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Name: Ego Ella May / Theon Cros - Morning Side Of Love / Epistrophy
Brand: Decca
SKU: 927102v1
Price: 10.99 EUR
Availability: InStock

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Ego Ella May / Theon Cros

Morning Side Of Love / Epistrophy

7" | 2022 | EU | Original (Decca)

10,99 €*

Incl. VAT plus Shipping Costs

Release: 2022 / EU – Original

Genre: Organic Grooves

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George Shearing With Don Thompson

Live At The Cafe Carlyle

LP | 1984 | US | Original (Concord Jazz)

10,49 €* 13,99 € -25%

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Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Don Patterson with Booker Ervin

Hip Cake Walk

LP | 1964 | US | Reissue (Prestige)

18,99 €*

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Release: 1964 / US – Reissue

Genre: Organic Grooves

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Tony Allen And Adrian Younge

Tony Allen Jid018

CD | US | Original (Jazz Is Dead)

15,99 €*

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Release: US – Original

Genre: Organic Grooves

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Abderraouf B Grissa & Dan Drohan

RBGxDD

LP | 2023 | EU | Original (Uno Loop)

22,49 €* 29,99 € -25%

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Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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"Some albums act as tickets to travel through time and space, ones where you hear history and venture to worlds familiar, yet undeniably foreign and exciting. RBGxDD, the inaugural release for indie-label Uno Loop Records, is one of these albums. The LP is the beginning of a collaboration between two virtuosos you’ll want to keep an eye (and ear) on: producer Abderraouf B Grissa (Pink Siifu, Abstract Abder on Radio alHara) and drummer/producer Dan Drohan (Nick Hakim, Olden Yolk, Carrtoons, Andrew VanWyngarden of Mgmt).

Think CAN, Makaya McCraven, Sun Ra, or Madlib, and you’ll scratch the surface of what this LP has to offer, what it reminds you of, what it's inspired by. Grissa says of its creation, ""what began as a clear cut, beat-album featuring blistering acoustic drums evolved into a fluid, sonic journey that throws time- signature and structure to the wind."" RBGxDD is an album that expands the notion of how live instrumentation and sampling can continually innovate in unexpectedly catchy ways. The arrangements give space for both dancing and relaxing, with no shortage of finding the groove.

Joining them are artists who have perfected their craft upon arrival. Bobbie Johnston(Ear Yoga Ensemble,élan)delivers guitar riffs so smooth that they somehow blend into the music yet stand out in crispness and quality. Jarrett Gilgore (Heart of the Ghost; Jaimie Branch) takes a scorching approach to the saxophone that rejuvenates us, feeling as if we've been hit with a splash of cold water. Ahmad Kafari's (Sudan Archives, Pink Siifu, Jaw Gems, Chakram) piano playing is a gift, you hear expertise - years of influence by spiritual jazz and classical piano music emerge in a language first developed by Dorothy Ashby and honed by Dilla. Mastering was done by Kelly Hibbert (The Heliocentrics, Knxwledge, Flying Lotus, Karriem Riggins) who sends your ears to another sonic planet.

The LP is physically surrounded by something just as beautiful as the music it houses. We have artist Carol Summers and designer Daniel Rocha to thank for that. LP and artwork was licensed directly from Summers’ family. One of America's foremost printmakers with a career spanning over half a century, Summers has his works found in the Moma Lacma, NGA, and more. Rocha's LP designs are impeccably on cue with the music contained within, making the release look like it could’ve been released in 1973 or 2023. "

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Sonny Rollins & Don Cherry Quartet

Home Sweet Home

LP | 2023 | EU | Original (Intermusic)

19,99 €*

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Release: 2023 / EU – Original

Genre: Organic Grooves

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Simon Moullier

Inception

LP | 2024 | EU | Original (Fresh Sound New Talent)

25,99 €*

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Release: 2024 / EU – Original

Genre: Organic Grooves

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In his music, Simon Moullier makes an enticing proposition: what if the language of horn player —from Coltrane to Bird to Clifford Brown— could be transmuted for the vibraphone?

“If I could, I think I would have chosen a horn,” he has said. “I chose the vibraphone because I was a percussionist, and it was a more immediate way for me to get to what I was hearing.”

Moullier began developing this rapprochement when he picked up the vibraphone as a teenager. It’s on full display in his previous album, 2023’s Isla, which features pianist Lex Korten, bassist Alexander Claffy, and drummer Jongkuk Kim.

Inception —Moullier’s second trio record, following 2021’s Countdown— marks an extension of this language. Accompanied by bassist Luca Alemanno and returning drummer Jongkuk Kim, Moullier performs a gently rolling yet urgent program of standards. The material is drawn from some of the most masterful composers of the 20th century: Horace Silver, McCoy Tyner, Antonio Carlos Jobim, Charles Mingus, Billy Strayhorn, Miles Davis, Wayne Shorter, and Michel Legrand.

The seed for this trio was sown in 2017, when Moullier attended the Thelonious Monk Institute of Jazz Performance in Los Angeles. While performing with his quintet at the now defunct Blue Whale, Moullier decided to perform a blues as a three-piece. “We really dug the trio thing,” he says. “We went back and started developing that concept.” Inception kicks off with Silver’s “Ecaroh”—“Horace” backward. “His harmony is very dark,” Moullier says. “I’ve always liked that character of music.”

Following “Ecaroh” is Tyner’s “Inception,” the title track of the magnificent pianist's 1962 debut album —itself a trio date. “It was a great fit,” Moullier says. “Not only for the arrangement and the style, but the register of where the vibraphone sits with the bass.” “Desafinado” reflects Moullier’s profound appreciation for Brazilian music; at some point, he’s eyeing an album of all Brazilian music. As for Mingus’s “Peggy’s Blue Skylight,” Moullier imbued it with an Oscar Peterson-style arrangement.

As for “Lush Life,” “Doing a solo recording is a challenge I’ve always wanted to meet in a studio context,” he says; he had in mind the solo piano language of Bud Powell or Art Tatum. Moullier’s take on Davis’ blues “Pfrancing” recalls his trio’s genesis in the form. ‘Lost” is a tribute to its author, the late Shorter. “It’s such a deep world to dive into,” Moullier says. “There’s so much mystery and beauty, and so many stories.” “You Must Believe in Spring” reflects Moullier’s French roots. The album closes out with a lone Moullier original —“RC,” or “rhythm changes.”

“It was very challenging for me to record an uptempo in the studio,” Moullier says. But Inception is a series of “little challenges.” “We wanted to develop the trio sound and expand on the possibilities” he adds —whether that regards his instrument, arrangements, or tempo. But mainly, “We’re just having a lot of fun playing together!”

In that sense, Inception is a bridge to untold future realms. But on its own merits, it’s a realm worth lingering in.

—Morgan Enos

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Sun Ra

Live In Roma 1980 Black Vinyl Edition

3LP | 2023 | EU | Original (Holidays)

74,99 €*

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Release: 2023 / EU – Original

Genre: Organic Grooves

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Edition of 500 copies, includes a 24-page booklet printed with silver ink on Fedrigoni Ultra Black paper.

Born Herman Poole Blount in Alabama during 1914, Sun Ra first emerged on the Chicago jazz scene during the late 1940s. One of the great avant-garde composers of his generation - leading the way on piano, organ, and (eventually) synthesizer - beginning in the mid-1950s and lasting until his death in 1993, led the Arkestra, a band through which a near countless number of important artists passed and collaborated with, and many remained for the duration of their careers, notably Marshall Allen, John Gilmore and June Tyson. Known for their wild costumes and theatrics, Ra’s eccentric image and claims that he was from Saturn was deeply political, imagining an alternate social order, history, and future for African Americans that rests as a pioneering force in the Afro-Futurist movement.

While Sun Ra and his Arkestra can best be located within the broader movements of avant-garde jazz - particularly as innovators of free and spiritual jazz in their evolving forms - the composer was notoriously hard to pin down on creative terms. He was a visionary titan whose work traversed nearly half of the 20th Century, continuously pushing the idiom of jazz at every turn, ingesting and incorporating the entire history African American music - the blues, R&B, soul, gospel, ragtime, hot jazz, swing, bebop, free jazz, and fusion, etc. - into his work, without any division or hierarchy, producing roughly 100 full lengths bear his name, beginning with 1957’s “Jazz By Sun Ra Vol.1”, and stretching well beyond his death in 1993. Despite how much was captured and released, remarkably, rare and previously unheard recordings continue to emerge and amaze.

Recorded live at Teatro Giulio Cesare on March 28, 1980, comprising an astounding 27 compositions, including the highly celebrated “Astro Black”, “Mr. Mystery”, “Romance of Two Planets”, “Space Is the Place”, “We Travel the Spaceways”, and “Calling Planet Earth”, over six vinyl sides. High among the greatest live gigs by the Arkestra captured on tape, carefully mastered by Matt Bordin at Outside Inside Studio, “Live in Rome 1980” is a near perfect snapshot of the band’s versatility and range, including many of their most notably and famous songs, as well as striking renditions of the Horace Henderson penned Benny Goodman number “Big John’s Special”, Fletcher Henderson’s “Yeah Man!”, and "Limehouse Blues”, displaying Ra’s willingness to address and rework the entire, diverse history of jazz in a single go.

Heard in its totality, perhaps what makes “Live in Rome 1980” most striking is the way in which the concert plays out. Roughly the first half encounters the band locked in some of the most out-there, free jazz fire that can be imagined, weaving a startling sense of interplay and furious energy into a brilliant tapestry of writhing sonority, the likes of which were only really achieved by this band. The second half, with only moments of exception that return to the furious energy of the first, is very different affair, easy toward the vocal standards, led by June Tyson’s vocals and the joyous collective chanting of the band, for which they have become so widely celebrated, threading the sounds of off-kilter big band swing with heavy grooves and imagines of outer space.

Recorded live at Teatro Giulio Cesare on March 28, 1980. Sun Ra: Piano, Keyboards, Vocals. Noel Scott: Alto Saxophone, Baritone Saxophone, Percussion. Marshall Allen: Alto Saxophone, Flute, Oboe. Danny Ray Thompson: Baritone Saxophone, Flute. Chris Henderson, Eric “Samurai” Walker: Drums. Kenny Williams: Tenor Saxophone, Baritone Saxophone, Percussion. John Gilmore: Tenor Saxophone, Percussion. Michael Ray: Trumpet. June Tyson: Vocals. Mastered by Matt Bordin at Outside Inside Studio. Lacquer cut by Daniel Krieger at SST, Frankfurt am Main. All pictures by Paolo Ferraresi (Milano, Teatro Orfeo, March 26, 1980). All compositions by Sun Ra © Enterplanetary Koncepts (bmi) except where otherwise stated. Released under license from Sun Ra LLC.

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Elton Dean, Steve Miller & Pip Pyle

Home Brewed

LP | 2023 | UK | Original (British Progressive Jazz)

28,99 €*

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Release: 2023 / UK – Original

Genre: Organic Grooves

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Elton Dean - saxes
Steve Miller - piano
Pip Pyle - drums & percussion

Recorded in Sawbridgeworth, Hertfordshire, UK, December 1976. Private session. Previously unheard. Available in digital format and limited edition CD.
The amazing lost Dean, Miller, Pyle private tapes from 1976: featuring the very first recorded meeting of these three extraordinary pioneering talents of British Jazz/Rock, performing four magical co-composed pieces, none of which have ever been issued in any form.

This session was originally intended to be released on Mike King's highly regarded Reel Recordings label. Sadly, Mike passed away before the project was completed and consequently the session has instead sat on a shelf of the esteemed British jazz collector and historian Philippe Renaud for the past decade. Until NOW.

Album includes extensive notes by Philippe and renowned Canterbury music expert Aymeric Leroy.
Original mastering by Mike King. additional mastering by Matt Parker.

Very special thanks to: Marino Dean, Philippe Renaud, Aymeric Leroy, Ricardo Bergerone.

Produced by Matt Parker for British Progressive Jazz in association with Improjazz.

Dedicated to the memory of Mike King.

©British Progressive Jazz 2022

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Don Cherry / Collin Walcott / Nana Vasconcelos

Codona Live In Willisau Switzerland 1978

2LP | 2024 | EU (Whp)

31,99 €*

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Release: 2024 / EU

Genre: Organic Grooves

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The magical encounter of three skillful players, right before their self titled debut on ECM. On September 1, 1978, the musical trio Codona performed live in Willisau, Switzerland. This Swiss FM broadcast captured Codona in full flight, with Collin Walcott on sitar, Don Cherry on trumpet, and Nana Vasconcelos on percussion. Their performance weaved a magical web of sound. The opening track, “New Light,” is a 16-minute journey of pure joy

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Masahiko Togashi / Don Cherry / Charlie Haden

Song Of Soil

LP | 1979 | EU | Reissue (Wewantsounds)

35,99 €*

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Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce a special edition of the legendary 1979 Masahiko Togashi album "Song of Soil," recorded in Paris with Don Cherry and Charlie Haden and released on Japanese label Paddle Wheel. Supervised by Parisian producer Martin Meissonnier - then Don Cherry"s right hand man - "Song of Soil" reaches heights of spirituality mixing Eastern influences with jazz and deep ambient soundscapes. The album is reissued here with its original artwork and remastered by King Records in Japan. It includes the original Japanese 2-p insert plus a deluxe 8-page booklet featuring new notes (Eng/Fr) by Martin Meissonnier in conversation with Jacques Denis and also an Togashi Biography by Paul Bowler and never-seen photos by cult French photographer philippe gras who witnessed this unique session.

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The Don Rendell / Ian Carr Quintet

Shades Of Blue

LP | 2019 | UK | Reissue (Jazzman)

24,99 €*

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Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Small light scuff on side 1 track 1.

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Don Sebesky & The Jazz Rock Syndrome

LP | 1968 | US | Original (Verve)

21,99 €*

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Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing. Slight storage wear.

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John Surman / Alan Skidmore / Tony Oxley

Jazz In Britain 68-69

LP | 1972 | EU | Reissue (Endless Happiness)

29,99 €*

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Release: 1972 / EU – Reissue

Genre: Organic Grooves

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John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne - and no rhythm section, in the configuration that would emerge in the mid-'70s as S.O.S. For most of the other tracks, Oxley is the drummer, Kenny Wheeler plays flugelhorn, and John Taylor plays piano (acoustic and electric). The music here is all over the place stylistically, but it hardly matters because all the players are fully engaged, and as an ensemble, they all shine and were seemingly looking forward to the impact the new jazz would have.

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Diana Ross & Michael Jackson / Quincy Jones

Ease On Down The Road / Poppy Girls

7" | 1978 | US | Original (MCA)

3,99 €*

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Release: 1978 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: Generic

Record has some hairlines and a few superficial scratches.

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Louise Van Den Heuvel & Sonic Hug

Sonic Hug

LP | 2024 | EU | Original (De W.E.R.F.)

25,99 €*

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Release: 2024 / EU – Original

Genre: Organic Grooves

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LP in printed inner sleeve. Louise van den Heuvel is a dynamic Dutch bass player and composer. She's known for blending modern music technologies and effect pedals in her compositions rooted in the contemporary electronic/jazz scene.

Louise founded the up-and-coming Belgian electronic jazztrio Dishwasher_, collaborated with renowned artists on stage such as Zwangere Guy & Lander Gyselinck and Bruno Vansina Orchestra, and is part of Stéphane Gallands' The Rhythm Hunters, The Gallands, and the neo-soul group Stace.

For her latest project, Sonic Hug, Louise composed the whole repertoire by herself. The self-titled album, supported by JazzLab and W.E.R.F. Records, features a stellar line-up of some of the leading figures in the Benelux (jazz) scene: Hendrik Lasure on keys, Daniel Jonkers on drums and Daniel Comerford on reets (live replaced by Werend Van Den Bossche). The band is set to tour in April and May 2024 after its release on 5th of April 2024.

Her own creations expose themselves as elaborated melancholic songs filled with elegant grooves, crystalline vocals and experimental jazz excursions. She's brilliantly using her own musical voice - even literally, since you will also hear her sing on some of the tracks.

?Surrounded by three equally inevitable peer musicians in the front of the new Belgian jazz generation (known from acts such as schntzl, Bombataz, Profound Observer, Otto Kintet, Dishwasher_, Kin Gajo, ...) Sonic Hug becamea very personal, unique new project. Influenced by the sounds of Scandinavia and artists such as Adhd, Nala Sinephro, Floating Points, Y Otis and Joni Mitchell, the vibe of Sonic Hug is etheric, elegant, melodically narrative, and always searching for a grasping groove.

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Neil Ardley, Ian Carr, Don Rendell

Greek Variations

LP | 1970 | EU (Endless Happiness)

21,99 €*

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Release: 1970 / EU

Genre: Organic Grooves

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Recorded in '69, Greek Variations & Other Aegean Exercises is irresistible on two counts. First, for its daringly conceived and brilliantly performed music, inspired by Greek folk songs and instrumental textures and deep enough to reveal all its treasures only after many repeated listenings. Second, for being recorded at the moment when the Don Rendell/Ian Carr Quintet, a major force in British straight-ahead jazz since '62, had broken up and Carr's equally influential jazz-rock band Nucleus was rising from the ashes.

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Sun Ra

Live In Roma 1980 Crystal Clear Red Vinyl Edition

3LP | 2023 | EU | Original (Holidays)

79,99 €*

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Release: 2023 / EU – Original

Genre: Organic Grooves

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150 copies on crystal clear red vinyl, deluxe edition 3LP Box, silver print on deluxe Fedrigoni Ultra Black paper, released with the full approval of the Sun Ra Estate

Born Herman Poole Blount in Alabama during 1914, Sun Ra first emerged on the Chicago jazz scene during the late 1940s. One of the great avant-garde composers of his generation - leading the way on piano, organ, and (eventually) synthesizer - beginning in the mid-1950s and lasting until his death in 1993, led the Arkestra, a band through which a near countless number of important artists passed and collaborated with, and many remained for the duration of their careers, notably Marshall Allen, John Gilmore and June Tyson. Known for their wild costumes and theatrics, Ra’s eccentric image and claims that he was from Saturn was deeply political, imagining an alternate social order, history, and future for African Americans that rests as a pioneering force in the Afro-Futurist movement.

While Sun Ra and his Arkestra can best be located within the broader movements of avant-garde jazz - particularly as innovators of free and spiritual jazz in their evolving forms - the composer was notoriously hard to pin down on creative terms. He was a visionary titan whose work traversed nearly half of the 20th Century, continuously pushing the idiom of jazz at every turn, ingesting and incorporating the entire history African American music - the blues, R&B, soul, gospel, ragtime, hot jazz, swing, bebop, free jazz, and fusion, etc. - into his work, without any division or hierarchy, producing roughly 100 full lengths bear his name, beginning with 1957’s “Jazz By Sun Ra Vol.1”, and stretching well beyond his death in 1993. Despite how much was captured and released, remarkably, rare and previously unheard recordings continue to emerge and amaze.

Recorded live at Teatro Giulio Cesare on March 28, 1980, comprising an astounding 27 compositions, including the highly celebrated “Astro Black”, “Mr. Mystery”, “Romance of Two Planets”, “Space Is the Place”, “We Travel the Spaceways”, and “Calling Planet Earth”, over six vinyl sides. High among the greatest live gigs by the Arkestra captured on tape, carefully mastered by Matt Bordin at Outside Inside Studio, “Live in Rome 1980” is a near perfect snapshot of the band’s versatility and range, including many of their most notably and famous songs, as well as striking renditions of the Horace Henderson penned Benny Goodman number “Big John’s Special”, Fletcher Henderson’s “Yeah Man!”, and "Limehouse Blues”, displaying Ra’s willingness to address and rework the entire, diverse history of jazz in a single go.

Heard in its totality, perhaps what makes “Live in Rome 1980” most striking is the way in which the concert plays out. Roughly the first half encounters the band locked in some of the most out-there, free jazz fire that can be imagined, weaving a startling sense of interplay and furious energy into a brilliant tapestry of writhing sonority, the likes of which were only really achieved by this band. The second half, with only moments of exception that return to the furious energy of the first, is very different affair, easy toward the vocal standards, led by June Tyson’s vocals and the joyous collective chanting of the band, for which they have become so widely celebrated, threading the sounds of off-kilter big band swing with heavy grooves and imagines of outer space.

Recorded live at Teatro Giulio Cesare on March 28, 1980. Sun Ra: Piano, Keyboards, Vocals. Noel Scott: Alto Saxophone, Baritone Saxophone, Percussion. Marshall Allen: Alto Saxophone, Flute, Oboe. Danny Ray Thompson: Baritone Saxophone, Flute. Chris Henderson, Eric “Samurai” Walker: Drums. Kenny Williams: Tenor Saxophone, Baritone Saxophone, Percussion. John Gilmore: Tenor Saxophone, Percussion. Michael Ray: Trumpet. June Tyson: Vocals. Mastered by Matt Bordin at Outside Inside Studio. Lacquer cut by Daniel Krieger at SST, Frankfurt am Main. All pictures by Paolo Ferraresi (Milano, Teatro Orfeo, March 26, 1980). All compositions by Sun Ra © Enterplanetary Koncepts (bmi) except where otherwise stated. Released under license from Sun Ra LLC.

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The Jazz Defenders

Memory In Motion

LP | 2024 | UK | Original (Haggis)

31,99 €*

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Release: 2024 / UK – Original

Genre: Organic Grooves

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UK jazz ensemble The Jazz Defenders release their third album "Memory In Motion" in April on Haggis Records (home of The Haggis Horns and Malcolm Strachan). The Bristol jazz boppers deliver another quality release of original material that takes in their usual diverse mix of influences and genres, from timeless acoustic jazz referencing the classic sounds of Blue Note Records, to a more contemporary fusion where jazz meets soul, funk and hip-hop.
Although they love to mix things up, their roots are in the classic acoustic jazz quintet sound of the late 1950s/early 1960s, back when hard bop and modal jazz ruled. They have already explored this musical path well on their previous albums but they still deliver a couple of classic inspired jazz cuts here. "Chasing Fantasies" and "Fuffle Kerfuffle" both give the band some space to cut loose on solos over swing jazz beats that will keep their original jazz audience happy. The latter bubbles away with a jazz shuffle beat that would make drum legend Art Blakey smile.
"Meanderthal" and "Snakebite Playfight" bring soul to this jazz party. Exactly like jazz legends Lee Morgan/Herbie Hancock/Freddie Hubbard etc did back in the early-mid 1960s. The first is a feel-good, toe-tapping gem that's heavy on the backbeat and short and snappy on the solos, the exact reasons that made it the perfect opening single from the album. "Snakebite Playfight" comes with a jaunty New Orleans shuffle before transforming into a heavy psychedelic soul jazz burner, flipping back with ease to the Nola shuffle for the Mardi Gras meets bebop piano solo by band leader George Cooper.
"Rolling On A High" is a hip-hop/jazz banger that sees the band continue their collaborations with UK rapper Doc Brown, a perfect combination that began on their second album "King Phoenix''. This time, the Doc spits some old-school block party-style bars over a bouncy uptempo funky beat with the band cooking up some soul stew behind him. Definitely dancefloor material.
Another uptempo jam is the heavy jazz fusion jam "Net Zero". It kicks off with some live broken beat kit playing and piano/bass staccato vamping before taking off into Headhunters territory on the solos, sounding both contemporary and classic at the same time. This is The Jazz Defenders at their fiercest and toughest and delivering a track that will have jazz dancers worldwide in an utter frenzy.
It's not all uptempo numbers or dancefloor-oriented compositions on this album. Two tracks take the musical dynamics right down to give a temporary break from the high-energy numbers. "Take A Minute" has a rolling double bass line locked into the groove while the horns play a lazy and laid-back theme with vibes embellishment, sounding like some trippy independent film soundtrack. Another recurring musical reference point for this band over the years.
The album finishes on a poignant and introspective note with a beautiful piano and double bass feature for George Cooper and bassist Will Harris. It's called "Enigma", it was recorded live in Paris and it closes the album on a peaceful note evoking the music and playing of Bill Evans. The perfect way to close this brilliant third album from The Jazz Defenders.
With Memory In Motion, pianist George Cooper and his band undoubtedly pay great homage to a golden era of jazz music that they love, but also elaborate on this influence with a wealth of modern musical experience, to create their own raw and vibrant compositions. The result is an enthrallingly unique sound that is as danceable as it is listenable.

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Pierre-Alain Dahan & Slim Pezin

Neo Rythmiques

LP | 1976 | Reissue (Be With)

27,99 €*

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Release: 1976 / Reissue

Genre: Organic Grooves

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Pierre-Alain Dahan & Slim Pezin's Neo Rythmiques is an absolute KILLER Tele Music library classic from 1976. It's absolutely sensational throughout, all scorching, uptempo jazzy soul funk that Mr James Brown himself would've been envious of. This is serious business with breaks for days. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet. With Neo Rhythmiques, he's joined by his eternal guitar colleague Slim Pezin (Voyage, Manu Dibango, Nino Ferrer), so you know this Be With reissue is fundamentally vital.

Opener "Soul Car" is a swaggering, horn-drenched jazz-funk beast whilst the slick JBs funk of "Happy Penalty" is just plain irresistible. Definitely influenced by American funk flavours, it stands alone on its own right as a brilliant piece of music, no question about that. The blazing "Kuzi-Kuza" is again horn-fuelled but has a more exotic, Latino feel, all loose grooves and bastard blues with funky organ and shredding guitars. The stomping, proto-disco of "Mercy Boa" is a guitar-sizzled Bohannon-esque hypno-groove for adventurous dance floors the world over. Outstanding. And if all that wasn't enough from one half of a 70s French library LP, the A side ends with the monumental, stratospheric "Slim Bertha"! I mean, what can you even say about this absolute monster?! Slo-motion, deep drama funk breaks with jazzy guitar and gleaming percussion. Just sensational.

Side B opens with "Country + Country", a rather forgettable slice of piano driven bluegrass funk (?!) Aaaaannyway, "Super Airship" follows and is a driving fuzz-guitar psych-rock workout of the highest order. We're back on track now. The brilliantly titled "Electronic Mutation" is a total highlight, the funk most definitely returning and, indeed, strong in this one with its deep clean breaks (with some particularly ace hi-hats), echoey effects and funky clavs. "Africa Semper" follows, all funky percussion, trippy echo and distorted, psychy guitar licks. To close out the set, "Neo Rythmiques 1 and 2" form a great salvo of top-tier, percussion-heavy synthy-funk-fusion. For our money, the bugged-out echoey space-soul of "N° 2" just about edges it.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member - alongside his partner here, Slim Pezin - in the legendary Arpadys, Disco & Co and Voyage. Dahan also featured in Tumblack (with Wally Badarou, Sauveur Mallia et al) and Jef Gilson Septet (alongside Henri Texier), whilst the CCCP Pezin backed, among others, Manu Dibango and Nino Ferrer. Some pedigree.

The audio for Neo Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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So Much Soul Players (Chris Read & Rob Barron)

Happy Hammond

7" | 2021 | UK | Original (Dinked)

12,99 €*

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Release: 2021 / UK – Original

Genre: Organic Grooves

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‘Happy (Hammond)’ is the second release from London based Funk & Soul outfit the So Much Soul Players (aka Chris Read & Rob Barron), a gritty, instrumental Hammond Funk take on Pharrell Williams’ ubiquitous feel-good Pop/Soul cut ‘Happy’. Harking back to the raw stylings of 60s/70s Funk, this dancefloor oriented rendition of the popular song features driving drums, funky Hammond licks and crunchy, overdriven organ lines galore.

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Sal Nistico, Buddy Rich, Kenny Barron, Sonny Fortune

Europa Jazz

LP | 1981 | US | Original (Europa Jazz)

5,24 €* 6,99 € -25%

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Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

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Joshua Redman / Brad Mehlau / Christian Mcbride / Brian Blade

Round Again

LP | 2020 | EU | Original (Nonesuch)

24,99 €*

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Release: 2020 / EU – Original

Genre: Organic Grooves

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Sal Nistico / Kenny Barron / Anthony Jackson / Buddy Rich

Europa Jazz

LP | 1981 | IT | Reissue (Europa Jazz)

5,99 €*

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Release: 1981 / IT – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

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Azar Lawrence

Shadow Dancing Clear Vinyl Edition

LP | 1985 | US | Reissue (Tidal Waves Music)

32,99 €*

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Release: 1985 / US – Reissue

Genre: Organic Grooves

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Saxophonist Azar Lawrence (born 1952) needs little introduction, as a young musical prodigy he was lovingly tutored by his mother, who taught music and led their church choir. At age 5, he played violin in the Los Angeles Junior Symphony, then viola, but his ears were turned to the saxophone at age 13. Azar spent his teen years immersed in jazz at the home of his best friend, none other than the late Reggie Golson, son of the great composer/arranger/saxophonist, Bennie Golson. From then on it was jazz, jazz and more jazz!

Azar Lawrence began his jazz career at the renowned Dorsey High School Jazz Workshop. After high school he played in Horace Tapscott's ‘Pan Afrikan Peoples Arkestra’ and started performing in the Los Angeles club circuit. He soon found himself playing with the Ike & Tina Turner band, the Watts 103rd Street Band and War. At the age of 19, Azar joined John Coltrane’s drummer Elvin Jones for over 3 years before being invited by McCoy Tyner to join his quartet (an alchemy that lasted for 5 exuberant years). During his tenure with Tyner, he also recorded with Miles Davis on the album Dark Magus at the famed Carnegie Hall.

Upon leaving Tyner, Azar Lawrence recorded his own projects on Prestige Records, including Bridge Into The New Age (1974), Summer Solstice (1975) and People Moving (1976). After these three albums it would take over a decade before Mr. Lawrence would record another solo album (Shadow Dancing, released in 1985). Azar went on to record/write and perform with luminaries such as Freddie Hubbard, Busta Rhymes, Roberta Flack, The Headhunters and Mulatu Astatke. His sensational collaborations of the period included writing and performing on Earth Wind & Fire’s highly acclaimed platinum album, Powerlight, and on Marvin Gaye’s Grammy award winning, Hear My Dear. Azar Lawrence’s work was sampled by renowned artists/acts from the likes of Madlib, Cypress Hill…and many others.

In the early 2000s, Lawrence surged back onto the jazz scene and continues to electrify audiences with outstanding original compositions and chart hitting albums. His band, The Azar Lawrence Experience (tale) appears with as many as eight musicians who sizzle to the sounds of Azar's powerful compositions, as well as songs from the Coltrane songbook. To this day Tale dedicates itself to sharing a lifetime of Azar Lawrence’s music, art and spirituality with global audiences.

On the album Shadow Dancing (released in 1985), which we are proudly presenting you today, you can hear the musical versatility only an artist like Azar Lawrence can deliver. Next to his trademark jazz sound, this album is filled with funk, soul and boogie influences. If you’re looking for THE perfect mix of synth filled boogie & jazz-funk where the Sax takes the center stage…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).

Also featured on these recordings are some serious all-star guest musicians from the likes of Oren Waters (Herbie Hancock, Curtis Mayfield), Roy Galloway (Jimmy Cliff, Gladys Knight), Fred Johnson (The Temptations, George Clinton), James Gadson (Bill Withers, Quincy Jones), Leo Nocentelli (The Meters, Maceo Parker), Marlo Henderson (Gil Scott-Heron, Ahmad Jamal), Denzil Miller (Kurtis Blow, Diana Ross) and Eddie Brown (Stevie Wonder, Dennis Coffey).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1985 on Riza Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Azar Lawrence

Shadow Dancing Black Vinyl Edition

LP | 1985 | US | Reissue (Tidal Waves Music)

19,99 €*

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Release: 1985 / US – Reissue

Genre: Organic Grooves

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Michael Garrick Sextett / Don Rendell / Ian Carr

Prelude To Heart Is A Lotus

LP | 2013 | UK | Original (Gearbox)

26,99 €*

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Release: 2013 / UK – Original

Genre: Organic Grooves

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Prelude to Heart is a Lotus is a 1968 BBC Jazz in Britain recording now released for the first time. Pianist and composer Michael Garrick was 35 years old and together with close associates - saxophonist Don Rendell and trumpeter Ian Carr - was defining innovative new directions in British jazz. Prelude to Heart is a Lotus is the precursor to the Argo Records Heart is a Lotus studio album which was released two years later, and this remarkable music shines a new light on an extraordinary period of creativity in Garrick’s long career.

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Toni Harper With The Oscar Peterson Quartet

Toni

LP | 2023 | EU | Original (Intermusic)

18,99 €*

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Release: 2023 / EU – Original

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers With Barney Wilen

Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

28,99 €*

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Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Daryl & Ray Russell & Phil Lee & Tony Hy Runswick

Kerry Lee Crabbe Memorial Album: Songs With Daryl

CD | 2024 | Original (ASC)

20,99 €*

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Release: 2024 / Original

Genre: Organic Grooves

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Micha Acher / Johannes Enders / Dan Oestreicher / Howard Curtis

Brookland Suite

LP | 2017 | DE | Original (Alien Transistor)

16,99 €*

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Release: 2017 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new, looks unplayed.

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Daryl & Ray Russell & Phil Lee & Tony Hy Runswick

Kerry Lee Crabbe Memorial Album: Songs With Daryl

2LP | 2024 | Original (ASC)

25,99 €*

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Release: 2024 / Original

Genre: Organic Grooves

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The New Don Ellis Band Featuring: Patti Allen

The New Don Ellis Band Goes Underground

LP | 1969 | US | Original (Columbia)

11,99 €*

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Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

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Diana Krall Featuring The Clayton-Hamilton Jazz Orchestra

Christmas Songs

LP | 2013 | Reissue (Verve)

26,99 €*

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Release: 2013 / Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

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Abbi Hübner's Low Down Wizards Featuring Peter Cohn

American Jazz & Blues History

LP | 1983 | DE | Original (Tobacco Road)

7,99 €*

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Release: 1983 / DE – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

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Don Cherry, Dewey Redman, Charlie Haden, Ed Blackwell

Old And New Dreams ECM Luminessence Series

LP | 2023 | EU | Original (ECM)

37,04 €* 38,99 € -5%

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Release: 2023 / EU – Original

Genre: Organic Grooves

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John Surman, Albert Mangelsdorff & The Down Beat Poll Winners

Open Space

LP | 1969 | EU | Reissue (Endless Happiness)

29,99 €*

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Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP issued to celebrate more European artists than ever before winning the annual “Downbeat” polls in 1969. On this release they all perform as a unit.

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Alexei Borisov / Sergey Kasich / Giovanni De / Donà / Gianluca Ghini

Moscou Aller-Retour

LP | 2023 | EU | Original (Koo Editions)

32,99 €*

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Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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An imaginary train journey between Bologna and Moscow. The original recording of the entire experimental electronic session performed at the audiovisual festival "Geometry of Now," Moscow (2017) curated by Mark Fell, reworked in Bologna (Italy) with custom analog equipment in 2022. Alexei Borisov, the Moscow underground legend who has spanned new wave, electronic noise and constructivist experimentation, measures up with artist and curator Sergey Kasich, a sound and media artist originally from Sevastopol, Crimea, founder and main curator of the Sa)) community for experimental sound artists from the post-Soviet regions (https://soundartist.ru), as well as the Sa))_gallery and Sa))_studio in Moscow. The deconstruction of that live performance is meant to underscore the evidence of the lie of the end of history and the inadequacy of theories produced by the relativist burden of postmodernity with its illusory recombinations, revivals and remixes, lead to the search for a misaligned and alt-modern subjectivity that concretely emerges from an imaginary journey into the era of the materialization of the unexpected, like the sudden concreteness of a window that no longer squeaks, but slams... The “Petroni apartment session” was recorded in Bologna, by also mixing concrete elements of environmental recording to emphasize the sudden impending immediacy of the real dimension.

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Ornette, Coleman, Paul Bley, Don Cherry Charlie Haden & Billy Higgins

Live At The Hillcrest Club 1958

2LP | 1976 | EU | Reissue (Doxy)

32,99 €*

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Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Limited to 500 copies, Audiophile Clear Vinyl Series!

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Ella Fitzgerald, Barney Kessel, Oscar Peterson, James Moody, Ray Charles, Dizzy Gillespie

Europa Jazz

LP | 1981 | IT | Original (Europa Jazz)

7,99 €*

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Release: 1981 / IT – Original

Genre: Organic Grooves

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Fresh Pepper

LP | 2022 | CA | Original (Telephone Explosion)

33,99 €*

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Release: 2022 / CA – Original

Genre: Organic Grooves

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Beyond whatever mood is likely struggling to be sculpted by the house playlist, restaurants are full of their own natural music. Porcelain and cutlery clatter in bus bins like little medieval battlefields; the chatter of patrons smears into a single stormy texture; the kitchen staff hollers and chides as their own chosen music competes for the ear of anyone walking to the restroom; the churning and hissing of the dish steamer leads the assemblage of sounds that leak out from the back of house to and cling to a diner’s subconscious. The fact that restaurants employ so many hustling musicians, whose entire lives are centered around sonic sensitivity and awareness, is either grand irony or total synergy. Toronto outfit Fresh Pepper, led by longtime friends Andre Ethier and Joseph Shabason, playfully navigates the mental and emotional mark left on many musicians by such places. Their self-titled debut is less concerned with their service-industry traumas, doldrums, and setbacks than it is with creating a relatable space for album’s contributors to fully be themselves within the ease and freedom of having similar histories. Shabason, Ethier, and company recount their culinary past lives across eight jazzy and benevolent tracks that exude their authors’ sheer enjoyment of the creation process. Though the mental image of restaurant inner workings might trigger a mix of urgency, weariness, and yearning for a better livelihood, Fresh Pepper recolors these frazzled scenes with fondness and levity, exorcizing past workplace woes through skillful musicianship and an earnest, slightly bizarre sense of humor.

Fresh Pepper was played and assembled in-person during a gap between Covid waves, and the gleeful rarity of the occasion is palpable. Whatever brooding was stereotypical of artists and musicians pre-pandemic was not invited to this reunion. From the very beginning moments of Fresh Pepper, Shabason and Ethier guide their companions (a sort of super group of Toronto musicians from acts like Bernice, Beverly Glenn Copeland, and even Destroyer’s Dan Bejar himself) with breathy, hushed tones via saxophone and vocals respectively, casually traversing their own annexed corridor between smooth jazz, exploratory avant-indie, and subverted adult-contemporary. Mid-performance apologies are left unmuted in the mix, room-tones are evident in spacious moments, and the spirit of close collaboration is omnipresent. After a mini-parade of loose and glassy keys, the pensive funk highlight “Prep Cook in the Weeds” intros with the kind of furrowed-brow noir-smoothness of some yesteryear crime drama, buoyed by Ethier’s gently insightful musings. “Another fly lands on the clock,” he sings in a hushed tone through a half-smile, pointing wryly toward the relationship between wage-workers and timekeeping devices. “Flies on the hands of time,” he continues, resigning his sense of control, “the flies take the wheel.” Ethier’s slice-of-life lyricism and serene baritone delivery find a fitting counterpart in Dan Bejar who appears on “Seahorse Tranquilizer”. Where featured vocalists-- especially those as iconic as Bejar-- would threaten to out-charisma an album’s resident personalities, Ethier and Bejar heighten the charm of each other’s demeanor in a natural and relaxed way, leading to one of the gentlest moments of an already gentle affair.

Conversely, the track “Dishpit” is noticeably the most abstract chapter of the album, reminiscent of the factory-like, thankless, yet oddly contemplative corner of the kitchen after which it is named. The track begins with a toyish, motorik pulse that imparts the fraught motivation of a full sink during lunch rush with still more dishes on the way. Shabason’s saxophone spins in the mist and steam, disoriented but determined, rallying an equally bewildered percussionist behind it. On much of the album, Shabason’s playing assumes more practical form in contrast to the ambient impressionism of his solo output, but here his atonal fourth-world fingerprints are easily visible. Following all this, “Congee Around Me” again finds warmth in the chaos, imparting the same sense of peace within the jumble that characterizes Fresh Pepper. “Mushrooms in the frying pan,” opens Ethier, summarizing the album’s pathos, “throw another in, I’ll see you when I see you.” Album ender “The Worm” - fatigued and victorious, fluttery and decayed, sounds like a memory-rich bygone era that never really existed. Was that 1990-something? Did it really happen that way? Did the sunlight really look like it does through a camcorder, or has sunlight always been the same as it is now? Does it really matter if I couldn’t see it from the kitchen anyway?

It could be argued that the best art frames its subjects without any commentary, leaving as much room for the viewer to fill with their own experiences, shortcomings, and longings as possible. Fresh Pepper provides this kind of framing around a scenario so taken-for-granted that it becomes mythic under the slightest examination. In this sense, like so many projects that Shabason puts his sonic stamp on, Fresh Pepper conjures an unexpected slice of enlightenment from somewhat unnoticed circumstances. True to form, Fresh Pepper assures us not just that we are going to be okay, but that we are okay right here and now, overtired as we are amid the stainless steel, heat lamps, and spattering oil.

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Albert Ayler, Don Cherry, John Tchicai, Roswell Rudd, Gary Peacock, Sunny Murray

New York Eye And Ear Control

LP | 2017 | US | Reissue (ESP Disk)

8,99 €*

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Release: 2017 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

White Vinyl.

Record is slightly warped but still enjoyable.
Cover as new with slightly dented corners.

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Byard Lancaster

The Complete Palm Recordings 1973-1974

Box Set | 2024 | EU | Original (Souffle Continu)

169,99 €*

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Release: 2024 / EU – Original

Genre: Organic Grooves

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5lp+12"+7".

Souffle Continu records presents Byard Lancaster – The Complete Palm Recordings 1973-1974, the definitive package of Philadelphia-born jazz wizard Byard Lancaster including his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s, Us, Mother Africa, Exactement and Funny Funky Rib Crib, along with the first ever standalone edition of Love Always, a fifteen minute modal jazz beauty plus a 20 page booklet with rare photos and in-depth article about Byard Lancaster’s Parisian years by Pierre Crépon.

At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums.

On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is Great Black Music! A few months after recording “Us”, Lancaster recorded “Mother Africa” along with Clint Jackson III, a trumpeter, partner of Khan Jamal or Noah Howard on other recordings.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions. When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today!

The recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa.

Two names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow.

It is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities.

Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note... ends up by playing exactement the note he had to play.

“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul. If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)...

Funny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib!

The magnificent “Love Always” was originally released on the fourth (and last) volume of the Jef Gilson Anthology series released in 1975. Recorded on 8th March 1974, it is a beautiful 15-minute-long modal jazz piece. Four notes from the bass (the relentless Jean-François Catoire, who makes up the rhythm section alongside drummer Jonathan Dickinson and percussionist Keno Speller), and the group is up and running! On piano, Gilson shows the subtle tact of a sideman, leaving the lions’ share of the place to the horns. This allows us to hear the trumpet of Clint Jackson III and the alto (which sometimes sounds almost flute-like) of Byard Lancaster each staking their claim in a long hallucinatory march which moves from moments of direct exaltation to profoundly sensitive collective playing. And if further proof was required of the confidence that Byard Lancaster and Jef Gilson inspire, “Love Always” provides it on this one sided release exclusive to the box set.

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