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Bee Mask - Versailles Is Not Too Large Or Infinity Too Long
Bee Mask
Versailles Is Not Too Large Or Infinity Too Long
LP | 2023 | UK (Unifactor)
23,99 €*
Release: 2023 / UK
Genre: Electronic & Dance
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We're starved for two-sided 12"s in the world of ambient music, but Chris Madak aka. Bee Mask has refreshingly graced us with one this week. It should be said that there's Skee Mask and then there's Bee Mask; the latter is far more unsung, undeservingly so. Madak's music is abstract and cerebral enough to have lent him credo enough to have released on the likes of Weird Forest, Spectrum Spools and Room40. But this latest reissue, 'Versailles Is Not Too Large Or Infinity Too Long', hears him plunge the ethereal heights for the US label Unifactor. Originally released on cassette on Chondritic Sound in 2008, these pieces deserve the renewed attention and the fresh laying to wax, since they're not 'regular ole' ambient cuts in the slightest. Unafraid of indulging the high end freqs, Bee Mask fleshes out a mood of uncertain, urgent bliss - sizzling, crunching and soaring the drone, as if its maker were a modern Icarus flying too close to the sun.
Beenie Man - World Gone Mad
Beenie Man
World Gone Mad
7" | 1999 | JM | Original (Call Me $ham$)
3,99 €*
Release: 1999 / JM – Original
Genre: Reggae & Dancehall
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Used Vinyl
Medium: VG, Cover: Generic
Behavior & Mayako Xo - Free World
Behavior & Mayako Xo
Free World
LP | 2022 | EU | Original (Ppm)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Free World is the first full-length issue from an ongoing collaboration between Behavior (Bedros Yeretzian, Evan Burrows, Justin Tenney, Robbie Cody) and Mayako XO (Sara Gernsbacher). It was tracked between 2019 and 2020 and assembled over the course of the last year in Los Angeles. The album reflects its creation under open-ended yet intent circumstances. What's recorded is a tangled pas de deux between discredited and demonstrative characters, singing through shifting voices over a living, melancholic music rendered legible by surveillance.
Behind The Trees - Behind The Trees EP
Behind The Trees
Behind The Trees EP
12" | 2021 | EU | Original (HPTY)
16,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Finnish band Behind The Trees releases their self titled debut ep. Curiosity towards world music, shamanistic approach to rhythms and cosmic levels in life made it happen. There are five different kind of tracks in the ep. The intro track "Haiku" is a mood setter for the whole journey. Inspired by the mid eastern mystical soundscapes. Second track "Bonefire" follows the path, painting a picture of desert campfire, where travellers psychedelic guitar will trip you out as your body follows the rhythm. Third track "Acid Yerli" is the climax on the ep. Turkish disco and acid house combined, you don ́t have to be scientist to figure out the forecast. On the flip side "x4" is a different kind of expedition. Hear the waves hitting the rocks and balearic breese corressing your cheek bones. Track "x4" is a kind of balearic homage to eighties AOR, seasoned with chanting soft voice of Finnish singer Suva. Last track "Gentle" relaxes your mind and body. The piece has a grounding vibe, with healing resonances that will restore your energy. Dare to see Behind the Trees, the obscure adventure of life.
Beifer - Constant.Transition
Beifer
Constant.Transition
LP | 2023 | Original (Tunnel.Visions)
28,99 €*
Release: 2023 / Original
Genre: Organic Grooves
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Emerging artist Beifer presents his highly anticipated debut album "constant.transition": an eclectic fusion of electronic music with strong influences from dubstep, garage and drum&bass, enriched with captivating jazz elements. This cross-genre work takes listeners on a journey through dark atmospheres and avant-garde soundscapes, brought to life by the artist's complex percussion layers and interesting chord structures.
With great experimentation and a desire to break new ground in electronic music, Beifer has created an album that captures the listener's attention with its unique textures and unconventional soundscapes. Each track is an exploration of musical possibilities, with Beifer masterfully blending a wide variety of genres while creating a cohesive and infectious atmosphere.

The album also features notable collaborations with renowned musicians. Wanja Slavin, Moritz Stahl (Ark Noir/Lyder) and vocalist Enji have collaborated with Beifer to add an additional dynamic and layered dimension to the album. Their unique talents and empathy blend seamlessly with Beifer's vision, opening up new worlds of sound for the listener. Beifer has managed to push the boundaries of electronic music and make an impressive artistic statement with his debut album.

"constant.transition" is the first release on the newly founded tunnel.visions label. Starting as a event-series, the three members of the electronic alternative experimental jazz band Ark Noir have made it their mission to present progressive, contemporary music that includes acoustic and electronic instruments, takes up compositional and improvisational concepts and thus breaks down the boundaries between academic and autodidactic practice.
Over the past year, Ark Noir has featured Beifer several times at concerts and brought the music of "constant.transition" to the stage with live instrumentation. The program was enthusiastically received by the audience.
Beigean - Jaya's Strut EP
Beigean
Jaya's Strut EP
12" | 2023 | UK | Original (Tava Discs)
14,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Beigean returns to his own Tava Discs, as well as to vinyl for Tvd002, once again heading into his inherited archive of Punjabi folk, Bollywood disco and an increasingly encyclopedic knowledge of UK club culture. With tracks previously showcased by Midland, HAAi and Erol Alkan, Tvd001 quickly became a rarity, and this limited-pressing looks to conquer similar ground via a quadruple attack of deeply effective, disarmingly personal rave movements.

Whereas previous Beigean releases on TVD, Hot Concept and Ransom Note have dug into Haamed Ratyal’s childhood influences, the tougher sounds of Tvd002 take inspiration from a further blend of cultures. Initially alchemised during a stretch living along the diverse, tropical and sometimes unforgiving natural landscape of Northeastern Australia, the sounds of Tdv002 are appropriately imposing.

Emerging from strikingly lo-fi territory ‘Jaya’s Strut’ slowly builds in groove and intent, weaving bass guitar and crackling drums with dubwise production, a deceivingly simple production that hits with enough character and intent to lead the record. It sets the tone nicely for the rhythmic explosion of Kashmiri Red, which powerfully, smoothly blends chopped-up exotica with flourishes of screwface-inducing bass.

Beigean’s sonics become more dramatic still on ‘Cane Fire Season’. Honoring the agricultural tradition of farmers torching their sugar cane crops each summer in Queensland, the track is itself a fiery pressure machine that overwhelms dancers with clattering drums and an industrial techno atmosphere that wouldn’t feel displaced in some of the world’s largest festival tents.

Finally, Beigean lets his intuitive and evocative percussive programming take the lead on ‘Sun Dappled Burdekin’, a scorched and psychedelic souvenir certain to linger in the heads of ravers as much as the memories that inspired its composition.
Being - Broxburn Funk
Being
Broxburn Funk
2LP | 2020 | EU | Original (Firecracker)
24,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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being, then ... Locked in a 486 glow, lightblink machines nightlight, being enters lighttime limelight. The long nineties already distending, the Major midbloats, crowds throng superclubs- strobelit honeys on a podium in Ibiza already blasted a stratosphere away from mildewed badflats, emphysemic parlours, the fug of week old washing drying slowly on the rad. Ach we’ll hang it out in the morning fire another joint of badhash and turn that tape over. We are being Here. beings disconnected, shut ins, psychick worriers, long walks to and from clubs, mostly dark, always raining, or mizzling anyway, lug bigbrick machines into cabs and Venue, setup and playing live and right now from the lounge lobby at Sativa, down the stairs from the caustic, twitching thrashpit being sits, being works. Dole sludge, shirking class zeroes, scoff pizza rolls w salad cream, that headchef gaffer never reckoned you’d graft at the potwash, a slick fur of rotfood dish slop residue right to the elbow, absolutely bowfin. Rumours of other places, people, scenes, tapes sent and emissaries return, invites to get trains, overnightbus south to London. being brought water to the ‘wells in South London and monthly emissions snaked out into the world, into badflats elsewhere where gowched couch tatties sprawl and the being burrowed deep into memories.. Tea is toast and sandwich spread and endless crisps as the binbags pile high in the backyard, the being blinks, it’s a twilit morning and it’s time to go to bed. Produced by being, Edinburgh.
Belinda Carlisle - Heaven On Earth
Belinda Carlisle
Heaven On Earth
LP | 1987 | UK | Reissue (Demon)
36,99 €*
Release: 1987 / UK – Reissue
Genre: Pop
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Bella Bellow - Album Souvenir
Bella Bellow
Album Souvenir
LP | EU (Survival Research)
16,99 €*
Release: EU
Genre: Organic Grooves
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Togo’s most celebrated vocalist, Bella Bellow, first achieved international attention in 1966, when she represented her country at the first World Festival of Negro Arts in Dakar, which caught the attention of the pioneering Paris-based Togolese musician/producer Gerard Akueson, who sought to market her as the next Miriam Makeba. Album Souvenir compiled singles cut for Akueson between 1968-71, including ‘Nye Dzi,’ ‘Zelie’ and ‘Bem Bem,’ all marked by the slick production values that aimed for international audiences, rather than the grassroots African niche. Tune in and understand the iconic Bellow’s commanding appeal!
Bella Brown & The Jealous Lovers - Soul Clap
Bella Brown & The Jealous Lovers
Soul Clap
LP | 2024 | UK | Original (Lrk)
20,39 €* 23,99 € -15%
Release: 2024 / UK – Original
Genre: Organic Grooves
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Bella Brown & the Jealous Lovers Unveil "Soul Clap" LP: A Fusion of Retro Soul/Funk and Modern Grooves
Los Angeles-based retro soul/funk sensation Bella Brown & the Jealous Lovers are set to ignite the music scene with their highly anticipated LP, "Soul Clap." Born from the creative genius of Grammy Award-winning vocalist/songwriter Carol Hatchett, Bella Brown emerges as a diva with a fiery stage presence, drawing inspiration from the likes of Tina Turner and Sharon Jones, and channeling the empowered female leads of 70s Blaxploitation films. Led by producer/bassist/songwriter Daniel Pearson, The Jealous Lovers assemble an impressive ensemble of A-list musicians, boasting pedigrees that include names like Mick Jagger, Elton John, Whitney Houston, Prince, and Stevie Wonder. This musical collective is on a relentless quest to redefine the boundaries of music, infusing soul and funk with elements of jazz, rock, and Afro-Caribbean influences.
The essence of "Soul Clap" is derived from the cultural phenomena it is named after—a shared and improvised rhythm-making by a collective. The LP, spanning 40 minutes of pure musical bliss, invites the audience to immerse themselves in the groove and discover their individual truths in the music.
The title track, "Soul Clap," and the infectious "Living Proof" serve as funky dance bangers, echoing the spirit of Bohannan and The Tramps. These tracks, punctuated with jazzy improvisations and soulful horn arrangements, are simple yet joyful expressions of shared humanity and self-love.
"Coming For You" is Bella's audacious response to the soul/funk classic Apache, boldly announcing her and The Jealous Lovers' arrival on the modern soul landscape. "I Found You" takes a northern soul love song approach, reminiscent of Gloria Jones with a touch of modern influence, giving it a distinct Amy Winehouse feel.
Bella Brown seamlessly weaves social commentary into her art. "Bang Bang Bang," an uptempo, funky Motown groove, cleverly uses Curtis Mayfield's sense of sarcasm to reflect on American gun culture. "Lady Time" takes a driving afrobeat groove, employing brassy horns and reggae-like echoes to address the issue of homelessness.
However, the album is not without its lighthearted moments. "Fast As Lightning" celebrates a cleaner future by imagining Jimi Hendrix joining Ike and Tina Turner's band to create a classic Chuck Berry car song. "There Is Love" blends horns, strings, and vocals reminiscent of The Stylistics over a Chi-Lites style rhythm section, to create a lush message of support to those among us that may find the world a bit overwhelming at moments. Finally, "What Will You Leave Behind," is a revamped version of the group's sold-out vinyl 45 release. This track serves as a powerful call to action for a better future, delivered over a straight-up Motown groove with a funky Sly Stone finish.
Bella Brown & the Jealous Lovers have crafted an album that transcends genres, embracing the roots of soul and funk while pushing musical boundaries.
"Soul Clap" is a celebration of individual truths, shared experiences, and the timeless power of music.
Belle And Sebastian - OST Days Of The Bagnold Summer
Belle And Sebastian
OST Days Of The Bagnold Summer
LP | 2019 | EU | Original (Matador)
27,99 €*
Release: 2019 / EU – Original
Genre: Pop
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Der Soundtrack von "Days of the Bagnold Summer" beinhaltet 11 brandneue Belle & Sebastian Songs, aber auch den neu aufgenommen Hit "Get Me Away From Here I'm Dying", der im Original vom 1996er Album "If You're Feeling Sinister" stammt. Mit "I Know Where The Summer Goes" befindet sich ein weiterer Klassiker auf dem Album."Days of the Bagnold Summer" erschien 2012 als preisgekrönteàGraphic-Novel von Jeff Winterheart. Nun wurde sieàvon Simon Bird (The Inbetweeners, Friday Night Dinner) als abendfüllender Kinofilm inszeniert. Mitgespielt habenàu.a. Monica Dolan (Eye in the Sky, The Falling, Pride), Earl Cave (The End of the F***ing World) sowie die Autorin undàRegisseurin Tasim Greig (Prevenge, Sightseers).à"Days of the Bagnold Summer" ist ein berührend komische Comimg Of Age-Geschichte über einen Metal-Fan, dessen ursprüngliche Pläne für die Sommerferien ins Wasser fallen. Stattdessen muss eràden Sommer mit der Person verbringen, die er am meisten nervt: seiner Mutter!
Belzaii - Popsongs
Belzaii
Popsongs
LP | 2023 | EU | Original (Lez'arts Collectif)
25,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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After "Quai Saint-Georges" (2017) and "Montagne Sainte-Victoire" (2019), Belzaii made its third album in 2021, "Popsongs". In this new opus recorded with Lionel Pelatan (sound engineer of Les Doigts de l'homme), 'the quartet offers an open and airy gypsy jazz" (in Guitarist acoustic unplugged #79, Max Robin). But the Belzaii style go far beyond gypsy jazz. The compositions strongly represent a musical world open to several influences, latin jazz, classical, yiddish, or "pop" whatever it means... A meaningful universe, with lots of poetry, rythm and surprises. Finally, this album is about music in every sense, the music of its lead guitarist and composer Olivier Tassëel, to which each musician adds its own sensitivity: the saxophonsit Cédric Meunier, the double-bassist Anthony Gutierrez, and the guitarist Tomy Vincent.
Ben Bertrand - Dokkaebi
Ben Bertrand
Dokkaebi
LP | 2021 | EU | Original (Les Album Claus)
18,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Ben Bertrand weaves transverse waves into otherworldly compositions. He embodies the singular motion of these melodic and harmonic forms in order to draft new sonic possibilities freed from the laws of the physical plane. Pulsating at the kernel of Ben Bertrand’s musical universe are vivid dreams generating the fabric of these tapestries. Dokkaebi is deeply familiar yet refreshingly unknown, like a comforting whisper from your subconscious. It gently drifts into perception, glistening like the sun sparkling off a glacier gliding along the edge of your vision.

Deep listening to these tonal sculptures is enriching. By opening oneself to their deliberate unfolding, you will discover new principles for sound organization far afield from common modes of operation. The gradual, rhythmic progression of his compositions are ever-shifting grains, which upon thoughtful contemplation, reveal astonishing worlds. Bertrand’s music is constructed from blueprints drafted with honest intentions aspiring to bring humans closer to a sense of wonder.

Ben Bertrand welcomes each listener to discover his music anew from their own perspectives. It is infinitely in time with your time. These are the ripples in the wake of successive revolutions of universal evolution. Dokkaebi is an example of musical expressions adapting to the contours of the human psyche through gentle reflection of multiplicity. They are sounds reshaping themselves to suit the contours of each individual’s subconscious—sonic entities projected simultaneously as molecular and holistic.

Dokkaebi is an oceanic expression softly set in motion by honest aims that echo and grow. Ben Bertrand beckons you to listen up and look in. There is great reward in this generous flow.

Ben Bertrand was accompanied by Christina Vantzou, Geoffrey Burton, Indré Jurgeleviciuté, Echo Collective: Margaret Hermant & Neil Leiter, Otto Lindholm.
Ben Bondy - Sibling
Ben Bondy
Sibling
2LP | 2020 | EU | Original (Experiences Ltd.)
29,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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2022 repress

Ben Bondy blesses Special Guest DJ’s Experiences Ltd with a near-fathomless solo debut of sensual, low key electronics and intimate nocturnes following a pair of peaches from from Ulla and Folder. This one’s all fizzing warm and loved up, highly recommended listening if you’re into anything from Newworldaquarium/154 to Harold Budd. Like his split with Exael for Huerco S.’ West Mineral, ’Sibling’ sees Bondy return to a seductively gauzy mid-ground sound that over the course of 15 tracks lulls and lists with a minimalist patience, allowing forms to emerge and evaporate in constantly shifty transitions and weathered plays of light according to an immersive eco-logic. Those liminal traces of sound and influence are almost imperceptible, pulling you into a protective amniotic sound-world thats evocative and comforting. The album actually started out as a single LP but the mood spilled over into something twice as long and deep with it, creating what he describes as “kinda two parts to one being. kinda like the way the bonds of friendship/siblinghood work”. This fraternal pathos percolates throughout the album, knitting together gently windswept permutations of thizzing pads and frayed rhythms under a smudged and slowly turning kaleidoscopic lens. It’s pretty much the definition of hypnagogic, likely to draw your eyelids to half-mast and your mind to blissed-out dream states.
Ben Chasny - The Intimate Landscape
Ben Chasny
The Intimate Landscape
LP | 2021 | US | Original (Drag City)
28,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Ben Edge - New Tradition Dark Green Vinyl Edition
Ben Edge
New Tradition Dark Green Vinyl Edition
LP | 2021 | EU | Original (Glass Modern)
27,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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New Tradition Is The Debut Solo Album By Ben Edge, Who's Past Musical Projects Include Thee Spivs And Ben Edge And The Electric Pencils. Releasing On Vinyl To Coincide With The Exhibition Of Ben Edge's Paintings In June At The Crypt Gallery At The St Pancras New Church In London, In Collaboration With The Museum Of British Folklore.Ben Who Is A Painter And Visual Artist, Has Undertaken A Project Over The Past Four Years In Which He Has Obsessively Been Visiting, Filming And Painting The Folk Customs, Rituals And Ceremonies Of The British Isles And This Group Of Songs Was Inspired By The Sights, Sounds And Folkloric World In Which Edge Has Immersed Himself. The Cover Art Is One Of Edge's Paintings And Depicts The Garland King Of Castleton, Derbyshire. The Album Was Produced By Matthew Shaw (Shirley Collins, Tex La Homa, Spectral And The Pop Group) The Coming Year Will Be A Busy One For Ben Edge With The Launch Of His Documentary Film And Series Of Paintings 'Frontline Folklore' That Will Be Exhibited In Collaboration With The Museum Of British Folklore And Of Course When The World Permits Playing Live And Performing The Songs Of 'New Tradition'.
Ben Folds - What Matters Most Indie Exclusive Signed Colored Vinyl Edition
Ben Folds
What Matters Most Indie Exclusive Signed Colored Vinyl Edition
LP | 2023 | US | Original (New West)
30,09 €* 42,99 € -30%
Release: 2023 / US – Original
Genre: Rock & Indie
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“More than anything, I wanted to make an album that was generous, that was useful,” says Ben Folds. “I want you to finish this record with something you didn’t have when you started.” Indeed, Folds’ masterful new collection, What Matters Most, isn’t so much a statement as it is an offering, an open hand reaching out to all those wounded and bewildered by a world that seems to make less and less sense every day. Recorded in East Nashville with co-producer Joe Pisapia, the album marks Folds’ first new studio release in eight years, and it’s a bold, timely, cinematic work, one that examines the tragic and the absurd in equal measure as it reckons with hope and despair, gratitude and loss, identity and perspective. The songs are bittersweet here, hilarious at times, but often laced with a quiet sense of longing and dread: a text message goes unanswered; an old classmate descends into the dark depths of internet conspiracies; a relationship unravels in the middle of a lake. And yet, taken as a whole, the result is an undeniably joyful record that refuses to succumb to the weight of the world around it, an ecstatic reminder of all the beauty and promise hiding in plain sight for anyone willing (and present enough) to recognize their moments as they arrive.
Ben Frost & Francesco Fabris - Vakning
Ben Frost & Francesco Fabris
Vakning
LP | 2023 | UK | Original (Room 40)
30,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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More recently best regarded as soundtrack composer, Ben Frost here follows work with
interdisciplinary sound artist Francesco Fabris on the ‘Dark’ OST with a plunge into purest rock
music, as in the actual sound of molten material rising to the surface and solidifying. With an
impressionistic-artistic license also found in work by Chris Watson, Jana Winderen or Giuseppe
Ielasi, the duo uncompromisingly revel in the sounds of nature’s biting point, using various
production methods to make audible the sound of the earth beneath our feet in the process of
creation, on location at Fagradalsfjall, Reykjanes Peninsula Iceland.
Here’s label boss Lawrence English on the subject
“As stable as we might choose to think it is, this planet is anything but that. A paper thin crust,
the zone in which we find ourselves, and mostly concern ourselves with, exists as a modest veil
cloaking a dynamic seismic turbulence that is as powerful as it is unknowable. There are moments
though where ruptures occur. The pressure from within carves its way to, and through, the
surface of the planet simultaneously delivering destruction and virgin landscapes, as primordial
as any we might care to imagine. It is here, in these places, where we can literally see the living
planet, that geologic time is condensed and world building is made visible, and audible to us, in an
unrestrained and provocative detail.
These volcanic ruptures, such as those captured on Vakning by Francesco Fabris and Ben Frost,
speak to the very living geology of Earth. These recordings, captured at close range, exist at a
nexus where liquid rock becomes solid. They capture moments of transformation, of obliteration
and of creation, often all at once. These are recordings of a living, material planet, dynamic and
unrestrained.”
Ben Harper - Welcome To The Cruel World 25th Anniversary Edition
Ben Harper
Welcome To The Cruel World 25th Anniversary Edition
LP | 2019 | US | Original (Virgin)
43,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Ben Pirani - How Do I Talk To My Brother? Black Vinyl Edition
Ben Pirani
How Do I Talk To My Brother? Black Vinyl Edition
LP | 2018 | US | Original (Colemine)
27,99 €*
Release: 2018 / US – Original
Genre: Organic Grooves
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"It'd be easy to mistake this release for yet another soul revival album made by a dude who wasn't there the first time around - but it'd be the listener's mistake to make. What kind of record is a man with a punk past going to make when he's been a mod, a rocker and a rare soul collector in between? One that draws on a familial history of activism, sacrifice and earnest hustling - the very same things we're all being called upon to conjure as a society in this present moment. This is a body of work that lets neither performer nor listener off the hook, yet still understands the need for care and cause in the spaces between. Consider it: A band of fighters meant for the clear-eyed lovers of the world. Ben Pirani is not fooling around, and neither are the working musicians who agreed to make this record with him." - Jocelyn Brown Colemine Records is proud to present the debut LP from Ben Pirani. A record that feels so very easy and familiar, but at the same time fresh and relevant. Like the hype sticker says, "Soul music that's so positive it might just spark a revolution!"
Ben Pritchard - Up In Air
Ben Pritchard
Up In Air
2x10" | 2021 | UK | Original (Okraïna)
13,19 €* 21,99 € -40%
Release: 2021 / UK – Original
Genre: Electronic & Dance
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After a near decade of solo and collaborative projects, Up in Air is Ben Pritchard's most confident foray into songwriting yet, nestling lopsided experimentation into a bed of lowslung blues and reflective folk.

Up in Air is sewn from threads of everyday life: trails of thought, small stories and conversations with his daughter. Collecting, layering and condensing the world around him, his musings spill out in a palimpsest that renders both the material and metaphysical world. From describing a time where he inadvertently found himself on a hunting trip, recalling stories from doing role play and drawing together with his daughter, or scribing observations on the strange dedications people make in their lives, he explores the banal and the fantastical; the whimsical and the serious; the light and dark. Each line, aphorism or vignette carries with it weight that is looking to free itself, to embrace the impossibility of life distilled into simpler parameters.

Ben's music acts as a motor for his words, weaving wistful melodic mantras and creaking guitar lines in and out as each song finds its feet. Although the album finds a rich array of influences dancing in an awkward balance, the emotive register of the music drinks from the fountain of the US rock continuum, with Supreme Dicks' uneasy indie, Low's slow unfurling grace and Neil Youngs' heart-worn drawl lifting each song to new heights. Expanding on this soundworld are collaborators Sholto Dobie (self-built organs) and bassist Otto Willberg, who provide drones, dissonant jolts and detuned paths for the music to open itself, but also curl into its own. Sounds are folded into one another, birthing new shapes, layers and sonic possibilities.

Ben describes the album as "permeated by the sense that came from being around this sort of connection to the world where everything is immediate and fundamental." The album is representative of this shift inwards: on his own, socially, as a parent. But with that it also represents a confidence to deal with everything. The album is an excavation, both finding strange joy in simple findings and an unburdening himself of everything else, letting every thought and feeling whisks itself away up in the air.'

Fielding Hope (curator, Cafe Oto, London)
Ben Prophet - From Dusk EP
Ben Prophet
From Dusk EP
12" | 2023 | UK | Original (Radical New Theory)
16,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Irish DJ and producer, Ben Prophet, has caught the attention of some of the electronic scene’s most influential names in recent years. Currently residing in the underground music hub of Newcastle, his dark and exhilarating tracks have proven to captivate dancefloors. Now the artist is set to embark on his most monumental release to date, with the four track EP ‘From Dusk’. Staying distinctly true to himself, the EP channels Prophet’s love for bassline, electronica, and techno, whilst placing a key focus on mechanical vocals that add a mind-bending element that listeners can get lost in. ‘From Dusk’ will be released to the world via HAAi and Alice Pelly’s Radical New Theory label, a proven base for projecting emerging talent.

‘From Dusk’ is an EP that serves as a bold declaration. Prophet was determined to take listeners on a journey across the four tracks. Never resting on his laurels, the artist ventured into many corners of the dance world, whilst maintaining a core signature sound. Opener ‘Telepathy’ Sees Prophet build an emphatic, heavy hitting techno track, centring around a manipulated spoken-word vocal. It’s a sound that holds nothing back and is showcased again on ‘Down The Rabbit Hole’. Equally dark in its design, Prophet once more places distorted vocals at the forefront, this time displaying an industrial take on breakbeat. On the flip side, we see ‘Ocarina’ and title track ‘From Dusk’ turn the dark energy on its head with a distinctly melodic approach which adds a touch of psychedelia and high emotion to the EP. What’s clear is there’s something on ‘From Dusk’ for anyone that loves club music.

Speaking on the release, Prophet states:“HAAi has been one of the biggest inspirations for my sound, so to have become friends and to release my music on her label Radical New Theory is a massive moment for me. I’ve taken a different approach on each track, but each has my signature sound and is ready for the dance floor.”

HAAi also offers an insight into why she wanted to release ‘From Dusk’ on Radical New Theory: “Ben Prophet’s tracks have such a driving force and a dark energy to them, which is so powerful in the club. I’m extremely excited to get this record out in the world.”

Prophet’s previous releases ‘Hyper Funk EP’ and ‘King Of Rock’ on Chapeau music and Happy Wax Records respectively reached dancefloors across the world with regular plays from the likes of Mall Grab, Skream and Vtss. His gritty and energetic productions are born for the peak-time dance floor where its power creates intoxicating effects. No longer a hidden gem of the North East, the artist's music has gathered serious momentum and ‘From Dusk’ might well be the record that makes Ben Prophet a household name.

‘From Dusk’ is the third release on Radical New Theory, a label created in 2020 by HAAi and Alice Pelly which aims to shine a light on unique emerging talent, and the inevitable stars of tomorrow. Last year the label released LUXE’s debut ‘Belonging EP’ which was championed by MaryAnn Hobbs on BBC 6Music, and the artist has since gone on to tour across Europe. Whilst Ozzy, who released the labels first record ‘Een’, has since released on Barnt’s Schalen imprint. Radical New Theory was born out of a love for the craft of dance music and the careful consideration of what they release ensures the highest standards. A safe space for emerging talent, be sure to keep your eyes out for what comes next from the label
Ben Rau - Endz054 Coloured Splatter Vinyl Edition
Ben Rau
Endz054 Coloured Splatter Vinyl Edition
12" | 2023 | UK | Original (Eastenderz)
15,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Born in Berlin, DJ, producer, and label owner Ben Rau has an unmistakable talent for getting to the wants and needs of the dancefloor. Having experienced the vibrant music scene of Berlin during the mid-'90s, Ben found himself at the heart of one of the most exciting periods in musical history. As the Berlin Wall fell, the city opened its arms to the sounds of house, techno, and trance, propelling Ben into a world of endless inspiration. After also spending some time living in London, this EP combines the essence of his German roots with the energy of UK’s electronic music scene. He brings plenty of studio skill and musical creativity here, with three varied offerings. The EP opens with ‘Won't Stop’, a powerful track infused with acid influences, headed by a ridiculously catchy vocal. Next up is ‘Drop The Bass’, a psychedelic, mid-tempo chugger adorned with rolling drums. Finally, ‘I Luv It’ closes with playful synth patterns tumbling down over invitingly warm deep house drums. This is a chunky bass-filled EP, ready to do plenty of damage to any dancefloor.
Ben Shemie Of Suuns - Desiderata Star Dust Vinyl Edition
Ben Shemie Of Suuns
Desiderata Star Dust Vinyl Edition
LP | 2022 | US | Original (Joyful Noise)
27,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Channeling his background in classical music, Suuns' Ben Shemie combines string fractals, manipulated vocals, and synth-powered chaos to bridge the universes of past, present, and future. Over the course of ten tracks, Shemie chronicles a wandering soul tangled in its own dark orbit, searching for meaning in a world of stardust and astral mirages. ¬Breathing life into Shemie's orchestral maneuvers was the Molinari String Quartet, one of Canada's most celebrated contemporary ensembles. Recording the album's ten tracks in two single-takes, the urgency and dynamism of these compositions can be heard as much felt. The listener can sense the stuttering pulse of Shemie, flanked by five amplifiers and wading in electronic bedlam, as the Molinari Quartet switchbacks measures of strings and chimes.¬ Sometimes, the only way to make sense of the world is to travel to its absolute end. While Shemie's image of a faraway universe is equal parts inspiring and chaotic, he assures the listener _ everything and everyone is exactly as it should.
Ben Sims presents Ron Bacardi - Windy City
Ben Sims presents Ron Bacardi
Windy City
12" | 2018 | EU | Original (Bass Culture)
11,99 €*
Release: 2018 / EU – Original
Genre: Electronic & Dance
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A UK techno powerhouse returns to Bass Culture for their 55th release, bringing the ruckus with four deadly cuts that combine killer beats with powerful bass and a high level of production, as you might expect from D’Julz’s respected label. Ben Sims appears under his Ron Bacardi alias with a follow up to 2015’s debut release, ‘Rock Your Body/First Effort’. Much like the first EP, Sims’ new release is fired up and ready to deliver its potent energy to the dance floors of the world.
Ben Vaughn Combo - The Many Moods Of Ben Vaughn Combo
Ben Vaughn Combo
The Many Moods Of Ben Vaughn Combo
LP | 2022 | EU | Original (Munster)
13,49 €* 17,99 € -25%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Ben Vaughn's unstylized singing and guitar is filtered through his quirky sense of humor, resulting a collection of clever lyrics and catchy tunes scented with vintage aroma.It sounds just as fresh today as it did back then and sees now its first reissue in 35 years!The Ben Vaughn Combo blazed the trail for American music that was way off kilter compared to the competition. Their tri-state type Tex-Mex sound really shook things up. Their reputation as a live act grew exponentially with every show they played. Theirs was a twist on the roots rock scare with a reach something like The Fleshtones, outside of the standard 80s ranch stash. The sort of thing that has a tendency to get written out of history despite being timeless, it doesn't easily fit into any premeditated narrative.When "The Many Moods Of Ben Vaughn Combo" appeared in 1986, the Combo literally had the world at its feet. Many of the hits you hear when you see him (and the Quintet) today are on this platter. Long out of print and somewhat sought after, this was the first time that Ben's Rambler car was heard on a record. And not the last.The Andy (then Adny) Shernoff inspired 'I Dig Your Wig' is like The Cramps with a Doug Sahm infusion. The accordion is the secret weapon here. Little used in rock 'n roll and often scoffed at, it allows these songs a setting that your conventional instrumentation would just flatten. Reading the sleeve info you'll see the legend "DEDICATED TO THE GEATOR", a nod to the legendary Philly DJ that inspired Ben to come up with his sound. It sounds just as fresh now as it did back then.Perhaps you're too young to have been around when this record album was first available? Maybe you wore your three copies out? Whatever your story is, these "Many moods_" will lift yours in these perilous times. Don't end up sorry (like Brenda Lee).The man himself (and the aforementioned players) will be revving up their engines for an appearance at Surforama 2022 in Valencia and appearing at other locations a...
Ben Woods - Dispeller
Ben Woods
Dispeller
LP | 2022 | US | Original (Shrimper)
28,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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On Dispeller, Ben Woods’s beguiling new album, his intimate experiments in rock paint a vivid portrait. Here, the New Zealand artist leans comfortably into intuition and abstraction. Expansive arrangements are anchored by heavy-lidded prose, while carrying the air of the portside shack it was made in. Dispeller was recorded throughout a year in Woods’s hometown, Lyttelton, with Ben Edwards (Aldous Harding, Marlon Williams, Julia Jacklin) at the helm of the mixing console and co-producing. Utterings, footsteps, and the rattles of the room linger beneath the album’s dense instrumentation, alluding to the familiar space the songs were captured in. Here, Woods’s songs breathe and flourish into their own worlds. “I found my voice in trying to make atonality croon,” he says. “With Dispeller it was less about harmony—the blend was capturing the songs very honestly in the room, and still making each of them to transport you somewhere different.” Even beside Woods’s acclaimed debut, PUT (2019), which saw him sharing stages with Aldous Harding, No Age, Julia Jacklin and Steve Gunn, Dispeller enchants. The songs here are stronger, the instrumentation stranger. With chopped and screwed vocal contributions from underground hero Alastair Galbraith, “Speaking Belt” snaps and pulses with the sordid clatter of a lost Xpressway single. Charlotte Forrester from Womb (Flying Nun) adds their diaphanous voice to “The Strip And Punishing Type”. On fragile duet “Wearing Divine”, Lucy Hunter (Opposite Sex / Wet Specimen) threatens to steal the limelight, before a full hive of Marlon Williams’s honeyed vibrato comes spluttering out of what sounds like a rusted can. Woods’s melodies bring to mind Scott Walker’s dramatic tunefulness, while his voice holds something of Gordon Gano’s waver, pushed through New Zealand vowel mangling. Dispeller’s arrangements hit at the subtle, reactive instrumentation of late-era Fugazi, the glowing murk of Grouper, the Antipodean-gothic drudge of Tall Dwarfs, and the mechanical outer crust of Sparklehorse. However, while Woods experiments with the disparate and the disharmonious, it is the open heart which elevates Dispeller. His voice holds the physical and spiritual middle; flirting with, but never succumbing to the splendour and turmoil which surround it.
Benedikt Frey - 1987
Benedikt Frey
1987
12" | 2022 | EU | Original (R.i.O.)
19,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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When British Airways got privatized and listed on the London Stock Exchange, somewhere in Canada the first Starbucks outside of the US opened, and the Walt Disney Company signed an agreement with the French Prime Minister to construct Disneyland Paris. In the sky above southern Argentina, Equatorial Guinea, Cameroon, Sudan, Ethiopia, Djibouti, northern Somalia, and the Atlantic Ocean a hybrid solar eclipse materialized for 7.57 seconds, whilst Margaret Thatcher performed for 45-minutes on Soviet television. Some days later, The Simpsons cartoon first appears as a series of shorts on The Tracey Ullman Show, Diego Maradona wins his first Italian soccer championship with Napoli, and Eighteen-year-old West German pilot Mathias Rust lands a private plane on Red Square in Moscow. In the mists of the world's first conference on artificial life at the Los Alamos National Laboratory, the first Kentucky Fried Chicken restaurant in Mainland China opens in Beijing, and Prozac gets approved for use as an antidepressant in the United States. Much give way for the future, down there in 1987, the year that marks the title of Benedikt Frey’s freshest mini album, out into the world on R.i.O., the label he runs with some pals in the North of Berlin. It’s a dubby melancholic conqueror, wistfully, repetitive, drilling, absorbing, spooking. It makes you dream. Not particular of the year 1987. But it’s all there: The Red Square, the untouched land of the Val d'Europe, Diego on fuego. Six dark-ish tracks in trance, melancholic dub, downbeat heaven, journey music depths, all full of light and yet so dark. Futuristic dramas linked to a speculative past. In our dreams all might look different. The eclipse may last 27- minutes. You meet Neuromancer cyberpunks and blade running Ghost dogs, all taught to hack by Phrack. Cristal clear melodies, sampled voices, and veiled basslines, analogue scopes, and digital ropes, longing for a past that storm into the future. A time where deep listening widens the acoustics into infinity, while neon glows charm the light smog. Benedikt Frey been down there. Or maybe not. His latest music tells stories from the bygone, vested with the forthcoming. Come in and look out. There is nothing to see, yet so much to hear.
Beneficence & Jazz Spastiks - What I'm Talkin' About Feat. Phantasm Of Cella Dwellas
Beneficence & Jazz Spastiks
What I'm Talkin' About Feat. Phantasm Of Cella Dwellas
12" | 2024 | DE | Original (Votava)
19,54 €* 22,99 € -15%
Release: 2024 / DE – Original
Genre: Hip Hop
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"What I'm Talkin' About", a jazzy boombap beat by the Jazz Spastiks (Scotland) that celebrates the 90s vibe of the "Golden Era". Dope verses from Beneficence und Phantasm (of legendary NY Rap Crew Cella Dwellas). A tribute to Hip Hop and how it has made its way from the cradle in the South Bronx to the remotest suburbs of the world.

Exclusive remixes by Figub Brazlevic (Berlin) and Retrogott (Cologne) only available on vinyl. Rounded by an exclusive art print from graffiti artist Stohead. All proceeds are used to support the subcultural music center Stellwerk in Hamburg/Harburg.
Benjamin Ball - I Just Keep Dancing
Benjamin Ball
I Just Keep Dancing
12" | 2017 | US | Original (Cultures Of Soul)
14,99 €*
Release: 2017 / US – Original
Genre: Organic Grooves
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The second single from the Cultures of Soul compilation, Boogie Breakdown: South African Disco 1980 to 1984, Benjamin Ball's "I Just Keep Dancing" is a synth and drum machine-fueled track that also reveals Ball as one of South Africa’s earliest rappers.
Boston-bred DJs, Soul Clap provide an excellent rework of the track adding some big room club flavor to the track for DJs around the world. Soul Clap are the globe trotting DJ duo of Eli Goldstein and Charles Levine who've done everything from headlining clubs in Ibiza to creating DJ mix albums for Fabric and DJ Kicks to making records with George Clinton, Sly Stone, and Robert Owens. Licensed directly from the artist and housed in a custom disco sleeve this edit won't be available anywhere else.
Benjamin Fröhlich - Rude Movements 2
Benjamin Fröhlich
Rude Movements 2
12" | 2017 | EU | Original (Permanent Vacation)
11,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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More rudeness for your pleasure from the co-founder of the Permanent Vacation kingdom, Benjamin Fröhlich: One Year after the well received first Rude Movements EP and the accompanied remixes Benjamin Fröhlich returns for another round. The second part of the "Rude Movements” series brings you further adventures into the world of dance music from the past and present. It covers percussive space trance , roaring synth jams to stab-driven and flute-infused house workouts and dubby breakbeat steppers, all happily dancing under one roof.
Benjamin Herman - Trouble Feat. Daniël Von Piekartz
Benjamin Herman
Trouble Feat. Daniël Von Piekartz
LP | 2024 | EU | Original (Dox)
29,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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For years, Benjamin Herman has formed a frighteningly tight trio with Ernst Glerum and Joost Patočka. Whether its compositions from Misha Mengelberg, jazz evergreens or original works, these are all interpreted with vision and “rollicking virtuosity’’ (Volkskrant). Erupting from Herman's creative spirit and the two worlds of Glerum (icp Orchestra) and Patočka (Rita Reys), the formation’s work is always of the highest class.

The new album Trouble with the young and exceptionally talented singer/pianist Daniel von Piekartz adds a new chapter to their collaboration. Songs from Fats Waller, Henry Mancini and Sly Stone get a postmodern make-over that will inspire many concert-goers to willingly miss that last tram home. And naturally, the musical fireworks that we’ve come accustomed are still
Bennett Wilson Poole - I Saw A Star Behind Your Eyes, Don't Let It Die Away
Bennett Wilson Poole
I Saw A Star Behind Your Eyes, Don't Let It Die Away
LP | 2023 | UK | Original (Bwp)
19,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Nearly five years on from their acclaimed debut, Bennett Wilson Poole reveal the follow up. It's been a long time coming, but... That eponymous first album was only ever intended as a one-off collaborative project — a serendipitous series of events which began with a late evening session where the trio wrote ‘Hate Won't Win’. A response to the murder of MP Jo Cox, it was something of a fresh take on Crosby Stills Nash and Young’s classic protest song ‘Ohio’. The release saw Bennett Wilson Poole embraced by the Americana community, playing live on the Andrew Marr show and crowned as ‘UK Artist of the Year’ at the 2019 UK Americana Awards, in front of a watching crowd including Graham Nash himself. The new album came together in similar fashion; Robin (Bennett) and Danny (Wilson) started writing new songs late into the night whilst on tour to promote the first record — a tour which unfolded from a three-night residency in a London pub into a year-long odyssey culminating in a headline show in Hall One at King’s Place — and before they knew it, there were enough songs to begin recording an unplanned second album. Where the first record drank deep from 70s US west coast folk-rock, the second has been heavily spiked with 1960s British psychedelia, even featuring a cover by legendary counterculture artist John Hurford (whose credits include 60s artwork for Oz Magazine and International Times).* Tony Poole’s meticulous and inspired production has spun Robin and Danny’s fresh batch of songs into a delicate web of musical delight. Fans of the ‘spot the reference’ game Tony started on the first record won’t be disappointed this time either, as there are plenty more to be found here. As with the first album, the lyrics don’t shy away from current affairs – by the end of that year of touring, the band were already playing “I Wanna Love You (But I Can’t Right Now)”, reflecting on the state of US politics, yet optimistic that the problems are only temporary. Many of the tracks on the new album feature live rhythm section Fin Kenny (drums) and Joe Bennett

(bass) for the first time on a BWP record.

The title of the album comes from the lyrics of ‘Help Me See My Way’, the first single, a prayer for strength in difficult times, the trippy animated video for which was originally issued during lockdown. The dreamy positivity of the line "I saw a star behind your eyes" is tempered with the plea "don't let it die away", a message which feels as important as ever two years on.

All three collaborators have had critical acclaim in their own right. Danny Wilson’s credentials go back to his days in Grand Drive with brother Julian, and his consistent high calibre output with his Champions of the World led them to sweeping the board at the first UK Americana Awards with Album, Artist and Song of the year awards richly deserved; Tony Poole’s Starry Eyed and Laughing were hailed as “the English Byrds” on the back of their two CBS-released albums in the mid-seventies and he has since built an enviable reputation as producer and engineer; Robin Bennett has been relentlessly turning out timeless songs from his Oxfordshire base in bands from Goldrush to The Dreaming Spires
Benny Sings - City Pop
Benny Sings
City Pop
LP | 2019 | US | Original (Stones Throw)
20,99 €*
Release: 2019 / US – Original
Genre: Pop
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A sum of Benny's real-life observations and insights on love, held together by his soft rock inspired songwriting, jazz instrumentation, leading piano and distinctive vocal. The album was inspired by and written in cities all over the world, including New York, LA, Tokyo, Paris and Benny's hometown of Amsterdam. The album celebrates collaboration, with Mayer Hawthorne, Cornelius, Sukimaswitch (the Japanese Steely Dan), Mocky and Faberyayo among the featured artists.
Benny The Butcher - The Plugs I Met 2
Benny The Butcher
The Plugs I Met 2
LP | 2021 | US | Original (Next)
25,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Mere months after releasing an undisputed Aoty contender for 2020 with Burden Of Proof and only three months after being shot, Benny got back on his feet (way ahead of schedule) and re-immersed in his element “back to that little pot, that little flame”. While he has separated himself from his peers, Benny from Montana Ave knows the game is to be sold and never told and he has put all of these accolades in his rearview mirror to focus on his next lick; The Plugs I Met 2. The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG---and never looking back. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. Plugs 2 expands upon that mindset; the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse across the board.”
Benny The Butcher - The Plugs I Met 2
Benny The Butcher
The Plugs I Met 2
CD | 2021 | US | Original (Next)
19,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Produced Entirely by Harry Fraud. Features by 2 Chainz, Fat Joe, French Montana, Jim Jones, Chinx and Rick Hyde. Mere months after releasing an undisputed Aoty contender for 2020 with Burden Of Proof and only three months after being shot, Benny is back on his feet (way ahead of schedule) and re-immersed in his element “back to that little pot, that little flame”. While he has separated himself from his peers, Benny from Montana Ave knows the game is to be sold and never told and he has put all of these accolades in his rearview mirror to focus on his next lick; The Plugs I Met 2. The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG---and never looking back. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. Plugs 2 expands upon that mindset; the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse across the board.”
Benny The Butcher - The Plugs I Met 2 Burgundy Vinyl Edition
Benny The Butcher
The Plugs I Met 2 Burgundy Vinyl Edition
LP | 2021 | US | Reissue (Next)
36,99 €*
Release: 2021 / US – Reissue
Genre: Hip Hop
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Mere months after releasing an undisputed Aoty contender for 2020 with Burden Of Proof and only three months after being shot, Benny got back on his feet (way ahead of schedule) and re-immersed in his element “back to that little pot, that little flame”. While he has separated himself from his peers, Benny from Montana Ave knows the game is to be sold and never told and he has put all of these accolades in his rearview mirror to focus on his next lick; The Plugs I Met 2. The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG---and never looking back. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. Plugs 2 expands upon that mindset; the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse across the board.”
Benny The Butcher - The Plugs I Met 2: Lunchbox Edition
Benny The Butcher
The Plugs I Met 2: Lunchbox Edition
Box | 2021 | US | Original (Next)
60,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Limited to 2000 worldwide. Deluxe Lunchbox features embossed images on the front and back. Includes: Red Velour Rally Towel printed with 'The Plugs I Met II' Logo plus 18-track Deluxe CD version of 'The Plugs I Met 2' including the song "Thanksgiving"* plus all Instrumentals* & a 20-page booklet featuring never-seen-before photos and lyrics! (*previously unavailable on CD) The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG---and never looking back. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. Plugs 2 expands upon that mindset; the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse
Benoit B - Unthank 13 - Caution 96 High
Benoit B
Unthank 13 - Caution 96 High
10" | 2020 | EU | Original (Unthank)
16,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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Having issued a solid number of equally solid releases on the likes of Berceuse Heroique, Versatile, Wisdom Teeth, Peur Bleue and his own finely curated imprint, Banlieue Records, Benoit B steps up for the latest Unthank 10" instalment!
A world populated by eerie synth-pop textures, hypno-industrial oddities, electroid dynamics and hip-hop breaks gone astray. 100% retro-futuristic Bauhausian blends for the DJs and dancers out on a limb.
10" Clear vinyl with 75mm, metallic labels. Two colour screen printed sleeves with artwork by House Of Traps.
Benoit Pioulard - Eidetic Black Vinyl Edition
Benoit Pioulard
Eidetic Black Vinyl Edition
LP | 2023 | EU | Original (Morr Music)
26,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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American singer-songwriter, poet, and photographer Thomas Meluch, known musically as Benoît Pioulard, returns with his most structured and vocal release to date. Titled »Eidetic,« a word denoting the ability to recall mental images with extraordinarily rich precision, the album presents unprecedented clarity and vitality for Benoît Pioulard. To access its thematic ground, Meluch looked inward with an affinity towards the people he loves during a period marked by his move from Seattle to Brooklyn in 2019. The resulting work engages with the universe's unflinching mortality and, as he says, »the ways it has modified and improved my relationships, especially with family.« Embodied by the creek, leaves, and ferns of the cover photography — taken in Michigan’s Burchfield Park, where he and his dad used to hike and »muse on existence« — the music glistens and unfurls with the flow of life he’s come to know. »Eidetic« is the culmination of Meluch's craft both as a producer and writer. An evocative sonic vocabulary meets deft lyrical introspection, articulated with the nuance, vulnerability, and confidence of a longtime artist hitting a stride. Meluch has continually refined, redefined, and adjusted the focus of his gentle pop project over the last 20 years. Recorded primarily with guitar, tapes, and voice — and spanning labels with albums for Kranky, Morr Music, Beacon Sound, and Past Inside the Present — his catalog flows seamlessly between ambient improvisation and pop composition. Much like the analog photos that often accompany his releases, songs can feel dreamily softened and distant, and others beautifully vivid and detailed. 2021 full-length »Bloodless« found Meluch deep in droning decay, expressive yet wordless. With »Eidetic,« he swings back to sharpened forms. Lush banks of treated guitar and synth brush against hushed percussion; there is mist in the distance, but everything up close is intricately constructed and radiant. Meluch's voice is notably forward in the mix — a warm and calming tenor, a harmonic coo more than a whisper — ever-observant and actively processing. To record much of the album, Meluch filled a cabin in rural Maine with his usual setup of simple percussion, a couple of Fender electrics, and a parlor guitar made by his friend who does bespoke luthier work. The modest utility is what he knows best, and here he pushes the output to its most pristine potential. »Eidetic« opens in a swirl of familiar haze; »Margaret Murie« eases listeners in, as lush and verdant as the landscapes conserved by its famed namesake. With the setting established, Meluch, the narrator, enters the foreground with »Crux,« a tender piece written about finding new motivations in a new city. »We covet this rare green hue / Here at the farthest point from home,« he sings above a reassuring pattern of strums and percussion. Meluch's prose shines on the swiftly-moving »Nameless,« inspired by the neurological effects that came with the antiquated practice of manufacturing mercury mirrors; »folks would slowly go insane while looking into their own reflections every day,« he adds. The idea informs a series of surreal abstractions before everything drops out in the final minute, and we are left free-floating in eerie nothingness. Across the album, labyrinthine lyrical ponderings scatter with dazzling imagery, artfully blurring scenes from world history with Meluch's more personal, present-day. The propulsive and earnest »Thursday Night« catches his mind overly active and too stoned, riffing on black holes and songwriting itself. »Halve« references the splitting of the atom, what he considers »the beginning of man's downfall,« and the unrealized initiative proposed by the US government that would have created 'nuclear refuges' in its national parks. Meluch's loved ones weave throughout; »Tet« holds his father's experience in Vietnam and its lasting effects. »Lillian Isola« touches on his maternal grandmother's spinal curvature, and »Pastel Dust« navigates the wake of his cat, who died on New Year's Eve 2020. At first blush, Meluch's atmospheric and melodic sensibilities resonate purely in their own right. Upon closer meditation, his ability to render stories — many of which surround human tragedy, misfortune, and understanding — through the prism of his poetry makes »Eidetic« even more rewarding.
Benoit Pioulard - Eidetic Dark Green Vinyl Edition
Benoit Pioulard
Eidetic Dark Green Vinyl Edition
LP | 2023 | EU | Original (Morr Music)
28,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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American singer-songwriter, poet, and photographer Thomas Meluch, known musically as Benoît Pioulard, returns with his most structured and vocal release to date. Titled »Eidetic,« a word denoting the ability to recall mental images with extraordinarily rich precision, the album presents unprecedented clarity and vitality for Benoît Pioulard. To access its thematic ground, Meluch looked inward with an affinity towards the people he loves during a period marked by his move from Seattle to Brooklyn in 2019. The resulting work engages with the universe's unflinching mortality and, as he says, »the ways it has modified and improved my relationships, especially with family.« Embodied by the creek, leaves, and ferns of the cover photography — taken in Michigan’s Burchfield Park, where he and his dad used to hike and »muse on existence« — the music glistens and unfurls with the flow of life he’s come to know. »Eidetic« is the culmination of Meluch's craft both as a producer and writer. An evocative sonic vocabulary meets deft lyrical introspection, articulated with the nuance, vulnerability, and confidence of a longtime artist hitting a stride. Meluch has continually refined, redefined, and adjusted the focus of his gentle pop project over the last 20 years. Recorded primarily with guitar, tapes, and voice — and spanning labels with albums for Kranky, Morr Music, Beacon Sound, and Past Inside the Present — his catalog flows seamlessly between ambient improvisation and pop composition. Much like the analog photos that often accompany his releases, songs can feel dreamily softened and distant, and others beautifully vivid and detailed. 2021 full-length »Bloodless« found Meluch deep in droning decay, expressive yet wordless. With »Eidetic,« he swings back to sharpened forms. Lush banks of treated guitar and synth brush against hushed percussion; there is mist in the distance, but everything up close is intricately constructed and radiant. Meluch's voice is notably forward in the mix — a warm and calming tenor, a harmonic coo more than a whisper — ever-observant and actively processing. To record much of the album, Meluch filled a cabin in rural Maine with his usual setup of simple percussion, a couple of Fender electrics, and a parlor guitar made by his friend who does bespoke luthier work. The modest utility is what he knows best, and here he pushes the output to its most pristine potential. »Eidetic« opens in a swirl of familiar haze; »Margaret Murie« eases listeners in, as lush and verdant as the landscapes conserved by its famed namesake. With the setting established, Meluch, the narrator, enters the foreground with »Crux,« a tender piece written about finding new motivations in a new city. »We covet this rare green hue / Here at the farthest point from home,« he sings above a reassuring pattern of strums and percussion. Meluch's prose shines on the swiftly-moving »Nameless,« inspired by the neurological effects that came with the antiquated practice of manufacturing mercury mirrors; »folks would slowly go insane while looking into their own reflections every day,« he adds. The idea informs a series of surreal abstractions before everything drops out in the final minute, and we are left free-floating in eerie nothingness. Across the album, labyrinthine lyrical ponderings scatter with dazzling imagery, artfully blurring scenes from world history with Meluch's more personal, present-day. The propulsive and earnest »Thursday Night« catches his mind overly active and too stoned, riffing on black holes and songwriting itself. »Halve« references the splitting of the atom, what he considers »the beginning of man's downfall,« and the unrealized initiative proposed by the US government that would have created 'nuclear refuges' in its national parks. Meluch's loved ones weave throughout; »Tet« holds his father's experience in Vietnam and its lasting effects. »Lillian Isola« touches on his maternal grandmother's spinal curvature, and »Pastel Dust« navigates the wake of his cat, who died on New Year's Eve 2020. At first blush, Meluch's atmospheric and melodic sensibilities resonate purely in their own right. Upon closer meditation, his ability to render stories — many of which surround human tragedy, misfortune, and understanding — through the prism of his poetry makes »Eidetic« even more rewarding.
Beokraft - The Time Machine
Beokraft
The Time Machine
LP | 2022 | EU | Original (Discom)
21,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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In these difficult times, Discom put an immense effort to bring you some amazing music with a special new release: Beokraft- The Time Machine LP. Beokraft is a true supergroup of Yugoslavian electronic music pioneers Dejan Stanisavljevic (group Beograd), Zoran Jevtic (data, Sizike, The Master Scratch Band), Nikolaj Bezek (Consequential). The Time Machine is their album inspired by Kraftwerk- the fathers of electronic music.

The album consists of three parts with each artist creating their own repertoire of three songs. It begins with Nikolaj Bezek and his core Kraftwerk approach: simple musical phrases combined with striking rhythmical patterns and huge analog effects, especially the vocoders. Tracks The Time Machine, Robot Men and Transformator are beautifully rounded, almost like a memory lane to the early Kraftwerk's world from Autobahn, Radio-Activity and Trans Europe Express. The similar impression continues with Dejan's Stanisavljevic's part, but in a broader context. In addition to his composing and arranging skills, Dejan shows exceptional talent to describe contemporary phenomena in Kraftwerk's language. Tracks Ex Yu Roy At The Control, Quantum Computers and Into The Future, strikingly describe today's problems with a rather dark message at the end. The album rounds off with Zoran Jevtic's song set: Man, Women And In-between, Artificial Mind and Ja Sam Tvoj Robot, brilliantly produced tracks with almost synth-pop tone found in Electric Cafe and Tour De France albums. Rich and colorful production done with good-old "right from the start" sound is something any record collector or a DJ whose tastes go beyond the mainstream, will value.

At a time when music and new records are definitely not the mainstream news, we managed to gather the last remaining Yugoslavian electronic music pioneers of Belgrade to record their ultimate LP. This is an opportunity to do something sublime, to support authentic music from a neglected area which will soon exists only in our memories. For the sake of music, against all odds, in spite of all the bad news and fears.
Berangere Maximin - Land Of Waves
Berangere Maximin
Land Of Waves
2LP | 2020 | EU | Original (Karl)
25,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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On her 6th album, the French electroacoustic composer Bérangère Maximin explores the idea of a kaleidoscopic world a sonic aggregation of living creatures, plants, minerals, nature and buildings, using various sound objects, small percussions, synths, electric guitar, voice and electronics.
Beres Hammond - Call To Duty / Survival
Beres Hammond
Call To Duty / Survival
7" | 2020 | US | Original (VP)
11,99 €*
Release: 2020 / US – Original
Genre: Reggae & Dancehall
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Beres Hammmond presents his new single! - "Call To Duty" is finest deep conscious music, a beautiful song with a powerful message, available as limted edition 7-inch single in a picture sleeve, right in time for christmas and the holiday season. The song, written by Mr. Hammond and co-produced with Clive Hunt, is familiar in its social themes, yet more dramatic as it is stripped of his usual rhythmic reggae pulse. The swells of emotive chords from keyboardist Robbie Lyn are punctuated to great effect by the all-star horn section of Dean Fraser, Oshane Love and Okiel McIntyre. Harmony House players Michael Fletcher, Errol Graham and vocalists Dorett Wisdom and Sherida Sharpe round out the session. The recording is both a strong statement about life amid a pandemic and a call to a shared vision of what our world can be.
Beres Hammond - Just A Man Black Friday Record Store Day 2024 Edition
Beres Hammond
Just A Man Black Friday Record Store Day 2024 Edition
LP | 2024 | Reissue (Vp /Harmony House)
TBA
The final price is not yet known.
Release: 2024 / Reissue
Genre: Reggae & Dancehall
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Coming Soon 2024-11-29, 12:00 CET
RSD Exclusive, Limitation: 1500

1979’s Just A Man reveals an early version of lover's rock master Beres Hammond, an R&B/ Disco crooner – and quite a convincing one. This 1979 album presents a who's who of reggae heavyweights and contains the highly-sought-after UK Soul hit “Do This World A Favour,” plus seven other full length and funky tracks that treat listeners to a different side of Beres’ roots.
This newly re-mastered, colored vinyl edition will feature the super-rare “Rolls Royce cover art,” originally released on the Joe Gibbs label. It was produced by Joe Gibbs, arranged by Willie Lindo, and engineered by Errol Thompson. Featured musicians include Val Douglas, Mikey Chung, Dean Fraser, Clive Hunt, Harold Butler, Robbie Lyn, and Pam Hall on vocals.
Bergsonist - Middle Ouest
Bergsonist
Middle Ouest
LP | 2020 | EU | Original (Optimo Music)
17,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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After a digital single on Optimo Music Digital Danceforce, Optimo Music welcomes Bergsonist to the main label with a full album. Ridiculously talented and prolific, Bergsonist is one of thee most interesting, thoughtful and important artists of our times. Bergsonist aka Selwa Abd is a New York–based artist and musician originally from Morocco. She is the founder of Bizaarbazaar, a music platform and publication that publishes podcasts and interviews by DJs and producers from around the world. Under the guise Bergsonist (derived from Deleuze’s Bergsonism), she uses a variety of media to investigate social resonance through divergent conceptual aesthetics (minimalism, techno, and music concrete, to name a few). Through her work, she explores notions of identity, memory, and social politics. In 2017, she started Pick Up The Flow, a resource to promote congregation and exchange between peers. Currently, co-run with Stephen Decker. In 2019, she co-founded 3afak with DJ Sanna, a collective that aims to empower Arab women’s creative vision in New York.
Bergur Anderson - Around The Songsters Commune
Bergur Anderson
Around The Songsters Commune
Tape | 2022 | EU | Original (Futura Resistenza)
14,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Around the Songster's Commune was made quite quickly and purposefully without a lot of fuss -- made to preserve the spirit of its making -- at Diana Duta's generous Jambes studio in Brussels. It's a collection of meditations: compositional fragments, whimsy ditties, field recordings and (live/d) experiments with troubadour song-making methodologies. It's a sonic drift -- sonically drifts. Here, Bergur seems to be exploring the looseness of world-making. Or, maybe better said, exploring how loose he can get with world-making and the realization of sonic realities. Exploring how unconscious, how trusting of himself, as an artist/composer/sound-maker/human, he can be. (Katrina Niebergal)
Bergur Anderson - Night Time Transmissions
Bergur Anderson
Night Time Transmissions
LP | 2021 | EU | Original (Futura Resistenza)
17,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Welcome to the world of Night Time Transmissions -- here/hear the anxious calls of sleepless tenants, interdisciplinary collaborations, night walks, urgent canons and chants of cosmic healing. Bergur Anderson's first album is an ode to the voice, and a deep dive into the rich waters of polyphony and polyphonic storytelling.
Bernadette Carroll - Laughing On The Outside / Heavenly
Bernadette Carroll
Laughing On The Outside / Heavenly
7" | 2018 | US | Original (Numero Group)
10,99 €*
Release: 2018 / US – Original
Genre: Pop
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Though not a household name, Bernadette Carroll is one of the more successful teen vocalists of the girl group era. She charted as a member of the Angels, as a solo act, and as a for-hire backup singer, performing on at least two #1 hits, selling over a million copies of each. You’ve heard her voice, whether you know it or not.
Bernard Herrmann - The Mysterious Film World of Bernard Herrmann
Bernard Herrmann
The Mysterious Film World of Bernard Herrmann
2LP | 2000 | US | Reissue (Original Recordings Group)
87,99 €*
Release: 2000 / US – Reissue
Genre: Soundtracks
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Bernd Norbert Würtz / Philipp Danzeisen - hÄK / Danzeisen
Bernd Norbert Würtz / Philipp Danzeisen
hÄK / Danzeisen
LP | 2023 | DE | Original (Karl)
21,99 €*
Release: 2023 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover close to NM
Bernie Worrell - All The Woo In The World
Bernie Worrell
All The Woo In The World
LP | 1978 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Bersarin Quartett - Berasarin Quartett Cler Vinyl Edition
Bersarin Quartett
Berasarin Quartett Cler Vinyl Edition
LP | 2008 | EU | Reissue (Denovali)
33,99 €*
Release: 2008 / EU – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-11-01
2024 Reissue of the classic Bersarin Quartett debut album.

“It's rare that I'm able to give an album my fullest recommendation without trepidation. (...) Bersarin Quartett is one such album. There's nary a misstep, every potential danger has been avoided and smoothed out to present the optimal audio experience for your dollar. (...) Something this good can't possibly be real." The Silent Ballet (8.5/10)

So yes, references to Stars Of The Lid, Ulver's Perdition City, Bohren & Der Club Of Gore and Cinematic Orchestra are fully justified. (...) An excellent debut album, great for nocturnal couch consumption, closing your eyes and dreaming away. (...) Slickly produced without becoming becoming empty chillout fastfood, Bersarin Quartett does what it promises and does it well and a recommendation for everyone into the bands I mentioned earlier. Musique Machine (5/5)

This music could be written on a lonely island or onboard of a spaceship looking on our planet. Time becomes a new unit and feelings become more weight. This is a real great album that owns a special atmosphere and a nonesuch orchestral sound. Wonderful tracks with wonderful titles that leave the listener with a feeling of freedom and contentment. A wonderful perfect 10. Cuemix (10/ 10)

Make no mistake, Bersarin Quartett is an incredible release in the electronica world, but one that fans of many other genres will enjoy. Sputnikmusic (4,5/5)
Bert Dockx - Ghosts Silver Colored Vinyl Edition
Bert Dockx
Ghosts Silver Colored Vinyl Edition
LP | 2023 | EU | Original (Unday)
28,99 €*
Release: 2023 / EU – Original
Genre: Pop
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For more than a decade, Bert Dockx has been one of the most prolific and versatile musicians in Belgium. A masterful guitarist, gifted songwriter, and innovative composer, crossing boundaries between avant-garde rock, customized blues, and instrumental jazz, with bands such as Flying Horseman, Dans Dans, and Ottla, singing in his native Dutch as Strand, or solo under his birth name, and now as the Bert Dockx Band. Ghosts is his fifteenth (!) album on the Ghent-based label Unday Records. Two years after the crash, Bert Dockx presents his new Bert Dockx Band and Ghosts, an album of rebirth and transgression, one of many firsts. Dockx never dedicated this much time to meticulously crafting each song. For the first time, he entrusts a finished record to a complete outsider. Never before has he reached out so far into the outside world. The relaxed and positive atmosphere during the recordings is magnified in what Dockx calls 'my best guitar playing ever', and the deep, powerful use of his voice in its natural range. 'I had fun making this album,' says Dockx, 'and I really hope it shows'. 'There's no escape now/ I'm inside of the storm', Bert Dockx sings on his new album, the first with the Bert Dockx Band. 'I smile, I cry/ I die, I'm born/ I'm in love'. Ghosts is the culmination of a two-year odyssey, from hitting rock bottom to flourishing into new heights. An album of rebirth and transgression, a record of milestones and many firsts. Never before has Dockx turned so deep inside in order to reach out to a world beyond himself. The album is mastered by US producer Philip Weinrobe. Weinrobe previously worked with Arianne Lenker, Indigo Sparke, and Kings of Convenience, and is praised by Dockx for his 'infallible intuition and great inventiveness'. This occasion marks the first time he hands over a finished record, permitting an outsider's perspective during the final mix.
Bert Jansch - The Ornament Tree
Bert Jansch
The Ornament Tree
LP | 1990 | US | Reissue (Earth)
29,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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The world-renowned guitarist, Bert Jansch, has long been celebrated for his innovative playing style, influencing generations of musicians and fans alike.
A companion piece to 1966’s Jack Orion, The Ornament Tree gets newly reissued with liner notes from Colin Harper, who wrote the biography of Bert and the new folk Revival, Dazzling Stranger. Bert’s eighteenth studio album comprises Scottish and Irish traditional songs. Filled with ballads like the title song and instrumentals ‘The Rocky Road to Dublin’ and ‘Lady Fair’. Tradition is threaded throughout with the accompaniment of Celtic fiddles, flutes and bodhran. It features performances from Maggie Boyle, Peter Boyle, Steve Tilston and Michael Klein.
It’s been over thirty years since The Ornament Tree’s initial release, here Jansch continues to prove his importance in contemporary folk with this timeless and invigorating offering.
Bertrand Burgalat Meets A.S Dragon - Bertrand Burgalat Meets A.S Dragon
Bertrand Burgalat Meets A.S Dragon
Bertrand Burgalat Meets A.S Dragon
2LP | 2002 | EU | Reissue (Tricatel)
33,99 €*
Release: 2002 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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This album, recorded live after the release of Bertrand Burgalat's first album (The Sssound of Mmmusic, 2000), is a unique testimony of a passionate encounter, of explosive concerts and an exceptional musical adventure, a mixture of soulful rhythms, oniric keyboards and songs with chiseled lyrics and harmonies.

Out of stock on vinyl for decades, it will be reissued and published in December 2022, with a text by Philippe Manœuvre. 21 years after its first publication, it has not aged a bit. It includes tribute covers ("Follow Me" by Amanda Lear, "Tears Of A Clown" by Smokey Robinson), and a version of "Easy Tiger", recorded at the same time for Depeche Mode.

"This album brings back the great psychedelic concerts that Bertrand gave at the time. For me, Aux Cyclades électronique is in the running for the title of most beautiful song in the world, I haven't changed my mind." Philippe Manoeuvre, excerpt from the innersleeve note, April 2022

"A.S Dragon is arguably the best French rock band of today. Nearly an hour of psyche-magnetic madness, the spectacular collision of a Gainsbourg theorist playing his melodies to a Jefferson Airplane from Clignancourt charged with pushing all galactic limits." Philippe Manoeuvre, Rock & Folk, October 2001

"Bertrand Burgalat meets A.S Dragon could satisfy both French Touch fans and Rock'n'Roll purists. It sounds like the resurrection of a sixties garage rock band, somewhere between Detroit and Combs-la-ville. Burgalat for charity." Philippe Barbot, Télérama, November 2001

"This is a fantastic remix! It sounds a bit like 70's funk. Bertrand has taken the song and reworked it from top to bottom, re-recording people on every part. It sounds like a James Bond song. It's really one of the best remixes we've ever done. " Martin Gore (Depeche Mode) on "Easy Tiger", Magic, May 2001

"I wish this song could last my whole life..." Virginie Despentes, on "Aux Cyclades électronique", "Vernon Subutex
Berurier Noir - Joyeaux Merdier 1983-2023 Edition Corona Effect Green White Vinyl Edition
Berurier Noir
Joyeaux Merdier 1983-2023 Edition Corona Effect Green White Vinyl Edition
LP | 2023 | EU | Original (Archives De La Zone Mondiale)
21,99 €*
Release: 2023 / EU – Original
Genre: Classical Music
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In November 1985, Bérurier Noir and his band of agitated*e*s returned to the studio, in the middle of a social strike. The surprise strikes that plunged the country into a "Joyeux Merdier" were the ideal setting for this new Christmas prank and tinged with rage but also with fun, 4 new tracks and not the least. It is THE record that contains "Salut à toi" and opens the door to the first radio broadcasts of the group, before becoming the eternal anthem of a youth always in solidarity with the peoples of the world zone.
Best Available Technology - Untitled
Best Available Technology
Untitled
LP | 2023 | EU | Original (blundar)
29,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Portland-based Kevin Palmer returns to blundar with his Best Available Technology for another release (having previously been featured on cassette). This time it’s on vinyl but still messing about with the same business of constructing and deconstructing head-nodding beats into a foggy bowl of ambience that has become the trademark sound of BAT.

Initially inspired and influenced by the sound-worlds created by Hank Shocklee, BDP and Kday, Palmer spent his formative years combing pawn shops for samplers. This kicked off his self-described obsessive compulsive work crunching out impossibly naive and obviously unschooled jams in what might have been and continues to be an attempt to capture and document something he felt when listening to the bombastic sonic collages of early hip hop.

Going backwards in order to go forward could be an apt mantra to describe the philosophy behind BAT. Often attached with labels like nostalgia and melancholy, Palmer surely deals with the longing for that perfect time capsule of N.Y. hip hop in the 90s - but where others zoning in on that era simply imitate it, Palmer goes way further into a world of his own making.

Far removed in both time and place to the outskirts of Portland, the sonics of Palmer filters through an outsider’s perspective, sometimes offering a personal journal of the here and now via field recordings from skateparks and surfing trips.

As if one would imagine looking slightly to the left of what was supposedly going on, these tracks continuously shift one's focus. That funky feel good beat is there, but almost always just out of grasp. Palmer gives us the sound of a memory slipping away.

Yet this reads not as the end of something, but rather a stepping stone into a world of possibilities. Operating at the outskirts of genre, you could imagine anything from dub, hip hop, ambient or techno to emerge and crystalize from the haze, yet it never does. This is all those things and nothing. Or maybe it’s just some “sad fucked up funk” as Palmer puts it.
Best Bets - The Hollow Husk Of Feeling
Best Bets
The Hollow Husk Of Feeling
LP | 2024 | EU | Original (Meritorio)
28,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
NZ power poppers Best Bets present their second full-length album The Hollow Husk of Feeling. Recorded in Ōtautahi Christchurch, Aotearoa New Zealand from late 2023 to early 2024, their sophomore album comes from a spiritual place that will be familiar to those who have absorbed the lyrics of Olly Crawford Ellis and James Harding through their work in Best Bets, and garage punks Transistors. The musical palette is expanded this time through the addition of songs penned by primary bass player Joe Sampson (Salad Boys, T54)—who also recorded, mixed and mastered the album in his signature style. But where Best Bets’ first album On An Unhistoric Night was a kaleidoscopic jaunt that intertwined obscure references with musings on life, their second album places at the forefront a feeling one suspects many know well. Sure, it wouldn’t be a Best Bets album without nods to things like Australian reality television of the early 90s, Mortal Kombat (1995), apocalyptic novels, Seinfeld, and automotive history. Even so, there’s an undeniable feeling permeating the album that a threshold has been crossed – be that out in the world, or perhaps even closer to home. As purveyors of guitar-driven power / jangle / fuzz pop, familiar sonic touchstones abound—think The Replacements, Teenage Fanclub, Redd Kross. Yet things spill over in all directions and the album is tinged with elements of post-punk, glam and indie rock.
Best Girl Athlete - Hills / Seven Seconds
Best Girl Athlete
Hills / Seven Seconds
7" | UK | Original (Fitlike)
6,99 €*
Release: UK – Original
Genre: Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Grey marbled vinyl!
Beth Gibbons & The Polish Radio Orchestra - Henryk Górecki: Symphony No. 3
Beth Gibbons & The Polish Radio Orchestra
Henryk Górecki: Symphony No. 3
LP | 2019 | UK | Original (Domino)
24,99 €*
Release: 2019 / UK – Original
Genre: Classical Music
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Domino is extremely proud to present Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki.

The performance took place at The National Opera Grand Theatre in Warsaw on November 29th 2014, and was part of an evening of programming that also featured Jonny Greenwood's (Radiohead) 48 Responses To Polymorphia and the world premiere of Bryce Dessner's (The National) Réponse Lutosławski.

Following an invitation to collaborate at the concert, Beth Gibbons undertook an intense preparation process, including tackling the challenge of learning the original text (and the emotional weight it carries) without speaking the mother language. Typical to Beth though - the elusive yet iconic frontwoman of one of the most important British bands of the last two decades - the challenge was met and exceeded. Her performance alongside the maestro Penderecki has been hailed as triumphant, as you canhear on this release.
Betonkust - Concrete Coast
Betonkust
Concrete Coast
LP | 2022 | EU | Original (World Of Paint)
23,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Solo album by Betonkust (Dutch for Concrete Coast). The vinyl comes with a booklet containing drum patterns used on the album, together with a download link of the original samples that you can use for your own music. This record includes a Bandcamp download code for the digital files. Short bio from Betonkust: I was born in Utrecht (1988). I grew up in a very small town somewhere between Amsterdam, Utrecht, and Hilversum. The so-called 'green heart' of the Netherlands. That means there's lots of nature. It was very boring and/or normal. A typical Dutch 1990s upbringing. I've been listening to house music for as long as I can remember. On cassette tapes, on the radio, it was everywhere. Now I live in Rotterdam and there's a lot going on, mainly in the area of electronic music. There is Operator Radio, Clone, Pinkman, etc. Most of my friends are involved in music in some way. The older I get the less I care about gear. I didn't use any expensive or exotic stuff. Korg Electribes (both the sampler and the synth), Korg M1, some Boss effects pedals, a cheap mixer, a Shure Sm57 mic, a cheap guitar. For this album everything was recorded in FL Studio. Some tracks on the album started like five years ago with a melody and slowly developed into a full song. Other songs were made one month before mastering. It really depends. But most of the work was done in 2020 and 2021. I think most of this album is about transience, giving up, the infinite sadness of humanity.
Betty Davis - They Say I'm Different Black Vinyl Edition
Betty Davis
They Say I'm Different Black Vinyl Edition
LP | 1974 | US | Reissue (Light In The Attic)
37,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Ji mi Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Cla pton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”
Betty & The Werewolves - David Cassidy
Betty & The Werewolves
David Cassidy
7" | 2009 | Reissue (Damaged Goods)
9,99 €*
Release: 2009 / Reissue
Genre: Rock & Indie
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BETTY AND THE WEREWOLVES are three girls and one boy from London who whoop and howl through the night as sweetly sung melodies collide with glitter-struck punk guitars. Taking inspiration from luminary lycanthropes Virginia Woolf and Grandma Wolf, they sing ditties about falling in love with David Cassidy and strange encounters on night buses, shouting all the while and scuffing up their party shoes. This is their wonderful second single following their debut 7" last year on DG called 'Euston Station' and it's a homage to 70's super pop pin-up and Partridge Family member, "David Cassidy". It's backed with another live favourite "Plastic". The Werewolves recorded this just after their recent tour dates with FUCKED UP, who have been telling anyone that will listen that BATW are their favourite band in the world. This single will hopefully plug the gap for those who can't wait for the debut album which is due out later in the year.
Bev Lee Harling - Little Anchor
Bev Lee Harling
Little Anchor
LP | 2021 | Original (Wah Wah 45s)
24,99 €*
Release: 2021 / Original
Genre: Organic Grooves
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Bev Lee Harling returns with her first solo recording in almost a decade. She won the hearts and musical minds of DJs across the board with her 2012 debut LP, Barefoot In Your Kitchen, which BBC 6Music's Gilles Peterson made his Album of the Week. Now the gifted singer, violinist and composer returns with twelve beautiful pieces of music that tell a very personal story of the years since.

Having swapped the busy streets of North London for the calmer shores of Hastings in Sussex to bring up her young family, it's fair to say that Bev's priorities might have changed somewhat over the past few years, but the music was never far away. Her new environment, and musical family (including multi-talented partner and album co-producer Frank Moon) added plenty of fresh inspiration to her recordings, and we're very excited to share her new album, entitled Little Anchor, with you this Autumn.

The album is in some senses a travelogue, a 9 year journey of a creative womannavigating the landscape of parenting. Each song is a snapshot taken at a differentlocation in time, in a world where finding balance between creative freedom and motherhood is still a struggle, from the uplifting and euphoric Beautiful Life, to the heavy and harassed Only Got A Minute.

Between the unexpected joys of parenting, grappleswith mental health and feelings of inadequacy, and fighting for every second ofcreative time while slowly accepting a life very different to the one that existedbefore, this unedited family album emerged bursting with quirky childhoodmemories, dark musings and celebrations of musical passion and legacy.

Each song carries breakthrough personal moments in rebuilding strength as an artist, as a person, as a parent. Even down to a very emotional moment with Ray Davies of The Kinks, during a songwriting retreat, where album closer This Violin String, a deeply personal ode to her recently departed mum, was written…

"Everyone turned up writing on guitars and piano and I just had my battered old violin. I felt totally out of touch with my former confident musical self and had zero confidence in what I was doing after an intense period of car crash parenting. I wrote it, performed it on the same day and then sobbed my guts out in front of a bunch of total strangers (sorry Ray!). Something shifted for me in the act of being quite so vulnerable though and I found my mojo again in writing solo with my violin."

The personal nature of this record is self-evident, it bursts through every note and word in each song. We're very excited to be able to share such a special album,afresh foray into the always unpredictable, experimental and playful world of Bev Lee Harling.
Beverly Glenn-Copeland - Beverly Glenn-Copeland Vinyl Me, Please Edition
Beverly Glenn-Copeland
Beverly Glenn-Copeland Vinyl Me, Please Edition
LP | 1971 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Beverly Glenn-Copeland, his 1971 self-titled sophomore album, marks a point where the young composer began to branch off from the classical tradition, to seek out what pleased him and integrate it into his own work. “At a very young age, I found that I liked just about all the music I ever heard,” he said. “I was finally letting myself explore music from around the world more.” The imprint from his years spent as a Lieder singer had started to leave him: “That tradition was starting to disappear from my body,” he said. In its place flowed North American folk and jazz, and music from Asia and Africa. These newer influences made an electric combination. They also made the work largely unclassifiable in the era of record stores’ neatly delineated sections.
Beverly Glenn-Copeland - Primal Prayer
Beverly Glenn-Copeland
Primal Prayer
2LP | 2023 | UK | Original (Transgressive)
38,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Beyond Grace - Our Kingdom Undone
Beyond Grace
Our Kingdom Undone
LP | 2022 | EU | Original (Prosthetic)
32,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Dark Blue w/ orange marble Vinyl. Limited to 300 copies.Following their critically well received debut album, Seekers, in 2017 - Our Kingdom Undone sees BEYOND GRACE refining and redefining their sound intosomething that's simultaneously more intricate and more intense than everbefore, combining conceptually ambitious songwriting and high octane heaviness in equal measure. Our Kingdom Undone's gestation period took place under a pall of social unrest and political uncertainty the world over, so it's nosurprise that each of these eight songs is a cathartic scream of raw emotion and primal poetry. Full to the brim with lyrics that rage with unfettered fury andunbound frustration against the rise of isolationism, exploitation, rampant militarism, and religious indoctrination.Recorded at Stuck on a Name studio by Ian Boult and Bookhouse studio by Tom Hill, before being mixed and mastered by Charles Elliot (Abysmal Dawn), Our Kingdom Undone is both a crushing statement of intent and a vital reminder that the personal is political.
Bibi Ahmed - Adghah
Bibi Ahmed
Adghah
LP | 2019 | EU | Original (Sounds Of Subterrania)
23,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Bibi Ahmed, Kopf und Bandleader von Group Inerane, stammt aus Agadez (Niger), eine der unbändigsten, unbeständigsten und gefährlichsten Gegenden dieser Erde. Früh wurde Bibi mit der Unterdrückung und Ausgrenzung der Tuareg durch die nationalen Regierungen von Mali und Niger konfrontiert. Ebenso früh erwachte seine Liebe zur Musik. Als Kind brachte sich Bibi Ahmed das Gitarre spielen selbst bei, bevor er seine Ausbildung von dem großen Meister und Vater des Tuareg-Blues, Abdallah Ag Oumbadougou, erhielt. Geprägt durch die Erlebnisse in den lybischen Flüchlingscamps während des Tuareg Aufstandes, verlieh Bibi Ahmed, während viele andere Künstler das Land in Richtung Amerika und Europa verließen, mit seiner Band Group Inerane der Rebellion eine eigene, musikalische Stimme und öffnete gleichzeitig die reiche Tradition der Tamachek-Gitarrensänge einer neue Generation Zuhörern. In Zusammenarbeit mit Sounds of Subterrania und den Lotte Lindenberg Studio entstand Februar 2019 sein erstes Soloalbum, bei welchem er alle Instrumente selbst einspielte. Diese Reduktion eröffnen einen völlig neuen Blick auf diesen sehr spezielle Mix aus Tuareg Blues, elektrifizierte Tamachek Folk und Psychedelic Sahara-Rock. Man spürt förmlich das Flirren der Hitze und begibt man sich auf den Pfad des Hörens , verschwimmen die Unterschiede zwischen spirituellen Trance und hypnotischem Psychedelic-Blues. Für Fans von Mdou Moctar, Tinawiren, Imarhan LP mit DLC in wertiger Aufmachung, CD als Digipack. Bibi Ahmed, head and bandleader of Group Inerane, is from Agadez, Niger, which is one of the most volatile, unbridled and dangerous parts of the world. Bibi was soon confronted with the oppression and marginalization of the Tuareg by the national governments of Mali and Niger. Just as early awakened his love for music. As a child, Bibi Ahmed taught himself to play the guitar before receiving his education from the great master and father of the Tuareg blues, Abdallah ag Oumbadougou. Marked by the experiences in the Libyan refugee camps during the Tuareg uprising, Bibi Ahmed and his band Group Inerane gave the rebellion its own musical voice, while at the same time making the rich tradition of Tamachek guitar singing accessible to a new generation of listeners. In February 2019 and in collaboration with Sounds of Subterrania and Lotte Lindenberg Studio, Bibi recorded his first solo album on which he played all of the instruments himself. This reduction opened up a whole new view on this quite extraordinary mix of Tuareg blues, electrified Tamachek folk and psychedelic Sahara rock. The listener literally feels the shimmer of the heat and, once one embarks on the path of listening, the differences between spiritual trance and hypnotic psychedelic blues become indistinct. For fans of Mdou Moctar, Tinawiren, Imarhan Vinyl in hi-end sleeve with dlc, CD as digipack!
Bibio - Bib10 Black Vinyl Edition
Bibio
Bib10 Black Vinyl Edition
LP | 2022 | UK | Original (Warp)
27,99 €*
Release: 2022 / UK – Original
Genre: Electronic & Dance
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Bibio is an artist who never likes to stay in one sound for too long. His humble beginnings producing lo-fi folk-tronica transformed dramatically into the hip hop inspired kaleidoscopes of his Warp debut Ambivalence Avenue, launching a series of constant shifts from intricate house beats to dazzling funk through to haunting ambient soundscapes, often all within the space of one album. While the quintessential Bibio sound may be hard to define, the guitar has stuck with him throughout all of his sonic experiments, and it’s what he pays homage to on his milestone tenth album.

“I like contrast between my albums,” says Stephen Wilkinson aka Bibio “When I finish an album, I crave doing something different for the next one.” Bib10 is perhaps the most outwardly pop Bibio has ever leaned into, delving deeper into the funk and disco direction previously hinted at with releases like 2016’s The Serious EP while his natural pastoral folk inflections still shine through. Though the slick riffs of tracks like ‘Off Goes The Light’ are dressed in fuzzy CRT television colours, they never fall into the trap of sounding nostalgic, featuring refreshing songwriting that can only be placed in modern day.

A metropolitan energy flows through many tracks, such as ‘S.O.L.’ with Olivier St. Louis’s silky, infectious vocals, or the sweet rotations of saxophone and guitar on ‘Cinnamon Cinematic’, trading jubilantly extended solos with each other. Elsewhere, Bibio’s hearty folk origins appear on the intimately drifting ‘A Sanctimonious Song’ and the acoustic ode to analogue on ‘Phonograph’. Both of these worlds are glued together in ‘Rain And Shane’, where lilting violin lends simultaneously wistful and soaring melodic refrains to twirling electric guitars.
Bibio - Bib10 Gold Vinyl Edition
Bibio
Bib10 Gold Vinyl Edition
LP | 2022 | UK | Original (Warp)
27,99 €*
Release: 2022 / UK – Original
Genre: Electronic & Dance
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Bibio is an artist who never likes to stay in one sound for too long. His humble beginnings producing lo-fi folk-tronica transformed dramatically into the hip hop inspired kaleidoscopes of his Warp debut Ambivalence Avenue, launching a series of constant shifts from intricate house beats to dazzling funk through to haunting ambient soundscapes, often all within the space of one album. While the quintessential Bibio sound may be hard to define, the guitar has stuck with him throughout all of his sonic experiments, and it’s what he pays homage to on his milestone tenth album.

“I like contrast between my albums,” says Stephen Wilkinson aka Bibio “When I finish an album, I crave doing something different for the next one.” Bib10 is perhaps the most outwardly pop Bibio has ever leaned into, delving deeper into the funk and disco direction previously hinted at with releases like 2016’s The Serious EP while his natural pastoral folk inflections still shine through. Though the slick riffs of tracks like ‘Off Goes The Light’ are dressed in fuzzy CRT television colours, they never fall into the trap of sounding nostalgic, featuring refreshing songwriting that can only be placed in modern day.

A metropolitan energy flows through many tracks, such as ‘S.O.L.’ with Olivier St. Louis’s silky, infectious vocals, or the sweet rotations of saxophone and guitar on ‘Cinnamon Cinematic’, trading jubilantly extended solos with each other. Elsewhere, Bibio’s hearty folk origins appear on the intimately drifting ‘A Sanctimonious Song’ and the acoustic ode to analogue on ‘Phonograph’. Both of these worlds are glued together in ‘Rain And Shane’, where lilting violin lends simultaneously wistful and soaring melodic refrains to twirling electric guitars.
Biensure - Biensure
Biensure
Biensure
LP | 2022 | EU | Original (Wewantsounds)
33,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Combining disco pulse with Turkish/Kurdish music and the energy of Marseille"s multi-cultural hipness, Biensüre brings a cool edge to the musical landscape of the mediterranean city and the dancefloors of the world. The group"s music, inspired by the personal stories of its singer, Kurdish Hakan Toprak, speaks of impossible loves, friendship and exile and is wraped up in an unmistakable groove. The eponymous album is the group"s first release, written, composed and produced by the four musicians and it is composed of seven groove-infused tracks that will please all global music lovers.Marseille in one of the coolest cities in France: The cafés, the terraces, the clubs, the Mediterranean sea and the mountains not far, make for a perfect setting for the wildly creative rebellious youth to express their art in a world of perpetual change. This is the setting in which Biensüre was born. Biensüre"s influences are varied and transcend generations and borders. Ranging from the Anatolian pop scene of the 70s and 80s with key figures like Erkin Koray and Baris Manço to 70s Jazz, Disco and early electro, their music is at the intersection of several musical continents.
Big Boss Man - Do The Backstroke / Mother's Earth
Big Boss Man
Do The Backstroke / Mother's Earth
7" (Spinout Nuggets)
18,99 €*
Genre: Rock & Indie
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Hand-Numbered, Limited to 500. Big Boss Man have produced a hip-Hammond hybrid of 60's R'n'b, Latin, Soul, Bongo-Fuzz and Funk since 1998. As well as playing hundreds of concerts and festivals across the UK, Europe and even Russia, Big Boss Man's music may sound familiar to you, being regularly played on film and television, including Come Dine With Me, Strictly Come Dancing and I Used To Be Famous, and broadcast on BBC Radio, by presenters including Gideon Coe, Cerys Matthews and Craig Charles. Their track 'Party 7' was featured in the international Nike World Football '06 Campaign advert featuring Thierry Henry and Eric Cantana. The entire soundtrack to The Mighty Boosh's Bafta nominated short film "Sweet" was provided from tracks taken from the Big Boss Man's "Humanize" album. The band have performed live on national Spanish television and had tracks included on XFM London Radio and "Later" magazine compilation albums (100,000 plus copies). Big Boss Man's official remix of Modfather Paul Weller's single "The Bottle" went straight in to the UK Top 20, and fast became a collector's item. Know enough yet? Well you'll need to see them live too! Big Boss Man's explosive live shows are legendary. They've been blasting stages since their earlier days in The Loafers, Skooby and Espadrille, amongst a few others. Big Boss Man have released four studio albums, and six 7" singles, and have appeared on countless compilations. This twin-spin 7" single has two new dance floor fillers from Big Boss Man's most recent recordings, and are sure to pack out dance floors across the globe, and further.
Big Boss Man - Double Groovy
Big Boss Man
Double Groovy
7" | 2022 | EU | Original (Blow Up)
14,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Grab while you can. The tracks have already received very strong radio responses from around the world. Both tracks being supported by Gideon Coe and Cerys Mathews at BBC Radio 6 Music, whilst Nasser Bouzida from the band discussed the rhythm influences of Return Of Baron Samedi on the Cerys Mathews show. Specialist funk shows from Australia, Germany, France, Canada and the US have already been supporting these tracks. The tracks are also set to appeal to fans of one of Big Boss Man's biggest tracks 'Sea Groove', which is currently one of the UK's biggest home-grown funk recordings on Spotify currently close to 7 million streams. These are the first new releases from Big Boss Man since their fourth album Last Man on Earth on Blow Up Records.
Big Boss Man - Juju Funk
Big Boss Man
Juju Funk
7" | 2022 | EU | Original (Blow Up)
14,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Grab while you can. The tracks have already received very strong radio responses from around the world. Both tracks being supported by Gideon Coe and Cerys Mathews at BBC Radio 6 Music, whilst Nasser Bouzida from the band discussed the rhythm influences of Return Of Baron Samedi on the Cerys Mathews show. Specialist funk shows from Australia, Germany, France, Canada and the US have already been supporting these tracks. The tracks are also set to appeal to fans of one of Big Boss Man's biggest tracks 'Sea Groove', which is currently one of the UK's biggest home-grown funk recordings on Spotify currently close to 7 million streams. These are the first new releases from Big Boss Man since their fourth album Last Man on Earth on Blow Up Records.
Big D And The Kids Table - Do Your Art
Big D And The Kids Table
Do Your Art
LP | 2021 | US | Original (Side One Dummy)
26,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"
Big D And The Kids Table - Strictly Rude 15 Year Anniversary Edition
Big D And The Kids Table
Strictly Rude 15 Year Anniversary Edition
LP | 2022 | US | Original (Side One Dummy)
40,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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- double LP with Limited Edition color vinyl (LP1 on Black, LP2 on White vinyl)- limited anniversary edition 16 page commemorative booklet with handwritten lyrics and photos- new anniversary gatefold artwork in a commemorative slipcase- 5 previously unreleased tracks- comes with limited edition commemorative 10"x10" anniversary poster//Seminal ska-punk posse BIG D AND THE KIDS TABLE commemorate the 15th anniversary of their classic album Strictly Rude with a limited edition double LP that contains a 16-page booklet with handwritten lyrics and photos. This special edition includes all new gatefold artwork, 10x10 poster as well as five previously unreleased tracks."Strictly Rude was the album that was needed for the genre of SKA at the time," explains vocalist David McWane. It redefined the look, the sound, and the swagger of SKA. The songs are a journey, from positive mental attitudes, fiery frustration, to encouraging pro-activism with finding your own voice in this world. The inviting album cover shouts `You think you know SKA, well here we are, take a good look at us and if you believe you may be one of us, then join us; You are welcome here.'"
Big Mountain County - Klaus
Big Mountain County
Klaus
LP | 2022 | EU | Original (Proto)
15,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Two years after the release of their last album Somewhere Else, BIG Mountain County releases a new EP. That's Klaus, the result of an evolution in sound and style that the band has carried out during the long months of forced absence from the scene. Unlike the past, the artistic production was in fact entirely in the hands of BIG Mountain County, which, never as this time, feel perfectly represented their soundscape in the tracks engraved on vinyl, available here from April 22. To open the dances there is (literally) What?, already released digitally last July. It is a song that, despite its attitude rooted in punk, is about artifice, about pushing the sounds to reach new landscapes. The super groovy bass lines, the crunchy drums, the connection between the synths and the vocals, raw, edgy but also refined and elaborate, push the band's style beyond the garage-psych overtones to which they have been associated. The lyrics are about a personal relationship, centered around someone very close who can turn into an unbearable person, leading us to a definitive reaction. But the song is also a vehicle for emotional release, so yell "What?" it becomes an indomitable will to move forward, to go through these absurd times that we are all living, a cry of anger against any kind of impediment. For What? was shot a video, released last July, signed by Paolo Sfirri. It follows the title-track THE Klaus Crossing, the unique track not yet unveiled. It is the track closest to the old production of BIG Mountain County, who speak of it as follows: “In such a "chaotic and fragile" period we need to dream even more strongly. On a heartbeat marked by the arpeggiator, a weave of guitars is being created to send the present to an other side, where we are stripped of material consistency and imagination takes the power. These days are too grey, some relationships are too worn out, there are no expectations, only the prospect of sinking. So we hurry: energies fade, time runs fast, but spring is just around the corner. And to be born it is necessary to die.” Side A is closed by Where ARE YOU?, released as a single in January. Here the contamination of psych sounds, exquisitely analog, with rhythmic and melodic lines with a more synthetic flavor is evident. Over a skeleton of a reiterated rhythm that is not afraid to refer explicitly to the krautrock of Can, we hear guitars and synthetic riffs that remain around Berlin, but look towards California, remembering The Brian Jonestown Massacre. In the middle of this combination, a synthetic arpeggio breaks in, to soon gets stuck in the pressing rhythm, and finally get confused in the closing explosion, BIG Mountain County's trademark. The band's "flirt" with Berlin and California doesn't end with the A-side. Side B, in fact, features the two remixes of Where ARE YOU?, both already released digitally last March. The first one is signed by AL Lover, , cult name of the international psych scene, known for his unique approach to psychedelic and experimental electronic music. Already author of remixes for bands such as Thee Oh Sees and Night Beats, he has collaborated with several labels (Stolen Body Records, The Reverberation Appreciation Society, Fuzz Club Records, Hoga Nord Rekords, Pnkslm Records and Crash Symbols) and artists such as The Brian Jonestown Massacre, White Fence, Goat and Cairo Liberation Front. He has also been the official DJ for festivals such as Levitation and Desert Daze. When Big Mountain County approached the California-based producer about remixing Where ARE YOU?, these were his words: "I really love this track! Been jamming it loud! I love the vibe of the original track and the production value. I tried to preserve some of those elements but with a different twist. I was able to sit down with this over the last few days. Really digging the results, I went with a mix of krautrock / shoegaze / chopped and screwed trip hop vibes." The result doesn't betray his words, but according to the band it goes even further: “The Californian producer Al Lover puts the music of Big Mountain County on film. He projects it on the big screen, cleverly uses photography and rewrites the plot with a very personal editing. Colors of the East, no longer intended as a lysergic space, but as a chaotic traffic of men, vehicles and animals on any given day in the Indian subcontinent (in Mumbai). In this marasmus the echo of what has been, or what could be, is there to re-propose the question that led to writing the screenplay: "Where are you?”. With the second remix, which closes out the EP, Big Mountain County are infected with a tropical disease in this remix masterfully produced by Tropicantesimo, aka UGO Sanchez, metropolitan prophet of slow rhythms and star of nights with no end, if not in hallucinated dawns front of the sea. Big Mountain County talks about it like this: “Here, more than hangover, that's "saudade" . So, the sense of lack becomes a curse - How does it feel to live so far away for me? - to be shouted, shared and cried. But outside, in some crowded city in the South of the world, it's Carnival and Summer is still there to be lived and danced, perhaps at a slower and more rhythmic pace.” An experiment, that of the remix of their songs, long in the band's wish book, finally fulfilled by Hugo Sanchez, cult Rome-based DJ and producer, recently protagonist of the recording declination of Tropicantesimo, a musical ritual dilated in time, through the celebration of sound and dance. This is a party, which over the years has become a real experience of listening, sharing and discovery out of time and space, finding home among the records and recordings of Pescheria, space-studio, but also record project, which sees Hugo Sanchez at the center of a collective of artists of various forms, musical, visual and sound installation. After having premiered two tracks by Klaus at the last Esns in Groningen (nl), Big Mountain County will return to play from April 23rd, in a tour with more than twenty gigs in Italy, Switzerland, Germany, France, Belgium and UK. In July they will be back in Berlin for the Fusion Festival 2022.
Big Scary - Not Art
Big Scary
Not Art
LP | 2014 | US | Original (Barsuk)
27,99 €*
Release: 2014 / US – Original
Genre: Rock & Indie
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The story of Big Scary begins in Melbourne, Australia, where duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Syme’s parents’ house, gradually working up to a bolder, more expansive sound by incorporating electric guitars, drums, synths and piano. What began as a few rainy day acoustic ballads in their first incarnation soon grew, and before long, the newly named Big Scary were writing anything they pleased – fuzzed-out garage rock; piano-led pop; intricate, pastoral instrumentals – each imbued with an effortless pop sensibility and lightness of touch that would quickly see the duo attract a strong following in their home country. Following a series of early self-released singles and EPs, Big Scary released the intimately crafted debut album Vacation in 2011 via the band’s own label Pieater. The album brought the pair widespread acclaim, and earned the duo a large Australian audience with nominations for ‘Album Of The Year’ from Triple J and ‘Breakthrough Artist Of The Year’ from AIR (Australian Independent Record Labels Association), plus a small but growing cult following overseas. 2012 saw Big Scary take its first small steps onto the world stage – earning further underground acclaim via a self-funded North American tour that saw Tom and Jo play SXSW, CMW, and CMJ, impressing whatever audiences happened upon the versatility, lovable magnetism, intelligent songwriting and dynamic live performances that make up the band’s riveting shows.On the heels of their adventures abroad, an invigorated Tom and Jo returned home and began recording their second full length album. Grappling with the pressures and perceived responsibilities of their Australian success, the daunting goal of bringing their music to wider audiences, and their own expectations of themselves as writers and creators, the band eventually settled into making an album that would be, paradoxically, hotly anticipated at home while acting simultaneously as a first introduction to almost all audiences elsewhere: Not Art.The Melbourne-based duo has become a household name in Australian indie-pop circles and has a growing cult following overseas. Barsuk Records is thrilled to be the U.S. home for the band’s forthcoming album Not Art, a slow-burning stunner produced and engineered by Iansek and mixed by Tom Elmhirst (Amy Winehouse, The Kills, Arcade Fire, Adele) that distills influences of indie rock song structure, pop and hip-hop production, and experimental ambient music.
Big Toast & 184 - Who Shit In The Sandpit?
Big Toast & 184
Who Shit In The Sandpit?
CD | 2020 | UK | Original (Revorg)
9,99 €*
Release: 2020 / UK – Original
Genre: Hip Hop
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Where the previous 184 & Big Toast album was a bluntly worded denunciation of the zeitgeist over a classic Hip Hop soundtrack, Who Shit in The Sandpit takes a sonic direction more akin to 184’s Trip-Hoppy electronic-folk collective, Button Eyes. With more

melodious production and a greater range in the vocal tones and styles of delivery, it sees the duo step outside of their comfort zones and attempt something less restricted by the confines of their genre. The title is an abstract and Toast-esque expression referring to how the world the next generation stand to inherit (the Sandpit) is being destroyed by the greed and stupidity of older generations (the shit). It is at least a partial departure from the nihilistic and misanthropic themes on previous projects, perhaps a consequence of Toast’s desire to leave a better world for his firstborn, who arrived during the making of the project. While no album which closes on a track about a nuclear holocaust can be described as light, Who Shit in the Sandpit? has moments of real humour, providing comic relief from the more pointed social and political statements elsewhere. Fellow Tuff Boy, The Strange Neighbour, joins Toast on “Anyone Order a Tough Guy?”, a verbal skewering of wannabe hardmen, and the offensively absurd “F.W.L.”. Sometime Sleaford Mods vocalist John Paul contributes his own unique brand of observational poetry to “Backpack” and Croydon’s Breezy Lee elevates every track she features on with her sumptuously soulful vocals. Halo Jones adds the finishing touches with his distorted guitar riffs,

providing further musicality to an already boundary- pushing Hip Hop album.
Big Vern - Vision Of Experience EP
Big Vern
Vision Of Experience EP
12" | 1994 | EU | Reissue (Vinyl Fanatiks)
16,99 €*
Release: 1994 / EU – Reissue
Genre: Electronic & Dance
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Big Vern, also known as DJ Vern was a resident DJ on Weekend Rush, a pirate radio that broadcast out of the Nightingale Estate in Hackney. To be precise, it broadcast out of the Embley Point high rise, the same tower that Kool FM as also broadcasting out of at the same time. It was here that Vern met DJ Ash, a resident of Kool FM and the two of them joined forces for their release on Tearin Vinyl in 1994. Around the same time as the two of them teamed up, Vern was also running his own label, World Bass Records. It was on this label that Vern formulated his own distinctive East London sound of Jungle. His debut release on the label in 1994 – The V Experience EP, was a 3 tracker that received a lot of rotation back in the day. This release was followed a 12” in 1995 which had one of Vern’s tracks on there – ‘Vision’. Fast forward 27 years to 2022 and Vinyl Fanatiks have repressed all 4 of those tracks on one EP titled ‘Vision Of Experience’, an EP that showcases the raucous sound of Vern and his integrate and rambunctious skill and ability to manipulate a sampler to create some of the heaviest jungle of the era. Both of the original releases are highly collectable and withstand the elements of time and capable of going toe to toe with any recent jungle output from the 21st century.
Bigeneric (Marco Repetto Of Grauzone) - Helva
Bigeneric (Marco Repetto Of Grauzone)
Helva
2CD | 2021 | EU | Original (Inzec)
18,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty
Bigeneric (Marco Repetto Of Grauzone) - Helva
Bigeneric (Marco Repetto Of Grauzone)
Helva
2LP | 2021 | EU | Original (Inzec)
30,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty
Bill Berry And The LA Band - Hello Rev
Bill Berry And The LA Band
Hello Rev
LP | 1976 | US | Original (Concord Jazz)
5,99 €*
Release: 1976 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+. Cover with stains on the back
Bill Brown & The Soul Injection - Dreamworld Fantasies / Stay Off The Moon
Bill Brown & The Soul Injection
Dreamworld Fantasies / Stay Off The Moon
7" | 2020 | UK | Original (Super Disco Edits)
13,99 €*
Release: 2020 / UK – Original
Genre: Organic Grooves
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Bill Brown and Al Hall jr met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer billy Wilson. These studio sessions were don't at Paramount studios Hollywood where Al Hall jr was working for producer Art Smith a&c music. The main distributor for A&C was Accent records. So the Soul Injections very first single "Stay off the moon" was released via Accent, as was Bill Brown's "Bip Bam" The group wasn't that pleased with how Accent handle the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included Doug Carn, organ; Kirk Lightsey, keyboards; Mel Bolton, guitars; Mel Lee, drums; Al Hall jr (trombones), Willaim 'Bill Henderson strings. The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday people feat Alexis "world full of people"....A now cult soul 45 ....We are pleased to give you our last outing for Bill and the Crew. "Dreamworld Fantasies" is a wonderful unissued 1977 modern soul disco tune dreaming of how our lives should be, flip it over and we have given you the rare previously released 1971 single of "Stay off the moon" a political message that still seems relevant today
Bill Brown & The Soul Injection - Time After Time / Instrumental
Bill Brown & The Soul Injection
Time After Time / Instrumental
7" | 2018 | UK | Original (Super Disco Edits)
13,99 €*
Release: 2018 / UK – Original
Genre: Organic Grooves
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Limited edition vinyl!
Bill Brown and Al Hall jr. met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer Billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr. was working for producer Art Smith A&C music.
The main distributor for A&C was Accent records. So, the Soul Injections very first single "Stay Off The Moon" was released via Accent, as was Bill Browns "Bip Bam". The group wasn't that pleased with how Accent handled the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included Doug Carn (organ), Kirk Lightsey (keyboards) Mel Bolton (guitars), Mel Lee (drums), Al Hall jr. (trombones), Willaim 'Bill'Henderson (strings).
The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday People feat Alexis "World Full Of People", a now cult soul 45. But wait, Super disco edits have unearthed the original tapes with the very first incarnation of that song and music, different lyric content and sung by Bill Brown. Not just this you get the instrumental on the B-side!! TIP!!
Bill Callahan & Bonnie Prince Billy - Blind Date Party
Bill Callahan & Bonnie Prince Billy
Blind Date Party
2LP | 2021 | US | Original (Drag City)
42,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.
Bill Callahan & Bonnie Prince Billy - Blind Date Party
Bill Callahan & Bonnie Prince Billy
Blind Date Party
2Tape | 2021 | US | Original (Drag City)
21,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.
Bill Callahan - Gold Record
Bill Callahan
Gold Record
LP | 2020 | US | Original (Drag City)
28,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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For his first record in….uh, well, just a little over a year (!), Bill Callahan Bill Callahan’s given us his first Gold Record Gold Record . They can’t all be gold, and they’re not all six years apart either — all good! You could probably call the album “ Gold Records Gold Records ,” too: all the songs have a standalone feel, like singles, meant for you to have a deep encounter with all of a sudden, from the start of the song to the finish. And what do you got when you have a record full of singles — and let’s face it, hit singles, at that? That’s a Gold Record Gold Record for you. From the top, it’s clear this is music with an affection for people, as Bill Bill immediately slips easily and deeply into his characters. Among them: a limo driver, a watcher of television, a suitor, a man in a broken-down car, a reader of books, a Ry Cooder Ry Cooder superfan, and in the closing number, a wanderer who “notices when people notice things”. The voices of the people, with their ups and downs, their loss and laughter. You can feel the love. For Bill Bill, preparing to tour for Shepherd In a Shepherd In a Sheepskin Vest Sheepskin Vest meant considering being away from home for long stretches of time — maybe up to a year, who knew? Feeling his oats, Bill Bill pulled out a few sketches from over the years and touched them up. Before he knew it, he was recording them, and in the shuffle, newer songs started popping up. It happened fast. Basics were recorded live with Matt Kinsey Matt Kinsey playing guitars, guitars, guitars and Jaime Zurverza Jaime Zurverza holding it down “and then letting it go” on bass. Drums and horns were brought in for a couple songs. Spirits were high! Six out of the ten were done first take; overdubs, when needed, came equally quickly. Listening, one hears their intuitive cohesion coming together richly behind Bill Bill’s titanic voice spread across the stereo spectrum: the gentle conversation of Bill Bill and Matt Matt’s guitars, the subtle percussion of the bass and drums, and odd appearances of trumpet, woodwind and synth, striking notes both decorous and discordant, sounding for all the world like the naturally occurring sound meant to accompany and express lives lived everywhere. These are in fact songs meant for other people to sing — but until they do, Bill Bill’s got this. He’s got a secret on this one, and before we go, we don’t mind sharing it with you: he’s figured out how to perfectly place his voice in proximity to your ear. It’s based on the distance from your heart to your brain. Simple! Why don’t more people think like this?
Bill Converse - Take Parts
Bill Converse
Take Parts
12" | 2022 | US | Original (Dark Entries)
18,99 €*
Release: 2022 / US – Original
Genre: Electronic & Dance
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Underground hero Bill Converse returns to Dark Entries with Take Parts, perhaps his most muscular and floor-focused work to date. Converse has honed his analog craft since the early days of the Midwest rave scene, absorbing lessons from luminaries like Claude Young and Traxx. His skill as a producer has been established with releases on labels such as Dark Entries, Fit Sound, and Obsolete Futures, and his prowess as a DJ has been witnessed on floors the world over. On Take Parts, Converse peels away the layers of acidic gauze that have characterized much of his work, revealing his sharp grasp of dancefloor dynamics and DJ functionality. While the 808’s, 909’s, and 303’s are on full display, Converse does not indulge in retro-fetishism; he channels the future forward impulse of the originary rave ethos. Tracks like “Stroke” and “What You Have” pit seasick chords and analog squelch atop funky but unsettling loops. The flurry of 808 snares on “Measurement (Of What?)” nods towards both footwork and jungle, but feels ultimately planted in a world of Converse’s own. With the acid-electro masterpiece “Take Apart”, Converse implores us to both join him in this new world and reconfigure the one we’re living in now. The 6-tracks on Take Parts present a new focus for Converse, and will excite DJ’s and thrill dancers.
Bill Evans & Jim Hall - Undercurrent
Bill Evans & Jim Hall
Undercurrent
LP | 1962 | US | Reissue (Jackpot)
29,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro. Eventually, he was persuaded to return to music, and this was one of the first recordings upon his return. Guitarist Jim Hall - who had worked with Ella Fitzgerald, Sonny Rollins, and Chico Hamilton - started his partnership with Evans during this time. Recorded over two sessions in April and May 1962, the two have that beautifully unspoken musical language of give and take; their recordings are refreshingly busy but also incredibly sparse. These two giants understand that intertwining their personalities and harmonic styles could create greatness. This notable re-issue is an all-analog production affair—AAA Mastered and cut live by audio guru Kevin Gray (Miles Davis, Herbie Hancock, Charles Mingus)—and it’s never sounded better. So dim the lights and let this music breathe with you; it’s an incredible listen and an essential album for both the novice listener wanting to dip their toe into the genre or the audiophile who needs to replace their well-worn vinyl copy. And depending on your day, it will color your mood in any emotive shade you desire.
Bill Evans & Jim Hall - Undercurrent
Bill Evans & Jim Hall
Undercurrent
LP | 1976 | JP | Reissue (United Artists)
54,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing without OBI, with insert. Cover with sticker.
Bill Evans & Jim Hall - Undercurrent
Bill Evans & Jim Hall
Undercurrent
LP | 1962 | EU | Reissue (Not Now)
26,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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When giants of Jazz join together in conjugal jamming the resultant jousting can be less than jubilant. That was often the case in the era when promoters and record producers thought it a bright idea to create battle conditions at concerts and on albums. Undercurrent features the protagonists unsupported by a rhythm section, and relies on their intuition and telepathic understanding to create the interplay revealed in this album. Much admired as an influence on other Pianists, Bill Evans won seven Grammy Awards and a led a Trio that released many acclaimed albums. While Jim Hall continued playing, composing and arranging touring the world, receiving myriad awards in recognition of his achievements.
Bill Evans & Jim Hall - Undercurrent
Bill Evans & Jim Hall
Undercurrent
LP | 2012 | UK | Original (Pure Pleasure)
37,99 €*
Release: 2012 / UK – Original
Genre: Organic Grooves
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Bill Evans & Jim Hall - Undercurrent
Bill Evans & Jim Hall
Undercurrent
LP | 1962 | EU | Reissue (20th Century Masterworks)
18,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Bill Evans & Jim Hall - Undercurrent
Bill Evans & Jim Hall
Undercurrent
LP (Waxtime In Color)
18,99 €*
Genre: Organic Grooves
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