Search "men+i+trust" 1531 Items

Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Limited to 500 copies.

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Skorpion Im Stiefel Black Vinyl Edition

LP | 2020 | EU | Reissue (a sexy)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)

Die Hamburg Spinners Im Schwarzwald HHV Exclusive Black in Clear Yolk Vinyl Edition

LP | 2024 | EU | Original (a sexy)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)

Die Hamburg Spinners Im Schwarzwald Black Vinyl Edition

LP | 2024 | EU | Original (a sexy)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)

Der Magische Kraken HHV Exclusive Yolk Orange In Clear Vinyl Edition

LP | 2021 | EU | Reissue (a sexy)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)

Der Magische Kraken Black Vinyl Edition

LP | 2021 | EU | Reissue (a sexy)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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LP | 2023 | FR | Reissue (Souffle Continu)

Hal Singer

Blues & News

LP | 1956 | JP | Reissue (RCA)

Release: 2023 / FR – Reissue

Genre: Organic Grooves

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“I get something out of listening to Coltrane, Shepp and Coleman; I’m really pleased that young players are trying to change things. If they go back the roots and come up with something new, that’s fantastic.” This comment was made by saxophonist Hal Singer to Gérard Terronès for the magazine Jazz Hot in 1968. Two years later Terronès would issue Singer’s album Blues And News, on his label Futura Records.

Though born in 1919 Hal Singer claims, just like the precursors of free jazz, “to always be looking for something else”. When he started out he played in numerous swing bands, then worked in bop with Don Byas, Roy Eldridge or Red Allen, before joining Duke Ellington’s band. In 1948, he recorded a successful single, Cornbread under his own name, which allowed him to travel to the four corners of the earth with his own group.

Then, in 1965, Hal Singer came to live in France: in Paris, he played at clubs like the C’hat qui pêche’ or ‘Riverbop’; in the studio, he multiplied his experiments and experience. It was one such session that gave us Blues And News: joined by Jacques Bolognési (trombone), Jean-Claude André (guitar), Siegfried Kessler (keyboards and flute), Patrice Caratini (double bass), Art Taylor (drums) et Alain Charlery (percussion), the saxophonist himself goes “back to the roots”, to also “come up with something new”.

Things kick off with “It’s My Thing”, a soul jazz number reminiscent of Cannonball Adderley or Lou Donaldson. After the pretty balled “Lina”, comes “Malcolm X ”, a luminous homage which resists the storm whipped up by Kessler on piano. Getting back to swing, Singer makes music with his communicative ’joie de vivre’ (“Du Bois”, “Pour Stéphanie”) before signing off with a flamboyant blues dedicated to him by Kessler for the occasion: “Blues For Hal”. But was another title possible?... Blues For All!!!'

Carefully remastered from the master tapes by Gilles Laujol. Graphic design by Stefan Thanneur. Heavyweight 180 gr. LP. 425 gsm brownboard outer sleeve. Licensed from Futura records.

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Gwen Verdon

The Girl I Left Home For

40,99 €*

LP | 1972 | Reissue (Be With)

Release: 1956 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

With insert. Tiny wear. 1985 reissue.

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Guy Pedersen

Maxi Music

Gustaf Ljunggren With Skúli Sverrisson

Release: 1972 / Reissue

Genre: Organic Grooves

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Guy Pedersen's magical Maxi Music, originally released on cult Parisian library label tele Music in 1972, is psyche-rock and jazz-funk gold. It's a vital Pederson outing, oscillating between the rough and the smooth, but always with those hypnotic grooves. It's a start-to-finish winner, yet the final 13-minute-long opus will blow minds. Trust!

Stirring opener, "Prétexte Pour Indicatifs" is so mighty, it was covered by Keith Mansfield on "Hot Property" from Big Business/Wind Of Change on KPM. It's a track in 4 deliberate parts, the first a rapid tour de force, the second and third presenting organ-and-wah-wah-drenched slo-mo funk workouts and the fourth a return to the frenetic energy of the opening bars. Phew, pretty sensational. "Purgatoire Mood (Interlude)" is a beautiful segue into the stunning horn-laced, swift-paced aggressive jazzy excellence of "Purgatoire Mood 1" and the more poetic "Purgatoire Mood 2". Fast-paced funk beats and dramatic interplay!

"Christophus Colombus" is another song with multiple sections; the intro a rapid wah-wah-enhanced psych-rock statement that truly thrills before settling into a more steady yet no-less unrelenting guitar-funk showcase with wordless vocals and, later, reflective guitar and piano in gorgeous harmony. Closing out this electrifying side, the elegant "Bass In Love" is a soft'n'sultry slo-mo funk instrumental, as rough cello, jazzy piano and salacious, breathy vocals combine to create the scent of lingering heat to pretty rousing effect.

Ushering in Side B, "Sing Song Bass" is a slow starter but, once the drums kick in brilliantly, we're treated to a deeply melodic, propulsive, organ-flute-piano-bass gem - it's truly memorable and absolutely fantastic. The wonky, delirious psych-pop of "Petit Moujik De Nuit" is a curiously compelling number but it serves, for us at least, only as the pre-curser to the phenomenal closing track. An absolute beast that totally slays all before it!

Yes, despite Maxi Music being that rarest of library records - a record that can stand up on its own from front to back - it really does contain that *one* absolute killer track. And Peterson saved the best until last. The real highlight - can you imagine there's better?! - is the blazing psych-rock funky burner that is the infamous 13 minute thriller "Kermesse Non Héroique". Containing a wicked flute solo it genuinely sounds like something off the first Dungen album. Yes, that good. What a way to go out!

The audio for Maxi Music has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Floreana

CD | 2022 | EU | Original (April)

15,29 €* 17,99 € -15%

Gustaf Ljunggren / Emil De Waa

Release: 2022 / EU – Original

Genre: Organic Grooves, Classical Music

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Swedish multi-instrumentalist and composer Gustaf Ljunggren has teamed up with Icelandic Bass Guitar player and composer Skúli Sverrisson (Laurie Anderson, Ryuichi Sakamoto, Bill Frisell, Blonde Redhead ) to create an album that wishes to offer the listener private musical spaces to dwell in for a while. Ljunggren’s musical language is clear, gentle, and melodic, and the pieces chosen for this album all share a sense of weaving past and future together into the present. Gustaf Ljunggren reflects about the music on Floreana: “I listened inwards, and it sounded like this. Melodies came to the surface, and I chose to say ‘yes’ to them, embrace them, carry them forward. My musical partner on this album, Skúli Sverrisson, has been with me throughout this process; embracing the music with both profound dedication and artistic boldness.” The music on the album grants the listener access to something that’s forgotten or undiscovered. There’s a sensuousness throughout the work; musical spaces that reveal possibilities to listen inwards, aided by repetition in melodies and patterns. The music doesn’t seek climaxes as much as it seeks states of presence and attention. The live concerts with Gustaf Ljunggren and Skúli Sverrisson will explore the spaces the music on Floreana invites to. Two of northern Europe’s most distinctive instrumentalists will interpret Ljunggren’s compositions with a strong attention to the environment where the music is performed. The audience can expect the performers to display a deep commitment to the presence of the music as it unfolds.

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Stockholm Kobenhavn

LP | 2023 | EU | Original (April)

LP | 2018 | RU | Reissue (Soviet Grail)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The concept of strict musical genre has arguably been dead for decades, and the latest offering from Danish powerhouses Gustaf Ljunggren and Emil de Waal once again reinforces this notion. Their third collaborative album "Stockholm Kobenhavn", a spacious, cinematic and boundaryless exploration of their shared musical connection is set to release on July 7th on April Records. Emil de Waal has been one of Denmark"s leading drummers for three decades. Gustaf Ljunggren initially studied the saxophone at the Rhythmic Conservatory of Copenhagen, where whispers spread throughout the school that he was the best saxophone player in town and yet never practiced. His career has seen him prove that he can bring grace, musicality and heart to any instrument he touches, from the pedal steel guitar, to the bass, piano, and more. In the words of Danish multi-instrumentalist Kresten Osgood, "Although an instrument may be new to him he is able to play it like he has had a lifetime of experience working with it. Over the years I think the only instrument I haven"t seen him play is the drums." "Stockholm Kobenhavn" has a vast array of influences including Jazz, Americana, Film Music and Electronica. It is full of space, coaxing the listener into a meditative state and inviting them to drift away with their own imagination. The record plays as a series of open-ended sketches or moods, absent of big defining melodies or familiar song-like structures. Each piece evolves over time, providing musical interest in the form of rhythmic ideas, rich harmony, texture, and repetitive melodic patterns from a guitar or rhodes. Imaginative electronic production techniques combine the warm sounds of acoustic instruments with a constantly developing palette of otherworldly textures and effects. Grounded by an unwavering pulse, the combination of programmed beats and acoustic drums provide the hypnotic foundation over which the pair explore and challenge their common musical ground. The album closes with an intimate recording from a performance at Stuk in Belgium, with a comforting guitar-led Americana tune bringing the listener back into the room and sharing in the joy the duo have felt in playing together over the past twenty years.

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Gunesh

Вижу Землю = I See Earth

32,99 €*

Guilherme Coutinho E O Grupo Stalo

Release: 2018 / RU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl with a couple of light scuffs, closer to VG+. Still in shrink, but opened, with hype sticker

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LP | 1978 | EU | Reissue (Mad About)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Guilherme Coutinho E O Grupo Stalo

CD | 2023 | UK | Original (Mr Bongo)

18,99 €*

Guilherme Coutinho E O Grupo Stalo

Release: 2023 / UK – Original

Genre: Organic Grooves

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We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album. Blending lo-fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection.

It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7” singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away from the music industry hubs of Rio de Janeiro and São Paulo, making this record insanely difficult to find, even in Brazil. Added to the scarcity factor is the magical nature of the recording, which has naturally resulted in a hefty price tag to match. Original copies have become a prized, collector’s item.

The elusive Brazilian band leader and keyboard player, Guilherme Coutinho is a true cult artist. He passed away in 1983, at the age of just 41, and during his career he only seems to have appeared on a handful of marvellous records, which makes them all the more special. This album feels individualistic and distinctive from other albums of the day. Listening back to vocalist Elinho’s (aka Hélio Rubens de Oliveira) delivery, it sounds not too dissimilar to some of Belle & Sebastian’s songs. ‘Guilherme Coutinho E O Grupo Stalo’ is rich in charm, quirky and playful. It feels cinematic, soothing and benefits from being heard in its entirety. A proper album experience.

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LP | 1978 | UK | Reissue (Mr Bongo)

29,99 €*

All Rise Limited Digisleeve Edition

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Gregory Porter

CD | 2020 | EU | Original (Blue Note)

13,99 €*

All Rise Limited Deluxe Hardcoverbook Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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This is the limited Digisleeve edition that contains 13 tracks.

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Gregory Porter

CD+Book | 2020 | EU | Original (Blue Note)

All Rise Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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CD sized hardback book with 32 pages and glued-in wallet for CD on inside back page

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Gregory Porter

2LP | 2020 | EU | Original (Blue Note)

38,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Interstellar Fantasy HHV Exclusive Silver Vinyl Edition

Greg Foat & Ayo Salawu

LP | 2023 | UK | Reissue (Blue Crystal)

32,99 €*

LP | 2023 | UK | Original (Blue Crystal)

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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Limited to 500 copies!

A concept album of Analogue Electronic Sci Fi Library Grooves for Synthesisers and Percussion. Commissioned by Sonoton and inspired by the 70's & 80's Sonoton music Library Catalogue. Featuring Ayo Salawu on Drums (Kokoroko) and Greg Foat with his impressive collection of vintage Synthesisers. File under Library Music

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Greg Foat & Ayo Salawu

Interstellar Fantasy

31,99 €*

LP | 2024 | EU | Original (Yeyeh)

Release: 2023 / UK – Original

Genre: Organic Grooves

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A concept album of Analogue Electronic Sci Fi Library Grooves for Synthesisers and Percussion. Commissioned by Sonoton and inspired by the 70's & 80's Sonoton music Library Catalogue. Featuring Ayo Salawu on Drums (Kokoroko) and Greg Foat with his impressive collection of vintage Synthesisers. File under Library Music

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Greetje Bijma & Oceanic

Sykheljende Lûden

The Jazz Day Recordings Part I-VIII

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Since yeyeh brought them together in 2019 to record their first collaborative album, Swallow a Party, Oceanic and Greetje Bijma have become firm friends.

When they gathered in Studio Het Rode in Roderwolde for three days of improvised recordings based on existing ideas, Oceanic and Bijma set out to create music, through a mixture of voice and electronics, inspired by the mental sounds and images that appeared when they thought about the Wadden Sea’s celebrated landscapes. Extended improvisations were recorded, before Oceanic edited them down and they collaborated shaped the finished versions with added texture and structure.

Sykheljende Lûden (Frisian for “breathing sounds”), wears its central inspiration lightly, with many of Bijma’s startling and expressive vocalisations and Oceanic musical motifs subtly hinting at tidal flows, bird calls, and the comforting feeling of home that the environment stirs in both artists.

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Green Dolphin Orchestra

LP | 2024 | Original (Enjoy Jazz)

Release: 2024 / Original

Genre: Organic Grooves

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In the midst of the pandemic, Enjoy Jazz Festival has developed a musical project whose members will be recruited new every year and then debut at a concert on UNESCO International Jazz Day, April 30. The members come from the jazz scene of the German state of Baden-Württemberg. "We wanted," festival director Rainer Kern stresses, "not only to revitalize the fragile network of outstanding creative minds, but also to rethink it artistically as a rolling system." Two experienced and renowned band leaders, Alexandra Lehmler and Erwin Ditzner, now curate an annually changing ensemble of outstanding artists of the most diverse provenance. As part of a voluntary commitment, the ensemble is to be organized in a sustainable, diverse, and, in three years at the latest, completely gender-equal
and climate-fair manner. Thus, as a commitment to the goals of the "European/Local Green Deal" (and with reference to the jazz standard "On Green Dolphin Street"), the name Green Dolphin Orchestra was created. Another special feature: The renowned Oriental Music Academy Mannheim (OMM), a long-standing partner of the Enjoy Jazz Festival, receives a white card, so that musicians with a migration background or protagonists from other musical cultures are always part of this "orchestra of many" and constantly expand its sound language.

The project has a free improvisation approach with changing personnel. "We actually even thought of drawing lots for the different formats within the band pool," explains saxophonist Alexandra Lehmler. "We decided against it in the case of the first concert and instead put together curated formations." And drummer Erwin Ditzner adds, "In principle, however, this procedure remains an option." It was important to the two of them to also mix the genres represented by the individual musicians in such a way that free space for something truly new could emerge. "We wanted to challenge ourselves," Lehmler sums it up. The only restriction: a time code was assigned to each sub-project. "Each formation was given a time limit, although it was possible to virtually override this limit by spontaneous
reshuffling," says Ditzner, explaining one central of the few rules. "In concrete terms, this meant that after eight minutes, the improvisation in progress was either ended or new musicians simply joined in the ongoing creative process, while others took themselves out of the game."

Alexandra Lehmler summarizes the artistic impact of the ensemble as follows: "We really cross-fertilize each other. In order to push this process even further, we forced ourselves when putting together the ensemble not to fall back on our 'favorite playing partners', i.e. musicians with whom one feels particularly at home. In other words, we consciously wanted to step out of our comfort zone with this project." The present pieces were recorded live in Heidelberg during the ensemble's premiere concert on the occasion of International Jazz Day on April 30, 2022.

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Live At Club Mozambique Black Vinyl Edition

2LP | 2006 | US | Reissue (Blue Note / Third Man)

48,99 €*

Release: 2006 / US – Reissue

Genre: Organic Grooves

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I Want To Hold Your Hand Tone Poet Vinyl Edition

LP | 2023 | EU | Original (Blue Note)

43,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Green Is Beautiful Blue Note Classic Vinyl Edition

LP | 1970 | EU | Reissue (Blue Note)

22,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Blue Note)

Green Is Beautiful

22,99 €*

LP | 2022 | Reissue (Ume)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Grant Green’s musical style evolved to embrace jazz-funk as the decade turned to 1970. The guitarist’s vibrant album Green Is Beautiful is a highlight of the era with his distinctive tone shining on a set that included covers of James Brown (“Ain’t It Funky Now”), The Beatles (“A Day In The Life”) & Burt Bacharach (“I’ll Never Fall In Love Again”).

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Grachan Moncur III

Evolution

12,99 €*

Release: 2022 / Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | US | Reissue (Actuel)

Grachan Moncur III

Aco dei de madrugada

Release: US – Reissue

Genre: Organic Grooves

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Tell Us Curacao / Red Marbled Vinyl Edition

Goran Kajfes Tropiques

LP | 2024 | EU | Original (We Jazz)

29,99 €*

Tell Us Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Swedish quartet Goran Kajfes Tropiques present Tell Us, an album consisting of three long pieces composed by the group, is "slow music" to the bone, a deep body of work utilising the language of jazz as its core mode of communication but echoing way beyond. The quartet is expanded with strings, adding wings to the music and helping it lift off the ground in a personal, highly engaging manner.

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Goran Kajfes Tropiques

LP | 2024 | EU | Original (We Jazz)

LP | 2023 | US | Original (Jazz Re:Freshed)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Golden Mean

Oumuamua

30,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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LP | 2021 | UK | Original (La Sape)

Godtet

Meditations & Suite

LP | 1964 | US | Original (Everest)

Release: 2021 / UK – Original

Genre: Organic Grooves

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After releasing their aptly titled first three LPs (I, II & Iii) Godtet concluded their
triptych with the idea of a 'clean slate'. To allow the universe of Godtet to grow
the band hit reset somewhat. Returning to their original conception of the band;
Hitting record in the studio without preconceived thought or discussion on the
outcome.

After recording Meditations Godtet were asked to pay homage to the great John
Coltrane at The Sydney Opera House during their lockdown web series in 2020. To
celebrate the 50 year anniversary of 'Giant Steps' Godtet reimagined the seminal
body of work into one long set. The band collaborated with local artists Chris Cooper
& Sam Whickham who designed the audio visual aspect of the show. And after an
astounding reception, decided to utilise the two artists to build upon Meditations.
The 'Suite' EP (which features on the B side of 'Meditations') is the amalgamation of the earlier Godtet LP sounds and Godriguez's produced albums, through-composed as a 15 minute suite. To be true to the long-form, through-composed piece, the band recorded this release live; one take, no over-dubs and straight to
tape much like the 'Meditations' sessions, but composed.
The cathartic opening of 'Suite' awakens the gods with a sombre Welsh men's choir.
Their vibrato ripples across the ocean as the second movement lands the listener in
the Solomon Islands where bamboo sticks are tapped against rock. As the band
nods to 'Struck Bamboo Pipes' from their last LP. Dub Horns blaze out of the
calming movements, fractured polyrhythmic, post-dub-step energy takes hold. 'The
sounds bleed into a neighbouring Trinidadian street festival as they march across
the Atlantic. The end is nigh, Moroccan percussion and vocals dance as Godriguez's
roots shine bright. What it all a dream? A Ghanian 'Women's Choir' lulls back
consciousness. The 5-piece bids us farewell, sounds of the forked harp and Baoule
men singing is all that remains. And just like that, the trip is over.

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Gloria Lynne

I Wish You Love

5,09 €* 5,99 € -15%

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1961 | US | Original (Everest)

Gloria Lynne

I'm Glad There Is You

8,79 €* 10,99 € -20%

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | EU | Reissue (No Frills)

Glenn Miller

Very Best Of

20,99 €*

LP | 1976 | NL | Original (A&M)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Glenn Miller, leader of the best-loved dance band of all time enlisted in 1942 in a personal crusade to entertain Allied troops with his own distinctive brand of music. Whether delivering ballads or setting the dancefloor moving with 'Pennsylvania 6-5000' and 'The Woodpecker Song', Miller and his merry men set the mood of not only his fellow troops but whole nations. He, and they, will never be forgotten.

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Gino Vannelli

The Gist Of The Gemini

Release: 1976 / NL – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1975 | US | Original (A&M)

Gino Vannelli

Storm At Sunup

LP+CD | 2017 | EU | Original (Schema)

Release: 1975 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original US Monarch pressing. Original inner sleeve.

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Gino Conte

Nell’Anno Della Luna

We're New Again - A Reimagining By Makaya McCraven

Release: 2017 / EU – Original

Genre: Organic Grooves

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A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ensemble I 4+4, led by Nora Orlandi) represent a more adventurous side of this soundtrack.

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Gil Scott-Heron

CD | 2020 | UK | Original (XL)

13,99 €*

Gil Scott-Heron / Makaya McCraven

Release: 2020 / UK – Original

Genre: Organic Grooves

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To mark the tenth anniversary of the release of I’m New Here , the thirteenth - and last - studio album from the legendary US musician, poet and author Gil Scott-Heron, XL Recordings will release a unique reinterpretation of the album by acclaimed US jazz musician Makaya McCraven. Titled We’re New Again , the album will be released on 7th February 2020; exactly a decade after the release of Scott-Heron’s original Richard Russell-produced recording. It’s set to follow in the footsteps of Jamie xx’s highly acclaimed 2011 remix album We’re New Here and will be McCraven’s first release of 2020, following the huge global acclaim heaped upon his 2018 album Universal Beings . One of the most vital new voices in modern jazz, McCraven is described by the New York Times as a "Chicago-based drummer, producer and beat maker, [who] has quietly become one of the best arguments for jazz’s vitality".

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We're New Again - A Reimagining By Makaya McCraven

LP | 2020 | UK | Original (XL)

Gianluca Petrella / Cosmic Renaissance

Release: 2020 / UK – Original

Genre: Organic Grooves

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To mark the tenth anniversary of the release of I’m New Here, the thirteenth - and last - studio album from the legendary US musician, poet and author Gil Scott-Heron, XL Recordings will release a unique reinterpretation of the album by acclaimed US jazz musician Makaya McCraven. Titled We’re New Again , the album will be released on 7th February 2020; exactly a decade after the release of Scott-Heron’s original Richard Russell-produced recording. It’s set to follow in the footsteps of Jamie xx’s highly acclaimed 2011 remix album We’re New Here and will be McCraven’s first release of 2020, following the huge global acclaim heaped upon his 2018 album Universal Beings . One of the most vital new voices in modern jazz, McCraven is described by the New York Times as a "Chicago-based drummer, producer and beat maker, [who] has quietly become one of the best arguments for jazz’s vitality".

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Universal Language

CD | 2022 | EU | Original (Schema)

Gianluca Petrella / Cosmic Renaissance

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mermaids really do exist, and I discovered this a few days ago. I came across the fantastic story of the Ama, literally the women of the sea. They live in Toba Bay, Japan, and have a long-established custom that has been passed on from one generation to another for more than two thousand years. Not so few. What do they do? They jump into the sea half-naked to fish for seaweed, octopus and, above all, for pearls. They are the real pearl fisherwomen. They reach a depth of just under 30m, with only the strength of their lungs. They are as beautiful as the sun. When they ascend, due to a strange play of sounds and noises coming from their hyperventilating lungs, they emit a kind of whistle that sounds like the cry of dolphins. Or more precisely, the song of mermaids. They go down into the deep sea and search for pearls. When out of the water, they train all their lives and help each other passing on practices and secrets, confiding in one another to stay united. And they are cohesive, never envious of one another, just a great sense of belonging. With his new work Gianluca seems to have drawn from this ancient hunt, made up of memories and traces. He submerged and searched in the remotest memories and ancestral sounds of skins, streets, eras and styles. With his appreciation he has connected black ghettos, slums, townships, ‘the bronx’ of all over the world and explored them with the curious sounds of contemporaneity. Gianluca also has a very cohesive community of musicians around him, he is proud of this, and with them he finds his element, his peace. ‘Anyone who doesn’t get along with musicians has an unresolved problem,’ he tells me. And that’s why he makes a point of letting it be known that each of the five well-known members of his Cosmic Band and the many valuable guests who populate this new record, contributed decisively to the creation of these crazy tracks. In what way? By using the words of their instruments, generating a language that serves precisely to connect past and present, useful for finding the thread of dialogue. A continuous back-and-forth between generations. To speak of the best in the field is an idle exercise: all have striven in the realisation of the composition, all deserve full praise, none excluded. Ovations for all. If you think you are only listening to jazz, you are sadly mistaken. There are exotic ghosts, promises of evasion. There is a celebration of the human condition. There is a life in here. A plunge into the heart of music and its many languages. A record about confrontation on words, about memory, about being true to oneself. But it is also a work on how complicated it is to come to terms with what we call identity, and Gianluca rewrites this identity in his own way. A work made of whispers, murmurs, in which music and language try to invent a new encounter. That takes us down into the abyss of the sea and up to the sky. Federico Scoppio

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Universal Language

LP | 2022 | EU | Original (Schema)

LP | 1996 | DE | Original (Crippled Dick Hot Wax!)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Gert Wilden & Orchestra

I Told You Not To Cry

LP | 1972 | US | Original (A&M)

Release: 1996 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Green vnyl with scuffs and hairlines

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Gerry Mulligan

The Age Of Steam

14,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2023 | EU | Original (Bam Productions)

Georgie Brown

My Gramps Was A Jazzman

25,99 €*

I Love The Blues, She Heard My Cry

Release: 2023 / EU – Original

Genre: Organic Grooves

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Young British/French singer-songwriter Georgie Brown presents a debut album of her own jazz compositions “My Gramps Was A Jazzman”. Alongside her trusted trio of musicians and featuring several guest artists, Georgie takes inspiration from the languages and experiences that have helped to define her life so far. She incorporates upbeat swing and bossa nova in a project influenced by artists such as Diana Krall and Stacey Kent.

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George Duke

LP | 1975 | US | Original (MPS)

LP | 1968 | US | Original (A&M)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Cover with seam split.
Small writing on back cover.

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George Benson

Shape Of Things To Come

LP | 1986 | JP | Original (A&M)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

- "Face it Boy, It's Over" sampled by Abstract Rude for "Switch the Station",
Brand Nubian for "Stip into Da Cipher",
Champ MC for "Keep it on the Real",
DJ Jazzy Jeff for "For Da Love of Da Game",
Ed OG for "Love Comes and Goes",
Pete Rock & CL Smooth for "I Get Physical" & "In the Flesh"

- "Shape of Things to Come" sampled by B Love for "Lucy",
Karlito for "T'inquietes" and
Ras Kass for "Soul on Ice"

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George Benson

A&M Gold Series

18,99 €*

Gene Dunlap Featuring The Ridgeways

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert

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It's Just The Way I Feel

LP | 1981 | UK | Original (Capitol)

Release: 1981 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1977 | US | Reissue (A&M)

7,99 €*

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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LP | 1977 | US | Reissue (A&M)

10,99 €*

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve, Vinyl is close to NM. 1977 repress.

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LP | 1977 | US | Original (A&M)

5,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

LP | 1977 | US | Original (A&M)

7,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl slightly warped but still enjoyable. Cover with bumped corner. Copy close to VG+

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LP | 1976 | CA | Original (A&M)

Caliente!

Release: 1976 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 2023 | US | Original (Chocolate Star)

Gary Davis

Live In Concert 1976

17,04 €* 30,99 € -45%

Live In Bremen 1975 HHV Exclusive Blue Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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Gary Davis is the polymath behind Chocolate Star Records, the label he started in Camden, New Jersey. He is one of the first people to record rap music, with NYC maverick Peter Brown and on his own. Before that, he made disco. But he's also steeped in the jazz tradition. Gary made 200 copies of this record for Chocolate Star. It is a funky jazz set he recorded live on October 31, 1976 at New Jersey's Glassboro State College (today's Rowan University). Gary's an inspiration, for still believing in music that comes from and finds its way back to the fringes. “I want people who are out there struggling to know: Do not depend on other people having control over your destiny. If you wanna do it, do it!" he says, Gary told the Palm Beach New Times many years ago. "The best part is doing it, so why worry about all this other nonsense? I've always felt that way, but now I have the evidence to back up what I've been telling people all along. It gives me the credibility I deserve.”

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Gary Bartz NTU Troop

LP | 2024 | UK | Original (Free Flow Archive)

39,99 €*

LP | 2024 | UK | Original (Free Flow Archive)

Release: 2024 / UK – Original

Genre: Organic Grooves

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HHV Exclusive Coloured Vinyl Edition limited to 100 copies.

Gary Bartz (alto & soprano sax, vocals) - Charles Mims (piano, syntheziser) - Curtis Robertson (electric bass, back vocals) - Howard King (drums)
A fantastic live recorded in Bremen on 8th November 1975 set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s!
1 hour and 46 minutes of free and spiritual jazz.
Double LP 180gm vinyl
Gatefold cover
Strictly Limited Edition

Side A: Nation Time 11:54 / Ju Ju Man 18:50
Side B: Medley: Rise / Celestial Blues / The Sounding Song / Incident / Uhura Sasa 9:44 / Peace And Love 7:56 / Sifa Zote 10.02
Side C: I've Known Rivers 24:36
Side D: Sweet Tooth 24:26

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Gary Bartz NTU Troop

Live In Bremen 1975

38,99 €*

LP | 2019 | EU | Original (WRWTFWW)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Gary Bartz (alto & soprano sax, vocals) - Charles Mims (piano, syntheziser) - Curtis Robertson (electric bass, back vocals) - Howard King (drums)
A fantastic live recorded in Bremen on 8th November 1975 set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s!
1 hour and 46 minutes of free and spiritual jazz.
Double LP 180gm vinyl
Gatefold cover
Strictly Limited Edition

Side A: Nation Time 11:54 / Ju Ju Man 18:50
Side B: Medley: Rise / Celestial Blues / The Sounding Song / Incident / Uhura Sasa 9:44 / Peace And Love 7:56 / Sifa Zote 10.02
Side C: I've Known Rivers 24:36
Side D: Sweet Tooth 24:26

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Gareth Quinn Redmond

Laistigh Den Ghleo

Gard Nilssen's Supersonic Orchestra

Release: 2019 / EU – Original

Genre: Organic Grooves

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WRWTFWW Records is very happy to announce the release of Irish ambient/minimalist producer Gareth Quinn Redmond’s Laistigh den Ghleo, a companion album to Satoshi Ashikawa’s Still Way (Wave Notation 2). The album, available on vinyl and digipack CD for the first time, comes with liner notes by Midori Takada and Gareth Quinn Redmond. "Conceptually derived from the work of Japanese minimalist composer Satoshi Ashikawa, I have composed an album which hopes to engage, enrich and reflect the listener’s surroundings, an Environmental Music." - Gareth Quinn Redmond

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Family

2LP | 2023 | EU | Original (We Jazz)

35,99 €*

LP | 1978 | US | Original (A&M)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Norwegian drummer/composer Gard Nilssen debuts on We Jazz Records with his major new album "Family" with the 17-piece Supersonic Orchestra. A veritable who"s who of Scandinavian jazz (and beyond), the Supersonic Orchestra is one of the most exciting large groups in the current international jazz circuit. Captured at Mondriaan Jazz Festival in Den Haag, Netherlands, "Family" presents the ensemble in top form across the 8 tracks, all of which are original compositions by Gard Nilssen and André Roligheten.

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Gap Mangione

Suite Lady

5,99 €*

Like The Sky I've Been Too Quiet

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover wiht punch hole!

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Ganavya

LP | 2024 | EU | Original (Native Rebel)

31,49 €* 34,99 € -10%

7" | 2024 | US | Original (Devin's 7s)

Release: 2024 / EU – Original

Genre: Organic Grooves

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South-Asian vocalist, multi-instrumentalist and composer Ganavya releases her new studio album “Like the sky I've been too quiet” on Shabaka Hutchings’ Native Rebel Recordings. The album features contributions from artists including Kofi Flexxx, Floating Points, Carlos Niño, Leafcutter John and Mercury-nominated bassist Tom Herbert.

Since graduating from Berklee College of Music, Ucla and Harvard, Ganavya has quickly become a much-in-demand artist on the US scene who consistently confounds expectations. Hailed as “among modern music's most compelling vocalists” (Wall Street Journal), “most enchanting” (npr) and "extraordinary" (DownBeat), Ganavya has worked with an array of luminaries including the likes of Quincy Jones, Wayne Shorter and Esperanza Spalding and on new album "Like the sky I've been too quiet" she presents thirteen compelling tracks which showcase her ethereal voice and numinous energy.

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Galt MacDermot

Duffer / Duffer In F

21,99 €*

LP | 1967 | SE | Original (Metronome)

Release: 2024 / US – Original

Genre: Organic Grooves

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"Man alive. Galt MacDermot. You know who he is. And if you don’t, you’d better ask somebody. Most famous (probably, in certain circles anyway) as the composer and arranger of the 1969 Grammy-award winning, perennially-running-somewhere musical Hair, which had three no. 1 singles including 'Aquarius/Let the Sunshine In'. But his catalog is so much more than that. SO much more. He’s incomparable. He composed music for a grip of films and plays, but my favorite is his solo work. (well, with bands he’d put together, but you know what I mean). His body of work includes jazz, soul, and classical and some of it is downright Funky. He’s been sampled by Handsome Boy Modeling School, MF Doom, Run-DMC, DJ Vadim, DJ Premier, Busta Rhymes, and who knows who else. He’s worked with Bernard Purdie, Idris Mohammed, Jimmy Lewis, and countless others. Nothing I can write can do him any justice.

This record here has two different versions of one of my favorites—'Duffer' and 'Duffer in F.' Are they the same song? Yes. Are they different? Yes. Side A, 'Duffer,' is a laid-back, loosey-goosey irresistible groove with killer solos. It’s so chill, but I’ll be damned if you don’t still want to dance to it—maybe even a slowdance with your sweetie or something. It’s a whole vibe—cozy, funky, slow, intimate, yet spacious… I never want it to end. Side B, 'Duffer in F', is the same tune, but with everything tightened up. The groove, the drum kit, heck, even the room it was recorded in.

I can not for the life of me decide which one I like more, but for real though, I want them both on 7”, and thought it would be fun to do a compare/contrast record: The Duffers.

CAN WE Talk About THE Bassline ON Both Versions Though?? Whoooooo boy.

Special, special shout out to The MacDermot family (Vince, MaryAnne, Samson and young Galt) for letting me do this. It’s a dream come true."—Devin

Limited run of 500 copies.

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Gals And Pals

I San Francisco

7,99 €*

Release: 1967 / SE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1958 | US | Original (Vik)

Gale Robbins

I'm A Dreamer

Gabriele Mitelli / John Edwards / Mark Sanders

Release: 1958 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G+

Cover has split seams.
Pressing error: small bubbles on both sides.

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Three Tsuru Origami

LP | 2022 | EU | Original (We Insist!)

28,99 €*

Full Moon Feat. Neil Larsen And Buzzy Feiten

Release: 2022 / EU – Original

Genre: Organic Grooves

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The album is a dedication to the world of birds, to the creatures of the world and their migrations. The idea for this album stems from the great energy and everyday courage needed by “the artist” to express himself, trying to break into the everyday world, in this case the world of sound. It comes from the sky, as if it was an alien sound that comes in peace, to find its own space among the noises and “music” of contemporary civilisation and, like everything that is different, is greeted with suspicion and kept at a distance. Inspiration and the creative act come from afar, from an unknown world, and in order to reach us, conductive copper, they have to go through a long process of migration and integration. The hustle and bustle of the world flattens the curiosity to explore the experience of what comes from elsewhere and activates mechanisms of emotional detachment that lead to assessing the enterprise of migration as a petty act of conquest. But this is not always the case. What if these migrations were transformed from news stories into legends and heroic acts? What if the tale of the journey was an adventure novel that could be shared with young and old? What if the story of a child who travels miles to escape from war was proposed to the western world in the same way as we read about the heroic migration of the Limosa, a bird that travels more than 13.000 km without feeding and stopping? What would it change? The answer is not contained in my music, but within there is the hope that migrations, of all kinds and creatures, can be written and told as great modern classics, contemporary legends, new popular adventures that destroy the fear of arrival to make way for the landing of our favourite hero. I wanted to tell you six stories where extraordinary birds are involved.

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Full Moon

LP | 1982 | JP | Original (Warner)

14,99 €*

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1974 | EU | Reissue (Comet)

Full Moon Ensemble

Crowded With Loneliness

28,99 €*

LP | 2018 | EU | Original (Trost)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Comet Records present the first release out of the Comet new reissue series with this cult French Free Jazz LP from 1974, Crowded with Loneliness by Full Moon Ensemble was produced by Claude Delcloo, check the classic ‘Samba `Miaou’, like a lost Pharoah Sanders tune mixed with politically-engaged French poetry! The whole LP is varied, avant-garde and spiritual and now available as Vinyl LP with Gatefold cover, set to become collectible as the original is impossible to find.

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Full Blast

Rio

Full Blast (Brötzmann/Wertmüller/Vandermark/..)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited live release by Peter Brötzmann's Full Blast Power Free Jazz Trio
recorded at Audio Rebel, Rio de Janeiro, Brasil 2016. Mixed and Mastering :
Martin Siewert (Vienna) Artwork : Peter Brötzmann

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Sketches & Ballads

LP | 2011 | EU | Reissue (Trost)

20,99 €*

LP | 2022 | EU | Original (Alien Transistor)

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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180g vinyl / limited pressing of 500!

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Fuchs

7" | 2024 | UK | Original (Panorama)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Fuchs is a band that never was. It vanished as quickly as it appeared in the picture, much like the animal that can be seen on this album and after whom it was named. In 2005, Kante singer and guitarist Peter Thiessen travelled to Weilheim to visit Markus and Micha Acher in their studio, where they were joined, among others, by Notwist-affiliated musicians like Cico Beck, Robert Klinger, Carl Oesterhelt and Stefan Schreiber. Spirits were high, but schedules were full: after a week of improvised sessions, everyone went their own way. The recordings gathered dust until Markus Acher found them again in 2021 while cleaning out his studio. After carefully re-evaluating the rough mixes, the musicians decided to finally release them. The resulting album comprises six tracks that musically draw on jazz, aesthetically lean on dub techniques and ideologically pick up on krautrock: there’s no solos to be heard on this record, just a few equally skilled and open-minded musicians listening to each other carefully, providing each other with space in which to unfold. »Fuchs« is a document of egos dissolving in a collective spirit. Thiessen and the Acher brothers met in the 1990s and bonded not only over their shared background in hardcore music and the DIY ethos in which it was rooted, but also over their love for jazz. »If you look at those two things combined, you will eventually become convinced that you don’t have to be formally trained to make music that at least resembles jazz«, says Thiessen today. He invited Micha Acher to join his band Kante on flügelhorn in 2004 for a tour that saw the expanded group play unusual encores after the official concert was over. »Micha had taught us some dixie pieces, so night after night we would play a freestyle dixieland ska set in front of the remaining audience!« Naturally, the Acher brothers didn’t have to ask twice when they invited him for a visit in Weilheim to further explore their mutual interests in a studio setting. »I got on my way immediately and took two or three loose ideas, a tape echo and a guitar on whose headplate you could create fantastic sounds with me«, says Thiessen. Between immersing themselves in books by the photographer Leonore Mau, cooking together and drinking the occasional fruit schnapps, the trio went into the studio. Says Thiessen, »Micha brought his flügelhorn and some wonderful ideas with him, Markus an Indian harmonium and a plan, Carl Oesterhelt came with a glockenspiel and a Chinese zither and a bunch of amazing jazz musicians joined in, too.« He considers the resulting recording sessions to be a kind of attempt at musically translating their conversations during those days. They discussed different approaches to jazz, whether sampling and musical miscitations can unlock ecstatic potentials and the possible parallels between syncretistic religions and pop music. »There’s traces of glossolalia, it's like a blurry séance«, adds Thiessen in regard to the sessions. It is especially this spirit that managed to live on even though the recordings themselves were abandoned. »What we all liked most when listening back to the recordings is probably their marginal and fragmentary character, the empty spaces—the moments in which the virtuoso solo never comes, in which the centre remains empty.« The six pieces on »Fuchs« are chock-full of exactly these moments. When at one instant, the players seem to disperse and improvise freely, they always meet again on common ground a short time later, continuing on their way together. There are no conventions or even previous agreements that guide them, just a shared will to explore a vast range of curious sounds and unusual rhythms together as a truly unified constellation of very different musicians. Fuchs is a band that never was. Its ideas still reverberate vividly even 17 years later.

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Fruko y sus Tesos

Salsa Na Ma

Release: 2024 / UK – Original

Genre: Organic Grooves

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Friedrich Gulda / Joe Zawinul

Music For Two Pianos

LP | 2012 | EU | Original (Jazzline)

Release: 2012 / EU – Original

Genre: Organic Grooves

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LP | 2022 | CA | Original (Telephone Explosion)

Fresh Pepper

33,99 €*

Brown Sugar Vinyl Me, Please Edition

Release: 2022 / CA – Original

Genre: Organic Grooves

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Beyond whatever mood is likely struggling to be sculpted by the house playlist, restaurants are full of their own natural music. Porcelain and cutlery clatter in bus bins like little medieval battlefields; the chatter of patrons smears into a single stormy texture; the kitchen staff hollers and chides as their own chosen music competes for the ear of anyone walking to the restroom; the churning and hissing of the dish steamer leads the assemblage of sounds that leak out from the back of house to and cling to a diner’s subconscious. The fact that restaurants employ so many hustling musicians, whose entire lives are centered around sonic sensitivity and awareness, is either grand irony or total synergy. Toronto outfit Fresh Pepper, led by longtime friends Andre Ethier and Joseph Shabason, playfully navigates the mental and emotional mark left on many musicians by such places. Their self-titled debut is less concerned with their service-industry traumas, doldrums, and setbacks than it is with creating a relatable space for album’s contributors to fully be themselves within the ease and freedom of having similar histories. Shabason, Ethier, and company recount their culinary past lives across eight jazzy and benevolent tracks that exude their authors’ sheer enjoyment of the creation process. Though the mental image of restaurant inner workings might trigger a mix of urgency, weariness, and yearning for a better livelihood, Fresh Pepper recolors these frazzled scenes with fondness and levity, exorcizing past workplace woes through skillful musicianship and an earnest, slightly bizarre sense of humor.

Fresh Pepper was played and assembled in-person during a gap between Covid waves, and the gleeful rarity of the occasion is palpable. Whatever brooding was stereotypical of artists and musicians pre-pandemic was not invited to this reunion. From the very beginning moments of Fresh Pepper, Shabason and Ethier guide their companions (a sort of super group of Toronto musicians from acts like Bernice, Beverly Glenn Copeland, and even Destroyer’s Dan Bejar himself) with breathy, hushed tones via saxophone and vocals respectively, casually traversing their own annexed corridor between smooth jazz, exploratory avant-indie, and subverted adult-contemporary. Mid-performance apologies are left unmuted in the mix, room-tones are evident in spacious moments, and the spirit of close collaboration is omnipresent. After a mini-parade of loose and glassy keys, the pensive funk highlight “Prep Cook in the Weeds” intros with the kind of furrowed-brow noir-smoothness of some yesteryear crime drama, buoyed by Ethier’s gently insightful musings. “Another fly lands on the clock,” he sings in a hushed tone through a half-smile, pointing wryly toward the relationship between wage-workers and timekeeping devices. “Flies on the hands of time,” he continues, resigning his sense of control, “the flies take the wheel.” Ethier’s slice-of-life lyricism and serene baritone delivery find a fitting counterpart in Dan Bejar who appears on “Seahorse Tranquilizer”. Where featured vocalists-- especially those as iconic as Bejar-- would threaten to out-charisma an album’s resident personalities, Ethier and Bejar heighten the charm of each other’s demeanor in a natural and relaxed way, leading to one of the gentlest moments of an already gentle affair.

Conversely, the track “Dishpit” is noticeably the most abstract chapter of the album, reminiscent of the factory-like, thankless, yet oddly contemplative corner of the kitchen after which it is named. The track begins with a toyish, motorik pulse that imparts the fraught motivation of a full sink during lunch rush with still more dishes on the way. Shabason’s saxophone spins in the mist and steam, disoriented but determined, rallying an equally bewildered percussionist behind it. On much of the album, Shabason’s playing assumes more practical form in contrast to the ambient impressionism of his solo output, but here his atonal fourth-world fingerprints are easily visible. Following all this, “Congee Around Me” again finds warmth in the chaos, imparting the same sense of peace within the jumble that characterizes Fresh Pepper. “Mushrooms in the frying pan,” opens Ethier, summarizing the album’s pathos, “throw another in, I’ll see you when I see you.” Album ender “The Worm” - fatigued and victorious, fluttery and decayed, sounds like a memory-rich bygone era that never really existed. Was that 1990-something? Did it really happen that way? Did the sunlight really look like it does through a camcorder, or has sunlight always been the same as it is now? Does it really matter if I couldn’t see it from the kitchen anyway?

It could be argued that the best art frames its subjects without any commentary, leaving as much room for the viewer to fill with their own experiences, shortcomings, and longings as possible. Fresh Pepper provides this kind of framing around a scenario so taken-for-granted that it becomes mythic under the slightest examination. In this sense, like so many projects that Shabason puts his sonic stamp on, Fresh Pepper conjures an unexpected slice of enlightenment from somewhat unnoticed circumstances. True to form, Fresh Pepper assures us not just that we are going to be okay, but that we are okay right here and now, overtired as we are amid the stainless steel, heat lamps, and spattering oil.

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Freddie Roach

LP | 1964 | US | Reissue (Vinyl Me, Please)

35,99 €*

Folk Songs For Far Out Folk

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Freddie Roach’s first three albums introduced him to the world, but Brown Sugar showed it who he was. It was the album that Roach made to capture the energy of soul jazz. To somehow take the sounds in the city, in the clubs, and bring them to a record. In his original liner notes, Roach writes that the album is an ode to late nights and loud clubs, to backs damp with sweat, arms wrapped around waists. ‘’Not caring for the moment about troubles or problems,'' he wrote of people dancing, ‘’their bodies quivering under smiles that seemed to promise ‘after the dance.’'' After talking to Alfred Lion, president of Blue Note, they decided that the album needed to be made up of standards — not the standards of the stage or screen, but the standards of the people. ‘’To get the ‘soul,’'' Roach wrote, ‘’I decided to do show soul tunes.''

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Fred Katz

LP | 1959 | EU | Reissue (Life Goes On)

12,99 €*

Fred Frith & Totsuzen Danball

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Cellist Fred Katz is best remembered as a sideman with the Chico Hamilton Quintet, Paul Horn, and Pete Rugolo, though on this famous, long unavailable record of his own, he serves as conductor and arranger rather than player. Folk Songs for Far Out Folk consists of his tantalizing, imaginative adaptations of African, Hebrew, and American folk tunes. The musical cast varies with each group of selections. The three African songs, highlighted by the explosive "Mate'ka," include trumpeters Pete Candoli, Don Fagerquist, and Irving Goodman, with a six-man percussion section that features Larry Bunker and Nat King Cole sideman Jack Costanzo. Four American songs include treatment of "Sometimes I Feel Like a Motherless Child" that alternates between brooding and upbeat cool, with vibraphonist Gene Estes, pianist Johnny Williams, and guitarist Billy Bean lending a hand. The two Hebrew songs focus on reeds exclusively (excepting Mel Pollen's bass). The playful setting of "Ray's Nigun" showcases Justin Gordon on bass clarinet with Paul Horn and Buddy Collette providing whimsical accompaniment on flutes. This CD reissue by Reboot Stereophonic expands considerably on the original Warner Bros. LP, adding updated liner notes and photos of Katz in addition to reproducing the original notes and poetry that were part of the original package. Highly recommended. (all music guide).

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LP | 1982 | JP | Reissue (P-Vine)

34,99 €*

LP | 2018 | EU | Original (AR)

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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The combined powers of Fred Firth (ex. Henry Cow) and Totsuzen Danball! Originally released on cassette in 1982, the collaborative album is getting its first release on vinyl!

The first album from Totsuzen Danball, Can I? (1981) made waves with its experimental new wave sound, and the band suddenly found themselves with more overseas fans than they knew what to do with. Chief among them was Fred Frith, guitarist and co-founder of British art-rock group Henry Cow, who played with Totsuzen Danball during what was no doubt a legendary live show at Shinjuku Loft on July 23rd 1981. The recording from that night, originally released on cassette from Totsuzen Danball’s own label Floor - is finally getting an analog release! Listen as the sounds, and occasional noises, of two guitars, a pump organ, and drums intermingle to create something that’s never been heard before or since!

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Fred Buscaglione

e i suoi Asternovas

Release: 2018 / EU – Original

Genre: Organic Grooves

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Vinylart - Frank Sinatra Picture Disc Edition

Frank Sinatra

LP | 2020 | EU | Original (Wagram)

22,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Some Nice Things I've Missed

Frank Sinatra

LP | 1974 | JP | Original (Reprise)

27,89 €* 30,99 € -10%

I've Got You Under My Skin

Release: 1974 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Frank Sinatra

LP | 2019 | EU | Original (BMG)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Frank Frost With The Night Hawks

Hey Boss Man! Clear Vinyl Edtion

LP | 1962 | EU (Destination Moon)

16,99 €*

Francky Goes To Pointe-à-Pitre

Release: 1962 / EU

Genre: Organic Grooves

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"Legendary Sun Records producer Sam Phillips knew talent when he saw it, and when he started up his new Phillips label in the early 1960s, one of the first acts he signed was Frank Frost and his electric Delta blues trio. Now known as one of the greatest harp players of his generation, Frost learned his trade playing with none other than Sonny Boy Williamson and his influence can be heard whenever he blows. Originally released in 1962, Hey, Boss Man! is one of the last great electric blues albums."

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Plaisir coupable

LP | 2018 | FR | Original (A Tant Rever Du Roi)

13,99 €*

Release: 2018 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

2LP | 2023 | EU | Original (Mono Jazz)

Francesco Sotgiu

Passing

31,99 €*

Florian Pellissier Quintet

Release: 2023 / EU – Original

Genre: Organic Grooves

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“Francesco Sotgiu has forged a unique and very swinging project of songs. WIth a quintet consisting of Luigi Bonafede on piano, Emanuele Cisi and Riccardo Luppi on woodwinds, Salvatore Maiore on bass, Francesco on drums, and with special guest Paolo Fresu on trumpet to cap off this heartfelt collection. There is also a nice diversity of groups within this larger collection. A nice trio piece called “Calm” featuring Paolo Birro sitting in with Marco Micheli and Francesco. And one called “Lotus Blossom” where Francesco shows his considerable skills and soul on violin. But the bulk of the material is straight ahead jazz and is totally swinging and soulful, proving that jazz has no borders and is a worldwide language to wich Francesco has added to that tradition with this project and all the great voices he has included here. Bravo maestro.” This is the comment of Gil Goldstein, American accordion player who won 5 Grammies and collaborated with giants such as Gil Evans, Wayne Shorter and Michel Petrucciani. This record was recorded in the middle of the pandemic times and most of the work for preparing this record took place via the telephone: the selection of the songs on paper, the exchange of ideas on arrangements, staff and instruments, a sort of "phone rehearsal" of the structure of the songs, with the choice of a solo; everything else, everything that will happen in the recording sessions, is the result of a controlled improvisation, a jam session masterfully captured in the studio through the use of well-positioned ribbon microphones. This is why "passing", literally "passing" or "crossing": because the musicians have gone through listening to these songs as teenagers, and find themselves today, as a mature meeting of old friends who create an informal game made of nostalgic fun, great personality, confrontation and deep spirituality. In the classic Caravan by Ellington and Tizol or Afro Blue by Mongo Santamaria, Coltrane toning, the latin accent of the rhythm section supports the interpretation of the theme and the interplay in the solos between the soprano and tenor saxophones by Cisi & Luppi, and the piano by Bonafede. A certain elegance in the execution distinguishes pieces such as Duke Ellington's Sound OF Love, yet another tribute by Mingus to the Duke, with a calibrated solo on the double bass of Maiore and the flute by Luppi, the immortal Take Five by Paul Desmond, with the highlighted soprano by Cisi, Wishes, 7th Street and the eponymous Passing, all pieces composed by Sotgiu, characterized by the precise medium / fast drive of the drums and a certain "cinematic" taste of the main themes. In songs such as Black Bats AND Poles, composed by trumpeter Jack Walrath for the Mingus orchestra, and in Stranatole, an original piece in which Sotgiu writes a theme of Monk’s influence and enjoys overturning the traditional "anatole jazz” structure, the quintet opts for an effective hard bop language, with exciting moments of dazzling virtuosity in Bonafede's solo, while in Coltrane's Wise ONE and McCoy Tyner's Ballad FOR Aisha we enter a modal, mystical and ceremonial jazz, of a cosmic depth, which seems to hover in the sweet volume of the great hall of the recording studio. These are truly magnificent interpretations. A special separate mention for two classics such as MY Foolish Heart by Victor Young, performed in trio by Sotgiu, Maiore and the unmistakable trumpet by Paolo Fresu, and the (unfortunately very short) Lotus Blossom by Billy Strayhorn and Duke Ellington, which in the piano-violin duo of Birro and Sotgiu, in a minute gives a suspended momentary magic, sums up the roots of African-American jazz music, and also referencing an old fashioned Italian musical sensitivity, typical of Nino Rota's music for Federico Fellini’s films.

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Rio

LP | 2021 | EU | Original (Hot Casa)

24,29 €* 26,99 € -10%

Floating Points, Pharoah Sanders & The London Symphony Orchestra

Release: 2021 / EU – Original

Genre: Organic Grooves

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A fantastic 5th album of the sensational french Jazz band from pianist Florian Pelissier, recorded at Rudy Van Gelder Studio (New Jersey, Usa), mixed by Jordan Kouby at Question de Son (Paris) and mastered by Frank Merritt at The Carvery (London, UK). Hard Bop 2021 at his best, available as Deluxe Tip-On Vinyl LP! Florian Pellissiers tells the story: "How did we get here? In this tropical daze, contemplating the surrounding landscape, the luxuriance of nature, with the ocean and her ballet of gentle waves, caressing the sand - timidly gaining a few inches with each passing adagio. The temperature, as if perfectly adjusted to the most precise degree by an artful yet mercurial hand knowing full well that it could, with idle ease, sway the fragile quality of this luscious and suave atmosphere... However, just a few months before, the course had been set for New Jersey. More specifically; to Rudy Van Gelder's studio: one of jazz’s greatest unstitutions. This pilgrimage was to both celebrate and crown the twentieth anniversary of the Quintet. An unchanging line-up that yielded four albums, with this fifth recording intended to be our artistic culmination before moving onto something else. New adventures, on different roads perhaps. Van Gelder's studio, long revered to be a chapel for the artists who passed through it with it’s exceptional acoustics, was the place to be. Its woodwork seemingly encrusted with thousands of hours of Blue Note recordings, still pulsating with years of incantations from past sessions…now we too were going to make our own mark. By lighting the voodoo fire there, we would submerge the place in a collective trance. Dark and dense. Did we seek to summon voodoo? Of course not. It is the Loa of music who decides whether or not they will be present. Yet this record, or more, the one that I originally dreamt of, was so raw. The one I initially visualized to be messy, rich and spiritual actually clashed with the creative reality of the moment. The energy, the dynamics of the group were, at that time, not parallel with those tempestuous qualities so when we pushed, something resisted. We strived to sink into darkness - yet reality lead us back again and again towards an ever more sensitive space of grace and elegance. We arrived wanting to take out the machete, but finesse, in the end, called out to us. Obviously, the sessions saw new trails emerge, basked in a serendipitous and welcoming light. Rather than battling, we instead turned our compass towards the calmer latitudes of Capricorn and Cancer. It was then the Quintet embarked for tropical promenades in the newfound tranquillity of this legendary studio. So how did we get there? By not upsetting the creative forces that willed the powers of voodoo against taking our souls, at least this time anyway. From afar, my faithful creative daemons came galloping out, like gazelles, from the groove and gracefully forged a rhythm machine, encased with futuristic vibes that I myself then layered with synthesizers. At once intoxicated by all these sultry elements and ful filled by our orchestral solstice – I thought of Rio. And this one’s to my Rio."

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Promises Indie Exclusive 180g Vinyl Edition

LP | 2021 | US | Original (Luaka Bop)

30,99 €*

Floating Points, Pharoah Sanders & The London Symphony Orchestra

Release: 2021 / US – Original

Genre: Organic Grooves

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Sam: Pharoah...
Pharoah: Huh...?
Sam: Were you asleep? I’m sorry...
Pharoah: No no... I was listening... and dreaming... and listening to music
in my head...
Sam: Oh wow... sorry.
Pharoah: Many times, people think I might be asleep... but in fact, I am just
listening to music in my head. I’m always listening... to the sounds around
me... and playing, in my mind... and sometimes I dream.
Sam: What were you dreaming about?
Pharoah: I’m on a ship. In the ocean. Bears coming around smoking cigars.
The bears are singing, ‘We have the music. We have what you’re looking for.’
* * *
Pharoah: How you like that take, Sam?
Sam: It’s cool. I think the bit in the middle, where it stops again...I think
you can hear...We were both kind of confused. I like it as well because it
sounds like two musicians that are trying to guide each other.
Pharoah: I think that’s it right there. It came out different. It came out good
though.
Sam: You happy?
Pharoah: Yeah, I’m cool with it.
Sam: Okay. Yeah, I think your playing is beautiful.

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Promises Black Vinyl Edition

LP | 2021 | US | Original (Luaka Bop)

2LP | 2019 | UK | Original (Late Night Tales)

Release: 2021 / US – Original

Genre: Organic Grooves

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Floating Points

Late Night Tales

CD | 2019 | UK | Original (Late Night Tales)

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Sam Shepherd pulls from "global soul, ambient, jazz and folk" genres on the 17-track mix, according to the press release. It features four new tracks, including one from Floating points himself: a cover of Kenny Wheeler's "The Sweet Time Suite, Part I - Opening." Sarah Davachi, Toshimaru Nakamura and Lauren Laverne also contribute exclusive material, plus music by Kaitlyn Aurelia Smith, British jazz trio Azimuth and recent Resident Advisor feature star Kara-Lis Coverdale.

"The music is a selection of the kind of records I play to set the tone when DJing all night long," said Shepherd.

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Floating Points

Late Night Tales

17,99 €*

LP | 2024 | EU | Original (Quattro Bambole Music)

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Float A Flow

Resuscita I Morti

9,74 €* 14,99 € -35%

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2022 | UK | Original (Go Deep)

Fish Go Deep

This Bit Of Earth

17,99 €* 19,99 € -10%

Dawn Is A Melody Orange Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Greg Dowling and Shane Johnson return to the Go Deep label for their third album, ‘This Bit of Earth’. Beginning work in the relative normality of 2019 and finishing over the strange summer of 2020, the resulting music mirrors the thoughts that such upheaval brings out - our world and our place in it - while also functioning as a kind of travelogue of journeys past and planned, real and imaginary.

Mixing samples with modular synths, programmed drums with jazz loops, and quirky plugins with outboard gear, the album ranges far and wide while retaining a warm, natural core sound.

The title track opens proceedings on an ambiguous note. A simple double bass motif weaves around a misheard vocal sample, layers of piano and vibraphone take up the call, and the whole thing gradually spins off axis to a distorted, disjointed finish. ‘Suburban Key’ follows on a groove of busy drum work and deep sub bass, the stately piano and strings setting the stage for an undulating synth solo.

Further in, ‘Alice on Jupiter’ takes a deep breath and blends field recordings, gently swelling pads, modular bursts and a recurring picked melody.

‘Back Trace Dub’ strolls the imagined streets of Irish author Kevin Barry’s ‘City of Bohane’, noting the “taint of badness” in the air and revelling in the tense, dub-noir atmosphere. Later on, the spoken word intro of ‘I Could See’ expresses the dread of confinement and the relief and ecstasy of release, a theme the music reflects as it steadily builds to a joyful climax.

And closing the album on an optimistic note, the languid, emotional Culatra Ferry remembers better, beautiful days in the sun and looks hopefully forward to more.

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Finn Rees

LP | 2024 | UK | Original (Mr Bongo)

25,99 €*

Dawn Is A Melody Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.

Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”

The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.

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Finn Rees

LP | 2024 | UK | Original (Mr Bongo)

CD | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Finn Rees

Dawn Is A Melody

LP | 2018 | EU | Original (Soundway)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Felbm

Tape 1 / Tape 2

18,99 €*

LP | 2023 | UK | Original (Soundway)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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In the Felbm project, Dutch multi-instrumentalist Eelco Topper steps away from his previous synthesiser-laden sounds as Falco Benz, towards a much looser, simpler and sketch-like approach. Picking up a number of acoustic instruments, he began experimenting with a Tascam 4-track tape recorder and allowed these sketches to flourish.
The result is Tape 1 and Tape 2, a two-part project stretching across fifteen tracks - encompassing fluttering piano melodies, subtle jazz drums, rumba rhythms and soothing ambience. The jazz element links back to Topper’s childhood. “I grew up playing drums, switched to playing piano at sixteen and in the meantime I produced hip-hop beats,” he recalls. “I went to study jazz piano at the Utrecht Conservatory, which I finished with pain and effort… I was interested more in electronic and present-day music.”
This mix of being rooted in traditional jazz composition whilst searching for something more contemporary is the perfect encapsulation of these recordings. Tape 1’s jazz roots are palpable and as things move into Tape 2, it takes on a neo-classical, psychedelic soundscape and cinematic quality.

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Felbm

Cycli Infini