Search "the+soul+session+one" 2763 Items

Release: 2005 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Love Vibrations / Love Company

Bell Telephunk

7" | 2017 | UK | Original (Super Disco Edits)

Bella Brown & The Jealous Lovers

Release: 2017 / UK – Original

Genre: Organic Grooves

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Back around the early 1970's Bell Telephunk was formed around the New Jersey area. Some members moved to Clevleand Ohio where the group performed in these early days at bars and clubs. The band disbanded early on and the name lie dormant for a few years. Around 1975/76 Michael Calhoun and a few others decided to rejuvenate the name again. They played often at the Kinsman grill located in Kinsman road Cleveland where they cut their teeth! They ventured into the studio just once to record a series of 6 songs. We are now pleased to bring them to light the newly formed Kinsman Record label. Once you hear these you will fall in love instantly with Ron Thatch's amazing vocals skills. This is crossover ghetto soul of the highest order...

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Get Mine / I'm Gone

7" | 2022 | UK | Original (Lrk)

20,99 €*

Bella Brown & The Jealous Lovers

Release: 2022 / UK – Original

Genre: Organic Grooves

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LTD edition 300 copies pressed.
Comes in a stunning Picture sleeve
https://bellabrownandthejealouslovers.com/home
imagine a band that is Sharon Jones meets James Brown while putting a modern twist on 70s soul and funk music. Whether self composed original tracks or classic covers, Bella Brown & the Jealous Lovers capture an era boldly envisioned!
So settle in and get to know us. Check out our music, join our mailing list to stay current on Bella's adventures and get discounts on merchandise, peruse our Social Media sites to gage Bella's current level of "influencer" status, find us on your favorite Streaming Service, and maybe throw some spare change in the Tip Jar to keep new music coming!
All this and more below! Enjoy!
Fronted by the wonderful Carol Hatchett- She is known as one of Bette Midler's backup Singer/Dancers, the infamous "Harlettes" and has appeared in Bette's Emmy Award-winning "Diva Las Vegas" HBO Special, "The Showgirl Must Go On" HBO Special and numerous music tours worldwide . Carol is also the backing singer for Nick Waterhouse and tours with them regularly.

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Soul Clap

LP | 2024 | UK | Original (Lrk)

20,39 €* 23,99 € -15%

Ben And The Tight Squeeze Band

Release: 2024 / UK – Original

Genre: Organic Grooves

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Bella Brown & the Jealous Lovers Unveil "Soul Clap" LP: A Fusion of Retro Soul/Funk and Modern Grooves
Los Angeles-based retro soul/funk sensation Bella Brown & the Jealous Lovers are set to ignite the music scene with their highly anticipated LP, "Soul Clap." Born from the creative genius of Grammy Award-winning vocalist/songwriter Carol Hatchett, Bella Brown emerges as a diva with a fiery stage presence, drawing inspiration from the likes of Tina Turner and Sharon Jones, and channeling the empowered female leads of 70s Blaxploitation films. Led by producer/bassist/songwriter Daniel Pearson, The Jealous Lovers assemble an impressive ensemble of A-list musicians, boasting pedigrees that include names like Mick Jagger, Elton John, Whitney Houston, Prince, and Stevie Wonder. This musical collective is on a relentless quest to redefine the boundaries of music, infusing soul and funk with elements of jazz, rock, and Afro-Caribbean influences.
The essence of "Soul Clap" is derived from the cultural phenomena it is named after—a shared and improvised rhythm-making by a collective. The LP, spanning 40 minutes of pure musical bliss, invites the audience to immerse themselves in the groove and discover their individual truths in the music.
The title track, "Soul Clap," and the infectious "Living Proof" serve as funky dance bangers, echoing the spirit of Bohannan and The Tramps. These tracks, punctuated with jazzy improvisations and soulful horn arrangements, are simple yet joyful expressions of shared humanity and self-love.
"Coming For You" is Bella's audacious response to the soul/funk classic Apache, boldly announcing her and The Jealous Lovers' arrival on the modern soul landscape. "I Found You" takes a northern soul love song approach, reminiscent of Gloria Jones with a touch of modern influence, giving it a distinct Amy Winehouse feel.
Bella Brown seamlessly weaves social commentary into her art. "Bang Bang Bang," an uptempo, funky Motown groove, cleverly uses Curtis Mayfield's sense of sarcasm to reflect on American gun culture. "Lady Time" takes a driving afrobeat groove, employing brassy horns and reggae-like echoes to address the issue of homelessness.
However, the album is not without its lighthearted moments. "Fast As Lightning" celebrates a cleaner future by imagining Jimi Hendrix joining Ike and Tina Turner's band to create a classic Chuck Berry car song. "There Is Love" blends horns, strings, and vocals reminiscent of The Stylistics over a Chi-Lites style rhythm section, to create a lush message of support to those among us that may find the world a bit overwhelming at moments. Finally, "What Will You Leave Behind," is a revamped version of the group's sold-out vinyl 45 release. This track serves as a powerful call to action for a better future, delivered over a straight-up Motown groove with a funky Sly Stone finish.
Bella Brown & the Jealous Lovers have crafted an album that transcends genres, embracing the roots of soul and funk while pushing musical boundaries.
"Soul Clap" is a celebration of individual truths, shared experiences, and the timeless power of music.

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Thumping For You

7" | 2023 | UK | Original (Athens Of The North)

Don't Play That Song Crystal Clear Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves

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Another two deepfunk/soul tracks from Benjamin Robinson of Coco and Ben fame's tape archive. You might be forgiven for thinking is 45 is unreleased, but there is only enough copies of the original small hole pressing out there to count on one hand.
'Thumping For You' is a hypnotic floaty soulful funk banger with that catchy guitar that reminds you right away of the Coco and Ben connection, and the loose vibe just hits the dancefloor.
Brandon's song keeps the hypnotic loose vibe going for the flip, I can see me late night dancing to this one outside in the hills this summer.

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Ben E. King

LP | 1962 | UK | Reissue (Rhino Atlantic)

38,99 €*

LP | 2022 | UK | Original (Chrysalis)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Although Ben E King's name is synonymous with The Drifters, he only actually sang on a dozen tracks with them, most of which were recorded concurrent with the start of his own solo career. This compilation anthologises Ben's solo recordings between 1960-62, presenting his early singles plus a handful of standout album tracks.

All his early hits are here, including the Drifters-like First Taste Of Love, his first million-seller Spanish Harlem, his signature song Stand By Me, the lilting Latin shuffle of Amor, the dramatic, bluesy Here Comes The Night/Young Boy Blues, his Sex'n'Soul double-sider Ecstasy/Yes, the explosive Don't Play That Song, the soulful Too Bad, the haunting I'm Standing By and Goffin & King's Tell Daddy.

Ben E. King’s ‘Don’t Play That Song!’ album is pressed on a single clear LP and is a one time pressing.

This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.

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Ben Harper

Bloodline Maintenance

Release: 2022 / UK – Original

Genre: Organic Grooves

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How Do I Talk To My Brother? Black Vinyl Edition

Ben Pirani

LP | 2018 | US | Original (Colemine)

Ben Pirani & The Means Of Production

Release: 2018 / US – Original

Genre: Organic Grooves

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"It'd be easy to mistake this release for yet another soul revival album made by a dude who wasn't there the first time around - but it'd be the listener's mistake to make. What kind of record is a man with a punk past going to make when he's been a mod, a rocker and a rare soul collector in between? One that draws on a familial history of activism, sacrifice and earnest hustling - the very same things we're all being called upon to conjure as a society in this present moment. This is a body of work that lets neither performer nor listener off the hook, yet still understands the need for care and cause in the spaces between. Consider it: A band of fighters meant for the clear-eyed lovers of the world. Ben Pirani is not fooling around, and neither are the working musicians who agreed to make this record with him." - Jocelyn Brown Colemine Records is proud to present the debut LP from Ben Pirani. A record that feels so very easy and familiar, but at the same time fresh and relevant. Like the hype sticker says, "Soul music that's so positive it might just spark a revolution!"

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That's The Way It Goes Handwritten Label Edition

7" | 2020 | US | Original (Colemine)

9,99 €*

12" | 2017 | EU | Original (BBE Music)

Release: 2020 / US – Original

Genre: Organic Grooves

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On the heels of his debut LP, "How Do I Talk To My Brother?", Ben ventured to the west coast and was welcomed with open arms by fans of his sweet and uplifting soul music. The A-side, a cover "That's The Way It Goes" by the Harptones, was recorded on a handheld cassette recorder while performing live at a radio station. The B-side was recorded in Brooklyn upon returning from the tour and thus christening their newly renovated recording studio. So enjoy this unique little 45!

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Ben & Sadar

The Red,White & Blue's

Release: 2017 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Ben Webster & His Quartet

Wayfaring Webster Black Friday Record Store Day 2023 Black Vinyl Edition

2LP | 1970 | EU | Reissue (Tidal Waves Music)

32,99 €*

Don't Try To Tell Me / Laughing On The Outside

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Record Store Day Black Friday 2023 exclusive release Limited 180g Deluxe Double Vinyl Edition (1000 copies) with obi strip Rare unearthed Dutch recordings from 1970 Featuring an all-star line-up First Time ON Vinyl Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (Wayfaring Stranger recorded in 1970 by the NPS Radio network in The Netherlands) you will find mind-blowing high-quality Dutch sessions that were left dormant on a shelf and weren’t commercially released for over 30 years! On ‘Wayfaring Stranger’ the listener is treated to no less than nine sublime tracks that document Webster’s trademark relaxed-swinging but imaginative playing style that never gets boring. The album features an all-star line-up from the likes of Rob Langereis (Toots Thielemans), John Engels (Chet Baker, Dizzy Gillespie) and Cees Slinger (Dexter Gordon, Slide Hampton). Expect a 61-year-old Ben Webster in excellent form giving a warm, dusky, gritty yet funky performance where he delivers everything from up-tempo material, 12-bar blues jams to soulful expressive ballads. Webster’s quartet is in constant musical dialog with each other, creating a unique back and forth between musicians at the top of their game. Tidal Waves Music now proudly presents the First Ever vinyl release of this fantastic album (originally released as a limited Compact Disc edition back in 2000). This unique record comes as a deluxe 180g Double vinyl edition (strictly limited to 1000 copies) with obi strip. Released exclusively for Record Store Day Black Friday (UK & Europe) 2023 and available in participating stores on November 24, 2023.

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Berna-Dean

7" | 2024 | UK | Original (Kent)

LP | 2018 | EU | Original (Born Bad)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

Bernadine or Berna-Dean Washington recorded seven singles for producer Dave Bartholomew in New Orleans in the early 60s. A protégée of Earl King, her final single was released on Los Angeles’ GNP Crescendo label in 1964 and is stylistically similar to her previous Imperial and Post 45s. ‘Don’t Try To Tell Me’ and ‘Laughing On The Outside’ were cut for GNP but the company never followed up on her ‘This Is The City’ single.

Both tracks are in a more soulful style than her released sides and are attracting much attention on the current retro R&B scene and with the rare soul crowd also. This is their first public hearing.

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Bernard Estardy

Space Oddities 1970-1982

21,99 €*

7" | 1982 | EU | Reissue (Fantasy Love)

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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A master of the mixing board, from the late '60s until the '90s Bernard Estardy was the wizard of French musical recordings. As head of CBE studios, he shaped everything from Gérard Manset's concept albums to Claude François' hit singles, Françoise Hardy's delicate tear-jerkers and Michel Sardou's soul-stirrers. This "giant" had his hand in the whole range of mainstream French music by making his studio a veritable playground for experimentation. His legendary album 'La Formule Du Baron,' released in 1969, and the eight LPs of production music he made between 1974 and 1978 for Tele Music are vivid proof.

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Bernard Walker

My Lover / Sexy Thang

14,99 €*

Bernetia Miller And The Soul Groovers

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Junei, the guitarist behind The Space Army Band, who would team up with his brother, General Lee, to form The Lost Weekend remains a pivotal character amongst the music scene of his hometown, Gary, Indiana.

Working closely with local indie groups & producers, such as Gordon Keith of Steeltown (Jackson 5's first manager), Junei would spend the 70s writing & recording whilst touring with artists such as The Emotions, Curtis Mayfield & Albert King.

Junei's calling card came to be in 1987, when he released his single 'Let's Ride' & 'You Must Go On' on local imprint, Pharoah's Records. The following year, he teamed up with Bernard Walker to produce a signature of that late-80s bedroom indie sound, cemented by the ideology & instruments used.

As Junei recalls..

"Bernard Walker approached me based on my reputation around town. He told me about this song that he wrote called "My Lover." Initially, he wanted to record a demo but I convinced him that I could do an actual finished production of his song, right from my small project "tape based, 8-track" basement studio. The sessions took place in Gary, Indiana in the basement of my parents home inside my... more

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You Can Tell Me Goodbye

7" | 2023 | UK | Original (Athens Of The North)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Bernie Worrell & Khu.Eex'

Tales From The Mother Earth Ship

2LP | 2022 | JP | Original (P-Vine)

48,99 €*

LP | 2021 | EU | Original (Berus)

Release: 2022 / JP – Original

Genre: Organic Grooves

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In the years preceding his untimely death P-Funk and (de-facto) Talking Heads keyboardist Bernie Worrell entered the studio with Seattle-based musicians to create the Khu.eex project, melding funk, soul, and groove with native-american storytelling and instrumentation. Drawing on his own Cherokee heritage, the group recorded four albums before Worrell’s passing. This album, featuring 14 songs compiled by famed P-funk chronicler Yoriko Kawachi, spans the countless recording sessions over which these albums were recorded. With Galactic drummer and frequent Worrell collaborator Stanton Moore on seven out of fourteen tracks, and some of the Pacific Northwest’s best talent on all of the tracks, these fourteen songs are sure to get you up and dancing.

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Berus

Blue Hope

19,99 €*

Don't You Worry Baby The Best Is Yet To Come / Try To Leave Me If You Can

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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When Berus debuted in January 2021 on Kommerz Records with his “Voyage EP”, he had no idea how precise the title would be for the coming months. A little over a year before the release of “Voyage” the Berlin based multi-instrumentalist and producer had taken his focus away from his, more than a decade lasting, house and techno career towards a new sound, inspired from neo soul and hip-hop. Whilst his electronic projects found home on Kerri Chandler’s Madhouse Recordings and DVS1’s infamous Mistress and gained his moniker Frag Maddin worldwide attention, it was part of his progress to focus on himself and Berus, his real name. He took this step not knowing it would lead him into a dark journey of self revelation, identity finding and for the foremost new hope: blue hope. Berus was born to a Zaza family in Kurdistan, which eventually migrated to Germany escaping prosecution and discrimination of the nationalist regime in Turkey. The family settled in Hamburg and Berus grew up to be a New Release Information musician. He played the drums, formed teen punk bands and started producing at an early age experimenting and shaping his future as an artist. Since the beginning of his career Berus releases can be seen like a diary, always expressing his very personal state at the time. For the work on “Blue Hope” two main topics fall into the production of the album: love relationships and seeking identity.

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Bessie Banks

7" | 1976 | EU | Reissue (Pressure Makes Diamonds)

Beto Villena / We All Together / Black Sugar

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Ultra-rare modern/Northern soul/funk crossover, now extremely expensive in its original form. Cut loud & proud. Artwork based on the original promo version. Officially licensed from Phase One Network.

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Suavecito

7" | 2023 | EU | Original (Vampisoul)

15,99 €*

7" | 2024 | UK | Original (Skyline)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Peruvian Latin soul and rock pioneers Beto Villena and We All Together deliver a true-to-original rendition of the vocal-harmonies wonder that is 'Suavecito', originally brought to fame by Malo in 1972. A sophisticated sweet soul "rola" for those into the lowrider sounds. 'Suavecito' has been called "The Chicano National Anthem". It was originally recorded by Santana-related band Malo in 1972 and reached the Billboard's Top 20. This Peruvian version, released on Discos MAG that same year, features Beto Villena and We All Together (WAT's Carlos Guerrero on lead vocals). Villena was one of the most accomplished trumpet players in Peru with a successful career in the Latin soul and tropical scenes while We All Together were one of the epoch-making groups in the history of Peruvian rock. A perfect blend of talents delivering a true-to-original rendition of the vocal-harmonies wonder that is 'Suavecito'. A sophisticated sweet soul "rola" for those into the lowrider sounds. On the flip we find Black Sugar, Peruvian pioneers in mixing funk influences with rock and Latin rhythms. 'Viajecito' is one of the strongest tracks of their debut album, starting off with a psychedelic guitar-driven intro then throwing layers of infectious percussion and piano. The track gets a turn once the horns and vocal section start, resulting an amazing jazzy Latin soul dancer.

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Betty Black

Gypsy Heart

Release: 2024 / UK – Original

Genre: Organic Grooves

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Betty Davis Black Vinyl Edition

LP | 1973 | US | Reissue (Light In The Attic)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t “Feelin’ Bitchy” until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

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Betty Davis Coke Bottle Clear Vinyl Edition

LP | 1973 | US | Reissue (Light In The Attic)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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* New Pressing On Blue Colored Vinyl *In 1973, Davis Would Finally Kick Off Her Cosmic Career With An Amazingly Progressive Hard Funk And Sweet Soul Self-Titled Debut. Davis Showcased Her Fiercely Unique Talent And Features Such Gems As "If I'm In Luck I Might Get Picked Up" And "Game Is My Middle Name." The Album Betty Davis Was Recorded With Sly & The Family Stone's Rhythm Section, Sharply Produced By Sly Stone Drummer Greg Errico, And Featured Backing Vocals From Sylvester And The Pointer Sisters.

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Crashin' From Passion Black Vinyl Edition

LP | 2023 | US | Original (Light In The Attic)

Release: 2023 / US – Original

Genre: Organic Grooves

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In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music - a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic and in full control, Betty paved the way for generations of future artists who said “funk you” to the music industry and social norms. In 1979, when Davis entered an L.A. studio to record her fifth and final album, she was reeling from a series of setbacks. Three years earlier, after recording her fourth album, Is It Love Or Desire, Davis was dropped from her label and the LP was subsequently shelved. In 1978, her beloved band Funk House went their separate ways. Looking for a fresh start, Davis relocated to Hollywood to focus on songwriting. Before long, British manager Simon Lait (Toni Basil), offered to fund her next project. With renewed vigor, Davis reunited with former Funk House guitarist Carlos Morales and brought together industry veterans like fusion drummer Alphonse Mouzon and session bassist Chuck Rainey. Old friends Anita and Bonnie Pointer (The Pointer Sisters) and Patryce “Choc’let” Banks joined Davis on vocals, as did Motown legend Martha Reeves. The resulting album, Crashin’ From Passion, was her most musically diverse, blending elements of reggae and calypso (“I’ve Danced Before”), jazz (“Hangin’ Out in Hollywood,” “Tell Me a Few Things”), dark synth-pop (“She’s a Woman”), and even disco (“All I Do Is Think of You”). Equally exploratory are Davis’ vocals, as she trades in her signature sass and snarls for more nuanced stylings. Among the album’s few funk tracks is “Quintessence of Hip,” in which Davis hails musicians like Bob Dylan, Billie Holiday, Stevie Wonder, and John Coltrane, while deftly integrating elements of their work. The song also offers a moment of stark vulnerability, as she sings, “Isn’t rich? Isn’t it queer? Losing my timing so late in my career.” It would prove to be a prophetic line in the months to follow. The mixing process was mired by artistic differences and then cut short, amid the death of Davis’ beloved father. Bereft and exasperated, Davis returned home for the funeral, setting into motion her retirement from the music industry. Crashin’ From Passion, meanwhile, would be shelved for 15 years and licensed for a CD-only release, without Davis’ consent, in the ‘90s. This 2023 edition of the album, made with Davis’ full approval and cooperation, marks its first official release and first time ever on vinyl. The package was designed by GRAMMY®-winning artist, Masaki Koike, while the album cover features an incredible shot of Betty captured in London in the mid-1970s by renowned photographer Kate Simon. Crashin’ From Passion was remastered by Dave Cooley at Elysian Masters and pressed on vinyl at Record Technology, Inc. (rti). The accompanying booklet includes a treasure trove of rare photos from the era, plus lyrics, and new liner notes by writer, ethnomusicologist, and Betty’s close friend, Danielle Maggio, who integrates interviews that she conducted with Davis, marking her last ever interviews.

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Crashin' From Passion Purple Vinyl Edition

LP | 2023 | US | Original (Light In The Attic)

Release: 2023 / US – Original

Genre: Organic Grooves

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Crashin' From Passion Red Vinyl Edition

LP | 2023 | US | Original (Light In The Attic)

Release: 2023 / US – Original

Genre: Organic Grooves

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Is This Love Or Desire

24,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record is close to VG+.
Includes original inner sleeve and insert.

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Is This Love Or Desire Black Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.

Is It Love Or Desire is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.

Never bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. Its time to get down…

Long live Betty Davis!

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Is This Love Or Desire Gold Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Is This Love Or Desire Silver Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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LP | 2021 | US | Reissue (Light In The Attic)

Nasty Gal

44,99 €*

Release: 2021 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Limited edition. US reissue from 2021.
20th Anniversary Clear Vinyl Edition.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record is close to VG+.
Includes booklet.

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Nasty Gal Metallic Gold Vinyl Edition

LP | 1975 | US | Reissue (Light In The Attic)

41,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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"In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre–punk, funk–blues fusion that had yet to be normalized in mainstream music — a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty paved the way for generations of future artists who said ‘funk you’ to the music industry and social norms.

In 1975, Betty Davis’s star was on the rise. With the backing of Island Records and a new band, Funk House, Betty’s third album, Nasty Gal, leans into the hyper-sexualized persona with which her critics were so obsessed. She raps, purrs, shrieks, and moans on top of Funk House’s manic funk-rock and lays claim to the “bad girl” anthems that now saturate the music industry. Mastered from the original tapes, Nasty Gal showcases Betty’s groundbreaking work as a performer, writer, and producer."

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Nasty Gal Pink & Yellow Vinyl Edition

LP | 1975 | US | Reissue (Light In The Attic)

41,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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They Say I'm Different Black Vinyl Edition

LP | 1974 | US | Reissue (Light In The Attic)

37,99 €*

The Lost Queen Of New Orleans Soul

Release: 1974 / US – Reissue

Genre: Organic Grooves

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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Ji mi Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Cla pton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”

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Betty Harris

2LP | 2016 | UK | Original (Soul Jazz)

The Lost Queen Of New Orleans Soul

Release: 2016 / UK – Original

Genre: Organic Grooves

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Betty Harris’ The Lost Queen of New Orleans Soul collects together the steady stream of amazing soul and funk singles issued by Betty Harris from 1964 to 1969, under the musical guidance of legendary composer, musician and producer extraordinaire Allen Toussaint, a collection which truly captures the heart and soul of the city of New Orleans during this era.
Betty Harris’s powerful, fiery soulful vocals found a perfect accompaniment with the New Orleans’ players that Toussaint put together to back her, which by the time of her funk classic ‘There’s A Break In The Road’ were the legendary super-tight, super-funk New Orleans group The Meters.
With the extraordinary song-writing skills of Allen Toussaint alongside the powerful, soaring, confident and emotive singer and the groove of The Meters, you have an unbeatable combination. That Harris never in fact lived in New Orleans (she flew in from Florida for all her sessions with Toussaint’s local in-house players) seems almost an irrelevance, a geographical aside to the defining New Orleans sound captured on the recordings featured here.
All of these singles featured here were released on Allen Toussaint and his business partner Marshal Sehorn’s local New Orleans label Sansu, widely distributed in the southern city but in only limited quantities elsewhere. As a consequence, Betty Harris’ music failed to achieve the commercial success of other New Orleans artists such as Lee Dorsey (who she recorded with) and The Meters (who backed her). And so at the end of the decade she stopped recording, retired from the music business to raise her family in Florida.

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Betty Harris

2LP | 2022 | Reissue (Soul Jazz)

The Lost Queen Of New Orleans Soul

Release: 2022 / Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green vinyl

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Betty Harris

2LP | 2022 | Reissue (Soul Jazz)

Release: 2022 / Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

Betty Lavette / Nella Doods

(Happiness Will Cost You) One Thin Dime/First Date

7" | 2020 | EU | Original (Outta Sight)

13,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Beverly Mckay

Say It With Feeling

7" | EU | Reissue (AOE)

Batua / Love Me & Give Up

Release: EU – Reissue

Genre: Organic Grooves

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A solid two sider for your soul box from the Old Town vaults, 'Say It With Feeling' is a great mid tempo soul track which i have used as a warm up track for many years and had remained popular on the soul circuit as well. For me the real magic happens on the flip. 'Conscience' is a haunting mid tempo off-kilter number, memorable in the extreme, challenging to work it into a set, a charming, fascinating record, no wonder it was a huge popcorn spin in belgium.

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Bidaide

7" | 2024 | UK | Original (Matasuna)

Release: 2024 / UK – Original

Genre: Organic Grooves

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7" | 2022 | EU | Original (Blow Up)

Big Boss Man

Double Groovy

14,99 €*

7" | 2022 | EU | Original (Blow Up)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Grab while you can. The tracks have already received very strong radio responses from around the world. Both tracks being supported by Gideon Coe and Cerys Mathews at BBC Radio 6 Music, whilst Nasser Bouzida from the band discussed the rhythm influences of Return Of Baron Samedi on the Cerys Mathews show. Specialist funk shows from Australia, Germany, France, Canada and the US have already been supporting these tracks. The tracks are also set to appeal to fans of one of Big Boss Man's biggest tracks 'Sea Groove', which is currently one of the UK's biggest home-grown funk recordings on Spotify currently close to 7 million streams. These are the first new releases from Big Boss Man since their fourth album Last Man on Earth on Blow Up Records.

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Big Boss Man

Juju Funk

14,99 €*

1st Born Second Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Bilal

2LP | 2001 | EU | Reissue (Music On Vinyl)

35,99 €*

Bill Brown And The Soul Injection

Release: 2001 / EU – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl
Includes insert
Debut album from 2001, produced by Bilal, Dr. Dre, Questlove, Raphael Saadiq, Jay Dee aka Dilla a.o.
Includes the singles "Soul Sista", "Fast Lane" featuring Dr. Dre & Jadakiss, "Reminisce" featuring Mos Def and Common a.o.
For the first time commercially available on vinyl

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LP | 2021 | JP | Original (P-Vine)

31,99 €*

Release: 2021 / JP – Original

Genre: Organic Grooves

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Bill Brown & The Soul Injection

Time After Time / Instrumental

7" | 2018 | UK | Original (Super Disco Edits)

13,99 €*

LP | 1962 | US | Reissue (Jackpot)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Limited edition vinyl!
Bill Brown and Al Hall jr. met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer Billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr. was working for producer Art Smith A&C music.
The main distributor for A&C was Accent records. So, the Soul Injections very first single "Stay Off The Moon" was released via Accent, as was Bill Browns "Bip Bam". The group wasn't that pleased with how Accent handled the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included Doug Carn (organ), Kirk Lightsey (keyboards) Mel Bolton (guitars), Mel Lee (drums), Al Hall jr. (trombones), Willaim 'Bill'Henderson (strings).
The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday People feat Alexis "World Full Of People", a now cult soul 45. But wait, Super disco edits have unearthed the original tapes with the very first incarnation of that song and music, different lyric content and sung by Bill Brown. Not just this you get the instrumental on the B-side!! TIP!!

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Bill Evans & Jim Hall

Undercurrent

Bill Withers & Studio Rio

Release: 1962 / US – Reissue

Genre: Organic Grooves

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In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro. Eventually, he was persuaded to return to music, and this was one of the first recordings upon his return. Guitarist Jim Hall - who had worked with Ella Fitzgerald, Sonny Rollins, and Chico Hamilton - started his partnership with Evans during this time. Recorded over two sessions in April and May 1962, the two have that beautifully unspoken musical language of give and take; their recordings are refreshingly busy but also incredibly sparse. These two giants understand that intertwining their personalities and harmonic styles could create greatness. This notable re-issue is an all-analog production affair—AAA Mastered and cut live by audio guru Kevin Gray (Miles Davis, Herbie Hancock, Charles Mingus)—and it’s never sounded better. So dim the lights and let this music breathe with you; it’s an incredible listen and an essential album for both the novice listener wanting to dip their toe into the genre or the audiophile who needs to replace their well-worn vinyl copy. And depending on your day, it will color your mood in any emotive shade you desire.

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Lovely Day (2nd Edition)

7" | 2024 | UK | Original (Mr Bongo)

18,99 €*

You Got The Stuff 2023 Repress

Release: 2024 / UK – Original

Genre: Organic Grooves

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As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.

Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.

Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”

There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.

Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.

The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.

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Bill Withers

12" | 1978 | EU | Reissue (Columbia)

Calque / Soliton Whirlpool Blue Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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'You got the stuff' is not 'Lovely day' - that much is true. This one's a wigged out, extended, trip into deep space from 1978 that is truly baffling.
Of course, it features Bill singing for the first half of the track but then all of a sudden we're launched into a cosmic wormhole as everything just falls back and the track is stripped of any earthly qualities. People find themselves asking 'this...... this is Bill Withers?' as lazer guided synths and rock solid drums pull us into the sonic vortex. Truly amazing. Obviously a nugget like this has not gone unnoticed and has been edited and chopped and sampled deftly by the more sarcastic, left-field oriented crate diggers out there but it has never been reissued legitimately - Until now!

A hugely sought after and collectible gem right here, backed with the wistful slow jam 'Look To Each Other For Love' as per the original 1978 Columbia promo 12" version. This left-field, cosmic classic has been legally reissued by Above Board distribution in conjunction with the legal rights holders - Sony Music Entertainment. This high quality repress features original Columbia pink label Disco 12" artwork and has been remastered from Sony's original sources by Optimum Mastering, Bristol UK.

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Billow Observatory

LP | 2024 | US | Original (Felte)

LP | 2020 | UK (Athens Of The North)

Release: 2024 / US – Original

Genre: Organic Grooves

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Billow Observatory's second Extended Play in less than a year,Soliton maximizes the compact format by further illuminatinglesser-traveled paths. Contemplation and exploration weaveharmoniously through five mysterious tracks. Influenced by awide range of styles and sounds, such as Japanese ambient,the muted dissonance of Pharoah Sanders, and the chilly dubof the Scape catalog, Soliton evokes visions of lonely nightdrives punctuated by bright moments of bliss.The Calque EP from January 2023 saw them pursuing theminimal electronic side of their work even further. The openingtrack, "Kottbusser Tor," showcases a conspicuous absence ofthe processed guitars that characterize most of their work, andinstead explores sequenced filters, tape delays and analogsynth patterns for eight minutes. On "Ammosel", they divedirectly into dubby soundscapes, with crackling electronics anddeep basslines, while "Kiyosumi" and "Fade Into Air" pay a visitto more familiar ambient territory. A darker undercurrentpervades on this EP, but one that goes particularly well with thecoldest of seasons and its frosty air.The duo, consisting of Jason Kolb (Michigan, US) and JonasMunk (Denmark) started working together in 2006, sendingeach other tracks across the Atlantic, eventually resulting in afull-length release on Felte in 2012. What started out as a sideproject to their respective main projects (Auburn Lull andManual) have slowly become the main activity for both artists,now with a total of four full-lengths under their belt. Their musichas also evolved and matured over the years, reaching a levelof perfection that's only granted producers who've been in thegame for decades. Billow Observatory have by now establishedthemselves as purveyors of highly refined ambient music andthe Soliton EP sees them elegantly blend new and old,electronic and organic, into a gently drifting, enveloping whole.

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Billy Bruner

25,99 €*

Tulsa Song / I Want To Hold You

Release: 2020 / UK

Genre: Organic Grooves

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A selection of rare and unreleased tracks from the prince of Tulsa boogie, Billy Bruner. 10 Killer unknown and rare Boogie soul tracks. Billy was in Tulsa, Oklahoma bands Darwin's Theory, T-Spoon, J.O.B Band and is still producing music today. Completely unique charming lo-fi outsider boogie.

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Billy Bruner

7" | 2022 | UK | Original (Athens Of The North)

13,99 €*

Billy Butler & Infinity / Lady Lee

Release: 2022 / UK – Original

Genre: Organic Grooves

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Billy Bruner is not only Tulsa's OG soul man, but he also wrote the best 80s soul tribute to his home city, T-u-l-s-a, not just a great nod but an earworm of the highest order. Flipped (as we love to do) with an unreleased ballad called 'I Want To Hold You' found in the archive. It came from a rough tape so we have done our best to bring it back to life, we pulled it off pretty, so don't sleep on the B-Side kids.

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Whatever's Fair / Simple Things

7" | 2018 | EU | Original (Mr Bongo)

Lost In The Crowd / Silly Kind Of Love

Release: 2018 / EU – Original

Genre: Organic Grooves

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‘Whatever’s Fair’ is a storming Northern Soul cut of the highest order, with a very catchy chorus hook, surprisingly not very well known it seems. Taken from Billy Butler & Infinity’s ‘Hung Up On You’ LP from 1973.

‘Simple Things’ is an awesome midtempo soul/rare groove jam, originally released on a 45 in 1972, by Pride. Lush instrumentation and soaring vocals from start to finish, reminiscent of Denise Williams ‘Free’ in places.

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Billy Byrd

7" | 2018 | EU | Reissue (Record Shack)

I Got Some Part1 / Part 2

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 150 copies. In white cut-out sleeve with sticker. The REVISIT Soundtrack was initiated by Markus Oberndorfer as part of his media art project REVISITED which features 360 video, media installation, photography, collage, and an artist book. Six befriended musicians were invited to provide three tracks each and given the assignment to send contributions representing their interpretations of the 360 videos recorded of the Sunset Strip in 2016 as part of REVISITED.

REVISIT OST is part of the installations virtual experience in form of radio broadcasts and subject of digital release and three limited physical releases on split 12“ vinyl. The vinyl is available in two versions à 150 copies: 1. Rhythm-Section (sound) and Rhythm- & Sequence-Frame-Section (sound & visual concept).

DROOM-01: Parental, Sirlensalot
DROOM-02: Devaloop, Lex (de Kalhex)
DROOM-03: Kompact, Dday One)

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Billy Garner

7" | 2023 | UK | Original (BGP)

7" | 2015 | UK | Original (BGP)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Dave Hamilton’s New Day label is one of the most striking in existence, a powerful concoction of red, yellow and black, that matched its pitifully small run of singles. Two of these were by Billy Garner, a Detroit based vocalist who recorded three songs for Hamilton, all of which are funk classics.

Originally issued in 1971, ‘I Got Some’ is seriously down and dirty and was sampled by DJ Premier / Gang Starr. This reproduction of the original single, sees our first 7-inch issue of ‘Part 2’.

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Billy Garner

You're Wasting My Time

7" | 2016 | UK | Original (Ace)

Release: 2015 / UK – Original

Genre: Organic Grooves

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Detroit vocalist Billy Garner recorded a trio of killer funk titles for Dave Hamilton in the late 60s, this is the final one to make it to a BGP 45. It is a relentless groove and its original release on New Day is very hard to find. As a special treat it comes with a special New Day label.

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Billy Hawks

O'Baby!

LP | 1963 | EU | Reissue (Honeypie)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Billy Hawks’ second album "Heavy Soul" is an organ-heavy mod R&B masterpiece. It included club classic ‘O'Baby (I Believe I'm Losing You)’, as well as three other floor-fillers; ‘You've Been A Bad Girl’, ‘Whip It On Me’' and ‘What More Can I Do?’.

The beautifully packaged EP is designed in the London Records / Decca style and showcases the two known photographs of Billy. These were provided by the organ-playing singer's brother Leroy in 2014. Until this point almost nothing was known about Billy.

A native of Richmond, Virginia, he based himself in Philadelphia and his trio worked up and down the Eastern seaboard. He was discovered playing in one of the endless clubs and lounges that existed at the time and made his first album for Prestige, “The New Genius Of The Blues”, in 1966; “Heavy Soul” followed a year later.

Produced by Cal Lampley at Rudy Van Gelder's studio in Englewood Cliffs, both ‘You've Been A Bad Girl’ and ‘What More Can I Do’ are appearing on 7- inch for the first time.

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Billy Preston

16 Yr. Old Soul

17,99 €*

The Most Exciting Organ Ever

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Most listeners only became aware of Billy Preston as a solo artist after he signed to Apple Records in the late 1960s. But he'd been recording for a long time prior to that, dating back to when he was a teenager. This instrumental album for Sam Cooke's SAR label (issued on its sister Derby imprint) was cut in March 1963, when Preston was still going to high school in Los Angeles. The very fact that it's wholly instrumental indicates that it's pretty early in Preston's evolution, and though he does play some piano, it's really on the more uptempo, organ-dominated tunes where he hits the best groove. In truth, these aren't any great shakes even when it comes to soul organ instrumentals, but they have a nice swinging bounce that places them a cut above period background music, though they fall a good ways short of being spellbinding. The slower numbers (including covers of hits by Sam Cooke and Ray Charles) verge on easy listening; in contrast, the more urgent cuts are cookin', with bop, jazz, and gospel influences spicing up the soul/R&B recipe. (allmusic)

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Billy Preston

LP | 1965 | EU (Trading Places)

20,99 €*

7" | 2024 | UK | Original (Acid Jazz)

Release: 1965 / EU

Genre: Organic Grooves

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Billy Preston’s mastery of the organ was such that he was commissioned for collaboration by The Beatles, The Stones and countless others, his classic Hammond work a defining element of ‘Get Back.’ Released in 1964 when Preston was still 19, The Most Exciting Organ Ever mixes swinging originals such as ‘Low Down,’ ‘Soul Meetin,’ ‘The Octopus’ and ‘Billy’s Bag’ with expressively soulful covers of standards such as ‘If I Had A Hammer’ and ‘Don’t Let The Sun Catch You Crying,’ ably showcasing Preston’s awesome dexterity and unmatched ability on his chosen instrument. With every track a winner, the title rings true!

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Billy Valentine

Lady Day & John Coltrane

14,24 €* 14,99 € -5%

Birdlegs & Pauline Baby Pink Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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A year on from the release of his critically acclaimed album ‘Billy Valentine And The Universal Truth’ released in collaboration between Flying Dutchman and Acid Jazz Records, Billy returns with a brand new take on a classic of conscious soul. Returning to the studio with Bob Thiele Jr and the band that is made up Larry Goldings, Pino Paladino, Jeff Parker, James Gadson and John Philip Shenale, he has recorded three new numbers for release on the deluxe version of the album. The first to be released is his take on Gil Scott-Heron’s ‘Lady Day & John Coltrane’ which held audiences in rapt attention when performed live over the last year.

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Birdlegs & Pauline

2LP | 1964 | US | Reissue (Numero Group)

Birdlegs & Pauline Black Vinyl Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Among the rarest albums from Jim Kirchstein's Wisconsin-based Cuca label, 1964's Birdlegs & Pauline runs a playful gamut of girl group soul, sultry R&B, bluesy torch songs, and junk shop doo-wop. The Rockford, Illinois-based husband and wife duo struck gold with their Top 20 R&B hit "Spring" the year prior and frequently returned to Sauk City to see if there was any additional magic up Cuca's sleeve. Gathered here are the best of Birdlegs & Pauline's family album of songs, featuring several previously unissued songs found deep in the Cuca vault.

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Birdlegs & Pauline

2LP | 1964 | US | Reissue (Numero Group)

Last Night Changed It All

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Bishop88

7" | 2024 | US | Original (Bishop88)

12" | 2021 | EU | Original (Touch Sensitive)

Release: 2024 / US – Original

Genre: Organic Grooves

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Last Night Changed It All (Edit) by Esther Williams b/w I’m Gonna Love You Just A Little More, Baby (Edit) by Kellee Patterson | Bishop88 — BIS88-01 | Stoked to get my hands on test pressing of a forthcoming release via the new imprint Bishop 88. The folks at @galaxy_sound_company are distributing a limited run of this special donut of 2 killer edits of funky female soul heaters. Those in the know recognize the GSC 45 series as a cop-on-sight affair, & this release is cut from the same cloth.

We start things up with a tight & tasty drumbreak edit (with cowbells a plenty) of “Last Night Changed It All (I Really Had A Ball)” by Esther Williams. The track is taken from the 1976 funk-soul-disco LP “Let Me Show You”. It has been a go-to sample source for many a producer of the years; including “Super Hoe” by Boogie Down Productions (1987), “Last Night” by Kid ’N Play (1988), “So Here I Come” by Neneh Cherry (1988), “Anti-nigger Machine” by Public Enemy (1990), “Tonite” by DJ Quik (1991), “Do You Remember This” by Stetsasonic (1991), “Stop Jockin Me” by Ultramagnetic MC’s (1992), “Throw Ya Gunz” by Onyx (1992), “When You’re Near” by Guru (1993), “All I Think About Is You” by Jungle Brothers (1993), “Hight Times” by Jamiroquai (1996), “Forget Me Not” by Inspectah Deck (1999), “Late Night” by 2Pac (2002), “Come On Down” by De La Soul & Flavor Flav (2004), among many others.

On the flipside, we have another subtle edit of “I’m Gonna Love You Just A Little More, Baby” by Kellee Patterson. The track, taken from the 1976 LP “Kelee”, is a cover of the 1973 Barry White song (which has been massively sampled by the likes of Daft Punk, Nas, The Notorious B.I.G., Eric B & Rakim, Beastie Boys, Mary J. Blige, NWA & many more). Here we have amazing the Patterson version, which I prefer, hasn’t been lifted as well. But as this edit demonstrates, that will most likely change. So happy to have this one on 45.

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Black Bones

Night Drives

7" | 2021 | US | Original (Colemine)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Black Bones Story Is Born Out Of A Shared Obsession For Crate Digging, Collecting, And The Playing Of Weird And Wonderful Music. Their Releases So Far Have Manifested In A Highly-Sought Series Of Seven Psychedelic Disco 12"S - Picking Up Numerous Record Of The Week Plaudits On The Way. This Considered Curation And Skill For Pulling Together Far-Flung Sounds Fully Informs Their First Original Material. These Four Bold And Adventurous Club Cuts Are A Thrilling Mix Of Straight-Up House Sounds, New Beat, Industrial, Dub, Sleaze And All The Other Good Shit That Comes With Low-Lighting And A Heavy Sound System. Kicking Off With The Full Throttle 120 Bpm Of 'Abts' - The Duo Take You Straight To The 'Floor With One Of The Wildest Rides We've Heard In Some Time. 'Denied' Pulls Us In To Darker Territory - Chest Pummelling Bass, Ominous High-Pitched Warnings And A Chuggy Acid Throw-Down Finding Us Once Again Lost In That 5am Dance Floor Fog. Over On The Flip And 'Punghi' Combines A Hypnotic Groove, Dubbed Out Fx, Percussion And A Tripped-Out Eastern Breakdown. One For The More Adventurous DJs And Dance Floor! The Ep Is Closed By 'Gabi' Which Sounds Like Minimal Gone Maximal With An Insane Industrial Switch-Up. Enough Words! As Always, Black Bones Let The Music Do The Talking And This Ambitious Debut Can Quickly Find Itself Shelved Alongside The Records That Have Fuelled Their Lifelong Obsession.

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Black Market Brass

Chemical Plant Zone

10,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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It's 1992. You're seven to twelve years old. What are you doing? You're probably biking home from Blockbuster with a Sonic the Hedgehog 2 cartridge. You've waited weeks to get your paws on it, but since it's still a "new release," it's only a three day rental. No matter - you've already stocked a whole weekend's worth of Surge and Fun Dip. You fire up your Genesis. Your television screen erupts with a blinding flash of white light, as The Blue One tears across the screen leaving the letters S - E - G - A emblazoned in his path. You're in a tizzy. Your thumbs begin to twitch in anticipation. Level two, Chemical Plant Zone, is uncharted territory. Your palms start to get sweat as you see toxic sludge fill the screen. The Surge and the Fun Dip hit you at the same time. Rings, spin dashes, Chaos Emeralds...everything blurs into a kaleidoscope of colors and shapes and sounds and... You snap out of it. It's not the nineties. It's 2021 and you're in your 30s. Drats. The good news is the new "Chemical Plant Zone" 45 by Minneapolis rascals Black Market Brass. A 12-piece psych-afrobeat band covering music from the Sonic 2 soundtrack? Pshaw!

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Capitol Cuts - Live From Studio A Black Vinyl Edition

LP | 2022 | UK | Original (ATO)

25,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves

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Capitol Cuts - Live From Studio A Limited Red Vinyl Edition

LP | 2021 | UK | Original (ATO)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Black Pumas announced Capitol Cuts - Live From Studio A, a vinyl recording of a dynamic session the band recorded at Los Angeles’ famed Capitol Studio A. The record features eight tracks - all live, no overdubs - including a mind-blowing seven-minute rendition of “Colors.” Capitol Cuts - Live From Studio A is due out June 4 and pre-orders are available now in red vinyl

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Chronicles Of A Diamond Clear Red Vinyl Edition

LP | 2023 | EU | Original (ATO)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Limited edition on clear red vinyl!

As they set to work on their highly awaited sophomore album, Black Pumas broadened their palette to include a dazzling expanse of musical forms: heavenly hybrids of soul and symphonic pop, mind-bending excursions into jazz-funk and psychedelia, starry-eyed love songs that feel dropped from the cosmos. The debut was nominated for 7 Grammys and reached one million album equivalents. Chronicles Of A Diamond arrives as the fullest expression yet of their frenetic creativity and limitless vision.

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Chronicles Of A Diamond Clear Vinyl Edition

LP | 2023 | EU | Original (ATO)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Regular edition without the print.

As they set to work on their highly awaited sophomore album, Black Pumas broadened their palette to include a dazzling expanse of musical forms: heavenly hybrids of soul and symphonic pop, mind-bending excursions into jazz-funk and psychedelia, starry-eyed love songs that feel dropped from the cosmos. The debut was nominated for 7 Grammys and reached one million album equivalents. Chronicles Of A Diamond arrives as the fullest expression yet of their frenetic creativity and limitless vision.

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Chronicles Of A Diamond Clear Vinyl Edition With Poster

LP | 2023 | EU | Original (ATO)

I'll Keep Searching / Get'n Off

Release: 2023 / EU – Original

Genre: Organic Grooves

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Limited Edition - comes on clear vinyl including an art print.

As they set to work on their highly awaited sophomore album, Black Pumas broadened their palette to include a dazzling expanse of musical forms: heavenly hybrids of soul and symphonic pop, mind-bending excursions into jazz-funk and psychedelia, starry-eyed love songs that feel dropped from the cosmos. The debut was nominated for 7 Grammys and reached one million album equivalents. Chronicles Of A Diamond arrives as the fullest expression yet of their frenetic creativity and limitless vision.

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Black Smoke Band

7" | 1977 | UK | Reissue (Epsilon)

17,99 €*

Black Sugar II Black Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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The Black Smoke Band were comprised of five members

Norwell McNeill on lead vocals (and songwriting duties) Bobby Moore on bass guitarJames Jacobs on lead guitar Joe McLaughlin on keyboards Ronnie Brewington on drums. Joe was also the man behind the band’s resources, financing both the musical kit and studio time.All of the members hail from the town of Dunn, North Carolina - a state which has gifted us some amazing soul music from the 1960’s, 1970’s and beyond.

All of the members of the group began recording music prior to the band’s two releases, before they met and formed as teenagers playing local bars, dance halls and night clubs. They gigged with other local acts. Both of the band’s releases were recorded in 1977 at Arthur Smith’s Studios in Charlotte - and both released on the group’s own label, Black Smoke Productions. ‘Starting my Life All Over Again’ was the first of two releases, a beautiful sweet soul effort, that really showcases Norwell’s earnest, soulful vocals. The flip is a solid funk cut called ’Skateboard’.

‘I’ll Keep Searching’ b/w ‘Get n Off’ was the second and sadly final release from the group - but what a record it is!

A moody, funky, and compelling arrangement that eschewed the ubiquitous disco sound of the period and created a gritty masterpiece for lovers of hard edged soul music. Norwell’s gruff, captivating vocal and some stellar guitar work were all laid over a tight, rolling beat accompanied by strong horn stabs. The pleading, emotional dynamics of the record work brilliantly with its strutting, insistent pace. Delivering both emotionally and musically it was to be the group’s swan song, but left ample evidence of the talent that lay within them as a band.

Eventually the group decided to go their separate ways in 1978, although that was not the end of their musical careers, with all of the members continuing to perform in and around North Carolina for many years.

Ronnie sadly passed away, but the other four original members of the group are still actively making music, with Norwell and Bobby remaining in regular contact today.

Bobby played with Kool & The Gang for a brief spell, alongside other well known acts. Joe continues to run his own studio, and has a large back catalogue of previously unheard material recorded both before and after the Black Smoke years.

That is the story of the Black Smoke Band in 1977. Although short lived, the group have provided soul fans across the UK and beyond with two fabulous singles, considered by many to be shining examples of the musical talent that coursed through America’s suburbs and communities during the golden age of soul and funk music.

A rich vein of talent which remains largely undiscovered even now...

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Black Sugar

LP | 1974 | EU | Reissue (Discos Monterey)

22,49 €* 24,99 € -10%

LP | 2024 | EU | Original (Les Rythmes Ruban)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Released in 1974 with a "quadraphonic" sound. Brilliant songs by a cohesive band that knew how to materialize a memorable and original fusion project at an international level.

If Latin funk exists, it's thanks to pioneering bands like Black Sugar, a Peruvian group created in the early seventies that recorded two fundamental albums for the Afro-American and Latin genre. A pair of albums that are now re-released by the Valencian label Discos Monterey with the usual sound and visual quality to which we are accustomed. The roots of this band come from the Far-Fen (syllables for Farfisa and Fender), formed in the late sixties by guitarist Víctor "Coco" Salazar and Miguel "Chino" Figueroa on keyboards. One night they were spontaneously joined by the sensational voice of Carlos "Pacho" Mejía. In the seventies, in the Peruvian capital there was a shortage of "white" sugar and the darker cane sugar was consumed. Hence the group's name. Peru was in the midst of a dictatorship and the military were against music that did not come from Peruvian folklore.

Rock and roll with foreign roots languished due to the imposition of the established power, and Black Sugar emerged, whose main skill was to mix, with enormous passion and fascinating ability, Latin sounds and the funk that came from the United States.

The result is two memorable albums, with a large part of their own songs and most of them composed by Pacho. The first, with an eponymous title, was released in 1971 by Sono Radio, whose musical director Jaime Delgado Aparicio was in charge of the fiery arrangements with generous brass and energetic percussion. Released with the credits in English, they managed to break into the Top Ten of the Miami charts with the song "Too Late". They even received an offer to record their next album in the United States, but decided to stay in their country. That second album was released in 1974 with a "quadraphonic" sound, taking advantage of the label's magnificent studios. From the mid-seventies onwards the desertions began and it would not be until 2010 that the project would be recovered with some historical and younger musicians.

To listen to Black Sugar is to go back to the Peruvian night of the seventies with fiery music, full of sensuality and rhythm. Brilliant songs by a cohesive band that knew how to materialize a memorable fusion project, very original and at an international level. Two unique albums reissued by Monterey that will delight all lovers of Afro-Latin sounds and good music in general. Alex Magic Pop

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Blackjoy

Grand Soleil

19,99 €*

Commercial Break White Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Grand Soleil is an ode the awakening. Composed for Organ and Piano, this 7 tracks album is a soul trip with gospel accents. The great french soul singer Lynn is blessing this record with her airy vocal layers and a dope song: Clouds. Blackjoy closest partner, Blundetto is rocking the drums over minimal drum machine paterns. This record is recommended for the best morning routing.

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Blancmange

LP | 2021 | EU | Original (Blanc Check)

LP | 2023 | EU | Original (Single Lock)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Blancmange Release Commercial Break - Their 14th Album - Which Explores Acoustic Textures And Field Recordings Within Their Synthesiser Exoskeleton. Co-Produced By Benge And Mixed At His Memetune Studios In Cornwall, The Album Includes The Following Sounds Within The Songs, So Listen Out For . . . Two Electric Saws; Waves Breaking On Beach; People Talking/Moving (Indistinct Words); A Dishwasher; Ambient Mic Recording To Pick Up Background Noise; Close Mic Recording To Collect The Body Noise Of Guitar; Bird Song (-2 Octaves); Metal Gate Closing And Metal Gate Locking; Beach With People And Waves Breaking; Old Water Pump. "Listening To Blancmange Obsessively. Probably The Most Under-Rated Electronic Act Of All Time." Moby "Blancmange Have Been A Part Of The Soundtrack To My Life Ever Since 'Happy Families' Was Released." John Grant "They Were One Of My Favourite Bands When I Grew Up As A Teenager In The 80's. Listening To Their Music Walking Around With My Walkman Back Then Was Adventurous. Mainly Because I Was Already In Love With The Aesthetics Of Synthesisers And Drum Machines. But Also Because It Was Unusual Pop Music With An Extraordinary Energy That Made It In The Charts." Roman Flügel

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Blind Boys Of Alabama

Echoes Of The South

CD | 2023 | US | Original (Empire)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Hailed as "gospel titans" by Rolling Stone, the Blind Boys of Alabama defied the considerable odds stacked against them in the segregated South, working their way up from singing for pocket change to performing for three different presidents over the course of an 80-year career that saw them break down racial barriers, soundtrack the Civil Rights movement, and help redefine modern gospel music forever....

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Blk Odyssy

Diamonds & Freaks

There For You / Shady Lady

Release: 2023 / US – Original

Genre: Organic Grooves

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Diamonds & Freaks is the second studio album from producer/artist/visionary, BLK Odyssy. Following up the critically acclaimed debut album, BLK Vintage, Diamonds & Freaks is a concept album that tells the story of a man enslaved by his lustful addictions. The record is presented as an erotic novel by Keisha Plum with narration by Bootsy Collins, both of whom offer a stark contradiction to the vivid and edgy content of the songs. The record contains elements of soul, hip-hop, and pop—seamlessly blended to create a fresh and distinct sound true to BLK Odyssy. Diamonds & Freaks showcases BLK Odyssy’S talent for crafting colorful characters and vivid scenes to tell stories through music. The 15 track masterpiece features appearances by Cory Henry, Bootsy Collins, Kirby, Rapsody, Eimaral Sol, Grace Sorensen, Stout, & The Alchemist. Pressed on Amber vinyl, housed in a Diecut Gatefold Jacket and includes a 32pg Booklet, 2 Double-sided 12x12 Inserts, Postcard, Marketing Sticker & Black Polylined Sleeves.

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Bloco&Soul Essentials

7" | 2024 | JP | Original (Bloco)

18,99 €*

LP | 2018 | US | Reissue (8th)

Release: 2024 / JP – Original

Genre: Organic Grooves

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After making a buzz among City Pop lovers with their past two releases in 2021 and 2022, Bloco & Soul Essentials returns with their highly anticipated third single, now available on a 7-inch vinyl. The A-side features an original song, written, composed, and arranged by Mica and produced by Noriki Kobayashi. The B-side is a cover of Chicago's SSW artist Faith Pillow, which is a must for soul fanatics. Just like before, the recording took place at Sapporo Geimori Studio, with the band capturing the live feel in a single take. The mixdown and mastering were also done locally, making it a pure Hokkaido sound.

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Blowfly

Blowfly's Disco Party

20,99 €*

LP | 1978 | US | Reissue (8th)

Release: 2018 / US – Reissue

Genre: Organic Grooves

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Nobody could have suspected the path that Clarence Henry Reid
would take during the 1960s. During this time he worked as
a singer/songwriter and producer for the likes of KC & The
Sunshine Band, Bobby Byrd, Gwen McCrae, and various others.
He would also release his own compositions, including the deep
soul classic "Nobody But You Babe", which would become a
sampling favorite of KRS-One, Erykah Badu, DMX, and more.
Though Reid maintained a reputation as a consummate
professional among the romantic soul crowd, outside of
his day-job he turned a complete 180, writing and performing
humorous, deliberately raunchy and sexually-explicit parodies of
songs. These parodies would be relegated strictly to friends at
parties, and wouldn't see a wide audience until the 1970s hit.
In 1971 Reid would gather a collection of studio musicians,
including famed R&B sidemen Timmy Thomas & Benny Latimore
on keys, and Little Beaver on guitar, to finally commit these
parodies to wax. In order to protect his identity as a songwriter
Reid took on the stage name Blowfly, and dressed as a comic
book super villain for live performances and photos. From there
he would release numerous studio albums of similarly crude
parodies throughout the 70s and 80s, which were enormously
popular as party records. These records would also go on to
become a wealth of sampling fodder for artists like Jurassic 5, The
Pharcyde, DJ Shadow, Eazy-E, and many more, as well as lead
Reid to collaborate with artists as varied as soul contemporary
King Coleman, to former Dead Kennedys frontman Jello Biafra, to
ganja-centric rapper Afroman.
1978's Blowfly's Disco Party was no less lewd than its
predecessors, putting a funky-disco spin on Reid's signature
blend of explicit parodies, and deliberately cheeky tracks. No
track is safe from Reid's dirty lyrics, as he parodies classic
Motown hits, Delta blues songs, and even his own discography.
(His naughty spin on his own deep soul hit "Nobody But You,
Babe", becomes "Nobody's Butt But Yours, Babe".)

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Blowfly

Blowfly's Zodiac Party

7" | 2021 | US | Original (Blu.Collective)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Nobody could have suspected the path that Clarence Henry Reid
would take during the 1960s. During this time he worked as a
singer/songwriter and producer for the likes of KC & The
Sunshine Band, Bobby Byrd, Gwen McCrae, and various others.
He would also release his own compositions, including the deep
soul classic "Nobody But You Babe", which would become a sampling
favorite of KRS-One, Erykah Badu, DMX, and more. Though
Reid maintained a reputation as a consummate professional
among the romantic soul crowd, outside of his day-job he turned
a complete 180, writing and performing humorous, deliberately
raunchy and sexually-explicit parodies of songs. These parodies
would be relegated strictly to friends at parties, and wouldn't see
a wide audience until the 1970s hit.
In 1971 Reid would gather a collection of studio musicians,
including famed R&B sidemen Timmy Thomas & Benny Latimore
on keys, and Little Beaver on guitar, to finally commit these
parodies to wax. In order to protect his identity as a songwriter
Reid took on the stage name Blowfly, and dressed as a comic
book super villain for live performances and photos. From there
he would release numerous studio albums of similarly crude
parodies throughout the 70s and 80s, which were enormously
popular as party records. These records would also go on to
become a wealth of sampling fodder for artists like Jurassic 5, The
Pharcyde, DJ Shadow, Eazy-E, and many more, as well as lead
Reid to collaborate with artists as varied as soul contemporary
King Coleman, to former Dead Kennedys frontman Jello Biafra, to
ganja-centric rapper Afroman.
1978 saw the release of Blowfly's Zodiac Party, a loosely defined
concept album which framed Reid's explicit renditions around the
theme of the Greek Zodiac symbols. Reid had already covered
this topic earlier on the similarly titled Blowfly Zodiac, but Zodiac
Party differentiates itself from its lack of parodies, instead placing
Reid in the center of a raucous shindig with his backing band,
schmoozing effortlessly with excited partygoers, curious to know
their signs. It's a singularly surreal entry in the parodist's catalog,
but a no less entertaining 70s party record.

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Blu.Collective

Rising Above

LP | 2021 | EU | Original (Kon)

Release: 2021 / US – Original

Genre: Organic Grooves

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“Rising Above” is the debut release from blu.collective, exploring raw, funky beats in a soulful collaboration - imagine Dilla meeting D’Angelo in a live jam, rhodes and vocals layered over a tight bass and drum foundation. Where “Rising Above” is sparse, instrumental B-Side “Beers at Samir’s” lets the four multi-instrumentalists stretch out in gradually evolving, thick textures, while still holding down the funk.

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Blue Foundation

Silent Dream

Symphony Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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"Silent Dream" Is The 6th Studio Album From Blue Foundation. The Album Is An Panoply Of Pitch-Shifted Vocals And Chopped-Up, Dubbed-Out Melodies. "Silent Dream", 9 Tracks Of Twitchily Rhythmic "Non Party" Music That You Can't Dance To. Cut-Up Beats And Pristine Surfaces. "Silent Dream" Is An Electronic, Idm Sounding Album With No Typical Song Structure, And No Lead Vocals, Only Vocal Sampling Of Sara Savery Aka. Drop The Gun And Tobias Wilner. This Is In Big Contrast To The Last 5 Blue Foundation Albums, That More And Less Is Structured Around Dreamy Pop Songs. It's Has Been Recorded, Produced And Mixed In Crown Height, Brooklyn, Shanghai And Copenhagen Over 3 Month In 2018. It Is The Fasted Recorded Blue Foundation Album. Tobias Wilner & Bo Rande Was Searching For A More Spontaneous, Experimental And Direct Sound. The Album Has Lots In Common With Tobias Wilner Other Projects Bichi And New York United. With This Album They Wanted To Give Room To The Layers In Their Music That Normally Gets Hidden In Production, And Less Focus On A Lead Vocal. It's Process Music That Begins In One Place To Never Return. The 7 Minutes Long Song "Where The End Begins" Is A Cooperation With The Luxembourg Based Electronic Artist Sun Glitters. The Krautrock Sounding Song "Pige" Is A Cooperation With The Ny Based Experimental Drummer Federico Ughi. The Song "Hro?Nn" With Hunting Strings Is A Tribute To A Icelandic Girl. A Picture Of Her Character, Of Her Struggle Going Through Life Trying To Change It For The Better. It's Very Much About Her Determination To Make A Change. Art Work Is Done By Danish Fine Art Artist Mathias Hantho. Guests On The Album: Federico Ughi, Nyc Free Jazz Drummer And And Label Owner, Sun Glitters, Drop The Gun On Three Songs.

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Blue Peppers

LP | 2021 | US | Reissue (Ship To Shore)

Coffee Pot Pt.1 / Coffee Pot Pt.2

Release: 2021 / US – Reissue

Genre: Organic Grooves

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Ship to Shore is proud to announce the release of Symphony by Blue Peppers, on vinyl for the first time!

Originally released in Japan in 2021 as CD only, and not distributed outside of its home country, Symphony is a love-letter to soft rock, using City Pop and Shibuya as a strong foundation and then building from there a solid, immersive experience of rock, soul and pop that will carry you away to lands undreamed of. Imagine Piper fused with Toto in Tokyo on the doorway to Keio University!

The album, mastered masterfully by Richard Dodd (mastering engineer for such artists as The Black Keys, Iron & Wine, Neil Young and Sturgill Simpson), was never pressed onto wax when originally released… until now! Available on “Marine City” blue vinyl, fans of unique Japanese City Pop / Rock Fusion will not want to miss out on this!

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Bo Jr.

7" | 2018 | UK | Original (Tailgate)

9,99 €*

LP | 2024 | UK | Original (Athens Of The North)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Killer funk/soul/R&B instrumental.

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Bo'vel

Changes

32,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Wagram / Balagan Music)

Bob Sinclar

Western Dreams

Everything Has Got To Be Alright

Release: 2023 / EU – Original

Genre: Organic Grooves

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This 4th album was one of the consecration with "Western Deream", Bob Sinclar went from DJ to Pop Star. It includes the worldhits "World, Hold On", "Love Generation" and "Rock This Party"

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Bobby Baker

7" | 1980 | UK | Reissue (Epsilon)

10,79 €* 17,99 € -40%

LP | 1974 | EU | Reissue (Bear Family Productions)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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The late Bobby Baker originally from College Park Georgia, was an original member of the American rhythm and blues band The Coasters formed in 1955. He sadly passed away in Feb 2022.Bobby was hired by Dana V Andrews & David Futch (originally from Detroit Co-owner of Davida Inc & founder of Gospel Label Futch Music Record with his brother Josh) with an amazing group of musicians including the incredible Patrice Rushen for this project. ‘Everything Has Got To Be Alright’ Is an ultra rare Gospel Crossover Funky Soul 45 and it’s by far the rarest on Davida Inc records Music perfection!

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Bobby 'Blue' Bland

Dreamer

23,99 €*

LP | 1976 | UK | Reissue (Athens Of The North)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Bobby ’Blue’ Bland
Bobby ’Blue’ Bland (1930 – 2013) was one of the leading US-American Blues, R&B and Soul entertainers. He knew how to combine the intensity of Gospel music with the expression of the Blues. His voice sounded as he wanted to bear witness to one's resolve but he was able to let his voice sound soft, sometimes cool but always culitvated so he could also reach the fans of Frank Sinatra and Nat ’King’ Cole with tremendous success. He formed his remarkable style of singing out of many different influences, characteristic and remained solely reserved for Bobby ’Blue’ Bland.
Duke-Label & ABC Dunhill
Blands voice was always the center of attention. After his huge successes during the 1950s and 1960s for the Duke label, he moved to ABC Dunhill when Duke was sold. He could reach a wider white audience in the early 1970s with his two LPs, ’His California Album’ and ’Dreamer’, plus productions together with B.B. King. ’

Dreamer’ was the record company's trial to produce an album in California with the cool Soul appeal of the city of Los Angeles. As a timeless Soul and Blues classic the album 'Dreamer' contains the in recent years often sampled track Ain’t No Love in the Heart of the City, one of the musical back bones to one of the favorites by Jay Z. The whole album is a wonderful soundtrack for those lonely nights alone and blue in a sleazy joint trying to forget a lost love in a bottle of bourbon.
Dreamer
’Dreamer’ is the warm velvet cover against cold loneliness with so many great songs like I Wouldn’t Treat A Dog (The Way You Treated Me) and Whose Foolin’ Who?, the bluesy Cold Day In Hell, Lovin’ On Borrowed Time and When You Come To The End Of Your Road. I Ain’t Gonna Be The First To Cry has indeed the lyrical quality of The Thrill Is Gone. The production by Steve Barri and Michael Omartian sounds full and ponderous.

The accompanying musicians, guitarists Dean Parks and Larry Carlton, bassist Wilton Felder and drummer Ed Green, ranked as being part in the cream of L.A.'s studio musicians. When ’Dreamer’ was first issued in 1974 a controversial discussion started regarding the production and the arrangements containing a brass section and strings. But now, forty years later, the LP album counts as one of the great masterpieces of its genre and the songs became standards in the repertoires of many Soul and Blues performers. Newly remastered with its original gatefold cover jacket the first real reissue on vinyl after 43 years comes from Bear Family Records!
Grammy® as a lifetime achievement award in 1997
Bobby ’Blue’ Bland was inducted into the ’Blues Hall of Fame’ in 1981 and 11 years later the induction into the ’Rock'n'Roll Hall of Fame’ followed. He received a Grammy® as a lifetime achievement award in 1997.
1-LP, 180 gram Vinyl-LP, 10 tracks

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Bobby Boyd

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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7" | 2018 | EU | Original (Athens Of The North)

Bobby Boyd

Love Goddess

LP | 1978 | Reissue (Be With)

Release: 2018 / EU – Original

Genre: Organic Grooves

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This month we have what is the start of a string of previously unreleased bangers from the soul, funk and disco legend Bobby Boyd, we have been working on this for a long time and really proud to be working alongside Bobby representing him.
First up we have Love Goddess, a floaty driving disco soul number thats bound to get some spins by the Northern boys as well as deep disco heads, i know its been doing this business when i play it, On the flip and classic horn driven Funky soul in Bobbys Classic style and solid songwriting, Essential.

If your not a rare soul or disco collector Bobby's name might not be a name your familiar with but as one of the founder members of Lafayette Afro Rock Band you will have experienced his music and influence which is far reaching.

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Bobby Caldwell

LP | 1980 | Reissue (Be With)

Release: 1978 / Reissue

Genre: Organic Grooves

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Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.

"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”

The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.

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Bobby Caldwell

Cat In The Hat

Bobby Garrett / The Bob & Earl Band

Release: 1980 / Reissue

Genre: Organic Grooves

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Bobby Caldwell's second album, Cat In The Hat, from 1980, is one of his greatest moments and another masterwork of soulful sophistication. Featuring the eternal "Open Your Eyes", brilliantly sampled by J Dilla for Common's "The Light", it's about as essential as records get. Like its eponymous predecessor, it's been out of print for far too long. To finally release the hugely-anticipated reissue is one of our sincerely proudest moments.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

Right from the off, it's easy to tell that Cat In The Hat is a deeply special record. It's fantastically produced and incredibly well-rounded, carving its own lane with deep soul, warm jazz and a stunning vocal delivery that really helped Bobby reach out to some big new audiences at the time. Goosebumps at the ready for the rolling power-piano funk of "Coming Down From Love", opening up the album with a track as good as anything Steely Dan or The Doobies ever crafted, with a vocal performance from the heavens. Pumping AOR wonder "Wrong Or Right" is up there with the slick, classy rhythms of prime Ned Doheny whilst the cool, skipping soul of guitar-drenched "To Know What You've Got" is a funky ballad par excellence, with elemental traces of "What A Fool Believes". No bad thing. Closing out Side A, the folk-funk of "You Promised Me" is a bright, soulful strut with a wonderful vocal coda that just builds. Sensational.

The delicate bounce and falsetto self-harmonising of "It's Over" offers a truly delightful introduction to Side B, and serves as a great precursor to what follows. Bobby's dynamite "Open Your Eyes" is likely the reason you're all here. As if he needed it, the eternal J Dilla further immortalised Caldwell in the hip-hop canon with his production of Common’s epochal “The Light,” which heavily samples the magical “Open Your Eyes.” On a post paying tribute to Bobby in March 2023, Questlove claimed that he "got word Brother Bobby loved it". Bobby's original has seen new life even more recently from the likes of Dwele and Kendrick Lamar and deservingly so, as its insistent drums and staccato piano created a modern-soul classic. You'd think that would be hard to follow, wouldn't you? Not so, when you're Bobby Caldwell. Indeed, the horn-drenched stepper "Mother Of Creation" is absolutely ace, and, whisper it, possibly the album's finest track, all funky piano and guitars with horn lines to die for. Exquisite ballad "I Don't Want To Lose Your Love" rounds out the album beautifully.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of Cat In The Hat will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.

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My Little Girl

7" | 2024 | UK | Original (Mirwood)

11,04 €* 12,99 € -15%

Bobby Harden & The Soulful Saints

Release: 2024 / UK – Original

Genre: Organic Grooves

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What is Northern Soul? Well, you could start with the pounding, but vocally-restrained, soul of Bobby Garrett’s ‘My Little Girl’ as a prime example. When the UK’s Jay Boy issued the instrumental version from the two-track master tape in 1972, Northern Soul kids who craved instrumentals were in ecstasy. At last, the two are coupled and issued on the famed Mirwood imprint – just as they should be.

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Bridge Of Love Black Vinyl Edition

LP | 2023 | US | Original (Dala / Colemine)

Bobby Harden & The Soulful Saints

Release: 2023 / US – Original

Genre: Organic Grooves

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Bobby Harden & The Soulful Saints are proud to announce their debut album, "Bridge of Love." The album's ten original compositions are presented in sparklingly-clear stereo sound and run the soul gamut, from grits-n-bricks R&B ('Played a Fool by You') to throw-back psychedelia ('One Tribe'), svelte seventies pop ('One Night of the Week') and some seriously sophisticated ballads ('Wounded Hearts', 'Bridge of Love'). Together they document Bobby's life journey in song. Through youthful self-doubt in the opening track 'It's My Time', to confirmation on the exuberant finale 'Raise Your Mind', Bobby proves that faith and hard work can pay dividends. "Life is a joy when you free your soul."Throughout the album, Harden's voice is tailored to perfection by the almost impossibly dexterous Soulful Saints, and further dressed to the nines by an accoutrement of Latin percussion, full-on horns, high-flying backing singers and even a string quartet. This comes as no surprise as The Soulful Saints have performed live and recorded together with acts such as Sharon Jones & The Dap-Kings, Charles Bradley & His Extraordinaires, Lee Fields & The Expressions, The Budos Band, Mark Ronson, Antibalas, The Impressions, & The Wu-Tang Clan.The album is produced by Dala Records founder Billy Aukstik, and recorded at Hive Mind Recording in Brooklyn, New York. Kurtis Powers of BQE Records Co-Executive Produced the album along with Aukstik.

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Bridge Of Love Hazy Black Vinyl Edition

LP | 2023 | US | Original (Dala / Colemine)

Bobby Harden & The Soulful Saints

Release: 2023 / US – Original

Genre: Organic Grooves

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One Night Of The Week / Raise Your Mind

7" | 2023 | EU | Original (Dala)

10,99 €*

Lend A Hand / Come See What's Left Of Me

Release: 2023 / EU – Original

Genre: Organic Grooves

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Bobby Harden & The Soulful Saints are proud to announce their new 45 "One Night of the Week" in conjunction with their debut album "Bridge of Love." The A-Side is a slice of svelte seventies pop and is backed with the exuberant "Raise Your Mind" on the B-Side. Both sides are presented in sparklingly-clear stereo sound, with Harden's voice tailored to perfection by the almost impossibly dexterous Soulful Saints, and further dressed to the nines by an accoutrement of Latin percussion, full-on horns, high-flying backing singers and even a string quartet.. This comes as no surprise as The Soulful Saints have performed live and recorded together with acts such as Sharon Jones & The Dap-Kings, Charles Bradley & His Extraordinaires, Lee Fields & The Expressions, The Budos Band, Mark Ronson, Antibalas, The Impressions, & The Wu-Tang Clan.Both sides are produced by Dala Records founder Billy Aukstik and recorded to analog tape at Hive Mind Recording in Brooklyn, New York. Kurtis Powers of BQE Records Co-Executive Produced the album along with Aukstik.

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Bobby Hutton

7" | 2024 | UK | Original (Expansion)

LP | 1973 | UK | Reissue (Expansion)

Release: 2024 / UK – Original

Genre: Organic Grooves

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A double header from Detroit artist Bobby Hutton, both songs reissued here for the first time and highly sought after. “Lend A Hand” is Bobby’s biggest record on the Northern Soul scene from the 70s, a dancefloor classic, and only previously issues as a UK promo 7” outside of the 1973 album “Piece of The Action” (also reissued on Expansion). “Come See What’s Left Of Me” is on the mellower side of Northern Soul, a release, but still a dancer held in equal high regard by fans since it’s original release in 1969 (with an original copy selling for approximately £150)

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Bobby Hutton

Piece Of The Action

24,99 €*

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Welcome Back A Foolish Man / Lovin' Hard, Livin' Good

Bobby Jones

7" | 1970 | EU | Reissue (Rocafort)