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"Ayo Ke Disco" (meaning "Let"s go to the disco" in Malay and Indonesian) celebrates the musical identities emerging from the newly independent countries in South-East Asia during the 1970s and 80s.Soundway general manager Alice Whittington, aka Norsicaa (DJ), selects 10 deep cuts from local labels, officially reissued on vinyl for the first time - forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.The artists featured here were known for exploring traditional sounds alongside funk, disco, city-pop and even political psych-rock, genres that were indicative of the exciting but often turbulent period. But despite the post-war backdrop of instability there came unprecedented levels of economic prosperity. With a hopeful buzz filling the air, the music scene was helping lead the way in reshaping the new identities of the region.

It's a pleasure, a labour of love and a yearly highlight to present a new volume of the Mr Bongo Record Club series. In this collection, we have curated new finds alongside old, treasured tracks that hold a special place in our hearts, selecting music inspiring us from the Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo genres. We have chosen a diverse array of artists, including Os Panteras from Brazil, stomping underground disco by Claude Jay, the Danish soul sounds of Gitte & Inger and the gospel excellence of Truth & Devotion, to name a few.

Most of the selections in this volume are older vintage productions, however, there is one very special contemporary production, recorded exclusively for Mr Bongo Record Club 7. For ‘Spring Has Sprung’, we linked three of our cherished musical family together; the legendary cult artist Asha Puthli, the wonderous band Soyuz and Swedish maestro Sven Wunder. The result, as you’d expect, is completely breathtaking.

Reflecting on Volume 7, it now feels like a record comprised of two themes. Firstly, we have gone quite heavy on the Brazilian selections. This saw us searching further afield and digging into other areas of the endlessly rich Brazilian musical tapestry. The reflection of a more folk / Afro-Brazilian sound than presented in previous volumes in the series, can be heard in the songs of As Sublimes, Romeu Fernandes and Conjunto de Percussão Dora Pinto. The second theme is a representation of the tracks that we have been playing in our club DJ sets and are aimed more at the dancefloor. Disco tracks such as 'Come Inside' by The Shades of Love and The Duncans' 'Too Damn Hot' have been firmly tested favourites in recent years.

We hope these songs, by the sensational artists on display, inspire you as much as they do us. Music is the gift that keeps giving and there is so much more to learn, find, and share.

Soul Jazz Records" new Miami Sound 2 is a superlative collection of 70s soul, funk, disco and boogie featuring tracks from legendary artists such as Betty Wright, Timmy Thomas, Gwen McRae, Milton Wright, T-Connection and many more, all released on the mighty TK Records musical empire based in Miami, Florida.

The Fossils label has been unearthing more musical treasure for its fifth outing, and this one takes you directly to the Middle East for some twisted disco-funk with red hot grooves courtesy of Fava Luva & Dr. Professor. The source of the tunes is obscure and unknown but the pair bring plenty of their own goodness with additional layers of live instrumentation really bring them to life. 'Lahatz' is steamy and full of sensuous vocal magic and cosmic synth work that will get the floor into action, while 'Kerem' is even more topical and exotic with its rich array of strong melodies and downtempo beats making for a woozy and wonderful trip.

Alicia Myers - I Want To Thank You & Don't Stop What You're Doin' are staple classics and for the first time since their initial release in 1981 are together on one piece of vinyl. A serious double header!

Both tracks are produced by Kevin ‘Mr Groove’ McCord, heralded as Dam Funk’s favourite producers and one of the founding members of Al Hudson & The Soul Partners & One Way before going on to contribute to hundreds of r&b, funk, disco, and boogie dancefloor movers in the ’70s and ’80s.

At the height of his career he produced his One Way band members, Alicia Myers debut solo album, Alicia featuring both tracks on this release. I Want To Thank You, a certified classic that never fails to elicit a joyous reaction anytime it’s played & Don't Stop What You're Doin' famously sampled by J Dilla for ‘What It’s All About’ by Slum Village feat. Busta Rhymes on the legendary ‘Fantastic Vol.2’ album.

Another fully licenced and remastered essential release from the South Street family!

Optimal pressing.
The fourth album by Sault scored 97/100 at Metacritic and is the most beloved album at HHVs Supreme 100 of 2020 list, chosen by 150 journalists, musicians, label makers and record collectors.

Sault - Untitled (Rise), released in September 2020, is the follow-up to Untitled (Black Is) and serves as a companion piece to that earlier album. While Untitled (Black Is) focuses on themes of Black identity, struggle, and resilience in the face of systemic racism, Untitled (Rise) takes a more hopeful and celebratory approach. It explores empowerment, joy, and community, offering a sense of uplift and liberation alongside the weightier topics of social justice.

Untitled (Rise) retains the genre-blurring approach that defines Sault’s music, blending soul, funk, Afrobeat, gospel, R&B, and dance rhythms. However, the tone of Rise is generally more upbeat and celebratory compared to the heavier, introspective nature of Black Is. The album captures the feeling of dancing through adversity and finding joy despite the struggle. Its rhythms are infectious, and many tracks are designed to feel anthemic, with powerful group vocals and chants reinforcing themes of collective strength.

Lyrically, Untitled (Rise) touches on similar themes to Black Is, such as Black empowerment, pride, and resistance, but it emphasizes victory and triumph. The album feels like a call to action, but also a celebration of perseverance, healing, and unity.

Key Tracks:
"Strong" – A powerful and uplifting anthem about resilience and overcoming adversity. It features a driving rhythm and empowering lyrics, with group vocals that evoke a sense of unity and strength.
"Fearless" – A rhythmic, upbeat track with Afrobeat-inspired grooves, it’s a call to reject fear and embrace courage, a recurring theme in the album.
"I Just Want to Dance" – One of the standout tracks, this song blends disco-funk elements with a carefree energy, symbolizing the need for joy and release even amidst struggles.
"Free" – A slower, more reflective song that underscores the desire for freedom—both personal and societal. It’s soulful and deeply emotional, with heartfelt vocals.
"Rise" – The title track serves as a rallying cry, encouraging listeners to rise above oppression and celebrate their identity and power. The song's infectious rhythm and group chants amplify the message of empowerment.
Tone and Emotional Arc: Where Black Is may have felt heavy with its focus on the injustices faced by Black people, Rise balances that with a more optimistic and celebratory tone. It conveys a message that while the fight for justice continues, there is always room for joy, self-love, and communal solidarity. The album often feels like a soundtrack to liberation, pairing its socio-political themes with music that’s meant to inspire movement, whether literally on the dance floor or metaphorically in terms of social action.

The flow of the album is dynamic, shifting between more meditative moments and high-energy, danceable tracks. The rhythmic pulse is a constant thread, grounding the album in African and diasporic traditions, while the vocal arrangements often feel like modern spirituals or chants for a collective uprising.

The production, likely spearheaded by Inflo, is tight and minimalist, yet rich in texture. Sault’s signature use of layered vocals, often with group harmonies and chants, continues to play a central role in Rise, contributing to the communal, uplifting feel of the album. As always, Sault’s members remain largely anonymous, though Cleo Sol and Kid Sister are thought to have contributed vocally to the project.

Untitled (Rise) was met with widespread critical acclaim, much like its predecessor. Reviewers praised the album for its optimism and energy, viewing it as a necessary counterpart to Black Is. While Black Is was seen as an urgent protest album, Rise was lauded for its focus on joy, hope, and empowerment, making it feel like a musical celebration of survival and thriving.

The duality of these two albums—Black Is and Rise—allows Sault to capture a full spectrum of the Black experience, from pain and protest to resilience and celebration. Together, they form a powerful artistic statement on the complexities of identity and struggle.

Re-issue of this hyper rare single from 1978 on Whirl (West Indies Records Limited). George Clinton's Parliament getting funked up in the Caribbean. TIP!

The Outfit was one of the funkiest bands ever coming from The Caribbean. They showed (together with other top bands from Barbados like The BRC or The Organization) the potential of Spouge music and the many creative possibilities that this genre can lead to.

This single is one of the finest examples of Spouge and Funk blended perfectly together in an explosive, ultra funky cover of the Parliament's "Dr. Funkenstein", titled for the occasion "Dr. Spougenstien". Despite being an extremely rare single, this song used to be quite popular in Barbados, to the point where most people on the Island used to think this was an original song. B side "Theme From Peter Gunn" serves up a punchy and groovy Cosmic disco tune on the very popular Theme from the Peter Gunn tv show.

This single is proposed to you as a first issue on the newly born Lava On Wax Records, started by Dj and Collector Matteo Fava, who have been to Barbados multiple times and works together with former Wirl label since 2020. The release has been possible thanks to help of GUTS from France, who worked since the start of this project to the end in close collaboration with Matteo. Here is what he has to say about this release: " Lava on Wax , It's putting love into old things to make them new with conscience and respect "

Bewilderment - the feeling of being perplexed and confused - is the inspiration behind Pale Jay's new album. It's a soulful exploration of a family's gradual disintegration due to years of avoidance and miscommunication. During this difficult time, Pale Jay began to question the stories he had always lived with and re-examined his identity. The resulting work, Bewilderment, is his first full-length album, which strives to find answers to these questions and more. The album is set to release on 8/18/2023 on Karma Chief Records, a subsidiary of Colemine.Pale Jay is a trained jazz vocalist and pianist, and he wrote, recorded, and produced all songs on the album, except for 'By The Lake', which is a collaboration with labelmates Okonski - Steve Okonski, Aaron Frazer, and Michael Montgomery. Pale Jay's music is influenced by a wide range of songwriters, including Labi Siffre, Carole King, and William Onyeabor. 'Bewilderment' is a seamless blend of Pale Jay's trademark dusty soul, slow disco, and Afrobeat, with string arrangements by Raven Bush adding an extra layer of magic to the beat- heavy productions.Pale Jay's debut LP is a captivating journey of self-discovery. Each song on Bewilderment tells a unique story, but they all share a common theme of personal growth and self-understanding. Grab a copy on 8/18/2023 to dive in and experience the new album.

It's a pleasure, a labour of love and a yearly highlight to present a new volume of the Mr Bongo Record Club series. In this collection, we have curated new finds alongside old, treasured tracks that hold a special place in our hearts, selecting music inspiring us from the Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo genres. We have chosen a diverse array of artists, including Os Panteras from Brazil, stomping underground disco by Claude Jay, the Danish soul sounds of Gitte & Inger and the gospel excellence of Truth & Devotion, to name a few.

Most of the selections in this volume are older vintage productions, however, there is one very special contemporary production, recorded exclusively for Mr Bongo Record Club 7. For ‘Spring Has Sprung’, we linked three of our cherished musical family together; the legendary cult artist Asha Puthli, the wonderous band Soyuz and Swedish maestro Sven Wunder. The result, as you’d expect, is completely breathtaking.

Reflecting on Volume 7, it now feels like a record comprised of two themes. Firstly, we have gone quite heavy on the Brazilian selections. This saw us searching further afield and digging into other areas of the endlessly rich Brazilian musical tapestry. The reflection of a more folk / Afro-Brazilian sound than presented in previous volumes in the series, can be heard in the songs of As Sublimes, Romeu Fernandes and Conjunto de Percussão Dora Pinto. The second theme is a representation of the tracks that we have been playing in our club DJ sets and are aimed more at the dancefloor. Disco tracks such as 'Come Inside' by The Shades of Love and The Duncans' 'Too Damn Hot' have been firmly tested favourites in recent years.

We hope these songs, by the sensational artists on display, inspire you as much as they do us. Music is the gift that keeps giving and there is so much more to learn, find, and share.

Last Night Changed It All (Edit) by Esther Williams b/w I’m Gonna Love You Just A Little More, Baby (Edit) by Kellee Patterson | Bishop88 — BIS88-01 | Stoked to get my hands on test pressing of a forthcoming release via the new imprint Bishop 88. The folks at @galaxy_sound_company are distributing a limited run of this special donut of 2 killer edits of funky female soul heaters. Those in the know recognize the GSC 45 series as a cop-on-sight affair, & this release is cut from the same cloth.

We start things up with a tight & tasty drumbreak edit (with cowbells a plenty) of “Last Night Changed It All (I Really Had A Ball)” by Esther Williams. The track is taken from the 1976 funk-soul-disco LP “Let Me Show You”. It has been a go-to sample source for many a producer of the years; including “Super Hoe” by Boogie Down Productions (1987), “Last Night” by Kid ’N Play (1988), “So Here I Come” by Neneh Cherry (1988), “Anti-nigger Machine” by Public Enemy (1990), “Tonite” by DJ Quik (1991), “Do You Remember This” by Stetsasonic (1991), “Stop Jockin Me” by Ultramagnetic MC’s (1992), “Throw Ya Gunz” by Onyx (1992), “When You’re Near” by Guru (1993), “All I Think About Is You” by Jungle Brothers (1993), “Hight Times” by Jamiroquai (1996), “Forget Me Not” by Inspectah Deck (1999), “Late Night” by 2Pac (2002), “Come On Down” by De La Soul & Flavor Flav (2004), among many others.

On the flipside, we have another subtle edit of “I’m Gonna Love You Just A Little More, Baby” by Kellee Patterson. The track, taken from the 1976 LP “Kelee”, is a cover of the 1973 Barry White song (which has been massively sampled by the likes of Daft Punk, Nas, The Notorious B.I.G., Eric B & Rakim, Beastie Boys, Mary J. Blige, NWA & many more). Here we have amazing the Patterson version, which I prefer, hasn’t been lifted as well. But as this edit demonstrates, that will most likely change. So happy to have this one on 45.

The Allergies return to their 100% sample-heavy roots, with a reworked slice of dancefloor friendly Southern soul on 'Knock Me Off My Feet'. Flipping a much sought-after 45 from the late-sixties, they take an already pumping Motown-influenced arrangement and bolt on fat drums, beefy bass, percussion and horns, taking it further than the OG band could ever imagine.

'Let Me Hear You Say' on the b-side takes us way back to New York club scene of the early 80s. Re-working old school MC chants over strutting disco loops, this finger-snapping slice of retro realness is packed with sleek and slinky grooves, and a beat that won't quit.

Transparent Limited Edition.Cinematic funk heroes Calibro 35 take you on a journey in the world of jazz and rare groove. Dr. Dre and Jay-Z sampled Italian cinematic funk legends Calibro 35 are always in search of new territories to venture into, their new single payintg tribute to jazz-funk, rare groove and pshychedelic cinematic-jazz. None of the members of Calibro 35 are (or consider themselves) jazz musicians, but over the years jazz has...

Drawing inspiration from the depths of late 70’s NYC proto-rap disco instrumentals, Nigerian boogie, Jamaican dub and modern jazzy house - The Lahaar is a Trans-Tasman collaboration between Julien Dyne, Horatio Luna and Surprise Chef’s Lachlan Stuckey, featuring Mara TK and Toby Laing on vocals. The EP embarks on a 5-track rollercoaster - kicking off with “Doin’ It”, fast-paced jazz-funk peppered with marimba and organ riffs, balanced out by the siren vocals of Mara TK. “Step 2” suddenly brakes and swerves into cruise mode, repurposing the trumpets and dub echoes - picking up tempo in the soulful melancholia of “Work Work Work”. In the last two tracks the organs and guitars make a frenetic comeback by way of disco-house, ending with a nod to 70s cop movie funk.

8 years after the official reissue of the LP “An Eye For An Eye” by Byrne & Barnes, Favorite Recordings proudly presents this new single release. The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors. The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.

Arp Frique returns with a brand new release on his imprint Colorful World Records in collaboration with Rush Hour. A compilation of 12 Cape Verdean gems assembled with the help and knowledge of Americo Brito, there is a very special story behind it. Americo Brito, who
features on Arp Frique’s original Nos Magia, is a proud and important member of the Cape Verdean community in Rotterdam. His story reveals the historical connections between radio, vinyl, Cabo Verde and Rotterdam’s international music scene in the 70s and 80s.

Cape Verdean insiders say “we export all they have to other countries, only to import it back again”. Cape Verdeans have migrated all over the world, mainly to cities with big harbours, like New York, Boston and Rotterdam (Holland). Rotterdam became one of the main destinations
(next to Portugal) on the European mainland. When Americo, like many of his friends and relatives moved to Rotterdam, he quickly became infected with the music virus. Surrounded on a daily basis by Cape Verdean music in Portuguese pensions and small hotels, this was where sailors ingested a dose of “sodade” through the interpretations of their beloved music by the local Cape Verdean artists. Americo took to the stage with his band Djarama in the 70s and 80s. The live music scene was buzzing and the Cape Verdean community had their own infrastructure for arranging shows, often in nightclubs where the band had to bring their own soundsystem. Interestingly, Americo didn’t stick to performing and recording music. He found another way to help spread the Cape Verdean magical secret of music across Rotterdam, Holland and beyond: “There was this spot in Rotterdam where all foreign radio stations were housed, all these different nationalities together, Surinam, Cape Verdean, Hindustani…Guy Ramos and some of my other friends made radio in the 80s there. I got involved in their radio activities. Later on I started to work as a technician and eventually as producer and radio DJ for “Radio Voz De Cabo Verde”. Radio became bigger and there were around 4 different Cape Verdean stations active at one point in Rotterdam. instrumental in the development of this was the attic of a Dutch friend, where “Radio Babalu” came to life. Radio has always held a special place in my heart.” Americo’s music collection stems from this era, also aided by his many travels across Europe to cities with Cape Verdean communities. Alongside Rotterdam local, Arp Frique, Americo unveils some of these songs: dancefloor hits and beloved radio gems known in the Cape Verdean scene by younger and older generations alike, and so far undiscovered by a “bigger” audience. The compilation showcases the worldly view of Cape Verdean music, incorporating knowledge from their travels in their compositions. It ranges from the obvious funana and coladeira, to the more unexpected influences of deep disco, new wave, uptempo reggae, jazz-funk and Brazilian pop music; demonstrating just the tip of the iceberg, but what an amazing t(r)ip it is!

Magic in Threes are back with a mind mending, strings-laden disco masterpiece, "Liquid Start Duster". On the flipside we have "Sippin' After Midnight", an auditory tale of late night shenanigans. These two majestic bangers make up a hard hitting 7" 45 out on G.E.D. Soul Records.

Two iconic 80s Disco/Boogie anthems of the era are set for a re-release on 12-inch vinyl via RCA, with a fresh mix from Brooklyn-based producer, Mike Maurro.

Keni Burke - Risin' to the Top (A Mike Maurro Mix)

'’Risin’ to the Top’, originally released in 1982 on Burke’s third solo album, ‘Changes’, has become Burke’s most successful hit as a solo artist since departing from his former band, Five Stairsteppers. Countless producers have utilised the song as a choice sample for their own tracks with artists such as Mary J. Blige, LL Cool J, Madlib and more.

Maurro’s mix works the stems and gives the record some fresh guitar licks alongside new percussive elements, whilst maintaining a heavy lean into the sensual, laid-back swing of the original.'

Evelyn ‘Champagne’ King - I'm In Love (A Mike Maurro Mix)

'The flip side sees the release of Evelyn 'Champagne' King’s hit single ‘I’m In Love’, originally released in 1981 and taken from King’s fourth studio album of the same name. A feel-good, sing-a-long anthem, once again given a fresh feel thanks to Maurro’s new take on the record.

Both tracks serve as trump cards to whip up any dancefloor at the right time'