Search "shearwater+animal+joy" 906 Items

LP | 1979 | JP | Reissue (A&M)

Feels So Good

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Comes with OBI and insert. Minimal amount of foxing on back cover. Slight edgewear on top. Record looks unplayed.

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LP | 1979 | JP | Reissue (MCA)

Carmel

7" | 2019 | EU | Original (We Jazz)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original Japanese pressing with OBI!

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Mopo

Mopo10

Abyss (A Prelude To Lake)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Hard-hitting Finnish trio Mopo celebrates their 10th anniversary with a special digi EP / 7" single on We Jazz Records featuring three new tracks. "A Night In Zetor" and "Jauzaa" show a new side of the beloved group with extended, slowly building sonic narratives. "Die Mopo" is an upbeat, acid-y slice of the trio's more electronic side. The release sees Mopo reach out for new worlds of sound and as such, it presents a fine culmination of the beloved band's ten years of friendship and music.

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3TM

Tape | 2019 | EU | Original (We Jazz)

7" | 2017 | CH | Original (Les Disques Bongo Joe)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Drummer/producer Teppo Mäkynen presents a new album by his lauded trio ensemble 3TM in 2019. Before the second 3TM album "Lake" comes "Abyss", a collection of 10 ambient pieces laying the groundwork for the upcoming album. This prelude album is a full-bodied work in itself, a glorious and somewhat mysterious LP which brings forth yet another shade of multifaceted Mäkynen's musical vision. The 10 compositions on "Abyss" feel like the discovery of life and movement in deep waters, where only the rare shades of light breaking through indicate that another world exists above the surface.
"Abyss" will be available as a clear vinyl edition, on tape and digitally, and both as a standalone album and as a bundle with the upcoming 3TM trio album "Lake".
Teppo "Teddy Rok" Mäkynen is a drummer/producer from Helsinki, who works at the centre of the lively jazz scene in Finland. His work includes projects such as 3TM, The Stance Brothers, Teddy Rok Seven and the new duo with sax player Timo Lassy. Mäkynen also plays drums in several highly-regarded ensembles such as Timo Lassy Band, Aki Rissanen Trio, Jukka Eskola Soul Trio, Verneri Pohjola Quartet, Nicola Conte Jazz Combo, plus many more. As a producer, his work has been highly regarded in projects such as 3TM, The Stance Brothers, and the albums of Timo Lassy and Jukka Eskola.

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Cyril Cyril

Colosse De Rhodes

Release: 2017 / CH – Original

Genre: Organic Grooves

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Pauli Lyytinen Magnetia Orkesteri

10" | 2017 | EU | Original (We Jazz)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Diego Krause is next on Blind Box Series with three originals and the usual Blind Box mix from the label heads.

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LP | 1987 | US | Original (MCA)

Roles

Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Still in shrink, but opened, with hype sticker. Cover with cut corner

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LP | 1979 | JP | Reissue (A&M)

Main Squeeze

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Eddie Jefferson, Joe Carroll & Annie Ross

The Bebop Singers

LP | 1970 | US | Original (Prestige)

Dinner Party (Terrace Martin, Robert Glasper, 9th Wonder, Kamasi Washington)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Cover is close to VG+.

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Enigmatic Society

Tape | 2023 | US | Original (Empire)

CD | 2024 | EU | Original (Kraak)

Release: 2023 / US – Original

Genre: Organic Grooves

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Enigmatic Society is the next offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, Enigmatic Society is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. Enigmatic Society serves as a follow up to the group’s 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project with the album’s artwork designed by Kamasi Washington’s sister, artist Amani Washington.

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Aya Suzuki

Winged Seeds

13,49 €* 17,99 € -25%

Yoanson & Karamie / Prof Jah Pinpin 4tet

Release: 2024 / EU – Original

Genre: Organic Grooves, Classical Music

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CD Release: Limited edition of 100.

Since the age of six, multi-instrumentalist Aya Suzuki has been developing a musical universe informed by classical training and emboldened by a prodigious, almost innate feel for sound.

Her precocious leanings into percussive instrumentation led her to study at the pioneering Toho Gakuen School of Music in Tokyo under the mentorship of world-renowned marimba player Keiko Abe, after which she left her native Japan to pursue a Master’s in percussion at the Royal Conservatory of Ghent.

Winged Seeds, her debut album recorded during a summer residency at Stuk in Leuven, presents the work of a musician whose ingenuity is in full flight. Clay pots, vibraphone, aluphone, bowls, and, of all things, rice, are her tools for conjuring arresting atmospheres through intricate fantasias and serene abstractions.

Aya’s mastery of percussive techniques goes hand in hand with her gift for poetic improvisation, as sound and silence have an equal and deliberate weight that charge each moment, suspending time and place into a magical stasis.

The surprising spoken word intermezzo “To The Earth” anchors these floating tones to the temporal spaces of our humanity, instilling a sense of humility which, despite her acumen, Aya deploys in all her artistry.

Winged Seeds is an unspoiled ode to the elements, honoring the earth we dwell in through the music that lifts us every higher.

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African Leaders / The Final Bird (Le Temps D'Une Vie)

12" | 2024 | EU | Original (Disques Messagers)

13,49 €* 14,99 € -10%

Psycho 2000 / White Spiritual Purple Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene. Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions. On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report). Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!

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Pleasurewood

7" | 2023 | EU | Original (Farfalla)

Psycho 2000 / White Spiritual Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves, Soundtracks

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Psycho 2000 - A dark but funky theme that begins with an occulting Italian echo-oscillator drone that is soon followed by pulsating bass and breakbeat drums, leads to tremolo guitars, an ostinato on electric mandolas, strings climbing eloquent ladders, otherworldly electronics, and a cinematic finale. An evocation of a parade of wooden nutcracker soldiers elaborately dressed in gold-trimmed black uniforms down a wide avenue decorated with mardi gras beads and animal skulls upon golden cobblestones toward a tornado spiralling out purple-hued glissandos and curlicues of elephant smoke. White Spiritual - Head nod action, the twinkling of a late 60’s Vox Continental II with sickly transistors, the noodling matrix of an intergalactic telephone exchange carried on a bed of bouncy bass with a firm backbeat. The Johnny Guitar Watson-esque bite and sting of a ‘67 Teisco guitar preludes slabs of unison dark brown moog and organ giving way to the dance of fingers over the black naturals and white sharps of the Continental II.

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Pleasurewood

7" | 2023 | EU | Original (Farfalla)

You Gotta Shout / Love And Romance

Release: 2023 / EU – Original

Genre: Organic Grooves, Soundtracks

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Spoilsports

7" | 1980 | UK | Reissue (Freestyle)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Freestyle Records reissue a DIY 7" from 1980 by short-lived all-female group Spoilsports. Existing at the intersection of post-punk, jazz-rock and modern soul - these two political yet playful numbers were laid down by a band formed from a range of players active in London's feminist and improvised music scenes at the time, and represent the groups only recordings.

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Spoilsports began in 1979 with the aim of having an all-female band that could be actively feminist and playful at the same time, with an eye toward gaining an appeal beyond that of the wider women's lib movement of the time. The line-up originally consisted of Carole Nelson on keys, Angele Veltmeijer on saxophone, Sheelagh Way on drums, Lesley Shone on bass, Isabel on congas and with Laka Koq providing vocals. After a short while this would become just Carole, Angele & Sheila - with Ruth Bitelli being brought in on bass, and Barbara Stretch topping things off on vocals. The band played at Gay Pride '79 in Hyde Park, a Women's Music Festival in Neimegen, Holland; lots of benefits, and maintained a weekly residency at The Earl of Aberdeen in Mile End (now sadly demolished).

Unfortunately the group lasted only 18 months or so all in all, and this is their first and last record - in fact, they intentionally laid it down to tape in order to provide a memory of the group before they called it a day, and we are so glad they did! Recorded in Pimlico's Archipelago Studios in the same year that Elvis Costello would record his album Get Happy there, the original 7" gained a review in the NME, whom dubbed it "a cross between Steely Dan and The Joy of Cooking".

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Fun And Games

LP | 1986 | JP | Original (A Touch)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert. Cover closer to VG+

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The Gadd Gang

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert

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Magic

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI

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LP | 1981 | JP | Original (MCA)

Voices In The Rain

El Is A Sound Of Joy / Black Sky & Blue Moon

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Original Japanese pressing without OBI! With insert. Vinyl is close to NM.

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Sun Ra

7" | 2017 | US | Original (Modern Harmonic)

Release: 2017 / US – Original

Genre: Organic Grooves

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LP | 1985 | JP | Original (A&M)

Herb Alpert

Wild Romance

Sérgio Mendes & Brasil '66

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI, with insert. Vinyl with a couple of light scuffs, close to VG+.

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Ye-Me-Le

LP | 1970 | JP | Original (A&M)

Francky Goes To Pointe-à-Pitre

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert. Cover with foxing inside, otherwise VG+

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Plaisir coupable

LP | 2018 | FR | Original (A Tant Rever Du Roi)

Release: 2018 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

7" | 2024 | EU | Original (Edition)

Joe Webb

Coll Blanc

Release: 2024 / EU – Original

Genre: Organic Grooves

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CD | 2023 | EU | Original (Astigmatic)

Tomasz Stanko Quintet

Wooden Music II

Dinner Party (Terrace Martin, Robert Glasper, 9th Wonder, Kamasi Washington)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The discovery of Tomasz Stańko's archive recordings from 50 years ago at Radio Bremen demonstrated the dynamic development of this shrouded in mystery quintet, which was a blank spot in the history of Polish jazz. Released by Astigmatic Records, the album turned out to be a surprise and a huge musical treat for many fans who no longer remember such a fiery period in the career of the outstanding trumpeter. The record received much critical acclaim and sold out in a blink, and Jazz Forum magazine recognised Wooden Music I as the historic album of the year. Now the time has come for the 2nd and final installment of wooden music.

It takes more than one album to fully illustrate the evolution of the band with which Tomasz Stańko, as its leader, recorded Music for K, one of the most important albums in Polish jazz. It is the early 1970s, Zbigniew Seifert gives up the saxophone in favour of the violin, so the band's sound becomes more 'wooden', and around this expression Stańko builds the foundations of a philosophy, which he wrote down on four small sheets of paper, still kept by Bronisław Suchanek, the quintet's bass player: We seek to create the kind of music that, while operating with all the elements of the most genuine jazz, attempts to look at it from a different angle, from a different mental plane. We do not experiment with the material, but with the form. For the form does not have to be a logical and strict construction of the entire piece, it can be free, improvised while playing, resulting from the mood, or atmosphere existing at a given moment, or random things, creating with their free fluidity that specific "magical mood". This, of course, excludes compositions in the traditional sense - Tomasz Stańko wrote at the time.

Wooden Music is therefore like a postcard - not so much of a specific gig, but of the entire period of the quintet's activity. It opens with compositions featured on Jazzmessage from Poland. Wooden Music I recorded in Bremen on 15 June 1972 is its peak - when the band plays free, vigorous music, but more sensitively planned, as the group is more in-tune after hours of joint stage encounters. Wooden Music II, recorded in Hamburg on 9 November 1972, is the conclusion of their vision of free-jazz - the final phase where composed pieces ("Calme" and "6 & 8") begin to emerge from wild improvisation. Some of these would, a few months later, find their way onto an iconic piece in Tomasz Stańko's discography - the Purple Sun album (e.g. "Flute's Ballad")... but with a slightly different line-up. When the band decides to wrap up, they are at the peak of their form, each feeling the need to develop on their own. They know when to step off the stage. They are invincible.

Tomasz Stańko Quintet was one of the most outstanding European free jazz ensembles of its time. The Polish musicians, plus a plethora of individuals such as Brötzmann, Mangelsdorff, Schlippenbach, Vesala or Surman, contributed to a movement which, while co-operating with the American avant-garde, had its own specificity and its own unique audience. Polish jazzmen, newcomers from behind the Iron Curtain, were seen as carrying a message of freedom to the countries of the region. It took many years for this message to come true. Today, European jazz seems to be far more erudite, emotionally restrained, intellectual, seeking links with contemporary avant-garde and ethno music. It's all very beautiful, but sometimes one would like to discard all of this extra wrapping and bring out the essence of jazz - the synergic energy and striving for the limits of expression, even if it poses the risk of a musical explosion - Tomasz Szachowski states in Jazz Forum. Therefore, it is time to see if we are dealing with explosive material in the case of the second installment of wooden music.

Thus, the Wooden Music series culminates with its second part coming from the archives of NDR radio, which recorded the footage in a small club in Hamburg called Jazzhouse. This time, the additional stem-mastering was done by Marcin Cichy, who perfected the sound on the album even more. The infallible Matt Colton is once again responsible for the half-speed cut of the vinyl matrix. Wooden Music II will be released on Astigmatic Records in digital, CD and LP versions, as well as in a limited edition on purple vinyl, with a B2-size poster designed by Natalia Łabędź. The premiere of the album will take place on 27 October, and pre-orders for the disc will start on 6 October 2023.

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Enigmatic Society

CD | 2023 | US | Original (Empire)

CD | 1994 | EU | Reissue (We Release Jazz)

Release: 2023 / US – Original

Genre: Organic Grooves

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Ryo Fukui

My Favorite Tune

14,24 €* 18,99 € -25%

Release: 1994 / EU – Reissue

Genre: Organic Grooves

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We Release Jazz is very happy to announce the official reissue of Ryo Fukui’s only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa. Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite “Nord” and “Voyage", a tribute to his mentor Barry Harris ("No-body’s"), alternate versions of his mega classics “Scenery” and “Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish. My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography. Points of interests - For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments. - Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui. - 11th release from We Release Jazz, notably following Hiroshi Suzuki’s Cat, Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin’s Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based Wrwtfww Records.

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Magic

14,24 €* 14,99 € -5%

3LP | 2022 | EU | Original (Leopard)

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Includes OBI and insert.
Back cover with minor foxing.

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Bobby Sparks II

Paranoia

Release: 2022 / EU – Original

Genre: Organic Grooves

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On The Ragga Tip (Remix) / Ragga Beats

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E-Lustrious Ft. Mc Shine

7" | 2024 | WW | Original (Megablast)

Release: 2024 / WW – Original

Genre: Organic Grooves

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The Advanced Cookbook Of Mr Selig And Kanzler Z

Niemand Tanzt

12" | 1989 | EU | Reissue (Thank You)

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Andreas Koeper is a German contemporary/experimental composer and drummer with a background in Philosophy and Art history. “Niemand Tanzt” was originally released in 1989 and in the past years it has become a sought after obscurity amongst diggers ever since Chee Shimizu put it on the radar after unearthing it throughout inspection rounds in Berlin record stores. Although the A-side might have been the essence of the single at the time, it's the B-side's “Pink Rhythm” that puts this release on the map for DJs, the track's gradient from an empty half tempo to rich 4 on the floor patterns serves any well versed DJ as an on-ramp for new gears to be put into place as the track grows into various ramifications of Andreas' studio production techniques: playful percussive elements, provocative guitar riffs over a solid rhythm section. Freshly remastered by manmade in Berlin.

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LP | 1981 | US | Original (A&M)

The Dude

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2024 | Original (O-Tone Music)

Malika Tirolien

Geminicrab

Release: 2024 / Original

Genre: Organic Grooves

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LP | 1983 | JP | Original (Elektra)

Pieces Of A Dream

Imagine This

Esther Phillips W/ Joe Beck

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing, comes with Obi and inserts.

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What A Diff'rence A Day Makes

LP | 1979 | JP | Reissue (Kudu)

CD | 2022 | EU | Original (Mr Bongo)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Nico Gomez

Soul Of Samba

Tape | 2021 | US | Original (Drag City)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Nico Gomez, a Belgian orchestra leader of Dutch roots, has long been a favourite with Latin fans, record diggers, DJs, and collectors alike. His blend of bossanova, latin jazz, and easy listening always turns up a few choice nuggets and surprises; what is perhaps most remarkable is that it was recorded in Europe.

Back in 2013, Mr Bongo re-issued Nico Gomez's sought-after 'Ritual' album from 1971, and now we follow it up with another jewel from his catalogue his 1972 album 'Soul Of Samba'. For this re-issue, we have opted to present it with the cover art originally used on the Trio Records version released in Japan. In the Netherlands and Belgium, the album was released with different cover art under the title 'Bossa Nova’, on Omega International and International Bestseller Company records, respectively. We loved the beautiful psychedelic design of the Japanese version and wanted to use it for this re-issue.

'Soul Of Samba' features several euro-bossa-jazz favourites such as the catchy 'Rio'; which was a firm DJ choice cut at jazz dance nights, including Brighton's 'Jazz Rooms' in the 90s. It also featured in Rainer Trüby's classic ‘Glücklich' compilation series which explored European-Brazilian-inspired music. The beguiling ‘Aquarela', with its engaging latin shuffle, entices feet to the dancefloor and is not one to miss. 'Agua’ has a lazy-quirky latin-funk feel with breathy-stoned vocals floating in the background. The album additionally features numerous breezy latin, Brazilian, and easy listening joints, some of which are ripe for sampling.

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Bitchin Bajas

Switched On Ra

CD | 2021 | UK | Original (XL)

Release: 2021 / US – Original

Genre: Organic Grooves, Rock & Indie

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It's almost four years since their last opus - two years since the most-recent run of live shows! Now, Bitchin Bajas return from whatever kind of rare ether they occupy when they're at home, bearing the riches of the whole cosmos in their hands. And strictly OG as well - on cassette only! Switched On Ra is the outcome of a typical Bajas exercise: pouring some out for the pioneers that came before (as they've done with Bitchitronics and their participation in the annual Chicago performance of "In C" over the years). It's a nice way to get a flow - they play a little of themselves, then some for the pioneers, then a little more for the band. Before long, they're playing with the inspirations twined, as they can only come from within. For Switched On Ra, this meant a deep delve into the song-book of one of their soul-predecessors, Sun Ra, whose music is literally written in the Bajas DNA. Digging into this music sounded wild on paper: the drone synth group taking on the Arkestra harmonies and Ra's loose grooves? The trick was to get that sense of rhythm to translate across the spectrum from Ra to Bajas, in a way that worked for them both. Their rearrangements of the tunes went good - up and down the EQ band, they were finding the round sounds and jagged edges that brought Ra's music into their own thing. Then at the last minute, there was another twist - why not pay tribute to the Queen herself, and think of the arrangements with a Wendy Carlos vibe? A little side homage? After all, Switched on Bach was visionary, bringing analog synths from the outside all the way into the mainstream in the late 60s - and this take on Ra is meant to take him to new ears everywhere. Sun Ra of course was his own kind of original keyboard visionary, using electric keyboards in the late 40s and 50s to fill a role in jazz that had traditionally been played on acoustic piano only. Once he'd done so, he took his writing in directions inspired by the electricity, places no one had thought to go before then. Doing what he did on the keys was a stand for individuality that became the background radiation of his journey through the cosmos; the search for a place beyond earthly dominance, for all the people who desperately wanted the fuck OUT. Bitchin Bajas have been content to dominate in a microtonal world, usually without a single chord to be found anywhere. But here, they step up righteously, their vibe triangulated as they bring Ra's music forward with some Wendy C style, making an unexpected space for all to thrive. There's a real feeling of joy as these collected signals bounce off the tape and through the speakers into your space. To get this unique colloid exactly right, Bitchin Bajas used nineteen different keyboards. They abstained from deploying their arsenal of reed and woodwind instruments: everything had to be on the keys. This meant Yamahas, Rolands, Korgs, Casios, a MicroMoog and of course their trusty Ace Tone organ. They even broke out the Crumar Ds-2, to have some of Ra's chosen tone in the mix. Then Jayve Montgomery added an EWI as a solo voice on a few tunes, just to get some air-blown signal (and a natural shout out to EWI master Marshall Allen) in there, after all. It felt like somewhere in the universe, Ra was decreeing it. Switched On Ra is an effervescent celebration of music throughout time and space.

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BBNG (BadBadNotGood)

Talk Memory

Release: 2021 / UK – Original

Genre: Organic Grooves

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. Talk Memory,
the band's first album with XL Recordings, features 9 new songs and is due October 8th. The album
features musical contributions from Arthur Verocai, Karriem Riggins, Terrace Martin, Laraaji and
acclaimed harpist Brandee Younger, who has worked with Moses Sumney, and Thundercat. Sporting
visuals from Virgil Abloh, whose design firm Alaska-Alaska™ designed the cover for Talk Memory,
the album is an evolution focused on collaboration and the magic of improvised live performance.Demonstrating emotional and poetic progress, the new album is an aural odyssey and a heartfelt
expression of joy for the music and community the band considers itself lucky to inhabit.
Of the album, BBNG says: "It took a year or two of just living life to get to the place where the
creative process was exciting again and once we actually went in to the studio it was the most
concise recording and writing process we’ve ever had. We hope that the improvised studio
performances bring the listener closer to our live experience."

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Fun And Games

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. close to NM

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The Very Best Of Quincy Jones

LP | 1976 | JP | Original (A&M)

LP | 1981 | JP | Original (A&M)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Comes with OBI. Slight ringwear and a bit of foxing on the back cover.

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Herb Alpert

Magic Man

Joe Lovano & Dave Douglas Sound Prints

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original Japanese pressing.

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On Pebble Street

7" | 2018 | US | Original (Greenleaf Music)

LP | 1972 | US | Original (A&M)

Release: 2018 / US – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2018!

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Gerry Mulligan

The Age Of Steam

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Stanley Clarke, Chick Corea, Joe Henderson, Freddie Hubbard, Lenny White

The Griffith Park Collection

LP | 1982 | US | Original (Elektra Musician)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Joe Cain & His Orchestra

Latin Explosion

LP | US | Reissue (Time)

Release: US – Reissue

Genre: Organic Grooves

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CD | 2024 | EU | Original (Edition)

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Joe Webb

Hamstrings & Hurricanes

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

LP | 1978 | JP | Original (ABC)

Rainbow Seeker

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1979 | US | Original (ABC)

Carmel

Art Blakey, Charlie Persip, Elvin Jones, "Philly" Joe Jones

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cut corner. Original inner sleeve. Original US Terre Haute Pressing.

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Gretsch Drum Night At Birdland Vol. 2

LP | 1961 | US | Original (Roulette)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1979 | US | Original (Interplay)

Joe Albany

Bird Lives!

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Sérgio Mendes & Brasil '66

Fool On The Hill

LP | 1969 | JP | Original (A&M)

7" | 1991 | UK | Reissue (Acid Jazz)

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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Humble Souls

Beads, Things & Flowers

Love Me With All Your Heart

Release: 1991 / UK – Reissue

Genre: Organic Grooves

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The Sound Of Summer on Acid Jazz - the Humble Souls sampledelic classic ‘Beads Things & Flowers’ gets its first outing on a 7-inch single as part of our new Acid Jazz classics series. A magnificent dance floor classic, ‘Beads Things & Flowers’ is the result of the creative coming together of Simon Anniky - previously of Beats International and Hugh Brooker of the Night Trains and The Hip Joints, an Acid Jazz fixture since its earliest days. Its seamless blend of Mod Jazz samples and tight beats is inspirational. The A-side 7-inch was the hit of our ‘Acid Jazz (Not Jazz)’ compilation last year, whilst the vocal version makes its first ever appearance since its 1991 single release!

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Victor Feldman

LP | 1964 | US | Original (Vee Jay)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Fukashigi No Karte Feat. Chihiro Sings / Instrumental

Fox Capture Plan

7" | 2024 | JP | Original (Urban Discos)

15,74 €* 20,99 € -25%

Stan Getz & Joao Gilberto

Release: 2024 / JP – Original

Genre: Organic Grooves, Pop

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The long-awaited 7inch release of fox capture plan's self-cover of "Fukashigi no Karte", the ending theme of the TV anime series "Rascal Does Not Dream (Seishun Buta Yaro)", in an English vocal version featuring Chihiro Sings and the original mix! The release coincides with the release of the latest film in the series, "Rascal Does Not Dream of a Girl with a Leather Backpack". The rich sound of the jazzy hip-hop rhythm, layered with strings and horns, expresses the original softness of the instruments in this new version, with English lyrics and singing by Chihiro Sings.

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Getz / Gilberto Gatefold Sleeve Edition

LP | 2018 | EU | Original (Dol)

Release: 2018 / EU – Original

Genre: Organic Grooves

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7" | 2024 | UK | Original (Panorama)

Fruko y sus Tesos

Salsa Na Ma

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Blue Note)

Joe Henderson

Page One

Release: 2021 / EU – Original

Genre: Organic Grooves

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Byard Lancaster, Clint Jackson Iii

Mother Africa

CD | 2024 | EU | Original (Souffle Continu)

Friedrich Gulda / Joe Zawinul

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions.

When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today.

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Music For Two Pianos

LP | 2012 | EU | Original (Jazzline)

Release: 2012 / EU – Original

Genre: Organic Grooves

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Bill Evans, W. Haffner, E. Mbappé & WDR Big Band

The East End

2LP | 2019 | EU | Original (Jazzline)

Release: 2019 / EU – Original

Genre: Organic Grooves

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A Different Destiny Clear Vinyl Edtion

Zy The Way / Ron Trent

12" | 2022 | UK | Original (Jazzy Couscous)

Simadan Kologa / Mi Ke Libertat

Release: 2022 / UK – Original

Genre: Organic Grooves

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Individuality, Harmony, Wit. Originating from the heart of Asia - Taipei, Taiwan, Zy The Way is a fusion collective spear-heading a new musical movement in a digital age. As the offspring of a film director, entertainers and multi-genre musicians, Zy The Way aims to create artistic content that will rock your socks. We believe that true balance is achieved not through the uniting of different social groups, but when we come together with our stories as an individual. Voices and vision, musical styles, personalities, and our own beliefs, Zy The Way is the fabrication of our collective imagination, where no one is left out.

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Konkie

7" | 2022 | EU | Original (Kelly Ocean)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Russell 'Konkie' Halmeyer was born and raised on the small island of Curaçao, located 60 kilometers off the coast of Venezuela. Konkie is a percussionist who specializes in the steelpan, a percussion instrument originating from Trinidad and Tobago that is made out of an industrial drum. He started playing at the age of 12. Throughout his career, he has explored the boundaries of the steelpan and associated genres. He has become one of the most innovative pannists in the Caribbean, taking the steel pan out of its context of steel bands, carnival and calypsos. In the 1990s Konkie toured through the States, where he performed frequently, merging steel band sounds with jazz.

In Curaçao, where he is considered the most important pannist of the island, Konkie mainly performs in hotels and at tourist sites. He enjoys performing for these crowds but his true passion and joy lie in arranging deep and melancholic compositions. These two tracks are the result of that joy. "Simadan Kologá" means "the hanging harvest". "Simadan" or “Seú” is the local harvest period on the island. "Kologá" means "hanging" because Konkie used a hanging steel pan for the arrangement. "Mi Ke Libertat" means "I want freedom". Instruments used: steelpan, drum, conch (seashell horn), and chapi, the iron part of a hoe that slaves used to work the fields with.

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LP | 1971 | US | Original (A&M)

Smackwater Jack

10" | 2021 | EU | Original (Rubyworks)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines. Embossed cover

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Rodrigo Y Gabriela

Jazz EP

Release: 2021 / EU – Original

Genre: Organic Grooves

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Sounds ... And Stuff Like That!!

LP | 1978 | US | Original (A&M)

LP | 1968 | US | Reissue (CBS)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Pressing!

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Joe Thomas Group

Comin' Home

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Original (Charlie Parker)

Joe Carroll

Man With A Happy Sound

LP | 2017 | EU | Original (We Jazz)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Jukka Perko Tritone

Dizzy

Lionel Hampton Presents: The Music Of Charles Mingus

Release: 2017 / EU – Original

Genre: Organic Grooves

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Alto sax man Jukka Perko, one of Finland's leading jazz artists, presents a new project Tritone, where he joins forces with the dynamic rhythm section of Antti Lötjönen and Teppo "Teddy Rok" Mäkynen (who have appeared together in projects such as Teddy's West Coasters, The Five Corners Quintet, Timo Lassy Band, Verneri Pohjola Quartet, etc.). Perko, once a member of the Dizzy Gillespie Big Band, has put together a set of tunes made famous by Dizzy for the re-evaluation by the highly talented trio. The time is right now, Dizzy's 100th anniversary, 30 years since the alto sax player, back then a teenage sensation, shared the stages with the likes of Sam Rivers, Jerry Dodgion, Jon Faddis, and of course Dizzy himself.

As Perko himself put it: "It's not about what Dizzy's music means to us, but rather what we can bring to it. We're adding our own piece onto the mosaic which makes up modern jazz."

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Charles Mingus

LP | 1977 | US | Original (Who's Who In Jazz)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1973 | US | Reissue (Prestige)

Ivan Boogaloo Joe Jones

Snake Rhythm Rock

Release: 1973 / US – Reissue

Genre: Organic Grooves

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CD | 2024 | UK | Original (Mr Bongo)

Finn Rees

Dawn Is A Melody

Do You Want To Sit On The Green?

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.

Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”

The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.

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Admiral

LP | 2020 | EU | Original (Wandering Eye)

Joe Sample - David T. Walker

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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After five years from "Cash On The Line" Admiral returns with some hot served distillate of his sweet psychedelic bliss. Admiral takes us on an acid soaked journey through the many realms of consciousness offering a unique and alluring soundscape that defies traditional boundaries."Do You Want To Sit On The Green" sounds like library music coming from a parallel universe where the familiar and the surreal seamlessly blend to create a musical tapestry that is both nostalgic and avant-garde.

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Swing Street Cafe

LP | 1982 | JP | Reissue (Crusaders)

16,14 €* 16,99 € -5%

Brother Sister / Candlelight Hugo Lx / DJ Spinna Remix

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert. Cover close to VG+

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Cho & Random Impetus

12" | 2022 | EU | Original (Menace)

16,49 €* 21,99 € -25%

Live From The Multiverse (Infinite 2)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Straight out of New York, the debut 7 inch by Cho and Random Impetus was presented by Menace label and first released in the USA in July 2019. Featuring the two singles "Brother Sister" and "Candlelight", the EP is a powerful call to humanity. Previously released on vinyl, this project was directed by Japanese artist Cho and features local musicians. It was recorded in analog, giving the track a very old school vibe by utilizing jazz, funk, soul and disco melodies to create a rich 1970s-esque sound. "Brother Sister", is a feel-good modern disco that could easily pass as something from the heyday of the genre, and "Candlelight," another sure-shot tune is a funk groover with its jazzy horn harmonies and strong male vocals. Many DJs featured the 7 inch record during their sets shortly after its release, including Floating Points, DJ Muro, Richie Medina and many more... becoming a club anthem in New York City. The record also caught the attention of Paris-based French DJ Hugo LX, who is very close to the Menace collective and also a genuine funk and disco enthusiast. Offering a remix album for Cho and Random Impetus' 7-inch record seemed evident for him. He invited DJ Spinna, the renowned hip-hop and house producer from Brooklyn, as well as his long-time friend and collaborator, to join him on the project. This remixed record actually enters a cycle in Hugo LX's work, as he collaborates with Japanese artists on a yearly-basis, among others Satoshi Tomiie, Toshio Matsuura, Kuniyuki or Takecha. The Paris-NYC-Tokyo triangle is also key in his work: his music drew many influences from these cities. Hugo LX remixed the track "Brother Sister" in a style matching the soul, funk, and disco vibes of his DJ sets, with a more contemporary approach. As for DJ Spinna, he delivered a progressive version of the track "Candlelight": more electronic-sounding, it feels softly psychedelic

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Giraffi Dog

12" | 2023 | UK | Original ((Emotional) Especial)

LP | 2023 | UK | Reissue (Intermusic)

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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(Emotional) Especial and Giraffi Dog join forces once more to offer up the second installment of their concept EP series. It is focussed on live and studio collaborations and this one comes in two halves: the first half kicks off with '6th Chakra' (feat DJ Deflektorschild) - a fully live deep house and hi-tek soul exploration with mind-expanding synths and Detroit drum sounds. 'King Otn' is a jack dup acid cut ripped with cosmic synth details and 'DX Metero' has sheet metal synths lashing about next to ethereal synths and busted drum breaks. 'Starfather' is a star-facing closer with elegant piano notes dancing over serene grooves. A vital showcase of this essential live artist.

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Joao Gilberto

Brazil's Brilliant

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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Chaka Khan / Freddie Hubbard / Joe Henderson / Chick Corea / Stanley Clarke / Lenny White

Echoes Of An Era

LP | 1982 | JP | Original (Elektra)

7" | 2022 | UK | Original (We Jazz)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Includes OBI and insert.

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Esa Pethman

In Belgium 1967

Kind Of Blue Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

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We Jazz Records kicks off their new series of archival 7" releases with Esa Pethman "In Belgium 1967" released 23 September 2022. The two-tracker is licensed from the Belgian VRT radio archives and both of the pieces are previously unreleased. Finnish jazz legend Pethman, heard here on alto flute and tenor sax, joins forces with European jazz greats such as Heinz Bigler, Uffe Karskov and Jean Fanis. This is a small but valuable piece of unheard European jazz history from the early heyday of modern jazz. The physical release is a quality "inside-out"-styled EP with 3mm spine and small center hole on the 45rpm vinyl.
An excerpt from the liner notes by Mikko Mattlar:
"Esa Pethman (b. 1938) was one of the key figures of modern Finnish jazz in the 1960s. His album The Modern Sound Of Finland was the first Finnish modern jazz album and his composition "The Flame" a true modern Fenno-jazz evergreen.
Pethman was born in Kuusankoski, 135 kilometres from Helsinki in the Kymenlaakso area. The jazz scene was active even though it was an area of rural landscapes and paper mills. Pethman discovered jazz when he heard a Charlie Parker record being played at a local music shop in the late 1940s. Following Parker, bebop became his favourite style of jazz.
Young Pethman played flute and saxophone in local bands who accompanied schlager singers. They played tangos and waltzes for dancers, but usually started a typical dance event with an hour of jazz. In 1959 Pethman moved to Helsinki to study music at the Sibelius Academy. Back then it was a strictly classical music academy, but Pethman later described the studies as crucial for his development and career. He quickly made his way to studio sessions and into the best orchestras in Helsinki.
As a student of composition, Pethman also began writing his own music. "The Flame" was a melody he just got on his mind one night, and he decided to write it down. The catchy composition was released as a 7" single in 1964, a year before Pethman's debut album. Both records stand as benchmarks for modern Finnish jazz. The album consisted entirely of Pethman's compositions, not versions of jazz standards like a lot of the Finnish jazz released until then.
In the mid 1960s, Finnish jazz was also taking its first international steps. Pethman's quintet took part in the first Montreux Jazz Festival in Switzerland in June 1967. At the Montreux jazz band competition, the quintet came in fourth of the twelve contestants. Despite not winning the competition, the band got an honourable mention, and Pethman was now recognized outside Finland.
In December 1967 Pethman travelled to Brussels. His visit was organised by the national Finnish broadcasting company Yleisradio and their jazz program producer Matti Konttinen. Konttinen was supposed to go to Brussels with Pethman, but the musician ended up traveling alone.
In the Decca recording studios Pethman played two songs. He recorded a version of his most famous composition "The Flame", where he played the alto flute and was accompanied by Belgian musicians. On Swiss saxophonist Heinz Bigler's composition "Like Steel", Pethman played the tenor saxophone. The band was now more international, consisting of Bigler, the Italian Francesco Santucci, the Dane Uffe Karskov, a Belgian rhythm section and Pethman. After 55 years, Pethman still remembers Bigler's remarkable skills as a saxophonist.
The two-day visit included the recording session, a dinner and a concert. Pethman and the other non-Belgian musicians came to Brussels mainly to play at a jazz concert organised by the European Broadcasting Union EBU. They played at the studio first, and the concert was held the following day. Pethman and all the other soloists played as members of an international big band. The studio and live session were produced by the Belgian Radio and Television jazz section leader Elias Gistelinck."

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Miles Davis

LP | 1959 | EU (Destination Moon)

Release: 1959 / EU

Genre: Organic Grooves

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A modal masterpiece from 1959, Kind of Blue is a true classic that never gets old, no matter how many times you listen to it. Bill Evans’ understated piano is the perfect foil for Miles’ melodies, contrasted by the soaring alto sax of Cannonball Adderley; Jimmy Cobb and Paul Chambers keep the rhythm section steady but unobtrusive, allowing Miles and Cannonball to shine. ‘So What’ and ‘Freddie Freeloader’ are seductive, deceptive gems, imparting all the frustration, begrudging and joy as only a great jazz record can; ‘Blue In Green’ and ‘All Blue’ have melancholy hues and ‘Flamenco Sketches’ a precursor to Sketches Of Spain. Every household should have at least one copy of Kind Of Blue, one of the greatest records ever made.

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Magic

LP | 2020 | EU | Original (We Jazz)

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi.

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V.A.

Ateneum 2019

LP | 2020 | EU | Original (We Jazz)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Helsinki's We Jazz Records presents "Ateneum 2019", part 2 of their ongoing "We Jazz Live Plates" series documenting the label's live activity. Recorded at the historic Ateneum Art Museum in Helsinki during spring 2019, the intense live compilation brings together three acts on the label's roster: Timo Lassy & Teppo Mäkynen, OK:KO and Alder Ego, each performing two tracks here.

OK:KO opens proceedings with their sound electrified by Toomas Keski-Säntti changing from piano to Fender rhodes, a little touch that opens up new avenues in their sound. The band who made a big splash with their 2019 debut album "Syrtti", present energetic new versions of the title track and the looping "Piik". Alder Ego, led by drummer Joonas Leppänen, shifts gears with a new deep version of their 2018 album track "Cubism", and add a new track "Mystery Room Nr. 6" into the mix. Timo Lassy & Teppo Mäkynen strecth out their compact tracks "Fallow" and "Goldenrod", which grow into new lenght and depth in the live setting.

"Ateneum 2019" released together with "Lonna 2019", We Jazz Live Plates vol. 3, is an inspiring example of the active and high quality jazz scene in Helsinki.

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V.A.

Lonna 2019

LP | 2020 | EU | Original (We Jazz)

Release: 2020 / EU – Original

Genre: Organic Grooves

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We Jazz Records presents "Lonna 2019", a nautical live album bringing together recordings captured at the successful concert series at the island of Lonna just outside Helsinki in July 2019. Part 3 of their ongoing "We Jazz Live Plates" series documenting the label's live activity, "Lonna 2019" features inspired performances by Aleksi Heinola Quintet, Antti Lötjönen Quintet East and Oaagaada. Drummer Heinola's quintet and the Hämeenlinna-based quartet Oaagaada make their We Jazz Records debut with this release, while Lötjönen is releasing his debut as a leader on the label in April.

"Lonna 2019" captures the easy-going feeling at the island series fittingly. Aleksi Heinola Quintet swings with their natural ability of making no-nonsense hard bop sound fresh in the contemporary setting. Antti Lötjönen leads his star-studded Quintet East through a high-spirited rendition of Don Cherry's "Art Deco". Oaagaada charm with their deep DIY spiritual jazz. And somewhere just above the music, a seagull screeches, echoing a perfect sunny day at Lonna.

"Lonna 2019" released together with "Ateneum 2019", We Jazz Live Plates vol. 2, is an inspiring example of the active and high quality jazz scene in Helsinki.

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Ville Herrala

Pu: Black Vinyl Edition

Imagine Giving Up Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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We Jazz Records presents "Pu:", the boundary-breaking solo debut of bass player Ville Herrala, to be released on 21 February 2020. Utilising only the double bass but looking at the instrument from various different perspectives. The end result is an inspired set of 14 miniatures, each pushing the concept forward in a highly personal way.

The first single "Pu: 12" presents a rhythmic approach with echoes of from the world of minimal classical music and electronic music. Bowed tracks such as "Pu: 2" offer another perspective, as does the second single "Pu: 10", going back to the essence of the instrument and opening new doors while doing so. Each of the tracks is a compact musical adventure unto its own.

Ville Herrala (b. 1979) is one of the most higly-regarded bass players working in the Finnish scene. He's known from the ranks of such top ensembles as PLOP, Jukka Perko Jazztet, U-Street All Stars, Jukka Eskola Orquesta Bossa and UMO Helsinki Jazz Orchestra, to name but a few.

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Jonah Parzen-Johnson

LP | 2020 | UK | Original (We Jazz)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Timo Lassy & Teppo Mäkynen

LP | 2019 | EU | Original (We Jazz)

Release: 2019 / EU – Original

Genre: Organic Grooves

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With Ralph Alessi Black Vinyl Edition

Terkel Norgaard

LP | 2019 | EU | Original (We Jazz)