Search "new+look" 2128 Items

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2024 | UK | Original (Soul Service)

Gledd

Flavours

Tape | 2024 | EU | Original (Blacklake)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Soul Service is a new label from the Atlanta-based party crew of the same name. For their first trick, they enlist the fine sounds of Italian Afro house and disco man Gledd, who shows his skills across blends of Latin, jazz, house, and world music influences. 'Jazz Con Sabor' opens with lots of frosty cymbals and big horn stabs over shuffling drums, then 'Dile' has a more playful and funky skip to it that soon infects your soul. 'No Lo Quiero Saber' (Latin mix) is deeper, more percussive and packed with sunshine from the expressive vocals.

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Jazz Sabbath

The 1968 Tapes

Piero Umiliani + Moonbrew & Paolo Apollo Negri Feat. Tilde

Release: 2024 / EU – Original

Genre: Organic Grooves

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You could say The 1968 Tapes is Jazz Sabbath's third album on which the trio, helmed by longtime Black Sabbath/Ozzy Osbourne keys and guitar player Adam Wakeman, present 7 new exploratory jazz arrangements based on Black Sabbath tracks from the period 1970-1973. You can also choose to believe the album's liner notes: Although never released until recently, Jazz Sabbath's music has been finding its way to millions for over 50 years. Through a vicious cycle of personal tragedy and plagiarism the songs intended to change the jazz world ended up giving birth to a much darker sound. Now a third recording from the Sixties has resurfaced, perhaps their most important one. Their very first recording was rejected by the label; the label manager said it was too experimental and had no hit potential. However, these tracks were also blatantly presented as 'original songs' by that band from Birmingham a few years later. Whether they copied them from live bootlegs or if they got their hands on the mix, it doesn’t really matter. Their lasting popularity, even in the crude way they were covered, only proves just how monumental these songs were and how record labels are often wrong. With the truth now finally out there and that Birmingham band exposed as the musical charlatans they are, Jazz Sabbath have finally mastered the 1968 tapes to present their best work to the public.

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Italian Library Songbook Vol. Ii (Masters Of Cinematic Music Reimagined Into Song)

7" | 2024 | EU | Original (Italian Library Songbook)

7" | 2024 | EU | Original (BMM Records)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Italian Library Songbook series, where contemporary producers and songwriters breathe new life in-to hidden tracks and outtakes from Italian soundtrack maestros, is back with its second installment.

This time, beat-maker and bass player Moonbrew, along with composer and keyboardist Paolo Apollo Negri, reimagine the iconic Piero Umiliani, whose influence resonates deeply with anyone who grew up with a passion for b-movies, library music, and soundtracks.

Joined by singer-songwriter Tilde, the duo put their unique spin on Umiliani’s “Nel Villaggio” (featured on side B of this release), an instrumental piece from his 1975 library album Continente Nero. The hypnotic marimba melody that opens the original track serves as the foundation for their reinterpretation. By sam-pling the marimba and combining it with synthesizers and a fresh beat, they create the perfect backdrop for Tilde’s vocals, giving birth to a new ethereal and dreamy song titled “As If It Matters” (on side A).

Joining the dots between the Seventies and today, Italian Library Songbook - Volume II pays tribute to Umiliani’s signature sound while firmly grounding the music in the present. Once again, the artwork is by graphic designer and calligrapher Luca Barcellona, who drew inspiration from elegantly bound classics book series to evoke the tactile element that makes vinyl records so unique and precious.

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Allez Kiki Fermentation

Cannelé / Qmqs

The Advanced Cookbook Of Mr Selig And Kanzler Z

Release: 2024 / EU – Original

Genre: Organic Grooves

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Italy's tastiest jazz-funk band is back to what they do best, sharing dreamy summer vibes with this new 2-tracker. Cannelé is a smooth, sun-drenched tribute to this sweet product of the Bordeaux terroir, that doublebass player and former Saint-Émilion employee Fabio Bordignon knows so well. Beautiful string arrangements come to sublimate the track with a highly cinematic feel. On the other side is the final studio version of Qmqs (Quando mai, quando sempre), which is an old italian expression to qualify people that only appear rarely, and always at the same specific occasions. This uplifting disco tune first appeared in its demo and live versions on previous releases Gusto di Luce and Live at Bolle Nardini, and has finally been re-recorded in a clean and groovy dress to be pressed on this 7inch record.

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Niemand Tanzt

12" | 1989 | EU | Reissue (Thank You)

LP | 2023 | EU | Original (New Interplanetary Melodies)

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Andreas Koeper is a German contemporary/experimental composer and drummer with a background in Philosophy and Art history. “Niemand Tanzt” was originally released in 1989 and in the past years it has become a sought after obscurity amongst diggers ever since Chee Shimizu put it on the radar after unearthing it throughout inspection rounds in Berlin record stores. Although the A-side might have been the essence of the single at the time, it's the B-side's “Pink Rhythm” that puts this release on the map for DJs, the track's gradient from an empty half tempo to rich 4 on the floor patterns serves any well versed DJ as an on-ramp for new gears to be put into place as the track grows into various ramifications of Andreas' studio production techniques: playful percussive elements, provocative guitar riffs over a solid rhythm section. Freshly remastered by manmade in Berlin.

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Strata-gemma

Radamanto

LP | 1962 | US | Reissue (New Jazz)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Strata-Gemma lands for the first time on Simona Faraone's label, New Interplanetary Melodies, with their third album: Radamanto. The trio, comprised of DJ and record producer Niccolò Bruni, musicians Luca Cacciatore and Andrea Moretti, masterfully blend jazz, electronic music and otherworldly atmospheres. Radamanto is a beautiful album, crooked, dense and vibrant, in which jazz, psychedelia, experimental electronics and more, elegantly merge for a nocturnal journey full of smoky suggestions.

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Dave Pike

Limbo carnival

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Healing Sword / Snake (Live)

7fo

7" | 2023 | JP | Original (EM)

CD | 2024 | EU | Original (Blacklake)

Release: 2023 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Electronic musician 7FO's first release on EM Records in a long time is a new tune and single that will change the image of 7FO. The new song, "Healing Sword," which the artist says they approached with the "feeling of being mysterious DIY musicians" (not a feeling, they actually are), was the first single song in 7FO history to be produced as a tribute to the 7" pop era and Joe Meek. "Surf synth acid dancehall rock!!" - Jackson Bailey (Tapes/Rezette)

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Jazz Sabbath

The 1968 Tapes

Dave & Lionel Loueke Holland

Release: 2024 / EU – Original

Genre: Organic Grooves

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United

CD | 2024 | EU | Original (Edition)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Jaromir Löffler & Jeho Kapela

Lasko, Lasko, Lasko (I'd Rather Go Blind) / Snehulak (Sugar Man)

7" | 2022 | EU | Original (Memory)

John Lewis & The New Jazz Quartet

Release: 2022 / EU – Original

Genre: Organic Grooves

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The two tracks on this 45 are the Czech versions of songs that share a somewhat similar story Löffler’s music – long forgotten then rediscovered to enthuse music fans once again. The first track is I’d Rather Go Blind originally interpreted by Etta James. It featured in a movie about the celebrated Chess Records label, Cadillac Records, where it was performed by Beyoncé and again gained on popularity. The second track, Sugar man by Sixto Rodriguez, was the leading song in a documentary that introduced Sixto to the new generations.

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Slavic Smile

LP | 1983 | FR | Original (RCA)

Release: 1983 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Kakra Kakra / Easebound Orange Vinyl Edition

Bird Moves

7" | 2022 | EU | Original (Oonops Drops)

CD | 2022 | UK | Original (Mr Bongo)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Bird Moves is the jazz offspring of the German band Noetics. Originally founded as a classical formation devoted to jazz, the members quickly explored its related styles. Without genre restrictions Bird Moves are mixing Jazz with anything from Funk to Dub and had their debut release on Agogo Records.

For this single they recorded two amazing new songs. »Easebound« is a groovy-breezy laid-back tune while late night cruising, slowing down or just daydreaming. On the flip you'll get an afro-tingled mid-tempo track named »Kakra Kakra«.

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Horace Tapscott Quintet

The Quintet

CD | 1976 | UK | Original (Mr Bongo)

Release: 2022 / UK – Original

Genre: Organic Grooves

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This previously unreleased album by the Horace Tapscott Quintet was unearthed from master tapes in the Flying Dutchman archives. Recorded in 1969 and was intended to be a follow-up album to the classic 'The Giant Is Awakened' which was released that year.

The iconic pianist and composer Horace Tapscott was one of the most unique and important figures in LA’s jazz world. This lost recording was produced by one of the pivotal figures in jazz, Bob Thiele, a leading behind-the-scenes star who worked with many of the greats in jazz, such as Quincy Jones, Duke Ellington, John Coltrane, Della Reese, Shirley Scott, Gil Scott-Heron, the list goes on. His name can be seen gracing, arguably the best, Impulse! releases and those released on his own Flying Dutchman imprint set up in 1969.

Joining Horace for this three-track, deep, heavy, avant-garde session is the same stellar cast featured on 'The Giant Is Awakened'; Arthur Blythe on Alto Sax, Everett Brown Jr on Drums, with David Bryant and Walter Savage Jr. on Bass. Kicking things off we have 'World Peace’, which starts with an almost baroque-esque melody, leading to an eruption in sound, it then ends in the same manner it began. The beautiful 'Your Child' is the jewel in the crown, skirting modal, deep jazz and introducing elements of free jazz. 'For Fats' with its bow bass and piano intro takes you on a journey, dropping into, at times dark, stormy melodies and developing a driving energy as the composition progresses.

After recording this album, Horace was said to be wary of the music industry, so he retreated and distanced himself from this world, recording only for the independent labels Ugmaa, Interplay Records, and Nimbus West Records. He set up The Pan-Afrikan People’s Arkestra and reintroduced the pan-African-roots sound back into the heart of jazz. He also developed and promoted the art form through performances and recordings.

Thankfully, this session from these wonderful musical pioneers was preserved and finally has its time to shine.

Featuring brand-new artwork by the illustrious artist/designer/musician Raimund Wong (Total Refreshment / Floating World Pictures)

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Ryo Kawasaki

Juice

12" | 2022 | EU | Original (Outervisions)

Release: 1976 / UK – Original

Genre: Organic Grooves

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Classic jazz-funk fusion from the late, great Japanese guitarist Ryo Kawasaki. Recorded in New York, and originally released in 1976, 'Juice' presents Ryo at the height of his powers.

Born in Japan in 1947, Ryo had a long and stellar career recording and releasing music up until his passing on 13 April 2020, in Tallinn, Estonia. Ryo is one of the pioneers of the jazz fusion genre, with the Japanese jazz fusion / funk sound becoming extremely influential within the 80s UK club scene and amongst its DJs. His track 'Trinkets & Things' became a bonafide underground classic. In the US he worked with some of the greats of jazz, such as Elvin Jones, Chico Hamilton and Bobbi Humphrey, to name but a few. A forward-thinking and ever-evolving musician, Ryo collaborated with the Roland Corporation and Korg on the 'guitar synthesizer' and later wrote music software for computers. Later in life he relocated to Estonia and worked there, as well as Finland, Sweden, and the Baltic states.

'Juice' has become a much-loved album for crate diggers and jazz-funk enthusiasts, with its tracks frequently being sampled and re-imagined in hip-hop. The smokey, beat-down, spiritual funk jam 'Bamboo Child' has been flipped by Diamond D, Puff Daddy, and Kool G Rap. The album was released in 1976 on RCA Records and features the musicians' drummer Jimmy Young, rhythm guitarist Hugh McCracken, and bassist Stu Woods amongst other luminaries. A solid album throughout that incorporates a heavy dose of tripped-out synths alongside the emerging disco sound of the time. Tracks such as the opener ‘Raisins’, with its drum beat intro and bubbling bass-line, rivals The Headhunters at their finest. A superb album from an underground legend.

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XOA

Program Change

Release: 2022 / EU – Original

Genre: Organic Grooves

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XOA returns with a new Jazz focussed sound to launch London based label Outervisions. Sax driven melodies cascade over rich analogue synths, punchy bass lines and crisp house influenced drums from some of London’s finest players.

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Mr Bongo Record Club Volume 5

CD | 2022 | EU | Original (Mr Bongo)

CD | 2020 | EU | Reissue (Astigmatic)

Release: 2022 / EU – Original

Genre: Organic Grooves

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It's hard to believe we are now up to Volume 5 of our renowned Record Club series. Curating these compilations, where we share our latest musical discoveries and old favourites from the global stage, is always a labour of love. This selection is less dancefloor-driven than our previous volumes, as fewer opportunities for live events drove us to explore other paths and styles in the musical spectrum. But, whether you're DJing for a kitchen or a club, there is still a generous serving of spicy dancefloor magic. For Volume 5, we looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. We pulled songs from the 70s up to the present day and feature a stellar cast of artists. There’s an exclusive track from Sven Wunder which was recorded solely for this compilation. We also have a track from Admin which was released as a private press 7" at the start of 2021 and one we felt was far too good to only be available for the lucky few. You’ll also discover one of our most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus! We hope you will enjoy this selection of seventeen eclectic songs as much as we do.

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Bloto

Kwiatostan

Tape | 2021 | US | Original (Drag City)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Despite the Covid-19 outbreak disrupting promotional and concert plans of the band Błoto, the three pressings of the debut album ‘Erozje’ have quickly sold out. Instead of leaving fans with old (recorded in 2018) material, the quartet decided to build the momentum and release the second album in 2020, entitled ‘Kwiatostan’ (‘Inflorescence’).

The streets of Warsaw in the first half of 2020 smelled of rain, disinfectant and electrical tension, caused by storms that broke out repeatedly. The black door of the elevator leading to the newly opening Jassmine club was reflected in the puddles. The faces of people passing by were covered with masks, and in street noise, one could hear the soft pulse of bass coming from somewhere below the ground... Two floors below, four musicians known from the Eabs group met for the first time since the global pandemic began.

Based on the collective improvisation, they recorded their new material for three days. Despite their previous success, the team did not try to recreate proven patents from ‘Erozje’, but rather treated them as a starting point. We can still hear the influence of the golden era’s hip-hop, but this time the inspiration goes deeper to the connotations with club music (house, juke), and everything, as usual, is based on jazz music. Anthony Mills' unexpected cameo in his rap incarnation as Toni Sauna completes the album entitled ‘Kwiatostan’.

It cannot be ignored that the entire globe at the beginning of the 21st century stinks of smog, tear gas used to break up protests, and the sour sweat of politicians. The earth is eroding not only due to water, wind, sun or gravity, but mainly as a result of human activity. The Błoto quartet communicated these problems on their first album. It turned out that we operate in a world in which the cover of ‘Erosion' quickly turned out to be prophetic. Inflorescence grows on the ruins of a world devastated by erosion - a new system of branching shoots ending with flowers. In 2020, most of the petals, pistils and stamens are surprisingly pale as they are constantly suppressed by the system in which they thrive, preventing flowers their lush colours and right to diversity. Just like police states that keep an eye on society. ‘System’ is a keyword around which Błoto’s second album revolves.

Błoto’s new album - ‘Kwiatostan’ will be released on September 11, 2020, on Astigmatic Records in collaboration with the Jassmine club in Warsaw. The album will be available on a unique vinyl, limited to 600 copies, and on all streaming platforms.

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Bitchin Bajas

Switched On Ra

The Architecture Of Oppression Part 1

Release: 2021 / US – Original

Genre: Organic Grooves, Rock & Indie

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It's almost four years since their last opus - two years since the most-recent run of live shows! Now, Bitchin Bajas return from whatever kind of rare ether they occupy when they're at home, bearing the riches of the whole cosmos in their hands. And strictly OG as well - on cassette only! Switched On Ra is the outcome of a typical Bajas exercise: pouring some out for the pioneers that came before (as they've done with Bitchitronics and their participation in the annual Chicago performance of "In C" over the years). It's a nice way to get a flow - they play a little of themselves, then some for the pioneers, then a little more for the band. Before long, they're playing with the inspirations twined, as they can only come from within. For Switched On Ra, this meant a deep delve into the song-book of one of their soul-predecessors, Sun Ra, whose music is literally written in the Bajas DNA. Digging into this music sounded wild on paper: the drone synth group taking on the Arkestra harmonies and Ra's loose grooves? The trick was to get that sense of rhythm to translate across the spectrum from Ra to Bajas, in a way that worked for them both. Their rearrangements of the tunes went good - up and down the EQ band, they were finding the round sounds and jagged edges that brought Ra's music into their own thing. Then at the last minute, there was another twist - why not pay tribute to the Queen herself, and think of the arrangements with a Wendy Carlos vibe? A little side homage? After all, Switched on Bach was visionary, bringing analog synths from the outside all the way into the mainstream in the late 60s - and this take on Ra is meant to take him to new ears everywhere. Sun Ra of course was his own kind of original keyboard visionary, using electric keyboards in the late 40s and 50s to fill a role in jazz that had traditionally been played on acoustic piano only. Once he'd done so, he took his writing in directions inspired by the electricity, places no one had thought to go before then. Doing what he did on the keys was a stand for individuality that became the background radiation of his journey through the cosmos; the search for a place beyond earthly dominance, for all the people who desperately wanted the fuck OUT. Bitchin Bajas have been content to dominate in a microtonal world, usually without a single chord to be found anywhere. But here, they step up righteously, their vibe triangulated as they bring Ra's music forward with some Wendy C style, making an unexpected space for all to thrive. There's a real feeling of joy as these collected signals bounce off the tape and through the speakers into your space. To get this unique colloid exactly right, Bitchin Bajas used nineteen different keyboards. They abstained from deploying their arsenal of reed and woodwind instruments: everything had to be on the keys. This meant Yamahas, Rolands, Korgs, Casios, a MicroMoog and of course their trusty Ace Tone organ. They even broke out the Crumar Ds-2, to have some of Ra's chosen tone in the mix. Then Jayve Montgomery added an EWI as a solo voice on a few tunes, just to get some air-blown signal (and a natural shout out to EWI master Marshall Allen) in there, after all. It felt like somewhere in the universe, Ra was decreeing it. Switched On Ra is an effervescent celebration of music throughout time and space.

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The Brkn Record

CD | 2021 | EU | Original (Mr Bongo)

LP | 1979 | DE | Original (ECM)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Brkn Record is a new project led and produced by Jake Ferguson, the co-founder and bass player for the UK’s foundational deep jazz outfit the Heliocentrics. With fellow Heliocentrics co-founder and legendary drummer Malcolm Catto, Ferguson has been a regular collaborator with globally recognised artists including Archie Shepp, Mulatu Astatke, Melvin Van Peebles, Orlando Julius and many others. The Architecture of Oppression Part 1 represents Ferguson’s debut as a bandleader and orchestrator, and manifests as a committed and soulful response to ongoing and systemic anti-black racism, social oppression and state violence both at home in London and across the globe. Combining poetry, testimony and song with rich and cinematic backdrops, Ferguson has produced a sui generis sound that conjures flavours of Arthur Verocai, Ennio Morricone, classic library productions, Madlib-style deep-jazz beat science, and psychedelic soul. With bandmate Malcolm Catto on drums, Ferguson draws on their long years of collaborative experience in the Heliocentrics to build an album of striking texture and depth. But the album does not only reflect Ferguson’s full-spectrum musical prowess, experience and vision. It is equally a manifestation of his longstanding and high-profile work as a frontline activist for racial justice and social equity in London and beyond. Alongside Malcom Catto, contributors to the album are drawn from the intersecting worlds of community activism, cultural education, politics and music, and include singer and political activist Jermain Jackman, Zara MacFarlane; Chicagoan activist, poet and singer Ugochi Nwaogwugwu; Lee Jasper, longstanding worker for racial justice and former advisor on equalities to the Mayor of London; acclaimed performance poet Dylema; Hackney community leader Janette Collins MBE and Leroy Logan MBE, founder and former chair of the Black Police Association, and the subject of Steve McQueen’s Small Axe episode ‘Red, White and Blue’. The Architecture of Oppression Part 1 is a singular and urgent chronicle of the black British experience, an upful expression of Pan-African creative unity and community solidarity, and a militant and unbending missive from the frontline in the great tradition of The Impressions’ This Is My Country, Irreversible Entanglements Who Sent You?, Max Roach’s We Insist - Freedom Now Suite, or Linton Kwesi Johnson’s Bass Culture. A broken record repeats itself, and never plays through – the music is interrupted or trapped in a cycle by damage to the grooves. But The Brkn Record is a work of healing and protection, and a chance to let the full story be heard – all the way to the end, no skips.

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Pat Metheny

New Chautauqua

CD | 2021 | UK | Original (XL)

Release: 1979 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

lamination peels on back cover. Small discoloration on label. Vinyl with a couple of light scuffs

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BBNG (BadBadNotGood)

Talk Memory

Glenn Fallows & Mark Treffel

Release: 2021 / UK – Original

Genre: Organic Grooves

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. Talk Memory,
the band's first album with XL Recordings, features 9 new songs and is due October 8th. The album
features musical contributions from Arthur Verocai, Karriem Riggins, Terrace Martin, Laraaji and
acclaimed harpist Brandee Younger, who has worked with Moses Sumney, and Thundercat. Sporting
visuals from Virgil Abloh, whose design firm Alaska-Alaska™ designed the cover for Talk Memory,
the album is an evolution focused on collaboration and the magic of improvised live performance.Demonstrating emotional and poetic progress, the new album is an aural odyssey and a heartfelt
expression of joy for the music and community the band considers itself lucky to inhabit.
Of the album, BBNG says: "It took a year or two of just living life to get to the place where the
creative process was exciting again and once we actually went in to the studio it was the most
concise recording and writing process we’ve ever had. We hope that the improvised studio
performances bring the listener closer to our live experience."

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The Globeflower Masters Volume 1

CD | 2021 | EU | Original (Mr Bongo)

12" | 2021 | EU | Original (Kryptox)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Globeflower Masters Vol. 1 takes its inspiration from classic soundtrack and cinematic composers such as Axelrod, Morricone, Gainsbourg, Jean-Claude Vannier and Piero Umiliani. Created during Summer 2020, this album is the product of a fruitful collaboration between Brighton-based musicians Glenn Fallows (The Impellers / Andres y Xavi) and Mark Treffel (Blue States / The Soul Steppers). These seasoned performing and recording artists have put their abundance of experience and skilful musicianship into effect with aplomb on this album. This is as accomplished a debut release as you will ever hear, and dare we say, a future classic in the making.

The Globeflower Masters project was borne from an idea Glenn had to create an album that leant on the influence of soundtrack and library composers - particularly of the late 60s and early 70s. This rich sonic palette had previously been innate in his writing and composition but, for this album, the direct inspiration was placed front and centre. After penning several sketches, Glenn contacted Mark to fulfil the vision he had for a complete sound. Mark had an arsenal of vintage synths, pianos and other fun toys which could supplement the drums, guitars and bass that Glenn had been working on. As the album progressed, the pair worked increasingly collaboratively, with each of them starting and sharing ideas to curate the final eight finished tracks.

The results are an album of lush, warm, timeless productions that are drenched in strings and classical instrumentation. Awash with atmospheric excursions, it is a listening experience that moves you through moods whilst transporting you to a world of deeply evocative settings and imagined scenarios. The Globeflower Masters Vol. 1 resonates equally as well on a dark melancholic Winter's day as it does sound-tracking a halcyon Summer day. Though influenced by 60s and 70s productions the record is not a simple pastiche, feeling both simultaneously brand new as well as authentically retro.

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David Nesselhauf

Rituals

LP | 2021 | EU | Original (Dualismo Sound)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Kryptox records was born to show what’s happening in the new scene in germany. And David Nesselhauf is the next upcoming artist. Kryptox will release his 6 track EP.?Nesselhauf is a multi-talented artists: bass player, composer, bandleader and man of very original ideas. He was already featured on the Kryptox’ Kraut Jazz Futurism compilation vol 1 (2019) and now delivers his first solo EP for the label. This EP is a follow-up in a longer musical evolution that the Hamburg born talent has been making over the past years. A journey that’s basically a style he is building that he calls afro-kraut. Before joining Kryptox he already released 2 albums under the Afrokraut title on his own (Bandcamp) before meeting Mathias Modica (head of Kryptox) and they decided to work together. So on the “Rituals EP“ Nesselhauf salutes his personal pantheon of musical gods once again, leading the listener through his musical Jungle encompassing Krautrock, Downbeat, Drone, Electronica, Afrobeat, Lo-Fi, Shoegaze, Funk and Ambient textures in the blink of an eye.? The 6 new tracks share a common feel, but are colorful individuals at the same time. Some more organic, others with electronic elements. About Nesselhaufs workflow: Four of these compositions are based on quick, playful, raw jams recorded live within hours by a group of Nesselhauf’s inner circle musicians. Great grooves played by a heavy rhythm section that he uses also for his live gigs. Just on a few songs, Nesselhauf exchanged the human musicians with a legendary Vermona Drum Synthesizer as the main rhythm ingredient. Guests: One more track was recorded with Julian Gutjahr, Drummer for The Drawbars. Some tracks feature guest appearances by Dennis Rux (he also mixed the EP) and Graeme Currie on guitar.

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Kaymany & Asestar

CD | 2020 | EU | Original (Favorite)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The city of Rome once again confirms the excessive abundance of records produced for the music industry, television and, even, shopping malls. The mistery that surrounds the musicians involved in these sessions makes the journey even more interesting and tense. “Was really that drummer involved in that record?” - “I don’t know” or, of course, “I don’t remember…”. Certainly, a new distinctive brick has now been added to the Italian Jazz-Fusion heritage.

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Le Deal

Jazz Traficantes

7" | 2020 | EU | Original (Six Nine)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Favorite Recordings presents Jazz Traficantes by LE Deal, a new musical adventure from the finest French jazzmen with Florian Pellissier (Piano & Fender Rhodes - Camaraõ Orkestra, Cotonete, Aldorande, Setenta), Yoann Loustalot (Flugelhorn – Bruit Chic, Old & New Songs, Aerophone, Lucky Dog), Théo Girard (Upright Bass – Pensée Rotatives, Discobole) and Malick Koly (Drums - The Wallace Roney Quintet). Needless to say, they’re used to play all over the globe and quite often to New York. During one of these trips to the Big Apple, they discovered that the legendary Van Gelder studio (where most of Blue Note, Verve and CTI albums were recorded) was still active and opened so they decided to book a few days session. Here is the story told by Florian Pellissier: “The tracks had been written the night before. We were going to run through them and then record. A simple plan. Van Gelder had passed a while back, but he left the keys and secret codes with his faithful assistant Maureen before heading off to create the right sound up in heaven. Nothing had changed in the atmosphere or configuration, not even the way the mics were placed. The studio and its wooden beams still exuded New York’s sixties jazz, dimly lit streets and clubs where anything might happen past midnight. Maureen knew just how to capture the ambiance of the sessions and bottle the energy without spilling a drop, taking infinite care to collect each cymbal tone, drum roll and trumpet phrase, without losing a single vibrating bass string or the slightest keyboard pause.” Indeed, the four contrabandists succeeded to deliver an outstanding album, filled with themes that’ll get stuck in your head, just like in the 19 minutes long performance “Mexican Junkanoo Suite” and its three parts. But more than just beautiful melodies, LE Deal truly managed to bring a sense of drama to their compositions, going into the deepest emotions through gutted arrangements, improvising with great attention to the articulation of their ideas. From the beginning to the end, musicians and engineers did their best to emulate the proper vintage sound. Jazz Traficantes could prove once and for all that French Jazz can indeed cross the borders. The album will be available as Tip-On Deluxe Vinyl LP but also on CD & Digital with a bonus track, “Noche en la Carcel”.

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Byron Jamez

Time Machine

CD | 2020 | US | Original (International Anthem)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Soul/Disco/Funk single here for the first time ever on vinyl! The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents Byron Jamez who now makes his debut on the label! Born and raised in Detroit, Michigan, Mr. Jamez has been living and breathing soul music all his life (his mother was an active musician already during the 1970s). Byron Jamez is a multi-talented man; an artist in the music business, an established actor and a master of advanced media skills. What we cherish the most right now is his pillow clenching voice and fantastic music, which definitely make this world much more beautiful. This release contains the brand new and stunning groover “Let’s Get Together” backed with the stepper-esque “Time Machine” on the flipside. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

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Jeff Parker

Suite For Max Brown

Tape | 2019 | CA | Original (Inner Ocean)

Release: 2020 / US – Original

Genre: Organic Grooves

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"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.

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Carsten Rubeling

Volk // People

Feelin' The Spirit / At The Monterey Jazz Festival

Release: 2019 / CA – Original

Genre: Organic Grooves

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imited to 100 copies.

Carsten Rubeling - trombone, keyboards
Andre Wickenheiser - trumpet, flugelhorn
Steve Fletcher - keyboards
Steve Shepard - bass, synth bass
Colin Adhikary - drums

Composed/Arranged/Produced by Carsten Rubeling
Co-produced by Sean Nimmons-Patterson
Recorded by Patrick Palardy at Public Lunch Studios
Mixed by Trey Mills at Unbound by Sound
Inner Ocean Records © 2019

Trombonist and Composer, Carsten Rubeling features his debut album on Inner Ocean Records. A powerful and fluid blend of jazz, soul, hip-hop and electronic music, skillfully navigating between traditional and modern influences on a distinctive sonic path.

Rubeling wrote and produced VOLK//PEOPLE with a vision to mix acoustic and electronic palettes in a way that never obscures its human feel. He weaves a fabric of hard-hitting drums, soulful improvisations and warm synthetics with the vibes of a live, instrumental mix tape.

Originally from Rocky Mountain House, Alberta, Carsten Rubeling is one of Canada's most active and dynamic trombonists and composers, highly in demand playing a wide array of music from jazz and classical music to hip hop, salsa and everything between.

Carsten completed his Masters Degree in Jazz Performance at the City University of New York where he studied with Michael Philip Mossman, Antonio Hart and Michael Dease. He earned his Undergraduate degree in Jazz Studies from Humber College in Toronto where he played alongside some of the Canada's best jazz musicians including Pat LaBarbera, Alastair Kay, and John MacLeod.

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Jimmy Witherspoon

LP | 2019 | EU | Original (Vinyl Passion)

12" | 2019 | EU | Original (Fly By Night Music)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Songs like “Deep River” and “Every Time I Feel the Spirit” were well-known to any African American church-goer at the time and unknown by the white audiences. Interestingly, Witherspoon chose the popular Randy Van Horne Singers (theme songs to the Flintstones and the Jetsons cartoons) to sing backing vocals on ‘Feelin’ The Spirit’. Most famous was his version of Bessie Smith’s “Ain’t Nobody’s Business.” However, Witherspoon’s appearance at the 1959 Monterey Jazz Festival restarted his career and exposed him to a new generation of record-buying fans. ‘Feelin’ The Spirit’, released in 1959, hoped to capitalize on Witherspoon’s newfound popularity (particularly with white audiences) by bringing traditional African- American spirituals into the national arena.

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291out

Habbanera

CD | 2018 | US | Original (International Anthem)

Release: 2019 / EU – Original

Genre: Organic Grooves

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291out ensemble return on Fly By Night with another well orchestrated project by Riccio.
The latest release on FBNM, 291out - Habbanera is thematically inspired by the 1982 Italian film score, "No Grazie il Caffè Mi Rende Nervoso" "No Thanks, Coffee Makes Me Nervous".
It was originally composed by James Senese and directed by Lodovico Gasparini, "Habbanera" has only previously been released on Senese's self titled LP in 1983.
This four tracker includes two new versions of the main title theme "Habbanera" and two remixes by the two Italian pioneers of house music and the balearic sound; Leo Mas and Fabrice.
291out "Original Version" is a cover of the main score theme, which also features on Senese's 1983 LP; the "Alternate Version" is also taken from the movie, but from a different scene, which has the same melody of the opening theme but with a different rhythm, never having been released before and completely reassembled by 291out.
Leo Mas & Fabrice provide two different cuts, one pitched-down boogie slow jam and one 4/4 dance-floor banger.

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Makaya McCraven

Universal Being

LP | 1958 | US | Reissue (New Jazz)

Release: 2018 / US – Original

Genre: Organic Grooves

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Universal Beings is jazz drummer / producer Makaya McCraven's new album - his most ambitious, elegant and refined work yet. Recorded at 2 intimate live sessions and 2 pop-up "studio" sessions across the "new" jazz hotbed cities of New York, Chicago, London, and Los Angeles, Makaya collaborated with an all-star cast of improvisers (15 musicians in total, including Shabaka Hutchings, Nubya Garcia, Jeff Parker, Miguel Atwood-Ferguson,Tomeka Reid, Brandee Younger and Carlos Niño) to create source material for the signature style of "organic beat music" production he debuted on the groundbreaking 2015 release In The Moment. The result is this epic, 2xLP set that represents another breakthrough in Makaya's career as a recording artist, as well as a definitive new work of the exciting global groundswell of next-generation, Black musicians re-vivifying and re-articulating "jazz" in 2018.

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Jerome Richardson

Midnight Oil

LP | 1962 | US | Reissue (New Jazz)

Release: 1958 / US – Reissue

Genre: Organic Grooves

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feat. Kenny Burrell & Hank Jones ...

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Roland Alexander

Pleasure Bent

Release: 1962 / US – Reissue

Genre: Organic Grooves

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CD | 2024 | Original (Ground Up Music Llc)

Edward Simon

Three Visitors

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

LP | 1958 | EU | Reissue (Not Now)

Cannonball Adderley

Somethin' Else

Tape | 2024 | EU | Original (Oonops Drops)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record is slightly warped but still enjoyable.

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Nautilus

Pacific Voyage

Turnaround (Rare Miles From The Complete On The Corner Sessions)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The brand new album "Pacific Voyage" by Nautilus from Tokyo is a breezy summertime soundtrack which combines sunny Yacht Rock with a touch of cool 80s City Pop.

The Japanese Jazzfusion trio reinterpretates stone cold classics from this era in their typical signature way of playing.

Songs like the heavy sampled "What You Won't Do For Love" by Bobby Caldwell and Toto's "Georgy Porgy" get a completely new coat of paint and fresh interpretation translated into now and tomorrow.
Followed by a who's who of tracks from Donald Fagen, Michael McDonald, Shuggie Otis, Nohelani Cypriano and Toshiki Kadomatsu to name a few.
Guest appearances on this album are from UK soul singer John Turrell (Smoove & Turrell), German rap legend Toni-L (Advanced Chemistry with Torch) and Japanese soul singer Ryuto Kasahara who worked with Grooveman Spot and DJ Mitsu The Beats so far.

Enjoy this pacific voyage.

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Miles Davis

LP | 2023 | EU | Original (Columbia)

The New Bill Watrous Quartet

Release: 2023 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Limited Blue Vinyl Edition.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.

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La Zorra

LP | 1982 | US | Original (Famous Door)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Eddie "Lockjaw" Davis With Paul Gonsalves

Love Calls

LP | 1968 | US | Original (RCA Victor)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1961 | EU | Reissue (Not Now)

The Bill Evans Trio

Explorations

LP | 1980 | US | Original (Atlantic)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition. White 180 gram Vinyl.

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Jean-Luc Ponty

Civilized Evil

Release: 1980 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1986 | JP | Original (NewAge)

Larry Kassin

World Piece

The Claude Williamson Trio

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing with obi.

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New Departure

LP | 1978 | JP | Original (Trio)

Cos / Daniel Schell & Dick Annegarn

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No obi.
Promo copy.

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Mein Maschin Ist Schön / The FF Boom

7" | 2021 | UK | Reissue (Finders Keepers)

Release: 2021 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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From the same continental cosmic egg that hatched Marc Moulin, Marc Hollander and Belgian synth fusion combo Placebo comes your favourite new Franco-Flemmish pop discovery. COS, where have you been all my life? Compact in name but wide-eyed in nature, it’s understandable how the 70’s band known simply as COS has remained trapped in the tight cracks between pop stardom and prog indulgence where other like minded names like CAN, Zao, Neu! And Egg have managed to squeeze into gaps of your record collection. In presenting one of the band’s most infectious and potentially crossover legible tracks on this exclusive user-friendly 45, COS mastermind Daniel Schell not only breaks an unlikely new format for this lesser-known femme-fronted, electro/jazz fusion/prog pop opera/would-be disco cinematic six-piece but also sends a sonic telegram to a new generation of futurist pop aficionados ready to explore the deep realms of his band’s dense, expansive and consistently rewarding catalogue. Placing the microscope over the central motif of the band’s onomatopoeic 1978 triptych known as Mein Maschine Ist Schön (My Machine Is Beautiful) this very rare proposed single edit from the group’s third album combines the type of warm, brooding, discoid funk and nymphish Morse code vocals that unite fans of Stereolab, Curved Air, Jan Hammer, Emerald Web and Ursula Dudziak not to mention Schell’s own close friends, the aforementioned, Hollander, Moulin and Placebo. A prog rock 45 might sound like a contradiction in terms but with a band like COS you can only expect them to defy convention. Backed here with another deeply conceptual sliced of deep orchestral symphonic psych from Schell’s short-lived FF Boom project from the previous year this suitably compact introduction to your new favourite COSmonauts provide digestible versions of some of Schell’s finest moments and clears the decks for future explorations of a wider musical universe waiting to be explored. Turn on this beautiful machine and let yourself melt into the COSmix.

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LP | 1975 | GDR | Original (Nova)

Jazz-Aspekte

Release: 1975 / GDR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Incredible Jazz Guitar Of

Wes Montgomery

LP | Reissue (Not Now)

LP | 2022 | EU | Original (JazzSick)

Release: Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: VG

Sealed copy with small seam split!

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Sebastian Gahler

Two Moons

7" | 1991 | UK | Reissue (Acid Jazz)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side B.
Cover as new with faintly worn corners.

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Humble Souls

Beads, Things & Flowers

Fly Away Record Store Day 2022 Vinyl Edition

Release: 1991 / UK – Reissue

Genre: Organic Grooves

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The Sound Of Summer on Acid Jazz - the Humble Souls sampledelic classic ‘Beads Things & Flowers’ gets its first outing on a 7-inch single as part of our new Acid Jazz classics series. A magnificent dance floor classic, ‘Beads Things & Flowers’ is the result of the creative coming together of Simon Anniky - previously of Beats International and Hugh Brooker of the Night Trains and The Hip Joints, an Acid Jazz fixture since its earliest days. Its seamless blend of Mod Jazz samples and tight beats is inspirational. The A-side 7-inch was the hit of our ‘Acid Jazz (Not Jazz)’ compilation last year, whilst the vocal version makes its first ever appearance since its 1991 single release!

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Electrified A.G.B.

12" | UK | Reissue (Dome City)

15,19 €* 15,99 € -5%

Character Actor Ep Record Store Day 2024 Edition

Release: UK – Reissue

Genre: Organic Grooves

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Anyone got a spare $3000.00? That's what it will cost you for the Only available 12" copy in the world right now and one of the world's holy grail independent Jazz-Funk gems.

"Fly Away" by Electrified A.G.B. (All Girl's Band) is a flawless slice of super-rare New Orleans slinky Jazz-Funk which could have come straight out of a ‘70s Lonnie Liston-Smith or Patrice Rushen session. It's literally that good. Previously stymied by it's extreme rarity, we're proud to finally be able to reissue the 12" on the original Dome City label and finally see this hypnotic and infectious jam reach a wider audience. Expect demand from across the board as there will be much interest in this previously unknown classic.

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The Near Jazz Experience

LP | 2024 | UK | Original (Sartorial)

15,29 €* 17,99 € -15%

LP | 2022 | EU | Original (Discrepant)

Release: 2024 / UK – Original

Genre: Organic Grooves

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This is a 5 track EP of brand new, previously unreleased material from The Near Jazz Experience (Terry Edwards, Mark Bedford and Simon Charterton).

Whilst recording the new album Terry asked pianist Mike Garson (best known for his work with David Bowie, Nine Inch Nails, Smashing Pumpkins) – whom Terry has toured with if he’d like to play on a track. Mike said yes, recorded a stupendous solo for Character Actor at his home studio and sent it over. All in the space of 24 hours! On hearing the piano part NJE bassist Mark Bedford came up with the idea of having the piano mixed with the original track (as intended) but also using it as the basis for a completely new recording with the piano leading rather than complementing the band.

Side 1 of the EP has these two very different versions from the same seed. Unidentical twins indeed. Side 2 of the EP contains 4 outliers from the album sessions. These aren’t out-takes or unfinished pieces. They simply couldn’t find a place for themselves within the album – along the lines of the tunes Tom Waits put together for his Orphans compilation of 2006. They are standalone tunes which have found a home together on this EP because in some way they all have filmic qualities.

Side 1 contains 2 takes on Character Actor (the title being a nod to Cracked Actor, a tune on Aladdin Sane, the album that introduced Bowie fans to Mike Garson), and Side 2 has The Loping Four; Projector; MacGuffin and Lockstep, all titles which contain strong cinematic elements, MacGuffin in particular.

It was Alfred Hitchcock’s favourite word for a red herring in the plot. The musical cast on this release has a remarkable pedigree. The NJE consists of Terry Edwards (solo artist and session player with PJ Harvey, Franz Ferdinand, Siouxsie, Jimi Tenor, Piroshka, Tindersticks etc); Mark Bedford (Madness, Robert Wyatt, Robyn Hitchcock, Nightingales etc); Simon Charterton (The Higsons, Alex Harvey, Zook, Serious Drinking etc). Alongside featured guest Mike Garson there is an appearance by Oliver Cherer (Aircooled, Miki Berenyi Band) on keys and synth.

This is an RSD exclusive on black vinyl in full colour sleeve which reflects the filmic quality of the recorded material. No download. The title track will appear on the next Near Jazz Experience studio album. The 4 additional tracks, however, will remain exclusive to Record Store Day.

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Ondness

Oeste A.D.

15,59 €* 23,99 € -35%

LP | 2021 | EU | Original (Rotkat)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Somewhere in the middle of the first track, “Torres e Baldios”, there’s a sudden change of pace with percussion rhythms interfering with the trance-like sound of the first six minutes. It sounds like steps, people running away on a corridor bashing their feet. It dazzles you because of how unexpected it is, how unpredictable those sounds sound like and, most of all, how it makes perfect sense. It is a monstrous piece. And the beginning of a new age for Ondness, in the same year he defied his Serpente moniker to create an absolute classic, “Dias da Aranha”.

What makes “Oeste A.D.” so remarkable is the intangible idea of nostalgia. “Aqua Matrix Alternative Nation” recreates with a slowed down mentality the theme of one of the main events of the Expo 98 in Lisbon. It’s nowhere similar to the original, what it does is to mess around with the global ideas that were such a big part of that event. The Portuguese musicians that were invited to collaborate with Expo 98 were mesmerized by the ideas of union and globalization, creating overpriced music that sounds like shit today. “Aqua Matrix Alternative Nation” messes around with that vibe in a positive way. Think Mark Leckey playing around with his rave memories. Same thing, but in Portugal we had Expo 98.

Jokes aside, B Side is more futuristic with “Torres e Baldios II” and “Endless Domingo”, a nod to “Endless Summer”, by Fennesz, and “Endless Happiness” (from “Beaches And Canyons”), by Black Dice, mashing up – freely - both covers and reminding of how great 2001/2002 was for experimental music. Both tracks are full of sci-fi drama and this sickness of the future that has been travelling with Ondness since its early days. But the approach here is somehow different. Before “Oeste A.D.” the Ondness sound was fragmented, sparse and intensively reflexive. There was this uncertainty to it that made the previously releases so good. But “Oeste A.D.” is full of clarity, the phrases are straightforward, and the music moves in one direction, continuously. Before, there were loads of unanswered questions. The only doubt is when will the world start to care and listen to Bruno’s brilliant music. Now sounds like a good time.

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Namid & Sondervan

15,74 €* 20,99 € -25%

Sonny Terry & Brownie McGhee

Release: 2021 / EU – Original

Genre: Organic Grooves

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Namid & Sondervan is a collaboration between jazz quartet Namid and live coder Dago Sondervan. A debut album like a rhizomatic cyber-attack of quantum melodics flowing in all directions, constantly interconnecting,creating new universes at every junction. Squarepusher, Sun Ra and Moondog on a collision course. Headfirst into the future.

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In London

LP | 2020 | EU | Original (Not Now)

15,74 €* 20,99 € -25%

Release: 2020 / EU – Original

Genre: Organic Grooves

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Fukashigi No Karte Feat. Chihiro Sings / Instrumental

Fox Capture Plan

7" | 2024 | JP | Original (Urban Discos)

15,74 €* 20,99 € -25%

7" | 2024 | UK | Original (Jazz Room)

Release: 2024 / JP – Original

Genre: Organic Grooves, Pop

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The long-awaited 7inch release of fox capture plan's self-cover of "Fukashigi no Karte", the ending theme of the TV anime series "Rascal Does Not Dream (Seishun Buta Yaro)", in an English vocal version featuring Chihiro Sings and the original mix! The release coincides with the release of the latest film in the series, "Rascal Does Not Dream of a Girl with a Leather Backpack". The rich sound of the jazzy hip-hop rhythm, layered with strings and horns, expresses the original softness of the instruments in this new version, with English lyrics and singing by Chihiro Sings.

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Goma Laca

Cala Boca Menino

7" | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Two fabulous funky tracks originally released on the award winning album Goma-Laca – Afrobrasilidades in 78 rpm which updated Brazilian Music originally recorded on 78's in the 1920s to the 1950s. With musical direction and arrangements by Letieres Leite, the vocal pyrotechnics of Russo Passapusso and Juçara Marçal masterfully accompanied by double bassist Marcos Paiva, Hercules Gomes on piano, Sergio Machado on drums and percussion master Gabi Guedes. Under the direction of Letieres, the group created with the singers arrangements of jazzy tones over Afro-Bahian rhythms, and everything was recorded live at Estúdio Traquitana, in São Paulo.
The version of Cala Menino Boca best known from the version by Joao Donato that's been doing the Dancefloor round since the early Acid Jazz days here gets a funky and rhodes led percussive update and of course the traditional tune "Ogum" gets a soulful jazz run through, folky funk like you've never heard before. This is yet another welcome addition to the Jazz Room canon, watch those dancefloors light up when this wax spins!

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Soyuz

If You Ask / Tenorio

Groovin' You / Modaji / Till You Take My Love Record Store Day 2019 Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

Proudly presenting, ‘Калі ты запытаеш (If You Ask)’, a brand new, blissed-out pop production with a ‘70s AOR touch, by the ever-on-point Soyuz (союз). Coming at a period between albums, the single features guest appearances from the sensational musicians, Biel Basile (O Terno, Sessa) and Anthony Ferraro (Toro Y Moi, Astronauts, Etc.). Friends of the band, they add their signature touch on the drums and synth respectively. To complete the package, Soyuz back the title track with a short but sweet, Wurlitzer-laden, MPB-tinged number, ‘Tenório’.

‘Калі ты запытаеш (If You Ask)’ tells the story of lost dreams. A track that can be interpreted either as a bittersweet longing for childhood times, or for a native place you can’t return to. For the writer Alex Chumak he suggests, "In my case, as in the case of many Belarusians, it’s both".

For this song, Alex chose to sing in his native Belarusian tongue. As he explains this language "to me feels underrepresented in pop music, also it’s a beautiful legacy and sonority that I wanted to share with the listeners of our project around the world". One of the key inspirations was a Belarusian band “Песняры” (“Pesniary”), who produced a host of great progressive folk, jazz fusion and AOR, from the ‘70s to the ‘90s, predominantly sung in Belarusian.

Another key influence was the music coming out of the Brazilian state of Minas Gerais in the ‘70s, drawing inspiration from the sentimental and harmonious music of Beto Guedes, Lô Borges, Fernando Oly and Wagner Tiso.

Having parted ways with their drummer Anton, Soyuz needed to find a new way to produce songs. The answer was to go remotely. Alex contacted the brilliant Biel Basile, who had recorded Sessa's contemporary classic ‘Estrela Acesa’, in which Alex also participated. Utilising Biel and Sessa’s newly built studio in São Paulo, Soyuz had Biel record the drums directly to tape to get the rich sound they were after. Adding the final magic into the mix, California’s Anthony Ferraro provided a beautiful Solina String Ensemble synth arrangement, with drummer/recording engineer Albert Karch expertly assisting with the production.

To capture the essence of the single visually, Alex and the Brazilian one-man-industry visual artist Gabriel Rolim, spent a blazing sunny May day in Berlin shooting film and stills – one of which became the perfect cover image. We hope you enjoy this little nugget of Soyuz mastery, a sweet taster to savour while the new album is recorded.

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Harvey Mason

12" | 2019 | EU | Original (Arista)

Release: 2019 / EU – Original

Genre: Organic Grooves

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A trio of Harvey Mason classics reissued on 12 inch - 'Groovin' You' and 'Till You Take My Love' capturing the heyday of the New York discotheque, alongside the emotive, blissed-out 'Modaji' which features Hubert Laws' flute melodies that power it's jazz dreaminess.
Remastered for 12" audio power.

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Mr Bongo Record Club Volume 7

CD | 2024 | UK | Original (Mr Bongo)

12" | 2024 | UK | Original (The Quiet Village)

Release: 2024 / UK – Original

Genre: Organic Grooves

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It's a pleasure, a labour of love and a yearly highlight to present a new volume of the Mr Bongo Record Club series. In this collection, we have curated new finds alongside old, treasured tracks that hold a special place in our hearts, selecting music inspiring us from the Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo genres. We have chosen a diverse array of artists, including Os Panteras from Brazil, stomping underground disco by Claude Jay, the Danish soul sounds of Gitte & Inger and the gospel excellence of Truth & Devotion, to name a few.

Most of the selections in this volume are older vintage productions, however, there is one very special contemporary production, recorded exclusively for Mr Bongo Record Club 7. For ‘Spring Has Sprung’, we linked three of our cherished musical family together; the legendary cult artist Asha Puthli, the wonderous band Soyuz and Swedish maestro Sven Wunder. The result, as you’d expect, is completely breathtaking.

Reflecting on Volume 7, it now feels like a record comprised of two themes. Firstly, we have gone quite heavy on the Brazilian selections. This saw us searching further afield and digging into other areas of the endlessly rich Brazilian musical tapestry. The reflection of a more folk / Afro-Brazilian sound than presented in previous volumes in the series, can be heard in the songs of As Sublimes, Romeu Fernandes and Conjunto de Percussão Dora Pinto. The second theme is a representation of the tracks that we have been playing in our club DJ sets and are aimed more at the dancefloor. Disco tracks such as 'Come Inside' by The Shades of Love and The Duncans' 'Too Damn Hot' have been firmly tested favourites in recent years.

We hope these songs, by the sensational artists on display, inspire you as much as they do us. Music is the gift that keeps giving and there is so much more to learn, find, and share.

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Quiet Village

Reunion

12" | 2023 | UK | Original (Major Keys)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Quiet Village announces new label, The Quiet Village, and new single, ‘Reunion'. Matt 'Radio Slave' Edwards and Joel Martin's critically acclaimed project's first official single under the Quiet Village name in seventeen years!

Beginning life as a 'heady 6/8-time urban jazz odyssey, 'Reunion is a stunning piece of modern, Hi-Tech Jazz that draws influences from Pat Metheny, Timeline, Innerzone Orchestra, and Clyde Stubbelfield's drumming.

While previous Quiet Village material was hewn from a myriad of samples extracted from Edwards' and Martin's notorious digging, 'Reunion' and its follow-ups are drawn from a tight-knit crew of session musicians, including the likes of Jon Hester and Thomas Gandey, adding further depth and feel to the QV sound. Already a firm favourite with Gilles Peterson and Luke Una, the latter of which leaked a clip of the release via his inimitable Instagram presence and called it 'something so fucking beautiful. Tony Allen, Sun Ra meets Carl Craig, Underground Resistance, house, tech, funk, everything rolled into one'.

'Reunion’ is the first single on The Quiet Village, Quiet Village's new imprint. Despite continually producing new music and a slew of remixes, most recently for Running Back and Isle of Jura, the long-term friends and collaborators have been unable to release under their Quiet Village moniker since their LP 'Silent Movie' in 2008. While a few releases under QV and their sometime DJ aliases of Maxxi (Edwards) and Zeus (Martin) have emerged, 'Reunion' is the beginning of a new and re-energised Quiet Village that will see more original material and remixes, DJ and live touring that began in Japan in May and curated compilations of treasures, old and new, in the coming months and years.

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The Dave Brubeck Quartet

Take Five

CD | 2024 | EU | Original (Souffle Continu)

Release: 2023 / UK – Original

Genre: Organic Grooves

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A certified maestro of his time, king of Cool Jazz with a penchant for unusual time signatures, Dave Brubeck is as prolific as they come. For their third release, Major Keys lovingly remaster and reissue three of his key pieces as The Dave Brubeck Quartet including the instantly recognisable ‘Take Five’ on 180g vinyl in a Major Keys sleeve. On the A side one of the most famous jazz pieces of all time. Released in 1959 as part of the Quartet’s Time Out LP, which become the first jazz album to sell more than a million copies with the ‘Take Five’ single also taking that that coveted spot whilst going on to become the best-selling jazz single of all time. Accolades aside, it’s an intricate, absorbing and elating piece of jazz history, with one of the most recognisable melodies ever to be written. Timeless genius written by the quartet’s saxophonist Paul Desmond and performed by Dave Brubeck, Paul, Joe Morello and Eugene Wright, reissued for a new generation of listeners. The B side sees ever more experimentation from the quartet, with the time signatures Dave heard on the streets of Istanbul providing the inspiration that gave birth to the lead track from Time Out - ‘Blue Rondo a la Turk’. As cool and complex as they get, stirring up those meters like a slick Manhattan. Rounding off the package, American jazz singer Carmen McRae’s 1962 vocal version of ‘Take Five’ gives an extra dose of sophistication to proceedings. All in all, a must have for any discerning music lover.

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Byard Lancaster

Funny Funky Rib Crib

Byard Lancaster, Clint Jackson Iii

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul.

If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)...

Funny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib

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Mother Africa

CD | 2024 | EU | Original (Souffle Continu)

Byard Lancaster, Steve Mccall, Sylvin Marc

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions.

When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today.

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CD | 2024 | EU | Original (Souffle Continu)

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums.

On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is great Black music.

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Fusion Global Sounds 1970-1983

CD | 2022 | EU | Original (Favorite)

Tonu Naissoo Electric Trio

Release: 2022 / EU – Original

Genre: Organic Grooves

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Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and Brazilian Disco Boogie Sounds compilations series. This time, recordings come from Sweden, Switzerland, South Africa, New Zealand, Uruguay, Spain and France, from artists and bands mostly known in their local scenes. You'll hear here the best elements of the Fusion and Jazz-Funk genre: breezy vocal arrangements reminding Flora Purim in Return To Forever or George Duke's albums, sweet and virtuosic Fender Rhodes (kind of common thread of the comp), melodic spiral-shaped fuzzy synthesizers leads, or irresistible basslines, altogether bringing a unique groove to life. "Buster" is taken from the first and only album of the Swedish band, Sundance. The band from Gothenburg was formed around US trumpet player Stephen Frankevich (notably playing with Mahavishnu Orchestra) after he moved to Sweden. Cosmic, with razor-sharp rhythms, it naturally brings you to the second title, "Hello Mr. Ancuvis" by Renato Anselmi. One of the key players of the Swiss Jazz scene during the sixties and the seventies, Renato also had the chance to play with Harvey Mason or Alphonso Johnson. Funky, jazzy but still a bit breezy, here again sweet vocals nicely blend with uptempo Rhodes part. Also included is another title from Renato Anselmi, "Quiet Fire", a mellow Rhodes-driven ballad with funky accents, wide strings and guitar arrangements. "Tropical Island" by Zane Cronje, a South-African composer and arranger, was initially a track from a music library catalogue: dreamy, soaked in thorough synthesizers, we're only attached to the earth by the Guiro groove. You'll also hear this cosmic vibe in "Astral Dance" by French-American drummer and Jazz musician/composer Daniel Bechet, taken from Songs To My Father LP, dedicated to his father the famous Sax/Clarinet player Sydney Bechet. In this 4 minutes dope jam, keys, guitar and percussion will elevate your mind to another level of consciousness: deep! The 1860 Band was hailing from Wellington, New Zealand, playing mostly in bars, cafes and pubs - their name is taken from a tavern where they had an extended afternoon residency keeping the clients entertained. Their sole LP, now rare and sought-after, was a nice mix of Jazz-Funk and Disco grooves. Their amazing and groovy cover of "Keep That Same Old Feeling" by The Crusaders, brings the best of their playing. Otroshakers was formed around Hugo and Osvaldo Fattoruso, as a tribute project to their former band Los Shakers, some sort of copycat band of The Beatles with great success in Latin America. Listening to "Siempre Tu", you can almost hear The Beatles' psychedelic vocal of Sgt. Pepper's Lonely Hearts Club Band. Later joining Ringo Thielmann in the US, they formed the band OPA together, after having recorded for Airto's seminal album Fingers. Blending Jazz, South-American musical elements and Funk, their fusion quickly gained the respect of the NY musical scene. "Despertar" by Spanish drummer, singer and actor Pedro Ruy-Blas, is taken from Luna Llena, his great first Jazz-Funk album. The track is a funky piece with wah-wah expressive Rhodes, ending with a beautiful flute solo. "Prologue" by Dutch-French pianist Majoie Hajary (sometimes called the "Hindu pianist"), can be found on La Passion Selon Judas, a very unique religious album blending her own style with Psych, Funk and Jazz elements. Surely we could continue detailing stories of all these gems, but we guess that the best way to learn more about them, is to listen to Fusion Global Sounds, fully remastered from originals and whether your preference is for vinyl or CD formats.

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Different Directions

CD | 2022 | EU | Original (Frotee)

7" | 2021 | EU | Original (Four Flies)

Release: 2022 / EU – Original

Genre: Organic Grooves

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A new album by legendary Estonian pianist Tõnu Naissoo, accompanied by his new group Tõnu Naissoo Electric Trio !

Accompanied by his synthesizers and two of the best Estonian jazz musicians, bassist Mihkel Mälgand and drummer Ahto Abner, Tõnu Naissoo began recording his album “Different Directions” in the autumn of 2019 at the legendary Linnahall studio that he had booked for that purpose several years in advance. The new tracks he composed for the album flow from jazz-rock to smooth jazz, lingering briefly on the frequency of free jazz. The popular Estonian jazz pianist Tõnu Naissoo was born in Tallinn, Estonia in 1951. His father Uno Naissoo was a renowned composer and an organizer of jazz festivals, who encouraged Tõnu to take an interest in jazz and improvisation. By the age of 15 he had already begun participating in local jazz orchestra. He performed first time with his trio and presented his jazz music compositions at the international Tallinn Jazz Festival of 1967 in Tallinn. The next year he was given an opportunity to record his own album. Since then he has dedicated himself to jazz music and recorded around 30 albums that have been released in Estonia, Japan and Russia. Most of his earliest recordings have been reissued in recent years. “Different Directions” feels like Tõnu Naissoo’s ’missing piece’ album from the 1980s. It will be a worthy addition to Tõnu Naissoo’s and Frotee’s discography.

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Alessandro Alessandroni

Shine On / Prohibition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Four Flies keeps digging into the secret archives of Alessandro Alessandroni to bring hidden treasures back to light. After two successful releases - the EP Afro Discoteca and the compilation album Lost & Found -, it is now the turn of a new 7’’ single featuring two tracks with a strong soul-funk influence, sung by the Maestro’s beloved Cantori Moderni in a typically Italian harmonizing style, poised somewhere in between gospel and disco music. Both tracks are previously unreleased and were recorded in the same 1976 sessions that birthed Sangue di sbirro (Knell, Bloody Avenger), his most blaxploitation-inspired soundtrack.

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LP | 2020 | EU | Original (Wagram)

Brazil

Release: 2020 / EU – Original

Genre: Organic Grooves

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Chameleon / Watermelon Man

Herbie Hancock

12" | 2018 | UK | Original (Columbia)

7" | 2024 | UK | Original (Panorama)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Major Keys is a brand-new audiophile label focusing on fully licensed reissues of jazz classics, pressed on 12” for a fuller, louder version compared to the original album cut. What better way to kick of the series than housing Herbie Hancock’s imitable ‘Chameleon’ and ‘Watermelon Man’, loud and proud on either side of a 12” - remastered and cut by the engineer of the original Head Hunters LP from 1973.

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Gustav Brom

Calling Up The Rain

CD | 2024 | WW | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Czechoslovakian big band legend Gustav Brom has graced dancefloors with his music for a long time, you've probably heard his work and not realised it. Panorama returns with "Calling Up The Rain", from his 1976 album "Gustav Brom plays for you Pop Jazz and Swing" Gustav infused big band jazz and a latin groove into this dancefloor weapon, Organ solos, Trumpet solos and a screeching guitar solo. What's not to love?

Presented as a reissue by the newly launched London-based record label, Panorama Records, "Calling Up The Rain" reaffirms the label's discerning direction and "Don't Judge A Record By It's Cover" attitude. Championed by Gilles Peterson, Patrick Forge and a few other legends in the game, Panorama Records aims to reintroduce this big band hit to new audiences, establishing itself as a tastemaker in the business of reissuing global grooves. It comes with a sticker on the front with quotes from tastemakers Patrick Forge, Rainer Trueby and Zag Erlat (My Analog Journal).

With this release, record collectors can anticipate a discovery of Gustav's anthem, for the first time on a 45 and a first time official reissue, a full blown party starter, as Panorama Records presents "Calling Up The Rain" as a timeless reissue. The label shook mountains with it's first release of Gitte and Inger, with huge DJ support from Gilles Peterson, Ross Allen and other great tastemakers. Pan002 is here, Buy or cry!

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Raul Gomez

The Sorcerers & The Outer Worlds Jazz Ensemble

Release: 2024 / WW – Original

Genre: Organic Grooves

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For the next reissue in Mr Bongo’s Cuban Classics series, we look to Raúl Gómez’s entrancing 1977 Instrumental album. Presenting a unique blend of orchestral disco and jazz-funk, with Afro-Cuban flavours and soundtrack influences, it’s rich with drum breaks, energy and evolving compositions. A record that forever keeps you guessing, powered by an exemplary orchestra at the top of their game.

Cuban composer and singer Raúl Gómez is most known for featuring in the groups Mirtha Y Raul and Los Bucaneros alongside producing the Cuban classic Los Reyes 73 album, amongst a whole host of other incredible productions over the years. Released on Cuba’s state-owned label Areito, Instrumental sees Gómez not only as an instrumentalist and author, but also as a producer and arranger.

It's an album that deftly evades pigeonholing. Floating between instrumental mood music and library/soundtrack mastery, followed by explosions of cosmic-Latin funk, psych guitar workouts and compositions that reflect the orchestrated disco coming out of the US at the time, from greats such as Love Unlimited or Mfsb. Lace that together with a healthy serving of Afro-Cuban magic to underpin the tracks and it’s a recipe for a record that captivates from start to finish.

Predominantly an instrumental album as the title suggests, the record showcases the Orquesta Egrem in full flow, soaring strings and vibrant horns at every turn. Highlights include 'Mi Samba Carnaval' with its breathtaking drum break, bubbling synths and sublime arrangements and the romantic film music impressions of ‘Tema De La Sierra', that have been a sampling source for many a producer. Elsewhere, ‘6 Son’ is a mind-melding psych guitar powerhouse, with 'Dacapo', written by Gilberto Peralta, offering up a slice of atmospheric and energetic Latin shuffle. One of only a handful of tracks where scat vocals compliment the orchestral tones, a Brazilian percussion theme marries with dancefloor sensibilities for a dose of feel-good, brilliance.

A wide-ranging, multi-dimensional release, Instrumental exhibits musicianship, composition and creativity at its finest and demonstrates another key example of the rich output of music that flowed from the island of Cuba post revolution.

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Exit Athens

7" | 2023 | UK | Original (ATA)

2LP | 2023 | DE | Original (Emarcy)

Release: 2023 / UK – Original

Genre: Organic Grooves

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ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble.

Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike.

On the AA side, Beg, Borrow, Play marks the debut of The Outer Worlds Jazz Ensemble. The first in an ongoing series of 45s and LP issues, each Outer Worlds release will feature the immaculate grooves of the hard-working, unsung sidemen of the Leeds Funk, Latin and Ethio/Afrobeat scenes. The Outer Worlds series was conceived to feature visiting soloists who have made a beeline to ATA in search of a specific setting for their material, and represents ATA's ambition to encompass the very best in contemporary jazz/club/rare groove/exotica sounds.

Beg, Borrow, Play kicks this off with ATA veteran Chip Wickham on baritone sax, and a slice of jazz exotica that owes as much to New Orleans Street Beat as to the Eastern moods of artists like Yusef Lateef and Ahmed Abdul-Malik. The result is loose and limber, with horns reminiscent of classic Art Ensemble of Chicago, and will appeal to fans of contemporary Afro-Futurist fusions

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Lucky Peterson

I'm Ready

So Tender / Games (Instrumental)

Release: 2023 / DE – Original

Genre: Organic Grooves

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I’m Ready is Lucky Peterson's most bluesy and arguably one of his most accomplished records, the first in the series on Verve after leaving Alligator Records. Recorded in 1992 and produced by John Snyder, the album brings a decidedly modern twist to blues standards such as Muddy Waters' "I'm Ready", Willie Dixon's "You Shook Me", Little Walter's "It Ain't Right" and Howlin' Wolf's "Who's Been Talking". They blend happily with Peterson's original compositions such as "Junk yard", "Tribute to the king", "Nothing but smoke" or "Spankin' leroy". On Wurlitzer electric piano, Hammond organ, guitar and vocals, this versatile and gifted musician is at his prime here.

This 140-gram vinyl is the first international vinyl reissue, pressed at Optimal, and is presented in a wide-spine, single-sleeve jacket.

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The Medium Wave Band

7" | 2024 | UK | Reissue (Mr Bongo)

Tape | 2024 | US | Original (Jackpot)

Release: 2024 / UK – Reissue

Genre: Organic Grooves

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Sourcing rare records to reissue can involve meticulous research and years of digging, but then occasionally, Lady Luck smiles upon you. We probably would have never heard of the Medium Wave Band if Gary from Mr Bongo hadn't known Wolverhampton-based record dealer, Steve Ward. Whilst offering Gary some records for sale, he remembered he had a spare copy of an old 7" single that he thought Gary might like. Steve didn't know much about the release, and it had never sold on Discogs. Looking at the record itself, it was minimalist in appearance and information, there wasn't much to go on other than that it was from the Birmingham area. The mystery drew us in…

The A-side, 'So Tender’, is a late-night, jazzy slow-jam, with beautifully sultry, soulful female vocals which sounded vaguely familiar. On listening to the B side, 'Games (Instrumental)’, you are rewarded with a superb example of Britfunk / independent UK jazz-funk. The pulsating, bass-led dancefloor groove and sensibility is a sound reminiscent of productions usually found on labels such as Elite, but the 7” was not released on a label, it was a private press by the band themselves. So who are the enigmatic The Medium Wave Band?

After some fruitful internet digging and correspondence, we got the answers. The band lineup featured Elliot Browne on guitar (lead & rhythm), Ron Lyseight on guitar (rhythm), Andrew Proverbs on keyboards, Tony Peart on drums, Paul Snook on bass, Linton Levy on saxophone, and surprisingly, the beautiful vocals we had been enjoying were those of Jackie Graham, aka the hugely successful UK vocalist, Jaki Graham. Maybe best known for her pop hit with David Grant, 'Could It Be I'm Falling In Love', but also featuring on the cult classic track 'Fire In My Heart' by Escape From New York.

Influenced by artists and bands including George Benson, Ronnie Laws, Weather Report, George Duke, Azimuth and Chick Corea to name a few, the guys booked into a studio near the Botanical Gardens in Birmingham and recorded the two tracks that make up this 7”. Only 200 copies of the original 7" were ever pressed and were sold mostly in Birmingham at Summit Records by the band’s friend DJ Frenchi, as well as at live shows. Despite its limited distribution channels, the record received solid support from fans and those in the music industry, including Morgan Khan of the influential record label, Street Sounds. DJ and journalist, Lindsay Wesker, reviewed the release and this led to the band travelling to London for several radio interviews. They played live shows across the country, including at the prestigious Ronnie Scott's in London, and supported both Shakatak and Weapon of Peace in Birmingham.

Thanks to all those involved bringing this release into fruition and for solving the mystery behind a wonderful Britfunk and UK soul record that could have otherwise been lost in the mists of time.

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Mustafa Özkent

Genclik Ile Elele

Release: 2024 / US – Original

Genre: Organic Grooves, Rock & Indie

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Originally released in Turkey 1973, Özkent’s masterpiece creation of an all instrumental Turkish Psychedelic Funk album filled with classic beats and breaks still inspires long time fans and first time listeners. The funky rhythms, hypnotic percussions, and heavy break beats makes this a holy grail amongst DJ’s and music fans alike. The original concept was futuristic and eluded categorization: traditional folk songs mixed with rock, jazz, blues, funk and psych, reconstructed for the new “hip” generation. (The monkey on a microphone album jacket also eludes categorization too.... or comprehension). The album was recorded live in just one day with some of the best studio musicians in Turkey. Lacking a multi-channel recording deck, Özkent used microphone techniques to emulate a total stereo effect and capture the heavy psychedelic effects and close-miked beat breaks. Özkent created his own unique guitar sound by adding extra frets and a clutch of effect pedals in order to create quarter notes and emulate turkish traditional scales. Mustafa Özkent has since made arrangements for hundreds of other artists in Turkey, but this unique album documents his most revered work—and the world is still just discovering this gem. The fact that only a handful of copies from the original pressing are known to still exist partly explains why, making this reissue a welcome addition to any record collection.

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CD | 2023 | EU | Original (Dialogo)

Passaporto Per L'italia

Gianluca Petrella / Cosmic Renaissance

Release: 2023 / EU – Original

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Universal Language

CD | 2022 | EU | Original (Schema)

Never Give Up Glass Version

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mermaids really do exist, and I discovered this a few days ago. I came across the fantastic story of the Ama, literally the women of the sea. They live in Toba Bay, Japan, and have a long-established custom that has been passed on from one generation to another for more than two thousand years. Not so few. What do they do? They jump into the sea half-naked to fish for seaweed, octopus and, above all, for pearls. They are the real pearl fisherwomen. They reach a depth of just under 30m, with only the strength of their lungs. They are as beautiful as the sun. When they ascend, due to a strange play of sounds and noises coming from their hyperventilating lungs, they emit a kind of whistle that sounds like the cry of dolphins. Or more precisely, the song of mermaids. They go down into the deep sea and search for pearls. When out of the water, they train all their lives and help each other passing on practices and secrets, confiding in one another to stay united. And they are cohesive, never envious of one another, just a great sense of belonging. With his new work Gianluca seems to have drawn from this ancient hunt, made up of memories and traces. He submerged and searched in the remotest memories and ancestral sounds of skins, streets, eras and styles. With his appreciation he has connected black ghettos, slums, townships, ‘the bronx’ of all over the world and explored them with the curious sounds of contemporaneity. Gianluca also has a very cohesive community of musicians around him, he is proud of this, and with them he finds his element, his peace. ‘Anyone who doesn’t get along with musicians has an unresolved problem,’ he tells me. And that’s why he makes a point of letting it be known that each of the five well-known members of his Cosmic Band and the many valuable guests who populate this new record, contributed decisively to the creation of these crazy tracks. In what way? By using the words of their instruments, generating a language that serves precisely to connect past and present, useful for finding the thread of dialogue. A continuous back-and-forth between generations. To speak of the best in the field is an idle exercise: all have striven in the realisation of the composition, all deserve full praise, none excluded. Ovations for all. If you think you are only listening to jazz, you are sadly mistaken. There are exotic ghosts, promises of evasion. There is a celebration of the human condition. There is a life in here. A plunge into the heart of music and its many languages. A record about confrontation on words, about memory, about being true to oneself. But it is also a work on how complicated it is to come to terms with what we call identity, and Gianluca rewrites this identity in his own way. A work made of whispers, murmurs, in which music and language try to invent a new encounter. That takes us down into the abyss of the sea and up to the sky. Federico Scoppio

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The Jazz Butcher

7" | 2022 | EU | Original (Glass Modern)

A Different Destiny Clear Vinyl Edtion

Release: 2022 / EU – Original

Genre: Organic Grooves

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In Loving Memory Patrick Huntrods (aka Pat Fish AKA The Jazz Butcher) (20 December 1957 - 5 October 2021) Featuring David J (Bauhaus), Victor DeLorenzo (Violent Femmes), Strings by Fiona Brice & Janet Schiff. Produced by David J. The first Jazz Butcher record, the LP 'In Bath of Bacon' was released almost 40 years ago on the original Glass Records label. Plans were made for a new album on Glass Modern to celebrate this, for release in 2023, but sadly Patrick passed away last October before any real work could be done for it. This recording is all we have. Never Give Up was re-recorded for Pat's final LP, The Highest In The Land - it's one of his greatest songs, maybe the greatest. His Hallelujah, if you will. The B side, Silver Street by Nikki Sudden & Dave Kusworth (Jacobites) was recorded for a forthcoming Glass Modern compilation, of various artists covering Glass artists material from the eighties. Tracklist Side A Never Give Up (Glass Version) Side B Silver Street. Random colour 7"-Vinyl

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Zy The Way / Ron Trent

12" | 2022 | UK | Original (Jazzy Couscous)

Harcourt Edition White Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

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Individuality, Harmony, Wit. Originating from the heart of Asia - Taipei, Taiwan, Zy The Way is a fusion collective spear-heading a new musical movement in a digital age. As the offspring of a film director, entertainers and multi-genre musicians, Zy The Way aims to create artistic content that will rock your socks. We believe that true balance is achieved not through the uniting of different social groups, but when we come together with our stories as an individual. Voices and vision, musical styles, personalities, and our own beliefs, Zy The Way is the fabrication of our collective imagination, where no one is left out.

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Josephine Baker

LP | 2021 | EU | Original (Wagram)

7" | 2020 | EU | Original (Mr Bongo)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Harcourt collection presents the gretest legends of French Music in a nice white vinyl with a cover photography of the legendary Harcourt Studio. This new title presents 14 of the best tracks of Jpsephine Baker, the american born performer known as the ë Black Venus û was the Queen of Music Hall and an increidble entertianer.Including : ë J'ai Deux Amours û, ë Le Marchand De Bonheur û, ë La Petite Tonkinoise û...

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Sven Wunder

Magnolia / Lotus

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Mr Bongo presents a new and exciting collaborative project with Swedish label Piano Piano Records. Hearing the Swedish outfit Sven Wunder for the first time is as refreshing as an ice-cold Limoncello after an Italian meal. One of those bands that feel instantly familiar like an old friend, yet simultaneously fresh and new. Straight away we fell in love with their sound and knew we had to work with them. The Sven Wunder 'Wabi Sabi' 7" is the second collaborative release between Mr Bongo and Piano Piano Records. 'Wabi Sabi' is Sven Wunder’s follow up to the already contemporary cult-classic album 'Doğu Çiçekleri (Eastern Flowers) from 2019. Not one to be complacent and recreate a carbon copy of their previous works, Sven Wunder switched from the psychedelic-Turkish-funk sounds of 'Doğu Çiçekleri' to the Japanese inspired ethereal funk of 'Wabi Sabi'. We have selected the tracks ‘Hanami’ and ‘Shinrinyoko’ for this collector’s edition 7’. Japanese artists such as Hozan Yamamoto, Tadao Sawai, Kazue Sawai, spring to mind, but also David Axelrod and Dorothy Ashby on the beautiful string-led 'Hanami' with it's laid-back funk breaks. 'Shinrinyoku' has a slightly more raw cinematic-funk sound, yet is cushioned with warm strings and tripped-out keys - pure, rare-library music vibes. We are delighted to be able to release these amazing tracks, cut at the Timmion Records Cutting Lab in Finland.

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Sven Wunder

Hanami / Shinrinyoku

CD | 2020 | EU | Original (Record Kicks)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Calibro 35

Momentum

LP | 2018 | EU | Original (Wagram)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Italian cult combo CALIBRO 35 release their highly anticipated 7th studio album “DECADE” on January 24th 2020. “Momentum” follows “DECADE” their previous studio album released in 2018 that has marked 10 years of Calibro 35 and it stands out as a new starting point for the project. In the last 10 years Calibro 35 have dug the golden age of soundtracks and they’ve been to the future with “S.P.A.C.E.”, “Momentum”, as the band stated: "represents a look at nowadays and a reflection about making music right in the time that we’re living”.
Inspired by the work of artists such as Tortoise, Jagajazzist, Dj Shadow, Budos Band, Stelvio Cipriani, Ennio Morricone, Sandro Brugnolini, White Noise, Comet is Coming, JPEGMafia and DJ Signify, compare to the previous Calibro 35’s full lengths on the 10 tracks that make up the new album band’s instruments and sounds have increased in number and complexity as the reality around has it too. The music palette is further extended by incorporating even more synths and electronic sounds, but keeping everything true and 100% real, with all the instruments played live and with no presets or programming. The two featurings on the album serve the cause as well. On the first single “Stan Lee” they’ve collaborated with rapper, producer and songwriter Illa J a former member of super group Slum Village and younger brother of the late legendary hip hop producer and rapper J Dilla. On “Black Moon”, the Milan combo provided the groove for London-based artist MEI. "If Decade was the sum of everything that the band had felt in the previous ten years" Calibro 35 says "Momentum is the prequel of what you will hear in the next ten".

To mark the new beginning and come full circle, the recordings took place under the expert hands of usual suspect Tommaso Colliva, in the same studio where Calibro released their self titled debut album twelve years ago.
Been sampled by Dr. Dre on his Compton album and Jay-Z, Love Child & Damon Albarn CALIBRO 35 enjoys a worldwide reputation as one of the coolest independent band around. During their ten years career they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat, Headhunters and as unique musicians they've collaborated with, amongst others PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine's as "the most fascinating, retro-maniac and genuine thing, that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide which includes VIP’s fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin’ Criminals) among others.

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Louis Armstrong

C'Est Si Bon

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Wagram)

Frank Sinatra

The Jazz Crooner

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Wagram)

Nina Simone

The Jazz Diva

Release: 2018 / EU – Original

Genre: Organic Grooves

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New York Afternoon (Alto Madness)

Richie Cole

LP | 1977 | US | Original (Muse)

LP | 2017 | EU | Original (We Jazz)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Jukka Perko Tritone

Dizzy

New Jazz Conceptions 180g Vinyl Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Alto sax man Jukka Perko, one of Finland's leading jazz artists, presents a new project Tritone, where he joins forces with the dynamic rhythm section of Antti Lötjönen and Teppo "Teddy Rok" Mäkynen (who have appeared together in projects such as Teddy's West Coasters, The Five Corners Quintet, Timo Lassy Band, Verneri Pohjola Quartet, etc.). Perko, once a member of the Dizzy Gillespie Big Band, has put together a set of tunes made famous by Dizzy for the re-evaluation by the highly talented trio. The time is right now, Dizzy's 100th anniversary, 30 years since the alto sax player, back then a teenage sensation, shared the stages with the likes of Sam Rivers, Jerry Dodgion, Jon Faddis, and of course Dizzy himself.

As Perko himself put it: "It's not about what Dizzy's music means to us, but rather what we can bring to it. We're adding our own piece onto the mosaic which makes up modern jazz."

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Bill Evans

LP | 1960 | EU | Reissue (Dol)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 2014 | EU | Original (Alien Transistor)

Alien Ensemble

LP | 1984 | JP | Original (CBS/Sony)

Release: 2014 / EU – Original

Genre: Organic Grooves

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Earlier this year, Micha Acher and his band The Notwist returned with their latest full-length “Close To The Glass” and received rave reviews around the globe. Yet, it’s not the only album he’s going to release this year, since Acher’s about to introduce his latest musical entity – the Alien Ensemble. It’s an all-acoustic line-up, devoid of electronic enhancements. And even though all members have a background in jazz, this is no classic “jazz music” either – there’s simply no need to show off technical skills… Since you’ll hear anything from Minimal Music to Krautrock influences, from delicate brass sections to the sound of New Orleans, it’s pretty much impossible to pigeonhole Alien Ensemble’s sound or slap a genre term on it.

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T-Square

Adventures

John Lewis & The New Jazz Quartet

Release: 1984 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Comes with OBI and insert. Record looks unplayed.

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Slavic Smile

LP | 1983 | FR | Original (RCA)

Release: 1983 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2024 | UK | Original (Mr Bongo)

Finn Rees

Dawn Is A Melody

12" | 1981 | UK | Reissue (Major Keys)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.

Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”

The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.

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Ray Barretto

Pastime Paradise

Alonso Toro, Paul Desenne, Pedro Vásquez

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Pastime Paradise, first released by Stevie Wonder in 1976 got a new lease of life when sampled by Coolio on his Grammy Award winning Gangsta’s Paradise. It has also over the years been covered by Patti Smith as well as our fave version, courtesy of Latin percussionist Ray Barretto. First released on CTI in 1981, to this day it remains a staple for both the jazz and soul rooms. Never before released on a 12 inch, Major Keys continue their fine form with this extended floor filler that will appeal to DJ’s and collectors alike. It also flips it with La Cuna and Mambotango taken from the same 1981 LP. This is a special EP and one that you will want for your collection.

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Alzheimer

LP | 2023 | EU | Original (Jigit)