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Release: 2024 / Original

Genre: Electronic & Dance

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Svenska Folkjazzkvartetten

Loriken

LP | 2024 | EU | Original (Chimp Limbs)

Universal Synthesizer Interface Vol III

Release: 2024 / EU – Original

Genre: Organic Grooves

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Svenska Folkjazzkvartetten består av Isak Hedtjärn, Jonas Liljeberg, Vilhelm Bromander och Anton Jonsson. De upptäckte snabbt att de delade en stor nyfikenhet och respekt för den svenska traditionella fiolmusiken. Sedan dess har de tillsammans studerat arkivinspelningar på äldre spelmän, träffat levande traditionsbärare, och utforskat sätt att överföra de intrikata detaljerna i fiollåtarna till klarinett och saxofon. I den råa energin, vemodet i tonspråket, variationen och improvisationen i stämspel och frasering och inte minst i svänget hittade de en stark röd tråd kopplad till jazzen.

Loriken var en beryktad spelman från Orsa. Han stal kyrkvinet och kastade sten på länsmans fönster. Jagad av denne länsman flydde han med båt till Amerika och försvann. Han lämnade efter sig tre vackra melodier som Svenska Folkjazzkvartetten nu tolkar på sitt andra album Loriken. Albumet släpps den 22 november digitalt och på limiterad vinyl via Chimp Limbs.

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Kristen Roos

LP | 2024 | US | Original (We Are Busy Bodies)

Release: 2024 / US – Original

Genre: Electronic & Dance

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The Last Will And Testament Indie Exclusive Rough Seas Vinyl Edition

Opeth

2LP | 2024 | EU | Original (Reigning Phoenix Music)

48,99 €*

ATW Bone & Orchid Marble Blue & Orchid Marble Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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”The Last Will and Testament” is a concept record of sorts. A restless musical journey in a way mirroring my own relationship with music as a consumer of it," narrates band leader Mikael Åkerfeldt. "I pick up something here, dismiss something there. I worship and I hate music at the same time. This ambivalence leads me down some type of creative path of my own and then, all of a sudden, a collection of songs has been written. Best case scenario, these songs are good enough to impress the band. Good enough for the ”powers that be” in terms of the industry. Good enough for ”you”?! I love this record. I have to say it (write it). Maybe I’m proud even? There are some familiar ingredients in there I suppose. Most of our music has sprung from the same source, so I guess it’s not much of a shocker if it’s going to sound like ”us”. I’m a bit in awe of what we did with ”The Last Will and Testament”. It feels like a dream. There is some ”coherence" and ” songwriting skills” I hope, but what do I know? I tend to favour the ”strange” over the ”obvious”, but I feel like I’m in the minority, and that’s fine. So…fair warning! Don’t expect an instant rush (as per usual), but if you do ”get it” (have you got it yet?) right away, that’s ok too!" 1-01 - §1 (00:05:57)1-02 - §2 (00:05:34)1-03 - §3 (00:05:11)1-04 - §4 (00:07:05)1-05 - §5 (00:07:35)1-06 - §6 (00:06:04)1-07 - §7 (00:06:28)1-08 - A Story Never Told (00:07:10)

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All Them Witches

2LP | 2018 | US | Reissue (New West)

34,99 €*

Live On Air 1973 Clear Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

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By most bands' fifth LP, the sound is pretty set. Parameters established. Refinement dissipated in favor of to-formula execution of what's worked in the past. Fair enough. All Them Witches go a harder route.

In 2017, the Nashville four-piece offered what might've otherwise become their own template in their fourth album, Sleeping Through the War. Also their second for New West Records behind 2015 mellow-vibing Dying Surfer Meets His Maker, it brought a larger production value to dug-in heavy psych blues jamming, with oversight from producer Dave Cobb (Jason Isbell, Sturgill Simpson).

After exploring new ground through their early work on 2013's Lightning at the Door and 2012's Our Mother Electricity as well as Dying Surfer, the band had arrived at something new, sprawling, and grander-feeling than anything before it.

So naturally in a year they've thrown that all to the Appalachian wind, turned the process completely on its head and gone the absolute other way: recording in a cabin in Kingston Springs, about 20 miles outside of Nashville on I-40, with guitarist Ben McLeod at the helm. Take that, expectation.

The result, mixed by Rob Schnapf (Beck, Elliott Smith, Kurt Vile), is the most intimate, human-sounding album All Them Witches have ever recorded and another redefinition of who they are as a band. Introducing keyboardist/percussionist Jonathan Draper to the fold with McLeod, bassist/vocalist Charles Michael Parks, Jr., and drummer/graphic artist Robby Staebler, All Them Witches' All Them Witche

It's the band confirming and continuing to develop their approach, in the shuffle of Fishbelly 86 Onions, the organ-laced groove of Half-Tongue, the tense build of HJTC and the fluid jam in closer Rob's Dream.

Its a reaction to being a bigger band. To playing bigger shows, bigger tours, etc. From the sustained consonants in Parks vocals to McLeod's commanding slide in Workhorse and drifting melancholy at the outset

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Lynyrd Skynyrd

LP | 2024 | Original (Ids)

23,99 €*

LP | 2024 | US | Original (Coverage)

Release: 2024 / Original

Genre: Rock & Indie

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Lynyrd Skynyrd are more than just a Rock band. Hailing from the swamps of Florida their music is a gritty mix of Rock, Blues and Country, washed down with a liberal slug of bourbon. In one form or another Skynyrd have existed for almost half a century. 'Sweet Home Alabama', 'Call me The Breeze', 'Woman Of Mine' and the immortal 'Free Bird' are among the most famous rock songs ever recorded. This LP contains live songs, recorded in 1973. A: 1. I Ain't the One2. Call Me The Breeze3. Sweet Home Alabama4. Workin' For MCAB: 5. Woman Of Mine6. Freebird

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Richard Cheese

Blue No Matter Who

50,99 €*

Don't Let Me Down Konyawa Boogie Back Nice Vocal

Release: 2024 / US – Original

Genre: Rock & Indie

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Lounge singer RICHARD CHEESE returns with his 28th and perhaps final studio album-this time a collection of serious, melancholy saloon song ballads in the style of a classic Frank Sinatra Capitol Records concept album. These 12 all-new 2024 recordings feature wistful piano accompaniment, rich orchestrations, and Cheese's sincere, heartfelt voice performing covers of songs like Radiohead's 'Lucky,' The Offspring's 'Self Esteem,' R.E.M.'s 'South Central Rain,' Harry Styles's 'As It Was,' and Lana Del Rey's 'The Greatest.' Blue No Matter Who is pressed on opaque blue vinyl, and the retro-style LP jacket artwork pays homage to Sinatra's 1959 album No One Cares. MARKETING / SELLING POINTS * Rev exclusive opaque blue vinyl * RICHARD CHEESE & LOUNGE AGAINST THE MACHINE have been recording and touring since 2000, and to celebrate his 25 years in the music business, RICHARD CHEESE will be releasing a new career-retrospective autobiography book in summer 2025 * Syncs include: Barb & Star Go To Vista Del Mar, Army Of The Dead, The LEGO Batman Movie, Batman v Superman: Dawn Of Justice, and Dawn Of The Dead * He's also performed on Jimmy Kimmel Live, CNN with Anderson Cooper, ITV's The Jonathan Ross Show, Hangin' With Dr. Z, MTV's Say What Karaoke, Howard Stern, and as the house band 20 times on NBC's Last Call With Carson Daly TRACK LIST SIDE 1 1. Interstate Love Song 2. As It Was 3. Just Like Heaven 4. Anything, Anything 5. Dammit 6. It's Been Awhile SIDE 2 1. Lucky 2. Since You're Gone 3. So. Central Rain 4. Self Esteem 5. The Greatest 6. I'm Blue No Matter Who (new original song by Richard Cheese)

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Wa Yo Set

7" | 2024 | JP | Original (Urban Discos)

Release: 2024 / JP – Original

Genre: Organic Grooves

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LP | 2024 | AU | Original (Half A Cow)

Machine Translations

Sevenseven

57,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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Socks Picture Disc Vinyl Edition

JD McPherson

LP | 2018 | US | Reissue (New West)

33,99 €*

HEVN III Red / Black Marbled Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

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JD McPherson presents A Christmas Album, SOCKS. Featuring 11 original tracks written by JD McPherson and his friends. SOCKS is an album of Holidays songs sure to be standards while you are decorating the tree. Come get warm by the fire with songs such as , "All The Gifts I Need" and "Every Single Christmas." Or, burn the cookies to "SOCKS" and "Ugly Christmas Sweater." There is something for everyone on this record to enjoy whether you are in the Christmas spirit or if you just wanna say, "Bah Humbug".

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Hevn III

LP | 2024 | EU | Original (Polybus)

I'm Sorry Now Say It Back

Release: 2024 / EU – Original

Genre: Rock & Indie

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In 2004 Sarkom released their only demo before signing to a label. Now, 20 years, several albums and EPs later, this hidden gem will be released on vinyl for the first time ever! This will be a one time pressing, limited to 250 hand numbered copies, just like the original demo back in the days! In addition to regular black vinyl, it will also be released as picture disc, limited to only 100 copies! No remixing, editing or remastering - the songs on the vinyls will sound exactly as cold, grim and necro as for 20 years ago!

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Thelma Plum

LP | 2024 | AU | Original (Warner Australia)

73,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Belgian Bootlegs)

2 Flying Stones

Remix EP

Kaitlyn Aurelia Smith & Joe Goddard

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2024 is the year that saw iconic trance-act 2 FLYING STONES resurrect.
Early trance with a capital T
Remixed by trance GRANDmasters M.I.K.E. PUSH and NICO PARISI.

This is without a doubt the hottest group of the year in its genre. Every release is sold out in hours.
2 Flying Stones have gained a massive fanbase in the past 30 years thanks to their iconic hits MAYBE TOMORROW, NUCLEAR JESUS IN PARADISE OF LOVE and A GREAT DAY.

2 of these classics have been remixed by none the less than M.I.K.E. PUSH (known from his classics THE LEGACY, TRANZY STATE OF MIND and UNIVERSAL NATION) and NICO PARISI, one of the biggest names in the Benelux underground trance-scene, part of Aqualord and original author of the 2023 monsterhit METRO (covered by Mau P & Kevin De Vries)

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Neptunes EP

12" | 2024 | UK | Original (Smugglers Way)

31,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2004 | Reissue (Warner)

Jay-Z / Linkin Park

Collision Course

Put It On The Line Edit / I Shot Ya Edit

Release: 2004 / Reissue

Genre: Hip Hop, Rock & Indie

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Collision Course is a collaborative EP by Jay-Z and Linkin Park, released on November 30, 2004. The project was an experimental mash-up album that combined elements of hip-hop and nu-metal, blending Jay-Z's raps with Linkin Park's rock sound. Produced by Mike Shinoda (of Linkin Park) and Jay-Z, Collision Course merges some of the biggest hits from both artists into new, hybrid tracks that fuse their distinct genres.

Collision Course was the result of MTV’s "Mash-Up" series, where artists from different genres collaborated to create new music by combining their songs. The project quickly gained attention because it featured two hugely popular artists from vastly different musical backgrounds.
The EP features six tracks, each a combination of Jay-Z’s iconic verses and Linkin Park’s hard-hitting rock instrumentals and vocals. It brings together Jay-Z's hip-hop classics with Linkin Park’s emotionally charged, alternative rock anthems.
The release was accompanied by a DVD, which included behind-the-scenes footage of the making of the album and a live performance of the mash-up tracks.

The mash-ups blend hip-hop beats with rock instrumentation, creating a genre-bending sound. Jay-Z’s verses, which are typically supported by hip-hop production, are now backed by guitar riffs, drums, and electronic elements from Linkin Park’s catalog.
Linkin Park’s co-lead vocalists, Chester Bennington and Mike Shinoda, intertwine their vocals with Jay-Z’s raps, adding a dynamic contrast between Chester’s melodic hooks and Mike's rap-style verses.

Key Tracks and Highlights:
"Numb/Encore" – This is arguably the most well-known track from the EP and became a major hit. It combines Jay-Z’s "Encore" from The Black Album with Linkin Park’s "Numb" from Meteora. The song blends Jay-Z's braggadocious lyrics about legacy and success with the emotional weight of "Numb," creating a powerful contrast. The track won a Grammy Award for Best Rap/Sung Collaboration in 2006.
"Dirt Off Your Shoulder/Lying from You" – This track combines Jay-Z’s "Dirt Off Your Shoulder" from The Black Album with Linkin Park’s "Lying from You" from Meteora. The mix of Jay-Z’s swaggering, confident lyrics with the angsty tone of "Lying from You" creates an intense, high-energy track.
"Big Pimpin'/Papercut" – In this mash-up, Jay-Z’s party anthem "Big Pimpin’" from Vol. 3... Life and Times of S. Carter is combined with "Papercut", one of Linkin Park’s hard-hitting tracks from Hybrid Theory. The contrast between Jay-Z’s carefree lyrics and the darker themes of "Papercut" makes for a unique and striking combination.
"Jigga What/Faint" – This high-energy mash-up blends Jay-Z’s "Jigga What" from Vol. 2... Hard Knock Life with Linkin Park’s "Faint" from Meteora. The aggressive guitar riffs and fast-paced production of "Faint" complement Jay-Z’s rapid-fire rhyming, making this one of the more intense tracks on the album.
"Izzo/In the End" – This track mashes up Jay-Z’s hit "Izzo (H.O.V.A.)" from The Blueprint with Linkin Park’s massive hit "In the End" from Hybrid Theory. The combination of Jay-Z’s celebratory lyrics with the reflective, melancholic tone of "In the End" creates a unique emotional balance.
"Points of Authority/99 Problems/One Step Closer" – This mash-up brings together Jay-Z’s "99 Problems" from The Black Album with Linkin Park’s "Points of Authority" and "One Step Closer" from Hybrid Theory. It’s one of the hardest-hitting tracks on the EP, with aggressive beats and heavy guitars, paired with Jay-Z’s defiant lyrics.

Contrast between genres: One of the major themes in Collision Course is the juxtaposition of hip-hop bravado and rock’s emotional intensity. Jay-Z’s confident, self-assured lyrics are often paired with Linkin Park’s more vulnerable and introspective lyrics, creating a dramatic tension in the songs.

Jay-Z’s lyrics in tracks like "Encore" and "Big Pimpin’" focus on his rise to fame, success, and the challenges he’s overcome, while Linkin Park’s contributions often explore themes of alienation, frustration, and personal struggle.
Critical Reception:
Collision Course received mixed reviews from critics but was praised for its creativity and for bridging the gap between two different musical genres. While some critics felt that the mash-ups were too formulaic, others admired the seamless blending of two very different musical styles.
The EP performed well commercially, debuting at #1 on the Billboard 200 chart. "Numb/Encore" was particularly successful, becoming a mainstream hit and one of the most recognizable tracks from the project.

Collision Course is seen as a significant experiment in genre fusion, helping to bridge the gap between hip-hop and rock audiences. It contributed to the growing trend of genre-blending that would become more prominent in the 2000s.
The success of the EP demonstrated that collaborations across genres could be commercially viable, paving the way for future projects that mixed hip-hop with rock, pop, and other genres.
The live performance of the EP’s tracks, particularly the "Numb/Encore" mash-up at events like the Grammys and MTV Music Awards, helped to cement its place in pop culture, with fans of both Jay-Z and Linkin Park embracing the crossover.

Collision Course stands as a unique collaboration in music history, bringing together two icons from different genres and creating a blend that resonated with both rock and hip-hop fans. Though brief, the EP’s six tracks showcased the possibilities of genre fusion and delivered some of the most memorable mash-ups of the 2000s. The project continues to be celebrated for its innovation and the seamless combination of Jay-Z’s iconic flows with Linkin Park’s powerful instrumentals and emotive vocals.

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Jim Sharp

7" | 2024 | US | Original (Revamp)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Amplifier Worship 25th Anniversary Edition

Boris

2LP | 2024 | WW | Original (Third Man)

Release: 2024 / WW – Original

Genre: Rock & Indie

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Dubs From The Seventh Sense

Jah Rej

LP | 2003 | UK | Original (Jah Works)

Release: 2003 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

CD | 2024 | US | Original (Dead Oceans)

Bright Eyes

Five Dice, All Threes

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2024 | UK | Original (The Tapeworm)

Carla Boregas

Absência Tape

12,99 €*

LP | 2024 | EU | Original (BBE Music)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Carla Boregas is a Brazilian musician, composer and sound artist. By merging synthetic and acoustic instrumentation and techniques, Boregas builds up sonic scenarios driven by an invisible force, where the sensation of presence and discovery lies between density and delicacy. Her work spans composition, improvisation, performance, sound installation and radio art, and aims to transport the listener to different subjective perspectives of time and space, to invoke memories and to reflect about the nature-human relationship.
Carla Boregas writes: "Using a Tascam Portastudio 4-track cassette recorder, I invited three musicians to improvise alone with the sound recording of the sea that I did in Massaguaçu, the place where I used to live in Brasil. The recorder that I used had a defect in one of its tracks, therefore I could only invite two musicians – Vinicius Cajado (double bass) and Réka Csiszér (cello), plus the sea in another track. While listening to the tracks together, I felt a deep sense of absence ("ausência" in Portuguese). Perhaps due to their sonorous answers surrounded by the tape hiss? Because that's one of the symbolic meanings of the ocean? Maybe "saudades do mar, de estar ao seu outro lado"? Who knows – listening can be something very mysterious. Afterwards I played with and interweaved them all: the sonorous sea, Vinicius Cajado, Réka Csiszér and the absence - "Absência Tape" is the final result." – Carla Boregas, Berlin, 8 August 2024.

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Illa J

Off Days In London

Tape | 2022 | UK | Original (Kitchen Label)

Release: 2024 / EU – Original

Genre: Rock & Indie

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‘Off Days in London’ is an EP made by Illa J (Detroit) and Ash Walker. The serendipitous meeting of these two innovative musicians happened in London in 2023, while Illa J took a break from his European tour dates and found solace in Ash Walker’s studio. In between a busy schedule of radio interviews and brand endorsements, Ash & Illa found a way to write and record 4 tracks which are a breath of fresh air to any hip hop or jazz fan. The workrate and talent is apparent from track one, and this EP will definitely leave the listener wanting a full length project from the pair. Both artists bonded over many similarities, including food choices and musical inspiration ( they both featured Detroit legend Amp Fiddler on their latest studio albums). This provided the perfect base for them to cook up some soulful gumbo in the studio and prepare it for the world. When BBE’s founder Peter Adarkwah caught wind of the project and the possibility of releasing it he said ‘Thank You’ . The EP sees Ash & Illa J share controls at the production helm, while John Yancey offers vocals, both singing and rapping on the project. We catch Illa in rare form, effortlessly drifting between the two styles with grown subject matter. This project was born out of 96 hours of organic collaboration - begun by a chance brunch supplied by the savant keyboardist Abram Al and eggslut. Leave your shoes at the door and come inside for some real music.

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Aspidistrafly

Altar Of Dreams

15,99 €*

2LP | 1988 | DE | Original (WEA)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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V.A.

Soulbeat 1

6,99 €*

Release: 1988 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG

I Called You (USA Underground Remix)

Lil' Louis

12" | 2005 | US (Not On Label (Lil' Louis))

Marilyn McCoo & Billy Davis Jr.

Release: 2005 / US

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Single sided white label in stickered sleeve.

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I Hope We Get To Love In Time

LP | 1976 | US | Original (ABC)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1985 | EU | Original (Paisley Park)

Sheila E.

A Love Bizarre

Release: 1985 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Tiny cut out, otherwise solid VG+ copy!

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LP | 1983 | US | Original (MCA)

Shine On Me

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1977 | DE | Original (ABC)

The Mighty Clouds Of Joy

Truth Is The Power

Release: 1977 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Marilyn McCoo & Billy Davis Jr.

I Hope We Get To Love In Time

LP | 1976 | US | Original (ABC)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

One Way featuring Al Hudson

One Way Featuring Al Hudson

LP | 1980 | NL | Original (MCA)

Release: 1980 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Jimmy Castor ( The Everything Man ) And The Jimmy Castor Bunch

Jimmy Castor (The Everything Man) And The Jimmy Castor Bunch

LP | 1974 | US | Original (Atlantic)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.
Sleeve has stickers, edge wear.lpsm

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LP | 1981 | DE | Original (MCA)

Love Is... One Way

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1981 | DE | Original (Ariola)

Fancy Dancer

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | EU | Original (MCA)

Wrap Your Body

Release: 1985 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

One Way featuring Al Hudson

Pop It / I'm In Love With Lovin' You

12" | 1980 | US | Original (MCA)

19,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1989 | EU | Original (BCM)

Stevie B

I Wanna Be The One

Release: 1989 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | EU | Original (A&M)

Jeffrey Osborne

Don't Stop

Release: 1984 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

I Love To Sing The Songs I Sing

Barry White

LP | 1979 | NL | Original (20th Century Fox)

6,99 €*

Release: 1979 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | EU | Original (A&M)

Jeffrey Osborne

Stay With Me Tonight

Release: 1983 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

12" | 1978 | DE | Original (Salsoul)

Instant Funk

I Got My Mind Made Up

9,99 €*

Release: 1978 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

The Worlds We Leave Behind

Zake / Tyresta

CD | 2024 | UK | Original (Past Inside The Present)

12" | 1988 | DE | Original (Atlantic)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Past Inside The Present proudly shares the release of The Worlds We Leave Behind, the second full-length record from the duo of Zake (aka. Zach Frizzell) and Tyresta (aka. Nick Turner). Building on both quotidian and profound contrasts, and blurring their associations - Turner’s day job as a Chicago social worker, Frizzell’s reverent interest in the sublimities of natural lansdcapes - this record continues the theme already played up by the pair’s earlier collaborative efforts, that of personal strife and experiential wisdom, which colour the impressions we derive from our environments. Being a “spiritual sequel” to the pair’s first album Drift (2023), the album educes long, heavy-set, gut-fluttering ambient montages, from aphasic, fragmentary titles, such as ‘The Worlds We Leave Behind’ and ‘You Will Become A Song’.

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Nu Shooz

Should I Say Yes?

Release: 1988 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

How To Dismantle An Atomic Bomb 20th Anniversary 8LP Box Set

Box | 2004 | EU | Reissue (Island)

274,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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How To Dismantle An Atomic Bomb 20th Anniversary Edition

2LP | 2004 | EU | Reissue (Island)

47,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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How To Dismantle An Atomic Bomb 20th Anniversary 5CD Box Set

Box | 2004 | EU | Reissue (Island)

122,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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How To Dismantle An Atomic Bomb 20th Anniversary Edition

CD | 2004 | EU | Reissue (Island)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Merry Christmas Numbered 180g 45rpm 2LP Vinyl Edition

Mariah Carey

2LP | 1994 | WW | Reissue (Mobile Fidelity Sound Lab)

69,99 €*

Merry Christmas Limited Edition Ultradisc One-Step 180g 33rpm Vinyl Box Set

Release: 1994 / WW – Reissue

Genre: Pop, Christmas

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The Holiday Album That Turned Mariah Carey into the Queen of Christmas: Merry Christmas Exudes Joy, Spirituality, and Conviction, Includes the Standard “All I Want for Christmas Is You" Hear the Record in Audiophile Sound for the First Time: Sourced from the Original Master Tapes, Mobile Fidelity’s UltraDisc One-Step 180g 33rpm LP Set, 180g 45rpm 2LP, and Hybrid Sacd Celebrate the Blockbuster Album's 30th Anniversary

Mariah Carey didn’t become the Queen of Christmas just because of her fervent love of the holiday. Or as the result of a brilliant marketing plan. The iconic singer earned her title by way of Merry Christmas, a 1994 blockbuster that quickly joined the likes of Bing Crosby’s White Christmas and A Jolly Christmas from Frank Sinatra as an all-time holiday vocal classic. Featuring a balanced mix of inspired originals and well-chosen covers, Carey’s fourth studio record continues to grow in stature as new generations discover its magic. Mobile Fidelity’s 30th anniversary edition reissues of Merry Christmas make her spellbinding performances and upper-tier register come alive like never before.

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Mariah Carey

Box | 1994 | WW | Reissue (Mobile Fidelity Sound Lab)

129,99 €*

Merry Christmas Numbered Hybrid SACD

Release: 1994 / WW – Reissue

Genre: Pop, Christmas

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Mariah Carey

CD | 1994 | WW | Reissue (Mobile Fidelity Sound Lab)

37,99 €*

No Sound In Space Black Vinyl Edition

Release: 1994 / WW – Reissue

Genre: Pop, Christmas

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Blake Lee

LP | 2024 | EU | Original (Ofnot)

No Sound In Space Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Blake Lee has always been fascinated by the unknown, and space, in its isolating, mysterious vastness, embodies this theme immaculately. The open void, captured so memorably by Stanley Kubrick in '2001: A Space Odyssey', is Blake's far-reaching canvas on 'No Sound In Space', a cinematic meditation on the cosmos that's painted in nuanced, emotionally sincere colors. The Los Angeles-based composer has been contemplating his full-length debut since 2021, using his guitar as a sonic paintbrush rather than find himself snared in its traditional aesthetic constraints. Transforming its characteristics with effects and subtle processes, he layers sustained tones and intimate improvisations, creating richly visual polychromatic utopias teeming with unknown life.

Since 2011, Blake has been most known for being the guitarist and a music director for Lana Del Rey, notching up three songwriting credits on her acclaimed ‘Ultraviolence’ full length. He sees his solo work is a form of escapism, a place where he can experiment and find comfort and catharsis outside of expectations and formal structure. The album was written instinctively, and Blake made sure he didn't force anything, letting go and getting out of his own way, listening intently as sounds and textures materialized organically. "I didn't want to ruin it by being a perfectionist," he laughs. And his collaboration with Kenyan sound artist Kmru, who runs the Ofnot label and contributes to two of the tracks on the album, occurred similarly organically.

Blake was moved to reach out to Kmru when he caught a performance of 'Natur' at Los Angeles' Zebulon in 2022, leading to a prolonged back-and-forth. They didn't meet in person until earlier this year, by which time they'd become firm friends, continuously sharing music and conversation. Kmru had lent a valuable ear to Blake, who sent early playlists of 'nsis' that, over the months, slowly evolved into the finished album. It's the first release on Ofnot that's not by Kmru himself; the label emerged last year with the release of Kmru's own 'Dissolution Grip', and Blake's debut immediately expands its sonic universe. Alongside the playlists, Blake also provided Kmru with the tracks' raw stems, which Kmru began to edit and expand in his Berlin studio. 'Miura' and 'Waiting' are the result of this process, two sublime abstractions that augment Blake's dreamlike, euphoric tones with Kmru's pebbly distortions and booming low-end rumbles. And this same playful sense of freeness seeps into Blake's other compositions.

On the misty 'In A Cloud', he surrounds cascading string tones with soft-focus pads that swell until they're like crashing waves, and on the two 'Echoplexx' pieces, he uses delay and reverb to smudge his sounds until they're viscous residue, the harmonies obscured by whooshes of white noise and distant chimes. The mood is quieted somewhat on 'Moving Air', as Blake's swirling tones form half-heard lullabies, coalescing into a dense, melancholy crescendo, and he fills out the sound with reverberant airport recordings on 'Pan Am', letting pitchy My Bloody Valentine-esque drones warble beneath the transitory chatter. Each track melts into the next, forming a billowing, cryptic narrative that leaves more questions than answers. Blake is constantly searching, and fills his unoccupied space with warmth, perception and sensitivity.

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Blake Lee

LP | 2024 | EU | Original (Ofnot)

LP | 2024 | UK | Original (Skep Wax)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sassyhiya

Take You Somewhwere

LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sassyhiya want to take you somewhere. The journey starts in Kathy and Helen’s flat in South London. Sit down, close your eyes, and immerse yourself... You are on your way to a musical rainforest a long way from Camberwell. Explore your new surroundings, and you will find beautiful pop blooms like Let’s See What We Can Find, as bright and vibrant as The Sundays, thrusting their colourful faces up from the forest floor. You’ll find tangles of sharp-edged guitar, as if Swiss she-punks Kleenex had been left to evolve here in the rich fertile soil (I Had A Thought). You’ll find dark pools full of lyrical complexity, deceptively deep and immersive, with shimmering reflections of The Go-Betweens (Perennial). And you’ll come across delicate love songs, creeping up the trunks and branches of the bass and drums, displaying their fragile beauty (Thank You And Goodbye). And what’s that exotic striped animal prowling through the undergrowth? Actually, it’s Crayon Potato, Sassyhiya’s pet cat, the other resident of their flat in South London, taking up her role as the feline star of a lilting, singalong anthem written in her honour.

That’s what is so great about this album. You are somehow, simultaneously, exploring the most exotic forest in the world while also sitting in a flat in an ordinary, familiar English street with Sassyhiya and their cat. This album transports you without pretending the real world doesn’t exist: it doesn’t get all mystical on you (Take You Somewhere is as unlike Enya as anything you’ve heard). Sometimes you might be reminded of Girls At Our Best, and then Delta 5. You might even, on occasion, think of Echo and the Bunnymen.

The album opens with their single, Boat Called Predator: an appropriate start, inviting you to embark: insistent, almost ominous, but with a siren call of a chorus that means you can’t go back. The first single, Kristen Stewart, is here too: a bold love song to a queer icon, affirming Sassyhiya’s status as the queens (and kings) of a thriving indiepop scene. It’s joyous and it’s life-affirming. There are other love songs here too, like the jokey, wonkily flirtatious Puppet Museum. The album ends with You Can Give It (But You Can’t Take It) - a proper anthem of defiance, gently but insistently taking down the bullies and reactionaries who trample over beauty and diversity: the kind of people you might, unfortunately, bump into as you make your way back onto the streets of South London.

Sassyhiya (pronounced “Sassy Hiya”) were formed when Helen and Kathy, real-life partners and co-songwriters, joined up with Pablo and Neil (drums and guitar). Helen had previously been in Boys Forever and Basic Plumbing, collaborating with much-missed Veronica Falls musician Patrick Doyle. She and Kathy then formed Barry, a stripped-down queercore outfit, with Bart McDonagh (The Male Gays) and Mark Amura (My Executive Dysfunction). Sassyhiya feels like a culmination of all these elements, hitting the sweet spot between post-punk and indie pop. They know their way around a melody but still keep it wonky, with influences ranging from the Breeders and Broadcast to Dolly Parton.

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Ricchi E Poveri

...E Penso A Te

26,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 1987 | EU | Reissue (Warner Music International)

Simply Red

Men And Women

Release: 1987 / EU – Reissue

Genre: Pop

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LP | 2024 | EU | Original (This Charming Man)

Kaptain Kaizen

Für 3 Minuten 11

American Music Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Clear vinyl, limited to 200 copies.Started before, almost failed during and finally completed after the pandemic, "Für 3 Minuten 11" is the third album by Mannheim punk band Kaptain Kaizen. As an homage to the average length of a pop song, the title symbolizes the question of the why of one's own creativity, the art of switching off in these times and the unforgettable pleasure of a fleeting moment. The ten tracks on the record examine various topics, mostly in a critical examination of current social developments. For example, "Hängepeters" denounces the careless handling of the legacy of colonial crimes, while "Lindnereffekt" takes aim at the increasing superficiality in politics. Kleiekotzer" takes a critical look at the role of the media in society's shift to the right. But that is only one side of "Für 3 Minuten 11". The Carpe Diem anthem "Panini" shows that things can also be lighter and more liberating, and the song "Pflugschreiber" sends a musical greeting to the pride of Mannheim's adopted city in its pop academy. It is the intense mixture of profound lyrics and energetic sound with a pinch of hope and cheerfulness that makes "Für 3 Minuten 11" the musical equivalent of an intense, short-lived moment to be enjoyed to the full.

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The Blasters

LP | 2024 | EU | Original (Retroworld)

CD | 2024 | US | Original (Nice Life)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Blasters are the ultimate all American Roots band fronted by the brothers Dave and Phil Alvin. Their music is a blend of rockabilly, early rock and roll, punk rock, mountain music, rhythm and blues and country. The Alvin brothers have had a fractious relationship with Dave leaving the band in 1986. Phil has led various incarnations of The Blasters intermittently since then. American Music was their debut studio album. It was released in 1980 and features the future classic “Marie Marie”. Side 11. American Music2. Real Rock Drive3. Barefoot Rock4. I Don't Want To5. Marie Marie6. I Wish You Would7. She Ain't Got The Beat8. Flattop Joint9. Crazy Baby10. Never No Mo' BluesSide 21. Buzz Buzz Buzz2. She's Gone Away3. Barn Burning4. 21 Days In Jail5. Love 24 Hours A Day6. I Fell In Love7. So Glad8. Ashamed Of Myself9. Lone Wolf

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Tinashe

Quantum Baby

Isn't It Evening (Limited Turquoise Blue)

Release: 2024 / US – Original

Genre: Organic Grooves

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Quantum Baby is the second installment in Tinashe’s Bb/ang3l album trilogy. The first in the series, Bb/ang3l, was released Fall ‘23 and was followed by the Bb/ang3l tour and Tinashe’s first Tiny Desk performance. Tinashe began teasing the hit single “Nasty,” this past Spring, debuting the song at Coachella 2024. The song quickly went viral, to become the song of the summer. This led to everyone asking the most prevalent question of the summer: “Is somebody gonna match my freak?” “Quantum Baby is about getting to know me on a deeper level. It's about exploring who I am as a person and who I am as an artist. I’ve never been one to be put into a box, so the name Quantum Baby encompasses all the different parts that make up who I am as a creative,” says Tinashe, describing the album as “forward, hot and lot’s of bass!”

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Earl Slick / David Bowie

7" | 2024 | EU | Original (Schnitzel)

The Notorious B.I.G. / Biggie Smalls / 2Pac

Release: 2024 / EU – Original

Genre: Pop

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Legendary guitarist Earl Slick, David Bowie"s longest-standing lead guitarist, is set to release a brand-new remixed version of a track with Bowie on vocals 8 November 2024 on limited edition 7" Colored Vinyl.Earl Slick and David Bowie"s partnership produced some of rock"s most memorable music. In celebration of his recent autobiography "Guitar" published by Penguin achieving #1 on Amazon, Slick is now sharing this musical treasure.Slick recounted a particularly serendipitous moment: "I would never have thought to ask David to sing on my record. It"s not that we weren"t close -- we"d known each other forever -- but it just wasn"t something that would have occurred to me. But when I called Mark Plati at the studio one day to talk about some sessions I wanted to do, it turned out David was there. He got wind of what we were planning and asked to talk to me. "I guess you"re not interested in me maybe doing a little something on the record?" It was a silly question, of course. And what I figured would be some percussion or 12-string guitar turned into lyrics and an amazing vocal. I"m really excited to finally be able to share it with the world!"Producer Mark Plati echoed the excitement, saying, "One of the highlights of my career was being in the room when Earl Slick and David Bowie wrote "Isn"t It Evening", and then having the privilege to help bring it to life."Legendary mixer Bob Clearmountain, who worked on this new version, added, "It was such a thrill and an honor to be working on a David Bowie song again! Recording and mixing the "Let"s Dance" album was certainly one of the high points of my career. His passing was a real shock for me as we had become long-distance friends. Mixing his voice somehow made me feel close to him again."

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Sunshine Biggie (A Don Mash Up) / Thug Stylin' (A Don Mash Up)

7" | 2024 | US (Big 45)

13,99 €*

Release: 2024 / US

Genre: Hip Hop

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12" | 2024 | EU | Original (R.i.O.)

Andrea & Alexander

Loved Up

22,99 €*

I Do Love You / Heart Of Hearts

Release: 2024 / EU – Original

Genre: Organic Grooves

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Long time in the vaults, soon out in pop heaven: Andrea & Alexander, a handsomely nostalgic pop project by Andrea Noce aka Eva Geist and Alexander Arpeggio. Originally launched in 2014, revitalized in 2023, the project originated as a live set-up consisting of synthesizers, ePects pedals, and analogue drum machines. From there it slowlymetamorphosed into a crew of songs with raw minimal-wave grooves and romanticallyhaunting English and German pop lyrics, loosely evoking the aura of Siouxsie Sioux, Gudrun Gut or Nadine Bal. After becoming a live mainstay in the Berlin based underground club Sameheads, they went on a tour through Lithuania and soon after several unfortunate troubles led to the break-up of the band, prompting both Andrea and Alexander to focus on their solo careers. Andrea became Eva Geist and released for various international labels, played live and formed the female duo As Longitude. Alexander founded his own label Eine Welt, took over the management of the renowned underground festival Camp Cosmic and created two musical projects with Cid Hohner, Otto and Aufgang B. Now, years later, almost becoming a Soundcloud corpse some Andrea & Alexander recordings caught the attention of the R.i.O. folks and just seconds later they oPer six freshly recorded cuts of Andrea & Alexander tunes that stood the test of time as authentic, soulful pop music. “What are we going to wear for tonight’s party?” Andrea Noce asks in their song “Tiney Party”. The answer is “Loved Up” a musical celebration outfit of six sincere recorded, emotionally accorded songs, who make the dance, give verve a chance, to be there, in that moment of all moments. An album for the listener that likes to dance. In his head, on the local carpet. “Loved Up” humming Andrea & Alexander tune.

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Black Girl Singer Lm

7" | 2024 | UK | Reissue (Izipho Soul)

Release: 2024 / UK – Reissue

Genre: Organic Grooves

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Loneliness / If It's Not Asking To Much

Carla Thomas

7" | 2024 | EU | Original (Soul 4 Real)

19,99 €*

Nite Owls White Black & Blue Nite Owl Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Though she was Stax Records' Queen of Soul (and Otis Redding was her king), there was much more to Carla Thomas. In 1967, even while being promoted by the name of her most recent album, The Queen Alone, she was expanding her sound, developing a cabaret act that showcased a mix of genres and styles and that was built around her beautiful voice. She was exploring new vistas when these two sides were recorded. Isaac Hayes wrote "Loneliness". Carla's suave delivery evokes Diana Ross, and the shiny brass horns call out a Burt Bacharach arrangement as much as Stax. This is Carla with a nice polish on the groove. Labelmate and friend Deanie Parker wrote "If It's Not Asking Too Much". A sparer presentation, the organ drives the tango rhythm and also—a second keyboard, I think—swells behind Carla, everything entwining and deepening the song's brooding tone. This is the kind of side that can both start your night or finish it. Carla Thomas has got it all.

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JD McPherson

LP | 2024 | US | Original (New West)

33,99 €*

12" | 2024 | UK | Original (Fabric Originals)

Release: 2024 / US – Original

Genre: Rock & Indie

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JD McPherson has created something unique and amazing with his latest album, Nite Owls. His first album release since 2018’s critically acclaimed Christmas classic, SOCKS. Over the past 5+ years, McPherson has stayed consistently busy writing new songs while at the same time touring with Alison Krauss and Robert Plant. Being a touring musician offers the chance to see the sights, tour the town and pick up some inspiration from the local record shop. With Nite Owls, JD wanted to try something new and different. He wanted to take the inspiration from multiple decades and styles and incorporate them into his own sound. “The initial idea for the record was: It’s like if The late-60s Ventures were the session band on the first New Order record.” Says, McPherson. Idea achieved. Nite Owls delivers the signature sounds of vintage garage-rock while also seamlessly bridging the sounds of Bowie and Alan Vega. Songs such as “Sunshine Getaway”, “The Rock and Roll Girls” and “I Can’t Go Anywhere with You” sound like Chuck Berry is jamming with Buddy Holly. While song’s like, “Nite Owls” and “Don’t Travel Through the Night Alone” give a nod to the Factory sound from the UK. The throwback sound of the lone instrumental track “The Phantom Lover of New Rochelle” would make Dick Dale ride and Link Wray rumble. With Nite Owls, McPherson takes inspiration from multiple genres of the past and combines them together to evolve a sound that is all his own.

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Mano Le Tough & Perel

Entertain Us

The Bridges I Burn Black Vinyl Edition Repress

Release: 2024 / UK – Original

Genre: Electronic & Dance

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fabric Originals is proud to announce the release of the highly anticipated collaborative EP by Irish-born DJ, producer, and label owner Mano Le Tough, one of the most celebrated names in underground house and techno, and electronic musician and DJ Perel—who was the first German artist to sign to James Murphy's seminal dance-punk label DFA Records.

This EP marks the second release in the label’s new series, 'Future Memories,' which pairs together a legendary producer with new talent to create groundbreaking music that bridges generations.

The 'Future Memories' series is fabric Originals' latest initiative to celebrate the legacy of electronic music while paving the way for future innovation. By pairing seasoned veterans with promising newcomers, the series aims to create timeless tracks that resonate across generations. Mano Le Tough and Perel comes hot off the heels of our 1st release – by UK Garage royalty MJ Cole and rising UK techno X Dubstep producer and one half of Wisdom Teeth, K-lone.

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Leiras & Svreca

12" | 2017 | EU | Reissue (Ownlife)

11,99 €*

Hermit In A Rave Cave Part 3

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Comes with generic sleeve.

First Collaborative Ep from the Ownlife Chronicles. The point between the mind behind Semantica Records, or what is the same. Svreca. Joining forces with the label owner. Leiras. Another four tracker shaping the cyclical, repetitive and deep sound characteristic from the series. Black Vinyl Repress.

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Hermit In A Rave Cave

12" | 2024 | EU | Original (Clone Jack For Daze)

Fantasy Of A Broken Heart

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Part 3 in Legowelt's latest project "Hermit in a Rave Cave". Even lower slung house tracks with a twist from the unpredictable and unparalleled brain that roams the dunes of the Hague. Also responsible for Salamandos, Squadra Blanco, Polarius and a swath of other mysterious aliases.

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Feats Of Engineering

LP | 2024 | Original (Dots Per Inch Music)

19,99 €*

Release: 2024 / Original

Genre: Pop

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Baldhead Bridge (with Slightly Damaged Cover)

Culture

LP | 1978 | EU | Reissue (Joe Gibbs Record Globe)

12,99 €*

Murder In A Foreign Place

Release: 1978 / EU – Reissue

Genre: Reggae & Dancehall

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A few copies arrived with a damaged Cover. We're therefore selling it on a reduced price.

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M.I.A. (US)

LP+7" | 1984 | EU | Reissue (Modern City)

36,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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James Brown And The J.B.'S

Special Versions By Dimitri From Paris

12" | 2024 | UK | Original (Dfp Vaults)

12" | 2024 | EU | Original (Cultivated Electronics)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The incomparable Dimitri From Paris returns with the latest installment of his acclaimed DFP Vaults series, showcasing the deep cuts that solidify his reputation as one of the premier remixers, DJs, and champions of crate-digging culture in dance music today. This particular release holds a special place in Dimitri's heart, as he explains in his own words below:

"James Brown, the undisputed godfather of soul and the hardest working man in show business, is one of the few artists for whom the term 'legend' feels like an understatement. With a career spanning five decades, countless albums and singles, his unique voice and sound have become synonymous with dance music. Beyond his own recordings, thousands of James Brown samples have permeated our ears since sampling became a cornerstone of music production in the mid-80s—across genres from Hip-Hop to House, Drum 'n' Bass, and everything in between.

This release is particularly meaningful to me. Since my early days as a DJ, I’ve watched James Brown light up dance floors across cultures and generations with his inimitable swagger and irresistible energy. I bought my first James Brown record in 1981—Soul Syndrome, featuring the track 'Funky Men.' At the time, I was a bit disappointed as it didn’t have the classic 'Funky Drummer' style I was expecting, so it ended up buried in a pile of other James Brown classics.

Fast forward over 40 years, and I hear 'Funky Men' again, played by my good friend Alex From Tokyo, and it sounds fresher than ever. The unusual disco beat accompanying James Brown’s vocal, which once made the track stand out in a strange way, has now become its greatest asset! I quickly took it to the edit board, using a mix of old and new techniques, to create my 'Special Version' of 'Funky Men,' which has already been tried and tested on dance floors near you.

For the flip side, I wanted to explore the later, lesser-known disco side of James Brown. The J.B.'s, his personal live band, released a few tracks of their own under his production. Most were instrumentals featuring the breakbeat-heavy sound typically associated with James Brown. However, 'Just Wanna Make You Dance,' with female vocals by Maxxi, offers an almost Caribbean disco vibe. Uniquely, it was released as a 12’’ single with a DJ-friendly remix that included different breaks and drops—something quite rare for a James Brown production at that time. Here again, I’ve given it my own 'Special Version' treatment, respectfully enhanced for maximum DJ impact."

DFP Vaults is the sister label to Le-Edits Records, both of which are highly collectible. While Le-Edits focuses on classic songs remixed from original master tapes, DFP Vaults takes a more eclectic, DJ-friendly approach, spotlighting underdogs and unreleased versions straight from Dimitri's vault. True to Le-Edits' highest production standards, this release features state-of-the-art mastering, cutting, and pressing, all housed in a heavy 'Tip-On' vintage replica custom sleeve.

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Ben Pest / Maelstrom

For The Floor Volume 4

13,99 €*

Athos: Echoes From The Holy Mountain

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Cultivated Electronics Ltd's "For The Floor" series features split EPs available on vinyl (only) with Electro tracks aimed strictly at the dance floor, bringing together CE regulars alongside new artists. Previous instalments have presented tracks by DeFeKT, Rico Casazza, Tripeo, Cycloplex, Steve Allman and Alex Jann. Volume 4 now delivers 2 new tracks apiece by Ben Pest and Maelstrom. Bristol's Ben Pest has established notoriety as an exponent of jacking live hardware-based techno and electro with numerous releases on labels including Asking For Trouble, I Love Acid, No Static / Automatic, Orson Records, Don't and more. Here he delivers heavy bass, vocal distortions and tough beats on "Who Would Have Thought I'd Be" and the accompanying "26 Hybrid". Maelstrom has a history of aliases and side projects, illegal raves thrown in warehouses, fields and basements, but he came into his own under his Maelstrom moniker, releasing music on the likes of Raar (the label he co- founded with Louisahhh), Cultivated Electronics, Central Processing Unit, Mechatronica, Private Persons and Discos Atonicos.

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V.A.

2LP | 2024 | EU | Original (FLEE)

32,99 €*

Indoor Safari Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.

After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.

Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.

A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).

A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.

The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.

Tracklist

A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)

B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)

C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)

D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir)

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Nick Lowe

LP | 2024 | US | Original (Yep Roc)

LP | 1981 | US | Original (Capitol)

Release: 2024 / US – Original

Genre: Rock & Indie

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Nick Lowe returns with Indoor Safari, his first studio album in over a decade. Backed on every track by Nick's trusted collaborators Los Straitjackets, Nick exhibits his razorsharp songwriting ability through a multitude of sonic environments. With his signature wit on display for grooving numbers like "Went to a Party" and "Don't Be Nice to Me," to the heartfelt sentiment on "Blue on Blue" and "Jet Pac Boomerang," and topped with Nick breathing new life into hidden gems of the '60s like "Raincoat in the River" and "A Quiet Place," Indoor Safari demonstrates how Nick Lowe continues to make his mark as a performer, songwriter and producer over a half-century after his start in the music industry. This First Edition pressing of Indoor Safari is pressed on bamboo color vinyl and is limited to 2,000 copies worldwide.

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Peabo Bryson

I Am Love

13,99 €*

LP | 1985 | US | Original (A&M)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Los Angeles Pressing. Cracked corner.

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Atlantic Starr

As The Band Turns

11,99 €*

Gladys Knight And The Pips

Release: 1985 / US – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing. Original inner sleeve.

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If I Were Your Woman

LP | 1971 | US | Original (Soul)

12,99 €*

Lionel Hampton Presents: The Music Of Charles Mingus

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Hollywood pressing. Close to VG+

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Charles Mingus

LP | 1977 | US | Original (Who's Who In Jazz)

15,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1967 | US | Original (Tamla)

Stevie Wonder

I Was Made To Love Her

26,99 €*

Trumpet Battle At Minton's

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Tears in to pspine. Original US Hollywood pressing.

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Joe Guy & Hot Lips Page

LP | 1975 | US | Original (Xanadu)

2LP | 1996 | BE | Original (R & S)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Joey Beltram

Classics

39,99 €*

Houston Featuring Chingy, Nate Dogg And I-20

Release: 1996 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Records have some hairlines and a few superficial scratches.
Small sticker on cover.

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I Like That

12" | 2004 | US | Original (Capitol)

Release: 2004 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1974 | US | Original (A&M)

Esther Satterfield

Once I Loved

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Sounds ... And Stuff Like That!!

Quincy Jones

LP | 1978 | US | Original (A&M)

LP | 1961 | US | Original (Roulette)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Overall close to VG+

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Joe Williams

Sentimental & Melancholy

LP | 1979 | US | Original (ABC)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has water damage and seam split at the bottom. Record is close to VG+.

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Joe Sample

Carmel

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

The Comprehensive Charlie Parker: Live Performances Volume I

Charlie Parker

LP | 1972 | US | Original (ESP Disk)

9,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Charlie Parker, Coleman Hawkins, Georgie Auld

Unearthed Masters - Volume I

LP | 1982 | US | Original (Jam)

Joe Bataan And The Mestizo Band

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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Rap-O-Clap-O

12" | 1990 | DE | Original (BCM)

Release: 1990 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

12" | 2002 | US | Original (Jive)

Joe Featuring Jadakiss

I Want A Girl Like You

Release: 2002 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1998 | US | Original (Columbia)

Kenny Lattimore

If I Lose My Woman

Release: 1998 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2005 | US | Original (Columbia)

Bow Wow

Let Me Hold You

6,99 €*

Release: 2005 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1990 | US | Original (MCA)

Guy

I Wanna Get With U

Release: 1990 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Original (World Pacific)

Joe Pass

A Sign Of The Times

Little Big Adventure - Symphonic Suite & Original Soundtracks

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Cover is close to VG+.

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Philippe Vachey

2LP | 2021 | FR | Original (Wayo)

39,99 €*

Release: 2021 / FR – Original

Genre: Classical Music, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Sings The Best Of The Blues

Jimmy Reed

LP | 1963 | US | Original (Vee Jay)

11,99 €*

LP | 1979 | US | Original (ABC)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US mono pressing. Tear in top spine.

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Joe Sample

Carmel