Search "tim+hecker" 1502 Items

LP | 2025 | US | Original (Mardi Gras)

Release: 2025 / US – Original

Genre: Organic Grooves

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The great Sun Ra’s magic lives on on the debut album from old friends Michael Sarian, Matthew Putman, Federico Ughi, and Newcomer Ledian Mola. 577 Records’ The Sea, The Space, and Egypt, Vol. 1 is what happened when old friends and a new connection united in the name of music. A heartfelt tribute to the great Sun Ra, the otherworldly album debuts the collaborative gifts of Michael Sarian (on the trumpet), Matthew Putman (on the keys), Federico Ughi (on the drums), and up-and-coming Cuban bassist Ledian Mola. The new band revives the late Sun Ra’s magic in this appropriately named new release. Matthew Putman even plays the same keyboard model as the experimental music icon (the Rocksichord). Even the cover art is a nod to Sun Ra's ancient Egyptian influences, featuring an upside-down pyramid over a galactic setting created by Robert Mirolo. Meanwhile, Ledian Mola adds vocals inspired by Cuban folklore to these incredible improvisations. The album marks Mola’s first time recording with the other artists in the group (and 577 Records), but you would never know it. Their abstract rhythms sound like they’ve been playing together for a lifetime!

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Rebirth Brass Band

Hot Venom

42,99 €*

Release: 2025 / US – Original

Genre: Organic Grooves

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Rebirth Brass Band is New Orleans premier Brass Band. This is their 2001 recording that includes their collaboration with Rap Legends Soulja Slim ("You Don't Wanna Go To War") and Cheeky Blakk ("Pop That Pussy"). First time on vinyl! Two Record Set!

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Vocalist 4

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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The ‘vocalist’ series, a collection of cover albums featuring famous songs by female artists, was originally released between 2005 and 2015. To mark the 10th anniversary of the final album ‘vocalist 6’ (released on January 21, 2015), all six titles from the series will be reissued on vinyl over the course of three consecutive months starting January 21, 2025. Notably, ‘vocalist 4,’ ‘vocalist VINTAGE,’ and ‘vocalist 6’ will be available on vinyl for the first time.

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Vocalist 3

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Vocalist 2

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Vocalist

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Vocalist 6

57,99 €*

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Vocalist Vintage

57,99 €*

LP | 2024 | EU | Original (Squama)

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Jonathan Bockelmann

Sakamoto On Guitar

Release: 2024 / EU – Original

Genre: Organic Grooves

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Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.

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7" | 2024 | UK | Original (Galaxy Sound)

Edits By Mr Thelonious

Gsc45 43

11,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Galaxy Sound Co is back with some subtle but sublime new edits, and this time Mr Thelonious turns his hand to 'Soul Town' by The Motherhood from their psychedelic 1969 album I Feel So Free. If you can find this one n 45rpm anywhere it will likely have a high three-figure price tag and this edit is a great alternative with big horn energy and rousing soul-funk grooves. On the flip is 'Pinball 6' which was originally by The Pointer Sisters and made famous for its appearance on Sesame Street in the 1970s when it was used as backing music to the famous segment that taught children how to count. It's an electric bit of jazz-funk that still sounds most excellent.

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The Story Of Theo Schumann

Theo Schumann

LP | 2024 | EU | Reissue (Golden Rules)

23,99 €*

The Sound Of Lalo Schifrin Limited 16CD Box Set

Release: 2024 / EU – Reissue

Genre: Organic Grooves

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The unbelievable groove of east germany.

Golden Rules searched the tape archives and found some pearls of the Dresden Jazz Icon Theo Schumann.

After 50 year for the first time on vinyl with a special edition of 15 unreleased songs and super rare gems from the tape archives by Theo Schumann. For fans of funky Big beat and Surf Shake.

Theo Schumann (1928 - 1990) was a great saxophone and organ player from Dresden, Germany with a unique sound. His combination of grooves in Big Beat, Jazz, Funk and Hully-Gully Rock is considered the "archetype" of pop music in the GDR. He played in many different bands like Theo Schumann Combo, Theo Schumann Sextett or Theo Schumann Orchestra and recorded many songs for different artists in the German Democratic Republic. Together with his son Roberto Schumann we managed to get some unreleased tracks from the tape archives and are now able to share some super rare gems with you on this LP.

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Lalo Schifrin

Box Set | 2024 | Original (Decca)

111,99 €*

Live In Bremen 1975 HHV Exclusive Blue Vinyl Edition

Release: 2024 / Original

Genre: Organic Grooves, Soundtracks

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Lalo Schifrin achieved the feat of becoming both one of the most successful Hollywood composers and an influential and cult-revered jazz musician. His exciting film themes from “Mission: Impossible” to “Bullit” and the “Dirty Harry” films are legendary, and the albums recorded under his own name oscillate between big band jazz, groove experiments and world music. The 16-cd box “The Sound Of Lalo Schifrin” now aims, for the first time, to combine all facets of the musician in one box. It contains several of his full-length albums plus a huge amount of film and TV themes with an astonishing stylistic range. The recordings range from 1955 to 2017, and include famous jazz instrumentalists such as Jimmy Smith and Stan Getz, as well as singers such as Barbra Streisand, Ray Charles, Scott Walker and many others. listen. 325 tracks and over 18 hours of playing time bring you closer to the musical genius Lalo Schifrin. The 16 CDs are housed in a hardcover book, which also includes a 44-page booklet with, among other things, an introduction by Clint Eastwood and an interview with Lalo Schifrin.

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Gary Bartz NTU Troop

LP | 2024 | UK | Original (Free Flow Archive)

Release: 2024 / UK – Original

Genre: Organic Grooves

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HHV Exclusive Coloured Vinyl Edition limited to 100 copies.

Gary Bartz (alto & soprano sax, vocals) - Charles Mims (piano, syntheziser) - Curtis Robertson (electric bass, back vocals) - Howard King (drums)
A fantastic live recorded in Bremen on 8th November 1975 set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s!
1 hour and 46 minutes of free and spiritual jazz.
Double LP 180gm vinyl
Gatefold cover
Strictly Limited Edition

Side A: Nation Time 11:54 / Ju Ju Man 18:50
Side B: Medley: Rise / Celestial Blues / The Sounding Song / Incident / Uhura Sasa 9:44 / Peace And Love 7:56 / Sifa Zote 10.02
Side C: I've Known Rivers 24:36
Side D: Sweet Tooth 24:26

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The Man With The Licence 03

LP | 2024 | Original (Doghouse & Bone)

Release: 2024 / Original

Genre: Organic Grooves

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OSS! Spy vs. Spy! MI6! All operating in the shadows of darkness and danger...listen...underneath that double-trouble of uncertainty lays the groove. The exotic and the erotic sounds. 007! The music with a license to kill and thrill.When the clock strikes five and it is cocktail time, no man is a match for the soundtrack of the Femme fatale of the underworld. Shake that thing baby-don"t stir it....and the Martini too.The spy universe has been quite an inspiration for composers and orchestras. Lounge music, Exotica and symphonic, this record will have you spinning the globe hitting every longitude and latitude from Bangkok to Rio.So drop that needle and get on board this second volume as this jet is leaving the gate right on time.

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The Man With The Licence 02

LP | 2024 | Original (Doghouse & Bone)

LP | 2024 | EU | Original (Blank Forms Editions)

Release: 2024 / Original

Genre: Organic Grooves

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Atras Del Cosmos

Cold Drinks, Hot Dreams

The Sojourner 2024 Repress

Release: 2024 / EU – Original

Genre: Organic Grooves

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Atrás del Cosmos were a central force in Mexico City's creative arts community, and often considered the first free jazz group in the country. Founded by a trio composed of pianist Ana Ruiz, percussionist Evry Mann, and saxophonist Henry West, the ensemble was prolific in mentoring a generation of improvisers, cultivating an expanded additive roster, and organizing workshops in downtown Mexico City_including inviting Don Cherry to play and instruct on his "organic music" approach in 1977. Between 1977 and 1983, the group lived and rehearsed in a residential space behind the Cosmos theater, hence their celestial-tinged name. But despite their central importance to the local scene, Atrás was rarely recorded and had a scant international presence, leaving behind just a single cassette before their disbandment.Now issued on LP for the first time, the aforementioned tape Cold Drinks, Hot Dreams is a red-hot recording documenting the core group plus double-bassist Claudio Enriquez performing live in 1980_a delirious improvisation with high peaks and low valleys, sucking in an amalgam of influences including New York loft style, Mexican folk music, and the surrealism of Alejandro Jodorowsky into its heady gravitational pull. Ruiz's playing style is virtuosic and expressive, pulling off monumental chords and using the piano's whole register, recalling Cecil Taylor's percussive approach, Matthew Shipp's emotive voicing, and Duke Ellington's mystifying arabesques. Evry Mann dabbles in polyrhythms in tracks like the solo marimba meditation "Clapping Music II," and Henry West wails heavy in the show-stopping cut "M.D." Now finally available after forty years, the music of Atrás del Cosmos will be sure to stun spiritual jazz veterans and newcomers alike.

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The Ensemble Al-Salaam

LP | 2024 | JP | Original (P-Vine)

34,99 €*

7" | 2024 | EU | Original (Mad About)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Originally released in 1974 on pioneering jazz label Strata-East, ‘The Sojourner’ by the incredible Ensemble al-Salaam would become one of the label’s most sought-after records. A highlight of the spiritual jazz movement, the record sees a band at the height of their powers, perfectly in sync as they express their spirituality through one ethereal groove after another. Album opener “Music is Nothing But a Prayer” sets the tone for the album, as gentle piano arpeggios, warm flute improvisations, and spacy guitar combine with the haunting vocals of Beatrice Parker to create a sonic atmosphere which seems to wash over you with every passing beat. The song picks up as a repeating bass riff emerges, with blaring saxophone improvisations contrasting with Parker’s clear vocals - yet nothing ever clashes. In comparison to the enveloping avant-jazz of “Music is Nothing But a Prayer”, “Malika” takes inspiration from late-career Coltrane, with sheets of sound-esque saxophone solos set to breakneck rhythms. “Peace (Salaam)” sees the group return to warm spiritual tones, complimenting a beautiful melody to bring the album to a close.

For years, the only way to get your hands on this record was to spend your entire life savings, or pray that you stumbled upon it at a yard sale. With our previous two pressings selling out almost immediately, we knew we had to give this legendary record a third pressing. P-vine is proud to be repressing this phenomenal album for the third time, now with a new and improved obi-strip!

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Duo Ouro Negro

Dança Do Robalinho

Live At Fox Theater, Atlanta February 1980

Release: 2024 / EU – Original

Genre: Organic Grooves

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Milo MacMahon and Raúl Indipwo, arrived to Portugal in 1959 and, over next three decades, they developed an international career in the music industry.

In addition to Portuguese and the various Angolan languages, the group recorded songs such as “Sylvie”, “La Kwela” and “Le Palmier” in French, among others, and also covered Latin American, Spanish-speaking, Brazilian and even North American repertoires, where on their various tours they came into contact with the struggle for the Civil Rights of the black population.

In 1969 Duo Ouro Negro went on tour to the United States. Their experience there was decisive for what we would come to know three years later. “Don't forget your blackground”, Raul Indipwo would exclaim in 1972, the voice of ‘Blackground’, the Angolan band's landmark album. Awakened to the activism of Black Power, attentive to the jazz that was being created on American soil, combined with an interest in the independence movements of the African colonies, what was then the most international of Portuguese bands recorded an album in Lisbon that was a vibrant cultural statement through music.

In 1981, “Blackground” was revised with new arrangements, including the instrumental “Dança do Robalinho”. Jazz-Funk at its best and now reissued for the first time in 7” format. You can't miss this jazz-funk gem made in Angola.

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Weather Report

2LP | 2024 | EU (Whp)

22,99 €*

LP | 2024 | US | Original (Round 2)

Release: 2024 / EU

Genre: Organic Grooves

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Back in 1980, Weather Report consisted of Wayne Shorter - tenor & soprano sax, Joe Zawinul - keyboards, Jaco Pastorius - bass, Peter Erskine - drums and Bobby Thomas Jr. - percussion. Often considered as one of the best line ups in the band's history, this was a super tight combo playing with the same energy and power of a big band. The 1980 tour, also known as the "Night Passage" tour, is also remembered for the great visual impact, a large scale staging including laser and film projections. The Atlanra Fox Theater show sees the band at its peak, performing great renditions of classic tunes such as Zawinul's "Madagascar" and "Fast City", Pastorius' "Three Views of a Secret" and Shorter's "Port of Entry". This is an important live document from the greatest electric jazz band of all times, period!

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Alf Emil Eik

Joy & Breath Of Eternity

LP | 2024 | EU | Original (Astigmatic)

Release: 2024 / US – Original

Genre: Organic Grooves

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In 1976, Alf Emil Eik embarked on an extraordinary journey in a studio in Oslo. Armed with a 16-track MCI recorder and a vast array of instruments, including a couple of his precious bass guitars, he set out to create his musical masterpiece. Eik, a composer, musician, technician, and producer all in one, used the studio as his compositional playground and experimented with percussion, synthesizers, bass riffs, and tape phasing effects, pushing the boundaries of what was possible at the time, both for him personally and for the studio.

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Bloto

Grzybnia

CD | 2024 | EU | Original (Astigmatic)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Błoto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant that fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Błoto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in late January 2023 at Warsaw's Studio Pasterka, under the careful guidance of Piotr Zabrodzki. It was by far the most fruitful session in the group's history, with ideas flowing in abundance. The chosen tracks not only resulted in two well-received singles, Szlam / Ścieki and Bakteria, but also provided enough material for an EP set to drop next year.

The seemingly chemical title of the album Kwasy i zasady (Acids and Bases) ultimately referred to interpersonal relationships, describing traits that prevent harmony. The album embodied the polarization of societies in the 21st century. The metaphor of Grzybnia (Mycelium) goes a step further. It emphasizes the importance of cooperation as a fundamental skill that can yield various results (fruits, fungi)—both good and bad. Above all, it underscores the power of collective action beyond divisions.

In a complex, unstable modern world that is breaking apart into pieces, the concept of mycelium offers a powerful model. Mycelium thrives in degraded, seemingly lifeless environments created by humans. A key aspect of the broader significance of mycelium is that cooperation benefits all involved parties, where each contributes something and receives something in return. Mycelium is a symbiont, meaning it forms a symbiotic relationship with certain tree species through mycorrhiza, where the roots of the trees and the mycelium exchange essential life-sustaining substances. This results in mutual benefits. The world of mycelium exemplifies cooperation.

A single mushroom, like a person, dies, but mycelium endures, much like humanity itself. Thus, similar to culture, it is immortal. Błoto operates in a manner akin to mycelium. It undoubtedly belongs to the underground realm, embodying the essence of the underground. It is also a destructor of music. In what sense? The Polish Nobel laureate Olga Tokarczuk noted in her book Primeval and Other Times that “[...] Mycelium thrives by drawing the last remnants of life from what dies, decomposes, and seeps into the earth. Mycelium is the life of death, the life of decay, the life of what has died.” In the same way, Latarnik, Cancer G, Wuja HZG, and OlafSaxx, through their collaboration, process cultural products to create entirely new and surprising combinations. The result of this work is both edible and poisonous mushrooms, manifested in the form of fat beats, house, spiritual jazz, improvised music, illbient, organic techno, and genre-defying electronics.

The peak mushroom season in Poland occurs in autumn, which is why Grzybnia will be released on October 10, 2024, via Astigmatic Records. The limited edition vinyl, restricted to 500 copies, will be available for pre-order starting September 6, 2024, on Bandcamp. As always, mixing and mastering are handled by the mighty Kwazar, while the original visual representation of the mycelium metaphor is crafted by Sainer.

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Bloto

Grzybnia

11,99 €*

LP | 2024 | CH | Original (Second Thoughts)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Kevin Mccormick

Passing Clouds

2LP | 2024 | US | Original (Verve)

Release: 2024 / CH – Original

Genre: Organic Grooves

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"It’s been a long time since I last recorded an album - a break of some 40 years! Passing Clouds now builds on my earlier retrospective work on “Light Patterns” and “Sticklebacks” released in the past few years by the wonderful Smiling C label. I still have a daily obsession of writing tunes and experimenting with sound and was recently inspired to record again. On Passing Clouds, I have tried to capture my love of sky watching and of being in peaceful places. I set about my sessions, as always, alone with my electric/acoustic guitars and bass, playing through simple analog equipment such as valve reverb, tremolo and tape delay. I use a violin bow to get the drone and ambient sounds into a tape looper. Whilst working on the album, I tried hard to get the feel of my favourite ECM artists such as Collin Walcott, Ralph Towner, John Abercrombie and Eberhard Weber - my heroes! They are as inspiring to me now as they were in the 70s." Kevin McCormick

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Roy Hargrove's Crisol

Grande-Terre

Release: 2024 / US – Original

Genre: Organic Grooves

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A completely unreleased fiery Latin session by unforgotten trumpet genius Roy Hargrove, who died in 2018! In April of 1998, fresh off their Grammy win for Best Latin Jazz Performance for their debut effort, „Habana“, Roy Hargrove’s band Crisol went into a studio in Guadalupe to record their follow-up album. Until now, that album, „Grande-Terre“, has never been heard. Featuring an all-star band of Roy’s long-time collaborators, including trombonist Frank Lacy, pianist Larry Willis and drummer Willie Jones III, „Grande-Terre“ showcases Hargrove’s powerful playing, his exquisite writing and the band’s incredible energy.

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Hydra / Sweet Green Fields

Grover Washington

7" | 2024 | WW (Coolin Out)

LP | 2024 | EU | Original (W.E.R.F.)

Release: 2024 / WW

Genre: Hip Hop, Organic Grooves

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Grover Washington Jr, Hydra. This jazz classic finds its first time on 45. Released in 1975 with arrangement and keys by Bob James it’s no surprise to hear an infectious head nod groove under
GWJ’s sublime sax licks. The drums have been sampled over 100 times from ATCQ to Biggie, but
most will recognise the bass hook obviously sampled by Black Moon
for their underground hip hop classic “How Many MC’s”.
Seals & Crofts, Sweet Green Fields. Never before on 45, the Californian soft rock duos’
album cut can easily slip by most diggers. The familiar staccato bassline will have your neck snapping, while a proggy folky riff floats over head. A slightly extended DJ friendly intro showcases the
bass and drum hook sampled for Busta Rhymes’ 1997 hit “Put Your Hands Where My Eyes Could
See”.

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Jonas Meersmans

Glassman

23,99 €*

2LP | 2024 | US | Original (Nudie)

Release: 2024 / EU – Original

Genre: Organic Grooves

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As a self-taught musician, Jonas Meersmans developed his own personal instrumental language on the guitar, hovering between neoclassical layered compositions and psychedelic narrative fingerpicking.In the past, he released two albums for acoustic guitar, strings and horns that were warmly received by Belgian and Dutch press. Jonas made soundtracks for several short films and theater plays, and in 2020 he wrote the opening track for a guitar-compilation album on the American Tompkins Square label.

He also is the guitarplayer of Stef Kamil Carlens & The Swoon and the Nicolas Mortelmans Quartet. On his new album "Glassman", produced by Tim Vanhamel the intimate fingerpicking expands into multi-layered and string-arranged compositions with electric guitar, loops and double bass. It is presented live in trio with Gerben Brys on double bass and Michaël Lamiroy on violin and synths.

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Maxx McGathey

Imaginary Eyes

LP | 2024 | UK | Original (Tramp)

Release: 2024 / US – Original

Genre: Organic Grooves

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Imaginary Eyes is a sweeping, ambitious work that conjures a sound-world with soaring strings, heavy rhythm section grooves, mysterious flute melodies, triumphant brass and McGathey’s expressive touch at the piano. From the frenetic thump of “The Staircase” to the melancholy noir of “Midnight”, to the wild, driving, twists and turns of “Nothing will be as it once was…”, these compositions feature dramatic dynamic shifts as solo piano moments evolve into lush orchestral arrangements. Several years in the making, McGathey started composing this music in 2020 during long periods of isolation, turning to his childhood upright piano for solace. “These all started as solo piano works,” says McGathey, “but during that lonely time, I could feel a subliminal yearning in them to be played with as many musicians as possible.” Leaning into that idea, he drew on the talents of nearly a dozen up-and-coming musicians in Chicago’s jazz and classical scenes to create an epic studio-orchestra sound for this record. this one is getting write ups in the Northeast and will continue to draw buzz. Some early articles here and here.

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Frederic Rabold

Time Machine

7" | 2024 | EU | Original (Tramp)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Celebrating Frédéric RABOLDs 80th birthday
Frédéric Rabold was born on November 23rd, 1944, in Paris, France. His father was a jazz musician and had dreams of all three of his children becoming musicians as well. Frédéric started out learning the violin but always gravitated to the trumpet. The violin actually ended up on the wall at some point, which may have revealed Rabold's tendency toward impulsiveness. He came into contact with jazz music at an early age when he lived with his parents in France. Later on, his father had a big band with which he performed at dances in health resorts. At the age of 16, he often played with his father in American Army Clubs. From 1961 to 1964, Frédéric studied at the University of Music in Karlsruhe. In 1965, he moved to Stuttgart where he still lives today. In the same year drummer Axel Lauser approached him and asked if he wanted to play in his trio. Then, for a few years, Frédéric played in the Axel Lauser Quartet. In 1968, Frédéric founded his own band, the Frédéric Rabold Crew. The music of the "Crew" was well received in the 1968 era and the band quickly gained recognition in the German modern jazz scene. Invitations to several major festivals followed, including the jazz festival in Zurich. Later, they toured extensively through Eastern Europe on behalf of the Goethe Institute. In 1968, the first recordings were made by a friend of the band during a rehearsal. However, they were not to be released until 1980 on the LP "Berlin". "Noon In Tunisia" is one of these tracks. In March, 1970, the crew performed at the 12th German Jazz Festival in Frankfurt am Main amongst such Jazz greats as the Albert Mangelsdorff Quartet, the Klaus Doldinger Quartet and the Dave Pike Set. Two years later, the Frédéric Rabold Crew released their debut album entitled "Flair". This was followed in the 1970s by more than half a dozen albums for various labels. These included the album "Open House" with guest guitarist Martin Ederer, as well as three albums with singer Lauren Newton between 1975 and 1979. Rabold also worked with avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangelsdorff and Jeanne Lee.
In the mid-1970s, a second formation was formed, the "Frédéric Rabold Jazz Inspiration Orchestra", which, unlike the crew, continued to exist with the same line-up well into the 2010s. In 2018, Frédéric Rabold celebrated the 50th anniversary of his group, the Frédéric Rabold Crew.
Today, Rabold can look back on more than 1000 original compositions. Sometimes certain events led him to a composition, other times he just sat down at the piano and something happened, or not. Even though his real love is modern jazz, he has played all styles himself, including classical trumpet. In this respect, his role models were actually always American jazz musicians, who were sometimes quite unconventional in this respect. Frédéric Rabold's motto has always been: there is good and not so good music in all styles. This album brings together only the former.
Key selling points:
- deluxe double gatefold vinyl LP
- incl. detailed liner notes in german and english language
- incl. unseen photographs
- incl. download code
- limited to 500 copies
- pressed on Biovinyl => Replacement of petroleum in S-pvc by recycling used cooking oil or industrial
waste gases

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Sounds

Sound Spirit

11,99 €*

Piero Umiliani + Moonbrew & Paolo Apollo Negri Feat. Tilde

Release: 2024 / EU – Original

Genre: Organic Grooves

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** Private German Jazz - 1st time on 45 - As comped on Peace Chant **
Fans and supporters of our label already know that almost any of our compilation series are focused on privately produced recordings, whether it is Funk, Jazz, AOR or Yacht Rock. We always try to dig as deep as possible, and sometimes even further.
"Sounds" are one of those combos which have been overlooked since the start of the so called Rare-Groove movement in the early 1990s. The full length version of "Sound Spirit" can be found on the album "various Artists - Peace Chant Vol.7 - Private Jazz From Germany" (trlp-9124) album. "Sweet Emma" on the flip is a 7"-only track!
Be quick - 300 copies pressed!

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Italian Library Songbook Vol. Ii (Masters Of Cinematic Music Reimagined Into Song)

7" | 2024 | EU | Original (Italian Library Songbook)

14,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Italian Library Songbook series, where contemporary producers and songwriters breathe new life in-to hidden tracks and outtakes from Italian soundtrack maestros, is back with its second installment.

This time, beat-maker and bass player Moonbrew, along with composer and keyboardist Paolo Apollo Negri, reimagine the iconic Piero Umiliani, whose influence resonates deeply with anyone who grew up with a passion for b-movies, library music, and soundtracks.

Joined by singer-songwriter Tilde, the duo put their unique spin on Umiliani’s “Nel Villaggio” (featured on side B of this release), an instrumental piece from his 1975 library album Continente Nero. The hypnotic marimba melody that opens the original track serves as the foundation for their reinterpretation. By sam-pling the marimba and combining it with synthesizers and a fresh beat, they create the perfect backdrop for Tilde’s vocals, giving birth to a new ethereal and dreamy song titled “As If It Matters” (on side A).

Joining the dots between the Seventies and today, Italian Library Songbook - Volume II pays tribute to Umiliani’s signature sound while firmly grounding the music in the present. Once again, the artwork is by graphic designer and calligrapher Luca Barcellona, who drew inspiration from elegantly bound classics book series to evoke the tactile element that makes vinyl records so unique and precious.

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Tape | 2024 | US | Original (Jackpot)

Mustafa Özkent

Genclik Ile Elele

CD | 2024 | Original (Heavenly Sweetness)

Release: 2024 / US – Original

Genre: Organic Grooves, Rock & Indie

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Originally released in Turkey 1973, Özkent’s masterpiece creation of an all instrumental Turkish Psychedelic Funk album filled with classic beats and breaks still inspires long time fans and first time listeners. The funky rhythms, hypnotic percussions, and heavy break beats makes this a holy grail amongst DJ’s and music fans alike. The original concept was futuristic and eluded categorization: traditional folk songs mixed with rock, jazz, blues, funk and psych, reconstructed for the new “hip” generation. (The monkey on a microphone album jacket also eludes categorization too.... or comprehension). The album was recorded live in just one day with some of the best studio musicians in Turkey. Lacking a multi-channel recording deck, Özkent used microphone techniques to emulate a total stereo effect and capture the heavy psychedelic effects and close-miked beat breaks. Özkent created his own unique guitar sound by adding extra frets and a clutch of effect pedals in order to create quarter notes and emulate turkish traditional scales. Mustafa Özkent has since made arrangements for hundreds of other artists in Turkey, but this unique album documents his most revered work—and the world is still just discovering this gem. The fact that only a handful of copies from the original pressing are known to still exist partly explains why, making this reissue a welcome addition to any record collection.

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Ludivine Issambourg

Above The Laws

14,99 €*

LP | 2024 | UK | Original (Sudden Hunger)

Release: 2024 / Original

Genre: Organic Grooves

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Since Outlaws in 2020, Ludivine Issambourg's flute has not cooled down. How could it have, when with that album of Hubert Laws covers, it had reached incandescence? Still panting, burning despite the lid of its case left wide open, it awaited the opportunity to continue the adventures that Master Laws himself had praised.

A continuation? Above The Laws isn't quite that.

Although his name still appears, Hubert L. is no longer the sole guide in exploring the vast galaxies of jazz-funk. Through covers but especially as an enhancer of her own compositions, Ludivine has invoked the spirit and intangible presence of Jeremy Steig, Ronald Sneijder, and Bobby Humphrey—the legends of the flute.

Guided by an unescapable groove, with a musical dial set to the late 70s and early 80s, Ludivine has enlisted the help of a brass section this time, a true propulsion engine for funk that can also shift to a soulful breath if the moment calls for it. Supporting the keyboards, there's a Moog laying down its rich layers or twisting tones.

The flutes are used like levers to stabilize the flight or, conversely, to make it soar even faster through the measures. The alto version, which Ludivine had previously used sparingly, adds the necessary velvety note when it’s time to embark on smoother destinations. Speeding up the tempo to make passengers rise from their seats as if danger were imminent; calming the atmosphere to put them in a reassuring cocoon where they can let their thoughts and spirits wander, the improvisations find their place in the compositions observed from the porthole. Detached from gravity, yet still very much in tune with the vibe of cities marked as hot spots on the current jazz scene radar, it's the scent of these streets that permeates some tracks of Above The Laws.

Directed from the control tower by Eric Legnini, Chassol, Alex Finkin, and Michaël Lecoq, Above The Laws benefits from a few stops along the way where precious connections are established. Nils Landgren and his trombone in the colors of the Swedish flag, Laurent De Wilde for a chase between flute and Fender Rhodes, Céline Bonacina’s saxophone for an Afrobeat detour.

But it's at the edge of a journey where organic intensity has continued to assert itself without losing power that Ludivine connected with Brian Jackson for a cover of "Angel Dust," a track from the era when he and his partner Gil Scott-Heron were creating soul masterpieces. One of them featured a flutist by the name of Hubert Laws.

The starting point of Ludivine's latest jazz-funk explorations also becomes the endpoint. Elevated by the ten tracks of Above The Laws, Ludivine Issambourg closes a loop where she has placed her flute and its flourishes in an undeniably leading role. Opening the doors to ambitious orchestrations, unexplored horizons, she weaves into her compositions the experiences, places, and encounters that have shaped her.

Line Up: Ludivine Issambourg: flutes / Swaeli Mbappe : bass / Michael Lecoq : keys / Yoann Serra: Drums / Vincent Aubert: Trombone / Lucas St Cricq, Sylvain Fetis : Saxophones
feat: Brian Jackson, Nils Landgren, Wolfgang Valbrun, Laurent de Wilde, Chassol, Eric Legnini, Céline Bonacina.

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Les Hommes

Sì, Così

20,99 €*

Isaiah Collier & The Chosen Few

Release: 2024 / UK – Original

Genre: Organic Grooves

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Pulsar-driven groovetronics, folky modalisms in waltz time; dreamvitations to the cine-lounge. Rhythm-n'-mood experimenters Les Hommes return with a plasma-rippling suite of jazzified cuts. The new album – Sì, così – takes us into their usual unusual orbits; with re-explored mid-century Lowrey organ, mellifluous bass clarinet, Arcadian flutes, groovified piano electrique and oscillators scorched on re-entry, it's out there.

With compositions aired on BBC 6 Music, Radio 3, Radio 4 and stations around the world, plus sold-out live shows, global cult combo Les Hommes combine mid-century-cool organ group tropes and heavy percussion with contemporary arrangements and sound-sources. Their new 2024 release, Sì, così, takes the line-up further out again to explore spacier themes, esoteric modes and filmic stratospheres, as well as continuing expeditions into 'live' small-group recordings.

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The World Is On Fire

2LP | 2024 | EU | Original (Division81)

7" | 2024 | UK | Original (Mr Bongo)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The World is On Fire is Collier’s observation journal reflecting on the tumultuous period from before the pandemic to the present day. The title itself wields his lens on vile acts committed by those in power addressing themes of economic upheaval, systemic racism, and the relentless fight for justice. The album is the final body of work with his quartet, The Chosen Few, marking the closing chapter of the group’s 8-year journey. The World is On Fire is Collier’s observation journal reflecting on the tumultuous period from before the pandemic to the present day. The title itself wields his lens on vile acts committed by those in power addressing themes of economic upheaval, systemic racism, and the relentless fight for justice. The potency of Collier’s compositions is reinforced by utilizing harrowing real-life news clips throughout the album that radiate the urgency, somberness, and turmoil during this time in history as the album as a whole serves as a requiem for countless lives lost and injustices that remain unacknowledged. The World Is On Fire showcases Collier’s fiery approach as a bandleader with tightly focused solos on both Alto and Tenor Saxophone, that are interwoven with the other musicians. As The Chosen Few prepare for their curtain call, The World is On Fire is a final offering that is more than a collection of songs—it’s a passionate plea for awareness, understanding, and change. Through the journey of sound and reflection, Collier urges us all to play a role in crafting a more just and equitable world.

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Soyuz

If You Ask / Tenorio

Jonathon Hansen / Jeff Silna

Release: 2024 / UK – Original

Genre: Organic Grooves

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Proudly presenting, ‘Калі ты запытаеш (If You Ask)’, a brand new, blissed-out pop production with a ‘70s AOR touch, by the ever-on-point Soyuz (союз). Coming at a period between albums, the single features guest appearances from the sensational musicians, Biel Basile (O Terno, Sessa) and Anthony Ferraro (Toro Y Moi, Astronauts, Etc.). Friends of the band, they add their signature touch on the drums and synth respectively. To complete the package, Soyuz back the title track with a short but sweet, Wurlitzer-laden, MPB-tinged number, ‘Tenório’.

‘Калі ты запытаеш (If You Ask)’ tells the story of lost dreams. A track that can be interpreted either as a bittersweet longing for childhood times, or for a native place you can’t return to. For the writer Alex Chumak he suggests, "In my case, as in the case of many Belarusians, it’s both".

For this song, Alex chose to sing in his native Belarusian tongue. As he explains this language "to me feels underrepresented in pop music, also it’s a beautiful legacy and sonority that I wanted to share with the listeners of our project around the world". One of the key inspirations was a Belarusian band “Песняры” (“Pesniary”), who produced a host of great progressive folk, jazz fusion and AOR, from the ‘70s to the ‘90s, predominantly sung in Belarusian.

Another key influence was the music coming out of the Brazilian state of Minas Gerais in the ‘70s, drawing inspiration from the sentimental and harmonious music of Beto Guedes, Lô Borges, Fernando Oly and Wagner Tiso.

Having parted ways with their drummer Anton, Soyuz needed to find a new way to produce songs. The answer was to go remotely. Alex contacted the brilliant Biel Basile, who had recorded Sessa's contemporary classic ‘Estrela Acesa’, in which Alex also participated. Utilising Biel and Sessa’s newly built studio in São Paulo, Soyuz had Biel record the drums directly to tape to get the rich sound they were after. Adding the final magic into the mix, California’s Anthony Ferraro provided a beautiful Solina String Ensemble synth arrangement, with drummer/recording engineer Albert Karch expertly assisting with the production.

To capture the essence of the single visually, Alex and the Brazilian one-man-industry visual artist Gabriel Rolim, spent a blazing sunny May day in Berlin shooting film and stills – one of which became the perfect cover image. We hope you enjoy this little nugget of Soyuz mastery, a sweet taster to savour while the new album is recorded.

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What Its Meant To Me / It's Always Something With You

7" | 2024 | EU | Original (Favorite)

13,99 €*

So Tender / Games (Instrumental)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Favorite Recordings proudly presents this new 7inch single release, filled with 2 beautiful tracks previously compiled on the famous and now almost sold-out, AOR Global Sounds series.

First comes “What Its Meant to Me” by Jonathon Hansen. Self-produced and self-released in 1978 by Jonathon, this is another perfect recipe of AOR soulful style. Jonathon Hansen told us a bit about its story: “’What Its' Meant To Me’ was a song I wrote about the breakup of a band. As with a lot of my songs, I always write them to be about more than one thing. Primarily relationships. The song was recorded in Costa Mesa, CA at Sunwood Sound Studios. It was recorded with fellow bandmates and other musician friends.”

Another top track from the series comes next, with “It’s Always Something With You” by Jeff Silna. Originally only released on a promotional radio compilation, it was reissued by Favorite Recordings in 2017 on the 3rd edition of the AOR Global Sounds series and is still now in high demand. Here again Jeff Silna reminds: “This track was recorded at TK Studios, credited with the inception of disco music and pumping out what were considered the first Disco hits. TK created what’s known as the Miami sound. I was fortunate to work with some amazing musicians like guitarist Sheldon Stauber and players from the U of M Jazz Band, which was tops in the country at the time. My influences were funk and soul bands like Earth Wind & Fire and Average White Band.”

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The Medium Wave Band

7" | 2024 | UK | Reissue (Mr Bongo)

2LP | 2024 | Original (Blue Note)

Release: 2024 / UK – Reissue

Genre: Organic Grooves

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Sourcing rare records to reissue can involve meticulous research and years of digging, but then occasionally, Lady Luck smiles upon you. We probably would have never heard of the Medium Wave Band if Gary from Mr Bongo hadn't known Wolverhampton-based record dealer, Steve Ward. Whilst offering Gary some records for sale, he remembered he had a spare copy of an old 7" single that he thought Gary might like. Steve didn't know much about the release, and it had never sold on Discogs. Looking at the record itself, it was minimalist in appearance and information, there wasn't much to go on other than that it was from the Birmingham area. The mystery drew us in…

The A-side, 'So Tender’, is a late-night, jazzy slow-jam, with beautifully sultry, soulful female vocals which sounded vaguely familiar. On listening to the B side, 'Games (Instrumental)’, you are rewarded with a superb example of Britfunk / independent UK jazz-funk. The pulsating, bass-led dancefloor groove and sensibility is a sound reminiscent of productions usually found on labels such as Elite, but the 7” was not released on a label, it was a private press by the band themselves. So who are the enigmatic The Medium Wave Band?

After some fruitful internet digging and correspondence, we got the answers. The band lineup featured Elliot Browne on guitar (lead & rhythm), Ron Lyseight on guitar (rhythm), Andrew Proverbs on keyboards, Tony Peart on drums, Paul Snook on bass, Linton Levy on saxophone, and surprisingly, the beautiful vocals we had been enjoying were those of Jackie Graham, aka the hugely successful UK vocalist, Jaki Graham. Maybe best known for her pop hit with David Grant, 'Could It Be I'm Falling In Love', but also featuring on the cult classic track 'Fire In My Heart' by Escape From New York.

Influenced by artists and bands including George Benson, Ronnie Laws, Weather Report, George Duke, Azimuth and Chick Corea to name a few, the guys booked into a studio near the Botanical Gardens in Birmingham and recorded the two tracks that make up this 7”. Only 200 copies of the original 7" were ever pressed and were sold mostly in Birmingham at Summit Records by the band’s friend DJ Frenchi, as well as at live shows. Despite its limited distribution channels, the record received solid support from fans and those in the music industry, including Morgan Khan of the influential record label, Street Sounds. DJ and journalist, Lindsay Wesker, reviewed the release and this led to the band travelling to London for several radio interviews. They played live shows across the country, including at the prestigious Ronnie Scott's in London, and supported both Shakatak and Weapon of Peace in Birmingham.

Thanks to all those involved bringing this release into fruition and for solving the mystery behind a wonderful Britfunk and UK soul record that could have otherwise been lost in the mists of time.

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Immanuel Wilkins

Blues Blood

Sommer, Daniel/ Henriksen, Arve/ Lundberg, Johannes

Release: 2024 / Original

Genre: Organic Grooves

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Alto saxophonist and composer Immanuel Wilkins, winner of the German Jazz Prize 2024 in the “Live Act of the Year International” category, returns with his third album for Blue Note Records. His debut for the label, “Omega,” named #1 jazz album of 2020 by the New York Times, brought him worldwide attention and recognition for his playing and unusually complex compositions.

Wilkins describes his new work “Blues Blood” as being inspired by his childhood in the Philadelphia area. It was co-produced by Meshell Ndegeocello, with Micah Thomas on piano, Rick Rosato on bass, Kweku Sumbry on drums and vocalists Ganavya, June McDoom and Yaw Agyeman, as well as guest appearances by singer Cécile McLorin Salvant, guitarist Marvin Sewell and drummer Chris Dave.

“Blues Blood” is Wilkins' most ambitious album to date, as well as an accessible, spiritual work about memory, the legacy of our ancestors and the bloodlines that connect people.

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Sound & Sequences

LP | 2024 | EU | Original (April)

LP | 2024 | EU | Original (April)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Led by Sommer, the release signifies the first chapter of the drummers much much-anticipated Nordic trilogy on April Records, aiming to capture and document Nordic improvisation and composition across three carefully curated ensembles. Bassist Arild Andersens storied career stretches back to the 1970"s as one of ECM s first recordingartists, collaborating with household names of the genre including Jan Garbarek, Don Cherry, Bill Frisell, John Taylor, Sonny Rollins, Chick Corea, and the list goes on. Welcoming the opportunity to work with and nurture younger artists, the ensemble was born when Daniel Sommer selected Andersen for a project during his studies at the Danish National Academy of Music. Later, impressed by Luft s performances in Ireland and Norway, Andersen suggested expanding the pair into a trio. A transcendent musical voyage, As Time Passes " blurs the lines of conventional trio roles, and celebrates the evolution of jazz as a fluid, versatile form of expression. By providing each musician the freedom of becoming a key contributor in the melodic discourse, the trio channels the spirit of jazz veterans such as the Bill Evans Trio and free free-jazz ensemble Air, while echoing the sounds and innovations of pan pan-European contemporary jazz. Mixing pensive rubato ambience with energetic grooves, instrumental dexterity, a modern ECM ECM-esquesound and folk undertones, the record s compositional clarity combined with the spontaneity of a live performance flows across and between genres, borders and generations alike. Luft s intricately over-dubbed layers of acoustic guitars, vast reverbs, and contrapuntal melodies expand the sound of the three piece into an immersive world of textures. Rendered in the stark beauty of Andersen"s bass lines, the nuanced strokes of Sommer"s drums, and capped with the lush, expansive timbres of Luft"s guitar, "As Time Passes" is a testament to the enduring and ever ever-evolving wonder of Jazz.

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Anders Band

Introducing

LP | 2024 | EU | Original (April)

Release: 2024 / EU – Original

Genre: Organic Grooves

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As a young conservatory student back in 2016, Danish trumpeter Anders Malta was invited to participate in a reunion concert with the legendary Ernie Wilkins Almost Big Band. He was so taken with the band and the music, that on the spot he decided that he wanted to form his own.In 2020, Anders Malta Almost Big Band played its first concert, going on to play a monthly residency at Christiania Jazz Club in Copenhagen for the past two years. Their debut album Introducing is set to release on August 23rd on April Records. Since the early days of jazz, the broad sound pallet and dynamic range of the big band has proven irresistible to composers and arrangers. However, the traditional big band, with its 16 16-19 individual moving parts, can also at times, and for differentreasons, be an unwieldy machine to maneuver. Malta s 13 13-piece made up of Denmark s finest young soloists is agile like a small group, retaining the powerful force of the larger orchestra.Belonging to a new generation of musicians with a deep love and knowledge of the jazz tradition, Introducing " sees the band pay tribute to the timeless Hardbop sound of the 50" s and 60" s through the three movement suite Hardbop Conversations "", whilst offering a contemporary European perspective on the classic large ensemble format through Ouverture, Interludium and Epilog ". Intricate arrangements, rich harmony, soaring trumpet & flugelhorn improvisations and a diverse array of feel and grooves showcase the impressive stylistic and artistic breadth Malta has to offer as a bandleader, arranger, composer and instrumentalist. From the high high-energy swing and powerful tutti chords one craves from a Big Band to the more intimate textures of solo instrumental passages, theensemble s sophisticated, complex, and joyous debut proves once again that Denmark s jazz scene is among the world s most prolific and exciting.

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Antonio Dayyani

Trop Op

Release: 2024 / EU – Original

Genre: Organic Grooves

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A followup to his 2022 debut Dayyani released on his own label,Trop Op " sees the drummer delve deeper into the mood of pedal steel, trumpet and Nordic folk he discovered early in his writing practice and develop it into a bigger, more comprehensive vision. Featuring eight original compositions and an arrangement of a traditional Swedish folksong, Dayyani s simple yet sophisticated writing style is focussed on lyrical thematic melodies, rich folk harmony, and showcasing each member of the sextets musical identity.With years of playing together in a number of up and-coming Danish jazz groups including Tigeroak, Nordlys trio and Vingborg/Valencia Quartet, the ensemble is well versed in giving each other space to express their voices freely. Soaring reverberated arcs from the pedal steel, subtle drum grooves and expressive, tasteful improvisations offer up an imaginative fresh perspective on contemporary Nordic jazz. The records title translates to Step Up ", referring to Dayyani s view that we all need to step up for our communities and share more of ourselves to the people around us."We live in a time where there is an increasing focus on our mental health, and personal growth where we need to take care of ourselves. In doing so, I think we can sometimeswithdraw too much into ourselves, focus on the inner self and forget to stand up for eachother and the community surrounding what we do.

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Relief - A Benefit For The Jazz Foundation Of America's Musician's Emergency Fund Vinyl Me, Please Edition

2LP | 2024 | US | Original (Vinyl Me, Please)

41,99 €*

Infinite Expressions Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Why you'll love it...
In a never-before-heard-of collaboration, major jazz labels Blue Note Records, Concord Music Group, Mack Avenue Music Group, Nonesuch Records, Universal Music Group, Verve Label Group and Warner Music Group have joined hands to offer a compilation of unreleased music. Part of the proceeds earned from the album will go toward the Jazz Foundation of America’s Musician’s Emergency fund, which supports musicians who have been affected by COVID-19 shutdowns.

Joe Petrucelli of JFA shared, “The Jazz Foundation of America deeply appreciates the artists, songwriters and label teams who contributed to this project with such compassion and generosity. As pandemic restrictions continue to lift, we recognize that musicians will face a particularly lengthy recovery. They were among the first to be hit by the effects of the crisis and will be among the last to achieve a true sense of normalcy or stability. We and our partners are here for the long haul.”

Among the featured artists are Herbie Hancock, Joshua Redman, Christian McBride, IRMA and LEO, Cécile McLorin Salvant and more. The highly hailed pianist Herbie Hancock commented, “I'm honored to be part of this meaningful project that supports the important work of the Jazz Foundation, who has always been there for musicians going through tough times. They have been an especially critical resource for the community during the pandemic, helping those in need of medical care, putting food on the table and paying their rent.”

While the album supports musicians across the industry, it also commemorates the artists whose lives were lost to the pandemic and throughout the year, including Wallace Roney and Jimmy Heath. The collaboration illustrates the camaraderie among labels and musicians, tying together the talents of a roster of stars to support the people who have brought the world together through music.

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Phil Ranelin

LP | 2024 | US | Original (Vinyl Me, Please)

The Way Out Of Easy Maroon Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Why you'll love it...
Phil Ranelin recently suffered a debilitating stroke. His family and friends have started a GoFundMe to support his recovery, which you can donate to here.

He's back, and he's here with a dazzling album that puts his talents right at the forefront. Phil Ranelin's Infinite Expressions is the first album he has released in 10 years. A trombonist and co-founder of Detroit's TRIBE Records, Ranelin is a cornerstone to the jazz community. Throughout his long career, he has worked with artists like Freddie Hubbard, Stevie Wonder, Ella Fitzgerald and more.

Phil Ranelin shared, "In the 1970's, I composed a album entitled 'The Time Is Now', so once again time is the theme, motivation & inspiration...

"="">here.
He's back, and he's here with a dazzling album that puts his talents right at the forefront. Phil Ranelin's Infinite Expressions is the first album he has released in 10 years. A trombonist and co-founder of Detroit's TRIBE Records, Ranelin is a cornerstone to the jazz community. Throughout his long career, he has worked with artists like Freddie Hubbard, Stevie Wonder, Ella Fitzgerald and more.

Phil Ranelin shared, "In the 1970's, I composed a album entitled 'The Time Is Now', so once again time is the theme, motivation & inspiration..." data-full="

Phil Ranelin recently suffered a debilitating stroke. His family and friends have started a GoFundMe to support his recovery, which you can donate to here.

He's back, and he's here with a dazzling album that puts his talents right at the forefront. Phil Ranelin's Infinite Expressions is the first album he has released in 10 years. A trombonist and co-founder of Detroit's TRIBE Records, Ranelin is a cornerstone to the jazz community. Throughout his long career, he has worked with artists like Freddie Hubbard, Stevie Wonder, Ella Fitzgerald and more.

Phil Ranelin shared, "In the 1970's, I composed a album entitled 'The Time Is Now', so once again time is the theme, motivation & inspiration for a Phil Ranelin project All of the positive flow of energy and love that surrounded me, gave me the courage to precede with the idea of recording a album that would represent a 2020 version of myself; Infinite Expressions is in fact , a true labor of Love!"

" >

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Jeff Parker / Eta Ivtet

2LP | 2024 | US | Original (International Anthem)

34,99 €*

The Way Out Of Easy Black Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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In their first bout of new music since 2022"s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.Featuring long time members Anna Butterss (Jason Isbell, SML) on upright bass, Josh Johnson (Meshell Ndegeocello, SML) on saxophone, and Jay Bellerose (Elton John, Punch Brothers), the selections are honed and focused to bring the atmosphere of one specific night"s setlist.The delight of the space (now sadly defunct) helped Parker build a beautifully multi-textured, gently-shifting four-dimensional construction out of simple ideas.

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Jeff Parker / Eta Ivtet

2LP | 2024 | US | Original (International Anthem)

Squall / Eternal Slowmotion

Release: 2024 / US – Original

Genre: Organic Grooves

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Ino Hidefumi

7" | 2024 | JP | Original (Innocent)

13,99 €*

LP | 2024 | JP | Original (Innocent)

Release: 2024 / JP – Original

Genre: Organic Grooves

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coupled with an AOR love song by INO hidefumi and an unreleased song at the time of release (2019).
From non-singing singer/songwriter to singer/songwriter, he released his first all-vocal solo album "SONG ALBUM" in 2018 and went on a national tour in 2019.
The A-side "Squall" is an AOR song that was digitally released in September 2019 and selected for various playlists.
The B-side "Eternal Slowmotion" is an unreleased track that was first released on this 7inch pressing.

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Ino Hidefumi

In Dreams

7" | 2024 | US | Original (Devin's 7s)

Release: 2024 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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DARK & MELOW 2021 vinyl LP release by INO hidefumi!
If only we could catch that melody, those words, that sound that we saw and heard in my dream in the real world.
That is the dream of every musician.
From "In Dreams," INO Hidefumi's first new album in two and a half years (at the time), we first heard a sound that tuned in to such a wish.
Eventually, the soul flaps its wings in a jet stream in an attempt to crossover between dreams and reality.

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Galt MacDermot

Duffer / Duffer In F

21,99 €*

Finding My Way Home Black Virgin Vinyl

Release: 2024 / US – Original

Genre: Organic Grooves

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"Man alive. Galt MacDermot. You know who he is. And if you don’t, you’d better ask somebody. Most famous (probably, in certain circles anyway) as the composer and arranger of the 1969 Grammy-award winning, perennially-running-somewhere musical Hair, which had three no. 1 singles including 'Aquarius/Let the Sunshine In'. But his catalog is so much more than that. SO much more. He’s incomparable. He composed music for a grip of films and plays, but my favorite is his solo work. (well, with bands he’d put together, but you know what I mean). His body of work includes jazz, soul, and classical and some of it is downright Funky. He’s been sampled by Handsome Boy Modeling School, MF Doom, Run-DMC, DJ Vadim, DJ Premier, Busta Rhymes, and who knows who else. He’s worked with Bernard Purdie, Idris Mohammed, Jimmy Lewis, and countless others. Nothing I can write can do him any justice.

This record here has two different versions of one of my favorites—'Duffer' and 'Duffer in F.' Are they the same song? Yes. Are they different? Yes. Side A, 'Duffer,' is a laid-back, loosey-goosey irresistible groove with killer solos. It’s so chill, but I’ll be damned if you don’t still want to dance to it—maybe even a slowdance with your sweetie or something. It’s a whole vibe—cozy, funky, slow, intimate, yet spacious… I never want it to end. Side B, 'Duffer in F', is the same tune, but with everything tightened up. The groove, the drum kit, heck, even the room it was recorded in.

I can not for the life of me decide which one I like more, but for real though, I want them both on 7”, and thought it would be fun to do a compare/contrast record: The Duffers.

CAN WE Talk About THE Bassline ON Both Versions Though?? Whoooooo boy.

Special, special shout out to The MacDermot family (Vince, MaryAnne, Samson and young Galt) for letting me do this. It’s a dream come true."—Devin

Limited run of 500 copies.

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Yazz Ahmed

LP | 2024 | UK | Original (Night Time Stories)

LP | 2024 | Reissue (Sam)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mal Waldron

Rat Now Paris 70

12" | 2024 | UK | Original (Brownswood)

Release: 2024 / Reissue

Genre: Organic Grooves

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Kokoroko

Get The Message

LP | 2024 | UK | Original (Albert's Favourites)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Kokoroko, the London-based contemporary jazz collective, has released their new single ‘Three Piece Suit’ featuring Azekel.

Warm, rich and sumptuous in sound, ‘Three Piece Suit’ is a heartwarming tribute to the Nigerian immigrant experience. An initial draft of the track first began life at Kokoroko’s studio under the working title ‘Get The Message’.

Crackling through the track’s snug and patiently-arranged grooves are subtle touches of funk, adding new dimensions to the band's signature afrobeat and jazz sound in a way that recalls the work of Cymande. Further caressing the instrumentation is the incorporation of the Brazilian nose flute and woozy-sounding synth lines, effortlessly transporting the listeners back in time.

A conversation between Onome Edgeworth, the band’s percussionist and Azekel about their grandfathers who both landed in Balham from Nigeria in the 1960s would yield finishing touches that its rough sketches needed, bringing the song home to its final form.

Speaking on the track’s conception, Onome said: "We wrote the song thinking of our grandfathers arriving in London and the way they carried themselves and dressed in the 1960s. They were part of a dapper and suited generation that sowed the seeds for the worlds we’re building now. It speaks to our sentimental memories of a time that we know we can't have back”.

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Scrimshire

Music For Autumn Lovers

22,99 €*

LP | 2024 | US | Original (Mike Casey Music)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Set for release at the height of the season it’s dedicated to, ‘Music For Autumn Lovers’ by Adam Scrimshire is an eight track album of lush, mostly acoustic based, minimal instrumentals eliciting a mixture of feelings for this special time of year.

Four tracks originally released on an EP in 2022 are joined by new compositions ‘Hawthorn’, ‘Hazel’, ‘Willow’ and ‘Blackthorn’. Gently finger-picked acoustic guitars cosy up alongside pianos, synthesisers, strings and horns; filtered through an autumnal hue of susurrous production and effects. In turns comforting, melancholic and evolutionary; it feels like an album that can be kept being made and remade forever, like a season in itself.

Both a relentless creator and inspiring champion of new music; South London based Scrimshire has been recording, producing and DJing since the mid 2000s. Amongst his credits, he was featured by the Guardian as one of three producers behind the new wave of UK soul, alongside Inflo (Michael Kiwanuka, Sault, Lil Simz) and Swindle (Joel Culpepper, Greentea Peng, Kojey Radical). His bold 2023 album ‘Paroxysm’ was a response to the absurdity of the breakdown in the UK government, picking up an Album of the Week award on Huey Morgan’s BBC 6 Music show, and 2021’s beautiful ‘Nothing Feels Like Everything’ received an Album of the Year nomination at the Gilles Peterson Worldwide Awards. Scrimshire also somehow finds the time to support a wealth of talent on his label Albert’s Favourites, formed with Dave Koor and Jonny Drop, where they have recently released albums by And Is Phi, Huw Marc Bennet, Inês Loubet, Irini Arabatzi, Jonny Drop & Andrew Ashong, and Qwalia.

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Mike Casey

Valencia

LP | 2024 | JP | Original (Urban Discos)

Release: 2024 / US – Original

Genre: Organic Grooves

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On the heels of making his scoring debut in the Netflix "Spy Ops" TV show, being 1 of 16 selected for the GRAMMYs® 'Next' Class of 2023, featured in Spotify's "Best Jazz of 2020-22" & Amazon Music's "Best Jazz of 2022 + 2023" internationally celebrated artist Mike Casey announces his 9th release in 8 years, "Valencia" ! Originally his masters thesis while studying at Berklee's selective Valencia Spain campus in 2019 & premiered live at Spain's national concert hall Auditori Nacional, 'Valencia' showcases him moving far beyond the polar opposite sax/bass/drums trio & electronic/hip hop formats into expansive, cinematic, global acoustic fusion. Calling this album simply "Jazz" would be limiting: it's a forward thinking, multi-genre, multicultural experience created by an artist who is trained in jazz, but who fully absorbed a specific, inspiring environment and period of time abroad into his heart & soul, seeking to unify across geography & genre. Fully Indie.

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Nautilus

Sunrise

LP | 2024 | UK | Original (Free Flow Archive)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Nautilus, a band that embodies the contemporary rare groove scene. Their 9th full album “Sunrise” will be released on LP and CD at the same time! The album contains 10 tracks, including original jazzy funk songs in full Nautilus mode and cover songs featuring Emi Tawata and Ray Yamada on vocals! Don't miss the covers of great masters such as Thelonious Monk and Yusef Lateef. This is a masterpiece that should be described as a sunrise just before their 10th album, which should be commemorated.

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Gary Bartz NTU Troop

Live In Bremen 1975

38,99 €*

LP | 2024 | EU | Original (We Jazz)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Gary Bartz (alto & soprano sax, vocals) - Charles Mims (piano, syntheziser) - Curtis Robertson (electric bass, back vocals) - Howard King (drums)
A fantastic live recorded in Bremen on 8th November 1975 set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s!
1 hour and 46 minutes of free and spiritual jazz.
Double LP 180gm vinyl
Gatefold cover
Strictly Limited Edition

Side A: Nation Time 11:54 / Ju Ju Man 18:50
Side B: Medley: Rise / Celestial Blues / The Sounding Song / Incident / Uhura Sasa 9:44 / Peace And Love 7:56 / Sifa Zote 10.02
Side C: I've Known Rivers 24:36
Side D: Sweet Tooth 24:26

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Lampen

Halogen

LP | 2024 | Original (Heavenly Sweetness)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Finnish duo Lampen presents their second album "Halogen" on We Jazz Records: Lampen is Kalle Kalima and Tatu Rönkkö. Kalle plays guitar, Tatu plays percussions and sampler. The band makes its home between Helsinki and Berlin, where Kalima is based. Lampen"s sound is reminiscent of the wide-screen meditations of the likes of Earth and The Necks, but on a territory of their own. Think meditative deep contemporary jazz drawing from way outside of the genre"s borders and landing somewhere with heightened levels of low key sonic intensity. Ideas form in time and nothing is rushed, and when you land in the full eruption of the duo"s force, you get there surprisingly yet logically.

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Ludivine Issambourg

Above The Laws

19,99 €*

LP | 2024 | US | Original (Yucca Alta)

Release: 2024 / Original

Genre: Organic Grooves

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Corsano Baiza Watt Trio

LP | 2024 | UK | Original (Veego)

Release: 2024 / US – Original

Genre: Organic Grooves, Rock & Indie

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Yucca Alta Records is ecstatic to present our inaugural release: the debut, self-titled LP from the Corsano Baiza Watt Trio. This is an all-improvised, mind-blowing, punk AF mind-meeting between Chris Corsano, one of America's premier avant-garde drummers, and two legendary SoCal punk pioneers: guitarist Joe Baiza (Saccharine Trust, Universal Congress Of) and bassist Mike Watt (Minutemen, fIREHOSE). The bulk of this LP consists of studio recordings made deep in the Mojave Desert (Landers, CA to be exact) in December of 2023. The Corsano Baiza Watt Trio had never played, or even entirely met, before this session; what you hear is the surprise and fierce delight of 3 great musicians coming together in real time. The first track, "51 Card Solitaire," begins abruptly in mid-flight, capturing the exact moment that recording began, as the trio played together for the very first time. The LP's explosive last 2 tracks are taken from the trio's first-ever live show, in Watt's long-time home base of San Pedro, CA, in front of a joyous, fully lit audience. The level of group interaction revealed in these 7 tracks is truly startling. Corsano's buoyant multi-dimensional kineticism is in full effect; Baiza effortlessly mixes noir-ish, bopping single-note phrases with feral string scrapes and vicious chord-flailing; Watt holds down strong anchoring bass lines like the sailor he is, then flies abruptly, thrillingly off-script.

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Kolida Babo

Spirits Of Mauronoros

Live In Paris 1966 - Lost Ortf Recording

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Kolida Babo is the collaboration between two Greek woodwind musicians from separate regions - Socratis Votskos is from Pella, and Harris P. is from Athens. Their self-titled debut album was recorded in improvised live-take sessions beginning on the night of the “Kolida Babo” folk rituals of music and dance in northern Greece in winter 2013. They explore the ancient music of Armenia and the folk traditions of northern Greece’s Epirus and Thrace regions alongside abstract electronics and free jazz. Their debut album was released by MIC Records (London) in 2019 to rave reviews. Other notable releases include the Jazzman Records jazz45 series and the soundtrack for the documentary ''Gospel of Michiel'' and "Loxy". Their music was supported by BBC 6Music, BBC Radio 3 - Late Junction, NTS, Soho Radio, WorldWide Fm as well as the Greek National Radio. Last but not least, they have performed in various places around Greece and Europe including festivals like CTM, Archipelago Festival and Vinterjazz Festival. In their second full-length album Spirits of Mauronoros set to be released in 27/09/2024 by Veego Records, Kolida Babo revisit an old forgotten place in northern Epirus Greece, near the Greek-Albanian borders. A spiritual music journey dedicated to the old village of Mauronoros (Black Mountain) and its people. This village is one of the many villages in Greece that is totally abandoned as a result of the economic crises and cultural changes that Greece faced in the last century. This profound depopulation of the area left behind ruins that echo its past trials and tribulations. However the traditional sounds of the village keep reappearing in urban centers like ghosts that haunt everyday life. This sonic dialogue between "modern" and "traditional", between "the peaceful countryside" and " turbulent urban centers" sometimes looks irrelevant and outdated but is of great consequence. It transports the listener in an unspecified time and place devoid of any cultural and geopolitical connotations and thus leaves them wondering for a freer and more authentic way of life.

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Thelonious Monk

LP | 2024 | EU | Original (Transversales Disques)

LP | 2024 | CH | Original (Potions Music)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Transversales Disques proudly presents Thelonious Monk / Live in Paris (1966). Lost Ortf Recordings. A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (saxophone ténor), Larry Gales (bass),and Ben Riley (drum). First ever official release of this lost Ortf recording performed live in Paris at Studio 104, Maison de la Radio.Release with the full permission and cooperation of the National Audiovisual Institute (ina). Deluxe Tip-On Jacket / Exclusive Liner notes

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Mike Wallace

Theme & Beat 03

Bobby Bradford And His Cuzns

Release: 2024 / CH – Original

Genre: Organic Grooves

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After 20+ years of amassing and absorbing various music from across the world, well respected DJ and rare record magnate Mike Wallace sold off a large portion of his album & VHS collection, converted his home garage into a state of the art recording studio & began learning to play a multitude of instruments. During this time he was also interning at a local recording studio to learn the back end process of putting together an album. Mike is following up with Theme & Beat Vol. 3, the last in a series of film music inspired meanderings that reflect decades of dedication, introspection, joy and tranquility.

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Freddie Ain't Ready

LP | 2024 | US | Original (Intervention)

42,99 €*

7" | 2024 | EU | Original (Red Productions)

Release: 2024 / US – Original

Genre: Organic Grooves

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Intervention Records is thrilled to announce its first jazz release, Bobby Bradford and his CuZns' Freddie Ain't Ready.

Freddie Ain't Ready is about identity. It is about discovering, developing, and embracing who you are. That is an act that makes us examine if we are indeed who we thought ourselves to be, and where does this leave us? Does a glimpse of the truth set us free?

Freddie was recorded live-to-two-track analog at Hollywood's legendary EastWest (formerly Western) Studios by Steve Genewick and Joe Harley. Custom Flux Magnetics head stacks were used, with no editing, limiting, or compression. Just the highest resolution delivery possible of live sound to your home. Mastering and lacquers are cut by Kevin Gray at CoHEARent Audio, and boutique press RTI delivers dead quiet 180g vinyl. No expense was spared, and laborious attention to detail ensured that the listener is transported into the studio and the creative experience.

His discography is extensive and includes classics such as Ornette Coleman's ''Science Fiction'' and ''Broken Shadows.'' Additionally, he holds a B.M. from Huston-Tillotson University (Austin, Texas), and was a jazz educator of note at Pomona College (Claremont, California) for 44 years. Bobby is currently 90 years of age and is still performing and smokin' on his cornet.

This recording project was initiated when drummer-percussionist Garth Powell (Zen Widow, AudioQuest) proposed a performance with CuZns (Bobby Bradford and William Roper) on the long-time New Music Sunday's series hosted by Open Gate Theatre in Los Angeles. This was extremely well-received, and a grand time was had by all.

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Karo Glazer

Black Sun

6,99 €*

LP | 2024 | EU | Original (Squama)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Karo Glazer called ''a true singing asset and the best Poland has to offer'' is an artists with 4-octave expressive voice and endless musical imagination, whose talent was appreciated by Tom Waits and members of Coldplay during the International Songwriting Competition, shares the first independent single ''black Sun'' feat. Dead Star Talk & Jozef Skrzek, off her forthcoming third album ''#LadyDynamite''.

Karo Glazer is a singer, composer, multi-instrumentalist, songwriter, and music producer all at the same time. She also wrote music for theatre plays and ballet. She played and recorded with both jazz and rock musicians i.e Lars Danielsson, Mike Stern, John Taylor, Klaus Doldinger, and multiple Grammy-winning producers Martin Walters (Esperanza Spalding, Spyro Gyra, Dianne Reeves) and Flemming Rasmussen (Metallica, Rainbow, Mr Big), with whom she produced Black SUN. After years of performing vocal jazz, Karo returns with Black SUN and delivers a euphoric guitar riff, spiked with her explosive voice, trance groove, and her new artistic vision, which is presented by her new conception of 7'' vinyl, which includes DJ Tools kit on B side and the solar foil sleeve cover, that lets you safely observe the Sun. It's a psychedelic rock Odyssey with progressive influences based on alternative, pop, and jazz roots.

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Fazer

Yamaha

2LP | 2024 | US | Original (Lawson)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Munich-based quintet Fazer return to Squama with their fourth studio album, ‘Yamaha’, a record that melds indie jazz and psychedelic rock with humour and depth.
The band recorded the album in their own studio for the first time, taking time time to experiment with sound and overdubs, while retaining the vigour of a live performance.
Suspenseful two-voiced themes and tickling solo interplay by Matthias Lindermayr on trumpet and Paul Brändle on guitar is still at the core of Fazer’s music, as well as the meticulous work of their two drummers Simon Popp and Sebastian Wolfgruber, whose grooves are more rooted in the rock vernacular compared to previous records. The restrained playing of bassist and producer Martin Brugger remains a grounding force that rounds out the sound of the group.

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Kyoto Jazz Massive

Message From A New Dawn

49,99 €*

2LP | 2024 | US | Original (Roph)

Release: 2024 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Featuring an extraordinary band and incorporating elements of techno, jazz, boogie, soul, fusion, and Afro, this ultimate electric jazz fusion album has evolved into a complete band sound. With legendary guest Roy Ayers on board, the record showcases the band’s crossover brilliance.

Following their second album ‘Message From A New Dawn,’ Kyoto Jazz Massive (under the name Jeroboam) toured Europe with ‘Echoes of A New Dawn Orchestra’ and performed across venues like Jazz Cafe and Ronnie Scott’s in London, selling out shows and gaining even more popularity than during their prime. They also performed on the main stage of the 2023 We Out Here festival, curated by Gilles Peterson, where they wowed the audience. The re-release of their LP ‘Message From A New Dawn’—which previously topped the iTunes Dance Chart—is highly anticipated, as it includes the standout track "Impulsive Procession," which hit #1 on Traxsource's Nu-Jazz/Broken Beat chart.

Looking ahead to Kyoto Jazz Massive’s 30th-anniversary live performance in Japan in 2025, the timing of this repress is perfect for fans both in Japan and abroad. The record offers an all-original, fully band-recorded set of tracks, with contributors such as Vanessa Freeman, Kenichi Ikeda (root Soul), Takumi Kaneko (cro-magnon), Kaztake Takeuchi (A Hundred Birds), Takashi Nakazato, Yasushi Fukumori, Dubzombie (soil&”pimp”sessions), and even the Vienna Philharmonic’s Kirill Kobantschenko. Legendary jazz vibraphonist Roy Ayers also adds his distinctive touch to this remarkable album. Vocals were recorded and mixed by Toni Economides, who is also known for his work with Reel People, The Realm, and Moodymann’s “Taken Away.” The album's mastering was handled by Neil Pickles, a four-time Grammy nominee who has worked on various Latin projects. Art direction by the Okino brothers, with photos of Hiroyuki Wakabayashi’s architecture shot by Shuya Okino, and design by Naohiro Nomura of List, ties everything together visually.

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Uyama Hiroto

Breath Of Love

61,99 €*

7" | 2024 | EU | Original (Les Rythmes Ruban)

Release: 2024 / US – Original

Genre: Hip Hop, Organic Grooves

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“Everything is mellow and gentle. Whether you’re with someone special or enjoying some time alone, or even just relaxing in a beautiful outdoor setting or in your bedroom—take a moment and listen." Uyama Hiroto

Seven years after ‘Freeform Jazz’ and ten years since the release of ‘Freedom of the Son,’ Uyama Hiroto has created the next chapter of his story. Just as all things in the universe rely on balance—light and shadow, yin and yang, movement and stillness—'Freeform Jazz’ was an expression of his outward emotions and energy, while ‘Breath of Love’ represents the flip side: his inner calm and gentle emotions. This album expresses a unified mood, with all the sound elements carefully chosen to maintain a consistent atmosphere. Uyama Hiroto plays nearly every instrument on the album, including the S.SAX and T.SAX, as well as guitar, bass, and beats. Collaborating for the first time on one of his own albums, Uyama Hiroto features artists like Substantial from Virginia, Marter (known for his vocal contributions on ‘magicnumber’), and Coma-chi, who participates under the name Reinaria. Each track is melodious and romantic, yet the album’s overarching narrative creates an emotional, gentle, and nostalgic journey—one that reflects the era and influences behind the music. This is a deeply internal work, showcasing Uyama Hiroto’s new artistic direction. Don’t miss out on experiencing this serene and profound album.

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Marina P

Eugenio

12,99 €*

LP | 2024 | EU | Original (Isc Hi-Fi Selects)

Release: 2024 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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Being Punk and Hippie at the same time. Les Rythmes Ruban experiment with the idea by doing absolutely what they want, but with love. Moving forward with enthusiastic trial and error has the double advantage of enjoying the scenery and easily crossing paths with people we love. The first encounter between Marina P and Blundetto took place in 2014 with their collaboration on the track "Last Broken Bones" from the album "World Of". Marina, who had just created her label Homeys Records, continues to multiply experiences on stage and in the studio, solo or always well accompanied (Mungo's Hi-Fi, Stand High Patrol, Woman Hi-Fi with Biga*Ranx, Jahtari...). But Marina's spectrum of influences goes far beyond reggae, drawing from the jazz sound of her parent's record player, her cello practice, and the discovery of great voices of Soul and Jazz like Nina Simone, Billie Holiday, Chet Baker... The track "Eugenio", written and composed by Marina, embodies all of this; it belongs to no particular style. It's primarily the evident essence of the song, its lyrics, and its emotion that inspired Blundetto to "set it to music", available to your ears in two different arrangements.

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Scott Gilmore

Volume 01

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Scott Gilmore’s Volume 01, an Analog Synth Gem, Makes Its Vinyl Debut - Pressed at 45rpm for maximum fidelity.

Recorded on a vintage Tascam 388, the LP version of Gilmore’s alluring, easy-going instrumental electronic record arrives in the physical world via In Sheep’s Clothing Hi-Fi Records.

Los Angeles, CA — When the Los Angeles electronic musician and multi-instrumentalist Scott Gilmore recalls the creation of the songs on Volume 01, he describes specific moments of spontaneous inspiration. “I remember sitting at the tape deck, watching the leaves outside the window as they flittered in the sunlight—a moment of stillness that became intertwined with the melody I was recording,” Gilmore recalls, speaking of the track “Song For Cate.”

This sense of simplicity and presence is at the heart of Volume 01, which was recorded entirely on a Tascam 388 using a carefully curated selection of instruments.

Volume 01, an intimate, instinctual album that mixes lo-fi digital rhythms, strummed guitar, and melodic synth layers, is a collection of songs that captures Gilmore’s magnetic fluidity and the spontaneity of his process. Initially released digitally and as a limited edition cassette, Volume 01 is set to be issued on vinyl for the first time by In Sheep’s Clothing Hi-Fi.

The Tascam 388 is a classic mid-1980s analog machine that combines an 8-track reel-to-reel tape recorder with a built-in mixing console. Volume 01 exudes the kind of hazy, nostalgic warmth that only such recorders can provide. For the nine-song album, Gilmore harnessed analog synths including the Arp Odyssey, Yamaha Cs-01, Korg Dw-8000, Hohner Pianet T, Roland TR 606, and Roland SH 101, as well as bamboo alto saxophone, clarinet, electric guitar, and electric bass.

The album is awash in brief, propellant pieces. At just over four minutes, the relatively epic “Horizon Line” is driven by a three-note snare pattern, a two-note cymbal tap, with a humble bass-line serving as the rudder; Gilmore’s improvised keyboard runs move with an intuitive, conversational glee. The pensive "Shade" sounds like it could be a Penguin Cafe Orchestra demo. Closing track “D. Hareem” runs on a wobbly time signature but with an insistent, determined rhythm that belies genre descriptives. “I prefer to not know what I’m making as I compose,” Gilmore says. “It’s when I can’t clearly define what the music is that it’s then something that I want to put out into the world.”

In hindsight, Volume 01 was a portent. After its 2016 cassette release, Gilmore connected with International Feel, the Balearic imprint run by Marc Barrot, to release the sublime Subtle Vertigo. In 2019, Gilmore’s music caught the attention of Marc Hollander, the experimental composer and founding member of Aksak Maboul, which led to a signing with the Belgian label Crammed Discs. That deal enabled the creation of Gilmore’s solo album Two Roomed Motel and Doctor Fluorescent, a retro-futuristic, Vocoder-heavy 2020 collaboration with Eddie Ruscha V, a.k.a. Secret Circuit). Across these projects, Gilmore’s work has been mentioned in the same sentences as Stereolab, Arthur Russell, Woo, Air, R. Stevie Moore, and others, all of whom have combined synths and non-synths to memorable effect.

With the upcoming vinyl release, Volume 01 will set into wax an enduring set of works, offering listeners the chance to experience analog artistry in its most authentic, tangible form. In Sheep’s Clothing Records is honored to bring Gilmore’s work to vinyl.

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LP | 2024 | UK | Original (Pressure Sounds)

Ska Shots

LP | 2024 | EU | Original (Waaghals)

Release: 2024 / UK – Original

Genre: Organic Grooves

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“On August 5th 1962, after 300 years of British rule, which had soaked the earth of the island in blood, Jamaica was finally independent. The country that the British left behind was certainly a place of widespread poverty and deep inequality, but there seems to have been a real burst of confidence that came with independence. Newsreels of the day show well-dressed crowds reacting with enthusiasm and excitement, and the era found its perfect soundtrack in the boldness and exuberance of ska music, which was erupting all over the island. This optimistic mood found probably its greatest artistic expression in the music of the Skatalites, who formed in June 1964 as a kind of Jamaican supergroup. Philip “Justin” Yap was a young, upcoming producer who had used members of the Skatalites for his first tunes, recorded either at RJR (Radio Jamaica and Redifussion) or at Federal studios. As Steve Barrow documented in the sleevenotes for Pressure Sounds’ reissue of the classic “Ska-Boo-Da-Ba” album, Justin had also befriended Clement “Coxsone” Dodd, and when Coxsone opened his own Studio One facility in December 1963, Justin immediately switched most of his production work to this new recording room. Studio One opened just in time to catch the formation of the Skatalites, and is where Justin recorded most of his classic Skatalites sides. He also recorded lots of excellent instrumentals with a smaller brass section, still mainly using members of the Skatalites, but crediting instead the composer or arranger of the tune. Combined with Coxsone’s own recordings, these productions for Justin’s Top Deck and Tuneico labels really captured the members of the Skatalites at their magnificent best in the unique atmosphere of Studio One.” - From Diggory Kenrick’s expansive sleeve-notes.

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Sun Ra

Continuation

17,99 €*

LP | 2024 | UK | Original (Kit)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Recorded at the Choreographers’ Workshop in New York, 1963, Waaghals Records presents two songs from Sun Ra’s Continuation sessions on vinyl for the first time. Known for its lo-fi recording quality coupled with heavy use of echo and reverberation, the material recorded at the Choreographers’ Workshop holds a special place within the Sun Ra catalogue. This unique blend of avant-garde jazz and bold production methods is described as “low-budget musique concrete” by Sun Ra biographer John F. Szwed.

Taken from the 1970 Saturn album Continuation, side a features the complete unedited version of New Planet. A bouncy Ra track that somehow ends up in a sound-bath of low, throbbing frequencies and echoes. The b side, Meteor Shower, remained unreleased until 2014, making its first official appearance on vinyl here. The opening trumpet salvo warms us up for a micro trip through the vast cosmos, with more echoed percussion and a beautifully bowed bass solo. It is no surprise that in recent years this particular piece has been sampled, most recently by RP BOO and Armand Hammer.

Tape transfers and audio restoration by Michael D. Anderson and Irwin Chusid of the Sun Ra Archive.

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Robert Stillman

Something About Living

22,99 €*

LP | 2024 | US | Original (577)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Something About Livingis an album of live recordings by experimental jazz composer/multi-instrumentalist Robert Stillman. The music was captured over the course of Stillman's time as the solo support act for The Smile (Thom Yorke, Jonny Greenwood, Tom Skinner). The album weaves excerpts from various theater and arena shows along the tour's North American routing into a seamless whole, creating a 40-minute program that represents an expanded version of Stillman's ever-transforming live set.
Something About Livingis the product of a steady, on-stage evolution that happened over the course of the nearly 60 shows opening for the Smile across the EU, UK, US, Canada and Mexico. However, the creative origins of the set began in relative isolation during the pandemic, through Stillman's work on projects like his multi-media installationUnseen Forcesand his monthly broadcast for Margate Radio, both of which drew upon solo improvisation using saxophone, cassettes, Yamaha DX7 synthesizer, and effects.
"At the time The Smile asked whether I'd like to open for them on their first tour, I felt like I'd already been preparing without really knowing it," says Stillman. "I'd been doing this music constantly, but always for a hypothetical audience" During the pandemic, Stillman's solo set-up served as the research lab where he worked on all the concepts he was interested in: solo improvisation, creating and manipulating cassettes, FM synthesis, analogue delays chains, no-input mixing, and non-metric rhythmic pulses. So when he was offered the first Smile tour, the idea was to bring "the lab" onto the stage.
What Stillman could not have prepared for was the experience of playing in venues with capacities of up to ten thousand listeners. "The first tour was in summer 2022, so not that long after the worst of the pandemic, when I had pretty much made peace with the idea that I might never be able to perform for an audience again. Then all of a sudden I found myself in front of huge numbers of people, and felt the massive responsibility of being with an audience, of this thing I'd done alone for so longactually being witnessed, and it was completely overwhelming!" On the flip-side, Stillman also recalls, was a new appreciation of how powerful the live performance was as a social phenomenon. "It's a cliche, but also true: the moment of making and hearing music in a shared time and space has a very specific meaning and power; there was a sense that everyone in the venue was necessary to make it real, regardless of what they were doing, or how they felt about it. There was an inevitability about it that I'd never fully appreciated."
Over the course of the tours that followed, Stillman transformed this appreciation of the shared moment into an ethic of spontaneity that guided the development of his live set. "An important reference for this set has always been an Animal Collective show I saw when I first moved to New York, probably in 2001 or so, that has always set the high-water mark for what I wanted to do live- they were improvising a lot, and out of what would seem to be absolute chaos they'd find their way to something structured, and then back out again into the unknown. It was so thrilling to witness".
ThoughSomething About Livingcompiles recordings from different dates along the tour, Stillman has edited and mixed them into a work that seeks to reflect the ebb and flow between 'chaos and control' that characterizes his live set. Among the compositions featured are some from previous album releases ("Time of Waves", "What I Owe", "What Does it Mean to Be American") as well as some new compositions ("The Dream of Waking", "Renaissance 2.0," and the title track, "Something About Living").
The album/track title "Something About Living" is a reference to a line from Stillman's favorite film,My Dinner With André: "André Gregory is explaining the value of life experiences that, as he says, are'to do with living'.That really struck me, the way he articulated it. I strongly believe live music situations can ask these kinds of questions, for performers and audiences. I hope that's reflected in this music."

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(Ism)

Maua

Fabiano Do Nascimento & Shin Sasakubo

Release: 2024 / US – Original

Genre: Organic Grooves

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UK music genius Pat Thomas, delivers a new true gem, this time with his project ISM, a classic avant piano trio also featuring Joel Grip on bass and Antonin Gerbal on drums. This recording was captured at the Berlin club Au Topsi Pohl where ISM played four nights in a row, from May 18th to 21st, 2022. For the concerts a Bösendorfer grand piano was brought to the small club—the trio barely fit on stage, but the acoustic sound, all the more omnipresent and precise, was embraced by a highly crafted and risky playing evoking notions of dreams, form, and human vibrations. This is one of those special occasions where skills meet poetry. During the last night of the four-night series of concerts in the tiny German club, the music developed into a magic combination of highly developed improvisational skills wrapped in a particularly inspirational and adventurous atmosphere, gifting the trio the chance to create the album ‘Maua’, which means flowers in Swahili. A true statement in experimental jazz paying tribute to the history of this music but very much actual and projected into the future of the art form. Pat Thomas, is one of the main artists featured on the 577 Records’ catalog, proving once again his intellectual and artistic ability to shine in every context from classic avant jazz, all the way to experimental electronics. Edition of 300 copies.

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Harmonicos

LP | 2024 | JP | Original (Rings)

2LP | 2024 | EU | Original (Right Tempo)

Release: 2024 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Fabiano de Nascimento, a popular Brazilian guitarist in Japan, and Shin Sasakubo, a guitarist from Chichibu, Japan, who has been linked with South American music and other parts of the world, are releasing on LP a guitar duo recording that started when they performed together live in Japan. The three-day recording began four days after Fabiano do Nascimento and Shin Sasakubo's first concert together. Sharing the same space and time, the two guitarists, with their different styles and origins, explored sounds, let them resonate and repel, and engaged in a dialogue and exchange of ideas that shaped this music.

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Attilio Zanchi

Mingus Portrait

44,99 €*

Erratic, The Art Of Roaming

Release: 2024 / EU – Original

Genre: Organic Grooves

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Charles Mingus's music is, and will remain, in the hearts and ears of all Jazz lovers, serving to inspire generations of musicians. Mingus, besides being a magnificent double bassist, was also a prolific composer, arranger, pianist, and band leader of several historic ensembles. His groups, ranging from trios to big bands, have traversed and influenced various stylistic periods from the 1950s to the 1970s. Undoubtedly, Mingus, alongside Duke Ellington, was one of the most important composers of the 20th century; in his music, one can hear the roots of Blues, echoes of Gospel, Swing, Bebop, Soul Jazz, and even Free and avant-garde music. It is for this reason that his music can almost be considered an encyclopedic portrait of Jazz history and can still be played today without appearing dated, instead providing new insights and inspiration. From these considerations arises my desire to reinterpret Mingus's repertoire, influenced by our individual experiences as musicians. In this recording, in addition to Mingus's compositions, two original compositions inspired by or closely related to Mingus's musical style are performed. The group originates from the musical collaboration of over thirty years between myself, pianist Massimo Colombo, and saxophonist Tino Tracanna, and is complemented by saxophonist Gianni Azzali, drummer Tommy Bradascio, and two new young talents of Italian Jazz: trombonist Andrea Andreoli and trumpeter Daniele Nocella. One day, when he was already very ill, Charles Mingus said to his wife Sue: "You know, I've already had a body. Next time I want to be a star. I want to shine all night." We do not know if his wish was granted, but certainly his music continues to shine and illuminate the world like a star. Attilio Zanchi

All tracks composed by Charles Mingus unless otherwise stated.

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Les Doigts De L'homme

2LP | 2024 | EU | Original (Lamastrock)

51,99 €*

The Complete - Liuto Records Heritage

Release: 2024 / EU – Original

Genre: Organic Grooves

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LES Doigts L'homme: 20 Years OF Musical Reinvention AND A Bold NEW ALBUMSince 2003, the year of the release of their first album, the jazz group Les Doigts L'Homme have never stopped reinventing itself, constantly challenging its aesthetic and artistic direction. This emblematic group initially rooted in the gypsy style, has evolved towards an acoustic jazz enriched by a more modernculture, and now has its own unique style.To mark its 20th anniversary, Les Doigts L'Homme is embarking on an ambitious musical project. rather than opt for a retrospective tour of its best-known songs, the band has chosen to create a brand new double album.album. 23 tracks of creative, guitar-driven, colourful and demanding jazz.This project will include an acoustic album reflecting the evolution of the group's musical career and a more electric and jazz album illustrating the evolution of the group's sound.illustrating the path taken towards an ever more original and personal approach.Les Doigts L'Homme, nurtured by years of encounters and sonic discoveries, is ready to unveil without restraint the breadth of its multiple facets, made possible by a partnership based on two decades of musical life together.And in keeping with tradition: with each new album, a new guest instrument! This time it'sdrummer Pierre Rettien joins the team to illustrate this move to electric.Erratic, The Art of Roaming promises to be a landmark work, celebrating the heritage and innovation of this group and innovation.This new opus is produced on the Lamastrock label, with which the group has enjoyed a loyal collaboration for over 20 year

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Piero Umiliani

Box Set | 2024 | EU | Original (Schema)

164,99 €*

The Complete - Sound Work Shop Heritage

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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FOR THE FIRST TIME EVER, THE WHOLE* PIERO UMILIANI’S PRODUCTION ON HIS LIUTO RECORD LABEL IS COLLECTED IN A UNIQUE 19-CD BOXSET!

The boxset includes a set of 18 albums for a total of 19 CD’s (the last one in the series is a double CD) enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family.
* * *
Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music.
At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening.
Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music.
In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies.
This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

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Piero Umiliani

Box Set | 2024 | EU | Original (Schema)

164,99 €*

Novoa / Carter / Mela Trio, Vol. 1

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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For the first time ever, the whole Piero Umiliani’s production on his Sound Work Shop Record label is collected in a unique 17-Cd Boxset! The boxset includes a set of 17 CD’s enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family. Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music. At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening. Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music. In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies. This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

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Eva Novoa

LP | 2024 | US | Original (577)

12" | 2024 | EU | Original (Holuzam)

Release: 2024 / US – Original

Genre: Organic Grooves

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It’s not a rumor. Brooklyn’s Eva Novoa has formed a new trio! Novoa / Carter / Mela Trio, Vol. 1 marks their first sparkling album together (which is also Eva’s third with 577 Records). The group performed live for the first time in Cambridge (Boston) in 2022 and at the NY Forward Festival in August 2024. In an invigorating creative explosion recorded at New York City’s Sear Sound in 2021, the multi-talented instrumentalist unites with sax legend Daniel Carter and beloved drummer Francisco Mela. Prepare to be reawakened when you experience Novoa tickling the ivories, dominating the Fender Rhodes, and wowing with the electric harpsichord and Chinese gongs. Even her whistling will linger in your mind! As captured in the electrifying tracks “Aire” and “Fuego", Novoa / Carter / Mela Trio, Vol. 1 is inspired by the four elements (earth, wind, fire, and water). “Hasta Mañana Vida Mia” weaves together Cuban tradition with soulful lyrics (sung by Francisco) and high-energy, rhythmic conversations with horns and drums. The musicians’ free interplay approach defines this eclectic trio and their sonic universe. Born in Barcelona, Spain, Eva Novoa is a pianist and composer who’s been mastering her talents since childhood. Calling NYC home since 2012, she has rocked countless local venues with her thrilling performances and has played with many adored artists all over the globe.

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Polido

Hearing Smoke

8LP | 2024 | US | Original (Concord)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Tip!

Polido has been fantasizing with the idea of free music throughout his artistic career. Free from restraints, logos, musical genres, but also from this modern obsession with narratives, plans, business plans, algorithms and bubble wrapped ideas for comfort of those of you that can’t breathe without everything making sense.
“Hearing Smoke” has nothing of that. It has been four years since Holuzam released the double album “A Casa e os Cães / Sabor a Terra” and for four years I have been daydreaming about what would come next. This is it, eleven new pieces about the future of the future of music. It is the result of years of study, research and sound consolidation. Sound as matter, mutating, transforming, absorbing all around, a shapeshifting entity connecting with the principles of freedom.

"Polido has been researching Portuguese contemporary composition, its very own sounds and ideas. Its origins, the web of repression, tension and censorship before the April 25th revolution in 1974; secondly, as an afterthought, freedom, equality and a unique sense of community and belonging screaming through the music. He absorbed those states of mind and made an album that listens to the current world and presents globalization as a mental trap.
If the music that inspired him somehow comes from a post-colonial world, “Hearing Smoke” questions how we can create something new in this permanent state of cultural colonization, where new trends or forms of music only thrive if they are accepted by the dominant cultures. The physical world has been transformed, but ideas like “world music” or “ghetto music” still show that dominance, the Strange can only be accepted if it incorporates the rules and codes of that dominant force. What I am saying is that it is hard for Portuguese musicians to present themselves as original. They will never have that credit unless the music relates to something that exists in another

realm. Never for their benefit, but for the power of association. I may sound arrogant here, but Polido is unique, original, one of a kind (all those words, all those redundant synonyms). I knew it four years ago when I got lost in the way “A Casa e os Cães” is assembled and how he makes something memorable out of the most commonplace conversations. “Hearing Smoke” continues the flow and puts us in the centre of these ever evolving masses of sound.
Somehow his music finds you, it starts speaking with you until it asks you to be a part of it. Polido’s beats and harmonics are combined in such a tender way that you mellow out while listening to these beats - thinking of the brilliant “Saque”. Even when he exposes you to something more harsh - “Canto D’Amorte” or the closing moments of the last track “Custa A Crer” - there’s still a cradle effect.
But what keeps me returning to this album is how it seems to transform in my ears. Not every time I listen to it, but while I am listening to it. The sound seems to move, embracing me and controlling my inner thoughts. These start to move along at the same pace, with the same feeling of cloudiness. Nothing new here, the thing is how it feels different from time to time, how the music, because of something that changes or moves, comes as a catharsis/revelation. It drives me nuts how the beats come and go in tracks like “Fogo Firme (Encomendação)” or “The More I Think, The Less I Can Speak“, leaving everything suspended and, simultaneously, relieved. When dramatic - ”Prova De Existência“ - it is sad af and gorgeously epic.

Trap, bass music, dubstep, ambient, hauntology and contemporary music flow side by side here, no pushing around, free of interpretation, and you are free to feel or listen to whatever you want in “Hearing Smoke”. That’s free music for you. Not a hard concept, something for you to enjoy, feel, reflect about. This is what the future will sound like."

André Santos // Holuzam

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Chick Corea

Trilogy

286,99 €*

Ebo Taylor, Adrian Younge & Ali Shaheed Muhammad

Release: 2024 / US – Original

Genre: Organic Grooves

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For the first time on vinyl, a limited edition 8-LP deluxe box set of Chick Corea Trilogy's Trilogy and Trilogy 2. The 4x GRAMMY Award-winning trio features Chick Corea (piano), Brian Blade (drums) and Christian McBride (bass). Encased in an outer box, the inner portfolio showcases the 180g vinyl, a 32-page book with exclusive tour photos, liner notes by Bill Milkowski, essays by Chick Corea, Brian Blade, Christian McBride and more.

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Jazz Is Dead 22: Ebo Taylor Green Vinyl Edition

LP | 2024 | US | Original (Jazz Is Dead)

Ebo Taylor, Adrian Younge & Ali Shaheed Muhammad

Release: 2024 / US – Original

Genre: Organic Grooves

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Green Vinyl.The swirling horns and gritty guitars heard on Ebo Taylor JID022 are reminiscent of his seminal seventies recordings that made him one of Africa's most prolific and revolutionary artists of all time. Recorded inside of Younge's Linear Labs studio, this album captures polyrhythmic percussion and twangy, fuzzed out gui...

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Jazz Is Dead 22: Ebo Taylor

LP | 2024 | US | Original (Jazz Is Dead)

Go! Blue Note 85 Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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The swirling horns and gritty guitars heard on Ebo Taylor JID022 are reminiscent of his seminal seventies recordings that made him one of Africa's most prolific and revolutionary artists of all time. Recorded inside of Younge's Linear Labs studio, this album captures polyrhythmic percussion and twangy, fuzzed out guitars that prove...

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Dexter Gordon

LP | 2024 | Reissue (Blue Note)

LP | 2024 | EU | Original (Fönstret)

Release: 2024 / Reissue

Genre: Organic Grooves

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By the time he recorded GO! in 1962, Dexter Gordon had already lived several lifetimes in jazz. He was among the first to adapt the language of bebop to the tenor saxophone in the 1940s, but after a decade in which personal troubles limited his output, he signed with Blue Note in 1961 and began a run of essential albums that marked a rebirth for the tenor giant. Featuring a quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, GO! was a showcase of Gordon’s limitless creativity on hard-swinging numbers like his great tune “Cheese Cake” and a sure-footed version of “Love for Sale,” as well as his peerless artistry on ballads as evidenced on stunning takes of the standards “I Guess I'll Hang My Tears Out to Dry” and “Where Are You.”

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Isak Hedtjärn

Kvarpan

LP | 2024 | UK | Original (Time Capsule)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Isak Hedtjärn plays the clarinet — a straight, metal variant of the more common wooden B flat Clarinet. Kvarpan is Isak’s first ‘solo’ record, but you also hear him in ‘quartet’ with himself, too on this diverse suite of improvisations recorded ‘on location’ on a single day at Patons Malmgård — his usual practice spot just by where the ferries head over to Finland. We recorded until the throb of the boats and waiting cars took over.

A polymath of undeniable musicality, Isak is a constant, always invigorating presence across a breadth of ‘scenes’ in Stockholm be it via in his own groups — Grismask, Svenska Folkjazzkvartetten, Festen — or making guest appearances in concert and on record with Viagra Boys, Fire! Orchestra, Rotem Geffen, Kali Malone and many many more. His online notoriety as @JazzIsak, the deft editor of a stream of classic jazz and tiktok dance/crash mashups is not only a riotous good time but gives you some other small window into the scope and scale of his knowledge of and feeling for all the music that has gone before.

His own notes to the record point specifically to clarinettists Johnny Dodds, Perry Robinson, Jimmy Giuffre and Sükrü Tunar and acknowledge the abiding mentorship of Harald Hult, Raymond Strid, Christer Bothén and especially Roland Keijser, the saxophonist and founder of legendary progg combo Arbete och Fritid and a veritable living library of international folk melodies until his passing in 2019. On Kvarpan Hedtjärn renders these influences in his own way — deeply personal, alluring and strange. As Mats Gustafsson says in his notes to the record “This ain’t no normal slang med halka”.

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Izumi "Mimi" Kobayashi

Choice Cuts 1978-1983

LP | 2024 | EU | Original (Dox)

Release: 2024 / UK – Original

Genre: Organic Grooves

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A luminous soul with an indefatigable love for music, few artists have had careers as varied and successful as Izumi ‘Mimi’ Kobayashi. One of Japan’s leading jazz-funk pianists, she wrote and recorded cult albums with fusion legends at home and abroad. Obsessed with new electronic instruments, she penned some of the country’s most well-known TV themes and pioneered the use of drum machines in anime soundtracks.

A star in Japan, she moved to Europe to record global hits with Depeche Mode and Swing Out Sister, toured the world with the Reggae Philharmonic Orchestra and made beats with Attica Blues’ Tony Nwachukwu. Now based in London, Mimi currently fronts Tokyo Riddim Band - the intergenerational live Japanese Reggae outfit born from Time Capsule’s acclaimed 2023 compilation of the same name - playing live shows and releasing a trio of recordings made at Prince Fatty’s studio.

Choice Cuts 1978-1983 collects eight recordings from four of Mimi’s first five albums – Sea Flight (1978) recorded with her group Flying Mimi Band, and Coconuts High (1981), Nuts Nuts Nuts (1982) and Tropicana (1983) under her own name.

The compilation opens with a syncopated electro-funk cover of Sergio Mendes’ iconic ‘Mas Que Nada’ (Tropicana) and the crisp and stripped back techno-pop of ‘Coffee Rumba’ (Nuts Nuts Nuts) with a keyboard bass line that would have made Stevie Wonder weep.

Alongside the off-beat synth jam ‘Quiet Explosion’ (Nuts Nuts Nuts) and piano samba of ‘Espresso’ (Tropicana), there’s space for two low slung soul-jazz numbers, ‘Naze’ and ‘Angel Sky’, from Sea Flight (1978) that recall the collaborations between Herbie Hancock and Kimiko Kasai. But it is around the two tracks from Mimi’s 1981 album Coconuts High that this compilation revolves (and from whose cover shoot it borrows).

Released on legendary guitarist Takanaka’s Kitty Records label, Coconuts High was recorded in LA with a backing band of jazz fusion icons, including Alex Acuña, Abraham Laborial, Harvey Mason and the Tower of Power horns. A riot of playful Latin-tinged jazz, funk and fusion with the off-beat spirit of Kid Creole & and the Coconuts, the album became a cult hit, attracting huge sums on the resale market. Here it’s the sultry, Minnie Riperton-esque ‘Crazy Love’, with its addictive groove and bittersweet melodies that makes the cut, alongside the steel drum-infused carnivalesque bounce of ‘Palm St’.

Capturing a highly creative and prolific moment in Mimi’s career, Choice Cuts 1978-1983 will introduce the idiosyncratic energy and playful verve of this under-the-radar pioneer to a wider audience for the first time. Welcome to the world of Izumi ‘Mimi’ Kobayashi. Once you enter, you won’t want to leave.

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Benjamin Herman

Nostalgia Blitz

Teo Macero With The Prestige Jazz Quartet

Release: 2024 / EU – Original

Genre: Organic Grooves

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Nostalgia Blitz' is a record born from a wild collection of ideas and influences drawing on an alternative saxophone universe from Benjamin's formative years. Benjamin Herman explains: "When I picked up the saxophone in 1980, it was the coolest instrument on the planet. Every band had a saxophonist, usually dressed in an oversized pastel-colored power suit with rolled-up sleeves. Besides an abundance of sax heroes in pop, fusion and jazz music, the 80s also had individuals who did it all their own way. James Chance, John Lurie, Xero Slingsby, and of course Dutch mover and shaker Hans Dulfer were some of my favorites. Saxophonists with an attitude: supercharged, perky, and highly creative. An atonal, arty and conceptual kind of saxophone music that really spoke to me. Besides Charlie Parker, Johnny Hodges, Sonny Rollins, and John Coltrane, they greatly influenced my musical taste. ’Nostalgia Blitz’ is once again an attempt to push the boundaries of my own playing and simultaneously tip my hat to some of my all-time heroes."

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Teo Vinyl Me, Please Edition

LP | 2024 | US | Reissue (Vinyl Me, Please)

35,99 €*

A Little Touch Of Schmilsson In The Night Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Jazz is an art form that routinely asks performers to be the guy behind the guy. Louie, Basie, Dizzy all played for others before they became names themselves. Another famous guy behind the guy, Teo Macero, has a little less complicated, but he had more to do with shaping and re-shaping modern music than just his work with Charles Mingus. Part of the reason “Take Five” is considered one of the most famous songs of the 20th century is how Dave Brubeck and his Quartet played it, but it’s also because Macero was behind the glass, slowly turning knobs moving things up at some points, and down at others. It would be enough to produce Time Out, but he also helped mold Thelonious Monk’s sound during his time on Columbia in the 1960s into one of the master’s most fruitful periods. The man also produced Bitches Brew — yes, Bitches Brew, too! Macero isn’t one of the marquee names in the Bible of American Music, but he was an apostle for several of its greatest prophets. Then, in 1957, came Teo. Macero’s warm tenor sax playing is a big part of that, but so is Mal Waldron’s piano, Teddy Charles on the vibraphone, Jerry Segal on drums, and, trusted Mose Allison sideman. Everybody on this album knew exactly what they were meant to do, and they came together to create something lovely that deserves more appreciation than it has been given since its release in ’57.

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Harry Nilsson

LP | 2024 | US | Reissue (Vinyl Me, Please)

35,99 €*

Berke Can/Jonah Parzen-Johnson Özcan

Release: 2024 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

Why you'll love it...
The phrase “standards album” was unheard of in 1973, yet within 20 years it had become common parlance in the careers of artists going back to the basics to underscore their vocal prowess. With A Little Touch of Schmilsson in the Night, Nilsson created the template of the solo contemporary singer accompanied by a live orchestra, which set the bar for what followed from Rod Stewart, Linda Ronstadt, Bryan Ferry, and countless others. The decision to make an album like this one would have been unusual for any contemporary artist around at that time, but it was especially strange for Nilsson. His two most recent rock albums had been incredibly successful, and RCA was surely clawing for another guaranteed hit, but, for Nilsson, this was just another twist and turn in his career.

It is mind-boggling how far ahead Harry Nilsson was in recording A Little Touch. But where other musicians have turned to a standards album as a way to extend or even resurrect their career, Nilsson made one at his absolute artistic peak. No one has had the guts to do it like he did, before or since — and Nilsson knew it.

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It Was Always Time

LP | 2024 | EU | Original (We Jazz)

Doo?S Blues The 1967 Belgian Radio Recordings

Release: 2024 / EU – Original

Genre: Organic Grooves

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Time It Was Always Time, the debut duo release from Berke Can Özcan & Jonah Parzen-Johnson on We Jazz Records, is a refreshing and full-throated expression of joy and curiosity. In a year when 76 countries hold national elections and we find ourselves in an existential battle against apathy and cynicism, this effortlessly authentic album offers an innocent reminder that the antidote to stagnation is curiosity and the fuel for change is the joy of building something transformative together.

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Dusko Goykovich

LP | 2024 | Original (Sdban)

Monument Biovinyl Edition

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-14

Sdban Records is proud to present Doo's Blues, a collection of previously unreleased radio recordings capturing Serbian jazz trumpeter, composer and band leader Dusko Goykovich (1931-2023) at the moment he definitively established himself as one of Europe's most distinctive jazz artists.

Dusko Goykovich was born and raised in Jajce, Bosnia and Herzegovina, at the time part of the Kingdom of Yugoslavia. He studied at the Belgrade Music Academy from 1948 to 1953, playing trumpet in Dixieland bands and joining the big band of Radio Belgrade at the age of 18. After leaving Yugoslavia in 1956, Goykovich spent the next ten years developing his sound. Moving to Frankfurt he first established himself on the West German jazz scene, where he played with the renowned big bands of Kurt Edelhagen and Kenny Clarke & Francy Boland. Then, after appearances at the world's largest jazz festivals such as Comblain-la-Tour in Belgium, Antibes in France and Newport, Goykovich moved stateside where he spent four years studying at the world famous Berklee College and worked with the likes of Woody Herman and Maynard Ferguson.

Returning to Europe in the mid-sixties Goykovich soon introduced the world to his innovative Balkan jazz sound with Swinging Macedonia (1966), an album characterised by the melancholic melodies and sophisticated rhythms reminiscent of his native land. Today Swinging Macedonia still stands as one of the most important and sought-after works of European folk inspired jazz and demonstrates how Goykovich was not merely an excellent instrumentalist, but also a gifted composer and versatile artist in his own right.

Not long after Swinging Macedonia's release Goykovich was invited to record two sessions for BRT (Belgian Radio & TV), which he performed with three different ensembles. For the first session, recorded in late January of 1967, Goykovich was accompanied by Belgian vibraphonist Fats Sadi's quartet. Later that same day Goykovich was also joined by the BRT Jazzorkest, Belgium national radio's in-house jazz orchestra then playing under the direction of alto saxophonist Etienne Verschueren. Less than two months later Goykovich found himself once again ensconced in BRT's Brussels studios, this time heading up an international quintet that also included Bent Jædig (tenor saxophone and flute), Scott Bradford (piano), Jimmy Woode (bass) and Al Jones (drums).

Whilst the metaphor 'jazz with an accent' has been widely used to describe the music that European jazz artists created in the 1950s and 1960s, it fails to do justice to the entirely new language that Dusko Goykovich was developing. No mere dialect Goykovich's jazz was a delicate, multi-layered language, one that owed just as much to the folk music of the Balkans as it did to the modern music of America. And to the blues. For this is Doo's Blues.

Sdban Records is an independent, groove-obsessed record label based in Ghent, Belgium. The label started off as a 60's and 70's compilation and reissue label. The very first release, the acclaimed 'Funky Chicken: Belgian Grooves from the 70's', was a milestone right away. Recent releases include reissues and retrospective compilations from artists like André Brasseur, René Costy, and Jack Sels, as well as the compilations 'The Belgian Soundtrack' and 'Hip Holland Hip', which respectively cover the musical connection of Belgium with cinema and modern jazz in the Netherlands between 1950 and 1970. Doo's Blues was compiled by Lander Lenaerts, a DJ and writer who plays an important part in documenting the rich jazz history Belgium has to offer.

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Portico Quartet

2LP | 2024 | UK | Original (Gondwana)

31,99 €*

Gosha Martynov & Natasha Sinyakova

Release: 2024 / UK – Original

Genre: Organic Grooves

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Monument is one of Portico Quartet"s most accessible, direct records to date. If Terrain addressed the darker side of how Duncan Bellamy and Jack Wyllie made sense of the pandemic, then Monument resonates as an ode to better times. If not quite a dance record, it nonetheless pulses with an energy, radiance and a scalpel sharp focus.Double Black BioVinyl, in Printed Sleeve, packed in a resealable Protective Bag.

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Imena Rek

LP | 2024 | EU | Original (Growing Bin)

12" | 2024 | UK | Original (Lovitt)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Preorder shipping from 2024-11-22

Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.

Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.

Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.

"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.

Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?

A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra

Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder

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Paddan

Fluid Time

Katharine Whalen's Jazz Squad

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Paddan's Sigtryggur Baldursson and Birgir Mogensen are lifelong friends from Kópavogur, Iceland, who started as mates on the local football team, then graduated to making music together as teenagers, and even later as young men doing time in the experimental punk collective Kukl, from 1983 - 1986.

Kukl was populated by survivors of the post-punk scene in Iceland in the early 80s, which is well documented in the film Rock in Reykjavik from 1982. The band was released by the Crass collective in London and featured members, apart from Birgir and Sigtryggur, like Guðlaugur Óttarsson, Einar Melax, Björk and Einar Örn, some of whom would become better known later in outfits like the Sugarcubes and their respective solo work and other collaborations.

Sigtryggur has a long career in music, having worked with among others, Emiliana Torrini, Howie B, Les Negresses Vertes, Tomas R. Einarsson, Petur Ben, KK, Kaktus Einarsson, and many many others. He also produces an award-winning documentary music show for RUV called Hljómskálinn.

Birgir Mogensen is a classically trained classical guitarist and bass player who has worked through the years with artists ranging from Kukl to Killing Joke to Spilafifl and Inferno5.

Birgir and Sigtryggur formed Paddan during the 2010s, and are now preparing to release their EP Fluid Time, which has been inspired by their perception of time and space. Birgir Mogensen says, "As a duo, we trusted our musical intuition and were guided by allowing the first idea to remain unchanged during the recording process"Recorded, produced, and arranged by the pair, Sigtryggur and Birgir play basses and drums along with various other instruments.

All recordings are played on live instruments except a modular synth which is

programmed in the background of two tracks The duo is joined by the great harmonica and lap steel player Gaukur Davidsson on "Vaguely" and "Bug," and trumpet player Eirikur Orri Ólafsson on "Splash," not to mention the mixing expertise of Vaccines bassist Arni Hjörvar Árnason on "Bug," "Splash," and "Kokka," and sound-mixer Albert Finnbogason on "Vaguely."

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Let's Get Lost: Songs Chet Sang

LP | 2024 | US | Original (Modern Harmonic)

Chet Baker And His Quintet With Bobby Jaspar (Chet Baker in Paris Vol. 3)

Release: 2024 / US – Original

Genre: Organic Grooves

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Katharine Whalen of Squirrel Nut Zippers fame, makes a triumphant return with her Jazz Squad featuring Austin Riopel on guitar, Danny Grewen on trombone, and the great Griffanzo on pianos. This time the chanteuse delivers an entire album of breezy west coast jazz sounds in the form of a tribute to Chet Baker.

It was around 1996 when Katharine Whalen first made her grand entrance onto culture’s collective radar as the sultry, yet effervescent voice of the Squirrel Nut Zippers, where she remained until their initial disbandment around the turn of the century. In addition to the Zippers putting dixieland jazz on the pop charts in the 1990s, they sneakily introduced an unsuspecting "alternative" crowd to jazz music. Her cultural impact was also felt when she voiced the song "You You You You You" a standout track from Stephin Merritt's (The Magnetic Fields) project titled The 6ths. That song would also find its way into commercials and the film Pieces of April.

After recording one solo album for Mammoth Records shortly after leaving the Zippers, Whalen stepped out of the public eye. However, she’s remained very much in the spotlight of one unique small town; Hillsborough, NC, which has been referred to as Twin Peaks meets Northern Exposure. It’s a surreal literary, liberal Mayberry. If you find yourself in this Southern portal, you can find Katharine Whalen's Jazz Squad playing monthly in a cocktail bar appropriately named Yonder.

The album was recorded in an old chapel in Hillsborough by North Carolinian royalty, Jerry Kee (Polvo, Superchunk, The Kingsbury Manx). Each song was recorded with the band all playing together in the same room, the way the old jazz records used to be put to tape.

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Chet Baker

LP | 2024 | Original (Decca)

LP | 2024 | US | Original (Astral Editions)

Release: 2024 / Original

Genre: Organic Grooves

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On his third French album, Chet Baker had clearly warmed up. This time he worked with a Belgian-French quintet that included tenor saxophonist and flautist Bobby Jasper as well as pianist Francy Boland. The repertoire featured a wonderful mix of originals from the pen of Baker and Baker-associated musicians, as well as a handful of catchy standards. Remastered from the original European analog tapes, 180g pressing, original cover and liner notes.

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Powers Rolin Duo

Clearing