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Vinyl seems unplayed. Punch hole.

First vinyl repress since ist initial release in 2002. Essential Bohren!

Geisterfaust finally gets a proper vinyl release. Tip!

Still in shrink but opened.

During the '60s and '70s, three distinguished gentlemen who had built their careers playing French-made exotic jazz (Roger Roger, Nino Nardini and orchestra leader Eddie Warner) met each evening in the Ganaro recording studio. They mainly experimented -or simply played- with keyboards that looked like prototypes of spaceships. Flying high on whimsical and joyful inspiration, the improbable trio used their strange instruments to sketch out the beginnings of something that, at that time, resembled the future of music. This collection presents some of the highlights that resulted from their light-hearted, electronic pop sessions.

This LP comes in a printed innersleeve and a download card. De Beren Gieren confirms their reputation as one of the most adventurous jazz trios of the Benelux with their fourth album. Raw energy, impressionist melodies and complex structures are generated via piano, bass and drums provoking polyrhythmic soundscapes with unexpected twists and sudden turns.

Limited to 300 copies.

The obscure early 70s combo formed by Alessandro Alessandroni, Giuliano Sorgini and Giulia De Mutiis is finally back to the light with this amazing 12'' EP with all their works, including an unreleased gem buried in the archives until today and recorded in the same session of the legendary "Telegraph is Calling" and "My Shade".

Limited to 300 copies.

The obscure early 70s combo formed by Alessandro Alessandroni, Giuliano Sorgini and Giulia De Mutiis is finally back to the light with this amazing 12'' EP with all their works, including an unreleased gem buried in the archives until today and recorded in the same session of the legendary "Telegraph is Calling" and "My Shade".

Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.

Their new album, in full, iconic KPM cover is a return to the laidback jazz-funk that helped Alan and Brian demonstrate their library chops. The album is classic Hawkshaw/Bennett. It swings, it grooves, moves and thrills with a flair these two have perfected over years.

Standout tracks such as "Hole In One", "In The Clouds", "Interchange", "Oasis", "On The Nile" and "Corcovado" are no mere excursions in nostalgia, for they carry lots of deft studio work that many a producer would give their right arm for. Hawkshaw’s arrangements allow the drums, guitar, bass, strings, Hammond, flute and brass to swirl elegantly around the 12 original tracks; a masterclass in recording.

Cut by Pete Norman, housed in a beautifully designed Richard Robinson sleeve and pressed at 180g by Record Industry in Holland, this release has been afforded the care and attention it rightly deserves. Essential.

A download code is included.

Cover with slightly bent corner!

Dynamite cuts gives you a wonderful hard to find Jazz 45, from the Canadian P.M label. Bernie Senensky, a superb piano player, set the pace with this Hard Piano driven jazz groove. With a little treasure on the flips with Beloved Gift, a superb interlude that ends with Heavy bass hip hop vibes

More unearthed tape from a jazz icon! Thanks to a 21-year-old with a tape machine, we can all experience the majesty of guitar legend Barney Kessel! This second volume of Jazz Mill recordings shows Barney firmly at the top of his game!

Skrontch Music is the ambitious debut recording by award-winning New Orleans-based composer and clarinetist/saxophonist Byron Asher. This five-movement, research-based suite for ten-piece ensemble explores the intertwined histories of New Orleans jazz and anti-Jim Crow activism during the early twentieth century. Skrontch Music juxtaposes contemporary composition with collective improvisation, archival recording sound collage, and excerpts from the 1896 Plessy v. Ferguson U.S. Supreme Court ruling. A contemporary investigation into the early jazz tradition, Skrontch Music highlights that the development of the music was itself a form of resistance to the racist Jim Crow regime. Packaged in paste on sleeve with risograph print

Soul/Disco/Funk single here for the first time ever on vinyl! The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents Byron Jamez who now makes his debut on the label! Born and raised in Detroit, Michigan, Mr. Jamez has been living and breathing soul music all his life (his mother was an active musician already during the 1970s). Byron Jamez is a multi-talented man; an artist in the music business, an established actor and a master of advanced media skills. What we cherish the most right now is his pillow clenching voice and fantastic music, which definitely make this world much more beautiful. This release contains the brand new and stunning groover “Let’s Get Together” backed with the stepper-esque “Time Machine” on the flipside. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

Black Friday Record Store Day 2020 Release. RSD Exclusive. Limitation: 1000 copies. Elemental Music presents a never-before-heard complete concert which constitutes the only recorded testimony of the reunion of two jazz giants: French tenor and soprano saxophonist Barney Wilen and Spanish pianist Tete Montoliu. All tracks from this concert, which took place in Grenoble, France on February 12, 1988 are previously unreleased and boast excellent sound quality. The group is completed by the Italian bassist Riccardo del Fra (who frequently played and recorded with Chet Baker) and Chicago drummer Aaron Scott (who the year following this Grenoble concert would start a 14-year association and tenure with pianist McCoy Tyner as part of the McCoy Tyner Trio, winning three Grammy Awards and performing worldwide). This release includes specially prepared liner notes as well as never before published photos from the actual performance.

‘Happy (Hammond)’ is the second release from London based Funk & Soul outfit the So Much Soul Players (aka Chris Read & Rob Barron), a gritty, instrumental Hammond Funk take on Pharrell Williams’ ubiquitous feel-good Pop/Soul cut ‘Happy’. Harking back to the raw stylings of 60s/70s Funk, this dancefloor oriented rendition of the popular song features driving drums, funky Hammond licks and crunchy, overdriven organ lines galore.

This is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. Born in 1934 in Houston, Texas, Horace came from a musical family centered around his mother, Mary Malone Tapscott, who worked professionally as a singer and pianist. When Horace was nine, the family moved to Los Angeles. As a teenager in the late 1940's, Horace was surrounded by the music of Central Avenue: Art Tatum, Charlie Parker, Coleman Hawkins, Dexter Gordon, were among the many cats on the set. Around this time, Horace also began to take music lessons from teachers Dr. Samuel R. Browne and Lloyd Reese, whose other students included Eric Dolphy and Frank Morgan. Horace's musical studies included trombone in addition to piano.
In 1952, Horace graduated from Jefferson High, got married to Cecilia Payne and went into the Air Force. Horace played in an Air Force Band while he was stationed in Wyoming for his term of duty. After mustering out, he returned to Los Angeles where he worked around on various gigs until he joined the Lionel Hampton Big Band as a trombonist.
In 1959, Horace finally went with the Hampton Big Band to New York, where his friend Eric Dolphy introduced him to John Coltrane. A tough winter, a lack of gigs, and too many nights on the floor of a friend's art gallery finally sent Horace packing for sunny Southern California, where a life with wife and family awaited his return.
The sixties saw Horace emerge as a die-hard leader of the Avant Garde. Horace began to gain public notice playing with his own group, that included alto saxophonist Arthur Blythe, bassist David Bryant, and drummer Everett Brown II. Horace also appeared on records for the first time.
Horace was always outspoken about racism, politics, stereotypes, and social ethics. His forward-minded vocal presence on and off the microphone is as much a part of his art as his piano playing. As a result, he was labeled a 'dissident', categorized as an 'employment risk', and black-listed from the music industry establishment in the early 1970's. None of this slowed Horace down. He began gigging sporadically at Parks and Recreation events and for churches around Watts. This 'dark period', with his only regular gig at his friend Doug Weston's Troubadour on Los Angeles' "Restaurant Row", was also a time of intense creativity.
Around 1977, Horace reorganized the Pan-Afrikan Peoples Arkestra with the help of several old friends and many new faces. The Arkestra performances involve singing, dancing, and poetry in addition to the music. Soon after the new group's debut, Horace came to the attention of producer Tom Albach who contracted Horace to record a number of albums for Nimbus Records. Albach also helped introduce Horace to an international audience by arranging several European tours.
The 80's saw Horace emerge as one of jazz's premiere solo pianists. He recorded several solo piano albums for Nimbus.

Mokomizik Records presents the first-ever reissue of this ultra-rare Latin-Jazz masterpiece. The Fantastic Variety in the Music of Panama - The Winsor Style and Calypso Impressions was privately released in the early 1960s by Panamanian pianist and songwriter Alonso Wilson De Briano.
Alonso described Panama as a country "with a foot in each side", referring to its unique geography that connects North and South America. The blending of Latin and English-speaking cultures had a big influence on Alonso, whose work draws on elements from West-Indian, Afro-Cuban and Panamanian folk musical styles. From the upbeat mambo rhythms of "Amigo" to the unusual combination of Calypso and Tamborera styles used in "My Brother, Too," Alonso weaves a rich musical tapestry into his arrangements. Back in 50s Panama, Alonso enjoyed relative success, with the likes of Orquesta Armando Boza and Tito Contreras performing his songs. So distinctive were his compositions that people had started referring to them by their own style - El stylito Winsor (the Winsor style), a reference to a club that Alonso performed at. Throughout his music career, Alonso worked with a number of renowned musicians, several of whom appear on the record, including Cuban-Jazz pioneer Arsenio Rodríguez's main bassist, Alfonso Joseph; and saxophonist and flutist Gene Jefferson to name a few.
Sadly, not many copies remain of Alonso's music today and the few that have surfaced over the years have naturally demanded high asking prices. This limited reissue aims to shed new light on Alonso's work and make it available for a new generation of listeners to enjoy. Great care has been taken to restore this record, using quality mastering to ensure maximum listening pleasure and retaining the original artwork with lyrics and the song descriptions written at the time. Each record comes with an insert containing restored photos and detailed biography, which features quotes from a rare interview with Alonso from the 1980s along with information gathered from his family and Alfonso Joseph, the only musician we could reach who plays on the record.
Limited to 500 copies. 180g LP with tip-on sleeve.

Oscar Brown Jr.’s debut LP started the myth! Here we have the first, astonishing collection of anthems by the legendary American singer, songwriter, poet, playwright, civil rights activist and actor. Includes the so many times covered mega classic Work Song!

Steve Allen “Producing television programs for the past decade, I have naturally had occasion to hear a great many newcomers to the entertainment scene. Offhand, I can think of no one who has impressed me more than Oscar Brown on first hearing. He is truly exceptional!”

Lorraine Hansberry “...a startling genius for rendering sense and nonsense into accurately succint and brilliant summaries of live as we live it.”

NAT Hentoff “Here, finally, is a performer and writer who is so authentically hip that he never overstates his authority.”

Dorothy KILGAllen “Get ready for a new genius in the theater.”

MAX Roach “He is beyond all categories: one of the most gifted and imaginative artists that we have.”

Nina Simone “I think Oscar Brown is one of the most creative young men in the musical world today.”

A download code is included.

This previously unreleased album by the Horace Tapscott Quintet was unearthed from master tapes in the Flying Dutchman archives. Recorded in 1969 and was intended to be a follow-up album to the classic 'The Giant Is Awakened' which was released that year.

The iconic pianist and composer Horace Tapscott was one of the most unique and important figures in LA’s jazz world. This lost recording was produced by one of the pivotal figures in jazz, Bob Thiele, a leading behind-the-scenes star who worked with many of the greats in jazz, such as Quincy Jones, Duke Ellington, John Coltrane, Della Reese, Shirley Scott, Gil Scott-Heron, the list goes on. His name can be seen gracing, arguably the best, Impulse! releases and those released on his own Flying Dutchman imprint set up in 1969.

Joining Horace for this three-track, deep, heavy, avant-garde session is the same stellar cast featured on 'The Giant Is Awakened'; Arthur Blythe on Alto Sax, Everett Brown Jr on Drums, with David Bryant and Walter Savage Jr. on Bass. Kicking things off we have 'World Peace’, which starts with an almost baroque-esque melody, leading to an eruption in sound, it then ends in the same manner it began. The beautiful 'Your Child' is the jewel in the crown, skirting modal, deep jazz and introducing elements of free jazz. 'For Fats' with its bow bass and piano intro takes you on a journey, dropping into, at times dark, stormy melodies and developing a driving energy as the composition progresses.

After recording this album, Horace was said to be wary of the music industry, so he retreated and distanced himself from this world, recording only for the independent labels Ugmaa, Interplay Records, and Nimbus West Records. He set up The Pan-Afrikan People’s Arkestra and reintroduced the pan-African-roots sound back into the heart of jazz. He also developed and promoted the art form through performances and recordings.

Thankfully, this session from these wonderful musical pioneers was preserved and finally has its time to shine.

Featuring brand-new artwork by the illustrious artist/designer/musician Raimund Wong (Total Refreshment / Floating World Pictures)

This previously unreleased album by the Horace Tapscott Quintet was unearthed from master tapes in the Flying Dutchman archives. Recorded in 1969 and was intended to be a follow-up album to the classic 'The Giant Is Awakened' which was released that year.

The iconic pianist and composer Horace Tapscott was one of the most unique and important figures in LA’s jazz world. This lost recording was produced by one of the pivotal figures in jazz, Bob Thiele, a leading behind-the-scenes star who worked with many of the greats in jazz, such as Quincy Jones, Duke Ellington, John Coltrane, Della Reese, Shirley Scott, Gil Scott-Heron, the list goes on. His name can be seen gracing, arguably the best, Impulse! releases and those released on his own Flying Dutchman imprint set up in 1969.

Joining Horace for this three-track, deep, heavy, avant-garde session is the same stellar cast featured on 'The Giant Is Awakened'; Arthur Blythe on Alto Sax, Everett Brown Jr on Drums, with David Bryant and Walter Savage Jr. on Bass. Kicking things off we have 'World Peace’, which starts with an almost baroque-esque melody, leading to an eruption in sound, it then ends in the same manner it began. The beautiful 'Your Child' is the jewel in the crown, skirting modal, deep jazz and introducing elements of free jazz. 'For Fats' with its bow bass and piano intro takes you on a journey, dropping into, at times dark, stormy melodies and developing a driving energy as the composition progresses.

After recording this album, Horace was said to be wary of the music industry, so he retreated and distanced himself from this world, recording only for the independent labels Ugmaa, Interplay Records, and Nimbus West Records. He set up The Pan-Afrikan People’s Arkestra and reintroduced the pan-African-roots sound back into the heart of jazz. He also developed and promoted the art form through performances and recordings.

Thankfully, this session from these wonderful musical pioneers was preserved and finally has its time to shine.

Featuring brand-new artwork by the illustrious artist/designer/musician Raimund Wong (Total Refreshment / Floating World Pictures)

. An original suite by Bruno, the starting point for Out of Doors was the eight Hungarian folk melodies used by Bela Bartók in his 1920 composition 8 Improvisations Op. 20. Over the 8 movements, Bruno's roots in impressionistic classical music are concentrated by Andrea's classical training and deep understanding of European jazz and Gene’s renowned groove and swing.

Bruno Heinen – Piano Andrea Di Biase – Bass Gene Calderazzo – Drums

The "Far Horizons" box set includes all 4 classic albums by the groundbreaking jazz/soul/rock group 'Brian Auger, Julie Driscoll & Trinity' - across 5LPs which have been fully remastered and approved by Brian Auger. Also included is a 12-page LP sized booklet consisting of an interview with Brian by written by Lois Wilson of Mojo magazine and previously unseen photos from Brian's personal archive. Albums included:

Open - Julie Driscoll, Brian Auger & The Trinity (1967) Definitely What! - Brian Auger & The Trinity (1968) Streetnoise - Julie Driscoll, Brian Auger & The Trinity (1969) Befour - Brian Auger & The Trinity (1970)

Almost five years after the inaugural compilation "El sol desde oriente", Passat Continu releases "El ser y el tiempo", the first solo recordings of the Tenerife musician Javier Segura, a set of seven compositions that make up a true exceptionality in the panorama of Spanish experimental music and that have never before been uncovered for listening. This sound document recorded between 1976 and 1978 is presented remastered from its original tapes and with a bonus track, with the invaluable collaboration of Juan Belda.

In the years preceding his untimely death P-Funk and (de-facto) Talking Heads keyboardist Bernie Worrell entered the studio with Seattle-based musicians to create the Khu.eex project, melding funk, soul, and groove with native-american storytelling and instrumentation. Drawing on his own Cherokee heritage, the group recorded four albums before Worrell’s passing. This album, featuring 14 songs compiled by famed P-funk chronicler Yoriko Kawachi, spans the countless recording sessions over which these albums were recorded. With Galactic drummer and frequent Worrell collaborator Stanton Moore on seven out of fourteen tracks, and some of the Pacific Northwest’s best talent on all of the tracks, these fourteen songs are sure to get you up and dancing.

We Three, recorded in a single session on November 14, 1958, was the first American studio date as a bandleader for the diminutive and legendary jazz drummer Roy Haynes, although with pianist Phineas Newborn on board (along with bassist Paul Chambers), it really is a set dominated by Newborn, whose busy, two-handed technique here works in tandem balance with Haynes' cool refinement. Newborn was all about amazing and dazzling piano runs that on some dates created simply too much flash and clutter to allow pieces to flow and breathe properly, but Haynes has always been about grace and flow throughout his career (if a drummer's style can said to be elegant, Haynes fits the bill), and here he rubs off on Newborn, who exercises just enough restraint to keep him in the proper orbit, resulting in a fine album. Highlights include the easy, pure swing of the opener, a version of Ray Bryant's "Reflection," a wonderful and bluesy rendition of Avery Parrish's "After Hours" (which finds Newborn in perfect balance between explosive ornamentation and smooth functionality), and a jaunty, fun spin through Newborn's own "Sugar Ray," a tribute to boxer Sugar Ray Robinson. This trio had a brief recording career together, but as this solid set shows, they made the best of it. (All music guide)

Auger Incorporated is a career spanning triple vinyl / double CD compilation of the legendary Brian Augers" music. Lauded and loved by artists as diverse as Mose Allison to Emma-Jean Thackray, his tracks have been sampled by Mos Def & Common, his original compositions covered by Sarah Vaughan, Richard "Groove" Holmes and The Main Ingredient. He is a Grammy nominee and recipient of a US Congressional Certificate of Special Recognition for his"contribution to the American art form of Jazz". Auger Incorporated includes classic album tracks, rarities and live concerts performances, some of which have never released before from Brian"s ground-breaking, genre busting catalogue, and reaches back to his early 60"s debut as an poll-winning jazz piano prodigy, his transformation into swinging London"s premier Hammond Organ playervia his groups" The Steam Packet and Julie Driscoll, Brian Auger &The Trinity, and his flagship 70"s band - The Oblivion Express - Auger"s blend of jazz, R&B and pop idioms saw him credited as one of the earliest protagonists of jazz fusion.

Brian Auger"s Oblivion Express was the phoenix that rose from the ashes of sixties combo The Trinity. Fusing R&B, jazz, soul and funk, keyboard maestro Brian Auger created a new breed of music that took the US and the UK by storm. Auger"s unique experimentation culminated in rhythm-infused jazz funk that united Black and white "70s audiences. The 6 studio albums that make up Complete Oblivion illustrate the group"s diverse musical influences and progression, from the 1970 self titled debut"s heavy jazz-rock to the jazz fusion, latin and disco tinged Reinforcements from 1975.

Recorded between August 2019 and December 2021, this project gives birth to the initial visions of arrangements and orchestrations by Adrien Pigeat for Second Brain.With collaboration on two tracks from Mike "Maz" Maher, the American trumpeter from the band Snarky Puppy.At the heart of the lust of contemporary civilization, the album's Dante-esque aesthetic emphasizes the materialistic and voracious neuroses of our disposable desires."Kali Yuga" oozes funk, rock, jazz, and more to discover...