Search "depeche mode" 497 Items

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | FR | Original (Mode Disques)

V.A.

Nouvelle Orleans Vol. 3

Plays And Sings Matt Dennis

Release: FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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Matt Dennis

LP | 1991 | JP | Reissue (MCA)

The United Jazz+Rock Ensemble

Release: 1991 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Teamwork

LP | 1978 | DE | Reissue (Mood)

Release: 1978 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Abbi Hübner's Low Down Wizards Featuring Peter Cohn

American Jazz & Blues History

LP | 1983 | DE | Original (Tobacco Road)

Release: 1983 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | DE | Original (Tobacco Road)

Charles Mingus

Peggy's Blue Skylight

Release: DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Ella Fitzgerald, Barney Kessel, Oscar Peterson, James Moody, Ray Charles, Dizzy Gillespie

Europa Jazz

LP | 1981 | IT | Original (Europa Jazz)

Release: 1981 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

On My Way To Harlem / 1960 What

Gregory Porter

7" | 2013 | UK | Original (Expansion)

8,99 €*

Fumiaki Miyamoto - Norio Maeda

Release: 2013 / UK – Original

Genre: Organic Grooves

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Now specially edited for the first time for discerning Northern, Modern and Jazz dancefloors on THE only format that matters for DJs and collectors alike, grab your copy now with an exclusive edit of Gregory’s signature song “1960 What?”

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Jazzy Wind

LP | 1983 | JP | Original (CBS/Sony)

8,99 €*

MC Torro + The Mighty G-Clamp

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuffs on side B.
Record is close to VG+.
Includes OBI and insert.

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Jump 4 Joy

12" | 1992 | UK | Original (Nuff Tuff Music)

8,99 €*

Release: 1992 / UK – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Except For / Keyboard Study No. 2

Joona Toivanen Trio

7" | 2021 | EU | Original (We Jazz)

Milda Döden Hämtar Oss Alla Till Slut

Release: 2021 / EU – Original

Genre: Organic Grooves

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Gothenburg-based Finnish pianist Joona Toivanen makes his We Jazz Records debut with his long-standing trio featuring Tapani Toivanen on bass and Olavi Louhivuori of Superposition on drums. Searching for new opportunities on the minimal side of acoustic groove-based free music, the trio introduces a single edit of a hard-driving album track to be, "Except For", and a fresh take on Terry Riley's "Keyboard Study No. 2" on the flip. Fans of introspective jazz piano plus minimalist modern composition take notice.

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Eric Malmberg

7" | 2021 | UK | Original (We Jazz)

Antti Lötjönen & Koma Saxo

Release: 2021 / UK – Original

Genre: Organic Grooves

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We Jazz Records is delighted to present the first ever vinyl release for two modern classic tracks by Swedish organist Eric Malmberg. Originally released in 2007 by the label HÃ¤pna on Malmberg's second solo album "Verklighet & Beat", the pair of tunes herein serve as proof of Malmberg's remarkable artistic vision, echoing both the pure pastoral beauty and the irresistible groove of his work. This release, part of the ongoing 7" series by We Jazz Records, follows the label's Artistic Director Matti Nives's 10+ years of obsession with the aforementioned Malmberg album after an initial chance encounter with the side A track on a Wire Magazine compilation in 2007.
"Eric Malmberg's music is a small miracle. I don't want to call him a genius, because I don't want to jinx him. But I will say that he's a complete original, in addition to being a vastly talented musician. I will also say that his recordings and the two performances that I saw by Sagor & Swing merit a place on a short list of most enjoyed musical experiences of the last half decade. I could bleat about the quality of the work, but "most enjoyed" to me carries the stronger charge." â€“ David Grubbs, New York, March 2007
"A special mention needs to go out to the phenomenal and totally bonkers 'Till minne av Lilly LindstrÃ¶m' a track which starts with a clean break, builds into dancefloor abusing Hammond-hammering mayhem and then ends up with lush string orchestrations and disco-lite sweeps. Insane and more enjoyable than you could possibly imagine - an album to totally lose yourself in, and one for anyone looking for something just that little different. Huge recommendation." â€“ Boomkat

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Erzeben Strasse / Erzeben Koma

7" | 2021 | UK | Original (We Jazz)

Oag-Ada / A Swimming Trip

Release: 2021 / UK – Original

Genre: Organic Grooves

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Helsinki bassist Antti LÃ¶tjÃ¶nen follows up his 2020 We Jazz Records debut LP with a new 7" introducing a fresh version of key album cut "Erzeben Strasse" and throws in a wild treatment by Petter Eldh's Koma Saxo on the flipside. "Erzeben Strasse" presents LÃ¶tjÃ¶nen's Quintet East lineup in fine form, swinging steadily but also adding enough sideways movement to blur the lines just a little bit. The band features a stellar Finnish cast in LÃ¶tjÃ¶nen (bass), Verneri Pohjola (trumpet), Mikko Innanen (baritone sax), Jussi Kannaste (tenor sax) and Joonas Riippa (drums). The Koma Saxo treatment of the track, dubbed here as "Erzeben Koma" is full of fire. Uplifting, a bit hectic, beat-driven and jubilant, Eldh's band of brothers double the ensemble heard on Side A, both sampling and adding new recording into the mix. The entire Koma Saxo live band is featured here: Eldh (bass/production), Otis SandsjÃ¶ (tenor sax), Jonas Kullhammar (tenor sax), Innanen (alto sax) and Christian Lillinger (drums). The modern sound of Helsinki meet Mauerpark Liquid Jazz.

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Oaagaada

7" | 2020 | EU | Original (We Jazz)

Martin Kolbe + Ralf Illenberger

Release: 2020 / EU – Original

Genre: Organic Grooves

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We Jazz Records continues their 7" series with a new release by Oaagaada, a fresh quartet from the rural parts of Southern Finland. "Oag-ada / A Swimming Trip" appears on 30 October and presents the band's ability to create fiery and flowing jazz music with strong avantgarde leanings. Think Art Ensemble Of Chicago on their groovy mode and add a strong DIY mentality, four people in a room creating music in the now. The lows are low and the highs are high, with the trumpet firmly on the red, adding just the right amount of blurriness into the picture. Perhaps it's not "lo-fi jazz" per se, but rather music which is more concerned with other things than the cleanest of hi-fi imagery. This is "real jazz for real people".

The quartet includes Tuure Tammi (trumpet), Sami Pekkola (sax), Tero Kemppainen (bass) and Simo Laihonen (drums). Laihonen has recently appeared on We Jazz Records with Stanley J. Zappa and previously with Black Motor, and more Oaagaada can be heard on the recent "We Jazz Live Plates" album "Lonna 2019".

True to We Jazz style, the 7" single comes with old school heat-pressed labels and a plain brown paper sleeve.

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Waves

LP | 1978 | DE | Original (Mood)

Release: 1978 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Django Deluxe, NDR Bigband, Y'Akoto, Aya

Stina

7" | 2016 | EU | Original (Musik Produktion Schwarzwald)

Mystical Funk / Spaced Out

Release: 2016 / EU – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2018!

Django Deluxe´s unique music combines the traditional Gypsy-Swing of Django Reinhardt with more modern forms of jazz to dazzling effect. Swing however, pulses through it's veins, expressing their collective passion and esteem for Django – the greatest European Gypsy-Jazz legend of all time. At the same time however, they're four young men, living and creating music in the contemporary world of R & B and Hip-Hop. As Django Deluxe, they produce a timeless, vibrant, emotional music, which flows in the inimitable style of European Sinti-Swing, but with American Jazz infused into it. 7" single version featrues the track "Stina" only.

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Gerardo Frisina

7" | 2024 | EU | Original (Schema)

Kay Young / Venna & Marco

Release: 2024 / EU – Original

Genre: Organic Grooves

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Currently at work on new compositions that will give shape to a new album scheduled for the fall of 2024, Gerardo Frisina delights our ears with a 45rpm containing two unreleased tracks representing a brief funk digression within his musical journey without, of course, affecting his unmistakable style. “Mystical Funk” and “Spaced Out” skilfully mix “modern funk” elements with electronic influences, creating a unique sonic experience. In both cases, one of the surprising features is the hypnotic, incessant groove, capable of drawing the listener into a sound universe full of cosmic percussion and atmospheres, enhanced by Dennis Coffey-style guitars and by a Deodato-like Fender piano. Once again Gerardo hits the mark: the production is masterful, with a clear attention to details and those typical arrangements that reflect the overall quality of the sound with delicate power.

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Feel Like Making Love / Where Are We Going?

7" | 2022 | EU | Original (Decca)

The Wonderful World Of The Louis Armstrong All Stars

Release: 2022 / EU – Original

Genre: Organic Grooves

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„Blue Note Re:imagined II“ is the sequel to the successful 2020 album. Once again hip, young Brits use modern means and creative ideas to update famous Blue Note tracks. No. 2 of the four pre-release 7" singles features singer KAY YOUNG with "Feel Like Making Love" (after Marlena Shaw) and the instrumental duo VENNA & MARCO with "Where Are We Going" (after Donald Byrd).

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Original Grooves A Gift To Pops Parallel Grooved Black Friday Record Store Day 2021 Edition

12" | 2021 | EU | Original (Verve)

LP | 1985 | EU | Reissue (Blue Note)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Verve Label Group is proud to continue our vinyl series, Original Grooves, which will be made available exclusively for this Black Friday Record Store Day. Original Grooves showcases the vinyl cutting technique known as "parallel grooves”, where grooves are cut side-by-side instead of one after another, allowing for a different aural experience depending on where the needle is dropped. The third of this series comes from Louis Armstrong. Hear Louis Armstrong’s original takes of two of his timeless performances alongside modern reinterpretations by an all-star band led by Nicholas Payton and Wycliffe Gordon.

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Tony Williams

Foreign Intrigue

7" | 2017 | EU | Original (Freestyle)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Classic 1985 solo album from the musician who wowed the jazz world as Miles Davis’s 17-year-old drummer
Tony’s third Blue Note album and a key artefact in the label’s 1980s renaissance
Recorded at M&I Studios, New York City, in June 1985
Featuring Donald Harrison (alto sax), Wallace Roney (trumpet), Mulgrew Miller (piano), Bobby Hutcherson (vibes) and Miles cohort Ron Carter (bass)
The album showcased Tony’s newfound confidence as a composer, with seven memorable originals including the modern standard ‘Sister Cheryl’
Co-produced by Williams and Michael Cuscuna
Mastered at the Van Gelder Studios

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Courtney Pine & Omar

Butterfly

Nicola Conte & Gianluca Petrella

Release: 2017 / EU – Original

Genre: Organic Grooves

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No musician embodies more the dramatic transformation in the British jazz scene over the past thirty years than Courtney Pine. His debut album, Journey To The Urge Within in 1987, was the first serious jazz album ever to make the British Top 40, notching up sales to qualify for a silver disc.
Aside from being the preeminent figure in the resurgence of British jazz, Courtney became a renowned presenter and broadcaster, best known for his long running radio show for BBC Radio 2, 'Jazz Crusade'. He was also awarded an O.B.E in the 2000 New Year's Honours, and was also made a C.B.E in 2009 for services to Music.
As an artist always looking to work outside of and across established musical genres, it is easier to list the musicians and artists he hasn't worked with, but now in 2017 Courtney releases brand new music featuring another British music legend of equal repute, his Freestyle Records label mate and an artist also honoured for his own creative endeavours; Omar Lyefook M.B.E.
Both tracks of this single are taken from Courtneys' forthcoming album Black Notes From The Deep - the 19th of his stellar career. The exciting and fresh interpretation of Herbie Hancocks' Butterfly demonstrates straight away that this is a dream team combination. With Alec Dankworth laying down the bass, Rod Youngs' drumming underpinning the groove, the song also gives the outstanding keyboards of Robert Mitchell space to stretch out - Omars fantastic vocal performance rides sweetly on top of the dreamy backing vocals of Charleen Hamilton - and of course Courtneys' flowing, imaginative and creative solo perfects this modern version of a much loved classic.
Rules is a brand new, collaborative composition by Courtney & Omar - the punchy drums and bass line patterns hints simultaneously at classic jazz and funkier club-centric sounds. Courtney cooks on tenor saxophone and also the organ - whilst Omar marinades the super catchy melody with that unmistakable voice.
As an introduction to the forthcoming albumÂ Black Notes From The Deep this single points the way to what 2 British legends, both exemplary in their own right - can come up with when joining forces.

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People Need People / The Higher Love

7" | 2021 | EU | Original (Schema)

CD | 2024 | EU | Original (Astigmatic)

Release: 2021 / EU – Original

Genre: Organic Grooves

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“People Need People / The Higher Love” is an exclusive 7” containing the two singles promoting the most recent release by Nicola Conte and Gianluca Petrella, two eclectic artists that, sixteen years after “New Standards” (2001, Scep336), found themselves working together again: this encounter led to the release of three new 12” EP’s in only three years and the double LP “People Need People”, plus the release of “Let Your Light Shine On” by Nicola Conte & Spiritual Galaxy. “People Need People” manages to communicate the club culture enthusiasm to conquer a new market capable of soliciting new interests in the nu-soul and jazz scene. From Detroit future dance to afrobeat and spiritual jazz through a nu-disco sound, the unique vibe of these two songs drags us in search of deep music in a spiritual and mantric context. In a peculiar historical moment Nicola Conte and Gianluca Petrella send a message of hope, of aggregation and Universal Love. A feeling of elevation and solidarity is shared Through Raashan’s poetry, something that can predict winds of change for humanity, a feeling that flows from a higher love. “People Need People” and “The Higher Love” are part of a collective experience wisely directed by Nicola and Gianluca that sees the participation of numerous artists from different parts of the world. Looking at the past and fetching sounds, rhythms and instruments typical of tribal / African traditions, soul / spiritual jazz and cosmic music from it, Nicola and Gianluca have performed an operation of strong contamination with modern electronic sounds, disco and hip-hop, creating a completely original hybrid. Their goal is to accompany the listener through a collective spiritual elevation path, guided by the only true universal language: music. In a historical period marked by contrasts, lack of communication and forced social distancing, this release proves to be even more essential and necessary.

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Bloto

Grzybnia

Col Nolan & The Soul Syndicate

Release: 2024 / EU – Original

Genre: Organic Grooves

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Błoto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant that fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Błoto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in late January 2023 at Warsaw's Studio Pasterka, under the careful guidance of Piotr Zabrodzki. It was by far the most fruitful session in the group's history, with ideas flowing in abundance. The chosen tracks not only resulted in two well-received singles, Szlam / Ścieki and Bakteria, but also provided enough material for an EP set to drop next year.

The seemingly chemical title of the album Kwasy i zasady (Acids and Bases) ultimately referred to interpersonal relationships, describing traits that prevent harmony. The album embodied the polarization of societies in the 21st century. The metaphor of Grzybnia (Mycelium) goes a step further. It emphasizes the importance of cooperation as a fundamental skill that can yield various results (fruits, fungi)—both good and bad. Above all, it underscores the power of collective action beyond divisions.

In a complex, unstable modern world that is breaking apart into pieces, the concept of mycelium offers a powerful model. Mycelium thrives in degraded, seemingly lifeless environments created by humans. A key aspect of the broader significance of mycelium is that cooperation benefits all involved parties, where each contributes something and receives something in return. Mycelium is a symbiont, meaning it forms a symbiotic relationship with certain tree species through mycorrhiza, where the roots of the trees and the mycelium exchange essential life-sustaining substances. This results in mutual benefits. The world of mycelium exemplifies cooperation.

A single mushroom, like a person, dies, but mycelium endures, much like humanity itself. Thus, similar to culture, it is immortal. Błoto operates in a manner akin to mycelium. It undoubtedly belongs to the underground realm, embodying the essence of the underground. It is also a destructor of music. In what sense? The Polish Nobel laureate Olga Tokarczuk noted in her book Primeval and Other Times that “[...] Mycelium thrives by drawing the last remnants of life from what dies, decomposes, and seeps into the earth. Mycelium is the life of death, the life of decay, the life of what has died.” In the same way, Latarnik, Cancer G, Wuja HZG, and OlafSaxx, through their collaboration, process cultural products to create entirely new and surprising combinations. The result of this work is both edible and poisonous mushrooms, manifested in the form of fat beats, house, spiritual jazz, improvised music, illbient, organic techno, and genre-defying electronics.

The peak mushroom season in Poland occurs in autumn, which is why Grzybnia will be released on October 10, 2024, via Astigmatic Records. The limited edition vinyl, restricted to 500 copies, will be available for pre-order starting September 6, 2024, on Bandcamp. As always, mixing and mastering are handled by the mighty Kwazar, while the original visual representation of the mycelium metaphor is crafted by Sainer.

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Shades Of Mcsoul / Whatever It's Worth

7" | 2019 | EU | Original (Pacific Theatre Encore)

Yeh-Yeh! / Get The Monkey

Release: 2019 / EU – Original

Genre: Organic Grooves

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Australian Soul Jazz holy grail from 1968! Limited to 300 copies w/wide. Debut release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Australian Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Two high energy Mod burners, both originals taken from the forthcoming album 'Whatever It's Worth'.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock).
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.

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Mongo Santamaria

7" | 2016 | UK | Original (BGP)

CD | 2024 | WW | Original (Mr Bongo)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Cuban percussionist Santamaria was one of the first to take the latin sound to the dancefloor, when his take on Herbie Hancock’s ‘Watermelon Man’ went to #10 in the Pop and R&B charts. It’s follow-up,‘Yeh Yeh!’ (featuring vocal interjections from La Lupe) went to #1 in the UK when Georgie Fame recorded it with the addition of lyrics written by Jon Hendricks. ‘Get The Money’ is a mod favourite proto-boogaloo.

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Juan Pablo Torres

Algo Nuevo

11,99 €* 15,99 € -25%

Tape | 2023 | US | Original (Awesome Tapes From Africa)

Release: 2024 / WW – Original

Genre: Organic Grooves

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Next up in the Mr Bongo Cuban Classics series is an outing by the mighty Juan Pablo Torres from 1978. Released on Cuba’s state-owned Areito imprint, Algo Nuevo showcases trombonist, bandleader, arranger and producer Juan Pablo Torres' unique scope of sound. A melting pot of an album that weaves together jazz-funk and traditional Afro-Cuban genres with tripped-out synth touches and dancefloor grooves.

The opener 'Pan Caliente' is a fiery celebration, combining a driving groove with Latin percussion, feverish horns and infectious “la-la-la” vocals. The wild, squelching cosmic synthlines give an otherworldly touch to proceedings that sit nicely on a modern dancefloor. 'Guajira 2001' is perhaps Juan's future-focussed take on the vibrant style of Cuban dance-led music called guajira. Blistering bongos, congas and claves moving together with trumpets, trombones and twanging acoustic guitars that you can’t help but bounce to.

Other highlights include, 'Cacao', a Cuban cosmic funk strutter that places the claves upfront, with a scatting vocal line and percussive climax reminiscent of George Kranz electronic disco anthem 'Din Daa Daa' from 1983. Elsewhere, 'Elvira' further showcases the psychedelic essence of many of the album’s tracks. A deep Latin workout where tasty percussive breaks and scorching keys blend with trippy vocals and rumbling synths.

A varied album encompassing a variety of Afro-Cuban genres and rhythms entwined with flashes of mind-bending cosmic influence. Algo Nuevo is a further jewel in Cuba’s musical crown of riches, with plenty of dancefloor treats and downtempo numbers held within.

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Hailu Mergia

Lala Belu

12,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Ropeadope)

N'asawa-Saraca

Another Town

13,49 €* 17,99 € -25%

LP | 1960 | EU | Reissue (Life Goes On)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Born in Chiba, Japan, Yasushi Karasawa learned piano from his mother as a young child, and soon began the explorative process in music. His first influences were Yellow Magic Orchestra and the great Ryuichi Sakamoto, leading him to save the pocket money for a Yamaha Cs-15 analog Synth and a double cassette deck for recording. As is the case, musical exploration leads one around the world to Jazz from the US, and in his case it was a borrowed record from Bill Evans that sparked his interest in Jazz piano. Studying at High School and then University, enamored with Evans and naturally Herbie Hancock, the stage was set. He performed at the Tokyo Jazz Clubs and he played in a pop band, but soon he turned to the studio and his own music with the project dubbed N’Sawa Saraca.

The simple story is familiar, but the missing piece is the depth of Karasawa’s musical understanding that comes through on his second album Another Town. One can hear Evans, and the golden age of Jazz interpreted through the lense of an eager Japanese student. And yet the groove is quite modern, with tinges of influences pushing through, like Terrace Martin or Aaron Parks. All of this is done with full respect, crafting the influences to his own discreetly interwoven and dreamlike flow. N’Sawa Saraca manages to capture all of the hefty Jazz solos within a gentle floating frame, enhanced by the flowing vocals of Raphael Sebbag from United Future organization.

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Eden Ahbez

Eden's Island

LP | 2018 | EU | Original (Must Have / Membran)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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It is 1960, Rock’n’Roll has just lost a couple of its protagonists during this and the previous year, the time of the great balladeers has just begun but soon will run out due to the new and exciting beat invasion. In US mainstream the tiki culture has reached a certain peak and is about to collapse but still goes strong and with it comes the so called “exotica” music, a crossover between smooth jazz and swing, Latin grooves, haunting melodies that are rooted in the folkloristic sounds from different parts of this world plus weird sound effects that often create a spooky jungle or dreamy island beach atmosphere. It can even bend your mind that far you would see palm trees growing out of your speakers and witness monkeys and parrots having fun in your room. Eden Ahbez, born in 1908, passed in 1995, a man living an even more consistent dropout and hippie lifestyle way before the movement was born in the mid 60s, a beat poet and composer who wrote the hit tune “Nature boy” that gave Nat King Cole his first big success in 1947, approaches the field of exotica music from a different point of view creating an epic concept album about an utopian society living in peace and harmony on an island far away from the modern western world as we know it. And indeed we find many trademarks of the prototypical exotica music beginning with this relaxed groove combining easy listening swing and Latin patterns, peaceful, dreamy and even transcendental vocal melodies, tinges of folk music from around the world including powerful dances and a whole color palette of mind expanding sounds giving the whole music an even greater depth and width.

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Ed Motta

Criterion Of The Senses

Release: 2018 / EU – Original

Genre: Organic Grooves

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CD | 2024 | UK | Original (Far Out)

Caixa Cubo

Modo Avião

You Gotta Shout / Love And Romance

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-12-06

A sublime expedition from Brazil to the sky, “Modo Avião” (Airplane Mode) sees São Paulo based trio Caixa Cubo jet further forth from the lineage of Brazilian instrumental music.

Following in the footsteps of heroes like Azymuth, Antonio Adolfo, Cesar Mariano and Marcos Resende, with the tried and tested trifecta of synthesizers, bass and drums, Caixa Cubo have carved out their own idiosyncratic ideal of golden-era Brazilian jazz-funk and samba-jazz. Encapsulating the vitality and experimentalism synonymous with Sao Paulo’s musical history, Caixa Cubo playfully straddle the elegant and the surreal, with masterful songwriting and the consummate musicianship of longtime friends and bandmates Henrique Gomide (keyboards) Noa Stroeter (bass) João Fideles (drums).

Caixa Cubo have been playing together for over 14 years - and that’s ‘playing’ in the truest sense of the word. As bassist Noa Stroeter explains:

“A story, a joke, images, invented words, people we met on tour, places, fictitious or not, have always been part of our creative process. And they are precious materials beyond the musical work itself. This dynamic has stayed with us to this day, and for me it is the characteristic that guarantees that no matter what, we will have fun working.”

Presenting a contemporary reimagining of Brazilian grooves from the 1970s, Modo Avião marks an evolution for Caixa Cubo’s music which delves deeper into the tradition of Brazilian instrumental music, while continuing to develop its rhythmic and harmonic possibilities. Utilising an extensive understanding of Brazilian music history and Brazilian rhythm in particular, the group explore the seemingly endless possibilities of fusing carnaval marches, frevo and Baião, with jazz, MPB and funk.

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Spoilsports

7" | 1980 | UK | Reissue (Freestyle)

Monika / Zabawa W Ciemnosci Yellow Vinyl Edition

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Freestyle Records reissue a DIY 7" from 1980 by short-lived all-female group Spoilsports. Existing at the intersection of post-punk, jazz-rock and modern soul - these two political yet playful numbers were laid down by a band formed from a range of players active in London's feminist and improvised music scenes at the time, and represent the groups only recordings.

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Spoilsports began in 1979 with the aim of having an all-female band that could be actively feminist and playful at the same time, with an eye toward gaining an appeal beyond that of the wider women's lib movement of the time. The line-up originally consisted of Carole Nelson on keys, Angele Veltmeijer on saxophone, Sheelagh Way on drums, Lesley Shone on bass, Isabel on congas and with Laka Koq providing vocals. After a short while this would become just Carole, Angele & Sheila - with Ruth Bitelli being brought in on bass, and Barbara Stretch topping things off on vocals. The band played at Gay Pride '79 in Hyde Park, a Women's Music Festival in Neimegen, Holland; lots of benefits, and maintained a weekly residency at The Earl of Aberdeen in Mile End (now sadly demolished).

Unfortunately the group lasted only 18 months or so all in all, and this is their first and last record - in fact, they intentionally laid it down to tape in order to provide a memory of the group before they called it a day, and we are so glad they did! Recorded in Pimlico's Archipelago Studios in the same year that Elvis Costello would record his album Get Happy there, the original 7" gained a review in the NME, whom dubbed it "a cross between Steely Dan and The Joy of Cooking".

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Henryk Debich

7" | 2021 | EU | Original (Astigmatic)

We're New Again - A Reimagining By Makaya McCraven

Release: 2021 / EU – Original

Genre: Organic Grooves

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In the seventies, the Polish Radio and Television Orchestra in Łódź, despite over twenty years of experience, was rediscovering itself and sounding more modern and interesting with each successive year. Depending on the piece, forty to seventy people were taking part in it! The orchestra efficiently moved between funk and disco genres, touching on illustrative music or jazz. Despite the huge amount of recorded songs from this period, only a handful of them was published in 1975 on the album "String Beat". Moreover, the achievements of Henryk Debich and the Polish Radio and Television Orchestra from 1978 were recently released by the GAD Records label on the album "City". The rest of the recordings are still waiting to be discovered.

That is why Astigmatic Records will present not only an LP full of groove, pulsating drums, powerful brass sections and unconventional, previously unpublished compositions but also two seven-inch vinyl. Before the LP will be released, "Closeup", a limited seven-inch disc will be available to warm up, a format that is inseparably associated with this genre. The album will include two previously unreleased songs "Monika" and "Fun in the dark", which will open an important year for Henryk Debich.

While closing the project, it turned out that 2021 will be a year of many anniversaries. On January 18, the legendary conductor, founder of the Lodz Polish Radio and Television Orchestra celebrated his 100th birthday. In July it will be the 20th anniversary since his passing. To these round anniversaries, it should also be added that Radio Łódź - which has been for almost half a century the second home to H. Debich, celebrates its 80th anniversary, while 30 years ago the Orchestra, which he led until the very end, was dissolved.

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Gil Scott-Heron

CD | 2020 | UK | Original (XL)

Yvonne Baker / Hattie Winston

Release: 2020 / UK – Original

Genre: Organic Grooves

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To mark the tenth anniversary of the release of I’m New Here , the thirteenth - and last - studio album from the legendary US musician, poet and author Gil Scott-Heron, XL Recordings will release a unique reinterpretation of the album by acclaimed US jazz musician Makaya McCraven. Titled We’re New Again , the album will be released on 7th February 2020; exactly a decade after the release of Scott-Heron’s original Richard Russell-produced recording. It’s set to follow in the footsteps of Jamie xx’s highly acclaimed 2011 remix album We’re New Here and will be McCraven’s first release of 2020, following the huge global acclaim heaped upon his 2018 album Universal Beings . One of the most vital new voices in modern jazz, McCraven is described by the New York Times as a "Chicago-based drummer, producer and beat maker, [who] has quietly become one of the best arguments for jazz’s vitality".

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You Didn’t Say A Word / Pictures Don’t Lie

7" | 2012 | UK | Original (Outta Sight)

The United Jazz+Rock Ensemble

Release: 2012 / UK – Original

Genre: Organic Grooves

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2 Classic 6Ts Northern Soul/Mod Sides From The Legendary Philly Label Cameo-Parkway Reissued For The First Time

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The Break Even Point

LP | 1979 | DE | Original (Mood)

CD | 2024 | EU | Original (Astigmatic)

Release: 1979 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record has some wear at opening.

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Uniri

Infinite Reflections

7" | 2024 | US | Original (F-Spot)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Every 20 years or so, certain musical movements come full circle. Young musicians are inspired by genres dating back two decades, channelling them through their modern sensibility. The legendary J Dilla’s Donuts album was released in 2006 and instantly marked a starting point for the work of musicians worldwide, laying the foundations especially for the beat scene in Los Angeles. A whole young generation of musicians brought up on the new, instrumental and abstract hip-hop has carried jazz into a new era. The four London-based musicians who make up Uniri have gone one step further by abandoning the idea of a jazz band and "bedroom production" in favour of collective composing, creating a new look at the new-beat aesthetics, framing it as a road novel set in an unspecified time and space.

Uniri translates as ‘one unified dream’ and is the key driving motto of the project conceived by Chiminyo (Cykada, Maisha), the band's founder and head honcho. The project materialised in his private studio, where he invited fellow jazz musicians Amane Tsuganami (Jorja Smith, Maisha), Al Macsween (Nubya Garcia, Gary Bartz, Kefaya) and Luke Wynter (Nubyan Twist, Golden Mean) to spontaneously compose together. Hence, despite this being the band's first album, it wouldn't be right to call them rookies. The result of Uniri's collaborative work is the psychedelic, rhythmic album Infinite Reflections, packed with cosmic and warm synths, which neatly balances hip-hop beat and jazz composition. It's safe to say this music is even more appealing when played live, although it's equally suited to the club dancefloor.

UK Jazz has become a permanent fixture in the London landscape, but also across Europe and the US. Today, the musicians who shape the new wave of jazz are drawing on more and more genres, reducing solo improvisation for the benefit of composition and increasingly drawing on influences from the beat scene. Among such formations are the British NOK Cultural Ensemble, the Polish Błoto, the Belgian Echt!, and the Dutch Comité Hypnotisé. Uniri is part of this emerging yet already international trend, creating an entirely fresh aesthetic that echoes artists such as Flying Lotus, Samiyam, Dorian Concept, Ras G and Nosaj Things oriented around the Californian 'new beats generation' scene.

The title Infinite Reflections alludes to a phenomenon observable on the open sea or during intercontinental flights. Gazing at the horizon blurs the boundary between the ocean and the sky, forming an infinite palette of blue shades. This inspiration sparked an elusive musical narrative, navigating between a sea voyage and an astral journey, destination unknown.

The album will be released by Astigmatic Records in digital, CD, and LP formats in both standard and limited editions. The pre-sale begins on March 1st on the Bandcamp platform, with the album scheduled for release on March 29, 2024.

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Fat Produce

Sticky Beets / Son!

7" | 2023 | UK | Original (Jazz Room)

Release: 2024 / US – Original

Genre: Organic Grooves

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Hailing from the city of Miami, Fat Produce is the newest name in the game, building on classic soul jazz with a modern twist. Led by two Studio City, CA natives, Addison Rifkind on guitar and Michael Duffy on drums, this duo, alongside upright bass, is a guaranteed head-nodder that breathes new life into the guitar trio format. Fat Produce is proud to release their debut, funk-filled 45, “Sticky Beets b/w SON!” Following the lineage of classic soul jazz songwriting, “Sticky Beets” kicks off side A with a familiar feel, but one that’s uniquely Fat Produce. Taking the language of Idris Muhammad and Clyde Stubblefield, drummer Michael Duffy molded these two icons into his own vocabulary that blends seamlessly with Addison Rifkind's Grant Green, Boogaloo Joe Jones, and George Benson-inspired melodic form. The feel encompasses The JB’s original lineup but with a signature Fat Produce funk. Written during Rifkind’s and Duffy’s weekly rehearsal and writing sessions, “Sticky Beets” is a collaborative effort highlighting their many influences in the classic soul jazz realm. On the flip, side B’s “SON!” takes things up a notch with a swamp funk etude transformed into a bonafide funk banger. This tune emerged from a riff Rifkind was shedding during one writing session. When Duffy heard this line, inspiration struck. He quickly jumped on the kit and asked Rifkind to keep looping it. Duffy then experimented with several Bay-Area-inspired funk grooves, and boom just like that, the A and B sections were born. With the gritty and almost country-funk hook, intricate drum feel, and bouncing upright bass break, “SON!” is a fresh take on what the classic guitar trio can do.

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Blue Mode & El Chavo

Smells Like Teen Spirit

Norio Maeda Trio & Terumasa Hino Quintet

Release: 2023 / UK – Original

Genre: Organic Grooves

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The A Side of course is just one of the biggest tunes from the grunge era and is given a Jazzy Funky Groovy version by Blue Mode of Nirvana's Biggest Hit. It turns out that they were influenced by everything from the Gap Band to Louie Louie and a fair smattering of 80's indie and this producytion by by Chip Wickham mixes together a Swinging '60's Blue Note Vibe with the Acid Jazz sound and brings it bang up to date with the Nu-Jazz Experience. First time on 45 and is already a DJ favourite after being included in the Paul Murphy set "Jazz Room" on BBE Records.
Side 2 is a Boogaloo Latin Jazz version (produced by Paul Murphy Live in the studio in Budapest when he was living there) of the Lonnie Smith track "Hola Muneca" beloved of the Acid Jazz era DJ's and previously released on a now impossible to find 7 inch single that goes for crazy prices.

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Alpha Ray

7" | 2024 | UK | Original (Jazz Room)

7" | 2022 | EU | Original (Unrock)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Alpha RAY by The Norio Maeda Trio was originally released in the Swinging Sixties and this hot latin number was rediscovered by the Tokyo Hipsters at the height of the Acid Jazz Boom and became part of Shibuya Jazz Dance Folklore.
Hakuchu NO Shugeki - Theme by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!
Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate!

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Dwarfs Of East Agouza

Speaking in Tongues

Oscar Jerome / Franc Moody

Release: 2022 / EU – Original

Genre: Organic Grooves

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Dwarfs Of East Agouza are a leading force of improvised musical excitement and stand apart from wider parts of an lame ass underground of the 20ies. Founded in Cairo circa 2015 by Alan Bishop (ex-Sun City Girls) with Sam Shalabi (Land Of Kush, Karkhana) and Maurice Louca (Karkhana) the trio developed an unique always recognizable sound, but with many faces to show. Two very different ones are shown on their contribution to Unrock’s „Il Burro Sabe Mas Que Tu“ Singles Series. Speaking in Tongues sounds like a nightmare coming straight out of hell, conducted by Bishops unique voice, while Organism 46-B shows them in a classical softer mode, touching nearly classical Free-Jazz issues. Mixed by Adham Zidhan. Mastered by Peter Koerfer at Ivory Tower. Photography by Hans van der Linden, realisation by Philip Lethen. One-time limited run on black vinyl.

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Why You So Green With Envy / Cristo Redentor

7" | 2022 | EU | Original (Decca)

Tape | 2019 | CA | Original (Inner Ocean)

Release: 2022 / EU – Original

Genre: Organic Grooves

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„Blue Note Re:imagined II“ is the sequel to the successful 2020 album. Once again hip, young Brits use modern means and creative ideas to update famous Blue Note tracks.

The fourth and last pre-release 7" single features London based Oscar Jerome (also known as a guitar player with Afrobeat-Sextet Kokoroko), who mixes hiphop, punk, soul and West-African influences with jazz music. He chose to rework "Green With Envy", originally recorded by Grant Green.

Franc Moody is a disco-electronic-funk-collective, directed by the masterminds Ned Franc and Jon Moody from West-London. "Cristo Redentor" (originally recorded by Donald Byrd) is the track they put their hands on.

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Carsten Rubeling

Volk // People

Martin Kolbe - Ralf Illenberger - Wolfgang Dauner

Release: 2019 / CA – Original

Genre: Organic Grooves

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imited to 100 copies.

Carsten Rubeling - trombone, keyboards
Andre Wickenheiser - trumpet, flugelhorn
Steve Fletcher - keyboards
Steve Shepard - bass, synth bass
Colin Adhikary - drums

Composed/Arranged/Produced by Carsten Rubeling
Co-produced by Sean Nimmons-Patterson
Recorded by Patrick Palardy at Public Lunch Studios
Mixed by Trey Mills at Unbound by Sound
Inner Ocean Records © 2019

Trombonist and Composer, Carsten Rubeling features his debut album on Inner Ocean Records. A powerful and fluid blend of jazz, soul, hip-hop and electronic music, skillfully navigating between traditional and modern influences on a distinctive sonic path.

Rubeling wrote and produced VOLK//PEOPLE with a vision to mix acoustic and electronic palettes in a way that never obscures its human feel. He weaves a fabric of hard-hitting drums, soulful improvisations and warm synthetics with the vibes of a live, instrumental mix tape.

Originally from Rocky Mountain House, Alberta, Carsten Rubeling is one of Canada's most active and dynamic trombonists and composers, highly in demand playing a wide array of music from jazz and classical music to hip hop, salsa and everything between.

Carsten completed his Masters Degree in Jazz Performance at the City University of New York where he studied with Michael Philip Mossman, Antonio Hart and Michael Dease. He earned his Undergraduate degree in Jazz Studies from Humber College in Toronto where he played alongside some of the Canada's best jazz musicians including Pat LaBarbera, Alastair Kay, and John MacLeod.

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Live Kid

LP | DE | Reissue (Mood)

7" | 1991 | UK | Reissue (Acid Jazz)

Release: DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Includes original inner sleeve.

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Humble Souls

Beads, Things & Flowers

10" | 2021 | US | Original (Old Maid Entertainment / Illegalia)

Release: 1991 / UK – Reissue

Genre: Organic Grooves

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The Sound Of Summer on Acid Jazz - the Humble Souls sampledelic classic ‘Beads Things & Flowers’ gets its first outing on a 7-inch single as part of our new Acid Jazz classics series. A magnificent dance floor classic, ‘Beads Things & Flowers’ is the result of the creative coming together of Simon Anniky - previously of Beats International and Hugh Brooker of the Night Trains and The Hip Joints, an Acid Jazz fixture since its earliest days. Its seamless blend of Mod Jazz samples and tight beats is inspirational. The A-side 7-inch was the hit of our ‘Acid Jazz (Not Jazz)’ compilation last year, whilst the vocal version makes its first ever appearance since its 1991 single release!

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The Du-Rites

Pressure

15,29 €* 17,99 € -15%

12" | 2024 | UK | Original (The Quiet Village)

Release: 2021 / US – Original

Genre: Organic Grooves

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Pressure is the D.O.A. of some and the D.N.A. of others. For The Du-Rites, it's the latter. Pressure ain’t nothin’ but potassium!

Jay Mumford f/k/a “J-Zone” (drums, keyboards, percussion) and Pablo Martin (guitar, bass, keyboards) used the feared ‘P’ as both the impetus behind and the title of their sixth and most musically adventurous release. Coming off 2020’s A Funky Bad Time LP, how would the NYC-based funk unit follow up in a world where music fans hope live shows return (but not really), want songs instead of an avalanche of 60 second clips to scroll past (but not really) and a lapse back into lockdown never seems far off? And not only follow up, but not repeat? Add vinyl pressing plants offering turnaround as long as nine months and tour plans almost always in pencil, pressure for musicians to write and record almost impossibly fast or be doomed to the algorithm black hole is pumping. The odds are stacked, but odds make us turn corners.

Pressure is half the length but twice the density of its predecessors. Six tracks deep on wax (seven digitally), it’s more orchestrated, a bit more complex, but never, ever sacrificing grease and groove for academia. The hip-hop-and-dub-meet-funk of their 2016 debut; the ‘60s soul nod of 2017’s Greasy Listening; the cinematic "cop show funk" of 2018’s Gamma Ray Jones and the darker psychedelia of A Funky Bad Time - none reappear on Pressure. A subtle jazz leaning is there, but it’s busted and unrefined in a way only The Du-Rites would du. The title track and “Bird Brain” go there. Main single, “The Squeeze,” puts Italian Soundtrack-style vocals and strings in the mix with drippy guitar, reggae influence, Barry White-style ad-libbing and groove drumming for the most distinct and lush tune in the band’s catalog. “Brother Yizar” goes full-on park jam on a percussive, uptempo rampage and the closer, “Fly Swatter,” swings hard with whirling dervish Hammond organ and walking basslines. The mockingly-titled “Math Rock” is the closest thing to any previous Du-Rites, but the wild twists and turns are uncharted territory.

In an ever-uncertain musical landscape, Pressure is The Du-Rites finding a way. Like they always du. But du-in it differently. Live and/or on wax, The Du-Rites have played alongside the likes of Eddie Palmieri, Robert Glasper, Ghostface Killah, Wax Tailor, The Skatalites and members of Sun Ra Arkestra. Individually, Jay and Pablo, as drummer and guitarist, respectively, have worked with Danger Mouse, Lord Finesse, Madlib, Tom Tom Club, Broken Bells, Soul Supreme, Ben Pirani and many more.

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Quiet Village

Reunion

2LP | 2023 | DE | Original (Emarcy)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Quiet Village announces new label, The Quiet Village, and new single, ‘Reunion'. Matt 'Radio Slave' Edwards and Joel Martin's critically acclaimed project's first official single under the Quiet Village name in seventeen years!

Beginning life as a 'heady 6/8-time urban jazz odyssey, 'Reunion is a stunning piece of modern, Hi-Tech Jazz that draws influences from Pat Metheny, Timeline, Innerzone Orchestra, and Clyde Stubbelfield's drumming.

While previous Quiet Village material was hewn from a myriad of samples extracted from Edwards' and Martin's notorious digging, 'Reunion' and its follow-ups are drawn from a tight-knit crew of session musicians, including the likes of Jon Hester and Thomas Gandey, adding further depth and feel to the QV sound. Already a firm favourite with Gilles Peterson and Luke Una, the latter of which leaked a clip of the release via his inimitable Instagram presence and called it 'something so fucking beautiful. Tony Allen, Sun Ra meets Carl Craig, Underground Resistance, house, tech, funk, everything rolled into one'.

'Reunion’ is the first single on The Quiet Village, Quiet Village's new imprint. Despite continually producing new music and a slew of remixes, most recently for Running Back and Isle of Jura, the long-term friends and collaborators have been unable to release under their Quiet Village moniker since their LP 'Silent Movie' in 2008. While a few releases under QV and their sometime DJ aliases of Maxxi (Edwards) and Zeus (Martin) have emerged, 'Reunion' is the beginning of a new and re-energised Quiet Village that will see more original material and remixes, DJ and live touring that began in Japan in May and curated compilations of treasures, old and new, in the coming months and years.

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Lucky Peterson

I'm Ready

Never Give Up Glass Version

Release: 2023 / DE – Original

Genre: Organic Grooves

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I’m Ready is Lucky Peterson's most bluesy and arguably one of his most accomplished records, the first in the series on Verve after leaving Alligator Records. Recorded in 1992 and produced by John Snyder, the album brings a decidedly modern twist to blues standards such as Muddy Waters' "I'm Ready", Willie Dixon's "You Shook Me", Little Walter's "It Ain't Right" and Howlin' Wolf's "Who's Been Talking". They blend happily with Peterson's original compositions such as "Junk yard", "Tribute to the king", "Nothing but smoke" or "Spankin' leroy". On Wurlitzer electric piano, Hammond organ, guitar and vocals, this versatile and gifted musician is at his prime here.

This 140-gram vinyl is the first international vinyl reissue, pressed at Optimal, and is presented in a wide-spine, single-sleeve jacket.

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The Jazz Butcher

7" | 2022 | EU | Original (Glass Modern)

Tape | 2020 | CA | Original (Inner Ocean)

Release: 2022 / EU – Original

Genre: Organic Grooves

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In Loving Memory Patrick Huntrods (aka Pat Fish AKA The Jazz Butcher) (20 December 1957 - 5 October 2021) Featuring David J (Bauhaus), Victor DeLorenzo (Violent Femmes), Strings by Fiona Brice & Janet Schiff. Produced by David J. The first Jazz Butcher record, the LP 'In Bath of Bacon' was released almost 40 years ago on the original Glass Records label. Plans were made for a new album on Glass Modern to celebrate this, for release in 2023, but sadly Patrick passed away last October before any real work could be done for it. This recording is all we have. Never Give Up was re-recorded for Pat's final LP, The Highest In The Land - it's one of his greatest songs, maybe the greatest. His Hallelujah, if you will. The B side, Silver Street by Nikki Sudden & Dave Kusworth (Jacobites) was recorded for a forthcoming Glass Modern compilation, of various artists covering Glass artists material from the eighties. Tracklist Side A Never Give Up (Glass Version) Side B Silver Street. Random colour 7"-Vinyl

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David Lavoie Quartet

Juno

CD | 2019 | EU | Original (Matt Entertainment)

Release: 2020 / CA – Original

Genre: Organic Grooves

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David Lavoie quartet plays thoughtfully composed jazz tunes which showcase Lavoie’s writing while studying jazz at Capilano University in North Vancouver. Featuring Brad Turner on keys, Miles Wong on drums, and Stephen Edwards on bass, the quartet swings and grooves like a machine. Taking cues from post bop and contemporary jazz, this quartet is bound in tradition while still remaining fresh and modern.

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Matt Bianco

Gravity

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (We Jazz)

Jukka Perko Tritone

Dizzy

CD | 2023 | UK | Original (Fancyyyyy)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Alto sax man Jukka Perko, one of Finland's leading jazz artists, presents a new project Tritone, where he joins forces with the dynamic rhythm section of Antti Lötjönen and Teppo "Teddy Rok" Mäkynen (who have appeared together in projects such as Teddy's West Coasters, The Five Corners Quintet, Timo Lassy Band, Verneri Pohjola Quartet, etc.). Perko, once a member of the Dizzy Gillespie Big Band, has put together a set of tunes made famous by Dizzy for the re-evaluation by the highly talented trio. The time is right now, Dizzy's 100th anniversary, 30 years since the alto sax player, back then a teenage sensation, shared the stages with the likes of Sam Rivers, Jerry Dodgion, Jon Faddis, and of course Dizzy himself.

As Perko himself put it: "It's not about what Dizzy's music means to us, but rather what we can bring to it. We're adding our own piece onto the mosaic which makes up modern jazz."

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Tom Mudd

Guitar Cultures

Brother Sister / Candlelight Hugo Lx / DJ Spinna Remix

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Tom Mudd follows up Brass Cultures with another collection of genre pushing electronic music. Sitting between the hermetic focus of Bill Orcutt’s solo guitar recordings and Autechre at their most abstract, this is an album of forward thinking and richly evocative music. Mudd moves between impossible technical sketches in the vein of Derek Bailey to more considered harmonic works, that although created with algorithms and code presents a sound world full of humanity and imperfections. On Guitar Cultures Mudd refreshes the connections between electronic music and the avant garde and further cements himself as a singular figure in electronic music and sound synthesis.

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Cho & Random Impetus

12" | 2022 | EU | Original (Menace)

16,49 €* 21,99 € -25%

7" | 2022 | UK | Original (We Jazz)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Straight out of New York, the debut 7 inch by Cho and Random Impetus was presented by Menace label and first released in the USA in July 2019. Featuring the two singles "Brother Sister" and "Candlelight", the EP is a powerful call to humanity. Previously released on vinyl, this project was directed by Japanese artist Cho and features local musicians. It was recorded in analog, giving the track a very old school vibe by utilizing jazz, funk, soul and disco melodies to create a rich 1970s-esque sound. "Brother Sister", is a feel-good modern disco that could easily pass as something from the heyday of the genre, and "Candlelight," another sure-shot tune is a funk groover with its jazzy horn harmonies and strong male vocals. Many DJs featured the 7 inch record during their sets shortly after its release, including Floating Points, DJ Muro, Richie Medina and many more... becoming a club anthem in New York City. The record also caught the attention of Paris-based French DJ Hugo LX, who is very close to the Menace collective and also a genuine funk and disco enthusiast. Offering a remix album for Cho and Random Impetus' 7-inch record seemed evident for him. He invited DJ Spinna, the renowned hip-hop and house producer from Brooklyn, as well as his long-time friend and collaborator, to join him on the project. This remixed record actually enters a cycle in Hugo LX's work, as he collaborates with Japanese artists on a yearly-basis, among others Satoshi Tomiie, Toshio Matsuura, Kuniyuki or Takecha. The Paris-NYC-Tokyo triangle is also key in his work: his music drew many influences from these cities. Hugo LX remixed the track "Brother Sister" in a style matching the soul, funk, and disco vibes of his DJ sets, with a more contemporary approach. As for DJ Spinna, he delivered a progressive version of the track "Candlelight": more electronic-sounding, it feels softly psychedelic

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Esa Pethman

In Belgium 1967

16,99 €*

What You Hear Is What You See

Release: 2022 / UK – Original

Genre: Organic Grooves

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We Jazz Records kicks off their new series of archival 7" releases with Esa Pethman "In Belgium 1967" released 23 September 2022. The two-tracker is licensed from the Belgian VRT radio archives and both of the pieces are previously unreleased. Finnish jazz legend Pethman, heard here on alto flute and tenor sax, joins forces with European jazz greats such as Heinz Bigler, Uffe Karskov and Jean Fanis. This is a small but valuable piece of unheard European jazz history from the early heyday of modern jazz. The physical release is a quality "inside-out"-styled EP with 3mm spine and small center hole on the 45rpm vinyl.
An excerpt from the liner notes by Mikko Mattlar:
"Esa Pethman (b. 1938) was one of the key figures of modern Finnish jazz in the 1960s. His album The Modern Sound Of Finland was the first Finnish modern jazz album and his composition "The Flame" a true modern Fenno-jazz evergreen.
Pethman was born in Kuusankoski, 135 kilometres from Helsinki in the Kymenlaakso area. The jazz scene was active even though it was an area of rural landscapes and paper mills. Pethman discovered jazz when he heard a Charlie Parker record being played at a local music shop in the late 1940s. Following Parker, bebop became his favourite style of jazz.
Young Pethman played flute and saxophone in local bands who accompanied schlager singers. They played tangos and waltzes for dancers, but usually started a typical dance event with an hour of jazz. In 1959 Pethman moved to Helsinki to study music at the Sibelius Academy. Back then it was a strictly classical music academy, but Pethman later described the studies as crucial for his development and career. He quickly made his way to studio sessions and into the best orchestras in Helsinki.
As a student of composition, Pethman also began writing his own music. "The Flame" was a melody he just got on his mind one night, and he decided to write it down. The catchy composition was released as a 7" single in 1964, a year before Pethman's debut album. Both records stand as benchmarks for modern Finnish jazz. The album consisted entirely of Pethman's compositions, not versions of jazz standards like a lot of the Finnish jazz released until then.
In the mid 1960s, Finnish jazz was also taking its first international steps. Pethman's quintet took part in the first Montreux Jazz Festival in Switzerland in June 1967. At the Montreux jazz band competition, the quintet came in fourth of the twelve contestants. Despite not winning the competition, the band got an honourable mention, and Pethman was now recognized outside Finland.
In December 1967 Pethman travelled to Brussels. His visit was organised by the national Finnish broadcasting company Yleisradio and their jazz program producer Matti Konttinen. Konttinen was supposed to go to Brussels with Pethman, but the musician ended up traveling alone.
In the Decca recording studios Pethman played two songs. He recorded a version of his most famous composition "The Flame", where he played the alto flute and was accompanied by Belgian musicians. On Swiss saxophonist Heinz Bigler's composition "Like Steel", Pethman played the tenor saxophone. The band was now more international, consisting of Bigler, the Italian Francesco Santucci, the Dane Uffe Karskov, a Belgian rhythm section and Pethman. After 55 years, Pethman still remembers Bigler's remarkable skills as a saxophonist.
The two-day visit included the recording session, a dinner and a concert. Pethman and the other non-Belgian musicians came to Brussels mainly to play at a jazz concert organised by the European Broadcasting Union EBU. They played at the studio first, and the concert was held the following day. Pethman and all the other soloists played as members of an international big band. The studio and live session were produced by the Belgian Radio and Television jazz section leader Elias Gistelinck."

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Bakithi Kumalo

CD | 2021 | US | Original (Ropeadope)

16,99 €*

CD | 2023 | UK | Original (KingUnderground)

Release: 2021 / US – Original

Genre: Organic Grooves

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Bakithi Kumalo’s bass playing can be found in the heart and soul of the modern day anthems that have shaped our sense of music and culture as we know it. Ranked among the top 50 bass players in the world by Bass Player Magazine, Bakithi Kumalo is a five-time Grammy Award winning multi-instrumentalist. Born in the Soweto township of Johannesburg, South Africa and surrounded by relatives who loved music and actively performed, Kumalo landed his first job at the age of seven filling in for his uncle's bass player. Kumalo worked as a session musician in South Africa during the 1970s and early 1980s, eventually becoming a top session bassist and accompanying international performers during their South African tours. In 1985, Kumalo was introduced to Paul Simon by producer Hendrick Lebone during the recording sessions for Simon's Graceland album. Kumalo then traveled with Simon to New York to finish the album and after the accompanying premier tour, spent several years commuting between Soweto and New York City before permanently settling in the United States. Kumalo has toured regularly with Simon throughout his career and has recorded with and performed alongside many other artists such as Joan Baez, Cyndi Lauper, Hugh Masekela, Herbie Hancock, Tedeschi Trucks Band, Randy Brecker, Grover Washington Jr., Mickey Hart and Disney’s The Lion King.

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Robohands

Shapes

16,99 €*

Bakteria / Bakteria (Dam-Funk Re-Freak)

Release: 2023 / UK – Original

Genre: Organic Grooves

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‘Shapes,’ the third album from London-based multi-instrumentalist, Robohands, fuses elements of jazz, krautrock, hip hop and ambient music. For fans of Khruangbin, Yusef Dayes, CAN, Coltrane and 70s library music moods. Shapes is the solo project of London based composer, instrumentalist and producer Andy Baxter. His debut LP Green was released on Village Live Records in 2018 and was received with much love and acclaim in the UK Jazz, hip hop and surrounding scenes.

His follow up full-length, 'Dusk’, dropped in 2019, combining soul, funk, Latin & experimental moods. It featured vocalists & musicians from around the world including legendary New York French horn player, John Clark, who has worked with Isaac Hayes, Gil Evans Orchestra, McCoy Tyner, Jaco Pastorius, Ornette Coleman and many more greats.

'Shapes' is inspired by 1970s library music and their legendary composers including Piero Umiliani, David Axelrod, Brian Bennett and co. The album builds on these influences and incorporates modern motifs, contemporary jazz/hip hop drumming styles with a nod to 1990s Mo Wax artists such as DJ Shadow. The theme for the record is future/nostalgia, mixing vintage & modern instruments and production techniques.

Much of ‘Shapes’ was recorded with JB Pilon at Buffalo Studios in Limehouse, London. Due to the Covid restrictions that changed everything in 2020, the remaining parts were recorded in Andy’s flat using a collection of old mixing desk preamps and instruments.

For the heads – ‘Shapes’ features an array of vintage snares, including a 1960's Ludwig Pioneer and a mono, overhead ribbon mic on the drum kit provided extra old school points! The kick drum was re-amped through a huge vintage bass amplifier on a couple of tracks to give it some real character: “My favourite guitar sound achieved on this LP project is a Sontronics Sigma ribbon microphone in front of a WEM Dominator amp, which you can hear on the track 'Odysea'. The bass sound for all the tracks is a 1973 Fender Precision into an old Altec valve preamp, the one used on most Motown recordings."

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Bloto

7" | 2024 | EU | Original (Astigmatic)

LP | 2023 | EU | Original (Wagram)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Błoto quartet had made a comeback six months ago with their first singles in over two years dropping “Szlam” and “Ścieki”. These tracks were pressed on a 7-inch vinyl by Astigmatic Records, but this only whetted the appetites of the band’s mud-loving fans, as the singles sold out instantly. And so, the band's musical onslaught continues. Ahead of their upcoming LP “Grzybnia” set to release in autumn 2024, Błoto is putting out another bacteria-laden 7-inch to conclude this brief series of singles. This time, the release features a remix by none other than the modern funk maestro DāM-FunK, hailing from sunny Pasadena, California.

Wading through the sludge of sewage, one can encounter colonies of bacteria. They are well-known for their dark side – causing serious diseases. Nevertheless, they are with us all the time. They exist in humans and all other living organisms – fungi, plants, and animals. They can be found in soil and water. They are even present in radioactive areas, proving that they are truly hard to eliminate. Such is the music of Błoto. Like a post-apocalyptic bacterium, it’s capable of surviving in the harshest conditions.

Sinister, biting, and primitive – just like colonies of microorganisms. This is Błoto's latest single. Drawing heavily from classic acid house, it can truly infect the mind, inviting you to join a rave in Błoto on the eastern flank of Europe. Quartet’s “Bakteria” is a direct continuation of their first 7-inch release. However, this time, during their collective improvisation at Studio Pasterka, the band has entirely forsaken acoustic instruments in favor of a full array of synthesizers accompanied by drums.

Certainly, the dichotomous nature of these organisms presents a paradox. While capable of causing harm, without bacteria, life as we know it would cease to exist, and human civilization would not have reached its current state. Bacteria fulfill numerous essential roles. They serve as decomposers, crucial in maintaining biogeochemical cycles, and contribute to processes such as fermentation and decay. As symbiotic organisms living within other organisms, they are vital for functions like digestion. Their versatility extends to diverse applications, from biological wastewater treatment to the production of various food products.

Such are the properties of the beneficial probiotic titled “Bakteria Re-Freak” by DāM-FunK (renowned for his classic albums released on Stones Throw, like “Toeachizown” and “7 Days of Funk” with Snoop Dogg). It offers a 180-degree transformation of the dark atmosphere of the original version. The track evolves towards G-Funk, brimming with sunny synths and a drum machine. It portrays a vision of a biopharmaceutical bacterium lazily roaming the streets of warm yet perilous Los Angeles.

The 7-inch will be released on July 19, 2024, by Astigmatic Records. The vinyl single, limited to 700 copies, will be available for pre-order starting June 28, 2024, on the Bandcamp platform. Mixing and mastering were expertly handled by Kwazar, while the artwork is once again the work of Niebieski Robi Kreski.

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Miles Davis

Round Midnight

CD | 2022 | US | Original (Modern Icon/Ropeadope)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Music Legends is the collection made to rediscover the history of modern musics in nice gatefold sleeve single vinyls with liners notes written by journalits. Music Legends, is proud to present a new volume. This new title focusses on one of the greatest jazz maestro of all time : Miles Davies. Often seen as the most influential artist in the Jazz Music field, his legacy will continue to influence the new musicians for years. The LP features 8 of his most famous tracks (So What, Milestones, Round Midnight...)

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Taku Hirano

Blu York

International Fm Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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In 2020, Taku signed to Ropeadope under the Modern Icon Recordings imprint to showcase his return to jazz. 2021 will see the release of Taku’s live album “Blu York". Taku Hirano is one of the most in-demand percussionists of his generation — a musical chameleon onstage and in-studio, whether behind iconic artists or fronting his own projects. He has worked with everyone from Stevie Nicks to Stevie Wonder, Dr. Dre to Dr. John, and referred to by rock legend Mick Fleetwood - founder and drummer for Fleetwood Mac - as his “Secret Weapon” and “not only a master percussionist, but an incredible musician.” Tracklisting: Sho¯myo¯ Hang Up Your Hang Ups Prelude Come And Get It Crawling King Snake Butterfly Bruce's Jawn Blu York

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Duoya

LP | 2021 | EU | Original (Urban Waves)

LP | 2016 | US | Original (Assophon)

Release: 2021 / EU – Original

Genre: Organic Grooves

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International FM is the debut album by Duoya. The Swedish duo is formed by Gustav Horneij and Dimitrios Karatzios, known notably for their other project Organic Pulse Ensemble. The album is recorded live on multitrack during lockdown with the particularity that the two musicians were never in the same room while recording, sending files back and forth to each other while respecting the social distancing. The music feels like it was recorded decades ago and conserved in a time capsule all this time. Except it was not, these are all new compositions and recordings. While mixing vintage and modern equipment, Duoya provides a timeless quality to their music. International FM where the FM stands for Funk Machine, is a lovely body of work that will take your attention and make you vibe on a funky and jazzy atmosphere like you’ve probably not heard in a while

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Wah

Travellers Station

Pierre Omer's Swing Revue

Release: 2016 / US – Original

Genre: Organic Grooves

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The second album from WAH, the collaborative effort led by guitarist Simon Henneman (Diminished Men) and drummer Gregg Keplinger (master drummer and Charles Gocher's doppelganger). WAH have created a modern masterpiece of modal, spiritual and free expression. Coming off like a late, classic RVG session for Impulse, Travellers Station is snarled with the force of a pummeling rock band by two artful leaders of Seattle's underground jazz scene. Travellers Station boasts ten musicians including bassists Luke Bergman and Carmen Rothwell, vibraphonists Bob Rees and Jacques Willis, horn players Ray Larson and Neil Welch, vocalist Katie Jacobson, and percussionist and co-producer Dave Abramson. The breathtaking energy of WAH's legendary NW performances is captured here with razor sharp production that finds room for fiery free jazz, psychedelic drone, big belting rhythms, and cosmic anthems. Fans of the classic era of '68-'78 (Strata-East/Human Arts/Sonny Sharrock/private/spiritual/BYG/loft) jazz scenes in America and France will dig immensely.

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Tropical Breakdown

LP | 2023 | EU | Original (Voodoo Rhythm)

Freddie Hubbard & Art Blakey

Release: 2023 / EU – Original

Genre: Organic Grooves

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Neo Noir Swing! The modern Les Paul from the Dark Side! PO and his band catapult you right into a ball...

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Feel The Wind Black Vinyl Edition

LP | 1989 | US | Reissue (Tidal Waves Music)

17,99 €* 19,99 € -10%

Daniel Casimir & Tess Hirst

Release: 1989 / US – Reissue

Genre: Organic Grooves

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Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Im pulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.

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These Days

LP | 2019 | UK | Original (Jazz Re:Freshed)

18,99 €*

LP | 2022 | EU | Original (April)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Award-winning bassist Daniel Casimir and vocalist Tess Hirst release their debut album via pioneering London-based record labe Jazz re:freshed

Following the success of Daniel Casimir's critically acclaimed debut EP 'Escapee' which featured Hirst on vocals and fellow rising stars on the scene Moses Boyd, Joe Armon-Jones and Shirley Tetteh, this album - 'These Days' is inspired by the duo's London surroundings, delivering thought-provoking lyricism, neo-soul and modern jazz

Casimir, a former Birmingham Conservatoire student, has collaborated with Julian Joseph, Jason Rebello, Benet McLean, Lonnie Liston Smith, Nathan Facey, Shane Forbes, Chihiro Yamanaka, Ashley Henry, David Lyttle, Nubya Garcia, The Tracey Quintet (Meantime Jubilation), Tom Harrison (Unfolding In Tempo), Jasmine Power (Stories And Rhymes), Camilla George and Art Blakey Jazz Messenger saxophonist, Jean Toussaint

Named Young Jazz Musician of the Year by the Musicians' Company in 2016, Casimir has received plaudits for his arrangements and recital, while Hirst has made a name for herself with her vocals on the jazz circuit having moved between London, Leeds and LA to hone her craft. What sets Hirst apart as a musician is not only the originality of her music but her perspective of herself as an artist. She is an Ethnomusicology Graduate of Soas and her writing style walks us through her upbringing in West London and down the halls of academia

Casimir and Hirst fuse traditional jazz sounds into beautiful compositions, narrating their way through a political and cultural landscape across these twelve tracks. The frenzied groove heavy'Security' addresses the need to trust one another and how we protect ourselves personally, while the rich atmospherics of 'Freedom' combined with Hirst's vocals, explore liberation and the rejection of duty - from a female perspective.

At the heart of 'These Days', Casimir plays with a passion and power that resonates throughout each composition. His knack for complex chord changes are highlighted in 'What Did I Do', bringing an energy and enthusiasm to the track while Hirst decries our changing capital. Elsewhere, references to John Agard's poem 'Listen Mr. Oxford Don' in 'The Magic Money Tree', explore the past and its relevance to now while a re-imagining of Charles Mingus' 'Fables Of Faubus' further ensures this theme remains central to the essence of the album.

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Morten Schantz Trio

Passenger

18,99 €*

James Moody - Off The Record

Release: 2022 / EU – Original

Genre: Organic Grooves

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Energetic contemporary jazz and intricate compositions cloaked in pop-like simplicity lead the way in the latest release from Danish pianist Morten Schantz and his trio, out 16th Sept on April Records. ‘Passenger’ - their third studio album - revels in exploring both the familiar and the unexpected, offering a modern jazz extension to the iconic Scandinavian piano trio sound. Rooted in thoughtful songwriting, the album moves seamlessly from comforting harmony of folk and pop music to extended passages of energetic virtuosic improvisation, propulsive syncopated riffs, and attitude-infused bluesy bass-lines. Taken as a whole, Morten’s compositional skill creates a series of songs which can feel more like a mini-suite with their labyrinthine hooks and through-composed sensibility. Continuing in the vein of the ensemble’s critically acclaimed 2014 release Unicorn and Morten’s 2017 release Godspeed (Edition Records), the group’s palette is extended with the inclusion of horns, percussion, and Ondes Martenot. Their 15 years of performing together can be heard through the ease in which they weave through their rich array of influences. The three musicians are highly active on the Danish and worldwide music scenes, each with impressive reputations and accolades under their belts. Drummer Janus Templeton was awarded the Grammy for ‘Jazz Album of the Year’ in 2007, Bassist Morten Ankarfeldt has released over 60 albums across his career, and Morten Schantz himself has been awarded the prestigious Young Nordic Jazz Comets, numerous compositional grants from the Danish Arts Council, and been nominated for two Danish Music Awards.

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James Moody

LP | 1959 | US | Reissue (Cadet)

18,99 €*

LP | US | Reissue (Blue Note)

Release: 1959 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

1965 reissue. Close to VG+

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Lou Donaldson

Hot Dog

12" | 2021 | EU | Reissue (World Of Echo)

Release: US – Reissue

Genre: Organic Grooves

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- "It's Your Thing" sampled by Brand Nubian for "Punks Jump up to Get Beat Down",
Casual for "That's How it is (Pt II)",
Chocolate Bamboo & Nubian Crackers for "Test Da Rocket Launcher",
De La Soul for "Bitties in the BK Lounge",
Funkmaster Flex & 9DoubleM for "6 Million Ways to Die",
Lord Finesse for "Stop Sweating the Next Man",
Madonna for "I'd Rather Be Your Lover",
Real Live for "Turnaround",
Skoolbeats for "It's Your Thing",
Super Cat for "Ghetto Red Hot",
The LOX for "Get this $",
The Roots for "It's Comin'" and
Tragedy for "Funk Mode" & "Pass the Teck"

- "Hot Dog" sampled by De La Soul for "3 Days Later"

- "Turtle Walk" sampled by Kool Keith & Percee P for "You're Late",
Pete Rock & CL Smooth for "All Souled Out" and
Yo-Yo for "You Better Ask Somebody"

- "Who's Making Love?" sampled by A Tribe Called Quest for "Hot Sex",
Craig G for "Droppin' Science" & "U R Not tha 1",
Das EFX for "Kaught in Da Ak",
De La Soul for "Once again Strong Island",
Mary J. Blige for "Everyday it Rains",
MC Lyte for "Why U Wanna Get Fly",
Nice & Smooth for "Pump it Up",
Notorious B.I.G. for "One More Chance",
Run-DMC for "Wreck Shop" and
Skoolbeats for "Science"

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Tara Clerkin Trio

In Spring EP

LP | 2022 | EU | Original (Rotary Phono Lab)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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In spring, Again. But it's true this time. In Spring is the second record by Tara Clerkin Trio, a Bristol-based group who appeared to emerge from below the radar of near-all in early 2020 and in the presence of one of the most captivating records of that year. This latest 23 minute, four song collection, recorded in various stages and locations over the last twelve months, does nothing to detract from those first impressions, refining the woozy and shimmering oddness of their debut into an avant-pop sensibility that is increasingly their own. If the group did arrive fully formed, what that form was did feel supple and hard to grasp. They were, in a sense, essentially new sounding, or at least ghosts between the established lines, and with this new record have doubled-down on their inherently Delphian instinct. At its heart, In Spring is a record of subtle contrasts, experimental yet familiar in its intimacy, obviously modern though tied to certain lineages, and driven by a pop logic which is also free-form and seemingly improvised. Their approach to sound is perhaps the guiding principle here, less concerned with genre as it is texture and feeling, drawing from jazz, folk, modern composition, trip hop and downtempo electronica, yet evading all of those categorisations. Tara Clerkin Trio are too generous of heart to be ripping up any rulebook, they simply seem oblivious to its need. Their geography does provide some context. Bristol's progressive sonic heritage inescapably bleeds into these four tracks, the enclave of open-minded artists around Planet Records in the mid 90s perhaps the closest point of comparison. There's that same magpie spirit which is both futuregazing and aware of its past, though is mostly set on finding its own path. This is in essence what defines Tara Clerkin Trio, feeling their way through freedom of instinct and curiosity, forging their own desire lines. Not so much taking the road less trodden, just walked at their own winding pace. "Done before, And I'll do it again" Ringing in my head While I try To feel.

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3 Zvo

One

LP | 1980 | EU | Reissue (Soul Note Vinyl)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Catchy melodies are gleaming through a colorful cloud of sounds and spheres, constantly driven by extensive grooves.

Andrej Ugoljew and his 3 ZVO crew carry along and invite you into an energized world between hip-hop, afro funk and a nu jazz aesthetic, containing a lot of nodding and little pathos.

The music floats. It is modern, fresh and astonishingly free of clichés. Cinematic trip jazz.

3 ZVO is a septet led by jazz musician and composer Andrej Ugoljew. Very well known and in great demand as a sideman and studio musician, Andrej has worked with Tony Allen, Salif Keita, Nils Frahm, Andromeda Mega Express, WDR Bigband, Megaloh, The Omniversal Earkestra and many more.

A brand new Berlin brew, the band features guitar virtuoso Keisuke Matsuno, bassmaster Thomas Stieger, violin player Johanna Burnheart, percussionist Max Klaas, saxophonist Bastian Duncker, grooving drummer Hanno Stick and Andrej Ugoljew on trombone and keyboards.

A1. 3 ZVO - Easy Does It A2. 3 ZVO - Blue Doc A3. 3 ZVO - Dunkelgold

B1. 3 ZVO - Terre Battue B2. 3 ZVO - Morning B3. 3 ZVO - Ballad From The East

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Bill Dixon

In Italy Volume One

LP | 2020 | EU | Original (Black Sweat)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Bill Dixon one of the great visionary composers and improvisers in modern creative Jazz, "In Italy Volume One" was recorded in Milan in 1980 and released on Soul Note. A wide open tapestry and a rare example of open interaction between pulse, melody and pure sound as result of the work of a maverick quintet featuring Dixon, Arthur Brooks and Stephen Haynes - trumpets, Stephen Horenstein - tenor & baritone saxophone, and the great open rhythm section of Alan Silva - bass and Freddie Waits - drums.

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Agostino Nirodh Fortini

Suoni Immaginari

LP | 1982 | EU (Black Saint)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters. “Suoni Immaginari”, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines his planetary odysseys as a complex of harmonic devices, nebula storms, glassy explosions and gravity-free falls. His operational horizon reflects further cultural ideas and suggestions; not only the artifice between natural sounds and the programmed machine but also the intrusion of arabesque dreams and jungles contaminated by invading insects and mad pipers. These are spectral symphonies which can have analogies with the fourth world of Hassell and Eno.

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John Carter Octet

Dauwhe

LP | 1985 | EU | Reissue (Black Sweat)

Release: 1982 / EU

Genre: Organic Grooves

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Originally released in 1982, "Dawhe" is the first chapter in John Carter's "Roots and Folklore" saga. A five parts epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford - cornet, James Newton - flute, Charles Owens - soprano sax, oboe, clarinet, Red Callender - tuba, Roberto Miranda - bass, William Jeffrey - drums and Luis Peralta - percussion. This is a highly integrated form of Jazz based on the processing of different musical forms and related topics. From the ancient African mythology through the Blues experience towards the open land of Creative Jazz. A strong musical and cultural statement from one of the greatest West Coast modern Jazz composers.
Highly recommended for open-eared listeners - Scott Yanow - All Music Guide

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Moon On The Water

LP | 2019 | EU | Original (My Bags)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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A mysterious sound aurora on the magical paths of the infinite universe of percussion, originally released in 1985 and then almost completley lost. The well-educated drummer Tiziano Tononi, together with David Searcy and Jonathan Scully, while working at the temple of the classical music Teatro alla Scala in Milano decides to realize a personal compendium of sounds using only purcussion instruments. The recordings offer us an amazing concert of sounds with acoustic purity in perfect balance between wild rhythm and deep relaxation. Ecstatic elements of Japan ambient minimalism dialogue with contemporary music solutions (Varese, Ligeti), in the stream of a harmonious fusion of ancient and modern. It’s a propitiatory ceremony of supernatural things that open portals of blissfulness, tribal and shamanic darkness, timeless jungles. Between amazon fires and African safaris, we float in the Asian rivers of meditation, lost in water games, echoes of caves and rocks in the night, synergies of frogs, birds, snakes, marimbas, chimes, gongs, and tubular woods.

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Sauce Combo

Crash Test

LP | 2018 | EU | Original (Growing Bin)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Sauce Combo is a powerful and dynamic jazz trio lead by Marcjean, saxophonist from Bestown (Besançon), sided by the mercenary drummer Tom Moretti and the melodious Victor Pierrel on bass. The trio's music takes place in the modern jazz renewing coming especially from England and the USA. France has now a champion.
Inspirated by vintage african and west indies jazz, 70's jazz funk and fusion but also 90's drum & bass, broken beat and hip hop, the repertoire is a rich jazz bomb exploding to the ears. Each second brings its his new colorful burst to admire. The band's brilliant game makes it a living listening experience. The music is rich and versatile but cohesive and united. Why?
Crash Test came to light in one day during a single 7 hours recording session at the Honey For Bear laboratories. Arnaud Bataillard, the sound's engineer, wanted to try several new tubes and audio gears added in his studio set up. The trio went to test it in a crash test session. All the recordings could have been compromise somewhere but... What was before planned as a try ended into a fantastic album. The mental disposition, while playing when you know that all can be lost in a minute, gave the musicians the proper dimension to express their feelings in a total freedom. They were playing for pleasure and without any pressure. It was for all, but it could have been also for nothing. And we can literally feel that.
This unique record had to be release as soon as possible to transmit the freshness of this beautiful impact to the listeners. Above all, Clément Laurentin's "Equilibre Précaire VI" achieves this album, offering a painting with four figures at the edge of the fall, in a constant imbalance, playing with time and gravity. It's the perfect allegory for the three band's members plus the engineer while making this record.

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Singu

Siki

LP | 1963 | EU | Reissue (Concord)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2022 repress

Free your mind and float away, you’re now entering the mode of the Growing Bin. Hamburg’s centre for audio enlightenment is back with another sublime sensory experience, this time from the land of the rising sun.
Keen to get another stamp on his passport, Basso reached out to Japanese duo Singu, two open minded cats who just love to jam. Marrying Kiyo’s free drumming with Keta Ra’s melodic mastery of keyboard and guitar, the two-piece fuse free jazz, post-rock, kosmische and ambient into immersive and esoteric improvisations. Free from any compositional concerns, the Hiroshima outfit trade in energy, emotion and expression.
The frenetic percussion and ephemeral melodies of opener ‘Aurora Gate’ instantly transport you to the breathless churn of a Tokyo crossroads, where thousands of people rush by but you stand still in the eye of the storm. Though they may be explosive, the drums sit back in the mix, offering a soft intensity behind the shimmering wall of melody. A nimble and nuanced affair, ‘Bop’ brings rapid fire rhythm, slick syncopation and hypnotic piano refrains. Cool bass rolls along like KDJ’s ‘Rectify’, as Singu update the acid jazz template like Toshio Matsuura covering Carl Craig. Singu journey from far out to Furthur on Aside closer ‘Nagebu’, strapping in for psychedelic synth wig out which is heavy on the resonance and free on the filter.
Blooming out of the darkness on the B1, Basso favourite ‘Fazaria’ soothes and moves you with its twinkling keys, nebulous wave forms and delicate guitar, leaving you wide eyed in wonder as the drum fills burst like fireworks across a star-filled sky. ‘828’ sweeps into abstraction as Kiyo and Keta Ra combine snapping glitches and aquatic electronics with fractal guitar tones and woozy bass, pushing through a portal to see what’s beyond. An a-grade wall melter, this trip makes great use of tension as the crisp machine drums stand in sharp contrast to the whirring, blurring guitars. Finally ’44’ carries you home on a downbeat drift, a flawless fusion of buzzing electronics, misty pads and relentless percussion played with perfect poise. Turn on, tune in and trip out, Singu bring you music from the moment that you’ll love for a lifetime.

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The Bill Evans Trio

At Shelly's Manne-Hole

Freddie Hubbard & Art Blakey

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Record with just a few paper scuffs.

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Feel The Wind Clear Vinyl Edition

LP | 1989 | US | Reissue (Tidal Waves Music)

Lewis Wright, Matt Brewer & Marcus Gilmore

Release: 1989 / US – Reissue

Genre: Organic Grooves

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Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Imp ulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.

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The Color Of Intention

LP | 2023 | UK | Original (Cordial)

19,99 €* 24,99 € -20%

Tülay German & Francois Rabbath

Release: 2023 / UK – Original

Genre: Organic Grooves

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Award-winning Vibraphonist Lewis Wright with Matt Brewer (Double-Bass) and Marcus Gilmore (Drums) partnered together in 2019 on their 'The Color of Intention' CD album. We believed that the recordings deserved release on vinyl. “The Colour of Intention refers to the creative process itself: that in order to express yourself honestly in music, you have to generate clear intentions developed from thoughts and emotions which then colour the work rather than explaining every aspect of it. In the moment of performance, the goal then becomes to put all these previous investigations out of mind and exist in the present. The colour of intention is describing everything except performance; the slower processes of development, reflection and refinement and how they’ll seep, often unpredictably, into everything that ends up being realised. Working with Matt (Brewer) and Marcus (Gilmore) adds the last and most engaging dimension. How they interpret the music, interact and bring their own highly developed languages to bare, creates something that’s both a reflection of my intentions and also infinitely more sophisticated than it’s possible for me to conceive of. I think in this sense, human connection is the greatest element of what it is we do as musicians.” – Lewis Wright

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LP | 1980 | EU | Reissue (Zehra)

20,89 €* 21,99 € -5%

LP | 2024 | UK | Original (Sudden Hunger)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Remastered vinyl reissues of the two essential albums by Turkish folk/ jazz singer Tülay German, starting with the self-titled release (1980) and followed by "Hommage to Nazım Hikmet" (1982) in early 2022. Referring heavily on turkish poets and the tradition of aşıks (singer-poets and wandering bards) these two albums represent unique and modern interpretations of turkish folk songs unmatched
to this day. A matured artist with full conviction at the height of her powers! Back in the 60s Tülay German (*1935 in Istanbul, Turkey) shook the turkish music landscape with several 7" records. Most notably her first 7" record Burçak Tarlası (1964) is now considered
the cornerstone of what was to become the Anadolu Rock/ Pop movement and underlines her rebellious nature and sense of justice.
But due to increasing repression Tülay German and her lifelong partner and intellectual impetus Erdem Buri decided to leave Turkey a few years later. In fact, an impending prison sentence for Erdem Buri for translating Hegel’s Dialectic and Science of Logic led the couple to emigrate to France.

In France Tülay German signs a major contract with Philips resulting in many 7" releases sung in french under her french moniker Toulaϊ. In the long run Tülay German doesn’t feel quite comfortable with this major deal. And thus, despite the success and recognition she had gained, she decides to quit the contract with Philips! Later on she signs to independent world-music label Arion to pursue her actual artistic goals more in line with her origin and temperament. Back to her mother tongue, Tülay German records above mentioned albums for Arion under full artistic freedom, the only full-lenghths in her 20+ years career. Alongside with double-bass virtuoso and turkophil François Rabbath (*1931 in Aleppo, Syria) the albums consist of aşık traditionals and intonated poems mainly by Nazım Hikmet. Her passionate voice and the restrained arrangements of François Rabbath turn these centuries old melodies and poems into glowing manifestos for love and justice.

The fruitful collaboration of these artists-in-exile adds significantly to the rich heritage of turkish folk music. The self-titled debut, which was awarded with the prestigious Grand Prix du Disque of Académie Charles Cros in 1981, is now seeing a vinyl reissue after 40 years. Tülay German ended her musical career in 1987 and after the death of Erdem Buri in 1993 she retired from public life completely, leading a quiet life in Paris where she still lives to this day. In 2021 Tülay German was awarded with the Lifetime Achievement Award by the Istanbul Foundation for Culture and Arts, Turkey.

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Les Hommes

Sì, Così

LP | 2016 | UK | Original (Cacophonic)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Pulsar-driven groovetronics, folky modalisms in waltz time; dreamvitations to the cine-lounge. Rhythm-n'-mood experimenters Les Hommes return with a plasma-rippling suite of jazzified cuts. The new album – Sì, così – takes us into their usual unusual orbits; with re-explored mid-century Lowrey organ, mellifluous bass clarinet, Arcadian flutes, groovified piano electrique and oscillators scorched on re-entry, it's out there.

With compositions aired on BBC 6 Music, Radio 3, Radio 4 and stations around the world, plus sold-out live shows, global cult combo Les Hommes combine mid-century-cool organ group tropes and heavy percussion with contemporary arrangements and sound-sources. Their new 2024 release, Sì, così, takes the line-up further out again to explore spacier themes, esoteric modes and filmic stratospheres, as well as continuing expeditions into 'live' small-group recordings.

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Daniela Casa

Arte Moderna

At Newport 1960 Purple Vinyl Edition

Release: 2016 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Filed neatly and undisturbed within the micro-genre of 1970s Italian artsploitation, amongst
films soundtracks such as Girl With The Crystal Plumage, A Quiet Place In The Country and
House With The Laughing Windows, this obscure library LP is one of the few fully formed
concept albums from the recently reappraised discography of Rome’s most versatile and
adventurous female production music composer Daniela Casa. Once destined for a shelf life
within the storage rooms of defunct TV studios and educational facilities Daniela’s previously
strictly commercially unavailable music has in recent years been given new focus at the
hands of open-minded disc detectives and sonic salvage hunters earning Casa’s distinctive
feminine take on experimental instrumental mood and movie compositions a place next to
her widely respected masculine counterparts such as Alessandro Alessandroni, AR Luciani,
Pierro Umiliani, Morricone and Nicolai.
Sharing tight studio space and strict syndication schedules with all of the aforementioned
artists (under commission from Romano Di Bari’s fervently independent Flipper music factory)
Daniela Casa embraced a liberating wind change in affordable music technology which opened
doors for uninhabited solo compositions in home studios taking advantage of communal
recording consoles and domestic synthesisers which nurtured a lesser-documented creative
family tree (or rather secret society) and paved the way for individualistic projects from the
likes of Magnetic System’s Fabio Frizzi and Goblin’s Claudio Simonetti. Here, on this repress
of the impossibly rare, one-time subscription-only album, Arte Moderna, we find Daniela at
her versatile best creating a wide thematic suite (based on paintings and sculptures in an
abstract art gallery) for which she would deploy mostly organic and acoustic instruments
to construct a set of unorthodox compositions straddling avant garde, free jazz and Giallo
tension (with some brief moments of brooding electronics and italian pop).
Veering from her stylistic pop interests (which clearly included a fondness for the music of
Black Sabbath and Led Zeppelin) Daniela Casa’s Arte Moderna saw her adopt a less era
specific approach combining neo-classical elements and piano improvisations akin to the
likes of France’s Francois Tusques or Burton Greene, or America’s Mal Waldron without
compromising her strong narrative personality for this unique abstracted picture music.
Unintentionally but profoundly political in her prolific existence Daniela Casa’s contribution
to a predominantly male industry earned her a small clutch of inspired idiosyncratic Italian
female bedfellows such as Nora Orlandi, Giullia De Muittis (aka Kema), Fiorella Fratini, Emma
De Angelis and Maria Teresa Luciani, who, with faceless anti-celebrity as its essence, never
benefitted the wider critical focus that much of this music now duly commands on the
collectors circuit.
Finders Keepers Records, in continued collaboration with the Di Barri company, with the
Casa/Ducros family blessing, are now proud to shine new light on this sonic sculptures and
provide a fresh context where educated music listeners are ready to fill the gaps between
Delia Derbyshire, Ennio Morricone, Suzanne Ciani and Harry Partch and patronise a very
welcome considered alternative to the recent rise in popularity of Italian Giallo soundtracks
from a seldom savoured feminine creative vantage point. Daniela’s musical paintings can
now be unveiled to the public for the first time, with Modern Art sounding as contemporary
as it did when it was recorded forty years ago. The gallery is now open for limited sittings,
discerning ears and open minds.

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Muddy Waters

LP (Waxtime In Color)

Genre: Organic Grooves

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LP | 2023 | EU | Original (Middle Name)

Sampology & Charlie Hill

Galaxy

Endless Era Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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An intergenerational meeting of minds, Galaxy is the first collaborative EP from Meanjin, Brisbane musicians Sam Poggioli aka Sampology and Charlie Hill. Equal parts brain dance and body music, Galaxy’s seven tracks represent a vivid intermingling of 70s jazz-funk, fusion, machine-funk, Latin house and broken beat, accented by flourishes of minimalist composition. Considered as a whole, it evokes the possibility and potential of a space-age future where technology and nature exist in simpatico.

One of the most in-demand young jazz drummers in the Meanjin (Brisbane) music scene, Charlie started producing electronic music on his laptop three years ago. It was a vibe shift that hit him after several months spent immersing himself in Europe’s jazz and electronica scenes on the eve of the global coronavirus pandemic. After returning home, he approached Sam about recording some music together.

Sam, a well-travelled Australian DJ, producer and Worldwide FM radio host, was cautious about starting a new side project. However, when he heard his demos, he realised Charlie was blending rhythmic fundamentals he’d learned while completing a music degree with a beautifully wide-eyed approach to jazz-tinged electronica.

With Charlie on drums and Sam on MPC, they set about recording the songs on Galaxy, along the way discovering Sam’s mother taught Charlie visual art as a child. They also learned that Charlie’s mother plays with Sam’s father in the Queensland Symphony Orchestra, synchronicities which made their collaboration feel like it was meant to be.

As part of the Galaxy sessions, Sam and Charlie collaborated with fellow Australian vocalists Tiana Khasi and Merinda Dias-Jayasinha. On ‘Constant Call’, Tiana threads neo-soul/modern soul melodies through a backdrop that sounds like Burial on a future jazz tip. ‘Merinda’, on the other hand, sees Merinda laying a repeated Steve Riech-style vocal refrain over a man/machine instrumental accented by stargazed synths.

At the same time as they were creating Galaxy, Charlie was also busy recording his debut solo EP Yore, both of which are due for release in August 2023, respectively, through Middle Name Records.

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Chino Corvalán

LP | 2022 | EU | Original (Urban Waves)

LP | 2022 | EU | Original (Karl)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Hailing from Paraguay in South America, Chino Corvalán is a talented young musician, composer and producer. For this gem of an album titled "Endless Era" he invited a lot of his musician friends from all around the world to perform and record the songs that he wrote. The album represents an age of spiritual elevation in the form of contemporary, modern, free jazz. As a live performer and stage musician Chino learned a lot of different instruments and express himself with music in a natural way. Endless Era is his most ambitious project to date including 18 songs that will impress and please all the fans of the genre. The album sounds like it will be a cult piece of the Jazz culture in the years to come.

Chino's words: Endless Era is the collection of music I wrote in the last part of the pandemic, it was a true and honest moment of creating music, specially with my friends Telemakus and Ted Taforo, we been collaborating and sharing music for the last 3 years, and the process was so natural and fluid. Mainly because we think the same way when it comes to the process of music creation.

“Endless Era is a tribute to a certain way of creating instrumental music that should never end”

All the songs represent a honest moment of life and music for me. Each songs were recorded and mixed in my studio, where I’ve been using the same setup trough the past few years. With the exception of the remote recordings from my dear friends.

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MimiCof

Distant Symphony

Live In Bremen Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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A download code is included.

New album by the Berlin-based musician, composer and producer MIDORI HIRANO aka MIMICOF, entirely recorded using the EMS SYNTHI100 at Electronic Studio Radio Belgrade during an artist residency: contemporary electronic music / ambient for the advanced listener. Midori Hirano is a Japanese musician, composer and producer based in Berlin. She started learning the piano as a child and later studied classical piano at university. Therefore the music she releases under her own name is based on the use of piano, but yet experimental and an eclectic mixture of modern digital sounds with subtle electronic processing and field recordings. So far, Hirano
released 7 solo albums under her civilian name on labels such as Sonic Pieces and DAUW.

Under the moniker MimiCof she explores the realm of more experimental music and detailed rhythmic patterns, combined with an idea of drawing melodic shapes and harmonies. As MimiCof she performed at prestigious festivals and events such as CTM, Heroines of Sound Festival, Boiler Room Berlin and L.E.V. Festival, and was
selected by Frank Bretschneider for the first volume of the “Sichten” compilation series on his raster label. Besides producing her own works, Hirano has composed music for dance performances, video installations and films which have been screened at Berlin International Film Festival, Krakow Film Festival, SXSW Film Festival and HongKong International Film Festival (among others) and remixed tracks by artists including Rival Consoles, Foam And Sand aka Robot Koch, Liars and Pascal Schumacher.

While the last MimiCof album“ Moon Synch” (2017, Alien Transistor) was recorded on the Buchla analogue modular Synthesizer at EMS Elektronmusikstudion in Stockholm, her latest effort “Distant Symphony” (the 4th as MimiCof ) was created on a different synthesizer: the EMS SYNTHI 100 Synthesizer at Radio Belgrade. All sounds from this instrument were recorded as single sound samples at first, then mixed and modified into three long pieces of music, so that the audience can experience the machine’s uniqueness and versatility of sound. Hirano understands this work as a gesture of respect for the SYNTHI 100’s character: though a vintage instrument, it has never lost the beauty of its modern sound

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Paul Bley Trio

LP | 2022 | EU | Original (Sowing)

LP | 2007 | EU | Reissue (Lantern Heights)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Recorded live in Bremen - Germany, on 27th September 1966, and originally broadcasted on Nordwestradio, this fine recording captures the young genius of Paul Bley at the head of his trio featuring bassist Mark Levinson and drummer Barry Altschul. A highly interactive piano trio whose peculiar instrumental interplay became a model for generations to come. The music played by Paul Bley with this line up stands as one of the most advanced statements among those modern jazz forms that arose in the mid sixties.

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V.A.

Mike Taylor Remembered

LP | 2021 | EU | Original (Blacklake)

Release: 2007 / EU – Reissue

Genre: Organic Grooves

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Fully licensed, heavy vinyl ltd to 500 copies.

‘The Syd Barrett of the avant-jazz scene’ British jazz composer, pianist, songwriter, Mike Taylor died tragically young, leaving just two albums as well as co-writes with Ginger Baker for Cream’s Wheels Of Fire album to his name. In 1973, under the direction of Neil Ardley, several of the performers who had worked with him recorded an album of Taylor’s surviving orchestral music, jazz tunes and songs as a memorial to him and to preserve his work as a composer and song writer for posterity. Taken from Ardley’s master tapes, this is their critically-acclaimed tribute to a master of his art by friends and colleagues, themselves representing a cross-section of the cream of modern British jazz talent of the day.

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Adam Wakeman

A Handful Of Memories

Spring Collection Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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On November 12th Adam Wakeman will release his first modern classical piano album since 1996's 'Tapestries' which he recorded with Rick Wakeman. 'A Handful Of Memories' is the result of an appreciation upon reflection of Adam's past experiences, trips with his family, his touring families and friends in some places that hold special memories for him. To reflect the personal, minimalist nature of the tracks, no effort was made to remove any of the pedal noises or enhance the tracks in any way, as Adam wanted them as exposed and natural as they can be. The album will be released through Blacklake Records on November 12th on CD, LP and digital format. The pandemic had a hand in Adam's return to modern classical piano after 25 years. As a highly sought-after touring pianist, Adam played extensively with Black Sabbath, Ozzy Osbourne, Travis and many others, he records and performs with his progressive rock band Headspace, with his acoustic duo Wilson & Wakeman and last year he even ventured into the jazz world with his critically acclaimed documentary/album project Jazz Sabbath. When the pandemic started, and the music world paused, he was halfway through a South American tour with Martin Barre on his 50th Anniversary Tour of Jethro Tull. Forced to leave his gear in Chile and hurry home before the airports closed, a period of reflection had started and this album is a result of that.

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Jason Nazary

LP | 2021 | EU | Original (We Jazz)

LP | 2020 | EU | Original (We Jazz)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Brooklyn based drummer/producer Jason Nazary (of Anteloper) makes his We Jazz Records debut with "Spring Collection", released on 25 June. The album sees Nazary crafting some deliciously sparkly solo cuts plus working long disctance with choice collaborators Jaimie Branch, David Leon, Ramon Landolt, Matt Mitchell, Grey McMurray and Michael Coleman. This is essentially a collection of home recordings and the whole operation has an infectious feeling of immediacy to it. The result is improv adjacent electronic music, with modern production aesthetics transposed over spontaneous compositions.

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Ainon

Drought

LP | 2023 | EU | Original (Creak Inc.)

Release: 2020 / EU – Original

Genre: Organic Grooves

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We Jazz Records presents the debut album of Ainon, a Helsinki-based ensemble founded by cellist-composer Aino Juutilainen, released 4 September. On "Drought", the four-piece plays music influenced by jazz, contemporary music and classical music, all morphed together into a highly inspired musical vision. The music of Ainon might be best described as "spiritual avantgarde jazz", with original compositions and the individual voices of the four players both playing an integral part in the music. In addition to Juutilainen, the quartet includes Satu-Maija Aalto (violin / viola), Suvi Linnovaara (saxophone / clarinet / flute) and Joonas Leppänen (of Alder Ego, drums).

The quartet has a knack for creating strong moods and performing their original material with remarkable intensity. Mood-wise, the album ranges from serene, almost ambient-like passages to moments of strong improvisation and explosive energy. Riyl: spiritual jazz, modern classical, avantgarde

Ainon's "Drought" is released by We Jazz Records on vinyl, CD and digitally. The vinyl version comes with a heavy-duty "tip-on" sleeve and the CD is presented with a laminated digisleeve. The album design features artwork by Finnish visual artist Maija Lassila.

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Astrid Engberg

Trust

Gelson Oliveira & Luiz Ewerling

Release: 2023 / EU – Original

Genre: Organic Grooves

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Danish singer, producer, DJ, and composer Astrid Engberg releases her masterful sophomore album Trust, a tribute to intuition and new motherhood. Spanning contemporary soul, R&B, nu jazz, and modern classical, Trust sees her collaborating with a line-up of Nordic talent and the venerated violinist Miguel Atwood-Ferguson, known for works with Flying Lotus, Thundercat and Hiatus Kaiyote. Taking form after the birth of her first child, the album was created with playful joy, openness, and gratitude over a nine-month period.

“You need to trust that what you hear is the way you need to go. I want to encourage others to trust themselves through me learning to trust myself.”

Trust is released via sonic soulseekers Creak Inc. – a Copenhagen-based label specializing in groundbreaking Danish music.

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Terra

LP | 1983 | EU | Reissue (Mad About)

21,24 €* 24,99 € -15%

Prince Billy Mahdi Wright

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Debut album by the influential gaucho musician Gelson Oliveira, in partnership with the drummer Luiz Ewerling, released independently in 1983, with minimal resources. In spite of all this, they made a unique and very beautiful album, with a spectacular musicality, a mix of sounds, ranging from jazz, funk and fusion.

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Coming Soon

Summer Love

7" | 2024 | JP | Original (P-Vine)

21,99 €*

LP | 2024 | EU | Original (Wicked Wax)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

The fact that the treasured recordings left behind by Chicago saxophonist Prince Billy Marge Wright have been unearthed is not overstating the case for spiritual jazz fans. The lost material features mainly keyboard instruments rather than his trademark saxophone, and sounds even more spiritual and free jazz than the classic You Got Dat Wright.

In addition to this, P-vine is releasing his most popular song 'Summer Love' as a single for the first time. The B-side of this single features a rare remix, making this single perfect for DJ use.

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Radiohop

All We Do

21,99 €*

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Although life is hyper-individualised, you rarely go about it alone. This rings especially for Radiohop, the 4-man band drawing in everything that derives from Jazz. Aptly titled, ‘All We Do’ sees the band culminating each member’s journey through life as a performer and music head, into one entity. It is a collection of various musical feelings; drawn from all of the widely diverse musical environments they are surrounded by. Their early explorations in Hip-Hop laid the foundation Radiohop jetted from. All We Do ventures into Soul, Funk, Jazz, Broken Beat, Brazilian harmony, Fusion and other genres that they see connections with. It engenders a journey through the peaks and troughs of a modern musical spectrum and is an undeniable act of successfully approaching a contemporary Jazz album.

Together, they drew on Jazz as a concept existing outside the walls of formality. In addition to sessions and gigs with like-minded musicians, they explored the Amsterdam nightlife and genre-bending concerts for inspiration. This 3.5-year exploration brought them unconventional writing, producing and performing experiences resulting in All We Do being as much a presentation of the people accompanying them on this exploration, as it is about the journey itself.

Radiohop are constantly surrounded by other musicians and creatives from all different genres, disciplines, and spaces. The album is a celebration of the creative, and the ecosystem they operate in. The band likes to root that in the philosophy of Hip-Hop: spoken word, rap, vocals, lyrics, flute solos, photography, digital art, graphic design, tagging and poetry all congregate on the limited vinyl, as they truly believe art should not see any material boundaries. All We Do appreciates the art and the artist's creative endeavour. Radiohop gladly shares that with others in a holistic creation that is this album."

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Antonio Carlos Jobim

Stone Flower

21,99 €*