Search "airhead+wait" 1134 Items

Release: 1980 / US – Reissue

Genre: Organic Grooves

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LP | 1980 | UK | Reissue (Soul Brother)

Wood, Brass & Steel

Hard & Heavy

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Trying To Get Out Of Here

Mel Production Band

LP | 1980 | EU | Reissue (Everland)

LP | 1980 | JP | Reissue (Teichiku)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Hot and groovy jazzfunk that turns every dancefloor into a simmering witch cauldron on Side A, meeting silky soul pop ballads on Side B. A catchy and memorable affair that will give you goosebumps as long as you are a fan of funk and soul on the threshold from the 1970s to the golden era of pop, the 80s. For fans of Lionel Richie, Stevie Wonder, The Four Tops, The Temptations, Stanley Clarke, Hot Chocolate and the likes. It’s the first album of the later Blues legend Mel Waiters.

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Judy Anton

Smile

60,99 €*

Power Struggle Gold Vinyl Edition

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Pop

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Released in 1980, late AB’s, Makoto Matsushita and Cassiopeia members participated in the city pop masterpiece reissued on LP! Arranged by Makoto Matsushita and Minoru Mukai, and the participating musicians are Takeshi Ito and Akira Jimbo.

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Tru-Tones

LP | 1980 | US | Reissue (Not Dark Yet)

23,99 €* 29,99 € -20%

It'll All Be Over Opaque Maroon & Transparent Yellow Vinyl Edition

Release: 1980 / US – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Limited edition of 300 copies on golden vinyl.

Reissued for the first time ever, Power Struggle is one of the grails of tropical record collectors. Incredible dancefloor disco, once edited by Roger Thornhill and now selling for close to $100. This is the first time the original arrangement of “dancing” has been re-released. No filler, a great listen from beginning to end, and one that doesn’t turn up often in good condition. Highly recommended, great from start to end.

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The Supreme Jubilees

LP | 1980 | US | Reissue (Light In The Attic)

LP | 1980 | Reissue (Be With)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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New LP Color Edition pressed on opaque maroon & transparent yellow wax
First ever LP reissue

Liner notes by Jessica Hundley interviewing the band, plus rare archive photographs
LP housed in an expanded gatefold jacket
If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time.

A band of brothers and cousins, the group was founded from two families: brothers Joe and Dave Kingsby plus Dave’s son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and, prophetically, only–album, It’ll All Be Over.

Released in 1980 on the group’s own S&K (Sanders & Kingsby) label, It’ll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it’s a feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.”

Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album’s title track in a single take.

After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did.

A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbecue in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.

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Bobby Caldwell

Cat In The Hat

29,99 €*

LP | 1980 | US | Original (Audio Encores)

Release: 1980 / Reissue

Genre: Organic Grooves

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Bobby Caldwell's second album, Cat In The Hat, from 1980, is one of his greatest moments and another masterwork of soulful sophistication. Featuring the eternal "Open Your Eyes", brilliantly sampled by J Dilla for Common's "The Light", it's about as essential as records get. Like its eponymous predecessor, it's been out of print for far too long. To finally release the hugely-anticipated reissue is one of our sincerely proudest moments.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

Right from the off, it's easy to tell that Cat In The Hat is a deeply special record. It's fantastically produced and incredibly well-rounded, carving its own lane with deep soul, warm jazz and a stunning vocal delivery that really helped Bobby reach out to some big new audiences at the time. Goosebumps at the ready for the rolling power-piano funk of "Coming Down From Love", opening up the album with a track as good as anything Steely Dan or The Doobies ever crafted, with a vocal performance from the heavens. Pumping AOR wonder "Wrong Or Right" is up there with the slick, classy rhythms of prime Ned Doheny whilst the cool, skipping soul of guitar-drenched "To Know What You've Got" is a funky ballad par excellence, with elemental traces of "What A Fool Believes". No bad thing. Closing out Side A, the folk-funk of "You Promised Me" is a bright, soulful strut with a wonderful vocal coda that just builds. Sensational.

The delicate bounce and falsetto self-harmonising of "It's Over" offers a truly delightful introduction to Side B, and serves as a great precursor to what follows. Bobby's dynamite "Open Your Eyes" is likely the reason you're all here. As if he needed it, the eternal J Dilla further immortalised Caldwell in the hip-hop canon with his production of Common’s epochal “The Light,” which heavily samples the magical “Open Your Eyes.” On a post paying tribute to Bobby in March 2023, Questlove claimed that he "got word Brother Bobby loved it". Bobby's original has seen new life even more recently from the likes of Dwele and Kendrick Lamar and deservingly so, as its insistent drums and staccato piano created a modern-soul classic. You'd think that would be hard to follow, wouldn't you? Not so, when you're Bobby Caldwell. Indeed, the horn-drenched stepper "Mother Of Creation" is absolutely ace, and, whisper it, possibly the album's finest track, all funky piano and guitars with horn lines to die for. Exquisite ballad "I Don't Want To Lose Your Love" rounds out the album beautifully.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of Cat In The Hat will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.

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V.A.

Total Soul

12,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Barry White & Love Unlimited Orchestra

Love's Theme

LP | 1980 | JP | Original (RCA)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI!

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LP | 1980 | US | Original (Arista)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | US | Original (Arista)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Chikara Ueda & The Power Station

Super Fusion For Super Boy

12" | 1980 | JP | Original (Denon)

22,99 €*

LP | 1980 | US | Original (Polydor)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. promo Japanese pressing.

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Peaches & Herb

Worth The Wait

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

7" | 1980 | EU | Original (CBS)

And Love Goes On

3,99 €*

Release: 1980 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Twennynine With Lenny White

LP | 1980 | US | Original (Elektra)

Rappin', Dancin', And Laughin'

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Specialty Pressing. Original inner sleeve.

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Blowfly

LP | 1980 | US | Original (Weird World)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1980 | US | Original (Arc Records)

Faces

18,99 €*

LP | 1980 | US | Original (Atlantic)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

US original gatefold with embossed title. Vinyl close to VG+

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Average White Band

Volume VIII

LP | 1980 | US | Original (Arista)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US Pressing!

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Average White Band

Shine

12" | 1981 | EU | Reissue (Gold Mink)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover closer to VG+. Vinyl with a couple of light scuffs

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Jaymz Bedford

Just Keep My Boogie

13,99 €*

Michael Orr And The Book Of Life

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Pure unadulterated boogie fire from the Gold Mink vaults, which combined the power of James Bedford with the production genius of Roy Ayers back in ’81. With original copies trading hands for £150+ it’s high time a remastered and officially licensed reissue came around. A firm favourite of the likes of Mr Scruff and Sadar Bahar, ‘Just Keep My Boogie’ is that uplifting slice of boogie that is a tried and tested dancefloor bomb. The brightest of funk keys dance around delicious little guitar licks as those infectious vocals burrow their way into your brain.

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Love Will Rise

LP | 1981 | JP | Reissue (P-Vine)

34,99 €*

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Forget the magician! Featuring Michael Orr front and center in all of his 70s slickness : Love Will Rise!

Best known for his work with soul diva FAY, as well as his iconic, and incredibly rare 1976 album Spread Love (see above), Michael Orr’s talents seem immeasurable. Backed by his hometown band, Book of Life, the two combine in a funky explosion the likes of which hasn’t been seen since! Crate diggers will recognize the name of album closer “Spread Love” from Orr's 1976 album of the same name, yet this is a somehow even funkier recording of the same tune, with a leaner groove and harder beat. Danceable funk has always been Orr's speciality, but he seems to turn the dial up to 11 with this interpretation.

The other side of the Michael Orr coin is title track “Love Will Rise”. With smooth grooves, gentle drumming, and the ever present baritone of Michael Orr himself, the song is a relaxed affair, calling to mind the preacher-esque photo of Orr on the cover. As slick and soulful as it is, the grooves remain unparalleled, unifying the album in a strangely poetic way. Don’t miss Michael Orr and The Book of Life’s Love Will Rise, available on limited edition vinyl with a Japanese obi-strip attached!

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12" | 1981 | IT (Not On Label (Earth, Wind & Fire))

Moon One

Release: 1981 / IT

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Label and front cover have two stamps on it. Cover with corner cut.

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LP | 1981 | JP | Original (CBS/Sony)

Raise!

16,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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LP | 1981 | JP | Original (CBS/Sony)

Raise!

21,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with OBI and insert. Vinyl is close to NM. Tiny wear.

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LP | 1981 | JP | Original (CBS/Sony)

Raise! = 天空の女神

Party In Me / Take My Love

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese Pressing. With insert and original inner sleeve. Cap OBI is missing.

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Gene Dunlap

12" | 1981 | UK | Reissue (Selector Series)

16,99 €*

I Want To Thank You / Don't Stop What You're Doin'

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Selector Series are back with more holy grail goodness, this time in the form of early 80’s boogie from Detroit.

Gene Dunlap was born and raised in Detroit, Michigan. He began his music career at age four when his father taught him to play the drums, honing his craft at Detroit Mumford High School. He went onto perform with Roy Ayers before releasing two solo albums in 1981, It’s Just The Way I Feel & Party In Me.

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Alicia Myers

7" | 1981 | UK | Reissue (South Street Soul)

15,99 €*

I'm Gonna Be Your Lover (24 Hours A Day)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

Alicia Myers - I Want To Thank You & Don't Stop What You're Doin' are staple classics and for the first time since their initial release in 1981 are together on one piece of vinyl. A serious double header!

Both tracks are produced by Kevin ‘Mr Groove’ McCord, heralded as Dam Funk’s favourite producers and one of the founding members of Al Hudson & The Soul Partners & One Way before going on to contribute to hundreds of r&b, funk, disco, and boogie dancefloor movers in the ’70s and ’80s.

At the height of his career he produced his One Way band members, Alicia Myers debut solo album, Alicia featuring both tracks on this release. I Want To Thank You, a certified classic that never fails to elicit a joyous reaction anytime it’s played & Don't Stop What You're Doin' famously sampled by J Dilla for ‘What It’s All About’ by Slum Village feat. Busta Rhymes on the legendary ‘Fantastic Vol.2’ album.

Another fully licenced and remastered essential release from the South Street family!

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J.D. Hall

12" | 1981 | US | Original (Sunfire)

Release: 1981 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+

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LP | 1981 | US | Original (Arista)

Love All The Hurt Away

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | US | Original (Arista)

Love All The Hurt Away

5,99 €*

Barry White & Glodean White

Release: 1981 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Original US Monarch pressing. Slight stained and dusty cover. Original inner sleeve.

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Barry & Glodean

LP | 1981 | UK | Original (Unlimited Gold)

Release: 1981 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | US | Original (Arc Records)

Raise!

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Look Into My Eyes / Express

52nd Street

12" | 1982 | EU | Reissue (Be With)

13,99 €*

7" | 1982 | EU | Reissue (Ice City)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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“Who put the dance into Factory Records?” Be With would like to refer you to FAC 59. Working with founding member Tony Henry, we’re honoured to present the reissue of 52nd Street’s crucial debut single “Look Into My Eyes”, backed with “Express”. Originally released on Factory Records in Summer 1982, this ultra-rare 12″ is a double-sider in the truest sense. Unrivalled Manchester jazz-funk-boogie-soul. Both “Look Into My Eyes” and “Express” came out of a five day recording session in the spring of 1982 at Revolution Studios in Cheadle Hulme, just outside Manchester.

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Fate

I'm In Love Again

Under The Influence Of Love White Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Ice City makes its return and it's another excursion into the world of obscure one-shot bands. Revered by crate-diggers worldwide, it's a long overdue 7" reissue of the elusive band Fate and its one and only record from 1982.

The dreamy "I'm in Love Again" is a rhodes-led, bass heavy groover crescendoing with an eyes-closed guitar solo, drenched in pure, raw passion.

Not to be undone by the A-side, flip the 45 over for the psych-soul slow burner "Without You Girl" for an extra dose of heart-melting emotion.

Icy City kicking off the year strong with another limited 7" that's not to be missed!

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Karin Jones

LP | 1982 | US | Reissue (Tidal Waves Music)

27,99 €*

LP | 1982 | Reissue (Be With)

Release: 1982 / US – Reissue

Genre: Organic Grooves

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* North American White Vinyl Edition * Limited 180g Vinyl Edition (500 copies) with obi strip * Rare Philadelphia Soul-Funk Album From 1982 * First Ever Official Vinyl Reissue since 1982Karin Jones (born and raised in Philadelphia) took her first musical steps singing in church. She was gifted with an extremely talented ear, and an accomplished pianist, percussionist and drummer, mostly developed without formal training. In her pre-teens Karin and her two older sisters formed a soul group called The Jonesettes that was managed by their father. They released a single titled 'Once I Had Love / Stop, Look & listen' on Cougar Records in 1971 and participated on the gospel classic “After While” by 'Rev. Arvetra Jones And The Jonesettes' released on HSE Records in 1975. In 1976 a friend of Stevie Wonder told her that Marvin Gaye was looking for backing singers for his new record and subsequent tour. Karin auditioned for Marvin and was instantly hired. They recorded the “Got To Give It Up” EP and she hit the road for Marvin Gaye’s London Palladium tour (later released as a double live album on Motown in 1977). Soon after Karin Jones started doing session work for the renowned label Jobete Records where Teddy Pendergrass got really impressed with her unique musical style. She signed with him for management in 1979, but with Teddy's own frantic schedule, the arrangement dissolved a year later. At a convention of the Black Music Association in Philadelphia, Karin met with Jim Tyrrell, who at the time was establishing his own label, T-Electric. Karin signed with T-Electric Records and recorded an album in 1980. However, the album was shelved because the label run out of money. After collecting dust for two years producer Jim Tyrrell brought it under the attention of industry veteran Ron Alexenburg who was president of Handshake Records. Alexenburg heard the album and very much liked it. He got Karin Jones to sign with his label and 'Under The Influence Of love' finally got its well-deserved release in 1982. “Under The Influence Of Love” is a monster of an album arranged by Dunn Pearson Jr (known for his work with Roy Ayers, Lou Ragland, Mary J. Blige, D’Angelo) and Bruce Hawes (Stevie Wonder, Kool And The Gang, The Temptations). All of this carefully supervised and produced by Jim Tyrrell. Also worth mentioning is that the duet on the album is the one and only time Eddie Levert, of the legendary O'Jays sang with a female artist. Sadly (and shocking) Karin Jones suddenly passed away in 1984 from a diabetic coma. Strangely, she predicted an early demise while preparing her photo shoot for the album. Karin Jones was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is her “Under The Influence Of Love” album. The entire album is filled with heart breaking modern soul, deep disco, boogie-funk and a great range of tempos…all of this is topped off with Karin’s trademark vocals. Also included is the hit ‘Ready, Ready Love’ which was one of the biggest songs of the London steppers scene (or more fashionably known as 'rare groove') and almost impossible to get a hold of (unless you had deep pockets). To this day it remains a much sought-after gem and a 'holy grail' for fans and collectors alike. Tidal Waves Music now proudly presents the First ever Official vinyl reissue of this rare Philadelphia album that goes for hefty amounts on the second-hand market (it was originally released on Handshake Records And Tapes back in 1982 and plagued by inferior bootlegs ever since). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Keni Burke

Changes

27,99 €*

Release: 1982 / Reissue

Genre: Organic Grooves

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Under The Influence Of Love HHV Exclusive Hot Pink Vinyl Edition

Karin Jones

LP | 1982 | US | Reissue (Tidal Waves Music)

26,99 €*

Expérience 7 avec Mariz Picord et Ghislaine Picord

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies, exclusively available at HHV! Only 2 per customer!

Rare Philadelphia Soul-Funk Album From 1982 * First Ever Official Vinyl Reissue since 1982Karin Jones (born and raised in Philadelphia) took her first musical steps singing in church. She was gifted with an extremely talented ear, and an accomplished pianist, percussionist and drummer, mostly developed without formal training. In her pre-teens, Karin and her two older sisters formed a soul group called The Jonesettes that was managed by their father. They released a single titled 'Once I Had Love / Stop, Look & listen' on Cougar Records in 1971 and participated on the gospel classic “After While” by 'Rev. Arvetra Jones And The Jonesettes' released on HSE Records in 1975. In 1976 a friend of Stevie Wonder told her that Marvin Gaye was looking for backing singers for his new record and subsequent tour. Karin auditioned for Marvin and was instantly hired. They recorded the “Got To Give It Up” EP and she hit the road for Marvin Gaye’s London Palladium tour (later released as a double live album on Motown in 1977). Soon after Karin Jones started doing session work for the renowned label Jobete Records where Teddy Pendergrass got really impressed with her unique musical style. She signed with him for management in 1979, but with Teddy's own frantic schedule, the arrangement dissolved a year later. At a convention of the Black Music Association in Philadelphia, Karin met with Jim Tyrrell, who at the time was establishing his own label, T-Electric. Karin signed with T-Electric Records and recorded an album in 1980. However, the album was shelved because the label run out of money. After collecting dust for two years, producer Jim Tyrrell brought it under the attention of industry veteran Ron Alexenburg who was president of Handshake Records. Alexenburg heard the album and very much liked it. He got Karin Jones to sign with his label, and 'Under The Influence Of love' finally got its well-deserved release in 1982. “Under The Influence Of Love” is a monster of an album arranged by Dunn Pearson Jr (known for his work with Roy Ayers, Lou Ragland, Mary J. Blige, D’Angelo) and Bruce Hawes (Stevie Wonder, Kool And The Gang, The Temptations). All of this carefully supervised and produced by Jim Tyrrell. Also worth mentioning is that the duet on the album is the one and only time Eddie Levert, of the legendary O'Jays sang with a female artist. Sadly (and shocking) Karin Jones suddenly passed away in 1984 from a diabetic coma. Strangely, she predicted an early demise while preparing her photo shoot for the album. Karin Jones was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is her “Under The Influence Of Love” album. The entire album is filled with heartbreaking modern soul, deep disco, boogie-funk and a great range of tempos…all of this is topped off with Karin’s trademark vocals. Also included is the hit ‘Ready, Ready Love’ which was one of the biggest songs of the London steppers scene (or more fashionably known as 'rare groove') and almost impossible to get a hold of (unless you had deep pockets). To this day, it remains a much sought-after gem and a 'holy grail' for fans and collectors alike. Tidal Waves Music now proudly presents the First ever Official vinyl reissue of this rare Philadelphia album that goes for hefty amounts on the second-hand market (it was originally released on Handshake Records And Tapes back in 1982 and plagued by inferior bootlegs ever since). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Tendrement Votre

LP | 1982 | FR | Original (Disques Debs International)

Release: 1982 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Crusaders With B.B. King & The Royal Philharmonic Orchestra

Royal Jam

2LP | 1982 | US | Original (MCA)

Release: 1982 / US – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: VG, Cover: VG+

The Crusaders With B.B. King & The Royal Philharmonic Orchestra

Royal Jam

2LP | 1982 | US | Original (MCA)

11,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1982 | EU | Original (Arista)

Jump To It

Release: 1982 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Full Moon Feat. Neil Larsen And Buzzy Feiten

Full Moon

LP | 1982 | JP | Original (Warner)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

In The Music......The Village Never Ends

Letta Mbulu

LP | 1983 | UK | Reissue (Be With)

28,99 €*

Quintessence Brown Vinyl Edition

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Originally released in South Africa in 1983, In The Music......The Village Never Ends is one of those holy-grail African records that barely needs any introduction. Featuring the enormous 'Nomalizo', it's a record that aficionados around the world have been waiting many years for. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bonafied classic.

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JPQ

LP | 1983 | US | Reissue (Tidal Waves Music)

21,59 €* 26,99 € -20%

Quintessence Black Vinyl Edition

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies. JPQ (Jimmy Person Quintet) was a short-lived soul & funk band from the Greensboro, North Carolina area who released just one album in 1983. Their only album (Quintessence) would become a much sought-after private pressed holy grail within the record collecting community.

Jimmy Person started performing as a singer/guitarist in the early 70’s in Greensboro…after appearing at several local events and multiple appearances on Wfmy-tv, he was approached to perform regularly at a restaurant (named Sammy’s) that featured live music. By the mid 70’s Jimmy began working with his sister (Rhoda Randolph) and his then wife (Marilyn Person) both featuring as background singers. Other skilled musicians began to sit in on Jimmy’s performances…starting with Charles Carlton (guitar), followed by Cirt Gill (bass guitar) and then finally by Larry Clay (drums). The group gained quick popularity and played to a regular packed house. After Talib Din (keyboards) joined…JPQ was now complete!

Offers for gigs started coming in fast and the group began giving regular performances at a larger restaurant named Huck’s. With a fast growing fanbase, the group started evolving beyond just being Person’s “backup band” to a serious outfit with strong lead-vocals by Jimmy, Larry, and Cirt. The group started traveling to perform at dances, wedding receptions, concerts, clubs, and outdoor jazz events. The group performed as an opening act for many national artists from the likes of Melba Moore, Archie Bell and The Spinners as their popularity increased. JPQ is still remembered today for their memorable live performances in North Carolina, South Carolina, and Virginia!

JPQ’s first recording was, “Have A Little Faith in Me” released as a 45 single. The 7inch got radio airplay on stations in North Carolina and this then led to the production of the “Quintessence” album (released on Jam-A-Ditty Records in 1983). The name of the label was a reference to Cirt’s father who was a radio pioneer (and the first Black DJ at Wgbg Radio) from 1949 to 1960. He was known on the air as ‘Jam-A-Ditty’.

After JPQ disbanded in the mid 80’s, members went their own way… Cirt Gill started his work as a band director in the Guilford County School system where he directed marching bands & jazz bands at different schools and in numerous concerts/performances. He has been busy teaching academic music production, playing in regional bands (that were opening acts for major artists such as Earth, Wind & Fire, Millie Jackson, Bobby Womack, The Isley Brothers, etc.) and has performed on tours both at home as abroad (from Iceland to Japan). In 1985 Gill was cast as the ‘Juke Joint Musician’ by Quincy Jones to star in Steven Spielberg’s 1985 film ‘The Color Purple’ and got the chance to work with Whoopi Goldberg, Laurence Fishburne & Oprah Winfrey.

JPQ was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is their “Quintessence” album. The entire album is filled with sexy (yet strong) vocals, groovy bass lines & even cosmic/bluesy guitar touches …one can clearly hear the influences of artists like George Benson, The Crusaders, as well as several Motown acts like Marvin Gaye softly slipping in. If you like your tracks either slow, sexy and groovy or prefer them fast paced and more experimental…look no further, “Quintessence” has it all. This is THE perfect combination of slick soul, timeless funk, smooth jazz and melancholic R&B.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic private pressed North Carolina soul/funk album (originally released in 1983 on Jam-A-Ditty Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition complete with the original artwork and insert. Limited to 100 copies 180g Brown Vinyl (available exclusively from HHV Records).

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JPQ

LP | 1983 | US | Reissue (Tidal Waves Music)

36,99 €*

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Rare Private Pressed NC Funk/Soul from 1983
First vinyl reissue since 1983
Comes with insert
Black Vinyl Edition Limited to 500 copies, comes with obi strip

JPQ (Jimmy Person Quintet) was a short-lived soul & funk band from the Greensboro, North Carolina area who released just one album in 1983. Their only album (Quintessence) would become a much sought-after private pressed holy grail within the record collecting community.

Jimmy Person started performing as a singer/guitarist in the early 70’s in Greensboro…after appearing at several local events and multiple appearances on Wfmy-tv, he was approached to perform regularly at a restaurant (named Sammy’s) that featured live music. By the mid 70’s Jimmy began working with his sister (Rhoda Randolph) and his then wife (Marilyn Person) both featuring as background singers. Other skilled musicians began to sit in on Jimmy’s performances…starting with Charles Carlton (guitar), followed by Cirt Gill (bass guitar) and then finally by Larry Clay (drums). The group gained quick popularity and played to a regular packed house. After Talib Din (keyboards) joined…JPQ was now complete!

Offers for gigs started coming in fast and the group began giving regular performances at a larger restaurant named Huck’s. With a fast growing fanbase, the group started evolving beyond just being Person’s “backup band” to a serious outfit with strong lead-vocals by Jimmy, Larry, and Cirt. The group started traveling to perform at dances, wedding receptions, concerts, clubs, and outdoor jazz events. The group performed as an opening act for many national artists from the likes of Melba Moore, Archie Bell and The Spinners as their popularity increased. JPQ is still remembered today for their memorable live performances in North Carolina, South Carolina, and Virginia!

JPQ’s first recording was, “Have A Little Faith in Me” released as a 45 single. The 7inch got radio airplay on stations in North Carolina and this then led to the production of the “Quintessence” album (released on Jam-A-Ditty Records in 1983). The name of the label was a reference to Cirt’s father who was a radio pioneer (and the first Black DJ at Wgbg Radio) from 1949 to 1960. He was known on the air as ‘Jam-A-Ditty’.

After JPQ disbanded in the mid 80’s, members went their own way… Cirt Gill started his work as a band director in the Guilford County School system where he directed marching bands & jazz bands at different schools and in numerous concerts/performances. He has been busy teaching academic music production, playing in regional bands (that were opening acts for major artists such as Earth, Wind & Fire, Millie Jackson, Bobby Womack, The Isley Brothers, etc.) and has performed on tours both at home as abroad (from Iceland to Japan). In 1985 Gill was cast as the ‘Juke Joint Musician’ by Quincy Jones to star in Steven Spielberg’s 1985 film ‘The Color Purple’ and got the chance to work with Whoopi Goldberg, Laurence Fishburne & Oprah Winfrey.

JPQ was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is their “Quintessence” album. The entire album is filled with sexy (yet strong) vocals, groovy bass lines & even cosmic/bluesy guitar touches …one can clearly hear the influences of artists like George Benson, The Crusaders, as well as several Motown acts like Marvin Gaye softly slipping in. If you like your tracks either slow, sexy and groovy or prefer them fast paced and more experimental…look no further, “Quintessence” has it all. This is THE perfect combination of slick soul, timeless funk, smooth jazz and melancholic R&B.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic private pressed North Carolina soul/funk album (originally released in 1983 on Jam-A-Ditty Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition complete with the original artwork and insert.

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Release: 1983 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Billy Foster & Audio Record Store Day 2023 Edition

Billy Foster & Audio

LP | 1983 | UK | Reissue (Equistar)

23,99 €*

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Once dubbed the Magic City, by 1983 Gary, Indiana, had fallen on hard times. Over the previous decade the steel capital of America hemorrhaged half its population, including the Jackson 5, and changed its distinction to America’s murder capital. Lost in this transition was Billy Foster & Audio’s, joyfully beaming, self-titled disco-jazz LP. Recorded under the watchful eye of Bill McQueen, Foster and his band serve up a culmination of his musical experiences, utilizing his jazz training on the piano-forward ‘Sometimes’ and employing his synthesizer pop finesse on ‘I Need Your Love’.

Hoping to plant his flag in Gary’s musical canon, Foster issued the LP via his own Equistar imprint, distributing the release as far as a tank of gas could carry him. Two follow ups appeared in ’86 and ’89, but by that point Gary was in deep decline. Audio disbanded in 1993, the year Gary claimed its murder capital distinction. Original picture sleeve, remastered, LTD Edition 180g vinyl press.

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Release: 1983 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI

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Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | EU | Original (MCA)

Musical Youth

Different Style

Release: 1983 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original inner sleeve.

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LP | 1983 | UK | Original (CBS)

Release: 1983 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. With original inner sleeve

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Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Still in shrink but opened with hype sticker. Original inner sleeve. US Carrollton Pressing.

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Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Stubborn Kind Of Fellow / Changes

Fat Larry's Band

12" | 1983 | EU | Original (Virgin)

3,99 €*

LP | 1983 | EU | Original (Unlimited Gold)

Release: 1983 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with small tear on the front!

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Barry White

Dedicated

Release: 1983 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1983 | EU | Reissue (CBS)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | EU | Original (CBS)

Release: 1983 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

10,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs.

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Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Release: 1983 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: G+

Japanese pressing without OBI! Cover with seam split!

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11,99 €*

Sunshine Kiz Yellow / White Vinyl Edition

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.

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Piper

LP | 1984 | US | Reissue (Ship To Shore)

17,39 €* 28,99 € -40%

Carter Lake / Must Be The Beat

Release: 1984 / US – Reissue

Genre: Organic Grooves

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Limited to 300 copies.

Riding high on the success of Gentle Breeze, PIPER was eager to put out more new material. Keeping the same members and guest musicians, the band used its excitement and forward momentum – aided no doubt by its ever-growing experience and taste for experimentation – to produce its next album, Sunshine Kiz, within the tiny span of six months. And despite seeing no change in personnel for these latest efforts, PIPER’s musicality was constantly evolving.

Perhaps most obviously, Sunshine Kiz showed the band beginning to break away from its signature style. Instrumentals were no longer the focus as more vocal-centric tracks made their way to the fore. Sunshine Kiz turned out to be a “song album,” and its lyric sheet saw a substantial increase in the number of words. A Drumulator replaced the LinnDrums, and the programmed percussion suddenly sounded more natural. Some songs actually featured live drumming, abandoning programmed beats altogether.

It could be said that this all amounted to, at least partially, a return to PIPER’s roots. Or, maybe more accurately, it was something like PIPER circa 1981 filtered through the signature sound the band had forged with their two Breeze albums of 1983. The title track on Sunshine Kiz was released as their second-ever single – their first since “Far Away” from their debut album. And with this new single there even came a music video.

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Carl Moore

7" | 1984 | EU | Reissue (Sweet Free Association)

16,14 €* 16,99 € -5%

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Keyboardist and composer Carl Moore originally wrote, recorded and pressed only 100 (!) copies of these tracks, grabbing a quick moment of studio time during a tour of Japan in the early 1980s. Moore’s purple patch saw him becoming peers with artists such as Phyllis Hyman, Jean Carn, Janet Jackson and ‘The King of Gospel’, James Cleveland.

Carter Lake is an energetic 2 minutes 30 second blast of pure dance floor joy, that looks back at carefree days, teenage love and love lost. Moore’s voice soars, and showcases his love for the powerful stylings of jazz and gospel. On the flip, Must Be The Beat sees him explore very different textures and could easily be a long lost Prince recording found in the vaults in Paisley Park. Sounding like something jammed late at night, this one is perfect for the afterhours when there are 30 sweaty dancers left on the floor at 5am that just don’t want to go home!

This is the first release on Sweet Free Association, a new label founded by Sam Don, the DJ and curator responsible for the recent lovers rock and UK soul comps For The Love of You and Just A Touch. Born out of the wish to find another way of sharing ‘the fruits’ from his Free Association radio show and parties, these impossibly rare disco tracks are now available to a wider audience for the first time, as the vast majority of the original copies have been long lost.

Mastered at The Carvery, the lo-fi recordings have been skilfully lifted by Frank Merritt to sound big in the club, while retaining the original charm in the sound that made the tracks stand out to Sam in the first instance.

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LP | 1985 | JP | Original (CBS/Sony)

Magnetic Eyes Colored Vinyl Edition

Release: 1985 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing with OBI!

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Jeff Phelps

LP | 1985 | US | Reissue (Numero Group)

26,99 €*

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Much is made of Detroit techno progenitors proximity to the auto plants. Similarly, overlooked electronic pioneer Jeff Phelps was raised just blocks from a Western Pennsylvania steel mill_close enough to smell the sulphur and hear the roaring blast furnace. When Tascam released their ground breaking Portastudio in 1984_allowing multi tracking on the far more financially inclusive cassette tape_Phelps purchased one immediately, and quickly added a Roland SH-101 monophonic synthesizer, Fender Rhodes suitcase piano, Roland drum machine, and a basic Radio Shack stereo mic. Those basic tools were employed on his first commercial productions for his own Engineered For Sound label: 1985's "Magnetic Eyes" LP and Antoinette's "Now You're Gone" 45. These DIY sketches generated few profits, and Phelps kept his day job in the energy business.Jeff Phelps eventually found his way back into performance and recording, starting with The Next Level Band near the end of the decade. Houston gourmands might have caught them at the opening of Texas's first Cheesecake Factory. "Magnetic Eyes" has already had a few lives, between TomLab's 2010 replica pressing and inclusion on Dante Carfagna's genre-defying Personal Space compilation. This 2021 edition features the heretofore un-re-released second mix, completed after discovering flaws in the initial 1985 pressing. Enjoy this technically perfect, artist-approved version of a visionary techno-adjacent masterwork.

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LP | 1985 | JP | Original (CBS/Sony)

Release: 1985 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original Japanese pressing with OBI!

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LP | 1985 | US | Original (Arista)

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | US | Original (Waylo)

Lynn White

Sorry

United Orange Vinyl Edition

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Eddie Holman

LP | 1985 | UK | Reissue (Charly)

29,99 €*

Release: 1985 / UK – Reissue

Genre: Organic Grooves

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Daryl Hall & John Oates With David Ruffin & Eddie Kendricks

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Live At The Apollo

LP | 1985 | JP | Original (RCA)

Release: 1985 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

OBI is missing!

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LP | 1985 | EU | Original (Arista)

5,99 €*

Release: 1985 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+. Small tag on back cover. Cover has slight ring wear.

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Aretha Sings The Blues

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | US | Original (Arista)

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Lisa Lisa & Cult Jam With Full Force

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | US | Original (Arista)

Lisa Lisa & Cult Jam With Full Force

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM. Saw cut bottom seam. Original inner sleeve included.

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5,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | UK | Original (CBS)

3,99 €*

Release: 1985 / UK – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | JP | Original (CBS/Sony)

LP | 1986 | US | Reissue (Fat Possum)

Release: 1985 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing with OBI and insert.

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Willie Mitchell

That Driving Beat

27,99 €*

Release: 1986 / US – Reissue

Genre: Organic Grooves

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2LP | 1986 | EU | Reissue (Rhino)

28,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1986 | US | Original (Epic)

Ed Calle

Nightgames

4,79 €* 5,99 € -20%

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with punch hole.
Record is close to NM.

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LP | 1986 | US | Original (Arista)

12" | 1986 | BE | Original (Jade)

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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The Three Ladies

Spanish Harlem

29,99 €*

Release: 1986 / BE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1986 | US | Original (Omni)

Fat Larry's Band

Nice

18,99 €*

Novaphonia Clear Vinyl Edition

Release: 1986 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Promo stamp and saw cut.

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Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)

31,34 €* 32,99 € -5%

Novaphonia Black Vinyl Edition

Release: 1987 / US – Reissue

Genre: Organic Grooves

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Limited to 200 copies.
Antonio L. Newton AKA Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European ‘Motown Review’ tour. Within two years, Newton became the Miracles’ musical director.

Tony Newton also toured and recorded with other Motown artists such as The Supremes, Marvin Gaye, Stevie Wonder, The Jackson 5…and countless others. Earning the nickname “the Baby Funk Brother” he left his trademark of solid, hard-driving and deftly clever grooves on such timeless hits as “Where Did Our Love Go,” “Baby Love,” “Stop In The Name Of Love,” “Nowhere to Run,” “ABC,” “Never Can Say Goodbye,” “Don’t Leave Me This Way,” and many others. Next to his impressive body of work for Motown, Newton can be heard on several hit singles from labels like Invictus-Hotwax and Stax. Later, Newton gained recognition as a member of both the acclaimed jazz-rock fusion group: The New Tony Williams Lifetime (headed by Miles Davis’ drummer Tony Williams) and the British hard rock group: G-Force (with veteran guitarist Gary Moore).

Tony Newton also recorded several solo albums during his impressive career, including the two total classics: ‘Mysticism & Romance’ (1978) and ‘Novaphonia’ (1987).

On the album, we are presenting you today (Novaphonia from 1987) the listener is treated to something Unique (and this is not an overstatement). Newton really puts the ‘multi’ into multi-instrumentalist, playing the synthesizers, the electric bass and the drum machine. Experimental is the keyword here, sounds vary from psych/trance (almost like a soundtrack from a space movie), to funk, fusion, rock, R&B, soul and jazz. Novaphonia has both elements of Tony Newton’s impressive musical past and his vision for the future.

Spacious synths, unusual instruments and an all-around cosmic approach make this an ‘out of this world’ and Very intriguing album. Resonant, sonically rich, sonorous, colorful, mind-expanding sounds are what one should expect from the 20th century Novaphonic sound developed to its greatest extent. These harmonies are innately pleasing to the human ear, mind and nervous system.

Explore new musical frontiers intended to catapult the listener towards new dimensions…this is an album that just begs for a special place in your record collection!

Tidal Waves Music now proudly presents the first-ever vinyl reissue of ‘Novaphonia’ since its release in 1987. This rare & private pressed album (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)