Search "tim bernardes" 1509 Items

LP | 2023 | EU | Original (Whirlwind)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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John Escreet

Seismic Shift

35,99 €*

We're All Improvisers Now Natutal Translucent Vinyl Ediiton

Release: 2023 / EU – Original

Genre: Organic Grooves

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Pianist John Escreet, hailed by Time Out London as a "transatlantic jazz genius," continues his artistic ascent with the bold, exploratory album Seismic Shift. It is Escreet"s ninth album as a leader but his first at the helm of a trio, and also one of the first to see release since his move to the West Coast in early 2020. The UK native, former Brooklynite and now Los Angeles transplant teams up with fellow Angelenos Eric Revis (bass) and Damion Reid (drums) for a set brimming with fire and invention.

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Tommy Crane

2LP | 2022 | EU | Original (Whirlwind)

31,99 €*

The Sound Of Lalo Schifrin Limited 16CD Box Set

Release: 2022 / EU – Original

Genre: Organic Grooves

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We're All Improvisers Now' is the debut solo album by New York/Montreal-based performer Tommy Crane, a tranquil, introspective journey through boundary-traversing ambient jazz, buoyed by the creative elan of an artist in full experimentation mode. Using sensory percussion and a battery of synthesisers, Crane creates a sequence of lucid sonic environments, where the real and synthetic meet, overlap and reappear disguised and opaque.

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Lalo Schifrin

Box Set | 2024 | Original (Decca)

111,99 €*

Pennselmann Hits Volume 2765 Black Vinyl Edition

Release: 2024 / Original

Genre: Organic Grooves, Soundtracks

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Lalo Schifrin achieved the feat of becoming both one of the most successful Hollywood composers and an influential and cult-revered jazz musician. His exciting film themes from “Mission: Impossible” to “Bullit” and the “Dirty Harry” films are legendary, and the albums recorded under his own name oscillate between big band jazz, groove experiments and world music. The 16-cd box “The Sound Of Lalo Schifrin” now aims, for the first time, to combine all facets of the musician in one box. It contains several of his full-length albums plus a huge amount of film and TV themes with an astonishing stylistic range. The recordings range from 1955 to 2017, and include famous jazz instrumentalists such as Jimmy Smith and Stan Getz, as well as singers such as Barbra Streisand, Ray Charles, Scott Walker and many others. listen. 325 tracks and over 18 hours of playing time bring you closer to the musical genius Lalo Schifrin. The 16 CDs are housed in a hardcover book, which also includes a 44-page booklet with, among other things, an introduction by Clint Eastwood and an interview with Lalo Schifrin.

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Tuohi Klang

LP | 1972 | EU | Reissue (Svart)

29,99 €*

Live At Fox Theater, Atlanta February 1980

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Tuohi Klang: Pennselmann Hits Vol. 2765 - A cult gem reissued by Svart Records in February 2025

In the late sixties Finns began to believe that Finnish jazz, played and composed by Finns, might after all be on a par with what was being produced by its European counterparts, even if the music of Suomi players was still in search of a unique character of its own.

During their short life span, the avant-jazz all-star sextet Tuohi Klang released their only album on the soon-to-be defunct psych label UFO. Finally, Finally, Svart Records are proud to present this cult treasure and highly sought after album reissued for the first time ever. Features an all-star lineup of Edward Vesala, Pekka Pöyry, Paroni Paakkunainen, Teppo Hauta-aho, Mircea Stan and Mike Koskinen.

Pennselmann Hits Vol. 2765 is available on Svart exclusive clear/green marble, transparent orange, and classic black vinyl editions - not to forget the CD edition. The gatefold package includes extensive liner notes by Harri Uusitorppa. Release date February 21st, 2025.

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Weather Report

2LP | 2024 | EU (Whp)

LP | 2024 | CH | Original (Second Thoughts)

Release: 2024 / EU

Genre: Organic Grooves

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Back in 1980, Weather Report consisted of Wayne Shorter - tenor & soprano sax, Joe Zawinul - keyboards, Jaco Pastorius - bass, Peter Erskine - drums and Bobby Thomas Jr. - percussion. Often considered as one of the best line ups in the band's history, this was a super tight combo playing with the same energy and power of a big band. The 1980 tour, also known as the "Night Passage" tour, is also remembered for the great visual impact, a large scale staging including laser and film projections. The Atlanra Fox Theater show sees the band at its peak, performing great renditions of classic tunes such as Zawinul's "Madagascar" and "Fast City", Pastorius' "Three Views of a Secret" and Shorter's "Port of Entry". This is an important live document from the greatest electric jazz band of all times, period!

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Kevin Mccormick

Passing Clouds

36,99 €*

Toru Yamanaka & Teiji Furuhashi / Dumb Type Theater

Release: 2024 / CH – Original

Genre: Organic Grooves

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"It’s been a long time since I last recorded an album - a break of some 40 years! Passing Clouds now builds on my earlier retrospective work on “Light Patterns” and “Sticklebacks” released in the past few years by the wonderful Smiling C label. I still have a daily obsession of writing tunes and experimenting with sound and was recently inspired to record again. On Passing Clouds, I have tried to capture my love of sky watching and of being in peaceful places. I set about my sessions, as always, alone with my electric/acoustic guitars and bass, playing through simple analog equipment such as valve reverb, tremolo and tape delay. I use a violin bow to get the drone and ambient sounds into a tape looper. Whilst working on the album, I tried hard to get the feel of my favourite ECM artists such as Collin Walcott, Ralph Towner, John Abercrombie and Eberhard Weber - my heroes! They are as inspiring to me now as they were in the 70s." Kevin McCormick

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Every Dog Has It's Day

LP | 1984 | JP | Reissue (Conatala)

28,99 €*

Tape | 2024 | US | Original (Jackpot)

Release: 1984 / JP – Reissue

Genre: Organic Grooves, Electronic & Dance

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The two works which comprise this retrospective release project - "Plan for Sleep” (1984) and "Every Dog Has His Day” (1985) - are collaborations between Yamanaka and Furuhashi which were foundational to the music development of Dumb Type's aural legacy and intermedia innovations at large. Their early stage music possessed a unique charm and innovation, serving as an essential element at the core of their art. Through this project, the legacy of these works is to be re-evaluated, and the essence of the music contributing to the evolution of Dumb Type's sound through this day will be introduced to a new generation.

Dumb Type is a multimedia performance art group based in Kyoto that was formed in 1984 and continues to be active at the forefront of the art scene. We are excited to announce the simultaneous release of two cassette book works produced by musician Toru Yamanaka and the late Teiji Furuhashi, a central figure of the group, for works from the early Dumb Type Theatre era: "Every Dog Has His Day (recorded in 1985)" and "Plan For Sleep (recorded in 1986)," now available for the first time on vinyl.

Since the founding of Dumb Type, Yamanaka has primarily been responsible for music production, while the late Furuhashi played a crucial role in translating Yamanaka’s compositions into stage direction. Their collaboration began with previous groups ORG and R-still, and was influenced by the NEW Wave and progressive rock trends they were pursuing at the time, as well as by artists like Laurie Anderson, Meredith Monk, and Robert Wilson, who fused minimal music and avant-garde performance. Moreover, their bold incorporation of cutting-edge sampling and house music during that era laid the foundation for Dumb Type's sound, marking an important intersection in the history of minimalism, ambient music and performance art in Japan.

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Mustafa Özkent

Genclik Ile Elele

15,99 €*

LP | 2025 | US | Original (Mardi Gras)

Release: 2024 / US – Original

Genre: Organic Grooves, Rock & Indie

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Originally released in Turkey 1973, Özkent’s masterpiece creation of an all instrumental Turkish Psychedelic Funk album filled with classic beats and breaks still inspires long time fans and first time listeners. The funky rhythms, hypnotic percussions, and heavy break beats makes this a holy grail amongst DJ’s and music fans alike. The original concept was futuristic and eluded categorization: traditional folk songs mixed with rock, jazz, blues, funk and psych, reconstructed for the new “hip” generation. (The monkey on a microphone album jacket also eludes categorization too.... or comprehension). The album was recorded live in just one day with some of the best studio musicians in Turkey. Lacking a multi-channel recording deck, Özkent used microphone techniques to emulate a total stereo effect and capture the heavy psychedelic effects and close-miked beat breaks. Özkent created his own unique guitar sound by adding extra frets and a clutch of effect pedals in order to create quarter notes and emulate turkish traditional scales. Mustafa Özkent has since made arrangements for hundreds of other artists in Turkey, but this unique album documents his most revered work—and the world is still just discovering this gem. The fact that only a handful of copies from the original pressing are known to still exist partly explains why, making this reissue a welcome addition to any record collection.

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Rebirth Brass Band

Hot Venom

42,99 €*

7" | 2024 | EU | Original (Red Productions)

Release: 2025 / US – Original

Genre: Organic Grooves

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Rebirth Brass Band is New Orleans premier Brass Band. This is their 2001 recording that includes their collaboration with Rap Legends Soulja Slim ("You Don't Wanna Go To War") and Cheeky Blakk ("Pop That Pussy"). First time on vinyl! Two Record Set!

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Karo Glazer

Black Sun

6,99 €*

2LP | 2024 | EU | Original (Right Tempo)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Karo Glazer called ''a true singing asset and the best Poland has to offer'' is an artists with 4-octave expressive voice and endless musical imagination, whose talent was appreciated by Tom Waits and members of Coldplay during the International Songwriting Competition, shares the first independent single ''black Sun'' feat. Dead Star Talk & Jozef Skrzek, off her forthcoming third album ''#LadyDynamite''.

Karo Glazer is a singer, composer, multi-instrumentalist, songwriter, and music producer all at the same time. She also wrote music for theatre plays and ballet. She played and recorded with both jazz and rock musicians i.e Lars Danielsson, Mike Stern, John Taylor, Klaus Doldinger, and multiple Grammy-winning producers Martin Walters (Esperanza Spalding, Spyro Gyra, Dianne Reeves) and Flemming Rasmussen (Metallica, Rainbow, Mr Big), with whom she produced Black SUN. After years of performing vocal jazz, Karo returns with Black SUN and delivers a euphoric guitar riff, spiked with her explosive voice, trance groove, and her new artistic vision, which is presented by her new conception of 7'' vinyl, which includes DJ Tools kit on B side and the solar foil sleeve cover, that lets you safely observe the Sun. It's a psychedelic rock Odyssey with progressive influences based on alternative, pop, and jazz roots.

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Attilio Zanchi

Mingus Portrait

44,99 €*

Henrik Gunde, Jesper Bodilsen & Morten Lund

Release: 2024 / EU – Original

Genre: Organic Grooves

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Charles Mingus's music is, and will remain, in the hearts and ears of all Jazz lovers, serving to inspire generations of musicians. Mingus, besides being a magnificent double bassist, was also a prolific composer, arranger, pianist, and band leader of several historic ensembles. His groups, ranging from trios to big bands, have traversed and influenced various stylistic periods from the 1950s to the 1970s. Undoubtedly, Mingus, alongside Duke Ellington, was one of the most important composers of the 20th century; in his music, one can hear the roots of Blues, echoes of Gospel, Swing, Bebop, Soul Jazz, and even Free and avant-garde music. It is for this reason that his music can almost be considered an encyclopedic portrait of Jazz history and can still be played today without appearing dated, instead providing new insights and inspiration. From these considerations arises my desire to reinterpret Mingus's repertoire, influenced by our individual experiences as musicians. In this recording, in addition to Mingus's compositions, two original compositions inspired by or closely related to Mingus's musical style are performed. The group originates from the musical collaboration of over thirty years between myself, pianist Massimo Colombo, and saxophonist Tino Tracanna, and is complemented by saxophonist Gianni Azzali, drummer Tommy Bradascio, and two new young talents of Italian Jazz: trombonist Andrea Andreoli and trumpeter Daniele Nocella. One day, when he was already very ill, Charles Mingus said to his wife Sue: "You know, I've already had a body. Next time I want to be a star. I want to shine all night." We do not know if his wish was granted, but certainly his music continues to shine and illuminate the world like a star. Attilio Zanchi

All tracks composed by Charles Mingus unless otherwise stated.

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Moods

LP | 2024 | JP | Original (Terashima)

44,99 €*

LP | 2024 | JP | Original (Avex)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Limited edition LP release of Scandinavian piano trio works by leading Scandinavian bassist Jesper Bodilsen, drummer Morten Lund, and pianist Henrik Gunde! Two pieces that Yasukuni Terashima had been eagerly awaiting to release on LP are finally being released on LP for the first time in the world. The beauty of the music is like that of a sculpture or a painting. Each note they play, each stroke, is captivating. "Moods" and "Moods Vol. 2" are two simultaneous releases for lovers of Scandinavian jazz and piano trios.

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Katsushika Trio

M.R.I._mirai

45,99 €*

LP | 1959 | UK | Reissue (Diggers Factory)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Three former early members of Japan's leading fusion band "Casiopea" - Tetsuo Sakurai (bass), Akira Jinbo (drums), and Minoru Mukaiya (keyboard) - have come together to form "Katsushika Trio" and started their activities in 2021. They performed live in five locations: Tokyo, Osaka, Nagoya, and Yokohama, captivating audiences of all ages, from long-time fans to younger generations. Their highly anticipated debut original full album "M.R.I_ Mirai," released amidst this excitement, has garnered significant acclaim.

This album, with the slogan "Music for Adults Who Won’t Grow Up," features eight meticulously selected tracks from their first album showcasing the trio's fiery ensemble that defines "Katsushika Trio." To provide the superior sound quality unique to vinyl, the album is released as a "heavyweight" edition, which offers greater thickness and stability for high-quality playback.

This must-have record allows fans to experience the unique pleasure of analog sound.

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Dave Brubeck

Time Out

28,99 €*

LP | 1978 | EU | Reissue (Mab About)

Release: 1959 / UK – Reissue

Genre: Organic Grooves

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Joyce Hurley

Joyce

21,74 €* 28,99 € -25%

LP | 2022 | EU | Original (Komos)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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The first album was recorded in Sydney in 1978 by Joyce Hurley, who learned piano basics in the United States and is currently a European singer, pianist, and composer. Although it has been featured in many record guides and reviews as one of the coveted DJs for a long time, it was, for a long time, a rare LP much sought after by collectors. In addition to the standard number, it is composed of instrumental songs by David Martin Group, who serves as a backing, and Afro-Cuban numbers such as "Sambole'" and "Here and now” are the highlights and killer version of Herbie Hancock's “Maiden Voyage. Joyce Hurley's first full-length release. Joyce was a Detroit-born singer who came to Sydney to study at the NSW Conservatorium and recorded this album with the David Martin Group while she was here. The album was recorded at Earth Media Studios in late 1977 and 1978.

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Cheick Tidiane Seck

Kelena Foly

20,99 €*

LP | 2022 | US | Original (Pine Hill)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Cheick Tidiane Seck placed his hands on a keyboard for the first time in the late 60s, on a harmonium of the Catholic convent in Sikasso, where he was a boarding pupil preparing his junior high diploma. From the age of 12 onwards, he would compose pieces by singing them to his mother, a,famous singer. Realizing he had talent, one of the nuns instructed him in music theory during his 3 years at school there. Diploma in hand, he that studied fine art at the Bamako National Arts Institute, tinkled the keys at night, playing with the Rail Band at the Buffet de la Gare hotel, moonlighting like his idol, Jimmy Smith,. He also made the most of his free time by playing on the Art Institute’s piano when the music students had gone home. He was swiftly adopted by the musical community of the Malian capital, and set off on Africa-wide tours with Les Ambassadeurs. He set up shop in Abidjan before arriving in France in the mid-80s. Since then, he has multiplied collaborations with jazz artists (Randy Weston, Dee Dee Bridgewater, Ornette Coleman ...), African musicians (Manu Dibango, Salif Keita...) and even pop singers (Daman Albarn, Carlos Santana...) After the international success of Sarala, a record he arranged and co-directed with Hank Jones, Cheick released 5 albums under his own name which saved a lot of room for the science of electric keyboards, from the Hammond to the Moog. Kelena Fôly (‘expressing oneself only in music’ in Bamana) is his first solo record in a career spanning almost fifty years. There is no artifice here, just his deep voice and the Steinway grand piano of the Studio Pigalle. Cheick plays pieces anchored in the Mandinka tradition like Kana Kassi, which recounts an episode in the life of the founder of the Wassoulou empire, Samory Touré. He also takes us on American adventures with 56 Walker Street, a theme written at this Manhattan address, where, in the early 2000s, he held legendary jam-sessions with attendees such as Dr Lonnie Smith, Roy Hargrove and Vernon Reid. Kelena Fôly plays out around a poignant tribute to Aimé Césaire. On the track, Cheick Tidiane Seck narrates an extract from the poem Souffles, penned by another great proponent of négritude, Birago Diop. Here, he remembers an invitation from the Martiniquais poet to play in Fort de France, to celebrate the 120 th anniversary of the abolition of slavery. The only cover on the record is his version of Sometimes I feel Like a Motherless Child to which he has added a verse in bamana dedicated to his own mother. The album ends with a piece improvised in just one take. Corona contains a Message of Love for humanity by a musician who survived Covid 19. Hospitalised in Bamako in December 2020 and placed on a respirator, Cheick felt himself leave this world before coming gradually back to life. Today, back on track, this ‘warrior’ has embarked on new cross-continental musical endeavours with this record where he has summoned jazz, blues, Mandinka folk sounds and sources of African music to come together, unified by his exceptional playing style and a voice gorged on soul.

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3rd Force

Vital Force

25,89 €* 36,99 € -30%

LP | 2022 | US | Original (Pine Hill)

Release: 2022 / US – Original

Genre: Organic Grooves

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A year after Alain Eskinasi released his solo album Many Worlds, One Tribe, he rejoined William Aura and Craig Dobbin to write and produce Vital Force, 3rd Force’s third studio album in 1997. In terms of the group’s previous two albums, 3rd Force branches out to produce a new, energetic sound on this release. Eskinasi brings his recent experience with tribal influences to the album and this is apparent in many tracks. This, combined with the many years of groove and soundscape production experience from Aura and Dobbin, lifts 3rd Force to new heights and leaves listeners wanting more. Featured performers include Rick Braun on flugelhorn, and Craig Chaquico and Peter White on guitar. Vital Force is dedicated to the memory of Steve Feinstein. The dream continues... For the first time in the group’s history, Vital Force will be available on vinyl in a super-limited pressing of 100 copies with a download card included. This pressing offers a warm, semi-transparent green color.

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3rd Force

Force Of Nature

25,89 €* 36,99 € -30%

Suite Nofres / Interseccions. Música I Arts Escèniques (1985-1990)

Release: 2022 / US – Original

Genre: Organic Grooves

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Following their 1994 debut album, 3rd Force pulls out all the stops to release Force Of Nature. The album takes traditional instrumentation to create unique and original sounds to the group. Featured artists include Craig Chaquico, Peter White, and Boney James who add a soulful and nostalgic sound to the album. With Aura’s 15 previous solo albums, Dobbin’s training as a classical pianist, and Eskinasi’s tenure in the Soto Koto Band, each member of 3rd Force brings something different to the table in the second chapter of 3rd Force’s story. The album is dedicated to the memory of Terrence Kidman, and the birth of Dakota Dobbin. Life fully lived...and life yet to live. The circle continues... While available on CD worldwide, Force of Nature is now available for the first time ever on vinyl and has a super-limited pressing of 100 copies. With an included download card, the pressing offers a beautiful red/orange sunburst color.

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Agustí Fernández

2LP | 2022 | EU | Original (Urpa I Musell)

29,99 €* 39,99 € -25%

LP | 2022 | US | Original (Suxeed Music)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Urpa i musell is pleased to present our sixth record. We have joined paths with pianist Agustí Fernández on a
double disc that includes both the reissue of the LP Suite Nofres (originally released in 1987) and
Interseccions. Música i arts escèniques (1985-1990) (meaning Intersections. Music and performing arts (1985-
1990)), a set of previously unreleased works that Agustí recorded during this period at various performances.
Agustí Fernández (Palma, 1954) is a seminal figure in the improvised music scene. Few musicians in Spain
enjoy such international fame and respect. Peter Kowald, Derek Bailey, Lawrence D. "Butch" Morris, Evan
Parker, Barry Guy, Mats Gustafsson, Joel Ryan, Joe Morris, Nate Wooley and Peter Evans are some of the
musicians Fernández has been able to converse with artistically. He has shaped his creativity by leading free
www.urpaimusell.com
music formations, composing for the world of cinema, television and theatre, directing musical events in our
country and abroad in addition to his work in the field of teaching (until very recently he was professor of
improvisation at the Escola Superior de Música de Catalunya). We could define his musical identity as the result
of the interaction between the tradition of classical piano and the improvisation of jazz roots, which has led to
new sonic places, the sum of language and intuition.
Fernández settled in Barcelona at a very young age. From the very beginning he received very diverse
commissions and one of them was to play in the dance classes of the Institut del Teatre. There he met many
young dancers. In 1986 he debuted in the recording world with Ardent, a set of piano pieces that includes a
piece composed for the dancer Margarita Guergué. Shortly after, he took charge of the music for a
contemporary ballet by Ramon Oller, another of the dance students he had met at the Institut del Teatre. Suite
Nofres, released in 1987, is the recording of the music that Agustí played live in the show.
Three years later, "El mar" was recorded, a video-dance work that he and the dancer Àngels Margarit
produced for Glasnost, the fringe TVE-2 program directed by Lulu Martorell. This short piece was reinterpreted
as Les nenes no en tenen mai prou, a theatrical show for piano and five voices, one of them Lulu herself.
The second album of this release, Interseccions. Música i arts escèniques (1985-1990), includes these
pieces, as well as unpublished extra material from Suite Nofres.
Agustí then combined work with training. In those years, he immersed himself fully in the musical avant-garde
of the moment: he discovered the music of Cecil Taylor and took courses with Xenakis and Stockhausen. He
also encountered some artists returning to Catalonia from the United States, such as the dancers Lydia
Azzopardi and Cesc Gelabert and the musician Carles Santos, all of them influenced by the American
minimalism of Steve Reich and Philip Glass. Agustí Fernández collaborated with Carles Santos closely for
many years after 1982.
Santos' approach to minimalism was particular, passionate (as Tom Johnson explains in "Passionate
minimalism") and heterodox. The limitations of minimalistic explorations —repetition of short musical
patterns and phrases, persistent drones and harmony tending to be static— were understood above all as a
starting point from which to express himself with complete freedom. Fernández received this influence and
adopted Santos' attitude both in Suite Nofres and in the works included in Interseccions. Minimalism here
acts as a structural support. It serves as a framework from which to explore a variety of interesting topics,
including research on the piano and brief bursts of free improvisation, meticulous work with timbre, phrasing,
and form, where we discover, among other things, structures used in various locations and instrumentations,
and interaction with the environment, including other musicians, singers, dancers and audiences.
The sonority of these pieces is rich and mature. Agustí, in fact, recorded Ardent with twenty years of musical
experience already behind him, but at the same time it is also a learning record. As he explained in an interview
with José Francisco Tapiz: "From ‘85 to ‘95 I was working on my own, trying to develop a language and have
the tools to improvise. Privately, above all." If we look at his discography, Suite Nofres marks a point in time,
after which he released very sparsely until 1996. After using the minimalist approach, he had to abandon it. The
yearning for completely free music meant intense personal work without too many sound testimonies
(Interseccions is one of them). The result of this intense search is the sensational Tempranillo (1996), an
album by duet with Evan Parker and which constitutes a declaration of intentions. Here we could say that the
mature and most intense stage of Agustí begins –an essential part, but not one that we will relate here.
The two albums that make up the sixth release from Urpa i musell bear witness to the decisive period of
impasse in the artistic growth of one of the most stimulating musicians that has emerged from our country. At
the same time, it perfectly captures where experimental music was then. It is lovely to be able to hear the
wonderful ideas that came from the head and hands of Agustí Fernández that represented the first flowering of
his unmistakable character.
Manel Peña & Urpa i musell
Translation: Mark Dix

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Barton Hartshorn

Manchester Sun

28,49 €* 37,99 € -25%

7" | 2022 | JP | Original (The Wind Blows Softly)

Release: 2022 / US – Original

Genre: Organic Grooves

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Ever the storyteller, Barton weaves tales of first kisses, of soldiers trying in vain to remember their hometown, of missed opportunities and unreliable childhood memories. He casts Orson Wells as a modern day dictator, perched on high in a carousel, and tells the story of the spray-painted marriage proposal that appeared overnight on a motorway bridge 50 miles from London.

Manchester Sun was recorded in England with Barton playing most of the instruments himself, moving through guitar, bass, drums, percussion and Hammond organ during an intensive week-long session in the peaceful, rural setting of Echo Studios. The album places Barton and his acoustic guitar centerstage, with additional contributions from long time collaborators Vincent Guibert, David Lewis, Melissa Cox and Nicki Ross on Piano, trumpet, violin and vocals.

Manchester Sun will be released worldwide in October 2022, with the first single
“Starter Kiss” and its accompanying stop-motion video appearing in May.

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Zoe's Shanghai

Laziz / Open & Hoping

18,04 €* 18,99 € -5%

LP | 2022 | EU | Original (EE Tapes)

Release: 2022 / JP – Original

Genre: Organic Grooves

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The long-awaited 7-inch version of the single released in 2022 by Zoe's Shanghai, a neo-soul band based in Paris, France! They made a splash with their album "Lava Love" released in 2021, and this year, 2022, they are releasing two singles in physical format for the first time! Must-check release for fans of Hiatus Kaiyote / Moonchild

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Jan Van Den Broeke

Time And Desire

LP | 2022 | JP | Original (First On Vinyl)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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‘time AND Desire’ contains Jan’s exquisite selection of 10 unpublished songs and cinematic tales (recorded 2006-2021) about memory, the journey through life, the passage of time, the constant craving, the burning desire… and some soothing miracle moments.

We get versatility and unity at the same time. We certainly hear echoes of Absent Music and THE Misz (Jan’s projects from the 1980’s), but we especially hear Jan Van den Broeke and friends summarizing life and music (and poetry), while blurring time. The 1980s, the 2020s – who cares?"

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Matthias Frey

The Time Within

33,99 €*

LP | 2022 | EU | Original (Discrepant)

Release: 2022 / JP – Original

Genre: Organic Grooves

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We are thrilled to announce our second release from the label "First on Vinyl" after the successful first issue with Marc Anderson's "Time Fish" firs ever vinyl pressing. Second issue is the first vinyl reissue of the album "The Time Within" by Matthias Frey, originally released on 2004!!Pianist and composer Matthias Frey has enriched the music world in Germany for more than 30 years. As an artist of different genres, he is an excellent world music-specialist, a skilled jazz and film music-composer. He composed for different music directions like jazz, world music, theatre, TV, cinema productions and feature films as well as popular TV series like Tatort Films for several episodes. Matthias Frey has played with various international artists like Trilok Gurtu, Jack Bruce, Laura Newton, Fathi Salama, Steve Shehan, Deniz Köseoglu, Yunchen Lhamo, Chief Twin 77, Magdalena Matthey, Wu Wei, Zoltan Lantos, Omri Hason and many others..

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Ondness

Oeste A.D.

15,59 €* 23,99 € -35%

Daniel Carter / Evan Strauss / 5-Track / Sheridan Riley

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Somewhere in the middle of the first track, “Torres e Baldios”, there’s a sudden change of pace with percussion rhythms interfering with the trance-like sound of the first six minutes. It sounds like steps, people running away on a corridor bashing their feet. It dazzles you because of how unexpected it is, how unpredictable those sounds sound like and, most of all, how it makes perfect sense. It is a monstrous piece. And the beginning of a new age for Ondness, in the same year he defied his Serpente moniker to create an absolute classic, “Dias da Aranha”.

What makes “Oeste A.D.” so remarkable is the intangible idea of nostalgia. “Aqua Matrix Alternative Nation” recreates with a slowed down mentality the theme of one of the main events of the Expo 98 in Lisbon. It’s nowhere similar to the original, what it does is to mess around with the global ideas that were such a big part of that event. The Portuguese musicians that were invited to collaborate with Expo 98 were mesmerized by the ideas of union and globalization, creating overpriced music that sounds like shit today. “Aqua Matrix Alternative Nation” messes around with that vibe in a positive way. Think Mark Leckey playing around with his rave memories. Same thing, but in Portugal we had Expo 98.

Jokes aside, B Side is more futuristic with “Torres e Baldios II” and “Endless Domingo”, a nod to “Endless Summer”, by Fennesz, and “Endless Happiness” (from “Beaches And Canyons”), by Black Dice, mashing up – freely - both covers and reminding of how great 2001/2002 was for experimental music. Both tracks are full of sci-fi drama and this sickness of the future that has been travelling with Ondness since its early days. But the approach here is somehow different. Before “Oeste A.D.” the Ondness sound was fragmented, sparse and intensively reflexive. There was this uncertainty to it that made the previously releases so good. But “Oeste A.D.” is full of clarity, the phrases are straightforward, and the music moves in one direction, continuously. Before, there were loads of unanswered questions. The only doubt is when will the world start to care and listen to Bruno’s brilliant music. Now sounds like a good time.

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The Uproar In Bursts Of Sound And Silence

LP | 2022 | US | Original (577)

19,19 €* 31,99 € -40%

Like A Plane Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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The Uproar in Bursts of Sound and Silence is a sort of emergent collage that came together over four years of composition, improvisation and production. The foundations for this album were initially recorded in 2018 by producer/engineer Jack Endino (Nirvana, Soundgarden, Mudhoney, Skinyard) at Soundhouse in Seattle, WA with myself (Evan Strauss, electric bass and upright bass), 5-Track (Guitar) and Sheridan Riley (Drums). The initial foundations of this music consisted of my long-form graphically notated conceptual compositions based on the calls of the Veery songbird (Catharus fuscescens), the astrological transits at the precise time of the recording session and some thematic elements from Ursula K. Le Guin’s novel The Dispossessed. In 2019 the album was given the working title Bird Songs for the Stars and I commissioned the cover art, Night Fisher, from Jeane Cohen. Also around this time, Daniel Carter had emphatically told me, “I’m going to become a rapper by the time I turn 90.” So, a few weeks later Daniel and I were hanging out, recording music and eating stir fry in my Ditmas Park apartment and I convinced him to make some progress on his goals by recording his voice into a microphone. Daniel began by recording an excerpt from Virginia Woolf’s The Waves and continued by recording some of his own poetry. The recordings of Daniel from that afternoon would eventually make their way onto this album alongside my own experimentations in production inspired by Lee Scratch Perry, J Dilla and Ingram Marshall. I have since come to believe that this music was waiting for Daniel’s voice and music. Over the next couple of years I experimented with production techniques, renamed the album The Uproar in Bursts of Sound and Silence after an excerpt from The Waves (“wind blows the uproar in bursts of sound and silence across the court / now again they are smashing the china / that is the convention”), moved to the pacific northwest, corresponded with the estate of Virginia Woolf, mastered the entire project onto a cassette tape and convinced 577 records to release it. I hope you enjoy it as much as I have! -Evan Strauss, February 2022

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Markus Acher

10" | 2022 | US | Original (Moone)

32,99 €*

Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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Markus Acher (best known as singer of The Notwist) typically produces his own music under the name Rayon – this time, however, is a different story. Using his real name, he sends a signal re: the circumstances he recorded the music in - at home in his old apartment in Munich, in a private setting, in a time when there was hardly anything else available. Accordingly, and rather fittingly, the four songs represent a bridge to the outside world: Acher tore the doors to his balcony wide open, inviting the outside in , capturing its sound on tape: rain falling, engine noise of passing cars. And at the same time the songs pushed outward, into that sphere that remained off-limits to us for some time (“Like a plane they can go everywhere”).

The four tracks - arranged for harmonium, acoustic guitar, banjo, glockenspiel, percussion, a children's harp and vocals - were released digitally in 2021 via the Japanese independent platform Minna Kikeru, run by Saya (member of the duo Tenniscoats and Markus Acher's bandmate in Spirit Fest), among others. For two songs of «Like A Plane», Saya contributed vocal tracks as well.

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Art Blakey

LP | 1961 | EU | Reissue (Sowing)

LP | 1966 | EU | Reissue (Cortizona)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and band leaders in the history of Jazz. No need to add that "Paris Jam Session" is regarded as an essential release in Blakey's extensive discography.

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Patty Waters

You Loved Me

23,99 €*

Quin Kirchner & Rob Clearfield

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single 'My One And Only Love' and a recorded live session at Lone Mountain College in 1974.

The album 'You Loved Me' is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60's and her post 90's releases. The missing link between the radical ingenue of the 1960s and her late 90's songs wherein she expressed the resolution of all of her life's moments through mature readings of traditional songs and jazz standards. This collection aims to provide that missing link and to finally complete the picture of her storied recording career.

In what would have been her third LP, the 'You Loved Me' album serves as the inverse of Patty's debut. While her debut "Sings" concerned itself with themes of heartbreak, loneliness and yearning, there's an abundance of love, joy and togetherness on "You Loved Me".

Or in Patty's own words:

"I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love could be"

On 'You Loved Me' Patty Waters velvet voice captures this longing for love, straight from her soul to your heart. Crossing the border of the avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-sides while the 14 minute composition 'Touched By Rodin In A Paris Museum' on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.

'You Loved Me' proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, impressed Miles Davis, Pharoah Sanders and Henry Grimes with her concerts and can count Patti Smith and Yoko Ono (to name a few) amongst her fans.

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Concentric Orbits

LP | 2022 | US | Original (Astral Spirits)

All That Jazz (Anime That Jazz)

Release: 2022 / US – Original

Genre: Organic Grooves

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Happy to announce the latest from Chicago-based percussionist Quin Kirchner, this time in an intimate duo setting with France-based pianist Rob Clearfield. Concentric Orbits is Clearfield & Kirchner's gorgeous debut recording as a duo, although they have a long history of playing together over the years in Chicago. You will likely remember Clearfield from his standout playing on Kirchner's The Shadows and The Light (2020, Astral Spirits), and here on Concentric Orbits he takes a bit more of the foreground on the piano with Kirchner's solid, driving support moving the proceedings along. The two sidelong tracks offer different sides of the duo; "Orbit 1" dives in with a insistent and repetitive left piano groove that eventually unfolds into a splattering of free improv that subsides. Cymbals, bells and more from Kirchner lead us through the second half of the track, with Clearfield continuing variations on the original ostinato through to the ending. "Orbit 2" jumps out immediately with a percussive attack complimented by Clearfield's prepared piano that mirrors the percussive sounds without overpowering. Kirchner's groove rides powerfully through the majority of the track, with some truly stirring playing from Clearfield on the second half.

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Evening!

LP | 2022 | JP | Original (Banana Music Publishing)

36,99 €*

LP | 2022 | EU | Original (Hubro)

Release: 2022 / JP – Original

Genre: Organic Grooves

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P-vine is thrilled to reissue Anime that Jazz: Evening! as a limited edition LP for the first time with an iconic obi strip attached. As with the preceding Ghibli Jazz series, All That Jazz is tied together by the soothing vocals of Yukiko Kuwahara who completes the core set-up of piano, bass and drums.

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Nils Okland

Glodetradar

28,99 €*

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 2022 / EU – Original

Genre: Organic Grooves

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"Glodetrådar", the commissioned work for Vossajazz 2016, is a sort of "back to the roots" for Nils Okland. The area of Voss has been an important part of his musical development, in the 80's as a student and later as the musical leader at Ole Bull Akademiet (1989-95). His time at the academy gave him important impulses that inspired his characteristic, personal style: the mix between jazz, free improvisation, contemporary music and folk music. In this work Okland holds true to his unique style with simple melodies and a sincere tone that go straight to the heart. At one moment it's calm and meditative, the next we find ourselves in a rock universe with the distortion turned to max.

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Francois Tusques

Piano Dazibao N°2

25,99 €*

LP | 1970 | EU | Reissue (Souffle Continu)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Between May and September 1970, pianist François Tusques recorded »Piano Dazibao«, an album on which he multiplied joyful escapades as a critical iconoclast. The following year Tusques recorded »Dazibao N°2«, which shows him as an incisive commentator of his times. Following in the footsteps of Don Cherry, who he had met a few years earlier in Paris, Tusques made a plea for “friendship between all the peoples of the world” to the sound of Universalist hymns which transported us from Africa to Asia. But it is really a song to America, evoking the assassination of the activist George Jackson and the mutiny in Attica prison, before covering “Seize the Time” by Elaine Brown – three years after the release of Dazibao N°2, she became the first (and only) woman to lead the Black Panther Party.

The turmoil of Piano Dazibao, was opposed, on Dazibao N°2, by long, labyrinthine tracks with alternating discords and repetitions. Often using prepared piano, Tusques was more percussive (even heady) than ever, exposing a melody with solid hammer strikes or painting an image which radiated peace in spite of the storms. Piano Dazibao and Dazibao N°2 thus form the two sides of one coin, which displays the effigy of François Tusques, an international national monument.

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Francois Tusques

Piano Dazibao

25,99 €*

LP | 1972 | JP | Reissue (P-Vine)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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In Paris in 1965, F. Tusques mixed with Michel Portal, François Jeanneau, Jean-François Jenny-Clark, Aldo Romano or Jacques Thollot. He also met Don Cherry and above all recorded, with other like-minded Frenchmen (Portal and Jeanneau alongside Bernard Vitet, Beb Guérin and Charles Saudrais), the first album of free jazz in France. Years later his thirst for freedom led him to isolation; between May and September 1970, the pianist recorded, at his home, the first of two albums that he would release on Futura Records: »Piano Dazibao« and »Dazibao N°2«.

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Four-Um

Just Us

36,99 €*

7" | 2022 | EU | Original

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Ordinarily, private press albums by groups of unknown musicians don’t make their way back into circulation - they are lost due to their inaccessibility for public consumption and routine home clearouts. Little is known about Four-Um, the group who released the covers album Just Us in 1972, other than their association with Buffalo, New York and their own short-lived label Libra 7 Records. Just Us, however, has clung onto record collector shelves owing to the creativity of its jazz and soul-packed interpretations of classic tracks, and its strong cult-following.

Be prepared to be surprised by the shape of these reimagined classics. Aretha Franklin’s 'Day Dreaming' with its lush vocal arrangements echoes through halls of reverb, and sounds spritely psychedelic. Simon & Garfunkel’s 'Scarborough Fair' is stretched over seven minutes with warm break-out organ solos. Other highlights include covers of The Spiral Staircase's 'More Today Than Yesterday' and Burt Bacharach’s 'What The World Needs Now'. P-vine is delighted to reissue Just Us on limited edition vinyl for the first time ever with an obi strip attached.

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Feed LA

Cihangir / Feed Lala

11,99 €*

Suite Nihonkai Transparent Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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From the famed German Funk outfit, Poets of Rhythm, Future Jazz group Faruk Green and studio magician, multi-instrumentalist and Jamie Lidell collaborator, Daniel Raymond Gahn, Feed LA was born.
“Cihangir” with its Jazzanova style drumming and perfectly warm vintage Rhodes keys can play 6 times before you’re ready to move on. The flip side is an amalgamation of hefty funk drumming, inspired breakdowns and fuzzed out freeform flourishes that are quickly becoming a signature sound of this Munich & Berlin based Quartet. Hand stamped by Michael "Treetop" Voss.

The Players:
Michael “Treetop” Voss
Jeff Ozdemir
Daniel Raymond Gahn
Özgür Bayraktar

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Chisato Yamada

LP | 1981 | EU | Reissue (Cinedelic)

29,99 €*

LP | 1987 | EU | Reissue (Holy Basil)

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited edtion of 200 copies on transparent red vinyl.

From the meeting of the legendary Tsugaru Jamisen Maestro Chisato Yamada with volcanic mind of the composer Tasheshi Terauchi and his Oriental Fantastic Orchestra, a collaboration and a unique record, a conceptual work, is born in which innovative songs transcend the boundaries of traditional music by mixing modernity, rural and electronic atmospheres, local arias and contemporary music.
A record with strongly evocative and cinematic sounds.
Comes with OBI and a two-panel fold out sheet with original liner notes of the time translated in English that explains in an exhaustive way the inspirations from tradition and popular music and the very accurate digital recording techniques of the time that make it a record sought after by audiophiles looking for sounds unedited in the Western tradition.

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Gruppo Sound

Dreams For Sax

23,79 €* 27,99 € -15%

2LP | 2021 | EU | Original (Elkar)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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Another gem from the extensive Flipper Music catalog, more precisely from their Flower sublabel, "Dreams For Sax" is possibly one of the most stand-out productions from their studio ensemble Gruppo Sound, this time around featuring saxophonist Paolo Russo with keyboardists Stefano Galante and Vittorio Quattrini. First released in 1987, the songs recorded for "Dreams For Sax" are a beautiful melange of easy-listening electronic and jazzy vibes, from mellow tunes such as "Dawning" and "First Class" to some killer floor-filling italo disco bangers such as "Walking On Air" and "Dance Power". A groovy Italian library banger from the 80's now available on vinyl for the first time since its original release as a limited edition of 500 copies.

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V.A.

Katebegiak

38,99 €*

Cavendish Series Volume 2: Frantic

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Music produced in the 70’s in the Basque Country got trapped between two earth shattering artistic currents; Ez Dok Amairu in the 60s and Basque Radical Rock in the 80’s, and unfortunately, most of the lovely discs and tunes created at that magical time have been pushed to a remote (and sometimes even despised) corner of our collective memory. 60’s and 80’s music currents are almost opposite, and both work as magnetic poles with a very strong power of attraction, and maybe also as a burden for any of the later artistic currents. 60’s generation of artists searched within their rich and ancient cultural roots to acknowledge and update them, in proud, hopeful and unforgettable folk songs. The 80’s one on the other hand, worked in a flammable environment in constant social and political conflict and found in punk the perfect way to express their anger and weariness for so many unfulfilled promises and the lack of opportunities into short, noisy, direct and corrosive songs, technically sparse but full of energy and expressive power. Most of the “classic” names engraved in our memory come from one or the other like Benito Lertxundi, Mikel Laboa, Lourdes Iriondo and Xabier Lete or Kortatu, Hertzainak, Zarama, Las vulpes, Eskorbuto or Cicatriz. 70’s generation and their music works somehow as the “missing link” (“katebegia” in Basque) between the two. They loved folky tunes and don’t forget their ancient roots, but they also look outside for inspiration and experimentation. Just as the 80’s boys and girls found punk the 70’s guys found a completely different sonic and aesthetic landscape in the works of Grateful Dead, Fairport Convention, King Crimson, Soft Machine, Gong,… and worked closely with keen souls in other neighboring regions such as Maquina!, Pau Riba or Sisa in Catalonia or Smash and Triana in Andalusia. This resulted in more abstract and poetic lyrical content, much longer psych-folk-prog-jazz tunes, full of complex instrumental passages and mesmerizing structures of sheer ambition and masterful execution in many cases. But, most important of all, they found a voice of their own, rich, unique, and fascinating, and that’s what makes them so valuable to us. Not only to us, but also to lots of vinyl collectors and crate-diggers around the world, who have in many cases paid fortunes for some of the original editions of LPs that are the source of tunes in this compilation. Mikel Unzurrunzaga Schmitz aka DJ Makala, Dj and producer of worldwide scope and wisdom, noticed this fact first and decided to pay homage to these wonderful tunes through this masterful and dedicated selection for your pleasure and as an open invitation to dig deeper into your adventures in the dark and hidden side of Basque popular music. The album Katebegiak, now published by Elkar, contains 13 tunes on double LP gatefold edition from Haizea, Izukaitz, William S. Fischer, Magdalena, Enbor, Itoiz, Koska, Itziar, Errobi, Lisker, Amaia Zubiria & Pascal Gaigne, Gontzal Mendibil & Taldea and Urria, and the CD-Book edition adds an extra bonus track by the great unknown artist Juan Arkotxa. Along with this compilation, and as a sample of the era, we reissued two more little gems of which we have included a track on the compilation.

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Sam Fonteyn

7" | 2021 | UK | Original (KingUnderground)

13,99 €*

Erosão HHV Exclusive Aquamarine Vinyl Edition W/ Fanzine

Release: 2021 / UK – Original

Genre: Organic Grooves

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KingUnderground to release a collection of 8 45s from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners. Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.

This was often a musician’s first opportunity to become a composer, or what most would commonly know now as a producer of music. These composers would work with a stable of musicians to record 100s tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, etc. In the early days of Library Music, there were 3 major companies that acted as publishers. KPM, De Wolfe, and Boosey & Hawkes, which is now known as Cavendish Music. None of this music was made commercially available, so these companies were collecting vaults worth of material, later to be discovered as some of the most influential music for current producers across experimental, dance, house, hip hop, jazz and more. This influence has no doubt infected the KU catalogue of music, and is present in such records as the 2020 release from Robohands ‘Shapes’.

Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45rpm. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

One of the unique things about the genre of Library music is the way that it has stood the test of time. One factor is that Library music was made up of so many different genres, but a key contributor to the timelessness and the reason why so many current DJs and producers have found this important and inspiring to their work is that the music was made over several decades and often depicted to times sonically. There’s a boldness to Library music. It’s in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. Its music beamed in from a different galaxy! The second record in the Cavendish Music series is titled ‘Frantic’ and features 2 compositions by Sam Fonteyn. Frantic energy is no doubt present in the horns and percussion on the A-side of the 45 “One Way Trip (Warm)” but the high energy gives off a dancehall vibe, leaving you in a sweat as if you were in the club. Fonteyn was a key contributor to the Boosey & Hawkes Music Library. His output held a strong presence amongst other composers, there’s an “it” factor or a swagger to his productions. The compositions are timeless and feel hip in any era, especially on “One Way Trip (Cool)”. Which is appropriately titled, because it doesn’t get much cooler than the feel on this track!

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Mariá Portugal

LP | 2021 | EU | Original (Fun In The Church)

27,99 €*

LP | 2021 | Original (Wah Wah 45s)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Limited aqua marine vinyl edition including a lyrics' fanzine. 150 copies only, only at HHV Records.

After 20 eventful years as a drummer, singer, producer and composer in her hometown São Paulo, the Brazilian Mariá Portugal moved to Duisburg some time ago.
On November 12, 2021, she is now releasing her latest album, Erosão. Her debut for Fun In The Church will be released as a collaboration between selo Risco (Brazil) and Fun in The Church on vinyl and digital.

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Bev Lee Harling

Little Anchor

24,99 €*

Rendez-Vous Black Vinyl Edition

Release: 2021 / Original

Genre: Organic Grooves

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Bev Lee Harling returns with her first solo recording in almost a decade. She won the hearts and musical minds of DJs across the board with her 2012 debut LP, Barefoot In Your Kitchen, which BBC 6Music's Gilles Peterson made his Album of the Week. Now the gifted singer, violinist and composer returns with twelve beautiful pieces of music that tell a very personal story of the years since.

Having swapped the busy streets of North London for the calmer shores of Hastings in Sussex to bring up her young family, it's fair to say that Bev's priorities might have changed somewhat over the past few years, but the music was never far away. Her new environment, and musical family (including multi-talented partner and album co-producer Frank Moon) added plenty of fresh inspiration to her recordings, and we're very excited to share her new album, entitled Little Anchor, with you this Autumn.

The album is in some senses a travelogue, a 9 year journey of a creative womannavigating the landscape of parenting. Each song is a snapshot taken at a differentlocation in time, in a world where finding balance between creative freedom and motherhood is still a struggle, from the uplifting and euphoric Beautiful Life, to the heavy and harassed Only Got A Minute.

Between the unexpected joys of parenting, grappleswith mental health and feelings of inadequacy, and fighting for every second ofcreative time while slowly accepting a life very different to the one that existedbefore, this unedited family album emerged bursting with quirky childhoodmemories, dark musings and celebrations of musical passion and legacy.

Each song carries breakthrough personal moments in rebuilding strength as an artist, as a person, as a parent. Even down to a very emotional moment with Ray Davies of The Kinks, during a songwriting retreat, where album closer This Violin String, a deeply personal ode to her recently departed mum, was written…

"Everyone turned up writing on guitars and piano and I just had my battered old violin. I felt totally out of touch with my former confident musical self and had zero confidence in what I was doing after an intense period of car crash parenting. I wrote it, performed it on the same day and then sobbed my guts out in front of a bunch of total strangers (sorry Ray!). Something shifted for me in the act of being quite so vulnerable though and I found my mojo again in writing solo with my violin."

The personal nature of this record is self-evident, it bursts through every note and word in each song. We're very excited to be able to share such a special album,afresh foray into the always unpredictable, experimental and playful world of Bev Lee Harling.

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Bruno Nicolai

LP | 1975 | EU | Reissue (Sounds From The Screen Black Vinyl)

29,99 €*

10" | 2021 | US | Original (Old Maid Entertainment / Illegalia)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Licensed in 1975 by Gemelli, Rendez Vous is possibly an holy grail in Nicolai long-running career as a composer. The orchestra director and musical editor is been active for at least 30 years and his majestic opus an overwhelming data for any avantgarde freak or moviegoer obsessed. While studying piano and composition at the Santa Cecilia Conservatory in Rome, he befriended Ennio Morricone and formed a long working relationship, with Nicolai eventually conducting for and co-scoring films with Morricone. Nicolai also scored a number of giallo exploitation films and wrote many scores for director Jesús Franco. His work was featured in the Quentin Tarantino films Kill Bill: Volume 2 and Once Upon a Time in Hollywood. Tension! Pretty much what this whole record is all about. An imaginary soundtrack that turned out to be an in-demand obscure library, Rendez Vous shows up the many skills of the composer and his alumni. Possibly Morricone is playing muted trumpet in several episodes – Diffidenza and Subdolamente – absorbing thrilling experiences similar to the Maestro soundtracks for Dario Argento early movies (not a case that Nicolai was the conductor for several adventures in movie sound theatre such as ‘L’Uccello Dalle Piume Di Cristallo’, ‘ Il Gatto A Nove Code’ or ‘4 Mosche Di Velluto Grigio’).

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The Du-Rites

Pressure

15,29 €* 17,99 € -15%

LP | 2021 | EU | Original (Modern Obscure Music)

Release: 2021 / US – Original

Genre: Organic Grooves

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Pressure is the D.O.A. of some and the D.N.A. of others. For The Du-Rites, it's the latter. Pressure ain’t nothin’ but potassium!

Jay Mumford f/k/a “J-Zone” (drums, keyboards, percussion) and Pablo Martin (guitar, bass, keyboards) used the feared ‘P’ as both the impetus behind and the title of their sixth and most musically adventurous release. Coming off 2020’s A Funky Bad Time LP, how would the NYC-based funk unit follow up in a world where music fans hope live shows return (but not really), want songs instead of an avalanche of 60 second clips to scroll past (but not really) and a lapse back into lockdown never seems far off? And not only follow up, but not repeat? Add vinyl pressing plants offering turnaround as long as nine months and tour plans almost always in pencil, pressure for musicians to write and record almost impossibly fast or be doomed to the algorithm black hole is pumping. The odds are stacked, but odds make us turn corners.

Pressure is half the length but twice the density of its predecessors. Six tracks deep on wax (seven digitally), it’s more orchestrated, a bit more complex, but never, ever sacrificing grease and groove for academia. The hip-hop-and-dub-meet-funk of their 2016 debut; the ‘60s soul nod of 2017’s Greasy Listening; the cinematic "cop show funk" of 2018’s Gamma Ray Jones and the darker psychedelia of A Funky Bad Time - none reappear on Pressure. A subtle jazz leaning is there, but it’s busted and unrefined in a way only The Du-Rites would du. The title track and “Bird Brain” go there. Main single, “The Squeeze,” puts Italian Soundtrack-style vocals and strings in the mix with drippy guitar, reggae influence, Barry White-style ad-libbing and groove drumming for the most distinct and lush tune in the band’s catalog. “Brother Yizar” goes full-on park jam on a percussive, uptempo rampage and the closer, “Fly Swatter,” swings hard with whirling dervish Hammond organ and walking basslines. The mockingly-titled “Math Rock” is the closest thing to any previous Du-Rites, but the wild twists and turns are uncharted territory.

In an ever-uncertain musical landscape, Pressure is The Du-Rites finding a way. Like they always du. But du-in it differently. Live and/or on wax, The Du-Rites have played alongside the likes of Eddie Palmieri, Robert Glasper, Ghostface Killah, Wax Tailor, The Skatalites and members of Sun Ra Arkestra. Individually, Jay and Pablo, as drummer and guitarist, respectively, have worked with Danger Mouse, Lord Finesse, Madlib, Tom Tom Club, Broken Bells, Soul Supreme, Ben Pirani and many more.

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V.A.

PRSNT

55,99 €*

LP | 2021 | EU | Original (Time Is The Enemy)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Ltd Black Vinyl Gatefold edition + 32 Page Booklet + Download Code The LP contains original compositions by Ryuichi Sakamoto, Pascal Comelade, Laurie Spiegel, Lyra Pramuk, Chassol, Nicolas Godin and Pierre Rousseau, Pedro Vian and Pierre Bastien, Visible Cloaks, Kelman Duran, Raul Refree, Lucrecia Dalt, Lafawndah. + a booklet with writings by contemporary thinkers like Shumon Basar, François J. Bonnet, and pictures by, Araki, Juergen Teller, Elizaveta Porodina, Dani Pujalte, P Jack Davison, Zhong Lin, Alessandra Sanguinetti, Adrià Cañameras, Javier Tles among others. Lacquer cut by Josh Bonati & Mastered by Rashad Becker ‘prsnt’ is a unique global artistic project combining the input of artists across the worlds of music, video and written word which acts as a statement on how we, as consumers, engage with music in the 21st century. Vital electronic musicians including Ryuichi Sakamoto, Lafawndah, Lyra Pramuk, Lucrecia Dalt and Visible Cloaks have each contributed tracks, which are approximately 32 seconds long. The concept was devised by Created By Us and the Barcelona-based label Modern Obscure Music. They read a study which identified that the overwhelming volume of instantly accessible information online is shortening attention spans and altering how audiences engage with music digitally. Their curiosity about the state of online consumption developed further on discovering that around a third of all listeners using digital platforms skip to the next track, within the first 30 seconds of playing. Each musician was given a fascinating challenge to create engaging compositions with real artistic merit, inside the confines of this shortened span. Akin to Brian Eno’s famous Windows 95 start-up music, the time constraints are crucial, and the compositions are deceptively complex and more substantial than expectations of their nano nature would suggest.

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Ze In The Clouds

Magical

Betty Lou Transparent Red Vinyl Edition

Release: 2021 / EU – Original

Genre: Hip Hop, Organic Grooves

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Magical is a fusion of a dozen genres, where every song opens up like a Russian doll, splitting into real songs within the song. Hundreds of details are part of the different sonic worlds in which each song progresses. Magical is no doubt hard to decipher for very good musicians, but it’s easy to dance to for very normal people. Since the orchestral introduction of the first song your senses will be automatically taken on a journey between irony and sadness, emotional intensity and vibing, extreme nerding and introspection. Magical is a dream that, through sound illusion, makes you meditate on the meaning of life, death and love, three fundamental topics in the album lyrics. The album is a leap into a future where no tradition is missing. Just a perfect way to discover the surprising world of Ze in the Clouds.

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Betty Lou Landreth

2LP | 1979 | UK | Reissue (Backatcha)

17,54 €* 26,99 € -35%

Betty Lou Black Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Limited to 300 copies. Officially licensed. Reissue on two discs.

Originally released in 1979, Betty Lou Landreth's Betty Lou has been expanded to a 15-song double album featuring the original studio recordings along with bonus material, alternative takes, and extensive liner notes from Joel Palmer, the producer of this Motor City holy grail.

Recorded in Detroit and produced and released by Detroit-born jazz historian Joel Palmer on his YaYa label, the album features many veterans and esteemed Detroit and New Orleans Jazzmen. Alongside Joel, producer and arranger Charlie Gabriel recruited some of the city’s top fellow musicians for the session, including his longtime friend and housemate, trumpeter Marcus Belgrave, drummer J.C. Heard, Motown's Funk Brothers, keys player Emmanuel Riggins, bassist Hubie Crawford, violinist Travis Biggs, the Body sisters and many more.

"Honestly, there were never any commercial expectations or aspirations for the album. We just got together to cook up a gumbo. Detroit, New Orleans, funk, jazz, torch, country and some great, great musicians to bring the flavors together. Our only intent was to create the best work of music possible; one which would allow Betty Lou Landreth to display her extraordinary vocal skills, and that we did. The reissue serves as a monument to all of those who all those long years ago contributed their special magic to creating a unique musical work which has endured the test of time.” (Joel Palmer, 2021).

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Betty Lou Landreth

2LP | 1979 | UK | Reissue (Backatcha)

24,69 €* 25,99 € -5%

Martin Perret's L'Anderer

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Officially licensed. Reissue on two discs.

Originally released in 1979, Betty Lou Landreth's Betty Lou has been expanded to a 15-song double album featuring the original studio recordings along with bonus material, alternative takes, and extensive liner notes from Joel Palmer, the producer of this Motor City holy grail.

Recorded in Detroit and produced and released by Detroit-born jazz historian Joel Palmer on his YaYa label, the album features many veteran and esteemed Detroit and New Orleans Jazzmen. Alongside Joel, producer and arranger Charlie Gabriel recruited some of the city’s top fellow musicians for the session, including his longtime friend and housemate, trumpeter Marcus Belgrave, drummer J.C. Heard, Motown's Funk Brothers, keys player Emmanuel Riggins, bassist Hubie Crawford, violinist Travis Biggs, the Body sisters and many more.

"Honestly, there were never any commercial expectations or aspirations for the album. We just got together to cook up a gumbo. Detroit, New Orleans, funk, jazz, torch, country and some great, great musicians to bring the flavours together. Our only intent was to create the best work of music possible; one which would allow Betty Lou Landreth to display her extraordinary vocal skills, and that we did. The reissue serves as a monument to all of those who all those long years ago contributed their special magic to creating a very unique musical work which has endured the test of time.” Joel Palmer, 2021.

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Don't Try You Are

LP | 2016 | EU | Original (QFTF)

23,99 €*

LP | 2024 | EU | Original (Squama)

Release: 2016 / EU – Original

Genre: Organic Grooves

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“Don’t Try You Are is the musical investigation of the
murder of a mysterious man in an indefinite country just after
a war. The location and the time are never explicit. L’ Anderer
is a stranger, a loner, it’s the brother Grimm by way of Kafka. It’s
the telestic soundtrack to a story of unspeakable evil, darkness
and human decay. Martin Perret’s music is the physical
state between Hope and Horror; Mesmerizing, futuristic and
visionary. It’s the soundtrack to a David Lynch Masterpiece, yet
to be written.”
Martin Perret is Switzerland’s busiest drummer at the
moment. As a Master’s student under the creative overlook from
drum genius Gerry Hemingway Martin has made a name for
himself as a very popular sideman, touring and recording with
Europe’s finest Jazz musician. His debut as a leader has
already received remarkable attention, not only in the Jazz but
also in the Rock and Electro World.

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Jonathan Bockelmann

Sakamoto On Guitar

Floating Lilac Vinyl Black Friday Record Store Day 2024 Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.

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Monika Lingues

LP | 2024 | UK | Original (Panorama)

33,99 €*

Pennselmann Hits Volume 2765 Transparent Orange Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Coming Soon 2024-11-29, 12:00 CET

Floating' by Monika Linges should be repressed due to its enduring popularity and influence in the jazz fusion genre. Original copies are rare and highly sought after by collectors, with the only repress coming in 1992 and now selling between £30 and £60. The repress aims to make this classic album accessible to new audiences and satisfy the demand from DJs who have had this in their wants list for a long time. Repackaging the album in a limited lilac vinyl, hand numbered with liner notes written by German DJ and tastemaker Rainer Trueby.

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Tuohi Klang

LP | 1972 | EU | Reissue (Svart)

31,99 €*

LP | 2024 | US | Original (Round 2)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Alf Emil Eik

Joy & Breath Of Eternity

30,99 €*

LP | 1986 | JP | Reissue (P-Vine)

Release: 2024 / US – Original

Genre: Organic Grooves

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In 1976, Alf Emil Eik embarked on an extraordinary journey in a studio in Oslo. Armed with a 16-track MCI recorder and a vast array of instruments, including a couple of his precious bass guitars, he set out to create his musical masterpiece. Eik, a composer, musician, technician, and producer all in one, used the studio as his compositional playground and experimented with percussion, synthesizers, bass riffs, and tape phasing effects, pushing the boundaries of what was possible at the time, both for him personally and for the studio.

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Cock C'nell

Boys Tree

37,99 €*

CD | 2024 | Original (Heavenly Sweetness)

Release: 1986 / JP – Reissue

Genre: Organic Grooves, Electronic & Dance

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The music of the Japanese New Wave band Cockc' Nell is clearly underrated. Their first album, released in 1986 by Balcony Records, can be considered a masterpiece of the Japanese underground scene in 80s era. Featuring contributions from Tori Kudo of Maher Shalal Hash Baz, Akihiro Ishiwatari, and Takeharu Hayakawa, the ethereal vocals of Setsu Nogata beautifully resonate throughout all the tracks, with "Yoru no Uta (The Night Song)" standing out as a particularly special piece. P-vine is proud to reissue this lost work on vinyl for the first time, introducing it to music fans.

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Ludivine Issambourg

Above The Laws

14,99 €*

LP | 2024 | EU | Original (April)

Release: 2024 / Original

Genre: Organic Grooves

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Since Outlaws in 2020, Ludivine Issambourg's flute has not cooled down. How could it have, when with that album of Hubert Laws covers, it had reached incandescence? Still panting, burning despite the lid of its case left wide open, it awaited the opportunity to continue the adventures that Master Laws himself had praised.

A continuation? Above The Laws isn't quite that.

Although his name still appears, Hubert L. is no longer the sole guide in exploring the vast galaxies of jazz-funk. Through covers but especially as an enhancer of her own compositions, Ludivine has invoked the spirit and intangible presence of Jeremy Steig, Ronald Sneijder, and Bobby Humphrey—the legends of the flute.

Guided by an unescapable groove, with a musical dial set to the late 70s and early 80s, Ludivine has enlisted the help of a brass section this time, a true propulsion engine for funk that can also shift to a soulful breath if the moment calls for it. Supporting the keyboards, there's a Moog laying down its rich layers or twisting tones.

The flutes are used like levers to stabilize the flight or, conversely, to make it soar even faster through the measures. The alto version, which Ludivine had previously used sparingly, adds the necessary velvety note when it’s time to embark on smoother destinations. Speeding up the tempo to make passengers rise from their seats as if danger were imminent; calming the atmosphere to put them in a reassuring cocoon where they can let their thoughts and spirits wander, the improvisations find their place in the compositions observed from the porthole. Detached from gravity, yet still very much in tune with the vibe of cities marked as hot spots on the current jazz scene radar, it's the scent of these streets that permeates some tracks of Above The Laws.

Directed from the control tower by Eric Legnini, Chassol, Alex Finkin, and Michaël Lecoq, Above The Laws benefits from a few stops along the way where precious connections are established. Nils Landgren and his trombone in the colors of the Swedish flag, Laurent De Wilde for a chase between flute and Fender Rhodes, Céline Bonacina’s saxophone for an Afrobeat detour.

But it's at the edge of a journey where organic intensity has continued to assert itself without losing power that Ludivine connected with Brian Jackson for a cover of "Angel Dust," a track from the era when he and his partner Gil Scott-Heron were creating soul masterpieces. One of them featured a flutist by the name of Hubert Laws.

The starting point of Ludivine's latest jazz-funk explorations also becomes the endpoint. Elevated by the ten tracks of Above The Laws, Ludivine Issambourg closes a loop where she has placed her flute and its flourishes in an undeniably leading role. Opening the doors to ambitious orchestrations, unexplored horizons, she weaves into her compositions the experiences, places, and encounters that have shaped her.

Line Up: Ludivine Issambourg: flutes / Swaeli Mbappe : bass / Michael Lecoq : keys / Yoann Serra: Drums / Vincent Aubert: Trombone / Lucas St Cricq, Sylvain Fetis : Saxophones
feat: Brian Jackson, Nils Landgren, Wolfgang Valbrun, Laurent de Wilde, Chassol, Eric Legnini, Céline Bonacina.

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Anders Band

Introducing

LP | 2024 | EU | Original (April)

Release: 2024 / EU – Original

Genre: Organic Grooves

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As a young conservatory student back in 2016, Danish trumpeter Anders Malta was invited to participate in a reunion concert with the legendary Ernie Wilkins Almost Big Band. He was so taken with the band and the music, that on the spot he decided that he wanted to form his own.In 2020, Anders Malta Almost Big Band played its first concert, going on to play a monthly residency at Christiania Jazz Club in Copenhagen for the past two years. Their debut album Introducing is set to release on August 23rd on April Records. Since the early days of jazz, the broad sound pallet and dynamic range of the big band has proven irresistible to composers and arrangers. However, the traditional big band, with its 16 16-19 individual moving parts, can also at times, and for differentreasons, be an unwieldy machine to maneuver. Malta s 13 13-piece made up of Denmark s finest young soloists is agile like a small group, retaining the powerful force of the larger orchestra.Belonging to a new generation of musicians with a deep love and knowledge of the jazz tradition, Introducing " sees the band pay tribute to the timeless Hardbop sound of the 50" s and 60" s through the three movement suite Hardbop Conversations "", whilst offering a contemporary European perspective on the classic large ensemble format through Ouverture, Interludium and Epilog ". Intricate arrangements, rich harmony, soaring trumpet & flugelhorn improvisations and a diverse array of feel and grooves showcase the impressive stylistic and artistic breadth Malta has to offer as a bandleader, arranger, composer and instrumentalist. From the high high-energy swing and powerful tutti chords one craves from a Big Band to the more intimate textures of solo instrumental passages, theensemble s sophisticated, complex, and joyous debut proves once again that Denmark s jazz scene is among the world s most prolific and exciting.

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Antonio Dayyani

Trop Op

LP | 1966 | EU | Reissue (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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A followup to his 2022 debut Dayyani released on his own label,Trop Op " sees the drummer delve deeper into the mood of pedal steel, trumpet and Nordic folk he discovered early in his writing practice and develop it into a bigger, more comprehensive vision. Featuring eight original compositions and an arrangement of a traditional Swedish folksong, Dayyani s simple yet sophisticated writing style is focussed on lyrical thematic melodies, rich folk harmony, and showcasing each member of the sextets musical identity.With years of playing together in a number of up and-coming Danish jazz groups including Tigeroak, Nordlys trio and Vingborg/Valencia Quartet, the ensemble is well versed in giving each other space to express their voices freely. Soaring reverberated arcs from the pedal steel, subtle drum grooves and expressive, tasteful improvisations offer up an imaginative fresh perspective on contemporary Nordic jazz. The records title translates to Step Up ", referring to Dayyani s view that we all need to step up for our communities and share more of ourselves to the people around us."We live in a time where there is an increasing focus on our mental health, and personal growth where we need to take care of ourselves. In doing so, I think we can sometimeswithdraw too much into ourselves, focus on the inner self and forget to stand up for eachother and the community surrounding what we do.

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Miles Davis

Four & More

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl
Sleeve finished with linen laminate
Recorded live at the Philharmonic Hall at Lincoln Center, New York, February 12, 1964
Featuring Herbie Hancock, George Coleman, Ron Carter and Tony Williams
Album produced by Teo Macero
Black vinyl

Recorded at the same Feb. 12, 1964 New York concert that yielded the more balladic album My Funny Valentine, Four & More showcases the Miles Davis quintet at their blistering best. The great trumpeter and bandleader (1926-1991), and his stellar group, which was less than a year old at the time of this recording, mostly essayed tempos that ranged from Indianapolis 500 to Bonneville Salt Flats. Offering a well-balanced, albeit reconfigured, repertoire featuring the familiar hard-bop strains of “Four” and “Walkin’,” newer, original free bop compositions like “Joshua” and “Seven Steps To Heaven,” and the standard “There Is No Greater Love,” which the ensemble performed relatively infrequently and is the only tune herein not taken at a supersonic pace, the quintet electrified a sold out Philharmonic Hall. Spurred on consistently by the mercurial rhythm section of pianist Herbie Hancock (23 years old at the time), bassist Ron Carter (then 26), and especially by the cross rhythms of 18-year old genius drummer Tony Williams, Davis’ work, particularly in the upper register, was seldom more commanding. As for his front line partner, tenor saxophonist George Coleman, Davis would write in his autobiography that he “played better that night than I ever heard him play.”

Four & More is available on black vinyl and comes in a sleeve finished with linen laminate.

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Vocalist 4

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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The ‘vocalist’ series, a collection of cover albums featuring famous songs by female artists, was originally released between 2005 and 2015. To mark the 10th anniversary of the final album ‘vocalist 6’ (released on January 21, 2015), all six titles from the series will be reissued on vinyl over the course of three consecutive months starting January 21, 2025. Notably, ‘vocalist 4,’ ‘vocalist VINTAGE,’ and ‘vocalist 6’ will be available on vinyl for the first time.

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Vocalist 3

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Vocalist 2

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Vocalist

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Vocalist 6

57,99 €*

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Vocalist Vintage

57,99 €*

LP | 2024 | Original (Heavenly Sweetness)

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Ludivine Issambourg

Above The Laws

19,99 €*

LP | 2024 | UK | Original (Kit)

Release: 2024 / Original

Genre: Organic Grooves

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Robert Stillman

Something About Living

LP | 2024 | JP | Original (Universal Music)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Something About Livingis an album of live recordings by experimental jazz composer/multi-instrumentalist Robert Stillman. The music was captured over the course of Stillman's time as the solo support act for The Smile (Thom Yorke, Jonny Greenwood, Tom Skinner). The album weaves excerpts from various theater and arena shows along the tour's North American routing into a seamless whole, creating a 40-minute program that represents an expanded version of Stillman's ever-transforming live set.
Something About Livingis the product of a steady, on-stage evolution that happened over the course of the nearly 60 shows opening for the Smile across the EU, UK, US, Canada and Mexico. However, the creative origins of the set began in relative isolation during the pandemic, through Stillman's work on projects like his multi-media installationUnseen Forcesand his monthly broadcast for Margate Radio, both of which drew upon solo improvisation using saxophone, cassettes, Yamaha DX7 synthesizer, and effects.
"At the time The Smile asked whether I'd like to open for them on their first tour, I felt like I'd already been preparing without really knowing it," says Stillman. "I'd been doing this music constantly, but always for a hypothetical audience" During the pandemic, Stillman's solo set-up served as the research lab where he worked on all the concepts he was interested in: solo improvisation, creating and manipulating cassettes, FM synthesis, analogue delays chains, no-input mixing, and non-metric rhythmic pulses. So when he was offered the first Smile tour, the idea was to bring "the lab" onto the stage.
What Stillman could not have prepared for was the experience of playing in venues with capacities of up to ten thousand listeners. "The first tour was in summer 2022, so not that long after the worst of the pandemic, when I had pretty much made peace with the idea that I might never be able to perform for an audience again. Then all of a sudden I found myself in front of huge numbers of people, and felt the massive responsibility of being with an audience, of this thing I'd done alone for so longactually being witnessed, and it was completely overwhelming!" On the flip-side, Stillman also recalls, was a new appreciation of how powerful the live performance was as a social phenomenon. "It's a cliche, but also true: the moment of making and hearing music in a shared time and space has a very specific meaning and power; there was a sense that everyone in the venue was necessary to make it real, regardless of what they were doing, or how they felt about it. There was an inevitability about it that I'd never fully appreciated."
Over the course of the tours that followed, Stillman transformed this appreciation of the shared moment into an ethic of spontaneity that guided the development of his live set. "An important reference for this set has always been an Animal Collective show I saw when I first moved to New York, probably in 2001 or so, that has always set the high-water mark for what I wanted to do live- they were improvising a lot, and out of what would seem to be absolute chaos they'd find their way to something structured, and then back out again into the unknown. It was so thrilling to witness".
ThoughSomething About Livingcompiles recordings from different dates along the tour, Stillman has edited and mixed them into a work that seeks to reflect the ebb and flow between 'chaos and control' that characterizes his live set. Among the compositions featured are some from previous album releases ("Time of Waves", "What I Owe", "What Does it Mean to Be American") as well as some new compositions ("The Dream of Waking", "Renaissance 2.0," and the title track, "Something About Living").
The album/track title "Something About Living" is a reference to a line from Stillman's favorite film,My Dinner With André: "André Gregory is explaining the value of life experiences that, as he says, are'to do with living'.That really struck me, the way he articulated it. I strongly believe live music situations can ask these kinds of questions, for performers and audiences. I hope that's reflected in this music."

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Answer To Remember

Answer To Remember II

47,99 €*

LP | 2024 | JP | Original (Terashima)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Renowned as Japan's No. 1 drummer, Shun Ishiwaka has gained immense popularity and recognition through various sessions and recordings with artists across genres, including millennium parade, Quruli, Ringo Sheena, Kenshi Yonezu, and KID Fresino. His musical base is Answer to Remember (commonly known as Anrime). Following their critically acclaimed debut album "Answer to Remember," praised by Thundercat and released in 2019, the band now presents their long-awaited second album after a 4.5-year hiatus. This new album captures the band's spirit cultivated through live performances, exploring unprecedented sounds with a spirit of adventure and intuition. The band features a powerful lineup: Yusuke Sase (trumpet), Melraw (alto sax, guitar), Akina Nakajima (alto sax), Tomoaki Baba (tenor sax), Yuya Wakai (piano, keyboard), Kota Umihori (piano, keyboard), Marty Holoubek (bass), and Taikimen (percussion), most of whom are prominent leaders in their own right. Guest artists include KID Fresino, Himi, Mahiru Koda, ermhoi, Jua, Tomoki Sanders, Karai, and Akira Inoue. Answer to Remember will perform as the host band at Shun Ishiwaka's 20th anniversary live event, "Live Natalie Shun Ishiwaka 20th Anniversary What's Up Festival ~ At That Time I Was 11 Years Old ~," held at Ebisu Garden Hall on September 2nd (Monday) and 3rd (Tuesday).

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Peg Carrothers

Blue Skies

44,99 €*

LP | 2024 | EU | Original (Whirlwind)

Release: 2024 / JP – Original

Genre: Organic Grooves

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PEG Carrothers, with the voice of an angel, released a hidden vocal masterpiece "Blue Skies" in 2001 and it's now going to be reissued on analog LP by Terashima Record! The song "PoorButterfly" from this album was included in the vocal compilation "For Jazz Vocal Fans Only Vol. 6" released in 2023. At that time, Yasukuni Terashima commented on her singing voice, "The high range of her voice is exceptionally beautiful". Peg Carrothers - vocal Bill Carrothers - piano Chris Bates - bass Jay Epstein - drums Jacqueline Ferrier-Ultan - cello

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John O'gallagher

Beast

33,99 €*