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Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI. Tiny wear.

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Carpenters

Live At The Palladium

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Without OBI. close to NM

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Chuck Mangione

Feels So Good

20,99 €*

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

No obi. vinyl is Close to VG+

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Rita Coolidge

Anytime... Anywhere

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Rita Coolidge

Anytime... Anywhere

3,99 €*

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Japanese pressing. Cover is missing.

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Peter Frampton

I'm In You

LP | 1977 | JP | Original (CBS/Sony)

Release: 1977 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Jo Stafford

Jo's Greatest Hits

12" | 1977 | EU | Reissue (Miss You)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

OBI is missing!

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Susan Cadogan

Nice & Easy

14,99 €*

LP | 1977 | JP | Original (CBS/Sony)

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Mint, Cover: Mint

Mowtown heavy hitter duo Freddie and Christine Perren's originally titled “Do It Baby” by the Miracles put through the production lens of Lee “Scratch” Perry, and the sweet goosebump inducing voice of Susan Cadogan, bound to upset. Original version accompanied by an extension for the hungry dancefloor, and for the extra adventurous jock we leave you with the entire track cut in reverse. Faithfully re-mastered with a extra care given to the low end, cut at 45 for maximum precision.

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Eddie Money

LP | 1977 | JP | Reissue (P-Vine)

Release: 1977 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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The Sidewinders

Flatfoot Hustlin'

31,49 €* 34,99 € -10%

LP | 1977 | DE | Original (Ariola)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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The deeply rooted funk spirit is alive and well in Canada's prolific funk-producing area, and The Sidewinders' most sought-after funk album, "Flatfoot Hustlin'," is making a long-awaited reissue with an obi. Apart from the fact that it was recorded in the same studio as Professor Lett AND STUDY's "love Serenade" at the time, the details of this album were shrouded in mystery. It gained attention among diggers when it adorned the cover of the rare groove/deep funk collector's bible, "Funky & Groovy Music Records Lexicon."

Featuring floor-pounding funky tunes like "I Like To Dance" and "Flat Foot Hustlin','' guaranteed to lift the dance floor, as well as a recommendable slow number for the sweet tea fans, "Time For Loving," and a heavy funk with a low center of gravity, "Gift to the Sun." Every track on this album is top-notch, making it a must-have for funk enthusiasts.

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Amanda Lear

I Am A Photograph

Release: 1977 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Herbie Mann-Sam Most Quintet

The Mann With The Most

LP | 1977 | US | Reissue (Bethlehem)

Average White Band & Ben E. King

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue from 1977.

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Benny And Us

LP | 1977 | US | Original (Atlantic)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

L.T.D.

Something To Love

3,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1977 | US | Reissue (Superior Viaduct)

Joe McPhee

Tenor

25,99 €*

LP | 1977 | US | Original (Discovery)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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“There are lots of outstanding Joe McPhee LPs. Nation Time being chief among them, but there’s also Pieces Of Light, Oleo and Topology. The Poughkeepsie, New York-based multinstrumentalist, by now an international star of free music, has amassed a daunting discography, no doubt. If you want to peer deeply into the soul of Joe McPhee, however, there’s no way around it, you need to spend some quality time with Tenor. “Tenor is McPhee’s first solo record. He did not set out to make it. It was an afterthought, quite literally, born of a gathering of friend s at the Swiss farmhouse of cellist Michael Overhage. A beautiful meal, some drinks, warm conversation, and ... why not, an impromptu recital. Hat Hut producer Werner X. Uehlinger was there and a year later issued it as McPhee’s third LP for the label (Hat Hut C in their famed letter series). “The existential blues ‘Knox’ sets the stage, indicating that this will not just be a toss-off postprandial singalong. ‘Good-Bye Tom B.’ carries on with aching melancholy, through burred notes and hushed harmonics. The relatively jaunty ‘Sweet Dragon’ is also emotionally loaded with Ayler-esque vibrato, slurs, wipes, and blasts of tone. The side-long title track comes without a theme, as a kind of pure investigation of the horn, its potential, its limits, its expressive capacity. There have been few solo sessions as comprehensive and devastating as this spontaneous after-dinner diversion in rural Switzerland in 1976. We’re very lucky someone pressed record.” John Corbett (excerpt from the liner notes)

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Shelly Manne

Plays Richard Rodgers

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a cut-out.

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Billy Preston

A Whole New Thing

LP | 1977 | US | Reissue (A&M)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Writing on cover. Monarch pressing. Original inner sleeve

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Gato Barbieri

Ruby, Ruby

LP | 1977 | EU | Reissue (Joe Gibbs Record Globe)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve, Vinyl is close to NM. 1977 repress.

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Prince Far I

Under Heavy Manners

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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7" | 1977 | EU | Reissue (Joe Gibbs Music)

Prince Far I

Deck Of Cards

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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7" | 1977 | EU | Reissue (Joe Gibbs Music)

Culture

Two Sevens Clash

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1977 | EU | Reissue (Joe Gibbs Music Globe)

Trinity

Three Piece Suit

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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Average White Band & Ben E. King

Benny And Us

LP | 1977 | US | Original (Atlantic)

I Want To Come Back As A Song

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US PR Presswell pressing

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Walter Jackson

LP | 1977 | US | Original (Chi Sound)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Brothers Johnson

Right On Time

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1977 | EU | Original (A&M)

L.T.D.

Something To Love

6,99 €*

Release: 1977 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | US | Original (Seabreeze Records)

Joe Albany

The Albany Touch

LP | 1977 | US | Reissue (A&M)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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Gato Barbieri

Ruby, Ruby

Lionel Hampton Presents: The Music Of Charles Mingus

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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Charles Mingus

LP | 1977 | US | Original (Who's Who In Jazz)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | DE | Original (ABC)

The Mighty Clouds Of Joy

Truth Is The Power

Release: 1977 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

I Want To Come Back As A Song

Walter Jackson

LP | 1977 | US | Original (Chi Sound)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Gato Barbieri

Ruby, Ruby

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Chuck Mangione

Feels So Good

16,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Brothers Johnson

Right On Time

14,99 €*

LP | 1977 | JP | Original (Casablanca)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert

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Donna Summer

I Remember Yesterday

39,99 €*

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM. No Obi, with insert.

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Chuck Mangione

Feels So Good

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Brothers Johnson

Right On Time

14,99 €*

Roots (The Saga Of An American Family)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Quincy Jones

LP | 1977 | US | Original (Warner)

Release: 1977 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Sealed copy with slight wear and a cut out.

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Joe Farrell

La Catedral Y El Toro

8,99 €*

LP | 1977 | UK | Original (A&M)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US pressing.

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Joan Armatrading

Show Some Emotion

Release: 1977 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

CD | 1977 | US | Reissue (Analogue Productions)

Eddie Money

Eddie Money Sacd

38,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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I'm Always Dancin' To The Music Green Vinyl Edition

Benny Golson

LP | 1977 | EU | Reissue (Music On Vinyl)

28,99 €*

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Eugene Williams & The Wb's

I'm Glad I Met You Girl

7" | 1977 | UK | Reissue (Epsilon)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Chaka Khan

I'm Every Woman / Clouds

12" | 1978 | US (Warner)

Release: 1978 / US

Genre: Hip Hop

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Evolution / I Wanna Rock Yuu

Giorgio Moroder

12" | 1978 | US (Casablanca)

Release: 1978 / US

Genre: Organic Grooves

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At Budokan - The Complete Concert

Cheap Trick

2LP | 1978 | EU | Reissue (Music On Vinyl)

33,99 €*

Best Dressed Chicken In Town

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Cheap Trick at Budokan is a live album by Cheap Trick from 1978 and their best-selling recording. The louder, harder-rocking versions of such Rick Nielsen classics as "I Want You to Want Me" and "Come On, Come On" connected to a wide audience. The music is terrific and it certainly is interesting to hear all of this the way it was actually performed. Any hardcore Trick fan will need this document of the band's most celebrated concert.

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Dr. Alimantado

LP | 1978 | UK | Reissue (Keyman)

LP | 1978 | EU | Reissue (Mr Bongo)

Release: 1978 / UK – Reissue

Genre: Reggae & Dancehall

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“Best Dressed Chicken in Town” is the debut album by Jamaican deejay Dr. Alimantado. It was first released in 1978, and collects many of his self-produced singles from 1972 to 1977, employing the engineering talents of Lee Perry, King Tubby, and Scientist.

It was the first album released by Greensleeves Records, and found favour with followers of both reggae and punk rock in the United Kingdom. The album employed several major hits as the basis for the tracks, including Horace Andy's versions of "Ain't No Sunshine" (on the title track) and "A Quiet Place" ("Poison Flour" and "I Shall Fear No Evil"), John Holt's "Ali Baba" ("I Killed the Barber"), and Gregory Isaacs' "Thief a Man" (on "Gimmie Mi Gun") and "My Religion" ("Unitone Skank"). The album was described by The Independent as "one of the finest albums from reggae's golden age".

The front cover photography is credited to D.K. James and the back cover artwork and photography to David Hendley.

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Tim Maia

Disco Club

LP | 1978 | EU | Reissue (Out-Sider)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Official Mr Bongo reissue. Replica original artwork.
Mr Bongo brings another Brazilian rarity to the masses with this sublime reissue of Tim Maia’s Disco Club. Recorded in 1978, it’s a latter-period gem from the larger than life legend, combining the glitz and glamour of disco’s heyday with Maia’s raw funk and soul roots. When Maia first heard Little Richard as a teenager, he knew what kind of singer and artist he wanted to be. Five formative years spent in the US, where he ran wild in NYC and joined a doo-wop group called the Ideals, did little to dampen his enthusiasm for black music. Stirred by the civil rights movement in the US and driven by a punk spirit, Maia went on to blaze his own trail through the early 70s over the course of four successful albums for Polydor. Moving away from the straight MPB, Tropicalia and international rock dominating the airwaves, his sound represented a new black Brazilian consciousness. When he sang, he could be raspy and defiant one moment … and then romantic and reflective the next. But always on a groove and with a hook. It was an irresistible combination.
Yet by 1977 he was bankrupt and in limbo having first joined a religious cult called Superior National and then alienated listeners with his first album sung entirely in English. To complicate matters further, Brazil was feeling the Saturday Night Fever. Gloria Gaynor, Chic and Kool & the Gang were dominating the charts and filling hotspots such as New York City Discotheque in Ipanema and Frenetic Dancing Days in the Gávea Mall. Maia left his usual band and went into the legendary Estudios Level with a mighty ensemble of Rio’s finest including Paulinha Braga on drums, Jamil Joanes on bass, Robson Jorge on clarinet, Hyldon De Souza on guitar, Sidinho on percussion, trombonists Edmundo Maciel and Darcy Seixas, and Juarez Assis on tenor sax.
Arranger and keyboardist Lincoln Olivetti was a crucial presence during these sessions. He added that all-important string flourish and brassy joy to the uptempo tracks while giving the star enough room to express himself. The album kicks off with a trio of floor fillers: the exuberant party starter ‘A Fim De Voltar’, a sing-a-long anthem in ‘Acenda O Farol’ and the undeniably funky hit ‘Sossego’ (file that one next to Fatback).
But then Maia drops it down and gets existential on ‘All I Want’, questioning the meaning of happiness. He also shows his tender side on slow burners such as ‘Murmúrio’ (written by the great Cassiano) and ‘Pais E Filhos’, the latter featuring a supersoft bed of harmonies you can't help but lay down on. But the party ain’t over and mid-tempo groover ‘Juras’ gets the feet moving again before ‘Jhony’ sends us swaying off into the night.
Maia’s appetite for excess would eventually get the better of him. But Disco Club is the sound of an unpredictable genius on top form. Get ready for the time of your life.

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Matthew Larkin Cassell

Matt The Cat

21,99 €*

LP | 1978 | EU | Reissue (Radiation Roots)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Originally from San Francisco, Matthew Larkin Cassell is a talented songwriter, vocalist and multi-instrumentalist. During the ‘70s-80s, Cassell fronted a trio in the Bay Area, opening for major acts like The Tubes and Sylvester. Playing an unique fusion of funk, R&B, jazz and soft-rock, he recorded his first LP, “Pieces” in 1977, followed by a 12” titled “Matt The Cat” in 1978. Both were privately pressed and modestly distributed at the time.
Fast forward to the early ‘00s: Cassell’s albums are discovered by beat diggers & hip-hop producers, which led to some his songs being sampled and included on mixes by people like Kon & Amir, Madlib and M.F. Doom. Famous labels such as Stones Throw and P-Vine reissue his music at the same time that his original albums reach outrageous prices in the collector’s market.
Here’s an overdue reissue of Cassell’s second effort, “Matt The Cat”, originally released in 1978. A great fusion of FUNK, R&B, SOUL-JAZZ and 70s SSW / AOR, featuring “All I’m Missing Is You”, sampled by People Under The Stairs.

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Shorty The President

Fire Fire

Guilherme Coutinho E O Grupo Stalo

Release: 1978 / EU – Reissue

Genre: Reggae & Dancehall

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Jamaican deejay Shorty The President may have been one of the more obscure figures to rise from the Kingston sound system scene, but the impact he made on vinyl recordings during the 1970s is no less important and his work remains coveted by reggae connoisseurs. Born Derrick Thompson in rural Trelawny in 1949, like many of his peers, he moved to the Jamaican capital as a teenager in search of better opportunities. As he gravitated to the Rastafari faith, an affiliation with the sound system Conquering Lion sparked interest from producer Rupie Edwards, who produced debut hits “President Mash Up The Resident” and “Yamaha Skank.” Edwards issued debut album Presenting Shorty The President in 1976 and after sparse work for Enos McLeod, Joe Gibbs, Pete Weston, Winston Riley and Keith Hudson, sophomore album Fire Fire was produced by Bunny Lee in 1978, with Shorty riding typically tough Aggrovators rhythms of the day, including Ronnie Davis’ updated version of Bob Marley’s “Kaya” and The Cables’ “Baby Why,” Delroy Wilson’s “Have Some Mercy” and Barry Brown’s take of Wilson’s “I’m Not A King,” as well as killer cuts of Brown’s “Natty Roots Hold Them” as “Roots Man” and “Best Thing In Life” as “Do My Thing.”

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LP | 1978 | EU | Reissue (Mad About)

24,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Reissue (Thompson Sound)

Linval Thompson

I Love Marijuana

17,99 €*

Release: 1978 / US – Reissue

Genre: Reggae & Dancehall

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LP | 1978 | EU | Reissue (Mad About)

Jay Days

Between The Swells

24,99 €*

LP | 1978 | EU | Reissue (Rebirth On Wax)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Killer AOR Rarity. Highly recommended ! Jay Days' only album presents eight killer funky AOR sounds and blue eyed soul tracks. Rarely surfaced in the collectors' market but now the album is finally reissue on vinyl. A band formation with mysterious session men who support JAY Days of slack guitar vocal, gentle electric piano with jazzy rock, blue-eyed soulful medium mellow, female chorus with mystic groove. It contains Hawaiian-style acoustics and dense performances unique to the Private Press. It is a hidden AOR masterpiece where you can feel the tropical atmosphere of the street along with the wind of the West Coast.

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Les Ya Toupas Du Zaire

Les Ya Toupas Du Zaïre

2LP | 1978 | EU | Reissue (A&M)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Les Ya Toupas is a band formed in 1976 by Bopol Mansiamina (Bass - Success Mode, 4 Stars ..), Manuaku Waku (aka Grand Zaiko Wawa) and Ray Lema (Piano, Organ and Guitar) Between 1976 and 1978, they recorded several 7inches including the famous title “Je ne bois pas beaucoup” (1976) compiled on the series of Sofrito (Tropical Discotheque ) in 2011. In 1978, they recorded this unique and unclassifiable instrumental album, Les Ya Toupas du Zaïre, produced by Gérard Akueson (founder of Akue Records and Abeti's producer). The LP is composed of minimalist Afro Jazz rhythms and Deep Funk grooves that are close at times to a tropical trance, all played by musicians who used to offer more classic Rumba rhythms. It is their only album before the departure in 1979 of Ray Lema for the United States and then France. Ray Lema's departure follows a violent disagreement which opposed him to the dictator Mobutu then in place in Zaïre. Let's not forget that the album was released in 1978 and can be seen as their last musicial project.

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The Police

Outlandos D'amour

Release: 1978 / EU – Reissue

Genre: Pop

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LP | 1978 | EU | Reissue (Jet)

Sea Lions

Free The People

Easy Going Black Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Reggae & Dancehall

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The year is 1978 and one hot thing from the musical underground is Reggae music from Jamaica, the USA or UK, where most of the acts had musicians of Caribbean descent. Reggae had the groove, the rebel spirit and the relaxed attitude all in one, to enchant a big part of the world’s inhabitants. And while at least Jamaica as a relatively poor and so called „Third World“ country proved to spawn Reggae acts of highest quality, literally nobody dared to look further and dig deeper into the underground except of a few maniacs who were not satisfied with spinning Marley over and over again. And maybe they stumbled over the 1970s Afro Beat sound from countries like Zambia or Nigeria and then got interested. What did they find in the simmering metropolises of this still mysterious continent? Somewhere in Nigeria they would have certainly caught a glimpse on mind blowing performanes of THE SEA Lions, a six piece group mixing the then hip Reggae and Afro Beat styles to generate fresh and furious music with a hypnotizing atmosphere. Polyrhythmic beat patterns build the foundation, the utterly fruitful soil for the heartwarming melodies wailed out by the guitars and the commanding vocals with their conjuring charme. Great organwork builds the link between the groove section and the melody instruments. You can imagine what a pleasant experience this band might have been live back in 1978 when their sole album „Free the people“ got released. And this album, of which copies in only good conditions already fetch prices of 450,00 US$, while nice clean pieces might go up to 1200 US$, lives up to the expectations one might have from watching a live show by the SEA Lions. The sound is vivid, transparent, powerful and clean enough to make the music a real pleasure listening to, but earthy enough to present nothing but the band going wild here. The songs all have similar pace, not too fast, but swinging and pulsating to spread their energy to and among the listeners. The melodies are simple but come from the depth of the heart. This feels typical for African 70s music and despite being kind of reduced, these melodies keep haunting you still even hours after the record been taken off the turntable and put back into its sleeve. They bring images of an ever pulsating city by night, warm climate, palm trees, people at the bar, a witches cauldron of sounds, smells, voice and pictures. And you feel the magic floating through the air while this groove will not let you go so easily. You can either dance your soul out to this ultimate reissue or you can sit down, listen and let the music tell you a story of the dark corners of the big city, the narrow alleys that lead you into a boiling labyrinth of mystical dreams. And in songs like „You can make it if you try“ you will find the whole magic of the African world, a world so fascinating for us Europeans but still so unapproachable in some ways and dangerous for the weak. Do not try to resist, this is your pleasure. Grab a copy and the SEA Lions, carry you off to their place. I haven’t heard such a killer Afro Beat and Reggae album with songs this exciting and wild in a long time. If you equally love Peter Tosh, Bob Marley, Segun Bucknor and Fela Kuti, look no further. Here is the spiritual essence of all these great artists merged into one giant act.

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Easy Going

LP | 1978 | EU | Reissue (Fulltime)

Orchestra Spettacolo Raoul Casadei

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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For the first time ever repressed on FullTime Production the iconic disco record "Easy Going" by Easy Going!
That's a brand-new great landmark for the label as "Easy Going" set a milestone in the italian Disco culture.
If at the end of the Seventies you were at Piazza Barberini in Rome at night, you would have come across a small but crowded club half-hidden in the ascent of Via della Purificazione, a trendy gay club with elegant Fassbinderian furniture, but also a night crossroads for many prominent characters of the cultural and artistic life of the eternal city and a regular stop for the most popular national DJs at the time. Easy Going creature was founded by Claudio Simonetti (Goblin), as a homage to the place mentioned above.
The homonymous 33 rpm debut of 1978 is remastered and repressed on a glossy white vinyl and due next December 13th on FullTime Production!
It features the original LP cover highlighting the mosaic of masculine struggle between a sailor and a strictly naked policeman , photographed in the Roman club.
The music explodes with the piece that will define the group par excellence: "Baby I Love You" also released as the first single, sung by a very filtered voice on a hypnotic rug of keyboards and a captivating melody that define a real masterpiece of italian disco and beyond. The same goes for the remaining three tracks of the album, which are also set to set the dance floor on fire: "Do It Again" is pure dance from Studio 54 and on the flip side, Creedence Clearwater Revival's cover "Suzie Q" and the ballad "Little Fairy".

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LP | 1978 | EU | Reissue (WEA)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Strut)

Sun Ra

Lanquidity

27,99 €*

Pan Afrikan Peoples Arkestra

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Recorded overnight at Bob Bank’s Blank Tapes on 17th July 1978 after the Arkestra had appeared on Saturday Night Live, the album is unique in the Ra catalogue. “Most critics felt that it was more of a fusion-inspired record,” explains Michael Ray. “As the name suggests, the album is liquid and languid.” Bob Blank continues, “Musically, it was very ad hoc and freeform. There were horn charts but most tracks came out of improvised jams. Sun Ra just did his thing.”

Comprising five effortlessly fluid pieces, the album eases in with Lanquidity. Danny Ray Thompson remembers, “This was one of Sun Ra’s on-the-spot compositions. It is almost like an Ancient Egyptian Stargazing Ceremony, mapping out the stars and the planets.” Where Pathways Meet is “Sun Ra’s funky version of an Egyptian march. Pharaoh is sending his troops off to fight and this is his pep-talk!” continues Thompson. “The music seems to take different pathways but still converges.” The loping groove of That’s How I Feel, features the reflective trumpet lines of Eddie Gale with solos by John Gilmore and Marshall Allen: “Marshall comes in with that snake charming oboe.” Says Thompson. The funky Twin Stars Of Thence weaves around Richard Williams celebrated elastic bassline while the haunting closer, There Are Other Worlds (They Have Not Told You Of), is pure “space music.” The poet Mama Nzinga described it as ‘The essence of light. Spirit takes a ride inside the deep dark space of just being.”

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Flight 17

LP | 1978 | UK | Reissue (Pure Pleasure)

34,99 €*

Wayne County & The Electric Chairs

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Horace Tapscott's Pan-Afrikan Peoples Arkestra (P.A.P.A.) was one of the most transformative, forward-thinking and straight-up heavy big bands to have played jazz in the 1960s and 1970s. If P.A.P.A. doesn't have the interstellar rep of that other famous Arkestra, and if the name Tapscott doesn't ring bells like Monk or Tyner, there's a reason why: in an industry dominated by record labels, a band that doesn't record doesn't count. And the Pan-Afrikan Peoples Arkestra didn't record for nearly twenty years. But recording success was never their concern -- they weren't about that. First formed as the Underground Musicians Association in the early 1960s, Tapscott always wanted his group to be a community project. From their base in Watts, Ugma got down at the grassroots. The group was renamed the Pan-Afrikan Peoples Arkestra in 1971, and soon after they established a monthly residency at the Immanuel United Church of Christ which ran for over a decade, while still playing all over LA and beyond. But they never released a note of music. It was the intervention of fan Tom Albach that finally got them on wax. Determined that their work should be documented, Albach founded Nimbus Records specifically to release the music of Tapscott, the Arkestra, and the individuals that comprised it. The first recording sessions in early 1978 yielded enough material for two albums, and the first release was "Flight 17". The album commences with the magnificent title track. It is effectively in three parts. It begins with unaccompanied pianos. Then the ensemble embark on a dense, circular and mechanical movement, a platform for horns and pianos to swoop and dive. We return to Earth with a beautiful solitary flute. The second track, the piano-centric, "Breeze" is different to "Flight 17" in intensity and also brevity but it is quietly as daring as the title track. It concludes with a moving lush wash from the full Arkestra, which sound almost like strings only more substantial. These first two tracks take full advantage of the texture of the unusual mix of the various instruments. Next though, it’s a significant change with "Horacio", which is an exuberant Latin infused jingle. It’s unlike anything else on the album. I like to think it was named after the conductor’s Cuban alter-ego! "Clarisse" gracefully switches between slow blues and bop and is bookended with a grand vaguely East Asian theme. The busy bass line introduces "Maui". As with the previous track, it moves between a number of contrasting melody lines and rhythms but there’s still space for a tuneful sax solo. This is a must-have album. I think the first two tracks on their own make this essential release.

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Storm The Gates Of Heaven

LP | 1978 | EU | Reissue (Spittle)

19,79 €* 21,99 € -10%

Akuma Ga Kitarite Fue Wo Fuku

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Prior to his release this record was simply ‘labeled’ as Punk-Rock but this one comes from the New York Dolls side of Glam Punk. Storm the Gates of Heaven reveals unusual aspects of County's work: serious, reflective and profound. The monologue introducing the title track is the only part that may be considered offensive. The sound is a blend of bass, lead & rhythm guitar, drums & percussion by the versatile Electric Chairs. Embellished by Hammond organ, the title track rages against and laments the suffering caused by religious wars. Cry Of Angels is an eloquent, even anthemic defense of Enlightenment values on which the guitar textures and the hook around the chorus superbly complement one another. An artful blend of County's characteristic outrage and the pure pop genius that lay behind the garish accoutrements, Storm the Gates of Heaven jams its eight tracks between two undisguised classics, the anthemic title track and a so-optimistic reading of "Tomorrow Is Another Day, not to mention a stunning cover-version of the Electric Prune´s "I had too much to dream last Night"

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Hozan Yamamoto & Yu Imai

LP | 1978 | EU | Reissue (Mr Bongo)

25,99 €*

LP | 1978 | EU | Reissue (Superior Viaduct)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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We've got a bit of an obsession with Hozan Yamamoto here at Mr Bongo! A legend of Japanese jazz, he is rightly regarded as a true master and was recognised as a "living national treasure" by the Japanese government in 2002. Over five decades he pushed the genre into new directions, absorbing fusion, funk, spiritual jazz and many other sounds, resulting in a discography studded with gems of rare beauty. Exploring his back catalogue has taken us on an engrossing journey that now sees us reissuing another work from this ground-breaking musician.

Though not translating perfectly into English 'Akuma Ga Kitarite Fue Wo Fuku', (kitarite has not been a modern expression in Japanese) roughly means 'The Devil Comes Playing The Flute' / 'The Devil Is Coming While Blowing The Whistle' or 'Devils Flute’. It is the original soundtrack to Kôsei Saitô’s 1979 mystery and suspense movie, ‘Devil’s Flute’. The film is based on a story by the famous author, Seishi Yokomizo, and is centred around a much-loved fictional Japanese detective, Kosuke Kindaichi. A Japanese Sherlock Holmes that has been popular for generations.

Hozan Yamamoto was invited to compose the soundtrack directly by the producer of the film, Haruki Kadokawa. Mr Kadokawa also hired keyboard player and producer Yu Imai as assistant producer on the project, resulting in a stunning cosmic, breaks and beats-laden, funk, disco soundtrack extravaganza.

When it comes to the soundtrack and the technology of the time, Hozan Yamamoto and Yu Imai got inventive, tripped out, funked up, and experimented, creating a quirky soundtrack masterpiece that needed to be heard more outside of Japan. Differing from the more traditional Japanese music orientation of some of his other albums such as 'Beautiful Bamboo-Flute' (also released on Mr Bongo) the album showcases a number of genres, from lush atmospheric incidental music to disco and funk grooves, experimental nuggets, drum and flute workouts, to neo-classical and more.

A special record that showcases the further depths of this wonderful musician's talents.

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Harold Budd

The Pavilion Of Dreams

29,99 €*

Idrissa Soumaoro L'Eclipse De L'I.J.A.

Release: 1978 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces. In the early ’70s, Budd started an extended cycle of compositions that would comprise The Pavilion Of Dreams. For Budd, the album was a signpost for a new direction in thinking about music: “The Pavilion Of Dreams erased my past. I consider that to be the birth of myself as a serious artist. It was like my Magna Carta.” Produced by Brian Eno in 1978, The Pavilion Of Dreams stands toe-to-toe with another minimalist masterpiece also released that year, Steve Reich’s Music For 18 Musicians. Budd’s gorgeous pieces reveal a lightness of touch that draws the listener in, while sublime voices float in and out as if in a recurring dream. Featuring saxophonist Marion Brown and multi-instrumentalists Gavin Bryars and Michael Nyman, The Pavilion Of Dreams remains a master class in exquisite timbre and shimmering texture. The Pavilion Of Dreams was both the final release on Eno’s Obscure imprint and a transition point towards his seminal ambient series. This first-time reissue is recommended for fans of Ryuichi Sakamoto, Jon Hassell and Mark Hollis.

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Le Tioko-Tioko

LP | 1978 | UK | Reissue (Mr Bongo)

When You See I / Fist Of Fire

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Idrissa Soumaoro, L’Eclipse De L’I.J.A.’s sought-after album ‘Le Tioko-Tioko’ was originally released in the German Democratic Republic (gdr) in 1978 and has been a long-time favourite at Mr Bongo. Two tracks from the album were featured on our 2017 compilation ‘The Original Sound Of Mali’ (mrblp135), and we subsequently released the track ‘Nissodia’ on its own 12” (mrb12053) in 2020, complete with a blistering dancefloor re-edit by Mike D of The Beastie Boys.

‘Le Tioko-Tioko' is one of the rarest vinyl albums from the already scarce Malian vinyl discography, partly as the album was never released commercially, only independently distributed via the Malian Association for the Blind in Bamako. Though recorded at Radio Mali under the aegis of master engineer Boubacar Traoré; the album was originally released in East Germany. The tapes had been taken by some Malian students to East Berlin as part of a student exchange program. It was then manufactured and released on the East German state-owned label Eterna with only a few boxes of records being shipped back to Bamako.

A true masterpiece, this legendary LP offers some devastating songs such as ‘Djama’ (society), ‘Nissodia’ (joy of optimism), and ‘Fama Allah’ (an ode to god). Hypnotic organ riffs and breakbeats convey an unknown funk quality in Malian music, it now stands as a loving tribute to an unsung Malian golden age. Sadly, like many of the other now desired and prized vinyl rarities, at the time of release, it almost immediately disappeared without a trace due to a lack of promotion, and distribution. So, it feels fitting to share this gem of a record again, and hopefully it will reach the wider audience it deserved over 45 years ago.

Many thanks to Florent Mazzoleni for contributing sections of these notes.

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Militant Barry

7" | 1978 | US (Joint International)

Release: 1978 / US

Genre: Reggae & Dancehall

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LP | 1978 | EU | Reissue (Wah Wah)

COS

Babel

24,99 €*

LP | 1978 | JP | Reissue (P-Vine)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Babel was Cos' third long playing release, issued in 1978. It represented a new step in the band's evolution with the addition of new influences that ranged from musique dodécaphonique, minimalist droning, or even a hint of disco, without turning their backs to their earlier love for Canterbury sounds or more conventional jazz-rock. Dirk Bogaert, Francis Cahen and Marc Moulin all played in its sessions, making this a superb sample of what was going on through the Belgian music scene in those days.

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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Matthew Cassell

Matt The Cat

29,59 €* 36,99 € -20%

LP | 1978 | EU (Radiation Roots)

Release: 1978 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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The follow up to “Pieces”, “Matt the Cat” (1978) and Cassell’s last released single, “Love to Love / When I go Down” (1980) are being compiled on vinyl for the first time ever! With Cassell at the height of his powers as both a performer and songwriter, this record sees him expand on the iconic sound that defined his previous work with each song packing a soulful punch. Don’t miss this LP on limited edition vinyl available only from P-vine Records.

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Big Joe

At The Control

16,99 €*

7" | 1978 | EU | Reissue (You Are The Cosmos)

Release: 1978 / EU

Genre: Reggae & Dancehall

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Second album reissue for Big Joe (born Joseph Spalding in 1955), Jamaican reggae deejay and record producer, who recorded extensively in the 1970s and early 1980s. This is the follow up to Keep Rocking And Swinging, released on Live & Love in 1978 and produced by Bunny Lee. A must for all the reggae and dub fanatics out on Radiation Roots.

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No Sweat

Start All Over Again

Correio Da Estacao Do Bras

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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First official reissue of their first 7", originally released in 1978 by Rip Off Records (Ireland) + the two tracks released in a small run in 2007. Limited edition of 400 copies

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Tom Ze

LP | 1978 | EU | Reissue (Tres Selos / Eaeo)

35,14 €* 36,99 € -5%

The Murder Of Liddle Towers Colored Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Away from radio, TV and with live performances increasingly scarce at the end of the seventies, Tom Ze? was a risky investment for record labels, agents, and gig promoters. Always eager to please his sense for innovation and his creativity Tom Ze? wanted to release an album again after the cult Estudando o Samba (1976). So came this, a record where the tension was at the script, in the distressing real life chronicles that the artist interpreted and reported also in an autobiographic manner. At Correio da Estac?a?o do Bra?s (1978 - 2022) Tom Ze? had done what seemed impossible: contemporary working-class music not for the elite but for the people itself.

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Angelic Upstarts

7" | 1978 | EU (Overground)

8,99 €*

Helen Nkume & Here Young Timers Band

Release: 1978 / EU

Genre: Rock & Indie

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Formed in 1977 in South Shields the Angelic Upstarts self-released debut single released in 1978 was ‘The Murder Of Liddle Towers’. The song highlighted the death of Liddle Towers who died after having been beaten in police custody, a crime that was covered up and no officers ever brought to justice. The record became a rallying point against police brutality. The record, and it’s B side ‘Police Oppression’ became a classic punk single and is a passionate call for justice. Mensi: “Liddle Towers was our protest single. It was the story of a boxing coach who was arrested for being drunk and disorderly. He was examined by a doctor and was perfectly healthy. Then in the morning was discovered dead and had injuries which the police surgeon described as being similar to that of a person who had been in a serious 70 miles-an-hour head-on collision. His injuries were absolutely horrific. He was basically kicked to death. “We done a couple of shows and got the money together and we pressed 500 singles, and then Small Wonder/Rough Trade re-released it, and it got to number one in the indie charts despite no radio play. Apart from John Peel, nobody else played it, and it was actually banned off any sort of play list in the northeast. Fair play I say.” The single is reissued as a limited edition of 500 on White vinyl, closely reproducing the first pressing from 1978.

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Helen Nkune & Here Young Timers Band

LP | 1978 | UK | Reissue (Dig This Way)

23,99 €*

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Ghosts Of Princes In Towers Record Store Day 2023 Black Vinyl Edition

Rich Kids

2LP | 1978 | Reissue (Parlophone Label Group)

28,99 €*

Guilherme Coutinho E O Grupo Stalo

Release: 1978 / Reissue

Genre: Rock & Indie

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Limited to 2500 copies worldwide. RSD Exclusive Release.
Limited 1 x 140g 12" Black vinyl album. RSD 2023. Ghosts of Princes in Towers is the only studio album by British band Rich Kids, founded in 1977 by Glen Matlock (ex Sex Pistols) and Midge Ure (Ultravox) and Rusty Egan released in August 1978 and produced by ex-Bowie guitarist Mick Ronson. Exclusive for RSD 2023, the original album will be newly remastered. Release overseen by Rich Kids Rusty Egan. Tracklisting: Side A - Strange One, Hung on You, Ghosts of Princes in Towers, Cheap Emotions, Marching Men, Side B - Put You in the Picture, Young Girls, Bullet-Proof Lover, Rich Kids, Lovers and Fools, Burning Sounds

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LP | 1978 | UK | Reissue (Mr Bongo)

29,99 €*

LP | 1978 | JP | Reissue (P-Vine)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album. Blending lo-fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection.

It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7” singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away from the music industry hubs of Rio de Janeiro and São Paulo, making this record insanely difficult to find, even in Brazil. Added to the scarcity factor is the magical nature of the recording, which has naturally resulted in a hefty price tag to match. Original copies have become a prized, collector’s item.

The elusive Brazilian band leader and keyboard player, Guilherme Coutinho is a true cult artist. He passed away in 1983, at the age of just 41, and during his career he only seems to have appeared on a handful of marvellous records, which makes them all the more special. This album feels individualistic and distinctive from other albums of the day. Listening back to vocalist Elinho’s (aka Hélio Rubens de Oliveira) delivery, it sounds not too dissimilar to some of Belle & Sebastian’s songs. ‘Guilherme Coutinho E O Grupo Stalo’ is rich in charm, quirky and playful. It feels cinematic, soothing and benefits from being heard in its entirety. A proper album experience.

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Together

34,99 €*

The Only Sound / New Musical Express

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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From famed tax scam label “Tiger Lily Records”, comes another ultra rare soul record - Together - reissued for the first time ever.

A shocking pink cover, with a simple black logo painted on top of it. Besides song titles, composers, and the iconic Tiger Lily Records name, no credits appear anywhere on this mysterious record. Yet the sound, reminiscent of the teen soul of the Jackson Five, and Jackson Sisters has garnered high praise - often appearing on grail lists for hardcore crate diggers.

After catching the eye of Woodstock founder and major producer Michael Lange in 1975, Together signed a deal with a major record label. That is, until the untimely voice change of the unnamed teenage lead vocalist. The record was shelved at the last minute, and through a series of unknown circumstances, ended up being released by Tiger Lily Records. But take one listen and the album’s history will be the last of your concerns!

The charming vocal harmonies of the teenage singers, the incredibly danceable band sound - everything you could want is there! From the dance number opener “One Kiss And Then” to sweet soul ballad “Can I Be The Woman”, this record is packed full of 70s soul and groove! P-vine is thrilled to be reissuing Together’s self-titled debut for the first time ever, on limited edition vinyl with an obi-strip attached!

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Dansette Damage

7" | 1978 | UK | Reissue (Soul Jazz)

LP | 1978 | US | Original (A&M)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Superb exact reproduction of this excellent two-sider (double B-side!) "The Only Sound"/ "New Musical Express", the debut punk single by Dansette Damage from Birmingham, originally released on the tiny Shoestring Records in early 1978. Pop trivia: the tracks were produced incognito by Robert Plant from Led Zeppelin. Dansette Damage"s "nme" features on Soul Jazz Records" Punk 45 "I"m A Mess".

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Sylvia Syms

She Loves To Hear Music

4,19 €* 6,99 € -40%

Michael A. Dixon & J.O.Y.

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a punch hole.
Promo copy with white labels.

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You're Everything / You're All I Need Purple Vinyl Edition

Russell Garcia With Maynard Ferguson

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Former Mind & Matter bandmates James "Jimmy Jam" Harris and Michael Dixon teamed up for 1978's gospel-boogie banger "You're All I Need" b/w "You're Everything" on the private Mad label.

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I'll Never Forget What's Her Name

LP | 1978 | US | Reissue (Bethlehem)

5,39 €* 8,99 € -40%

The Capp/Pierce Juggernaut Featuring Joe Williams

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with promo stamp on the back

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Live At The Century Plaza

LP | 1978 | US | Original (Concord Jazz)

4,79 €* 7,99 € -40%

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1978 | EU (Radiation Reissues)

Cyanide

21,99 €*

LP | 1978 | EU (Radiation Reissues)

Release: 1978 / EU

Genre: Rock & Indie

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Lesser-known punk band Cyanide formed in the northern cathedral city of York in 1976, the four lads based at the Old Priory Youth Club. After cutting a couple of demos soon after their formation, in time the band’s reputation was such that they were playing the Roxy in London and during their rapid ascent, the quartet managed to score a contract with major label Pye for their self-titled debut album, recorded in December 1976 and produced by Ron O’Shea, who ironically got his start with orchestral easy listening. A fun set of tongue-in-cheek first-wave punk originals, the album also includes a spirited cover version of The Who’s ‘I’m A Boy.’

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Cyanide

Cyanide Red Vinyl Edtion

21,99 €*

Michael A. Dixon & J.O.Y.

Release: 1978 / EU

Genre: Rock & Indie

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You're Everything / You're All I Need Black Vinyl Edition

The Very Best Of The Mighty Clouds Of Joy

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Former Mind & Matter bandmates James "Jimmy Jam" Harris and Michael Dixon teamed up for 1978's gospel-boogie banger "You're All I Need" b/w "You're Everything" on the private Mad label.

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The Mighty Clouds Of Joy

2LP | 1978 | US | Original (ABC)

7,49 €* 9,99 € -25%

Nothing Says I Love You Like I Love You

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with promo stamp.

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Jerry Butler

LP | 1978 | US | Original (Philadelphia International)

7,19 €* 8,99 € -20%

B'lieve I'll Run On.... See What The End's Gonna Be

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Seam, ring and cornerwear. Small tear on front cover. Surface marks and hairlines. Original lyrics inner sleeve. Writing on label, otherwise VG+.

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Sweet Honey In The Rock

LP | 1978 | US | Original (Redwood)

7,64 €* 8,99 € -15%

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | Reissue (Be With)

Bobby Caldwell

29,99 €*

Why Do I Love You Black Vinyl Edition

Release: 1978 / Reissue

Genre: Organic Grooves

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Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.

"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”

The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.

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Andy Crown & Magic Touch

Why Do I Love You Coke Bottle Clear Vinyl Edition

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Chicago's Magic Touch label gets the Numero treatment. Legendary rare groove selector & DJ Red Greg's edit of Disco Holy-Grail "Why Do I Love You" is now available on 7" for the first time and housed in official Magic Touch Double Disco Smash 7" Company Sleeve. This tune has been making waves in the DJ community for years only after Red Greg introduced his crucial edit eliminating the studio fluff and dialing in the raw disco meat. Certified Floor Filler with a groove guaranteed to answer all questions on love.

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Andy Crown & Magic Touch

12,99 €*

LP | 1978 | US | Original (A&M)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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David Spinozza

Spinozza

LP | 1978 | UK | Reissue (Diggers Factory / Soul Makossa)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original inner sleeve. Vinyl close to VG+

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Manu Dibango

Sun Explosion

31,99 €*

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Original (Crystal Clear)

Jon Jarvis

Evolutions I

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Lionheart 2018 Remaster Dirty Pink Vinyl Edition

Kate Bush

LP | 1978 | EU | Reissue (Fish People)

49,99 €*