Search "undo+Motas+de+Polvo" 94 Items

• 1971 revolutionary spiritual afro jazz from exile • Fully licensed from Nomusa Xaba, and re-issued in association with Mississippi Records for the North American market • Presented with a four page insert containing unseen photographs and concert bills from Ndikho Xaba’s personal archive, together with a personal recollection from Plunky Branch and extensive sleeve notes by Francis Gooding • Audio mastered and cut for vinyl by Frank Merritt at The Carvery with heavyweight 180g vinyl pressed at Pallas in Germany

"Matsuli Music presents soul, spirituality and avant-garde jazz from South African political exile Ndikho Xaba. Its rarity has until now served to obscure both its beauty and its historical significance. Making profound links between the struggle against apartheid and the Black Power movement in the USA, Ndikho Xaba and the Natives is arguably the most complete and complex South African jazz LP recorded in the USA. It stands out as a critical document in the history of transatlantic black solidarity and in the jazz culture of South African exiles.

Ndikho Xaba and the Natives opens a fluid channel of sonic energy that courses between two liberation struggles and two jazz traditions, making them one. It is a critical statement in the history of transatlantic black solidarity, unifying voices stretching from San Francisco to Johannesburg. There is no other recording or group in which the new jazz spirituality of the late 1960s is so fully blended with an African jazz tradition."

Still shrink wrapped but opened.
Cover slightly dogeared.
Record is close to NM.

Influential jazz collective Idris Ackamoor and The Pyramids retu rn with an epic new opus, 'Shaman!', released on 7th August featuring a fresh line-up including original 1970s Pyramids member Dr. Margaux Simmons on flute, Bobby Cobb on guitar, longterm associate Sandra Poindexter on violin, Ruben Ramos on bass, Gioele Pagliaccia on drums and Jack Yglesias on percussion. The band transitions from the political and social commentaries of 2018's acclaimed 'An Angel Fell' into more introspective themes. "I wanted to use this album to touch on some of the issues that we all face as individuals in the inner space of our souls and our conscience," explains Ackamoor. "The album unfolds over four Acts with personal musical statements about love and loss, mort ality, the afterlife, family and salvation."

The long-awaited repress of the first Radio Maritko 45 “Oriental Shake”, featuring Habibi twist and Alba’s Shake. Exotica and twist mania from the Greek and Italian sixties that shakes all dancefloors! With a brand new layout!

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Small light scuff on side B.

Original US Pinckneyville Pressing.

An impressive live album by Marvin Peterson who was one of the finest trumpetersin the 60's-70's is making its return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add "Hannibal" to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and theirperformance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organistEugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny "Guitar" Watson.

With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to its many fans. The opening "Groove for Otis" (m1) with a jazz-funk whose edgy beat excites rare groove fans. "Our Groove" (m4) is also a fine track whichhas a slick bassline and Eugene'sorgan fusing in harmony. P-vine are very proud to be repressing this record with its intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.

Both seams completely opened.

Vinyl close to NM

Cover has slight water damage.

The music on this album is strictly connected to our daily routine in the internet derealisation. It's more particular. It's Emil Miszk 2.0. „Followers, ads, likes - these things are really funny and stupid. Of course, I am also a victim of the system. Please, don't trust it and learn how to use it wisely. Especially in the context of our younger generations. Be kind for each other and care of human relationships. That's the most powerful thing.”

Beige vinyl

Orlas is a collaboration between father and son Victor Chicri and Vic Delnur. Drawing their name from the Portuguese word for shores/coasts, their music is an ode to the ocean, blending waves of fusion, samba-jazz, bossa nova and disco-funk.

Starting out in the vibrant '70s music scene in Rio de Janeiro, maestro and pianist Chicri, has played with many Brazilian greats such as Gal Costa, Seu Jorge, Bebel Gilberto, Simone and many more. He's taken his music worldwide, performing with Quincy Jones Orchestra at the Montreux Jazz Festival. His work has earned him a Latin Grammy, as well as a number of Gold and Platinum records.

Vic Delnu, multi-instrumentalist and record producer, has toured the world playing with such artists as Sessa, Mahmundi, Luciane Dom and Trella.

Orlas debut album Viver o Mar showcases their diverse musical influences such as Azymuth, Arthur Verocai and Jorge Ben Jor. The album features an eight-piece orchestra, adding depth and richness to the funk rhythms and jazzy melodies. The title track and first single "Viver o Mar" is an ode to the sea and a breezy blend of samba-jazz and disco-funk. The second single "Alagoas" is a deep groove paying homage to Delnur's grandmother, Dona Moema, who was born and raised in this picturesque tropical paradise where happiness thrives in the simplicity of life.

The English translation of Allt Är Intet is "All Is Nothingness" - an apt enough title for a band already possessed of the scorched earth sonic tendencies and nihilist-leaning name of The End. Yet there's some ambiguity to that philosophy; the most bleak and despairing interpretation can be countered by a more all-embracing, one-with-the-universe meditativeness. Perhaps surprisingly, either conclusion proves to fit Allt Är Intet, the remarkable second full-length album by The End. The powerhouse international quintet is made up of Swedish saxophonist Mats Gustafsson (Fire!, The Thing), Norwegian saxophonist Kjetil Møster (Møster!, Zanussi 5), Ethiopian-born vocalist Sofia Jernberg (Fire! Orchestra, PAAVO), Norwegian guitarist Anders Hana (MoHa!, Ultralyd(, and Norwegian drummer Børge Fjordheim (Cloroform). Anyone familiar with these boundary-leaping musicians' work is familiar with their throttling ferocity and ability to stretch their music into brutal extremes with focused intensity, as evidenced throughout The End's audacious 2018 debut, Svarmod Och Vemod Är Värdesinnen (which featured Deerhoof drummer Greg Saunier in lieu of Fjordheim). But their follow-up, achieved after two years of continued exploration together, strikes an exhilarating balance between it's predecessor's blistering maelstroms and a more densely layered and haunting beauty.

Splits in seams.

Sofia Jernberg - voice Kjetil Moster - clarinet, tenor saxophone & electronics Mats Gustafsson - flutes, baritone saxophone & electronics Anders Hana - baritone and bass guitars, langeleik Borge Fjordheim - drums CREDITS: Recording:Borge Fjordheim, September 2021/May 2022 at Electrolüd Studio, Stavanger Production:THE END, Jorgen Træen and Trost Records Mix:Jorgen Træen at Grotten, Bergen Mastering:Jorgen Træen at Grotten, Bergen Artwork:Design by Drid Machine / Painting 'Why do you Mourn' 2022 by Edward Jarvis Publisher:Cien Fuegos

Andreas Koeper is a German contemporary/experimental composer and drummer with a background in Philosophy and Art history. “Niemand Tanzt” was originally released in 1989 and in the past years it has become a sought after obscurity amongst diggers ever since Chee Shimizu put it on the radar after unearthing it throughout inspection rounds in Berlin record stores. Although the A-side might have been the essence of the single at the time, it's the B-side's “Pink Rhythm” that puts this release on the map for DJs, the track's gradient from an empty half tempo to rich 4 on the floor patterns serves any well versed DJ as an on-ramp for new gears to be put into place as the track grows into various ramifications of Andreas' studio production techniques: playful percussive elements, provocative guitar riffs over a solid rhythm section. Freshly remastered by manmade in Berlin.

Cover with a beginning seam split at the upper edge.

Hidden Gem' is the Zenmenn's first full album produced together with songwriter and vocalist John Moods and follows their much-loved debut record, 'Enter The Zenmenn'. Named after a country song that didn't quite make it to the final selection, 'Hidden Gem' is the result of an extended jam session at a friend’s studio, in a field of mystical meadows somewhere south of Hamburg, in which the band would experience a series of inexplicable phenomena.

It was their earlier collaboration on the future classic, 'Homage To A Friend' that kickstarted their idea to team up with John Moods again, and in the late summer of 2021 the band set to work on a full album of material together. Using The Zenmenn's trusted drum kit, good old DX7, an unusual Ukrainian bass and an almost discarded pedal steel guitar, combined with Moods’ uniquely fragile voice, the outcome resulted in six timeless songs. The resulting harmonic sound is, as the band put it, “something like Adult Oriented Rock with a teaspoon of Celtic sentimentalism, a pinch of big city Country wrapped in a late night '70s style jam”.

'Hidden Gem’, much like their previous LP, was recorded without pre-arranged songs or any fixed musical concept. Instead, it captures fleeting moments of creativity and reflects the joint musical sentiments of the band members at the time. “Some artists are amazing at vision and curating, our work-flow is opposite to that. We are pretty messy and all over the place in our creation, as in life. It has its advantages and disadvantages, but hopefully it comes out all right in the end.”

No obi.

No obi.

Red vinyl. White label copy with stamp. Japanese pressing.

Al Doum and the Faryds continue their journey toward a New Direction. Now, they live in a futuristic Garden of Delights, inhabited by strange bright bubbles, golden wheels, water secrets and mysterious plants. From their home of Love & Nature, they set out to travel the Universe to forge a new Being together. Their typical blend of Spiritual-Jazz, Psychedelia and Afro-Latin Rock remains on the same wave, accentuating the collective rite of liberation and expansion of the spirit. There's certainly a greater lightness and airiness, expecially in the most immediate and direct arrangements to convey the message of brotherhood; because the absolute weapon lies in female voices and choirs. These chants are incisive gospel and soul sermons and their narration magically permeates throughout the album. Everything is always supported by the balance between robust and biting guitar riffs, raga-rock incursions, tribal rhythm sections and impregnable and captivating sax drifts; and echoes of the soft lysergic sound of the 60s cannot be missing. This is music of multiple forces, a sacred harmony to overcome barriers, which sees no enemies and breaks down egos. It's the playfulness and the power in making music together, the true magic recipe of these Freaky People: we are what the Universe wants!

Sacd

Powerful new spiritual jazz from Chile on Soul Jazz Records! This album comes as a very limited one-off unique pressing of 1000-edition vinyl, limited edition CD and digital release. Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, that all combine to give a truly unique new sound. Enrique Rodríguez is a composer, percussionist, keyboardist, and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven. Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments, and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, eastern spirituality and cosmology, and Latin American rhythmical movement. Awesome!

One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! "Descendents Of Mike & Phoebe" is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have an undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan.

Record is close to VG+.

Cosimo and The Hot Coals represents the very roaring sound of 20s, a time machine will drag you to the New Orleans infamous jazz clubs where history was made. This new record is a journey on the early American railways. A journey made by an Italian emigrant discovering the American dream and looking forward to meet the love of his life. One of the most liked "new school" band by Michael Bublé with over 3 milions views on TikTok.

2009 reissue. Limited edition

Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

2017 reissue. Vinyl is close to NM. Limited edition.

Japanese Obi-strip Pressed on Black Vinyl Originally released in 1974 Note: Artwork to be updated "An American jazz drummer Roy Brooks started his career in the 1950s, and he had joined the Horace Silver Combo the early 1960s. Subsequently, he became a part of the bands led by notable artists like Stanley Turrentine, Yusef Lateef, and Charles Mingus. He was also a significant influence on the legendary Tribe label, which was based in his hometown of Detroit, and he spent his career at the forefront of the American jazz scene until his passing in 2005.



As a bandleader with Roy Brooks And The Artistic Truth, he pursued spiritual jazz guided by a refined sense of spirituality. Among his discography, the live recording "The Sahel Concert" from 1974 stands out as one of the most expressive showcases of his artistry, much like his previous work, "Ethnic Expressions."

US original.

Tear in top spine.

Cover has a corner bend and small tear on the opening edge.

Record is close to NM. Saw cut on spine.

Active during the prime years of New York jazz label Strata-East, The Descendants of Mike and Phoebe was one of the various projects on the label spearheaded by bassist Bill Lee. Together with siblings Cliff Lee on the flugelhorn and A. Grace Lee Mims adding enchanting soprano vocals to four of these tracks, the group composed hypnotic works of socially astute spiritual jazz on their only record A Spirit Speaks. P-vine is delighted to present the 1974 classic as a limited edition LP with an iconic Japanese obi strip attached.

With insert. 1980 reissue.

Recorded during the 105th NDR Jazzworkshop, November 19, 1974 at the Funkhaus HamburgLiner notes by Alexander von Schlippenbach (in German)Manfred Schoof: trumpetKenny Wheeler: trumpetPeter Brötzmann: reedsRüdiger Carl: alto & tenor saxophoneGerd Dudek: soprano & tenor saxophoneEvan Parker: soprano & tenor saxophoneMichel Pilz: bass clarinetGünter Christmann: trombonePaul Rutherford: tromboneDerek Bailey: guitarAlexander von Schlippenbach: pianoPeter Kowald: double bass, tubaHan Bennink: drums, percussion, clarinetPaul Lovens: drums, percussionand the Choir of the NDR-Broadcast conducted by Helmut FranzThis album was originally released on FMP in 1979 (FMP 0560) - Remastered for vinyl by Martin Siewert in 2021.

Japanese pressing without OBI, but with insert.

1977 reissue. Still in shrink but opened. With OBI and insert. Tiny wear. Vinyl seems unplayed.

Japanese pressing with obi.

Cover with promo stam/indentation on corner

Quadraphonic.
Cover with faint ring wear and small sticker.

Bishop Norman Williams is an amazing musician. He not only has command of his instrument and music, but a great spirit that reflects a knowledge and love of his people and what they give the world — the same spirit shared by Satchmo, Bird, and Trane. Reign on, Bishop. Michael Howell Bishop Norman Williams is one of those unique talents in music. He has the gift of being able to say what he wants and at the same time say something always significant. He has many influences because he is open to all of the good music of the world. When you hear him play, you feel that he has assembled all of these 'world ideas' in music to speak through his horn. John Handy It’s time. It’s time for all to hear the Bishop proclaim spiritual truths in his church, the One Mind Temple, dedicated to the spirit of John Coltrane. The time is also overdue for all to hear the Bishop proclaim musical truths through the medium of his alto saxophone. My first few gigs in 1962 were with the Bishop’s band. I’ll never forget what an inspiration it was for me learning how to play while standing next to the Bishop, who already had it together. I’m sure after hearing the Bishop, you will also agree that his time has come. Eddie Henderson

flawless vinyl, cover still in shrink, but has corner bumps.

close to NM. slight label variation

taped spines

Cover close to VG+

Vinyl close to VG+. Cover with stains on the back