Search "tim+hecker" 19917 Items

John Robinson (Lil Sci of Scienz Of Life) & MF DOOM

Release: 2008 / EU – Original

Genre: Hip Hop

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written by John Robinson aka Lil’ Sci (Scienz of Life), all music produced by MF DOOM, scratches and cuts by DJ Rhettmatic of the World Famous Beat Junkies ... the brand new joint “Who is this man?” as limited cd version + BONUS VIDEOS ... artwork provided by Gordon of Beta Bodega Coalition Europe & Sushi.TV (Russian Federation)!

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Who is this man?

2LP | 2008 | EU | Original (Project: Mooncircle)

15,99 €*

LP | 1991 | EU | Reissue (DGC)

Release: 2008 / EU – Original

Genre: Hip Hop

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written by John Robinson aka Lil’ Sci (Scienz of Life), all music produced by MF DOOM, scratches and cuts by DJ Rhettmatic of the World Famous Beat Junkies ... the brand new joint “Who is this man?” on limited double vinyl version ... artwork provided by Gordon of Beta Bodega Coalition Europe & Sushi.TV (Russian Federation)!

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Nirvana

Nevermind

28,99 €*

2LP | 2008 | UK | Reissue (Honest Jon's)

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Limited 2017 180gm vinyl pressing of this classic 1991 album from Kurt Cobain and the boys. Nevermind became a surprise success in late 1991, largely due to the popularity of its first single, "Smells Like Teen Spirit". By January 1992, it had replaced Michael Jackson's album Dangerous at #1 on the Billboard 200 chart. The album also produced three other successful singles: "Come as You Are", "Lithium", and "In Bloom". The Recording Industry Association of America has certified the album Diamond (over 10 million copies shipped), and the album has sold over 30 million copies worldwide. Nevermind was responsible for bringing Alternative Rock to a large mainstream audience, and has been ranked highly on lists of the greatest albums of all time by publications such as Rolling Stone and Time.

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Sprigs Of Time

78S From The EMI Archive

27,99 €*

John Robinson (Lil Sci of Scienz Of Life) & MF DOOM

Release: 2008 / UK – Reissue

Genre: Organic Grooves

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Honest Jons becomes more and more digger's paradise - the tracklist shows you why!

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Who Is This Man? HHV Bundle

LP | 2008 | EU | Original (Project: Mooncircle)

15,99 €*

John Robinson (Lil Sci of Scienz Of Life) & MF DOOM

Release: 2008 / EU – Original

Genre: Hip Hop

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written by John Robinson aka Lil’ Sci (Scienz of Life), all music produced by MF DOOM, scratches and cuts by DJ Rhettmatic of the World Famous Beat Junkies ... the brand new joint “Who is this man?” on limited double vinyl version ... artwork provided by Gordon of Beta Bodega Coalition Europe & Sushi.TV (Russian Federation)!

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Who Is This Man? HHV Bundle

CD | 2008 | EU | Original (Project: Mooncircle)

11,99 €*

LP | 2008 | EU | Reissue (Universal)

Release: 2008 / EU – Original

Genre: Hip Hop

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Amy Winehouse

Frank

12" | 2008 | US | Original (Brick)

Release: 2008 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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her debut album first time on wax ... comes remastered on 180g high quality vinyl in gatefold sleeve and has a download code ... yes, finally!

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Reks

Say Goodnight

13,99 €*

LP | 1960 | US | Reissue (Vee Jay)

Release: 2008 / US – Original

Genre: Hip Hop

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Showoff and Brick Records have done it again, teaming a Lawrence, MA fire-spitter with the legendary talents of super producer DJ Premier. First it was Termanology and Preem getting together on the now-classic singles “Watch How It Go Down” and “So Amazing” and now it’s Reks’ turn to make another Premier-laced anthem with “Say Goodnight.” And it does anything but disappoint with a B-Side that ain’t no joke with DJ/producer Statik Selektah remixing Reks “Big Dreamers” which appeared on Statik’s own critically acclaimed Spell My Name Right: The Album. This time around, on the Lawtown Remix, Lawrence rhyme sayers Termanology and Krumb Snatcha make an appearance for this dedication to the late, great MC Scientifik. And the bonus cut, “Pray For Me,” is a relentless rant that takes aim at the entire industry, a song not to be missed.

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John Lee Hooker

Travelin'

Release: 1960 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1982 | EU | Reissue (Greensleeves)

Triston Palma

Joker smoker

24,99 €*

The Velvet Underground & Nico

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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Limitierte Neuauflage der beliebten LP von 1982 mit dem markanten Cover des jungen Triston Palma. Aufgenommen und abgemischt im Channel One Studio mit Soldgie am Mischpult, als Musiker fungierte die Roors Radics Band mit dem Produzenten Jah 'Nkrumah' Thomas. 10-Track Longplayer mit den Evergreens und Titelstück "Joker Smoker" und "Two Timer"!

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Velvet Underground

LP | 1967 | EU | Reissue (Vinyl Lovers)

29,99 €*

7" | 2007 | US | Original (Sundazed)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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... one of the greatest albums of all time! ... 180 gram vinyl with bonus track 'chelsea girls'

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The Byrds

Lazy days

13,99 €*

LP | 1970 | US | Reissue (DiCristina)

Release: 2007 / US – Original

Genre: Rock & Indie, Pop

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/ reputation ... recorded in 1968, for the first time ever in their unique mono mixes!

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Vashti Bunyan

Just Another Diamond Day

22,99 €*

12"+CD | 2007 | EU | Original (Sunday Service)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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... voted one of the top 100 British albums of all time!

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Finn

The Nays Will Have It

Gene Simmons Picture Disc Edition

Release: 2007 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Some new tracks from this guy from Hamburg ... nice singer/songwriter music between Radiohead, M. Hecker & Sigur Ros that isn't afraid of electronics ... includes a bonus CD featuring Nitrada, Broken Spindles, Plemo, ...!

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Kiss

LP | 2006 | EU | Original (Lilith)

27,54 €* 28,99 € -5%

Release: 2006 / EU – Original

Genre: Rock & Indie

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limited russian edition with Gene Simmons picture disc!

In 1978, Kiss simultaneously released solo albums from all four members. Gene Simmons, most associated with Kiss's heavier side, is revealed to be a closet Beatles fan as evidenced by "See You Tonite," "Always Near You," "Man of 1,000 Faces," and "Mr. Make Believe." But the surprises don't stop there: choirs and string arrangements, 70s funk, and good time rock n' roll also appear alongside heavy rockers like hit single "Radioactive." This eclectic mix of material is supported by guests like Aerosmith's Joe Perry, Cheap Trick's Rick Nielsen, Bob Seger, Donna Summer, and Janis Ian.

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Tom Browne

Funkin' for Jamaica

12" | 1980 | US (Arista)

14,99 €*

CD | 2007 | UK | Original (Antidote)

Release: 1980 / US

Genre: Organic Grooves

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classic 1980 funk track sampled by NWA, EPMD, Slum Village, Black Eyed Peas, Erykah Badu, ... / fungi mama

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Apathy & Celph Titled

No Place Like Chrome

19,99 €*

Release: 2007 / UK – Original

Genre: Hip Hop

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Described at one point as "the new Eminem", Apathy has gone on to carve out a unique niche all his own. Apathy laid down “No Place Like Chrome” with producer Celph Titled for the UK label Antidote just after signing to Atlantic. Collaborations between the two Army of The Pharaohs and Demigodz members continue to this day. Hot off his first all instrumental outing, “Dive Medicine”, it’s a great time to head back towards the beginning of Apathy’s now storied career with this reissue of “No Place Like Chrome.

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CD | 1993 | US | Original (Jive)

Midnight Marauders

12,99 €*

2CD | 2004 | US | Original (Thizz Ent.)

Release: 1993 / US – Original

Genre: Hip Hop

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lyricism, and impactful social commentary. The album helped cement A Tribe Called Quest as pioneers of the alternative hip-hop movement.

Midnight Marauders continues the group’s fusion of jazz samples and boom-bap beats, much like their previous album, The Low End Theory. However, the production on Midnight Marauders is tighter, more polished, and showcases a richer sound with more layers of sampling and instrumentation.
The album features both Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) at the height of their lyrical powers. Q-Tip delivers introspective, philosophical verses with his signature smooth, laid-back delivery, while Phife Dawg provides sharp, witty, and streetwise commentary, offering a perfect contrast to Q-Tip’s style.

The album addresses a range of topics, from the complexities of Black identity and the state of hip-hop to reflections on love, competition, and the music industry. The lyrics are often intellectual yet grounded in everyday experiences, making them accessible and thought-provoking.
The themes in the album extend to the critique of societal issues like police brutality and systemic racism, but they are presented in a conversational, unpretentious manner.

Key Tracks and Highlights:
"Award Tour" (featuring Trugoy from De La Soul) – One of the album’s biggest singles, this track celebrates Tribe’s success while maintaining a humble, down-to-earth tone. It’s driven by a catchy, upbeat beat and has an infectious hook.
"Electric Relaxation" – A classic, smooth track known for its laid-back vibe and jazzy production. The song features witty, flirtatious lyrics, where both Q-Tip and Phife Dawg reflect on relationships and romance. It remains one of the group’s most popular songs.
"Oh My God" (featuring Busta Rhymes) – A high-energy track that blends frantic, lively production with sharp lyricism from Q-Tip and Phife, while Busta Rhymes brings his signature hype-man energy on the chorus.
"Sucka Nigga" – In this controversial track, Q-Tip delves into the history of the N-word, its reclamation, and the complexities of language in African American culture. The track is a reflective and thought-provoking commentary on racial identity.
"We Can Get Down" – A track that highlights the camaraderie between Q-Tip and Phife Dawg as they rap about friendship and mutual respect, reinforcing the tight bond within the group.
"Clap Your Hands" – With its boom-bap beat and jazz-heavy instrumentation, this track is a quintessential Tribe song, showcasing their ability to create music that is both catchy and intellectual.

Midnight Marauders was produced by A Tribe Called Quest themselves, with the assistance of their longtime collaborator Ali Shaheed Muhammad. The production continues to focus on sampling jazz records, but it’s more refined, with a greater emphasis on layered sounds, creating a warmer, fuller sonic experience.
The album also features funk, soul, and R&B influences, giving it a dynamic, genre-blending feel that set it apart from the more sample-heavy hip-hop albums of the time.

Midnight Marauders was both a critical and commercial success, debuting at #8 on the Billboard 200 and receiving widespread acclaim for its innovative production and insightful lyricism. Critics praised the album for its balance of jazz-inflected beats and clever wordplay, as well as its thoughtful approach to social issues.
The album is often included in "greatest albums" lists and is considered one of the essential works of 90s hip-hop. It influenced a wide range of artists, from Kendrick Lamar to J. Cole, and helped solidify A Tribe Called Quest’s legacy as one of the most innovative and impactful groups in hip-hop history.

Midnight Marauders represents the perfect blend of jazz, hip-hop, and social commentary, with A Tribe Called Quest striking a balance between intellectual exploration and accessible, feel-good music. The album’s cohesive sound, sharp lyricism, and cultural relevance have made it a cornerstone of hip-hop and one of the genre’s most beloved records.

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Mac Dre

The Appearances

24,99 €*

The Best Of Mac Dre Volume 2

Release: 2004 / US – Original

Genre: Hip Hop

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Here are most of all the tracks that Mac Dre has done with other artist over years of his career. Now available for the first time in this special 2-CD package are his recordings with: Cougnut, Freako, Messy Marv, Bad Azz, Big Lurch, Keak Da Sneak, Suga Free, Too Short, Don Cisco among others.

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Mac Dre

2CD | 2004 | US | Original (Thizz Ent.)

24,99 €*

CD | 2004 | EU | Original (Geffen)

Release: 2004 / US – Original

Genre: Hip Hop

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This special 2-cd package contains 24 more of Mac Dre's all time best hits. Includes the songs Can't No Nigga, Miss You, The Coldest MC, If You, Stupid (Part 1), All It Takes, Feel Me Cuddie, Game 4 Sale, Got Me Crazy, Global, Leevme Alone, Raini, Game, Yes I'm Iz, Oomfoofoo, 42 Fake, Punk Police, Mac Dre Boy, Super Humanbeing, Black Buck Rogers, Let's All Get Down, Livin The Life, Ride Wit Me, and 4 Myself

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The Roots

The Tipping Point

10,79 €* 11,99 € -10%

LP | 2002 | US | Original (Anti)

Release: 2004 / EU – Original

Genre: Hip Hop

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The Tipping Point is the seventh studio album by The Roots, released on July 13, 2004. Named after Malcolm Gladwell's 2000 book "The Tipping Point", which explores how small events can create a significant change in society, the album reflects on similar themes, particularly focusing on pivotal moments in personal and social contexts. The album stands out in The Roots' discography for blending their signature live instrumentation with a more mainstream sound, while still retaining their thought-provoking lyrics and genre-blending approach.

The Tipping Point represents a more commercially oriented sound for The Roots, with a balance of socially conscious lyrics and tracks that experiment with more accessible, radio-friendly production.
The album was a response to pressures from their record label, which wanted more hits, yet it still maintained the group's focus on lyrical depth and musicality.
The album’s production incorporates a mix of live instruments, samples, and digital production, with a stronger emphasis on funk, soul, and rock influences compared to their earlier, more jazz-heavy works.

The album contains a wide range of musical styles, combining live instrumentation with soul, funk, and R&B elements, but also introduces more polished and radio-friendly production than previous albums like Phrenology or Things Fall Apart.
Despite its more polished sound, Questlove's signature drumming and The Roots' musicianship are still prominent, especially in the live instrumentation, which is a hallmark of their music.
Black Thought (Tariq Trotter) remains the lyrical centerpiece, delivering complex, socially aware verses that delve into issues like racial identity, inequality, the commercialization of hip-hop, and personal reflections on fame and success.

Key Tracks and Highlights:
"Star/Pointro" – The album opens with a meditative introduction, blending Marvin Gaye's classic "Everybody’s Gotta Learn Sometime" with Black Thought’s reflective lyrics. The song transitions into a brassy, upbeat rhythm, setting the tone for the album’s experimental approach.
"I Don't Care" – A funky, groovy track where Black Thought tackles the pressures of staying relevant and true to his roots in an industry that often prioritizes commercial success over artistry.
"Don't Say Nuthin'" – One of the album's lead singles, driven by a minimalist beat and a dark, hypnotic atmosphere. Black Thought delivers a smooth, almost detached flow, commenting on the challenges of staying silent in a world full of noise and pressure.
"Guns Are Drawn" – A politically charged track with a heavy bassline and a haunting, reflective hook. Black Thought and guest MCs explore themes of social injustice, gun violence, and the struggles faced by Black communities in America.
"Stay Cool" – Built around a playful and funky beat, this track features smooth production with a retro feel, reflecting on maintaining composure and self-awareness in the face of societal pressures and distractions.
"Web" – A standout track, with Black Thought delivering a rapid-fire, no-hook lyrical performance. It's one of the most lyrically dense songs on the album, showcasing Black Thought’s verbal agility and intricate wordplay.
"Boom!" (featuring DJ Jazzy Jeff) – A tribute to classic hip-hop, with Questlove and Black Thought taking listeners back to the days of boom-bap, reminiscent of earlier hip-hop production styles, but with a modern twist. DJ Jazzy Jeff’s scratches add an old-school flavor.

Commercialization of Hip-Hop: Many tracks, such as “Don’t Say Nuthin'” and “I Don’t Care,” reflect The Roots' critique of the way mainstream hip-hop has evolved, focusing more on materialism and less on the artistry that originally defined the genre.
Socio-Political Commentary: The album delves into various social issues, such as gun violence (“Guns Are Drawn”) and racial inequality, exploring the frustrations of systemic problems that plague society.
Personal Reflection and Artistic Integrity: Black Thought explores his role as an artist in the modern music industry, balancing the need to create commercially viable music while staying true to his roots and values. This tension is a recurring theme throughout the album.

Questlove and Richard Nichols handled the bulk of the production, while Scott Storch and Damon Bryson (aka Tuba Gooding Jr.) contributed to various tracks.
DJ Jazzy Jeff made an appearance on “Boom!”, providing turntablism that adds an old-school hip-hop feel to the track.
The production on The Tipping Point is a blend of organic and digital sounds, with live instruments meshing with sampled beats, reflecting The Roots' ability to navigate both the hip-hop underground and the mainstream.

The Tipping Point received generally positive reviews from critics, though it was sometimes viewed as less groundbreaking compared to previous works like Things Fall Apart or Phrenology.
While some critics praised the album’s production and the lyrical depth of Black Thought, others felt that the more commercial sound detracted from the experimental, genre-pushing elements that had characterized The Roots’ earlier work.
The single “Don’t Say Nuthin'” became one of the group’s more successful radio hits, though it was seen as a departure from the soulfulness and live instrumentation of their previous albums.
Commercial Performance:
The album debuted at #4 on the Billboard 200, making it one of The Roots' highest-charting albums at the time, driven by the popularity of singles like “Don’t Say Nuthin'” and “Stay Cool.”
The Tipping Point did not reach the same commercial success as some later albums, but it represented a pivotal moment where The Roots began to bridge their underground sound with broader mainstream appeal.
Legacy and Impact:
The Tipping Point marked an important transition in The Roots’ career, showcasing their ability to adapt to the changing landscape of hip-hop while still maintaining their identity as a live band.
Though not as critically acclaimed as some of their other albums, it remains an important work in The Roots' discography, as it captures a moment where the group was negotiating their place within an increasingly commercialized industry.
Following The Tipping Point, The Roots would take their music in even more experimental and socially conscious directions with albums like Game Theory (2006) and Rising Down (2008), reinforcing their reputation as hip-hop innovators with a distinct voice.
In summary, The Tipping Point is a pivotal album in The Roots' evolution, blending commercial ambition with their trademark musicality and lyricism, and showcasing their ability to balance mainstream appeal with artistic depth.

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Tom Waits

Alice

39,99 €*

Release: 2002 / US – Original

Genre: Rock & Indie

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LP | 2006 | US | Original (XL)

Thom Yorke

The eraser

34,99 €*

Release: 2006 / US – Original

Genre: Rock & Indie

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LP | 2006 | EU | Original (XL)

Thom Yorke

The Eraser

27,99 €*

Release: 2006 / EU – Original

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Peoples)

The J.B.'s

Food for thought

20,99 €*

LP | 1972 | US | Reissue (Peoples)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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180g vinyl ... sampled by Erick Sermon, Pete Rock, Pharcyde ... incl. the all-time classic "pass the peas"

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The J.B.'s

Food for thought

20,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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limited edition Colored Vinyl ! ... sampled by Erick Sermon, Pete Rock, Pharcyde ... incl. the all-time classic "pass the peas"

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CD | 1996 | EU | Reissue (Jive)

Beats, Rhymes & Life

DVD | 1991 | US | Reissue (Columbia)

Release: 1996 / EU – Reissue

Genre: Hip Hop

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A Tribe Called Quest are widely hailed as one of the greatest rap acts of all time. This trio (2-mic pioneers, Phife Dawg & Q-Tip, along with their DJ Ali Shaheed Muhammad) was one of the most lyrically gifted in the music genre of Hip-Hop. The blends of jazz ‘n bass-heavy beats (East Coast “muddy bass”) was truly and still is truly innovative. Instead of being a great rap album like the one before it, “Beats, Rhymes & Life” is a great Tribe album. It takes time to understand it but it fits perfectly in its place in the Tribe canon and in the mid- 90s. It has their trademark smooth style and flow with a much darker theme and subject matter than their previous album. It’s a real work of art and still fresh so many years after its release.

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Boyz N The Hood

The Movie

12,99 €*

2LP | 2005 | US | Original (Side One Dummy)

Release: 1991 / US – Reissue

Genre: Hip Hop

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once upon a time in south l.a. - Ice Cube, Cuba Googing Jr, Angela Bassett ... classic ! english, french, spanish & italian language plus multilingual subtitles (even hindi !)

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Gogol Bordello

Gypsy Punks

Release: 2005 / US – Original

Genre: Rock & Indie

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The Mighty Mighty Bosstones

A jackknife to a swim

LP | US | Original (Side One Dummy)

Release: US – Original

Genre: Rock & Indie

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2LP | 2005 | EU | Original (Capitol)

Beastie Boys

Solid Gold Hits

40,99 €*

LP | US | Reissue (Kimsha)

Release: 2005 / EU – Original

Genre: Hip Hop

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15 all time Beastie-classics ... you have to buy this one for the cover shot alone! Mad props to Josh Cheuse for this one!

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Tony Aiken & Future 2000

Unity, Sing It, Shout It

23,99 €*

CD | 1999 | EU | Original (MCA)

Release: US – Reissue

Genre: Organic Grooves

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Hailing from New York during the mid 1970s, Tony Aiken and Future 2000 was a musical group whose funky brand of R&B-meets-dance featured a distinct sound reminiscent of a combination of Carribbean music and Afrobeat. Their strong arrangements, pulsating beats, and unique orchestrations made them underground darlings for much of the mid-70s. Their Kimsha Records release Unity: Sing It, Shout It was a joyous, booty-shaking pile of East Coast disco at its most raw.

Aiken has since gone on to work with artists such as Dennis Brown, Frankie Paul, Chosen Few, and many more, but the original Unity album has largely been forgotten to the sands of history...until now! In association with Traffic Entertainment, Kimsha Records is proud to present this sterling reissue of the original Unity LP, right on down to the recreation of its original jacket. Features hard-hitting funk tracks like "Better Days", and soulful cuts like "Time Tunnel", with bouncing bass-lines and sinuous keyboards. Unity's crown jewel however is its' title track, a 9+ minute long stomper with hints of reggae and tastes of early-disco vibes. An obscure gem, and a classic for any fan of fine afro-centric music.

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The Roots

Things Fall Apart

13,99 €*

CD | 1997 | EU | Original (Tommy Boy)

Release: 1999 / EU – Original

Genre: Hip Hop

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Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

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Capone-N-Noreaga

The War Report

Release: 1997 / EU – Original

Genre: Hip Hop

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CD | 1990 | EU | Original (Tommy Boy)

Digital Underground

Sex packets

Release: 1990 / EU – Original

Genre: Hip Hop

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Whitey ford sings the blues

Everlast

CD | 1999 | EU | Original (Tommy Boy)

19,99 €*

LP | 2000 | US | Original (Side One Dummy)

Release: 1999 / EU – Original

Genre: Hip Hop, Rock & Indie

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feat. Casual, Sadat X, ...

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Flogging Molly

Swagger

Release: 2000 / US – Original

Genre: Rock & Indie

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CD | 1993 | EU | Original (Jive)

Midnight Marauders

17,99 €*

Release: 1993 / EU – Original

Genre: Hip Hop

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CD | 1991 | EU | Original (Jive)

The Low End Theory

17,99 €*