Search "wood wood champion" 8074 Items

Chiquito de Guadalajara Et Ses Mariachis

Release: 1980 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

close to NM. promo Japanese pressing.

Go to Item

Fiesta Mexicaine

2LP | 1976 | FR | Original (Disques Carrere)

4,99 €*

12" | 2022 | UK | Original (Encrypted Audio)

Release: 1976 / FR – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Lamination is starting to come off.

Go to Item

Chokez

Env030

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2022 | EU | Original (Feel It)

Choncy

Community Chest

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Something's Wrong/Do I Love You Indeed I Do

Chris Clark

7" | 2023 | UK | Original (Outta Sight)

Release: 2023 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Chris Clark / The Temptations

Whenever I'm Without You / All I Need Is You To Love

7" | 2023 | UK | Original (Outta Sight)

Release: 2023 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Chris Coco Feat. Peter Green

Albatross

12" | 2002 | UK | Original (Distinct'ive)

LP | 2014 | US | Original (Fat Wreck Chords)

Release: 2002 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

Go to Item

Chris Cresswell

One Week Record

Chris Farlowe With The Hill

Release: 2014 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Flatliners' Chris Cresswell dials down his trademark screams to a simmering, melodic growl, and hands in his wailing electric guitar for a more soulful acoustic on the latest One Week Records release. Originally conceived by Lagwagon frontman, and now highly evolved solo-artist, Joey Cape, the idea behind One Week Records was to enlist his favorite musicians to come to his professional live-in studio where they'd collaborate to produce and record an entire album in, you guessed it, one week. The process begot some of Cresswell's most intimate and honest music to date. All 10 tracks encapsulate warm yet stirring melodies that create a feeling of proximity rarely displayed on a recorded album. Flatliners fans will be immediately charmed by this new incarnation of Chris' unique and gripping songwriting.

Go to Item

From Here To Mama Rosa

CD | 1996 | UK | Reissue (Out Of Time Productions Limited)

15,99 €*

Nice To Meet Miss Christine Record Store Day 2022 Edition

Release: 1996 / UK – Reissue

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

Go to Item

Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

Chris Liebing & Charlotte De Witte

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

Go to Item

Liquid Slow EP

12" | 2019 | EU | Original (KNTXT)

Chris Liebing / Charlotte De Witte

Release: 2019 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Charlotte de Witte mints her new KNTXT label with a suitably epic collaboration, joining forces with techno royalty Chris Liebing for ‘Liquid Slow’, due for release on 27th September. The CLR boss and German techno pioneer has been a regular at KNTXT parties over the years, not least at the sold-out stadium event at Antwerp's Sportpaleis last year where he will be returning to once again this November, alongside de Witte, just after the release of this new EP.

Go to Item

Liquid Slow EP

12" | 2019 | BE | Original (KNTXT)

14,99 €*

LP | 2019 | EU | Original (Mello Music Group)

Release: 2019 / BE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl closer to NM

Go to Item

Chris Rivers

G.I.T.U.

16,19 €* 26,99 € -40%

LP | 2023 | US | Original (Eighty Hd)

Release: 2019 / EU – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“G.I.T.U., an acronym for Greatest In The Universe. The title encompasses the feeling this body of work for me. It’s my life experiences, my loves and losses, my stories about overcoming obstacles both external and internal, while learning to love myself and becoming the best version of me. Both as a person and as an artist I tried to push my boundaries and expand my limitations. Everyone’s world is their own, everyone has their own universe that they are in control of, this is mine. I’m the G.I.T.U.” – Chris Rivers

Since he first entered the rap game, every mention of Chris Rivers inevitably acknowledges the influence of his father, Big Pun, one of the art form’s all-time greats. It’s a gift that offered the Bronx MC the opportunity to be heard, but simultaneously a curse that elicits unfair comparisons. But with his Mello Music debut, G.I.T.U., Rivers achieves what would’ve been impossible for a lesser talent: he stakes his claim as a singular artist, one speaking for his generation, his culture, his familial heritage, and most crucially, himself.

If Rivers is unquestionably the son of the first solo Latin rapper with a platinum plaque, he has clearly evolved into his own man. G.I.T.U is the opportunity to tell his story--one that starts full of mourning and self-doubt but matures into a gripping tale of self-discovery. In bold declarative terms, he sketches a portrait of a life lived on the margins, weathering the storms of abuse, poverty, and the lingering shadow of high expectations.

There are struggles with addiction and suicidal thoughts, but Rivers transcends those demons to deliver audio dope that does his legacy proud. He raps with the jaw-dropping lyrical agility and syllable precision that you’d expect from his patrimony, but with the vulnerability and introspection that can only come from an artist who possesses a rare knowledge of self. You can hear the inheritance of his late great father, but also a synthesis and expansion upon the path trodden by Black Thought, Mos Def, and Lupe Fiasco.

The title itself doubles as a mantra: Greatest In The Universe. This is the self-affirmation that Rivers told himself in his most turbulent moments. It’s an inspirational credo that allowed him to keep going, but also operates as fuel to listeners -- particularly those seeking a refracted light from someone deeply familiar with the darkness.

The 16 tracks encompass nearly every mood. There’s the confessional “Perfect,” where Rivers declares “well, I never loved myself, but right now I’m in love with two bitches, I mean women, I mean prisons, I mean prisms.” In the course of a single sentence, he’s able to convey labyrinthine complications. There is “Trick,” where Rivers rumbles like a champion prizefighter, boasting about how his sisters taught him how to brawl, reminiscing on his early days as a “little Puerto Rican fat boy with a brain like an asteroid.” Over rope-a-dope drums, he creates an anthem built for stage-diving and chaos, delivering a pummeling series of references that run from MC Hammer to Cassius Clay to anime. It’s a modern iteration of a tunnel banger: riotous, rowdy, New York brass knuckle rap.

“Damaged Goods” finds the 25-year old lyricist questioning the differences between lust and love, dropped his guard to exhibit a relatable sensitivity. “Wolf Mode” pairs a poignant sax lick with a plea to be able protect oneself from the storms of life. It’s not about being bulletproof, but rather, to possess the strength to endure the chaos that we must face. Yet Rivers is willing to accept the challenges head-on, claiming that he’d “rather have the hard truth than a sweet lie.” While “N.A.S.A.” takes dead-aim at the traps of millennial life: too many useless contacts in your phone, the dim lies of clout, and the indelible need to find the real ones who will hold you down. There is also a flawless “Pakinamac” homage.

The emotional centerpiece of the album arrives on the heart-wrenching “Sincerely Me.” It’s a tribute to Big Pun, but one that refuses to bow down to over-sentimentality. You feel Rivers’ pain and sadness, the struggles of his family, and his frustration at being unable to have a father to turn towards for advice. It’s a votive to a dearly departed spirit, gone much too soon. But when the song fades out, Rivers is stronger than before. A prayer has been answered. It’s the fully fleshed out picture of a son who doesn’t want to eclipse the father but rather, who wants to be able to stand beside him, shoulder to shoulder, two of the greatest of their times.

Go to Item

Chris Webby

Wednesday Before Last

30,99 €*

Release: 2023 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Best Of Record Store Day 2024 Edition

Chris White Experience

LP | 2024 | EU | Original (Sunfish Music)

37,99 €*

2LP | 2001 | DE | Original (ATO)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The appetite for The Zombies material has increased over the years, and has continued to grow since their induction to the Rock and Roll Hall of Fame in 2019. They have now become the subject of a soon to be released major documentary covering their ongoing career called ‘Hung Up On a Dream’ directed by Robert Schwartzman. Disbanding before their seminal Odessey & Oracle album was released, Rod Argent and Colin Blunstone have revived the band with a new touring line-up and album, while original bass player Chris White has continued his career as a songwriter and producer. The Best of The Chris White Experience is a limited edition 12” album release for Record Store Day 2024, featuring 10 tracks from Chris’ considerable production and writing catalogues. Produced on heavyweight 180g vinyl, it comprises selections from throughout the last 50 years and contains rare and unreleased performances. Including appearances from The Zombies, Argent, Diana Dors, Colin Blunstone and more remastered and available on vinyl for the very first time. This release will not be available in any other physical or digital formats.

Go to Item

Chris Whitley

Rocket House

70,99 €*

Chris Wollard & The Ship Thieves

Release: 2001 / DE – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Stuffed corners. Original inner sleeves.

Go to Item

LP | 2008 | US | Reissue (No Idea)

26,99 €*

2CD | 2009 | UK | Original (R.U.F. Records)

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“We love Wollard (chris Wollard of HOT Water Music). That’s a given, right? Well, that said, Chris defies expectations by turning in an album of varied songs, ranging from rockers to acoustic gems, to sleepy soundtracks for an all-night drive. In amongst the traditional sounds are tasteful flourishes and touches that you notice more each time you give it a spin. Will not clean your toilet, but might do the windows if you tip. May or may not come over and do your laundry for a slice of your pizza.”

Go to Item

Chris Wood

Albion

9,99 €*

Release: 2009 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 2019 | EU | Original (Housewax)

Chris Wood

Further Future EP

12" | 2022 | EU | Original (Shall Not Fade)

Release: 2019 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Chris Wood is back on HOUSEWAX! After the collaboration with his former Freebase Records -partner and good friend Meat aka Carsten Schuchmann, Chris now presents the solo ep called "Further Future" - a great and well balanced release which hits the stores by end on June!

Go to Item

Chrissy

Dreams EP

14,99 €*

Christer Bothén Feat. Bolon Bata

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Party-starter Chrissy joins the Shall Not Fade family with a 4-track serotonin hit which draws on influences from his San Franciscan heritage, as well as those closer to home in the UK.

'You Don't Have To Worry' encompasses this fusion, with anthemic piano chords and uplifting vocals that enliven a swung breaks instrumental. 'Assure Us There's A Heaven' and 'If I Could' also come with plenty of swing, borrowing tropes from UK Funky to show house at its most danceable, whilst 'All These Dreams' is a modern take on old school vocal house.

Go to Item

Trancedance (40th anniversary edition)

LP | 2024 | EU | Original (Black Truffle)

Christian Muthspiel & Steve Swallow

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black Truffle is pleased to announce the first vinyl reissue of Trancedance, a wild slice of Swedish Afro-fusion from Christer Bothén, originally released in 1984. A major figure in Swedish jazz and improvised music since the 1970s, often heard on bass clarinet and tenor sax, Bothen studied doso n’koni (the large six-stringed ‘hunter’s harp’ of the Wasulu) in Mali in 1971-2 before turning to the guinbri (the three-stringed lute of the Gnawa/Gnauoua) in Marakesh later in the decade. In between, he performed extensively with Don Cherry during his Organic Music Society period and taught Cherry the doso n’koni. In the later 70s and 80s he worked with the most important figures in the distinctive Swedish jazz-rock-world fusion scene, joining Archimedes Badkar for their African-influenced Tre and participating in Bengt Berger’s legendary Bitter Funeral Beer Band. Many of the musicians who played on the Bitter Funeral Beer Band’s ECM LP (including Berger on drums, Anita Livstrand on voice and percussion and Tord Bengstsson on piano, violin and guitar) joined Bothén for one of the sessions that produced Trancedance, the first release under his own name, dedicated to his compositions. The other session introduced his seven-piece group Bolon Bata, heard on the second track of each side. The title track opens the album with the rubbery buzzing strings of the doso n’goni playing a hypnotic ten beat pattern, soon joined by bass and piano before the entire nine-piece group kicks in with a rollicking Afro-jazz workout, Berger’s drums driving an intricate, winding melodic line played by the horns with Mattias Helden’s cello throwing in pizzicato slides and smears. Bothén then takes centre stage on tenor sax, soloing with a wide, vibrating tone and moving seamlessly from soaring melodies to guttural stutters. After a return to the composed horn lines and a solo from Elsie Petrén on alto sax, the piece builds to an ecstatic conclusion of yelping voices and handclaps, gradually simmering down to return to the solo doso n’koni where it began.

The hypnotic sounds of the hunter’s harp carries over to ‘Mimouna’, where it is joined by Bothen’s overdubbed guinbri. The piece develops into a haunting whispered and sung invocation, gradually building momentum until the organic textures of strings, voices, and hand percussion are ruptured by Lennart Söderlund’s distorted guitar, which brings an unmistakable touch of 1984 to the otherwise timeless sound. Joined by chicken scratch guitar and increasingly dominated by the insistent clang of three of Bolon Bata’s members on karqab (a kind of cast-iron castanet), the grove develops frenetically.

The B side opens with the multi-part epic ‘9+10 Moving Pictures for the Ear’, at over 16 minutes the record’s longest piece. Though Bothen is heard only on horns on this piece, the hypnotic repeating bass line carries on the first side’s link to African musical traditions. Using an expanded 16-piece ensemble, the music balances untethered improvisation with carefully arranged passages of knotty ensemble playing that at points suggest Mingus, Moacir Santos or some of the ambitious post-free work being done in the same years by figures like David Murray or Henry Threadgill. The piece ends with a triumphant passage of looping unison melody reminiscent of the Scandinavian folk explorations of Arbete och Fritid (whose Kjell Westling is heard on bass clarinet and soprano sax here). The sound of Bjorn Lundqvist’s fretless bass introduces the odd left turn made by the record’s final track, a spaced-out expedition into bluesy horn lines and distant guitar atmospherics set to a semi-reggae beat, perfumed by the core Bolon Bata group and bearing the appropriate title of ‘The Horizon Stroller’. A must for fans of the Swedish scene around groups like Arbete och Fritid and Archimedes Badkar, as well as any listener who has been seduced by Louis Moholo’s Spirits Rejoice!, The Brotherhood of Breath, or, more recently, the guinbri grooves of Natural Information Society, Trancedance is a lost classic ripe for rediscovery.

Go to Item

Simple Songs

LP | 2022 | EU | Original (In & Out)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2024 | JP | Original (Jet Set)

Christian Rowell

Rapp Snitch Knishes

39,99 €*

Release: 2024 / JP – Original

Genre: Hip Hop, Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | Original (It Sounds)

Christian Steiffen

Ferien Vom Rock'n Roll

21,99 €*

Release: 2019 / Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | Original (It Sounds)

Christian Steiffen

Gott Of Schlager

21,99 €*

Release: 2019 / Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Christian With Daniel Sommer & Mariusz Prasniewski Holm-Svendsen

Totem

LP | 2024 | EU | Original (April)

26,99 €*

12" | 2020 | Original (As You Like It)

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Beginning in the 60"s, the small chamber group ensemble became increasingly important in the advancement of jazz, enabling horn players including Sonny Rollins, Joe Henderson, and Ornette Coleman to seek uncharted sonic territories and achieve new levels of freedom without the support of chordal instruments. With a mature, cohesive ensemble sound, the young trio juxtaposes tranquility and space with energy and tenacity across nine original compositions showcasing their stylistic breadth. From the swinging waltz "December" with a melodic contour reminiscent of a jazz standard, the soothing folk-influenced simplicity of "Vent", the intimate lyrical interplay between bass and clarinet in "Duo", to the heavy, propulsive power of the title track, the trio demonstrates fearlessness, listening, and spontaneity in a raw and personal recording that puts each of their distinctive voices in the spotlight.Christian Holm-Svendsen, currently resides in New York, studying for a master of music at Manhattan School of Music. In Denmark he played with, among others, The Danish Radio Big Band, Copenhagen Jazz Orchestra, Odense Jazz Orchestra, Jesper Zeuthen, and Regnfang. Daniel Sommer is an award-winning artist and sought-after drummer on the international jazz scene. Known for crossing the borders of different musical landscapes with a distinctive musical approach, Sommer currently performs with Karmen Roivassepp Quartet, Foyn/Hess/AC/Sommer and recently released the trio album "From Within" with Arild Andersen and Rob Luft on April Records.Mariusz Prasniewski is a Polish double bass player, residing in Copenhagen. A part of the Danish and European jazz scene for more than a decade, the bassist has worked with musicians like Tomasz Dabrowski, Anders Mogensen, and Gilad Hekselman.

Go to Item

Christina Chatfield

Ascent/Descent EP

7,99 €*

7" | 2012 | UK | Original (Outta Sight)

Release: 2020 / Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

Go to Item

Christine Cooper

Heartaches Away My Boy

13,29 €* 13,99 € -5%

Release: 2012 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Asp Nimbus Red Vinyl Edition

Christopher Hoffman

LP | 2020 | US | Original (Out Of Your Head)

Release: 2020 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Christopher Ledger, Jamie Leather, Malin Genie

Asymmetrical Connection

12" | 2023 | EU | Original (Berg Audio)

Christy Moore With Donal Lunny And Declan Sinnott

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Christopher Ledger makes his debut on Berg Audio with a refined combination of deep house & dub techno, showcasing the Italian producers wide range of influences and craftsmanship. The release includes a remix from Malin Genie & a collaboration with Jamie Leather ? Artwork by Juli Jah

Go to Item

Live At Vicar Street

CD | 2002 | EU | Original (Columbia)

12" | 2017 | US | Reissue (Italians Do It Better)

Release: 2002 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

Go to Item

Chromatics

Camera

70,99 €*

2LP | 2020 | US | Original (Italians Do It Better)

Release: 2017 / US – Reissue

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl and cover are close to NM. Original inner sleeve. 2018 reissue.

Go to Item

Chromatics

Closer To Grey

24,99 €*

LP | 2023 | EU | Original (M-Theory Audio)

Release: 2020 / US – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Red vinyl.
Cover with a seam split at the upper edge.
Includes original inner sleeves.

Go to Item

Chrome Waves

Earth Will Shed Its Skin

27,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2002 | DE | Original (Decomplex Audio)

Chronic Twins

Collecting Nerve

Release: 2002 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

You Just Don’t Know (What You Do To Me)

Chubby Checker

7" | 2012 | UK | Original (Outta Sight)

Release: 2012 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Silencer / Little By Little

Chuck Jackson

7" | 2019 | UK | Original (Outta Sight)

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Church Andrews & Matt Davies

Yucca

LP | 2024 | EU | Original (Odda)

7" | 2006 | JM | Original (Amplex)

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Church Andrews and Matt Davies weave intricate patterns from Fibonacci sequences on new mini-album, Yucca. Producer and composer Church Andrews (aka Kirk Barley) and drummer Matt Davies return to explore the outer limits of rhythm on a six-track suite that is at once angular and fluid, natural and systematic. Drawn to the restrictions of working solely with one synth and live drums, the pair found creativity in limitation, developing a compositional dialogue between the sonic timbres of Kirk’s productions and Matt’s percussive practice. Evoking the primitive yet complex form of the plant from which it takes its name, Yucca features tracks that are built around rhythmic ratios of the Fibonacci sequence. Mirroring spiral patterns exhibited in nature, each track evolves like a cellular structure of its own, from the livewire syntax of ‘Chirp’ and the deconstructed ebb and flow of ‘Ferns’, to the mini-album’s title track, where crisp grooves flit between modulated electronics like fireflies. “I’ve always been inspired by music that is complex without sounding complex,” Matt explains. He maintains a sense of bounce amid the intricate phrasing and cites drummers Roy Haynes and his grandson Marcus Gilmore as inspirations, alongside sabar drummers from Senegal and Mridangam drumming of South India. With a shared background in hip-hop and the swung beats of J Dilla and Flying Lotus, Kirk Barley and Matt Davies were also inspired by the minimalism of Terry Riley and the sparse palette of dub techno. Written and recorded in Lewisham in the spring and summer of 2023, Yucca follows the release of Axis in 2022, with the duo having also performed at festivals such as Rewire and Waking Life, and recorded live sessions for Fact magazine and Worldwide FM. The third release on Yorkshire-based Odda Recordings, following Kirk Barley’s Marionette and Flaer’s Preludes, Yucca confirms the label’s reputation for championing music on the unstable ground between the organic and the synthetic.

Go to Item

Chyna Feat. Elephant Man

Sexy Bal-Ed

Release: 2006 / JM – Original

Genre: Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2023 | EU | Original (Parallel Minds)

Ciel

Homesick

25,99 €*

Speed Is Relative Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Parallel Minds’ fifth label release is a major landmark for the Toronto-based label. Not only is it their first full length LP, it is also the debut album from co-founder Ciel, who is also making her first solo appearance on the label since its inception.

In 2021, spurred on by a productive creative streak and the economic austerity of pandemic lockdowns, the Xi’an-born and Toronto-based DJ Ciel (real name Cindy Li) applied for grant funding from the government of Canada to write her debut album. Self-proclaimed “DJ first, producer second”, Ciel never thought she would have the self-confidence and desire to write an album. It wasn’t until after spending prolonged time away from clubs & festivals whilst dedicating herself to daily sessions in her studio that she gained the motivation and aspiration to make a musical statement that only an album could express.

Since the start of the covid19 outbreak, Ciel, like many other Chinese diaspora people in the West, had felt a great deal of anxiety and pain at the rise of anti-Chinese sentiment and racism in the media — even in her corner of the dance music industry. Tired of expressing her frustrations fruitlessly online, she felt inspired to channel that into her music, to turn something that was filled with hate into a thing of joy and beauty. It was within this context that Homesick began to take shape.

After researching the rich history of Chinese instruments, a concept began to form around the album in which she could marry her love of sampling and analogue instruments. Using the eight types of traditional Chinese instruments (silk, bamboo, wood, stone, metal, clay, gourd, and hide) as a guideline, Li began writing each track with a focus on one of the eight. She hired traditional Chinese instrumentalists to play the guzheng and the xiao, whilst purchasing and teaching herself the smaller hand drum instruments like the kuaiban (bamboo clappers), and muyu (temple blocks). With the news that she had successfully been granted funding from Canada Arts Council, she wrote, recorded, arranged, and mixed all nine tracks of her album over the first three months of 2022. More than just highlighting Chinese instruments, the music on this album encapsulates so many musical influences from Ciel’s childhood when she began her lifelong love affair with music. True to her style as a DJ, the LP incorporates a diversity of genres she loves, from drum & bass to house, electro to breaks - even downtempo.

What has come out of these sessions is a deeply personal dancefloor record, a true expression of love for Cindy’s culture that came out of a time of relentless chaos, negativity, and uncertainty. Ciel sees her compositions as a distillation of herself — her life experiences, her wide interests and passions, and her often-turbulent emotions. Immersing oneself in the LP feels like listening to the musical confessions of an artist heading towards the peak of their career, who is finally starting to make sense of her artistic identity. What a joy to witness it.

Go to Item

Picture
Coming Soon

Cigar

LP | 2024 | EU | Original (Fat Wreck)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-12-06

7" | 2014 | UK | Original (Outta Sight)

Cile Turner

Crap Shootin’ Sinner

10,99 €*

Release: 2014 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bossa And Swing Ep Purple Vinyl Edition

Cinthie

12" | 2023 | EU | Original (Shall Not Fade)

15,99 €*

12" | 2021 | EU | Original (Shall Not Fade)

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Shall Not Fade celebrate their 100th release by welcoming one of the leading names in house music Cinthie back, with 4 feel good summer house cuts!

Go to Item

Cinthie

Free Fall EP

Trapped In A Parking Garage

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cinthie Christl is a powerhouse of a DJ, producer, label manager, record store owner and all-round house music aficionado. Shall Not Fade is excited to announce Cinthie is joining the family to mark the 60th release on the label. Free Fall EP shows off the German polymath's expansive musical knowledge, developed through decades of spinning vinyl.

The 4-tracker kicks off with "Offenbach Anthem" bounces along with a varied post-disco inspired beat and oh-so-deep bassline that strikes against the aerated chords of the melody. Dramatic strings add to the disco flavour, the fluid and glittery opener cruises into the tight, 4-to-the-floor business and stuttering stabs of "13 Steps To Heaven".

Rave energy takes over on "Oh No No No"; organ takes centre stage blending with crooning diva vocalisations - releasing the tension of the last track into an overflow of euphoria. "What You Mean To Me" closes the EP with a slice of the super-smooth classic house that Cinthie is known for; infectious grooves and perfect lulls forming a triumphant end to the record.

Go to Item

Citric Dummies

7" | 2024 | US | Original (Feel It)

17,99 €*

Zen And The Arcade Of Beating Your Ass

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Jeff Goldblum takes a deep breath and initiates the teleportation sequence, unaware that lurking in the corner of the telepod are three greasy eighth grade boys quoting their favorite lines from Kids In The Hall sketches. The sequence initiates; a crack of static; a horrible flash of white hot light. Dramatically backlit and shrouded in fog, what emerges from the adjacent telepod is not so much man-child as teenage lobotomy. The camera jumps to a tight shot on the receding hairlines of three dumb assholes: “Look out world…” they whisper with an off-putting wink into the camera. “I’m eatin’ Arby’s.”

This is the Citric Dummies and that is a reference to their song lyrics! Yes, you do not have to ask: this shit is dumb. Lyrics like “I'm driving a piece of shit because I am a piece of shit” dumb. I hear fear in their voices: this is both a reference to Lee Ving’s phlegm and the fact this band is naked and lost in a parking garage, “A traffic cone used for modesty (It’s not a giant orange dick, you see)”. But unlike Fear, this band does not hate you, for they are too busy hating themselves. “Fuck you!” you yell at them, and they know why.

When you see these Citric Dummies (and oh, you simply must!), you will notice their jackets—matching in satin, unique in color. A bassist in green satin, like a lime, and bald (not unlike a lime…). Guitarist? In lemon yellow; he has a regular amount of hair. And that drummer on the drums, the one with the most hair of all? Orange! What we have here is a band who visually tastes like an orange 7Up if such a dumb thing were a thing.

And this band plays: fast! Fuck! Live, it’s fast-as-fuck-oh-fuck-this-is-fast. Dean Dirg is there playing fast, and The Hives, because we love the Hives and know their roots are of the same raw Swedish garage milieu as the Hellacopters and Henry Fiat's Open Sore. “It’s too rock ‘n roll for hardcore, too hardcore for rock ‘n roll,” you may say (because you yourself may be dumb). Is this what is called…punk? Yes! That’s it! Maybe this is punk, you dumbass.

Oh no! I’ve forgotten the best part of all! You don’t have to just read about the Citric Dummies, you can hear the Citric Dummies. You can even have the Citric Dummies!—on a new 4-song 7” out on Feel It! And I forgot the other best part of all! They are soon touring Europe with Erik Nervous! So rock over London, and rock on Chicago, because Citric Dummies are a band from Minneapolis, and I don’t care who knows it!"—Brendan Wells

Go to Item

Citric Dummies

LP | 2023 | US | Original (Feel It)

LP | 2020 | US | Original (IT)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bursting out of a burning trash heap like some mutated, blitzed skeleton in a leatherjacket, Citric Dummies thrash their listeners with a heavy dose of pulverizing punk madness on their latest LP Zen and The Arcade of Beating Your Ass. The Minneapolis based trio have previously released a handful of endlessly infectious records on US and Euro labels like Erste Theke Tonträger, Fashionable Idiots, and Another Label—luring in unsuspecting punks with their aberrant, tuneful noise. Citric Dummies rip turbocharged, catchy songs riddled with big hooks that are inhaled like paint fumes by fans of niche KBD gems and classics like The Ramones and The Misfits. The band has signed with Feel It Records to release their most dialed and corrosive record to date- a pièce de résistance for LSD enthusiasts and jabronis alike. Produced by Erik Nervous, Zen and The Arcade of Beating Your Ass is a masterclass in unpretentious and unrelenting party punk. The cover is a clever mockery of Hüsker Dü's Zen Arcade waving a friendly middle-finger paying homage to the punk heroes of yore. Citric Dummies power through 14 songs in 23 minutes in a psychotic frenzy. The songs conjure chaotic and hilarious glimpses into the everyday life of a hesher self-deprecating, taking copious amounts of illicit substances, and kicking the teeth out of the phonies that step in their way. Sonically, Citric Dummies have honed their knuckle-dragging craft, and sound more unique, more evolved, and more like themselves than ever. The arrangements, riffs and lyrics are meticulous yet effortless, like they've practiced so much the music flows through them, spike in vein. Zen and The Arcade of Beating Your Ass is the manifestation of these three droogs stepping off the fleshy escalator and into the gaping void of pure rock n roll elation."—Sims Hardin

Go to Item

Claire Birchall

Running In Slow Motion

23,99 €*

LP | 2024 | Original (IT)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Running In Slow Motion is an album of contradictions, a darkly emotive synth-pop record, Owing as much to the influence of The Beach Boys as Alan Vega. Simple 4-track production sits in juxtaposition to complex high-pop songcraft. Rough edges cut through beautiful, layered melodies. A multi-instrumentalist and devotedly DIY, Claire wrote, played and recorded the entire record herself, with the exception of a striking cover of Randy Newman's 'Pretty Boy'. It's real catchy too.

Go to Item

Claire Birchall

The Haunting

33,99 €*

Claptone & Pet Shop Boys Feat. Dizzy

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-12-13

Claire Birchall returns with a new solo album of dark & personal pop songs. A “gothic” tapestry of carefully articulated layered melodies adorned with intricate vocal patterns. The Haunting is an emotionally complex album. Inspired by nightmares, fairy tales and ghost stories, exploring themes of fear, loss and anxiety. Blurring the boundaries between rock and pop, electronic and analogue. Traversing a heady mix of genre, tempo. Invoking everything from edgy disco to anguished torch song.

Go to Item

Queen Of Ice Pet Shop Boys Remix

12" | 2022 | EU | Original (Different)

27,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2023 | EU | Original (Ad 93)

Clara!

Pulso

19,99 €*

CD | 2009 | US | Original (Sierra)

Release: 2023 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Clara! ( with a 6 track LP ft. productions from the SKY H1, Pearson Sound & Low Jack.

"Pulso is about sexual desire, my desire. Me as the subject, not only the object of it. I sing my pleasure and daydreams, because it's my body and my imagination, so I know what I like to feel."

Sonically inspired by reggaeton, a genre that is personally nostalgic and reminiscent of times spent at parties listening to the imported genre as a teenager in her home country, Spain.
Clara! works with producers who don’t usually dabble in the genre - SKY H1, Pearson Sound and Low Jack - in order to mix their own, unique universes with it.

Go to Item

Clarence White

White Lightnin'

Clark Terry & His Orchestra

Release: 2009 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

Go to Item

Clark Terry

LP | 1960 | EU | Reissue (Sam)

Clark Terry & Orchestra Feat. Paul Gonsalves

Release: 1960 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-mastered from a copy of the Mono Master Tapes. Limited edition 2000 copies. 180 gr vinyl pressed by Pallas in Germany. Deluxe high-gloss flipback album jacket. Facsimile reissue using the original photo by JP Leloir. Double insert using an original photo by JP Leloir from 1959. Each record has been visually checked to prevent defects.

Recorded October 1959, Paris.

Original LP issue: Decca 153.924

Critics often complain that small-group sessions comprised of members of the Duke Ellington Orchestra are somewhat disappointing; this is definitely not the case with this session led by Clark Terry, recorded during a 1959 tour of Europe in the final month of the trumpeter’s almost eight-year tenure with the band. Fellow Ellington sidemen Paul Gonsalves, Jimmy Woode, and Sam Woodyard are present, along with Raymond Fol at the piano. Terry was one of the most gifted trumpeters to grace the Ellington band and he blossoms when he has more opportunities to solo in a small group setting like this one. Gonsalves proves to be the perfect foil for Terry as they trade lines on several of the numbers. Unlike many dates led by Ellington veterans, this one doesn’t rely heavily on songs from the vast Ellington songbook; instead, Terry includes only ‘Satin Doll’, a Monk’s tune, one by Babs Gonzales and three of his own compositions, with ‘Serenade to a Bus Seat’ (a remake of his upbeat instrumental interpretation of the hectic life of a touring musician) proving to be the most memorable.

This studio date was recorded for French Decca label and was almost impossible to find until now.

Clark Terry (Trumpet) Paul Gonsalves (Tenor saxophone) Raymond Fol (Piano) Jimmy Woode (Bass) G. T. Hogan (Drums)

Go to Item

Clark Terry And His Orchestra

LP | 1960 | US | Reissue (Sam)

Release: 1960 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Music For The Small Hours

Clarke-Boland Sextett

LP | 1967 | JP | Reissue (P-Vine)

34,99 €*

Release: 1967 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed by Kenny Clarke and Francy Boland, the Clarke-Boland Sextett, with the participation of numerous musicians from both Europe and the United States, made significant contributions to the development of jazz in Europe. At the core of this ensemble, the powerhouse sextet consisting of Kenny Clarke, Francy Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi came together to record the album "Music For The Small Hours" in 1967, and it is now set to be reissued with an obi.

This album spans a wide range of styles, from standards like Burt Bacharach's "Wives & Lovers" to Brazilian and Afro-Cuban influences such as Luiz Bonfá's "Ebony Samba" and Dizzy Gillespie's "Tin Tin Deo." Additionally, it features original compositions like Shihab's "Please, Don't Leave," where he takes on vocal duties. The entire recording exudes a sophisticated and relaxed mood, showcasing the utmost skill of this formidable sextet. "Music For The Small Hours" is a masterpiece that deserves a place in the history of European jazz, boasting the ultimate level of refinement.

Go to Item

LP | 2024 | US | Original (Feel It)

A Healthy Alternative

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

My mates went on holiday to the Isles for this one. Galactic romantic entropy three sheets to the 'Wind. Saxy glimmers, broken sunbeams, oil dancing in a puddle of water in a parking lot somewhere in St. Louis or Birmingham. And just as first-wave yankee punk was decidedly solipsistic, the Poms folded in a more civic bent to explain the zeitgeist of generational disaffection. Is 'Scared To Care' about spikey punks whose apartments are littered with Amazon boxes? Is 'Biggest Sale of The Year' an indictment of late-stage capitalism? Is 'The Milkman' an effective populist who wants you to sink so that he can swim? Is this record more political than those dystopian hardcore records you sold when a nice girl opened your eyes once? Merely conjecture...

It's an album dripping with clandestine musical intelligence, artisanal song-writing, great voices. The illegitimate son of Dinosaurs' bassist isn't in the mix this time, but I can assure you his spirit is there—I can almost hear the glass of side mirrors cascading to Richmond Ave on a drunken bike ride 15 years before Josh Allen and Conway The Machine made The City That Always Sleeps cool! (not recommended... you truly cannot cheat Carma).

What is soul? Soul is finding your own catalytic converter at the thrift store. Soul is trying out for the Harlem Globetrotters on your 37th birthday and it not going so well. Soul is wearing those attractive bygone eras on your sleeve without hesitation or embarrassment. Pentatonic rock didn't exactly bubble from a serious bog, and when adults who partake become artistically conservative, grow egos in a Petri dish somewhere in the well-adjusted hyper-capitalist cityslicker life they've created because they can seemingly play Vibrators riffs better than the actual kids, everything is lost! Class know this, resisting that spiritual deficit of our collective moment with the voice of honest men trying to have fun in this fuckin' wacky world, unafraid to rhyme words like 'narcissist' and 'anarchist'. I mean, how many songs wouldn't have a pinky toe to pirouette on if 'school' and 'fool' didn't rhyme?! Now get your ass to Class."—Brandon Gaffney

Go to Item

Tape | 2022 | EU | Original (Feel It)

But Who's Reading Me?

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | US | Original (Feel It)

Epoca De Los Vaqueros

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Class of Tucson AZ—instantly familiar, idiosyncratic to the max, a glorious collision in which several of American punk’s leading lights emerge from their vehicles unscathed (though I make no promises for the rest of you, see below). What more can I say about 2022’s most eagerly anticipated full-length album? (a bit more as it turns out, which is fortunate as my fee is pretty expensive, onerous, even) These songs have the requisite crunch / glue ratio and more than anyone else in their idiom, remind me of moments that don’t happen nearly enough, in rock, in life, when your eyes are closed, anywhere. I don’t think it’s a huge stretch to presume the persons responsible for these gems are keen students of the last 40+ years of underground/overground sounds (the good shit anyway), but there’s a singular voice, a defined worldview if you will, somehow cutting through our bland, brutal, grim as fuck moment in history. If you think I’m building Class up a bit much, I can promise you this—there’s at least a half dozen people I know who will hear this record and immediately fall into the throes of a deep depression because they’re not in this band. And if you’re wary of being hyped-2-death, spare a thought for me for just a minute. I’m the one who’s gonna have to talk them off a ledge (figuratively, it’s mostly single stories in this part of the country)."—Gerard Cosloy.

Go to Item

LP | 2023 | US | Original (Feel It)

If You've Got Nothing

LP | 2019 | EU | Original (Jansen)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Artist works in a museum. And that museum is rocknroll. In a world of meme punk rockabilly grandads. It’s the classicists that really have something to say. Straight lines, hooks, and a clear path to your heart. They might not be dbeat heart throbs. But no one else can give you that feeling that you can hold on to a moment. Like you are driving too fast down route 60. And it’s never going to end. In 20 years when you skulk the dark alleyways of wherever punk’s red fern grows, they won’t be talking about Dwight Twilley, the Looks, or the Nerves, they will be looking for a little CLASS."—Tobi Vail and Hayes Waring

Go to Item

Class Photo

Lights Years Later

19,99 €*

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2013 | EU | Original (Wonder Wet)

Claudio Fabrianesi

Cosmic Kabul

9,99 €*

Release: 2013 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 2013 | EU | Original (Wonder Wet)

Claudio Fabrianesi

Cosmic Kabul

5,94 €* 6,99 € -15%

Release: 2013 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

12" | 1997 | IT | Original (V.O.T.U. Records (Voice Of The Underground Records))

Claudja Barry

Take It Easy (Remix '97)

Release: 1997 / IT – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

South Of Reality - Amethust Edition

Claypool Lennon Delirium

LP | 2022 | CA | Original (ATO)

40,99 €*

Release: 2022 / CA – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Cosmic Compositions / HHV Records)

Clear Path Ensemble

LP | 2019 | US | Original (Fat Beats)

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Clear Path Ensemble is the new project and brainchild of Wellington jazz and sonic arts graduate Cory Champion with the help of like-minded artists such as Mara TK, Jake Baxendale, Daniel Hayles and others. Also producing left field house and techno under the name Borrowed cs, Clear Path Ensemble is Cory’s first offering to the jazz gods. Having spent many years playing drums alongside some of New Zealand’s most talented musicians in the revered Wellington jam session scene this release is an amalgamation of the energy & spirit that the Wellington scene encompasses. Walking over the blurred lines of psychedelia and spiritual jazz and taking cues from planetary rhythms and celestial oddities, CPE invokes a higher sense of self through the transformative power of sound. In it’s truest essence these are a collection of cosmic compositions and a release that in our opinion is one of the heaviest to ever emerge from the New Zealand neo-jazz scene.

Go to Item

Clear Soul Forces

Still

20,99 €*

12" | 2019 | EU | Original (Foundation Audio)

Release: 2019 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nearly four years and a number of solo projects later, Detroit’s Clear Soul Forces are back with their most impressive release to date. Still is what happens when four proven artists continue to hone their craft and find their collective flow. At 11 tracks deep, this album eschews trends and instead provides timeless, straight-up dope Hip-Hop.

Speaking on why Still sounds so organic and cohesively produced, group member Noveliss says, “Everyone’s growth has made the creative process easier.” He adds that CSF may have been a team before, but each member had to prove himself individually. “Now, we and the world know what’s up, and it’s all about bouncing off each other and being a unit on every song.”

That sense of true teamwork and partnership is heard and felt on each track, from the neck-snapping opening track “Blaow (feat. DJ Odilon)” through to album closer “Don’t Stop” that serves up a wild burner-to-banger beat-switch. Other instant highlights include “Hit Me Now,” which Noveless says features “all of the random things that describe CSF,” and L.A.Z.’s favorite track “They Shootin’,” which is also the album’s lead single.

Those tracks, and the majority of the album, were produced by rapper-producer Ilajide, who complements his CSF brothers with beats primed for verses bursting with clever bravado, video game references, and head-spinning wordplay. Still is golden era Boom bap for the modern age, and it’s delivered through a lens that’s wholly unique to CSF. It’s also one of integrity, because there’s no fluff or superficial window dressing here—simply some of the best hip-hop you’ll hear this year.

Go to Item

Clearlight

Ununderstandable EP

10,99 €*

LP | 2023 | Original (Be With)

Release: 2019 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Clearlight brings his wonderfully tripped out production wizardry to Foundation Audio for a 3 track journey into the void! Clearlight has always stood out from the crowd and pushed boundaries with his unique take on the genre. It sounds like dubstep swallowed a bottle of LSD… or smoked some DMT… There’s no point going into detailed track summary as it won’t do the music justice, - just sit back, spark one up and get sucked into another dimension.

Go to Item

Cleveland Eaton

Half And Half

27,99 €*

Release: 2023 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2014 | SE | Reissue (Skudge White)

Cliff Lothar

Untitled

6,99 €*

12" | 2017 | EU | Original (Second State Audio)

Release: 2014 / SE – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Generic

Purple vinyl close to VG+

Go to Item

Clint Stewart

Shadows On The Wall EP

8,54 €* 8,99 € -5%

Release: 2017 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2014 | EU | Original (Second State Audio)

Clint Stewart

Warpaint

6,79 €* 7,99 € -15%

Release: 2014 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Visions Of Bodies Being Burned

Clipping.

Tape | 2020 | US | Original (Sub Pop)

Visions Of Bodies Being Burned Black Vinyl Edition

Release: 2020 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In the horror genre, sequels are perfunctory. As the insufferable film bro Randy explains in Scream 2, "There are certain rules that one must abide by in order to create a successful sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate-more blood, more gore. Carnage candy. And number three: never, ever, under any circumstances, assume the killer is dead." Last Halloween, Los Angeles experimental rap mainstays Clipping ended their three-year silence with the horrorcore-inspired album There Existed an Addiction to Blood. This October, rapper Daveed Diggs, and producers Jonathan Snipes and William Hutson return with an even higher body count, more elaborate kills, and monsters that just won't stay dead. Visions of Bodies Being Burned is less a sequel than it is the second half of a planned diptych. It turns out, Clipping took to the thematic material of horrorcore like vampires to grave soil. Before the release of There Existed an Addiction to Blood, Clipping and Sub Pop Records divided the material up into two albums, designed to be released only months apart. However, a global pandemic and multiple cancelled tours pushed the release of the project's "part two" until the following Halloween season. Visions of Bodies Being Burned contains sixteen more scary stories disguised as rap songs, incorporating as much influence from Ernest Dickerson, Clive Barker, and Shirley Jackson as it does from Three 6 Mafia, Bone Thugs-N-Harmony, and Brotha Lynch Hung. Clipping's angular, shattered interpretations of existing musical styles are always deferential, driven by fandom for the object of study rather than disdain for it. Clipping reimagine horrorcore-the purposely absurdist hip-hop subgenre that flourished in the 1990s-the way Jordan Peele does horror cinema: by twisting beloved tropes to make explicit their own radical politics of monstrosity, fear, and the uncanny. The album features a host of collaborators: Inglewood's Cam & China, fellow noise-rap pioneers Ho99o9, Tortoise guitar genius Jeff Parker, and experimental LA drummer Ted Byrnes. The final track, "Secret Piece," is a performance of a Yoko Ono text score from 1953 that instructs the players to "Decide on one note that you want to play/Play it with the following accompaniment: the woods from 5am to 8am in summer," and features nearly all of the musicians who appeared on both albums. Since their last album, Daveed Diggs-the group's Tony and Grammy Award-winning rapper-has starred in the TNT science fiction series, Snowpiercer, voiced a character in Pixar's Soul, and portrayed Frederick Douglass in Showtime's The Good Lord Bird. Writer Rivers Solomon's novella based on Clipping's Hugo-nominated song "The Deep" has been nominated for the Nebula, Hugo, and Locus Awards, and won the Lambda Literary Award for best Lgbtq SF/Fantasy/Horror novel. Clipping's song "Chapter 319"-a tribute to George Floyd (aka Big Floyd) the former DJ-Screw affiliated rapper who was murdered by police officers in May of 2020-was released on Bandcamp on June 19th and raised over $20,000 for racial justice charities. A clip of the song also became a popular meme on TikTok, generating over 50,000 videos in which teenagers rapped the song's lyrics ("Donald Trump is a white supremacist, full stop_") directly into the frowning faces of their conservative parents. The band also contributed a Skinny Puppy-esque rework of J-Kwon's "Tipsy" to Save Stereogum: An '00s Covers Comp.

Go to Item

Clipping.

2LP | 2020 | US | Original (Sub Pop)

30,99 €*

12" | 2007 | UK | Original (Audio Zoo)

Release: 2020 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Clipz

Rubbish / Push It Up

6,99 €*

12" | 2021 | EU | Original (Income Trax)

Release: 2007 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+

Go to Item

Clive From Accounts

Alan EP

11,99 €*

The Trouble With Clive EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lockdown took its toll on Clive. Not the isolation or sense of impending doom - that was normal - but specifically the worldwide marmite shortage in April. On the verge of a ‘Driving to Dundee barefoot’ style meltdown, Clive found solace in his 20 year obsession with Alan ‘foot on a spike’ Partridge. Taking Musique Concrete to its textbook conclusion, Clive has made music only using sounds from TV series ‘I’m Alan Partridge’. Over 100, mainly foley samples were repurposed into the two title tracks of the Alan EP. Alan A is a raw yet melodic, big plate of House. Containing everything from drawer slams to air bass, cereal destruction to Black Beauty, this orchestra of found sound makes for some unique and exciting rhythmic textures. Grab a cup of beans and enjoy. Things take a dubby turn for Alan B. Late night broken beats and sultry bass worthy of Alan’s Deep Bath. Featuring Lynn on jungle time-stretched vocals. The EP is bought to a close by off-kilter acid-tinged synthwave nugget, Linton TT. It doesn’t fol-low the Partridge sampling rules but needless to say has the last laugh. Bonus Easter egg for the vinyl heads is a “Dan!” locked groove at the end of side A. Cook a cat! Label info: Income Trax is Clive from Accounts’ filing cabinet of curiosities. Home for his more eccentric and exotic ideas. Artist Bio: Regional tiddlywinks champion, stationary cupboard loiterer and all-round beige sky thinker, Clive From Accounts likes two things; pens and music. But mainly pens. Using springs, tape and old synths with fonts he admires, Clive creates the musical equivalent of warm photocopies. If it’s going to be that kind of party, Clive’s going to put his Filofax in the mashed potato.

Go to Item

Clive From Accounts

12" | 2020 | EU | Original (Outplay)

11,99 €*

Clive Hylton / Bdf All Stars

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Did you get the memo? Still waters run deep. We're pleased to introduce you to mysterious Clive From Accounts; number cruncher extraordinaire by day, totally f'ing awesome music producer by night. No seriously, we're amped that we are able to release this EP by the self proclaimed "regional tiddlywinks champion" and "all-round beige sky thinker" Clive. Who says office workers are drones? Loitering around the coffee machine surely has had no bad effect on his creative juices!

Go to Item

Deliver Us / Deliver Dub

7" | WW | Original (Hope & Faith)

11,99 €*

Release: WW – Original

Genre: Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 1998 | DE | Original (Overdrive)

Clone I.D.

Truth

7,99 €*

Release: 1998 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Close To Custom & Den Haas

No Excuses EP

12" | 2022 | EU | Original (What NxT)

Cloud City Featuring Shanokee

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

What NxT is back with their latest release on vinyl, introducing 2 new artists in collaboration into the fold - Close to Custom and Den Haas, hailing from Holland and bringing their bass lead tight minimalistic grooves, which are coloured by melody and arranged to make the dance floor go off! Rich NxT returns on the remix to deliver a nicely understated early hours roller.

Go to Item

Feel The Force

12" | 2003 | BE | Original (Yeti Records)

4,49 €* 4,99 € -10%

Release: 2003 / BE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Endless Limited Violet Vinyl Edition

Clowns

LP | 2023 | EU | Original (Fat Wreck)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Club House Feat. Carl Fanini

Light My Fire

12" | 1993 | IT | Original (Media)

Release: 1993 / IT – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Club House Feat. Carl Fanini

Light My Fire

12" | 1993 | DE | Original (ZYX Music)

4,99 €*

LP | 2023 | EU | Original (Power It Up)

Release: 1993 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

Label cover. Price tag.

Go to Item

Cluster Bomb Unit

Abgesang

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2023 | EU | Original (What You Want)

Cntrl

Nrg Brkz

11,04 €* 12,99 € -15%

7" | 2024 | UK | Original (Athens Of The North)

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cntrl presents his latest EP, "nrg BRKZ," a captivating exploration of the UK garage sound fused with minimalistic broken beats.

Opening the EP is "GT DWN," an track that features a athmospheric choir. It sets a grandiose tone, instantly captivating listeners with its powerful energy and rhythmic drive.

Moving to "8cl NRG," Cntrl infuses the track with breaky energy, masterfully blending broken beats and mesmerizing synth stabs. The result is an infectious and irresistible groove that will have listeners moving to its compelling rhythm.

"ndrstnd" takes a more stripped-back and deep approach, showcasing Cntrl's versatility. It features a solid foundation of minimalistic beats, allowing haunting melodies and subtle harmonies to create an introspective and ethereal atmosphere.

Closing out the EP is "BRKZ," a homage to UK garage. Cntrl expertly layers broken beats, driving sub basslines, and spooky atmospheric synth work, paying tribute to the genre while infusing it with his unique touch.

Go to Item

Coast To Coast

Love Is The Same

11,04 €* 12,99 € -15%

2LP | 2023 | EU | Original (Be With)

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Amazing floaty modern soul / disco goodness out of late 70s Queens, NY. 'Love Is The Same' two brilliant and different versions, both dancefloor fire…
Mark Beiner met Ben Iverson in 1976 when I was 17 years old, at the time he was a junior at Newtown High School in Elmhurst, Queens. Mark had taken a part time job as a Produce Clerk at Walbaum's Supermarket on Northern Boulevard in Jackson Heights, Queens, where I met Ben Iverson, the "Frozen Food Manager."
Back then Mark remembers, 'I was going to work early just to talk to him about his musical background and his time spent in the 50's and 60's with the Ohio Doo Wop Group, "The Hornets", or better known as, "Ben Iverson and The Hornets."'
In 1978 after Ben and I discussed getting together and composing music, I started writing poetry and expressing in writing my break-up with my college girlfriend, Paula. Ben and Mark went on to writing two albums worth of material, which in turn gave us a lot of time and presence on stage at our live gigs.
The regular Coast to Coast Band members consisted of Ben Iverson on Lead Vocals, Rhythm Guitarist and Co-Executive Producer, Joe Crowley, who is known today as "New York Congressman Joe Crowley." Carl (Woody Wood) Morton on Bass Guitar, Jimmy Johnson on Keyboards. Lead Guitarist, Lou Jimenez, currently owns his own recording studio, Music Labs in Elmont, Long Island. On Drums, Eddie Byam, on Alto Sax, Jay Cohen, who in the 70's used to record for "Gary U.S. Bonds." Gary Pevols on Trumpet. On Bone, Scott Burrows, Trumpet player, Steve Becker, along side Neil Levine, Stan Stockley, Tom Russo.

Go to Item

Coastlines

Coastlines 2

34,99 €*

LP | 2022 | EU | Original (AD93)

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Balearic believers rejoice! Japanese tropical-fusioneers Coastlines are back with the worldwide vinyl release of Coastlines 2. The follow-up to their classic debut, this is the sound of Coastlines's global influences. If the dedication to intricate sonic details is particularly Japanese, the overarching feel captures the sprawling grandeur of the international balearic community. As they put it, Coastlines 2 presents "a more precise and beautifully polished magic hour." If that isn't Balearic, we don't know what is.

Takumi Kaneko and Masanori Ikeda don’t radically alter their sumptuous template with this second LP; and we wouldn't want them to. Yet with a more focused flow from first track to last, both Coastlines and Be With feel this is an even stronger album than their first. One thing that hasn't changed is the use of instrumentals instead of words to express their themes; namely, "the emotional expression of being soaked."

Opener "Tenderly" is appropriately titled, a gentle Latin shuffle easing you back into the Coastlines sound. An organ-heavy synthy exotica that's in step with Lovelock's contemporaneous "Washington Park". Their über-horizontal take on Hawkshaw & Bennett's "Mile High Swinger" (from Synthesiser And Percussion, reissued by Be With!) evokes cocktails-by-the-pool as the sun slowly sets. The blunted deep jazz-funk swing of "Alicia" is a rearranged reimagining of the Gabor Szabo song from his classic Jazz Raga LP. This here sounds like an outtake from The Chronic.

As the sun goes down, "Combustione Lenta" soundtracks the relaxing slow burn of an idyllic bonfire on an isolated beach. Displaying a beautiful new side of Coastlines, we're treated to Moments In Love vibes and melancholic guitar arcs. The piano-laden early morning wonder of "Night Cruise" started life as a completely different song, but the duo found a particularly good loop from the initial sketch and reconstructed it into this sophisticated 80s instrumental soul groove. "Waves And Rays" is all undulating acid waves and lighthouse light. A chopped and screwed steel drum G-Funk with soaring synths and nods toward the squelchy machine soul of Mtume and Jam & Lewis. Yes, *that* good.

The bouncy futureboogie cosmic chug of "Sky Island" represents the beginning of the sunrise, casting images of 80s Japanese fusion and definitely one to play out early doors to get the crowd stepping. "Area Code 868" is the strutting staccato sound of Joe Sample waking up in the Caribbean to craft his piano funk drenched in sunshine. Accordingly, the tentative, naive melodies of "Sand Steps" represent that vivid feeling first thing in the morning, as you step on to the sandy beach in the sunshine and take a deep breath. The world is yours.

The emotional, organ-piano-steel drum-driven "Song For My Mother" is a slo-mo show of sincere gratitude to all the great mothers. "Yasmin's Theme" is Coastlines's Brazilian homage, recalling for them that early summer feeling. It's propelled laconically by the carnival beat of batucada`s big bass surdo drum and complimented by sweeps of warm keys and radiant vocal harmonies. Blissful beatless closer "Asafuji" conjures a scene from a wonderful morning spent with the people of Shizuoka, the symbolic mountain of Japan, Mt Fuji and its inhabitants. It sounds like Dâm-FunK jamming with Sabres Of Paradise.

Coastlines 2 was painstakingly crafted, across the pandemic, at Masanori's rented place in Tokyo and then brought back to his home studio and worked on slowly and repeatedly. With limited time to see each other, the duo became more united in their "consciousness with natural progress."

Mastered by Simon Francis and cut by Cicely Balston at Air Studios, this magnificent double LP has been pressed by the good people at Record Industry.

Go to Item

Coby Sey

Conduit

21,99 €*

La Guitarra Rune Lindbaek, Danilo Braca Remixxes

Release: 2022 / EU – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Coby Sey steps out with his remarkable debut album 'Conduit'. "'Conduit' is a statement of intent, reaffirming my dedication to transcend the tangible through music – it’s my way to continue and contribute to the musical lineage laid by those before me, locally and worldwide." - Coby Sey

Go to Item

Coco De La Isla

12" | 2022 | UK | Original (Is It Balearic)

10" | 2024 | EU | Original (Fat Wreck)

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ibiza legend and all round well respected industry man Chris Coco is back with more of his seaside sounds. This time his Mediterranean magic is cast over 'La Guitarra' which as the title hints has Flamenco style acoustics with tropical house drums and heartfelt synths. There is a pair backed and delicious dub also, and then modern disco don Rune Lindbaek comes through with a mesmeric take that is laidback and lush in its design. Last of all is Daniel Braca with a Deep In Brooklyn remix thing brings some fine Latin house styles.

Go to Item

Codefendants

Living Las Vegas

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cody Black / Charles Spurling

I'm Slowly Molding / She Cried Just A Minute

7" | 2018 | UK | Original (Outta Sight)

9,99 €*

Release: 2018 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | Original (La Vida Es Un Mus)

Coeur A L¬¥Index

For A Better World

23,99 €*

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2CD | 2023 | US | Reissue (Kontakt Audio)

The New Backwards

Release: 2023 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* Available in three formats: Black Vinyl, Clear Vinyl, and 2CD * Brilliantly chaotic and outrageously rhythmic material from 1993-1996, originally meant as the follow-up to “Love’s Secret Domain” * “The New Backwards” effectively became the final official Coil studio release of all new material whilst Peter was still alive * Unlike the 2008 edition, the KontaktAudio edition contains the titlesong 'Backwards' * Mastered by Grammy nominated Jessica Thompson * Artwork by Ian Johnstone, licensed by The Estate of Ian Johnstone * 2CD version contains 8 additional tracks of previously unheard material from the same sessions * 2CD featured image below“The New Backwards” was conceived by Peter “Sleazy” Christopherson in 2007, revisiting stray tracks which hadn’t seemed to gel with the material he had chosen for the more somber “Ape of Naples” from 2005, Coil’s initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album that was begun as early as 1993 and had originally been conceptualised as the follow-up to “Love’s Secret Domain”. These songs are as diverse and wild as the places they originated from, partly infamously spawned in Sharon Tate’s former home in the Hollywood Hills, the Nine Inch Nails home base in New Orleans and London’s Swanyard, remixed and restructured with the help of long-term friend Danny Hyde in Thailand, this collection has its own unique flow and an atmosphere not found on any other Coil release. Both “ayor” and “Backwards” had by the time the album was first released already become favourites in Coil’s manic live performances. Some of the other tracks had only leaked in demo versions and are here presented updated and polished as Christopherson and Hyde intended them to be heard. It is interesting to consider Balance’s vocal contributions, too. Whilst on the albums Coil did release at the time this material was first put aside (“Black Light District” and “ElpH”) his voice is all but absent, his vocal performances and his lyric writing here are arguably more closely indebted to the previous “Love’s Secret Domain” era, especially the epic “Copacaballa” is noteworthy in that respect. The New Backwards” effectively became the final official Coil studio release of all new material whilst Peter was still alive and is here presented for the first time fully supervised by Danny Hyde, its co-creator. The stunning cover uses a detail from artist Ian Johnstone’s “Cubic Raven” painting, licensed from the estate of IJ.. It is high time to rediscover this timeless album with the Infinite Fog release boasting eight further tracks of previously unheard material from the same sessions, rough working stages and surprising remixes which will surely delight the dedicated Coil archaeologists, as they shine yet another light on the creative process and on what could have been. Recorded at Swanyard, London and at Nothing Studios, New Orleans, 1996. Thanks to everyone there, especially Trent Reznor who made it all possible. Written & Produced by Coil & Danny Hyde. Remixed by Peter Christopherson & Danny Hyde, Bangkok 2007. For that session Coil were: Peter Christopherson, Jhonn Balance & Drew McDowall. Mastered by Jessica Thompson. Front artwork by Ian Johnstone. Artwork licensed from The Estate of Ian Johnstone. Layout Cold Graves and Oleg Galay.

Go to Item

The New Backwards Black Vinyl Edition

LP | 2008 | EU | Reissue (Kontakt Audio)

23,99 €*

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The New Backwards Clear Vinyl Edition

LP | 2008 | EU | Reissue (Kontakt Audio)

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The New Backwards - It's In My Blood Edition

3LP | 2008 | EU | Reissue (Kontakt Audio)

83,99 €*

12" | 2022 | EU | Original (Time Is Now White)

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“The New Backwards” was conceived by Peter “Sleazy” Christopherson in 2007, revisiting stray tracks which hadn’t seemed to gel with the material he had chosen for the more somber “Ape of Naples” from 2005, Coil’s initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance.

Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album that was begun as early as 1993 and had originally been conceptualised as the follow-up to “Love’s Secret Domain”. These songs are as diverse and wild as the places they originated from, partly infamously spawned in Sharon Tate’s former home in the Hollywood Hills, the Nine Inch Nails home base in New Orleans and London’s Swanyard, remixed and restructured with the help of long-term friend Danny Hyde in Thailand, this collection has its own unique flow and an atmosphere not found on any other Coil release.

Both “ayor” and “Backwards” had by the time the album was first released already become favourites in Coil’s manic live performances. Some of the other tracks had only leaked in demo versions and are here presented updated and polished as Christopherson and Hyde intended them to be heard. It is interesting to consider Balance’s vocal contributions, too. Whilst on the albums Coil did release at the time this material was first put aside (“Black Light District” and “ElpH”) his voice is all but absent, his vocal performances and his lyric writing here are arguably more closely indebted to the previous “Love’s Secret Domain” era, especially the epic “Copacaballa” is noteworthy in that respect. The New Backwards” effectively became the final official Coil studio release of all new material whilst Peter was still alive and is here presented for the first time fully supervised by Danny Hyde, its co-creator. The stunning cover uses a detail from artist Ian Johnstone’s “Cubic Raven” painting, licensed from the estate of IJ..

It is high time to rediscover this timeless album with the Infinite Fog release boasting eight further tracks of previously unheard material from the same sessions, rough working stages and surprising remixes which will surely delight the dedicated Coil archaeologists, as they shine yet another light on the creative process and on what could have been.

Recorded at Swanyard, London and at Nothing Studios, New Orleans, 1996. Thanks to everyone there, especially Trent Reznor who made it all possible. Written & Produced by Coil & Danny Hyde. Remixed by Peter Christopherson & Danny Hyde, Bangkok 2007. For that session Coil were: Peter Christopherson, Jhonn Balance & Drew McDowall. Mastered by Jessica Thompson. Front artwork by Ian Johnstone. Artwork licensed from The Estate of Ian Johnstone. Layout Cold Graves and Oleg Galay.

Attention: To avoid later mournings, we want to inform you that picture “vinyl” is no audiophile format, it’s a collectible format. Especially for music like Coil with it’s wide stereo spread, swirling high frequencies and deep dronning basses. The more stereo and bass, the wider and deeper the grooves have to be, to provide all information to the needle. But picture discs have only a very thin plastic-foil over the pictures, it’s no vinyl, just plastic, similar to pet bottles. On picture “vinyl” can not be pressed so deep and wide grooves, that it would sound as well as a real vinyl. That’s the same for ALL picture LPs, not only Coil.

General conclusion: Of course our picture LP editions are enjoyable for listening too! But to get the best sound quality, you should buy black or any coloured transparent vinyl, those sound best. For your collection just buy whatever you think looks best.

Go to Item

Coldpast & Tuff Trax

Fluffs EP

14,99 €*