Search "tim+hecker" 1314 Items

Release: 2025 / EU – Original

Genre: Organic Grooves

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LP | 1972 | JP | Reissue (P-Vine)

Zero Point

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Out Of Gas But Still Burning

LP | 1974 | JP | Reissue (P-Vine)

I've Hot Love For You / I've Got A Girl

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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The Valentinos

7" | 2024 | EU | Original (Soul 4 Real)

19,99 €*

Richard Temple / Kimmy Conwell

Release: 2024 / EU – Original

Genre: Organic Grooves

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Despite their early success, The Valentinos’ story was, like many other groups, a ‘what might have been’ story. But there could not have been a more hardworking group. Every night, Friendly Womack Sr. taught his boys all the gospel songs he knew before he kicked them out of the house because they wanted to switch to secular singing. “Bobby, you’re singing too church!” shouted Sam Cooke across the recording desk at the United Recording Studios in L.A. to Bobby and his brothers… Still torn here between gospel and secular singing, Friendly “June” Womack told me about both these two lost tracks from the group: “Between you and I, we were looking hard to get another ‘Looking For A Love’. We were desperate for that, as that was such a big seller for us”. Ultimately these sides failed to be released, yet they were both great tracks. Wouldn’t it be great though if, this time around, Soul4Real Records were able to hang out the ‘sold out’ banner that all the Womack brothers really deserved?.

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That Beatin' Rhythm / Cigarette Ashes

7" | 2024 | UK | Original (Mirwood)

11,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Little needs to be said about these two Mirwood Monsters, but to have both tracks on the same 45 is a righteous luxury. ‘That Beatin’ Rhythm’ is the epitome of the Northern Soul dance scene and has been a call to the floor for fifty years now.

The instrumental flip (credited to the actual singer of the A side) was equally massive at the time, but has been somewhat neglected in recent years - the vocal version gaining most DJ spins.

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LP | 1974 | JP | Reissue (P-Vine)

Plays Originals

LP | 2023 | US | Original (Stones Throw)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Eddie Chacon

Sundown

Tom Findlay of Groove Armada

Release: 2023 / US – Original

Genre: Organic Grooves

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In 2021, Eddie Chacon and John Carroll Kirby decamped to Ibiza for two weeks. There, they rented the island’s only Fender Rhodes from one of the local rave crews. John posted it against the plaster walls and concrete floors of their temporary home, which was set into a green hillside overlooking a beach called Siesta. As they worked on Sundown, Pharoah Sanders’s “Greeting to Saud” was a daily listen. Instead of emulating its sound, Eddie absorbed its deeper lesson – that simplicity wins out over virtuosity every time.

They wrote the first half of Sundown during that Ibiza stay and finished it at 64 Sound Studios in Los Angeles, where they both live. Joining Eddie on vocals and John on production and keys were Logan Hone (flutes and saxophones) Elizabeth Lea (trombone), Will Logan (drums) and David Leach (percussion). “It feels like we’re building our dream house,” says Eddie. “With Pleasure, Joy, and Happiness, we poured the foundation and now we’re expanding into new rooms.”

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Late Night Tales presents Automatic Soul

3LP | 2014 | UK | Reissue (Late Night Tales)

They Say I'm Different Black Vinyl Edition

Release: 2014 / UK – Reissue

Genre: Organic Grooves

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"Automatic Soul, like my previously compiled Late Night Tales Music For Pleasure, is based very much on a sound. It's a sound that I feel has been overlooked: 80s R&B-infused music, with drum machines, synths and invariably brilliant vocals. It’s formed the bedrock of my rare groove sets for all the years I’ve played. It’s not the most fashionable, but to me it’s the perfect marriage of technology and soul, hence the title for this album, Automatic Soul. There are plenty of songs I could have included, and no doubt some that I shouldn’t, but I’ve tried to represent what’s best to me from this era. It’s not a classic Late Night Tales. It’s a pretty personal journey, which I hope some of you might be willing to share." Tom Findlay Groove Armada September 2014.

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Betty Davis

LP | 1974 | US | Reissue (Light In The Attic)

37,99 €*

Straight From The Decks 2 Black Vinyl Edition

Release: 1974 / US – Reissue

Genre: Organic Grooves

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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Ji mi Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Cla pton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”

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Guts

2LP | 2021 | EU | Original (Pura Vida Sounds)

22,99 €*

12" | 2016 | Reissue (Habibi Funk)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Any DJ set tells you, unconsciously or not, about its author.

Through the record choices and the way they are organized, one can feel the DJ’s state of mind and find out a bit more about the musical deposit discovered that is being shared and dug through by him or her at the moment.

The appetite for diggin’, the quest for a novelty or a forgotten rarity is what makes a DJ set a true organic living matter constantly fueled although not always, unfortunately, respected.

Time stretching. Too many DJ’s made a pact with this diabolical creature. A true digital steamroller that runs over the rhythm to fix the tempo while leaving behind an agonizing drummer whose sole crime was to have been carried away by his energy and having moved forward the BPM. At the end, everything that gave charm and life to the track, its imperfections and the peculiar fact that it makes you dance faster towards its end… all these along with all the lively movements contained within the track are reduced to nothing.

My conception of music and DJ sets is the exact opposite. Since the first volume of Straight From The Decks, my DJ sets have been redesigned, refreshed and improved. However, there was no preexisting plan, they evolved naturally following my new desires. The famous core of my indispensable musical choices started to morph little by little into something different without losing sight of its center of gravity which remains undoubtedly afro-tropical.

No matter which track, its style and its origin, the quality of the music that is brought to my ears is always my sole and primary concern.

In this selection, you’ll find 7” vinyl records available to everyone sitting proudly next to some rarities found online and acquired through nerve-raking auctions battles. There are indeed exclusive remixes along with titles that until now were only available in their digital formats. Now for the first time they are available here in vinyl format. Obviously, if you have chosen the CD format, that precision doesn’t really matter… Sixteen titles which have become the heart of my sets throughout this past year. A heart which in a year will beat to a certainly different drum…

Pura Vida

Guts

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Carthago

Alech

17,99 €*

Pleasure, Joy And Happiness Black Vinyl Edition

Release: 2016 / Reissue

Genre: Organic Grooves

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Repress of sought after Habibi Funk release from 2016! Carthago: Rare Tunisian Disco Including Unreleased Instrumentals And Eight Page Booklet! When we first decided to start Habibi Funk, a label dedicated to re-releasing "funky" Arabic music from the 1960s to 1980s, a band called Dalton was the first release we worked on. Dalton was a band from the Tunisian capital of Tunis and they played a unique mix of soul & funk with an Arabic DNA. We licensed the release from the band's composer Fawzi Chekili, and when we spoke to him on the phone in preparation of the release he mentioned another band he was part of, called Carthago. Our work with Habibi Funk is like a big treasure hunt. There are too many great bands that fully vanished into obscurity and didn’t leave any traces in the digital sphere yet. We are so used to the internet providing all informations we might be looking for, but Carthago was one of those bands where the internet largely failed to provide any infos despite the fact that Carthago created some incredible music in the form of an highly infectious Tunisian take on disco music. Luckily most of the members of the 1970s musical scene of Tunis are still around to tell their story.

Carthago was founded in the late 1970s as a fusion of Dalton and a second band called Marhaba Band. Both bands frequently played at hotels and night clubs in Tunis and Sousse. They had similar musical influences and despite the fact that they were competition for the most part, they came up with the idea to join forces for a new band. Musically Carthago kept on walking on the musical path of Dalton and Marhaba but incorporated disco music, a new style that was making its way to North Africa from Europe and North America. The band had quite some success on local radio and played a number of big shows with thousands of people showing up. The band’s concerts were a mixture of their own compositions as well as cover versions of the hits of the time from Stevie Wonder to Chicago. At the end of the 70s they went to Paris to record their only, self titled album. For our reissue we picked out two of our favorite tracks: „Hanen“ and the outstanding disco version of the Dalton track „Alech“ which has proved to work on every dance floor we played over the last two years.

When I came to Tunis for the first time after the Dalton reissue I met Fawzi in person. He still lives in Tunis and still works as a full time musician though his focus has shifted more towards Jazz over the years. Luckily he did not only keep a spotless copy of the Carthago album but he also kept the master tape of the instrumental versions of the album which to this day were unreleased. Being able to add exclusive content to a reissue is something that is rare and we feel highly privileged to be able to do so. Futher more we are so happy that we will be able to add something new to the bands legacy not only musically but also visually: One day I realized that most of the releases from Tunisia I liked, be it from Dalton, Carthago or Marhaba Band had the same photographer credit.

Hassen Turki started taking photos at a young age and when he was 18 he started going to the gigs of the bands of the time that were playing in the Marhaba Hotel which was managed by his father at the time. He became friends with the bands and ended up being the person to be asked when it came to shooting the photos for the covers of the records. After some research I managed to get in touch with Hassen and met him in his hometown Sousse. Luckily he kept most of the negatives of the photos he took so we’re more than happy to be able to share these unseen photos with whoever is interested.

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Eddie Chacon

LP | 2020 | US | Original (Day End)

33,99 €*

LP | 2019 | EU | Original (Saigon Supersound)

Release: 2020 / US – Original

Genre: Organic Grooves

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Eddie Chacon experienced proper, peak-nineties acclaim in the soul duo Charles and Eddie: they scored a global No. 1 in 1992 with “Would I Lie To You,” appeared three times on Top of the Pops, and featured on soundtracks from True Romance to Super Mario Bros.. Their crooning style was clearly pop-ready, but undeniably reverent: the pair first met when Eddie noticed Charles carrying a vinyl copy of Marvin Gaye's "Trouble Man” on a New York subway train.

By that time, Chacon had already been navigating music in interesting ways, all the way back to his teen garage rock band with the late Cliff Burton (Metallica) and Mike Bordin (Faith No More). In the late ’80s, he released a full-length on Uncle Luke from 2 Live Crew’s label and signed to Columbia as a solo act. He was a working artist, always popping up in unexpected places: through the course of his career, Chacon would write, sing, or produce ten Top 40 hits around the globe.

In the words of Mac DeMarco: “Eddie Chacon is planet earth’s number one musician. Yesterday, today, and forever.”

Years ago, Chacon retired from music for a second calling as a fashion photographer and creative director. In an interview at the time, he said, “I was fortunate to have a 35-year music career and felt that there wasn't that much more for me to say or achieve.” Very thankfully, that’s no longer the case. Private experiments, far from the major-label center he once frequented, began to feel urgent and new. “There’s nothing more exciting for me than getting to start from the beginning again,” he says today.

“Pleasure, Joy and Happiness” will be available July of 2020 on the boutique Los Angeles-based label Day End Records. This is a thoughtfully considered album of quiet, confident R&B: it doesn't jump out at you, but rather gets in you. Produced by John Carroll Kirby, the like-minded artist and collaborator with Frank Ocean and Solange Knowles, it features restrained percussion from Kanye West’s Sunday Service drummer Lamar Carter. Celestial soul as a break from chaos, these are quietly challenging songs as timeless as they are contemporary.

“What a rare and cool challenge it was for me to help Eddie re-emerge after a long hiatus,” says John Carroll Kirby. “I was excited to produce a record for him that captured the chill, laid-back wisdom and easy vocal mastery he has that you don’t see that much these days.”

Lead single “My Mind Is Out of Its Mind” finds a deep groove to try and contain spiraling heartbreak, while the sweet and wobbly “Trouble” balances the delightful near whisper of the title track “Pleasure, Joy and Happiness.” But even the project’s lightest moments feel sincere and mature. Altogether: a truly unifying release, coming from a man who's earned the right to share such a regal, romantic sound.

“I used to think to myself,” Chacon says, “if I ever make a record again, I’d want it to be a record you’d have to be my age to make.”

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Saigon Soul Revival

Hoa Am Xua

Release: 2019 / EU – Original

Genre: Organic Grooves

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In the 1960s and ‘70s, unbeknownst to most, Saigon (today named “Ho Chi Minh City”) had become a fertile environment for a flourishing music industry which produced countless recordings of beautifully crafted songs.
Ho Chi Minh City based band, Saigon Soul Revival has been bringing alternative pre 1975 music from Saigon back to the stage since 2016 with their live performances. Honoring the original composers, singers and the golden era from which this music (Nhạc Vàng) came, while applying new arrangements and interpretations of old Vietnamese songs. With tight grooves, psychedelic textures and a powerful unique sound, SSR has performed countless shows at a variety of venues across Vietnam, and accompanied live the two release tours to the Saigon Supersound Compilation releases.
While spending the last three years studying and playing this music, Saigon Soul Revival teamed up with producer Jan Hagenkötter (Saigon Supersound / INFRACom!) and finally in January 2019, they started to create own compositions in the same vein for their debut album Họa Âm Xưa. The album was recorded in Vietnam with additional guests during one week in May this year.
The album focuses on compositions that fuse Vietnamese lyrics and sounds with influences of western rock, soul, bolero, tango and other popular genres of this time period, most of which was banned after the war. This project strives to revive this beautiful musical heritage of Vietnam which represents an important cultural bridge between east and west.

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American Love Call Black Vinyl Edition

LP | 2019 | US | Original (Dead Oceans)

Bacao Rhythm & Steel Band

Release: 2019 / US – Original

Genre: Organic Grooves

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Durand Jones & the Indications aren't looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer, the Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. Even with an aesthetic steeped in the golden, strings-infused dreaminess of early `70s soul, the Indications' sophomore LP, American Love Call, is planted firmly in the present, with the urgency of this moment in time. The Indications' 2016 self-titled debut was the product of friends who met as students at Indiana University in Bloomington, In., recorded for $452.11, including a case of beer. American Love Call, the band's sophomore LP is instead the record the Indications dreamed of making, fleshed out with strings, backing vocals, and a newfound confidence in songwriting. Blending a slew of influences from years spent crate-digging, guitarist Blake Rhein says the Indications approach songs in the same way hip-hop producers do, as likely to pull inspiration from `70s folk-rock or classic R&B as they are Nas' Illmatic. "Did I expect to do this shit once I got out of college? Hell no," Jones relays, laughing. "Totally not. But this is what God is telling me to do - move and groove. So I'm gonna stay in my lane."

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55 Reissue Single Vinyl Edition

LP | 2018 | US | Original (Big Crown)

Hard Times / Listen To Me

Release: 2018 / US – Original

Genre: Organic Grooves

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This is the reissue coming as one LP not double vinyl. We do have some double vinyl versions left, if you would rather have that. Last batch. //// Shrouded in mystery, hailing from Hamburg, Germany, Bacao Rhythm & Steel Band (BRSB) releases their long awaited debut “55” on Brooklyn’s own
Big Crown Records. Long time multi-instrumentalist and band leader Bjorn Wagner spent a few months in Trinidad & Tobago where he became fascinated
with Steel Drums. His initial intrigue with local steel pan music culture led him to learning the instrument both through help of local players and on his
own. After he became proficient on the pans Bjorn had his own instrument built from a used oil barrel by legendary pan man Louis C. Smith.
Upon returning home to Germany, Bjorn set out to blend the Tropical Steel into his already sharply honed Funk, Soul, and Hip Hop sensibilities. The
outcome is an updated take on a classic format, a truly unique sound. Their first two recordings were covers of The Meters “Look A-Py-Py” & “Ease Back”
which they self-released on a 45. Looking back on these two sides you can tell they were just getting their chops up for what was to come next. This is
evidenced by how all hell broke loose when they went on to cover 50 Cent’s hit PIMP taking the DJ and vinyl collecting communities by storm. Many
people thought the recording was the original sample and probably still do to this day when it is played.
The original Mocambo pressing sold out quickly and is now a collector’s item fetching heavy prices when it changes hands. It was this tune that made
the introduction between Bjorn and Danny Akalepse of Big Crown. They immediately hit it off and starting making plans to do a full length project with
the band.
Keeping in the tradition of Steel Drum records, 55 is a journey through re-interpolations and covers with an updated approach, pushing Steel Pan music
to uncharted territory. Flawlessly bringing previously untouched genres into the steel pan cannon ranging from Underground Hip Hop tunes to staple
Funk tracks and some of all that falls in between. BRSB’s 55 is reinvigorating tunes both well-known and helping to shed some light on tunes still largely
undiscovered. However, some of the strongest tunes on the album are original compositions, from spaced out Disco vibes on “Beetham Highway Ride”
and “Port Of Spain Hustle” to the ugly face inspiring drums of “Laventille Road March”.
Recorded to analog 8 track tape at The Mocambo Studios in Hamburg, 55 is a gritty, punchy journey in sound drawing on music from around the world,
using production aesthetics from across both eras and genres, all coming together seamlessly. If the 45s that have already come out on Mocambo, Plane
Jane, and Truth & Soul are an indication, this full length is going to be a staple to both casual listeners and Disc Jockeys alike.

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Baby Huey

7" | 2018 | UK | Original (Soul Brother)

18,04 €* 18,99 € -5%

Release: 2018 / UK – Original

Genre: Organic Grooves

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LP | 2024 | JP | Original (Urban Discos)

Nautilus

Sunrise

LP | 1982 | US | Reissue (Holy Grail)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Nautilus, a band that embodies the contemporary rare groove scene. Their 9th full album “Sunrise” will be released on LP and CD at the same time! The album contains 10 tracks, including original jazzy funk songs in full Nautilus mode and cover songs featuring Emi Tawata and Ray Yamada on vocals! Don't miss the covers of great masters such as Thelonious Monk and Yusef Lateef. This is a masterpiece that should be described as a sunrise just before their 10th album, which should be commemorated.

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Joyful Noise Band

Let Jesus Be Seen

28,99 €*

Gloria Jones / R. Dean Taylor

Release: 1982 / US – Reissue

Genre: Organic Grooves

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"Based out of Washington, D.C. & led by the genius of the late great Steve Dory & Keita Thompson, displayed here is gospel at its most eclectic form with strong influences of modern soul, funk, & island music while also marking the start of development in future R&B stars Kenny Lattimore & Keith Martin. Reissued for the first time since 1982, this album has had limited accessibility as it was originally pressed in a very small quantity. Shortly after this album, they released a 45 titled “Honor Thy Father And Thy Mother” in 1983 containing “Mommy’s Song” & “Daddy’s Song” with such an illusiveness that it dodges internet searches and never released anything after that."

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Picture
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Tainted Love / There's A Ghost In My House -

7" | 2024 | UK | Reissue (Outta Sight)

17,99 €*

Circles / You've Got To Earn It

Release: 2024 / UK – Reissue

Genre: Organic Grooves

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New on Outta Sight, an official reissue of the Gloria Jones classic “Tainted Love”. The song originates from 1964, then made a household favourite from 1981 when made a hit by Soft Cell. Gloria’s 1965 release in the USA was originally a B-side to a non-hit, and it took ten years for it to be discovered in the UK where it was played on the Northern Soul scene. It’s the Motown-like rhythms and arrangements that made it relevant. Gloria re-recorded it herself in 1976, and while still not a hit, the song in NME’s Top 500 greatest of all time and Gloria dubbed ‘The Queen of Northern Soul’. She was in a relationship with Marc Bolan at the time of his fatal accident. This single is coupled with another northern soul favourite, the Holland/Dozier/Holland song “There’s A Ghost in My House” by Motown artist R. Dean Taylor. It was originally recorded in 1966 and reached No.3 in the UK Charts (1974)

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Fleur De Lys

7" | 2024 | UK | Original (Acid Jazz / Countdown Mod Classics)

The Devil Is Loose Gold Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Acid Jazz group label Countdown Records presents a new 7” single series: ‘Mod Classics’. The first release is from cult group the Fleur De Lys, pairing their 1965 recording of Pete Townshend’s ‘Circles’, with the first-time single release of their cover of The Temptations’ ‘You’ve Got To Earn It’.

‘Circles’ was originally slated as The Who’s follow up to ‘My Generation’, before getting caught up in legal matters. The Fleur De Lys version was released to take advantage of The Who’s misfortunes, but it was rush-released and failed to chart. It remains one of the finest slices of the Pop Art Mod sound, and is as fresh today as it was then.

‘You’ve Got To Earn It’ is from a tantalising, lost session from 1966 (which also included takes of The Impressions ‘Amen’ and Don Covay’s ‘Sookie Sookie’). All that survived from the session was an acetate of this amazing cut, found by group member Gordon Haskell, from which this side derives. It was originally released as the title track of the first Fleur De Lys compilation on Acid Jazz in 2013. It has never before been available on 7” vinyl.

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Asha Puthli

LP | 1976 | UK | Reissue (Mr Bongo)

Party In Me / Take My Love

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Limited edition of 1000 copies worldwide! We can’t think of many artists that have had as diverse a career and who have been involved in as many different genres of music as Asha Puthli. A musical pioneer who forged a path through 60's psych, free-jazz, pop, rock, disco, and more. Asha's 1976 album 'The Devil Is Loose' is maybe her most well-known record. Featuring the beautiful disco-funk-classic 'Space Talk’, Asha's ethereal soaring vocals take us on a journey that almost mirrors Asha's eclectic career. The track was championed by a wide-range of musical scenes and movements, and over space and time it has been commandeered as their own. You would hear it played by David Mancuso at the now ‘mythical’ underground New York party 'The Loft’, in the most discerning disco nightclubs across the globe, in the Rare Groove scene, and also being sampled by hip-hop heavyweights such as The Notorious B.I.G / P Diddy, and The Pharcyde. The appeal and lifespan of ’Space Talk’ keeps on extending and morphing as new audiences gleefully discover it for the first time - it still sounds as relevant and fresh on the dancefloor today - a sign of a true classic. Here at Mr Bongo we are thrilled to be releasing records by such an iconic musical maverick as Asha, from her roots in India to becoming a globe-trotting artist with a celebrated career in music and acting, whilst always staying true to her art. She has blazed a trail so that others could follow. Whether you are buying this album as a replacement for your worn-out original copy or it's the first time you've heard of Asha Puthli and you're just intrigued and drawn in by the cover, we hope you enjoy this quintessential slice of Asha's world.

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Gene Dunlap

12" | 1981 | UK | Reissue (Selector Series)

Sinseerly Yours Opaque Yellow Vinyl Edition

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Selector Series are back with more holy grail goodness, this time in the form of early 80’s boogie from Detroit.

Gene Dunlap was born and raised in Detroit, Michigan. He began his music career at age four when his father taught him to play the drums, honing his craft at Detroit Mumford High School. He went onto perform with Roy Ayers before releasing two solo albums in 1981, It’s Just The Way I Feel & Party In Me.

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Thee Sinseers

LP | 2024 | US | Original (Colemine)

In Green We Dream Opaque Green Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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To say that The Sinseers play oldies would be a misnomer. Fronted by bandleader and son of East Los Angeles Joey Quiniones, the group has quietly chipped away at the sounds of R&B and soul for the last half-decade. Quinones and his crew have continuously created a distinctive vibe that explores all aspects of a timeless genre, bringing together their interpretation of music through an unmistakable modern lens.With their most recent effort, the aptly titled Sinseerly Yours (Colemine 2023), the band recorded most of the album live in the studio. With Quinones on vocals and keys, vocalist Adriana Flores, Christopher Manjarrez on bass, Francisco Floreson on guitar, Bryan Ponce on guitar and vocals, Luis Carpio on drums and vocals, saxophonists Eric Johnson and Steve Surman, and Jose Luis Jimenez on trombone, The Sinseers achieves their most fully realized sound to date.All of the album's stunning tracks were recorded in a converted studio space in Rialto, California, known as Second Hand Sounds. The converted studio space, which used to be a dentist's office, allowed the group to experiment with their sound like never before - this time, the group managed to take a series of big swings, only to emerge with a fuller, more pronounced version of themselves. Despite those new strides, the band remains wholly committed to its sonic aesthetic while injecting its brand of vibrant 21st-century cool.Of course, the group has never been the type to shy away from their influences as they expertly toggle between 60s pop vis-à-vie early Beatles records to obscure dancehall Jamaican tunes - all fully extrapolated and reinterpreted through modern Chicano soul sound that the group has built their everlasting repertoire on.Quinones and bandmates have continued to apply what they've learned from their previous releases and their relentless touring schedule throughout the country. It's clear here that the work is paying off, putting to practice their musical chops thoroughly with all members expertly honing their sound. The m...

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Parlor Greens

LP | 2024 | US | Original (Colemine)

Release: 2024 / US – Original

Genre: Organic Grooves

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Perhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colerine Records! You could say that Parlor Greens are greater than the sum of their parts.. however, the individual parts are simply stellar on their own. Tim Carman (ga-20) on drums, Jimmy James (True Loves, formerly Delvon Lamar Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Parlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he'd love to have an organ trio be the first project at the label's new studio, Portage Lounge, located in Loveland, Ohio, So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer's row arrived they hit the ground running. It was instant chemistry, Within the first ten minutes of everyone plugging in, a song was written and recorded, "West Memphis". And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic. So this is the result of that session. Eleven outs. Ten originals. Two sides. All killer, no filler. Straight to the old reliable Tascam 3BB tape machine, mixed up nice and dirty for your enjoyment. Parlor Greens are proud to present their debut long player, in Green / We Dream.

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LP | 2024 | UK | Original (Miles Away)

Miles Away: One

32,99 €*

Lee Tracy & Issac Manning

Release: 2024 / UK – Original

Genre: Organic Grooves

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Compiled by label founder Dom Ore Miles Away: One is a collection of tracks that spans continents, era and genres. Rooted in soul this compilation features recordings from legendary musical figures side-by-side with perhaps lesser-known soulful gems – all beautifully bought together in one cohesive long player.
Setting the tone is Idris Muhammad's spiritual-jazz recording I'm A Believer before moving into the modern soul and funk selections Miles Away have built their reputation around. We have the crossover-soul rarity Yes It's You by Eugene Smiley, the remarkable foot-to-the-floor soulful dance cut She's So Good by Solid Gold Revue, enduring soul funk explosion No Communication by True Transfusion, the gospel-infused Fantasy Ride by Uneda Dennard & the full length extended version of Superstar by Ruth Waters. Many tracks appearing here for the first time since their original release.
On the second disc the compilation begins to weave a slightly different direction compared to the output from Miles Away thus far. Here you'll find soundtrack and library music cuts from the likes of Czech artist Milan Kymlicka, renowned Argentinian composer Oscar Lopez Ruiz and noted Italian song-writer Paolo Zavallone alias Bimbo E I Milionari (edited by Ric Piccolo). Oddities and curiosities come in the form of Be My Friend by Laine August - an 80s electro-pop gem courtesy of Freeez keysman Andy Stennett. There's the stripped back street-soul-sounding Deeper by Colour and the breezy Latin American sounds of Paulina Virgo's Vale Valor. Finishing the set is Lady Africa Margaret Singana's timeless cover of the Stretch track Why Did You Do It.
Painstakingly researched and officially licensed from the artists, producers and labels that originally put out this wonderful music. In-depth liner notes go into great detail about each artist depicting their histories, stories and music - something which has been at the heart of Miles Away from day one. This music deserves to live on long in the memory!

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Is It What You Want?

7" | 2024 | UK | Original (Athens Of The North)

As Palavras Volume 1 & 2 Pink Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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The rarest and best genuinely outsider soul 45 to come out of America (I know that's a controversial shout), Lee Tracy's super rare single outing from the outskirts of Nashville is a dream of something bigger that never came in time for him. A beautiful, haunting song cut to cassette with help from his friend Isaac Manning (on the Casio). Flipped with an almost unrecognizable version of Whitney Houston's hit "Saving All My Love For You" which stands all tall as what was the original B-Side. Beyond essential cut of outside soul.

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Rubel

2LP | 2024 | UK | Original (Mr Bongo)

Burning Hell Bluesville Acoustic Sounds

Release: 2024 / UK – Original

Genre: Organic Grooves

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Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.

From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.

The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.

The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.

Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.

At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.

Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages.

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John Lee Hooker

LP | 2024 | Original (Craft)

38,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Ten Fold Red Vinyl Ediiton

Yaya Bey

LP | 2024 | UK | Original (Big Dada)

31,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Get Up And Move / Sugar Boy

Carolyn Crawford

7" | 2024 | UK | Original (Kent Dance)

LP | 2023 | US | Original (Peoples Potential Unlimited)

Release: 2024 / UK – Original

Genre: Organic Grooves

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This Kent single has been eagerly awaited for some time. Plays at the 100 Club and other venues of ill-repute, has made it a must-play, dancefloor-filling track.

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Wilkie And The Wayy

Love Juices

LP | 1981 | EU | Reissue (Sabura)

Release: 2023 / US – Original

Genre: Organic Grooves

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Another one from the original dirty south in the ATL. "Love Juices" LP features 9 unreleased tracks from Wilkie and the Wayy, also includes the recording from his sole 7 inch single released in 1983 on the infamous Cold Wave Records, "It Only Happened Once". Feels good to be able to finally tell the band, "It's Happened Again"! Special thanks to Angelo Angione for all your time making this happen and hunting down the DATs, tapes, and reels!

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José Casimiro

Sabura DJâ Nfrontam

23,99 €* 29,99 € -20%

Don't Send Me Away / You Got Dat Right 2023 Remaster

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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"Sabura Djâ Nfrontam" by one of the biggest names in the triumph of the electrification of Funaná, the great José Casimiro. The album was recorded in 1981, celebrates music made in Portuguese-speaking Africa, finally reissued for the first time.

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Garfield Fleming

12" | 1981 | EU | Reissue (Becket)

Off The Wall Numbered Hybrid SACD

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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A brand new cut and remaster for 2023 of the multi genre-busting release 'Don't Send Me Away', that transcended most dance scenes from Modern Soul, Rare Groove, Crossover and Boogie to become perhaps the most in-demand '80s record on the current collectors scene.

A certified classic from a Philly soul legend, Garfield Fleming, that never fails to hit you right in the heart. Already one of the most sought after 12 inches out there, the popularity of 'Don't Send Me Away' was cemented when a video of Garfield himself signing the track at a Paris record stall in late 2018, went viral with nearly 3,000,000 views to date.

With original 12 Inch copies trading hands for £300+ it was high time a remastered reissue hit the shelves, giving a whole new generation of listeners the chance to bask in the glory of this unquestionable anthem.

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Michael Jackson

CD | 1979 | WW | Reissue (Mobile Fidelity Sound Lab)

39,99 €*

7" | 2024 | EU | Original (R2)

Release: 1979 / WW – Reissue

Genre: Organic Grooves

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Michael Jackson’s Reign as King of Pop Starts Here: RIAA-Certified Nine-Times-Platinum Off the Wall Blends Funk, Disco, Soul, and R&B in Visionary Ways, Features “Don’t Stop ‘Til You Get Enough” and “Rock With You” 1979 Landmark Presented in Audiophile Sound: Mobile Fidelity’s Numbered-Edition Hybrid Sacd Explodes with Energy, Plays with Tremendous Clarity, Detail, and Dynamics Mobile Fidelity’s numbered-edition hybrid Sacd of Off the Wall is sourced from the original master tapes and housed in mini-LP-style packaging. This reissue is made for everyone who desires to immerse themselves in everything involved with the nine-times-platinum landmark — including the iconic album cover with Jackson dressed in a tuxedo.

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Piscean Group

Finger It Out

Release: 2024 / EU – Original

Genre: Organic Grooves

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Saint Louis based Piscean Group return with a 45 showcasing their future funk jazz sound

Led and produced as always by Osunlade (Yoruba Records), this ever evolving group provide two new tracks; the first “Finger It Out” a driving groove punctuated by explosive horns and an irresistible drop, backed with “Kushti”, a beautiful downtempo meditative jam with loping beat and spaced out guitar licks that transports you to a new time and space.

Limited to 200 copies.

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Expo 75 Concert Tour Japan / Okinawa

LP | 1975 | JP | Reissue (P-Vine)

7" | 2024 | UK | Original (Mr Bongo)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Soyuz

If You Ask / Tenorio

In December Opaque Gold Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Proudly presenting, ‘Калі ты запытаеш (If You Ask)’, a brand new, blissed-out pop production with a ‘70s AOR touch, by the ever-on-point Soyuz (союз). Coming at a period between albums, the single features guest appearances from the sensational musicians, Biel Basile (O Terno, Sessa) and Anthony Ferraro (Toro Y Moi, Astronauts, Etc.). Friends of the band, they add their signature touch on the drums and synth respectively. To complete the package, Soyuz back the title track with a short but sweet, Wurlitzer-laden, MPB-tinged number, ‘Tenório’.

‘Калі ты запытаеш (If You Ask)’ tells the story of lost dreams. A track that can be interpreted either as a bittersweet longing for childhood times, or for a native place you can’t return to. For the writer Alex Chumak he suggests, "In my case, as in the case of many Belarusians, it’s both".

For this song, Alex chose to sing in his native Belarusian tongue. As he explains this language "to me feels underrepresented in pop music, also it’s a beautiful legacy and sonority that I wanted to share with the listeners of our project around the world". One of the key inspirations was a Belarusian band “Песняры” (“Pesniary”), who produced a host of great progressive folk, jazz fusion and AOR, from the ‘70s to the ‘90s, predominantly sung in Belarusian.

Another key influence was the music coming out of the Brazilian state of Minas Gerais in the ‘70s, drawing inspiration from the sentimental and harmonious music of Beto Guedes, Lô Borges, Fernando Oly and Wagner Tiso.

Having parted ways with their drummer Anton, Soyuz needed to find a new way to produce songs. The answer was to go remotely. Alex contacted the brilliant Biel Basile, who had recorded Sessa's contemporary classic ‘Estrela Acesa’, in which Alex also participated. Utilising Biel and Sessa’s newly built studio in São Paulo, Soyuz had Biel record the drums directly to tape to get the rich sound they were after. Adding the final magic into the mix, California’s Anthony Ferraro provided a beautiful Solina String Ensemble synth arrangement, with drummer/recording engineer Albert Karch expertly assisting with the production.

To capture the essence of the single visually, Alex and the Brazilian one-man-industry visual artist Gabriel Rolim, spent a blazing sunny May day in Berlin shooting film and stills – one of which became the perfect cover image. We hope you enjoy this little nugget of Soyuz mastery, a sweet taster to savour while the new album is recorded.

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Robert Glasper

LP | 2024 (Concord)

39,99 €*

Release: 2024

Genre: Organic Grooves

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Robert Glasper’s holiday album In December was released last year as an Apple Music exclusive. We’re now able offer it widely available to physical retail and all DSPs!

Is there anything to be done with carols like “God Rest Ye Merry Gentlemen” and “Joy to the World” that hasn’t been done in the past 300 years? If there is, Grammy-winning pianist, composer, and producer Robert Glasper is the kind of artist to do it. “I like covering songs that people know well,” Glasper tells Apple Music. “That’s what I’ve done throughout my whole career.” It’s true: As a jazz pianist, he’s obviously learned his way around making classics his own, whether they were written by Mongo Santamaría or Kurt Cobain. But, he says, “The biggest challenge in making a holiday album was trying to do it in a way that feels festive but at the same time feels real and not corny.”

He succeeds on both fronts on In December, his holiday album that mixes classic carols with a set of originals, and which was recorded in Spatial Audio. Part of what keeps it credible is the fact that Glasper’s hiphop/R&B/jazz fusion is done on a compositional level instead of just a cosmetic one (no collages of sampled sax solos and drum loops here). The covers reveal a lot about his musical worldview: Sung by Tony winner Cynthia Erivo (The Color Purple), “God Rest Ye Merry Gentlemen” is turned into dark, airy neo-soul, while “Joy to the World”—sung by Alex Isley—feels like a Stevie Wonder ballad. But the originals reveal even more. “The intention for this album was less about Christmas songs and more about songs that feel good during the holidays,” Glasper says. “I stayed away from thinking too much about Christmas and its traditional lingo, and concentrated on real things people go through during the holiday season.”

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Kashmere 73 Live In Concert

LP | 1973 | JP | Reissue (P-Vine)

7" | 2024 | EU | Original (Mad About)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Duo Ouro Negro

Dança Do Robalinho

Ron Henderson And Choice Of Colour

Release: 2024 / EU – Original

Genre: Organic Grooves

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Milo MacMahon and Raúl Indipwo, arrived to Portugal in 1959 and, over next three decades, they developed an international career in the music industry.

In addition to Portuguese and the various Angolan languages, the group recorded songs such as “Sylvie”, “La Kwela” and “Le Palmier” in French, among others, and also covered Latin American, Spanish-speaking, Brazilian and even North American repertoires, where on their various tours they came into contact with the struggle for the Civil Rights of the black population.

In 1969 Duo Ouro Negro went on tour to the United States. Their experience there was decisive for what we would come to know three years later. “Don't forget your blackground”, Raul Indipwo would exclaim in 1972, the voice of ‘Blackground’, the Angolan band's landmark album. Awakened to the activism of Black Power, attentive to the jazz that was being created on American soil, combined with an interest in the independence movements of the African colonies, what was then the most international of Portuguese bands recorded an album in Lisbon that was a vibrant cultural statement through music.

In 1981, “Blackground” was revised with new arrangements, including the instrumental “Dança do Robalinho”. Jazz-Funk at its best and now reissued for the first time in 7” format. You can't miss this jazz-funk gem made in Angola.

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Gemini Lady

7" | 1983 | JP | Reissue (P-Vine)

21,99 €*

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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North Carolina-based singer-songwriter Ron Henderson and his group Choice of Colour released their only album, Soul Junction, in 1976, a rare record that sold for over $800 at auctions and other venues, and P Vine released a reissue in 2020 but it was quickly sold out. It was recently found out that the popular 1983 single 'Gemini Lady' which was included as a bonus track on that reissue, was not the original version but an alternate take, P-vine therefore decided to reissue that single again in its original version as an official reissue! the 7" single is also well known as hard-find title more than Soul Junction LP.

Although a 7" with a replaced label design was reissued in 2003, on this reissue we have decided to use the same label design as the original release. In addition, the single originally had no jacket, but for this reissue the artwork is being designed by P-vine for the first time. Don't miss this special opportunity for die-hard groove diggers!

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2LP | 2023 | EU | Original (Colorsxstudios)

Move:Feel

49,99 €*

Billy Foster & Audio Record Store Day 2023 Edition

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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Renowned Berlin-based music discovery platform ColorsxSTUDIOS will release their new vinyl compilation album, ‘MOVE:FEEL1’, just in time for the holidays.

The limited-edition double disc gatefold vinyl will feature 16 beloved A Colors Show tracks, both recent and from the archive, including London-based rapper Kwengface’s ‘Freedom’ that was released earlier this year, critically-acclaimed Malian artist Fatoumata Diawara’s ‘Nterini’ from 2019, and Dominican-Italian star YEИDRY’s breakout 2020 hit ‘Nena’.

The album is truly international—it will feature songs sung in six different languages (including English, Swedish, German, Bambara, French, Vietnamese, and Spanish) and represent artists from 15 different countries across the world.

‘MOVE:FEEL1’ reflects and celebrates the launch of Colors’ new ‘move’ and ‘feel’ playlists that are now available across all DSPs. Updated monthly, these playlists will curate Colors’ genre fluid output into cohesive listening experiences that cater for varying emotional states.

The songs on the ‘move’ playlist—and hence on the ‘move’ sides of the vinyl—are uptempo, bold, sexy and energetic, and aim to set the tone for daring and unapologetic enjoyment. In contrast, the tracks on the ‘feel’ playlist and discs are downtempo and emotive. They are for relaxation, and to help listeners contemplate their internal and external environments

Designed by Colors’ in-house creative team, the vinyl cover is mirrored, meaning its appearance adapts depending on the light and colors it reflects. This was an important decision to ensure the cover represents all of the featured artists, who all performed their A Colors ShowS against different colored backdrops. The mirrored material also enables the audience to literally (and hopefully metaphorically) see themselves in the album.

Each side of the mirrored cover is adorned differently: while the “move” side features embossed lines, stripes and slashes indicative of motion, the more introverted “feel” side is debossed with goosebump-like grooves. Even with their eyes closed, people will be able to feel which side of the album is which, adding an extra sensory layer to the listening experience. MOVE:FEEL1’s design also prioritizes sustainability, using no single-use plastics for its packaging.

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Billy Foster & Audio

LP | 1983 | UK | Reissue (Equistar)

7" | 2023 | UK | Original (Athens Of The North)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Once dubbed the Magic City, by 1983 Gary, Indiana, had fallen on hard times. Over the previous decade the steel capital of America hemorrhaged half its population, including the Jackson 5, and changed its distinction to America’s murder capital. Lost in this transition was Billy Foster & Audio’s, joyfully beaming, self-titled disco-jazz LP. Recorded under the watchful eye of Bill McQueen, Foster and his band serve up a culmination of his musical experiences, utilizing his jazz training on the piano-forward ‘Sometimes’ and employing his synthesizer pop finesse on ‘I Need Your Love’.

Hoping to plant his flag in Gary’s musical canon, Foster issued the LP via his own Equistar imprint, distributing the release as far as a tank of gas could carry him. Two follow ups appeared in ’86 and ’89, but by that point Gary was in deep decline. Audio disbanded in 1993, the year Gary claimed its murder capital distinction. Original picture sleeve, remastered, LTD Edition 180g vinyl press.

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Marion Javius

Waiting In The Wings

Release: 2023 / UK – Original

Genre: Organic Grooves

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Sometimes it is meant to be. I remember years ago Ian Wright (a notorious 45s collector, not a footballer) played me Marion Javius, it was about $1 at the time. I really love the record, but the "sshumwere" vocal in the chorus and the cha cha at the end of the bars did my head it a little.

Roll on 15 years and I was speaking to my record fiend and friend David Haffner who helps with releases on Aotn. It turned out he had been sitting on the multi-track tapes for Marion Javius for some time and was cool with us doing a 45. Having multi-track was an opportunity for me to fix the little bug bears with the OG mix. On first listen, I was delighted to hear a vocal take without the "Shamwooon" on the chorus, so myself and Linkwood got on the case to rebuild an Ecla version without the Game Show bar ends and "Shamons" that had been haunting me for years.

So here we are, the Ecla version, with the OG on the flip in case you think I'm talking rubbish.

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Groove Of Essr II: Funk, Soul, Disco And Jazz From Estonia

LP | 2023 | UK | Original (Funk Embassy)

31,99 €*

Tape | 1976 | US | Reissue (Sacred Bones)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Escaping the Soviet through music is a running theme for the "Groove of Essr" compilation. Funk Embassy returns with the second volume that includes 11 tracks from 1973-1984. Some hide meaning between lines, others offer solace on the dancefloor. It's an ongoing journey to uncover these jewels and meet their makers. Majority of the tunes will be released for the first time. The 12-inch comes with a 30-page booklet that provides background stories and quotes from the artists.
The "Groove of Essr" project has garnered attention around the globe. From the first volume released in 2019, tracks were picked up by Gilles Peterson, Mehmet Aslan, Zag Erlat and DJ Tahira to name a few. During the production of this album, two of the most influential figures in Estonian funk and soul passed on: Marju "Maryn" Kuut (1946-2022) and Tõnu Aare (1953-2021). We dedicate this album to them.

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Mort Garson

Mother Earth's Plantasia

Rian Treanor + Ocen James

Release: 1976 / US – Reissue

Genre: Organic Grooves

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If you purchased a snake plant, asparagus fern, peace lily, or what have you fromMother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattressfrom Sears) in 1976, you also took home Plantasia, an album recorded especiallyfor plants. Subtitled "warm earth music for plants_and the people that lovethem," it was full of bucolic, charming, stoner-friendly, decidedly unscientifictunes enacted on the new-fangled device called the Moog.Before Brian Eno did it, Mort Garson was making discreet music. Julliardeducated and active as a session player in the post-war era, Garson wrote loungehits, scored the 1969 moon-landing and plush arrangements for Doris Day, andgarlanded weeping countrypolitan strings around Glen Campbell's "By theTime I Get to Phoenix."But as his daughter Day Darmet recalls: "When my dad found the synthesizer, herealized he didn't want to do pop music anymore." Garson encountered RobertMoog and his new device at the Audio Engineering Society's West Coast convention in 1967 and immediately began tinkering with the device."My mom had a lot of plants," Darmet says. "She didn't believe in organizedreligion, she believed the earth was the best thing in the whole world. Whatevercreated us was incredible." And she also knew when her husband had a good song.Novel as it might seem, Plantasia is simply full of good tunes.This release marks the first official re-issue of the long sought-after cult classic.Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the greenthumb that made everything flower around him. "My dad would be totallypleased to know that people are really interested in this music that had nopopularity at the time," Darmet says of Plantasia's new renaissance. "He would befascinated by the fact that people are finally understanding and appreciating thispart of his musical career that he got no admiration for back then." Garson seemsto be every...

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Saccades

LP | 2023 | EU | Original (Nyege Nyege Tapes)

You Gotta Let Go / Don't Let The Grass Grow

Release: 2023 / EU – Original

Genre: Organic Grooves

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In 2018, Rian Treanor left his home in Rotherham, UK, and headed to Kampala for a residency at Nyege Nyege's villa studio. The mind-expanding experience inspired his critically acclaimed 2020 full-length "File Under UK Metaplasm", but that wasn't the end of the story. Treanor also spent time working alongside Acholi fiddle player Ocen James, developing an improvisation-heavy collaboration that would push both musicians' idiosyncrasies into completely new places.Treanor wanted this collaboration to be as tactile and reactive as a live performance with traditional instruments, so he set about working on a digital process that would synchronize with James' approach. Using physical modeling techniques, Treanor created an instrument that explored the tunings and sounds of the a'dungu, an arched harp, and the nah or nag. With Ocen playing his rigi rigi, a single string violin, they intuitively experimented with the spectral properties of sound, using texture and acoustic contours as their structural framework. They were able to develop a sound together that was unconventionally rooted in traditional Ugandan culture, but shuttled into different dimensions of noise, computer music and radical UK rave."Saccades" is the buffer between two vastly different sonic universes, united in respect and sprightly curiosity. Treanor's hyperactive computer-controlled rhythms are immediately identifiable on opening track 'Bunga Bule', but the sound palette is distinct: it's more flexible and less digital. James' expressionistic fiddle strokes are a revelation, contorted into hoarse squeals and rough vibrations that rub and flex off Treanor's tin can shuffle. The fertile back and forth continues through the ruff DSP tumble of 'As It Happens', before James cracks open the melodic core of his instrument on 'The Dead Centre', allowing Treanor to dispense with rhythm and meet his fiddle strokes with heavenly drones.Each track steps down a different avenue for the two artists, from the nightmarish microtonal twang of 'Memory P...

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Marcia Hines

7" | 1976 | UK | Reissue (Selector Series)

7" | 2022 | EU | Original (Record Kicks)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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The phrase ‘Holy Grail’ is much overused when it comes to record collecting, so we tend to use it sparingly. When we do though, you know it’s serious! Well, here is a genuine holy grail which lives up to its title. Originally released on the tiny Wizard label in Australia in 1976, Marcia Hine’s effervescent 'You Gotta Let Go' achieved a few local plays in Sydney at the time before disappearing for almost three decades before it was re-discovered by Modern Soul cratediggers in the early '00s. Since then, the record has exploded in popularity across a number of scenes and the price for an original 45 has now reached a staggering £700 and that’s if you can even locate a copy! The song was available on Marcia’s ‘Marcia Shines’ album which helped its spread in popularity, but most collectors really needed the 7”. Well, wait no longer.

Selector Series is proud to finally re-release the original 7'' version of 'You Gotta Let Go' with the original ‘B’ side 'Don’t Let The Grass Grow'. This release will appeal to buyers all across the board – Soul, Modern Soul, Northern Soul, Disco and Rare Disco audiences so expect heavy demand the minute this hits the shelves. This is a multi-crossover record which will be played everywhere upon release and will be equally as popular internationally. Don’t say we didn’t warn ya.

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Alexander Korostinsky

Turkish Funk 45

After Hours / Love Don't Come Easy Record Store Day 2022 Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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For fans of Turkish Psychedelic Funk and Anatolian Rock. Alexander Korostinsky (Whatitdo Archive Group and The Sextones) marks his solo debut with two heavy psychedelic tracks. 7" vinyl is limited to 300 copies.

Record Kicks busts down the doors with yet another 7" heater– this time by Alexander Korostinsky (The Sextones, Whatitdo Archive Group), an accomplished songwriter/producer making his debut as a solo artist with a heavy psychedelic 7" available at selected stores next June 17th and limited to 300 copies worldwide. Korostinsky gives a loving nod to the sound of 60s and 70s Anatolian Psych Rock all while staying true to his unique songwriting style and recording approach. On the A side is "Bones of God", a psychedelic Turkish-infused cut featuring an electric saz and sitar dancing across tape-y drums and his distinctive bass playing. On the flip side, "Altin Maske'', a hypnotic exploration into Korostinsky's mind as a solo artist– think a Turkish David Axelrod and you'll be set. "Altin Maske's" twists and turns guide the phased out drums and electric saz into a beautifully psychotic meltdown.

Meticulously recorded and produced entirely on a Tascam 388 by Korostinsky at his own Archive Group Studios,this 45 is imbued with Korostinsky's love of analog recording production and vintage records. One listen and you'll notice thatthese songs are begging to be sampled and are a must have for any serious crate-digger. If this first release is any indication of what we can expect from Korostinsky in the future, then we are excited to see where he takes us next.

The 7" vinyl is limited to 300 copies worldwide which makes it an instant collector's item.

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Charlie Mitchell

7" | 1973 | UK | Reissue (Janus)

Betty Davis Black Vinyl Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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One record which has lately come to prominence is the brilliant "After Hours" by Charlie Mitchell aka Vic Marcel on an absolutely gorgeous slice of mellow Rare-Groove which recalls the Leon Ware vibe perfectly. Produced and arranged by seasoned veterans Tony Silvester and Bert DeCoteaux this incredibly hypnotic song was also written by top writers J.R. Bailey and Ken Williams. "After Hours" has grown in popularity particularly over the last few years with original copies now reaching the £200-£250 valuation.

The flip-side is another slice of beautiful mid-tempo soul from the same production stable. Only one copy currently available the last time we checked, such has been the demand over the last two years especially. Quite why this record has been underground for so long is open to debate. Vic Marcel was under contract to RCA at the time hence the Charlie Mitchell pseudonym. Janus were also suffering distribution problems at the time which explains why the original is so rare. We're proud to finally make this available again on the original Janus imprint. Another double-sided beauty.

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Betty Davis

LP | 1973 | US | Reissue (Light In The Attic)

39,99 €*

LP | 2022 | EU | Original (Farfalla)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t “Feelin’ Bitchy” until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

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Eleven76

Occhio Occhio

12" | 1982 | EU | Reissue (Stima)

Release: 2022 / EU – Original

Genre: Organic Grooves

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After their debut album Space Voyage for Warner Chappell, Eleven76 are back with a new album commercially available for the first time entitled Occhio Occhio. The album contains insect-themed outernational grooves with tropical and arabian flavours and smooth and buttered tunes with soulful vibes that are reminiscent of classic european library music. Vintage synthesizers and hot tape-recorded drums continue to lead Eleven76's mystique, with travels through funk territories and all the while frenzied percussion-heavy break beats keep b-girls and b-boys moving on the floor. Including the sold out first two singles "The Scarab’s Quest" & "The Hornet’s Nest" plus 3 exclusive tracks for this vinyl edition

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Ulysse

Naima / Tiers Monde

7" | 2021 | EU | Original (Athens Of The North)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Originally released in 1983, this 12’’ from French-Haitian saxophone player Ulysse became cult – and extremely rare – within the French boogie niche. Both tracks wonderfully succeed in mixing political statements with dance-floor delights. Boogie-pop track “Naïma” seems to be a love song at first, but actually says the impossible resilience of a woman who has grown up in war. The heavy digital reggae song “Tiers Monde” warns us about the abandonment of Third World children. This maxi single, where each track is instantly followed by its instrumental version for greater DJ use, is an authentic snapshot of the Paris mixed club scene of the 1980s. Really hard to find for a very long time, it’s a great pleasure for Stima Records to make this music available again, in order to reach a well deserved new audience nearly 40 years later!

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Crystal Winds

Lovers Holiday

Release: 2021 / EU – Original

Genre: Organic Grooves

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Martin Dumas Jr, Paul Coleman and Morris Browns, sublime 70s soul / 2 Step LP is IMO is some of the best sophisticated soul from the 1970s, Production, Vocals, Writing are all on point. On this 45 we are not messing around, two of the best cuts from the band 'Lover's Holiday and 'Love Ain't Easy', first time on 45 for them both. Licenced direct from the band members. You know what to do!

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The Library Archive Volume 2

LP | 2021 | UK | Original (ATA)

We've Only Just Begun / I'll Do Anything For You Record Store Day 2021 Edition

Release: 2021 / UK – Original

Genre: Organic Grooves

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The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack works of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express ('Theme From The Watcher').

It only seemed natural for the team at ATA Records to scratch their own Library itch and so last year's "The Library Archive Vol. 1" was born. Recorded over a series of sessions in the Alladins cave of vintage recording equipment that is ATA studios, it featured many of the stalwart musicians from the label who can also be found recording with The Sorcerers, Work Money Death and The Lewis Express.

Garnering praise from Library aficionado Shawn Lee("Holy F*$k this sounds great! ATA really smash the classic British Library sound. 10 out of 10") and the Don of British Library Music himsel fAlan Hawkshaw, "The Library Archive Vol. 1" was very well received and so a follow up was inevitable. Recorded during the Autumn of 2020, "The Library Archive Vol. 2" still has the golden age of European Library music squarely in it's sights, but this time the focus is drawn more to the wonky organ work of Italian quartet I Marc 4.

Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive Vol. 1', recorded on the same instruments and equipment and with the same techniques as the music that inspired it.

The Library Archive is a labour of love for the label with more volumes planned.

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Lee McDonald

7" | 1981 | EU | Reissue (Selector Series)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. 40 year anniversary release of this in demand modern soul masterpiece. For their third vinyl outing, Selector Series dig into the Archives of New Jersey’s Debbie Records from 1981 to re-issue this storming boogie re interpretation of The Carpenters standard, which found itself a legion of fans in the UK thanks to Gary Dennis’s championing of it. In a pre Discogs era, this record attracted a £400 price tag amongst serious collectors back in the late eighties, with the original pressings still going for £500+ even now. The album has been re issued by several different labels over the ensuing years, but this double header is being made available for Record Store Day on a seven inch format for the first time officially, featuring the original album sleeve artwork.

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Private Space Red Nebula Vinyl Edition

LP+CD | 2021 | US | Original (Dead Oceans)

Release: 2021 / US – Original

Genre: Organic Grooves

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CD includes Sugarshack Sessions.

Private Space, the group's third album, is a previously untapped vibe at the heart of The Indications. Pushing beyond the boundaries of the funk and soul on their previous releases, Private Space unlocks the door to a wider range of sounds and launches boldly into a world of synthy modern soul and disco beats dotted with strings. It's an organic, timeless record that's as fresh as clean kicks and familiar as your favorite well-worn LP. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Its 10 tracks are both an escapist fantasy and a much-needed recentering after a tumultuous 2020. Throughout, The Indications highlight a collective resiliency - as well as the power of a good song to be a light in the darkness. Durand Jones and The Indications have long provided the soulful soundtrack for such deep thoughts, both on stage and on your turntable. But as the world slowly resets from the chaos of the past year, Durand Jones and The Indications' Private Space is arriving at just the right time.

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Private Space Black Vinyl Edition

LP | 2021 | US | Original (Dead Oceans)

LP | 1976 | UK | Reissue (Matsuli Music)

Release: 2021 / US – Original

Genre: Organic Grooves

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Private Space, the group's third album, is a previously untapped vibe at the heart of The Indications. Pushing beyond the boundaries of the funk and soul on their previous releases, Private Space unlocks the door to a wider range of sounds and launches boldly into a world of synthy modern soul and disco beats dotted with strings. It's an organic, timeless record that's as fresh as clean kicks and familiar as your favorite well-worn LP. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Its 10 tracks are both an escapist fantasy and a much-needed recentering after a tumultuous 2020. Throughout, The Indications highlight a collective resiliency - as well as the power of a good song to be a light in the darkness. Durand Jones and The Indications have long provided the soulful soundtrack for such deep thoughts, both on stage and on your turntable. But as the world slowly resets from the chaos of the past year, Durand Jones and The Indications' Private Space is arriving at just the right time.

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Harari (The Beaters)

Rufaro

Little Barrie & Malcolm Catto

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Top reissue of their in demand 1976 LP by the super group. Includes the long jam ''Oya Kai'', keeps on going.. Also holds their known tune ''Musikana'', killer groove. Alec Khaoli, Selby Ntuli and Sipho Mabuse with their first album as Harari made a great debut channeling a raw energie following up their LP as the beaters. The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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Quatermass Seven

LP | 2020 | US | Original (Madlib Invazion)

The Assembly Line / Gonna Blow Your Mind

Release: 2020 / US – Original

Genre: Organic Grooves

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Little Barrie And Malcolm Catto Team Up For Seven Tracks Of Breaks And Sci-Fi Fuzz For Maverick Producer Madlib's Label

Quatermass Seven, the meeting of minds between guitarist Barrie Cadogan, bassist Lewis Wharton and drummer Malcolm Catto represents a re-birth of sorts for Little Barrie, with these their first recordings since 2017’s Death Express and the untimely passing of their gifted drummer and friend Virgil Howe. As Lewis explains, the sessions played a part in the healing process, a way to re-connect through music without any intentions to necessarily come away with a finished record. “It was good to get in the studio again after such a long break especially as we didn’t go in with any agenda or expectations,” he explains. There was no preconceptions that we would make a new Little Barrie record, it was just an opportunity to work on some things Barrie had written for fun with zero pressure.” With most tracks recorded live with minimal overdubs, and produced by Malcolm at his Quatermass studios, The Heliocentrics’ main man brings new flavour to the band’s rhythm section by blending his power behind the drum kit and his expansive skills behind the mixing desk to take Little Barrie’s music forward into new territories. Recorded on Catto’s treasure trove of analogue gear, and mastered onto ¼” tape, the overall effect is guitar, bass and drums finding a sweet spot where genres collide, delivering a record that takes the influences of the past and pushes them towards somewhere more contemporary. “I definitely hear in Barrie’s songs a lot of common musical ground’” explains Malcolm. “It felt like a great thing to do, work with Malcolm while we’re figuring out what we wanna do,” Barrie concludes, “let’s just go in and do some playing and see what happens, and we came out with more than we ever intended.” Quatermass Seven delivers a dark, deep and expansive set of grooves, layered with frazzled and flawless guitar and flowing melodies, as well as pointing toward a future of exciting new musical opportunities. “Still here, so fine, just a little darker state of mind” sings Cadogan on ‘Steel Drum’, words which sum up hope in times of uncertainty, whilst unintentionally offering a perfect description of Quartermass Seven.

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Commodores

7" | 2020 | UK | Original (Dynamite Cuts)

Tommy Hunt / Oscar Brown Jr.

Release: 2020 / UK – Original

Genre: Organic Grooves

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Dynamite cuts are again proud to be the first label to release one of the all-time Funk and soul club classics. The famous Video man break as it was known back in the day of hip hop djing. “the Assembly Line” by Commodores is not only a superb drum sample but it is also a banging tune with the great story of life!

On the flip is the super funky “Gonna blow your mind” which believe me if you like it funky, Hold on!!

These amazing track are all Must Have 45s Cuts! Loaded with classic B-Boy break, Loops and club dancers.

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The Work Song / Work Song

7" | 2019 | EU | Original (Outta Sight)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Peoples)

The J.B.'s

Food for thought

20,99 €*

12" | 2014 | US | Reissue (Ubiquity)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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180g vinyl ... sampled by Erick Sermon, Pete Rock, Pharcyde ... incl. the all-time classic "pass the peas"

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Darondo

Didn't I Edits

Rough Out Here / I Can't Fight Your Love Record Store Day 2019 Edition

Release: 2014 / US – Reissue

Genre: Organic Grooves

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With Darondo’s passing in 2013 the world truly lost a singular and unique talent. “Didn’t I” was undoubtedly his most beloved and well-known song making the rounds in Soul collectors’ circles for some time and reaching a much wider audience with numerous placements on TV and movies including the iconic show “Breaking Bad.” Three producers from across the globe have paid him homage by adding their touches and flavor to the classic tune. French producer GUTS remix was previously included on a limited double 7in EP called “Brand New Revolution”. His take on the tune became a summer time favorite with it‘s laid back groove and Darondo’s emotion-tinged vocals layered on top. Florent F also from France, adds some heavier live drums to create a harder-hitting version on his mix. Hailing from Montreal, Canada, noted edit and remix producer Dave Allison’s version picks up the tempo, highlighting the groovier elements of the track transforming the soul tune to a dancefloor mover.

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The Modulations

7" | 1973 | EU | Reissue (Buddah)

Pick Up The Pieces / Get It Up For Love Record Store Day 2019 Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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A killer rare groove classic and a modern soul belter from The Modulations - featuring arrangements by Vince Montana, Norman Harris and Ronald Baker and instrumentation by members of MFSB, key mainstays of the city's 'Philly sound'.
The only original 7 inchs from the 70's are changing hands for £150, so it's high time an official remastered, reissue landed.

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Average White Band

12" | 2019 | EU | Original (AWB)

2LP | 2019 | UK | Original (Late Night Tales)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Limited Edition for Record Store Day 2019! This 1974 reissue is available for the first time on 12" vinyl.

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Floating Points

Late Night Tales

Assassin / View From Above Black Vinyl Edition

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Sam Shepherd pulls from "global soul, ambient, jazz and folk" genres on the 17-track mix, according to the press release. It features four new tracks, including one from Floating points himself: a cover of Kenny Wheeler's "The Sweet Time Suite, Part I - Opening." Sarah Davachi, Toshimaru Nakamura and Lauren Laverne also contribute exclusive material, plus music by Kaitlyn Aurelia Smith, British jazz trio Azimuth and recent Resident Advisor feature star Kara-Lis Coverdale.

"The music is a selection of the kind of records I play to set the tone when DJing all night long," said Shepherd.

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Ikebe Shakedown

7" | 2018 | US | Original (Colemine)

10,99 €*

2LP | 2018 | EU | Original (Strut)

Release: 2018 / US – Original

Genre: Organic Grooves

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The latest and greatest from Ikebe Shakedown! "Assassin" is pulled from Ikebe
Shakedown's most recent LP The Way Home (CLMN12017) with a B-side that is
exclusive to this 45. Brooklyn's Ikebe Shakedown explores a wide variety of
instrumental soul, touching on afro-funk, R&B, and even psych at times.

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The Beginning Of The End

Release: 2018 / EU – Original

Genre: Organic Grooves

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Strut presents the definitive reissues of two all-time classic Caribbean soul and funk albums, The Beginning Of The End’s ‘Funky Nassau’ (1971) and ‘Beginning Of The End’ (1976).
Emerging from Nassau in the Bahamas in 1971, the band was formed around the Munnings brothers (Ray, Leroy and Frank) and the first song they recorded, ‘Funky Nassau’, became a No. 1 Billboard R’n’B hit, selling over a million copies. “We wanted to create something new,” remembers Ray Munnings, “something that was truly Bahamian. We loved funk but wanted to include elements of junkanoo, the indigenous music of The Bahamas.” An album was written within a week and recorded at Criteria Studios in Miami. “We brought in more Bahamian themes, like ‘Monkey Tamarind’, a wild fruit that grows there.”
By the time of their second album in 1976, the band was managed by Don Taylor, also Bob Marley’s manager. “Don took us to Byron Lee’s studio in Jamaica and used Teddy Randazzo (Little Anthony & The Imperials) to direct the sessions,” recalls Munnings. “He gave us more of an uptempo jazz funk sound with Chicago-style horns.” The album led to a run of incredible bad luck. Booked to support Marvin Gaye’s ’What’s Goin’ On’ tour, the US Musicians Union stepped in and ordered a US group to fill the slot. They were then added onto a major Bob Marley tour in 1976 before he injured his foot, cancelling all dates.
These definitive official reissues of ‘Funky Nassau’ and ‘Beginning Of The End’ are remastered by The Carvery from original tapes and feature full length tracks from the studio sessions. Both albums feature a history of the albums and the band by vocalist Ray Munnings, alongside rare photos. ‘Beginning Of The End’ appears on loud-press 2LP for the first time.

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LP | 2016 | US | Reissue (Dead Oceans)

Whatever It Takes Black Vinyl Edition

Release: 2016 / US – Reissue

Genre: Organic Grooves

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In the fall of 2012, Jones left his small-town in Louisiana for the foothills of Indiana. Alto saxophone in tow he enrolled in the Jacobs School of Music at Indiana University. “Being a singer was never part of the plan,” Jones admits. But soon enough he found his way in front of a rowdy rock-n-roll band belting out a rambunctious rendition of “Dock Of The Bay,” to a basement full of drunken undergrads. That rowdy band unfolded into The Indications—comprised of Aaron Frazer (drums), Blake Rhein (guitar), Kyle Houpt (bass) and Justin Hubler (organ).

Inspired by a handful of dusty and obscure 45s bearing names like The Ethics, Brothers of Soul and The Icemen, The Indications set out to make a record steeped in heavy drums, blown-out vocals, and deep grooves. Gathered around a Tascam 4-track cassette recorder and a case of Miller High-Life, the group spent their Sunday evenings recording into the early hours of the morning.

With comparisons from Charles Bradley and Lee Fields to Al Green, the only thing that separates this band from those greats is their youth. Having now taken their raucous live show all across the US, the band have galvanized a following that are ready to take them to the next level.

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The James Hunter Six

LP | 2018 | US | Original (Daptone)

Release: 2018 / US – Original

Genre: Organic Grooves

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A permanent fixture in the world of Rhythm and Soul, James Hunter follows up five critically acclaimed albums with his latest recording, Whatever It Takes, for New York City’s renowned label, Daptone Records. At the height of his famed recording career, Hunter and Daptone co-founder and producer Bosco Mann recorded an elegantly crafted collection of 10 originals that are evermore poignant and compelling than the singer’s previous works. The James Hunter Six and Mann recorded Whatever It Takes straight to tape at Daptone's Penrose Studios in Riverside, California.

The first Brit to sign to Daptone Records, Hunter is revered by critics both in his native UK and stateside, with MOJO touting Hunter as “The UK’s greatest soul singer” and the Los Angeles Times praising his “extraordinary soul voice.” Of his prior recordings, Rolling Stone called his U.S. debut People Gonna Talk, “a treat not to miss” and his second album “unbelievably awesome,” while The New York Times noted of The Hard Way, Hunter’s “tight, slithery groove” and “sweet growl.” Hunter’s accolades include milestones of reaching #1 on the Billboard Blues Chart, a GRAMMY® Award nomination for “Best Traditional Blues Album”, years as a singer touring and recording with Van Morrison, and many TV appearances on Conan, Later…with Jools Holland, and other late night TV shows.

Subsequent to his acclaim as one of today’s renowned soul singers, Hunter’s restless genius penning emotive and captivating works results in his best written compositions to date on Whatever It Takes.

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James Brown's Funky People Part 1

LP | 1986 | US | Reissue (Get On Down)

31,99 €*

2LP+CD | 2016 | EU | Original (!K7)

Release: 1986 / US – Reissue

Genre: Organic Grooves

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Some have made the claim that Get On Down may love James Brown just a little too much. To which the label replies, it’s not possible to love James Brown too much. The label’s welcome obsession with Mr. Brown and the incredible line up of talent found on his People Record imprint continues with the reissue of “Funky People Part 1”. Long out of print on vinyl, “Funky People Part1” features the top tier of artists from Brown’s People Records label, including The J.B.’s, Lyn Collins, Fred Wesley and Maceo Parker. Some of the James Brown organizations all-time best material is collected here, including The J.B.’s “Pass The Peas” and “Hot Pants Road”, Fred Wesley’s in your face politics through funk statement “Damn Right, I Am Somebody”, Lyn Collins smash hit “Think (About It)” and many more. Newcomers and diehard fans alike continue to dig into the James Brown and People Records vaults, and the more they do so, the more they realize that it’s a nearly never ending source of truly next-level funk and soul music. And you can be sure this aural goodness will keep flowing to the public, thanks to the exhaustive efforts of Get On Down.

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Dam-Funk

DJ-Kicks

Musique Original De Films

Release: 2016 / EU – Original

Genre: Organic Grooves

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DaM-FunK is the kind of guy who seems like he’d make great company: laid-back, affable, personable. But to truly get the guy, to really understand him, is to know a deep love of music like no other. Dam’s contribution to the DJ-Kicks series gives you an opportunity to do just that. It’s a snapshot view into the mind of the pioneer of Modern-Funk music… DJ-Kicks invites you to get to know the man behind the shades.

Dam makes a lifetime of digging and absorbing music that feels as laid-back as the Santa Ana breeze. Years ago, he coined the term ‘Modern Funk’ to give context to his music. The elements of the synth-heavy and multi-layered style are gloriously displayed on DJ-Kicks. “Modern-Funk is a combination of all the sounds on the mix,” he explains. “Funk, Boogie, Electro, House, Modern-Soul, Ambient tones… a push and pull of nostalgia and progressiveness…”

At a satisfying 19 songs, DâM-FunK’s DJ-Kicks lets grooves breathe. This is a mix to happily get lost within; a document in vibe. Unexpected contemporary joints mingle with lost gems from unlikely places. The exclusive DâM-FunK production “Believer” makes its debut on DJ-Kicks, an extensive instrumental composition that on it’s own could only be classified as signature Modern-Funk. The mix also includes Dam’s excellent collaboration with Nite Jewel, as ‘Nite-Funk,’ on “Can U Read Me?”

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Ahmed Malek

LP | 2016 | EU | Original (Habibi Funk)

Harlem Shuffle / Backfiled In Motion

Release: 2016 / EU – Original

Genre: Organic Grooves

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Ahmed Malek - Algeria's Ennio Morricone

Ahmed Malek was one of the most important musicians of the Algerian scene of the 1970s. His sountrack works that were composed for various Algerian movies of the time fuse Arabic influences with jazz, psych and funk influences. Dark cineastic soundscapes meet african Jazz at times reminicent of Mulatu. Original copies of his vinyl releases have been sold for enormous amounts. For this release we combined the strongest tracks from his releases with a selection of unreleased material straight from the families archive. The vinyl edition comes with a 8 page 12” size booklet, the cd version with a 16 page booklet with lot of unseen photos, an interview with the artist from 1978 and an introduction to Algerian cinema.

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Bob & Earl / Mel & Tim

7" | 2015 | UK | Original (Outta Sight)

Release: 2015 / UK – Original

Genre: Organic Grooves

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Toeachizown Volume 5 - Sky

Dam-Funk

LP | 2012 | US | Original (Stones Throw)

15,99 €* 19,99 € -20%

LP | 1972 | US | Reissue (Now-Again)

Release: 2012 / US – Original

Genre: Organic Grooves

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Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

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The Equatics

Doin' It!!!!

Got That Will Feat. Gina Murrell & Ranking Joe

Release: 1972 / US – Reissue

Genre: Organic Grooves

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The stories of great high school funk bands are, thanks to an abundance of reissues, commonplace. The tales of great high school soul-bands are still rare. A
ballad or two on the random Douglass High School Stage Band album or Timeless Legend’s mesmerizing entry on Columbus’s 1972 1st Annual Inner City Talent Expo notwithstanding, high school bands rarely struck into the realm of “grown folks”
music. Enter The Equatics and their brooding masterpiece "Doin’ It!!!!"

If this is categorized as a “funk” album – and it was for the last ten years, by those few lucky enough to own an original copy – it holds its own. But it was as a soul
band, one as inspired by the melancholic musings of Bill Withers as the psychedelic-pop of the self-proclaimed “Black Moses,” Issac Hayes – that the
Equatics shone. These young souls offered world-weary, beat-heavy ballads that stand on par with any of the great independent organizations of the early 1970s.
That a group of teenagers could offer such an angst-ridden plea as that of Leo Davis’s “Merry Go Round” not only transcends the limitations that came from the
band’s average age (seventeen, at the time of the album’s recording), but also the barriers the stood in front of this group of small-city hopefuls.

This official reissue was licensed by the Equatics' bandleader, bass player Benjamin Crawford.

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Night Owls

7" | 2024 | US | Original (F-Spot)

LP | 1983 | JP | Reissue (P-Vine)

Release: 2024 / US – Original

Genre: Organic Grooves

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To round out the year, Los Angeles' own Night Owls are hitting the decks once again with their next re-imagined soul classic, this time digging deep in the crates and taking on Lee Moses’ 1970s Maple Records version of the Herman Hitson classic "Got That Will." Flipping this rare soul cut into an early Dancehall-inspired banger, producer & guitarist Dan Ubick brought in powerhouse singer Gina Murrell (Wailing Souls, U-Roy, The Ethiopians, Orgone) to match the new energy and direction brought by Night Owls' rhythm section of Ubick, Wilder, Colie, and Rivas. But like the old Ginsu knife adverts...that’s not all - this go ‘round Ubick also enlisted Kingston's own legendary deejay Ranking Joe (Greensleeves, Trojan, Joe Gibbs, etc.) to bless the track with his signature rhythmic, ad-lib stylings, giving this rendition an even sharper edge.

The flip side features a proper Version in “Got that Dub" mixed by Night Owls keyboard maestro and engineer Roger Rivas complete with dubbed-out Space Echoes, verb splashes, SynDrum hits and drum 'n' bass sections and a completely different vocal take from Ranking Joe showcasing even more of his signature, razor-sharp wordplay. “Got that Dub" gives this Night Owls re-imagined deep soul classic extended life and is primed for a late 70’s/early 80’s sound system set, blasting loud and turned to eleven so all you deejays and selectors make sure to grab doubles before they are gone!

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Michigan Avenue

35,99 €*

King Canyon Blue Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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The only album by Chicago based soul vocal group "Michigan Avenue", produced by renowned producer Clarence Johnson, known for his work with Heaven And Earth and Brighter Side Of Darkness. 1983. This is the first time the album has been reissued with the same cover design as the original release since its release. This Japanese limited edition will come with Obi-strip and some bonus tracks!

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King Canyon

LP | 2023 | US | Reissue (Mixto)

7" | 2024 | EU | Original (Tramp)

Release: 2023 / US – Reissue

Genre: Organic Grooves

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Eric Krasno is a two-time Grammy winning guitarist, musician and producer best known for his work with Soulive, Lettuce, Tedeschi Trucks Band & Pretty Lights. Krasno has been nominated for a Grammy a total of seven times for Best Blues Album, Best Contemporary Blues, Best R&B, and Best Electronic Album. Otis McDonald is a producer/multi-instrumentalist best known for his copyright free music released exclusively through the YouTube audio library, amassing over 5 million downloads and over 25 million streams. Mike Chiavaro is a Brooklyn based electric and upright bass player with an impressive history. Combined they form King Canyon, blending their unique styles into an infectious groove filled project with healthy doses of R&B/Soul and funk. The vibe will resonate with fans of Khruangbin, Bobby Caldwell, Allman Brothers, Soulive, Lettuce, El Michels Affair, Unknown Mortal Orchestra, Menahan Street Band, Durand Jones and the Indications, and Son Little (who's featured on one of the tracks). In the perfect quarantine story the trio forged a relationship and has yet to meet in person. In April of 2020 in the midst of quarantine, Eric Krasno came across Otis McDonald’s music on Instagram and immediately became a fan. Months later, McDonald who had been working on music with his longtime friend, Mike Chiavaro, enlisted Krasno to add in some guitar to the mix and before they knew it, the trio had an album's worth of material and thus King Canyon was born. The guys have still yet to meet in person, but despite this, the grooves are insatiable. The writing and feel are unlike any other projects these musicians have been involved with previously.

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The Shake And Bake Band

Shake And Bake

LP | 2024 | UK | Original (Expansion)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Tramp Records International proudly presents: The 1975 Baltimore Colts Glenn Doughty and his All-Pro Shake & Bake Band! In 1975 Glenn "Shake & Bake" Doughty Wide Receiver for the Baltimore Colts formed the Shake & Bake Band. Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history!

Doughty is a Detroit 'Motown' native and All-American from the University of Michigan, that was recently crowned national champion and the winningest college football program in Ncaa History. Doughty and his four world-class athletic teammates formed the heart of the band. The Shake & Bake Band in the mid 70s played live at Baltimore's hottest Clubs with teammates in attendance on Monday nights after Shakin' & Bakin' their opponents on Sunday at Memorial Stadium. Doughty's sports hero was Muhammad Ali. He originated the popular Shake & Bake athletic movement scoring touchdowns. He recited Shake & Bake poetry like Ali to make predictions after games on local and national TV to celebrate Colts victories. His lyrics in his music were used to fire up thousands of his Colts fans and his teammates. Many fans felt the group sounded like WAR the popular funk group from California. Members of the Shake & Bake Band were: Glenn "Dr. Shake" Doughty #7, All-Time Colts leading Wide Receiver, producer, lead singer, congas and lyrics, Ray "RC Cola" Chester, All-Pro Tight End, Super Bowl Champion, Bass, Baltimore, Maryland, David "dt" White, Wide Receiver Lead Guitar, producer, sound technician. Buffalo N.Y., Lloyd "The Bullet" Mumford, Defensive Back Harmonica, Miami Florida, Freddie "Bones" Scott, All-Pro Wide Receiver on percussion, Grady Arkansas, and Bruce "Turn it Loose" Barnett, Drummer and shoe salesman. Randallstown, Maryland. This group of talented stars lead the Colts to its first ever three consecutive Eastern Division Championships.

Between 1975 and 1977 they also became the first group of pro athletes to create two records while playing football together for a NFL team. Their debut 7-inch single from 1976 was cut at 33 1/3 RPM due to the length of the songs. "Shake and Bake Pt.1" lasts for 4:30 minutes while Part 2 stretches out to an incredible 7:00 minutes!

Additionally, "Shake and Bake Pt.1&2" will be featured on the forthcoming "Movements Vol.12" compilation album, due September this year.

Key selling points:
- limited to 500 copies!
- deluxe picture sleeve edition!
- official re-issue, done in cooperation with Glenn Doughty!
- Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history!

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Cornell Cc Carter

Expressions Of Soul

Release: 2024 / UK – Original

Genre: Organic Grooves

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The new album is ready and it’s the best! Cornell says “This is more than an album to me…. It is an up close and personal expression of the many things that move me in life and how I feel about life, love and all the things I value most. The love that went into making this album is without question a collaboration of great musicians and producers who put their Souls into it. No matter what your mood is, there is a song on this album that will relate to all of the different emotions we experience Every Day!” The first single from this album was “The Change”, released earlier in the year ahead of the massive new song “Everyday”. The album is coming 26th July on CD and will be followed up with a vinyl release (of selected tracks) 23rd August. Cornell is from Berkeley, California and raised in San Francisco where his debut album “Vindicated Soul” was released in 2017. Since then he has taken the soul scene by storm through further prolific albums “One Love”, “Absolutely” and “Next Life”. Earlier in his career he recorded with The Isley Brothers and performed on stage with James Brown. Cornell performs songs from the album for the first time at The Sussex Soul Weekender Friday 2nd August.

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2LP+7" | 2024 | EU | Original (Tramp)

Movements Volume 12

Seasons Red Transparent Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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** Initial 400 LPs Contain A Bonus 7" Single **
Movements Vol.12 – A bag full of rare rhythm & blues, mod-jazz, and mid 70s funk.

Side A starts with rhythm & blues from the 1960s. Most of the tracks were pulled from hopelessly obscure 7" singles. The only names of which some of you might be familiar with are most likely Mat Mathews and Lu Elliott. However, both original 45 RPM singles are pretty hard to find these days, especially in playable condition.

Side B is all about deepfunk this time. "Hipper Snapper " is a prime example of that genre. Some say its groove is reminiscent of Charles Wright's "Express Yourself. Agreed! The Villagers are responsible for the first 'aha' moment. Their (previously unreleased!) version of "Funky Broadway" would have certainly astounded even Dyke & The Blazers. Representing Germany on this volume: The Rippers, also called the "Offenburg Beatles"! Back in the USA, John Fogerty has probably never heard of this heavy school-funk cover of "Proud Mary". Drum breaks galore!

Side C begins with another German contribution. Saxophonist Gus Brendel delivers a mod-jazz belter of the highest order as do The Hornets. Definitely sure-shots for any dance floors! High time for 'aha' moment #2. Many bands have tried their hands on a cover version of the Nat Adderley jazz classic, incl. vibraphone player Bret Breitinger! The perfect choice to finish this side is Downtown Trio's smooth and groovy cover of Gershwin's "Summertime ".

Side D is reserved for proper 1970s funk. ONYX's "Break It Loose " has become a certified Rare Groove classic. Here you can enjoy it for the first time with the blessing of the band! Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Watch out, "Shake and Bake " will be re-released on a good old 45 RPM single, too!

Those of you who have been enjoying the detective work of the people behind the label over the past 21 years know that the Movements series can be easily considered as the flagship compilation series on Tramp. So, after having listened to the entire selection of this brand new volume we sincerely hope that we will have achieved our aim to surprise, delight, and enlighten you once again!

Key selling points:
- initial 400 LPs contain a bonus 7" of a Superrare funk 45
- incl. full album download code - deluxe double-gatefold LP with detailed liner notes & unseen photographs
- ALL but three songs appear on CD, LP & digital for the very first-time

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The Howard Lemon Singers

LP | 1977 | EU | Reissue (Regrooved)

33,99 €*

Gloster Williams And The King James Version

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Experience the soulful and funky gospel sounds of the Howard Lemon Singers with the reissue of their 1977 album, Seasons, originally released by TK Records' Gospel sub-label Gospel Roots. Now reissued on vinyl for the first time through Regrooved Records, this album masterfully blends traditional gospel with modern soul elements, showcasing the Howard Lemon Singers at their most dynamic and inspirational. Featuring rich vocal harmonies and uplifting messages, Seasons invites listeners on a spiritual journey through life's varying stages, emphasizing renewal, celebration, and introspection. Among the standout tracks is "You Are Somebody," a powerful anthem that resonates deeply with its message of affirmation and empowerment. The vinyl reissue preserves the original essence of the album, enhancing the audio quality to highlight the depth and warmth of the studio recordings. Perfect for both avid gospel enthusiasts and newcomers, this reissue of Seasons by The Howard Lemon Singers is not just a record—it's a celebration of faith, resilience, and the human spirit. Add this pivotal piece of gospel heritage to your collection and let the timeless beauty of their music inspire you throughout the seasons of your life.

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Together Black Vinyl Edition

LP | 1977 | EU | Reissue (Regrooved)

LP | 2024 | Original (Regrooved)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Experience the divine power of gospel music with the reissue of the legendary album Together by Gloster Williams and The King James Version. Originally released in 1977 on Gospel Roots Records, this seminal work is now re-released for the first time on vinyl, courtesy of Regrooved Records. Together captures a moment in gospel music that is both timeless and transcendent. Led by the dynamic Gloster Williams, The King James Version choir brings an electrifying blend of traditional gospel with hints of soul and R&B, creating a sound that uplifts and inspires. This album is famed for its stirring harmonies, powerful lyrics, and the passionate delivery that fans and newcomers alike will find deeply moving. Highlights of the album include the soaring title track, "Together," which has been a staple in gospel music playlists for decades, celebrated for its message of unity and spiritual upliftment. Each song on the album is crafted with care, featuring intricate arrangements and a raw emotional energy that captures the essence of gospel music's golden era. This reissue is a meticulously remastered version that enhances the original recordings while preserving the authentic sound that made Together a must-have for gospel collectors and enthusiasts. It's pressed on high-quality vinyl to deliver the best listening experience, ensuring that the richness of the choir’s vocals and the depth of the instrumentation are beautifully rendered. Don't miss this opportunity to own a piece of gospel history. The reissue of Gloster Williams and The King James Version’s Together is a testament to the enduring power of gospel music to console, celebrate, and connect us. Add this vital record to your collection and let its messages of faith and fellowship fill your home with joy and inspiration.

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Little Beaver

Joey Black Vinyl Edition

Stayin' Alive / Isn't She Lovely

Release: 2024 / Original

Genre: Organic Grooves

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Dive into the soulful world of Little Beaver with the long-awaited reissue of his 1972 debut
album, Joey. Released on Cat Records, this album showcases the unmistakable talent of a
musician who not only crafted the unforgettable guitar riff in Betty Wright's "Clean Up
Woman" but also delivered the #2 R&B hit "Party Down."
Joey stands out as a masterful blend of Rhythm & Blues, Soul, and a touch of Funk & Blues,
enriched by lush orchestrations that elevate each track. The album features the enchanting
title track "Joey," which was produced by Betty Wright, "I'm Losin' the Feelin'," later covered
by Gwen McRae, and the deeply evocative "Katie Pearl," adding layers of soulful resonance
that speak directly to the heart.
Before his solo breakthrough, Little Beaver was a revered figure in the Miami Soul scene,
known for his work as a bassist and guitarist since his early teens and as an arranger who
brought magic to the music he touched. This release not only showcases his formidable skills
as a guitarist but also highlights his deep, intuitive sense of songwriting that draws listeners
into the emotional landscapes of his songs.
This reissue isn't just a return to the shelves; it's a celebration of a profound musical legacy
that continues to resonate. Whether you're a long-time fan or new to his music, Joey by
Little Beaver is an essential addition to your collection, offering a timeless journey through
the depths of soul music. Don't miss the chance to experience this seminal album,
beautifully remastered to capture the original warmth and spirit of Little Beaver's early work.

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Mai Yamanaka

7" | 2024 | JP | Original (Jet Set)

Painted Woman White Vinyl Edition

Release: 2024 / JP – Original

Genre: Organic Grooves

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Second installment of the popular cover series. This time featuring exquisite covers of Bee Gees and Stevie Wonder!
Analog single cut from the compilation albums "Sweet Breeze" and "Sweet Breeze II" ('13), featuring lounge-style covers of classic hits from the 70's and 80's Western music!
The second installment of analog conversion presents the gem-like covers, adorned with the sweet and glamorous vocals of singer Mai Yamanaka, beloved daughter of the late Joe Yamanaka. You can't miss the delightful covers of Bee Gees's "Stayin' Alive", with its light rhythmic sense, and Stevie Wonder's "Isn't She Lovely", showcasing a bright, high-pitched, and melodious voice!

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Masaki Matsubara

LP | 1983 | JP | Reissue (Pony Canyon)

47,99 €*

7" | 2024 | JP | Reissue (Flower)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc.

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Central

Pastime Paradise

22,99 €*

LP | 2024 | UK | Original (Epsilon)

Release: 2024 / JP – Reissue

Genre: Organic Grooves

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The second single from the well-received previous release, "Samurai," is now available. This time, the song "Pastime Paradise," written by Stevie Wonder and released in 1979 by Ray Barretto, has been updated in the Central style! In 2024, Central is preparing to release its first album in many years, but before that, another strong 7-inch is on the way. The groove created by the percussion, bass, and keyboards working in unison, and the exquisite arrangement of the horn ensemble, which is full of Central style, is a true gem.

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Keys & Friends

Lovin Cup

32,99 €*

I Got A Feeling / My Love Is You Love (Forever)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Eight incredible previously unreleased soul songs from the mid-70s of the highest quality, straight from a matertape sourced from Eddie Caldwell Vault, CEO and Founder of Music Of The Sea Inc. Keys & Friends is a group put together by William A Keyes, a very talented songwriter from Southside Chicago who has written songs for Sly Johnson, Little Johnny Taylor, Joyce Faison to name a few. This is the first time these songs have been released on vinyl.

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Barbara Randolph

7" | 2024 | UK | Original (Outta Sight Soul Essentials)

12" | 2024 | US | Original (Albina Music Trust)

Release: 2024 / UK – Original

Genre: Organic Grooves

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“I GOT A Feeling” was penned by Holland/Dozier/Holland for the Four Tops and first appeared on their 1966 album On Top. Great as that is – what’s not to like about the Four Tops – it is Ms. Randolph’s 1967 cover, and debut Motown recording, that stole the hearts of the emerging Northern Soul scene at the turn of the Seventies. A non-hit at the time, it has come to represent the sound that underpins and defines a Northern Soul dance record. Almost sixty years on it still fills the floor, compelling young and old to spin, stomp or shuffle to its joyous beat. Our flip-side – “My Love Is Your Love (Forever)” – is best known by the Isley Brothers and is perhaps the most treasured of their rare soul recordings (also available from Outta Sight, Sev014). Barbara’s unreleased take was completely unknown to the scene until Universal America unleashed it as a digital download in 2015. Barbara Randolph only released two singles for Motown on their Soul imprint. Perhaps Berry Gordy couldn’t see past her acting career? Whatever the reasoning at the time, a further 15+ songs were recorded and sadly remained in the vault until after Barbara’s passing in 2002.

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Shades Of Brown

21,59 €* 23,99 € -10%

Into The Blue Frosted Coke Bottle Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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n 1969, a transformation in Albina was underway. Displaced by the Vanport flood two decades prior, an influx of Black residents had settled in the area after redlining practices among the city’s realty boards provided few other options. A local economy among Albina’s Black residents had flourished for a time, but soon declined due to chronic disinvestment by the city’s elites. As with many urban centers in America, the impending ghetto-ization of the neighborhood developed as the civil rights movement was in full swing. And the citizens of Albina had something to say about it.

During this time, Shades Of Brown came together at the Albina Arts Center - a community hub for practicing artists of all stripes. A product of the Model Cities initiative, the center was established to develop the cultural and intellectual resources in the neighborhood amid the protests and civil unrest of the times. Paul Knauls’ Cotton Club had shuddered its doors in the wake of Martin Luther King Jr.’s assassination. Albina’s Black residents had been forcibly displaced from their homes to make way for urban renewal projects conceived by the Portland Development Commission. And Williams Avenue, the once-vibrant hub for Oregon’s jazz music with myriad Black-owned businesses lining the streets, was at risk of becoming a blighted shell of itself. Left to their own devices, Black artists were organizing to convey truth through their work and the Albina Arts Center was ground zero.

Rehearsing at the Albina Arts Center, members of the Shades Of Brown found one other as a variety of Albina’s musical acts were shifting, separating, reconstituting, and forming anew. The group would feature members of the Cavaliers Unlimited, Little Nolan & The Antoine Brothers, Youthsound, Upepo, and the Norman Sylvester Band. And as luck would have it, Free Meal Ticket - renowned soul singer Wilson Pickett’s group - would disband while on tour in Portland. This left director, composer, and future Grammy recipient Thara Memory en route to the Albina Arts Center. He was quickly recruited to become the bandleader for Shades Of Brown.

Equipped with the ephemeral resources flowing from the Model Cities initiative, Memory organized youth and adults into a variety of ensembles, and with a penchant for results-driven rigor he would furnish his pedagogy via musical boot camp with the Shades Of Brown. The band was required to read and write their music. Before a note was to be played, members were summoned to the blackboard to chalk out their parts on a musical staff. And it was not uncommon that rehearsals consisted of the band being drilled with marching routines, as was common in the tradition of Memory’s southern upbringing. This went on for months. When the results were in, Memory gave the green light for the band to perform. And the Shades Of Brown would have something to say about it.

Celebrating Albina Music Trust’s tenth vinyl release, the story of Shades Of Brown circles back to the label’s first outing, The Gangsters. Both records spotlight the impact of Thara Memory’s tutelage while highlighting the legacy of community-powered arts education in Albina. Even the label’s logo mark is an inspired interpretation of the Albina Arts Center’s motif.

Being the sole recorded output of Shades Of Brown, the album reflects the group’s sense of fellowship as well as the sentiments of its contemporaries in Albina - makers, dreamers, activists, and youth - under-resourced and confounded by the City Of Portland’s blatant disregard. As vocalist Gregg A. Smith lays bare on “Searchin’ For Love”, one can’t help but hold the image of this community and its cry for decency in light of limited services and harm. Over half a century later, we now have this document to ponder. What are we doing to prevent this from happening again?

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Aaron Frazer

LP | 2024 | US | Original (Dead Oceans)

29,44 €* 29,99 € -1%

LP | 2024 | EU | Original (Maledetta Discoteca)

Release: 2024 / US – Original

Genre: Organic Grooves

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"Into The Blue is the clearest portrait of who I am as an artist. It's me through and through," says multi-instrumentalist Aaron Frazer. A daring blend of soul, psychedelia, spaghetti western, disco, gospel and hip-hop, Into the Blue represents the impressive range of Frazer's sonic talents. Frazer maintains the unmistakable falsetto and classic songwriting he's known for, but plants Into the Blue firmly in the now with a hip-hop mentality at its core, weaving together genres and production techniques to form something new. Into The Blue was conceived, like so many classic records, out of actual heartbreak. Frazer moved cross-country from Brooklyn to Los Angeles and embarked on a journey that's reflected in the album's themes of grief, loneliness, and searching for healing. "Into The Blue really means heading into the unknown. That has been the last year of my life and I'm still in the blue," Frazer explains. "But there are also songs here that celebrate love and the giddiness of a new relationship and all that. That's part of a breakup to me, processing the whole thing, remembering the things that were right as much as the things that were wrong." Frazer wrote on every track and played several live instruments on the album. The title track, "Into The Blue", is a haunting, resolute anthem, combining cinematic strings and tough-as-nails breakbeats as Frazer heads west. "Here I go, to a place where the broken heart knows," he sings. "It's all I can do. Back into the blue." "Payback" is an explosive dancefloor heater, featuring shimmering tambourines and driving bass lines. Northern soul drums meet snarling fuzz guitar, hurdling towards its epic conclusion. The album features moments of towering arrangements, recalling David Axelrod and Ennio Merricone, balanced by rawness, incorporating iPhone recordings and one-take vocals. For Into the Blue, Frazer enlisted Grammy-winner Alex Goose as coproducer, known for his crate-digging samples and collaborations with hip-hop artists like Freddie Gibbs, Madlib and Brockhampton. Frazer also experimented with samples for the first time on a record, drawing from unexpected sources like 90s R&B group Hi-Five. Though Into the Blue is born out of heartbreak, Frazer hopes it leaves listeners with a sense of optimism. "You know, you can still laugh on a day when you're grieving," he says, "there's no peaks without valleys," he says, but Into The Blue sees Aaron Frazer at new heights.

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Baffone

21,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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During the weekends, we used to drive a 131 "caffellatte" for a trip out of town towards the South. Family adventures from a distant time, the cassettes carefully chosen long before the departure, all around us the scent of the sea and in the background the Vesuvius.

In a kaleidoscope of memories and Mediterranean influences, Baffone recount in their own special way that Golden Age between the 70s and 80s. An era full of dreams, passions, unresolved issues and dizzying grooves. Mixing Napoli Soul, Funk, Disco and songwriting, Baffone gives us a profound investigation of the human soul, performed with an original and authentic language.

A tribute to primordial forces, the sea, the lava earth and the childhood that slips away.

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Nippon Psychedelic Soul 1970-1979

LP | 2024 | UK | Original (Time Capsule)

27,54 €* 28,99 € -5%

Webster Lewis / The Spirit Of Atlanta

Release: 2024 / UK – Original

Genre: Organic Grooves

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The kaleidoscopic psychedelia of 1970s Japan captured a fragile and fertile moment as the country sought its future in funk grooves, heavy reverb and lyrical hallucinations. The follow-up compilation to Time Capsule’s Nippon Acid Folk, Nippon Psychedelic Soul takes myriad pathways into the tripped-out undergrowth of 1970s Japan. Finding their feet at home and looking for inspiration abroad, the musicians featured here were engaged in the communal soul-searching that followed the breakdown of the 1960s protest movements. Some made it big, others drifted into oblivion. The music they left behind shimmers with intensity.

At the core was Happy End, the first project of YMO’s Haroumi Hosono, whose distortion-heavy guitar and crisp back-beat laid the foundations for Japanese lyrics that flipped the paradigm of Japanese rock music on its head. With it came a new found sonic ambition, such as in the bold Philly-soul style arrangements of producer Yuji Ohno, whose work with occult wandered Yoshiko Sai shares some of the bittersweet grandeur of Rotary Connection or David Axelrod.

Then there was Jun Fukamachi, a pioneer of Japanese synthesis, whose debut album was a carnival of orchestral funk, euphoric horn lines and rich production, complete with soaring guitar solos, psychedelic organ and a truly cinematic finale. The first and only time Fukamachi would sing on record, ‘Omae’ rips like the ultimate end-of-nighter.

Influenced by giants of the US soul scene, maverick composer Hiroshi “Monsieur” Kamayatsu (otherwise known as ‘the Brian Wilson of Japan’) went one step further, enlisting Tower of Power to play on ‘Have You Smoked Gauloises?’ The B-side to Monsieur’s biggest-selling single, it coasts with sophisticated cool - a liquid bassline and suave keys comping under a roaring trademark ToP sax solo. No surprise it found favour once more on the Acid Jazz dance floors of ‘90s London.

Such was the spirit of experimentation that big studio productions and private press releases sat side-by-side, with the likes of Momotaro Pink and Kazushi Inamura, taking their hopes of success into their own hands with the resources available to them. More reflective but no less robust, theirs was a heavy, fat-backed drum sound, soaked in dramatic, soulful psychedelia.

If some were dreamers and others space cadets, none were further out than sci-fi writer, musician, activist and self-made scientist Tadashi Goino, who transformed his own fantasy novel Messenger from the Seventh Dimension into an operatic prog odyssey with few discernible musical reference points – a majestic and completely bonkers outlier even among company as strange and brilliant as that which is collected here.

Less a compilation of a scene, as a compilation of a sentiment, Nippon Psychedelic Soul is a wild ride from start to finish, shattering the narratives of the Japanese folk and rock tradition into a million tiny pieces.

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El Bobo / Freddie's Alive And Well

7" | 2024 | EU | Original (Mad About)

21,99 €*