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Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it's finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It's a shift that rewards the risk, reorienting Khruangbin's transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that's always defined it. And it all started with them coming home. By the summer of 2019, the Houston group_bassist Laura Lee Ochoa, guitarist Mark Speer, drummer DJ Johnson_had been on tour for nearly three-and-ahalf years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together. Musically, the band's ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night. In those years away from home, Khruangbin's members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey_a moment all the more beautiful for its impermanence. And it's a memory to revisit again and again, speaking to us now more clearly than ever.

Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it's finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It's a shift that rewards the risk, reorienting Khruangbin's transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that's always defined it. And it all started with them coming home. By the summer of 2019, the Houston group_bassist Laura Lee Ochoa, guitarist Mark Speer, drummer DJ Johnson_had been on tour for nearly three-and-ahalf years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together. Musically, the band's ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night. In those years away from home, Khruangbin's members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey_a moment all the more beautiful for its impermanence. And it's a memory to revisit again and again, speaking to us now more clearly than ever.

Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it's finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It's a shift that rewards the risk, reorienting Khruangbin's transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that's always defined it. And it all started with them coming home. By the summer of 2019, the Houston group_bassist Laura Lee Ochoa, guitarist Mark Speer, drummer DJ Johnson_had been on tour for nearly three-and-ahalf years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together. Musically, the band's ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night. In those years away from home, Khruangbin's members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey_a moment all the more beautiful for its impermanence. And it's a memory to revisit again and again, speaking to us now more clearly than ever.

Driving anywhere in Texas can cost you half a day, easy. For example, it'll take you over four hours just to get from R&B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends its name to Bridges and Khruangbin's new collaborative EP. "Big sky country, that's what they call Texas," Khruangbin bassist Laura Lee says. "The horizon line goes all the way from one side to another without interruption. There's something really comforting about that." On Texas Sun, these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future-a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys boot-scooting at Billy Bob's in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state's rightfully celebrated sunsets. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, Texas Sun is guaranteed to get you where you're going-especially if you're in no particular hurry to get there.

The first studio recording with the group's new and permanent drummer Dan Weiss! Recorded at Colemine Records HQ with Leroi Conroy! For Fans of New Mastersounds, Soulive, Jimmy Smith, Khruangbin.

MN8's mash-up of Nina SIMONE's iconic "black IS THE Color OF MY True Love's Hair" and KHRUANGBIN's "A Hymn" is stunningly beautiful & haunting. MN8 retains the hypnotizing minimalist approach of the originals, while filling empty space with mystery & tension. Single-sided & hand stamped 7".

For fans of Khruangbin, El Michels Affair, Madlib and Bonobo. Features the singles ‘It’s Real, ‘Amnesia’, and ‘The Ocean’. Will Dorey aka Skinshape has proven himself time and again a connoisseur for the cosmopolitan, across a prolific career expertly exploring understated sounds and theatrical textures. Taking his place alongside the likes of Khruangbin, Tame Impala, Bonobo and Madlib, Skinshape’s global kaleidoscopes are loaded with warmth and wisdom created on vintage analogue equipment applying a perfectionist’s touch. As a former member of indie band Palace, he has played everywhere from Glastonbury and BBC Maida Vale to headlining Shepherd’s Bush Empire. Speaking on his latest record Craterellus Tubaeformis, Dorey remarks, "As I continue to make albums, I always try to capture some elements of the original Skinshape style. Here I ran through albums 1-3. This record is really an echo of the "Life & Love" era of Skinshape, playful psychedelia, with punchy beats, fun surprises, and an attempt at meaningful lyrics." Named after a very specific genus of edible mushroom, Craterellus Tubaeformis shares all the attributes of its nutritious counterpart due to how difficult both are to cultivate. Skinshape’s music is the product of a highly devoted and meticulous composer who uses some of the rarest analogue equipment out there. The product is such a definitive sound heard nowhere else but so easily identified as Skinshape.

For fans of Khruangbin, El Michels Affair, Tame Impala and Bonobo. “I spent a while thinking about the title for this album; it was quite hard to pin down the feeling I felt it represented. At a certain point I realised it was nostalgia, for everything; our life passed by, childhood, moments of happiness and sadness, where we grew up”. – Skinshape

Will Dorey aka Skinshape has proven himself time and again as a connoisseur for the cosmopolitan, across a prolific career expertly exploring understated sounds and theatrical textures. Taking his place alongside the likes of Khruangbin, Tame Impala, Bonobo and Madlib, Skinshape’s global kaleidoscopes are loaded with warmth and wisdom created on vintage analogue equipment applying a perfectionist’s touch. As a former member of indie band Palace, he has played everywhere from Glastonbury and BBC Maida Vale to headlining Shepherd’s Bush Empire. Conversely as a solo artist Skinshape has never played live preferring to record, releasing an album a year (two in 2020’s lockdown) and keeping away from the trappings of stardom.

The debut EP by singer and producer Pale Jay. The first batch of vinyl sold out quick so we had to order a new round. This time with a limited inside out print.

’The Celestial Suite’: a body of work rooted in the unconscious, displaying a deep connection between Pale Jay and his musical guides such as Donny Hathaway, J Dilla and Khruangbin. Pale Jay’s self-produced debut EP ‘The Celestial Suite’ showcases his fragile falsetto floating over dusty beats and serene strings glued together by ageless arrangements.

The international response so far has been positive through and through with tastemakers like Colors, BBC1xtra, BBC 6, BBC Sounds, Diffus, Wordplay Magazine and more showing love for Pale Jay and his soul soaked ballads.

The soft, mellow vibe of ‘Softboi’ is reminiscent of Khruangbin’s worldly funk, Mac Demarco, and Alice Phoebe Lou, and perfectly suits the summer mood. This album showcases an international approach with contributions from Parisian singer-songwriter Claudi Isaki, Swiss-German singer OG Florin and Brazilian Pedro Mizutani on three tracks. The result is an eclectic blend of dreamy lo-fi-pop, nu-jazz and indie soul with rich production that will take you on a lovely sonic journey. Escape the hustle and bustle of the outside world by pressing play. ‘Softboi’ is a perfect album for lazy, hazy summer days. - Twisted Soul Music / CF Smith Two bonus songs on the vinyl version, not available digitally.

Cloudy Clear Vinyl.Meernaa's So Far So Good travels perfectly with a glistening night out or a drive to a secret hideaway. It exists somewhere betweenR&B, jazz, psychedelic rock, art rock, and pop. As a genreless artist, it mirrors her constant struggle to balance a vibrant day to day of falling in and out of love, writing and recording music at her studio and the intensity in the back of her mind - her familial struggles concerning death, drugs, and instability. Meernaa's previously released singles "Another Dimension" and "On My Line`' introduce a celestial and soulful album. The weather of these songs is varied, the poetry shifting its winds from tender playfulness to desire. For fans of: Aldous Harding, Khruangbin, The Weather Station, War on Drugs, Kali Uchis, Perfume Genius, Cate Le Bon, Sade, Lucy Dacus."as intriguing as it is beguiling and mysterious." - The Line of Best Fit

Meernaa's So Far So Good travels perfectly with a glistening night out or a drive to a secret hideaway. It exists somewhere betweenR&B, jazz, psychedelic rock, art rock, and pop. As a genreless artist, it mirrors her constant struggle to balance a vibrant day to day of falling in and out of love, writing and recording music at her studio and the intensity in the back of her mind - her familial struggles concerning death, drugs, and instability. Meernaa's previously released singles "Another Dimension" and "On My Line`' introduce a celestial and soulful album. The weather of these songs is varied, the poetry shifting its winds from tender playfulness to desire. For fans of: Aldous Harding, Khruangbin, The Weather Station, War on Drugs, Kali Uchis, Perfume Genius, Cate Le Bon, Sade, Lucy Dacus."as intriguing as it is beguiling and mysterious." - The Line of Best Fit

Timmion Records adds new talent to their ranks withRosettes' latest 7" vinyl single, introducing two tracks bythe group that seamlessly blend elements of soul and jazzwith a smooth pop sensibility. As a group that some havecoined "Khruangbin of the North" Rosettes bring a freshcinematic perspective to contemporary soul music.On the A-side, "Souvenir", offers a mellow and introspectivedeep soul experience, showcasing lead singer Tytti Roto'sknack for emotive storytelling and displaying the band'sversatility and melodic depth. Meanwhile, the B-side's"Green Ray," they deliver a psychedelic soul grooverpropelled by a funky backbeat, inviting listeners on arootsy sonic journey that might be best observed behindcolor-tinged 1960s sunglasses.Faithfully drawing inspiration from innovators likeCymande and Isaac Hayes the band infuses their soundwith experimental elements, but still ensure that the songsremain catchy and accessible. These two understatedbangers will surely win the hearts of anybody, who likestheir soul raw and independent.

Timmion Records adds new talent to their ranks withRosettes' latest 7" vinyl single, introducing two tracks bythe group that seamlessly blend elements of soul and jazzwith a smooth pop sensibility. As a group that some havecoined "Khruangbin of the North" Rosettes bring a freshcinematic perspective to contemporary soul music.On the A-side, "Souvenir", offers a mellow and introspectivedeep soul experience, showcasing lead singer Tytti Roto'sknack for emotive storytelling and displaying the band'sversatility and melodic depth. Meanwhile, the B-side's"Green Ray," they deliver a psychedelic soul grooverpropelled by a funky backbeat, inviting listeners on arootsy sonic journey that might be best observed behindcolor-tinged 1960s sunglasses.Faithfully drawing inspiration from innovators likeCymande and Isaac Hayes the band infuses their soundwith experimental elements, but still ensure that the songsremain catchy and accessible. These two understatedbangers will surely win the hearts of anybody, who likestheir soul raw and independent.

For Fans Of Khruangbin, El Michels Affair, William Onyeabor.Fantasy 15 Is A Band Of Mortal Fighters Striving To Prevent An Evil & Merciless Digital Government From Destroying The Entiregalaxy...Armed With Analog Synthesizers And A Never Ending Supply Of Primordial Rhythms Reminiscent Of Nigerian Funk, Brazilian Tropicalia And New York City New Wave, The Rebel Group Works Diligently Day And Night To Save All Of Humanity From The Horrors Of Robotic Automation. When They Are Not Busy Saving The World, Fantasy 15 Serve As The House Band For Philadelphia-Based "Synth & Soul" Record Label Eraserhood Sound. The Group Are Proud To Beam Their Latest 45 "Burgundy Mist B/W Percy St." Into Earth's Atmosphere In Early 2021.Lead Single "Burgundy Mist" Is A Lush, Tropical Slow Jam Featuring A Sophisticated Rhythm Section, Electrifying Guitars, And Euphoric Flutes. Flip Side "Percy St." Features A Hypnotic Groove, Bolts Of Analog Synthesizer, And Angelic Vocal Harmonies. This 45 Proves To Be Another Masterful Slice Of Intergalactic Synth Funk From Fantasy 15.

Re-issued and remastered. Genre - Funk/Jazz/Soul/Psyche. 'Life & Love' is the third album from Skinshape (with 'Filoxiny' being his fourth). Written, Recorded and Produced by Will Dorey at the Arch Studio, London, and in his bedroom. Great melting pot of styles and tunes, D.I.Y. Funk Soul Jazz. Recommended if you're into Khruangbin. Skinshape is the project of British musician William Dorey. The sound has roots in many genres but in particular 1960s-0s Funk, Soul, Reggae, Psychedelic Rock, Afrobeat and Folk. Skinshape grew out of a love for old music and the way it sounded. Initially Dorey experimented with samples (especially drum breaks) to create instrumental Hip-Hop/Trip-Hop tracks but then later started to play around with tape machines as a means to create his own 'samples'. This process gave birth to Skinshape with all elements being recorded by Dorey since the first self-titled album released in 2014. Aside from the Skinshape project Dorey was bassist for the band Palace from 2014-2017 and runs a reggae label called Horus Records based in North London.

Lead single from Skinshape’s 8th Studio Album ‘Craterellus Tubaeformis’. For fans of Khruangbin, El Michels Affair, Madlib, Bonobo. A perfect taster of Skinshape’s latest album ‘Craterellus Tubaeformis’ is this double header featuring the laid-back vocals from the man himself. The joyous feel of ‘It’s Real’ sounds as if it’s been lifted from a classic blues album but with a contemporary feel. ‘Amnesia’ keeps a similar vibe with thoughtful lyrics leading to a deeper track than the production may initially suggest. Will Dorey’s ambiguous words on the tracks It's Real: “I shall leave you to decide what the song is about. Musically, it's straight-up 1960s British blues era style. Phased guitar solos, 12-string acoustic chugging along. All that.” Amnesia: “Following the course of slightly psych-edged bedroom pop. Is it pop? I shall leave you to discern the lyrical meaning.” Support from BBC 6 Music, BBC Radio 2, Jazz FM, Soho Radio, Mojo, Uncut, Shindig etc

Big Crown records is proud to present the first single from The Shacks debut album Haze, out worldwide March 30th. Since the release of their self titled EP in 2016 The Shacks have been collecting fans that are fast becoming as hypnotized as we've been since first hearing Shannon’s ethereal voice on top of “Strange Boy"". Highlights of the year have been opening tours for Chicano Batman, and Khruangbin, as well as ""This Strange Effect"" becoming world famous via the Apple iPhone 8 ad campaign. The A side, “Follow Me”, was one of the first songs recorded for Haze almost two years ago. With “black mirror” esque lyrics over a hypnotic mid tempo groove, Follow Me leaves you feeling joyful, calmed, and queasy, all at the same time. The B side “Texas” is an another song from their upcoming album. Recorded in Max Shrager's home studio in Princeton and then finished with Leon Michels at the Diamond Mine in Queens. Texas is a perfect representation of The Shacks signature sound with Shannon’s voice balancing out the gritty yet smooth production.

The Hammond Organ is lead singer on this soulful and orchestral journey about industrial decay and the death of the steel town. Deep from the rusted steel mills of Youngstown, Ohio, we bring you the much-anticipated reissue of the melting debut from the Scone Cash Players. It's the same organist that brought you the screaming organ on all those Daptone favorites from The Sugarman Three. Scone was behind that organ bench on the modern classics as follows. "Sugar's Boogaloo", "Soul Donkey", "Pure Cane Sugar", and "What the World Needs Now." Adam Scone entered the studio on Dunham Street in Brooklyn. He was wearing a blue Adidas jumpsuit. The studio had just opened. At the helm were his old compadres from The Dap-Kings. Namely Thomas Brenneck, Eric Kalb, Homer Steinweiss and lan Hendrickson-Smith. They make up the "Bliss Machine" behind Scones's groove. It was a truly rare moment to catch these masters of music and taste in between tours of Sharon Jones and Charles Bradley. Tommy put the mics around. Scone powered up the organ. The analog tape machine turned and turned until they couldn't turn anymore. These songs were recorded. We worked all day and all night. Tears were shed. Espresso was made. There was beer on tap. 3 days of life were taken to make this album. We will never get them back. They were distilled to 40 minutes of pure emotion. It's a tale of woe. It's a tale of leaving art for responsibility. It's a farewell to an era. It's a journey that the Hammond B3 organ wasn't accustomed to. You can't compare this album to any other organ record. Don't expect to hear what you want. Free your mind. Be open. Your world is going to feel the heat of the BLAST FURNACE! It never quite feels how you want it to. Don't get burned...FOR FANS OF: Delvon Lamarr Organ Trio, The Sure Fire Soul Ensemble, New Mastersounds, Soulive, Jimmy Smith, Khruangbin

Limited to 300 copies.

Eric Krasno is a two-time Grammy winning guitarist, musician and producer best known for his work with Soulive, Lettuce, Tedeschi Trucks Band & Pretty Lights. Krasno has been nominated for a Grammy a total of seven times for Best Blues Album, Best Contemporary Blues, Best R&B, and Best Electronic Album. Otis McDonald is a producer/multi-instrumentalist best known for his copyright free music released exclusively through the YouTube audio library, amassing over 5 million downloads and over 25 million streams. Mike Chiavaro is a Brooklyn based electric and upright bass player with an impressive history. Combined they form King Canyon, blending their unique styles into an infectious groove filled project with healthy doses of R&B/Soul and funk. The vibe will resonate with fans of Khruangbin, Bobby Caldwell, Allman Brothers, Soulive, Lettuce, El Michels Affair, Unknown Mortal Orchestra, Menahan Street Band, Durand Jones and the Indications, and Son Little (who's featured on one of the tracks). In the perfect quarantine story the trio forged a relationship and has yet to meet in person. In April of 2020 in the midst of quarantine, Eric Krasno came across Otis McDonald’s music on Instagram and immediately became a fan. Months later, McDonald who had been working on music with his longtime friend, Mike Chiavaro, enlisted Krasno to add in some guitar to the mix and before they knew it, the trio had an album's worth of material and thus King Canyon was born. The guys have still yet to meet in person, but despite this, the grooves are insatiable. The writing and feel are unlike any other projects these musicians have been involved with previously.

The Hammond Organ is lead singer on this soulful and orchestral journey about industrial decay and the death of the steel town. Deep from the rusted steel mills of Youngstown Ohio, we bring you the much-anticipated reissue of the melting debut from the Scone Cash Players. It's the same organist that brought you the screaming organ on all those Daptone favorites from The Sugarman Three. Scone was behind that organ bench on the modern classics as follows. "Sugar's Boogaloo", "Soul Donkey", "Pure Cane Sugar", and "What the World Needs Now." Adam Scone entered the studio on Dunham Street in Brooklyn. He was wearing a blue Adidas jump suit. The studio had just opened. At the helm were his old compadres from The Dap-Kings. Namely Thomas Brenneck, Eric Kalb, Homer Steinweiss and lan Hendrickson-Smith. They make up the "Bliss Machine" behind Scones's groove. It was a truly rare moment to catch these masters of music and taste in between tours of Sharon Jones and Charles Bradley. Tommy put the mics around. Scone powered up the organ. The analog tape machine turned and turned until they couldn't turn any more. These songs were recorded. We worked all day and all night. Tears were shed. Espresso was made. There was beer on tap. 3 days of life were taken to make this album. We will never get them back. They were distilled to 40 minutes of pure emotion. It's a tale of woe. It's a tale of leaving art for responsibility. It's a farewell to an era. It's a journey that the Hammond B3 organ wasn't accustomed to. You can't compare this album to any other organ record. Don't expect to hear what you want. Free your mind. Be open. Your world is going to feel the heat of the BLAST FURNACE! It never quite feels how you want it to. Don't get burned...FOR FANS OF: Delvon Lamarr Organ Trio, The Sure Fire Soul Ensemble, New Mastersounds, Soulive, Jimmy Smith, Khruangbin