Search "christmas" 78 Items

Red viny.

A ho, ho, heatrock of a holiday 45 that burns well beyond the Christmas season. Pat Van Dyke is a multi-instrumentalist, composer, producer, and band leader who has gathered praise from the likes of Wax Poetics, Flea Market Funk, Gilles Peterson, Bobbito Garcia, Pitchfork, and more. These recordings of his with vocalist Jeff Taylor serve as a sureshot dose of blue-eyed soul—best enjoyed fireside with a light snowfall. At the very least fire up that burning log on the television. This is that warm, analog sound you've come to expect from Van Dyke. Lush vocals, soulful saxophone, and a cherub choir complete that classic Christmas Sound on this limited-edition 45. Both tracks are originals and both are mastered by the legendary K-Def.

Having noticed that Christmas tends to be an annual event and that vinyl is suffering a resurgence, we here at Ace have put the two together and extracted 14 blues, R&B and doo wop sides from our Christmas R&B compact disc and turned them into a seasonal platter.

A mostly upbeat selection that will certainly help you and yours get through these fraught times.

Blues stars like B.B. King and Lowell Fulsom, with their ripping up-beat guitars join forces with the mellower mistletoe sounds of Hadda Brooks and Jesse Belvin.

This positive view of seasonal goodwill was probably down to the fact that all these sides were cut in Los Angeles in the warm California sun.

For more than 50 years, Tower of Power has captivated music lovers with their unique blend of R&B, Funk, Soul, and Jazz spearheaded by the iconic Tower Horns. For the very first time, that distinctive Tower of Power sound puts some soul into the holiday spirit with the album "It's Christmas"-a collection of holiday classics and two original Christmas songs. For vinyl collectors and aficionados, the album comes as both an eye-popping stand-alone red vinyl LP and a Limited-Edition red vinyl version that includes a 7" vinyl inside featuring the Channukah song "Maoz Tzur" on side A and a Christmas medley on the B side.

record has a mark, close to VG+

Sleeve has water damage and wear.

The soul and funk music collective Nación Funk All-Stars and singer Koko Jean-Davis return with Soulful Christmas Vol. II, their Christmas project. This new 7″ on vinyl, includes covers of the holiday classics 'What Christmas Means To Me' and 'Gee Wiz, It's Christmas'.

We are excited to announce the release of the Complete James Brown Christmas Collection, a three-LP set featuring music from 1966-1970. You absolutely don’t need to be a holiday music lover to fall in love with the music spilling out over these James Brown records, as most of the tracks are original compositions that hold their own against many of the grooves that Brown was recording during this high-water mark of his career.

With bonus tracks galore and fantastic liner notes by Alan Leeds (former James Brown publicist and tour manager), and mastered/cut by legendary mastering engineer Kevin Gray, this is a must-have—even if you have to give yourself a well-earned, early musical present this year.Complete James Brown Christmas Recordings w/ Bonus Tracks

Triple LP Gatefold Includes Original Album Artwork Mastered and Cut By Kevin Gray Liner Notes by Alan Leeds, Former James Brown Publicist and Tour Manager Sourced from High Resolution Audio High Quality Vinyl Release

For more than 50 years, Tower of Power has captivated music lovers with their unique blend of R&B, Funk, Soul, and Jazz spearheaded by the iconic Tower Horns. For the very first time, that distinctive Tower of Power sound puts some soul into the holiday spirit with the album "It's Christmas"-a collection of holiday classics and two original Christmas songs. For vinyl collectors and aficionados, the album comes as both an eye-popping stand-alone red vinyl LP and a Limited-Edition red vinyl version that includes a 7" vinyl inside featuring the Chanukah song "Maoz Tzur" on side A and a Christmas medley on the B side.

Random Colored Vinyl.

On top of tree and cookies, a successful Christmas should also include proper music. If your household only holds one Christmas album, it should definitely be “Ella Wishes You A Swinging Christmas”. Ella Fitzgerald sings like an angel and swings so hot that it's barely allowed at that celebration. The classic album from 1960, which Rolling Stone placed at number 10 on its “25 Greatest Christmas Albums of All Time” list, is now available in the most appealing edition ever, as a festive red, remastered LP with a fresh new cover design. Give it to your loved ones - or to yourself.

Joseph Washington Jr.'s 1983 holiday LP putsa soulful, funky, suave ribbon on nine frostyChristmas cuts. In that season of music'straditional descent into threadbare schmaltz,Merry Christmas to You restores joy andwonder to a blizzard of bland. Under thistree, find undiscovered classics for our cynicalage: the buoyant "Jesus' Birthday," the hotand bothered soul of "Merry Christmas," theridiculously catchy wallet-opener "Shopping."The world of records produces just a preciousfew yuletide keepers: Spector's A ChristmasGift for You; Fahey's The New Possibility;Guaraldi's indelible Charlie Brown Christmas.Down another nog and file Joseph WashingtonJr. comfortably next to those.

Green VinylJoseph Washington Jr.'s 1983 holiday LP putsa soulful, funky, suave ribbon on nine frostyChristmas cuts. In that season of music'straditional descent into threadbare schmaltz,Merry Christmas to You restores joy andwonder to a blizzard of bland. Under thistree, find undiscovered classics for our cynicalage: the buoyant "Jesus' Birthday," the hotand bothered soul of "Merry Christmas," theridiculously catchy wallet-opener "Shopping."The world of records produces just a preciousfew yuletide keepers: Spector's A ChristmasGift for You; Fahey's The New Possibility;Guaraldi's indelible Charlie Brown Christmas.Down another nog and file Joseph WashingtonJr. comfortably next to those.

Joseph Washington Jr.’s 1983 holiday LP puts a soulful, funky, suave ribbon on nine frosty Christmas cuts. In that season of music’s traditional descent into threadbare schmaltz, Merry Christmas to You restores joy and wonder to a blizzard of bland. Under this tree, find undiscovered classics for our cynical age: the buoyant “Jesus’ Birthday,” the hot and bothered soul of “Merry Christmas,” the ridiculously catchy wallet-opener “Shopping.” The world of records produces just a precious few yuletide keepers: Spector’s A Christmas Gift for You; Fahey’s The New Possibility; Guaraldi’s indelible Charlie Brown Christmas. Down another nog and file Joseph Washington Jr. comfortably next to those.

First Lady of Song Ella Fitzgerald overcame the challenges of a tumultuous youth through music, her performances with the Chick Webb Orchestra at the Savoy Ballroom and distinctive scat singing leading to early recordings and the 1938 breakthrough, ‘A Tisket A Tasket.’ After recording bebop LPs for Decca, manager Norman Granz launched the Verve label to allow her to broaden her musical horizons, exploring the Great American Songbook. Released in 1960, Ella Wishes You A Swinging Christmas sees her tackle Christmas classics as only Ella can, the lavish orchestration overseen by noted conductor Frank de Vol.

This single includes two rarities from The Pepper Pots vaults. ‘Christmas Is Here (Sound The Trumpet)’ is an unreleased cover from The Wailers recorded with Binky Griptite (Sharon Jones & The Dap-Kings) during the sessions of their 2009 album ‘Now!’. ‘You’re The One’ was recorded in 2010 and had only be released as part of the French compilation Pop’n Foot. This single is part of the collection of 7” celebrating the 15th anniversary of the label Buenritmo Records.

Presenting the platinum certified (RIAA) “Best Of” that has never before been released on vinyl. Includes the Holiday favourite “This Christmas” as well as his famous duets with Roberta Flack “The Closer I Get to You” and “Where Is The Love”. This collection been the go-to for Donny Hathaway fans old and new for 30 years, now pressed here on Dark Purple Vinyl.

While most of us will (sadly) not be going anywhere this holiday season, we can still get a musical taster of what it would be like Chilling at Christmas in the St Petersburg studio of modern funk apostles the Vicious Seeds. Their festive offering is a drowsy, deep, slow and laidback affair - the kind of jazzy instrumental soul and funk that would probably go well with a few mince pies and a needlessly large glass of port. A-side 'Meeting at Flea Market' is particularly lovely, with trombone and trumpet-heavy riffs and leisurely jazz guitar solos making themselves comfortable atop crunchy, deep (filled) funk drums. 'Shades of Pale', meanwhile, is even deeper, warmer and more bass-heavy, with some of the laziest and jazziest electric guitar solos we've ever heard. Delicious!

Robert Glasper’s holiday album In December was released last year as an Apple Music exclusive. We’re now able offer it widely available to physical retail and all DSPs!



Is there anything to be done with carols like “God Rest Ye Merry Gentlemen” and “Joy to the World” that hasn’t been done in the past 300 years? If there is, Grammy-winning pianist, composer, and producer Robert Glasper is the kind of artist to do it. “I like covering songs that people know well,” Glasper tells Apple Music. “That’s what I’ve done throughout my whole career.” It’s true: As a jazz pianist, he’s obviously learned his way around making classics his own, whether they were written by Mongo Santamaría or Kurt Cobain. But, he says, “The biggest challenge in making a holiday album was trying to do it in a way that feels festive but at the same time feels real and not corny.”



He succeeds on both fronts on In December, his holiday album that mixes classic carols with a set of originals, and which was recorded in Spatial Audio. Part of what keeps it credible is the fact that Glasper’s hiphop/R&B/jazz fusion is done on a compositional level instead of just a cosmetic one (no collages of sampled sax solos and drum loops here). The covers reveal a lot about his musical worldview: Sung by Tony winner Cynthia Erivo (The Color Purple), “God Rest Ye Merry Gentlemen” is turned into dark, airy neo-soul, while “Joy to the World”—sung by Alex Isley—feels like a Stevie Wonder ballad. But the originals reveal even more. “The intention for this album was less about Christmas songs and more about songs that feel good during the holidays,” Glasper says. “I stayed away from thinking too much about Christmas and its traditional lingo, and concentrated on real things people go through during the holiday season.”

"A Joyful Sound" is a future soul classic with all the elements of a classic R&B record, but simply with a joyful holiday lean. With an all-star supporting cast of who's who from the contemporary soul scene this record is truly a family affair with Kelly at the wheel. Featuring members of Durand Jones & The Indications, The Dap-Kings, Ghost Funk Orchestra, Monophonics, Thee Sinseers, Orgone, Ikebe Shakedown, Jason Joshua & The Beholders, The True Loves, Neal Francis, Jungle Fire, Delvon Lamarr Organ Trio, Ben Pirani, The Jive Turkeys, The Harlem Gospel Travelers, Rudy De Anda, Alanna Royale, and more! Inspired by records like Phil Spector's "A Christmas Gift For You" and Rotary Connection's "Peace" this album will be a record that will appeal not only to lovers of holiday music, but lovers of Soul music in general!

This is Kelly Finnigan's third full-album production in just under two years, including his debut LP "The Tales People Tell" and Monophonics' most recent effort "It's Only Us". He is rapidly establishing himself as a key producer, songwriter, and performer in the current soul scene.

Vinyl congratulations on a great life anniversary

A total of thirteen hits and one brand new song from this year make up the contents of this anniversary LP. It is no coincidence that Ms. Marie is called Lady Soul, as a significant portion of her repertoire has a connection to Native African American soul, blues or rhythm and blues music.

In the beginning, it was often sympathetically expressive singing, so typical for singers originally from Ostrava or sent from Ostrava to the world. The great band Flamingo / Plameňaci was a sovereign support of the adopted versions of overseas, but actually worldwide hits, moreover, for example Richard Kovalcik or Jaroslav Wykrent delivered comparably excellent songs.

The most frequent lyricist, Vladimir cort, was able to write words to them that allowed for precisely phrased singing and the necessary arching ballads. An interesting fact is the triple family authorship: the song “Labute” (Swans) was written by Marie Rottrova herself, the wonderfully melodic “Kdyz hvezda pada” (When the Star Falls) was composed by her then husband Vlastimil Kucaj and this year’s new song by her son Vit Rotter.

The Christmas balladic song completes the collection of rhythmically stirring, danceable and gospel songs. Ray Charles or Aretha Franklin, Don Covay or the duo Ashford + Simpson, plus many others performed by Marie Rottrova – and several times by her excellent duet partner Petr Nemec – represent an essential part of the repertoire of the lady to whom the word soul rightly belongs.

Distance as a measure of time and place informs Kelly Finnigan's, A Lover Was Born with a grit and grace that turns passion into virtue. The latest solo release from The Monophonics frontman roots itself in the best traditions of midwest soul labels like King, Curtom, Dakar, and the Bodie Recording Company. A Lover Was Born is a testimony that these deep cut grooves are not resigned to nostalgia, instead, they are at the burning heart of longing and hope. The journey Finnigan takes listeners on over Lover's eleven tracks echo the state of motion and growth since his solo debut, The Tales People Tell (2019). These two records bookend a prolific period of output, including a pair of Monophonics albums, a Christmas album, a mixtape, and a full slate of producing other artists (The Ironsides, Alanna Royale, the Sextones). "There's nothing like making records," says Finnigan. "It feels like that's my purpose _ the reason I was put on this earth." Written in California, Ohio, and Staten Island, Kelly Finnigan collaborated with old friends in and outside the studio. "I enjoy working alone but it's not how you want to make a record_almost everybody I brought in for this album I've worked with, toured with or spent a great deal of time with." Max and Joe Ramey (The Ironsides), Jimmy James (Parlor Greens), Sergio Rios (Orgone), Joey Crispiano (Dap Kings) and Jay Mumford (aka J-Zone) all contribute to the overall sound of A Lover Was Born. Dramatic influences like Isaac Hayes (check out the piano on "Be Your Own Shelter") and Jerry Ragovoy are chopped and folded into Northern Soul uptempo numbers to create stompers like "Get a Hold of Yourself" or "Chosen Few". Finnigan's take on Deep Soul is captured brilliantly on "Walk Away from Me" and "Love (Your Pain Goes Deep)", while Boom Bap pervades on hard hitters "His Love Ain't Real" & "Cold World". Slower songs such as "Let Me Count the Reasons", the emotional "All That's Left", and the soul-stirring album closer "Count Me Out" show the honest and tender side that has become Finnigan's calling card. All the while, the voice is raw and earthy _ in the best tradition of R&B shouters like Otis Redding, Lee Moses, and David Ruffin. The songs on A Lover Was Born reconfigure the spliced and sampled DNA of hip hop (extracted by crate diggers like Dilla and Rza) to create something new, underscoring both the spectrum and depth of soul while making a case to the timelessness of Finnigan's sound.

Distance as a measure of time and place informs Kelly Finnigan's, A Lover Was Born with a grit and grace that turns passion into virtue. The latest solo release from The Monophonics frontman roots itself in the best traditions of midwest soul labels like King, Curtom, Dakar, and the Bodie Recording Company. A Lover Was Born is a testimony that these deep cut grooves are not resigned to nostalgia, instead, they are at the burning heart of longing and hope. The journey Finnigan takes listeners on over Lover's eleven tracks echo the state of motion and growth since his solo debut, The Tales People Tell (2019). These two records bookend a prolific period of output, including a pair of Monophonics albums, a Christmas album, a mixtape, and a full slate of producing other artists (The Ironsides, Alanna Royale, the Sextones). "There's nothing like making records," says Finnigan. "It feels like that's my purpose _ the reason I was put on this earth." Written in California, Ohio, and Staten Island, Kelly Finnigan collaborated with old friends in and outside the studio. "I enjoy working alone but it's not how you want to make a record_almost everybody I brought in for this album I've worked with, toured with or spent a great deal of time with." Max and Joe Ramey (The Ironsides), Jimmy James (Parlor Greens), Sergio Rios (Orgone), Joey Crispiano (Dap Kings) and Jay Mumford (aka J-Zone) all contribute to the overall sound of A Lover Was Born. Dramatic influences like Isaac Hayes (check out the piano on "Be Your Own Shelter") and Jerry Ragovoy are chopped and folded into Northern Soul uptempo numbers to create stompers like "Get a Hold of Yourself" or "Chosen Few". Finnigan's take on Deep Soul is captured brilliantly on "Walk Away from Me" and "Love (Your Pain Goes Deep)", while Boom Bap pervades on hard hitters "His Love Ain't Real" & "Cold World". Slower songs such as "Let Me Count the Reasons", the emotional "All That's Left", and the soul-stirring album closer "Count Me Out" show the honest and tender side that has become Finnigan's calling card. All the while, the voice is raw and earthy _ in the best tradition of R&B shouters like Otis Redding, Lee Moses, and David Ruffin. The songs on A Lover Was Born reconfigure the spliced and sampled DNA of hip hop (extracted by crate diggers like Dilla and Rza) to create something new, underscoring both the spectrum and depth of soul while making a case to the timelessness of Finnigan's sound.

Distance as a measure of time and place informs Kelly Finnigan's, A Lover Was Born with a grit and grace that turns passion into virtue. The latest solo release from The Monophonics frontman roots itself in the best traditions of midwest soul labels like King, Curtom, Dakar, and the Bodie Recording Company. A Lover Was Born is a testimony that these deep cut grooves are not resigned to nostalgia, instead, they are at the burning heart of longing and hope. The journey Finnigan takes listeners on over Lover's eleven tracks echo the state of motion and growth since his solo debut, The Tales People Tell (2019). These two records bookend a prolific period of output, including a pair of Monophonics albums, a Christmas album, a mixtape, and a full slate of producing other artists (The Ironsides, Alanna Royale, the Sextones). "There's nothing like making records," says Finnigan. "It feels like that's my purpose _ the reason I was put on this earth." Written in California, Ohio, and Staten Island, Kelly Finnigan collaborated with old friends in and outside the studio. "I enjoy working alone but it's not how you want to make a record_almost everybody I brought in for this album I've worked with, toured with or spent a great deal of time with." Max and Joe Ramey (The Ironsides), Jimmy James (Parlor Greens), Sergio Rios (Orgone), Joey Crispiano (Dap Kings) and Jay Mumford (aka J-Zone) all contribute to the overall sound of A Lover Was Born. Dramatic influences like Isaac Hayes (check out the piano on "Be Your Own Shelter") and Jerry Ragovoy are chopped and folded into Northern Soul uptempo numbers to create stompers like "Get a Hold of Yourself" or "Chosen Few". Finnigan's take on Deep Soul is captured brilliantly on "Walk Away from Me" and "Love (Your Pain Goes Deep)", while Boom Bap pervades on hard hitters "His Love Ain't Real" & "Cold World". Slower songs such as "Let Me Count the Reasons", the emotional "All That's Left", and the soul-stirring album closer "Count Me Out" show the honest and tender side that has become Finnigan's calling card. All the while, the voice is raw and earthy _ in the best tradition of R&B shouters like Otis Redding, Lee Moses, and David Ruffin. The songs on A Lover Was Born reconfigure the spliced and sampled DNA of hip hop (extracted by crate diggers like Dilla and Rza) to create something new, underscoring both the spectrum and depth of soul while making a case to the timelessness of Finnigan's sound.

Distance as a measure of time and place informs Kelly Finnigan's, A Lover Was Born with a grit and grace that turns passion into virtue. The latest solo release from The Monophonics frontman roots itself in the best traditions of midwest soul labels like King, Curtom, Dakar, and the Bodie Recording Company. A Lover Was Born is a testimony that these deep cut grooves are not resigned to nostalgia, instead, they are at the burning heart of longing and hope. The journey Finnigan takes listeners on over Lover's eleven tracks echo the state of motion and growth since his solo debut, The Tales People Tell (2019). These two records bookend a prolific period of output, including a pair of Monophonics albums, a Christmas album, a mixtape, and a full slate of producing other artists (The Ironsides, Alanna Royale, the Sextones). "There's nothing like making records," says Finnigan. "It feels like that's my purpose _ the reason I was put on this earth." Written in California, Ohio, and Staten Island, Kelly Finnigan collaborated with old friends in and outside the studio. "I enjoy working alone but it's not how you want to make a record_almost everybody I brought in for this album I've worked with, toured with or spent a great deal of time with." Max and Joe Ramey (The Ironsides), Jimmy James (Parlor Greens), Sergio Rios (Orgone), Joey Crispiano (Dap Kings) and Jay Mumford (aka J-Zone) all contribute to the overall sound of A Lover Was Born. Dramatic influences like Isaac Hayes (check out the piano on "Be Your Own Shelter") and Jerry Ragovoy are chopped and folded into Northern Soul uptempo numbers to create stompers like "Get a Hold of Yourself" or "Chosen Few". Finnigan's take on Deep Soul is captured brilliantly on "Walk Away from Me" and "Love (Your Pain Goes Deep)", while Boom Bap pervades on hard hitters "His Love Ain't Real" & "Cold World". Slower songs such as "Let Me Count the Reasons", the emotional "All That's Left", and the soul-stirring album closer "Count Me Out" show the honest and tender side that has become Finnigan's calling card. All the while, the voice is raw and earthy _ in the best tradition of R&B shouters like Otis Redding, Lee Moses, and David Ruffin. The songs on A Lover Was Born reconfigure the spliced and sampled DNA of hip hop (extracted by crate diggers like Dilla and Rza) to create something new, underscoring both the spectrum and depth of soul while making a case to the timelessness of Finnigan's sound.