Search "depeche mode" 6793 Items

LP | 1976 | EU | Reissue (Mad About)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following up on a strong launch with Braintalk, Human Sense Technology returns for their 2nd entry; this time from the man of many styles, Eastern Zurich's very own Dan Piu, with Modern Utopia Thought EP. Dedicated to his youth and influenced by future visions of creation, the atmosphere and arrangement on this EP permeates into the imagination with colors of suspense, harmony, and spherical textures showcasing the finer lines of deep frequency. Courageous indeed as this EP embraces the mysterious in an eccentric bliss that charms the listening experience in a way that grooves the body as much as it moves the mind. Welcome to Modern Utopia EP, where there are no constraints on creation or time.

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Dana Kaproff

Danakil Meets Ondubground

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Jazz Funk Masterpiece reissued for the first time Worldwide. For every celebrated record in jazz, soul, and related music, there are probably thousands more with all the genius for which widespread recognition never came or was delayed. In 1976, Dana Kaproff released one of the most wanted jazz-funk albums recorded in Los Angeles. A jazz fusion record for the discerning connoisseur. Tight drums and well-programmed synths. Excellent production and recording. Fans of 70s Herbie Hancock, George Duke, Weather Report, funky library records... heads up.

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Danakil / Ondubground

LP | 2017 | EU | Original (Baco)

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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10 Songs I Hate About You

Dancer

LP | 2024 | US | Original (Meritorio)

Elogium Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Glasgow based band Dancer present their debut full length album, 10 Songs I Hate About You. The album came about somewhat effortlessly, piecing together old and new songs and striving to evoke the influences of the group: Life Without Buildings, Elastica, Owls, The Cardigans and Altered Images, into one swaggering debut dipped into a condiment of emotion and good humor. Written throughout 2023 and recorded over a weekend in August of that year, Dancer returned to Green Door studio and recorded this debut LP live to tape with Ronan Fay, as with their 2 proceeding EPs. Looking to strike the perfect balance between these previous extended plays and something more, they attempt to truly define a Dancer sound in the long play format. The 10 songs in question push, pull and then elaborate on former characteristics—only now they are skewed into greater pop forms; caressed by jittery rhythms and searing guitar-isms that dive into passages of melodic wool and warmth. All using an energy that even the band themselves are surprised to muster. Once again, this heaving audio mass is structured beneath the awesome vocals of Gemma Fleet, whose narrative and lyrical savvy paints a hundred colorful pictures in words. Examining and exhuming fragmented memories of the '90s, the technological breakdown of our modern age and the simplicity of love in a time of madness, all with a trademark panache and a voice like no other.

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Dancing Plague

LP | 2024 | EU | Original (Avant!)

Long Is The Tunnel Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Portland based act Dancing Plague has been a steady presence in the dark/cold electronic music scene for quite a few years now.

Since 2016 Conor Knowles’ solo project has been putting out one constant flow of independent releases on multiple formats such as vinyl LPs, EPs, tapes and CDs, creating one sonic palette rich with Ebm, goth, industrial and synth influences.

On their 5th studio album, Dancing Plague continues to flesh out and perfect their unique brand of crushing darkwave.

Elogium explores themes of loss, regret, rebirth and growth coupled with throbbing basslines, rave synths, and pounding drums. Knowles balances aggressive waves of electronics with enough pop sensibilities and catchy hooks to be inviting to those new to the genre.

His skills can be clearly appreciated on tracks like the first single Fading Forms which explores the somber feeling of the years passing you by. Knowles’ emotive baritone crooning paints a melancholic picture of the slow fading of time as you feel like you’re fading with it. The words fall like snow onto cold fields of pulsing 80s synths and pounding drum machine rhythms that bring forth nostalgic familiarity but feel fresh at the same time.

Fans of classic icons such as Depeche Mode, Ministry, Nine Inch Nails as well as contemporary torchbearers Cold Cave and Kontravoid do not sleep on this. Plenty of disturbing beauty to be found in the depths of the underground.

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Daneshevskaya

LP | 2023 | US | Original (Winspear)

Long Is The Tunnel Blood Red Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Daneshevskaya (Dawn-eh-shev-sky-uh), the project of New York's Anna Beckerman, writes songs steeped in the folklore of her own personal history. Her artist (and real middle) name comes from her Russian-Jewish great-grandmother, a person whose presence she has always felt although their paths never crossed in real life. Beckerman grew up in a musical family; her father is a music professor, her mother studied opera and her own songs often feel spiritual, less so by any religious connotation and more as a hymn-like, archival record of Beckerman's own past, present and future. Her first release on Winspear, Long is the Tunnel, contemplates how the people you meet impact the pathway you travel. Through songs like the poignant "Somewhere in the Middle," the lilting "Challenger Deep" and the surreal "Big Bird," the EP paints a distinctive collage between traditional songwriting and modern turns of phrase that remain spellbound in the unadulterated luster of self discovery. The seven songs read as both patchwork memories/diary entries and elegies to those in her life. Co-produced by Ruben Radlauer and Hayden Ticehurst of Model/Actriz and Artur Szerejko, the final versions of these initial demos also saw contributions from Lewis Evans of Black Country, New Road (saxophone), Maddy Leshner (keys) and Finnegan Shanahan (violin), adding to the gleaming instrumentation that makes each song sound like a world within itself. Long is the Tunnel is filled with hyperreal imagery that denotes a form of escapism: two of the songs reference birds, which Beckerman describes as about being transfixed by something you can't take your eyes o while also being able to leave at will. Long is the Tunnel prolongs this feeling of being completely immersed: by desire, emotion, and fantasy, though the somber melancholy of her love songs are often more manifestations to her internal self than anyone else.

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Daneshevskaya

LP | 2023 | US | Original (Winspear)

Danger Mouse & Black Thought (The Roots)

Release: 2023 / US – Original

Genre: Rock & Indie

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Cheat Codes

CD | 2022 | EU | Original (BMG)

15,99 €*

Release: 2022 / EU – Original

Genre: Hip Hop

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Danger Mouse & Black Thought (The Roots)

Cheat Codes Black Vinyl Edition

LP | 2022 | EU | Original (BMG)

Release: 2022 / EU – Original

Genre: Hip Hop

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Drone Logic - 10th Anniversary Edition White Vinyl Edition

Daniel Avery

2LP | 2023 | Original (Because Music)

40,99 €*

LP | 1979 | EU | Reissue (Mad About)

Release: 2023 / Original

Genre: Electronic & Dance

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BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.

"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.

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Daniel Bechet

Songs To My Father

27,54 €* 28,99 € -5%

LP | 2023 | EU | Original (Mute)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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French drummer and Jazz musician/composer Daniel Bechet dedicated 1979 “Songs to My Father” to his father, the famous Sax/Clarinet player Sydney Bechet.

Sydney Bechet’s son-only LP is a hidden treasure we are proud to reissue. The base is a solid Fusion and Jazz Funk sound. Still, the mellow and soulful moment is wonderfully groovy with arrangements reminding George Duke’s albums, or Cortex plenty of funky Fender Rhodes.

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Daniel Blumberg

Gut

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (Mute)

Daniel Blumberg

On & On

19,99 €*

OST The World To Come Colored Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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Daniel Blumberg presents his new album On&On,a 9-song masterpiece that confirms the London musician and visual artist's status as a unique creative force; he pushes the art of song into unexplored territories. On&On follows minus,released in 2018. The new album is a consolidation of the deconstructed song aesthetic developed by Daniel Blumberg,operating at the intersection between the structures of conventional song and free improvisation. It now goes even further by incorporating recurring and changing patterns.

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Daniel Blumberg

2LP | 2022 | Original (Mute)

27,99 €*

Release: 2022 / Original

Genre: Soundtracks

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Daniel Carter / Leo Genovese / William Parker / Francisco Mela

Shine Hear Volume 2

LP | 2024 | US | Original (577)

Daniel Casimir & Tess Hirst

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

Legendary musicians Daniel Carter, Leo Genovese, William Parker, Francisco Mela reunite for an outstanding second volume in Shine Hear, Vol. 2. Building off of their debut album from last year, legendary musicians and 577 mainstays reunite for a second volume. As in the first, saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another epic album. This project again draw from classic avant-garde arrangements, juxtaposed with today’s experimentalism and a huge range of instrumentation. Shine Hear, Vol. 2, their newest free jazz album is testament to their mastery and ease. The album and tracks titles are inspired by another poem Carter wrote about the transience and motion of modern life.

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These Days

LP | 2019 | UK | Original (Jazz Re:Freshed)

3LP | 2024 | UK | Original (Hidden Notes & Tardigrade)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Award-winning bassist Daniel Casimir and vocalist Tess Hirst release their debut album via pioneering London-based record labe Jazz re:freshed

Following the success of Daniel Casimir's critically acclaimed debut EP 'Escapee' which featured Hirst on vocals and fellow rising stars on the scene Moses Boyd, Joe Armon-Jones and Shirley Tetteh, this album - 'These Days' is inspired by the duo's London surroundings, delivering thought-provoking lyricism, neo-soul and modern jazz

Casimir, a former Birmingham Conservatoire student, has collaborated with Julian Joseph, Jason Rebello, Benet McLean, Lonnie Liston Smith, Nathan Facey, Shane Forbes, Chihiro Yamanaka, Ashley Henry, David Lyttle, Nubya Garcia, The Tracey Quintet (Meantime Jubilation), Tom Harrison (Unfolding In Tempo), Jasmine Power (Stories And Rhymes), Camilla George and Art Blakey Jazz Messenger saxophonist, Jean Toussaint

Named Young Jazz Musician of the Year by the Musicians' Company in 2016, Casimir has received plaudits for his arrangements and recital, while Hirst has made a name for herself with her vocals on the jazz circuit having moved between London, Leeds and LA to hone her craft. What sets Hirst apart as a musician is not only the originality of her music but her perspective of herself as an artist. She is an Ethnomusicology Graduate of Soas and her writing style walks us through her upbringing in West London and down the halls of academia

Casimir and Hirst fuse traditional jazz sounds into beautiful compositions, narrating their way through a political and cultural landscape across these twelve tracks. The frenzied groove heavy'Security' addresses the need to trust one another and how we protect ourselves personally, while the rich atmospherics of 'Freedom' combined with Hirst's vocals, explore liberation and the rejection of duty - from a female perspective.

At the heart of 'These Days', Casimir plays with a passion and power that resonates throughout each composition. His knack for complex chord changes are highlighted in 'What Did I Do', bringing an energy and enthusiasm to the track while Hirst decries our changing capital. Elsewhere, references to John Agard's poem 'Listen Mr. Oxford Don' in 'The Magic Money Tree', explore the past and its relevance to now while a re-imagining of Charles Mingus' 'Fables Of Faubus' further ensures this theme remains central to the essence of the album.

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Daniel Inzani

Selected Worlds

51,99 €*

LP | 2023 | EU | Original (Howling Jazz!!!)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Hidden Notes Records (Spindle Ensemble, Fran & Flora, Josh Semans) and Tardigrade Records (Cosmo Sheldrake, Howl) are excited to announce a unique collaboration to release ‘Selected Worlds’, the monumental and ambitious debut triple album by composer and pianist Daniel Inzani. Over the past 2 decades you might have seen Inzani performing with dozens of bands from Bristol’s underground alternative and avant-garde scene, blending classical, jazz, contemporary, improvisation, unusual harmony and rhythms as a band leader and collaborator. He’s released an avant-garde collaborative album with Alabaster dePlume, is the musical director and arranger for Cosmo Sheldrake’s 19 piece live band, leads his own critically acclaimed modern chamber quartet Spindle Ensemble and (the now disbanded) 8 piece Ethiopian Jazz meets Frank Zappa group Tezeta, He has toured worldwide as a keys player, collaborated with Canadian ensembles Evergreen Club Contemporary Gamelan and London Symphonia and co-founded Bristol’s experimental collective Bloom, leading to tours and releases with UK rocksteady favourites Count Bobo, the psychedelic space doo-wop of Dubi Dolzcek and many more. After years of recording, touring and eclectic composing he has gathered a trusted set of musicians who are both skilled improvisers and virtuoso players to record an instrumental triple album for release under his own name. The 3 vinyl discs act as albums in their own right, each with different sets of musicians, instrumentations, genres and intentions. The 3 discs were recorded live over 3 day periods in quick succession, with Daniel’s regular collaborator Cosmo Sheldrake engineering the recording sessions. It’s quite possibly the only album you’ll ever hear that starts with a neo-impressionist string quartet, goes on to merge avant-garde symphonic arrangements with group improvisation and ends with an 8 piece cosmic jazz band wigging out, yet Inzani’s voice is clear throughout making for a cohesive 2 hour odyssey from the mind of a composer whose idiosyncratic style thrives through variety.

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Daniel Karlsson Trio

Sorry Boss

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2024 | UK | Original (Hinney Beast)

Daniel Land

Out Of Season

Tu Sei Pazza 2024 Repress

Release: 2024 / UK – Original

Genre: Rock & Indie

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Daniel Land's new album, "Out of Season", is his most ambitious record to date, a series of reflections on history, memory, and post-Brexit Britain, which was inspired by his return to the landscapes of his youth – the rugged, underpopulated west coast of Somerset. The album was written and partly recorded in Daniel’s studio in a static caravan, overlooking the coast, during the period when the UK was tearing itself apart over its relationship to Europe. "I didn't set out to write about Brexit", Daniel says, "I have a kind of horror of political music. But I couldn’t escape the atmosphere of the time – this strange, distorted version of ‘Englishness’ in the national psyche. I’ve always been interested in memory and nostalgia; Brexit illustrates the dangers of taking seductive, possibly false memories at face value”. Songs like “White Chalk”, “Island of Ghosts”, and the album’s title track, represent a series of attempts to reclaim an older, more peculiar idea of England which, Daniel says has been “Lost in the nationalist mythmaking of the past decades” – the island of misfits and outsiders exemplified by the works of Derek Jarman, for example, whom Daniel was rediscovering while working on the album. “I must have read 'Modern Nature' ten times over the years”, Daniel says. “What I love about Jarman is that he had a deep, abiding love for England, but it was a very complicated, critical and a very queer kind of love. That was very much my mood, going into the making of this album”. Like Jarman’s work, "Out of Season" probes national identity whilst also displaying resolutely queer themes throughout. Daniel’s voice – once described by The Guardian as "The spawn of Elizabeth Fraser and Anthony Hegarty” – is less heavily reverbed than before, bringing to the fore his often-confessional lyrics, inspired by the frankness of modern queer poets like Andrew McMillan, Seán Hewitt, and Ocean Vuong. A lyrical highlight is the gorgeous “Southern Soul”, a deceptively straightforward recounting of a decades-old hookup with a closeted guy from his hometown which, Daniel says, “Serves as a metaphor for everything I’m talking about in the album”. And in keeping with the album’s nods to the heroes of gay literature, Daniel’s self-styling of the album as a “Dream Pop Album on National Themes” deliberately references the full title of Tony Kushner’s era-defining play "Angels in America", whose central character is namechecked in the hook-laden “Lemon Boy” – a song which must surely stand as Daniel’s most deliciously pop moment yet. Lauded by Mark Radcliffe, Guy Garvey, Tom Robinson, and many others, Daniel Land makes music that, in the words of BBC Radio 1, "You can't help but think the late John Peel would have loved".

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Daniel Monaco

7" | 2021 | EU | Reissue (Bordello A Parigi)

11,99 €*

Lados B Black Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Daniel Monaco is a musician who defies definition. An artist who is as comfortable strumming a bass as he is bending waveforms on his synths, this is a creative that guarantees something unique. Tu Sei Pazza more than meets that guarantee. The title track is an instant classic. Soft burbling basslines float around a steady kick before daring brass sections are punctuated by scaling xylophone lines. Somewhere between late 70s lounge music and strikingly modern disco, this piece will put a smile on any face. Whodamanny lands on the flip and takes the original to moonbase five via Studio 54. Tempos are reduced as a path of cosmic laser-funk is taken by the amazingly versatile Naples producer. A cracking close to a 7” that packs a real punch.

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Daniel Villarreal

LP | 2023 | US | Original (International Anthem)

27,99 €*

LP | 2016 | UK | Original (Cacophonic)

Release: 2023 / US – Original

Genre: Organic Grooves

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On October 15th & 16th 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they"d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from the sessions made it onto Villarreal"s critically-acclaimed 2022 album Panamá 77, bust most of the music remained unreleased. Lados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation - flow as informed by the Latin soul of Fania Records as it is by the otherworldly trance of Brain Records - while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker"s recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven"s 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.

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Daniela Casa

Arte Moderna

20,99 €*

12" | 2018 | EU | Original (Housewax)

Release: 2016 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Filed neatly and undisturbed within the micro-genre of 1970s Italian artsploitation, amongst
films soundtracks such as Girl With The Crystal Plumage, A Quiet Place In The Country and
House With The Laughing Windows, this obscure library LP is one of the few fully formed
concept albums from the recently reappraised discography of Rome’s most versatile and
adventurous female production music composer Daniela Casa. Once destined for a shelf life
within the storage rooms of defunct TV studios and educational facilities Daniela’s previously
strictly commercially unavailable music has in recent years been given new focus at the
hands of open-minded disc detectives and sonic salvage hunters earning Casa’s distinctive
feminine take on experimental instrumental mood and movie compositions a place next to
her widely respected masculine counterparts such as Alessandro Alessandroni, AR Luciani,
Pierro Umiliani, Morricone and Nicolai.
Sharing tight studio space and strict syndication schedules with all of the aforementioned
artists (under commission from Romano Di Bari’s fervently independent Flipper music factory)
Daniela Casa embraced a liberating wind change in affordable music technology which opened
doors for uninhabited solo compositions in home studios taking advantage of communal
recording consoles and domestic synthesisers which nurtured a lesser-documented creative
family tree (or rather secret society) and paved the way for individualistic projects from the
likes of Magnetic System’s Fabio Frizzi and Goblin’s Claudio Simonetti. Here, on this repress
of the impossibly rare, one-time subscription-only album, Arte Moderna, we find Daniela at
her versatile best creating a wide thematic suite (based on paintings and sculptures in an
abstract art gallery) for which she would deploy mostly organic and acoustic instruments
to construct a set of unorthodox compositions straddling avant garde, free jazz and Giallo
tension (with some brief moments of brooding electronics and italian pop).
Veering from her stylistic pop interests (which clearly included a fondness for the music of
Black Sabbath and Led Zeppelin) Daniela Casa’s Arte Moderna saw her adopt a less era
specific approach combining neo-classical elements and piano improvisations akin to the
likes of France’s Francois Tusques or Burton Greene, or America’s Mal Waldron without
compromising her strong narrative personality for this unique abstracted picture music.
Unintentionally but profoundly political in her prolific existence Daniela Casa’s contribution
to a predominantly male industry earned her a small clutch of inspired idiosyncratic Italian
female bedfellows such as Nora Orlandi, Giullia De Muittis (aka Kema), Fiorella Fratini, Emma
De Angelis and Maria Teresa Luciani, who, with faceless anti-celebrity as its essence, never
benefitted the wider critical focus that much of this music now duly commands on the
collectors circuit.
Finders Keepers Records, in continued collaboration with the Di Barri company, with the
Casa/Ducros family blessing, are now proud to shine new light on this sonic sculptures and
provide a fresh context where educated music listeners are ready to fill the gaps between
Delia Derbyshire, Ennio Morricone, Suzanne Ciani and Harry Partch and patronise a very
welcome considered alternative to the recent rise in popularity of Italian Giallo soundtracks
from a seldom savoured feminine creative vantage point. Daniela’s musical paintings can
now be unveiled to the public for the first time, with Modern Art sounding as contemporary
as it did when it was recorded forty years ago. The gallery is now open for limited sittings,
discerning ears and open minds.

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Daniela La Luz

Did You Ever Remixes

12,99 €*

Daniele Baldelli & DJ Rocca

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Parallel Berlin head Daniela La Luz returns to her home away from home, HOUSEWAX with a few friends to rework her modern classic, "Did You Ever". Originally released in 2014 "Did You Ever" was an instant classic amongst decerning house heads, but it was when Detroit legend, Moodymann dropped it as closing track on his DJ Kicks compilation the year later. The light well and truly spun onto La Luz and her sublime approach of house and techno. Now to kick off 2018 Housewax have invited Virgo 4, Dah Ruh and Cinthie to offer their spin on "Did You Ever". Together they each offer 3 unique takes from house to deep techno, yet managing to stay true to the soulful flavor of the original.

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Sky Dump EP

12" | 2019 | EU | Original (Rogue Cat Sounds)

12" | 2016 | DE | Original (Made Of Concrete)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Massive Birth bounces on slapped bass, Mod Jazz organ grind, and tumbling percussion. Wielding guitars that cut a Psyche edge. Mind Fair`s remix tames and tinkers with the hand-drums, and focuses on that b-line. Emphasizing its Post-Punk-Funk groove. Sky Dump is Afro Cosmic Prog Rock (think Alan Parsons or Skyy) pushed through Italo machines.
Talorypo pits 80s Pop marimba against a buzzing bionic bass-line. The resulting bubbling, fidgeting Electric Ethno fusion is given a more Industrial bashing by The Warehouse Preservation Society. Step-by-step, hitting a Bobby Orlando / Morroder-on-Mogadon chug.

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Danny Kotz & Avi Caspi

Reject EP

7,19 €* 7,99 € -10%

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Harlecore (Remixes) Clear Vinyl Editoin

Danny L Harle

LP | 2024 | UK | Original (Amplified Media Services)

47,99 €*

Release: 2024 / UK – Original

Genre: Pop

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Arc Of Night Black Vinyl Edition

Danny Paul Duo Grody

LP | 2024 | US | Original (Three Lobed)

LP | 2022 | EU | Original (Glossy Mistakes)

Release: 2024 / US – Original

Genre: Rock & Indie

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Danny Paul Grody's position within the modern instrumental guitar underground is unique - he isn't a polymath or a virtuoso. What he is is someone who plays with extreme feeling and deep emotion, sensations that pour through his audio to anyone listening. It has been this way for his work in his former band Tartentel as well as his solo work over the past 15 years. 2023's "Arc of Day" saw Grody step into a new environment, one where an album bearing his name featured other players, prominently his old friend Rich Douthit on drums / percussion. That glorious album was such an emotional success for the two players that they quickly recorded a sibling album in a darker tone. "Arc of Night" was born. The nature of writing was such that they re-titled the project the Danny Paul Grody Duo as well. Whereas the prior LP focused on "daytime" sounds, such as they are, with bright and ringing acoustic tones, this LP focuses on the darker side. Deep, shimmering electric tones take hold and guide the listener through those hours that can enrich, enchant and haunt us all. Joined on some tracks by Chuck Johnson (pedal steel) and Trevor Montgomery (bass), this is an album that will make anyone tuned into material by Steve Gunn, William Tyler, Six Organs of Admittance, Jack Rose, Marisa Anderson, Eli Winter or Daniel Bachman quite excited. A great adventure that you and your inclined customers will not soon forget.

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Danny Scott Lane

Wave To Mikey

12" | 2012 | DE | Original (Stil Vor Talent)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Wave to Mikey, the fourth album from the Los Angeles-based actor, musician and photographer Danny Lane is a nocturnal, neon-lit ode to the friendships that shape us. “I made this album for my friend Mikey from back home,” Danny explains. “We were pretty much inseparable for a large part of our lives, and our musical and social minds were always in sync in a special way. Then with age, we drifted apart, especially since I moved to Los Angeles. This album is just a little wave hello to an old friend and a kindred spirit.”

Equal parts avant-garde composition, instrumental city-pop, ambient, Kankyō Ongaku (environmental music) and Fourth World music, Wave to Mikey is an impressionistic and reflective cycle of eleven richly detailed memory portraits. Throughout the album, the influence of Jon Hassell, Arthur Russell, Hiroshi Yoshimura and Yellow Magic Orchestra hangs in the air like late-night mist, adding character but never overshadowing the rhythmic ambience of Danny’s musical visions.

Wave To Mikey began as a series of sketches on analog synthesisers, guitar, sample and found percussion sketches, initially recorded in Danny’s home studio. Once he’d located the vibe, Danny called on his friends E Talley II, Solange collaborator John Carroll Kirby and Destroyer session musician Joseph Shabason, who respectively added flute, spiritual synth textures and saxophone to the record.

For Glossy Mistakes founder Mario G.R., who originally discovered Danny through his photography, Wave To Mikey captures a vivid feeling of melancholy and peace. “He's able to encapsulate emotions in a very straightforward way, either in his portrait or songs,” Mario says. “I think that's a kind of virtue or skill given to talented artists, no matter the field.”

Born and raised in Staten Island, New York, Danny began playing music with his friends when he was thirteen, before putting that passion on pause to study Fine Arts (Theatre) at Rider University in Lawrence Township in pursuit of an acting career. Acting led him to photography, after playing a photographer in a film, he was inspired to pursue the medium. Danny began shooting photos on film for magazines and lifestyle brands, spent a stint living in New York’s Chinatown neighbourhood, and eventually relocated to Los Angeles in 2017.

Four years ago, Danny started recording and releasing music under his own name, leading to the trilogy of releases that preceded Wave To Mikey, How To Empty A Cup (2019), Memory Record (2019) and Caput (2021). Over the course of these releases, he’s revealed himself to be a sophisticated composer and producer with a studied ear from years spent digging through record bins for ambient, experimental, new age, jazz and electronica records from around the globe, with a particular emphasis on Japan.

“Music is something that’s always been involuntary for me,” Danny reflects. “It’s unconditional, always there. It’s something I just have to do. I’ve taken breaks and it’s always gloomy when I’m not playing. I just want to get better and better and understand more and more.”

Here at Glossy Mistakes, Wave To Mikey marks our second contemporary album release, following on from Evenings by Japanese composer Metoronori. We’re proud to be able to present Danny, Metoronori and other modern musicians' work alongside reissues of classic works from Stevia aka Susumu Yokota, Akira Ito, Yuji Toriyama & Ken Morimura, and Takashi Kokubo.

Mastered by Damian Schwartz, Wave To Mikey will be released on Vinyl LP Glossy Mistakes on June 27 2022. Besides the regular black vinyl, a limited clear vinyl will be available in an edition of 100 copies. Both editions come packaged with original cover art photography shot by Danny.

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Dapayk & Padberg

Fluffy Cloud

6,99 €*

Release: 2012 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 2013 | DE | Original (Mo's Ferry Prod.)

Dapayk & Padberg

Smoke

9,99 €*

Raw Demoon Alchemy (A Lone Operation)

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Grey marbled vinyl. Few paper scuffs.

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Darius Jones

LP | 2021 | US | Original (Northern Spy)

Spectres From The Old World

Release: 2021 / US – Original

Genre: Organic Grooves

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After separating from his partner of 10 years, saxophonist Darius Jones set out on tour 'to capture a moment in time, to crystallize the beginning of something at the end of something else.' Born from a live performance -- his last night on tour -- Raw Demoon Alchemy (A Lone Operation) unearths a deep and profound vulnerability that isn't just personal but also delves into the macro-level divisiveness of our current political climate, evoking sadness, rage, and confusion while still holding for glimmers of hope for the future. With four of its five tracks, Jones selects compositions from artists who are not just unapologetically Black but also notably ones that he regards as 'world builders.' From Sun Ra, Ornette Coleman, and Roscoe Mitchell right up through the present with Georgia Anne Muldrow, Alchemy draws immeasurable strength from each of these artists who dared to envision and create an entire universe unto themselves, on their terms. With 'Figure No. 2,' Jones offers us a modern-day version of the blues. Courtesy of Muldrow, her refrain encapsulates the vast breadth of the Black experience in America, transforming our deep-seated pain into our beauty and armor of resilience. Jones also proudly rests on the shoulders of Coleman and Mitchell, two of this music's known improvisers who often stood alone in this music's ever-changing landscape. He pays homage to Mitchell with 'Noonah,' which in the late 1970s was initially met with jeers from an audience, that is, until his 21+ minute long version overtook them. On Alchemy, Jones balances the emotional heft of closure with the simple act of standing alone as he taps into an unknown power of his lone voice, finding a newfound strength and enthusiasm that will carry him ' and its listeners ' beyond the uncertainty and doubt of not knowing.

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Dark Fortress

2LP | 2020 | EU | Original (Century Media)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Dark Funeral 30th Anniversary Edition

Dark Funeral

LP | 1994 | EU | Reissue (Century Media Catalog)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Century Media)

Dark Funeral

We Are The Apocalypse

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Century Media)

Endtime Signals

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Century Media)

Endtime Signals

50,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | EU | Reissue (Century Media)

Enter Suicidal Angels-Ep

21,99 €*

Release: EU – Reissue

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Century Media)

Moment

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Century Media Catalog)

Projector Re-Issue 2024

Release: 2024 / EU – Original

Genre: Rock & Indie

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Darkside (Nicolas Jaar & Dave Harrington)

Spiral

2LP | 2021 | EU | Original (Matador)

22,99 €*

Darkside (Nicolas Jaar & Dave Harrington)

Release: 2021 / EU – Original

Genre: Pop

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Nicolas Jaar and Dave Harrington return after announcing they were parting ways at a show in 2014 in the Brooklyn Masonic Temple. Their debut album Psychic from 2013 was lauded as a modern classic almost immediately after release.

Since, Nicolas Jaar has been incredibly prolific releasing no less than four albums through his own Other People label including a soundtrack to cult classic Sergei Parajanov film The Color Of Pomegranates, created original soundtracks for 2015’s Dheepan and 2019’s Ema, co-produced tracks on FKA Twigs (Bleep album of the year 2020) Magdalene and worked on material under the A.A.L (Against All Logic) moniker with the likes of no wave legend Lydia Lunch.

Working with multi-instrumentalist Dave Harrington on the DARKSIDE project, Nicolas Jaar’s production takes in heady psychedelic influences from prog and drone genres. Layering his entrancing vocals over the pulsating rhythm section on tracks such as ‘Lawmaker’ and ‘I’m The Echo’ that draw on the sun drenched psych of contemporary West Coast bands like Moon Duo and Wooden Shjips. Elsewhere we encounter the extended ‘Inside Is Out There’ with percussion heavily indebted to Can drummer Jaki Liebezeit and heavily treated vocals sat low in the mix. “From the beginning, DARKSIDE has been our jam band. Something we did on days off. When we reconvened, it was because we really couldn’t wait to jam together again”.

A harmonious return from the prolific duo, filtering an array of influences into their own expertly crafted sound.

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Spiral

CD | 2021 | EU | Original (Matador)

Dark Space I Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

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Darkspace

2LP | 2023 | EU | Original (Season Of Mist)

39,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Icy Cold)

Darkswoon

Bloom Decay

Ab Morgen Bin Ich Unpolitisch

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited edition of 300 copies on regular black Vinyl, full colour sleeve + insert

Darkswoon is an electronic shoegaze trio from the Northwest US. Elemental post-punk

roots, atmospheric guitars and ethereal vocals border on dream pop, while layers of

beats, haunting synth and melodically driven bass creates a unique flavor touching on

old school goth with a modern edge. Their debut LP 'Bind' came out in 2019 on Icy Cold

Records

With “Bloom Decay” the band channels both the detached chill of early Fever Ray and

Eurythmics as well as the churning menace of Modern English...both incredibly powerful

and irresistibly catchy at once.

“The potent driving beat (smashed and wonderfully distorted), the clean and dirty

textures of synths, the dominant bass with subtle slippery shapes and Jana Cushman's

vocal countenance, bruised and boldy passionate will put you in a dark headspace, ready

to do combat. The blend of post punk artistry and heavy Goth pop adornments feel

emotionally pushed and stirred with layers of industrial punk, post hardcore and

shoegaze.” American Pancake

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Das Feuilleton

LP | 2024 | EU | Original (Windig)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Das Original Haseland Orchester

Musik Für Selbstfahrende Autos

LP | 2022 | EU | Original (It Sounds)

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | UK | Original (Hoga Nord)

Datasal

Observatoriet / Besök

12,34 €* 12,99 € -5%

12" | 2023 | UK | Original (Hoga Nord)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The word datasal paints inner pictures for most people growing up in Sweden during the 1990’s. The datasal (a classroom for computers) was an ordinary classroom with few changes to fit the school’s 10 newly leased computers. The room represented the change of times in Sweden during this period: the fixed institutions and the awaiting digital flood wave.

The music of Datasal sounds captures the feeling of printing a downloaded picture of your favorite hockey player or music artist or the expectations building up as you wait for the modem to log in to interact with the thousands of users of the internet in 1995. The two tracks on this release manifests the excitement but also the bit of fright you felt connecting to the world in the mid 90’s - a time when the internet still was fun.

The sound is built around repetitive sequencer loops and programmed beats where electric bass, electric guitar and flute improvise around a theme, creating a sound that is best described as cosmic flute house. Datasal is an harmonic reminder of a time where digital progress seemed less harmful than today.

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Datasal

Totem Och Babu

36,99 €*

LP | 2024 | UK | Original (Really Good/Albert's Favourites)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The word Datasal paints inner pictures for most people growing up in Sweden during the 1990’s. The datasal (a classroom for computers) was an ordinary classroom with few changes to fit the school’s 10 newly leased computers. The room represented the change of times in Sweden during this period: the fixed institutions and the awaiting digital flood wave.

The music of Datasal sounds captures the feeling of printing a downloaded picture of your favorite hockey player or music artist or the expectations building up as you wait for the modem to log in to interact with the thousands of users of the internet in 1995. The tracks this release manifests the excitement but also the bit of fright you felt connecting to the world in the mid 90’s - a time when the internet still was fun.

The sound is built around repetitive sequencer loops and programmed beats where electric bass, electric guitar and flute improvise around a theme, creating a sound that is best described as cosmic flute house. Datasal is an harmonic reminder of a time where digital progress seemed less harmful than today.

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Daudi Matsiko

The King Of Misery

LP | 2022 | UK | Original (Fysisk Format)

Release: 2024 / UK – Original

Genre: Organic Grooves

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The album and single news follows closely on the heels of Daudi’s recent tracks “oMo” and “Fool Me As Many Times As You Like” which have received high praise from the likes of Gilles Peterson on Worldwide FM and BBC 6 Music as well as Lauren Laverne, and have been featured in several Spotify editorial playlists including The Most Beautiful Songs in the World, The Other list, The Listening Post, and Fresh Finds. Having released just two independent EPs – “A Brief Introduction to Failure” and “The Lingering Effects of Disconnection” – to date, Daudi has toured with GoGo Penguin, Keaton Henson, and Portico Quartet, whilst also being a participant of the Red Bull Music Academy in Montreal 2016. He also received a standing ovation at this years The Great Escape Festival, and plays as a member of Do Nothing’s live band, who he is currently on tour with. Through his unique brand of modern albeit reverent folk, Daudi continues to offer his listeners a space for understanding and introspection. Deft, melancholic picking reminiscent of Nick Drake is tempered by contemporary percussion and instrumentation. Matsiko’s vocals derive their strength from their seeming fragility. With every song, his confessional lyrics cut to the marrow.

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Daufodt

Aromaterapi

22,99 €*

Dave Cousins and Brian Willoughby

Release: 2022 / UK – Original

Genre: Rock & Indie

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As one of the most sonically challenging and visually unique bands of their generation, Daufødt swept the floor of the underground with their debut “1000 Island” and won a Norwegian Grammy in the Rock category. They could easily become the Next BIG Name IN Rock, but – no thanks! got other things to do. Instead, the Daufødt-gang circled back to the underground, hooked up with Lasse Marhaug, associated Sunn0)))-member and recent producer of Jenny Hval and Thurston Moore.

On their upcoming sophmore album “Aromaterapi”, Marhaug has challenged the band on all levels and pumped them into Absolute Sonic MAYHEM-mode, giving associations to similar noise-rock-mongers as Napalm Death, Swans, The Body and Årabrot. Likewise, the scorning lyrics of the debut that made local billionaires spam singer Annika with self-righteous messages have been sharpened into something even more destructive and dangerous.

When we now can announce the first single from the album, one thing is for sure: Daufødt has big amps, but even bigger ambitions. “Knekken” (translated: “the crack, like in cracking you teeth..)

The dictionary describes to crack like this: “to break something so that it does not separate, but very thin lines appear on its surface”.Daufødt, on the other hand, shows us that the crack, Knekken, is the musical equivalent of being hit by a freight train full of decibels. The crack is about getting your snout crushed, regardless of the direction of the sky, and with an unknown sender.

Daufødt consists of bassist Eskild Myrvoll (Mall Girl, Kanaan, Blodkvalt), vocalist, visual artist and designer Annika Linn Verdal Homme, guitarist Eirik Albrethsen Reithaug and drummer Mads Antonsen Gerzić.

The band says: “This album is clearly something else than the first album. It’s harder, faster and more violent – and made to better fit the times we live in. The first album was written in 2019, while Aromatherapi was written in 2021, when the world looked quite different. The bold creative choices we have made with Lasse are made not to be naive, but to actually be honest with ourselves and the audience about how things really are.”

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Old School Songs

CD | 2011 | KR | Reissue (Media Arte)

12,99 €*

Release: 2011 / KR – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gifts Black Friday Record Store Day 2024 Edition

Dave Douglas

2LP | 2024 | US | Reissue (Greenleaf Music)

45,99 €*

Release: 2024 / US – Reissue

Genre: Organic Grooves

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 800

Modern jazz giant Dave Douglas releases his first new album in almost two years with a new project titled GIFTS. GIFTS’ debut album finds Dave playing with Ian Chang and Rafiq Bhatia (members of Son Lux and Oscar-nominated for the score of Everything Everywhere All At Once), as well as the brilliantly versatile saxophonist James Brandon Lewis. The album is an adventurous exploration of the genre through the lens of composer Billy Strayhorn, covering four of his compositions, alongside six originals.

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Tape | 2024 | US | Original (Big Crown)

Ruby

Release: 2024 / US – Original

Genre: Organic Grooves

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CD | 2024 | US | Original (Big Crown)

Ruby

14,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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LP | 2024 | US | Original (Big Crown)

Ruby Black Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Ruby Blue Smoke Vinyl Edition

LP | 2024 | US | Original (Big Crown)

Release: 2024 / US – Original

Genre: Organic Grooves

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Dave Lee / Maurissa Rose / Disco Sparks Feat Christine Wiltshire / The Ds Orchestra

What About My Love What About My Love

7" | 2024 | UK | Original (Z)

LP | 2024 | UK | Original (ATO)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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The second taste of what is to come from the Dave & Maurissa album, 'What About My Love' is a modern slightly boogiefied take on the Johnnie Taylor classic. Here Maurissa shines with a heartfelt soulful vocal performance over Chic styled guitars, hip-cracking bass guitar and squelchy leads. On the flip is Disco Sparks's 'Keep Your Eye On The Sparrow' (feat Christine Wiltshire & The DS Orchestra) which is another life-affirming, lush disco/soul cut with funk drenched basslines, epic brass sections and standout vocal turns. Both specially edited for 7", this is an absolute must-buy for disco lovers.

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Dave Matthews Band

Walk Around The Moon

Release: 2024 / UK – Original

Genre: Rock & Indie

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Folksinger Vinyl Me, Please Edition

Dave Van Ronk

LP | 1972 | US | Reissue (Vinyl Me, Please)

Driving Through The Aftermath Of A Storm On A Clear Day

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“Dave Van Ronk was bemused by the title of this album. He didn’t think of himself as a folksinger and had mixed feelings about what he wryly called ‘the Great Folk Scare’ of the 1960s. And yet, he was a central figure on that scene and this album was instrumental in shaping a new sense of what it meant to be a folk musician. A generation of guitarists took him as a model and honed their skills on his arrangements of ‘Come Back Baby’ and ‘Cocaine Blues,’ and his masterful reimagining of older traditions made him a defining voice of the folk-blues revival, showing that a young, urban performer could reshape songs from rural sources into modern, personal statements that were as rough and honest as anything from the hills or prairies.”

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David Allred

LP | 2022 | EU | Original (Dauw)

David And Matt Sweeney Ferguson

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ambient folk musician and experimental composer from Portland, Oregon David Allred returns to Belgium-based Dauw Label with a full length record, Driving Through the Aftermath of a Storm on a Clear Day. The underlying theme of this music is about exercising calm and learning to find it in the aftermath of all situations. These modern classical compositions are primarily centered around felt piano, strings, brass, tape, voices, synthesizers, guitars, percussion, etc. with methodical dynamic dub-inspired experimental arrangements throughout.

David Allred is a musician, multi-instrumentalist, composer, songwriter and sound engineer based in Portland, Oregon. While primarily working and touring internationally as a solo artist, David has also released music under various collaborative projects such as Allred & Broderick (with Peter Broderick) and Good Enough for Grandpa (with Greg Eldridge). David has additionally appeared on works by Heather Woods Broderick, Lubomyr Melnyk, Masayoshi Fujita, Chantal Acda, Brigid Mae Power, Birger Olsen, Jung Body, St. Tsunami, The Beacon Sound Choir, etc.

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OST The Music Of Red Dead Redemption 2

10" | 2021 | US | Reissue (Lakeshore)

Release: 2021 / US – Reissue

Genre: Soundtracks

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Preorder shipping from 2024-11-08

Unplugged Radio Broadcast Picture Disc Edition

David Bowie

LP | 2024 | EU | Original (Laser Media)

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hyacinth Amber Vinyl Edition

David Eugene Edwards

LP | 2023 | EU | Original (Sargent House)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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David Heine X Konstantin Kost

Freedom From Escape

12" | 2024 | EU | Original (Weirdmouthrecords)

Atomic Odyssey! Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Erich Fromm's "Escape from Freedom" was published 83 years ago. His assumption was that modern man, having freed himself from the shackles of the old days and living freely, longs to return to the totalitarian, destructive and conformist world. In 2024, the pluralistic and individualized way of life of the so-called West seems self-evident. Boundless freedom is suggested - but we continue to flee. Utopias are crumbling and conservatism is experiencing a renaissance. At the same time, the freedom to decide -to be able to stay- in contrast to ?having to leave? currently seems to represent a high value.

This EP, between the two producers from Germany and Ukraine, was created in this field of tension. David Heine and Konstantin Kost are already working together on the current Amas project (Odessa EP) "Freedom From Esacape" adapts the former title of Erich Fromm's central work, which is given a prominent role on this record. Music and techno are freedom and escape at the same time: transcendence and escapism. In interaction and contradiction at the same time.

The cover picture was taken on 25 July 1909, when Louis Blériot became the first person to cross the English Channel in an aeroplane with the Blériot XI, which he had designed himself. The reversal of the title and the idea for the cover artwork came about during a conversation with the artist Jennifer Mattes in Vienna.

About the tracks: On the A-side, the two protagonists create a world of minimalist dub techno, which also has melodic, flat side strands in its narratives. The more than 60-year-old fragments from TV interviews with Erich Fromm on the subject of freedom, decisions, constructivism and destruction are presented so densely and rustlingly that you do not feel compelled to follow the lecture. Instead, the spoken word corresponds with the minimalist framework of the two pieces. The old audio recordings are embedded as part of the composition. Some of it may be understood and arouse the listener's curiosity, but again and again you get lost in the repetitive swamp of sound, so that you may understand more of the text each time you listen to it without it imposing itself on you.

The two remixes of the first track take a different approach.

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David Javelosa

LP | 1998 | US | Reissue (Hyperspace)

27,99 €*

7" | 1965 | EU | Reissue (You Are The Cosmos)

Release: 1998 / US – Reissue

Genre: Electronic & Dance

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Ultimate synth lounge collection of last century modern tunes by David Microwave Javelosa from 1998, limited edition on pink vinyl! Space age, lounge electronica, chip tune, game sounds.

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David John & The Mood

Bring It To Jerome + 3

Tape | 2020 | CA | Original (Inner Ocean)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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This EP contains their second & third singles. Both were originally released in 1965 by Parlophone. Produced by Joe Meek.

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David Lavoie Quartet

Juno

15,99 €*

2LP | 2010 | EU | Reissue (Grönland)

Release: 2020 / CA – Original

Genre: Organic Grooves

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David Lavoie quartet plays thoughtfully composed jazz tunes which showcase Lavoie’s writing while studying jazz at Capilano University in North Vancouver. Featuring Brad Turner on keys, Miles Wong on drums, and Stephen Edwards on bass, the quartet swings and grooves like a machine. Taking cues from post bop and contemporary jazz, this quartet is bound in tradition while still remaining fresh and modern.

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David Sylvian

Sleepwalkers

35,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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David Sylvian & Stephan Mathieu

Wandermüde Remastered Crystal Clear Vinyl Edition

2LP | 2012 | EU | Reissue (Grönland)

34,99 €*

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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LP | 1978 | EU | Reissue (Dialogo/Cramps)

David Tudor

Microphone

12" | 2022 | EU | Original (Heavenly Sweetness)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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David Eugene Tudor (1926 – 1996) was an American pianist and composer of experimental music. He eventually became one of the leading performers of avant-garde piano music, giving first or early performances of works by Pierre Boulez, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, La Monte Young and many others. Tudor is particularly associated with John Cage, who wrote a number of compositions for him. His solo record “Microphone” was originally released on the Italian Cramps Records label as the 16th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, “Microphone” is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Microphone”: David Tudor was born in Philadelphia in 1926.He studied organ and theory with H. William Hawke, piano with Irma Wolpe Rademacher, analysis and composition with Stefan Wolpe. He began his concert activity as an organist. He has been known as the most important avant-garde pianist since the day he performed, to great acclaim, the American debut of Pierre Boulez’s Deuxieme Sonate pour Piano (1950), and subsequently introduced the works of Earle Brown, Sylvano Bussotti, John Cage, Morton Feldman, Karlheinz Stockhausen and Christian Wolff to a larger audience. At the beginning of the 1960s, he and Cage switched to live electronic music as opposed to music performed in the studio. As a composer, Tudor relies on technological tools that are both flexible and complex: he uses mostly modular electronic devices, many of which he built himself. His method requires the choice of specific electronic components and transducers, whose interconnections define both composition and performance. The sound materials he employs unfold through broad movements in time and space, with many of his compositions associated with visual sources: light systems, dance, television, theatre, film or 4-colour laser projections. The only source of Microphone’s sound is the modulation of a microphone feedback produced in a distant echo chamber. The incidence and duration of the sounds are produced by the action of extremely close (narrow band) peak/notch filters (used in both modes), inserted into the lead signal. Each of the 9 versions is performed by the composer and simultaneously recorded on four tracks. Then the four tracks are spliced onto two, using a pan-matrix. The final product is a library of 9 stereo tapes, each about 32 min. long, which can be used in any combination, for live performances or for electronic installations. In these performances the tapes are played and stopped at any point, rewound and played again, altered in amplitude and/or equalisation, rotated on any given channel, etc., at will, for any period of time. A live performance of Microphone (for instance without tapes) can be achieved by employing (a minimum of 4) performers using duplication systems, each one with 2 speakers. This 1973 instantiation of Microphone covers a work originally conceived for the Pepsi Pavilion of Expo ‘70, in Osaka, Japan. Conceptually, the original work derives from discoveries made through the composer’s collaboration in the design of the Pavilion’s acoustic system. Sound diffusion was achieved through the use of 37 loudspeakers placed in a rhomboid grid system covering 3/4 of the sphere. The original tapes for Microphone were recorded in May 1973, at the Mills College Centre

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David Walters

Bow Down EP Remixes

David Whitsnake Coverdale

Release: 2022 / EU – Original

Genre: Organic Grooves

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David Walters is an explorer. Not just one of those who show off on the screen. Like his Grandfather, David has not hesitated to cross seas or oceans to fulfil his desires fit. His mother's father left the Caribbean island of St Kitts for New York and started a family in London with a woman he met on the boat. David, on the other hand, travelled from his home in Marseille to Sheffield, London and Manchester to record this EP and to give a new twist to his career by musically extending the link that binds him to his grandfather, and more generally to his ancestors. "In Africa and its diasporas, as in the world for those who know how to see them, the elders are always at our side", he says in a soft voice.
"Music comes first".

It was on Guts' advice that David Walters changed his working habits. He and the French producer/beatmaker and DJ know each other well. "He offered to accompany me artistically on my new album, to be my third eye, or my third ear," says David. "He is someone I respect for his work, his discretion and his questioning, his desire to never repeat himself" he explains. "We often exchange ideas. We don't necessarily always agree, but whatever we think of each other, it's the music that comes first.” So when Guts told him about Tom Excell, David went for it. He headed for Sheffield where Excell, the producer, guitarist and percussionist had his own studio. The contact was direct. "We took the instruments and played like children", remembers David, still under the spell of the encounter. "Tom is part of the new English scene that combines jazz, soul, hip-hop and world grooves. He’s associated, as a musician, producer and remixer with Nubiyan Twist, Onipa, K.O.G., Me & My Friends and so many others. He has the freshness of the English sound. I like his approach. Over there, people have grown up with The Beatles, The Specials, Depeche Mode, The Clash or Apache Indian playing in the background in supermarkets. They have a different musical culture, a different musical culture that is part of the décor regardless of the genre, and that's a game changer," David says excitedly. "If people like it, they make room for you right away. I'm a fan".

"More personal and more open"
In three sessions at Tom Excell and David built these 4 tracks. “No One” which opens this E.P., was the first to be finalised. As always with David, everything is played - the Rhodes as well as the percussion, the bass as well as the drums - before being sampled. Even the electronic rhythms are sampled on the hi-hat or cymbal. Hence this organic sound. ”No One is a word of advice, an incitement to trust yourself, to listen to no one but your own instinct. This is something the singer already defended more than fifteen years ago on “Awa” the song that gave its name to his first album. "No One” is now more peaceful and serene than “Awa” was," he says. “Bow Down”, initiated with the Lyon-based producer Patchworks, is reinvented here in a lighter version. ‘It's a nod to New Orleans and the Afro-descendants, those men and women who kept their heads up despite slavery and mistreatment," says David, who recorded and produced the Nola is Calling project (2019) in a colonial house in New Orleans he transformed into a studio. The expression "Bow Down" is both a tribute to the Amerindians who came to the aid of African slaves and an affirmation of strength and resilience. Hurricane Kathrina is still on everyone's mind. As David explains, “Yemaja is the Cuban goddess of the sea. In Africa, she is called Yemoja”. There is no doubt that the sea is David's element. “The sea acts on me like a sort of great "reset". It's a place where you can also lose yourself," he says. “Baby Love”, the last track, echoes “Baby Go” from the album
Nocturne (2021), an opus recorded with cellist Vincent Segal, kora master Ballaké Sissoko and percussionist Roger Raspail. "In the end, these four tracks (+ a disco edit of “No One” by the American producer Captain Planet) are put together like a rebus, to tell a story that makes sense to me: Nobody is going to fall apart, thanks to Yemaja", David sums up with a warmth and smile in his voice.
David Walters is a true explorer, and doesn't intend to stop there. Future sessions are already scheduled in Tom Excell's studio in order to finalise a full length album which is due to be released early in 2023.

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Here I Go Again / Radio Broadcasts

4LP | 2023 | EU | Original (Laser Media)

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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CD | 1999 | UK | Reissue (Topic)

Davy Graham

Folk, Blues & Beyond...

7,99 €*

Dawn Chorus And The Infallible Sea Orange Vinyl Edition

Release: 1999 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Reveries

LP | 2024 | EU | Original (Sonic Cathedral)

18,39 €* 22,99 € -20%

Dawn Chorus & The Infallible Sea

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Reveries is Zach Frizzell, Marc Ertel and Damien Duque’s first album for over three years, and follows the success of their debut Liberamente. Together, the trio craft delicately textured and slowly unfurling sonic vistas, occupying a unique aural domain that lies between guitar-driven drone music and modern classical compositions.With their individual projects they are incredibly prolific, but Dawn Chorus releases are few and far between and Reveries represents a refined evolution, leaning more heavily toward string-based arrangements and compositional virtuosity. It is the very essence of what they are calling “dronegaze”, pushing the boundaries of the ambient genre while embracing a profound auditory expression. According to the trio, the six, long tracks on Reveries are “heavily reliant on improvisation, intuition, and allowing the compositions to exist in their own moment; the aim was a feeling of fluidity and a sense that every instrument has its place and purpose”. And they’re right. The opening title track emerges quietly in a swirl of strings; lead single ‘Deus’ eases its fittingly reverent grain into a glorious minor-key immensity; ‘Cadere’ pulls together a cast of orchestral instruments into a comforting devotional; ‘Somnium’ plays out in diffuse, shimmering melodic rounds; ‘Vale’ blossoms from a pair of sparse, alternating chord swells; and ‘Aufero’ is the perfect coda that reprises the low-end rumble of the album’s overture before being swept away on a sea of dissonance. “We live in an era of infinite distraction,” says Zach Frizzell, “where often the most valuable thing you can find is a respite for the soul.” How right he is. This, truly, is music from a higher place.

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Liberamente

Tape | 2022 | UK | Original (Azure Vista)

17,99 €*

2LP | 2015 | EU | Original (Erased Tapes)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Liberamente' is now available for the first time on cassette. Dawn Chorus and the Infallible Sea create soft-textured and slowly unfolding sonic landscapes, somewhere between guitar-oriented drone music and modern classical. Liberamente is the kind of album that demands attention and patience from the listener, yet it's ultimately a very rewarding one. Stylistically Dawn Chorus and the Infallible Sea sums up several decades of American soundscape and drone music, taking threads from Windy & Carl, Auburn Lull, and Stars of the Lid then weaves them into a contemporary, and sonically adventurous whole. On the surface it suggests simplicity, but dig deeper and the seven pieces on Liberamente reveals a rare compositional dexterity. This is minimalism at its finest.

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Dawn Of Midi

Dysnomia

Release: 2015 / EU – Original

Genre: Electronic & Dance

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12" | 2019 | EU | Original (Monnom Black)

Dax J & UVB

King Of The Sewers EP

12,99 €*

War Is Peace, Freedom Is Slavery, Ignorance Is Strength

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Berlin's Monnom Black is back again with the King of The Sewers EP; four cuts of pulsating techno from two of electronic music's most uncompromising young figures, DAX J & UVB. Already well-known for its more fundamentally rugged take on modern electronics, the label's 19th release is another intense transmission deep from the underworld.

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Dax J

2x12" | 2024 | EU | Original (Monnom Black)

30,99 €*

All Praise (Simma & Tubby Isiah Mixes) Translucent Ice Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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New LP from Dax J - War is Peace, Freedom is Slavery, Ignorance is strength Referencing the political slogans in Orwell's dystopian novel 1984, where language is manipulated to control and oppress, we find a stark reflection in modern society, where truth is frequently distorted, and freedoms are increasingly compromised-echoing the very tactics Orwell warned against

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Dbc3

12" | 2024 | UK | Original (Dub Junction)

LP | 2024 | EU | Original (Dbma Music)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Introducing the fifth release on the Dub Junction label: All Praise' from York's Dbc3 (Dub Barn Collective) - featuring vocals from regular collaborators Dandy Dizzle and Nikki H

Originally released on our charity compilation Tour Dub Yorkshire, we are finally giving it the full release it deserves, with new mixes, new masters and a beautiful 12" ice-blue vinyl!

Two brand new dubs from Simma complete the A Side, with Bristol's Tubby Isiah bringing three remixes to the B Side. Pure soundsystem sub-bass bliss, perfect for any session, showcasing both one-drop and steppa styles credits

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Dbma

Ultra-Modern

32,99 €*

12" | 2024 | EU | Original (Higher Hopes)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Dbma, a versatile artist weaving through the realms of new wave music and alternative rock, is gearing up for the release of his upcoming EP, "Ultra Modern." With a unique blend of sounds that transcends conventional boundaries, Dbma invites music enthusiasts to join the journey, urging them to follow and stay tuned for the latest updates on his distinctive musical ventures. Embrace the evolution of sound with D.B.M.A’s cutting-edge compositions.

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DC Salas

Pixelated Dream Theory

2x12" | 2022 | UK | Original (Platform 23)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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DC Salas returns to his own Higher Hopes imprint with the ‘Pixelated Dream Theory’ EP. A club-centric, no nonsense four tracker, the EP is a collage of influences drawn from various strands of dance music knitted together in Salas’ imitable style.

Kicking off proceedings we have the aptly named ‘Acid Breathe’, a brooding number punctuated by spooky synth work and a gnarly (you guessed it) acid line that sets the tone for a release loaded with peak time madness. Next we have the title track ‘Pixelated Dream Theory’, a track that nods back to the rich heritage of the Belgian underground, effortlessly fusing some of the key motifs of New Beat & EBM with a modern perspective.

The B-side opens with a secret weapon of Eclair Fifi's ‘Blaes’. Named after the street Fuse is situated on, it is crafted with the institution’s dancefloor in mind. A bassbin warping, head spinning affair that’s sure to be a critical part of DJs sets throughout spring and beyond into summer. For the EP’s final stanza we have the impressive ‘Phased Dance’. A suitable closer, the track leans slightly more into house than previous offering with flourishes of progressive, balearic all whilst maintaining the chugging fundamentals of the EP, teasing whats to follow with Salas’ planning a new album for the second half of 2024.

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De Fabriek

Music For Hippies

31,99 €*

10" | 2020 | EU | Original (Daje Funk)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Platform 23 again explores to the dense voids, this time with a touch of the funk, with a reissue of Dutch experimentalists De Fabriek and two tracks from their "Music For" cassette series, this time calling all Hippies. Featuring both original and reinterpretations from modern-day heads, Dunkeltier and Khidja, this double-pack is something of an oddity, showcasing the bands' expansive range, moving away from the noise, drone and industrial soundscape releases they had become known for and crafting here, free flowing, groovy longform jams. Active since the late 70s to today, De Fabriek (The Factory) have never considered themselves a real band - being also a label too - with an evolving and irregular line up centred around Richard van Dellen, they present their music and output as a kind of work-union. With literally four decades and dozens of releases across all formats, 1988's cassette release, 'Music For Hippies', has become something of a cult curio, with the long improvisational tracks, Lullabye and Coming Down eschewing the rougher, industrial experience for something completely different. In opener Lullabye, we go full leftfield P-Funk meets Motorik undertones. An incessant beat is laid from the start and doesn't cease for over 10 minutes, while spoken vocals call closer to the Krautrock realms of Can and hark to Liebezeit's stylised grooving best. Analog, echo washed, with touches of glam and wrapped in simple effects pedal work, the secrets are passed to Dresden / Berlin inhabitant Dunkeltier aka Sneaker DJ aka Thomas Smorek. His darker moniker, appearing on obscure edits for Macadam Mambo and the much-missed Bahnsteig 23, his 'Hey Robot' mix adds bass, percussion, strings and synth to remold Lullabye into a late night, red light, basement denzien. This is followed by an additional, bonus reimagining, creating an all-new time piece, an ear worm of the best kind with Tik Tok Goes The Clock. The second slab presents in Come Down, a more resembling De Fabriek werk. Edited to fit, the darkness is entered as snapshot vocal quips, oscillations and synthesised mutations are laid over a lazy, relentless ostinato rhythm where cymbals crash on the bar. Inviting, calling, De Fabriek's aptly titled downer is in fact, a joyous journey. To complete, label affiliates, Khidja take a break from finalising their debut album to unfold their 'Psychebabble Mix', a dozen plus minutes of warped, twisted, cassette machinations that suck the listener further along the trip. Added bass propels their edit suddenly to a new direction, a hook for mind and for the open willed, the body. De Fabriek's "coming down lullabye" arriving on vinyl for the first time, with a twist and shake, calling deeper to acceptance.

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De Gama / G. Markus

Feel The Groove / Gwarn

12" | 2023 | EU | Original (Samosa)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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With Samosa’s disco imprints currently dominating the vinyl charts in all the best record shops across the globe it’s safe to say that their Funk imprint Daje Funk is also making waves that are hard to miss. Just off the back of a stellar release with Paul Older and Musta Daje Funk Volume 6 see’s label boss De Gama teaming up with G.Markus for yet another top class funk get down. First up is De Gama’s monster ‘Feel The Groove’. I’m not sure if that’s an order or a request but either way it’s impossible not to do just that. Featuring thumping drums, shoulder shaking guitars, filters in all the right places and a sax solo to die for this is just a sublime track which will cause some serious dancefloor scenes. On the flip G. Markus, a pseudonym of the super talented Ben Gomori, drops a modern funk extravaganza in ‘Gwarn’. With those eponymous Funk wah guitars, yet more thumping drums, super tight percussion, some fierce keys and a bassline that just shakes this is true dance-floor gold. Daje Funks catalogue is building into one very serious collection of music. Make sure you check out the other releases right now before they are gone forever.

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De Gama

Tropical Gangster

14,99 €*

7" | 2024 | US | Original (Dirt Cult)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Samosa Records reaches its 30th release in style, and who better to mark the occasion than label boss De Gama with the superb ‘Tropical Gangster’ - a three tracker slice of vinyl heaven that’ll blow you face first into your summer paddling pool.

Opening this super-tropical affair on the A-side is afro beat stomper Karibu Funk’ - and it wastes no time at all in introducing us to its tribal rhythmic awesomeness. The beats, the vocals, the outrageously funky bass and horns are a musical representation of an African sunset. A serious groove.

A2. brings us ‘Lucky Fellow’; a twisting, turning bouncy bass-bomb of a tune with a flute riff that would charm the clothes off you. De Gama is very much in Pied Piper mode here - you’re powerless to resist the sexy overtures of the drums, the haunting synth lead and solid bass line. Sizzling hot.

On the B-side De Gama offers a cool ‘Piña Colada’ after all the heat of the A-side. This Piña Colada, however, offers an oasis of many delights and flavours. What starts as a furious latino drum call breaks to a tropical bassline and hypnotic keys. The vocals are the cherry on the cake of an amazing arrangement of layered sound. Goosebumps.

'Tropical Gangster' is an exceptionally special Samosa release befitting the occasion of reaching the 30 milestone, and another example of the consistently brilliant output from Samosa Records. Expect this one to sell out fast.

Ste Hendry [Black Light Disco]

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De Rodillas

Implacable

11,99 €*

For Your Sins Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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De Rodillas is a hardcore punk band from Pittsburgh PA. Fronted by a formerly undocumented Mexican immigrant, the band’s songs explore political topics from a personal perspective, and are steeped in raw, visceral emotion. Slathered in feedback, anchored by a rapid rhythm section and propelled by inventive riffing that pulls equally from 80s hardcore classics and modern inspirations. The band paints with an extreme but inventive sonic template that serves to imbue the lyrics with an increased sense of urgency.

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Dea Matrona

LP | 2024 | EU | Original (Dea Matrona)

Release: 2024 / EU – Original

Genre: Rock & Indie

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For Your Sins Purple Vinyl Editoin

Dea Matrona

LP | 2024 | EU | Original (Dea Matrona)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Constellations Transparent Neon Pink Vinyl Edition

Dead Astronauts

2LP | 2023 | EU | Original (Midnight Mannequin)

Silhouettes Magenta Transparent Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Inherently dark but aflush with pop sensibility, Constellations is the 2014 full-length debut from synthpop duo Dead Astronauts (Jared Kyle and Hayley Stewart). The follow-up to 2013’s eponymous EP, it’s an album full of post-punk and new wave inspiration, sure to please fans of Joy Division, Echo and the Bunnymen, and Depeche Mode.

Midnight Mannequin Records is proud to present this deluxe reissue of Constellations, on vinyl for the very first time. A nearly decade-old synthwave classic is now poised to become a modern darkwave hit. Dead Astronauts has always had one foot firmly on synthwave ground, but the band’s willingness to eschew genre limitations and explore the vast spaces of darkwave, goth and everything in between is one of the main reasons Constellations still feels so fresh and unique. An album way ahead of its time. An album that sees two artists at the top of their game who complement each other perfectly. When Kyle’s deep baritone meets Stewart’s ethereal, subdued delivery, the results are magic. A timeless album now in a timeless format; that magic captured and preserved, tactile and eternal

Limited edition on 2xLP transparent neon pink vinyl, housed in a gatefold jacket. Includes OBI strip.

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Dead Astronauts

LP | 2021 | EU | Original (Cold Transmission Music)

17,99 €* 19,99 € -10%

LP | 2020 | US | Original (Ba Da Bing)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Limited to 100. Dead Astronauts are one of the leading acts in the Synthwave & Synthpop scenes, blending the lines of Darkwave, Goth and Post-Punk. Previously composed of two members, Jared Kyle and Hayley Stewart, Hayley left to focus on her solo work (Mecha Maiko) and Dead Astronauts was reformed. Florence Bullock then took on the female lead, replacing Hayley in 2019. As a silent member and Record Producer, Slade Templeton (of Crying Vessel, Influx Studios) stepped in to help bring their new sound to life in 2019 and 2020 and round out the band. Dead Astronauts have regrouped and reworked the style they were known for, to become something modern, edgy, new and improved. Dead Astronauts are back and ready to ignite that flame in their fanbase that has been waiting, asking for more!

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Dead C

Unknowns

LP | 2022 | UK | Original (Gusstaff)

Release: 2020 / US – Original

Genre: Rock & Indie

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Some bands struggle to transcend their initial mythos, those stories that introduce them to the public eye. But The Dead C is a notable exception. They appeared in 1986 under a cloud of mystery, their unconventional location (South Island, New Zealand) helping to fuel their erratic sound. Name-dropped through the nineties by groups like Sonic Youth and Yo La Tengo, they gained influence and acclaim but never strayed from their original mainlined performing technique, which can sound like chaos to the casual listener.What kind of a world greets them and their new album Unknowns in 2020? New Zealand culture is better known throughout the world, not to mention a low-virus paradise. Yes, isolated as in the past, but this time for being a nation of efficacy in tackling a public health crisis. But what about the rest of the world? The music of Mssrs. Robbie Yates, Bruce Russell and Michael Morley endures, partially because their errant sounds, once so alienating, now feel like they’ve been made flesh in a large part of the modern day world.Continuing to delve inwards for inspiration with tin ears towards trends, styles and technique, The Dead C forge onward. Unpolished, dusty and gritty, these three have again taken two guitars and drums, a combo which has less to say than ever, and leave the listener stunned. Unknowns has Morley slurring over spiraling dissemblance, with tracks ricocheting from intense to assaultive to drained, yet consistently magnificent. As reliable as ever, The Dead C are firmly grounded as an unassailable Truth.

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Dead Cat In A Bag

We've Been Through