Search "danny+brown" 620 Items

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Gearbox)

Cherry Jam

36,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Don Blackman Vinyl Me, Please Edition

Don Blackman

LP | 1982 | US | Reissue (Vinyl Me, Please)

A Boy Named Charlie Brown

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Blackman came from the jazz world, but spent time in the fusion-funk hybrid that hovered around the edges of the chart in that transitional period of the early ’80s. Although it slipped between the cracks at the time, Don Blackman is a minor funk masterpiece that deserves shelf space next to Fuzzy Haskins’s A Whole Nother Thang, Bernie Worrell’s Blacktronic Science, Trey Lewd’s Drop the Line and others. Though those albums turn up on most P-Funk expanded discographies, Blackman’s record often doesn’t because there’s no playing or production from Clinton, Collins or Worrell. It might make more sense to think of it at the center of a Venn diagram whose circles include P-Funk, the jazz-funk practiced by artists like George Duke and Roy Ayers and the soul-funk of Fonzi Thornton and Garfield Fleming. Right in the middle, shining brightly, Don Blackman.

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Vince Guaraldi Trio

LP | 2021 | US | Original (Craft)

Release: 2021 / US – Original

Genre: Organic Grooves

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Brown Sugar Vinyl Me, Please Edition

Freddie Roach

LP | 1964 | US | Reissue (Vinyl Me, Please)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Freddie Roach’s first three albums introduced him to the world, but Brown Sugar showed it who he was. It was the album that Roach made to capture the energy of soul jazz. To somehow take the sounds in the city, in the clubs, and bring them to a record. In his original liner notes, Roach writes that the album is an ode to late nights and loud clubs, to backs damp with sweat, arms wrapped around waists. ‘’Not caring for the moment about troubles or problems,'' he wrote of people dancing, ‘’their bodies quivering under smiles that seemed to promise ‘after the dance.’'' After talking to Alfred Lion, president of Blue Note, they decided that the album needed to be made up of standards — not the standards of the stage or screen, but the standards of the people. ‘’To get the ‘soul,’'' Roach wrote, ‘’I decided to do show soul tunes.''

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Art Deco Verve By Request

LP | 2023 | EU | Original (Verve)

Release: 2023 / EU – Original

Genre: Organic Grooves

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For Those In Love Vinyl Me, Please Edition

Dinah Washington

LP | 1955 | US | Reissue (Vinyl Me, Please)

Masahiko Togashi / Don Cherry / Charlie Haden

Release: 1955 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
“Dubbed the Queen of the Blues and the Queen of the Jukeboxes — titles Dinah Washington used herself — she nevertheless resisted genre orthodoxy, and was clearly resentful whenever she was asked to explain or categorize her vast catalog.
And yet, her omnivorousness has made consolidating her legacy a knottier task than most are willing to take on. Compared to Billie and Ella — inarguably her peers — Washington’s reach was broader, more challenging to sort into canons and best-of lists. Pop and blues and big band singles were recorded and released without an easily traced chronology or progressive narrative. The Queen could do it all, so why wouldn’t she?”

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Song Of Soil

LP | 1979 | EU | Reissue (Wewantsounds)

Coming From Inside The House (Virtual Subculture)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce a special edition of the legendary 1979 Masahiko Togashi album "Song of Soil," recorded in Paris with Don Cherry and Charlie Haden and released on Japanese label Paddle Wheel. Supervised by Parisian producer Martin Meissonnier - then Don Cherry"s right hand man - "Song of Soil" reaches heights of spirituality mixing Eastern influences with jazz and deep ambient soundscapes. The album is reissued here with its original artwork and remastered by King Records in Japan. It includes the original Japanese 2-p insert plus a deluxe 8-page booklet featuring new notes (Eng/Fr) by Martin Meissonnier in conversation with Jacques Denis and also an Togashi Biography by Paul Bowler and never-seen photos by cult French photographer philippe gras who witnessed this unique session.

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Jason Robert Brown

LP | 2021 | US | Original (Craft)

Release: 2021 / US – Original

Genre: Organic Grooves

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Music For Zen Meditation And Other Joys

Tony Scott

LP | 1964 | EU | Reissue (Verve)

Junior Verve By Request Vinyl Edition

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Mostly improvised by clarinettist Scott, backed by Hozan Yamamoto and Shinichi Yuize — on the Japanese instruments shakuhachi and koto — this 1964 album is a precursor to later movements in ambient and new age music, from in and out of the jazz world.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

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Junior Mance

LP | 1959 | EU | Reissue (Verve)

3LP | 2023 | UK | Original (Soul Bank)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Pianist Junior Mance, a veteran of albums and dates with Dinah Washington and Cannonball Adderley, was offered his own recording date by Norman Granz during a session with Dizzy Gillespie. The result is this 1959 debut album, a bluesy and swinging date with Gillespie’s drummer Lex Humphries and bassist Ray Brown. Highlights include the original “Jubilation” and Cole Porter’s “Love For Sale”.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Brian Auger

Auger Incorporated

A Blow For Me, A Toot For You

Release: 2023 / UK – Original

Genre: Organic Grooves

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Auger Incorporated is a career spanning triple vinyl / double CD compilation of the legendary Brian Augers" music. Lauded and loved by artists as diverse as Mose Allison to Emma-Jean Thackray, his tracks have been sampled by Mos Def & Common, his original compositions covered by Sarah Vaughan, Richard "Groove" Holmes and The Main Ingredient. He is a Grammy nominee and recipient of a US Congressional Certificate of Special Recognition for his"contribution to the American art form of Jazz". Auger Incorporated includes classic album tracks, rarities and live concerts performances, some of which have never released before from Brian"s ground-breaking, genre busting catalogue, and reaches back to his early 60"s debut as an poll-winning jazz piano prodigy, his transformation into swinging London"s premier Hammond Organ playervia his groups" The Steam Packet and Julie Driscoll, Brian Auger &The Trinity, and his flagship 70"s band - The Oblivion Express - Auger"s blend of jazz, R&B and pop idioms saw him credited as one of the earliest protagonists of jazz fusion.

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Fred Wesley

LP | 1977 | EU | Reissue (Speakers Corner)

Lanquidity - Strut 25th Anniversary Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Thanks to their first-class training in funk and soul while playing in James Brown’s Band, Fred Wesley and Maceo Parker were the obvious choice when it came to participating in George Clinton’s P-Funk empire – the Godfather of Soul had had an enormous influence on Clinton anyway. In 1977, Clinton and Bootsy Collins produced "A Blow For Me, A Toot For You", the début album by Fred Wesley & the Horny Horns – an ensemble with Wesley on the trombone, Parker on the tenor and alto saxophone, as well as Rick Gardner and Richard 'Kush' Griffith on the trumpet. The majority of the numbers are by Clinton and Collins, so it is not really surprising that much of the LP is pure P-Funk. The album begins rather gloomily with a remake of Parliament’s "Up For The Down Stroke", and the influence of Parliament is also unmistakable in the other numbers. With regard to the instrumental numbers, "Four Play" fuses funk and jazz, while Wesley’s atmospheric "Peace Fugue" reflects the CTI sound of the 1970s. Actually "Peace Fugue" is the work which least sounds like Clinton on this LP. "A Blow For Me, A Toot For You" scarcely ranks behind Parliament’s "Mothership Connection" or Funkadelic’s "One Nation Under A Groove" and is certainly more than just a recommendable LP, which every funk lover should get to know.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1977 at United Sound Systems, Detroit, by Jim Vitti and Hollywood Sound Recorders, Los Angeles, by Jim Callon Production: George Clinton and Bootsy Collins

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Sun Ra

LP | 2024 | EU | Original (Strut)

The Relatives Clear With Hi-Melt Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Strut proudly presents a special edition, deluxe repress of Sun Ra"s classic "Lanquidity", for the 25th anniversary of the label. Housed in a tip-on sleeve with OBI strip, this new special editions features an A2 poster including a rare Veryl Oakland photograph of Sun Ra in his home, as well as liner notes by Tom Buchler (Philly Jazz), Michael Ray and Danny Ray Thompson (Sun Ra Arkestra) and Bob Blank.

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Jeff Parker

LP | 2004 | US | Reissue (Thrill Jockey)

LP | 1976 | UK | Reissue (Pure Pleasure)

Release: 2004 / US – Reissue

Genre: Organic Grooves

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An absolute classic of an album reissued for our 30th Anniversary! This Beauty features the masterful guitar work by Parker who is joined by percussionist Chad Taylor, bassist Chris Lopes, and pianist Sam Barsheshet. Deluxe reissues on Clear with High Melt Gold and splashes of Brown on virgin vinyl in an uncoated stock jacket with free download coupon. Jeff Parker has been a cornerstone of the rock, jazz, and experimental music communities for the past three decades. As the guitarist for groundbreaking groups Tortoise, Isotope 217, Chicago Underground, as a sideman for artists like Joshua Redman, Fred Anderson, and Joey DeFrancesco, and as a solo artist, Parker's work engages in a deep understanding of a constellation of styles while defying boundaries at every turn.

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Stanley Cowell

Regeneration

Descendants Of Mike And Phoebe, The

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Around the time of this recording, Stanley Cowell had achieved a degree of prominence as the pianist for the advanced bop quartet Music Inc., which he co-led with trumpeter Charles Tolliver, as well as for unusual projects like his Piano Choir. With Regeneration he chose another path, essentially trying to produce a jazz-infused pop album with strong African roots, perhaps owing a little bit to Stevie Wonder. He assembled an extremely strong cast of musicians for the venture, including Marion Brown, Billy Higgins, and Ed Blackwell, as well as several African string and percussion masters and, by and large, succeeded conceptually if not commercially. A few songs use vocals in a fairly standard pop framework, and, while they are performed capably enough, the lyrical content leaves something to be desired in typical mid-'70s fashion. But much of the rest of the music makes up for this with, among other things, a delightful fife and drum piece by Brown and strong bass work by Bill Lee (Spike's dad). Regeneration is an interesting, often enjoyable album which, aside from its own small pleasures, provides a snapshot of some of the cross-fertilization in genres occurring at the time.

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A Spirit Speaks

LP | 1974 | UK | Reissue (Pure Pleasure)

LP | 1967 | EU | Reissue (Speakers Corner)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! "Descendents Of Mike & Phoebe" is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have an undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan.

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Freddie Hubbard

Backlash

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

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2LP | 2018 | EU | Reissue (Wewantsounds)

Home Boy Sister Out

LP | 2022 | EU | Original (Fresh Sound New Talent)

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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Don Cherry"s downtown Paris funk masterwork produced in 1985 by Ramuntcho Matta and originally released by Barclay in France only, finally gets a worldwide release on Wewantsounds. Featuring French post-punk muse Elli Medeiros, avant garde poet Brion Gysin and cult Senegalese drummer Abdoulaye Prosper Niang (Xalam), this is a unique soundbite of Paris in the early 80s at its coolest when funk, jazz and new wave were mingling with sounds from Africa, Jamaica and Latin America. Newly Remastered, the album is augmented by a second LP worth of bonus tracks and a deluxe gatefold sleeve with a new essay by French journalist Jacques Denis (Liberation).

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Adele Sauros

I Paint You

LP | 2021 | US | Original (Pure Pleasure)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mr. K goes Gospel on the latest seven from Most Excellent Unlimited’s series of collaborations with the master editor. As is often the case, both of these edits are appearing on vinyl, and on 45, for the first time, with all the hallmarks of MEU’s commitment to quality.

A massive favorite with audiences who’ve attended Danny Krivit’s sets around the world, his “Churchapella” edit of Madonna's “Like A Prayer" is finally on wax. One of the singer’s greatest tracks, it has always fascinated with its combination of the sacred and the profane, leaving it up to the listener whether she is referring to a secular or holy love. In Krivit’s hands, focused largely on the undeniably massive sound of the Andre Crouch Choir, the divine nature of the lyrics shine through. Uplifting, moving, even transcendent when presented at the right moments, it’s both an inspiring piece of music and a seriously powerful DJ tool.

“Like A Prayer” is paired on the flip side with a fantastic edit of the Clark Sisters funky, slinky rare groove classic “Ha-Ya (Eternal Life).” Never officially released on 7-inch before, Krivit has taken the loose original recording and given it a steady pulse not by adding post-production elements, but via his experienced hand at building a musical movement that audiences will respond to. A slight tempo change, a bit of careful repetition, and at last connoisseurs of the smaller format vinyl have a definitive version of this powerful song.

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Horace Tapscott

Live At Lobero Volume 2

Dark Forecast White Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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This is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. Born in 1934 in Houston, Texas, Horace came from a musical family centered around his mother, Mary Malone Tapscott, who worked professionally as a singer and pianist. When Horace was nine, the family moved to Los Angeles. As a teenager in the late 1940's, Horace was surrounded by the music of Central Avenue: Art Tatum, Charlie Parker, Coleman Hawkins, Dexter Gordon, were among the many cats on the set. Around this time, Horace also began to take music lessons from teachers Dr. Samuel R. Browne and Lloyd Reese, whose other students included Eric Dolphy and Frank Morgan. Horace's musical studies included trombone in addition to piano.
In 1952, Horace graduated from Jefferson High, got married to Cecilia Payne and went into the Air Force. Horace played in an Air Force Band while he was stationed in Wyoming for his term of duty. After mustering out, he returned to Los Angeles where he worked around on various gigs until he joined the Lionel Hampton Big Band as a trombonist.
In 1959, Horace finally went with the Hampton Big Band to New York, where his friend Eric Dolphy introduced him to John Coltrane. A tough winter, a lack of gigs, and too many nights on the floor of a friend's art gallery finally sent Horace packing for sunny Southern California, where a life with wife and family awaited his return.
The sixties saw Horace emerge as a die-hard leader of the Avant Garde. Horace began to gain public notice playing with his own group, that included alto saxophonist Arthur Blythe, bassist David Bryant, and drummer Everett Brown II. Horace also appeared on records for the first time.
Horace was always outspoken about racism, politics, stereotypes, and social ethics. His forward-minded vocal presence on and off the microphone is as much a part of his art as his piano playing. As a result, he was labeled a 'dissident', categorized as an 'employment risk', and black-listed from the music industry establishment in the early 1970's. None of this slowed Horace down. He began gigging sporadically at Parks and Recreation events and for churches around Watts. This 'dark period', with his only regular gig at his friend Doug Weston's Troubadour on Los Angeles' "Restaurant Row", was also a time of intense creativity.
Around 1977, Horace reorganized the Pan-Afrikan Peoples Arkestra with the help of several old friends and many new faces. The Arkestra performances involve singing, dancing, and poetry in addition to the music. Soon after the new group's debut, Horace came to the attention of producer Tom Albach who contracted Horace to record a number of albums for Nimbus Records. Albach also helped introduce Horace to an international audience by arranging several European tours.
The 80's saw Horace emerge as one of jazz's premiere solo pianists. He recorded several solo piano albums for Nimbus.

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Piotr Schmidt Quartet

2LP | 2021 | EU | Original (O-Tone Music)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 1956 | UK | Reissue (Pure Pleasure)

Cab Calloway

LP | 2017 | US | Original (International Anthem)

Release: 1956 / UK – Reissue

Genre: Organic Grooves

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From 1932 to the late 1940’s the period covered by this set, Cab had an orchestra that was about as swinging a band of solid senders as you’d find on the big-band circuit.
Cab projects, in his singing on records, something of the vital magic of his stage presence, a boundless exuberance and enthusiasm. His orchestral backing during the Thirties and Forties included many well-known names in jazz. At various times, Milt Hinton, Danny Barker and Cozy Cole were in his rhythm section.The reeds included the late, great Chu Berry as well as Ben Webster. Dizzy Gillespie was in the band, some members of which, at odd moments, served as a laboratory for the style to be called Bop. »This whole new chord structure idea was interesting to me,« Milt Hinton recalled, »and I would walk the new chords behind his playing.« Cab wasn’t the least enthusiastic. Danny Barker quoted him as saying, »I don’t want you playing that Chinese music in my band.«
The main attraction, however, was always Cab—showman, singer, entertainer. Most audiences didn’t even know that some of his sidemen were candidates for the jazz hall of fame. And that was as it should be. The musicians’ first function was to provide musical backing and a musical setting for the man who was being called 'King of the Hipsters', and this they did, wonderfully well. It was as Barry Ulanov noted in Metronome (January, 1943) a band extraordinary in every respect, hailed for its »clean musicianship, its jazz kicks, its brilliant showmanship«.

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Makaya McCraven

Highly Rare

Duke Ellington & His Orchestra

Release: 2017 / US – Original

Genre: Organic Grooves

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Highly Rare is a new mixtape produced and arranged by Makaya McCraven, featuring Junius Paul (bass), Nick Mazzarella (alto saxophone), and Ben Lamar Gay (cornet, diddley bow, voice). Recorded live to Tascam 424MKIII cassette four-track at the legendary Danny's Tavern in Chicago, Illinois.

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Masterpieces

LP | 1951 | UK | Reissue (Pure Pleasure)

Chewing On Glass & Other Miracle Cures

Release: 1951 / UK – Reissue

Genre: Organic Grooves

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When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between its late-1940's configuration (the 5-man trumpet section) and its mid-1950's personnel. The sax section had settled into the form it would have for most of the ensuing two decades (old-timers Hodges and Carney and newcomers Procope, Hamilton and Gonsalves); the trombone section had long-timer Lawrence Brown as well as Tyree Glenn and newcomer Quentin Jackson; and the drummer was still Sonny Greer, who had anchored the rhythm section since the beginning.
The arrangements and orchestrations all bear the hallmarks of Ellington's collaboration with Billy Strayhorn in the late 1940's: they are lush, symphonic, impressionistic, and densely (and adventurously) harmonic. "Mood Indigo", in particular, is a 15-minute tone-poem with shifting colors and key relationships as Ellington and Strayhorn bring the melody through a wide variety of guises, from Glenn's wah-wah trombone solo to Shorty Baker's lyrical waltz to orchestral and piano passages which do homage to the influence which Ravel and Stravinsky had on both of them.
"The Tattooed Bride" is the only new piece from the original "Masterpieces by Ellington" LP, and it is a beauty. The others of the original tracks -- "Sophistocated Lady" and "Solitude" -- are not laid out as inventively in their harmonics or structure. Of the group, "Solitude" is perhaps the weakest, but this is a relative term. Ellington would go on to pen many more extended, symphonic works, but none would have quite the multicolored, impressionistic tone-pallate that these do. And Strayhorn's presence would not be as pronounced in those future works as it is here: the orchestration and harmonies in particular bear his mark. These are masterpieces indeed: great works of art by two of our greatest composers/orchestrators, and played by one of the greatest orchestras in Afro-American music. Andrew R. Weiss

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Sixtoo

2LP | 2004 | UK | Original (Ninja Tune)

Tony Conrad & Jennifer Walshe

Release: 2004 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Both cover and records are really close to NM.

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In The Merry Month Of May

LP | 2024 | US | Original (Blue Chopsticks)

Absurd In The Anthropocene

Release: 2024 / US – Original

Genre: Organic Grooves

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In the Merry Month of May is the final studio recording of the late, great Tony Conrad, and the first duo release with Jennifer Walshe, one of Conrad"s most important collaborators in the final decade of his life. . A wild, improvisatory flaying of song; the sheer sonic force recalls the ecstatic charge of Conrad"s Slapping Pythagoras, with Walshe"s clarion voice at the heart of it. A one-of-a-kind concoction whipped up by two fearless and often peerless souls. It"s a joy to hear their manifest mutual regard and commitment to busting a gut.

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Dan Rosenboom

2LP | 2020 | EU | Original (Gearbox)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Stix 20th Anniversary Orange / Red Vinyl Edition

Jaga Jazzist

2LP | 2003 | UK | Reissue (Ninja Tune)

Release: 2003 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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LP | 2024 | UK | Original (Nashazphone)

Don King

On The Mediterranean

LP | 1975 | AU | Reissue (Roundtable)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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First time vinyl issue of a killer, impossibly rare document from NYC no wave pioneers Don King, the short-lived mid-'80s post-Mars band from Mark Cunningham, featuring Arto and Duncan Lindsay, Lucy Hamilton and John Erskine in their all-star lineup, on a hyper-sensual and humid, screwed Jazz tip.

Centred around two members of Mars - Lucy Hamilton and Mark Cunningham - renowned for featuring on Brian Eno’s legendary ‘No New York’ (1978) survey, as well as affiliates of Sonic Youth and Swans; Don King were a lesser known vehicle for the no wave rogues to follow their nose into the weirdo recesses of art-rock/free jazz that followed the rudimentary, DIY tenets of the original no wavers. The skronk quota is high on this one, but their performances are so much more sensual, humid and slower than the no wave bracket would suggest, revealing the band like some loose echo of Sun Ra or a spangled Arthur Russell jam with Peter Zummo in their performances surrendered from shows in Geneva, Lausanne, Toulouse, Barcelona, Padova and Parma, and first issued by Barcelona’s 4 Sellos label in 1987, in the years after their s/t debut and a 1985 single for Cabaret Voltaire’s Double Vision label.

The 10 pieces, room recorded in all locations, are replete with audience chatter in the air hovering through a brassy rabble in operation. Led by the twin trumpet and bass clarinet bleat of Mars’ Mark Cunningham and Lucy Hamilton, Sonic Youth producer John Erskine provides taped percussion tracks with backing from the Lindsays, and Toni Nogueira, as they roll out from the minimalist reps of ‘Fern Gully’ to a sonorous industrial tango, and Hamilton’s operatic wail on ‘Obsolescence’, taking in a skew of jazz standard ’Summertime’, fraying into proper no wave shred and racket on ‘Mediterrain’, and like a punk Sun Ra in ‘Don Rey’, reminding us of Alex Zhang Hungtai’s recent foray into voice-note recorded spiritual, concrète jazz.

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Brian Brown Quintet

Carlton Streets

The Very Best Of Diana Krall

Release: 1975 / AU – Reissue

Genre: Organic Grooves

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Composer and saxophonist Brian Brown produced some of the most refined Australian jazz recordings during the 1970s. A versatile musician whose distinct impressionist music melded modern jazz with the outer limits of free experimentation. Considered to be his greatest work was the 1975 concept album Carlton Streets, an ambitious recording that romanticised the sights, sounds and the nostalgia of this once-bohemian Melbourne neighbourhood. Differing from his eco-jazz composition Wildflowers heard on the recent Roundtable compilation Pyramid Pieces, Carlton Streets explores the polar opposite, offering jazz impressions of the urban environment. Comparable to other pioneering jazz-rock groups such as Ian Carr’s Nucleus and mid-period Soft Machine, the album is a mosaic of ecstatic jazz-rock groove, spirited free improvisation and expanded experimental textures. A potent fusion that owes as much to Australian 20th-century avant-garde composers as it does to the influence of the electric jazz innovators, specifically early Weather Report and Herbie Hancock’s Mwandishi. The Roundtable are pleased to showcase this important artist and offer a new edition of this landmark Australian jazz recording. Restored from the original master tapes and presented in a gatefold sleeve including liner notes and rare photos. Released for Record Store Day 2021.

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Diana Krall

2LP | 2007 | EU | Original (Verve)

Release: 2007 / EU – Original

Genre: Organic Grooves

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LP | 2024 | US | Original (Drag City)

Dean Spunt

Basic Editions

Night Train Acoustic Sounds Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Dean Spunt"s all-new Basic Editions is an excursion in electronic sound that instrumentally unpacks his fascination with language - in this case, the syntax of systems and processes. By turns meditative, compulsive and consumptive, Basic Editions distills a 64 voice module through a head full of ideas - somewhat like pouring a cornucopia of possible ambient moods and EZ listening impulses backwards through a funnel, inspiring a deceptively absurd rainbow of soul to spray out the other end.With this new release, Dean IDs his process as "using sounds, rather than making sounds". This approach to music-making is a train of thought that"s been rolling out from the far horizon of the past for ages now - but for Dean, whose previous works within and without No Age depended on their making of sounds, it"s a fresh work stance. Given, however, No Age"s traditional sonic manipulations (via loops and treatments), Basic Editions delivers further unexpected hard-rights and lefts in the non-aesthetic aesthetic that has defined Dean"s path over the past two decades. Steering toward wacked digital soundscapes that bounce colorfully across the stereo azimuth, Dean creates a kind of post-ambient neo-exotica that hinges upon a giddy conflation of cosmic and comic.

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Oscar Peterson Trio

LP | 2023 | EU | Original (Verve)

LP | 2022 | CA | Original (Telephone Explosion)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Celebrating its 60th anniversary, this release presents the complete original iconic Oscar Peterson album, one of the many masterpieces recorded by the classic Peterson Trio with Ray Brown and Ed Thigpen. Featuring a number of Duke Ellington compositions, this LP also includes the earliest version of Peterson's anthemic "Hymn to Freedom."

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve

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Fresh Pepper

Release: 2022 / CA – Original

Genre: Organic Grooves

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Beyond whatever mood is likely struggling to be sculpted by the house playlist, restaurants are full of their own natural music. Porcelain and cutlery clatter in bus bins like little medieval battlefields; the chatter of patrons smears into a single stormy texture; the kitchen staff hollers and chides as their own chosen music competes for the ear of anyone walking to the restroom; the churning and hissing of the dish steamer leads the assemblage of sounds that leak out from the back of house to and cling to a diner’s subconscious. The fact that restaurants employ so many hustling musicians, whose entire lives are centered around sonic sensitivity and awareness, is either grand irony or total synergy. Toronto outfit Fresh Pepper, led by longtime friends Andre Ethier and Joseph Shabason, playfully navigates the mental and emotional mark left on many musicians by such places. Their self-titled debut is less concerned with their service-industry traumas, doldrums, and setbacks than it is with creating a relatable space for album’s contributors to fully be themselves within the ease and freedom of having similar histories. Shabason, Ethier, and company recount their culinary past lives across eight jazzy and benevolent tracks that exude their authors’ sheer enjoyment of the creation process. Though the mental image of restaurant inner workings might trigger a mix of urgency, weariness, and yearning for a better livelihood, Fresh Pepper recolors these frazzled scenes with fondness and levity, exorcizing past workplace woes through skillful musicianship and an earnest, slightly bizarre sense of humor.

Fresh Pepper was played and assembled in-person during a gap between Covid waves, and the gleeful rarity of the occasion is palpable. Whatever brooding was stereotypical of artists and musicians pre-pandemic was not invited to this reunion. From the very beginning moments of Fresh Pepper, Shabason and Ethier guide their companions (a sort of super group of Toronto musicians from acts like Bernice, Beverly Glenn Copeland, and even Destroyer’s Dan Bejar himself) with breathy, hushed tones via saxophone and vocals respectively, casually traversing their own annexed corridor between smooth jazz, exploratory avant-indie, and subverted adult-contemporary. Mid-performance apologies are left unmuted in the mix, room-tones are evident in spacious moments, and the spirit of close collaboration is omnipresent. After a mini-parade of loose and glassy keys, the pensive funk highlight “Prep Cook in the Weeds” intros with the kind of furrowed-brow noir-smoothness of some yesteryear crime drama, buoyed by Ethier’s gently insightful musings. “Another fly lands on the clock,” he sings in a hushed tone through a half-smile, pointing wryly toward the relationship between wage-workers and timekeeping devices. “Flies on the hands of time,” he continues, resigning his sense of control, “the flies take the wheel.” Ethier’s slice-of-life lyricism and serene baritone delivery find a fitting counterpart in Dan Bejar who appears on “Seahorse Tranquilizer”. Where featured vocalists-- especially those as iconic as Bejar-- would threaten to out-charisma an album’s resident personalities, Ethier and Bejar heighten the charm of each other’s demeanor in a natural and relaxed way, leading to one of the gentlest moments of an already gentle affair.

Conversely, the track “Dishpit” is noticeably the most abstract chapter of the album, reminiscent of the factory-like, thankless, yet oddly contemplative corner of the kitchen after which it is named. The track begins with a toyish, motorik pulse that imparts the fraught motivation of a full sink during lunch rush with still more dishes on the way. Shabason’s saxophone spins in the mist and steam, disoriented but determined, rallying an equally bewildered percussionist behind it. On much of the album, Shabason’s playing assumes more practical form in contrast to the ambient impressionism of his solo output, but here his atonal fourth-world fingerprints are easily visible. Following all this, “Congee Around Me” again finds warmth in the chaos, imparting the same sense of peace within the jumble that characterizes Fresh Pepper. “Mushrooms in the frying pan,” opens Ethier, summarizing the album’s pathos, “throw another in, I’ll see you when I see you.” Album ender “The Worm” - fatigued and victorious, fluttery and decayed, sounds like a memory-rich bygone era that never really existed. Was that 1990-something? Did it really happen that way? Did the sunlight really look like it does through a camcorder, or has sunlight always been the same as it is now? Does it really matter if I couldn’t see it from the kitchen anyway?

It could be argued that the best art frames its subjects without any commentary, leaving as much room for the viewer to fill with their own experiences, shortcomings, and longings as possible. Fresh Pepper provides this kind of framing around a scenario so taken-for-granted that it becomes mythic under the slightest examination. In this sense, like so many projects that Shabason puts his sonic stamp on, Fresh Pepper conjures an unexpected slice of enlightenment from somewhat unnoticed circumstances. True to form, Fresh Pepper assures us not just that we are going to be okay, but that we are okay right here and now, overtired as we are amid the stainless steel, heat lamps, and spattering oil.

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Genre: Organic Grooves

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2LP | 2021 | EU | Original (Blue Note)

Tony Allen

There Is No End

Jazz Portrait Of Frank Sinatra Verve By Request

Release: 2021 / EU – Original

Genre: Organic Grooves

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The wisdom of Tony Allen's words was as deep as his grooves, and these two sentences, which announce the dozen songs that follow, truly capture the spirit of There is No End. Tony’s motivating concept and desire was to work with younger artists, and especially the new generation of rappers, and give them voice in a time of global turmoil when music has never been more important – not necessarily as a "weapon" for the future in the manner of Fela's violently political songs, but also as medicine to heal a fractured world today.

For all those who knew him, he was a deeply spiritual man whose life's mission was not just to create a new musical language, but to pass it on to subsequent generations. In thinking back on the incredible process of creating this album without Tony physically present to guide him, producer Vincent Taeger remarked that his friend and mentor "was a teacher without speaking... a drummer and a guardian, with a great artistic vision and that vision filled the songs even after he had left us." Ben Okri, like everyone else involved in this valedictory album, had a very similar experience, declaring in awe that "this man could have lived another 150 years and kept creating new worlds. He had become the master shaman of his art. He knew himself and his mind. He wanted the album to be open to the energies of a new generation... but like a great mathematician or scientist who found a code of for a new world, with just a few beats, he created this extraordinary canvas." Featured artists include Skepta, Sampa The Great, Lava La Rue, Danny Brown, Damon Albarn and many others

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Oscar Peterson

LP | 1961 | Reissue (Verve)

LP | 1980 | FR | Original (Owl)

Release: 1961 / Reissue

Genre: Organic Grooves

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Oscar Peterson's Frank Sinatra tribute features his trio with bassist Ray Brown & drummer Ed Thigpen. The renditions are all under four minutes and are highlighted by "Come Dance with Me," "Just in Time," "I Get a Kick Out of You," and "How About You?" This is one of Oscar Peterson's most essential dates—swinging and enjoyable.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve

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Don Friedman

Avenue Of The Americas

London Experimental Ensemble

Release: 1980 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

saw cut

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Child Ballads: The Final Six

2LP | 2023 | US | Original (Don Giovanni)

Release: 2023 / US – Original

Genre: Organic Grooves

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At Pizzaexpress Live - In London

Scott Hamilton Quartet

2LP | 2023 | EU | Original (PX)

Soul Drums Deluxe Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Marking 40 years since his first appearance at PizzaExpress Live in London, the revered US saxophonist Scott Hamilton is to release a new live album, the first release on the newly formed PizzaExpress label PX Records.Having appeared at the club in Dean Street, Soho, across six different decades, Hamilton is very much part of the fabric of PizzaExpress Live and this new live album, which features Scott"s UK- based quartet of John Pearce (piano), Dave Green (bass) and Steve Brown (drums), captures a 9-track set featuring an array of classic standards including The More I See You, The Girl From Ipanema and Pure Imagination.

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Bernard Purdie

2LP | 2018 | US | Original (Nature Sounds)

33,29 €* 36,99 € -10%

LP | 2023 | US | Original (Born Losers)

Release: 2018 / US – Original

Genre: Organic Grooves

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Bernard Purdie is one of the most well known drummers of all time, and probably the most recorded in history. From his early days as a session player, Purdie rose to become Aretha Franklin’s musical director, did overdubs for The Beatles, and recorded with the likes of Steely Dan, Cat Stevens, Joe Cocker, Hall & Oats, Quincy Jones, Roberta Flack, and James Brown, to name a few. In 1967 he entered a studio with several friends to cut his first solo album, “Soul Drums”. The album was critically acclaimed upon its initial release, only to reach mythical proportions once being rediscovered by DJs and hip-hop producers years later, when it became one of the most sought-after drum LPs among vinyl collectors. “Soul Drums” is now available on vinyl for the first time in years, along with an entire bonus LP comprising Purdie’s long-lost follow-up LP “Alexander’s Rag Time Band”, which was never given a proper release. This deluxe gatefold re-issue also includes liner notes taken from a recent interview with Purdie, plus rare photos from the late 1960s.

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Paul Cherry

Pure Grooves 1

33,29 €* 36,99 € -10%

Release: 2023 / US – Original

Genre: Organic Grooves

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Bohren & Der Club Of Gore

Black Earth

2LP | 2002 | EU | Reissue (Pias)

LP | 2023 | EU | Original (Sam)

Release: 2002 / EU – Reissue

Genre: Organic Grooves

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First vinyl repress since ist initial release in 2002. Essential Bohren!

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The Heath Brothers

Paris 76

The Remarkable Carmell Jones Tone Poet Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Stickly Limited Edition 3000 copies. Re-mastered from the original stereo master tapes. Cut by Kevin Gray at Cohearent Mastering. 180g vinyl LP pressed in Marciac, France by Garcia & Co. Deluxe flipback album jacket. Artwork by Jean-Louis Duralek. Sam Records presents:

A never-before released The Heath Brothers 1976 live recordings.

First official release with the full permission and cooperation of the INA (Institut National de l’Audiovisuel).

The Heath Brothers – Paris ‘76 – Recorded live in Paris, 1976.

Sam Records is proud to presents here a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of ‘One for Juan’, the band perform two tracks from the ‘Marchin’ On! album, ‘Watergate Blues’ and a wonderful version of ‘Smilin’ Billy’.

“That was the first Heath Brothers album. Stanley Cowell had started the Strata-East label with Charles Tolliver, and they engaged us to do a record. It was a family affair, and we adopted Stanley because we thought he was amazing. That was a different type of record for us. We recorded it while we were on tour in Oslo, Norway. We used to get on the train and travel around Europe, and we’d be playing in these cabins on the train. Percy played a bass with a cello body that Ray Brown created, Tootie and I played flutes, and Stanley played a chromatic African thumb piano. People would stop and listen to us on these trains going from one country to the next, and it was something that they liked. It was like a chamber-music group. So we decided to include that sound on the record”.

Source : Jimmy Heath in ‘I Walked With Giants: The Autobiography of Jimmy Heath‘

Jimmy Heath (tenor & soprano saxophone, flute) Stanley Cowell (piano & mbira) Percy Heath (bass and “baby bass”) Albert ‘Tootie’ Heath (drums, flute and African double-reed instrument)Double insert using an original photo by Thierry Trombert. Each record has been visually checked to prevent defects.

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Carmell Jones

LP | 1961 | EU | Reissue (Blue Note)

Natural Information Society

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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24 Jahre jung war der Trompeter Carmell Jones, als er 1960 von seiner Geburtsstadt Kansas City nach Los Angeles ging. Und schon kurz nach seiner Ankunft erhielt der vielversprechende Youngster, den manche damals mit Clifford Brown verglichen, dort einen Plattenvertrag bei Pacific Jazz. 1961 konnte er für das Label sein phänomenales Debütalbum “The Remarkable Carmell Jones” aufnehmen. Im Zusammenspiel mit Tenorsaxophonist Harold Land, Pianist Frank Strazzeri, Bassist Gary Peacock und Schlagzeuger Leon Pettis präsentierte er auf dem Album eine hochinteressante Mischung aus Cool Jazz und Hardbop.

BLUE NOTE TONE POET EDITION: Stereo, produziert von Joe Harley, komplett analog von Kevin Gray von den Originalbändern gemastert, RTI-Pressung (180g), stabiles Tip-on-Gatefold, wattierte Innenhülle.

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Since Time Is Gravity

2LP | 2023 | EU | Original (Aguirre)

Artistry Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Deep, contemplating jazz BY this versatile group of jazz musicians, young and old, including Ben Lamar Gay (International Anthem) , Ari Brown (aacm) amongst others!

The next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer & multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums &-counting flagship ensemble. Joining the core NIS of Abrams (guimbri & bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) & Jason Stein (bass clarinet) are Hamid Drake (percussion), Josh Berman & Ben Lamar Gay (cornets), Nick Mazzarella & Mai Sugimoto (alto saxophones & flute), Kara Bershad (harp) & Chicago living legend of the tenor saxophone Ari Brown. Recorded live to tape at Electrical Audio & The Graham Foundation, cover painting Vibratory Cartography: Nepantla, by Lisa Alvarado.

Since first developing Natural Information Society in 2010, Joshua Abrams has been gradually expanding the group’s conceptual underpinnings, its musical references & the sheer number of the group’s members. Its music is, in a sense, an expansive form of minimalism, based in repeated & overlaid rhythmic patterns, ostinatos & modality. Its roots, its scale & its meaning become clearer in time. If time is gravity, it also allows us to carry more. Having begun as fundamentally a rhythm section with Abrams’ guimbri at its core, the version here can stretch to a tentet, including six horns.

George Lewis has described music as “a space for reflection on the human condition”. This suggests that, rather than a “distraction”, at least some music might serve as a distraction from distraction. It’s a focus, a clarity, a awareness, an external invitation to interiority, as if music itself is a model for form & contemplation, an organism contemplating for us or as us. If that is a possibility, & I am sure I have heard such musics, than this music is among them. How many of our rhythms, melodies & harmonies might such music carry, translate & transform in the particulate ecstasy of our own murmuration?

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Sirone

LP | 1979 | UK | Reissue (Moved By Sound)

Shadow Dancing Clear Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know.

Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with many of the best musicians of the 20th century - from Pharoah Sanders, Albert Ayler, John Coltrane, Gato Barbieri, Noah Howard, William Parker, Cecil Taylor, Sun Ra, Sonny Sharrock,Marion Brown ... and the list goes on.

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Azar Lawrence

LP | 1985 | US | Reissue (Tidal Waves Music)

Ornette, Coleman, Paul Bley, Don Cherry Charlie Haden & Billy Higgins

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Saxophonist Azar Lawrence (born 1952) needs little introduction, as a young musical prodigy he was lovingly tutored by his mother, who taught music and led their church choir. At age 5, he played violin in the Los Angeles Junior Symphony, then viola, but his ears were turned to the saxophone at age 13. Azar spent his teen years immersed in jazz at the home of his best friend, none other than the late Reggie Golson, son of the great composer/arranger/saxophonist, Bennie Golson. From then on it was jazz, jazz and more jazz!

Azar Lawrence began his jazz career at the renowned Dorsey High School Jazz Workshop. After high school he played in Horace Tapscott's ‘Pan Afrikan Peoples Arkestra’ and started performing in the Los Angeles club circuit. He soon found himself playing with the Ike & Tina Turner band, the Watts 103rd Street Band and War. At the age of 19, Azar joined John Coltrane’s drummer Elvin Jones for over 3 years before being invited by McCoy Tyner to join his quartet (an alchemy that lasted for 5 exuberant years). During his tenure with Tyner, he also recorded with Miles Davis on the album Dark Magus at the famed Carnegie Hall.

Upon leaving Tyner, Azar Lawrence recorded his own projects on Prestige Records, including Bridge Into The New Age (1974), Summer Solstice (1975) and People Moving (1976). After these three albums it would take over a decade before Mr. Lawrence would record another solo album (Shadow Dancing, released in 1985). Azar went on to record/write and perform with luminaries such as Freddie Hubbard, Busta Rhymes, Roberta Flack, The Headhunters and Mulatu Astatke. His sensational collaborations of the period included writing and performing on Earth Wind & Fire’s highly acclaimed platinum album, Powerlight, and on Marvin Gaye’s Grammy award winning, Hear My Dear. Azar Lawrence’s work was sampled by renowned artists/acts from the likes of Madlib, Cypress Hill…and many others.

In the early 2000s, Lawrence surged back onto the jazz scene and continues to electrify audiences with outstanding original compositions and chart hitting albums. His band, The Azar Lawrence Experience (tale) appears with as many as eight musicians who sizzle to the sounds of Azar's powerful compositions, as well as songs from the Coltrane songbook. To this day Tale dedicates itself to sharing a lifetime of Azar Lawrence’s music, art and spirituality with global audiences.

On the album Shadow Dancing (released in 1985), which we are proudly presenting you today, you can hear the musical versatility only an artist like Azar Lawrence can deliver. Next to his trademark jazz sound, this album is filled with funk, soul and boogie influences. If you’re looking for THE perfect mix of synth filled boogie & jazz-funk where the Sax takes the center stage…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).

Also featured on these recordings are some serious all-star guest musicians from the likes of Oren Waters (Herbie Hancock, Curtis Mayfield), Roy Galloway (Jimmy Cliff, Gladys Knight), Fred Johnson (The Temptations, George Clinton), James Gadson (Bill Withers, Quincy Jones), Leo Nocentelli (The Meters, Maceo Parker), Marlo Henderson (Gil Scott-Heron, Ahmad Jamal), Denzil Miller (Kurtis Blow, Diana Ross) and Eddie Brown (Stevie Wonder, Dennis Coffey).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1985 on Riza Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Live At The Hillcrest Club 1958

2LP | 1976 | EU | Reissue (Doxy)

Jazz 251/2 Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Limited to 500 copies, Audiophile Clear Vinyl Series!

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Persa

LP | 2024 | EU | Original (Put It Down)

Bassface Swing Trio Feat. Bruno Müller

Release: 2024 / EU – Original

Genre: Organic Grooves

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Wellcome to 2nd part of Persa Jazz251. Jazz life in a Persa World. A_Side is 13 studio tracks. B_Side is 4 tracks recorded in live act at Radio Relativa studios (Madrid) for cRRudo series with friends collaboration: -Scratches, GlueKids. -Bass, Damian Schwarzt.

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Bossa, Ballads And Blues Vinyl Edition

LP (Stockfisch)

Genre: Organic Grooves

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Alexei Borisov / Sergey Kasich / Giovanni De / Donà / Gianluca Ghini

Moscou Aller-Retour

LP | 2023 | EU | Original (Koo Editions)

LP | 2024 | UK | Original (ATA)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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An imaginary train journey between Bologna and Moscow. The original recording of the entire experimental electronic session performed at the audiovisual festival "Geometry of Now," Moscow (2017) curated by Mark Fell, reworked in Bologna (Italy) with custom analog equipment in 2022. Alexei Borisov, the Moscow underground legend who has spanned new wave, electronic noise and constructivist experimentation, measures up with artist and curator Sergey Kasich, a sound and media artist originally from Sevastopol, Crimea, founder and main curator of the Sa)) community for experimental sound artists from the post-Soviet regions (https://soundartist.ru), as well as the Sa))_gallery and Sa))_studio in Moscow. The deconstruction of that live performance is meant to underscore the evidence of the lie of the end of history and the inadequacy of theories produced by the relativist burden of postmodernity with its illusory recombinations, revivals and remixes, lead to the search for a misaligned and alt-modern subjectivity that concretely emerges from an imaginary journey into the era of the materialization of the unexpected, like the sudden concreteness of a window that no longer squeaks, but slams... The “Petroni apartment session” was recorded in Bologna, by also mixing concrete elements of environmental recording to emphasize the sudden impending immediacy of the real dimension.

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The Sorcerers

I Too Am A Stranger

LP | 1974 | UK | Reissue (Soul Jazz)

Release: 2024 / UK – Original

Genre: Organic Grooves

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ATA Records are proud to announce the new album I Too Am A Stranger from The Sorcerers, following previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, which garnered high praise from Mulatu Astatke Who's this? The Sorcerers? It's cool! This is great. Give me the CD man!" and recent Radio 6-listed 7" single Exit Athens, of which Giles Peterson said, "Great Stuff as always".
Recorded wholly at ATA Studios and produced by label head, Neil Innes, I Too Am A Stranger features the Sorcerers trio, (lead by Neil Innes) of Joost Hendrickx/Neil Innes/Richard Ormrod, with assistance from regular percussion collaborator Danny Templeman and up-and-coming Leeds trumpeter Olivia Cuthill. Joost and Neil's drum and bass bond is tighter than ever, and Richard is given free rein on baritone and alto saxophones, flutes, bass clarinet, vibes, and the wonderland that is the ATA vintage keyboard collection.
I Too Am A Stranger is a resolutely maximal endeavour, a layered recording both sonically and via many interwoven influences: as ever, the Ethiopique sound is front and centre [Bebaynetu, Kid Mahout, She Who Perceives The Sounds Of The World], but there are also references to the declamatory baritone sax-heavy chanbara soundtracks of Fumio Hayasaka [Yasuke In Roppongi, Oromo Moon], the fuzzed-out vibes sound of Vibrafinger-era Gary Burton [side openers The Warrior Code and He Who Kills With One Leap], and Moondog's popping woodblocks [Moth, The Dao Of The Sorcerers].
In truth, there is so much on this album to appeal to so many different listeners: tight – and new! – beats, exotic melody, far-out horns, references from within and without the worlds of Jazz, Library, Ethio, etc etc, as well as the wholly analogue ATA sound that satisfies DJs and audiophiles alike.

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Steve Reid

Nova Red Vinyl Edition

LP | 2020 | US | Original (Concord)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Soul Jazz Records are re-releasing the debut album from the legendary Steve Reid. As a radical jazz artist, Steve Reid played with an extraordinary group of artists - Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie and many more. He began his career as a teenager in the 1960s as a drummer at Motown. Reid was born in the South Bronx, and grew up in Queens, New York, three blocks away from John Coltrane. In 1969, Reid refused to enlist to the Vietnam war and was arrested as a conscientious objector and given a four-year prison sentence. On his release in 1974, he formed the Legendary Master Brotherhood and the independent record label, Mustevic Sound, to release his debut LP Nova. At the start of the 21st century, Steve Reid began a successful collaboration with Kieran Hebden (Fourtet), who Reid referred to as his 'musical soul mate', resulting in a number of joint albums. Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists. "A truly phenomenal artist." Gilles Peterson "Steve Reid is one of the greatest drummers. He is a musical genius." Kieran Hebden (Fourtet)

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Butcher Brown

#Kingbutch

Release: 2020 / US – Original

Genre: Organic Grooves

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Bohren & Der Club Of Gore

Geisterfaust

2LP | 2005 | EU | Reissue (Pias)

LP | 1974 | EU | Reissue (Easy Tempo)

Release: 2005 / EU – Reissue

Genre: Organic Grooves

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Geisterfaust finally gets a proper vinyl release. Tip!

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Genius

Don Cherry / Collin Walcott / Nana Vasconcelos

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Extremely obscure ‘Rare Groove’ album recorded in Argentina in 1974 and produced by great radio and music producer Mochin Marafioti. It has been impossible to learn who the musicians of the amazing session were. Soul, funk, psychedelia and latin melt into a sort of funkadelic sound. Spoken intro, sensual vocals and a monster rhythm section flirt with wah wah guitars and catchy melodies. A truly hidden treasury brought back to life by legendary Easy Tempo crew and destined to please the worldwide Rare Groove clubbing nation. To the original recording were added Edits by Andrea Passenger done in the spirit of the classic disco music manipulators like Tom Moulton, Danny Krivit and Walter Gibbons. To be played very loud.

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Codona Live In Willisau Switzerland 1978

2LP | 2024 | EU (Whp)

Byron Asher's Skronch Music

Release: 2024 / EU

Genre: Organic Grooves

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The magical encounter of three skillful players, right before their self titled debut on ECM. On September 1, 1978, the musical trio Codona performed live in Willisau, Switzerland. This Swiss FM broadcast captured Codona in full flight, with Collin Walcott on sitar, Don Cherry on trumpet, and Nana Vasconcelos on percussion. Their performance weaved a magical web of sound. The opening track, “New Light,” is a 16-minute journey of pure joy

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Byron Asher

LP | 2019 | US | Original (Sinking City)

LP | 2023 | EU | Original ([Pias] Din)

Release: 2019 / US – Original

Genre: Organic Grooves

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Skrontch Music is the ambitious debut recording by award-winning New Orleans-based composer and clarinetist/saxophonist Byron Asher. This five-movement, research-based suite for ten-piece ensemble explores the intertwined histories of New Orleans jazz and anti-Jim Crow activism during the early twentieth century. Skrontch Music juxtaposes contemporary composition with collective improvisation, archival recording sound collage, and excerpts from the 1896 Plessy v. Ferguson U.S. Supreme Court ruling. A contemporary investigation into the early jazz tradition, Skrontch Music highlights that the development of the music was itself a form of resistance to the racist Jim Crow regime. Packaged in paste on sleeve with risograph print

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Naima Joris

While The Moon

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Amai)

Mansur Brown

Naqi Mixtape

Release: 2022 / EU – Original

Genre: Organic Grooves

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Love For Sale Indie Exclusive Alternate Cover Edition

Tony Bennett & Lady Gaga

LP | 2021 | EU | Original (Interscope)

Primordial Waters Limited Ed.

Release: 2021 / EU – Original

Genre: Organic Grooves

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Attn: Contrary to the announcement and the backcover, this record only contains the regular album with 10 tracks instead of 12.

The follow up to 2014's Grammy Award-winning Cheek To Cheek, Bennett and Gaga's latest collaborative album is a celebration of the Cole Porter songbook and a testament to the pair's enduring friendship and love for one another. The announcement of the album coincides with Tony's 95th birthday and two special performances at NYC's Radio City Music Hall, billed 'One Last Time'.

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Jamael Dean

2LP | 2022 | US | Original (Stones Throw)

Release: 2022 / US – Original

Genre: Organic Grooves

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LP | 2024 | UK | Original (Haggis)

The Jazz Defenders

Memory In Motion

LP | 2024 | Original (Telephone Explosion)

Release: 2024 / UK – Original

Genre: Organic Grooves

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UK jazz ensemble The Jazz Defenders release their third album "Memory In Motion" in April on Haggis Records (home of The Haggis Horns and Malcolm Strachan). The Bristol jazz boppers deliver another quality release of original material that takes in their usual diverse mix of influences and genres, from timeless acoustic jazz referencing the classic sounds of Blue Note Records, to a more contemporary fusion where jazz meets soul, funk and hip-hop.
Although they love to mix things up, their roots are in the classic acoustic jazz quintet sound of the late 1950s/early 1960s, back when hard bop and modal jazz ruled. They have already explored this musical path well on their previous albums but they still deliver a couple of classic inspired jazz cuts here. "Chasing Fantasies" and "Fuffle Kerfuffle" both give the band some space to cut loose on solos over swing jazz beats that will keep their original jazz audience happy. The latter bubbles away with a jazz shuffle beat that would make drum legend Art Blakey smile.
"Meanderthal" and "Snakebite Playfight" bring soul to this jazz party. Exactly like jazz legends Lee Morgan/Herbie Hancock/Freddie Hubbard etc did back in the early-mid 1960s. The first is a feel-good, toe-tapping gem that's heavy on the backbeat and short and snappy on the solos, the exact reasons that made it the perfect opening single from the album. "Snakebite Playfight" comes with a jaunty New Orleans shuffle before transforming into a heavy psychedelic soul jazz burner, flipping back with ease to the Nola shuffle for the Mardi Gras meets bebop piano solo by band leader George Cooper.
"Rolling On A High" is a hip-hop/jazz banger that sees the band continue their collaborations with UK rapper Doc Brown, a perfect combination that began on their second album "King Phoenix''. This time, the Doc spits some old-school block party-style bars over a bouncy uptempo funky beat with the band cooking up some soul stew behind him. Definitely dancefloor material.
Another uptempo jam is the heavy jazz fusion jam "Net Zero". It kicks off with some live broken beat kit playing and piano/bass staccato vamping before taking off into Headhunters territory on the solos, sounding both contemporary and classic at the same time. This is The Jazz Defenders at their fiercest and toughest and delivering a track that will have jazz dancers worldwide in an utter frenzy.
It's not all uptempo numbers or dancefloor-oriented compositions on this album. Two tracks take the musical dynamics right down to give a temporary break from the high-energy numbers. "Take A Minute" has a rolling double bass line locked into the groove while the horns play a lazy and laid-back theme with vibes embellishment, sounding like some trippy independent film soundtrack. Another recurring musical reference point for this band over the years.
The album finishes on a poignant and introspective note with a beautiful piano and double bass feature for George Cooper and bassist Will Harris. It's called "Enigma", it was recorded live in Paris and it closes the album on a peaceful note evoking the music and playing of Bill Evans. The perfect way to close this brilliant third album from The Jazz Defenders.
With Memory In Motion, pianist George Cooper and his band undoubtedly pay great homage to a golden era of jazz music that they love, but also elaborate on this influence with a wealth of modern musical experience, to create their own raw and vibrant compositions. The result is an enthrallingly unique sound that is as danceable as it is listenable.

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Tony Price

Interview Discount

Release: 2024 / Original

Genre: Organic Grooves

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Musiques Légères (1976-1982)

Bruno Spoerri

LP | 2024 | EU | Original (We Release Jazz)

Animals Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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We Release JAZZ is so happy to announce the fourth Bruno Spoerri release in the WRWTFWW discography, this time focusing on the Swiss legend’s unheard jazz catalogue. The pristine 6-track album Musiques Légères (1976-1982) is available as a limited edition half speed mastered biovinyl LP housed in a heavy 350gsm sleeve with superb design by Nicolas Eigenheer and the classic WRJ obi.

Swiss jazz and electronic music pioneer Bruno Spoerri unveils a treasure trove of never-before-released songs in this rare archival collection recorded between 1976 and 1982 that includes collaborations with the fabled Radio Suisse Romande-backed music ensemble GIR (Groupe Instrumental Romand) which featured the crème de la crème of Helvetic forward thinking musicians with an international reputation. The super team of instrumentalists / composers represented Swiss national radio in endeavors that spanned a vast array of music genres such a jazz, pop, experimental music, or what they referred to as “musiques légères” (light music), their very own brand of jazz and funk infused easy listening. One notable member of GIR was drummer extraordinaire Stuff Combe that We Release JAZZ collectors will know from his Stuff Combe 5 + Percussion LP.

Musique Légères (1976-1982) offers a marvelous blend of easy listening jazz, joyful synth improvisations, and soulful funk ballads, a testament to Bruno Spoerri’s multifaceted talents and ability to approach various genres while keeping his very personal and very magical touch. Among the hidden gems on the carefully curated collection is the immensely catchy "Prince Karl", an undeniable hit that truly deserves to be heard.

This is the fourth Bruno Spoerri release from WRWTFWW, following the synth heavy and galactic Voice of Taurus and The Sound of the UFOs, and the compilation of unreleased experimental tracks Rare & Unreleased 1971-1998.
Musiques Légères (1976-1982) is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

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Kassa Overall

LP | 2023 | UK | Original (Warp)

Release: 2023 / UK – Original

Genre: Organic Grooves

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LP | 2019 | US | Original (Pure Pleasure)

Linda Hill

Lullaby For Linda

31,49 €* 34,99 € -10%

LP | 2024 | US | Original (Candid)

Release: 2019 / US – Original

Genre: Organic Grooves

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Featuring members of the Arkesta
Re-mastering by Kevin Gray
Produced by Tom Albach
Recorded & mixed by Dennis Moody in 1981
Linda Hill recorded this LP for Nimbus West in 1981 with fellow Arkestra members, including flautist Adele Sebastian. And it’s Sebastian’s vocal duet with Hill on the spiritual jazz epic “Leland’s Song” that opens this stunning LP. Hill’s ensemble also included the serious horn player Sabir Matteen, as well as bassist Roberto Miranda and drummer Everett Brown Jr., who would all go on to record LPs for Nimbus.

The Arkestra first started rehearsing at pianist Linda Hill’s house in the early ‘60s. “In a few months, we’d built up from seven or eight to about 18 cats, musicians started living there,” Tapscott wrote in his autobiography. “People got involved with the Arkestra like it was their life’s work.” Hill took the role seriously, earning her the name of “the Ark’s matriarch” by Tapscott.

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Charles Mingus

Incarnations

A Charlie Brown Christmas

Release: 2024 / US – Original

Genre: Organic Grooves

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The music Charles Mingus and his group recorded during his landmark 1960 sessions for Candid Records produced three of the most revered jazz albums of the era. Incarnations is a new masterpiece thoughtfully assembled from rare and unreleased material from those sessions that stands proudly in the Mingus canon of masterworks.

All but one of the tracks here are from the November 11th, 1960 sessions Mingus and producer Nate Hentoff put together. The date was split into two halves: one a pure Mingus-led date, featuring a six-piece band that expanded into an octet for two additional tunes, and another, a partial reunion of a collective that had assembled in opposition against George Wein’s Newport Jazz Festival that past July. (That collective, calling themselves The Jazz Artist Guild, would release the album Newport Rebels, on Candid in 1961.)

Of special note here is the one track recorded during the Mingus October 20th 1960 sessions. It is a previously unreleased track titled “All The Things You Are (All.)” Found on a tape that contained material from both of these fall 1960 dates, the piece has its roots in an Art Tatum rendition of “All the Things You Are,” which Mingus had recorded before in various settings.

Featuring Booker Ervin, Eric Dolphy, Charles McPherson, Ted Curson Lonnie Hillyer, Roy Eldridge, Jimmy Knepper, Britt Woodman, Tommy Flanagan, Paul Bley, Dannie Richmond and Jo Jones. With audio restored and remastered by Bernie Grundman, and liner notes by Pitchfork and New York Times contributor Hank Shteamer, this album is a must have for any Mingus fan.

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Vince Guaraldi

LP | 2009 | US | Original (Fantasy)

Release: 2009 / US – Original

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Candid)

Max Roach

We Insist (Mono)

A Charlie Brown Christmas Gold Foil Limited Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Vince Guaraldi Trio

LP | 1965 | IT | Reissue (Craft)

Release: 1965 / IT – Reissue

Genre: Organic Grooves

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We Insist Clear Vinyl Edition

Max Roach

LP | 1961 | US | Reissue (Candid)

Piotr Schmidt International Sextet

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Komeda Unknown 1967

LP | 2023 | UK | Original (O-Tone Music)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Katharine Whalen's Jazz Squad

Let's Get Lost: Songs Chet Sang

LP | 2024 | US | Original (Modern Harmonic)

Brian Auger's Oblivion Express

Release: 2024 / US – Original

Genre: Organic Grooves

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Katharine Whalen of Squirrel Nut Zippers fame, makes a triumphant return with her Jazz Squad featuring Austin Riopel on guitar, Danny Grewen on trombone, and the great Griffanzo on pianos. This time the chanteuse delivers an entire album of breezy west coast jazz sounds in the form of a tribute to Chet Baker.

It was around 1996 when Katharine Whalen first made her grand entrance onto culture’s collective radar as the sultry, yet effervescent voice of the Squirrel Nut Zippers, where she remained until their initial disbandment around the turn of the century. In addition to the Zippers putting dixieland jazz on the pop charts in the 1990s, they sneakily introduced an unsuspecting "alternative" crowd to jazz music. Her cultural impact was also felt when she voiced the song "You You You You You" a standout track from Stephin Merritt's (The Magnetic Fields) project titled The 6ths. That song would also find its way into commercials and the film Pieces of April.

After recording one solo album for Mammoth Records shortly after leaving the Zippers, Whalen stepped out of the public eye. However, she’s remained very much in the spotlight of one unique small town; Hillsborough, NC, which has been referred to as Twin Peaks meets Northern Exposure. It’s a surreal literary, liberal Mayberry. If you find yourself in this Southern portal, you can find Katharine Whalen's Jazz Squad playing monthly in a cocktail bar appropriately named Yonder.

The album was recorded in an old chapel in Hillsborough by North Carolinian royalty, Jerry Kee (Polvo, Superchunk, The Kingsbury Manx). Each song was recorded with the band all playing together in the same room, the way the old jazz records used to be put to tape.

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Live Oblivion 2 Remastered Edition

2LP | 1974 | EU | Reissue (Soul Bank Music)

2LP | 2016 | Original (O-Tone Music)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Live albums are often a "hit or miss" affair but "Live Oblivion 1 & 2" buck that trend. Recorded across 2 nights in 1974 at the Hollywood venue The Whisky A Go Go. Now released to mark the 50th Anniversary of their recording and release it"s the first ever vinyl reissue since the original releases in the 1970"s.

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Marina & The Kats

Wild

Release: 2016 / Original

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Candid)

Charles Mingus

Mingus

Jazz 251/2 Blue Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

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At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond. The same group featured on the 1960 Candid release, Charles Mingus Presents Charles Mingus. The Mingus album, also recorded that year, features one track, "Stormy Weather," recorded with that same quartet, and two tracks recorded with a larger group featuring piano and additional horns. Of note, "mdm (Monk Duke & Me)” consumes the majority of this album. The piece consists of three intertwining themes - Duke Ellington's “Main Stem”, Thelonious Monk's “Straight, No Chaser”, and Mingus' “Fifty First Street Blues.” Released in 1961, and recorded in the fall of 1960 by Candid A&R and Producer Nate Hentoff at the Nola Penthouse Sound Studios. The LP includes extraordinary liner notes written by Hentoff, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Persa

LP | 2024 | EU | Original (Put It Down)

30,59 €* 35,99 € -15%

Finding My Way Home Black Virgin Vinyl

Release: 2024 / EU – Original

Genre: Organic Grooves

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Yazz Ahmed

LP | 2024 | UK | Original (Night Time Stories)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Don Cherry & Jean Schwarz

Roundtrip - Live At Théatre Récamier - Paris 1977

LP | 2023 | EU | Original (Transversales Disques)

Odyssey Of The Oblong Square Gold Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M. This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and electronic sounds around this astounding quintet made up of JF Jenny Clark, Nana Vasconcelos and Michel Portal. Remastered from the original master tapes. Exclusive pictures and liner notes

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Steve Reid

2LP | 1977 | UK | Reissue (Soul Jazz)

Space Walk British Jazz Explosion Series Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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New special one-off pressing limited-edition gold vinyl edition (and one-off pressing limited-edition gold CD edition) of this deep spiritual jazz classic. Drummer extraordinaire and legend, Vietnam conscientious objector, ex-Black Panther, Reid has played with everyone from James Brown to Sun Ra, Fela Kuti and Miles Davis, friend of John Coltrane, worked at Motown, and, in the latter part of his career, worked extensively with Kieran Hebden, following his path of a radical, revolutionary music up until his untimely death in 2010. Soul Jazz Records are re-releasing this rarest release of deep heavyweight jazz by Steve Reid and The Master Brotherhood, entitled ‘Odyssey of the Oblong Square’ first released over thirty five years ago on Steve Reid’s own Mustevic Sound record label (where it came out in an edition of 1000 copies) and has been a serious collectors album ever since. These special gold vinyl and CD editions are both one-off pressings, which, like the original, are limited to 1000 copies worldwide.
Steve Reid became known worldwide for his radical collaborations with Kieran Hebden after they first recorded together on the Steve Reid Ensemble album Spirit Walk, released on Soul Jazz in 2005, releasing five joint releases together in the following years. Steve Reid is steeped in musical history and a true pioneer of US deep left-field jazz. He played in Sun Ra’s Arkestra, was a Motown session drummer and backed James Brown at the Apollo! He was a Black Panther, imprisoned during the Vietnam war as a conscientious objector and lived in Africa in the early 1970s. Reid worked with Freddie Hubbard, Gary Bartz, Ornette Coleman, Lester Bowie, Fela Kuti, Leon Thomas, Miles Davis and many more in his long illustrious and groundbreaking career

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Don Rendell Quintet

LP | 1972 | EU | Reissue (Decca)

Swirling Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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For the first time with the correct title sequence. More info coming soon.

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Sun Ra Arkestra

2LP | 2020 | EU | Original (Strut)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The planets align this October as the mighty Sun Ra Arkestra, under the direction of the maestro Marshall Allen, release their first studio album in over twenty years, ‘Swirling’. Recorded at Rittenhouse Soundworks in Philadelphia, the new recording represents the continuation of a heartfelt rebirth of the Arkestra under Allen’s guidance since Sun Ra left the planet in 1993, gaining new generations of followers from their regular touring across the globe. With a big band line-up featuring long-standing Arkestra members including Danny Ray Thompson (rip), Michael Ray, Vincent Chancey, Knoel Scott, Cecil Brooks, Atakatune (rip), Elson Nascimento and Tyler Mitchell, the album is a full-blooded celebration of Sun Ra’s legacy. Tracks include brand new arrangements of Arkestra staples ‘Angels And Demons At Play’, ‘Satellites Are Spinning’, ‘Door Of The Cosmos’ and ‘Rocket No. 9’ alongside lesser known gems; the rousing blues ‘Darkness’ is recorded here for the first time, resurrected from the Ra archives by Marshall Allen. Other highlights include an epic version of ‘Seductive Fantasy’ (first recorded on Ra’s ‘On Jupiter’ LP in 1979), the freeform sonic blast of ‘Infinity / I’ll Wait For You’ and a first ever recording of the Marshall Allen swing composition, ‘Swirling’. “We truly hope that this recording brings much joy to a planet which is so deeply in need of a spirit sound and vibration,” states saxophonist Knoel Scott. “We hope it contributes to a change in the ominous direction of man’s journey through the cosmos.” “This new release is the Arkestra’s love offering to the world,” concludes Marshall Allen. “Beta music for a better world.”

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Complete Communion: Live In Stuttgart (Germany) At Liederhalle (Beethovensaal), May 12th 1966

LP | 2016 | EU | Original (Modern Silence)

2LP | 2022 | UK | Original (Apollo)

Release: 2016 / EU – Original

Genre: Organic Grooves

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The legendary Don Cherry with his great 1966 quintet featuring Gato Barbieri (tenor sax) Karl Berger (piano) Bo Stief (bass) Aldo Romano (drums) which can also be heard on three fine releases on ESP-Disk, and with the New York Total Music Company in 1968. Taken from an excellent radio broadcast for the first time in a glorious vinyl release.

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Dan Samsa

Contours

Rendez-Vous HHV Exclusive Green Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

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There is the contemporary music tradition, and then there is Dan Samsa. Seamlessly blending classical, techno, jungle and jazz, the musical pioneer joyfully imagines his debut album Contours as a genre-defying exploration far beyond the borders of sound as we know it.

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Bruno Nicolai

LP | 1975 | EU | Reissue (Sounds From The Screen Black Vinyl)

Rendez-Vous Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Green vinyl edition limited to 100 copies. Only available at HHV Records.

Licensed in 1975 by Gemelli, Rendez Vous is possibly a holy grail in Nicolai long-running career as a composer. The orchestra director and musical editor has been active for at least 30 years and his majestic opus an overwhelming data for any avantgarde freak or moviegoer obsessed. While studying piano and composition at the Santa Cecilia Conservatory in Rome, he befriended Ennio Morricone and formed a long working relationship, with Nicolai eventually conducting for and co-scoring films with Morricone. Nicolai also scored a number of giallo exploitation films and wrote many scores for director Jesús Franco. His work was featured in the Quentin Tarantino films Kill Bill: Volume 2 and Once Upon a Time in Hollywood. Tension! Pretty much what this whole record is all about. An imaginary soundtrack that turned out to be an in-demand obscure library, Rendez Vous shows up the many skills of the composer and his alumni. Possibly Morricone is playing muted trumpet in several episodes – Diffidenza and Subdolamente – absorbing thrilling experiences similar to the Maestro soundtracks for Dario Argento early movies (not a case that Nicolai was the conductor for several adventures in movie sound theatre such as ‘L’Uccello Dalle Piume Di Cristallo’, ‘ Il Gatto A Nove Code’ or ‘4 Mosche Di Velluto Grigio’).

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Bruno Nicolai

LP | 1975 | EU | Reissue (Sounds From The Screen Black Vinyl)

LP | 1998 | EU | Reissue (Blue Note)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Licensed in 1975 by Gemelli, Rendez Vous is possibly an holy grail in Nicolai long-running career as a composer. The orchestra director and musical editor is been active for at least 30 years and his majestic opus an overwhelming data for any avantgarde freak or moviegoer obsessed. While studying piano and composition at the Santa Cecilia Conservatory in Rome, he befriended Ennio Morricone and formed a long working relationship, with Nicolai eventually conducting for and co-scoring films with Morricone. Nicolai also scored a number of giallo exploitation films and wrote many scores for director Jesús Franco. His work was featured in the Quentin Tarantino films Kill Bill: Volume 2 and Once Upon a Time in Hollywood. Tension! Pretty much what this whole record is all about. An imaginary soundtrack that turned out to be an in-demand obscure library, Rendez Vous shows up the many skills of the composer and his alumni. Possibly Morricone is playing muted trumpet in several episodes – Diffidenza and Subdolamente – absorbing thrilling experiences similar to the Maestro soundtracks for Dario Argento early movies (not a case that Nicolai was the conductor for several adventures in movie sound theatre such as ‘L’Uccello Dalle Piume Di Cristallo’, ‘ Il Gatto A Nove Code’ or ‘4 Mosche Di Velluto Grigio’).

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Brian Blade Fellowship

Release: 1998 / EU – Reissue

Genre: Organic Grooves

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Musiques Légères (1976-1982)

Bruno Spoerri

LP | 2023 | CH | Original (We Release Jazz)

John Surman / Alan Skidmore / Tony Oxley

Release: 2023 / CH – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Jazz In Britain 68-69

LP | 1972 | EU | Reissue (Endless Happiness)