Search "airhead+wait" 1359 Items

Look Into My Eyes / Express

Release: 2019 / EU – Original

Genre: Organic Grooves

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Drummer/producer Teppo Mäkynen's 3TM returns with a new album, "Lake", on 29 November on Helsinki's We Jazz Records. The album is the much awaited follow up to 2017's successful 3TM debut "Form", which was awarded as the "Jazz Album of the Year" in Mäkynen's native Finland. "Lake" was preceded by the ambient electronic album "Abyss" in August, which set the mood for what's to come next: A compact yet far-reaching body of work bringing together the trio's acoustic jazz sound and ideas rooted in abstract electronic music in a remarkably boundless way.

"Lake" is a collection of 9 Mäkynen-penned originals ranging from the looping, hypnotic compositions such as first single "Laws Of Life" to the delicacy of tracks such as "Woods". There is a sense of long form narrative here, evident in glorious, slowly evolving tracks such as "Lake" and "A Pile Of Broken Dreams". The overall sound is swinging, melodic, deep and futuristic. It's acoustic jazz and abstract electronic music understood deeply and used as the base of a new sound, which goes beyond the usual distinctions of "acoustic jazz" or "electronic music". This is music for the present day, moving forward.

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52nd Street

12" | 1982 | EU | Reissue (Be With)

13,99 €*

LP | 2021 | EU | Original

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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“Who put the dance into Factory Records?” Be With would like to refer you to FAC 59. Working with founding member Tony Henry, we’re honoured to present the reissue of 52nd Street’s crucial debut single “Look Into My Eyes”, backed with “Express”. Originally released on Factory Records in Summer 1982, this ultra-rare 12″ is a double-sider in the truest sense. Unrivalled Manchester jazz-funk-boogie-soul. Both “Look Into My Eyes” and “Express” came out of a five day recording session in the spring of 1982 at Revolution Studios in Cheadle Hulme, just outside Manchester.

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600v Aka Funk Yeti

Funky Grooves Pt 1

CD | 2021 | EU | Original

Release: 2021 / EU – Original

Genre: Organic Grooves

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All the instruments composed, played, recorded and arranged by 600v. No loops or any samples from other tracks. all the studio job, mix, mastering by 600v.

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600v Aka Funk Yeti

Funky Grooves Pt 1

12,74 €* 14,99 € -15%

2LP | 2024 | EU | Original (Analogue Foundation & Oshu)

Release: 2021 / EU – Original

Genre: Organic Grooves

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All the instruments composed, played, recorded and arranged by 600v. No loops or any samples from other tracks. all the studio job, mix, mastering by 600v.

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Àbáse

Awakening

37,99 €*

Abbey Lincoln, Hank Jones

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP on 180g vinyl. Housed in a deluxe gatefold 'tip on' sleeve with full liner notes (Jeff Mao) and studio photography.

On a quest for cosmic grooves of unity, Àbáse is the imagination of Hungarian producer and keyboardist Szabolcs Bognár. Now based in Berlin, he’s become a protagonist of a fast-rising jazz movement in the German capital. Bringing together musicians from Hungary, Germany, Ghana and Australia for moving project with a global outlook - here is his highly anticipated new album ‘Awakening’ released by Analogue Foundation and Oshu Records

Created following a move to Berlin, marriage, new parenthood, and the inevitable interrogation of mortality that takes place when a loved one has transitioned, ‘Awakening’ demonstrates a deep understanding of music’s ability to cross time and geographic boundaries, conveying a message of unity, dialogue and self-reflection. Recorded in four days at Berlin's Brewery Studios, the album coalesces Àbáse’s varied musical influences and reference points (classic Lagos Afrobeat, traditional Hungarian folk, Yoruba rhythms, house and techno, hip-hop et al) with exquisite modalimprovisation à la Coltrane, spurred by Szabolcs’ introspection.

“Awakening was the first working title I gave to the project, and I decided to stick with it as it felt authentic and descriptive of what I wanted to express. The name comes from the concept that babies can hear and remember their parents voices from the belly, they recognise the voices upon birth and can be soothed with them. Being born is to enter an elevated state of existence, transitioning from just sounds and feelings to sight upon birth. I believe the way we experience life on earth and trying to make sense of the universe will shift upon our transition or ‘death’, and its only a pathway to something higher. The imagined moment of rebirth and entering to this new realm of existence is what I call “Awakening”.

Mostly composed of first and second takes with minimal overdubs, a striking level of intimacy is achieved between Szabolcs, Ziggy Zeitgeist (drums), Ori Jacobson (saxophone), Fanni Zahár (flute), Andras Koroknay (bass, synths), Ernö Hock (double bass) and Eric Owusu (vocals, percussion). This intimacy extends to the listening experience, with moments like atmospheric opener ‘Greeting Mother Sea’ and ‘Bloom (Flora)’ welcoming listener’s into Ábàse’s world through trance-inducing, glistening piano motifs, swirling synths and fluttering woodwinds.

Singles ‘Destruction Everywhere’ and ‘Menidaso’, paired with ‘Shango’, perhaps best highlight Szabolcs’ worldview and efforts to bridge creative ideas and cultural viewpoints. All three tracks are a bold fusion of spiritual jazz and afrobeat, with the latter two featuring the Twi vocal and driving percussion of Eric Owusu. Elsewhere, Szabolcs explores his own heritage with a stirring iteration of Hungarian folk song ‘Gyászba Borult Isten Csillagvára (God’s Star Castle Has Fallen To Grief)’, whilst also nodding to musical lineage through J Dilla homage ‘Shining’, and ‘Sunisaway’, a tribute to Sun Ra upon which Sun Ra Arkestra members Cecil Brooks and Knoel Scott are warmly welcomed to contribute.

‘Awakening’ is a new chapter for Àbáse, whose work has already drawn widespread critical acclaim. Debut album ‘Laroyê’, recorded entirely during a five- month trip to Brazil, found global praise from the likes of The Guardian, BBC Radio 6, Soulection, KEXP and Complex. Szabolcs has toured and collaborated as a keyboardist with the likes of Wayne Snow, Dele Sosimi, Pat Thomas and Zeitgeist Freedom Energy Exchange. The new album begins an era of partnership with Analogue Foundation, who are dedicated to preserving and furthering analogue creation via record releases, international events, and activities at its recording studio and hi-fi listening bar. The Foundation is headed up by Grammy-winning New York City recording and mixing engineer Russ Elevado (D’Angelo, Erykah Badu), Audio-Technica, Soundwalk Collective, and Berlin recording and mix engineer Erik Breuer.

Personnel:

Fanni Zahár, Ori Jacobson Szabolcs Bognár, Eric Owusu,
Ernő Hock & Ziggy Zeitgeist, drums

With Special Guests: Flóra Bognár, Youka Snell, Cecil Brooks Knoel Scott, Dumama, Rhea Sodemann, Wayne Snow.

Liner notes by Jeff 'Chairman' Mao and session photos by Dario Raspudic.

"Certainly a producer to watch" -Gilles Peterson
“ Hungarian producer Àbáse blends west African and Brazilian rhythms with a satisfying and uncluttered efficacy on Laroyê” -The Guardian
“We were instantly gripped upon hearing the work of Hungarian jazz collaborative project Àbáse” Stamp The Wax

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When There Is Love

LP | 1992 | EU | Reissue (Verve)

42,99 €*

Abderraouf B Grissa & Dan Drohan

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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In her intimate 1992 recording with jazz piano legend Hank Jones, Abbey Lincoln contemplates the subject of love, sounding more optimistic than usual. About "When There is Love" Lincoln noted in 1992: “I have a sombre outlook and assessment of the world in which we live, but I also have love, love for the beautiful man that makes life bearable in an otherwise unbearable world. So this is my offering on the altar of conjugal love.” She offers highly personalized interpretations of four of her originals and ten standards, among which Duke Ellington's "Black Butterfly," "The Nearness of You," "You Came a Long Way from St. Louis," Fats Waller's "Jitterbug Waltz" and "You Won't Forget Me" are most memorable. A truly moving testament from two of jazz's finest artists.

This 140-gram vinyl is the first international vinyl reissue, pressed at Pallas, and is presented in a wide-spine, single-sleeve jacket.

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RBGxDD

LP | 2023 | EU | Original (Uno Loop)

22,49 €* 29,99 € -25%

Acker Bilk With The Leon Young String Chorale

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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"Some albums act as tickets to travel through time and space, ones where you hear history and venture to worlds familiar, yet undeniably foreign and exciting. RBGxDD, the inaugural release for indie-label Uno Loop Records, is one of these albums. The LP is the beginning of a collaboration between two virtuosos you’ll want to keep an eye (and ear) on: producer Abderraouf B Grissa (Pink Siifu, Abstract Abder on Radio alHara) and drummer/producer Dan Drohan (Nick Hakim, Olden Yolk, Carrtoons, Andrew VanWyngarden of Mgmt).

Think CAN, Makaya McCraven, Sun Ra, or Madlib, and you’ll scratch the surface of what this LP has to offer, what it reminds you of, what it's inspired by. Grissa says of its creation, ""what began as a clear cut, beat-album featuring blistering acoustic drums evolved into a fluid, sonic journey that throws time- signature and structure to the wind."" RBGxDD is an album that expands the notion of how live instrumentation and sampling can continually innovate in unexpectedly catchy ways. The arrangements give space for both dancing and relaxing, with no shortage of finding the groove.

Joining them are artists who have perfected their craft upon arrival. Bobbie Johnston(Ear Yoga Ensemble,élan)delivers guitar riffs so smooth that they somehow blend into the music yet stand out in crispness and quality. Jarrett Gilgore (Heart of the Ghost; Jaimie Branch) takes a scorching approach to the saxophone that rejuvenates us, feeling as if we've been hit with a splash of cold water. Ahmad Kafari's (Sudan Archives, Pink Siifu, Jaw Gems, Chakram) piano playing is a gift, you hear expertise - years of influence by spiritual jazz and classical piano music emerge in a language first developed by Dorothy Ashby and honed by Dilla. Mastering was done by Kelly Hibbert (The Heliocentrics, Knxwledge, Flying Lotus, Karriem Riggins) who sends your ears to another sonic planet.

The LP is physically surrounded by something just as beautiful as the music it houses. We have artist Carol Summers and designer Daniel Rocha to thank for that. LP and artwork was licensed directly from Summers’ family. One of America's foremost printmakers with a career spanning over half a century, Summers has his works found in the Moma Lacma, NGA, and more. Rocha's LP designs are impeccably on cue with the music contained within, making the release look like it could’ve been released in 1973 or 2023. "

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Clarinet Mood

LP | JP | Original (Odeon)

LP | 2023 | EU | Original (Lalabeam)

Release: JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.
Red vinyl.

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Ada Morghe

Lost

30,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | UK | Original (Trestle)

Adam Coney

Ashwin & Above

LP | 2023 | US | Original (Out Of Your Head)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Ashwin & Above follows on from Coney’s previous solo work ‘The Fall Of The Flamingo Gardens’ (2014) and ‘Pavilion’ (2019) and once again he’s delivered a twisting instrumental narrative reflecting upon avant rock, jazz, folk and perhaps recalling so called ‘Third Stream’ energies. What differentiates ‘Ashwin & Above’ is the audio’s ability to homogenise Coney’s history as a band practitioner and solo artist into a singular sound. The ‘live’ component of this sound world, recorded over four days, would come to accompany the pre-composed elements Coney had been shaping for over four years. Solo pieces evolved into ensemble energies. Live ‘one take’ guitar parts hunt down pre-recorded wandering synth lines whilst bold drum statements tower over the mix replacing Coney’s previous electronic aesthetic. The pedal-augmented electric guitar gives way to delicately picked nylon strings undulating from a vintage Leslie speaker. The accompanying players (including bass from The Speakers Corner Quartet’s Pete Bennie) colour around, below and above Coney’s principle guitar work. As we’ve come to expect from an Adam Coney record a sense of experimentation and investigation, slipping between genres and moods, from subtly to bombast, offers those listeners with broad sensibilities a truly rewarding experience.

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Adam Hopkins

Crickets

LP | 2021 | EU | Original (Blacklake)

Release: 2023 / US – Original

Genre: Organic Grooves

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Grounded was initially recorded as the first track of what was to become Crickets II by my NYC-based ensemble Crickets, and the follow up to the album of the same name from 2018. The track was recorded remotely from locations literally across the world in Winter of 2020/2021, which everyone knows was a time of minimal in-person recording opportunity. As the band further spread out over the next year, this consequently was the only documentation of the new material I had written for the group featuring Anna Webber, Josh Sinton, Ed Rosenberg, Jonathan Goldberger, and Devin Gray. Perhaps a reunion is a possibility down the line, but for now I'm thrilled to present this final Crickets track on the 5th anniversary of the original album's release.

Included here in digital format is Crickets (ooyh 001) from 2018 for the first time in HD at 88.2 kHz/24-bit, and the new track Grounded which will release on October 19, 2023. TJ Huff gave the album art a sweet redesign for the 5th anniversary LP release, in line with his more recent Ooyh artwork. TJ also did the awesome single cover for Grounded in the 90s skateboard art style we initially conceived as the look for Ooyh Records. All of the tracks featured on this page are included as part of the 5th anniversary LP release.

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Adam Wakeman

A Handful Of Memories

LP | 1981 | US | Reissue (Pure Pleasure)

Release: 2021 / EU – Original

Genre: Organic Grooves

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On November 12th Adam Wakeman will release his first modern classical piano album since 1996's 'Tapestries' which he recorded with Rick Wakeman. 'A Handful Of Memories' is the result of an appreciation upon reflection of Adam's past experiences, trips with his family, his touring families and friends in some places that hold special memories for him. To reflect the personal, minimalist nature of the tracks, no effort was made to remove any of the pedal noises or enhance the tracks in any way, as Adam wanted them as exposed and natural as they can be. The album will be released through Blacklake Records on November 12th on CD, LP and digital format. The pandemic had a hand in Adam's return to modern classical piano after 25 years. As a highly sought-after touring pianist, Adam played extensively with Black Sabbath, Ozzy Osbourne, Travis and many others, he records and performs with his progressive rock band Headspace, with his acoustic duo Wilson & Wakeman and last year he even ventured into the jazz world with his critically acclaimed documentary/album project Jazz Sabbath. When the pandemic started, and the music world paused, he was halfway through a South American tour with Martin Barre on his 50th Anniversary Tour of Jethro Tull. Forced to leave his gear in Chile and hurry home before the airports closed, a period of reflection had started and this album is a result of that.

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Adele Sebastian

Desert Fairy Princess

34,99 €*

LP | 2018 | EU | Original (Nakama)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Adele Sebastian was an Afro American jazz flutist and singer, active from the early 70s (when she was still a teenager) until her untimely death at the age of 27 (!) in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospective sound considering the year the album was recorded. Adele and her band pull it off right from the start as if it had been 1966 and it was time for a revolution to shake the dust from the old time jazz. In a perfect way she mixes classic American vocal jazz elements with playful and more free passages, Latin music and tribal African sounds in the lengthy and quite rhythm oriented “Man From Tanganyika” and makes the title track start with a mystical “Allahu akbar“ chant while it turns more and more into a dark and gloomy song with something like a psychedelic edge reminiscent of Pharoah Sanders on his early works. Wild rhythms from drums, percussions with tons of bells and chimes weave a thick groove carpet and conjure a magical atmosphere. Those jazz aficionados who love the mid 60s John Coltrane, his sidekick Pharoah Sanders and Alice Coltrane will go crazy for this album.

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Adrian Løseth Waade

Kitchen Music

16,49 €* 21,99 € -25%

Release: 2018 / EU – Original

Genre: Organic Grooves

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Adrian Younge & Ali Shaheed Muhammad

Jazz Is Dead 021 Black Vinyl Edition

LP | 2024 | US | Original (Jazz Is Dead)

30,99 €*

Adrian Younge & Ali Shaheed Muhammad

Release: 2024 / US – Original

Genre: Organic Grooves

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Jazz Is Dead announces another offering of top-shelf recordings taking listeners on a journey through the funky sounds of Ghana all the way to down to the psychedelic soul and samba of Brazil. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, Jazz Is Dead Series 3 features new analog recordings from living legends Ebo Taylor, Hyldon, Dom Salvador, Antonio Carlos e Jocafi, Carlos Dafé, Joyce e Tutty Moreno as well as an unreleased LP from The Midnight Hour: Lost Tapes.

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Jazz Is Dead 021 Red Vinyl Edition

LP | 2024 | US | Original (Jazz Is Dead)

35,99 €*

2LP | 2024 | US | Original (Astral Spirits)

Release: 2024 / US – Original

Genre: Organic Grooves

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Red Vinyl. Jazz Is Dead announces another offering of top-shelf recordings taking listeners on a journey through the funky sounds of Ghana all the way to down to the psychedelic soul and samba of Brazil. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, Jazz Is Dead Series 3 features new analog recordings from living legends Ebo Taylor, Hyldon, Dom Salvador, Antonio Carlos e Jocafi, Carlos Dafé, Joyce e Tutty Moreno as well as an unreleased LP from The Midnight Hour: Lost Tapes.

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[Ahmed]

Wood Blues

44,99 €*

LP | 2016 | UK | Original (Be With)

Release: 2024 / US – Original

Genre: Organic Grooves

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an excerpt from Edward George's 10,000+word liner-note 8 page booklet that comes with the double LP: Delay, 1961 (the Story SO Far) "They are, Seymour said, in movement, and in keeping with their claim, their music is, like a Brownian bridge, an A&J Tranean train, a Byrdian plane, or a Blountian space-time myth-machine, a way of playing themselves into the historio-graphical hands, or better yet, the loving arms, or perhaps, to be precise, the metaphysical embrace, of ‘a new creative space’, and playing is a way, the only way, when you think about it, of getting and staying in movement, the only way of staying ahead of themselves. Staying ahead of themselves was always important, and tricky too: they were on the (musical) trail of someone who preceded them, was ahead of himself, or at least ahead of his own epoch, the late 1950s, and theirs, the late 20th and early 21st century, in which he was, before they found him (or he found them, the way music finds you — and finds you out) present as no more than a discographical evanescence. And to complicate things further, the way they talked about what they were doing as they proceeded along that trail, you’d think they were archaeologists (and not anthropologists), or geologists (and not ethnographers), as well as exemplars of whatever discipline it is through which the capacity for inhabiting and transforming the body, the corpus, of another takes place: ‘We excavate and reinhabit documents and fragments of plans and compositions that he left behind to make music that though it originated in the 20th century will speak to the 21st’. They said that, on the back, or the strength, of their first album, and it was enough to make you wonder where in the world it was that they started from, what their point(s) of departure might have been."

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AIR

Air

74,99 €*

LP | 1972 | US | Reissue (CTI)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM!

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Airto

Free

15,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Airto & Flora - A Celebration: 60 Years - Sounds Dreams & Other Stories

Airto Moreira

Box | 2023 | EU | Original (BBE Music)

124,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Aki Rissanen / Jussi Lehtonen Quartet With Dave Liebman

LP | 2015 | Original (Ozella Music)

41,99 €*

Release: 2015 / Original

Genre: Organic Grooves

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Akira Ishikawa Count Buffalo Jazz And Rock Band

Bakishinba: Memories Of Africa Black Vinyl Edition

LP | 1970 | EU | Reissue (Cinedelic)

Akira Ishikawa & Count Buffaloes

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz AND Rock BAND’s album was advertised by the Japanese press in 1970. The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to Miles Davis and orchestras like Blood Sweat and Tears and Chicago. This movement resulted in the empowerment of jazz and in the birth of a new musical genre: a perfect mix of jazz, latin influences, and rock. Akira Ishikawa and Count Buffalo’s jazz-rock band remind of Santana in the way they embody these energies in their album “Bakimba.” Yet, at the same time, they give life to even more impressive musical compositions. This is also thanks to Hiromasa Suzuki’s innovative electric piano. Often defined as a jazz-rock band, Count Buffalo scales new heights in the context of jazz thanks to the strong rock influences that characterize this work.

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Uganda (Dawn Of Rock)

CD | 2022 | UK | Original (Mr Bongo)

Akira Ishikawa & Count Buffaloes

Release: 2022 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes. For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped-out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy-wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress. A long way from his funk and afrobeat album 'Back To Rhythm’, re-issued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn’t pull any punches. For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka. The album has become highly sought-after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag. We are delighted to present an officially licensed re-issue of this underground Japanese rock rarity.

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Uganda (Dawn Of Rock)

Box Set | 1972 | UK | Reissue (Mr Bongo)

40,99 €*

Aksel Røed's Other Aspects

Release: 1972 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Do You Dream In Colours?

LP | 2023 | EU | Original (Is It Jazz?)

11,99 €*

LP | 1967 | UK | Reissue (Be With)

Release: 2023 / EU – Original

Genre: Organic Grooves

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One of the most interesting young names within the Bergen and Norwegian jazz scene is saxophonist Aksel Røed. He’s playing with many different bands and constellations, including General Post Office and Dag Arnesen, and he is in high demand as a player. With Other Aspects, Aksel Røed has put together an 8-piece ensemble of his friends from different bands, and he draws on his inspirations from the old saxophone recordings of Ornette Coleman, Albert Ayler and Pharoah Sanders, but also in the composing mind of Django Bates and Charlie Haden’s Liberation Orchestra. As he explains himself: Other Aspects allows me to constantly drift into different directions and usually with short notice. The music is composed but not set, meaning it’s perfectly acceptable, and even encouraged to think and play outside the box. Most of the magic within the band lies in the free improvisation. Recorded in Duper Studio in Bergen, “Do You Dream in Colours?” is a massive piece of an album. And as a proper old jazz album, it comes with liner notes from the old Norwegian jazz veteran Knut Kristiansen.

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Al Hirt

Soul In The Horn

Alan Hawkshaw & Brian Bennett

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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Full Circle

LP | 2018 | UK | Original (Be With)

Alan Hawkshaw & Brian Bennett

Release: 2018 / UK – Original

Genre: Organic Grooves

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Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.

Their new album, in full, iconic KPM cover is a return to the laidback jazz-funk that helped Alan and Brian demonstrate their library chops. The album is classic Hawkshaw/Bennett. It swings, it grooves, moves and thrills with a flair these two have perfected over years.

Standout tracks such as "Hole In One", "In The Clouds", "Interchange", "Oasis", "On The Nile" and "Corcovado" are no mere excursions in nostalgia, for they carry lots of deft studio work that many a producer would give their right arm for. Hawkshaw’s arrangements allow the drums, guitar, bass, strings, Hammond, flute and brass to swirl elegantly around the 12 original tracks; a masterclass in recording.

Cut by Pete Norman, housed in a beautifully designed Richard Robinson sleeve and pressed at 180g by Record Industry in Holland, this release has been afforded the care and attention it rightly deserves. Essential.

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Synthesizer And Percussion

LP | 1974 | UK | Reissue (Be With)

LP | 1977 | EU | Reissue (Be With)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.

This is one of Hawkshaw and Bennett’s wilder joints and aeons ahead of its time. Bennett’s tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw’s deranged clavinet-funk-rock. There are heavenly break loops galore.

Opener "Mon Amour" is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal "Oddball" is an incredible hard electro strut with a knocking break. "Mile High Swinger" is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating "Auto Pilot" has a percussive groove elevated by electric piano and synthesizer. Check "Driving Force”, “Home Run” and "Pacesetter" for electroid prog-funk dripped in acid squelch.

All five final tracks are beatless synth workouts, because they can.

As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Alan Hawkshaw

The Road Forward

LP | 1976 | UK | Reissue (Be With)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A comprehensive collection of descriptive contemporary scores. We say: Just look at the track titles of The Road Forward and swoon: Strangelands, A Man Alone, Sheer Elegance, Mystique Voyage, Cruising. Don’t you just want to hear those? The maestro Alan Hawkshaw really spoils us on this, one of the most sought after KPM greensleeves. This collection from 1977 is a brilliantly varied blend of silky smooth synths, funk-fuelled clavichord grooves and soft focus space beats. Essential. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Alan Tew

Drama Suite Part I

LP | 1976 | UK | Reissue (Be With)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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It's the pair you've all been waiting for! FINALLY!

Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...

Racing out the gate, the gritty crime funk of "The Detectives" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. "Helicop" is another fast paced and energetic dramatic action background with great breaks and horns. "The Big One (Prelude)" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to "The Big One", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense "Headlights" and (even briefer) burner "The Burn" add some - you guessed it - deep drama over insistent rhythms to close out Side A.

Flip over for "The Detectives (Slow Version)", a relaxed, thoughtful version featuring synths. You might recognise it as being sampled by Domo Genesis and Evidence for "Tallulah" from their brilliant collaboration a few years ago. "The Detectives (Interlude)" is another slow, pensive version featuring electric piano and a trombone solo in the centre section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight "The Build Up" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled "Snout" is a slow, tense background theme which features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of "The Prowler" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.

As with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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Alan Tew

Drama Suite Part II

Why Is It They Say A City Like Any City

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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It's the pair you've all been waiting for! FINALLY!

Alan Tew's Drama Suite Part II. What can we really say? Honestly? We guess the first thing that strikes you is how clean the drums are. Almost impossibly slick but dripping so, so heavy with the neck-snapping funk you'd expect from perhaps the most sought-after library funk set of them all! The cheapest on Discogs is, currently, £1300+. Now's your chance to remedy that. If you know, you know. And we think you know...

"The Rub" is a cool, low-slung heavy-funk roller with relaxed brass and alto flute phrases. Up next, "Money Runner" is another edgy funk glider, its easy-tempo moving in harmony with slinky rhythmic riffs and featuring a seemingly ad-libbed electric piano solo. Strutting along after, "White Elephant Walk" is another laconic, deeply stoned walking theme with electric piano and alto flutes. There follows a couple of brief "walking" links before the brilliantly tense "Master Plan" slowly builds. Expectancy grows to the main theme around a minute in and then a melodic theme builds slightly to the 3 minute mark before floating down gradually and elegantly to its climax. It's utterly fantastic. The smoky, after-hours "Night Watch" is a slow, cool gem featuring alto flutes and synths.

Now we're talking, "The Fence (a)" is just sensational and worth buying this album all on its own. It's likely the reason you're here, anyway. Another impossibly funky, slow and easy tempo with a bass riff to die for, dramatic guitar with gorgeous electric piano and alto flute phrases. It was sampled for "Action Satisfaction" by J5, way way back. "The Fence (b)" is a slower, more deliberate version of the previous heater, but it's no less essential. Indeed, it's absolutely jaw-drooping. Closing out this remarkable side, "Surveillance" is another horizontal masterpiece of relaxed yet dramatic jazz-funk. Vibes ad-lib in centre section and give you an idea of how Roy Ayers making library funk in the mid-late 70s might've sounded. Sensational.

Flip over for "Total Silence", a near-beatless and understated scene-setter featuring neat interplay of guitar and synthesizer themes over bass and hi-hats. The slow "Eyes" follows, a brief gem with subdued electric piano solo and a light climax. The fantastic "Drama Backcloth (1a)" is up next, a repetitive piano and bass refrain with guitar figures over the top. Its creeping crime-funk vibe was pilfered for "Outta Town Shit" by Ghostface Killah in 2006. "Drama Backcloth (1b)" is a short, subdued version without the guitar figure. "Drama Backcloth (2)" features an expectant, background marimba figure over light rhythm whilst the cool "Drama Backcloth (3)" centres around a relaxed riff and the angular "Drama Backcloth (4)" presents eerie progressions with piano interjections. It's decidedly non-rhythmic!

We're then onto 14 (!) different half-minute "Scenechanges", all jazzy and funky, some cool and dramatic, some slow and rhythmic. All ace and groove-fuelled. The aptly-titled "Final Statement" closes proceedings, a slow, pensive theme on guitar joined by cool brass and a solo trumpet to its climax.

As with all of our KPM re-issues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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Ale Hop

LP | 2022 | EU | Original (Karl)

Alessandroni Proibito Volume 2

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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A download code is included.

The new album by the Peruvian-born / Berlin-based experimental artist Ale Hop was conceived in a context of immobility and provides six sonic vignettes that wonder about location, circularity, rootedness and experience. In collaboration with Ana Quiroga, Concepcion Huerta, Daniela Huerta, Elsa M’balla, Felicity Magan, Fil Uno, Ignacio Briceño, KMRU, Manongo Mujica, Moises Horta, Nicole L’huillier, Raul Jardín, Sukitoa Onamau, Tomas Tello.

Following her explorations on music's inherent fixation to geographic space and time, be it through the longing of home ("Apophenia" 2019) or scientific magnification of invisible worlds ("The Life of Insects" 2020), Berlin-based Peruvian-born experimental composer Ale Hop's fourth album, "Why Is It They Say a City Like Any City?", was conceived in a context of immobility. During the lockdown months, she started a process of remote collaboration, by sending messages, posted from various cities along a South American trip, to thirteen musicians from around the world. She journaled her impressions upon these places to an intimate fictional character while reflecting on matters of time, sound, space, cosmology and colonial memory. The thirteen musicians dialogued with this voice by
taking upon the challenge of responding to the messages with sound collaborations.

Field recordings, mouth drumming, drone cellos, electronic loops, arrhythmic rhythms and voices came back from this experiment. Ale assembled them, by layering, twisting and turning, into sonic vignettes that wonder about location, circularity, rootedness and experience, making it the first time she's set her guitar aside. Expect no answers to the album's title question, but an innermost psychedelic rumination.

"Despite the technological resources that appear to dilute distances, the simulation of closeness mirrored on the digital space is an emptied body, a state of precarity, a flat surface; unable to withhold an experience of exchange," Ale states. "So, I began this project by asking myself, how can we escape from the reduced experience of the virtual? The idea behind this experiment was that my messages and the places they describe could drive the composition, be a catalyzer, a score. Thus, to use geography as a tool to remember and imagine, to allow new soundscapes to emerge."

"Memory, diffuse and divergent, sometimes reaches out to the future in its search for form, taking shape from the reflections and echoes that come back … like throwing a rock in a pond and having a rock thrown back at you." The release of "Why Is It They Say a City Like Any City?" is accompanied by a 50-min audiovisual installation that will premiere at CTM 2022 Exhibition in January, which was created in collaboration with the Mexican technologist and artist Moises Horta. For this piece, an Artificial Intelligence multi-modal neural network was fed with readings of the messages written by Ale, synthesizing them into free-flowing images. The visual imagery resembles the way memory works
when triggered by words, by traveling freely through mental images unfolding them into openended assemblages of spaces and temporalities.

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Alessandro Alessandroni

5x7" | 2023 | EU | Original (Four Flies)

89,09 €* 98,99 € -10%

LP | 1974 | IT | Reissue (Four Flies)

Release: 2023 / EU – Original

Genre: Organic Grooves

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After the success of the first Alessandroni Proibito box set, which sold out in pre-sale before it even hit the stores, Four Flies is proudly back with Volume 2 of the compilation. This new release too features five exclusive 7-inches, housing a total of 10 seriously rare tunes. All previously unreleased in physical format, the tracks have been carefully selected from the soundtracks of five obscure Italian films from the late ‘70s – sexy flicks that flirted with the line between erotic and explicit, and which are now largely forgotten, having been out of circulation for decades.

As was the case with the previous volume of the compilation, Alessandroni's music rises above the films' flimsy plots, improvised actors, and amateurish production, exuding his distinctive touch thanks to the (typically Italian) artisanal approach he took to his musical craft. The composer let his creativity run free, playing with his instruments at home as if he were in his own little amusement park; trying to have fun and produce something entertaining and captivating with just the few means at his disposal.

This creative freedom turned even budget limitations into musical strength. Armed with just a 4-track Teac, Alessandroni recorded the rhythmic elements first and then added layers of melodic variations on top, at times relying on wordless vocals provided by skilled family members (Alessandroni himself in “Racing”, or his wife Giulia De Mutiis in “Ticket”), and at others on affordable or readily available instruments from the Italian folk tradition, such as the mandolin, the accordion, the melodica, or the diatonic harmonica. And of course, let’s not forget his unmistakable guitar! Whether classical or electric, it's the heartbeat of every track in this compilation, from the seductive suspense of “Luci Rosa” (i.e., ‘pink lights’) to the groovy disco-funk of “Snake Disco (Reprise)”, all the way to the brilliant proto-wave of “Climax.” To top it off, a splash of DIY electronica – think minimalist drum machines and quirky synths – injects a modern feel into what we now call Italian erotic sound.

This time as well, the box set comes with artwork by Eric Adrian Lee, along with a matching 30x70cm folded poster inspired by the insert-size posters that used to deck out movie theaters.

Alessandroni Proibito Vol. 2 (Music from Red Light Films 1976-1980) is being released in a limited edition of just 400 copies and will never be reissued. So, be quick – it's first come, first served!

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Alessandro Alessandroni

Spontaneous

27,99 €*

Alfred Scholz Und Sein Grosses Tanzorchester, Ensemble Eddy Kaufmann, Willi Horwedel Trio

Release: 1974 / IT – Reissue

Genre: Organic Grooves

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Maybe the best Alessandroni’s album ever. A true holy-grail for any collector and worldwide music lover, which we can consider nowadays as the most sought-after record of the whole legendary RCA SP 10000 series, and as the rarest album from the king of Italian libraries.
Jazz, mellow-funk, downtempo breaks, and incredible rock blends, make this record a refined portrait of the 70’s American way of life, viewed through the fully Italian lens of Alessandroni’s sensitivity.
The magic around Spontaneous is that this album is not only beautiful and astonishing, but is certainly on of those amazing records to which time gives new life and freshness, making it sounds unbelievably contemporary.
After five years of exhausting research, and three years later the finding of the original master tapes of the album, finally Four Flies can give a light to this obscure and fascinating mystery, rescuing it from the darkness. It’s not just another piece of Alessandroni’s legacy that is finally put back in the right place. This should be considered as the definitive act to re-estabilsh Alessandroni's leadership into the library music scene, and beyond.
Available again from July 19, coming in 180gr black vinyl, housed in a hard tip-on sleeve cover.
Limited Edition 500 copies

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In The Mood For Dreaming

LP | CH | Original (Musical Masterpiece Society)

7,99 €*

Release: CH – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Alonso Toro, Paul Desenne, Pedro Vásquez

Alzheimer

LP | 2023 | EU | Original (Jigit)

15,99 €*

Sultan Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Alzheimer, the record, is a Stranger everywhere on Earth. Wherever you might be listening to it, it will always be from somewhere else. The product of a foreign culture, for even though it was created and recorded in Caracas, Venezuela between January 1997 and 9/9/99. It is the result of forgetting everything and recomposing a new Sound World from the faintest, blurriest recollections of musical culture. Its purpose is confusion, its uniqueness is creating it in the realm of Music; a clash of instruments and minds.

Everything you will hear in the record was performed by humans and insects, spoken and sung by living beings, roughly a decade before the “smartphone”, which is probably the most stupid, final creating of mankind. The Alzheimer ensemble still exists and fully supports this initiative of celebrating the 24th year of its first of two published albums on vinyl. The spirit of our group will never be captured by robotic “intelligence”.

We will fight it in every possible way through unpredictable cultural action and the infinite Human creative talent are uniting under our banner.

Alzheimer Cultural, Caracas

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Alune Wade

LP | 2023 | EU | Original (Enja & Yellowbird)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Alvin Tyler With Johnny Adams And Germaine Bazzle

Heritage

LP | 1986 | US | Original (Rounder)

5,99 €*

LP | 2024 | UK | Original (First Word)

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

cut corner

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Amanda Whiting

The Liminality Of Her

23,99 €*

LP | 2021 | EU | Original (Far Out)

Release: 2024 / UK – Original

Genre: Organic Grooves

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First Word Records is very proud to present 'The Liminality of Her', a brand new 10-track album from their newest signing, Amanda Whiting; a highly-acclaimed Welsh harpist & composer.

A virtuoso in her field, this classically trained musician has quickly established herself as an essential player in the UK jazz scene, carving her own unique sound, following on from the paths forged by Ashby and Coltrane.

Amanda recently joined the First Word label roster, via a collaborative project with Don Leisure, 'Beyond The Midnight Sun', as well as a feature on his Welsh Music Prize nominated project 'Shaboo Strikes Back'.

She's previously toured extensively with her own band, as well as with Matthew Halsall, Rebecca Vasmant, DJ Yoda and Chip Wickham (who also features on this new project), whilst previously releasing three solo albums on Jazzman Records, and a remix project for Scrimshire's Albert's Favourites imprint. Along the way, there's been a nomination for 'Instrumentalist of the Year' from Jazz FM and she's garnered the support of DJs such as Radio 2's Jamie Cullum ("highly recommended") and BBC 6Music's Cerys Matthews ("my highlight of the Cheltenham Jazz festival 2023").

This 10-track album exemplifies Amanda's talents as a performer and composer, taking in an array of hypnotising sonics from the worlds of jazz; from fusion to spiritual and beyond. She is backed with accompaniment from a remarkable set of players in their own right, including Chip Wickham on flute and Peach. on vocals. A confident display of purposefully blissful compositions that saunter as much as they soothe, whilst being unafraid to lean into some deep uptempo grooves.

Amanda describes the theme of this project as "liminality... that place in between, the transition from one place to another. No longer what it was, yet not what it's going to be.

The harp always presents itself at these moments. It's a sound that causes an emotion. My instrument chose me. It's been with me through every chapter of life. It's how I speak, especially when there are no words.

This album is a rite of passage for "her". A feeling of alchemy, a feeling of liberation. Moments of inner searching, intertwined, waiting but moving forward. Never looking back.

'The Liminality of Her' encompasses the highs and the lows. The nomadic love of freedom and spirituality. It's all so much bigger than you or I…"

From the cinematic, classical fusion of 'After Dark', to the more playful 'Lost in Abstraction', this album invites you to float in a soundscape of liminality...

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Amaro Freitas

Sankofa

LP | 2021 | EU | Original (Discos Transgenero)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP includes 60 x 30cm poster (prints on both sides). From the slums of Recife in Brazil’s North-East to international jazz icon, Amaro Freitas has worked tirelessly to become the artist he is today. His new album Sankofa - a spiritual quest into the forgotten stories, ancient philosophies and inspirational figures of Black Brazil - is his most stunning and sincere work to date.

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Ameel Brecht

8-Infinities

LP | 2023 | EU | Original (Musiques En Balade)

Release: 2021 / EU – Original

Genre: Organic Grooves

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8-Infinities represents Discos Transgénero’s first contemporary release after several reissues and archival projects. Stepping away from customary North-American guitar traditions, Ameel Brecht (core member of Razen) presents an utterly singular take on early European music with an album which evokes the inner conflicts of growing up and their connection to the concerns of fatherhood.

A classically trained musician, Brecht resorts once again to the use of resophonic guitars and mandolins as a way of finding a middle ground between the virtues of being a schooled musician and the ability to escape pre-established tendencies in pursuit of what he has referred to as ‘metaphysical freeform string music’.

Additionally, the album features a series of fascinating and subtly merged contributions by label associates Marnie Weber and Jabir, along with Bob Rutman’s distinguished steel cello and Walter Hus’ automated glockenspiel. Echoing the likes of Renaissance and Baroque music on plucked instruments, Brecht assembles here a collection of timeless compositions.

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Amin Al Aiedy

Shams

32,99 €*

LP | 2024 | UK | Original (Jazz Re:Freshed)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Shams is an ode to a captivating region of the world that truly fascinates me: Bilad al Sham “Land of the sun”, or the Levant. Drawing inspiration from this culturally rich and vibrant area, I aimed to create music that radiates brightness and warmth, blending jazz, modes, and Arabic rhythms without constraints. Melody takes central place, flowing through irregular beats and finding freedom in the musicians' improvisations, with whom I immensely enjoy playing. Amin.

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Amy Gadiaga

All Black Everything

7" | 2021 | EU | Original (Far Out)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

All Black Everything, the debut EP by UK-based, Parisian bassist, vocalist and composer Amy Gadiaga, is an expansive, boundary-pushing 5-track collection showcasing prodigious bass playing and a voice brimming with power and emotion. It's a profound exploration of self-acceptance that presents both a celebration and acknowledgement of Gadiaga's deep-seated darkness.
Inspired by the 2020 Black Lives Matter movement All Black Everything confronts racial identity complexities and the challenges of being a societal 'black sheep' and sees Gadiaga courageously transform her insecurities into a narrative of self-empowerment.
Born to parents of Senegalese, Gambian, and Malian descent, and hailing from the outskirts of Paris, the multitalented Gadiaga has been making waves in the UK music industry since she moved to London aged 18. With a fresh and unique style that bridges the old school jazz tradition of musicians such as Betty Carter and Wayne Shorter with the raw, rootsy modern sound of artists such as D'Angelo, Stevie Wonder and Twinkie Clark, Gadiaga's breadth of ambition and revitalising approach have brought early critical acclaim and ardent fans.
Signalling the arrival of a significant new voice on the London music scene, All Black Everything communicates the liberating essence of embracing individuality and presents a journey through Gadiaga's personal struggles, standing as a testament to art's transformative power and encouraging listeners to find strength in their uniqueness. "All Black Everything is very much an exploration and embracing of one of my archetypes in life which is the black bird/black sheep" she explains. "That feeling of not thinking you belong anywhere, of being misunderstood and really tending to your own. No helping hand. But it's ok sometimes because you also feel like nobody can compete with you, you're one of a kind."

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Ana Mazzotti

O Filho Do Homem

3LP | 2023 | US | Original (Epic)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Believed to have been recorded in 1983, ‘O Filho Do Homem’ is a newly discovered and previously unreleased single by the late Brazilian composer and keyboardist Ana Mazzotti. Believed to have been recorded in 1983, ‘O Filho Do Homem’ is a newly discovered and previously unreleased single by the late Brazilian composer and keyboardist Ana Mazzotti. Though it’s her only known studio recording of the decade, ‘O Filho Do Homem’ is one of several unreleased compositions Mazzotti and her band performed on TV Cultura and Programa MPB during the 80s.

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Andre 3000

New Blue Sun

84,99 €*

LP | 1964 | EU | Reissue (Blue Note)

Release: 2023 / US – Original

Genre: Organic Grooves

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INCLUDES:
3 DISCS PRESSED ON 180g BLACK VINYL
PRINTED INNER SLEEVES
24" x 24" FOLDOUT POSTER
(8) 4" x 6" POSTCARDS WITH ORIGINAL DRAWINGS FROM THE ARTIST
8.5" x 11" LETTER FROM THE ARTIST

"New Blue Sun represents a continuation of adventure and discovery for me. Even inherent in the meaning of my name André 3000, there is a wonder or looking forward to the new or what is next. This discovery has happened many times in my life and career and it’s very exciting to witness. I say 'witness' because I am also watching it happen along with you all and I never really know what will come or how I will respond or interpret the inspiration. We all have aspirations, ideas or plans but isn’t it the most awesome when life surprises us in a way that becomes greater than anything we could have imagined? New Blue Sun and the process in which it was recorded is that discovery and witnessing being played out in real time, alive, breathing, and improvised. It’s much more than 'Andre’s flute album'. Ha." — André 3000

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Andrew Hill

Point Of Departure

LP | 1974 | CA | Reissue (Return To Analog)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Blue Note’s modern jazz classic “Point of Departure” features pianist and composer Andrew Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams. AllMusic calls the album "a stellar date, essential for any representative jazz collection, and a record that, in the 21st century, still points the way to the future for jazz”.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Angellilo Et Hamel

Complicite

21,99 €*

Release: 1974 / CA – Reissue

Genre: Organic Grooves

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Angles & Elle-Kari With Strings

The Death Of Kalypso

2LP | 2024 | EU | Original (Thanatosis Produktion)

39,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Supper Club)

An Evening With Anita

27,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 1979 | JP | Original (Lob)

Angel Eyes

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | JP | Reissue (Verve)

Anita

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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LP | 1985 | JP | Original (Verve)

Anita

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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Anita O'Day Sings The Winners

LP | 1972 | JP | Reissue (Verve)

Release: 1972 / JP – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Anita O'Day Sings The Winners

LP | 1965 | JP | Original (Verve)

17,99 €*

Release: 1965 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Anita O'Day Sings With Gene Krupa = ジョージア・オン・マイ・マインド

LP | 1979 | JP | Original (CBS/Sony)

Release: 1979 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | JP | Reissue (Verve)

Anita Sings The Most

Release: JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI.

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LP | JP | Reissue (Verve)

Anita Sings The Most

12,99 €*

Release: JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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LP | 1985 | JP | Reissue (Verve)

Anita Sings The Most

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Time For 2 Limited Edition

Anita O'day & Cal Tjader

LP | 2024 | EU | Original (Supper Club)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 1970 | JP | Reissue (Verve)

Pick Yourself Up

11,99 €*

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Sings The Most Feat. Oscar Peterson

LP | 1957 | EU | Reissue (Supper Club)

17,09 €* 18,99 € -10%

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Jazz Stylings Of Anita Oday

Anita Oday

LP (Waxtime)

Genre: Organic Grooves

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Anne Clark With Daelen, Ulla Van & Ciuche, Justin

Borderland-Found Music For A Lost World

2LP (Stockfisch)

43,99 €*

Genre: Organic Grooves

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Arashi With Takeo Moriyama

Tokuzo

LP | 2024 | EU | Original (Trost)

33,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Impulse)

Archie Shepp

Kwanza Verve By Request

17,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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These 1969 recordings (released 5 years later) combine Shepp’s free jazz bonafides and a blend of blues and funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III lead the way on stand outs including “New Africa” and “Spoo Pee Doo”.

This Verve By Request LP features transfers from analog tapes and remastered on 180-gram vinyl, pressed at Third Man in Detroit.

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A Natural Woman...In Sweden

LP | 2022 | EU | Original (Outsider)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mandatory scandinavian recordings for the queen of soul ! In 1968, she issued the top-selling albums Lady Soul and Aretha Now, which included some of her most popular hit singles, including "Chain of Fools", "Ain't No Way", "Think" and "I Say a Little Prayer". That February, Franklin earned the first two of her Grammys, including the debut category for Best Female R&B Vocal Performance. In the same year, Franklin toured outside the US for the first time in May, including an appearance in Stockholm, from where this historic recording was taken.

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In The Beginning The World Of - 1960-1967

2LP | 1972 | US | Original (Columbia)

8,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: G+

LP | 2023 | EU | Original (Whp)

Live At Montreux 1971

Release: 2023 / EU – Original

Genre: Organic Grooves

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An amazing performance that captures the Queen of Soul in her prime. This was her last live appearance with King Curtis and the Kingpins, an amazing fourteen piece band (the same appearing on her famous "Live At The Fillmore West” album) featuring heavyweights such as guitarist Cornell Dupree, drummer Bernard Purdie and King Curtis himself on tenor sax, as well as the super tight Memphis Horns section and the invaluable Sweethearts Of Soul's backing vocals. Just have a look at the track list, a breathtaking sequence of her finest material performed at maximum energy and inspiration! How can you go wrong with all that?

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LP | 1968 | US | Original (Harmony)

Queen Of Soul

9,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1968 | US | Original (Harmony)

Queen Of Soul

11,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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LP | 1967 | US | Original (Columbia)

Take A Look

5,99 €*

Arnett Cobb And Eddie "Lockjaw" Davis

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on cover.

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Blow Arnett, Blow

LP | 1959 | US | Original (Prestige)

30,99 €*

LP | 2023 | JP | Original (Jazz Shinsekai X Atelier Sawano)

Release: 1959 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Taped top spine.

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Arnold Klos

Heartstrings

44,99 €*

Release: 2023 / JP – Original

Genre: Organic Grooves

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All for the sake of beauty. The exquisite pianism created by his polished touch and phrases. You can hear the "soul" of the fantastic pianist Arnold Kros. This is the first studio recording by Dutch pianist Arnold Klos in 14 years, made in 2002. The performances on this album have the "elegant atmosphere" of the Evans Trio and Klos's attempt to "get close to his heart". The heart-soaking performance of his great predecessors reflects a sincere reverence that transcends stylistic beauty and technique, as well as his own way of life.

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LP | 1957 | UK | Reissue (Ermitage)

A Night In Tunisia

Release: 1957 / UK – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Second)

A Night In Tunisia

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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A Night In Tunisia Orange Marble Vinyl Edition

LP | 1961 | EU | Reissue (Second)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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A Night In Tunisia Orange Vinyl Edition

LP | 1961 | EU | Reissue (Second)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Au Club St. Germain Colored Vinyl Edition

LP | 2024 | UK | Reissue (Ermitage)

57,99 €*

Release: 2024 / UK – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

Art Blakey And The Jazz Messengers Big Band

Live At Montreux And North Sea

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Moanin' Transparent Red Vinyl Edition

LP | 2018 | EU | Original (Waxtime In Color)

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2024 | UK | Original (Honeypie)

Second Set Lausanne 1960

21,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers With Barney Wilen

Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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LP | 2023 | EU | Original (BMG Rights Management)

Art Blakey Big Band

36,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Art Blakey's Jazz Messengers With Thelonious Monk

2LP | 1958 | EU | Reissue (Rhino)

38,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Blakey And His Jazz Messengers Verve By Request

LP | 1961 | EU | Reissue (Impulse)

33,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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1961 Art Blakey and his Jazz Messengers made their only recording for the label Impulse! Records. It marked a turning point for the popular hard bop formation as it was their first appearance as a sextet with trombonist Curtis Fuller, and secondly their last recording with pianist Bobby Timmons. Also unusual is the fact that only one piece by a band member was on the program and otherwise only standards were played.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.

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Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

22,99 €*