Search "amewu+leidkultur" 151 Items

Small writing on back cover.

In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro. Eventually, he was persuaded to return to music, and this was one of the first recordings upon his return. Guitarist Jim Hall - who had worked with Ella Fitzgerald, Sonny Rollins, and Chico Hamilton - started his partnership with Evans during this time. Recorded over two sessions in April and May 1962, the two have that beautifully unspoken musical language of give and take; their recordings are refreshingly busy but also incredibly sparse. These two giants understand that intertwining their personalities and harmonic styles could create greatness. This notable re-issue is an all-analog production affair—AAA Mastered and cut live by audio guru Kevin Gray (Miles Davis, Herbie Hancock, Charles Mingus)—and it’s never sounded better. So dim the lights and let this music breathe with you; it’s an incredible listen and an essential album for both the novice listener wanting to dip their toe into the genre or the audiophile who needs to replace their well-worn vinyl copy. And depending on your day, it will color your mood in any emotive shade you desire.

Writing on cover.

colored vinyl

Original US deep groove stereo pressing.

Cover has two seam splits and shelf wear.

Vinyl with a couple of light scuffs

Deep/Mod Funk heavy hitter previously comped on Le Beat Bespoke and a deep Jamaican Soul cut increasingly in-demand among progressive Northern/Rare Soul deejays.

All killers and no fillers on this fabulous 1969 Motown masperpiece. It is a shame that Jimmy lived in the shadow of those other Motown singers such as Marvin Gaye and Stevie Wonder. It really is one of Motown's best albums!

First official reissue of this Soul classic originally released in 1969 by Spark label.

Fusion Folk Jazz classic from Scandinavia, sampled by Madlib for Quasimoto's "Closer" with MF Doom. Tip!

2006 reissue.

Record is close to NM. Cover has slight ringwear.
https://www.discogs.com/release/10731223-Jimi-Hendrix-Isle-Of-Wight

Small light scuff on side A.
Cover with faint ring wear and seam split.

What we gonna do right here is go back, way back, back into time…and one of the most sampled refrains in dance music history. A 7 inch double header of two of the biggest records from the Jimmy Castor Bunch, the 1 million plus selling ‘Troglodyte’, flipped with ‘It’s Just Begun’. This funk masterpiece lit up the Bronx in the ‘70’s and was the spark from where Hip Hop caught fire. Get in early and go in hard. Funk, Soul, Hip Hop and dance fans all need this beaut. Original RCA labels and sleeve, all remastered for 2024.

Indianapolis pressing.

Cover with punch hole.

US original.
Sleeve has stickers, edge wear.lpsm

Vinyl has scuffs and hairlines.

Cut corner. Price tag. Original US Research Craft Pressing.

Promo copy. Seam splits.

Japanese pressing without OBI, with insert..

Vinyl with scuffs and hairlines. Cover with saw cut

Writing on cover. Cover has a 2cm big tear at the opening, creasing and seam/spine splits. Vinyl with many scuffs and hairlines

Saw cut bottom seam.

We've got a bit of an obsession with Hozan Yamamoto here at Mr Bongo! A legend of Japanese jazz, he is rightly regarded as a true master and was recognised as a "living national treasure" by the Japanese government in 2002. Over five decades he pushed the genre into new directions, absorbing fusion, funk, spiritual jazz and many other sounds, resulting in a discography studded with gems of rare beauty. Exploring his back catalogue has taken us on an engrossing journey that now sees us reissuing another work from this ground-breaking musician.

Though not translating perfectly into English 'Akuma Ga Kitarite Fue Wo Fuku', (kitarite has not been a modern expression in Japanese) roughly means 'The Devil Comes Playing The Flute' / 'The Devil Is Coming While Blowing The Whistle' or 'Devils Flute’. It is the original soundtrack to Kôsei Saitô’s 1979 mystery and suspense movie, ‘Devil’s Flute’. The film is based on a story by the famous author, Seishi Yokomizo, and is centred around a much-loved fictional Japanese detective, Kosuke Kindaichi. A Japanese Sherlock Holmes that has been popular for generations.

Hozan Yamamoto was invited to compose the soundtrack directly by the producer of the film, Haruki Kadokawa. Mr Kadokawa also hired keyboard player and producer Yu Imai as assistant producer on the project, resulting in a stunning cosmic, breaks and beats-laden, funk, disco soundtrack extravaganza.

When it comes to the soundtrack and the technology of the time, Hozan Yamamoto and Yu Imai got inventive, tripped out, funked up, and experimented, creating a quirky soundtrack masterpiece that needed to be heard more outside of Japan. Differing from the more traditional Japanese music orientation of some of his other albums such as 'Beautiful Bamboo-Flute' (also released on Mr Bongo) the album showcases a number of genres, from lush atmospheric incidental music to disco and funk grooves, experimental nuggets, drum and flute workouts, to neo-classical and more.

A special record that showcases the further depths of this wonderful musician's talents.

Cover with faint ring wear and small sticker.

Vinyl with a couple of light scuffs. Cover with light shelf wear, close to VG+

Original US pressing.

incl. 'mary jane' sampled by Alkaholiks, Big Daddy Kane, EPMD, Redman,..

First time reissued on vinyl! This is in fact more than just a rare record and definitely more than just a vinyl share for insatiable collectors who only judge a record by it's monetary value. This is a prime example of overflowing talent coupled with a simmering passion for music and the hunger for life right at the moment. The story begins on Jue 7th 1957 in a small Ghanaian village where Kofi Kwarko Gyan, nicknamed Kiki, was born into a middle class family. Soon his talent as a musician began to show when he started taking piano lessions by the age of 5 and went professional by the age of 12. He dropped out of school shortly after and began living a life on the road with regional Ghanaian bands. One trip abroad took him to London in the early 70s where his career received a giant push at the age of 15. He joined afro rock legends OSIBISA in 1972 as their new keyboardist after his predecessor had left the band. By the mid 70s Kiki Gyan had played with OSIBISA to giant audiences allover the world and met personalities from the international music scene such as Elton John and Mick Jagger. He was not only a steady keyboardist for OSIBISA but also a very popular session man for fellow African bands and musicians, among them OFEGE from Nigeria. He released a couple of solo albums and we take a closer look now at his second effort from 1979, “Feeling so good”. The music keeps what the title promises as this is a delightful example of joy manifesting in music. Everything is bright here, the grooves are complex and powerful, yet always accessible. The harmonies enchant you with their friendly approach. The African sun shines from each note played on this record. Gyan mixes Western disco sounds, funk, African traditional chants and reggae sounds into an ever flowing groove music that has lot's of melody and mesmerizes by the swirling percussion patterns. “Feeling so good” is an equally physical and spiritual affair and contains six lengthy tunes. Tunes that live from the tight interplay of all instruments, the crisp, clear and powerful production and a wild and steaming atmosphere. Kiki Gyan was on the step of entering the 'Hall of Legends' like Stevie Wonder did, to whom he often got compared to. His legacy remains huge, not only for African music but for all black music that ruled the early disco scene in the 70s and whose popularity is still at full blossom. Next to Fela Kuti and Geraldo Pino, Kiki Gyan can be called a true force in African pop music of the 70s!

Japanese pressing with OBI and insert. Copy close to NM

Split in top seam.

Japanese pressing with OBI!

Long awaited reissue for AOR fans is here! JIM Schmidt is a American Christian singer actived in 80's west coast and his only work "Somethin’Right" had been released in 1983 from Emerald Records, produced and arranged by Terry Winch. this work was highly regarded as a masterpiece of CCM (Contemporary Christian Music) AOR, the chorus participation of Richard Page and Steve George of Paiges and some tracks is compsed by Bob Wilson from Seawind and Roby Duke. AOR listeners can not stand with opening tune "Love Has Taken It All Away"! this reissue will come with OBI-strip.

Discs of Fun and Love return again with another 7 inch of pure soulful goodness, this time taking a trip to Wisconsin with Jimmy Mack's ‘Pop Goes The Weasel’. Originally released in 1983, this incredibly hard to find record comes with the original and an edit from one of the UK's most exciting producers and a great friend of the label, Bristol's Admin. Super sweet soul for the perfect moments in the dance.

Cover with OBI has tiny wear. Vinyl has some slight paper scuffs. Original Japanese pressing.

Promo copy.

Still sealed with hype sticker. 2022 reissue.

Small sticker on cover.

Copy is close to NM!