Search "wood wood champion" 8081 Items

Release: 2020 / EU – Original

Genre: Rock & Indie

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Townes Van Zandt

Sky Blue

Release: 2019 / US – Original

Genre: Rock & Indie

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Nova Bossa Nova 20th Anniversary Edition

Marcos Valle

LP | 1997 | EU | Reissue (Far Out)

2LP | 2017 | EU | Original (Warner)

Release: 1997 / EU – Reissue

Genre: Organic Grooves

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A download code is included. Marking sixty years of Bossa Nova, and twenty years since Marcos Valle’s first release for Far Out Recordings, what better time to bring back this era-defining classic from the Brazilian master composer?

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Ed Sheeran

÷ (Divide)

Release: 2017 / EU – Original

Genre: Pop

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LP | 1971 | US | Reissue (Fat Possum)

Ann Peebles

Straight From The Heart

2LP | 2013 | EU | Original (Fat Possum)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Vinyl reissue of 1972 R&B classic.

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Youth Lagoon

Wondrous Bughouse

Release: 2013 / EU – Original

Genre: Rock & Indie

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The Elmatic Instrumentals

Will Sessions

LP | 2011 | US | Original (Fat Beats)

LP | 2009 | US | Reissue (Fat Possum)

Release: 2011 / US – Original

Genre: Hip Hop

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Instrumental versions to Elzhi's (Slum Village) tribute to Nas "Illmatic" performed by Chicago funk band Will Sessions. Limited edition vinyl with free mp3 download card.

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Al Green

Let's Stay Together

LP | 2009 | US | Original (Fat Possum)

Release: 2009 / US – Reissue

Genre: Organic Grooves

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180g vinyl

- "Let's Stay Together" sampled by Little Brother for "Light it Up"

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Wavves

Wavvves

New Riders Of The Purple Sage

Release: 2009 / US – Original

Genre: Rock & Indie

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incl. download code

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Hempsteader:Live At The Calderone Concert Hall

2LP | 2024 | EU | Original (ADA)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Blume Editions)

Ben Vida

Vocal Trio

LP | 2024 | US | Original (Fat Possum)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Since its founding back in 2014, Blume has carved a unique place in cultural landscape, issuing free-standing works, spanning the historical and contemporary, that represent singular gestures of creativity within the field of experimental sound. Joining their broad efforts in building networks of context and understanding that already includes the works by Werner Durand, Sarah Hennies, Bruce Nauman, John Butcher, Jocy de Oliveira, Mary Jane Leach, Valentina Magaletti, Alvin Curran, Julius Eastman, Alvin Lucier, and shortly after returning with the first ever vinyl release to attend to James Tenney’s legendary “Postal Pieces”, the label is now offering a brand new, ambitious work by the American composer Ben Vida, entitled “Vocal Trio”, conceived, performed, and recorded in Bremen, Germany, during the Spring of 2022. A truly stunning work of compositional conceptualism, combining the ideas of systems based synthesis with real-time vocal collaboration - issued in a highly limited vinyl edition of 200 copies mastered by Stephan Mathieu, featuring specially commissioned liner notes by Bradford Bailey and a leporello insert offering the piece visual score - it’s a landmark in contemporary experimental practice and arguably the most forward-thinking and exciting piece by one of the most exciting American artists working today.

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Smoke & Fiction

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Rrc Music)

Salimata

Wooden Floors

Luminous Rubble Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Hip Hop

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After her debut album “ouch” on 10K in late 2022, the Brooklyn native returns with her most polished work to date and presents her latest project titled “Wooden Floors”. Inspired among other things by a scene in the 80's movie "Risky Business"; she treats each song as a journal entry where she depicts her life in New York and touches on various subjects like love, family, personal achievements, morals and future goals. Delivering an array of multiple fl ows and emotions on groovy beats; she stands out from other mcs with her sweet voice tone, raw style and poignant lyrics.

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Blockhead

LP | 2024 | US | Original (Def Pressé Editions)

LP | 1974 | US | Reissue (Fat Possum)

Release: 2024 / US – Original

Genre: Hip Hop

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London-based label, Def Presse are very pleased to announce their partnership with legendary Library Music label KPM. Def Presse Editions/KPM Crate Diggers are works built around samples from KPM releases. As part of the series - Blockhead presents his new album, Luminous Rubble, where the artist dives deep into KPM’s iconic music and sound design library. Blockhead has released 15 albums over the past 15 years and is regarded as one of the modern masters of instrumental hip-hop. It’s a producer’s dream: Being given access to a vast library of material to construct something completely new and exciting out of all of it and when Blockhead’s at the controls, the results are a listener’s paradise, too. The New York City-based hip-hop production legend’s Luminous Rubble is the latest missive in a particularly busy period for the underground hip-hop veteran, who’s spent the last decades lending his considerable talents to work from artists like Armand Hammer, billy woods, Murs, and Open Mike Eagle; in 2021, he released the critically acclaimed collab LP Garbology with rap legend and longtime collaborator Aesop Rock, just last year he unleashed his twelfth solo album, The Aux. “For me, as a producer who uses samples, there’s nothing better than free rein. That was so exciting for me. Their vault is the one I’m most familiar with,” he says with a laugh. “Back when I used to go record shopping a lot, I would pretty much buy any KPM record on sight. They were always a huge find at record stores. So to be able to tap into these records with no limitations was really nice. Having no boundaries can be overwhelming when it comes to the creative process. Working with these samples forced me to find middle ground in cases where I’d typically just walk away and look elsewhere.” After hearing Luminous Rubble, you’ll be happy he stuck around.

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Ann Peebles

I Can't Stand The Rain

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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Zombie White, Black And Red Splatter Vinyl Edition

Ot The Real & Araabmuzik

LP | 2024 | US (Next)

LP | 2024 | EU | Original (Phat Penguin)

Release: 2024 / US

Genre: Hip Hop

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Limited to 300 Hand-Numbered Copies Pressed on White, Black and Red Splatter Vinyl OT The Real & araabMuzikís new collaborative album Zombie is now available as a limited edition vinyl release. The 12-track project, released through Black Soprano Family records, was executive produced by Benny The Butcher and features appearances by several Black Soprano Family members. The BSF boss has been a fan of the Philadelphia based rapper since they met while recording “Coke & Guns” (off the album Broken Glass) and when he had the chance to put together a full project with OT and the MVP of the MPC, Benny seized the opportunity, bringing both OT and araabMIUZIK out to the BSF studio in Buffalo to record what would ultimately become “The Crown,” the first single off of Zombie featuring Benny The Butcher & ElCamino. The guest appearances on Zombie were carefully curated, purposefully tapping artists that hadn’t yet collaborated with OT (outside of Benny) and araab- Muzik in order to deliver something new to fans, including 38 Spesh, Conway The Machine, ElCamino, Rome Streetz, Lihtz and Amir Ali.

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Leftovers

Krach

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Far Out)

Agustin Pereyra Lucena

Youth Meets Radical Dance Faction

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Following Far Out’s reissue of Agustin Pereyra Lucena Quartet’s La Rana, the label continues its memorialisation of the late, great Argentinian guitarist’s music, with the first ever direct from tape, audiophile reissue of Pereyra Lucena’s self-titled debut album from 1970.

One of the outstanding South American guitarists, Agustin Pereyra Lucena commanded a unique position in Latin music history. He hailed from Buenos Aires, but was obsessed with the music of Brazil. A disciple of Antônio Carlos Jobim, Baden Powell and Vinicius De Moraes, the nature of Agustin’s Argentinian roots combined with the nurture of Brazil and its music to give Agustin a sound entirely his own.

After being scouted in a nightclub, by musician and guitar craftsman Jorge Demonte, Agustin was invited for an audition at Argenitinian label Tonodisc. Before he knew it, aged 22, he was in the studio recording his first album.

Agustin enlisted fellow Argentinian Brazilophiles Mario "Mojarra" Fernandez who played bass and drummer Enrique "Zurdo" Roizner. He had first heard the duo backing Vinicius de Moraes, Toquinho and Maria Creuza on their legendary La Fusa live album, also recorded in Buenos Aires. For vocals, Agustin brought in his old friend, a French teacher called Helena Uriburu, who at the time had (unbelievably) never sung in a studio before.

The atypical bossas and spiritual swinging sambas, composed by many of Agustin’s aforementioned heroes, were elevated to new heights by Agustin’s dazzling arrangements and phenomenal guitar playing. The almost cosmic reaches Agustin achieved with his sound are balanced against the stylish sophistication and breezy nature of the music.

Moments of calm serenity include Agustin’s own composition “Nina No Divagues”, Durval Ferreira and Pedro Camargo’s “Chuva” and the Brazilian bossa classic “Tristeza Nos Dois”, which feels like it draws equally upon exotica and early library records. Accompanied by Roizner’s shuffling samba jazz drums, opener “O Astronauta” is Agustin’s cover of the Brazilian guitar standard composed by Baden Powell. Another Baden Powell classic, “Consolacao” is an extended full-band set, which features Agustin’s crisp guitar dancing around a hypnotic rhythm section. Upright bass is swapped out for a big, round-sounding electric one, which sits loud in the mix for almost seven minutes of deep, groovy, distinctively early-seventies magic.

Agustin passed away in 2019, and it is only in recent years that he is starting to gain his plaudits as one of South America’s greats. On the liner notes of the album Vinicius De Moraes writes: “I think I never saw, with the exception of Baden Powell and Toquinho, anyone more linked to his instrument than Agustín Pereyra Lucena. It would give the impression that if the guitar were taken away from him, he would fade into music as one dies from the amputation of an arm.”

Agustin Pereyra Lucena will be released on audiophile vinyl LP, CD and digitally on the 26th January 2024 via Far Out Recordings.

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Welcome To The Edge Neon Pink Vinyl

LP | 2023 | Original (Cadiz Music/Youth Sounds)

Release: 2023 / Original

Genre: Reggae & Dancehall

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In And Out Black Vinyl Edition

James Blood Ulmer

2LP | 2023 | EU | Original (In + Out)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Fat Possum)

Youth Lagoon

Heaven Is A Junkyard

Release: 2024 / EU – Original

Genre: Rock & Indie

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Joan Jett & The Blackhearts

Mindsets Black Friday Record Store Day 2023 Black Vinyl Edition

LP | 2023 | Reissue (Sony)

Suckapunch (Deluxe Edition)

Release: 2023 / Reissue

Genre: Rock & Indie

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Quantity: 2900
Release type: 'RSD First' Release

Mindsets, Joan Jett and the Blackhearts' latest release features six brand new originals plus live versions of the tracks. The album serves as a reminder of what the band is all about – the perfect blend of punk and rock n' roll that feels timeless and immediate at once. "If You're Blue" kicks off the EP with the band's signature crunchy, distortion forward guitar, hooky chorus, and Jett's powerful, snarling vocals. Every track has its own spin on the band's signature tight instrumentation and heavy guitar riffs which provide the perfect backdrop for Jett's vocals, creating a sound that is both powerful and infectious. Jett's voice is a force to be reckoned with as her powerful vocals are full of attitude and emotion. She delivers each song with strong conviction and energy.

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You Me At Six

LP (Underdog)

Genre: Rock & Indie

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LP | 2023 | UK | Original (Vadi)

Tommy Khosla

Vignettes

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2025 | US | Original (Stones Throw)

Eddie Chacon

Lay Low Blue Smoke

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-01-31

Humanhood Indie Exclusive Color Vinyl Edition

The Weather Station

LP | 2025 | US (Fat Possum)

Release: 2025 / US

Genre: Rock & Indie

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Preorder shipping from 2025-01-17

Greatest Hits Live Colored Vinyl Edition

Steely Dan

LP | 2024 | UK | Original (Get Yer Vinyl Out)

LP | 2024 | US | Original (Shifting Paradigm)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

Casting a net over a recording career that spans over 20 years to capture the essence of the Becker/Fagen songwriting vortex is a hard task, but remains highly rewarding work for the compiler and joy for the listener. Thus, the two selected performances here from the ‘All American Tour’ of 1974 combine highlights from their first four albums with their signature classic Do It Again rounding off the 1972-74 timeline. Their return to the stage in 1993 was a hotly anticipated event and saw a broader line-up, bringing back classics from the 1975-1980 period of studio isolation. However, it was clear that the real stars of Steely Dan’s 1993 reunion tour weren’t simply Becker and Fagen alone, but the songs themselves, those gorgeously crafted pop confections; all sleek surface and clandestine passion. When music is this timeless, the word nostalgia doesn’t apply.Get Yer Vinyl Out celebrates the legacy of Steely Dan, live on stage with a selection of ten of their greatest hits beautifully restored and professionally remastered. Presented with background notes. Side 11 Pretzel Logic 5.22 *2 Bodhisattva 4.46 **3 Reelin’ In The Years 4.23 **4 Rikki Don’t Lose That Number 4.03 **5 Your Gold Teeth Jam 5.29 **6 Peg 4.21 ***Side 21 Do It Again 7.37 **2 Deacon Blues 7.40 ***3 Hey Nineteen 5.42 ***4 The Royal Scam / Bad Sneakers / Aja 7.37 **** University Of California, Irvine, CA, March 10th 1974 KSAN-FM** The Record Plant, Sausalito, CA, March 20th 1974 KMET-FM*** Riverport Amphitheater, Maryland Heights, MI, September 1st 1993 KLLT-FM

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Righteous Rooster

Fowl Play

LP | 2024 | AU | Original (Northside)

Release: 2024 / US – Original

Genre: Organic Grooves

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Righteous Rooster is a jazz-groove organ trio from Chicago, featuring Henry Dickhoff on organ, Kenny Reichert on guitar, and Luke Sagadin on drums and cymbals. Their debut album, 'Fowl Play,' is out October 25 on Shifting Paradigm Records. Influenced by the Delvon Lamarr Organ Trio, Soulive, Medeski Martin & Wood, and Goldings/Bernstein/Stewart, the trio blends improvisation, imaginative compositions, and a love for the history of organ trios to create a distinct and engaging sound.

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Cool Out Sun

A Lion Is A Lion

Release: 2024 / AU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

LP | 2024 | EU | Original (Avantgarde)

Inherits The Void

Scars Of Yesteryears

We'll Talk About It Later

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

French one-man melodic black metal band Inherits The Void is back with the third studio album in four years. Fifteen months after the acclaimed The Impending Fall Of The Stars, multi-instrumentalist A is back with a brand-new studio record.As introduced by Inherits The Void mastermind A. himself, “Scars Of Yesteryears is a melodic black metal album which embodies the artistic choices initiated with its predecessor. However, Scars Of Yesteryears is more diverse in its musical influences, while wanting to be more direct and incisive in its musical approach. In this, the album draws its inspiration from both the Swedish and French Black Metal scenes with the aim of combining the stylistic visions specific to each universe. The eight songs that follow one another in the album reflect a now mor e enterprising crossover between Atmospheric/Melodic Black Metal and early Melodic Death Metal, combining also more epic and doomy parts than in the past.The theme of the album deals with the legacy left by past and present societies, whether through struggles, revolutions or even through the traces that we ourselves leave and which, themselves, lead to the destruction of our environment”. 01 - Celestial Antler02 - The Orchard Of Grief03 - Ashes Of Grievance04 - The Meander’s Gate05 - L’Effigie Du Déclin06 - Scars Of Yesteryears07 - L’Eternelle Course Des Astres08 - The Endless Glow Of Twilight

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Nucleus

LP | 1971 | EU | Reissue (Be With)

LP | 1971 | EU | Reissue (Be With)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.

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Nucleus

Solar Plexus

LP | 2023 | EU | Original (Fat Possum)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."

Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.

The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.

The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.

This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.

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Joanna Sternberg

I've Got Me

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Reptilian)

Eddie Spaghetti

Old No. 2

Joan Jett & The Blackhearts

Release: 2023 / EU – Original

Genre: Rock & Indie

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Second solo release from 'Suckers frontman Eddie Spaghetti. Blue/Custard marbled vinylNow that the Supersuckers have become a productive cottage industry thanks to the good people at Mid-Fi Records (namely the band itself), 'Suckers frontman Eddie Spaghetti has given us his second solo album in as many years with 2005's Old No. 2. Like his previous solo disc Sauce, Old No. 2 is dominated by covers, though Eddie wrote a whopping four new songs for this set (double his output for Sauce), and since this album boasts a significantly lower goofiness quotient than his previous go-round, he offers us some solid and literate country-rock tunes, including the ode to touring "Here We Go" and a rueful look back at a busted romance, "Some People Say." Old No. 2 is in the tradition of the Supersuckers' periodic visits to the land of twang, with even the AC/DC and Coasters covers boasting a semi-acoustic sawdust-on-the-floor vibe, and his band (anchored by guitarist Jordan Shapiro) kicks up a satisfying amount of dust, even with the amps turned down. While Eddie unwittingly reveals how narrow his vocal range can be on a couple of tunes, he makes with the attitude when he needs to and sounds like he means it when he wants to, and his versions of Bob Dylan's "Tonight I'll Be Staying Here with You" and Willie Nelson's "Everywhere I Go" show the guy is a better interpretive singer than one might expect. Oh, and if you were looking for a straight-up joke, check out the Aerosmith revision on track 11. Old No. 2 is hardly revelatory, but it sounds like Eddie and his pals enjoyed their four days in the studio, and the good vibe is infectious -- lots of guys have tried a whole lot harder without coming up with a record half as enjoyable as this. - Mark Deming AMG

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Up Your Alley Record Store Day 2023 Lemonade Colored Vinyl Edition

LP | 2023 | UK | Reissue (Epic)

LP | 2023 | EU | Original (Lalabeam)

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Attn.: We did not receive this record in time for RSD, but we will get it this week.

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Ada Morghe

Lost

Release: 2023 / EU – Original

Genre: Organic Grooves

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Jody Stecher / Krishna Bhatt

Rasa

LP | 1981 | US | Reissue (Don Giovanni)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Soso

Tinfoil On The Windows

Release: 2022 / US – Original

Genre: Hip Hop

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Soso & Maki

If And Only If

The Mighty Highs & The Mighty Lows

Release: 2022 / US – Original

Genre: Hip Hop

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If and Only If is the latest project by Canadian indie hip hop stalwarts and long-time collaborators, soso and Maki.

Over a period of two decades, soso and Maki have been charting their own unique course, operating at the edges of the hip hop genre to develop a distinctive and personal body of work that helped define the prairie hip hop ethos.

On If and Only If, their first album in seven years, Maki has crafted a delicate and evolving backdrop for the contemplative lyrics that established soso’s reputation as one of the most unique voices in alternative hip hop. Drawing from noise, drone and other forms of electronic music, Maki sets the tone for an album imbued with the pressing political issues and social tensions that have characterized the past five years. The album was certainly not rushed. It is well-considered, deliberate in pace and intent. This is winter walking music.

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Sign One

Release: 2022 / US – Original

Genre: Hip Hop

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2020 was tough for many and on his third album, titled The Mighty Highs and The Lowly Lows, Sign One tells it to fuck off politely. Seemingly every time there’s a lifestyle change Sign goes and makes a batch of rap songs, and the pandemic certainly provided that opportunity.

The Michigan native rapper/producer is currently residing in Columbus, Ohio, and in his younger days spent a decade in Orlando Florida fine tuning his chops with fellow Jerk Circuit members. The early indy rap MPC innovator continues to create sample based compositions on his latest album while writing straight forward American raps as if this was 1999. Sign continues to deliver his truth, whether it ’99 or ’22, the content can reflect decades as he pays homage and penance to his three sons, reminds us what a true winter really looks like, argues with people on social media, battles rappers who who only write battles but dont freestyle, sprinkles in some political satire and a special one for all the ladies, all except for one.

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Rove

If Not Now

Capsule For One Special Edition

Release: 2022 / US – Original

Genre: Hip Hop

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Debut album from Canadian producer Rove

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Vector Lovers

2LP | 2022 | EU | Original (Lapsus Perennial Series)

2LP | 2023 | EU | Original (Matador)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Beautiful seductive modern electronix alert!!! Vector Lovers has remained a firm favourite of the underground electronic music scene and holds a coveted place among the most hallowed of record shelves, and with good reason. Since the early 2000s Martin Wheeler has explored a sparse audio wasteland in order to develop a new sonic palette that looks outward to electro, IDM and ambient. After self-releasing a handful of his own productions on the Iwari label, Wheeler's career defining album was signed by British label Soma in 2005, leading to the first great revival of 90s IDM. Capsule for One' was an unrivalled masterpiece that perfectly synthesised the heritage of the Hardcore Continuum with renewed airs and degree of clarity that ushered in a new millennia and sound. It arrived as a worthy successor to the venerated Warp artists of the time, while embracing new panoramas and technologies. Capsule for One' is a melancholic album, with an almost cosmic spirituality that provokes daydreaming. From its opening track 'City Lights From a Train' it welcomes the listener onto an infinite journey at the speed of light, connecting the past, present and future, folding time and space and painting neon cities populated by cyborgs. The album reaches its zenith with 'Melodies and Memory', featuring Wheeler's very own voice, which has arguably become one of this century's greatest electronic ballads to date. In fact, the impact of 'Capsule for One' was such that Tracey Thorn commissioned him to produce her song 'Easy', from the album 'Out of the Woods' [Virgin, 2007]. For its forthcoming release on Lapsus Records, Martin Wheeler has remixed each and every song on 'Capsule for One', as well as adding two previously unreleased tracks 'A Simulation' and 'Perfect Score', both produced around the same epoch. This extra special release, with artwork redesigned by Josep Basora, features a double marbled vinyl and a limited edition insert print. TIP!!

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Algiers

Shook Gold Vinyl Edition

Shook Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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New Algiers album Featuring Contributions From Zack DE LA Rocha, BIG Rube, Billy Woods, Backxwash, Mark Cisneros, Latoya Kent, Future Islands’ Samuel T. Herring, BOY Harsher’s JAE Matthews, Nadah EL Shazly, LEE Bains III, Deforrest Brown JR. & Patrick Shiroshi

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Algiers

2LP | 2023 | EU | Original (Matador)

The Rest Is Distraction Grey Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Girls In Synthesis

LP | 2022 | UK | Original (Own It)

LP | 2022 | EU | Original (Own It)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Experimental post-punk outfit Girls IN Synthesis are set to release the eagerly anticipated follow-up to 2020's incendiary debut, 'Now Here's An Echo From Your Future'. Entitled 'The Rest Is Distraction' and available this coming October 14th via the band's own label Own It/Cargo Records, its mix of fractured guitar, crushing drums and bass, intense vocals and lyrical content - create as challenging a record as you will hear this year. Formed in 2016, Girls IN Synthesis are John Linger (bass / vocals), Jim Cubitt (guitar / keys) and Nicole Pinto (drums). The trio's double a-sided debut single 'The Mound'/'Disappear' came out in the early part of 2017, and since then they have established themselves as the most forward thinking, viscerally challenging band around with unmissable live shows that continue to excite and astound in equal measure. Recorded last year amidst the uncertainty of continuous lockdowns as a result of the global Covid-19 pandemic, 'The Rest Is Distraction' is far darker in content than its predecessor. Mainly exploring internal and mental struggles as opposed to external current affairs, it focuses on the claustrophobia of emotional anguish and continues to bravely delve into previously un-ventured topics. Featuring frequent collaborators funkcutter and Stanley Bad on horns and violin, respectively, two songs also see Eleni Poulou, ex-The Fall, on keyboards. The album was mixed by long-term collaborator Max Walker and features stunning landscape photography by Bea Dewhurst. The album was mastered in France by Ayumu Matsuo. Sonically atramentous and less one dimensional than the band's debut, 'The Rest Is Distraction' takes its cues from 'Join Hands' era Siouxsie & The Banshees, Brainiac and Crass' 'Christ The Album', among others. From the first crackle of electricity on the opening track, to the heart wrenching taped voice-recording on the final outro, this LP triumphantly retains every ounce of intensity and vitality that makes Girls In Synthesis the most captivating band to emerge from the UK DIY underground in recent years. Listeners will find 'The Rest Is Distraction' a challenging, yet ultimately cathartic listen. Prepare yourselves for a sonic cleansing, Girls In Synthesis style.

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Girls In Synthesis

The Rest Is Distraction

Richard Galliano & Ron Carter

Release: 2022 / EU – Original

Genre: Rock & Indie

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Experimental post-punk outfit GIRLS IN SYNTHESIS are set to release the eagerly anticipated follow-up to 2020's incendiary debut, 'Now Here's An Echo From Your Future'. Entitled 'The Rest Is Distraction' and available this coming October 14th via the band's own label Own It/Cargo Records, its mix of fractured guitar, crushing drums and bass, intense vocals and lyrical content - create as challenging a record as you will hear this year. Formed in 2016, GIRLS IN SYNTHESIS are John Linger (bass / vocals), Jim Cubitt (guitar / keys) and Nicole Pinto (drums). The trio's double a-sided debut single 'The Mound'/'Disappear' came out in the early part of 2017, and since then they have established themselves as the most forward thinking, viscerally challenging band around with unmissable live shows that continue to excite and astound in equal measure. Recorded last year amidst the uncertainty of continuous lockdowns as a result of the global Covid-19 pandemic, 'The Rest Is Distraction' is far darker in content than its predecessor. Mainly exploring internal and mental struggles as opposed to external current affairs, it focuses on the claustrophobia of emotional anguish and continues to bravely delve into previously un-ventured topics. Featuring frequent collaborators funkcutter and Stanley Bad on horns and violin, respectively, two songs also see Eleni Poulou, ex-The Fall, on keyboards. The album was mixed by long-term collaborator Max Walker and features stunning landscape photography by Bea Dewhurst. The album was mastered in France by Ayumu Matsuo. Sonically atramentous and less one dimensional than the band's debut, 'The Rest Is Distraction' takes its cues from 'Join Hands' era Siouxsie & The Banshees, Brainiac and Crass' 'Christ The Album', among others. From the first crackle of electricity on the opening track, to the heart wrenching taped voice-recording on the final outro, this LP triumphantly retains every ounce of intensity and vitality that makes Girls In Synthesis the most captivating band to emer...

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An Evening With

LP | 2022 | EU | Original (In & Out)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Judah Warsky & Gilbert Cohen

L'aurore

LP | 2022 | EU | Original (Versatile)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | UK | Original (Kitchen Label)

Aspidistrafly

A Little Fable

Oh What The Future Holds Orange / Dark Green Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.

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Fit For An Autopsy

LP | 2022 | EU | Original (Nuclear Blast)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Fat Possum)

Courtney Marie Andrews

Loose Future

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1978 | US | Reissue (Federal Green)

Viith Temple

Under The Burning Sun

Record Collectors Are Still Pretentious Assholes

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Recorded in late '70s Ontario, just prior to the synth-punk masterpiece by their alter-ego, Drama, this is a heady stew of hypnotic psych prog pomp, coupled with bashing drums and mystical and magickal lyrics. Each song swells as it progresses, reaching a frenzied climax, drawing you into the same place out of time this was birthed in. Incredibly rare in its original state, this is a lovingly remastered improvement on the impossibly expensive original.

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Poison Idea

LP | 1984 | US | Reissue (TKO)

Black Pearl Turquoise Vinyl Edition

Release: 1984 / US – Reissue

Genre: Rock & Indie

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After contending with nearly a full year of production delays, TKO Records could not be more delighted to bring back this classic material. This new reissue is without a doubt the ultimate version of this title. Between the scorching new mastering job, the expanded artwork and addition of the new poster that maps out all the records featured in the front cover photograph... it doesn't matter if you've already got ALL other versions of this LP, if you're a record collector worthy of the album title, you're gonna need this one."Despite all rumors and confusion, Poison Idea rages with rapid-fire, foaming bites of outrageous energy. This is what you’ve been waiting for. This band deals out the goods with frenetic, hammering madness and rabid intensity thrash-style compositions."—Pushead, MaximumRockn'roll - October, 1984. Includes a poster.

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50 Foot Wave

LP | 2022 | EU | Original (Fire)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Georgia Gothic Red Vinyl Edition

Mattiel

LP | 2022 | EU | Original (ATO)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Fat Possum)

Dehd

Blue Skies

Release: 2022 / US – Original

Genre: Rock & Indie

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Pape Nziengui Et Son Groupe

Kadi Yombo

2LP | 2022 | US | Original (Awesome Tapes From Africa)

LP | 2021 | US | Original (Audio Recon)

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it's Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music. Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué. In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution. Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo's capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists. On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui-not only the musician, but the man-someone whose age hasn't altered any of his freshness or authenticity.

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Rob Crooks

Introducing The Ghost

Release: 2021 / US – Original

Genre: Hip Hop

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OST Endgame - Bronx Lotta Finale

Carlo Maria Cordio

LP | 2022 | EU | Original (Pulse Video)

Joysville Clear W/ Red Splatter Vinyl Edition

Release: 2022 / EU – Original

Genre: Soundtracks

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Original film soundtrack For the first time ever, here is the soundtrack from the 1983 post-apocalyptic flick directed by Joe D’Amato, Endgame - Bronx Lotta Finale. A compelling Carlo Maria Cordio’s mighty Vangelis-meets-John Carpenter score. With hangovers from previous Giallo-based outings, Endgame’s themes are more gentle and introspective than, say, Claudio Simonetti’s muscular work for The New Barbarians and Hands of Steel but also, arguably, musically more diverse. In particular, the opening title track ‘Atomic Contamination” is genuinely chilling when set against the stock footage of a nuclear bomb going off. While liberally pinching the vibe of Blade Runner’s more symphonic textures, Cordio’s synthesizers also do bombast, melancholy and menace when required, whilst the pretty pieces for Lilith are like semi precious jewels shining out of the murk and machismo.

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Ed Scissor + Lamplighter

LP | 2021 | UK | Original (High Focus)

2LP | UK | Original (Hive Mind)

Release: 2021 / UK – Original

Genre: Hip Hop

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Ed Scissor + Lamplighter return with Joysville.

Written in the witching hour of lockdown one, Joysville represents a distinct shift in process from the duo. Ungoverned by the more meticulous considerations of the past, Joysville evolved freely from a small zip of instrumental sketches, before taking shape as a fully realised concept in the space of a short few weeks.

Ed Scissor’s signature storytelling, accompanied by Lamplighter’s sparse and spacious instrumentals, make Joysville their most personal and accomplished work to date.

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King Champion Sounds

Between Two Worlds

LP | 2021 | US | Original (Sola Terra)

Release: UK – Original

Genre: Organic Grooves

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‘Hive Mind Records are excited to announce a new album from King Champion Sounds, the shifting Holland based collective centred around Ajay Saggar and Oli Heffernan (University Challenged), GW Sok (The Ex), Mees Siderius, Holly Habstritt Gaal & Elsa van der Linden.

On “Between Two Worlds”, the band bring the same insatiable appetite for experimentation and exploration that made their previous four albums so special. This is music as an open conversation. An opportunity to exchange ideas. To be open-minded. To push boundaries and explore new worlds. Whereas elements of krautrock, electronica, free jazz and dub have always been part of the KCS armoury, they have never stuck to a formula in the music making process, occupying instead the open space that lies between musical worlds. The core members have brought their different experiences into this rich new album that draws influence and inspiration from a dizzying range of sources - from ambient guitar experiments, noisy avant-rock workouts, spidery gothic pop, otherworldly folk inflections - and pulls them all together into a unique and coherent whole.

Guest appearances on the album come from Gerry Love (formerly of Teenage Fanclub) adding beautiful vocals and instrumentation to "I'm In Between Two Worlds", Mia Doi Todd bringing her incredible voice to "Easby Abbey Remembered", Sally Timms of The Mekons takes lead vocals on "Thou Hurricane" with Jon Langford (The Mekons) and Janet Beveridge Bean (Eleventh Dream Day) on backing vocals. Finally, the Glasgow poet Marieke McKenna brings words from her diary to “Seasick” on which she recalls a surreal escape to a millionaires yacht and the stark contrast it provided to the"real" world outside.

We're very excited to help bring this urgent, transcendent and wonderfully varied music out into the world in a beautifully designed gatefold package.’

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Gabo

Jungle Fever

LP | 2022 | EU | Original (Fat Possum)

Release: 2021 / US – Original

Genre: Organic Grooves

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The Glasgow African Balafon Orchestra (gabo) is a cocktail of musicians of all different backgrounds, bringing together the distinct flavours of the world through the joy of orchestral music. It is a unique blend and fusion of musicians, folklorists and storytellers representing the best musical flavours and stories of our shared humanity. The infectious energy of Gabo is built around Ambatarian Philosophy—a past-present which is secretly woven and embedded in Jang-da—the traditional African wooden xylophones. The Jang-da tradition – a folklore and oral convention of passing messages of hope within the stories of everyday life through the vortex of music – is an almost forgotten ancient African philosophy that teaches us to celebrate life as an endless opportunity of eternal joy. Gabo’s philosophy is sharing the ripple effects of joy in communal music, storytelling and group bonding—a great source of mutual energy exchange that brings people together on a fair playing ground where every soul’s desire can be fully realised through music. In Gabo’s world; no one is left out feeling isolated, unappreciated, unrelated or unloved. We are never alone because we all belong to a shared experience of music. Gabo believes that there is more love in the world today than hatred, and we are inspired by this belief. We focussed our best creative healing energies on sharing the love of Afrobeat, global jazz, soul, funk, and some traditional tunes from rural Africa and other parts of the world that have not been previously heard by the rest of the world.

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Districts

Great American Painting

Release: 2022 / EU – Original

Genre: Rock & Indie

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Immersion & Tarwater / Sadier / Schnauss / Scanner

Nanocluster Volume 1

2x10" | 2021 | EU | Original (Swim)

LP | 2021 | EU | Original (Macu' Ed. Musicali)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Nanocluster Vol 1. Is An Album With Some Serious Pedigree. It Sees Immersion (Aka Malka Spigel And Colin Newman Of Influential Groups Minimal Compact And Wire Respectively) Collaborating With Some Of The Finest Left Field Artists Of Our Era: Tarwater, Laetitia Sadier, Ulrich Schnauss And Scanner. The Project Was Born Out Of A Brighton Based Club Night, Also Called Nanocluster, Run By Spigel And Newman Alongside Writer, Broadcaster And DJ Graham Duff, And Promoter Andy Rossiter. The Club Features A Range Of Influential And Cutting Edge Music Acts. But The Unique Aspect Of The Evenings Is That Each Show Climaxes With A One Off Collaboration Between Immersion And The Headliners. The Songs Having Been Written And Recorded In The Studio In Just Three Days Prior To The Performance - Or One Day In The Case Of Schnauss. "It Could Have Just Been A Series Of Performances." Says Newman.? "But The Fact That We Had Built The Tracks In The Studio For The Performances Means We Had These Recordings." Says Spigel. The Recordings Have Since Been Developed With Immersion Heading Up Pro- Duction Duties. The Result Is A Beautiful And Unique Album.? "I Think The Really Interesting Thing Is How Different Everybody Is," Says Spigel. "Both As People And Creatively." - Immersion And Tarwater: The German Duo Of Ronald Lippok And Bernd Jestram Have Created An Impressive Body Of Work. Yet Their Involvement With Immersion Has Opened Out Their Sound, Creating A More Panoramic Soundscape. The Opening Instrumental 'Ripples' Is A Gentle Breathe Of Optimism, All Purring Tones And Sun Dazzled Synths. Meanwhile, 'Mrs. Wood' Is A Dubby Psychedelic Shuffle, Lippok's Vocal Cool And Assured Over A Fat Bass Line And Skybound Eastern Melodics. It Feels Like A More Spacious Take On The Tarwater Of Albums Such As 'Suns, Animals And Atoms'. The Four Musicians' 3rd Collaboration Is Nanocluster's Most Pop Moment: With A Heartfelt Yet Unsentimental Lyric Unfurling Over Feline Rhythms, 'All You Cat Lovers' Is A Feel-Good Anthem For Cat Lover...

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Mauro Pagani

Boys

Release: 2021 / EU – Original

Genre: Soundtracks

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Lowrider Colored Vinyl Edition

No Fun At All

LP | 2021 | EU | Original (Sbäm)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Fat Possum)

David Ferguson

Nashville No More

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Fat Possum)

Connie Smith

Cry Of The Heart

Release: 2021 / EU – Original

Genre: Rock & Indie

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All Occupied By Sole Death

Khandra

LP | 2021 | EU | Original (Season Of Mist)

Polar Pop feat. MC Grzimek

Release: 2021 / EU – Original

Genre: Rock & Indie

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Fitting with their name, a term to describe deathly ennui over the nothing, Belarussian black metal act Khandra champion a style that is bleak, cold, and detached. On their new offering ‘All occupied by sole Death’, the music is characterised by aggressiveness, dissonance and creates a strong sense of atmosphere. The band’s third assault seamlessly fits in with the wave of black metal fronted by Mgla and Blaze OF Perdition.

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Eisbär

12" | 1990 | DE | Original (Metronome)

Patrick Paige II (The Internet)

Release: 1990 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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If I Fail Are We Still Cool? Black Vinyl Edition

LP | 2021 | US | Original (Fat Possum)

2LP | 1996 | EU | Reissue (Be With)

Release: 2021 / US – Original

Genre: Hip Hop

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The solo project of Patrick Paige II, the bass player in the Grammy nominated band The Internet presents If I Fail Are We Still Cool? via Forward and Up Entertainment and Fat Possum.

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Lewis Taylor

LP | 2021 | EU | Original (Phat Penguin)

Release: 1996 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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D’Angelo lost his shit over it. Aaliyah’s 3rd favourite track of all time is on it. David Bowie rocked up with it to a TV interview, declaring it “the most exciting sound of contemporary soul music”. In 1996, Lewis Taylor released his self-titled masterpiece. A true modern classic, it’s an album that was years ahead of its time. Forget 25 years ago, it could easily have been made in 2021. An effortless blend of neo-soul, sophisticated pop, smart grooves and laid-back white funk, it enjoyed rapturous reviews from critics and music legends alike. But the album never managed to make an impact and given what was likely a token vinyl release at the time, the original records have long since been near-impossible to find. Lewis Taylor’s Lewis Taylor remains a holy relic for some and criminally unknown to most. Lewis Taylor’s impeccable influences created a dazzling sonic palette: the LP as a whole suggests the visionary brilliance of Prince; the vocal stylings evoke the yearning power of Marvin Gaye; the effortless guitar playing shares the virtuosity of Jimi Hendrix; the haunting tones conjure Tricky; the innovative production and engineering invite comparisons to studio mavericks like Todd Rundgren and Brian Eno; the multi-layered, complex harmonies flash on Pet Sounds-era Brian Wilson; the dark, drama is reminiscent of both Scott Walker and Stevie Wonder; the complex arrangements create textures and moods with the feel of Shuggie Otis on Inspiration Information; the bold experimentation is akin to progressive artists like Faust and Tangerine Dream; the atmosphere is in conversation with Jeff Buckley’s Grace and we could go on.

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Buntspecht

Spring Bevor Du Fällst

Release: 2021 / EU – Original

Genre: Rock & Indie

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Impossible Weight Green Vinyl Edition

Deep Sea Diver

LP | 2021 | US | Original (ATO)

Release: 2021 / US – Original

Genre: Rock & Indie

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Hardcore Devo Live! Colored Vinyl Edition

Devo

LP | 2021 | EU | Original (MVD Audio)

LP | 2021 | EU | Original (Fat Possum)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Devo - Hardcore Devo Live! (Colored Vinyl)The Masterminds Of Devolution Revisit Their Early, Extremely Experimental Days. Lp Repress On Colored Vinyldevo, Captured Live In Oakland, Performing Early Experimental Tracks Written Between 1974 And 1977, Prior To Any Label Deal Or Public Success. No Matter How Messy, Beginnings Are Exciting. Especially When What Happens Next Endures The Test Of Time. For Devo, The Beginning Happened In The Basements And Garages Of Akron, Ohio. The Songs They Wrote Were Raw And Unfiltered With No Commercial Intent. They Called It Hardcore Devo. Performing 21 Oddities, This Is A Tribute To Departed, Original Devo Bandmate, Robert "Bob 2" Casale. Recorded Live On June 28, 2014 At The Fox Theater In Oakland, California. This Repress Is On Red (Disc 1) And Yellow (Disc 2) And Is Limited To 500 Copies.

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The Weather Station

Ignorance

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Relapse)

Boris with Merzbow

2r0i2p0

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Fat Possum)

Cassowary

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2019 | EU | Original (Far Out)

Milton Nascimento

Maria Maria

LP | 2019 | EU | Original (White Room)

Release: 2019 / EU – Original

Genre: Organic Grooves

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180g Double LP released on vinyl only. Recorded in 1974 and unreleased until almost thirty years later, the album was written as the soundtrack to a ballet which dealt with the legacy of slavery in Brazil.Raw, atmospheric and emotionally charged, Maria Maria reveals one of Brazil's greatest ever songwriters at his creative peak

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JMSN

Live At Water Village

Release: 2019 / EU – Original

Genre: Hip Hop

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Songhoy Blues

Meet Me In The City

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Fat Possum)

Camu Tao

King Of Hearts

May Your Kindness Remain Ten Bands One Cause Pink Vinyl Edition

Release: 2010 / EU – Reissue

Genre: Hip Hop

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King of Hearts is the fourth and final album by the late rapper, singer and producer, Camu Tao. Originally posthumously released in 2010 by Definitive Jux in collaboration with Fat Possum, King of Hearts was Tao's last record before his untimely death at just 30 years old from lung cancer in 2008. Recorded with Definitive Jux label head, EL-P (also one half of Run the Jewels), had it been released in 2008 when it was originally slated to, it probably would have felt ahead of its time. Pop-focused, hook-driven, and more sung than rapped, it pre-dates the similar ideas since explored by Kid Cudi, Janelle Monae, and even 808 and Heartbreaks-era Kanye. So singular and affecting was Tao's music, it led to EL-P dedicating an entire solo record to his legacy, on the now-classic Cancer 4 Cure. Now on Oct 18th 2019, Fat Possum will finally issue the album on vinyl for the first time, and re-introduce Camu Tao's music to the wider audience it deserves.

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Courtney Marie Andrews

Release: 2019 / US – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Be With)

Leon Ware

Rainbow Deux

LP | 2019 | EU | Original (Unbeaten)

Release: 2019 / EU – Original

Genre: Organic Grooves

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The melodically adventurous soul of Leon Ware continues its expression in his final opus Rainbow Deux, released on double vinyl on September 13th. The album features new songs recorded and performed by Leon before his health turned, leading to his transition on February 23rd 2017. Co-produced by Taylor Graves, it has stellar musical contributions from the likes of Kamasi Washington, Thundercat, Ronald Bruner Jr, Rob Bacon and Wayne Linsey.

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All Out War

Crawl Among The Filth

Release: 2019 / EU – Original

Genre: Rock & Indie

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No.6 Collaborations Project

Ed Sheeran

2LP | 2019 | EU | Original (Warner)

Release: 2019 / EU – Original

Genre: Pop

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OST Holmes & Watson Colored Vinyl Edition

V.A.

LP | 2019 | EU | Reissue (At The Movies)

Release: 2019 / EU – Reissue

Genre: Soundtracks

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A.A. Bondy

Enderness

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 1980 | US | Reissue (Fat Possum)

Los Angeles

Release: 1980 / US – Reissue

Genre: Rock & Indie

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LP | 2018 | US | Original (Fat Possum)

Melody's Echo Chamber

Bon Voyage

Release: 2018 / US – Original

Genre: Rock & Indie

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12" | 2018 | US | Original (Mexican Summer)

Dungen & Woods

Myths 003