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CD comes in a soft case, instead of the original crystal case. All booklets included.

Sensational – that’s Frank Hatchett! These words can be found on many of the 16 albums credited to the legendary NYC jazz dancer, choreographer, and teacher to the stars - Madonna, Brooke Shields, Olivia Newton-John, and Naomi Cambell. In the highlights compiled on this expansive double LP set, the sounds of Hatchett’s albums run the gamut from disco and funk in the 1970s to electro and proto-techno as they glide through the ’80s. Most tracks clock in at a brisk 2:30 – the ideal length for Hatchett’s classes or his students’ recital performances. Fans of library music will find a similar focus on immaculate performances, while the tightly coiled drum breaks, Afro-Cuban rhythms, and thumping 808s will send rare groove collectors into a state of head nodding bliss. Hatchett’s name and photos may appear on the sleeves of his records like Dance Crazy, Jazz Power, or Vop Style, but he is nowhere to be found in the music contained within. Instead, these albums dating back to 1974 were recorded by studio players under the guidance of musical director Don Tipton or arranger Zane Mark. Performers include: keyboardist Fred McFarlane (Madonna, Keith Sweat, Evelyn “Champagne” King), drummer Bernard Davis (Steve Winwood, Ryuichi Sakamoto, Kool & The Gang).

Price tag.

CLASSIC FUNK-SOUL 7” FEATURING ‘MISDEMEANOUR’ – AS SAMPLED & EDITED BY MADLIB, BLACK MILK, PETE ROCK, BIG DADDY KANE, DANNY KRIVIT AND MORE.
‘Misdemeanour’ is a truly classic break and has been utilised by Madlib, Big Daddy Kane, Rodney P, The D.O.C, Pete Rock and many more. Danny Krivit edited the track in 2007, adding an acappella version on the front – still a big record with DJ’s.
‘When I’m Near You’ is a deeper cut taken from the ‘Foster Sylvers Featuring Pat & Angie Sylvers’ LP released in 1974. More beautiful, golden-era soul written by Leon Sylvers III, produced by Jerry Butler, Keg Johnson and Michael Viner.

Brilliant funk-soul from 1973. Written by Leon Sylvers III, produced by a heavyweight line-up comprising Jerry Butler, Keg Johnson and Michael Viner. As with the majority of The Sylvers music from this period, the album has been heavily sampled. ‘Misdemeanour’ is a truly classic break and has been utilised by Madlib, Big Daddy Kane, Rodney P, The D.O.C, Pete Rock and many more. Danny Krivit edited the track in 2007, adding an acappella version on the front – still a big record with DJ’s. The Sylvers were a family from Los Angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’. Official Mr Bongo reissue. Replica original artwork. Licensed from Pride Inc. 2006.!

This next Toy Tonics EP takes one more step into a futuristic sound that connects Broken Beat, House & Neo Soul. The EP was produced by Fényan. France based dancer and producer (originally from Martinique) who hooked up with Kosmo Kint. Soul singer raised in New York and since one year part of The Toy Tonics crew in Berlin. Fenyan & Kosmo Kint met shortly after Kosmo Kint’s first release on Toy Tonics (the „Get lost“ EP with french producer Mangabey). Together they created three magic sparkling pieces of music. A unique sound inspired by the UK Jazz sound and the broken beat scene. A great further step in the evolution of uptempo Neo Soul dancemusic. Fényan’s rhythms are special. The groove is unique. This music makes you dance differently. No wonder as Fenyan (his real name is Kwame) is a professional dancer. He is travelling around the world teaching dancing with his own dance company and is a judge on international dance battles. Besides dancing he has ben producing beats since the age of 19 on his MPC. Influencd by the great names of deep jazz and fusion, but also inspired by the music from his origin Martinqiue: Zouk, Biguine, Bélè… you can feel this in the programming of his beats. Besides the MPC Fenyan tried many instruments, but mainly it’s the keybaords and the trumpet what he feels well with intuitivly. Kosmo Kint lives in Berlin since three years. He came from NYC where he was singing in Soul bands, hanging out with musicians and also writing songs for other artists. he is one of the many artists that moved from the big apple to Berlin recently. He joined the Toy Tonics crew almost 2 years ago to work on new styles between House and Soul.

Formed by drummer Bill Curtis in 1970, the Fatback band started off as a funk band although when disco began to break in 1974, they added that four-to-the-floor wrinkle to their sound to serve up some classics. In 1975 Fatback released both their fifth and sixth albums - “Yum Yum” and “Raising Hell” - in the same year. Although singles had been released Stateside as early as 1971, it was not until 1975 that Fatback began to appear on singles here.

Their third UK 7” – ‘Yum Yum (Gimme Some)’ - got to number 40 in the UK charts in August. Later in November, ‘Are You Ready (Do The Bus Stop)’ got to number 18, which helped propel the “Raising Hell” LP into the top 20. This album also spawned the Top 10 hit ‘Spanish Hustle’ in early 1976. Both “Yum Yum” and “Raising Hell” have been out of print on vinyl for decades. These new editions allow funky Fatback fans to drop the needle and get back into the groove.

The full 11 minutes 49 seconds was too long to be included on the vinyl release of the recent Family of Swede LP 'Family Album.' We believed that it deserved it's own 12" space to ensure that the strength of the song could be heard in full. It's a cosmic soul extravaganza that takes us on a journey through space, with some excellent playing from the group and a lead vocal that glides effortlessly alongside great harmonies. 'Mellow' also features on vinyl for the first time with a funky clav lead and a mad percussive break that rocks. The song itself slow's down into a slower groove that's worthy of it's own platform. We've also chosen 'Life' to close the 12" off with it's swinging modern swagger.

Dynamite Cuts is proud to be able to press, for the first time on 7” vinyl; the superb, original, Brit-Funk cut, taken from the rare and highly collectable 1977 self-entitled album FBI. Our A side, “Keep on Running”, is an uplifting vocal groove written by Mr. Stevie Wonder, delivered by F.B.I. Awesome: a heavy so groove, driving vocals, and a funky clav groove makes this a perfect vibe and an essential track.

On the flip is our part two version, a breakdown from the original master tape, giving a moving and up-tempo feel; a supreme funky instrumental cut, edited. Heavy groove, including a massive DJ drum break.

Dynamite Cuts is proud to be able to press, for the first time on 7” vinyl; the superb, original, Brit-Funk cut, taken from the rare and highly collectable 1977 self-entitled album FBI. Our A side, “Keep on Running”, is an uplifting vocal groove written by Mr. Stevie Wonder, delivered by F.B.I. Awesome: a heavy so groove, driving vocals, and a funky clav groove makes this a perfect vibe and an essential track.

On the flip is our part two version, a breakdown from the original master tape, giving a moving and up-tempo feel; a supreme funky instrumental cut, edited. Heavy groove, including a massive DJ drum break.

Esther Marrow began singing professionally in the early 60s. Her big break came in 1965 when she was asked by Duke Ellington to take part in his ground-breaking Concert of Sacred Music at the Grace Cathedral in San Francisco. Marrow toured with the Duke Ellington Band as well as Harry Belafonte and came to the attention of Bob Thiele who recorded and released this debut album on his Flying Dutchman label in 1969.

Musically, it’s a compelling mix of funk and soul, occupying similar terrain to Alice Clark’s great album that was released on Mainstream in 1972. For example, Jesse Stone’s ‘Money Honey’ is given a crunching funk arrangement and is one of three tracks that tempt collectors to pay big money for an original copy; ‘Walk Tall’ and ‘Chains Of Love’ are the other two. ‘Chains Of Love’ was originally recorded in Detroit by J.J. Barnes and became a Northern Soul classic. ‘Walk Tall’ is one of the album’s highlights and features music originally written by pianist Joe Zawinul and performed by Cannonball Adderley, with lyrics by James Rein and Morrow. It has become something of a jazz standard, but no version ever bettered this original track.

Add to the mix the lush string driven power of ‘Peaceful Man’, ‘Mama’ and a tilt at the classic ‘What A Wonderful World’ and you have a truly wonderful album.

Pressed on 180gm vinyl, we have remained faithful to the original pressing replicating the Flying Dutchman label style and gatefold sleeve.

Energy MC2 began as an energetic bunch of 10 and 11year old neighborhood kids, who initially formed a band under the name of ‘Congressional Funk’ while still attending elementary school. The founding members were Vincent Bonham, Opelton Parker (the brother of Ray Parker Jr), brothers Ufuoma and Eric Wallace, with the later addition of Fred Gordon. Within months of the group’s formation, they began entering and winning local talent shows in between performances at local churches and backyard parties. A little over a year later, they initially became the backing band for local recording artists Mad Dog & The Pups going on to feature on their earliest Magic City releases “Hep Squeeze” (MC-007) (which they provided the horn section on) and the follow up release “Funky Monkey” (MC-009). A change of name to ‘The Soulful Hounds’ followed which they are credited as on the instrumental flipside of Mad Dog & The Pups vocal version of “Why Did You Leave Me Girl” Magic City (MC-012). The age of band members now ranged from 11 to13 year old, and featured the four founding members with the addition of Leslie Bass, (Fred Gordon by then having left the group). Between recording sessions they continued playing their own stage shows mainly covering hit songs of the day. During one particular performance, Barrett Strong and Norman Whitfield made an approach to Mad Dog & The Pups and The Soulful Hounds with an invitation to join Motown. Unfortunately, the kids were already under contract to Magic City and label owners Ernest and Barbara Burt was not about to let one of their acts go to a rival label.

After leaving Magic City, the band went through a several changes in both name and personnel and became one of the biggest bands on the local Detroit music scene. At this point the band hired a bass player Ben "Rat Bass" Adkins, who brought with him the name of his former band, ‘Energy’. Then by borrowing Albert Einstein’s formula for special relativity (E=MC2) which they added to their inherited name ‘Energy’ in doing so they were able distinguish themselves from Adkins former band. Energy MC2 also from time to time featured three female members Marlene Rice, Gwen Laster and Patricia King who played violin, viola, xylophone and bells. These girls would often provide background vocals when required. They were primarily recruited to add a string section to the band and became affectionately known as the MC3 Orchestra.

Ben Adkins later left the band, going on to play with Creative Source, Lonnie Smith and The Jackson’s (he, being Jermaine Jackson's replacement). ENERGY MC2 soon after began to seriously record original material which included the previously unissued 70’s dance track “If You Break It” which gained a belated 45 release on Soul Junction Records in 2016 to great acclaim. The group line up on “If You Break It” included Vincent Bonham, Ufuoma Akil-Wallace, Arnell Carmichael, Ernestro Wilson, Opelton Parker, Gordon Carlton, Eric Wallace, Leon Lopez, Marvin Carlton and Marlene Rice. While an earlier session had yielded two further unissued tracks firstly “Other Side Of The Mirror” featuring the same line up of musicians as “If You Break It” but with the addition of a second female vocalist Gwen Laster, this too also gained a belated release as the flipside of the SJ536 45 release. While the second song “Juliane” a beautiful mellifluous soulful ballad which featured Arnell Carmichael, Vincent Bonham, Ufuomo Akill- Wallace, Eric Wallace Gordon and Marvin Carlton on it’s recording. (“Juliane” was to also gain a belated release on the now long deleted Soul Junction compilation album “We Got A Sweet Thing Going On” Volume 2 SJCD 5011).

Following a later move to Atlanta GA, Energy MC2 signed on with The Greer Agency who also represented, The Commodores, Brass Construction, Mother's Finest, New Birth, Brick, Little Richard etc. This association led the band to perform it's own brand of Pop, R&B, Funk and Jazz throughout the Southern states, from Arkansas to the Carolinas. Sometime during 1974 several members of Energy MC2 boarded a Greyhound bus and took a road trip to Los Angeles. During their week-long stay in L.A. Vincent Bonham, Ufuoma Akil-Wallace, Arnell Carmichael, Ernestro Wilson, Opelton Parker, Eric Wallace, Gordon and Marvin Carlton joined lead guitarist Ray Parker Jr in a recording session that produced amongst others the following two songs the mellifluous “You And Only You” and “Love To Make Love To You” featuring Arnell Carmichael on lead vocals. A session that was to remain unissued in the can that was until a chance meeting many years later between UK Record Dealer and DJ Dave Thorley. Ufuoma Wallace allowed Dave to hear this unissued session and it was Dave who brought this session to the UK Soul Junction label’s attention. Later on Vince Bonham and Arnell Carmichael parted company with their fellow Energy MC2 members to join Ray Parker Jr and Jerry Knight in forming the band ‘Raydio’, they were also later joined by Arnell’s brother Darren London Carmichael. A teenage Ray Parker had learnt his trade as a member of Hamilton Bohannon’s House Band at Detroit famous 20 Grand Theatre during the late 60’s. Into the 1970’s he featured as a session guitarist on many of Holland, Dozier and Holland’s Invictus and Hotwax sessions with his noticeable “Choppy” guitar style being very prominent on Honey Cone’s number one single “Wants Ad’s”. Ray’s work also featured on Lamont Dozier’s first two ABC albums. Further session work with Stevie Wonder was to follow, an association that was to prompt Ray to permanently relocate to L.A. Once there he also became a part of Barry White’s Love Unlimited Orchestra. In addition to the previously mentioned artists Ray’s work and writing credits can be found on a plethora of other recording artists sessions, for example The Temptations, Michael Henderson, Herbie Hancock, Gladys Knight & The Pips, and Rufus & Chaka Khan. Ray’s first bona fide song writing hit came in 1974 with a song he co-wrote with Chaka Khan “You Got The Love”. Raydio scored a #8 billboard hit with “Jack & Jill” from the Arista album of the same name during 1978 while a second single from the album “Is This A Love Thing” reached # 20 in the same year. Their 1979 Album ‘Rock On’ spawned the hit single “You Can’t Change That” reaching #9 on billboard. By 1980 Jerry Knight had left to persue a solo career and the group became Ray Parker Jr & Raydio. Three more top 40 hits followed, “Two Places At The Same Time” again from the album of the same name #8 on Billboard (1980) and from the groups final studio album two singles “The old Song” reaching #21 on billboard and their biggest hit and title track from the album “A Woman Needs Love (Just Like I Do)” reaching #4 on Billboard both in 1981 at which point the group broke up with Ray Parker wanting to go solo.

Ray Parkers solo career would see him score six top 40 hits including “The Other Woman” reaching #4 in the pop charts and the song that he will be forever associated with “Ghostbusters” the title track of the box office hit film of the same name a#1 Billboard hit for 3 weeks in 1984. Given only 2 days to write the title song Ray duly obliged but he never actually sings the word “Ghostbusters” following his question “Who you Gonna Call” it’s the crowd on the set that reply “Ghostbusters”! Ray also became involved in small screen and video acting roles.

In 2014 original members Arnell Carmichael and Vincent Bonham joined by James Carmichael and a up and coming young singer Giovanni Rogers revived “Raydio” featuring as a support act on several major tours. As for the other members of Energy MC2, Ufouma Wallace went on to play with artists such as The Four Tops, The Temptations and Michael Henderson. Eric Wallace and Ernestro Andre' Wilson both played with Michael Henderson's touring band. Eric Wallace played and recorded with Stevie Wonder. Ernestro Wilson also played with the Franklyn Sisters Areatha and Carolyn, as well as Cheryl Lynn and Bettye LaVette amongst others. Other group members, Gordon Carlton, twin brothers Jimmy and Jerome Ali, cousin Kenny Colton and Ernestro Wilson again became the band for ‘Parlet’ (part of the P-Funk family) that helped George Clinton land the Mothership!

Energy MC2 first 45 “If You Break It/Other Side Of The Mirror” first saw the light of day during 2016 and a follow up 45 of two further songs was never far from my thoughts but I was always told that those were Ray Parker Jr’s arrangements and that I would need to deal with him. Over the ensuing years of involvement in securing licensing deals I finally got a contact number for Ray, and duly called him up (and yes he does have the Ghostbusters theme tune as his ringtone!). The Energy MC2 lost session was just a vague and distant memory to Ray but after sending him a copy of the tape transfer to listen to the memories soon came flooding back. Ray was only too pleased to agree to my proposal exclaiming let’s do it Dave it sounds like fun! and so the Energy MC2 stories circle is now complete.

Words by: David Welding & Vincent Bonham

Emmavie is one of the London R&B's scene most exciting talents - equally shining as both a leading vocalist and a one-of-a-kind producer. Known for her collaborations with Alfa Mist, Soulection, The Alchemist, IAMNOBODI, ROMderful and an outpouring of public support from respected names the like DJ Jazzy Jeff, Phonte, and Knxwledge - Emmavie has quickly become the talk of the town in many music circles at the moment, with her refreshingly unique original production (think late 90's Timbaland meets neo-soul era J Dilla), sharp writing skills, and a voice that instantly pulls you in.

After their debut album Space Voyage for Warner Chappell, Eleven76 are back with a new album commercially available for the first time entitled Occhio Occhio. The album contains insect-themed outernational grooves with tropical and arabian flavours and smooth and buttered tunes with soulful vibes that are reminiscent of classic european library music. Vintage synthesizers and hot tape-recorded drums continue to lead Eleven76's mystique, with travels through funk territories and all the while frenzied percussion-heavy break beats keep b-girls and b-boys moving on the floor. Including the sold out first two singles "The Scarab’s Quest" & "The Hornet’s Nest" plus 3 exclusive tracks for this vinyl edition

Eddie Chacon experienced proper, peak-nineties acclaim in the soul duo Charles and Eddie: they scored a global No. 1 in 1992 with “Would I Lie To You,” appeared three times on Top of the Pops, and featured on soundtracks from True Romance to Super Mario Bros.. Their crooning style was clearly pop-ready, but undeniably reverent: the pair first met when Eddie noticed Charles carrying a vinyl copy of Marvin Gaye's "Trouble Man” on a New York subway train.

By that time, Chacon had already been navigating music in interesting ways, all the way back to his teen garage rock band with the late Cliff Burton (Metallica) and Mike Bordin (Faith No More). In the late ’80s, he released a full-length on Uncle Luke from 2 Live Crew’s label and signed to Columbia as a solo act. He was a working artist, always popping up in unexpected places: through the course of his career, Chacon would write, sing, or produce ten Top 40 hits around the globe.

In the words of Mac DeMarco: “Eddie Chacon is planet earth’s number one musician. Yesterday, today, and forever.”

Years ago, Chacon retired from music for a second calling as a fashion photographer and creative director. In an interview at the time, he said, “I was fortunate to have a 35-year music career and felt that there wasn't that much more for me to say or achieve.” Very thankfully, that’s no longer the case. Private experiments, far from the major-label center he once frequented, began to feel urgent and new. “There’s nothing more exciting for me than getting to start from the beginning again,” he says today.

“Pleasure, Joy and Happiness” will be available July of 2020 on the boutique Los Angeles-based label Day End Records. This is a thoughtfully considered album of quiet, confident R&B: it doesn't jump out at you, but rather gets in you. Produced by John Carroll Kirby, the like-minded artist and collaborator with Frank Ocean and Solange Knowles, it features restrained percussion from Kanye West’s Sunday Service drummer Lamar Carter. Celestial soul as a break from chaos, these are quietly challenging songs as timeless as they are contemporary.

“What a rare and cool challenge it was for me to help Eddie re-emerge after a long hiatus,” says John Carroll Kirby. “I was excited to produce a record for him that captured the chill, laid-back wisdom and easy vocal mastery he has that you don’t see that much these days.”

Lead single “My Mind Is Out of Its Mind” finds a deep groove to try and contain spiraling heartbreak, while the sweet and wobbly “Trouble” balances the delightful near whisper of the title track “Pleasure, Joy and Happiness.” But even the project’s lightest moments feel sincere and mature. Altogether: a truly unifying release, coming from a man who's earned the right to share such a regal, romantic sound.

“I used to think to myself,” Chacon says, “if I ever make a record again, I’d want it to be a record you’d have to be my age to make.”

Introducing California cult legend Doug Hream Blunt, featuring the hit "Gentle Persuasion". Tip!

This really is a Double A sided banger from Aaron aka Double A. First up we have a Old Skool Bounce a party rocking break with a few familiar samples in there, then on the flip Aaron has reworked Jill Scott’s Golden into a dance floor killer soooooo good! Snooze you lose!!!

DNA records have partnered up with Dinked Records to bring you this 45 sure shot.

An original funk/b-boy track with Afro/Latin percussion and big drum break. Written and produced in Kunming, China by DJ DSK and local musicians living there at that time.

Arrangment & Mixing - DJ DSK
Vocals - Angela Cory
Keys - Dane Urry
Bass & Drums - DJ DSK
Percussion & Backing Vocals - Sam Debell
Guitar - J.P.

After branching off from The Royal Jesters in the mid-'60s, Dimas Garza attempted a solo career and reinvented himself as Dimas III. Dimas recorded three singles on the Jesters' own Clown label - all tracked at Abie Epstein's studio off General McMullen in San Antonio, TX. The first was "So Funny" b/w "I Won't Love You Again," which are almost impossible-to-find records. Garza never did manage to break beyond the Bexar County limits but left a rich legacy of recordings behind for lowrider enthusiasts and obsessed collectors alike.

After branching off from The Royal Jesters in the mid-'60s, Dimas Garza attempted a solo career and reinvented himself as Dimas III. Dimas recorded three singles on the Jesters' own Clown label - all tracked at Abie Epstein's studio off General McMullen in San Antonio, TX. The first was "So Funny" b/w "I Won't Love You Again," which are almost impossible-to-find records. Garza never did manage to break beyond the Bexar County limits but left a rich legacy of recordings behind for lowrider enthusiasts and obsessed collectors alike.

Original US pressing.

The Delfonics were a trio consisting of brothers William Hart, Wilbert Hart, and Randy Cain and had lush, high-pitched, male vocal harmonies typical of the Philly Soul sound.
In 1997, songs from the Delfonics were heavily featured in the Quentin Tarantino movie Jackie Brown, thus gaining more popularity to a new, younger crowd.

Original US Monarch pressing.

DaM-FunK is the kind of guy who seems like he’d make great company: laid-back, affable, personable. But to truly get the guy, to really understand him, is to know a deep love of music like no other. Dam’s contribution to the DJ-Kicks series gives you an opportunity to do just that. It’s a snapshot view into the mind of the pioneer of Modern-Funk music… DJ-Kicks invites you to get to know the man behind the shades.

Dam makes a lifetime of digging and absorbing music that feels as laid-back as the Santa Ana breeze. Years ago, he coined the term ‘Modern Funk’ to give context to his music. The elements of the synth-heavy and multi-layered style are gloriously displayed on DJ-Kicks. “Modern-Funk is a combination of all the sounds on the mix,” he explains. “Funk, Boogie, Electro, House, Modern-Soul, Ambient tones… a push and pull of nostalgia and progressiveness…”

At a satisfying 19 songs, DâM-FunK’s DJ-Kicks lets grooves breathe. This is a mix to happily get lost within; a document in vibe. Unexpected contemporary joints mingle with lost gems from unlikely places. The exclusive DâM-FunK production “Believer” makes its debut on DJ-Kicks, an extensive instrumental composition that on it’s own could only be classified as signature Modern-Funk. The mix also includes Dam’s excellent collaboration with Nite Jewel, as ‘Nite-Funk,’ on “Can U Read Me?”

THE 7000 DOLLAR ACETATE
The year is 1971, a time when nightclubs still had live bands perform the musical hits of the
day. Every city had its local stars and for the club scene of the city of Columbus, Ohio it was
the CROWD PLEASERS. Founded in 1968 by June Carey along with her younger brothers,
twins El & Al, the seven-piece band grew into an in-demand act that performed all over the
city. In April 1971 they went into the studio to record eight songs, but an actual release
never materialized. In time the master tape was destroyed and all that was left were two
acetates. But as time passed, these too were lost. Over the years, a growing market for
obscure funk and soul albums emerged. When one of the acetates went up for sale on eBay
in 2011, it sold for $3,900! Eleven years later, in 2022, the last remaining copy also appeared
on eBay. Collectors drove the price up until it finally sold for a staggering $7,000! So now,
after more than 53 years, Al Carey & Regrooved Records proudly presents the previously
unreleased 1971 album of the CROWD PLEASERS featuring renditions of hits by Marvin Gaye,
Sly Stone's Little Sister, Neil Young, Gladys Knight & The Pips, Cold Blood, Dionne Warwick,
The Lettermen and the original funk break track “Eggs & Bacon”.

Dynamite cuts are again proud to be the first label to release one of the all-time Funk and soul club classics. The famous Video man break as it was known back in the day of hip hop djing. “the Assembly Line” by Commodores is not only a superb drum sample but it is also a banging tune with the great story of life!

On the flip is the super funky “Gonna blow your mind” which believe me if you like it funky, Hold on!!

These amazing track are all Must Have 45s Cuts! Loaded with classic B-Boy break, Loops and club dancers.

Japanese pressing with OBI and insert. Copy close to NM

One of three Monster New Orleans Funk 45s released by Soul Jazz Records only ever exclusive available on their site on Long out of print, these new 45s are limited edition pristine, loud dancefloor fillers housed in Soul Jazz recycled card house bag! Chuck Carbo's Can I Be Your Squeeze, backed with Take Care Your Homework Friend are two of the most infectious break-heavy funk party tunes you will ever hear, written and produced by the legendary Eddie Bo and featuring the awesome syncopated drums of the phenomenal New Orleans drummer James Black.

From the first fuzzed out note of guitar on this record you'll know you're dealing with two heavy instrumental Psychedelic Funk sides. For our 14th regular release, we reached back into our acetate archive to bring you the never heard before Chordata. This recording seems to be related tangentially to Mancefield & Brother Man Band. And though we believe the group is likely from Nj/ny, we haven't been able to pin it down.

"Super Dynamite" on the a-side features heavy guitar work, punchy horn stabs and arrangements, and heavy percussion. And what great Funk song doesn't have a drum break? Two thirds of the way through the side, Chordata delivers a pure drum and percussion break that extends while the guitar player and horns add a discordant layer to the mix.

The b-side, "What It Is" takes us on a jazzy trip that is like a group of teenagers dropping acid and trying to recreate a mix of Miles Davis' "Bitches Brew" and a lost Funkadelic session. It’s heavy, sonic, drenched in sweat, and amazing. The guitar player goes off on this side and is the focus. And while this is a less accessible recording, it might end up being your favorite side after repeated listens.

From the first fuzzed out note of guitar on this record you'll know you're dealing with two heavy instrumental Psychedelic Funk sides. For our 14th regular release, we reached back into our acetate archive to bring you the never heard before Chordata. This recording seems to be related tangentially to Mancefield & Brother Man Band. And though we believe the group is likely from Nj/ny, we haven't been able to pin it down.

"Super Dynamite" on the a-side features heavy guitar work, punchy horn stabs and arrangements, and heavy percussion. And what great Funk song doesn't have a drum break? Two thirds of the way through the side, Chordata delivers a pure drum and percussion break that extends while the guitar player and horns add a discordant layer to the mix.

The b-side, "What It Is" takes us on a jazzy trip that is like a group of teenagers dropping acid and trying to recreate a mix of Miles Davis' "Bitches Brew" and a lost Funkadelic session. It’s heavy, sonic, drenched in sweat, and amazing. The guitar player goes off on this side and is the focus. And while this is a less accessible recording, it might end up being your favorite side after repeated listens.

From the first fuzzed out note of guitar on this record you'll know you're dealing with two heavy instrumental Psychedelic Funk sides. For our 14th regular release, we reached back into our acetate archive to bring you the never heard before Chordata. This recording seems to be related tangentially to Mancefield & Brother Man Band. And though we believe the group is likely from Nj/ny, we haven't been able to pin it down.

"Super Dynamite" on the a-side features heavy guitar work, punchy horn stabs and arrangements, and heavy percussion. And what great Funk song doesn't have a drum break? Two thirds of the way through the side, Chordata delivers a pure drum and percussion break that extends while the guitar player and horns add a discordant layer to the mix.

The b-side, "What It Is" takes us on a jazzy trip that is like a group of teenagers dropping acid and trying to recreate a mix of Miles Davis' "Bitches Brew" and a lost Funkadelic session. It’s heavy, sonic, drenched in sweat, and amazing. The guitar player goes off on this side and is the focus. And while this is a less accessible recording, it might end up being your favorite side after repeated listens.

Safe to say, Pp014 is a can't miss for fans of Funk.

Finland’s best kept secret Chicken Grass is releasing a long-awaited debut album - Chicken Grass Chicken Grass has been playing together for 25 years and has developed a unique sound (Swamp Soul !) over the years. The band gets inspiration from different styles of afro-american rhythm music: funk, soul, hip hop and jazz. You can hear influences from the roots but also from today’s modern music. The band consists of some of the best musicians in Finland. The members are: Tapio Wiik (voc, keys), Janne Valppu (bass), Mikko Räisänen (guitar), Olli Tuomainen (sax,flute) and Janne Mathlin (drums). Sensational singer Princess Shaw from New Orleans features on two songs. The album was recorded live in Philophon studio in Berlin with grammy awarded producer Max Weissenfeldt (Poets Of The Rhythm, Dr.John) and sound engineer/producer Stibbo Spitzmuller. The recordings were done with vintage gear, which lends the album a retro yet fresh feeling. Chicken Grass wanted to make an album like the old classics in the 60’s and 70’s, which meant recording it live without any loops or samples. Chicken Grass is not ”fakin the funk” as they say! The first 45 single from the album (Snakebites/Trading Bullet) got a lot of positive feedback from music lovers all around the world. It was released by the legendary Tramp Records. Radio shows like the Craig Charles funk soul show on the BBC Radio 6 Music have been playing the single. A Finnish radio DJ even said ”this band is going to be the future of Finnish music”. Each song in the album is unique and stands on its own. You can hear the whole spectrum of funk and soul in the album. There are vibes from James Brown and Jimmy Castro Bunch (Have A Break), Curtis Mayfield style gospel soul (Sister Rosetta’s Train), P-Funk inspired modern funk (Woman), Blue-Eyed Soul (Street Haze), Isaac Hayes and psychedelic soul (Right Face), Dubby Blues (Jailbird) and African disco-funk (Pyroclastic). The band also focused on the quality of the lyrics. All in all, the album is a perfect combination of styles and genres, old and new, hi-fi and lo-fi, but the sound is still unique Chicken Grass. The more you listen to the album, the more it grows on you. You can hear the depth of the songs and the experience of the band with each playthrough.

Money Mouse Records moves effortlessly into the neon-huedvibes of 80's boogie culture with their latest 7" offering fromNashville's CA$H BONU$. Made up of some familiar facesfrom Music City's funk and soul movement, Andrew Mullerand Nick DeVan are joined by Amber Woodhouse who lendsher powerfully silken vocals to the mix. With the addition ofPittsburgh's synthesist maestro, Buscrates, along withMuller's deftly executed production flourishes; this recordgoes straight to the sweet spot of post-disco lushness. "GotMe Thinkin Tonight" is designed for the late-nite danceflooraficionados, taking cues from some of the era's greats andshaking things up into something new and heaving. Thesynth work and beats weave together with Woodhouse'samorous lyrics to create a dancefloor jam that sounds just asat home in 1982 as it does in 2022. That magic is repeatedon the B-side with "Joy & Pain" a straight up hustler of atrack, with a driving drums and heady arrangements that,again, are meant to get the dancefloor churning. Woodhouse's vocals deliver a sweet soulful emotion thatjives perfectly with a groove that would make Rod Tempertonproud. And don't forget the heavy drum break at the end.CA$H BONU$ is bringing the boogie heat to your feet forreal.

Welcome to the first of the Masters Series, a cache of limited releases for people who understand that some things, no matter how hard you try, just can't be tamed. (Read: these are scratchier/rougher recordings that are cleaned up as best we can get them - if that's going to not work for you, don't order!)

Already championed by the likes of Michael Robinson (Dig Deeper, NY) and just entering the collective consciousness of the R&B scene worldwide, this release is a double-sided dancefloor destroyer. Both sides rip with tremendous energy.

Those who know will recognize the name Carl Holmes from well established winners like "Soul Dance No. 3" and "Unchain My Heart". Here he is with an unreleased song called "Love With A Feeling", featuring a raucous drum break with his soulful vocals throughout. Not that the tune needs a pedigree, but things like that never hurt.

On the flip is an unknown funky Soul R&B bomb "Some Of These Days". This female led tune is perfect for either a Northern Soul or R&B party.

The story behind The Masters Series

In our hunt for unreleased soul, we occasionally find some incredible gems that are just a bit too beaten to restore to the ears of the general public. Rather than return them to the dusty basements from whence they came, we press them in small batches to share with those who love to share.

Dune Castle Presents For Private Use Only, two singles from Cantrips, the studio project of Melbourne multi-instrumentalist and composer Patrick Ryan. Featuring members of Surprise Chef, Karate Boogaloo and Cantrips, this release follows a record composed by Ryan under Dune Castle named Dark Age Martial Arts, which received significant airplay and support from Radio DJs around Australia on stations such as PBS, RRR and FBI, as well as support from record stores in the UK such as Mr Bongo and Rarekind records. Dark Age Martial Arts was also nominated for best album in the Australian Music Prize 2022.
For Private Consumption contains two heaving psychedelic funk tracks, The Prayer and The Big Break, both of which take cues from David Axelrod's work with the Electric Prunes. Composed by Ryan, these tracks were brought to life and recorded live in one day in a cramped DIY studio in Collingwood, Melbourne.

Released in August 1970, as well as detonating hard and reaching #4 in the US R&B charts, ‘Stand By Your Man’ became a break-through single for Candi Staton, spending 14 weeks in the Billboard Hot 100, peaking at #24. When it came to the follow-up to ‘Stand By Your Man’, the formula was repeated with Candi taking on another country song ‘She Called Me Baby’. This song was written by country singer Harlan Howard and appeared on “Harlan Howard Sings Harlan Howard” released in 1961. It was first drenched in strings and sung from the female perspective as ‘He Called Me Baby’ by Jeanne Newman in 1965 and then, in more soulful form, by Ella Washington, whose version got to #77 in the Billboard Hot 100 in 1969. As with Newman and Washington’s versions, Rick Hall dressed the song in strings as well as belting brass. Staton’s definitive southern soul version of ‘He Called Me Baby’ got to #9 in the R&B chart and #52 in the Billboard Hot 100 when released in January 1971.

Both ‘Stand By Your Man’ and ‘He Called Me Baby’ – as well as their flips ‘How Can I Put Out The Flame (When You Keep The Fire Burning)’ and ‘What Would Become Of Me’ – appeared on Staton’s second album “Stand By Your Man”, released at the end of 1970. As with her singles and debut LP, “I’m Just A Prisoner” Capitol’s promotional rodeo ran wild and one advert even included the line, “Stand by your radio. Stand by your racks. Stand by for Candi Staton, a new American singing star.”

“Stand By Your Man” is one of the cornerstones of Southern soul. As well as the tracks listed above it features other ear-Candi such as ‘Mr and Mrs Untrue’, Freedom Is Just Beyond The Door’ and ‘Sweet Feeling’.

Brian EL Dorado AND THE Tuesday People Release NEW Bombastic Single, Video AND 7 Inch Vinyl ON Choi Records

Tectonic is the latest offering from Melbourne local Brian El Dorado and his first release for 2022. A bombastic song reminiscent of early 2000’s break beats, Tectonic is criss-crossed with hypnotic distorted bass, a falsetto vocal and a touch of psychedelia.

In discussing the song’s origins El Dorado says he “distinctly heard the vocal melody while he was asleep one night and quickly put the idea into a Dictaphone at 6am the next morning.”

Tectonic is a co-production with Ivan "Choi" Khatchoyan (Cookin on Three Burners, The Traffic, Mayfield & Choi Records). Taking a break from live band recording, Brian and Choi have worked exclusively together on Tectonic with Brian playing almost all instruments (guitars, bass, synths and vocals) and Choi playing drums and taking the lead on production.

The pair, who originally met during hip hop open mic nights at The Evelyn Hotel (circa 2005) also bond over playing tennis nearly as much as music. They would talk about music and share ideas over the boom box post tennis matches.

The release of Tectonic is complete with a hilarious video from El Dorado’s long-time video collaborator Agostino Soldati. It will also be available on vinyl with a limited run of ‘45’s on Choi Records.

Brass Horizon only ever had one effort put out onto vinyl. The much sought after "We want to play" on the Minda Mark label. Currently commanding big bucks on the collector’s scene. The single also made it onto Keb Darge's Deep Funk LP. Now Super Disco Edits has dug deep again, and unearthed some killer tracks by the band. Brass Horizon were heavily into the Bay Area sound of the mid 70's and especially Tower of Power. The first recording to come to light from these dusty sessions is this one off studio mic take, introducing the band. Fully 6 mins long, we have trimmed it down, so it gets a 45 release. Part 1&2. polish your headspin hat, and hear all the components of the band, horns, keyboards, and last but not least a big arse drum break!! Beware you b-boys out there!

Two huge Bobby Womack classics, the heart-on-a-sleeve ‘How Could You Break My Heart’ and the sweet soul love song, ‘Give It Up’ get a much deserved, official remastered reissue.
Produced and composed alongside Patrick Moten, who worked with the likes of Loleatta Holloway, Anita Baker and Rosie Gaines, ‘How Could You Break My Heart’ was a massive record on the modern soul scene and still a favourite across the board with the biggest selectors and DJs on the circuit.
The blend of warm woozy keys and magical piano touches, over energetic strings, powerful horns and tight percussion, are near impossible not to get swept up by and provide the perfect backing for Womack to bare all. Arguably one of the greatest soul singers to have ever done it, endless amounts of passion and raw emotion emanate from his rugged tones as he swallows the bitter pill of heartache and rejection.
On the B side the bittersweet ‘Give It Up’ where soaring strings and sumptuous chord progressions, marry with the full range of Womack’s vocals and those expert backing harmonies. A luscious sax solo and funk bass give a sultry feel that mixes with the tenderness on show, providing a powerful metaphor for the swirling emotions that come part and parcel with this ever-relatable tale of reaching out for love.
Large dinked centre hole.