthesis. His Kosmische and New Age-Inspired electronics have featured on numerous cassettes, and compilations, produced for imprints from the current Belgian underground, such as Jj Funhouse, Social Harmony, and Ultra Eczema. These recordings appearing, since the turn of the millennium, either under his own name, or the moniker DSR Lines. Jatinder and David’s collaboration, Tea Notes, is a celebration, a meditation, on both the beverage, and the communal time shared imbibing. The coming together to partake in its ritual. Each of the six tracks represents a different infusion. The opening piece is a tribute to semi-oxidised Oolong, from China`s Wuyi Mountains, with hammered dulcimer-like glissando. Gongs shimmering, gently crashing, as if signaling a change in the weather. A calm of thin, stretched synths and Ai angels introduces Tulsi from India. The Holy Basil of Hinduism, used in the worship of Vishnu, Krishna, and Rama. A traditional herb of Ayurveda and Siddha medicine. Automated arpeggiated sequences raising a vibrating wall of hallucinatory sound. Pairing swooning strings with a racing robot heart. Ceylon is a modern twist on the classical raga. Serving to tell the story of a tea smuggled into Sri Lanka in the 19th century. Plants stolen from South West China, where the brew had been enjoyed since the days of the Shang Dynasty (1766 to 1122 BC). The contraband founding fresh industry in its new home when the indigenous coffee crops failed. Muted organ and sleepy, treated sine wave microtones describe Kava, the Polynesian fireweed root, whose extract serves as both sedative and euphoriant.Shincha are the first young leaves of the season. Picked in Southern Japan and steamed to prevent oxidization, retain their flavour and green / gold colour. Their musical counterpart finds Edren establishing an ecclesiastical drone, while Durhailay`s strings chart an ancient romantic ache. Sonic stars shine. Singing out to the infinite, the universe, before dissolving into knots of Radiophonic Workshop noise.Melodies treated with subtle sustain and delay denote Pu-Ehr, from the Yunnan province. The only truly fermented black tea - made distinctive by the action of bacteria, moulds, and yeasts. Its musical themes hovering in the vapour trails, the atmospheres, they themselves create. Spiraling, soaring, reaching for the heavens, while pretty music box glitches - tiny chimes turned in on themselves. Catching, reflecting, like light at play on fresh running water. (words: Robert Harris)

Recorded january to march 2018 in Antwerpen and London. Mixed and edited by David Edren at ll150.
Mastered & cut by Anne Taegert at Dubplates & Mastering Berlin. Artwork by Victor Robyn.

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Leon Ware

Rainbow Deux

Shlomo, Ellen Allien, Reeko, Benjamin Damage & DJ Sodeyama

Release: 2019 / EU – Original

Genre: Organic Grooves

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The melodically adventurous soul of Leon Ware continues its expression in his final opus Rainbow Deux, released on double vinyl on September 13th. The album features new songs recorded and performed by Leon before his health turned, leading to his transition on February 23rd 2017. Co-produced by Taylor Graves, it has stellar musical contributions from the likes of Kamasi Washington, Thundercat, Ronald Bruner Jr, Rob Bacon and Wayne Linsey.

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Mercurial Skin Remixes: Tome 3

12" | 2019 | EU | Original (Taapion)

2LP | 2019 | EU | Original (Astro Chicken)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Hyboid

Strange Signals

7" | 2019 | US | Original (Feel It)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Hyboid of Astro Chicken Records returns with another full-length LP fresh from his Berlin-based studio: 14 tunes filled to the brim with vintage-synth-laden space synth-pop goodness. “Strange Signals” is the tale of an interstellar romance gone wrong. Follow our hero through the mists of time and space and watch him return with a fistful of far-out oscillations!

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Power

The Fool

LP | 2019 | EU | Original (Be With)

Release: 2019 / US – Original

Genre: Rock & Indie

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Power is—and has been the real deal for quite some time. This single serves not only as a testament to that fact, but showcases two of Power's best creations yet. Like thunder rips across the sky, the pounding drums on ‘The Fool’ signal the oncoming storm of slashing rock and roll. The single sees Power explore a side of band which has always been simmering beneath the surface—and it seems the time was right for them to unleash these raw new tunes without holding back. Pure electric guitar damage from this most formidable three-piece. With the ‘The Fool’ cutting a figure which could’ve been found backstage at a show headlined by Venom and The Stooges, the flip, 'Give It All To Me’ displays a range of heavier melodies intoned by 80’s cult groups such as Wicked Lady and Iron Claw. Power have stayed true to themselves and continued to ride towards to the storm.

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Smith & Mudd

Tea With Holger

Down On The Road By The Beach

Release: 2019 / EU – Original

Genre: Electronic & Dance

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It seems KPM have long been fans of Smith and Mudd and, after being introduced to each other by mutual friend Andy Allday, the peerless Balearic maestros were invited to contribute to the library label’s digital-only “Album Shorts” project. The results are predictably wonderful. With past projects under our belt working with everyone involved so far it made perfect sense for Be With to take on the vinyl release of this instant library classic. But why is it called “Tea With Holger”? “Holger” is of course Holger Czukay and the whole LP is dedicated to Smith and Mudd’s time spent with him and Ursa Major at Can’s famous Inner Space Studio in Weilerswist, near Cologne.

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Steve Hiett

LP | 2019 | EU | Original (Be With / Efficient Space)

34,99 €*

Obverse Black & White Vinyl Edition

Release: 2019 / EU – Original

Genre: Pop

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This 1983 album appears on vinyl for the first time.

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Trentemøller

2LP | 2019 | EU | Original (In My Room)

LP | 2019 | EU | Original (Be With / Efficient Space)

Release: 2019 / EU – Original

Genre: Electronic & Dance, Pop

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A download code is included. Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he’s most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being “what if the pressure of having to perform these songs live is removed entirely?” Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It’s a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970’s. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.

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Steve Hiett

Girls In The Grass

Chris Liebing & Charlotte De Witte

Release: 2019 / EU – Original

Genre: Pop

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Previously unreleased material from Steve’s private recordings, remastered from the original masters, 140g vinyl, 4 page photography insert with liner notes. Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).

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Liquid Slow EP

12" | 2019 | EU | Original (KNTXT)

LP | 2019 | EU | Original (Rough Trade)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Charlotte de Witte mints her new KNTXT label with a suitably epic collaboration, joining forces with techno royalty Chris Liebing for ‘Liquid Slow’, due for release on 27th September. The CLR boss and German techno pioneer has been a regular at KNTXT parties over the years, not least at the sold-out stadium event at Antwerp's Sportpaleis last year where he will be returning to once again this November, alongside de Witte, just after the release of this new EP.

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Starcrawler

Devour You

27,99 €*

Rhythm Rhyme Revolution #3

Release: 2019 / EU – Original

Genre: Rock & Indie

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Starcrawler sind auf den Straßen von Los Angeles groß geworden und saugen seit ihrer Jugend die besondere Energie ihrer Heimatstadt auf. Seit der Bandgründung in 2015 hat sich die Band, bestehend aus Frontfrau Arrow de Wilde, Gitarrist und Sänger Henri Cash, sowie Bassist Tim Franco und Drummer Austin Smith aus der Garage, wo sie gemeinsam Punk-Klassiker spielten, in die Herzen von Ikonen wie Shirley Manson oder Elton John gespielt. Und nebenbei Künstler und Bands wie Beck, die Foo Fighters, Spoon, The Distillers oder MC5 mit ihrer einzigartigen, sowie Energie-geladenen Auftritten supportet. Diese sind manchmal blutrünstig, extrem prächtig und dabei so elegant wie eine Ballett-Aufführung. Auf ihrem am 11. Oktober erscheinenden Zweitwerk "Devour You" fängt die Band nun eben jene Energie ein. Der Nachfolger des selbstbetitelten 2018er Debütalbums wurde von Nick Launay (Nick Cave & the Bad Seeds, Yeah Yeah Yeahs, L7) produziert und zeigt nun die Weiterentwicklung der Vier als Band und Songwriter.à"Devour You" ist eine Coming Of Age Platte, die von ihrer Teenage Angst getriebenen Energie lebt.

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Rhythm Rhyme Revolution

LP | 2019 | UK | Original (Sharpeye)

The Best Of Townes Van Zandt

Release: 2019 / UK – Original

Genre: Organic Grooves

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A veritable sonic triptych: awash with ever so funky tripped out modern-day psychedelia. Adorned with jazzy trumpet, sax and flute, softly undulating beats and slinky guitar - shapes that hark back to the old school with a reference to what's current. A retro modernity is in effect here: a nod to the past, however, with a vision of the future.

It's a strong and melodic album that drips with swaggering, insouciant cool, set against a panoply of unified silky grooves and rhythms with a slippery electronic, yet organic backbeat. It gets taken into an entirely new emotional realm when Barrie's dubbed up vocal hooks kick in. The female vocals on 'I Am A Woman', 'Walkin' and on 'You Are My Sunshine' are top-notch.

Suffice to say there are no fillers on this album, just finely distilled and exquisite slow jams. Even the most cursory listen to RRR #3 informs you that he's still doing things that no one else does. This is, without doubt, his best work to date, the icing on the cake on this clever and well-produced concept. A triple dynamite delight. (Emrys Baird – Blues & Soul)

Therryi Jay - vocals
Gareth Tasker - plays everything except the wind instruments
Kenny Wellington –trumpet
Jake Telford - flute
Andy Sax – saxophone
AprilFoolChild - flute
Fritz Catlin - makes sure everything is ship-shape
Barrie Sharpe – production/mix/vocals

“I was a product of the times and the product became the producer. I designed the clothes, ran the club, played the records, was in the band and made the music, which created the scene that changed youth culture worldwide. I just kept falling up hill.” (Barrie Sharpe)…

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Townes Van Zandt

2LP | 2019 | US | Original (Fat Possum)

35,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Songhoy Blues

Meet Me In The City

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Fat Wreck Chords)

Face To Face

Live In A Dive

25,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Hannah Williams & The Affirmations

50 Foot Woman

LP | 2019 | IT | Original (Record Kicks)

21,99 €*

12" | 2019 | EU | Original (Mondo Groove)

Release: 2019 / IT – Original

Genre: Organic Grooves

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The album captures all of the visceral power of the band's increasingly legendary live performances. Shades of classic
Soul and Psychedelic Funk blend uniquely with modern-day flavours on a record destined to set the soul agenda for
2019 and far beyond. “I've never been as proud of anything in my entire career” says Hannah.

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Voodoo Sound Club

Afroderrick EP

Monster 25th Anniversary Remastered Limited 2LP Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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We’re proud to introduce “Afroderrick EP” by Voodoo Sound Club, the brand new 12” release on Mondo Groove. Afroderrick is a storming afrobeat track with special guest legendary italian trumpeter Roy Paci that originally came out on Guglielmo Pagnozzi’s Voodoo Sound Club project’s debut CD album on Cinedelic Records, “Same”, on 2011. The track became kind of a cult during the years with many DJ’s asking for a vinyl version. And here it is, in its full glory, the original itself opening the B side, followed by a solid breakbeat “Voodoo Strange Fruit Remix” by Detox, with the A side massive with another couple of interpretations, an euphoric house “Fresco Remix” done by Leo “Fresco” Beccafichi, DJ and producer and collaborator of Italian popstar Jovanotti, and another remix this time in trippy Afro style by heroes Daniele Baldelli and Marco Dionigi. You can’t miss this!

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R.E.M.

2LP | 2019 | EU | Original (Concord)

38,99 €*

Release: 2019 / EU – Original

Genre: Pop

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Underground Makes The World Go Round

Blu & Fat Jack

LP | 2019 | Original (The Order Label)

Geist White Vinyl Edition

Release: 2019 / Original

Genre: Hip Hop

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Two West Coast icons team up in Underground Makes the World Go Round, a powerful release with its basslines on the pulse of the Los Angeles hip hop community: yesterday, today, and tomorrow. South Central and Good Life legend Fat Jack and prolific West Coast producer Blu combine forces with a loaded lineup of guest artists, a veritable “Who’s Who” of the underground rap scene in LA: Busdriver, Medusa, Abstract Rude, Cashus King, Aceyalone, and Myka 9. Seven tracks ride the flow between lyrical poetry and heavy jams, an impressive feat that’s riddled with energy and rivetingly rapped. “U.M.T.W.G.R.” jumps in and shouts out with a catchy hook, its pure positive vibes continuing into the freestyle odes to Good Life and Project Blowed. You can feel the walls shaking through the bass splatter in “Low End Theory” as the ceiling crumbles down on your head. From the vital heft of “U.N.I.T.Y Freestyle” to the cascading poetics of “Me Vs. Aceyalone,” the album brings everyone out – and brings everyone together to celebrate the enduring vitality of the L.A. underground.

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Others

LP | 2019 | EU | Original (Cinedelic)

25,99 €*

At Onkel Pö's Carnegie Hall / Hamburg '79

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Formed in 2016, Others is the project of two artists longing for something more experimental in their musical work. Lesli Wood (Cobra Family Picnic) and Daniel Martin Diaz (Trees Speak, Amelia Poe) began these recordings in Wood’s warehouse studio, inviting one guest musician to sit in for each live session. Abstract violinist Vicki Brown, known for her "psychosonic visualizations," is featured throughout the record, along with guest artists Ben Nisbett, Gabriel Sullivan, Julius Schlosburg, Damian Diaz, and Michael Glidewell. This avant-garde project has one foot in the 21 st Century and the other shifting among various eras of the past, sometimes in a dance, sometimes a dirge, of synths and dulcimers. Freed of genre limitations and preconceived patterns, the musicians were encouraged to explore wildly, using the foundation of a ‘broken’ consort of 18th Century chamber music wherein one musician introduces a melody, motif, or sound and the other musicians respond as they see fit. Recording sessions were lit by candlelight and shrouded in incense smoke, establishing the mood for composition, calling to mind, as Diaz describes, a gothic cathedral “filled with early analog synthesizers with vines growing out of them, a living breathing entity of music that transcends time and space.”

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Woody Shaw Quintet

2LP | 2019 | EU | Original (Jazzline)

28,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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12" | 2019 | EU | Original (Kompakt)

Robag Wruhme

Topinambur EP

Mount Eerie With Julie Doiron

Release: 2019 / EU – Original

Genre: Electronic & Dance

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In future times, culture historians will refer to Gabor Schablitzki aka Robag Wruhme as a creator of a singular techno sound, a rock in the murky sea of arbitrary musical dullness that befell mankind in the early 21st century. Furthermore, a lesser known quality of Schablitzki will be praised and explored: He was a relentless wordsmith, a deeply passionate inventor of elegant idioms that enriched German language. Take ‘Freggelswuff’ or ‘Wemmel’ as shining examples. It’s within this context that a certain cultural artefact released on a Cologne based record label called KOMPAKT (which towards the end of the 21st century made a hardly publicised turn to manufacturing CO2-neutral wall plug systems) that went by the sonorous title ‘Topinambur’ has to be mentioned. Legend has it that Schablitzki claimed to have created the word ‘Topinambur’, unknowingly that local farmers have been marketing a root tuber under the same name since it got imported from America in 1610 AD. The following tenacious copyright lawsuit between Schablitzki and a large agricultural consortium lasted for many years. It isn’t considered as a highpoint in Schablitzki’s turbulent life but it still serves a staircase wit that is passed on from generation to generation amongst Black Forest moonshiners.

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Lost Wisdom Part 2

LP | 2019 | US | Original (P.W. Elverum & Sun)

27,99 €*

12" | 2019 | EU | Original (Pregnant Void)

Release: 2019 / US – Original

Genre: Rock & Indie

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Eight new songs written in early 2019 about devotion and release. Julie graciously came back to the northwest and recorded this kind-of-sequel to the Lost Wisdom from 11 years ago. This one goes deeper. We recorded with the doors wide open and between breaths you can hear birds, jackhammering in the distance, and on some songs night air.

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Plants Dub

Music From The Trees

Skratch Practice Vol. 2 Neon Magenta Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Plants Dub is an art project of the homonym collective based in Lecce - Italy formed by Maria Teresa Santoro, art historian and light designer, Francesco Andriani De Vito aka Dubin dj and producer, and Andrea Presicce aka NoFinger Nails, dub master and producer. They work in Plants Dub project in a mutual exchange of skills so as to be able to research in a way where art and science has no borders. Plants Dub connects electronic music and bio-acoustic researches. Through samplings and synthesizers Plants Dub produces an inter-species communication in order to form a complete human-plant audio exchange. The album was composed using melodies generated by plants thanks to a special sound device that allowed the translation of the plants' electrical impulses into sound. Plant sounds were recorded between March 2018 and July 2019 in Salento. The musical production has followed a double register: in Acanthus Mollis, Morus and in Phoenix Canariensis the vegetable melodies overlap to specially composed dub rhythms, in Laurus Nobilis, Olea Europaea and in Quercus, the tree melodies are translated into ambient sounds.

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DJ T-Kut

7" | 2019 | EU | Original (Play With)

10,99 €*

12" | 2019 | EU | Original (Local Talk)

Release: 2019 / EU – Original

Genre: Hip Hop

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Dj T-Kut presents Volume 2 of SKRATCH PRACTICE, a
very complete vinyl for scratch practices, two vinyl will
come out one of 12 "and another of 7", in the 12" you can
find several Skip Proofs at 133 BPM to be able to play
with the ultrapich of the plate, very used right now in
scratch practices, 2 beats perfect for practicing scratch,
drum kits and bass line and on the B side you will find
several skip proof at 100 BPM, 1 beat for practice scratch
and 2 powerful basses perfect for playing with them.

Also from this version will be a 7" vinyl for portables in
which you can find 6 skip proof of 133 BPM for Side A and
6 skip proof of 100 BPM for Face B.
These vinyls are designed so that you can flow as soon as
you put them on the plate!

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Opolopo

You Can Make It

LP | 2019 | US | Original (Three Lobed)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Peter Major a.k.a. Opolopo is an extraordinary producer that barely puts a foot wrong.

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Wet Tuna

Water Weird

LP | 2019 | EU | Original (The Wormhole)

Release: 2019 / US – Original

Genre: Rock & Indie

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Water Weird represents Wet Tuna's Three Lobed Recordings debut. The duo, comprised of Matt Valentine (MV&EE, MV, Tower Recordings, Woods, etc) and Pat Gubler (PG Six, Garcia Peoples, Tower Recordings), rolled the dice and formulated six new routes/roots to get you, the listener, to the ever changing "there." Water Weird's got the country funk on 'Cowpath 40', the cosmic strut on 'Poor Old Interstellar', and the dusted ramble on 'Roam'. With 'Disco Bev', Wet Tuna hop off trail to shake down the streets with a fierce electric groove. The album's shortest and sweetest space, 'Goin', is all Jerry-smoke coda, a nod to the spiritual engineer of the new train of jammers where Wet Tuna HEADlight along with their city cousins Garcia Peoples (who feature PG Six as a member). On whole, Water Weird uncorks a steady synthesis of folk-blues, the avant garde, west coast and Swedish psychedelia into a nice, big, fat one. Listen in and you'll always be holding'

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Tears|Ov

A Hopeless Place

15,29 €* 17,99 € -15%

LP | 2019 | EU | Original (Elkar)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Founded in 2015, Tears|Ov are sound artist/self-taught musician Lori E Allen, classically trained cellist/mixed media artist Katie Spafford and illustrator/prison psychotherapist Deborah Wale. The trio first collaborated on Lori E Allen's 'Tears of the Material Vulture' cassette on The Tapeworm, a re-imagination of a brief collaboration with Madame Chaos of cut-up cablecasts, 1995-1996, on Manhattan Neighborhood Network and Television in New York City. That release served to resurrect a hibernating creative practice between the three friends.
Their writing process takes the form of structured improvisation. Allen will create a bed of loops, field recordings or a full framework. She then shares this base with Wale and Spafford who embellish or delete, the three building the pieces through long improvised sessions in London, playing late into the night. During these sessions, the feeling of a songs' words or the emotional tone of a sound can spark sudden mood changes, altering the arc of the compositions. 'Crucially the music is improvised – it is never the same twice. There are triggers and moments that signal moving to another part of the music, but the timings and lengths largely depend on our moods and interpretation on a given day/performance. Because of this, the album was recorded with ambient mics capturing multiple instruments. It wasn't possible to record all the instruments separately as we respond to each others improvisation. Even if the changes are very minor, they really affect the emotion of each piece' Spafford says.

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Fermin Muguruza

Brigadistak Sound System

33,99 €*

LP | 2019 | EU | Original (La Vida Es Un Mus)

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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"Brigadistak Sound System" (Esan Ozenki Records 1999) is the title of Fermin Muguruza's first solo album. Now, on the 20th Anniversary of its publication, we present you a carefully edited double vinyl, format in which it was not originally edited.The album was recorded for more than 6 months in different studios around the world: Rome, Carracas, Los Angeles, Azkarate_And groups like Todos Tus Muertos, Manu Chao, Desorden Público and many others participated in these recordings.The album ended with a remix by Mad Professor and in this edition we have added another remix, work by Xabi Pery.180 gr vinyl, gatefold sleeve.

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Disclose

Nightmare Or Reality

12" | 2019 | EU | Original (Unrelatable)

Release: 2019 / EU – Original

Genre: Rock & Indie

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20 years ago DISCLOSE released their response to the greatest hardcore 12" ever released: DISCHARGE's Why. At the time the band was at the peak of their DISCHARGE era and had perfectly crafted a trademark sound, which shows through on the recording. The chainsaw-sounding double-toned guitar, Kawakami's unmistakable vocals, and a rhythm section firmly based on the Stoke-On-Trent's beat melded together to create a repetitive mantra-like noise chant. Recorded at Grove Cargo and mastered at Studio D-Takt by Jan Jutila, the production is a perfect example of noise not music pressed into vinyl, with both high and low frequencies cutting through the mix without losing any power. Lyrically Nightmare Or Reality focuses on the tragic sights of war while aurally the record is a full-blown attack on all senses. D-Beat Raw Punk at its best. 20 years on and many times imitated but never duplicated. Originally released by MCR Company, this 20 year anniversary official reissue comes in a printed inner sleeve and heavy board outer sleeve.

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F.F.O.M

New Farmland

9,74 €* 12,99 € -25%

Quantum Entanglement Black Friday Record Store Day 2019 Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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On “Philadelphia 2099,” a laidback electronic vista evokes the long violet twilight that precedes sunrise on Mars. On “Tharsis Montes,” bubbling synth lines signal the industry of the day ahead, before an infectiously funky bassline is sown on “Seeds,” and alien growth is tended amid shards of interstellar synth sunlight in “Echoes From The Red Valley.”

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Royal Trux

LP | 2019 | EU | Original (Innovative Leisure)

Release: 2019 / US – Original

Genre: Rock & Indie

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RSD Exclusive. Limitation: 1800. Not a greatest hits - but an epic starting point - tracks taken from multiple albums throughout the bands history. On yellow vinyl.

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Iguana Death Cult

Nude Casino

May Your Kindness Remain Ten Bands One Cause Pink Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Rotterdam’s Iguana Death Cult hasn’t exactly been shy about causing havoc on whatever stage they set foot. That’s likely been the one constant since establishing their giddy brand of protopunk and garage rock on debut LP The First Stirrings Of Insect Life. Iguana’s pending follow-up Nude Casino marks a swift and sobering departure from the miasma of psychedelics they purvey so fervently. But no less intense: this band has been sharpening their tools, reemerging from their concrete cavern with a ragged and convulsive post-punk attack akin to Devo, The Gun Club, and Richard Hell. Playing an abundance of shows – at small clubs, squats and festivals such as The Great Escape, Lowlands, c/o pop, Plissken and Reeperbahn – has whipped Iguana into even more ferocious live band, and that experience carries over in the recordings. "Bright Lights" is the lead single from the upcoming effort Nude Casino.

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Courtney Marie Andrews

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Real Soon)

Ultramarine

Meditations

18,99 €*