Search "milla thyme" 392 Items

Vinyl with many scuffs and hairlines

Record is close to VG+.

Saw cut on opening edge.

Japanese pressing, no Obi.

Ships in brand new plain sleeve.

Sticker on sleeve.

Japanese pressing without OBI, with insert

OBI not included.
Includes original inserts.

Japanese pressing without OBI, but with insert.

Vinyl close to VG+. With OBI and insert. Cover close to NM

Japanese pressing without OBI, with insert

Japanese pressing with obi.

Japanese pressing with OBI and insert.

Original US Terre Haute Pressing.

From the first notes of King Comfy, Tim Carman Trio play jazz like it was supposed to be played: hot, sweaty, and a damn good time. Recorded in one day on the floor of The Record Co. in Boston MA, this LP opens up the door to what jazz is really all about. “Jazz doesn’t have to be so academic. It can be a party. It doesn’t have to be about playing a million complicated notes that only schooled musicians would enjoy. I went in focusing on groove, sound, and simplicity,” says bandleader/ drummer Tim Carman (ga-20). That’s exactly what the listener gets from this trio: straightforward grooves with a sound that blows the roof off the joint. Drawing inspiration from notables such as Big John Patton, Brother Jack McDuff, Babyface Willette, and Freddie Roach, they open the door to a very special party that we’re all invited to. In fact, it’s a ten-track jazz party that’s swinging, upbeat, and funky as hell. Consisting of eight original songs and two covers, the entire record itself gives off a live feel. Tim Carman Trio could be playing at Club Mozambique, The Lighthouse, The Cliche Lounge, The Front Room, or any jazz club on the circuit during the late sixties or early seventies, but they’re playing in your living room right here in the present day, and you’ve got a front row seat. On this record, as with their freshman Keylime LP, the trio did not rehearse before the sessions. They would figure out a tune and cut it in one or two takes. It’s about the process, old and new. TC3 does a top-notch job of preserving a style while adding their own feel from start to finish. With Tim Carman on drums, Ken Clark on organ, and Steve Fell on guitar, these three accomplished musicians have done more than release a jazz record, finding and perfecting a formula that most can not even buy. They’ve put together an homage to the true essence of great jazz music, one that the aforementioned greats would be proud of. King Comfy pays respect to the past and is a real jazz party, just like it should be.

Robbie M of Midnight Express (Danger Zone) is back with his latest single! This is the first track from Robbie's Upcoming LP.

CD comes in a soft case, instead of the original crystal case. All booklets included.

Of the 9 DVDs only one case is open and the disc has some scuffs and hairlines. From 2 other sealed cases it´s possible to hear the loose disc and loose pieces of the damaged DVD holder at the center. The box itself has tear and bumped corners.

There has been a constant demand for Mel Williams’ Modern 45 ‘Can It Be Me’ since it was first spun at the Torch all-nighters in the early 70s. Its classic 60s stomping sound has made it a Northern perennial. The flip is the original instrumental of Mary Love’s ‘Lay This Burden Down’ that was pressed by Modern in 1974 for shady UK dealer Simon Soussain. Instrumentals are back in vogue and this is one of the very best.

The Limited Edition Vinyl Pressing Is Accompanied By A Fold Out Poster Containing Russian And English Lyrics Designed By Dima Pantyushin. Peshekhod, The Debut Album From Dima Pantyushin And Sasha Lipsky, Oscillates Through An Immaculate Synth-Pop Ecosystem In Which Every Shift Feels Both Accurate In Its Absurdity And Divinely Danceable.The Album ("Peshekhod" Translates To "Pedestrian") Investigates The Inner Narrative Of A Muscovite As He Wanders Through The City, Recalls His Work, And Contemplates His Existence. It's Roughly Autobiographical In Scope- Pantyushin Was Born And Raised In Moscow, Co-Runs Cafe Enthusiast In The City Center, And Is A Visual Artist By Trade-Yet Explores Feelings Universal. His Lyrics Conjure The Nostalgia And Joy Of Parenthood In "Ray Of Sunshine," The Paranoia Of Metropolitan Life On "Pigeon," And The Slippage Of Time On "Chess."Fellow Moscow Native And Longtime Friend, Sasha Lipsky, Who Writes And Performs With His Brother In Simple Symmetry, Joins Pantyushin On Production. Lipsky Weaves Entire Sonic Ecosystems For Dima's Instinctual Observations And Adroit Lyrics. The Result Is A Musical Landscape That Bounces Between The Terrestrial And The Divine As Pantyushin's Croon And Lipsky's Synth-Heavy Compositions Swell With Aliveness.Pantyushin And Lipsky Graft Genres To Their Electronic Framework Throughout Peshekhod. "Nature" Summons 1950's Pastiche Complete With Upbeat Mellotron, While "Time" And "House (With An Attic)" Go From Ethereal Ambient To Subterranean Techno And Back Again. But Every Oscillation And Shift Feels Part Of The Same System. Pantyushin Never Strays Too Far From His Pedestrian Protagonist. He Knows The Best Stories Are The Ones In Which We Can See Ourselves, While Lipsky Dresses Each Observation With Earworms You'll Struggle To Shake, Even If You Don't Speak The Language. Peshekhod Is A Picaresque In Miniature. A Record That Considers The Stations Of The Day In Deft Detail, For All To Tap Into.Peshekhod Features Album Art Designed By Pantyushin...