Search "we are rewind" 28156 Items

12" | 2022 | EU | Original (Second Drop)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Sergio Fazio has been the driving force behind a string of early 90s high octane releases sitting somewhere between breaky rave indulgences and early progressive trancey sounds. Starting with “The Factory” project which we had the pleasure of releasing last year, we continue this relationship with an unreleased EP from the same time, finally allowing it to see the day of light 30 years after it was produced. To compliment the occasion we bring Berlin's specialist Trent to cook a new remixed version in his studio - Italy at it's best. Heavy percussive elements flowing in and out of driving bass line patterns, hearing is believing, can't go wrong. Remastered and with full cover artwork.

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DJ Revive

The Crunked Up EP

LP | 2016 | EU | Original (Ruin Nation)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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DJ Revive has been a long time label friend and a very talented producer, and we are honoured to finally have this long awaited EP released Second Drop. He has an energy about his music that makes people dance, and this breakbeat hardcore record will have you toe tapping and head nodding for sure! These tracks are a great homage to the 1994/95 sound and DJ Revive draws influence from some of the biggest names of the era whilst finishing it all off in his own style.

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Oi Polloi

Saorsa

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Art21)

Neurotwin

LP+7" | 2021 | EU | Original (Hassle)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In the fight against Alzheimer’s, epilepsy, schizophrenia and other diseases characterized by an imbalance in neuronal activity, there are chemical weapons, such as those that try to prevent the protein fragments known as beta-amyloid plaques from developing in the cerebral cortex , and physical, such as electrical stimulation that allow to restore the functionality of brain cells. This last resort, which has already been shown to be effective in modifying the activity of the cerebral cortex, is today a weapon of general intervention.

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Joy Formidable

Into The Blue

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Dig This Way)

PSK

Spell Bound / Revolution

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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PSK - Disco Season is one of the most in demand and surely rarer Disco-Funk/Reggae LP ever made in Nigeria and for us at DTW records it is the continuation of a cooperation with our friend Austin Rigar who was also one of our references for the Jicco Funk project as being lead singer of "The Combats" For this release we decided to press the two best tracks of the LP on a phat sounding 12'' pressed at 45rpm which is housed in a full colour disco sleeve.

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2x12" | 2021 | EU | Original (Transformer Sounds)

Transformer Sounds

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 1984 | JP | Original (A&M)

Brothers Johnson

Out Of Control

Release: 1984 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with OBI is close to NM. With insert. Original Japanese pressing.

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LP | 2019 | EU | Original (Block Opera)

Cosmic Void

Are Faces Really Necessary?

Release: 2019 / EU – Original

Genre: Hip Hop

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Welcome to BLOCK001 - Day X has arrived. For our pilot project, 16 renowned producers from Germany, Austria and Switzerland combined talents to deliver a unique acoustic testament of our time to posterity. “Cosmic Void” blends elements of Hip-Hop, Electronica, Boombap, Lo-Fi, Ambient, 808, Experimental, Trip-Hop and Pop into a stimulating soundscape, presenting the many facets of instrumental Hip-Hop in 2019.
Exclusive contributions by 7apes, Robot Orchestra, Brenk Sinatra, NiteNite, the intern, Torky Tork, Drum Quixote, Enaka, Cap Kendricks, Dexter, Funky Notes, Twit One, Dienst&Schulter, Maniac, Smoke Trees and Dead Rabbit turn “Cosmic Void” into a must-have for Beat-Art-enthusiasts. Produced and designed meticulously, each Cosmic Void’s packaging is handmade. Limited to 500 vinyl copies.
„Cosmodrome Baikonur. It is merely a matter of time until our atmosphere topples. Recent calculations predict our life-sustaining measures are no longer capable to prevent the decomposition of the organics. Not efficiently, that is. Time is running out, people are seeking salvation. There is hope, though. The relentless efforts of Sergeant Appiah and Prof. Dr. Heitech drove their team of elite scientists to finalize the ESI-analysis of the anticipated 1140b-fractal just in time. The latest seminal developments in tech granted us to dream the impossible. Every piece of information we acquired could have been our last. The Secretary-General of our Reunited Nations let us know, and I quote: „There can be no distance too long, no challenge too great, for the benefit of humankind.“ The crew of W-58025 is ready for takeoff, project CV001 begins according to schedule. We’re here for you - over and out.“

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Foreign Sequence

2LP | 2019 | EU | Original (D.Ko)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Foreign Sequence is a French producer from Paris who delivers his first LP on D.KO Records. This record is a timeless excursion into the IDM world.

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Remix Records & Kniteforce Presents 'The Remix's Part 22' EP

12" | 2024 | UK | Original (Kniteforce)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Foxbam Inc)

Foxbam Inc 002

LP | 2024 | US | Original (Stardumb)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Foxbam INC is back to build on the momentum of their first EP with a second one that packs a mighty punch. This one kicks off with EBY, who this year has been cooking up acid for 40 years and here offers the warped low ends and garage-techno power of 'Goldtooth'. Foxtrot vs Ma Bla then mashes up old school samples with earth-shattering bass on 'Deep Down Inside' and bRz vs Stije is a double-time hard techno stomper with warped synths and twisted bass that is inspired by and named after Isco, a concept from Einstein's general theory of relativity that makes predictions about the dynamics of black holes.

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James Sullivan

Vital Signs

12" | 2001 | EU | Reissue (Evasione Digitale)

Release: 2024 / US – Original

Genre: Rock & Indie

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In Spring 2022 and with a new record from his band More Kicks in the can, James found himself waiting. Release dates scheduled for nine months in the future, nothing much could happen beyond tour planning for the following year. “To be honest, I was scared” says James. “I’d been writing and recording like a man possessed for the past 18 months, writing the More Kicks album ‘Punch Drunk’ and my first solo record ‘Light Years’. I was worried what would happen if I stopped. So I headed back to my cupboard-sized ‘studio’ and plugged in my halfbroken tape machine.” ‘Vital Signs’ was written and recorded over the next couple of months, dragging a handful of friends into that cupboard studio for a lending hand here and there. Written, recorded, mixed, mastered and then back to the ‘day job’ of More Kicks touring across Europe, USA and UK. Stuff. To. Do. But something wasn’t quite right. “It took me a long time to realise that I didn’t want to make another record with More Kicks. I was obsessed with making us as good as we could be but suddenly I didn’t feel like writing new More Kicks songs and I had this finished record sitting there doing nothing.” ‘Vital Signs’ expands James’ musical palette to include blitzed-out fuzz (‘Dronify’) and chewed-up chamber quartets (‘La Rochelle’), while never entirely abandoning the more familiar turf of sneakily self-lacerating melodic nuggets (‘All I Wanna Do’, ‘Endless Summer’). Take the first track, ‘It’s Good To Be Wrong’, a Modern Lovers, Alex CHILTON-style stomp that blends heartbeat drum crashes with psychedelic organs and swooning Replacements guitars. “That song was a deliberate attempt to do as little as possible. My tendency is to overthink structure so I wanted to make a song that was essentially a mantra. Just hammer myself over and over with only two chords. It almost worked, there are three. “I recorded everything on an 8-track by myself and there are unhealthy amounts of tape hiss over everything. But for me, the whole point of these solo records is to get out of my head, don’t think twice, press record, keep going. It’s not that I don’t care, quite the opposite. But if I’ve learned nothing else from playing music, it’s that I should trust my instinct far more than my brain.” That brain almost left this record languishing on a tape before the instinct to put it out into the world took over. If what comes next isn’t immediately obvious, it’s certain that more music will continue to emerge from this innately restless writer. “I’ve accepted my fate that I’m a lifer.”

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Air Kraft Vision

Wavy Gravity

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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Air Kraft Vision was a unique live act renowned during the late '90s and early '2000s for their live sets performed at the finest Tuscan clubs like Jaiss, Imperiale, Insomnia and the infamous open-air afterparty, The West. The group was composed by Francesco Passantino, Davide Cali and Roberto Bonini (Robo). The peculiarity of AKV was to replicate the spontaneity of studio live sessions in clubs, bringing almost all their machines and hardwares on stage. The same attitude was reflected in their productions: one mixer, rough analog sounds and three minds perfectly synchronized with each other. Evasione Digitale is proud to reissue "Wavy Gravity”, originally released in 2001, a totally refreshing approach to Italian progressive music.

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12" | 2024 | EU | Original (Attention Spin!)

Attention Spin! 001

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A new French label, Attention Spin! showcasing amazing talents from Parisian rumbling new scene, showcasing the newest release from French artist DJ Dawidu. The label is focused on reaffirming the importance of vocals as an instrument in electronic music.

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12" | 2024 | UK | Original (Dark Red)

Ceremonial Doses EP

The Bass Project Pink Marbled Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Manchester independent Dark Red Records brings it's 4th instalment in the form of a multi-artist EP from Ego-Free Sequences, rising new French talent Sqimer (also on mastering duties for this release) and label regular Darsk, all coming together to provide a satisfyingly varied selection of dark, meditative Drum & Bass and Jungle tracks which meld together classic breaks and editing with a distinctly modern and experimental approach, all finished in a wholly organic and listenable style. Feedback and support has been very strong across the board with two tracks played by scene legend Klute on his Kool FM show in February.

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DJ-H

12" | 1993 | UK | Reissue (Vinyl Fanatiks)

12" | 2024 | US | Original (Ocha)

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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This is an absolute mythical hardcore legend of a release. Originally put out in 1993 on Dance Force Records, a record label run out of Norfolk by Les Howlett, a former bouncer for many London raves. But it was his son, Danny, who made the tracks in the backroom of the record shop – at the young age of just 15!

The tracks were never mastered and when doing a deal with Vinyl Fanatiks Danny wanted the tracks remade and finally mixed down – so we put him in touch with Ellis Dee and between them and us, we sourced all the original samples and the EP was remade, with the mixdown that he always wanted!

Originally released on yellow vinyl on Vinyl Fanatiks in 2019 it quickly sold out on the website and no copies ever made it to distribution – until now!

Only 140 have been pressed on 180g pink marbled vinyl.

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Tamara Wellons

You Are The Remixes

What Does It Take (Orig Demo) / Lover Come Back (Alt Take)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Legendary DJ Spinna creates a cosmic future classic w/ his remix of Tamara Wellons' vocal masterpiece. A perfect dance floor groove drenched in intergalactic synths, in a deep & soulful setting. On the flip Coflo gives a double dose of two wildly different iterations of "you Are".

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Jackey Beavers

7" | 2024 | UK | Original (Charly)

Release: 2024 / UK – Original

Genre: Organic Grooves

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‘What Does It Take (To Win Your Love)’ was originally recorded by Jr. Walker & The All Stars and was written by Johnny Bristol, Harvey Fuqua and Vernon Bullock, in 1969. Reputedly, Jackey Beavers was in the studio when Bristol and Fuqua produced the hit and it’s likely that Beavers’ cut his unreleased take at a similar time. Bristol, Fuqua and Beavers reunited that year to write the No.1 pop and R&B hit ‘Someday We’ll Be Together’ for Diana Ross And The Supremes, also produced by Bristol. In a recent post the influential Modern Soul Collective cited Jackey Beavers’ recording of ‘What Does It Take’ as their “new favourite version of the much-loved classic”. Here, we pair it with the, also unreleased, alternate version of ‘Lover Come Back’… same song, different lyrics.

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A Legendary Christmas Volume Two - The Green Collection Black Vinyl Edition

LP | 2023 | EU | Original (Second)

Release: 2023 / EU – Original

Genre: Pop, Christmas

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Joe Sample - David T. Walker

Swing Street Cafe

LP | 1982 | JP | Reissue (Crusaders)

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert. Cover close to VG+

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OST More American Graffiti

2LP | 1979 | JP | Original (MCA)

Release: 1979 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy with OBI. close to NM

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The Great Big Band On V-Disc

LP | 1970 | JP | Original (DAN)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

With OBI. Tear in top spine.

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Sitting On The Edge Of The Ocean-Ay, Ay, Sailor

LP | 1980 | JP | Original (RCA)

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 2023 | EU | Original (Cómeme)

Bufiman

Switch Beats EP

Mark Ronson & Andrew Wyatt

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The string of Cómeme releases in its 14th year of existence does not stop! We are back with an artist whose tracks you’ve been hearing in the sets of the most free spirited and forward thinking DJs: None other than Bufiman has joined the catalog of Cómeme with a fantastic release: original,modern, and irresistibly danceable. 5 tracks featuring B- Boy Rhythms, outer space fantasy and dance floor utopia – in a way you’ve never heard this exceptional artist before.

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OST Barbie The Score

CD | 2023 | US | Original (Waxwork)

Lost Desert & Friends III

Release: 2023 / US – Original

Genre: Pop, Soundtracks

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Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on CD, housed in a jewel case, with a 16 page booklet.

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Lost Desert

12" | 2023 | UK | Original (All Day I Dream)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Just seven months after open-heart surgery, Lost Desert is back with the third edition of his Lost Desert & Friends EP series on All Day I Dream.

The four track EP kicks off with the help of friends Lee Burridge, Junior Akwety, Madraas, and Sofiya Nzau, before Lost Desert closes the record with its only solo composition.

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The Rough Guide To Blues Women

LP | 2017 | UK | Original (World Music Network)

Release: 2017 / UK – Original

Genre: Organic Grooves

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The Rough Guide To The Roots Of Jazz

LP | 2021 | UK | Original (World Music Network)

Release: 2021 / UK – Original

Genre: Organic Grooves

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808 Box 5th Anniversary Part 10/11

LP | 2021 | EU | Original (Fundamental)

CD | 2021 | US | Original (Air Vinyl)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tracks by Cygnus, Umwelt, The Exaltics, D'Arcangelo, Vema-Diodes, Hermes 3, Noise&Noise and Andrea Benedetti. The Time Capsule project, also known as 808 Box, is a project created by Fundamental Records. The six boxes released in recent years include 56 records with over 300 tracks from artists from every corner of the world. Some warehouse copies have surfaced of the 5th 808 Box, and these will be available individually. These are new copies in perfect condition, with the original sleeves printed with the classic Roland Tr-808.

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38 Spesh & Flee Lord

Loyalt + Trust II

Release: 2021 / US – Original

Genre: Hip Hop

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Life & Times Bone Colored Vinyl Edition

Bubbha Thomas

LP | 1985 | US | Reissue (Tidal Waves Music)

16,19 €* 26,99 € -40%

LP | 2019 | EU | Original (Mello Music Group)

Release: 1985 / US – Reissue

Genre: Organic Grooves

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LImited to 100 copies on bone colored vinyl. Only at HHV.

Houston’s reputation for developing first-class jazz acts is well-established, as a stream of young players has been distinguishing themselves for decades…among those musicians and mentors who stood tallest, Bubbha Thomas was no exception (and a major key-player) in this long tradition of talent.

Before becoming an artist and educator, Bubbha Thomas (born 1937) was a Fourth Ward kid who grew up in a music-filled household. In High School, he divided his time between music & basketball (he excelled at both) and studied with jazz legend Conrad “Prof” Johnson. “Prof” would later bring jazz glory to Texas with the Kashmere Stage Band, the group of teenagers who would win the “Best High School Stage Band In The Nation” prize in Mobile, Alabama in 1972 and who were anthologized in 2006 on Now-Again’s ‘Thunder Soul’ (which led to the 2010 Jamie Foxx documentary of the same name).

After finishing college, Bubbha got drafted in the service (he was a Korean War veteran) and would return to Houston in the early 1960s where he found work as a session drummer for the Duke and Peacock labels. Thomas drummed on recordings by O.V. Wright, Buddy Ace and the Mighty Clouds of Joy. He was playing his own stuff and backing luminaries such as R&B singer Chuck Jackson and homegrown legends like Lightnin’ Hopkins. Bubbha Thomas also teamed up with some of his equally legendary peers (like guitarist Melvin Sparks & organist Leon Spencer) and eventually established his own group, the Jazz Merchants.

Bubbha learned every style that was thrown at him and he played straight-ahead jazz with renowned artists before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane and Sun Ra…the result of these newfound influences was the incredible spiritual jazz ensemble ‘The Lightmen’, who released four incredible recordings in the 1970s. Their first album ‘Free As You wanna be’ predates the deep-set, maverick jazz issued by the likes of Tribe and Strata East and is a harbinger of some of the best in the 1970s jazz underground. The Lightmen albums eventually fell out of print until 2017 when the Now-Again record label brought them back into circulation and generated new interest in Bubbha Thomas’ work.

Thomas had a storied career as a drummer and bandleader, but perhaps his most enduring work is that as a founder of Houston’s Summer Jazz Workshop, a remarkable program that nurtured upcoming talent for generations…we can’t begin to count the number of young people who benefitted from the exposure to music-arts because of Bubbha Thomas and what he meant to the Houston music community. In his career he earned five Grammy nominations and authored a pair of books. Next to this he was also a writer/editor for several local newspapers, ran one of the first Houston African American Television shows and he hosted a radio program on KYOK. Impressive to say the least!

Bubbha Thomas passed away in March 2020 at the age of 82. It was obvious he was a principled, fiery & wise person…and any anger he felt at America’s (and the world’s) injustices he met with music, intellect, activism and unity!

Next to his work with ‘’The Lightmen’’, Bubbha also released the fantastic (solo) album ‘Life & Times’ in 1985. ‘Life & Times’ (which we are proudly presenting you today) is particularly interesting to boogie-enthusiasts because of its high doses of funky twerks, solid grooves, crazy synth work, soulful vocals and excellent drum-beats courtesy of Mr. Thomas himself. You’ll quickly find yourself shaking hips the moment the needle hits the first track! The whole album is backed by a fantastic cast of all-star players and includes Howard Harris (Ruth Copeland), Dwight Sills (Bobby Lyle – TLC), Jerry McPherson (Donna Summer), Leo Polk (Kashmere Stage Band), John Gordon (Strata-East) and Jackie Simley (Queen Latifah – Lionel Richie). All of the above makes this LP an essential purchase for any self-respecting fan and collector.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1985 on Lightin’ Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition complete with the original artwork.

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Chris Rivers

G.I.T.U.

16,19 €* 26,99 € -40%

Feelings For Ur Own Revolution

Release: 2019 / EU – Original

Genre: Hip Hop

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“G.I.T.U., an acronym for Greatest In The Universe. The title encompasses the feeling this body of work for me. It’s my life experiences, my loves and losses, my stories about overcoming obstacles both external and internal, while learning to love myself and becoming the best version of me. Both as a person and as an artist I tried to push my boundaries and expand my limitations. Everyone’s world is their own, everyone has their own universe that they are in control of, this is mine. I’m the G.I.T.U.” – Chris Rivers

Since he first entered the rap game, every mention of Chris Rivers inevitably acknowledges the influence of his father, Big Pun, one of the art form’s all-time greats. It’s a gift that offered the Bronx MC the opportunity to be heard, but simultaneously a curse that elicits unfair comparisons. But with his Mello Music debut, G.I.T.U., Rivers achieves what would’ve been impossible for a lesser talent: he stakes his claim as a singular artist, one speaking for his generation, his culture, his familial heritage, and most crucially, himself.

If Rivers is unquestionably the son of the first solo Latin rapper with a platinum plaque, he has clearly evolved into his own man. G.I.T.U is the opportunity to tell his story--one that starts full of mourning and self-doubt but matures into a gripping tale of self-discovery. In bold declarative terms, he sketches a portrait of a life lived on the margins, weathering the storms of abuse, poverty, and the lingering shadow of high expectations.

There are struggles with addiction and suicidal thoughts, but Rivers transcends those demons to deliver audio dope that does his legacy proud. He raps with the jaw-dropping lyrical agility and syllable precision that you’d expect from his patrimony, but with the vulnerability and introspection that can only come from an artist who possesses a rare knowledge of self. You can hear the inheritance of his late great father, but also a synthesis and expansion upon the path trodden by Black Thought, Mos Def, and Lupe Fiasco.

The title itself doubles as a mantra: Greatest In The Universe. This is the self-affirmation that Rivers told himself in his most turbulent moments. It’s an inspirational credo that allowed him to keep going, but also operates as fuel to listeners -- particularly those seeking a refracted light from someone deeply familiar with the darkness.

The 16 tracks encompass nearly every mood. There’s the confessional “Perfect,” where Rivers declares “well, I never loved myself, but right now I’m in love with two bitches, I mean women, I mean prisons, I mean prisms.” In the course of a single sentence, he’s able to convey labyrinthine complications. There is “Trick,” where Rivers rumbles like a champion prizefighter, boasting about how his sisters taught him how to brawl, reminiscing on his early days as a “little Puerto Rican fat boy with a brain like an asteroid.” Over rope-a-dope drums, he creates an anthem built for stage-diving and chaos, delivering a pummeling series of references that run from MC Hammer to Cassius Clay to anime. It’s a modern iteration of a tunnel banger: riotous, rowdy, New York brass knuckle rap.

“Damaged Goods” finds the 25-year old lyricist questioning the differences between lust and love, dropped his guard to exhibit a relatable sensitivity. “Wolf Mode” pairs a poignant sax lick with a plea to be able protect oneself from the storms of life. It’s not about being bulletproof, but rather, to possess the strength to endure the chaos that we must face. Yet Rivers is willing to accept the challenges head-on, claiming that he’d “rather have the hard truth than a sweet lie.” While “N.A.S.A.” takes dead-aim at the traps of millennial life: too many useless contacts in your phone, the dim lies of clout, and the indelible need to find the real ones who will hold you down. There is also a flawless “Pakinamac” homage.

The emotional centerpiece of the album arrives on the heart-wrenching “Sincerely Me.” It’s a tribute to Big Pun, but one that refuses to bow down to over-sentimentality. You feel Rivers’ pain and sadness, the struggles of his family, and his frustration at being unable to have a father to turn towards for advice. It’s a votive to a dearly departed spirit, gone much too soon. But when the song fades out, Rivers is stronger than before. A prayer has been answered. It’s the fully fleshed out picture of a son who doesn’t want to eclipse the father but rather, who wants to be able to stand beside him, shoulder to shoulder, two of the greatest of their times.

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Kimosabe

2x12" | 2018 | EU | Original (FHUO)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The Kimosabe Ensemble is made up by Folamour, Jean Bon and Marc Bianco.

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2x12" | 2013 | EU | Original (Ostgut Ton)

Ostgut Ton 70

Release: 2013 / EU – Original

Genre: Electronic & Dance

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CD | 2024 | EU | Original (Far Out)

Lau Ro

Cabana

CD | 2024 | US | Original (Nature Sounds)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Having spent their formative years in São Paulo Brazil, as a teenager, Lau Ro found themself uprooted from their home. Moving with their family to Europe in search of a better quality of life, their story was like that of many immigrants in the same position. Lau Ro’s parents found work in factories and cleaning jobs, for the first few years in the North of Italy and then in Brighton on England’s Southern coast. “We never managed to visit back home, so my connection to Brazil became largely made up of childhood memories and my fascination with all the 60s and 70s music I could find from there.

In Brighton, the young non-binary singer and composer would immerse themself amongst the city's vanguard of free-thinking artists and musicians. Lau Ro formed Wax Machine whose prefigurative, psychedelic community provided a glimmer of countercultural hope amid a backdrop of national political decline. From 2020-23, Wax Machine birthed three cult-favourite albums in as many years; indebted in part to their British psychedelic forebears from progressive folk, rock and jazz yore. But the kernel of Lau’s Brazilian sound was already beginning to blossom across Wax Machine’s releases. Now, taking root deeper still, Lau Ro steps forward with their debut album: Cabana.

Named after the small wood cabin at the bottom of their garden where the album was recorded, Cabana is a deeply personal record of memory, self-discovery and imagination. Melancholy and hope combine across ten tracks of dreamy bossa, ambient folk, fuzzy tropicalia and majestic MPB. The music is swathed in masterful string arrangements and trippy electronics in equal part, while Lau Ro’s delicate, yet quietly confident voice takes acerbic aim (in both English and Portuguese) at polluted city life, while dreaming of a utopia, rich with nature and wildlife.

Like the musical equivalent of semantic drift, Lau Ro’s displacement led to the creation of another Brazil. A mythic place in Lau’s soul, as they put it, “where the sunshine and joy of my childhood remained untapped.” Lau continues: “It’s music that might sound as if it came out of a parallel universe Brazil, rather than its modern day landscape. I am nowadays rediscovering Brazil, going back as often as I can and trying to stay connected to these different parts of the world and myself.”

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Blu & Shafiq Husayn

Out Of The Blue

12" | 2024 | EU | Original (Altered Circuits)

Release: 2024 / US – Original

Genre: Hip Hop

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From weaving thought-provoking poetics to channeling the spirit of vintage West Coast gangsta rap, acclaimed Los Angeles emcee Blu is a dynamic musical presence, forever evolving and defying expectations. Supremely talented producer and musician Shafiq Husayn has a similarly diverse skill set, with a storied history as a member of Sa-Ra Creative Partners and solo production credits for top artists across the musical spectrum, from Erykah Badu to Ice-T to Anderson .Paak to Jurassic 5 and many more. After linking up for the mixtape The Blueprint back in 2018, Blu and Shafiq Husayn are reuniting for the new album Out Of The Blue, elevating their collaboration to a new level. “The Blueprint was just me rhyming over some of Shafiq's beats that I found online,” Blu explains. “This time we were actually in the studio together. We’ve been working together since 2008, but this is our first official album.” Awash in Shafiq’s dense sonic architecture, Out Of The Blue showcases the intricacy of Blu’s spiritual street talk while simultaneously delivering a series of bass-heavy L.A. anthems. Entirely produced by Shafiq Husayn, the collection features guest appearances by MED, Exile, Chuuwee, Thurz, Speed Walton, Jimetta Rose, and Freestyle Fellowship members Myka 9 and Self Jupiter. “Out Of The Blue is my G-Funk album,” Blu explains. “Big brother Shafiq gave us a master class in production. We just in here being funky and having fun.”

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B.Ai

The Best EP

LP | 2024 | EU | Original (Smash)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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B.AI has been quickly rising to prominence within contemporary electronic music, and, arguably, one of her most enticing feats is her ability to make the minimal, electro and tech house genres she navigates her own by injecting them with a unique sense of melody. On "The Best EP", the Chengdu based artist shows she can not only write memorable hooks but can do so while covering a broad array of registers. "Nightdreaming" is a moody builder: although new, sturdily patched layers keep being introduced and the pace never slows down, a sense of restraint remains. This atmosphere quickly changes on "Satisfy", which, with its tapestry of indeterminate arpeggios and EBM-evoking vocals, takes a nervous turn. "The Best" on the B-side is a slab of vigor tailored for the peak time. Set to an effective bass groove, modulated chords, white noise sweeps, delicately mixed moans and bright pads nearly trip one over another. On "Crash Landing On Nimas" B.AI , together with Diego Santana, unleashes a batch of detuned and portamento heavy square wave patterns. The EP, diverse yet balanced, ends on a note so ominous... the contrast with how bright we imagine the future for this maverick talent could not be starker.

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We Be Echo

16,19 €* 26,99 € -40%

Release: 2024 / EU – Original

Genre: Rock & Indie

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3x12" | 1998 | US | Original (Hot Tracks)

Series 17 Issue 6

Release: 1998 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2023 | EU | Original (We Play House)

Reggie Dokes

Moments In Blackness

Power! (Acid Kalle & King Katalogas)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Detroit native Reggie Dokes has been a mainstay of We Play House Recordings since the very early years. The reason for that is simple: his music keeps on moving the mind and soul of WPH boss Red D.

For his latest outing Reggie digs deep into his African heritage, inspired by the godfather or Afro Beat Fela Kuti. Original rhythms, killer stabs and a proud display of his blackness make this E.P. into something that takes house music to a whole other level. Just immerse yourself into this one, no questions asked.

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Power!

LP | 2023 | EU | Original (We Keep Shit Dope)

Release: 2023 / EU – Original

Genre: Hip Hop

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LP | 2022 | EU | Original (Harmless Youth)

Vision Of 1994

Defragmented Dream

Back In The Day / Back In Love Again

Release: 2022 / EU – Original

Genre: Electronic & Dance

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‘Defragmented Dream’ is the second half of Vision of 1994’s double album dedicated to his raising in middle class 90’s and early 00’s Czechia, and of his personal transformation in more recent years.

The first album ‘Concrete Memories’ was indebted to his childhood among the ‘pre-fab’ soviet tombstone tower blocks; growing up in the disillusioned socialist urban environments of the Eastern Bloc, of graffiti, parties, and running riot. ‘Defragmented Dream’ is his self-reflection, set in the here and now, on the inescapable demands of maturity and the troubled fulfilment of hand-me-down dreams of prior generations; the kid, the family, the house and car.

Vision pulls back the veils of youthful expectation. Reeling out of wild adolescence and on to the barren fruitlessness of adulthood proper, the fabric of the Dream is in sampling: repurposed memories painting dour false negatives of life.

Defragmented Dream may have its roots in the cold ground, but its upper reaches bathe in the sun. The good with the bad; bright days in gardens and long nights in basements. Keeping the darkness at bay with piecemeal happiness; smiling grim as we walk through the rain.

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David Sea

7" | 2023 | UK | Original (Jai Alai)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Tape | 2023 | JP | Original (P-Vine)

Main Source

The Science

Willie Walker & The Butanes

Release: 2023 / JP – Original

Genre: Hip Hop

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Formed by Toronto DJ/ producers K.Cut, Sir Scratch, and Brooklyn MC/producer Large Professor, Main Source was one of the seminal groups of the East Coast’s hip-hop scene in 90’s. The original trio’s first and only album Breaking Atoms, was released in 1991 to critical and commercial acclaim, before Large Professor left the group. They recorded a second album, The Science, and even ran ads for it in The Source, before the group’s breakup led to its indefinite shelving. Until now! P-vine Records is proud to announce that we’re giving The Science its long deserved official release, almost three decades after it was initially set for release. This gem among gems of 90’s hip-hop, which had never seen so much as a bootleg release, is going to be released on CD, Analog vinyl (1xLP and 1xLP+7 Inch), and cassette tape. With tracks such as “Bootleg”, “Raise Up, “Time (Alternate Mix)”, and “Hella Vision”, taken from master tapes owned by the three original members, as well as well-loved classics like “Fakin’ The Funk” and “How My Man Went Down In The Game”, this record is sure to be killer. Large Professor’s flows are as smooth and lyrical as ever, and the sample-heavy beats that the producers lay down are supreme. Trust me when I say, that this is one record you’re not going to want to miss.

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I Feel It / Cry Cry Cry

7" | 2022 | EU | Original (Jai Alai)

Release: 2022 / EU – Original

Genre: Organic Grooves

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A double treat for those who love timeless Southern Soul flavoured with some of those good ol’ down home blues. Memphis born, and Minneapolis based, Willie Walker can comfortably be included in the pantheon of grittiest soul singers along with Wilson Pickett, Syl Johnson,

Lou Rawls, James Carr, Eddie Floyd, Tyrone Davis and L.V. Johnson, to name but a few, but there has always been speculation about other Willie Walkers. The recordings on Eutor and Hi in the 70’s are not by the same Willie as those on Goldwax and Checker in the 60’s. He did, however, also record as Wee Willie Walker. He was a member of The Rhythm Harmonizers, The Val-Dons, The Exciters, The Bound Band, Willie & The Bumblebees (although that Willie is actually Willie Murphy of The Val-Dons), and Canoise, spanning a long and varied career before hooking up with the Minneapolis based band The Butanes in 2004, with whom he made the next three albums. The first of these was mainly cover versions, but "Right Where I Belong" (2004) and "Memphisapolis" (2006) are notable for each providing the tracks that make up this latest Jai Alai release, a label that differs from sister label Soul4Real by featuring 21st century tracks previously CD only but now released on 7” vinyl for the first time. It also has to be noted that all the tracks on both these albums were written and produced by Curtis Obeda, who managed to track down Willie after so many years. “I Feel It” will have been missed by most as it was on the CD "Right Where I Belong" which was released in 2004 on the most unlikely of UK imprints, the Wirral based One On One Records run by Colin Dilnot. The album is a lavish display of real instruments from a band that once backed John Lee Hooker and Little Johnny Taylor and the perfect setting for Willie’s powerful vocals. Just tipping five glorious minutes, "Cry, Cry, Cry" is a perfect example of why soul music is inextricably linked to the blues, and when the gospel styled chorus joins in towards the end, you realise that this could, maybe should, have carried on for just a little bit longer. Perhaps a fuller length version exists? Sadly, Willie died peacefully in his sleep in November 2019, but to complete his story check out the two albums on Blue Dot as Wee Willie Walker & The Anthony Paule Soul Orchestra. To quote the great Quinton Claunch…”Willie was one of the best to come out of Memphis in the 60’s”. Steve Hobbs (Solar Radio, Totally Wired Radio)

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Heavy Metal Rock Volume 1

LP | 2022 | EU | Original (Target)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Myth II: A Need To Survive

Eye Of Time

LP | 2018 | EU | Original (Denovali)

Release: 2018 / EU – Original

Genre: Rock & Indie

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One City One Crew / Kassel

LP | 2021 | US | Original (Selfmade)

Release: 2021 / US – Original

Genre: Rock & Indie

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By The Book Black Vinyl Edition

Partner Look

LP | 2022 | US | Original (Trouble In Mind)

The Fire Above Solid Orange Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Partners, Sisters and Friends. Partner Look are a Melbourne-based band made up of German sisters Ambrin (Cool Sounds) and Anila Hasnain (Studio Magic), who are joined by their partners Dainis Lacey (Cool Sounds) and Lachlan Denton (The Ocean Party). The members also share a history of friendship and musical bonds."By The Book" - the band's debut - is a twelve-track charmer that swoons and smirks with a scrappy, yet sophisticated take on sparkling indie pop.Partner Look first got together to write the song 'Jana', a virtual wedding celebration for their family friend whose wedding they couldn't attend in person. Wanting to believe that the hit single sent ripples through the Rhineland's music scene, Partner Look continued writing songs and playing live shows across Melbourne. "By The Book" was recorded in a short window in May 2020, when Melbourne's lockdown was loosened for a few months, allowing five people at home. It was recorded in a studio built by Lachlan and Dainis in Dainis' and Ambrin's garage in Brunswick. Lachlan recorded all his drum-parts playing with the whole band in one go. The rest of the band re-recorded and edited their parts in the following three weeks. Dainis engineered it and Liam "Snowy" Haillwell mixed and mastered all tracks. The band is a vehicle for all members to share their own song ideas and collaboratively progress them in an open and encouraging space. However, misunderstandings often underpin the creative process, as the band name exemplifies. Partnerlook is a German expression referringto two people wearing similar or matching outfits. After years of using the pseudo-anglicism to compliment friends wearing matching outfits, who must have been too polite to ask, Dainis and Lachlan finally wondered: 'what do you mean with Partnerlook?!' Partner Look's music often questions place, belonging and the relationship to `home' in a connected and sometimes disconnected world, focusing on where we differ and where we, as humans, are inherently similar.

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Amammoth

LP | 2021 | EU | Original (Electric Valley)

LP | 2020 | EU | Original (Universal)

Release: 2021 / EU – Original

Genre: Rock & Indie

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“We are a Sludge/Doom band from Sydney, Australia. We have been on the local Australian Doom scene for a couple of years and released an EP at the end of 2019 called the Blackwitch EP and we are about to release our new album The Fire Above. Our influences are varied but include Sleep, The Melvins, EyeHateGod, Electric Wizard and Black Sabbath. We have been getting attention at our live shows for being really loud!!! “Long, hypnotic, simple yet textured seven minute songs. A sonic scream into the abyss and a sacrifice of the innocents at the alter of the almighty bong. The record sounds like a weighted blanket, a comforting fire on a frozen night, a shot of heroin to shut out the voices, a knife in the throat of those who have wronged you, the tender touch of a lover who had plans for you which were not negotiated in the verbal contract of consent.

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LP Elektro

We Have To Talk

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Cowboys & Africans Red Vinyl Edition

Cafolla

LP | 2020 | UK | Original (Dusty Reel)

Tape | 2024 | US | Original (Return To Analog)

Release: 2020 / UK – Original

Genre: Organic Grooves

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The concept behind ‘Cowboys & Africans’ is that all humans originate from Africa (at one point in history) so as laymen, we are all ‘Africans’. The ‘Cowboys’ reference is to the people in positions of power, who take advantage of the everyday person (or those they have power over). The songs challenge how we see ourselves in today’s society. The message is quite simple – be proud of who you are, your friends, family and fellow humans. Stand up for what you believe in and have the con dence not to be bullied by peer pressure or general opinion

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Genetic Control

First Impressions

Aberration / Diabolic Oath

Release: 2024 / US – Original

Genre: Rock & Indie

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We are glad to announce the first official reissue of Genetic Control's 1984 first impressions EP.This 35th anniversary edition will be released as a full length vinyl with loads of never before released tracks from the Genetic Control vaults. Limited to 500 numbered copies.

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Divinations

7" | 2024 | US | Original (Sentient Ruin Laboratories)

Holy Hive Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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In anticipation to greater, more horrific things to come in the new year, we proudly bring you the Divinations split 7” between Aberration and Diabolic Oath, two rising forces of surrealistic extreme metal darkness. This two-song declaration of war upon human psyche showcases the two US-based sorcerers of omnipotent aural terror in complete command of control of their respective crafts as they summon each their own staple idealization of humongous and hallucinatory black/death deformations. Divinations serves as a precursor and taste to what's to come, namely the spring 2024 release of the bands’ two new full length albums, Aberration’s colossal Refracture, and Diabolic Oath’s still secretive but completed second full length abomination.

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Holy Hive

LP | 2021 | US | Original (Big Crown)

LP | 2019 | US | Reissue (Dirt Cult)

Release: 2021 / US – Original

Genre: Organic Grooves

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Limited edition of 350 copies.

In 2020 Brooklyn's Holy Hive introduced us all to something we didn't know we needed. Homer Steinweiss' thickly pocketed drumming paired with Paul Spring's floaty falsetto vocal produces a sound that's like a salve. It's been dubbed Folk Soul and Holy Hive not only expertly overlay the more apparent musical aspects of folk and soul-but they also draw from the more profound: being able to pull traditions from the past and make them their own. When Homer wasn't playing drums for Lady Gaga or Adele or Bruno Mars, he'd produce Paul's solo folk records. Along with original bassist and frequent collaborator Joe Harrison, these sessions proved to be Holy Hive's foundation. And their fi rst record, Float Back to You, expertly combined what each musician does best: Paul's heady, reflective approach to folk with Homer's universal classic soul sound. With their new record released on Big Crown, Holy Hive's beautifully simple-and-sparse Folk Soul sound is back-but updated. With new influences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more reflective. They describe three distinct phases when piecing together Holy Hive: this first stage was pre-pandemic in California while traveling as a group, then-like the rest of us-they were separated, creating together but apart, and lastly an explosion of output once they reunited in New York. There is a natural but subtle evolution for Holy Hive on this record. Homer and Paul drew from new and maybe more obscure-yet-honest influences. It's still very much Folk Soul-how could it not be. But, like all artists, they've taken in what they've made and how they've made it, only to push it into new places. We know of Holy Hive's ability to lyrically convey the abstract and complex in poetic and palatable ways. But where the first record was soulfully silver-tongued with chill songs about love and affection, Holy Hive widens the lens with these novel influences, reflecting the points both Homer and Paul are in their own lives. Featuring musical contributions from Mary Lattimore, Robin Pecknold (Fleet Foxes), Anant Pradhan, Nick Movshon, Leon Michels (El Michels Affair), Shannon Wise (The Shacks), Dave Guy (The Roots), and Elliot Skinner.

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Pandemix

In Condemnation

No Message Blue Vinyl Edtion

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Pandemix is back with In Condemnation, a 10 song LP expanding on their political, peace-punk indebted hardcore canon. The band churns out unapologetic outsider anthems in the tradition of Crass Records bands, with flashes of the angular iconoclastic wit of Flux of Pink Indians or Poison Girls juxtaposed against the jarring and heavy guitar textures of Profane Existence style crust punk. It’s the appropriate tone for Pandemix’s incisive social commentary. On the album closer “Column of Light,” they offer a thesis: “May every breath I ever draw be used in condemnation.” Vocalist Shannon Thompson's breath finds well deserved targets at nearly every lyrical turn. In “Can’t Assimilate” for example, she oscillates between a homophobic street harasser and a cop at a pride parade, finding no solace in any corner of the public sphere. The antagonists on In Condemnation are both political and personal. “It’s all about a relationship to violence,” she spits in “Synthetix.” “If it’s constant and random then you can’t politicize it.” This dismal sentiment clashes appropriately against a jagged bass line and harsh militaristic drum lines. In “Oblivion Lullabies,” a catchy rager that barrels ahead at full throttle, she turns her focus inward. “There’s something nameless inside me / Barren and burned / I can’t believe / That I could be the only one / Who feels like a voyeur in her own life.” A culture of constant performance and decentralized surveillance is critiqued not only for its usefulness to authoritarian figures but also for how it shapes the way we think about ourselves. On the soaring penultimate track, “Past Selves,” we are offered the closest thing to optimism that Pandemix is willing to offer. Its melodramatic, goosebump inspiring riff sets the mood for an anthem of finding strength in oneself in the face of a degrading cultural landscape. “Remain steadfastly human in the face of all this dehumanization,” is the coping mantra Thompson offers as the record nears its end. Even at its most uplifting, In Condemnation shines brightness only in contrast to the constant misery and violence of modern life.

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Art P

LP | 1985 | EU | Reissue (The Outer Edge)

LP | 2022 | Original (Show Your Hands)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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We are proud to present the first ever vinyl release of “No Message” by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On “No Message”, originally released in 1985, we hear the band’s most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.

The two artists from Bremen, the second largest city in Northern Germany after Hamburg, initially met in early 1982 due to a small add in a local newspaper when Grotelüschen was selling his Roland 101 synthesizer. Wegener became the new owner of the machine, the two kept in touch and soon became friends. When Grotelüschen was on holiday for a while he was nice enough to borrow his TR 808 drum machine as well as his Jupiter 4 synth to Wegener. During those six weeks he composed about 6 to 7 tunes that amazed his newly found partner, so that they decided to work together. Art Programming was born and from then on the two electronic music enthusiasts combined forces and released music on various projects. On their first album, the self titled “Art Programming” (1983), they worked with instruments like the Korg Mono/Poly which they mainly used for their bass sounds, a Roland Tb-303 as well as a Fricke sequencer. Later, newer synths like the Yamaha Dx-9 came into play.

We initially discovered Art P on the tape compilation “berlincassette 2-85” a couple of years ago. Their contribution, the title track from their second and last album “No Message”, blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having “no message”. A couple of months later, when we finally were lucky to get hold of an original full length tape (which is pretty hard to come by!), we couldn’t ask for more: powerful apocalyptic Synth Wave on “A Place To Fear”, thrilling vocoder Electro Funk on “Polaroid”, uptempo New Wave Synth Pop on “Sounds of the City”, dreamy and melodic Electro on “Without Jackets”, and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.

“No Message” was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!

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Diner

Fold

16,79 €* 27,99 € -40%

Release: 2022 / Original

Genre: Rock & Indie

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In Ferneaux Black Vinyl Edition

Blanck Mass

LP | 2021 | US | Original (Sacred Bones)

We Insist! Max Roach's Freedom Now Suite Clear Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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What is the utility of pain? Can it do anything but fester? In Ferneaux explores pain in motion, building audio-spatial chambers of experience and memory. Using an archive of field recordings from a decade of global travels, isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue. The journeys are haunted with the vestiges of voices, places, and sensations. These scenes alternate with the building up and releasing of great aural tension, intensities that emerge from the trauma of a personal grieving process which has perhaps embraced its rage moment. An encounter with a prophetic figure on the streets of San Francisco presented the question of "how to handle the misery on the way to the blessing." This is the quandary of the impasse we now all find ourselves in, trapped in our little caves, grappling with the unease of the self at rest - without movement, without the consumerist agenda of "new experiences." The possibility of growth, always defined by our connections with others, held in limbo. Sartre said that "Hell is other people," but perhaps this is the Inferno of the present: the space of sitting with the self. A blessing is often thought of as a future reward, above and beyond the material plane. With In Ferneaux, Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.

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Max Roach

LP | 1960 | EU (Sowing)

LP | 1981 | EU | Reissue (Holidays)

Release: 1960 / EU

Genre: Organic Grooves

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One of the major statements in the history of Jazz and African American liberation movements. Originally released in 1960 on Candid Records, Max Roach’s Freedom Now Suite consists of five original compositions and performances staging and celebrating different moments and aspects of the African American history and culture. Here is a wonderful cast of musicians reunited around Max Roach – drums and Abbey Lincoln – vocals. Throughout the album you can find great contributions from the likes of Booker Little – trumpet, Julian Priester – trombone, Walter Benton – tenor saxophones, James Schenk – bass and three percussionists Michael Olatunji, Raymond Mantilla and Tomas du Vall. Highlights include the highly intense triptych for Drum and Voice by Roach & Lincoln and a special appearance of tenor sax giant Coleman Hawkins on the opening Driva Man.

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Henry Krutzen

Silances

Release: 1981 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Edition of 500 copies, screen printed cover. Includes two inserts: a replica of the original insert and the english translation.

Henry Krutzen is a relatively shadowy figure in the history of experimental sound. Between the early 80s and the 2010s, there are only a handful of albums that bear his name, and very little information about them. A multi-instrumentalist and composer who studied percussion, saxophone, and harmony in various schools and jazz clinics across Belgium, over the years he played in a diverse range of musical projects across the idioms of jazz, new wave, heavy metal, experimental, chanson française, world music and progressive rock, before relocating to Brazil during the early 2000s.

“Silances”, originally released by Igloo Records - the Belgian imprint founded in 1978 by Daniel Sotiaux - sitting alongside astounding and remarkably unique albums by Leo Küpper, Jacques Bekaert, Henri Chopin, Arthur Pétronio, André Stordeur, and numerous others, is an entirely singular gesture at the borders of sound poetry, musique concrète, and radical electroacoustic practice that draws upon disparate elements of drone, jazz, minimalism, ecstatic tribalism, and various traditions of music from across the globe. Decades on from its original release it remains as striking, unique, and compelling as it did upon its release.

In a note that Krutzen penned in 2022 when he was contacted for the reissue of “Silances”, Krutzen recalls: “Since I was 16, I had been experimenting with concrete music with a technician friend and we used all a teenager’s room could offer to make sounds into music: faucets, glasses of water, metal springs on ladders, objects of any kind… I had hours of recordings I pitched to Daniel [Sotiaux], to see if he was interested in making an album. I also had other ideas I wanted to be able to develop. What a joy when he accepted to work on the project! So I got to work. First, I set up a vocal improvisation quartet, and we spent long afternoons rehearsing using input I provided… We went into the studio and recorded almost two hours of improvisation, from which I then chose the best moments for the final product”.

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T3r Va Series 04 Colored Vinyl Edition

12" | 2024 | EU | Original (The Third Room)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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New year, new stars, same route. The final part of our VA series embodies a futuristic and meticulously crafted production of atmospheric and incessant techno.

Outstanding artists named Hadone, Hwrd, Justine Perry and Quelza bringing their unique flair to the table to tell a profound story full of eclipsing soundscapes and eternal width. The four dark and intangible contributions are made to tear down floors whilst maintaining their sophistication and depth.

Out on April 5th - Make sure to grab your limited copy and be ready for the next one!

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LP | 1992 | EU (Radiation Reissues)

Discharged

Step Off / Don't Fool With The Dips Black Vinyl Edition

Release: 1992 / EU

Genre: Rock & Indie

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Originally released in 1992, this is an all-Discharge covers tribute compilation including Extreme Noise Terror, Concrete Sox, Disaster, Raw Noise, the legendary Japanese crusties C.F.U.D.L., among others. A lot like human sacrifice was an everyday experience for Mesoamerica as a bloody offering to the gods that birthed the world; so too is this an intense testament to the gods that started it all. You wouldn’t expect anything less than aural warfare with the likes of Extreme Noise Terror who bleed the battery acid from the veins of ‘No T.V Sketch’ and ‘They Declare It' with their Earache playmates Concrete Sox do punishing justice to the unholy ‘This Is To Be’, leaving one unable to move, let alone ‘Hear Nothing, See Nothing, Say Nothing’, as Nausea remind us of with their rendition of an instant Discharge classic from a decade earlier.

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A-Trak

7" | 2023 | US | Original (Flipnjay / Fools Gold)

Soul Data Transfer EP Marbled Vinyl Edition

Release: 2023 / US – Original

Genre: Hip Hop

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A-Trak! You may have been introduced to him as a World Champion turntablist, an iconic indie record label owner, half of Duck Sauce, a producer, a festival DJ, a remixer, Kanye’s Tour DJ, OR, a former Juicero advocate, but you may not know that he had a Hip-Hop record label in the early to mid 2000’s called Audio Research Records.

During this time, Trizzy hooked up with arguably 2 of the best Hip-Hop groups to come out of that era, producing records for Little Brother and the mighty Dipset! One of the very few Little Brother records that 9th Wonder didn’t produce, “Step Off” falls right in line with the whole LB aesthetic. A-Trak got busy with a bouncy joint that ended up on tons of mixtapes, available Only on ARR 12” until now! Same story with the b-side, A-Trak teamed up with Dipset for “Don’t Fool With The Dips!” featuring 40 Cal, Hell Rell, J.R. Writer.

FlipNJay Records is excited to re-release these joints in collaboration with Fool’s Gold Records on 7 Inch vinyl along with brand new original artwork designed by Rhek!

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Soul Data Transfer

12" | 2024 | US | Original (Ec Underground)

Kool Keith & We Are The Horsemen

Release: 2024 / US – Original

Genre: Electronic & Dance

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Introducing the vinyl debut of Matteo Mazreku's Soul Data Transfer project. When it comes to music, each track possesses a truly magical and elusive quality. It's the indescribable essence that captivates our hearts and stirs our souls.
Matteo Mazreku is an artist that we have earmarked as one to watch out for. Also known as Aseq, he is a member of the Italian trio QUALIA. Additionally, he is the label owner of KOMBINE and began releasing music in 2022. It's remarkable to consider that the artist has been making music for less than five years.
Starting from scratch, he managed to release two vinyl records in just four years. The artist has a deep passion for vinyl records, and you'll find that everything he does revolves around them. With the release of his new "Eponymous EP", the artist showcases an innovative approach to sound design and mixing. With the use of tools like "Gate," the sound is transformed, creating ethereal and abstract patterns that add a unique texture to the track's harmonious melodies. Soul Data Transfer offers a unique experience for both focused and dissociated moments. It allows the transfer of thoughts and fragmented data from one person to another, creating a connection between our minds and souls.
Recommended for fans of Autechre, Gescom, Ital Tek and Lanark Artefax.

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London Is The Place

12" | 2023 | UK | Original (Outernational Sounds)

Ocaso Orange Vinyl Edition

Release: 2023 / UK – Original

Genre: Hip Hop

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The legendary Ultramagnetic MC touches down in London for a one-away collab with We Are The Horsemen, featuring the one and only Kaidi Tatham.

What you sayin’, Kool Keith...? Enter your spaceship for a transatlantic meeting of minds as the legendary Kool Keith links up with We Are The Horsemen (Outernational Sounds head honcho Harvinder Singh Nagi and producer Sub One) and the great Kaidi Tatham for a future-jazz flavoured trip through the great MC’s London adventures.

Kool Keith needs no introduction to hip-hop heads worldwide. As one of the greatest MCs ever to touch the mic, Keith has never stopped innovating and progressing. From his days in the seminal 1980s Bronx unit Ultramagnetic MCs, through his pioneering development of new conceptual characters and styles in the 1990s (Big Willie Smith, Dr. Octagon, Dr. Dooom, Black Elvis), to his continuous run of radically independent recordings in the 2000s and beyond, Kool Keith defines rap longevity and artistic originality. No one else in hip hop has a comparable record of continuous reinvention, conceptual boldness, and stylistic panache.

And after four decades in rap, Keith is still one of the hardest working rappers in the game, perpetually seeking new sounds to spit on and new collaborators from across the musical spectrum. Fresh off the acclaim for his new Black Elvis 2 release, the protean MC has touched down on Outernational Sounds for a unique collab with We Are The Horsemen and Kaidi Tatham. ‘London Is The Place’ finds Keith riding the Horsemen’s atmospheric, break-toughened riddim and reaching back in time to drop kaleidoscopic, stream-of-consciousness impressions of the Ultramagnetic MCs infamous 1989 tour, before flashing forward to the present in order to namecheck Honest Jons Records, saxophone star Nubiya Garcia and master keyboardist and broken beat pioneer Kaidi Tatham, who contributes trademark jazz keys and bruk steez to the AA side remix. The 12” is closed out by a third version, the Horsemen’s own Kool Jazz Mix, bringing see- sawing organ stabs and a neck-snapping Ultra-sampling hook.

Kool Keith, Kaidi Tatham and We Are The Horsemen, taking it higher and overcoming the pressure with ‘music so progressive’, to quote Keith himself! Limited press – don’t sleep on this one!!'

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Pessimista

LP | 2021 | EU | Original (Subsound)

16,89 €* 25,99 € -35%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Formed with the idea to demonstrate the worst that exists in each person, and with a decent dose of pessimism towards the world as we know it, Brazilian black metal solo artist Pessimista has announced the worldwide release of his latest, 2021- album, titled "Ocaso". Set for release on August 20th via Subsound Records, "Ocaso“ will be available worldwide and for the first time in black vinyl (200) and strictly limited orange vinyl editions (100). Says Pessimista: "This album will finally be released on vinyl, becoming a milestone for the band and a personal milestone. I am sure that Subsound Records will do an excellent job, as I have been following their releases and I know that the various weight bands are happy with the work developed".

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Dk Presents Atlantic Rap Vol. 1

CD | 2023 | US | Original

16,89 €* 25,99 € -35%

Odkud A Kam - To Nejlepsi 1969-2022

Release: 2023 / US – Original

Genre: Hip Hop

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Professionally manufactured CDr in jewel case with full color artwork and sealed in plastic wrap.

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Hana A Petr Ulrychovi

LP | 2024 | EU | Original (Supraphon)

16,89 €* 25,99 € -35%

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Blue Note)

Tom Misch & Yussef Dayes

What Kinda Music

2LP | 2001 | EU | Reissue (Chrysalis)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

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De La Soul

AOI: Bionix

Isn't It Evening (Limited Turquoise Blue)

Release: 2001 / EU – Reissue

Genre: Hip Hop

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Indie Exclusive Black Vinyl Edition.
AOI: Bionix is De La Soul's sixth full-length album, released on December 4, 2001. The first single, "Baby Phat" featuring Yummy Bingham and Devin the Dude, was an ode to larger sized women. Elsewhere, "Held Down", featuring Cee-Lo, found Posdnuos in an introspective mood as he mused on fatherhood, religion, and fame. Slick Rick also made an appearance on "What We Do (For Love)"; a humorous song about puberty and sexual discovery. The album featured skits with a character by the name of Reverend Do Good, which worked as social commentary as well as the intros and outros of the songs. The final Reverend Do Good skit acts as one final advertisement for Ghost Weed as heard on De La Soul's previous album, Art Official Intelligence: Mosaic Thump. A mischievous teenager takes a hit of the substance, then morphs into Slum Village frontman J Dilla, who provides the intro and outro to the marijuana-themed song "Peer Pressure" (which he also produced).

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Earl Slick / David Bowie

7" | 2024 | EU | Original (Schnitzel)

7" | 1972 | UK | Reissue (Dynamite Cuts)

Release: 2024 / EU – Original

Genre: Pop

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Legendary guitarist Earl Slick, David Bowie"s longest-standing lead guitarist, is set to release a brand-new remixed version of a track with Bowie on vocals 8 November 2024 on limited edition 7" Colored Vinyl.Earl Slick and David Bowie"s partnership produced some of rock"s most memorable music. In celebration of his recent autobiography "Guitar" published by Penguin achieving #1 on Amazon, Slick is now sharing this musical treasure.Slick recounted a particularly serendipitous moment: "I would never have thought to ask David to sing on my record. It"s not that we weren"t close -- we"d known each other forever -- but it just wasn"t something that would have occurred to me. But when I called Mark Plati at the studio one day to talk about some sessions I wanted to do, it turned out David was there. He got wind of what we were planning and asked to talk to me. "I guess you"re not interested in me maybe doing a little something on the record?" It was a silly question, of course. And what I figured would be some percussion or 12-string guitar turned into lyrics and an amazing vocal. I"m really excited to finally be able to share it with the world!"Producer Mark Plati echoed the excitement, saying, "One of the highlights of my career was being in the room when Earl Slick and David Bowie wrote "Isn"t It Evening", and then having the privilege to help bring it to life."Legendary mixer Bob Clearmountain, who worked on this new version, added, "It was such a thrill and an honor to be working on a David Bowie song again! Recording and mixing the "Let"s Dance" album was certainly one of the high points of my career. His passing was a real shock for me as we had become long-distance friends. Mixing his voice somehow made me feel close to him again."

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Rodriguez

Sugar Man

7" | 2024 | UK (One Oh Eight)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Just had to do it, this timeless classic "Sugar man" by Sixto Rodriguez. An immense tune. OG released on the funk and soul label; Sussex records. With a top line up of musicains - Bob Babbitt on bass and Dennis coffey on Guitar; Gordon Staples did the stunning Strings arrangment and Mike Theodore producer... This was previously issued as a 7" in the 70s, but sell for well over £100.00. We have used the OG White colour sleeve design instead of the South African issue with a black sleeve, in keeping with format styles. On the flip we have take another track from the LP "Only good for conversation" Heavy groove with nice bass drum loop, it has a Eugene McDaniels vibes. x500 copies Don;t miss out!!! credits releases June 21, 2024

Sixto Rodriguez Vocals, Acoustic Guitar Bob Babbitt Bass Andrerw Smith Drums Dennis Coffey Electric Guitar Gordon Staples Leader [Strings] Mike Theodore Arranged By , Keyboards Carl Reatz Baritone Saxophone, Leader, Trombone Bob Pangborn Percussion Theo-Coff Productions Producer Dennis Coffey & Mike Theodore Producer, Arranged By Detroit Symphony* Strings

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DJ Pump / Jim Sharp

Haayaa! / Oh My

Release: 2024 / UK

Genre: Hip Hop

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LP | 2024 | WW | Original (Eaux)

Rrose & Polygonia

Dermatology

Release: 2024 / WW – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Timeless)

Various Artist Part 1

Tape | 1998 | US | Reissue (Bikini Kill)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Timeless brings back the part 1 & 2 format for its 13th release, featuring an all-star Italian dream team. LNO, Lucretio and Omar Akhrif reunite once again, joined by the talents of Giammarco Orsini and Cristian Sarde

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Bikini Kill

The Singles

7" | 2024 | UK (Heat Rock)

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Received a perfect 10 Best New Reissue rating from Pitchfork. Bikini Kill Records is excited to reissue of The Singles, on both vinyl and compact disc. This is the first time that it has been released as a 12-inch (special note for all you vinyl fanatics, we managed to keep it at 45rpm for better sound quality)! The Singles was initially released in 1998 as a CD only compilation of all of Bikini KILL's 7”s. Once called "their defining document" by Pitchfork it includes Bikini Kill's legendary collaboration with Joan Jett on the New Radio (1993) single as well as the long out of print Anti Pleasure Dissertation (1995) and I Like Fucking (1995) singles.

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Altered Tapes

T Turns It Up

Just What The World Needs

Release: 2024 / UK

Genre: Hip Hop

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Next up in the Heat Rock catalog! For HR-020, Altered Tapes (Chicago) and Platurn (Bay Area) offer a double dose of Marvin from his classic blaxploitation soundtrack. Already a b-boy classic in its original form, Altered Tapes decided to turn up the b-boy dial even more with a flip centered around a heavy drum break for Side A. While over on Side B, Platurn offers us an extended, DJ-friendly, stemmed-out version that holds more true to Marvin's take while also adding all the flavor we wish the OG had! Both are guaranteed to make you bounce.

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12" | 2024 | US | Original (Just What The World Needs)

12" | 2024 | UK | Original (Spectrum)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Running it back for another round of dance floor mayhem! We dove into the well for another cup!

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Monkey Safari

Safe Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Coming off the back of a run of breath-taking emotion-laden hits - 'Hi', 'Mantra' and 'Gira' - German duo, Monkey Safari, had actually crafted 'Safe' well before the world was turned upside down. 'We produced Safe as a message of unity, hope and love. When we came to release it, we realised it soundtracked our socially isolated emotions to perfection. Sharing emotions is one of our main motivations when producing music and DJing. Getting together, dancing together, smiling together.' As we navigated the summer's choppy dancefloor waters, 'Safe' became the anthem we all anticipated. Goosebump-inducing, chill-delivering. Sunset, peaktime or sunrise. It became the soundtrack to a brighter future. Fresh for '24 it returns, revisioned and remixed by none other than Spectrum boss Joris Voorn. Ready to comfort and lift us once again.

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12" | 2022 | EU | Original (Mood Edits)

Mood Edits Volume 2

Release: 2022 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Mirella)

Clarita Y Los Pecho Lobo

Marcelo

Release: 2024 / EU – Original

Genre: Organic Grooves

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In the night, the cadenced orientation of the strobe lights sketches geometric trajectories in the dark room. The icy condensation from the cocktail glass drips onto her fingers, caresses her nail polish, grazes the side slit of her evening dress, and evaporates before it touches the floor, the dance floor.

Her body, that of a femme fatale, stands between the clenched bodies of the dance floor. A beam of light pierces the darkness. It illuminates a Mediterranean chest – stronger than the bridle imposed by the buttons of his shirt – adorned with golden necklaces: symbols of faith turned into instruments of seduction. Sin is the antechamber to holiness.

She turns around, that’s him: Marcelo. She had long heard about him. Their gazes, perfect diagonals, get locked in the crowd. A cheeky smile reveals a golden tooth, the lights a shrouded sex bursting forth. His wink is a magnet. Often, words are a mere formality. Let’s make out.

Que rico. Que lindo. Te quiero.

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Make Italo Disco Great Again Volume 4

12" | 2024 | EU | Original (Cracki)

Kwengface X Joy Orbison X Overmono

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Parisian label Cracki Records has teamed up once again with Hong Kong label Fauve Records, headed by producer and DJ Romain FX, for a new compilation entitled “Make Italo Disco Great Again Vol. IV”! Following in the footsteps of Coeo, Arash & Quasar, Tre Turner, Maltitz and Mangabey, this new album continues to give the floor to artists from all over the world (Ireland, Korea, Mexico, Germany...) to share their vision of the unique genre of Italo disco. With contributions from Mystery Affair, Shubostar, Sara Miller, Cole, Maltitz and Romain FX.

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Freedom 2

12" | 2024 | EU | Original (Kwengface)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (Nervous)

Danny Tenaglia

Tonight

Coming On Strong Ep Solid Gold Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Danny Tenaglia’s new EP on Nervous Records features “Tonight” and “Out From Obscurity” and a remix of his prior Nervous Records release “Move That Body.”

With ”Tonight,” Danny kicks things off with the title track - treating us to both ‘No Beats Intro’ and ‘Beats Intro’ versions. And in doing so - manages to deliver, hands-down, one of the most tantalising and majestically rousing opening gambits we’ve heard in some time.

And when ‘Tonight’ finally bursts its aural banks, circa 1 minute 30 seconds - with the most seamless of transitions, we suddenly find ourselves surfing a decadent wave of hazy Rhodes, staccato bass and mesmeric vocal work - ebbing and flowing right up to it’s opulent and wonderfully soporific conclusion.

Next up we have DT’s re-rub of George Vidal’s ‘Out From Obscurity’; a veritable pressure-cooker of a track, that spins and weaves a sense of poise, tension and drama which escalates stealthily throughout. A stripped-back, rolling synth-driven’, made-to-measure for the 2024 club floor.

Finally - closing this souped-up invigorator of a release - we have ANTRANIG’s remix of Danny and Cevin Fisher’s ‘Move That Body’… a fully tribalized, menagerie-wrapped groove; which wears the sweat, the writhe and all that heat - very much on it’s visceral, live-and-direct sleeve.“

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Interplanetary Criminal

12" | 2022 | EU | Original (Time Is Now)

Derya Yildirim & Grup Simsek

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following his UK Chart Top Ten worthy collaboration earlier this year, we're thrilled to announce the next release from artist-of-the-moment, Interplanetary Criminal.

Coming On Strong marks IPC's fifth Time Is Now release, and sees him collaborate with two TIN family members. Whilst the first collaboration sees Killa P's inimitable flow animate a brooding dark garage beat, the second has fun and playfulness at its core. How could it not? IPC teams up with good pal Main Phase on raucous a number that takes its swung bassline from dubstep.

The following two tracks 'Beat Work' and 'Coming On Strong' are no more po-faced. The former boasts IPC's innovative prowess, the kind of track you'll have to hear it to believe it: expect metallic cowbells, a squelchy 4x4 pulse and skippy vocal chop, later bolstered by a rude warped bassline. The latter sees the suggestions of speed garage reach full form, proving what IPC does best: making rowdy bangers.

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Nem Kaldi

12" | 2017 | CH | Original (Bongo Joe / Catapulte)

12" | 2024 | EU | Original (System Music)

Release: 2017 / CH – Original

Genre: Rock & Indie

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The debut-EP of this Anatolian psych-pop sensation consists of four heart-melting gems in which Turkish folk music meets groove and electric action! Singer/multi-instrumentist Derya Yildirim teams up with fantastic drummer Greta Eacott (G-Bop Orchestra, One-Take Records) and three-quarters of Orchestre Du Montplaisant (Antonin Voyant, Graham Mushnik and Andrea Piro). With members originating from Turkey, Germany, France, Italy and Great Britain, Grup Simsek encapsulates the Outernational generation. Unlike in western pop culture, Turkish pop music is often focused on traditionalised songs and endless ways of reimagining these. Grup Simsek take the righteous and rich Turkish poetry to the future whilst not losing awareness of the past.

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Mantra

Schemes & Dreams EP

12" | 2024 | UK | Original (Freerange)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The link up between Mantra and Vivek goes back to 2013 when Mantra used to frequent his System nights at The Dome. Both share similar values in grafting hard, focusing on the music and not getting distracted by the noise surrounding the culture. This EP has been in the making for over 2 years and we’re proud to finally be releasing Mantra’s debut SYSTEM EP.

4 cuts spanning different corners of electronic music - from broken beat, garage, and jungle, all with a heavy dub influence. Chopped up breaks, carefully programmed hits, dub baselines, heavenly pads - this release is raw, weighty & System to the core!

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Philippa & Jimpster

All I Wanted EP

Release: 2024 / UK – Original

Genre: Electronic & Dance

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As Freerange hits another landmark release with their 300th EP we see label head Jimpster join forces with Philippa who together deliver 3 original tracks which epitomise the labels’ sound over the past (almost) three decades.

With recent releases appearing on Slothboogie and Razor n Tape, remixes for Roach Motel on Faith, and James Curd and Robert Owens on Pronto, not to mention her recent Panorama Bar debut, it’s safe to say Philippa is making waves. The Berlin-based New Zealander has a sound all her own with an organic, deep and musical style winning her many fans from Terry Farley and Aroop Roy to DJ Spen and Dave Lee.

Lead track All I Wanted sees the duo pooling their influences with both producers sonic touches shining through. Chunky drums and bassline are the bedrock for pulsing synths and MON’s vocal which is chopped up and looped bringing a rolling momentum to the track.

Dreaming features the wonderful vocals of Care and goes on a floaty vibe with chiming synths and crusty Rhodes keys layering up to produce a densely textured track. The mood is powerful yet subtle and refined and will work as nicely on a chilled house playlist as it will on a discerning dance floor at 4am.

Closing out the EP we have Say What which goes on a jazzed out, UKG inspired excursion. Shuffling beats, bouncing square wave bassline and big brash synth chords all combine to form a track which sounds both retro and contemporary.

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12" | 2024 | EU | Original (Caribbean Shakedown)

Caribbean Shakedown

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Shaketown series strikes again! This time, we’re diving into the vibrant rhythms of the Caribbean,
delivering four dazzling zouk gems, each reimagined with a fresh and modern twist. Following in the
footsteps of Noema’s legendary edit of Ata Kak’s “Daa Nyinaa”, the brand new CARIBBEAN
SHAKETOWN EP is packed with uplifting grooves, infectious Balearic synths, and vocals that will
keep you hooked from start to finish.
Guiding this sonic adventure is David Benjamin, aka NOEMA, aka MAGIC JAMS - a DJ, Producer,
Guitarist and Label Owner from Berlin. In his studio work, he has released one very well received
album as well as several EPs, remixes and edits. In this context he collaborated with heavy weights
like Apparat, Dj Dixon, and Grammy winners Basement Jaxx as well as electronic music underground
heroes such as Lauer, Kalabrese, Shubostar, O/Y, Acid Pauli, Auntie Flo, Dreems, Khidja, Panthera
Krause and Mehmet Aslan.
Looking back at more than 25 years of DJing, David is a true master at the decks. Constantly refining
his craft during a former 10-year residency at the legendary Berlin Club institution Wilde Renate, he
developed a unique style combining an outstanding selection, ranging from Disco to IndieDance and
House, with out-of-this-world mixing skills. While David releases and plays rather electronic,
contemporary and psychedelic music under his NOEMA moniker, his MAGIC JAMS alias is all about
acoustic sounds and crate digging, with focus on Music of the African diaspora, Cosmic Disco and
Balearic Beat.
Furthermore David holds a diploma in classical guitar with focus on music theory, works as a
teacher/mentor and runs the highly acclaimed The Magic Movement label and released music by the
likes of Nicola Cruz, Axel Boman, Dengue Dengue Dengue, Xique-Xique, Eddie C and many more.
All proceeds of this release will be donated to the LOVE AND HOPE MUSIC SCHOOL in City Soleil,
Haiti. This beautiful project is offering free music lessons in several orphanages in one of the most
dangerous slums of Port Au Prince.

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12" | 2024 | UK | Original (Drum Chums)

Percussion Pals Volume 1

Release: 2024 / UK – Original

Genre: Organic Grooves

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Dave Lee's Essentials Sampler

12" | 2023 | UK | Original (Z)

12" | 2007 | US | Reissue (Underground Resistance)

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Long time house and disco devotee Dave Lee comes through on Z Records once more with a sampler from this years ZR Essentials collection. It features two of his masterful reworks starting with Jamiroquai's 'Little L'. He flips into a funked up cosmic delight with plenty of the original's synth flourishes melodic hooks and orchestration all present and correct but with added slap bass, replayed rhodes and beefy new drums which make this a surefire dancefloor winner pretty much anywhere. On the flip comes Dave Lee's Disco Fantasy mix of Shelia & B Devotion's 1979 hit 'Spacer' which has a more retro disco sound thanks to the masterful original work of Chic. Additional clav, new string parts and solo-ing keys give 'Spacer' the extended DJ mix it never had at the time of original release.

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Hi Tech Dreams

CD | 2024 | US | Original (Fat Possum)

Release: 2007 / US – Reissue

Genre: Electronic & Dance

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Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO Corporations Should Dictate City Function the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change……

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E L U C I D

Revelator

Release: 2024 / US – Original

Genre: Hip Hop

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12" | 2024 | UK | Original (Backatcha)

U-Bert

Got To Make Sure