Search "nas+life+is+good" 529 Items

Pennselmann Hits Volume 2765 Black Vinyl Edition

Release: 1995 / EU – Reissue

Genre: Organic Grooves

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A solid album produced by Fred Versailles (producer of NTM's first album) and mixed by Paul Borg (Urban Species, UFO, -M-, Mory Kanté), it bears witness to an era when the great acid-jazz and funky orchestras were making Paris groove, with Dis Bonjour À La Dame leading the way. Almost thirty years later, it's time to (re)discover Dis Bonjour A La Dame on vinyl (released only on CD in 1995). Ladies & Gentlemen, good times are back again!

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Tuohi Klang

LP | 1972 | EU | Reissue (Svart)

Pennselmann Hits Volume 2765 Transparent Orange Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Tuohi Klang: Pennselmann Hits Vol. 2765 - A cult gem reissued by Svart Records in February 2025

In the late sixties Finns began to believe that Finnish jazz, played and composed by Finns, might after all be on a par with what was being produced by its European counterparts, even if the music of Suomi players was still in search of a unique character of its own.

During their short life span, the avant-jazz all-star sextet Tuohi Klang released their only album on the soon-to-be defunct psych label UFO. Finally, Finally, Svart Records are proud to present this cult treasure and highly sought after album reissued for the first time ever. Features an all-star lineup of Edward Vesala, Pekka Pöyry, Paroni Paakkunainen, Teppo Hauta-aho, Mircea Stan and Mike Koskinen.

Pennselmann Hits Vol. 2765 is available on Svart exclusive clear/green marble, transparent orange, and classic black vinyl editions - not to forget the CD edition. The gatefold package includes extensive liner notes by Harri Uusitorppa. Release date February 21st, 2025.

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Tuohi Klang

LP | 1972 | EU | Reissue (Svart)

Good Move Tone Poet Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Freddie Roach

LP | 1963 | EU | Reissue (Blue Note)

38,99 €*

The Sojourner 2024 Repress

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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After appearing on Blue Note albums by Ike Quebec, Hammond B3 organist Freddie Roach made his own run of soul jazz classics for the label including the standout 1963 date 'Good Move' featuring Blue Mitchell on trumpet, Hank Mobley on tenor saxophone, Eddie Wright on guitar, and Clarence Johnston on drums.

BLUE NOTE TONE POET EDITION: Mono, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold sleeve with deluxe tip-on jacket.

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The Ensemble Al-Salaam

LP | 2024 | JP | Original (P-Vine)

LP | 2024 | EU | Original (Astigmatic)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Originally released in 1974 on pioneering jazz label Strata-East, ‘The Sojourner’ by the incredible Ensemble al-Salaam would become one of the label’s most sought-after records. A highlight of the spiritual jazz movement, the record sees a band at the height of their powers, perfectly in sync as they express their spirituality through one ethereal groove after another. Album opener “Music is Nothing But a Prayer” sets the tone for the album, as gentle piano arpeggios, warm flute improvisations, and spacy guitar combine with the haunting vocals of Beatrice Parker to create a sonic atmosphere which seems to wash over you with every passing beat. The song picks up as a repeating bass riff emerges, with blaring saxophone improvisations contrasting with Parker’s clear vocals - yet nothing ever clashes. In comparison to the enveloping avant-jazz of “Music is Nothing But a Prayer”, “Malika” takes inspiration from late-career Coltrane, with sheets of sound-esque saxophone solos set to breakneck rhythms. “Peace (Salaam)” sees the group return to warm spiritual tones, complimenting a beautiful melody to bring the album to a close.

For years, the only way to get your hands on this record was to spend your entire life savings, or pray that you stumbled upon it at a yard sale. With our previous two pressings selling out almost immediately, we knew we had to give this legendary record a third pressing. P-vine is proud to be repressing this phenomenal album for the third time, now with a new and improved obi-strip!

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Bloto

Grzybnia

24,99 €*

CD | 2024 | EU | Original (Astigmatic)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Błoto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant that fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Błoto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in late January 2023 at Warsaw's Studio Pasterka, under the careful guidance of Piotr Zabrodzki. It was by far the most fruitful session in the group's history, with ideas flowing in abundance. The chosen tracks not only resulted in two well-received singles, Szlam / Ścieki and Bakteria, but also provided enough material for an EP set to drop next year.

The seemingly chemical title of the album Kwasy i zasady (Acids and Bases) ultimately referred to interpersonal relationships, describing traits that prevent harmony. The album embodied the polarization of societies in the 21st century. The metaphor of Grzybnia (Mycelium) goes a step further. It emphasizes the importance of cooperation as a fundamental skill that can yield various results (fruits, fungi)—both good and bad. Above all, it underscores the power of collective action beyond divisions.

In a complex, unstable modern world that is breaking apart into pieces, the concept of mycelium offers a powerful model. Mycelium thrives in degraded, seemingly lifeless environments created by humans. A key aspect of the broader significance of mycelium is that cooperation benefits all involved parties, where each contributes something and receives something in return. Mycelium is a symbiont, meaning it forms a symbiotic relationship with certain tree species through mycorrhiza, where the roots of the trees and the mycelium exchange essential life-sustaining substances. This results in mutual benefits. The world of mycelium exemplifies cooperation.

A single mushroom, like a person, dies, but mycelium endures, much like humanity itself. Thus, similar to culture, it is immortal. Błoto operates in a manner akin to mycelium. It undoubtedly belongs to the underground realm, embodying the essence of the underground. It is also a destructor of music. In what sense? The Polish Nobel laureate Olga Tokarczuk noted in her book Primeval and Other Times that “[...] Mycelium thrives by drawing the last remnants of life from what dies, decomposes, and seeps into the earth. Mycelium is the life of death, the life of decay, the life of what has died.” In the same way, Latarnik, Cancer G, Wuja HZG, and OlafSaxx, through their collaboration, process cultural products to create entirely new and surprising combinations. The result of this work is both edible and poisonous mushrooms, manifested in the form of fat beats, house, spiritual jazz, improvised music, illbient, organic techno, and genre-defying electronics.

The peak mushroom season in Poland occurs in autumn, which is why Grzybnia will be released on October 10, 2024, via Astigmatic Records. The limited edition vinyl, restricted to 500 copies, will be available for pre-order starting September 6, 2024, on Bandcamp. As always, mixing and mastering are handled by the mighty Kwazar, while the original visual representation of the mycelium metaphor is crafted by Sainer.

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Bloto

Grzybnia

11,99 €*

LP | 2024 | UK | Original (Tramp)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Frederic Rabold

Time Machine

Piero Umiliani + Moonbrew & Paolo Apollo Negri Feat. Tilde

Release: 2024 / UK – Original

Genre: Organic Grooves

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Celebrating Frédéric RABOLDs 80th birthday
Frédéric Rabold was born on November 23rd, 1944, in Paris, France. His father was a jazz musician and had dreams of all three of his children becoming musicians as well. Frédéric started out learning the violin but always gravitated to the trumpet. The violin actually ended up on the wall at some point, which may have revealed Rabold's tendency toward impulsiveness. He came into contact with jazz music at an early age when he lived with his parents in France. Later on, his father had a big band with which he performed at dances in health resorts. At the age of 16, he often played with his father in American Army Clubs. From 1961 to 1964, Frédéric studied at the University of Music in Karlsruhe. In 1965, he moved to Stuttgart where he still lives today. In the same year drummer Axel Lauser approached him and asked if he wanted to play in his trio. Then, for a few years, Frédéric played in the Axel Lauser Quartet. In 1968, Frédéric founded his own band, the Frédéric Rabold Crew. The music of the "Crew" was well received in the 1968 era and the band quickly gained recognition in the German modern jazz scene. Invitations to several major festivals followed, including the jazz festival in Zurich. Later, they toured extensively through Eastern Europe on behalf of the Goethe Institute. In 1968, the first recordings were made by a friend of the band during a rehearsal. However, they were not to be released until 1980 on the LP "Berlin". "Noon In Tunisia" is one of these tracks. In March, 1970, the crew performed at the 12th German Jazz Festival in Frankfurt am Main amongst such Jazz greats as the Albert Mangelsdorff Quartet, the Klaus Doldinger Quartet and the Dave Pike Set. Two years later, the Frédéric Rabold Crew released their debut album entitled "Flair". This was followed in the 1970s by more than half a dozen albums for various labels. These included the album "Open House" with guest guitarist Martin Ederer, as well as three albums with singer Lauren Newton between 1975 and 1979. Rabold also worked with avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangelsdorff and Jeanne Lee.
In the mid-1970s, a second formation was formed, the "Frédéric Rabold Jazz Inspiration Orchestra", which, unlike the crew, continued to exist with the same line-up well into the 2010s. In 2018, Frédéric Rabold celebrated the 50th anniversary of his group, the Frédéric Rabold Crew.
Today, Rabold can look back on more than 1000 original compositions. Sometimes certain events led him to a composition, other times he just sat down at the piano and something happened, or not. Even though his real love is modern jazz, he has played all styles himself, including classical trumpet. In this respect, his role models were actually always American jazz musicians, who were sometimes quite unconventional in this respect. Frédéric Rabold's motto has always been: there is good and not so good music in all styles. This album brings together only the former.
Key selling points:
- deluxe double gatefold vinyl LP
- incl. detailed liner notes in german and english language
- incl. unseen photographs
- incl. download code
- limited to 500 copies
- pressed on Biovinyl => Replacement of petroleum in S-pvc by recycling used cooking oil or industrial
waste gases

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Italian Library Songbook Vol. Ii (Masters Of Cinematic Music Reimagined Into Song)

7" | 2024 | EU | Original (Italian Library Songbook)

14,99 €*

Isaiah Collier & The Chosen Few

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Italian Library Songbook series, where contemporary producers and songwriters breathe new life in-to hidden tracks and outtakes from Italian soundtrack maestros, is back with its second installment.

This time, beat-maker and bass player Moonbrew, along with composer and keyboardist Paolo Apollo Negri, reimagine the iconic Piero Umiliani, whose influence resonates deeply with anyone who grew up with a passion for b-movies, library music, and soundtracks.

Joined by singer-songwriter Tilde, the duo put their unique spin on Umiliani’s “Nel Villaggio” (featured on side B of this release), an instrumental piece from his 1975 library album Continente Nero. The hypnotic marimba melody that opens the original track serves as the foundation for their reinterpretation. By sam-pling the marimba and combining it with synthesizers and a fresh beat, they create the perfect backdrop for Tilde’s vocals, giving birth to a new ethereal and dreamy song titled “As If It Matters” (on side A).

Joining the dots between the Seventies and today, Italian Library Songbook - Volume II pays tribute to Umiliani’s signature sound while firmly grounding the music in the present. Once again, the artwork is by graphic designer and calligrapher Luca Barcellona, who drew inspiration from elegantly bound classics book series to evoke the tactile element that makes vinyl records so unique and precious.

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The World Is On Fire

2LP | 2024 | EU | Original (Division81)

Plays Coltrane And Langston Hughes

Release: 2024 / EU – Original

Genre: Organic Grooves

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The World is On Fire is Collier’s observation journal reflecting on the tumultuous period from before the pandemic to the present day. The title itself wields his lens on vile acts committed by those in power addressing themes of economic upheaval, systemic racism, and the relentless fight for justice. The album is the final body of work with his quartet, The Chosen Few, marking the closing chapter of the group’s 8-year journey. The World is On Fire is Collier’s observation journal reflecting on the tumultuous period from before the pandemic to the present day. The title itself wields his lens on vile acts committed by those in power addressing themes of economic upheaval, systemic racism, and the relentless fight for justice. The potency of Collier’s compositions is reinforced by utilizing harrowing real-life news clips throughout the album that radiate the urgency, somberness, and turmoil during this time in history as the album as a whole serves as a requiem for countless lives lost and injustices that remain unacknowledged. The World Is On Fire showcases Collier’s fiery approach as a bandleader with tightly focused solos on both Alto and Tenor Saxophone, that are interwoven with the other musicians. As The Chosen Few prepare for their curtain call, The World is On Fire is a final offering that is more than a collection of songs—it’s a passionate plea for awareness, understanding, and change. Through the journey of sound and reflection, Collier urges us all to play a role in crafting a more just and equitable world.

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Raphael Roginski

2LP | 2015 | UK | Reissue (Unsound)

Maleem Mahmoud Ghania & Pharoah Sanders

Release: 2015 / UK – Reissue

Genre: Organic Grooves

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Raphael Rogiński’s Plays John Coltrane and Langston Hughes is an expanded reissue of his 2015 album, previously unreleased on vinyl and long out of print on CD. It has only grown in stature over the years, for Rogiński’s solo guitar interpretations – or reimaginings – of John Coltrane, which draw on the guitarist's unique and immediately recognizable style, rooted in jazz, blues and global folk idioms. Part of a series called Populista, the album was originally released by Warsaw imprint Bôłt Records. Curator Michał Libera describes the series as “dedicated to mis- or over-interpretation of existing music”. Rogiński’s Plays John Coltrane and Langston Hughes fits perfectly into the concept, given the distance that the guitarist travels from the original form of Coltrane’s compositions, although, as Libera notes, it was “simply handed to me as a finished work”. Approaching Coltrane’s singular, spirited music with a perspective formed outside the jazz tradition, Rogiński slowed the songs down, extracting polyphonic tensions, and striving for an intimacy and mysticism that transcends genre. The way the music turned out struck the guitarist as a revelation. “Suddenly these songs became full of glowing moving pictures, with a melancholy, but also with something like promise,” he says. Rogiński says, “At that time, I lived in an apartment with the branches of a fig tree growing into it. I sat in 35-degree heat under its leaves, on the carpet, and discovered the polyphony of this music. I met a broken person on the street around this time. She moved in with me for a few days, a victim of an ultra-religious family from which she had escaped. She slept on the couch recovering, and I started playing. As if for her. I had to breathe light into her life and I did what I do best, and that is how this music came into being.”

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The Trance Of Seven Colors

2LP | 2019 | EU | Reissue (Zehra)

Midnight Blue Blue Note 85 Blue Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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2024 Repress. A download code is included. Available on vinyl for the very first time: “The Trance Of Seven Colors” by master Gnawa musician Maleem Mahmoud Ghania and free jazz legend Pharoah Sanders. Produced by Bill Laswell and according to The Attic “one of the most important albums of Gnawa trance music released in the ‘90s”. Originally released in 1994 on Bill Laswell’s Axiom imprint, “The Trance Of Seven Colors” is the meeting of two true musical masters: Maleem Mahmoud Ghania (1951 – 2015), son of the master of Gnawa music Maleem Boubker Ghania and the famous clairvoyant and "moqaddema" A'isha Qabral, and a master of the traditional Gnawa style in his own right. Mahmoud learned this craft as a youth along with his brothers, walking from village to village, performing ceremonies with his father Boubker and was one of the few masters (Maleem) who continued to practice the Gnawa tradition strictly for healing (the central ritual of the Gnawa is the trance music ceremony – with the purpose of healing or purification of the participants). With 30 cassette releases of music from the Gnawa repertoire with his own ensemble and performances at every major festival in Morocco, including performing for the King in various contexts, Mahmoud Ghania was also one of Morocco's most prominent professional musicians. In 1994, Bill Laswell and Pharoah Sanders went to Mocrocco, equipped with just some mobile recording devices, to record Ghania and a large ensemble of musicians (to a good part family members) in a very intimate set up at a private house with the legendary free jazz musician contributing his distinctive tenor saxophone sounds that gained him highest praise as a truely spiritual soul right from the days of playing with John Coltrane and his wife Alice and on seminal solo albums like „Karma“. The aptly titled „The Trance of Seven Colors“ ranks among the best Gnawa recordings ever released, made it onto the list of “10 incredible percussive albums from around the world” by Thevinylfactory.com and is 25 years after its original CD release on finally available on vinyl!

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Kenny Burrell

LP | 1963 | Reissue (Blue Note)

Relief - A Benefit For The Jazz Foundation Of America's Musician's Emergency Fund Vinyl Me, Please Edition

Release: 1963 / Reissue

Genre: Organic Grooves

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Guitarist Kenny Burrell debuted on Blue Note Records in 1956 and over the following seven years made a series of excellent albums for the label that culminated with his masterwork Midnight Blue. Recorded in 1963, the album waded deep into the blues, conjuring an alluring late-night vibe with a profoundly soulful cast including tenor saxophonist Stanley Turrentine, bassist Major Holley, Jr., drummer Bill English, and Ray Barretto on congas.
Burrell originals including “Chitlins con Carne,” “Midnight Blue,” “Saturday Night Blues,” and the stunning solo guitar piece “Soul Lament” set the tone for this timeless classic adorned by one of the all-time great Reid Miles cover designs.

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V.A.

2LP | 2024 | US | Original (Vinyl Me, Please)

41,99 €*

Jujus / Alchemy Of The Blues Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Why you'll love it...
In a never-before-heard-of collaboration, major jazz labels Blue Note Records, Concord Music Group, Mack Avenue Music Group, Nonesuch Records, Universal Music Group, Verve Label Group and Warner Music Group have joined hands to offer a compilation of unreleased music. Part of the proceeds earned from the album will go toward the Jazz Foundation of America’s Musician’s Emergency fund, which supports musicians who have been affected by COVID-19 shutdowns.

Joe Petrucelli of JFA shared, “The Jazz Foundation of America deeply appreciates the artists, songwriters and label teams who contributed to this project with such compassion and generosity. As pandemic restrictions continue to lift, we recognize that musicians will face a particularly lengthy recovery. They were among the first to be hit by the effects of the crisis and will be among the last to achieve a true sense of normalcy or stability. We and our partners are here for the long haul.”

Among the featured artists are Herbie Hancock, Joshua Redman, Christian McBride, IRMA and LEO, Cécile McLorin Salvant and more. The highly hailed pianist Herbie Hancock commented, “I'm honored to be part of this meaningful project that supports the important work of the Jazz Foundation, who has always been there for musicians going through tough times. They have been an especially critical resource for the community during the pandemic, helping those in need of medical care, putting food on the table and paying their rent.”

While the album supports musicians across the industry, it also commemorates the artists whose lives were lost to the pandemic and throughout the year, including Wallace Roney and Jimmy Heath. The collaboration illustrates the camaraderie among labels and musicians, tying together the talents of a roster of stars to support the people who have brought the world together through music.

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Sarah Webster Fabio

LP | 1976 | US | Reissue (Vinyl Me, Please)

33,99 €*

It's Magic Vinyl Me, Please Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
All of Sarah’s albums were created after a near-death experience, which brought an urgency to her wanting to leave a legacy, and made her four-albums-in-five-years output understandable. The tediousness of her recovery ended up replenishing her artistic spirit, leaving her with a thirst for life. She collaborated with intensity. She knew her four albums on Folkways would translate her poems from the page to a permanent, lasting expression. She picked from her body of work the poems that would take her further than written text could ever promise.

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Abbey Lincoln

LP | 1956 | US | Reissue (Vinyl Me, Please)

33,99 €*

7" | 2024 | JP | Original (Innocent)

Release: 1956 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Though Abbey Lincoln’s life was full of starts and stops — great joys and many sacrifices — Lincoln never stopped the search for herself, ultimately writing compositions that offered just a mere yet telling glimpse of who she was and why what she had to say mattered. Hearing her on early recordings like It’s Magic, right at the cusp of her brilliant and prolific career, at long last, it feels like finally getting to meet her.

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Ino Hidefumi

Can't Sleep / Good Night

13,99 €*

Sonic Mystics For Poems (Of Life And Death Of A Phoenix)

Release: 2024 / JP – Original

Genre: Organic Grooves

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SIDE:A includes "CAN'T SLEEP" 7inch Limited Version and John Lennon's cover "GOOD NIGHT" on B-side as a coupling song to relieve insomnia.

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Andrea Burelli

LP | 2024 | EU | Original (Andrea Burelli)

7" | 2024 | US | Original (Devin's 7s)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Limited edition pressing - comes with one page insert. Download code included.

The album Sonic Mystics for Poems (of Life and Death of a Phoenix) by Andrea Burelli is a work that masterfully blends traditional musical languages with the formal and conceptual sensibilities of contemporary music. It offers a profound reflection on the life-death-life cycle, centered on poetic texts that oscillate between human-sensitive experience and the mythical journey of a phoenix, a metaphor of this circular and infinite reality.

The work, which includes a collaboration with musicians from the renowned Solistenensemble Kaleidoskop, stands out for its clear influence from classical Western music and modal traditions, as well as experimental electronics. Composed for voices, strings, synthesizers, and drum machines, this music features a minimalist tapestry of polyphonies, enhanced by sophisticated electronic elements and a diverse array of rhythmic articulations.

Field Notes describes Andrea Burelli as a versatile artist capable of embodying a multitude of roles, from poet to composer, musician, and singer, emphasizing how her work reflects this versatility by ¨combining elements of art song, contemporary music, pop, and electronic sounds.¨ According to Groove Magazine, this LP evokes neoclassical chamber music and an imagined Italian folklore, aligning with contemporary explorations of modern vocal abstractions, similar to the work of artists like Marina Herlop, stating that: “This is how the new and the good emerge.”

Furthermore, the music has received positive feedback from internationally acclaimed artists such as Rashad Becker, who, in addition to being the mastering engineer of the project, describes it as "pure and honest"; James Young of Darkstar calls it "bold and innovative"; while Eartheater (pan), Rabih Beaini, and Gigi Masin have praised it as "beautiful."

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Galt MacDermot

Duffer / Duffer In F

21,99 €*

7" | 2024 | US | Original (Devin's 7s)

Release: 2024 / US – Original

Genre: Organic Grooves

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"Man alive. Galt MacDermot. You know who he is. And if you don’t, you’d better ask somebody. Most famous (probably, in certain circles anyway) as the composer and arranger of the 1969 Grammy-award winning, perennially-running-somewhere musical Hair, which had three no. 1 singles including 'Aquarius/Let the Sunshine In'. But his catalog is so much more than that. SO much more. He’s incomparable. He composed music for a grip of films and plays, but my favorite is his solo work. (well, with bands he’d put together, but you know what I mean). His body of work includes jazz, soul, and classical and some of it is downright Funky. He’s been sampled by Handsome Boy Modeling School, MF Doom, Run-DMC, DJ Vadim, DJ Premier, Busta Rhymes, and who knows who else. He’s worked with Bernard Purdie, Idris Mohammed, Jimmy Lewis, and countless others. Nothing I can write can do him any justice.

This record here has two different versions of one of my favorites—'Duffer' and 'Duffer in F.' Are they the same song? Yes. Are they different? Yes. Side A, 'Duffer,' is a laid-back, loosey-goosey irresistible groove with killer solos. It’s so chill, but I’ll be damned if you don’t still want to dance to it—maybe even a slowdance with your sweetie or something. It’s a whole vibe—cozy, funky, slow, intimate, yet spacious… I never want it to end. Side B, 'Duffer in F', is the same tune, but with everything tightened up. The groove, the drum kit, heck, even the room it was recorded in.

I can not for the life of me decide which one I like more, but for real though, I want them both on 7”, and thought it would be fun to do a compare/contrast record: The Duffers.

CAN WE Talk About THE Bassline ON Both Versions Though?? Whoooooo boy.

Special, special shout out to The MacDermot family (Vince, MaryAnne, Samson and young Galt) for letting me do this. It’s a dream come true."—Devin

Limited run of 500 copies.

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Skeletons

Mulatu / Positive Force

21,99 €*

LP | 2024 | EU | Original (Cortizona)

Release: 2024 / US – Original

Genre: Organic Grooves

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"…I’m a big fan of Benedic Lamdin (aka Nostalgia 77)… Massively talented as a composer, arranger, songwriter, producer, and guitarist across hella genres who’s been quite prolific since he started releasing stuff in 2004. Seriously, check out his catalog- pretty sure that there’s something for everyone there, and also check out the Impossible Ark (his amazing contemporary jazz label) as well. One of my favorite projects of his is a 2010 LP called Skeletons—Smile. From the Bandcamp page of that album: 'These musicians never stood in the studio together, they just passed through my house or left some scraps of sound behind after sessions we were working on.' The project started life as material recorded for a library music company, playing into the hands of 'the current vogue for a certain style of African jazz', as Lamdin puts it, in a refreshing bout of honesty. Apparently Lamdin got so absorbed in this process of musical forgery a whole LP emerged, and if the producer wasn't so darned honest, you might never know that this wasn't the work of a genuine, and wholly exciting spiritual jazz troupe. 'Mulatu' was another dream 7 of mine. (yes, I know they all are, but)… It’s just so good; and while I own the Smile LP I just really wanted this record to exist and have it in my collection. It’s a slow burner that take cues from Mulatu Astatke but flipping them a bit and making them even groovier, funkier, and heavier. Dig it. The flip side is 'Positive Force,' an uptempo original composition perfect for backyard barbecues. I was on the fence about what to put on the flip as I like the whole album, but this track is a fan favorite and contrasts nicely with the A side in my opinion."—Devin Limited run of 500 copies.

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Brahja

Nebulizer

12" | 2024 | UK | Original (Brownswood)

Release: 2024 / EU – Original

Genre: Organic Grooves

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From the first moment the pulsating tone of Devin's synth blends with the whispering voices of Earth, Wind and Choir and the menacing bells Naima Karlsson set in motion this record you just know and feel immediately 'Nebulizer' will be a soul-searching journey, soaking you deep into an unknown and very personal musical world.

Devin Brahja Waldman is a New York saxophonist, drummer, synthesizer player and composer who leads the group BRAHJA. He has performed with Patti Smith, William Parker, Nadah El Shazly, Malcolm Mooney, Thurston Moore, Godspeed! You Black Emperor, Charles Hayward, Luke Stewart and Yoshiko Chuma. Waldman is also a member of NYC's Heroes Are Gang Leaders (led by poet Thomas Sayers Ellis and saxophonist James Brandon Lewis), of Sam Shalabi's Land of Kush, and of the Norwegian hardcore group MoE.

In 2022 BRAHJA released the critically acclaimed album 'Watermelancholia' on the Belgian leftfield imprint Cortizona. For his second album on the same Cortizona label, Devin Brahja Waldman gathered a group of insanely gifted and talented musicians to start a new and highly moving musical chapter titled 'Nebulizer'.

Together with Adam Kinner, Georgia Wartel Collins, Earth, Wind and Choir, Luke Stewart, Kenichi Iwasa, Naima Karlsson, Alexis Mercelo, Janice Lowe, Watson and Damon Hankoff, Devin forms a slow-burning fireball unity.

A devotional séance channelling unknown powers proving music is a healing force of the universe.

Rejoicing the Holy Jazz Spirit.

Ready to nebulize the world and bring light out from the darkness. Head cleaning the world in 4 musical parts: Geological Drum, Nebulizer, Bushido and Movements of The Mind. Nebulizer is an elevating meditation on our estrangement of nature.

Interstellar sonic stardust from a mindblowing collective that will leave you flabbergasted.

Be prepared and hear it to believe it.

For fans of: Art Ensemble of Chicago, Archie Shepp, Pharoah Sanders, John & Alice Coltrane, Kamasi Washington, Shabaka Hutchings, SAULT, Ill Considered, Jamie Branche, Angel Bat Dawid, Mackaya Craven, Matana Roberts, Sun Ra and other good music.

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Kokoroko

Get The Message

LP | 1973 | EU | Reissue (Elemental)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Kokoroko, the London-based contemporary jazz collective, has released their new single ‘Three Piece Suit’ featuring Azekel.

Warm, rich and sumptuous in sound, ‘Three Piece Suit’ is a heartwarming tribute to the Nigerian immigrant experience. An initial draft of the track first began life at Kokoroko’s studio under the working title ‘Get The Message’.

Crackling through the track’s snug and patiently-arranged grooves are subtle touches of funk, adding new dimensions to the band's signature afrobeat and jazz sound in a way that recalls the work of Cymande. Further caressing the instrumentation is the incorporation of the Brazilian nose flute and woozy-sounding synth lines, effortlessly transporting the listeners back in time.

A conversation between Onome Edgeworth, the band’s percussionist and Azekel about their grandfathers who both landed in Balham from Nigeria in the 1960s would yield finishing touches that its rough sketches needed, bringing the song home to its final form.

Speaking on the track’s conception, Onome said: "We wrote the song thinking of our grandfathers arriving in London and the way they carried themselves and dressed in the 1960s. They were part of a dapper and suited generation that sowed the seeds for the worlds we’re building now. It speaks to our sentimental memories of a time that we know we can't have back”.

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Pharoah Sanders

Wisdom Through Music

LP | 2024 | JP | Original (P-Vine)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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180 gram Vinyl Edition. Gatefold Cover. Recorded in New York City and Los Angeles, California, and was released in 1973 by Impulse! Records. Wisdom Through Music, with its smaller line-up - Sanders is joined by flutist James Branch, pianist Joe Bonner, bassist Cecil McBee, drummer Norman Connors, and percussionists Badal Roy, James Mtume, and Lawrence Killian. - consists of five tracks. Most notable is "High Life," on which Sanders emulates the West African style of music with roiling, celebratory drumming and singing, and killer flute playing. "Love Is Everywhere" is a shorter version of what is now a Sanders performance standard; it appeared in full on Love in Us All released in 1974. Its rawness and soulfulness simply burst from the musical frame with celebration before Bonner and the ensemble take over and rip it up. The title track is a slow, meditative, drone-like piece with abundant percussion by Roy and gorgeous arco work from McBee. Bonner's "The Golden Lamp" is driven by McBee, Branch, and an uncredited instrument reminiscent of kora and/or an oud. It closes with the nearly 11-minute "Selflessness," a jam that begins as a sung chant and sprawls out into another Sanders orgy of celebration with excellent tenor blowing, as well as spirited interplay with Bonner and the percussionists. These two recordings belong together, and create a compelling whole, revealing a compelling chapter in Sanders recorded history. (AllMusicGuide)

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Yanaco

Leaving / Arriving

LP | 2024 | UK | Original (Veego)

Release: 2024 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Following his debut EP tttwoface from the Belgian label Urban Waves in 2022 and 1st full album from P-vine in 2023, Tokyo based electronic musician Yanaco has released his 2nd full album! He has defined their sound, focusing their wide range of influences into what is no doubt one of the finest ambient albums to come out of Japan in recent years.

Samples, programmed electronics, and synth pads are layered with care and precision to create an ineffable serenity that calls to mind the works of both Hiroshi Yoshimura and Aphex Twin, while still being distinctly Yanaco. The album vividly expresses the theme of life from 'Leaving' to 'Arriving' through expressive songs, and is a complete album in itself, not to mention the quality of each song.

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Kolida Babo

Spirits Of Mauronoros

We Will Be Wherever The Fires Are Lit

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Kolida Babo is the collaboration between two Greek woodwind musicians from separate regions - Socratis Votskos is from Pella, and Harris P. is from Athens. Their self-titled debut album was recorded in improvised live-take sessions beginning on the night of the “Kolida Babo” folk rituals of music and dance in northern Greece in winter 2013. They explore the ancient music of Armenia and the folk traditions of northern Greece’s Epirus and Thrace regions alongside abstract electronics and free jazz. Their debut album was released by MIC Records (London) in 2019 to rave reviews. Other notable releases include the Jazzman Records jazz45 series and the soundtrack for the documentary ''Gospel of Michiel'' and "Loxy". Their music was supported by BBC 6Music, BBC Radio 3 - Late Junction, NTS, Soho Radio, WorldWide Fm as well as the Greek National Radio. Last but not least, they have performed in various places around Greece and Europe including festivals like CTM, Archipelago Festival and Vinterjazz Festival. In their second full-length album Spirits of Mauronoros set to be released in 27/09/2024 by Veego Records, Kolida Babo revisit an old forgotten place in northern Epirus Greece, near the Greek-Albanian borders. A spiritual music journey dedicated to the old village of Mauronoros (Black Mountain) and its people. This village is one of the many villages in Greece that is totally abandoned as a result of the economic crises and cultural changes that Greece faced in the last century. This profound depopulation of the area left behind ruins that echo its past trials and tribulations. However the traditional sounds of the village keep reappearing in urban centers like ghosts that haunt everyday life. This sonic dialogue between "modern" and "traditional", between "the peaceful countryside" and " turbulent urban centers" sometimes looks irrelevant and outdated but is of great consequence. It transports the listener in an unspecified time and place devoid of any cultural and geopolitical connotations and thus leaves them wondering for a freer and more authentic way of life.

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Tashi Dorji

LP | 2024 | US | Original (Drag City)

We Will Be Wherever The Fires Are Lit

Release: 2024 / US – Original

Genre: Organic Grooves

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We Will Be Wherever The Fires Are Lit, a sort of sequel to Tashi"s first DC release Stateless, takes the torch and storms forward, with ten improvised acoustic guitar anthems. These musical thoughts are torn from the fabric of Tashi"s life and music. "Strumming in opposition to the towers" (as he puts it) is part of an existence that is always political, even in its most abstract iterations - a truth laid bare in these deep, raw performances.

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Tashi Dorji

Tape | 2024 | US | Original (Drag City)

19,99 €*

2LP | 2024 | US | Original (Lawson)

Release: 2024 / US – Original

Genre: Organic Grooves

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we will be wherever the fires are lit, a sort of sequel to Tashi"s first DC release Stateless, takes the torch and storms forward, with ten improvised acoustic guitar anthems. These musical thoughts are torn from the fabric of Tashi"s life and music. "Strumming in opposition to the towers" (as he puts it) is part of an existence that is always political, even in its most abstract iterations - a truth laid bare in these deep, raw performances.

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Kyoto Jazz Massive

Message From A New Dawn

49,99 €*

Afro-Harping Deluxe Edition

Release: 2024 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Featuring an extraordinary band and incorporating elements of techno, jazz, boogie, soul, fusion, and Afro, this ultimate electric jazz fusion album has evolved into a complete band sound. With legendary guest Roy Ayers on board, the record showcases the band’s crossover brilliance.

Following their second album ‘Message From A New Dawn,’ Kyoto Jazz Massive (under the name Jeroboam) toured Europe with ‘Echoes of A New Dawn Orchestra’ and performed across venues like Jazz Cafe and Ronnie Scott’s in London, selling out shows and gaining even more popularity than during their prime. They also performed on the main stage of the 2023 We Out Here festival, curated by Gilles Peterson, where they wowed the audience. The re-release of their LP ‘Message From A New Dawn’—which previously topped the iTunes Dance Chart—is highly anticipated, as it includes the standout track "Impulsive Procession," which hit #1 on Traxsource's Nu-Jazz/Broken Beat chart.

Looking ahead to Kyoto Jazz Massive’s 30th-anniversary live performance in Japan in 2025, the timing of this repress is perfect for fans both in Japan and abroad. The record offers an all-original, fully band-recorded set of tracks, with contributors such as Vanessa Freeman, Kenichi Ikeda (root Soul), Takumi Kaneko (cro-magnon), Kaztake Takeuchi (A Hundred Birds), Takashi Nakazato, Yasushi Fukumori, Dubzombie (soil&”pimp”sessions), and even the Vienna Philharmonic’s Kirill Kobantschenko. Legendary jazz vibraphonist Roy Ayers also adds his distinctive touch to this remarkable album. Vocals were recorded and mixed by Toni Economides, who is also known for his work with Reel People, The Realm, and Moodymann’s “Taken Away.” The album's mastering was handled by Neil Pickles, a four-time Grammy nominee who has worked on various Latin projects. Art direction by the Okino brothers, with photos of Hiroyuki Wakabayashi’s architecture shot by Shuya Okino, and design by Naohiro Nomura of List, ties everything together visually.

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Dorothy Ashby

2LP | 1968 | EU | Reissue (Verve)

39,99 €*

LP | 2024 | UK | Original (Kit)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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A cult album from 1968 that has long since become known as a groove classic across genre boundaries, now for the first time as a deluxe edition, freshly remastered, with bonus tracks and attractive packaging. Along with Alice Coltrane, Dorothy Ashby was the only world-famous jazz harpist. Thanks to deep grooves and sophisticated orchestral sounds, “Afro-Harping” is her most famous album to date, which is continually breathed new life into thanks to samples and remixes by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and others. Remastered from the original ¼-inch tapes by Alex Wharton/Abbey Road Studios and featuring eight strong, previously unreleased alternate tracks, including an explosive version of the single “Soul Vibrations”, the classic album is now available for the first time in a high-quality format appropriate to its ever-growing importance.

2-lp: gatefold sleeve, padded black inner sleeves, illustrated eight-page insert with detailed liner notes by Seán Casey/Shindig! magazine.

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Robert Stillman

Something About Living

22,99 €*

LP | 2024 | EU | Original (Fresh Sound New Talent)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Something About Livingis an album of live recordings by experimental jazz composer/multi-instrumentalist Robert Stillman. The music was captured over the course of Stillman's time as the solo support act for The Smile (Thom Yorke, Jonny Greenwood, Tom Skinner). The album weaves excerpts from various theater and arena shows along the tour's North American routing into a seamless whole, creating a 40-minute program that represents an expanded version of Stillman's ever-transforming live set.
Something About Livingis the product of a steady, on-stage evolution that happened over the course of the nearly 60 shows opening for the Smile across the EU, UK, US, Canada and Mexico. However, the creative origins of the set began in relative isolation during the pandemic, through Stillman's work on projects like his multi-media installationUnseen Forcesand his monthly broadcast for Margate Radio, both of which drew upon solo improvisation using saxophone, cassettes, Yamaha DX7 synthesizer, and effects.
"At the time The Smile asked whether I'd like to open for them on their first tour, I felt like I'd already been preparing without really knowing it," says Stillman. "I'd been doing this music constantly, but always for a hypothetical audience" During the pandemic, Stillman's solo set-up served as the research lab where he worked on all the concepts he was interested in: solo improvisation, creating and manipulating cassettes, FM synthesis, analogue delays chains, no-input mixing, and non-metric rhythmic pulses. So when he was offered the first Smile tour, the idea was to bring "the lab" onto the stage.
What Stillman could not have prepared for was the experience of playing in venues with capacities of up to ten thousand listeners. "The first tour was in summer 2022, so not that long after the worst of the pandemic, when I had pretty much made peace with the idea that I might never be able to perform for an audience again. Then all of a sudden I found myself in front of huge numbers of people, and felt the massive responsibility of being with an audience, of this thing I'd done alone for so longactually being witnessed, and it was completely overwhelming!" On the flip-side, Stillman also recalls, was a new appreciation of how powerful the live performance was as a social phenomenon. "It's a cliche, but also true: the moment of making and hearing music in a shared time and space has a very specific meaning and power; there was a sense that everyone in the venue was necessary to make it real, regardless of what they were doing, or how they felt about it. There was an inevitability about it that I'd never fully appreciated."
Over the course of the tours that followed, Stillman transformed this appreciation of the shared moment into an ethic of spontaneity that guided the development of his live set. "An important reference for this set has always been an Animal Collective show I saw when I first moved to New York, probably in 2001 or so, that has always set the high-water mark for what I wanted to do live- they were improvising a lot, and out of what would seem to be absolute chaos they'd find their way to something structured, and then back out again into the unknown. It was so thrilling to witness".
ThoughSomething About Livingcompiles recordings from different dates along the tour, Stillman has edited and mixed them into a work that seeks to reflect the ebb and flow between 'chaos and control' that characterizes his live set. Among the compositions featured are some from previous album releases ("Time of Waves", "What I Owe", "What Does it Mean to Be American") as well as some new compositions ("The Dream of Waking", "Renaissance 2.0," and the title track, "Something About Living").
The album/track title "Something About Living" is a reference to a line from Stillman's favorite film,My Dinner With André: "André Gregory is explaining the value of life experiences that, as he says, are'to do with living'.That really struck me, the way he articulated it. I strongly believe live music situations can ask these kinds of questions, for performers and audiences. I hope that's reflected in this music."

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Simon Moullier

Inception

Music Is The Healing Force Of The Universe

Release: 2024 / EU – Original

Genre: Organic Grooves

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In his music, Simon Moullier makes an enticing proposition: what if the language of horn player —from Coltrane to Bird to Clifford Brown— could be transmuted for the vibraphone?

“If I could, I think I would have chosen a horn,” he has said. “I chose the vibraphone because I was a percussionist, and it was a more immediate way for me to get to what I was hearing.”

Moullier began developing this rapprochement when he picked up the vibraphone as a teenager. It’s on full display in his previous album, 2023’s Isla, which features pianist Lex Korten, bassist Alexander Claffy, and drummer Jongkuk Kim.

Inception —Moullier’s second trio record, following 2021’s Countdown— marks an extension of this language. Accompanied by bassist Luca Alemanno and returning drummer Jongkuk Kim, Moullier performs a gently rolling yet urgent program of standards. The material is drawn from some of the most masterful composers of the 20th century: Horace Silver, McCoy Tyner, Antonio Carlos Jobim, Charles Mingus, Billy Strayhorn, Miles Davis, Wayne Shorter, and Michel Legrand.

The seed for this trio was sown in 2017, when Moullier attended the Thelonious Monk Institute of Jazz Performance in Los Angeles. While performing with his quintet at the now defunct Blue Whale, Moullier decided to perform a blues as a three-piece. “We really dug the trio thing,” he says. “We went back and started developing that concept.” Inception kicks off with Silver’s “Ecaroh”—“Horace” backward. “His harmony is very dark,” Moullier says. “I’ve always liked that character of music.”

Following “Ecaroh” is Tyner’s “Inception,” the title track of the magnificent pianist's 1962 debut album —itself a trio date. “It was a great fit,” Moullier says. “Not only for the arrangement and the style, but the register of where the vibraphone sits with the bass.” “Desafinado” reflects Moullier’s profound appreciation for Brazilian music; at some point, he’s eyeing an album of all Brazilian music. As for Mingus’s “Peggy’s Blue Skylight,” Moullier imbued it with an Oscar Peterson-style arrangement.

As for “Lush Life,” “Doing a solo recording is a challenge I’ve always wanted to meet in a studio context,” he says; he had in mind the solo piano language of Bud Powell or Art Tatum. Moullier’s take on Davis’ blues “Pfrancing” recalls his trio’s genesis in the form. ‘Lost” is a tribute to its author, the late Shorter. “It’s such a deep world to dive into,” Moullier says. “There’s so much mystery and beauty, and so many stories.” “You Must Believe in Spring” reflects Moullier’s French roots. The album closes out with a lone Moullier original —“RC,” or “rhythm changes.”

“It was very challenging for me to record an uptempo in the studio,” Moullier says. But Inception is a series of “little challenges.” “We wanted to develop the trio sound and expand on the possibilities” he adds —whether that regards his instrument, arrangements, or tempo. But mainly, “We’re just having a lot of fun playing together!”

In that sense, Inception is a bridge to untold future realms. But on its own merits, it’s a realm worth lingering in.

—Morgan Enos

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Albert Ayler

LP | 1970 | EU | Reissue (Elemental)

LP | 1967 | EU | Reissue (Elemental)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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One of the last records made by avant sax legend Albert Ayler – a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still steeped in free jazz and new thing ideals, but infused with a free-thinking approach to the music that allows for bold new styles and sounds. In addition to his own stunning work on tenor, Ayler's also blowing bagpipes and vocalizing a bit next to singer Mary Maria, who does a great recitation on one track of the record. Rhythm is by the two-bass team of Stafford James and Bill Folwell, next to drums by Muhammad Ali – and the whole thing's capped off by guitarist Henry Vestine, who plays in modes that range from bluesy to free. At the time, this one was kind of dismissed as a messed-up mistake that occurred at the end of Ayler's too-short life – but honestly, over the years, this record really really opens itself to us more and more, and we have to say that we think it's one of his most groundbreaking albums!

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Wes Montgomery

A Day In The Life

Erratic, The Art Of Roaming

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the debut album on A&M Records by jazz guitarist Wes Montgomery, released in 1967. It reached #1 on the Billboard Jazz Album chart and #2 on the R&B chart. Considered by far the best of his three albums on A&M (in partnership with Creed Taylor’s CTI Records), A Day in the Life features a plethora of star sidemen, such as Herbie Hancock, Ron Carter, Ray Barretto, and Grady Tate, among others, as well as superb arrangements by Don Sebesky. The LP was masterfully engineered by Rudy Van Gelder.

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Les Doigts De L'homme

2LP | 2024 | EU | Original (Lamastrock)

51,99 €*

LP | 2024 | US | Original (Candid)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LES Doigts L'homme: 20 Years OF Musical Reinvention AND A Bold NEW ALBUMSince 2003, the year of the release of their first album, the jazz group Les Doigts L'Homme have never stopped reinventing itself, constantly challenging its aesthetic and artistic direction. This emblematic group initially rooted in the gypsy style, has evolved towards an acoustic jazz enriched by a more modernculture, and now has its own unique style.To mark its 20th anniversary, Les Doigts L'Homme is embarking on an ambitious musical project. rather than opt for a retrospective tour of its best-known songs, the band has chosen to create a brand new double album.album. 23 tracks of creative, guitar-driven, colourful and demanding jazz.This project will include an acoustic album reflecting the evolution of the group's musical career and a more electric and jazz album illustrating the evolution of the group's sound.illustrating the path taken towards an ever more original and personal approach.Les Doigts L'Homme, nurtured by years of encounters and sonic discoveries, is ready to unveil without restraint the breadth of its multiple facets, made possible by a partnership based on two decades of musical life together.And in keeping with tradition: with each new album, a new guest instrument! This time it'sdrummer Pierre Rettien joins the team to illustrate this move to electric.Erratic, The Art of Roaming promises to be a landmark work, celebrating the heritage and innovation of this group and innovation.This new opus is produced on the Lamastrock label, with which the group has enjoyed a loyal collaboration for over 20 year

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Simon Moullier

Elements Of Light

LP | 1972 | US | Original (A&M)

Release: 2024 / US – Original

Genre: Organic Grooves

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A Singular Blend of Dynamic Post-Pop & Electronic Production
Featuring The Vibraphonist’s Remarkable Quartet
Special Guests Gerald Clayton and Marquis Hill
Named One Of Downbeat's 25 For The Future

“His music is fresh, it speaks to everyone. Never heard anyone play vibes like that before.” -Herbie Hancock

“Best vibes player I’ve heard...” -Quincy Jones

In discussing Elements of Light, his fifth album as a leader, the vibraphonist-composer Simon Moullier often returns to a specific term: unfolding.

“This is an important word — the unfolding of a song,” says Moullier, who was born in France and lives in New York. “It’s something I’m very attached to, and something I’m always working on.” As he explains, many of his essential influences —Wayne Shorter, Milton Nascimento, Toninho Horta, Radiohead’s Thom Yorke, Ravel, — have been masterful unfolders in their writing. Moullier admires the movement and design in their music and harmony, the way one section of a tune leads into the next, everything flowing in a natural, beautiful, inviting way. Even the most serious intellectual musical concepts are rendered with a directness, a simplicity that can captivate a general audience. “For me, no matter how complex an idea can get,” he says, “clarity is always key.”

That’s a mature, evolved outlook for a millennial jazz musician to embrace, and it’s shared among Moullier’s youthful quartet featuring pianist Lex Korten, bassist Rick Rosato and drummer Jongkuk “JK” Kim. What’s more, these musicians of astonishing technical facility interact with the selflessness and good taste that Moullier’s song-focused music requires; to say it another way, they use their virtuosity to make the bandleader’s compositions sound as human and affecting as possible — never to preen.

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Billy Preston

Music Is My Life

18,99 €*

LP | 2024 | EU | Original (Bridge The Gap)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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Plantfood

Carnivores

LP | 2024 | UK | Original (Bdq)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Leeds jazz scene is the gift that keeps on giving. From the dub-leaning ambience of Submotion Orchestra through to the afro-jazz fusion of Nubiyan Twist and TC & The Groove Family, a multi-generational lineage has emerged. Adding yet another page to the eclectic story of jazz from the city, emerging punk-jazz upstarts Plantfood announce the imminent arrival of their debut album ‘Carnivores’ on Friday 4th October via Bridge The Gap.

Consisting of JJ Petrie (percussion), Ruben Maric (keyboards), Joe van der Meulen (tenor saxophone), Woolley (baritone saxophone), Finn Hamilton (drums) and Woody Hayden (bass), Plantfood began in the throes of lockdown, during which all the members lived together. The group spent day after day sharing their eclectic music tastes, ranging from the electronic punk of The Prodigy and art-rock of Black Country New Road, through to the jazz dance of Steam Down and The Comet Is Coming. Taking these influences, they crafted their own sound, but without live shows, their only audience was the plants in their rehearsal room:

“We called the band Plantfood because we were writing and rehearsing in one of our bedrooms which was full of house plants. The plants kind of became our only audience, so it was like the music was food for the plants.”

The band’s debut album ‘Carnivores’, plays on this theme, referring to the plants as carnivores for consuming the bands music, whilst also reflecting the apocalyptic palette of sounds and chaos found within the record. However, mirroring the dynamism of a Plantfood live show, the album is anything but one-dimensional. The group expertly balance moments of serenity and vulnerability with cataclysmic urgency, all brought together under the guidance of producer David Haynes (TC & The Groove Family, Nubiyan Twist). The group share:

“The album’s moments of vulnerability and hope are intended as the depiction of a return-to- earth theme (circle of life, growth and decay), reflecting that the cycle of nature is not simply destructive.”

The project’s lead single ‘Y.U.S.’ drew praise from tastemakers including Jamz Supernova on BBC Radio 6, with the track featuring the talents of UK-Palestinian MC Yung Yusuf, a serial collaborator who also appears on album closer ‘Monstera’. Both tracks channel Plantfood’s explosive live energy into a blend of afro-latin rhythms and broken grooves, with the distinctive blend of tenor and baritone saxophone weaving in and out of grime-leaning, poetic exchanges with Yusuf.

Elsewhere, the second single from the project ‘Birdgang Pt. II’ is a fresh take on the band’s contemporary jazz sound, blending jazz, Balkan folk and Moroccan rhythms with a punk edge. The album’s title track resets the balance, soothing the soul through a swirling approach to spiritual jazz that wouldn’t be amiss amongst the Gondwana Records catalogue.

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Bunndebrettquintet

Six Weeks In June

LP | 2024 | EU | Original (Fönstret)

Release: 2024 / UK – Original

Genre: Organic Grooves

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The Third album from BunnDebrettQuintet has taken 18months to complete, It’s a laidback minimal spiritual jazz album with a few moments of madness, continuing on from the first two albums, were getting a lot of very good feedback from the jazz scene and as always the vinyl release will be limited (400 copies only)

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Isak Hedtjärn

Kvarpan

LP | 2024 | UK | Original (Riot Season)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Isak Hedtjärn plays the clarinet — a straight, metal variant of the more common wooden B flat Clarinet. Kvarpan is Isak’s first ‘solo’ record, but you also hear him in ‘quartet’ with himself, too on this diverse suite of improvisations recorded ‘on location’ on a single day at Patons Malmgård — his usual practice spot just by where the ferries head over to Finland. We recorded until the throb of the boats and waiting cars took over.

A polymath of undeniable musicality, Isak is a constant, always invigorating presence across a breadth of ‘scenes’ in Stockholm be it via in his own groups — Grismask, Svenska Folkjazzkvartetten, Festen — or making guest appearances in concert and on record with Viagra Boys, Fire! Orchestra, Rotem Geffen, Kali Malone and many many more. His online notoriety as @JazzIsak, the deft editor of a stream of classic jazz and tiktok dance/crash mashups is not only a riotous good time but gives you some other small window into the scope and scale of his knowledge of and feeling for all the music that has gone before.

His own notes to the record point specifically to clarinettists Johnny Dodds, Perry Robinson, Jimmy Giuffre and Sükrü Tunar and acknowledge the abiding mentorship of Harald Hult, Raymond Strid, Christer Bothén and especially Roland Keijser, the saxophonist and founder of legendary progg combo Arbete och Fritid and a veritable living library of international folk melodies until his passing in 2019. On Kvarpan Hedtjärn renders these influences in his own way — deeply personal, alluring and strange. As Mats Gustafsson says in his notes to the record “This ain’t no normal slang med halka”.

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Louse

Creep Call

24,99 €*

Library Music Series 02 / Oceanography

Release: 2024 / UK – Original

Genre: Organic Grooves

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More brutal sounds from the thriving UK scum/noise rock underground.

LOUSE: purveyors of the finest cellar-dweller scum rock since 2020; a disgusting cocktail comprised of 4 parts Foot Hair (Box Records) and 2 parts The Shits (Rocket Recordings), served over a capsized cruise-liner.

Described as wielding “damp and sticky instruments”, being “rotten from the inside” and sonically “stinking drunk, shirtless with no shoes, crawling around in your head”, LOUSE gleefully pummel one riff into oblivion, deranged howls & punishing buzzsaw guitars growl over driving disco beats and slide bass. A carnival in an open sewer.

Creep Call – LOUSE’s debut LP, after various tapes, live recordings and a split 10” lathe cut with The Shits – is a true statement of intent. Presented by the magnificent Riot Season, the record is the result of a (wasted) life’s work honing and toning the platonic ideal of single-riff noise rock, all wrapped up in a grindhouse, Giallo-flick package.

Briefly elevated from the basement, Creep Call was recorded with James Atkinson at The Station House Studio in 2023 and mastered by S. Bishop, so the carnage has never sounded better. Perfectly balanced ugliness drenched in feedback, pumped up with Stooges keys and sax (honk honk) - the closest thing to experiencing the deafening, goofy, beer-soaked-undergarment chaos of a LOUSE show first hand.

Creep Call features wholesome ruminations on perpetual home invasion, road-side pornography addiction, perfecting a cannibalistic diet, and an unmistakable cowboy/line-dancing anthem. Do the wrong thing, and answer the call.

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The New Library Sound

LP | 2024 | EU | Original (2 Headed Deer)

LP | 2024 | US | Original (Leaving)

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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"Oceanography " is the second volume, produced by german music artist Chris Stüllenberg aka "The New Library Sound" and deals with the topics of marine exploration, diving and many other underwater adventures. The New Library Sound features vast usage of analogue modular synthesis and combines it with instrumentation like keys, mallets, chimes, different percussions and sampling.This recording is highly influenced by Jacques Cousteau's features „The Silent World & World Without Sun“, The Adventures of Tintin and Wes Anderson's „Life Aquatic with Steve Zissou“. It pays respect to classical music albums on the subject of water, like Sven Libaek's „Inner Space“, Walt Rockman's „Under Water“ or Les Baxter's „Jewels Of The Sea".

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Sharada Shashidhar

Soft Echoes

22,99 €*

LP | 2024 | US | Original (Day End)

Release: 2024 / US – Original

Genre: Organic Grooves

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Los Angeles-based vocalist, composer, and producer Sharada Shashidhar has a deep awareness of the cosmos. There’s a distinct tug-of-war in her music, an understanding that scanning the heavens to answer existential queries isn’t quite enough; there are internal depths to plumb as well. Shashidhar’s first album, 2020’s Rahu, found her voice billowing out of smoky, post-beat-scene soundscapes, meditating on the collective unconscious and the energy exchange between all living things. Her newest work, Soft Echoes (out September 27th on Leaving Records), is a bold step forward, eschewing her previous work’s hip-hop tilt for expansive compositions that blend jazz and Indian classical influences into a swirling, spiritual whole.

Though she has an extensive resume as a collaborator in LA’s experimental jazz scene, notching work with the likes of Carlos Niño, Zeroh, and the Pan Afrikan Peoples Arkestra, Soft Echoes marks Shashidhar’s first outing as a bandleader.

Gathering an ensemble thatincludes Anna Butterson bass, Julian Rodriguezon keys, Devin Danielson saxophone, and Timothy Anguloon drums, Shashidhar sought to create a band that ostensibly functioned asan extension of herself. Her primary goals in writing these songs were to “let [her] body do whatit wanted to do,” to trust her intuition, and “play without judgment.” Through that process, making Soft Echoes became a practice of presence and exploration, a chance to unlearn rigidstructures and rediscover the joy of creating for oneself. Recording took place over three brief, distinct sessions at Altamira Soundin Alhambra, California.

She describesthe album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in betweenmay come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “NewEchoes,” only to be transported back to the beginning, full of gratitude and pondering “howstrange it is to be alive.” ”

She describesthe album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in betweenmay come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “New Echoes,” only to be transported back to the beginning, full of gratitude and pondering “howstrange it is to be alive.”

On Soft Echoes, Shashidhar leads us on a journey through her mind,traversing its peaks and canyons in search of greater connection. “I want to take people places,”she says, pausing thoughtfully. “I can’t always guarantee that they’re good places, [but] hopefully you’ll feel something.”

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Orlas

Viver O Mar

The Hissing Of Summer Lawns Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Orlas is a collaboration between father and son Victor Chicri and Vic Delnur. Drawing their name from the Portuguese word for shores/coasts, their music is an ode to the ocean, blending waves of fusion, samba-jazz, bossa nova and disco-funk.

Starting out in the vibrant '70s music scene in Rio de Janeiro, maestro and pianist Chicri, has played with many Brazilian greats such as Gal Costa, Seu Jorge, Bebel Gilberto, Simone and many more. He's taken his music worldwide, performing with Quincy Jones Orchestra at the Montreux Jazz Festival. His work has earned him a Latin Grammy, as well as a number of Gold and Platinum records.

Vic Delnu, multi-instrumentalist and record producer, has toured the world playing with such artists as Sessa, Mahmundi, Luciane Dom and Trella.

Orlas debut album Viver o Mar showcases their diverse musical influences such as Azymuth, Arthur Verocai and Jorge Ben Jor. The album features an eight-piece orchestra, adding depth and richness to the funk rhythms and jazzy melodies. The title track and first single "Viver o Mar" is an ode to the sea and a breezy blend of samba-jazz and disco-funk. The second single "Alagoas" is a deep groove paying homage to Delnur's grandmother, Dona Moema, who was born and raised in this picturesque tropical paradise where happiness thrives in the simplicity of life.

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Joni Mitchell

2LP | 1975 | US | Reissue (Vinyl Me, Please)

43,99 €*

LP | 2024 | UK | Original (Running Circle)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
By the time Joni Mitchell made The Hissing of Summer Lawns, she had already entered the pantheon of the greats, with albums that can be talked about in casual conversation without having to say the artist (Court and Spark, Blue, Ladies of the Canyon, et al.). But the pioneering work in alt-folk and self-confessional singer-songwriting done, she started pushing her music in radical directions, incorporating jazz, African music (which was hard to actually hear in the States in the ‘70s) and a new, sprawling vision of pop music into her fold. The first moment that all those styles converge and lift Mitchell off into some new vista is The Hissing of Summer Lawns, an album we believe to be her masterpiece, an album that has tendrils of influence that are still being felt today. Remastered by Ryan Smith at 2xLP 45RPM from original tapes, this edition has to be heard to be believed.

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Error Subcutaneo

Temporada Ciclónica

19,99 €*

Daniel Carter / Leo Genovese / William Parker / Francisco Mela

Release: 2024 / UK – Original

Genre: Organic Grooves

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Error Subcutáneo are Mauro Ferreiro (electronics) and Gonzalo Frómeta (drums). Born under the sweltering sun of Santo Domingo, Dominican Republic, their music portrays the colder, more urban side of life in the Caribbean, where cacophonous violence and Cold War monoliths collide with dreams of a better tomorrow. The duo take elements of hip-hop, modular electronics, island syncretism, and bebop to twist and distort contemporary narratives on music composition, representing the greater movement of Latin American resistance directly from its epicentre.

The tracks on Temporada Ciclónica fracture and scatter, synths detuned at will, the clatter of drums powering through the destabilised structures of the individual pieces. Gilles Peterson's well known love of the more avant-garde edges of jazz have made him an admirer of the duo and it's not hard to ascertain why. Their collaboration with fellow DR artist Rita Indiana on 'El Perseguidor' displays her authoritative voice as the dialogue between chaos and focus. Confusion, free jazz rage, discord and an overarching sense of threat colour this record.

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Shine Hear Volume 2

LP | 2024 | US | Original (577)

2LP | 2024 | UK | Original (Warp)

Release: 2024 / US – Original

Genre: Organic Grooves

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Legendary musicians Daniel Carter, Leo Genovese, William Parker, Francisco Mela reunite for an outstanding second volume in Shine Hear, Vol. 2. Building off of their debut album from last year, legendary musicians and 577 mainstays reunite for a second volume. As in the first, saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another epic album. This project again draw from classic avant-garde arrangements, juxtaposed with today’s experimentalism and a huge range of instrumentation. Shine Hear, Vol. 2, their newest free jazz album is testament to their mastery and ease. The album and tracks titles are inspired by another poem Carter wrote about the transience and motion of modern life.

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Nala Sinephro

Endlessness

Gosha Martynov & Natasha Sinyakova

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Imena Rek

LP | 2024 | EU | Original (Growing Bin)

24,99 €*

2LP | 2024 | UK | Original (Riaz)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.

Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.

Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.

"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.

Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?

A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra

Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder

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Jaubi

A Sound Heart

30,99 €*

LP | 1977 | US | Reissue (Superior Viaduct)

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The core members of Jaubi are true masters of their craft, coming from a rich lineage of accomplished musicians. Kashif Ali Dhani is a classically trained tabla master from the Punjab gharana, and is the accompanist of choice on the local scene for some of Pakistan's great classical vocalists and instrumentalists, as well as in Europe and the USA. Zohaib Hassan Khan is a 7th generation sarangi master, who has performed globally, and is one of only 3 professional sarangi players left in Pakistan. Multi-instrumentalist, composer and Jaubi bandleader Ali Riaz Baqar aka Ila Zair began his musical journey as a hip-hop enthusiast, evolving into a jazz guitarist following the exposure to the genre’s rich sampling culture. He then became a disciple of the Senia-Shahjahanpur gharana, a lineage of musicians specialising in the sarod. His playing now focuses on merging North Indian classical music with modern jazz harmony on a traditional, unaltered 6-string electric guitar.

The collaborative relationship between the core group and wider collaborators dates back to April 2019, when 22a label founder and multi-instrumentalist Tenderlonious and EABS/Bloto keyboard and synth maestro Marek ‘Latarnik’ Pędziwiatr travelled to Lahore, Pakistan to take part in some improvised recording sessions with Jaubi. Nothing whatsoever was written down during the recording sessions – no sheet music, no song titles. It was sincere, bottled lightning. All egos were left behind, with hearts and souls being opened and poured into the music. The result has been described as spiritual jazz-fusion meets psychedelic Hindustani classical with nods to golden era hip hop.

An adventurous and absorbing record ‘A Sound Heart’ is the next chapter for Jaubi, both sonically and spiritually. The title is inspired from a verse in the Holy Qu’ran (26:89), where one comes to God with a spiritual or sound heart (Qalb) which is sincere, without doubts and free of materialistic attachments. Importantly it refers to a state where the heart is spiritually healthy and content with only God. A Sound Heart’s basis is goodness, rooted in love. In this case, it is the love for one’s creator. The album also acts as a tribute to fallen heroes, paying respect to the greatness that has come before, casting new light via cross-cultural collaboration and improvisation.

Throughout this incredible journey, meditative ragas blend with Herbie Hancock-esque motifs, joined by lament-filled contemporary melodies intertwining with the intricate sounds of the sarangi and earthy layering of the tabla. A true masterpiece of composition from start to finish.

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Joe McPhee

Tenor

LP | 2024 | EU | Original (Nwog)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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“There are lots of outstanding Joe McPhee LPs. Nation Time being chief among them, but there’s also Pieces Of Light, Oleo and Topology. The Poughkeepsie, New York-based multinstrumentalist, by now an international star of free music, has amassed a daunting discography, no doubt. If you want to peer deeply into the soul of Joe McPhee, however, there’s no way around it, you need to spend some quality time with Tenor. “Tenor is McPhee’s first solo record. He did not set out to make it. It was an afterthought, quite literally, born of a gathering of friend s at the Swiss farmhouse of cellist Michael Overhage. A beautiful meal, some drinks, warm conversation, and ... why not, an impromptu recital. Hat Hut producer Werner X. Uehlinger was there and a year later issued it as McPhee’s third LP for the label (Hat Hut C in their famed letter series). “The existential blues ‘Knox’ sets the stage, indicating that this will not just be a toss-off postprandial singalong. ‘Good-Bye Tom B.’ carries on with aching melancholy, through burred notes and hushed harmonics. The relatively jaunty ‘Sweet Dragon’ is also emotionally loaded with Ayler-esque vibrato, slurs, wipes, and blasts of tone. The side-long title track comes without a theme, as a kind of pure investigation of the horn, its potential, its limits, its expressive capacity. There have been few solo sessions as comprehensive and devastating as this spontaneous after-dinner diversion in rural Switzerland in 1976. We’re very lucky someone pressed record.” John Corbett (excerpt from the liner notes)

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Ausfahrt

That's A Trap

LP | 2024 | US | Original (Astral Editions)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The music of Ausfahrt stems from the experiences of guitarist and composer Christina Zurhausen. Her catchy songs describe the rough everyday life of her home, the post-industrial Ruhr area. Various elements merge to form an attitude to life, the most important of which include the grunge rock aesthetic of the 90s and the improvisational energy of modern jazz. It"s about love and conflict, but also about philosophical thoughts: What is it that holds the world together?The well-rehearsed quartet from Cologne consists of Yaroslav Likhachev on saxophone with his expressive and virtuoso lines, Torben Schug on bass with his clear tone and straight riffs and Ramon Keck on drums, the soulful and...

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Powers Rolin Duo

Clearing

Harold Budd & Cocteau Twins

Release: 2024 / US – Original

Genre: Organic Grooves

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Peridot' dives right in, and so I will. It’s a gemstone, peridot, and may become your favorite gemstone (as it has mine since I’ve dug in to its history and cultural significance). I like volcanoes and volcanic land formations. 'Peridot,' the musical piece presented here by Powers/rolin, is soundtrack to memories of in-person witnessed lava floes and the infinite parade of Herzogian docu-footage of rivers of fire and constructive destruction. There are edits or augmentations evident, creating (or revealing) form, in the tradition of Teo Macero’s work on In A Silent Way. Because rarely does the beauty of a musical moment survive the translation from performance to recording without losing that crucial thing that made it a once-in-a-lifetime happening without judicious and usually minimal manipulation. We overdub, we mix, we edit. We master, we distribute. If you’ve ever been out in the woods with some friends and come upon a little place in a creek that’s just big enough to get in for something resembling a ‘swim’ but is more like a ‘dip’, and no-one has brought costumes designed explicitly for swimming so some begin to disrobe completely, and then you do too even though you feel awkward and never really wanted to be naked around these people (or, really, almost anyone) but do it anyway, and the embarrassment never really goes away during the whole time you luxuriate in the cold water but almost does again and again as something in you realizes that this is the best and greatest juxtaposition of flesh with moving water that could ever have happened, if this has occurred to you in your life then now you have musical accompaniment for the sorting-through of that memory. In recent years, again and again, Powers/Rolin does it right & natural, and somehow I always think of sunlight and ’sunlight’ simultaneously when I listen to their recorded work. In the great tradition of deeper side twos, 'Albatross' feints at providing respite from the momentum when really it uses your newly-turned cognitive soil to sow the real seeds: be here now, again; stay stripped, start crying if you have to or want to; there are forces at play inside of you and outside of you (yes, in Ohio, of all places) that recognize and respect the value of nakedness in mind and body and can instinctually lash that value to timbre, tone and harmony in the service of beauty."—Will Oldham, April 2024.

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The Moon & The Melodies

LP | 2024 | UK | Original (4AD)

LP | 1988 | US | Reissue (Voss)

Release: 2024 / UK – Original

Genre: Organic Grooves, Pop

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The Moon and the Melodies is a singular record within the Cocteau Twins" catalogue - unusually ethereal, even by their standards, and largely instrumental, guided by the free-form improvisations of Harold Budd, an ambient pioneer who had drifted into their orbit as if by divine intervention. Building on the atmospheric bliss of Victorialand, released earlier the same year, it signalled a possible future for the trio, yet it was a path they"d never take again. Now, almost forty years after it was fi rst released, it"s being reissued on vinyl for the first time - remastered, from the original tapes, by Robin Guthrie himself. Over the ensuing years, The Moon and the Melodies has attracted a passionate fan base. Its most atmospheric tracks routinely turn up in ambient DJ sets. "Sea, Swallow Me" is one of the Cocteau Twins" most streamed songs on Spotify, having found a new life on TikTok, where it serves as the soundtrack to innumerable expressions of hard-to-express melancholy. For such a low-key aff air, the album casts a long shadow - but Raymonde believes the record"s uniqueness stems directly from its humble, unpremeditated origins. "It captured a moment in time between friends that are enjoying making music together. Really, that"s the essence of it."

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Paul Smith

The Good Life

8,99 €*

Yashiro Aki To Suteki Na Shinshi No Ongakukai

Release: 1988 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

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Aki Yashiro

2LP | 2024 | JP | Original (Nippon Columbia)

47,99 €*

Matthew & The Gondwana Orchestra Halsall

Release: 2024 / JP – Original

Genre: Organic Grooves

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First-time Analog Release. Recorded during her first jazz live performance, " Yashiro Aki to Suteki na Shinshi no Ongakukai （Aki Yashiro and the Wonderful Gentlemen's Concert） ~live IN QUEST~," released in 1998, captures Aki Yashiro's debut in the jazz world. Featuring performances by legends of the Japanese jazz scene such as Eiji Kitamura (Clarinet), Yuzuru Sera (Piano), George Otsuka (Drums), and Takashi Mizuhashi (Bass), Yashiro elegantly swings through jazz standards and her iconic songs like "Funauta," "Ame no Bojo," and "Ai no Shuchakueki." This album marks the beginning of "Yashiro Jazz." Luxurious A-Style Double Jacket Edition

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When The World Was One Biovinyl Edition

2LP | 2014 | UK | Reissue (Gondwana)

LP | 2024 | Original (Zinn)

Release: 2014 / UK – Reissue

Genre: Organic Grooves

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When The World Was One is something of a companion piece to Matthew Halsall"s 2012 album Fletcher Moss Park (much of the music was written at the same time) but draws more explicitly on Halsall"s love of spiritual jazz and Eastern music as well as his own studies in meditation and travels in Japan. Beautifully recorded at Hasall"s favourite studio, 80 Hertz in Manchester, and engineered by Brendan Williams and George Atkins it features the recording debut of Halsall"s large ensemble, The Gondwana Orchestra, which utilises the exotic flavours of harp, koto and bansuri flute and Eastern scales to create a global palate for Halsall"s life-affirming sounds.

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Jumaane Smith

Come On Home

37,99 €*

Speak No Evil Blue Vinyl Edition

Release: 2024 / Original

Genre: Organic Grooves

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What would Louis Armstrong sound like if he were a contemporary artist? Probably Jumaane Smith... acclaimed Trumpeter, Vocalist, and long-time bandmember/featured guest artist with Michael Bublé. Comprised of original works and new arrangements by Jumaane Smith, this deeply emotional album seamlessly traverses jazz, blues, and contemporary soul, with nostalgic echoes of classic albums from those genres. Smith has performed on 5 GRAMMY Award-winning records (selling more than 60 million copies), 2 Emmy Award-nominated TV performances, the GRAMMY Awards with Stevie Wonder, in Steven Spielberg's West Side Story (trumpet solo actor), at The White House, on the Today Show, Tonight Show, Oprah, Good Morning America, and American Idol. He has worked with musical legends such as Quincy Jones, Herbie Hancock, ArethaFranklin, Christian McBride, Kamasi Washington, Alicia Keys, Jon Batiste, and many more.

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Wayne Shorter

LP | 1964 | EU | Reissue (Blue Note)

For Jazz Vocal Fans Only Volume 7

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”

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V.A.

LP | 2024 | JP | Original (Terashima)

44,99 €*

Donato Elétrico HHV Exclusive Mint Green Vinyl Edition

Release: 2024 / JP – Original

Genre: Organic Grooves

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From hidden masterpieces to promising up-and-coming vocalists, we present a lineup that you can only hear at Terashima Record. A compilation of the finest vocalists to find your favorites. Yasukuni Terashima's vocal compilation, in which he chooses good voices, good sounds, and good songs, has released its seventh volume. A luxurious pleasure to relax with a drink or on a road trip. It is also recommended as a piece of information on the current state of contemporary jazz vocals.

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Joao Donato

LP | 2024 | EU | Original (Comets Coming)

12" | 2024 | UK | Original (Jazz Re:Freshed)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Limited to 200 copies on green vinyl worldwide. Only available at hhv.de and in Japan.

João Donato need no presentation his one of the of tropical groove masters from all eras. Albums like A Bad Donato, Quem é Quem or Lugar Comum from his 1970's Works are legendary. This one is a homage to that era and João Donato returning to his Tropical Jazz Funk Groove original style. It is known that good albums generate good shows, but in the case of this album, we can do the opposite. "Donato Elétrico" began to take shape following a show performed by the artist in 2014, at Sesc Pinheiros (São Paulo, Brazil). On that occasion, the musician released the emblematic album "Quem é Quem" on stage, after a delay of more than 40 years. For this late release, Donato invited young musicians from São Paulo, with whom he had already been working on the idea of a new project, and who helped him recreate the original atmosphere of "Quem é Quem", full of grooves, whose essence was in the João's electric piano.

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Daniel Casimir

Balance

23,99 €*

Journey Through The Secret Life Of Plants

Release: 2024 / UK – Original

Genre: Organic Grooves

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Jazz re:freshed are proud to present the third studio album by bassist and composer Daniel Casimir.'Balance'encapsulates 'Big Band Energy', with his signature combination of Classical, Jazz and cinematic sounds.
The albumpays homage to the traditions of big band composition and historical significance whilst illustrating contemporary sensibilities.
This ambitious project explores the balance between two large and full sounds of a big band and a string section and is inspired by icon Wayne Shorter's album'Emanon'which made a deep impression on Casimir during the process of creating the album.
An organic development of Casimir's last critically acclaimed album'Boxed In'which featured a jazz quintet alongside a mini chamber Orchestra and was comprised of a woodwind, brass, with a string quartet,'Balance'is a self produced album that takes his musical vision to the next level in his most ambitious body of work to date, leading 26 musicians.
Recorded in November 2022 at Livingston Studios, in a very conscientious recording process which saw piano, bass, and drums recorded together first, followed by trumpet, trombone, saxophone, and the string section and an all star band that consists of figures from the UK Jazz scene, Cassie Kinoshi, Binker, Nubya Garcia, Rosie Turton, Sheila Maurice-Grey and Jay Phelps to name a few alongside a stunning string section performed by the London Contemporary Orchestra.
The final day of recording enlisted the powerful vocal prowess' of Zola Marcelle and Ria Moran to finesse the masterpiece. The track'Music Not Numbers'is an encouraging call to all musicians to not allow streaming culture to affect their creative process and to continue expanding the intrinsic nature of music. Whereas track,'Search for Goldilocks'explores the second meaning behind the album title 'Balance', which is to seek balance within and discover the qualities in life that are "just right".

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Stevie Wonder

2LP | 1979 | JP | Original (Motown)

10,99 €*

LP | 1968 | JP | Original (Capitol)

Release: 1979 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: G+, Cover: VG

Embossed cover has slight wear, With insert. Japanese pressing, OBI is missing. Records need proper cleaning (foxing), probably a good VG afterwards

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Nat King Cole

Pretend

9,99 €*

LP | 2024 | UK | Reissue (Honest Jon's)

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without obi | Record needs proper cleaning, after that the record should be in very good condition | Foxing inside gatefold

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Gwigwi Mrwebi

Mbaqanga

19,99 €*

Bakteria / Bakteria (Dam-Funk Re-Freak)

Release: 2024 / UK – Reissue

Genre: Organic Grooves

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The South African folk music that makes people glad to be alive!’ Beautiful, insurgent, fabulously danceable jazz music from South Africa, flowing out of the penny-whistle kwela bands of the 1950s. (Kwela means ‘get moving’, in Xhosa.)

Bra Gwigwi played alto and clarinet alongside Hugh Masekela and Kippie Moeketsi in The Jazz Dazzlers; also in The Jazz Maniacs and The Harlem Swingsters. He came to the UK from Johannesburg as an actor and clarinettist in King Kong — a musical about a Zulu boxer — which opened in London in February 1961.

Recording in January 1967, at Dennis Duerden’s Transcription Centre, he is joined here by Dudu Pukwana, Chris McGregor, Laurie Allan, and Ronnie Beer, all from The Blue Notes. Ladbroke Grove legend, and mainstay of our London Is The Place For Me series, Coleridge Goode plays double bass. No less than sixteen shots of jubilant, jump-up mbaqanga. Check the Ethiopian vibe of Mra (which became core repertoire of The Brotherhood of Breath). Listen to Nyusamkhaya, and try to get it out of your head. Impossible.

Lovely notes by Steve Beresford, too.

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Bloto

7" | 2024 | EU | Original (Astigmatic)

17,99 €*

LP | 2024 | JP | Original (Urban Discos)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Błoto quartet had made a comeback six months ago with their first singles in over two years dropping “Szlam” and “Ścieki”. These tracks were pressed on a 7-inch vinyl by Astigmatic Records, but this only whetted the appetites of the band’s mud-loving fans, as the singles sold out instantly. And so, the band's musical onslaught continues. Ahead of their upcoming LP “Grzybnia” set to release in autumn 2024, Błoto is putting out another bacteria-laden 7-inch to conclude this brief series of singles. This time, the release features a remix by none other than the modern funk maestro DāM-FunK, hailing from sunny Pasadena, California.

Wading through the sludge of sewage, one can encounter colonies of bacteria. They are well-known for their dark side – causing serious diseases. Nevertheless, they are with us all the time. They exist in humans and all other living organisms – fungi, plants, and animals. They can be found in soil and water. They are even present in radioactive areas, proving that they are truly hard to eliminate. Such is the music of Błoto. Like a post-apocalyptic bacterium, it’s capable of surviving in the harshest conditions.

Sinister, biting, and primitive – just like colonies of microorganisms. This is Błoto's latest single. Drawing heavily from classic acid house, it can truly infect the mind, inviting you to join a rave in Błoto on the eastern flank of Europe. Quartet’s “Bakteria” is a direct continuation of their first 7-inch release. However, this time, during their collective improvisation at Studio Pasterka, the band has entirely forsaken acoustic instruments in favor of a full array of synthesizers accompanied by drums.

Certainly, the dichotomous nature of these organisms presents a paradox. While capable of causing harm, without bacteria, life as we know it would cease to exist, and human civilization would not have reached its current state. Bacteria fulfill numerous essential roles. They serve as decomposers, crucial in maintaining biogeochemical cycles, and contribute to processes such as fermentation and decay. As symbiotic organisms living within other organisms, they are vital for functions like digestion. Their versatility extends to diverse applications, from biological wastewater treatment to the production of various food products.

Such are the properties of the beneficial probiotic titled “Bakteria Re-Freak” by DāM-FunK (renowned for his classic albums released on Stones Throw, like “Toeachizown” and “7 Days of Funk” with Snoop Dogg). It offers a 180-degree transformation of the dark atmosphere of the original version. The track evolves towards G-Funk, brimming with sunny synths and a drum machine. It portrays a vision of a biopharmaceutical bacterium lazily roaming the streets of warm yet perilous Los Angeles.

The 7-inch will be released on July 19, 2024, by Astigmatic Records. The vinyl single, limited to 700 copies, will be available for pre-order starting June 28, 2024, on the Bandcamp platform. Mixing and mastering were expertly handled by Kwazar, while the artwork is once again the work of Niebieski Robi Kreski.

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Kenichiro Nishihara

Life

32,99 €*

2LP | 2024 | EU | Original (Analogue Foundation & Oshu)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Kenichiro Nishihara's 2nd album "life" is now available on long-awaited LP!

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Àbáse

Awakening

37,99 €*

Somethin' Else Blue Note 85 Collection Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP on 180g vinyl. Housed in a deluxe gatefold 'tip on' sleeve with full liner notes (Jeff Mao) and studio photography.

On a quest for cosmic grooves of unity, Àbáse is the imagination of Hungarian producer and keyboardist Szabolcs Bognár. Now based in Berlin, he’s become a protagonist of a fast-rising jazz movement in the German capital. Bringing together musicians from Hungary, Germany, Ghana and Australia for moving project with a global outlook - here is his highly anticipated new album ‘Awakening’ released by Analogue Foundation and Oshu Records

Created following a move to Berlin, marriage, new parenthood, and the inevitable interrogation of mortality that takes place when a loved one has transitioned, ‘Awakening’ demonstrates a deep understanding of music’s ability to cross time and geographic boundaries, conveying a message of unity, dialogue and self-reflection. Recorded in four days at Berlin's Brewery Studios, the album coalesces Àbáse’s varied musical influences and reference points (classic Lagos Afrobeat, traditional Hungarian folk, Yoruba rhythms, house and techno, hip-hop et al) with exquisite modalimprovisation à la Coltrane, spurred by Szabolcs’ introspection.

“Awakening was the first working title I gave to the project, and I decided to stick with it as it felt authentic and descriptive of what I wanted to express. The name comes from the concept that babies can hear and remember their parents voices from the belly, they recognise the voices upon birth and can be soothed with them. Being born is to enter an elevated state of existence, transitioning from just sounds and feelings to sight upon birth. I believe the way we experience life on earth and trying to make sense of the universe will shift upon our transition or ‘death’, and its only a pathway to something higher. The imagined moment of rebirth and entering to this new realm of existence is what I call “Awakening”.

Mostly composed of first and second takes with minimal overdubs, a striking level of intimacy is achieved between Szabolcs, Ziggy Zeitgeist (drums), Ori Jacobson (saxophone), Fanni Zahár (flute), Andras Koroknay (bass, synths), Ernö Hock (double bass) and Eric Owusu (vocals, percussion). This intimacy extends to the listening experience, with moments like atmospheric opener ‘Greeting Mother Sea’ and ‘Bloom (Flora)’ welcoming listener’s into Ábàse’s world through trance-inducing, glistening piano motifs, swirling synths and fluttering woodwinds.

Singles ‘Destruction Everywhere’ and ‘Menidaso’, paired with ‘Shango’, perhaps best highlight Szabolcs’ worldview and efforts to bridge creative ideas and cultural viewpoints. All three tracks are a bold fusion of spiritual jazz and afrobeat, with the latter two featuring the Twi vocal and driving percussion of Eric Owusu. Elsewhere, Szabolcs explores his own heritage with a stirring iteration of Hungarian folk song ‘Gyászba Borult Isten Csillagvára (God’s Star Castle Has Fallen To Grief)’, whilst also nodding to musical lineage through J Dilla homage ‘Shining’, and ‘Sunisaway’, a tribute to Sun Ra upon which Sun Ra Arkestra members Cecil Brooks and Knoel Scott are warmly welcomed to contribute.

‘Awakening’ is a new chapter for Àbáse, whose work has already drawn widespread critical acclaim. Debut album ‘Laroyê’, recorded entirely during a five- month trip to Brazil, found global praise from the likes of The Guardian, BBC Radio 6, Soulection, KEXP and Complex. Szabolcs has toured and collaborated as a keyboardist with the likes of Wayne Snow, Dele Sosimi, Pat Thomas and Zeitgeist Freedom Energy Exchange. The new album begins an era of partnership with Analogue Foundation, who are dedicated to preserving and furthering analogue creation via record releases, international events, and activities at its recording studio and hi-fi listening bar. The Foundation is headed up by Grammy-winning New York City recording and mixing engineer Russ Elevado (D’Angelo, Erykah Badu), Audio-Technica, Soundwalk Collective, and Berlin recording and mix engineer Erik Breuer.

Personnel:

Fanni Zahár, Ori Jacobson Szabolcs Bognár, Eric Owusu,
Ernő Hock & Ziggy Zeitgeist, drums

With Special Guests: Flóra Bognár, Youka Snell, Cecil Brooks Knoel Scott, Dumama, Rhea Sodemann, Wayne Snow.

Liner notes by Jeff 'Chairman' Mao and session photos by Dario Raspudic.

"Certainly a producer to watch" -Gilles Peterson
“ Hungarian producer Àbáse blends west African and Brazilian rhythms with a satisfying and uncluttered efficacy on Laroyê” -The Guardian
“We were instantly gripped upon hearing the work of Hungarian jazz collaborative project Àbáse” Stamp The Wax

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Cannonball Adderly

LP | 1964 | WW | Reissue (Blue Note)

Jazz 251/2 Blue Vinyl Edition

Release: 1964 / WW – Reissue

Genre: Organic Grooves

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“Is that what you wanted, Alfred?” we hear in Miles Davis’ unmistakable rasp at the end of “One for Daddy-O,” making it clear that the legendary (and assertive) trumpeter was not just playing the role of sideman on Somethin’ Else, the sole Blue Note album by Cannonball Adderley. The alto saxophonist was a memb¬er of Davis’ band at the time and the depth of their musical camaraderie lifts this session up to rarefied heights throughout, from the breathtaking performance of “Autumn Leaves” that opens the album to the thrilling call-and-response theme of the title track. Pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey round out the quintet on this timeless classic.

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Persa

LP | 2024 | EU | Original (Put It Down)

30,59 €* 35,99 € -15%

Jazz 251/2 Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Wellcome to 2nd part of Persa Jazz251. Jazz life in a Persa World. A_Side is 13 studio tracks. B_Side is 4 tracks recorded in live act at Radio Relativa studios (Madrid) for cRRudo series with friends collaboration: -Scratches, GlueKids. -Bass, Damian Schwarzt.

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Persa

LP | 2024 | EU | Original (Put It Down)

32,99 €*

Kicking Dust: The Goa Way, A Full Circle Compilation

Release: 2024 / EU – Original

Genre: Organic Grooves

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V.A.

2LP | 2024 | EU | Original (Full Circle)

45,99 €*

LP | 2024 | UK | Original (Last Resort)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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This one has been in the works for quite some time. A statement compilation showing what Full Circle is about, paying homage to the very roots of psychedelic dance music. A little town in India, which was a haven to a bunch of hippie outcasts, was throwing freeform outdoor parties since the day those freaks put their flag down. What was once a gathering around live music blew up into a rave as electronic music started to appear, paving the way to what would eventually become Goa Trance.

Full Circle, the duo project of Alexis Le-Tan and Joakim, started 10 years ago when Alexis accidentally discovered that some of his old Goa Trance records he was about to sell sounded great when played at the wrong speed : 33rpm instead of 45rpm. He called his long-time friend and collaborator Joakim to work on edits of those tracks that became the sound signature of this DJ duo : a slow, heavy and trippy sound that would eventually infiltrate the fringes of the underground club scene via like-minded DJs such as Vladimir Ivkovic, Jane Fitz, Ivan Smagghe and many more.

10 years later and a bunch of releases and remixes behind them, Full Circle decided to tell the story of how this Goa sound came to life. At a time when Trance has made a major

comeback and infiltrated pretty much all the sub-genres of club music, it felt right to look back at where it all started - going full circle, when Trance was not Trance, Goa was not Goa but the seeds of tripped out dance music were being sown.

After all, there are countless compilations about Balearism, the Italian Cosmic scene,The Loft, The Paradise Garage etc but none about the roots of this Goa sound.

This is a compilation of the best tunes played by the pioneer Goa DJs like Laurent, Goa Gil, Mike Maguire amongst others, between the late 80s and early 90s. Proto House, New Beat, early Techno, Industrial, with a distinct psychedelic tone, a few arpeggios here and there, acid lines, chopped up vocals, all elements of what would later constitute a genre of its own.

This beautifully packaged compilation includes liner notes by Tom Colebrooke and excerpts from Tom and Alexis’ interview of Mike Maguire of Juno Reactor fame, one of the pioneers of Goa Trance.

Check the liner notes for more info about the early Goa history !

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G.S. Schray

Whispered Something Good

30,99 €*

LP | 2024 | EU | Original (Wicked Wax)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Circling guitar lines; the rise of fall of delicate bass; deep, breathy horns: sonic elements that exist in a state of slow, perpetual motion, like ideas sprouting from some kind of cognitive compost. With wonder and charm, G. S. Schray's new solo album, Whispered Something Good, evokes a realm of new growth while offering a fitting soundtrack for its exploration, as if tailor made for both the daydreamer and silly adventurer.

We start in the darkness of "Unlit Center" with elliptical phrases of jazz guitar. A conversation between double bass, synthesiser, and piano plays out on "In Tears Twice A Page" before we're ushered into the reflective zone of "Another Haunted Mirror." There is synth mist which trumpet cuts through decisively like a shaft of light from the sun: warm and clear. As the album proceeds, firmer rhythms coalesce. On "Prelude for Probably," clattering drums lock into a triumphant groove with horns. And then, to close, the instrumental art-pop of "Gone in Amber," probing not necessarily towards a final destination but another stop-off, one of distant birdsong and the faintest flicker of synth. Intimate and inviting, the act of listening to Whispered Something Good is akin to digging through an imagination. It's a place of subliminal melodies blooming into rhizomatic musical shapes, stray musings coalescing as bolts of inspiration — change fostering yet more change.

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Radiohop

All We Do

21,99 €*

Taped Heart Sounds 2023 Repress

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Although life is hyper-individualised, you rarely go about it alone. This rings especially for Radiohop, the 4-man band drawing in everything that derives from Jazz. Aptly titled, ‘All We Do’ sees the band culminating each member’s journey through life as a performer and music head, into one entity. It is a collection of various musical feelings; drawn from all of the widely diverse musical environments they are surrounded by. Their early explorations in Hip-Hop laid the foundation Radiohop jetted from. All We Do ventures into Soul, Funk, Jazz, Broken Beat, Brazilian harmony, Fusion and other genres that they see connections with. It engenders a journey through the peaks and troughs of a modern musical spectrum and is an undeniable act of successfully approaching a contemporary Jazz album.

Together, they drew on Jazz as a concept existing outside the walls of formality. In addition to sessions and gigs with like-minded musicians, they explored the Amsterdam nightlife and genre-bending concerts for inspiration. This 3.5-year exploration brought them unconventional writing, producing and performing experiences resulting in All We Do being as much a presentation of the people accompanying them on this exploration, as it is about the journey itself.

Radiohop are constantly surrounded by other musicians and creatives from all different genres, disciplines, and spaces. The album is a celebration of the creative, and the ecosystem they operate in. The band likes to root that in the philosophy of Hip-Hop: spoken word, rap, vocals, lyrics, flute solos, photography, digital art, graphic design, tagging and poetry all congregate on the limited vinyl, as they truly believe art should not see any material boundaries. All We Do appreciates the art and the artist's creative endeavour. Radiohop gladly shares that with others in a holistic creation that is this album."

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Jesper Munk

LP | 2022 | EU (Billbrook)

20,79 €* 25,99 € -20%

Piaf ! Clear Vinyl Edtion

Release: 2022 / EU

Genre: Organic Grooves, Pop

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Since Jesper Munk's debut album in 2013 the German singer-songwriter has made a name for himself as multi-

instrumentalist , "in the paths of Jack White and Dan Auerbach," as the Rolling Stone Magazine puts it, playing

music that ranges from Blues and Soul to heartfelt Pop and indulging Jazz, all this with a very unique, post-Punk

edge. His new album Taped Heart Sounds offers an evolution of Munk's sound: warm, gentle and soft vibes that

go deep. "If there is a way to give you a hug in form of an album, this is how I'd attempt to do so," says Munk.

Recorded in an offbeat band room in Berlin with The Cassette Heads, the album brings together classics reaching from Blues to Rock'n Roll. Twelve songs of legendary artists who have influenced and inspired Munk since his early days, including Tom Waits, JJ Cale, Etta James, Hank Williams, Willie Dixon, Jacques Brel, and Mocky.
The entire album was recorded with a Tascam Portastudio 8-Track Cassette Recorder which brought an original and authentic sound to each song: "The technical limitations immediately liberated all other aspects of the recording," Munk says. "It shows how much of making music is just listening and without a screen to catch your eye, you really have no choice but to do so." All Songs face realness and live from these volatile moments that reveal vulnerability and musical generosity. The outcome of this analogue experiment is a very personal album, both inspiring and consoling.
Taped Heart Sounds courageously opens with Donnie & Joe Emerson's Baby; a song so iconic that it actually cannot be enhanced. However, Munk's interpretation stands out and has a presence that gives the song a life of its own - made for walking. Smoke Gets in Your Eyes, All the World Is Green, I'd Rather Go Blind, Head in the Clouds - what follows is a journey through Blues and Soul that is so vital and "now" that End of the Line may be the final track but certainly not the end of the story.
The album wouldn't be what it is without collaboration and partnership. Munk's special thanks go to his fans who helped to crowd-fund the recording. "On top of having had a real fun learning experience it all felt like a community project with real support from friends, the Cassette Heads, incredibly inspiring guests, and from Miles Deico, a wonderfully open and able engineer," so Munk about the making of the album.
Taped Heart Sounds is Jesper Munk's 4th album, following acclaimed debut album For in My Way it Lies (2013), CLAIM (2016), and Favourite Stranger (2018). Released via Billbrook Records, Hamburg-based Distributor Wordandsound's new label, the album is available for pre-order now - for purchase on vinyl and CD. The first single 'Baby' is going to be released on November 19, 2021.

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Edith Piaf

LP | 1958 | EU (Destination Moon)

17,09 €* 17,99 € -5%

Reflections Vol. 2: Black Decelerant

Release: 1958 / EU

Genre: Organic Grooves

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One of the most celebrated vocalists of the 20th Century and the best-known French singer of all time, the iconic cabaret and chanson performer Edith Piaf had an incredible life and an equally amazing career. Abandoned by her mother at birth and raised partly in a brothel by her granny, Piaf began performing in her father’s acrobatic street troupe as a teen and made her name in occupied Paris. For 1958’s Piaf! her torch-song deliveries are aided by the subtle strings of the Orchestra of Robert Chauvigny; if you’re an Edith Piaf fan there is plenty to savour here, especially ‘En Pourtant,’ ‘Les Orgues De Barbarie’ and ‘Le Gitan Et La Fille.’

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Black Decelerant

LP | 2024 | US | Original (Rvng Intl.)

2LP | DE | Original (Good Time Jazz)

Release: 2024 / US – Original

Genre: Organic Grooves

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Black Decelerant is the second installment of Reflections, a series showcasing contemporary collaborations orchestrated by RVNG Intl., recently inaugurated by Steve Gunn and David Moore.Black Decelerant, the duo of Khari Lucas, aka Contour, and Omari Jazz, explores jazz traditions, improvising with synthesizers, guitars, and electronics as a practice laid forth by their musical ancestors. This experience allows for sonic meditations on themes such as Black being/nonbeing, mourning/life, expansion/limitation, and the individual/the collective. The two strive to create a sonic surface which can simultaneously allow Black listeners a place to be still, and to serve as a basis for a movement beyond "the moment." The album's ten compositions configure vast, resonant landscapes with signals, weathers and spirits, suspended in memory and distilled in time. The Black Decelerant machine recalibrates archival relics and acoustic impulses into collages of amalgamated timbres, where harmony exists not without discordance. Across the expansive space of the record, cadent storms of modulated sound ascend beside serene melodic spells. Piano keys and bass lines tumble in free fall throughout the release, accompanied on tracks "two" and "eight" by the spectral trumpet improvisations of Jawwaad Taylor.The duo arrived at their name upon reading Aria Dean's Notes on Blacceleration, an article which explores Accelerationism within the context of Black being or non-being as a foundational tenet of capitalism. Coupled with the record's intended effect, "Black Decelerant" references the music being an invitation to slow down, while hinting at the shared politics between themselves and the artists and thinkers who inspire them.

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Firehouse Five Plus Two

Firehouse Five+Two Story

4,99 €*

LP | 2024 | EU | Original (Wicked Wax)

Release: DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl is close to NM.

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Kotokid

Fridge

17,59 €* 21,99 € -20%

CD | 2024 | EU | Original (Kraak)

Release: 2024 / EU – Original

Genre: Organic Grooves

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On his debut album kotokid walks you through meandering scenes of jazz fusion and hip-hop infused sonic cinema. While bass guitar is his bread and butter, the Amsterdam-based musician is a multi-instrumentalist in the truest sense of the word. Throughout this album he effortlessly blends together enchanting harmonies, expansive synth-scapes, intimate piano melodies, stanky bass grooves. With ‘ignite’ and ‘early spring’ he captures the emotions of rebirth, renewal, and hope. Energizing the spirit with ‘Fl00t’, ‘floating’ and ‘Titan’ he invites a sense of action, urgency and eventual triumph. Victory’s abound. Sonic meditations in their own right, ‘soil’ and ‘kotokin’ blend cinematic stylized melodies together eliciting introspection and clarity. And whether it's joy, nostalgia, discomfort, pain, grief, longing or happy remembrance - ‘family & death’ - conjures the plethora of these experiences in a life giving dance between piano and cello.

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Aya Suzuki

Winged Seeds

13,49 €* 17,99 € -25%

12" | 2024 | UK | Original (The Quiet Village)

Release: 2024 / EU – Original

Genre: Organic Grooves, Classical Music

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CD Release: Limited edition of 100.

Since the age of six, multi-instrumentalist Aya Suzuki has been developing a musical universe informed by classical training and emboldened by a prodigious, almost innate feel for sound.

Her precocious leanings into percussive instrumentation led her to study at the pioneering Toho Gakuen School of Music in Tokyo under the mentorship of world-renowned marimba player Keiko Abe, after which she left her native Japan to pursue a Master’s in percussion at the Royal Conservatory of Ghent.

Winged Seeds, her debut album recorded during a summer residency at Stuk in Leuven, presents the work of a musician whose ingenuity is in full flight. Clay pots, vibraphone, aluphone, bowls, and, of all things, rice, are her tools for conjuring arresting atmospheres through intricate fantasias and serene abstractions.

Aya’s mastery of percussive techniques goes hand in hand with her gift for poetic improvisation, as sound and silence have an equal and deliberate weight that charge each moment, suspending time and place into a magical stasis.

The surprising spoken word intermezzo “To The Earth” anchors these floating tones to the temporal spaces of our humanity, instilling a sense of humility which, despite her acumen, Aya deploys in all her artistry.

Winged Seeds is an unspoiled ode to the elements, honoring the earth we dwell in through the music that lifts us every higher.

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Quiet Village

Reunion

15,99 €*

Trombone Ensemble Nabou Claerhout

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Quiet Village announces new label, The Quiet Village, and new single, ‘Reunion'. Matt 'Radio Slave' Edwards and Joel Martin's critically acclaimed project's first official single under the Quiet Village name in seventeen years!

Beginning life as a 'heady 6/8-time urban jazz odyssey, 'Reunion is a stunning piece of modern, Hi-Tech Jazz that draws influences from Pat Metheny, Timeline, Innerzone Orchestra, and Clyde Stubbelfield's drumming.

While previous Quiet Village material was hewn from a myriad of samples extracted from Edwards' and Martin's notorious digging, 'Reunion' and its follow-ups are drawn from a tight-knit crew of session musicians, including the likes of Jon Hester and Thomas Gandey, adding further depth and feel to the QV sound. Already a firm favourite with Gilles Peterson and Luke Una, the latter of which leaked a clip of the release via his inimitable Instagram presence and called it 'something so fucking beautiful. Tony Allen, Sun Ra meets Carl Craig, Underground Resistance, house, tech, funk, everything rolled into one'.

'Reunion’ is the first single on The Quiet Village, Quiet Village's new imprint. Despite continually producing new music and a slew of remixes, most recently for Running Back and Isle of Jura, the long-term friends and collaborators have been unable to release under their Quiet Village moniker since their LP 'Silent Movie' in 2008. While a few releases under QV and their sometime DJ aliases of Maxxi (Edwards) and Zeus (Martin) have emerged, 'Reunion' is the beginning of a new and re-energised Quiet Village that will see more original material and remixes, DJ and live touring that began in Japan in May and curated compilations of treasures, old and new, in the coming months and years.

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Trombone Ensemble Nabou Claerhout Colored Vinyl Edition

2LP | 2023 | EU | Original (De W.E.R.F.)

LP | 1967 | UK | Reissue (Be With)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Five trombonists and a three-member rhythm section: that sort of unique musical synergy is what Nabou Claerhout brings to life with her own Trombone Ensemble. For years, such a project had been one of the dream projects on her bucket list, and thanks to Antwerp based cultural actor Rataplan, she already saw the creation become a reality in spring 2022. In the summer of that year, the eight-piece ensemble opened both Gent Jazz and Jazz Middelheim.

In January 2023, Nabou was artist in residence at the Brussels Jazz Festival in Flagey, where she presented the Trombone Ensemble as one of three carte blanche projects. In a sold-out Studio 4, American trombone legend Robin Eubanks joined the line-up as a special guest, having previously also contributed during the studio recordings of the young collective during. The band's self-titled debut album will be released on November 3rd 2023 via W.E.R.F. Records.

Nabou composed the entire repertoire for this Ensemble herself, and did so with a fully open vision. While writing the music, she explored the trombone's wide possibilities: "The aim is to both indulge you with warm, soft, carrying parts and then afterwards discover the trombone's spicy and cordial character." That rhythmic playfulness, which we hear more often in Nabou's compositions with her acclaimed quartet N?BOU, also seeps subtly into this band's sound. Despite the 'unusual' line-up of five diverse jazz trombonists, each with a different background, you still get to hear a very homogeneous sound, which is full of playfulness and small details. "I tried to make room and focus for each individual. And of course there is also a starring role for the rhythm section with guitar, double bass and drums."

When Nabou started looking for the dream fellow jazz musicians for this project, she ended up with artists from her own country, Belgium, but also from far beyond the country's borders: The Netherlands, the UK and Germany. "In selecting the trombonists, I looked for specific timbres, but also for personality. It is important that there is a good balance in playing together, but also that each musician is strong enough on his or her own for the solo parts." Wanting to push boundaries in her approach to both compositions and the trombone as an instrument, the real crème de la crème of the newest generation proved indispensable. "I selected a handful of European trombonists with whom I may or may not have already played, but who, above all, inspire me very deeply. They are all young people who have a lot to offer and already have significant projects to their name in their own region or country."

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Al Hirt

Soul In The Horn

2LP | 2024 | EU | Original (Ikaros Music)

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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Stavros Lantsias Quartet

My Ennio Morricone

40,99 €*

Black Classical Music Tri-Colour Splatter Vinyl Edition Box Set

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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Yussef Dayes

Box | 2023 | WW | Original (Brownswood)

143,99 €* 159,99 € -10%

Tony Conrad & Jennifer Walshe

Release: 2023 / WW – Original

Genre: Organic Grooves

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Lift off lid box with crushed emerald felt lining, Includes Embossed Gatefold edition Double Tri-Colour Splatter Vinyl.

Includes Signed Insert, Limited edition Black Classical Music branded ProMark Drum Sticks, and branded Afro Comb.

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In The Merry Month Of May

LP | 2024 | US | Original (Blue Chopsticks)

New Masada Quartet Benefit

Release: 2024 / US – Original

Genre: Organic Grooves

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In the Merry Month of May is the final studio recording of the late, great Tony Conrad, and the first duo release with Jennifer Walshe, one of Conrad"s most important collaborators in the final decade of his life. . A wild, improvisatory flaying of song; the sheer sonic force recalls the ecstatic charge of Conrad"s Slapping Pythagoras, with Walshe"s clarion voice at the heart of it. A one-of-a-kind concoction whipped up by two fearless and often peerless souls. It"s a joy to hear their manifest mutual regard and commitment to busting a gut.

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John Zorn

LP | 2024 | US | Original (Tzadik)

76,99 €*

LP | 1975 | UK | Reissue (Be With)

Release: 2024 / US – Original

Genre: Organic Grooves

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New Masada Quartet is one of the best groups Zorn has ever had. Bristling hot guitar master Julian Lage, bass wizard Jorge Roeder and 30-year Zorn veteran Kenny Wollesen perform with a crackling live energy that brings the Masada music to life like never before! Led by Zorn’s versatile sax and stop-and-start conducting, the music is filled with burning solos, telepathic group interaction, heartfelt lyricism and hypnotic grooves. Please purchase this limited edition LP and help Tzadik continue its mission to support and document new music in the 21st century.

Special Thanks to Sarah Robertson, Marisa Rolish, Scott Hull, Heung-Heung Chin, Bruce Gallanter, Stephen Svacina, Glenn Dicker, and Redeye for donating their time and services to help Tzadik with this special benefit vinyl release.

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Cedar Walton

Mobius

De Las Colonias Del Rio De La Plata Splattered Vinyl Edition

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Don't judge a book by its cover. Judge a record by its cover.

And, perhaps, its title.

Cedar Walton's Mobius is as outrageously, disorientatingly brilliant as the stunning jacket design, featuring the legendary jazz pianist morphing into a mobius strip, set against a beautiful sky filled with cumulus clouds. A proper jazz-funk fusion slapfest, Mobius is a stellar electric set from - essentially - one *hell* of a SUPERBAND.

Yes, in addition to Walton's Fender Rhodes wizardry, Mobius is elevated by Ryo Kawasaki's stinging electric guitar, pristinely clear vocals by Adrienne Albert and Lani Groves, rootsy percussion by Ray Mantilla and Omar Clay, alto and baritone from Charles Davis, trumpet from Roy Burrowes, Gordon Edwards on bass and Frank Foster's tenor sax. Oh and did we mention STEVE GADD ON DRUMS?!?!

Gem after gem of looping, bliss-inducing gold, it's an incredibly revelatory album. It presents a thrilling synthesis of R&B, funk, blues and hard bop (with a hint of rock), all driven by an idiosyncratic electronic keyboard. Walton, a giant in the jazz world, got quite the workout every time he played, from piano to arp synthesizer to clarinet to electric piano to mini-moog and back again.

Mobius was Cedar Walton's debut for RCA in 1975. The versatile artist confirmed his abilities as a player, composer, interpreter and arranger with this stunning record, and his own bright compositions offered a springboard for the improvisations of the different soloists. Coltrane's "Blue Trane" is the first classic to be given the funkafied Mobius treatment, Ryo Kawasaki let loose all over neck-snapping Gadd-drum gold before the horns take a fiery turn and subsequently give way to Cedar's virtuosity. A sparkling b-boy break version of Thelonious Monk's "Off Minor" (featuring an absolutely *fire* solo from Walton) really sets proceedings alight. Of the three original pieces, the shuffling, percussive power of "Soho" is just absolutely mind bending Latin-influenced jazzy soul whilst the mellow vibes of "The Maestro" bring elegant, sumptuous soul. And then there's the effortlessly funky "Road Island Red". Just too, too good.

Cedar Walton was born in Dallas, Texas, on January 17, 1934 and began his professional career in 1959 when he began touring for several years with the J.J. Johnson Quintet. He later joined the Art Farmer-Benny Golson Jazztet and then Art Blakey's Jazz Messengers. Pretty solid credentials, right? While based in New York City, Cedar played with such luminaries as Donald Byrd, Eddie Harris, Blue Mitchell, Kenny Dorham, Lee Morgan, Freddie Hubbard, Jimmy Heath and Milt Jackson. Without question, he was one of the most complete and gifted musicians of his time and Mobius provides proof of that. The fresh, danceable tracks, all firmly rooted in the living tradition of blues and gospel, are skilfully presented by a master who enjoyed keeping abreast of contemporary tastes and was always keen to renew his language.

As the album notes state: “Mobius, which is the theoretical shape of the infinite universe, makes use of the most modern recording techniques and synthesizers. We mastered and mixed so that it’s hotter than the competition, which should help radio play and in-store demonstration.” Indeed. Mobius is really gorgeous mid-70s fusion, ranging from the funky to the ecstatic. It's an absolute MONSTER that will completely blow you away; and, yes, it's as wild and hypnotic as the cover. The audio for Mobius has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Viejas Raices

LP | 1976 | EU | Reissue (Altercat)

Tomasz & The Individual Beings Dabrowski

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP.

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Better

LP | 2024 | EU | Original (April)

La Couleur De La Mer HHV Exclusive Smoked Clear & Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Named "one of Europe"s most versatile and curious players" by Downbeat Magazine, Polish trumpeter TomaszDabrowski returns with the sophomore album from his internationally acclaimed septet. Following their eponymous 2022 debut, the ensemble proudly presents "Better",set to release on March29th on AprilRecords. With an atypicallineup featuring the cream of the crop of the Polish and Scandinavian contemporary improvisation scenes,"Better" capturesthe edge and energy of a live performance extended and elevated by the use of electronic instruments and textures.Drawing the listener in with its refined sense of space and pace, the record sees the septet navigate their way through Dabroski"s open compositional ideas, passing melodicstructuresaround the ensemble and evolving through etherealambientsoundscapes, scorching solos and adventurous cacophonies of collective improvisation. Drawing on a year"s worth of experience performing extensively together as an ensemble, the level of intensive listening, interactivity and trust within the group enables each instrumentalist to fearlessly contribute their voice."Every track has a unique twist. "Upright" plays with form. "Bonzer", the use ofinstrumentation. "Hale & Hearty" explores textures."A testament to the ensemble"s commitment to artisticgrowth and creativeevolution, "Better"reminds us to consider what we all can and should strive for. It"s an inspiring message that manifests in the music and radiates through every aspect of life. "We should all strive to do better. To be better versions of ourselves and observe how it resonates within and in those around us," Dabrowski says.

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The Offline

LP | 2023 | UK | Reissue (Deepmatter / Root)

LP | 2024 | EU | Original (Super-Sonic Jazz)

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies, exclusively available at HHV!

Following his debut EP ‘En clair-obscur’ and a series of singles earlier this year cementing his place as a rising name in the world of cinematic soul & funk, Hamburg’s finest cinematic soul artist ‘The Offline’ announces his debut album 'La couleur de la mer'.

Reminiscent of film scores from the 60s and 70s, The Offline worked with co-producer Tim Liztenberger to channel the influence of film composers such as Francois de Roubaix and Brian Bennet, creating his own soundtrack on ‘La couleur de la mer’. Inducing images of manorial, fog-swept villas at the sea's edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of an imaginary hero, the record is a masterfully composed sonic journey. Experimenting with themes and atypical song structures, the music moves from dramatic cues to fragile romanticism. It incorporates psychedelic spaciness, retro soul and hip-hop sensibilities informed by The Offline’s extensive record collection and crate-digger status.

“Ever since I was a child, I was fascinated by the soundtracks from the 60s and 70s, and I always wanted to make an album in the film score direction. I wrote about 30 demos, kicked half of it and stuck to the ones that felt right in the dramaturgical structure of the ‘movie'. Interestingly the main theme was set early on while writing the album, which made the writing process much easier.”

Aptly named, ‘Thème de la couleur de la mer’ opens proceedings, establishing the core motifs of the record. Haunting flutes and xylophones lead the way into Khruangbin-esque guitar lines, which sit against a hip-hop canvas that returns on boom-bap head boppers like ‘Quelque chose reste’. Retro soul revival takes precedence on deep cuts like ‘Un bout de chemin’, with wah-gated guitars interacting with emotive cello lines and symphonic string & horn sections.

The Offline came to life when composer and photographer Felix Müller travelled the Atlantic coastline in the south of France with his analogue camera, capturing beach life on film. After coming back to Hamburg, he started writing songs as the sonic counterpart to the analogue visuals. His Debut EP ‘En Clair-Obscur’ includes five tracks that capture the essence of his journey and the feeling of a cool summer soundtrack.

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Roseye

Every Move

24,69 €* 25,99 € -5%

CD | 2024 | EU | Original (We Release Jazz)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Super-Sonic Jazz Records is set to release the brilliant debut album ‘Every Move’ from Dutch neo-soul risers Roseye.

Led by the captivating vocals Tallulah Rose, Roseye is a 5-piece ensemble that intricately weaves together psychedelic grooves with ethereal narratives. Their music transcends genres, effortlessly blending soul, jazz, and rich electronics. Drawing inspiration from luminaries like Jordan Rakei, Hiatus Kaiyote, and Robert Glasper, Roseye delivers an authentic, groove-infused, and explosively soulful sonic experience.

Speaking about the upcoming album, the band explain: “We're all about diving into that deep connection music brings - mixing up explosive, groovy vibes with some trippy and peaceful sounds. Our upcoming album 'Every Move' touches on some personal themes like sexuality, spirituality, nature, and grief, we wanted it to be liked a journey through the highs and lows of life”.

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Mo Kolours

Original Flow

18,04 €* 18,99 € -5%

Dawn Is A Melody Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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We Release JAZZ is very happy to announce an exciting new body of work by Joseph Deenmamode aka Mo Kolours. The singular musical spirit’s new 21-track album Original Flow is available as a double LP housed in a heavy 350gsm sleeve with original artwork by Mo Kolours himself and the classic WRJ obi strip, as well as in digipack CD and digital formats.

A catalog of critically acclaimed records, including his self-titled debut (2014), ‘Texture Like Like Sun’ (2015), 2018 album ‘Inner Symbols’ and three companion EPs, established Deenmamode as a prodigious musician and vocalist. Pitchfork extolled his “hypnotic, tribal-infused dance grooves”, DJ Mag appreciated the “colourful celebration of soundsystem culture”, and Resident Advisor advocated that “no one sounds quite like Mo Kolours”. Musical analogies were drawn by The Guardian as “The best album Curtis Mayfield never made with A Tribe Called Quest and Lee Perry” and Mojo as “like Marvin Gaye produced by J Dilla”.

Five years ago, Deenmamode moved to the Japanese countryside. Far away from familiarity, he contemplated his place and further questioned his identity. “I had none of my ‘own’ people around. I had time to really find what makes me tick musically. Japan has helped me go back to those subconscious leanings, really go deep, and reflect the aspects that make up my story”.

The tracks on ‘Original Flow’ have been constructed from sessions, improvisations and soundbites captured around the world during this time; collecting contributions from musicians including Deenamode’s brothers Reginald Omas Mamode and Jeen Bassa plus Andrew Ashong, Charles Bullen, Dwaye Kilvington, Eddie Hick, Stefan Asanovic, Myele Manzanza, Ross Hughes, and Tom Dreissler. Deenamode says “I’m proud of this album’s creative process. Coming from a tradition of scouring through hours of records, I wanted to create my own samples, to find that perfect loop that no other producer could put their hands on. I decided to invite a group of friends and acquaintances, who also happen to be incredible musicians, to a studio in Crystal Palace to improvise based on some loose ideas I had. We spent all day, and recorded everything”.

‘Original Flow’ is an album of UK street-soul nouveau, future indigenous jazz fusion, Rasta Segga, Nyahbinghi jazz, Malagasy Hebrew hip hop. While retaining a spirit of exploration and improvisation, it sees Deenmamode grow and flex beyond beat tape brevity, expanding composition and stretching his musical muscle to play live with other musicians. Themes of empowerment, overcoming adversity, and mental liberation coexist with notes from ancient history, futurism, and science, as well as musings on family and togetherness.

‘Magik Momentum’ springs from a discussion that features at the start of the song, an inspiring mentor answering a question from Deenmamode about improvisation and what role it plays in life when planning and manifesting the future. ‘Rockets to Mars’ questions the lack of care for the billions of people with nothing, while governments plan to explore space. “This sparked a comparison in my mind to a Sonny Okuson song that I would reference when performing. Okuson’s song talked of the lack of resources in many communities in the world, while governments go to the moon”.

He says the music behind ‘The News These Days’ is “possibly my favourite on the album”. Looped like he would a late sixty jazz-fusion sample, there was nothing added and the track was complete within a matter of minutes. “It was the first and best moment from the entire Crystal Palace session”, he adds. The album’s contrasting title track with minimal instrumentation played solo by Deenamode. While frustratingly searching for gems in past recordings, he thought in a burst of ego, “I don’t need no-one else to make a dope beat!” picked up his ravanne, (the traditional frame drum of his fathers home-land of Mauritius), pressed record, and started to play. He says, “In my thoughts were the rhythms of the Nubians in Upper-Egypt and Sudan, the swing of the huge drums played by Mauritanian women, of-course the Sega beat of Mauritius, and the ever inspiring beat of James Yancey”.

Driven by UK broken beat, Cuban congas, Nigerian and Mauritian inflections, ‘Love Vibration’ follows the concept that all emotions carry a vibratory frequency and pays homage to the frequency of creation and the power of love. The two part ‘Tatamaka’ tells of the history of Deenmamode’s ancestors, the maroons of Mauritius. “We are people who managed to run from our oppressors and find refuge in a corner of the island called ‘Le Morne’ where they could not reach us. One bloody day they came in numbers to re-capture, to revenge. Many of us chose to jump to our deaths, rather than be taken back into subjugation. The poem by Creole Richard Sedley Assonne says; “there were hundreds of them, but my people, the maroons chose the kiss of death over the chains of slavery”. Tatamaka was the name of a famed maroon leader who was murdered for claiming his, and our people’s freedom. The song is the imagined journey of escape and freedom by an ancestor of the maroons of Le Morne”.

Born in the west midlands and raised on the traditional sega music of his father’s Indian Ocean homeland of Mauritius alongside records by the likes of Jimi Hendrix, Santana and Michael Jackson; his influences expanded with late 90s jungle and drum and bass nights in Bristol, experiments at art college in Camberwell, and the rich culture of Peckham, “at the time we called it the Afro Quarters of London” says Deenmamode, adding hip hop, dub, soul and soundsystem styles to his individual sound.

He explains, “I love drum music, from hand-drums to 808s. I love music from the ancient past, heritage music, indigenous music, traditional music passed down from the beginning of time. Music from the body, hand claps, grunts and foot stomps. Music with audible depth, busy, bustling, highly charged. Music from the soul, the music from beyond. I love music from the islands and the mountains. The music of the streets, hustle music, alleyway beats. Club music”.

He describes the creative process as thinking in images. “The visual world and the world of sound seem to intermingle in my thought process. When I play the drum with my eyes closed, a world of imagery dances and moves with beat. Improvised drumming feels like I am listening to what I want to hear, rather than trying to play what I want to hear. Following the rhythm and finding new pathways to walk within the patterns is what I experience. In this way I often feel I am just a listener, instead of the player”.
Original Flow is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

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Finn Rees

LP | 2024 | UK | Original (Mr Bongo)

23,99 €*

CD | 2024 | WW | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.

Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”

The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.

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Raul Gomez

15,99 €*

Dawn Is A Melody Orange Vinyl Edition

Release: 2024 / WW – Original

Genre: Organic Grooves

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For the next reissue in Mr Bongo’s Cuban Classics series, we look to Raúl Gómez’s entrancing 1977 Instrumental album. Presenting a unique blend of orchestral disco and jazz-funk, with Afro-Cuban flavours and soundtrack influences, it’s rich with drum breaks, energy and evolving compositions. A record that forever keeps you guessing, powered by an exemplary orchestra at the top of their game.

Cuban composer and singer Raúl Gómez is most known for featuring in the groups Mirtha Y Raul and Los Bucaneros alongside producing the Cuban classic Los Reyes 73 album, amongst a whole host of other incredible productions over the years. Released on Cuba’s state-owned label Areito, Instrumental sees Gómez not only as an instrumentalist and author, but also as a producer and arranger.

It's an album that deftly evades pigeonholing. Floating between instrumental mood music and library/soundtrack mastery, followed by explosions of cosmic-Latin funk, psych guitar workouts and compositions that reflect the orchestrated disco coming out of the US at the time, from greats such as Love Unlimited or Mfsb. Lace that together with a healthy serving of Afro-Cuban magic to underpin the tracks and it’s a recipe for a record that captivates from start to finish.

Predominantly an instrumental album as the title suggests, the record showcases the Orquesta Egrem in full flow, soaring strings and vibrant horns at every turn. Highlights include 'Mi Samba Carnaval' with its breathtaking drum break, bubbling synths and sublime arrangements and the romantic film music impressions of ‘Tema De La Sierra', that have been a sampling source for many a producer. Elsewhere, ‘6 Son’ is a mind-melding psych guitar powerhouse, with 'Dacapo', written by Gilberto Peralta, offering up a slice of atmospheric and energetic Latin shuffle. One of only a handful of tracks where scat vocals compliment the orchestral tones, a Brazilian percussion theme marries with dancefloor sensibilities for a dose of feel-good, brilliance.

A wide-ranging, multi-dimensional release, Instrumental exhibits musicianship, composition and creativity at its finest and demonstrates another key example of the rich output of music that flowed from the island of Cuba post revolution.

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Finn Rees

LP | 2024 | UK | Original (Mr Bongo)

LP | 2024 | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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New Regency Orchestra

23,99 €*