Search "record store day" 4097 Items

Release: 2023 / UK – Original

Genre: Organic Grooves

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12" | 1988 | US | Original (N.A.M.E. Brand Record Company)

Plunky Nkabinde

World Class Sax

69,99 €*

Keep The Fire Burning / Funky Sensation

Release: 1988 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG

Still sealed.
Cover corners slightly dented, faint storage abrasions visible through shrink.

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Gwen McCrae

12" | 1981 | UK | Reissue (Expansion)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Evil Deeds / Time & Space

Smith & Gordera

7" | 2022 | US | Original (Preservation Project)

Jack Waterson Instrumentals

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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These sides are prototypical for the "Sounds Like Santana" genre coined at the Friends of Sound record store in Austin, TX years ago. Heavy Latin Rock fusion on these tracks, with just a pinch of Jazz thrown in for good measure. "Evil Deeds" starts right into it the moment the needle hits the groove on your turntable - heavy organ, percussion, shakers, and guitar all greet your ears. Moving into the track you get the typical shredding guitar solo, organ solo, and a sax solo, for good measure. "Time and Space" starts with a nod to the classic Dave Brubeck "Take Five" and continues on an adventure into a more psychedelic groove and more of a Rock vibe. Time changes and tempo shifts and big solos round out the side.

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Adrian Younge

LP | 2019 | US | Original (Linear Labs)

23,99 €*

Release: 2019 / US – Original

Genre: Organic Grooves

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Jack Waterson is the acid that Adrian never took as a kid. The result, as you’d expect, is both colorful and dark; full of sonic and musical surprises. The creative relationship they have questions the social order of the United States, yet theirs is a quintessentially American Story: Kindred spirits.
Punk rock and hip hop came from the same place, fueled by identical sentiments: people taking the music back, reclaiming it, and finding a new audience. Waterson, primed from the mid-70s Punk scene, began his musical career in ’79 as a founding member of Green on Red. They inspired artists as diverse as My Bloody Valentine, Wilco and Mazzy Star with their records and psychedelic palette. Years later, Waterson continued his influential journey by opening the revered musical instrument store, Future Music, a Los Angeles staple.
In ’99, an 18 year-old Younge realized that he wanted to create music that sounded like the records he was sampling. Unbeknownst to him, he serendipitously wandered into Future Music. It’s there, he realized his dream was possible. Intrigued by the stores focus on pre ’83 equipment, Waterson soon became a mentor in developing Younge’s unique analog sound. They spoke heavily about the importance of vintage equipment and it’s use in creating revolutionary worlds.
During these years, Waterson schooled Younge on psych and art rock; Younge returned the favor by schooling him on Hip Hop, the origins of sampling, and its source music. Together this unlikely duo manifested new revolutionary worlds with Waterson appearing on every Younge album within the last decade.

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LP | 2023 | EU | Original (Soul 4 Real)

Win Or Lose

LP | 2021 | EU | Original (Wewantsounds)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Welcome to Soul4Real’s second album, a collection of originally unreleased tracks which feature a whole host of soul royalty.

First off are two songs from the inimitable Bobby Bland, both of which hail from his prolific period at Duke Records.

Sandwiched between two stunning Chicago recordings by Etta James is the later “I Never Meant To Love Him”, taken from a Philly session she recorded with Bobby Martin.

Fontella Bass brings this side to a close with a mysterious Chicago recording of which, to this day, hardly anything is known.

Side two transports us to Detroit, when Motown was at the peak of its output. 1966 was not a good year to secure the approval of quality control, as proven in the rejection of this wonderful Velvelettes´ version of “Your Heart Belongs To Me”.

It was in that same year that Ashford and Simpson arrived at Hitsville as both singers and songwriters. Their “Love Woke Me Up This Morning” was recorded by Brenda Holloway and produced by Norman Whitfield. Despite being overlooked at the time, its appeal was undeniable, and it later resurfaced on albums by Marvin & Tammi, Valerie Simpson, and the Temptations.

As an integral member of the Motown family for over 14 years, it is surprising that to date only three songs recorded by Johnny Bristol have surfaced. In collaboration with ‘Mickey’ Stevenson “Tell Me How To Forget A True Love” was completed in May 1964.

“One Lucky Day I Found You” was inexplicably not included in the ‘David’ project. Ruffin´s later work with Van McCoy is also featured on this album.

From almost the start of his career, Marvin Gaye had endeavored to project himself as a great balladeer, and nothing could illustrate this better than his rendition of “I Wish I Didn’t Love You So”, which brings this chapter to a perfect end. - Chris Forrest

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Robert Cotter

Missing You

33,99 €*

Keep The Fire Burning / Funky Sensation

Release: 2021 / EU – Original

Genre: Organic Grooves

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Wewantsounds is delighted to announce the reissue of Robert Cotter's ultra rare 1976 album, 'Missing You' in partnership with Robert Cotter himself. Originally released on the Tiger Lily label, the album was never properly released at the time and most of the copies were supposedly destroyed before they could hit record stores. The few copies that survived now command unreasonable prices. The album, recorded in New York between 1975 and 76, is also the only known recording by The Big Apple Band, which Robert Cotter was fronting at the time alongside fellow musicians Nile Rodgers, Bernard Edwards, Tony Thompson and Robert Sabino. The album's audio has been remastered and the reissue comes with the original artwork plus a 2 page insert featuring liner notes by Love Injection's Barbie Bertisch and Paul Raffaele. Robert Cotter's "Missing You," released in 1976 on Tiger Lily, had all the ingredients of a hit album: a super talented singer and songwriter, a string of superb tracks including a couple of potential hit singles and a team of amazing musicians in the studio. However very few copies of 'Missing You' survive to this day. Not that the album didn't sell well at the time, it just didn't sell at all. No records could be found in stores and for a good reason. The label, Tiger Lily, an offshoot of Morris Levy's Roulette Records, was reputedly a tax-scam whose goal was to basically lose money. The label only operated for a couple of years and vanished without trace after releasing around sixty albums. ?Robert Cotter had been active since the late 60s, first in Long Island where he grew up singing in Church and with his high school band, then in New York where he got hired to play in the roadshow of the 1970 Broadway hit 'Jesus Christ Superstar'. When this came to an end, Robert returned to New York where he got introduced to two young aspiring musicians, Nile Rodgers and Bernard Edward. They needed a singer to front their new group, The Big Apple Band, who also included Robert Sabino on keys and Tony Thompson on Drums. Robert joined and the group played for a few years making a name for themselves in the New York area. ?In the process Cotter wrote a few songs that he recorded with two different groups between 1975 and 76: The Big Apple Band on one side and also with musician friends from his previous group on the other side, giving the album its great versatility. ?The album features a wide array of styles, from the funk of the title track and 'Disco Blues' to the soulful acoustic feel of 'Three Wise Men' and the conga-led mid-tempo groove of 'God Bless The Soulfire People'. The tracks showcase Cotter's amazing range as a singer and also as a composer. The two Big Apple Band tracks, 'Love Rite' and 'Saturday' are not only great, but also give an insight into the origin of the Chic sound. These songs are historically invaluable as the group’s only recordings just before it morphed into Chic (A remake of 'Saturday' would actually become a hit for Norma Jean Wright two years later produced by Rodgers/Edwards). The album finishes with the incredible "Come On With It," a politically-charged diatribe against Nixon featuring a darker psychedelic edge. When the album was pressed, Cotter got a few copies and never really heard back from the label. He moved on with his career - performing and recording for various other labels - and never really looked back on his debut album. ?Greater than the sum of its parts, "Missing You" is a unique album and a bonified classic that finally gets the release it deserves forty-five years on. Wewantsounds is delighted to reissue the album in its original glory for everyone to appreciate.

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Gwen McCrae

7" | 2018 | UK | Original (Expansion)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Come With Me / Lost In Amazonia

Tania Maria

7" | 1983 | UK | Reissue (Soul Brother)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Why Don't You Make Up Your Mind / Paradise

Peabo Bryson

7" | 2020 | EU | Original (Expansion)

Release: 2020 / EU – Original

Genre: Organic Grooves

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A Story About You / Sweet Power Of Your Embrace

Nautilus

7" | 2023 | JP | Original (Urban Discos)

20,99 €*

Evil Deeds / Time & Space Pink Vinyl Edition

Release: 2023 / JP – Original

Genre: Organic Grooves

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The second 7inch single from the new project of Nautilus, a new generation of rare groove band, will be released on Record Day 2023!! It features the original funk featuring vocoder "A Story About You", and a cover of James Mason's "Sweet Power Of Your Embrace"!! The A-side features "A Story About You," an original funk song featuring vocoder performance by Mariko Nakabayashi (key), which was featured on "We Gettin' Down" last year. Nautilus-style cover of James Mason's 1977 classic "Sweet Power Of Your Embrace" is featured on the flip side. Recording for a full-length album to be released this winter is also underway! Expect the full picture of this new project to be revealed at last.

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Smith & Gordera

7" | 2023 | US | Original (The Preservation Project)

14,84 €* 26,99 € -45%

Evil Deeds / Time & Space Black Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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These sides from 1970s band Smith & Gordera are prototypical for the "Sounds Like Santana" genre coined at the Friends of Sound record store in Austin, TX years ago. Heavy Latin Rock fusion on these tracks with just a pinch of Jazz thrown in for good measure.

"Evil Deeds" starts right into it the moment the needle hits the groove on your turntable - heavy organ, percussion, shakers, and guitar all greet your ears. Moving into the track you get the typical shredding guitar solo, organ solo, and a sax solo, for good measure.

"Time and Space" starts with a nod to the classic Dave Brubeck "Take Five" and continues on an adventure into a more psychedelic groove and more of a Rock vibe. Time changes and tempo shifts and big solos round out the side.

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Smith & Gordera

7" | 2023 | US | Original (The Preservation Project)

11,99 €* 19,99 € -40%

I Got Some Part1 / Part 2

Release: 2023 / US – Original

Genre: Organic Grooves

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Billy Garner

7" | 2023 | UK | Original (BGP)

Someday / I Don't Want To Lose Her

Release: 2023 / UK – Original

Genre: Organic Grooves

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Dave Hamilton’s New Day label is one of the most striking in existence, a powerful concoction of red, yellow and black, that matched its pitifully small run of singles. Two of these were by Billy Garner, a Detroit based vocalist who recorded three songs for Hamilton, all of which are funk classics.

Originally issued in 1971, ‘I Got Some’ is seriously down and dirty and was sampled by DJ Premier / Gang Starr. This reproduction of the original single, sees our first 7-inch issue of ‘Part 2’.

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The Tempests

7" | 2020 | EU | Original (Outta Sight)

Release: 2020 / EU – Original

Genre: Organic Grooves

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A Time For Us (A Time For Love) / Everybody's Got A Song To Sing

Mirror

7" | 2022 | EU | Original (Super Disco Edits)

2LP | 2022 | EU | Original (High Jazz)

Release: 2022 / EU – Original

Genre: Organic Grooves

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In February of 1976 Eddie Carmichael left the group “The Voshays” after catching the bandleader/manager stealing from the band. Derry Shepherd and Duncan Bethel left at that time also. About a week later I asked Derry if he would be interested in starting another band and he said sure. At that point Duncan Bethel agreed to participate and he recruited his friend Flynn Emanuel to play trombone. Derry was the manager of the cafeteria at Sears Department Stores in The Pompano Fashion Square Mall and he met Sandy Ficca who was the manager at Chess King Men’s Clothing Store in the same mall. Sandy also agreed to join the group and we auditioned bass players and chose Dave Segal and only one keyboard player auditioned and that was Bob Groszer. We now had all of the personnel for the group and we commenced rehearsing in the recreation center in Pompano Beach, FL at Westside Park. We did a few “Chitlin’ Circuit“ gigs to fine tune the band and music and then moved over to the beach circuit. While there we would perform spring and summer months at “The Ocean Mist” on the Strip in Fort Lauderdale, FL and for the fall and winter months the Big Daddy’s 8600 Club on Miami Beach. After 18 months of constant gigging I suggested that the band go into the studio and record some original music. Now all we needed was some serious financial support and songs. I met a man by the name of Jerry Bullard and convinced him to back the project. We formed our own independent label “Get Off Records” and publishing company “Situated Music”. At that point Dave Segal and Sandy Ficca left the group and Bruce Saddler who was the drummer for The Voshays joined us on the drums for the first two recordings. Sandy Ficca returned as drummer and brought in his old friend and bandmate Daryl Walker to play Bass on five of the six remaining songs. We recorded the entire album in five days at SRS Studios and Triad Studios both in Fort Lauderdale, FL in August of 1977. The first single “Give It Up (Let Yo Funk Fly Free) was a winner released only in the New York tri state area where in two weeks it reached number 16 in the top 100 and was poised to go number one nationwide on the R&B charts in the next two weeks. Henry Stone, owner of TK Records in Hialeah, FL wanted to sign the group as did many other major record labels including Maurice White of Earth, Wind & Fire. But the usual problems of the music business reared its ugly head and the record was pulled from all radio airplay and the group who became disenfranchised with the business of the industry decided to call it quits. Derry Shephard went into Gospel Music production, Sandy Ficca went on to become the drummer for the Pop/Rock recording artists “Firefall”. Daryl Walker is a session player and music teacher, I did studio sessions and played in several cover bands and toured internationally. Bob Groszer toured with Sly Stone and other legendary recording artists. Dave Segal went on to start New York Bass Works in New York. Flynn Manuel became a music teacher in The Broward County School District and Bruce Saddler and Duncan Bethel left the Music industry completely. We were young and not good business people at that time and did not understand the rules of do’s and don’ts of the music industry. But we had three talented songwriters, a great arranger, a killer band and all the financial support that we needed. Looking back if we only had an experienced manager I truly believe Mirror would have gone on to create some great music over the years that followed. Peace and love all the time,

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Sass

45,99 €*

CD | 2019 | EU | Original (Favorite)

Release: 2022 / EU – Original

Genre: Organic Grooves

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San Francisco-based R&B / Funk / Rock group Sass was formed in 1974 by lead singer Fred Ross and producer, guitarist, vocalist Andy “Andro” Ernst. During the mid 70s Sass recorded three now rare demo singles released on San Francisco’s INS label. The group performed live alongside well-known artists such as Lionel Ritchie & The Commodores, Esther Philips, The Main Ingredient, Brass Construction and Tower Of Power. In 1976 Sass got signed to 20th Century Records which released remixed versions of their demo songs “I Only Wanted To Love You” and “Do It” on a 45. A full-length album was later recorded in 1977 but none of these songs ever saw the light of day...until now. The unreleased tracks featured on this present issue were the last songs recorded by the band for their major label album project that was unfortunately abandoned. Transferred directly from the only existing 2 track master tape of the sessions, these never before heard songs can now be listened to in their full glory. At long last, High Jazz Records is happy to present the complete recordings from Sass.

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Cotonete & Di Melo

Atemporal

14,99 €*

Headed In The Right Direction

Release: 2019 / EU – Original

Genre: Organic Grooves

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Born in 1949 in Recife (Brazil), Roberto De Melo Santos, despite a very light discography, is among the true icons of the Brazilian Soul music under his artist alias, Di Melo. He’s indeed only needed an eponymous album, released in 1975 on Odeon, to assert himself as a star in his native country, but also as a legend for all collectors and connoisseurs of the world. More than 40 years after its release, this famous album sells for several hundred euros in its original version, and even for the few reissues that were offered. Not very active since then, Di Melo however returned in 2016 with the album O Imorrível, released on the Brazilian label Casona Produções.
It is then that a year later, came a meeting with the French group Cotonete, that Florian Pellissier, founding member and keyboard within the band tells us about: “On tour in Brazil with Cotonete, we had a few days off in Sao Paulo and I really hoped to make a collaboration with an important artist or band from the Brazilian funk scene. We had thought of Marcos Valle, Meta Meta or Ed Motta... but Rafaela Prestes our Brazilian "sound ingineer/genious" told me she’d worked with Di Melo for his recent comeback and gave me his number. No sooner said than done, as I'm a huge fan of Di Melo. The next day he arrived at our house with Jo, his wife, and Gabi, his daughter. He takes the guitar in front of us and gives us a private show of 3 hours… we cried the tears of joy. He had 400 original songs never recorded, a gold mine. On the same night, we started working the arrangements for 2 days, followed by a rehearsal and two small gigs in Sao Paulo. Immediately after, we recorded in the magical Epsilon B studio. This album is the summary of this moment, of these 5 days of madness spent together between “the best band in the world” and the legend Roberto Di Melo… Simple, beautiful, Brazilian-French, human music…”
Today, Atemporal found its final version in collaboration with Favorite Recordings and is proudly presented as what we believe will become the genuine long-awaited follow-up to the classic Di Melo’s LP.

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Piranha

LP | 1981 | JP | Reissue (P-Vine)

34,99 €*

KIWANUKA Black Vinyl Edition

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Originally released in 1981, the sole album from Alabama modern-soul group Piranha, Headed In The Right Direction, typifies the life cycle of many rare groove records. Recorded and pressed by an obscure local band, a lack of proper distribution and industry insight led to the album being relegated to attics and record store crates; until collectors began to notice that it had some of the tightest grooves ever! Once a Japanese disc guide picked it up, the record’s fate was sealed. Little information about the members of Piranha is available, besides that they hail from Alabama. But put your needle to the wax, and you’ll have all of the information you need! Opening track “Good Time Lady” is an upbeat funk tune, staccato guitars, a driving bassline, and some of the best horn lines written in the last fifty years. A-side closer “(Get Up) Let Your Feelings Show” and B-side opener “One Sided Love” are both playful dance numbers, with the perfect combination of 80’s flair and earnestness to bring a smile to your face. Close your eyes, and you can practically see the members of Piranha dancing in the Earth, Wind, and Fire-esque outfits they’ve adorned on the cover of the album. Pressed on limited edition black vinyl with an obi-strip, the sole album from Piranha, Headed In The Right Direction is 7 tracks of pure modern soul!

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Michael Kiwanuka

2LP | 2019 | EU | Original (Polydor)

CD | 2019 | EU | Original (Polydor)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Michael Kiwanuka releases his third studio album on 25th October 2019. Store exclusive special edition format includes Kiwanuka pressed onto heavyweight pink vinyl and includes a bonus 7".

‘KIWANUKA’ was recorded in New York, LA and London. Michael returned to the studio with Danger Mouse and Inflo, the same production team that combined so magnificently on Love & Hate, KIWANUKA finds a new assuredness in Michael’s writing, and takes the basic sonic blueprint of that last record to a dizzying new realm.

Michael will tell you of his love for records that entwine their songs with incidental skits and shape-shifting spiralling outros, so the listener experience is almost that of listening to one long, dramatic song. KIWANUKA fulfils that winding, dream-like haze, unhurried.
KIWANUKA is Michael serving from the heart, from the mind, and from the soul.

On the album title, Michael explains “This album, it’s kind of a defiant thing; I’m engaging with who I am and I’m not going to have an alter ego, or become Sasha Fierce or Ziggy Stardust, even through everyone’s telling me I need to be this, that or the other. I can just be Michael Kiwanuka.”

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Michael Kiwanuka

KIWANUKA

18,69 €* 21,99 € -15%

7" | 2024 | UK | Original (Skyline)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Betty Black

Lonely Man

15,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2020 | UK | Original (Kent Soul)

Darrow Fletcher

My Young Misery

Geno Washington / Stuart Smith

Release: 2020 / UK – Original

Genre: Organic Grooves

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We have released two Darrow Fletcher CD on Kent but he has never had a vinyl LP of his own - of any description.

This compilation concentrates on his Chicago years, though it adds a rare demo, ‘Hope For Love’, only previously available on a “Masterpieces” Kent CD. Also, we have included his one-off late-70s version of fellow Chicago-born writers Grey & Hanks’ ‘No Limit’, also originally a “Masterpieces” track and a now-deleted Kent Select 45; these fetch £100+ on some sales lists.

The mid-60s sides speak for themselves. He began his career with the acclaimed soul blast of ‘The Pain Gets A Little Deeper’ (an Elton John favourite of the time!) and followed up with dancefloor classics ‘My Young Misery’, ‘What Good Am I Without You’, ‘Infatuation’ and ‘Gotta Draw The Line’.

As was common in those days, the hip dance sides were coupled with tender ballads such as ‘Sitting There That Night’, ‘Little Girl’ and ‘My Judgement Day’. Those were particularly well received in his Chicago homebase and have been admired by slow-groove scenes like Lowriders in Los Angeles ever since.

Darrow’s late 60s recordings, though recorded in Chicago, were issued on Los Angeles labels controlled by Universal. By 1971 his producer - stepfather Johnnie Haygood - had reverted to using his own Chicago imprint Genna for the last recording.

Compiled by Ady Croasdell.

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If This Is Love (I'd Rather Be Lonley) / The Drifter

7" | 2021 | Original (Outta Sight)

Release: 2021 / Original

Genre: Organic Grooves

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Crown Jewels Volume 2 Golden Haze Vinyl Edition

LP | 2021 | US | Original (Big Crown)

Love Vibrations / Love Company

Release: 2021 / US – Original

Genre: Organic Grooves

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Big Crown is proud to present the next volume of Crown Jewels, our various artists compilation series that highlights some of the most popular tunes next to some of the more obscure.Every artist on Big Crown stands on their own two feet with ease, but together, something else becomes apparent. If you discover one artist on the roster and it brings you to the label, it's very likely you will find more that you enjoy. The Crown Jewels comps are just that, a chance to get a listen to the whole roster in one place. Even though not all BC artists can be found in the same aisle of the record store, after listening to Crown Jewels Vol. 2, it should be clear how they all fit on the same record label. When we started Big Crown we wanted to have a label that's only boundaries were defined by our taste, not by genre. We think that this is a perfect example of that. Thank you to everyone who has supported us thus far and please stay tuned as we have a lot more music on deck.

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Bell Telephunk

7" | 2017 | UK | Original (Super Disco Edits)

11,99 €*

Tony Drake / Gene Chandler

Release: 2017 / UK – Original

Genre: Organic Grooves

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Back around the early 1970's Bell Telephunk was formed around the New Jersey area. Some members moved to Clevleand Ohio where the group performed in these early days at bars and clubs. The band disbanded early on and the name lie dormant for a few years. Around 1975/76 Michael Calhoun and a few others decided to rejuvenate the name again. They played often at the Kinsman grill located in Kinsman road Cleveland where they cut their teeth! They ventured into the studio just once to record a series of 6 songs. We are now pleased to bring them to light the newly formed Kinsman Record label. Once you hear these you will fall in love instantly with Ron Thatch's amazing vocals skills. This is crossover ghetto soul of the highest order...

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Suddenly / My Baby's Gone

7" | 2021 | EU | Original (Outta Sight)

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 1987 | UK | Reissue (Freestyle)

Purely Fizzycal

Make A Move

11,99 €*

Release: 1987 / UK – Reissue

Genre: Organic Grooves

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Lyman Woodard Organization

Don't Stop The Groove

LP | 1979 | UK | Reissue (Pure Pleasure)

34,99 €*

I'll Take Her / Looks Like (You've Been Crying)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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When Cobb's Corner nightclub owner Henry Normile was murdered, followed by the in-street shooting and death of Eddie Jefferson, the heart of the Detroit jazz scene was ripped apart. Through the advent of the Labor Day Montreux-Detroit Jazz Festivals starting in 1980, things picked back up measurably, but the club scene has never been the same. This live recording of the Lyman Woodard Organization, which was taped the day before Normile was killed in his next door apartment, more than any other album or event exemplified the never say die spirit of Motor City jazz. It also was a hallmark for a unique style of the music, an urban rhythm & blues infused contemporary jazz that stood tall for both listeners and dancers during the tail-end of the disco movement. Woodard was in his prime, determined that his idea was singular, and went beyond soul-jazz into a realm where only he could claim ownership. With guitarist Robert Lowe and saxophonist Allan Barnes, who would both go on to national acclaim as leaders, the Organization was a powerhouse in live performance not to be denied, and for sure a solid sending crowd pleaser. A much better recording than his studio cult classic "Saturday Night Special", this live set laid the groundwork for the continuation of Woodard's career for decades to come, and showed his fellow Detroiter's that better days lay ahead. Where the title track is happy and a bit more commercial than the rest with its slinky, straight, fingerpopping, sublime beat and seductive vocal line, "Disco Tease" prances along in a hard rock vein with conga accents from Lorenzo Brown and chicken scratch, dramatic guitar chords from Lowe. "Down Lowe" is a concrete, fatback groove from the guitarist, while "Djarum" turns the wick down in a slow, sexy nightshade visage, with Kerry Campbell's soprano sax expanding the horn section with Woodard's organ in stretched out phrases. The appropriately titled "Theme In Search Of A Sports Spectacular" is the killer track, as trumpeter Marcus Belgrave joins the band in an Olympic sprint, an irresistible melody that is catchy, infectious, memorable, and anthematic as any warrior clarion call to battle in the athletic arena. This driven, tenacious, forceful piece of music still stands the test of time for its ferocious attitude and champion-like strut. This recording documents not only the darkest days, but the bright hope a financially strapped Detroit offers to the rest of the world, and the determination Woodard always exemplified.

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Calvin Richardson

7" | 2019 | EU | Original (Soul 4 Real)

11,99 €* 15,99 € -25%

Under The Influence Of Love HHV Exclusive Hot Pink Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Calvin Richardson is a bit of a chameleon, smoothly able to transition between the most heartfelt gritty soul ballads to the latest cutting edge urban R&B that now dominates the more mainstream sound of today's "Black America".

His revered solo debut "Country Boy" came back in 1999 when signed to major label powerhouse Universal Records and went on to sell 100.000 units but, in those halcyon days, still not enough to get him a second bite of the cherry at the time. He then went on to strike deals with Hollywood Records, Jordan House (owned by Eric Benet) and Shanachie Records where he still resides.

With comparisons drawn to a young Bobby Womack. It's easy to see why he chose to record long player "Facts Of Life: The Soul Of Bobby Womack" back in 2009. For their ninth release those sterling Soul 4 Real guys have chosen to resurrect two fantastic sides from that debut recording, with the soulful as hell "I'll Take Her" backed with the melodic gem of a beat ballad "Looks like (You've Been Crying)"... make sure you don't miss it! -- Mark Coddington (Fish)

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Karin Jones

LP | 1982 | US | Reissue (Tidal Waves Music)

Betty Lavette / Nella Doods

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies, exclusively available at HHV! Only 2 per customer!

Rare Philadelphia Soul-Funk Album From 1982 * First Ever Official Vinyl Reissue since 1982Karin Jones (born and raised in Philadelphia) took her first musical steps singing in church. She was gifted with an extremely talented ear, and an accomplished pianist, percussionist and drummer, mostly developed without formal training. In her pre-teens, Karin and her two older sisters formed a soul group called The Jonesettes that was managed by their father. They released a single titled 'Once I Had Love / Stop, Look & listen' on Cougar Records in 1971 and participated on the gospel classic “After While” by 'Rev. Arvetra Jones And The Jonesettes' released on HSE Records in 1975. In 1976 a friend of Stevie Wonder told her that Marvin Gaye was looking for backing singers for his new record and subsequent tour. Karin auditioned for Marvin and was instantly hired. They recorded the “Got To Give It Up” EP and she hit the road for Marvin Gaye’s London Palladium tour (later released as a double live album on Motown in 1977). Soon after Karin Jones started doing session work for the renowned label Jobete Records where Teddy Pendergrass got really impressed with her unique musical style. She signed with him for management in 1979, but with Teddy's own frantic schedule, the arrangement dissolved a year later. At a convention of the Black Music Association in Philadelphia, Karin met with Jim Tyrrell, who at the time was establishing his own label, T-Electric. Karin signed with T-Electric Records and recorded an album in 1980. However, the album was shelved because the label run out of money. After collecting dust for two years, producer Jim Tyrrell brought it under the attention of industry veteran Ron Alexenburg who was president of Handshake Records. Alexenburg heard the album and very much liked it. He got Karin Jones to sign with his label, and 'Under The Influence Of love' finally got its well-deserved release in 1982. “Under The Influence Of Love” is a monster of an album arranged by Dunn Pearson Jr (known for his work with Roy Ayers, Lou Ragland, Mary J. Blige, D’Angelo) and Bruce Hawes (Stevie Wonder, Kool And The Gang, The Temptations). All of this carefully supervised and produced by Jim Tyrrell. Also worth mentioning is that the duet on the album is the one and only time Eddie Levert, of the legendary O'Jays sang with a female artist. Sadly (and shocking) Karin Jones suddenly passed away in 1984 from a diabetic coma. Strangely, she predicted an early demise while preparing her photo shoot for the album. Karin Jones was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is her “Under The Influence Of Love” album. The entire album is filled with heartbreaking modern soul, deep disco, boogie-funk and a great range of tempos…all of this is topped off with Karin’s trademark vocals. Also included is the hit ‘Ready, Ready Love’ which was one of the biggest songs of the London steppers scene (or more fashionably known as 'rare groove') and almost impossible to get a hold of (unless you had deep pockets). To this day, it remains a much sought-after gem and a 'holy grail' for fans and collectors alike. Tidal Waves Music now proudly presents the First ever Official vinyl reissue of this rare Philadelphia album that goes for hefty amounts on the second-hand market (it was originally released on Handshake Records And Tapes back in 1982 and plagued by inferior bootlegs ever since). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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(Happiness Will Cost You) One Thin Dime/First Date

7" | 2020 | EU | Original (Outta Sight)

Release: 2020 / EU – Original

Genre: Organic Grooves

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12" | 2024 | UK | Original (Freestyle)

Roy Hamilton & Capiche

Turn Up The Music

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2023 | UK | Original (Acid Jazz)

Men Of The North Country

Release: 2023 / UK – Original

Genre: Organic Grooves

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Why Would You Blow It / Why Did Our Love Go

Claude Huey

7" | 2021 | EU | Original (Expansion)

Have You Been Good To Yourself

Release: 2021 / EU – Original

Genre: Organic Grooves

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West Coast soul singer Claude 'Baby' Huey initially sang with Jesse 'Ozz' Osborne & The Sperlings and recorded a series of solo singles in the late 1960s, including the highly acclaimed and much sought after 'Why Would You Blow It'. Produced by 'Ozz', chief engineer at Fantasy Records who would later work with Lenny Williams, The Debonaires, Freddie Hubbard and a host of soul and jazz artists, the tune became a popular UK Northern Soul classic, with originals becoming rare and expensive.

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Johnnie Frierson

LP | 2016 | US | Original (Light In The Attic)

23,99 €*

7" | 2021 | UK | Original (Stream)

Release: 2016 / US – Original

Genre: Organic Grooves

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Followers of soul music might have a pang of recognition on reading the name Frierson. That was the surname of Wendy Rene, whose work was collected into the 2012 LITA anthology "After Laughter Comes Tears", and indeed, Johnnie Frierson is Wendy's brother – a fellow member of her mid-'60s Stax four-piece The Drapels. "But Have You Been Good To Yourself" will come as a surprise to anyone expecting more of the beat-driven R 'n' B Johnnie and his sibling produced – including that compilation's much-sampled title track. A mix of spoken word and gospel songs laid down direct to cassette, these ultra-rare home recordings draw from Johnnie's religious upbringing and his history in the music business, which was interrupted in 1970 when he was sent to fight in Vietnam. Crate digger Jameson Sweiger found Have You Been Good To Yourself and a companion album, Real Education, released under the name Khafele Ojore Ajanaku in a Memphis thrift store, but it was noticeably Frierson's work. They hadn't made it far – they would originally have been sold at corner stores and music festivals in the Memphis area, where Frierson continued to perform and host a gospel radio show, all the while working as a mechanic, laborer and teacher.

The seven songs on Have You Been Good To Yourself are overtly religious; some, such as “Out Here On Your Word,” are strident and faithful; others, like the self-questioning “Have You Been Good To Yourself,” are more meditative. They reflect the difficult situation that Frierson was in when recording, shell-shocked from his time in the military and grieving the untimely death of his son. "He was really trying to find his way," remembers Frierson's daughter Keesha in Andria Lisle's liner notes. "And writing and making music were a way out for him."

The album is now remastered and released professionally for the first time, the message spread by Frierson – who passed away in 2010 – remains undimmed.

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The Nombres

Trivialities / Todos

Maurice Moore And Family Affair Band

Release: 2021 / UK – Original

Genre: Organic Grooves

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One part War, two parts Santana, and a dash of Motown, immersed in a rich Puerto Rican stock, Los Nombres were the undisputed kings of Northern Ohio’s Rust Belt barrios. Following successive explosions of brown-eyed and Latin soul in Los Angeles and New York during the mid and late ’60s, Willie Marquez led a rotating cast of Latino teens through numerous underfunded recording sessions for the Day-Wood, Beth, and Lorain Sounds imprints. “Trivialities” was initially recorded in 1972 for release on Beth label and was again re taken in 1977 for the Lorain Sound imprint. Both releases are today as rare as Caribbean pirate’s doubloons and were backed on the flipside by the incredibly groovy barrio banger “Todos”. Here we present the 1977 version of Trivialities and the only existing take of Todos, finally at an affordable price.

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Everything That Shines Ain’t Gold

12" | 2017 | EU | Original (Melodies International)

Wales Wallace / Walter Jackson

Release: 2017 / EU – Original

Genre: Organic Grooves

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A few years ago, Melodies family members Floating Points and DJ Red Greg got their hands on a couple of original 70s obscurities. While these standout records shone brightly in their own right, the two DJs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. Of these new recordings, they cut only five copies for themselves and a few DJ friends of theirs.

Today, Melodies International is very proud to bring you MEL006 and MEL007. Fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two ‘You’re A Melody’ classics weren’t originally meant to get official releases. But due to popular request, they are now available to play and share in very special moments at parties around the world.

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Somebody I Know / Let Me Come Back

7" | 2021 | EU | Original (Outta Sight)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Daptone)

Lee Fields

Let's Get A Groove On

25,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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7" | 2024 | UK | Original (Skyline)

Betty Black

Gypsy Heart

Release: 2024 / UK – Original

Genre: Organic Grooves

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Eccentric Soul: The Shiptown Label Colored Vinyl Edition

2LP | 2022 | US | Original (Numero Group)

34,99 €*

Release: 2022 / US – Original

Genre: Organic Grooves

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From a humble storefront studio located in a shoeshine parlor on Norfolk, Virginia's Church Street, Noah Biggs built a world. Hustler by day, gambler by night, the always-in-a-suit Biggs took a gaggle of off-brand singers and combined his connections and charisma to forge timeless soul music during a period of deep upheaval. Compiled here are 25 of Shiptown's most compelling sides recorded between 1965-1977, from the likes of Ida Sands, The Soul Duo, The Anglos, Dream Team, The Grooms, Positive Sounds, Barbara Stant, Wilson Williams, Art Ensley, and yes, Flip Flop Stevens.

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Eccentric Soul: The Shiptown Label Black Vinyl Edition

2LP | 2022 | US | Original (Numero Group)

33,99 €*

7" | 2021 | UK | Original (AOE)

Release: 2022 / US – Original

Genre: Organic Grooves

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Christopher Jay

Be My Lady

Hozan Yamamoto With Sharps & Flats

Release: 2021 / UK – Original

Genre: Organic Grooves

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Real heads might be familiar with outsider boogie track - Christopher Jay â€“ 'What Do You Want Me To Do', an excellent hypnotic spin for those in the know. We will bring you this further down the line but first we have an Amazing unreleased banger from Christopher. A kind of floaty Disco / modern thing with wonky drums and bags of charm. This record is such an earworm you will end up walking around singing it for days, and that catch guitar hookâ€¦.how was this never released, pure fire!! The flip feels like it could be in an 80s montage in a good way, yaughty sunshine vibes.

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Beautiful Bamboo-Flute

CD | 1971 | EU | Reissue (Mr Bongo)

14,99 €*

Hozan Yamamoto With Sharps & Flats

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Seminal Japanese jazz album from 1971. Journeys through jazz fusion, soul and big band moods. Impossible to obtain in its original format these days. Official Mr Bongo reissue.

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Beautiful Bamboo-Flute

LP | 1971 | EU | Reissue (Mr Bongo)

22,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Seminal Japanese jazz album from 1971. Journeys through jazz fusion, soul and big band moods. Impossible to obtain in its original format these days. Official Mr Bongo reissue.

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Damn Sam The Miracle Man

7" | US (Tay-Ster)

9,99 €*

Release: US

Genre: Organic Grooves

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7" | 1967 | UK | Reissue (Tay-Ster)

Lillie Bryant

Mamma / Meet Me Halfway

15,99 €*

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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A Thing Call The Jones / Can You Dig It

Chico & Buddy

7" | 2013 | US | Original (Tay-Ster)

9,99 €*

7" | 1978 | UK | Reissue (Discs Of Fun And Love)

Release: 2013 / US – Original

Genre: Organic Grooves

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Truth & Soul & Magnetic recordings is proud to present the re-issue of this long forgotten gem that was released in 1973 by Satara, a tiny label in Portland, Oregon. Only 500 copies were originally released.Now select Rojac (and sister label Tay-Ster) singles are once again available for a limited time. This reissue series comes to a close on a big, funk-filled high note with the release of Chico & Buddy's 7" masterpiece on the Tay-Ster imprint. "A Thing Call The Jones"

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Alonzo Turner

Whoever Said It

LP | 1980 | UK | Reissue (Soul Brother)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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We're back with our 5th release! This time it's the certified dancefloor weapon by Alonzo Turner ‘Whoever Said It?’ Released on a 7 inch with a part 1 & 2, this record has been played on dancefloors worldwide by such players as Rahaan, Sadar Bahar and more, with those selectors favouring the part 2 in the most euphoric moments with that incredible vocal half way through. The record has remained hard to come by for most so we are thrilled to have this one out there as an affordable and great sounding reissue. Remastered as always by Frank at The Carvery and this time released with a vibrant company sleeve and a baby yellow label on the 7 to match the original. "Alonzo Turner was born in Northern California in 1955 and was introduced to music by his church, of which his father was pastor. As a young adult, Turner moves to West Hollywood and at 23, he starts to manage a local rock band while working day and night to write what will turn out to be his first and only release, ‘Whoever Said It’. The song catches the attention of Dave Crawford, A former producer at Atlantic. Like most stuff on Crawford’s label, LA Records, the single never makes it to the charts but helps Turner make a name for himself in L.A. and Orange County where he performs often. There is only speculation about what happened to ‘You’ve Got Something’, the LP on which the song was meant to appear, but five years later Alonzo ends up writing an eponymous piece for Norma Lewis (Shakatak, Charade) on her debut album ‘It’s Gonna Happen’. In 1984, struggling to make ends meet from his music career, Turner takes a part time job at a record store, while also pushing garments to an elite clientele in Beverly Hills, even selling clothes to one of Michael Jackson’s designers. In 1991, aged 38, Alonzo Turner will pass away from illness. Written by a loner who lived in a modest flat filled with antiques and expensive art pieces, ‘Whoever Said It’ is a testament to the idea that love does exist beyond our imagination. While asking who is to blame for spreading the opposite theory, Turner makes this simple yet compelling argument to debunk it: emotions are a motor of action, they literally set us in motion and therefore reality derives its very momentum from them." Alonzo Turner biopic originally written by Omar Krivit via musicismysanctuary.com

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Wood, Brass & Steel

Hard & Heavy

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Water Get No Enemy / The Revolution Will Not Be...

Snips

7" | 2024 | UK | Original (Barbershop)

21,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Vampisoul)

Ghetto Brothers

Power-Fuerza

It'll All Be Over Opaque Maroon & Transparent Yellow Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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The Ghetto Brothers' "Power-Fuerza" (1972), one of the best Latin funk albums ever recorded_ Produced by boogaloo don Bobby Marin, this masterpiece is a sonic testament to the Ghetto Brothers' fusion of resilience, cultural richness, and musical innovation. Each track is a vibrant tapestry, weaving together the raw energy of the South Bronx streets and the soulful melodies born from the trio's Puerto Rican heritage. Out of print for quite some time now, we are so happy to make this obscure Latin funk gem available again! The Ghetto Brothers embraced music, crafting a potent, NYC-flavored musical fusion that caught the attention of record mogul Ismael Maisonave (Salsa Records). Their collaboration resulted in the recording of eight tracks in a single electrifying day at Manhattan's Fine Tone Studios, skillfully produced by Latin studio maestro Bobby Marin (Harvey Averne, La Lupe, Brooklyn Sounds_). This musical odyssey showcases the band's ability to seamlessly blend genres, creating a NYC-flavored stew that captivates listeners with its authenticity. The hypnotic rhythms, infectious guitar riffs, and impassioned vocals reflect the Ghetto Brothers' commitment to expressing their unique experiences and uplifting their community through the universal language of music.

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The Supreme Jubilees

LP | 1980 | US | Reissue (Light In The Attic)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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New LP Color Edition pressed on opaque maroon & transparent yellow wax
First ever LP reissue

Liner notes by Jessica Hundley interviewing the band, plus rare archive photographs
LP housed in an expanded gatefold jacket
If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time.

A band of brothers and cousins, the group was founded from two families: brothers Joe and Dave Kingsby plus Dave’s son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and, prophetically, only–album, It’ll All Be Over.

Released in 1980 on the group’s own S&K (Sanders & Kingsby) label, It’ll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it’s a feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.”

Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album’s title track in a single take.

After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did.

A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbecue in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.

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Crown Jewels Volume 1 Fools Gold Vinyl Edition

LP | 2019 | US | Original (Big Crown)

23,99 €*

LP | 2024 | UK | Original (Stoic)

Release: 2019 / US – Original

Genre: Organic Grooves

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Big Crown is proud to present our first compilation on the label, Crown Jewels Vol. 1. This is something of a highlight reel for what we have released in the three years that we've been around.Some of our artists are world famous at this point while some of them are still under the radar. It's been extremely satisfying for us when the fans of one Big Crown artist discover another one because they are label mates. We are putting out this comp with the hope that it will continue that process, and, this is a damn good listen. Even though not all BC artists can be found in the same aisle of the record store, after listening to Crown Jewels Vol. 1, it should be clear how they all fit on the same record label. When we started Big Crown we wanted to have a label that's only boundaries were defined by our taste, not by genre. We think that this is a perfect example of that; and this is only volume one. Thank you to everyone who has supported us thus far and please stay tuned as we have plans to continue pushing the envelope and putting out tunes we believe in.

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Fulton Street

Hard Truths

Keep On Searching For Love Remstered Ediiton

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

After more than a decade of lighting up Australia's soul scene and stages across the country, Fulton Street is all grown up with the release of their sophomore album 'Hard Truths' – and they aren't holding back. Raw and real, 'Hard Truths' is forthright funk that shoots straight from the heart.

Made with great reverence to the roots of funk and soul, 'Hard Truths' is made up of 11 songs recorded directly to tape. Produced and mixed by Fulton Street's very own Jamie Stroud, the album was recorded with Alex Bennett from Sound Recordings in Castlemaine and is a tribute to the rawness of analogue recording, resulting in a sound that makes you feel like you are right there in the room.

From their Uni days, Fulton Street has retained a truly vibrant sound that has only grown into a lion's roar. Recorded and produced to perfection, 'Hard Truths' is a record for retro music lovers who are looking to hear something true.

Fulton Street has lit up festival stages across Australia's biggest events, as well as continuously selling out feature shows. They have enthralled crowds at Moomba Festival, Tasmanian Wine Festival, Caloundra Music Festival, Boogie Festival, Brunswick Music Festival, St Kilda Festival, Melbourne Music Week, Stonnington Jazz Festival, as well as Bluesfest sideshow support slots.

Coming to full form in Melbourne's most iconic and sweatiest soul venues, Fulton Street is regularly featured nationally on the stations where the true music aficionados live: PBS, Triple R and Triple J.

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Scratch

12" | 1984 | UK | Reissue (Soul Jazz)

17,59 €* 21,99 € -20%

Lost Takes Black Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Organic Grooves

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From 1984, Scratch"s "Keep On Searching For Love" features the uplifting vocals of Linda Taylor (who had a successful solo career on Prelude Records) and was produced by Tony Williams for his Master-Funk label. Sounding like a mixture of rare groove anthems like Gwen Mcrae"s "All This Love I"m Giving", Linda Williams" "Elevate Your Mind" and The Emotions" "Best of Your Love", once again with a distinct South London 80s dancefloor attitude, making "Keep On Searching For Love" a modern day soulful bullet! The flipside instrumental "Eastern Lady" comes complete with hypnotic bassline, drum machines, synths and stabbing horn lines.

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Roberta Flack

2LP | 2024 | UK | Original (Arc Records)

42,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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To The Mesosphere And Beyond

Misha Panfilov Septet

LP | 2019 | US | Original (Funk Night)

20,99 €*

Dance With Me / Mercy Tree

Release: 2019 / US – Original

Genre: Organic Grooves

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“There are many facets to Misha Panfilov's music. As a music lover himself, reflecting on his extensive catalog reveals numerous references in his harmonic palette, making it challenging to fully encapsulate. This septet's formation embodies his unique sound on this, their second album “To The Mesosphere And Beyond." The music is imbued with optimism, featuring airy, soothing space-age voicings reminiscent of Terry Riley and Raymond Scott, all revolving around jazz. The integration of the unconventional to the genre—such as lap steel guitar, inspired by cosmic country music--serves as an endless wellspring for new musical expressions, and assists Misha in exploring fresh schemes.
The alburn represents the culmination of a remarkable two-week creative marathon. During this period, the band rehearsed and delivered two dynamic live performances at Paavli Kultuurivabrik in Talinn and Fasching in Stockholm. Drawing inspiration from these shows, Misha swiftly composed new musical pieces within two days at a country retreat, bringing the septet together once more for a spontaneous two-day recording session. Remarkably, the entire album creation process spanned merely four days. The urgency arose because the drummer, Leonid Galaganov, had a flight scheduled back to the States-where he resides immediately after the late-night recording session. Despite the time pressure, they successfully managed to beat the clock and hit just the right notes!
On the first day of the studio recording, an unexpected incident unfolded as Misha and bassist Monika Erdman were en route to the studio with a cargo of musical instruments-an untimely tire blowout. However, fear not! Even though Misha lacked prior experience in roadside repairs and driving skills, he rose to the occasion, handling the tire change with the same grace that permeates his music.
Overflowing with anticipation, Volodja Brodsky made his way to the studio with his newly acquired Korg electronic piano, only to face the setback of realizing it lacked a necessary European adapter. Consequently, on the initial recording day, he had to improvise with a peculiar and inexpensive Bontempl organ, imparting the track "Mesosphere" with its distinctive charm. This organ remained partially open most of the time due to the need for constant tuning. Fortunately, on the following day, Volodja managed to acquire the adapter, enabling him to utlize his electronic piano fully on "New Orbits" and partially on "Mesosphere"
Both compositions on this album are structured into four vignettes, transporting listeners beyond temporal and spatial boundaries. "Mesosphere" begins with Misha's distinctive lap steel guitar motif, progressing with intricately layered melodies from the brass section. Volodja Brodsky introduces a minimalist organ melody that effortiessly lifts the listener’s thoughts to ethereal heights. Misha later transitions to an acoustic rhythm guitar to introduce a Brazilan musical aesthetic. Sasha Petrov enters with a heartfelt tenor saxophone solo, weaving poignant melodies through the air. The music briefly pauses before ascending to new peaks with a soul-stirring trumpet solo by Kino Toshiki, radiating with energizing fervor. Volodja returns with a stripped-down bossa nova melody, setting the stage for a rhythmic swell as Sasha and Kino engage in a mellifluous and heartening solo dialogue, accompanied by lush flute embellishments from Ilja Gussarov. Ilja's flute work is delicate yet authoritative, steering the musical narrative skillfuly as the track traverses its graceful path. As the composition nears its conclusion, Ilja shows his improvisational finesse while the primary theme lingers, gradually dissolving into infinity.
"New Orbits” opens with yet another of Misha's unmistakable and captivating chant-like melodies, drawing the listener in with its allure. Volodja Brodsky seamlessly merges his musicality with Monica Erdman on bass and Leonid Galaganov on drums, creating an enchanting harmony that channels the spirit of Getachew Merkuria. Misha's willingness to break free from genre constraints is boldly displayed once more. Sasha Petrov ignites the music with an impassio-nate and searing saxophone solo before returning to its earlier gentler, more subtle sound. The groove then takes an unexpected turn, transitioning into a more stripped-down sound, with Leonid and Monika establishing a head-nod-ding rhythm. The track delves into a mysterious, psychedelic realm, with Ilja Gussarov's captivating flute taking center stage, heightened by Volodja’s interstellar synthesizer sounds. The Septet envelops the listener in a Don Cherry-esque mantra, as if performing an incantation to commune with the earth spirit. Misha's excellent mixing skills shine as he gently guides the listener from a transcendent state back to the odyssey of exploring new orbits and venturing beyond.” -RRGEMS RECORDS, March 2024

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Liam Bailey

7" | 2024 | US | Original (Big Crown)

The Harlem Gospel Travellers

Release: 2024 / US – Original

Genre: Organic Grooves

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Liam Bailey returns with a flawless two-sider from his new album's recording sessions. The tried and true chemistry between Bailey and producer Leon Michels strikes again, taking the sound they established on Bailey's 2020 Ekundayo album and pushing it further. The A side "Dance With Me" is an infectious Popcorn two-stepper that nods to those incredible soul records that were coming out of Jamaica during the early Reggae days. Bailey steps into the dance with hopes of finding a new love while the El Michels Affair produced track will pull us all out on the dance floor with them. The B side "Mercy Tree" is a powerhouse of Reggae Rebel Music. Bailey addresses the racial tensions that plague humanity and encourages everyone to step up and do their part to help foster equality. What starts out as a declaration of injustice turns into a call for action and an inspiration for hope, making this anthemic tune an instant classic.

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Nothing But His Love Black Vinyl Edition

7" | 2021 | US | Original (Colemine)

10,99 €*

LP | 1979 | JP | Original (Tappan Zee)

Release: 2021 / US – Original

Genre: Organic Grooves

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Colemine is proud to announce a new 45 from The Harlem Gospel Travelers! It was one of the singles on the Brighter Days Ahead comp and the A-side had quite a buzz around it when we released it, a track penned by Aaron Frazer and Eli Reed.

As the world around us succumbs to disgusting hate-fueled violence, folks are looking for answers....looking for a ray of hope. And while it may not save the world, we all certainly hope this new tune from The Harlem Gospel Travelers brings a note of positivity in your life. God’s Gonna Move His Hand” is the B-side to “Nothing But His Love”, which was a part of our Brighter Days Ahead campaign with the goal of providing folks with new music while looking forward to better days in the future. We hope this 45 and the stirring B-side can do that!

Recommend for fans of: The Flying Stars Of Brooklyn NY, Durand Jones & The Indications, Como Mamas, Eli Paperboy Reed, Naomi Shelton & The Gospel Queens

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Richard Tee

Strokin'

14,99 €*

7" | 1977 | EU | Reissue (Rain&Shine)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gatefold cover with OBI

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New Horizon

True Love Parts 1 & 2

CD | 2024 | US | Original (Colemine)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Originally released on a styrene 7” only, a format that was cheaper than vinyl but suffers from cue burn and a limited number of plays. Rain&Shine present a re-mastered and officially licensed vinyl 45, sure to appeal to even deep collectors who need to re-up on a high quality version for DJ play.
New Horizon was the youngest band signed to Creative Funk Enterprises, a subsidiary label of Adelia Records. The group was from Laurelton, Queens, NY.
The majority of New Horizon were barely 20 years of age, and when lead vocalist Sheila Petty heard the track, she felt a flow that inspired the lyric of a hot summer day of "True Love" . The melody and Sheila's lyric flowed so smoothly with the track, made it effortless to record. Producer Gary DeBerry Sr. says “The session was full of creativity. There was a lot a magic that was spontaneous in part II of "True Love". The groove was hot and the band stayed in the moment during the recording. As a Producer you have to know when to let the musicians play on when they are in the "ZONE."
The label took a chance on this first recording on New Horizon. That's why it was on styrene instead of vinyl, to see how well it would do. Unfortunately the band disbanded a year later.

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Parlor Greens

In Green We Dream

In Green We Dream Opaque Green Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Perhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colerine Records! You could say that Parlor Greens are greater than the sum of their parts.. however, the individual parts are simply stellar on their own. Tim Carman (ga-20) on drums, Jimmy James (True Loves, formerly Delvon Lamar Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Parlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he'd love to have an organ trio be the first project at the label's new studio, Portage Lounge, located in Loveland, Ohio, So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer's row arrived they hit the ground running. It was instant chemistry, Within the first ten minutes of everyone plugging in, a song was written and recorded, "West Memphis". And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic. So this is the result of that session. Eleven outs. Ten originals. Two sides. All killer, no filler. Straight to the old reliable Tascam 3BB tape machine, mixed up nice and dirty for your enjoyment. Parlor Greens are proud to present their debut long player, in Green / We Dream.

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Parlor Greens

LP | 2024 | US | Original (Colemine)

27,99 €*

LP | 2023 | US | Original (F-Spot)

Release: 2024 / US – Original

Genre: Organic Grooves

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Tim Carman Trio

King Comfy

Turning It Out Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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From the first notes of King Comfy, Tim Carman Trio play jazz like it was supposed to be played: hot, sweaty, and a damn good time. Recorded in one day on the floor of The Record Co. in Boston MA, this LP opens up the door to what jazz is really all about. “Jazz doesn’t have to be so academic. It can be a party. It doesn’t have to be about playing a million complicated notes that only schooled musicians would enjoy. I went in focusing on groove, sound, and simplicity,” says bandleader/ drummer Tim Carman (ga-20). That’s exactly what the listener gets from this trio: straightforward grooves with a sound that blows the roof off the joint. Drawing inspiration from notables such as Big John Patton, Brother Jack McDuff, Babyface Willette, and Freddie Roach, they open the door to a very special party that we’re all invited to. In fact, it’s a ten-track jazz party that’s swinging, upbeat, and funky as hell. Consisting of eight original songs and two covers, the entire record itself gives off a live feel. Tim Carman Trio could be playing at Club Mozambique, The Lighthouse, The Cliche Lounge, The Front Room, or any jazz club on the circuit during the late sixties or early seventies, but they’re playing in your living room right here in the present day, and you’ve got a front row seat. On this record, as with their freshman Keylime LP, the trio did not rehearse before the sessions. They would figure out a tune and cut it in one or two takes. It’s about the process, old and new. TC3 does a top-notch job of preserving a style while adding their own feel from start to finish. With Tim Carman on drums, Ken Clark on organ, and Steve Fell on guitar, these three accomplished musicians have done more than release a jazz record, finding and perfecting a formula that most can not even buy. They’ve put together an homage to the true essence of great jazz music, one that the aforementioned greats would be proud of. King Comfy pays respect to the past and is a real jazz party, just like it should be.

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Errol Stubbs

LP | 2023 | Reissue (Tidal Waves Music)

22,39 €* 27,99 € -20%

Just Like The Weather / I've Got To Have Your Love

Release: 2023 / Reissue

Genre: Organic Grooves

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* Rare 1986 Funk/Soul From Alabama * Originally released as a private pressed cassette tape only * First Time On Vinyl * Released in collaboration with the Numero Group * 180g Clear vinyl limited to 100 copies (lita Exclusive) * 180g Black vinyl limited to 500 copies w/obi strip Armed with little more than his Peavy T-60 guitar and a Jumbo Fuzz pedal, Errol Stubbs and his bar-band cohorts cranked out a self-released tape of funked-up disco soul in 1986. With no label or distribution to speak of, Errol would simply put on his best suit and sell the cassettes by hand. The tape languished into obscurity…until now! The story of Errol Stubbs begins in Birmingham, Alabama in 1959. The youngest of five, he was surrounded by music as a child–his aunt taught piano at Daniel Payne College while his older brother, Avery Beavers, was an accomplished jazz trumpeter. Under the guidance of Avery, Errol started playing trumpet at the age of nine, though he gravitated toward songwriting and quickly picked up the guitar. Inspired by blues greats the likes of Albert King, Buddy Guy, and Little Milton, 12-year-old Errol began mimicking the sounds that filled southern airwaves. As a teenager, he played at barbecues, fish fries, and dive bars across the Magic City. After a brief stint at Jefferson State studying music, Errol’s passion for songwriting beckoned him away from the classroom. Stubbs bounced around bar bands before settling on a live lineup and saving enough dough to take his vision to the recording studio. Over the course of two days, his well-rehearsed band recorded Turning it Out mostly live to tape at the Sound Of Birmingham Studio. Located on Birmingham’s east side, the state-of-the-art studio kept the lights on by recording commercial jingles but was more than happy to open their doors to local talent. Taking notes from guitar god Ernie Isley and funk legend Rick James, the resulting recordings are drenched in cosmic phaser-fuzz guitar work, slapping bass lines, and sexual disco innuendos. Big brother Avery lends a hand on Clavinet for “Sweat,” while studio owner/engineer Don Mosley adds a tasteful dose of Moog synthesizer across a handful of cuts. Soon after the Sound Of Birmingham sessions, Errol released the private pressed EP “Dancin’ Fancy,” b/w “Spaced Out On Your Love,” the latter of which was featured on Numero Group’s 2019 compilation Visible and Invisible Persons Distributed In Space. The seven-song cassette Turning It Out was sold in local record stores and from night club stages, but only a few copies made their way out of Birmingham. Now Tidal Waves Music (in collaboration with the Numero Group) proudly presents the first ever vinyl release of these unearthed and overlooked recordings, professionally restored for fans and collectors of rare funk/soul to discover and enjoy. This album comes as a 180g vinyl edition (limited to 500 copies) complete with all new artwork and obi strip.

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Mill Evans / Mill Evans

7" | 2024 | UK | Original (Charly)

Jackie Edwards / Del Davis

Release: 2024 / UK – Original

Genre: Organic Grooves

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‘Just Like The Weather’ was originally released in 1965 on the Chicago Constellation label. It failed to ignite the short-lived, flagging, career of Nolan Chance, talented as he was. However, in the early Seventies it was rediscovered by the UK Northern Soul scene and would go on to become an all-time classic. Reissued here, due to popular demand, with it’s much overlooked superlative B-side ‘Don’t Use Me’, yet to have its day on the dance floor. They really don’t get much better than this. Watch out for the simply stunning unreleased version of ‘Just Like The Weather’ by Mill Evans coming soon from Charly.

Another exclusive from Charly Records.

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I Feel So Bad / Baby Don't Wake Me

7" | 2020 | EU | Original (Outta Sight)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2017 | US | Original (Fat Possum)

Don Bryant

Don't Give Up On Love

Release: 2017 / US – Original

Genre: Organic Grooves

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3LP | 2021 | UK | Original (Leaf)

Murcof

The Alias Sessions

37,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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LP | 1988 | US | Reissue (Drag City)

Nuno Canavarro

Plux Quba

Release: 1988 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Sevenmen)

I Marc 4

25,99 €*

What's Going On Green Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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This rather mysterious Jazz recording, which dates back to 1971, was quickly put together in a studio session sandwiched between RAI orchestra rehearsals, film soundtrack recordings and various other projects that make up this incredible musical library, all recorded in that period by our best musicians. The unique particulars of this record are that the musicians are not named, except for a mythical “Plakoti” but also the rights and the tapes seemed tohave strangely disappeared. After a period of accurate research, thanks to Maurizio Majorana (bass player for the Marc 4) we have been able to find the original recordings and also the musicians that played on it. Even though this recording was accredited to the Marc 4, by semi-official sources of the time, strangely enough only two of them are effectively present on this record Antonello Vannucchi on the Hammond Organ, Vibraphone and Piano and Roberto Podio on the Drums. The other two musicians are Giovanni Tommaso playing his mythical “Pedrazzini” (ndr) double bass who already played together with Vannucchi as part of the famous “Lucca Quartet” and then as the bass player of the group “Perigeo” and Enzo Grillini, part of the Rai orchestra and a favorite guitar player of both Armando Trovajoli and Gianni Ferrio who, at the time, was considered one of the best Italian Jazz guitar player and who rarely recorded music outside of the RAI orchestra. The style of this record, thanks to this very particular group of musicians, contrary to many other Library recordings, is very jazzy and the very special sound reminds us of the Jazz organ of the Verve/Blue Note labels made in the Sixties. The Seven Men Label, another characteristic of this new edition, born from a partnership of 7 mysterious producers and musicians in order to produce background music, in fact, only produced four recordings and they are : “1” that you are already listening to, 2, AKA “Il Cinghialetto” directed by Gianni Ferrio and played by the very best popular and classical musicians of the day, as the soundtrack of a theatre piece written by Grazia Deledda and to conclude there are two recordings made in the 1970’s written by Bruno Canfora: “Musiche di scena n°1” and “Musiche di scena n°2”. To have been able to bring this recording out again, knowing about its ups and downs and how it was made, is even more important now, as we have been able to add yet another gem to the numerous reeditions of the “Italian Library Music“ over these past years.

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Marvin Gaye

LP | 1971 | EU | Reissue (Vinyl Lovers)

22,99 €*

What's Going On Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1971. "What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, 'What's Going On.' When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time." John Bush, AllMusic

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Marvin Gaye

LP | 1971 | EU | Reissue (Vinyl Lovers)

27,99 €*

I Don't Wanna Be Without You / Angel

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Finally back in print ! Originally released in 1971. "What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, 'What's Going On.' When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time." John Bush, AllMusic

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Prime Cut

7" | 2024 | UK | Original (Epsilon)

12" | 1980 | UK | Reissue (Soundway)

Release: 2024 / UK – Original

Genre: Organic Grooves

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I am very exciting to introduce Epsilon Record CO latest release Eps031 Prime Cut Two fantastic and previously unissued tracks, perfect for the summer vibes. In 2021, I was working on the T.A.X.I.E project with my good friend, the very talented Steve Fuji from Riverside CA, who later became Epsilon Record Co’s favourite sound engineer. Back in the 70’s, Steve Fuji worked as sounds engineer for several major studios in the Los Angeles area. He also made some appearances as an actor in a few movies and pursued his career as a solo artist, singing and playing guitar. He worked on hundred of recording sessions with many bands. Steve has always had a good ear for soul music artists. He made mastertape copies of his favourite recordings for himself which he kept securely for five decades. Four years ago I asked Steve if he had any interesting unissued material for Epsilon. He sent me these two tracks from Prime Cut. I was blown away by the quality of these recordings, both songs were originally about 6 minutes long. But I knew Steve could easily edit them for me. I started researching about Prime Cut Band and quickly realised that most of the members of the band were sadly no longer with us and put those projects aside hoping that one day I could find one of the remaining members.

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G.C. Cameron

Live For Love

7" | 1975 | UK | Reissue (Athens Of The North)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Soundway reissues the vocal and instrumental versions of ‘If I Love You’, from G.C. Cameron, the lead singer of the legendary soul group The Spinners. The release also includes two unreleased recordings from the same session - ‘Live for Love’ and ‘Thank You Baby’.

Hailing from Mall Creek, Mississippi, G.C. Cameron rose to fame at 22 years of age, when he joined Motown Records to become lead singer of The Spinners. After a string of well received releases, including chartbuster ‘It’s A Shame’, co-written and produced by Stevie Wonder, Cameron left The Spinners to pursue a solo career.

It was a trip to Fantasy Studios, San Francisco in 1977, where Cameron teamed up with Harvey Faqua, Greg Crockett and Elgie Stover to realise what is arguably his finest work. A full album was recorded, but only two tracks saw the light of day, via the short-lived UK label, Flamingo.

Soundway’s Live for Love release comprises the two in-demand cuts previously released on Flamingo - the deep and dubby disco-workout ‘If I Love You (Instrumental)’ and soul drenched ballad ‘Live For Love’, coupled with two unreleased recordings rescued from the abyss after 45 years of collecting dust. The modern-soul-dancer ‘Thank You Baby’, backed by Jeanie Tracy and Martha Walsh, is a jewel that displays Cameron’s full range whilst the vocal to ‘If I Love You’ elevates the recording to dance-floor-ready.

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Papa Bear & His Cubs

You're So Fine

Mr Brown Eyed Soul Volume 2 Red Vinyl Edition

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Deepfunk / soul super rarity flipped with one of the best deep soul sides ever recorded, the family had some great images so we opted for a picture sleeve on this one, 400 copies only. forget about finding an O.G. Researched by our man, Brian Sears
Papa Bear And His Cubs were the brainchild of Eddie Disnute Sr., aka Papa Bear. A native resident of Hampton, Arkansas. Eddie started his music career in gospel then transitioned into secular music after moving to Milwaukee, Wisconsin in 1963. While living in Milwaukee with his wife and children, Eddie played with a group called the Fenders but eventually decided to start a group of his own with his kids aptly named Papa Bear And His Cubs.
Eddie Sr., a naturally gifted musician, taught his children how to play music. Creativity is a part of the Disnute DNA and before long Eddie's cubs were perfecting chops of their own. Papa Bear And His Cubs started performing together around the late 1960s. Although a few memorable gigs came their way, Wisconsin proved to be too cold for the Disnutes so they made their way back to Hampton, Arkansas.
The family continued to perform in Arkansas then made another move to Houston, Texas where they hoped to break into the music scene down south. They lived there for nearly three years and even recorded at SugarHill Studios, yet nothing materialized and the recordings remain a mystery to this day. For their final move, the Disnutes returned home to Hampton after Eddie's wife Christine (aka Mother Goose) received word that her father was ill.
In 1975 the group recorded their only vinyl record at Sam Griffith's home recording studio in Camden, Arkansas. Disnute Sr. recalls it only taking "one night, and one take" for both "Sweetest Thing On This Side Of Heaven" and "You're So Fine" to be born. Both songs have an entrancing quality that is inescapable and will surely resonate with listeners for years to come.
The group continued to perform until the early 1980s, at which point the cubs were bears themselves, who decided to go their own separate ways. When thinking back to their prime days, one thing will always remain clear in Eddie Sr.'s memory, "we could play, all it took was a countdown of 1, 2 ,3, 4 and we're gone".

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Sunny & The Sunliners

LP | 2022 | US | Original (Big Crown)

24,99 €*

Nobody Loves Me (Like You Do)

Release: 2022 / US – Original

Genre: Organic Grooves

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Sunny Ozuna is a living legend and a man worthy of praise on many levels. In the Texas and Latin Music pantheon, few have been at it longer and are more revered by their fans and peers than Sunny is. He became a star right out of high school in the late `50s and hasn't looked back in the seven decades since. Among countless other honors and notable achievements, Sunny was the first Latino artist to appear on Dick Clark's "American Bandstand" (in 1963). He penned "Smile Now, Cry Later," a hit for him and The Sunliners, which along with the theater masks that grace the album's cover, became staples in the Chicano Soul and Lowrider Soul cultures. We have been fans of Sunny & The Sunliners' music for a long time. We first got in touch with Sunny to try to reissue some of his records in 2013 but we didn't sign a deal until 2015. It took a trip to San Antonio and then two years of steady phone calls before they decided "if you have been chasing us for this long, you must be serious." With Sunny's blessing we started getting everything mastered, scanned, and planned. First we released 2017's Mr Brown Eyed Soul Vol. 1 compilation that put rare 7" sides next to some of his biggesthits and mixed in some choice album cuts for good measure. In the wake of that, we released three of Sunny's full lengths with their original track lists and art: Smile Now, Cry Later, Little Brown Eyed Soul, and The Missing Link - all of which were Record Store Day releases that raised money for the victims of 2017's Hurricane Harvey. For the 7" collectors, we reissued ve 45s,making some very hard to come by sides widely available again and pressing some tunes on the format for the first time. In 2020, as an homage to Sunny, we released Dear Sunny... a compilation of Big Crown artists covering Sunny & The Sunliners songs. Through all of this we were able to do what we set out to do: get Sunny's music to a new audience of people and make it all accessible and available again to his existing fanbase. Sunny still keeps a busy schedule an...

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Ralph Weeks

7" | 2023 | UK | Original (Names You Can Trust)

LP | 1978 | EU | Reissue (Mad About)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Names You Can Trust continues its years-long revival work with one of Panama's most gifted and legendary soul artists, Ralph Weeks, returning the singer to the studio for another brand new recording that highlights the now 80-year old's still silky vocals and masterful songwriting. Up for the challenge with their own studio savoir-faire is a most fitting and genuine purveyor of modern day soul themselves, Ben Pirani and The Means of Production, whose output on Palmetto Street Recording and Colemine Records has already achieved high praise and collectible status in just a few years. The mission, record two unreleased home studio demos that were penned and tracked in the early 1980's and recently excavated from Ralph's extensive archive of personal songs. These original compositions were faithfully given the full treatment and arrangement they never received, but always deserved. The A-Side, "Nobody Loves Me (Like You Do)", a quintessential Ralph testimonial of love, now shines alive and energized against the backdrop of a funky Latin soul dancer. The B-Side, "Got To Keep On Trying" is one of Ralph's many unpublished monster ballads, a deep and heartfelt tear jerker reminiscent of his classic hits from yesteryear. Now, forty plus years later, both songs can finally be released into the world, and ultimately serve as another testament to Ralph's prolific yet private musical career and legacy.

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Jay Days

Between The Swells

24,99 €*

7" | 1980 | EU | Reissue (Kalakuta Soul Bahlo)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Killer AOR Rarity. Highly recommended ! Jay Days' only album presents eight killer funky AOR sounds and blue eyed soul tracks. Rarely surfaced in the collectors' market but now the album is finally reissue on vinyl. A band formation with mysterious session men who support JAY Days of slack guitar vocal, gentle electric piano with jazzy rock, blue-eyed soulful medium mellow, female chorus with mystic groove. It contains Hawaiian-style acoustics and dense performances unique to the Private Press. It is a hidden AOR masterpiece where you can feel the tropical atmosphere of the street along with the wind of the West Coast.

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Corniche Band

Dance

LP | 1962 | US | Reissue (Jackpot)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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7“ Vinyl Only – Limited to 500 copies Special remarks : Official Re-Issue of Hard to Find Tunisian Soul and Disco Nugget from 1980. Tracklist A. Dance B. Can’t You See Me Shortinfo After a well received and enjoyed first joint on this freshly founded co-founded music label joining Kalakuta Soul Records with the neighboring Bahlo Records Store, Kalakuta Soul Bahlo Records is more than happy to re-issue a Disco gem that has been enjoyed in several occasions in the past years but seldom was easy to find. On a working trip to Italy the salesmen Mohmed Fersi, Lotfi Ferjani, Smir Almia, Mohsen Matri and Nejib Toukabri used their stopover in Italy for a recording session guided by the owner of Phono Sound Dischi Francesco Ammaturo and that resulted in the release of „Dance“ and „Can’t You See Me“ in 1980. Almost 40 years later, KABA’s half Guy Dermosessian got invited by the mighty Najib Ben Belgacem for a memorable party he organized together with Tunis’ mighty „Downtown Vibes“ Family at Wax Bar followed by a live stream for downtown based and freshly found record label „Eddisco“. Why we’re telling you that? Well, odds are it turned out that one of Downtown Vibes’ Baba and Eddisco’s Mama was the amazing selector and DJ Hamdi Toukabri, nephew of Nejib Toukabri, Corniche Band’s Keyboard maestro. And the rest is history as you can imagine. We are more than pleased to have had the chance to re-issue this amazing record we hereby would like to dedicate to the shortly deceased Mohmed „Momo“ Fersi and his family. May his soul rest in peace. We would also like to thank Hamdi Toukabri and Nejib Toukabri for making this happen and possible as well as our brother Najib Ben Belgacem for bringing us all together in the first place. Corniche Band comes in its original Cover design and with the same tracklist.

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Bill Evans & Jim Hall

Undercurrent

Ain't That Terrible / A Change Is Gonna Come

Release: 1962 / US – Reissue

Genre: Organic Grooves

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In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro. Eventually, he was persuaded to return to music, and this was one of the first recordings upon his return. Guitarist Jim Hall - who had worked with Ella Fitzgerald, Sonny Rollins, and Chico Hamilton - started his partnership with Evans during this time. Recorded over two sessions in April and May 1962, the two have that beautifully unspoken musical language of give and take; their recordings are refreshingly busy but also incredibly sparse. These two giants understand that intertwining their personalities and harmonic styles could create greatness. This notable re-issue is an all-analog production affair—AAA Mastered and cut live by audio guru Kevin Gray (Miles Davis, Herbie Hancock, Charles Mingus)—and it’s never sounded better. So dim the lights and let this music breathe with you; it’s an incredible listen and an essential album for both the novice listener wanting to dip their toe into the genre or the audiophile who needs to replace their well-worn vinyl copy. And depending on your day, it will color your mood in any emotive shade you desire.

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Roy Redmond

7" | 1967 | EU | Reissue (Harlem Shuffle)

7" | UK | Reissue (Epsilon)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Very little is known about Roy Redmond besides the fact he recorded 4 songs and 2 singles in 1967 for Loma Records, a Warner Bros subsidiary that is well known by Norther Soul/6os Soul aficionados. Redmond's largest success is probably his soulful cover of The Beatles 's "Good Day Sunshine", considered by some as one of the best Beatles covers. His other single is a more obscure affair featuring on the A side "Ain't That Terrible" and on the flip "A Change Is Gonna Come", a very fine cover of the Sam Cooke's classic - beautiful stuff. The A side "Ain't That Terrible" is a stylish, uptempo, relentless Northern Soul piano stomper that will get Soul fans up and moving their moneymakers in no time! Relatively unknown, this track is on par with the greatest numbers of the genre such as Lou Pride's "I'm coming home in the morning" or Bob and Earl's "Harlem Shuffle". This is pure underground Northern Soul at its absolute best. To be played often and... Loud. Keep the faith!

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The Williams Brothers

That's Life / Rap On

17,99 €* 19,99 € -10%

Release: UK – Reissue

Genre: Organic Grooves

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Originally From East Orange NEW Jersey

THE Exciting Williams Brothers Band GOT Their Start BY Their Father AND Mother MR. Roscoe Williams SR. AND MRS Esther Maude Walker Williams IN THE Late 60’s. They StartED OUT IN Gospel Music Like Their Father AND Family OF Brothers Before Them Whom YOU Will SEE Photos OF “the Original Williams Brothers” Throughout This Site From Time TO Time. THE Group From Oldest TO Youngest AT That Time Consists OF: Roscoe Williams JR. (lead Vocals) Eugene Williams (lead Guitar AND Background Vocals) Osbert Williams (bass Guitar AND Background Vocals) Alexander Williams ( Keyboard AND Background Vocals) AND Anthony Williams (lead Vocals) Anthony WAS THE Youngest Member OF THE Group AT That Time When ONE DAY While ON Their WAY TO Perform A Gospel Show ON MotherS DAY OF 1969, They HAD A Terrible CAR Accident Which Brought THE Family TO A Stand Still DUE TO Injuries AND Left Anthony Paralyzed TO This DAY. BY THE Time THE Exciting Williams Brothers Band Began High School They Asked Their Father IF They Could Play R&B Music. AT First Their Father WAS Against IT BUT When They Began PlayING Dances AND Clubs, SO Many People Began TO Book Them That Their Father HAD TO Install A Business Phone IN THE House TO Keep UP With THE Calls. IN 1975 THE Brothers Auditioned FOR A Beer Company Based IN NEW Zealand (the NEW Zealand Breweries) THE Company Came TO NEW York TO Audition American BandS AND THE Exciting Williams Brothers WON Against 12 Other BandS. THE Brothers Career Skyrocketed. They Toured FOR SIX Months IN NEW Zealand, Recorded A Record AND DID 3 Television ShowS IN NEW Zealand AND A Soft Drink Commercial FOR Sarsaparilla Soft DrinkS. When THE Brothers Came Back TO THE States Their Father Auditioned Them TO THE NEW York BookING Agencies AND That Began THE Group Touring IN THE United States. They Began 3 Months ON THE Road AND 2 Weeks Home AND They DID This FOR 8 Years. THE Exciting Williams Brothers Band Have Come Together TO Unleash A NEW Dimension OF EDM Music Through ESP. They ARE True Legends OF Music AND ONE OF Their RecordINGS Today Sell FOR Nearly $4000.00 PER Copy. THE Brothers USE There Roots IN Gospel Music TO Deliver Hard Hitting Jams AND Grooves TO THE LateST Dance Music Scene, “live” AS They Emerge AND Establish ThemSELVES AS AN Exciting Opening ACT FOR Major DJS.

Go to Item

Another Side Clear Vinyl Edition

LP | 2021 | US | Original (Light In The Attic)

33,59 €* 41,99 € -20%

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet, alongside handwritten lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960s and early 1970s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard... Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

Go to Item

Tape | 2021 | US | Original (Light In The Attic)

Another Side

8,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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*Available Nov. 19th, 2021*

“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

Go to Item

CD | 2021 | US | Original (Light In The Attic)

Another Side

21,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

Go to Item

Another Side Black Vinyl Edition

LP | 2021 | US | Original (Light In The Attic)

Ratgrave (Max Graef & Julius Conrad)

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

Go to Item

Rock

LP | 2020 | UK | Original (Black Focus)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Love & Purpose/A Celebration Of British Soul Music

2LP | 2024 | UK | Original (First Word)

32,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 1957 | US | Reissue (Mobile Fidelity Sound Lab)

Ruth Brown

Rock & Roll

47,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Jazz Room)

Danny Ward & Reality

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | AU | Reissue (Roundtable)

Armando Sciascia

Violin Reactions

30,99 €*

Release: 1974 / AU – Reissue

Genre: Organic Grooves

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Armando Sciascia - by day, notable composer for Italian erotic and exotic cinema - by night, experimentalist and nocturnal avant-gardener. Lovingly crafted in his hand-built Vedette studio, Sciascia’s “lust for experimental research” has never been more evident than on these precious, never before commercially released 1974 Library recordings. ‘Violin Reactions’ is a violently unique and beautiful work, studiously constructed out of multi-tracked strings, ominous VCS3 drones, subatomic dissonant clusters and the drumbreaks of Tullio De Piscopo. Part futurist broadcast, part Middle-Eastern short-wave transmission, anchored by De Piscopo’s breakbeats and calisthenic percussion - strangely melodic and at a times hauntingly otherworldly.

Go to Item

A Good Thing Goin'! - Girl Group Sounds Usa 1962-1967

LP | 2024 | UK | Original (Ace)

20,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-10-25

Ace Records has been the go-to source of 1960s US girl group compilations since the release of our “Where The Girls Are”, “Girls About Town” and “Stop, Look & Listen” vinyl albums back in the 1980s. The 10-volume “Where The Girls Are” CD series followed over the next few decades, along with a batch of standalone CD collections. These days, however, the vinyl long-player is back in favour as the format of choice for discerning collectors.

“A Good Thing Goin’!”, the latest in our current series of gorgeously packaged 12-inchers, drops this month. The album opens in fine style with ‘What About You’ by the great sounding Mousie & the Traps. Darlene Love kicks off the second side with ‘Let Him Walk Away’, a song written by Jackie DeShannon with noted arranger Jack Nitzsche, no less. Darlene Love, one of the most beloved vocalists of the classic girl group era, also sings lead on the Blossoms’ terrific previously unissued ‘You Had A Good Thing Goin’’, while Jack Nitzsche produced the Satisfactions’ lush ‘Baby I’m So Glad It’s Raining’ and Karen Verros’ castanets-driven version of the Crystals’ ‘Little Boy’.

Other highlights include Brenda Holloway’s silky pre-Motown gem ‘Constant Love’, the Puffs’ hip dancer ‘I Only Cry Once A Day Now’, the Fran-cettes’ latin-flavoured ‘Late In The Evening’ and Linda & the Vistas’ Shrine Records rarity ‘Bad Apple’. As usual in the series, the swanky inner sleeve features a picture-packed 3,000-word track commentary by long-serving compiler Mick Patrick.

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Crown Jewels Volume 3 Jewel Pile Vinyl Edition

LP | 2023 | US | Original (Big Crown)