Search "rom+foot+signal" 246 Items

Black Friday Record Store Day 2020 Release.
RSD Exclusive. Limitation: 3000 copies.

No Business: The PPX Sessions Volume 2 continues the documentation of Jimi Hendrix’s pre-Experience sideman work with the Harlem-based R&B combo. These twelve recordings were captured at Studio 76 in 1965 [as well as two controversial sessions in July and August 1967] and offer a fascinating glimpse of Hendrix’s genius in the years before—and during—his early success. It includes the 1965 demo of the first known Hendrix composition (“Working All Day”) and shiver-inducing guitar playing that hints at the genius to come. While not a Jimi Hendrix album the music is now under the control of Experience Hendrix, and thanks to them has been lovingly restored by legendary engineer Eddie Kramer for RSD Black Friday, giving fans the chance to enjoy these tracks in their proper historical context in a numbered, limited edition brown vinyl release.

community
Nude and Dangerous b​/​w Call of The Sylva
by The Vicious Seeds

Share / Embed Wishlist
Nude and Dangerous 00:00 / 02:17
Digital Album
Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Buy Digital Album €2 EUR or more
Send as Gift
1.
Nude and Dangerous 02:17
2.
Call of The Sylva 02:16
about
"Coming out of Saint Petersburg, Russia (where Spotify just was legalized this past July), The Vicious Seeds go off on their latest forty-five on the label. “Nude And Dangerous” is a jazz-funk side that throws it back to a time when the bands hit the circuit, dressed sharply, and this music captured people’s emotions. Full of that heavy backbeat/ guitar combination, she’s a mover. More O’Donel Levy with some Little Beaver thrown in, we’ve got a nice injection of vibes in the track too. This elevates it to a higher level. The flip, “Call Of The Sylva” is a bit darker. Still, with that guitar, it’s more cinematic. Think a chase through the city on foot, shot in black and white, weaving in and out of crowds, hiding in doorways, and an eventual escape on the city subway. A cheeky wave and then they’re gone. It’s a second dose of the heavy funk that we can get behind here. Listen to the track below and pre-order from Funk Night after the stream." - Flea Market Funk

We’ve worked with Ian Willson to reissue his insanely good, self-released West Coast classic “Straight From The Heart”. Privately pressed and originally released in 1985, this is the only album Ian ever put out. A magical blend of AOR/sophisticated funk/synth-boogie/spiritual jazz and modern soul, it’s a spellbinding record of many colours. You might already know “Straight From The Heart” for the dubby-disco paranoid-balearic anthem “Four In The Morning”, and it’s easy to assume this is probably just another one of those one-track LPs. But trust us when we say it’s definitely not. This is an impressively slick record from start to finish, just ask those modern soul DJs and AOR collectors who’ve managed to find a rare copy in the last 35 years. It could’ve (should’ve?) been number 1 all over the world back in 1985.

Off of the backs of the 2006 release a pair of 7-inch singles called the Shaolin Series, El Michels Affair would eventually drop the LP “Enter the 37th Chamber” in 2009, which covered classics by the Wu-Tang Clan. To commemorate the 15th anniversary of the landmark full-length, Fat Beats Records is not only re-releasing the original 45s in the Shaolin Series, but will be adding to the series with choice cuts from the LP. First up is “Shimmy Shimmy Ya,” a hauntingly unforgettable take on ODB’s classic single, with blaring horns and a chorus of children to sing the iconic hook. The b-side features a darker, moodier interpretation of Raekwon’s “Incarcerated Scarfaces,” perfectly representing El Michels Affair’s slow-riding style dubbed “Cinematic Soul.”

Vinyl is close to NM.

First there is the hooligan chantwell, up for anything in the hurly-burly of carnival proper; and then the casual reporter, firing off postcards to Trinidad about taxis, flashy booze, fast women and football in Manchester, with homesickness and grievance nestled just behind the optimism, pride and tentative senses of belonging.
There is the bearer of news from home, in detailed accounts of murders, tales of stupid local coppers, and reminiscences about food and particular mango trees; the political thinker, considering racism and Africa; and the diarist, with his vivid tales of infidelity, and disclosure of the break-up of his marriage, and his desire to get away.

One foot in the UK, the other in Trinidad; but the man himself somewhere in-between. Kitch In The Jungle, nobody around. A ‘diasporic explorer’; a key twentieth-century witness, alongside such hallowed figures as Samuel Selvon and Edward Kamau Braithwaite.

Though in frustration Kitch would sometimes take over double-bass duties himself, the musicianship of Rupert Nurse, Fitzroy Coleman and co is top-notch. The original glorious sound is down to Denys Preston, recording for Melodisc, often at Abbey Road Studios (where we transferred and restored the 78s compiled here).

Presented in a lovely gatefold sleeve, with a full-size booklet containing superb, specially-commissioned sleevenotes by Kitch biographer Anthony Joseph, and fabulous, previously-unseen photographs

“Please Wait“ (Ta-ku & matt mcwaters) releasing their EP „Black & White“ featuring soon to be mega star Masego and others via 823 & Jakarta Records.
After releasing last year’s very successful tribute-record “25 Nights for Nujabes” (almost 13 mio. plays on Spotify to this day), Perth-based artist Ta-ku finally returns with brand new music!

Please Wait is the culmination of numerous online exchanges and years of sharing voice memos, stems, musical ideas & TikTok links between Ta-ku and Canadian producer matt mcwaters. Their cathartic approach to this body of work has been more about self-expression than anything else and has culminated in an EP that covers a range of issues and experiences from different times in their lives.
While the 1st single features Jamaican-American multi-talent Masego and will also have a video, the 2nd single features up & coming singer/songwriter Alayna.
Ta-ku’s 823 label represents the appreciation for the people/ideas/places that inspire and push us forward. The artwork is shot by the artists themselves and each release has an accompanying photo zine that acts as a visual story to compliment the music being showcased.

WOW…. Dynamite cuts gives you for the first time on 7” two Jazzfunk gems from the mega rare hard to find LP by 47 times its own weight 1975 Fable records.

The album captures all of the visceral power of the band's increasingly legendary live performances. Shades of classic
Soul and Psychedelic Funk blend uniquely with modern-day flavours on a record destined to set the soul agenda for
2019 and far beyond. “I've never been as proud of anything in my entire career” says Hannah.

A veritable sonic triptych: awash with ever so funky tripped out modern-day psychedelia. Adorned with jazzy trumpet, sax and flute, softly undulating beats and slinky guitar - shapes that hark back to the old school with a reference to what's current. A retro modernity is in effect here: a nod to the past, however, with a vision of the future.

It's a strong and melodic album that drips with swaggering, insouciant cool, set against a panoply of unified silky grooves and rhythms with a slippery electronic, yet organic backbeat. It gets taken into an entirely new emotional realm when Barrie's dubbed up vocal hooks kick in. The female vocals on 'I Am A Woman', 'Walkin' and on 'You Are My Sunshine' are top-notch.

Suffice to say there are no fillers on this album, just finely distilled and exquisite slow jams. Even the most cursory listen to RRR #3 informs you that he's still doing things that no one else does. This is, without doubt, his best work to date, the icing on the cake on this clever and well-produced concept. A triple dynamite delight. (Emrys Baird – Blues & Soul)

Therryi Jay - vocals
Gareth Tasker - plays everything except the wind instruments
Kenny Wellington –trumpet
Jake Telford - flute
Andy Sax – saxophone
AprilFoolChild - flute
Fritz Catlin - makes sure everything is ship-shape
Barrie Sharpe – production/mix/vocals

“I was a product of the times and the product became the producer. I designed the clothes, ran the club, played the records, was in the band and made the music, which created the scene that changed youth culture worldwide. I just kept falling up hill.” (Barrie Sharpe)…

The melodically adventurous soul of Leon Ware continues its expression in his final opus Rainbow Deux, released on double vinyl on September 13th. The album features new songs recorded and performed by Leon before his health turned, leading to his transition on February 23rd 2017. Co-produced by Taylor Graves, it has stellar musical contributions from the likes of Kamasi Washington, Thundercat, Ronald Bruner Jr, Rob Bacon and Wayne Linsey.

140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.

Strut presents the definitive reissues of two all-time classic Caribbean soul and funk albums, The Beginning Of The End’s ‘Funky Nassau’ (1971) and ‘Beginning Of The End’ (1976).
Emerging from Nassau in the Bahamas in 1971, the band was formed around the Munnings brothers (Ray, Leroy and Frank) and the first song they recorded, ‘Funky Nassau’, became a No. 1 Billboard R’n’B hit, selling over a million copies. “We wanted to create something new,” remembers Ray Munnings, “something that was truly Bahamian. We loved funk but wanted to include elements of junkanoo, the indigenous music of The Bahamas.” An album was written within a week and recorded at Criteria Studios in Miami. “We brought in more Bahamian themes, like ‘Monkey Tamarind’, a wild fruit that grows there.”
By the time of their second album in 1976, the band was managed by Don Taylor, also Bob Marley’s manager. “Don took us to Byron Lee’s studio in Jamaica and used Teddy Randazzo (Little Anthony & The Imperials) to direct the sessions,” recalls Munnings. “He gave us more of an uptempo jazz funk sound with Chicago-style horns.” The album led to a run of incredible bad luck. Booked to support Marvin Gaye’s ’What’s Goin’ On’ tour, the US Musicians Union stepped in and ordered a US group to fill the slot. They were then added onto a major Bob Marley tour in 1976 before he injured his foot, cancelling all dates.
These definitive official reissues of ‘Funky Nassau’ and ‘Beginning Of The End’ are remastered by The Carvery from original tapes and feature full length tracks from the studio sessions. Both albums feature a history of the albums and the band by vocalist Ray Munnings, alongside rare photos. ‘Beginning Of The End’ appears on loud-press 2LP for the first time.

2023 Repress

Two seminal 12" mixes of a pair of enormous tracks from The Whispers. Both boogie/street-funk flavoured, these sought-after versions have never been paired on the same record. Side A features the notorious anthem "Keep On Lovin' Me" (the one with *that* life affirming video) whilst Side B houses the outstanding, semi-slept-on "Turn Me Out".

Slightly warped vinyl, but still enjoyable

Copy is close to NM.

As one of the most enigmatic figures of the 1970s Italian soundtrack and library music network Emma De Angelis and her short recording career provides thirsty fans of speedball psychedelic rock and drum heavy instrumental funk with a tight discography rivalling many of the long-standing bastions of the otherwise male-orientated business.
Born in Rocca di Papa, near Rome, into a flourishing musical environment, Emma was the younger sister of future award winning composers Guido and Maurizio De Angelis, a duo who, under names like Oliver Onions and Dream Bags, would write chart-topping lyrical theme tunes for a wide range of Italian crime, Giallo and Spaghetti Western films featured alongside full scores by Ennio Morricone and the Magnetic System composers (Bixio Frizzi Tempera).
With encouragement from her brothers, Emma, who would also write music under the pseudonym of Juniper, would record a tight clutch of solo-penned material and seldom credited studio contributions to Guido And Maurizio’s film commissions, such as the score for Giuliano Carnimeo’s ‘Simone e Matteo: Un gioco da ragazzi’ (aka ‘Convoy Buddies’). While simultaneously pursuing a career as an illustrator and set designer the De Angelis family contacts would lead Emma to the offices of Romano Di Bari, whose up-and-coming Flirt label was finding success providing custom-built mood music for use in TV and film. Alongside important composers like Alessandro Alessandroni, Gerardo Iacoucci and A. R. Luciani, the young Emma Di Angelis would record a small number of tracks for a compilation called ‘Underground Mood’ (credited in the small print to E De Angelis - not to be confused with Italian singer Edoardo De Angelis). It is from this rare LP that the record you are now holding is compiled. Within the Flirt family of labels Emma De Angelis would also share schedules with other important female composers such as Daniela Casa and Giulia ‘Kema’ De Mutiis - both of whom have appeared on dedicated Finders Keepers releases.
The tracks on this record provide us with a rare glimpse into Emma De Angelis’ short musical career before she became a full time visual artist. With an unknown personnel or studio date it is easy to speculate a potential family jam in Piero Umiliani’s Sound Workshop studio in 1972. One only has to take a listen to Guido And Maurizio’s instrumental theme ‘Gangster Story’ from Enzo G. Castellari’s 1973 thriller ‘High Crime’ (which later appeared on Tarantino’s ‘Death Proof’ soundtrack) or the trippy title theme to Paolo Poeti’s kinky 1976 drama Inhibition to spot the family resemblance.

Limited edition of 500 copies only!

An unreleased before album recorded in 1973 in Rome at the Recording Studios "Sound WorkShop" of Piero Umiliani, and a stand-out Italian Library LP to say the least.

The whole record oozes a dreamy, mysterious, surrealist atmosphere enhaced by the vivid instrumentation that open a series of mesmerising pieces which range from the gentle to the hypnotic.

Eastern sounds, ritual horns and assorted metal banging and scrapping add to the whole mix for a landmark sound that will evolve in delirious acid passages, hypnotic bass riffing, stoned funk beats, dubbed-out passages and Rino De Filippi trade-mark collage and sound manipulation make up to a really unique listening experience that submerges and puzzles the unexpecting listener. A must-have!

The 7" comes with a free Funky Chimes 45rpm adapter.

Virginia-born singer/songwriter Nicole Wray has everything you’d want in a singer: an infectious Jackson-5-family-member flare, a range like Aretha’s, and a church upbringing that’s brought a pure, healing texture to her voice. But the struggle she’s been through has made her more than a singer. Nicole Wray is an artist. To know her soul, you have to go back to the beginning. Growing up in Portsmouth was tough at times for Nicole. However, at the age of fifteen, life opened up quickly when Missy Elliot paid a visit to Nicole’s family home to audition her on the spot. Missy was there on the rumored strength and quality of her voice. Instantly blowing her away, she signed and left with Missy that night. Two years later, at age 17, she had a hit gold single off a solid debut album (“Make It Hot”). Suddenly she was part of a team that included late ‘90s R&B and rap royalty: Missy, Aaliyah, Ginuwine, Playa, Timbaland and Magoo. She made it, and fast. However, as rapidly as she achieved success, Nicole then found herself needing to re-make it. By late 2001, her time with Missy and company had run its course. They amicably parted ways and Nicole, once on top of the R&B world, was unsure of what was next. It was a very low, but important, point in her life. While neck-deep in this struggle, Damon Dash and Roc-A-Fella Records called. They signed an album deal and by 2004, in what was starting to be a pattern, just as things were looking up Roc-A-Fella suddenly (famously) split. Once again, industry factors beyond her control took charge. Like a recurring dream, Nicole found herself in a familiar situation. Having just been in the spotlight, and then again back living the “real life.” In 2013, Nicole paired up with London vocalist Terri Walker and released the album “Lady”. Terri parted ways with the group to pursue her own projects shortly after the album’s release–despite rave reviews and upcoming travel dates. Fast forward to now–the transformation from singer-for-hire to pure artist is evident in this new full-length solo release, “Queen Alone”. The record was written and recorded in 10 days at the legendary Diamond Mine Studios, in Queens NY with Leon Michels and Tom Brenneck handling production. Today, after stutter-stepping in and out of the industry, there is a new soul and substance to her songs–all of it from her life. “They Don't Hang Around", tells the story of her post Roc-a-Fella days, “Guilty", is about her brother’s incarceration, “Make Me Over" tells the relatable story of being broke with expensive taste, and ‘Let It Go”, a perfect way to end the record, is about the simple act of letting go and moving on. Almost echoing her new record, Nicole says, “You have to go through something for it to be real.” She has been living with one foot in fame and the other in real life. The result is clear: she’s feeling something real in her music again. And it’s hard for us as listeners not to follow suit.

James Brown. Who doesn’t know about the godfather of soul? Who doesn’t know about the milestone anthem “Cold Sweat”? Maybe there is nobody, but we are sure that many of you don’t know that hidden on that particular song, and in all of James Brown’s productions, is one of the best kept secrets in soul music: Mrs. Martha High.

She is the one who sings that crazy soprano note at the very beginning of the song and she is the one who sang behind James Brown for about 35 years. She was with Brown and the Jb’s in Boston on the infamous night after the Martin Luther King assassination, she flew with him in the dangerous Vietnam skies to entertain the US soldiers, and was also in Zaire celebrating the “Rumble in the Jungle” between Ali and Foreman. Martha was truly a friend, confidant and supporter of the godfather of soul. Maybe she was just too young and shy to jump over the other soul divas to ask for a solo record. Today is different.

Mrs. Martha High is the hardest working woman in show business. She is still touring worldwide as a lead singer of Maceo Parker’s band but now she is on fire because finally, she has recorded the album she never made but always wanted to make. 11 killer original tunes produced and arranged by Luca Sapio, the Italian soul ambassador, in true analog super sound. The tunes evoke the best productions of the golden era of Southern soul as well as the sonic landscapes of the Italian soundtracks of the 60’s. Here is the middle ground where these two unheralded musical traditions meet and Martha is the undisputed Queen. Don’t miss the chance to take a listen.

This record is made of truth, soul, love, and pain - a full spectrum of emotions that only a Queen can deliver to your ears. She spent much time in the studio with Luca and his guys to make it happen. This is not a revival, this is not retro, this is NOW. She took it as a challenge and we are sure that she won.

Close to Near Mint copy.

Introducing California cult legend Doug Hream Blunt, featuring the hit "Gentle Persuasion". Tip!

A delicate, slinky figure with a powerhouse voice, Ann Peebles occupied a special place among the many great talents that roamed the halls of Memphis' iconic Hi Records in the 1960s and 1970s. While producer Willie Mitchell was the company's heart, musicians the Hodges Brothers its soul, and Al Green its top star, it was Peebles who gave the label its first national success, and a lasting female identity. Over the course of seven albums and dozens of singles for Hi, Peebles expressed a complex range of moods and emotions in her music. Her songs were alternately pleading and defiant and destructive, but always, utterly soulful.

Rare Unknown 1968 Single By The Cult-Southern Soul Legend Which Works Perfect On Mod/sixties Dancefloors Through It's Hammond B-3 Organ Groove b/w Sublime Crossover Tune Previously Only Availble On A Japanese Album From 1979 For The First Time Available Here On 7" Vinyl Format!

Curtis Harding says that soul music, and his music, speak for themselves. It's self-evident on the Atlanta artist's debut, Soul Power. The driving sound of his electrified Stratocaster, the foot-stomping backbeat and the lyrics swimming in reverb -- with something this flourishing, it's almost reductive to just dig around the roots. Harding's style was born in Michigan and bred on the road, a restless childhood spent singing gospel alongside an evangelizing mother, then cultivated in Atlanta, where he sang backup for CeeLo Green and befriended the Black Lips (he plays with Cole Alexander in Night Sun).

Record Store Day, Limited Edition, Picture Disc, close to VG+

One of the great characters in rock and soul music is Jerry Williams, better known as the eccentric, idiosyncratic, and always entertaining Swamp Dogg (no relation to Snoop Doggy Dogg). A Virginia native, Williams invented his own legend by claiming that he had little proper schooling, only to wake up one day and find himself a musical genius (his words). Actually, Williams is very talented, and an early association with Jerry Wexler and Phil Walden led to him working for a number of years as a producer, engineer, and occasional songwriter with Atlantic in the '60s. At decade's end, however, he decided that the time was right to unleash Swamp Dogg's singular view of the world on an unsuspecting public. The initial result was one of the most gloriously gonzo soul recordings of all time, Total Destruction to Your Mind. The album's charm may have to do with Dogg's world view: part libertarian politics; part Zappa-style critiques of commerciality and capitalism; and part horny male, the latter defining for better and worse his view of women. Although he spent years working in the industry, Dogg was simply not the standard-issue soul type. And that was good. Dogg continued to make records, albeit infrequently, after 1969, some good, a few great, and most all extremely difficult to find. With contemporary soul sounding increasingly mannered and sterile, Dogg's yelling, screaming, and general craziness is missed. Thankfully, he hasn't disappeared for good, although he only makes records when he feels like it. It would be wise to not count him out; just when you think this Dogg is down and out, he sneaks up and bites you.

Classic big bucks Northern Soul sides on nice lookalike label reissue 45!

Originally released on Fat Beats Records in 2009, El Michels Affair’s landmark album “Enter the 37th Chamber” is celebrating its 15th Anniversary in 2024. Featuring reinterpretations of hip hop anthems from the Wu-Tang Clan, the album took stripped-down, raw hip hop bangers and flipped them into richly-arranged instrumentals. Cover versions of tracks such as “C.R.E.A.M.” and “Can It All Be So Simple” instantly sounded as vintage as the records that RZA had sampled to create the originals, with the familiar melodies and driving rhythms elevated by expertly-arranged horns and strings. The gritty and bottom-heavy style of these analog recordings—dubbed “Cinematic Soul”—has been both widely celebrated and often imitated. El Michels Affair namesake Leon Michels has since gone on to produce for and collaborate with artists as diverse as Adele, Black Thought, Lana Del Rey, and The Carters (Beyonce & Jay-Z). Now 15 years from its initial release, “Enter the 37th Chamber” has proven to be one of the true classic instrumental albums of its era, every bit as enduring as the music it had meant to pay homage to.

Repress as black vinyl! The world moves faster than ever these days, and even in the digital age, things can always be counted on to go in cycles. Despite all of the advances in computer recording technology, home studios, and electronic instruments, there is a flourishing interest in analog recording techniques and in recreating the mood and sound of vintage soul records. With one foot in the past but their eyes firmly set on the future, El Michels Affair are among the leaders of a resurgent funk & soul movement from New York City that’s sweeping both the music community and the charts.

Led by saxophonist/organist Leon Michels and producer/engineer Jeff Silverman, El Michels Affair began as a loose collaboration of session musicians (including members of top-selling acts Sharon Jones & the Dap Kings, the Budos Band, and Antibalas) that looked to blend some of the vibrant quality of soundtrack records with the recording aesthetic of early reggae, and the rawness of 60's rock--they called it 'Cinematic Soul.' This delicate balance was evident on their 2005 debut album Sounding Out the City, which earned critical acclaim and acted as the inaugural full-length release for Michels and Silverman’s burgeoning label Truth & Soul (also the moniker for the duo as a production team).

The buzz generated from the album and a series of moderately successful 7” vinyl singles from Truth & Soul led to an invitation by Toyota’s Scion division for El Michels Affair to accompany the rapper Raekwon of Wu-Tang Clan for a promotional concert. As avid Wu-Tang fans, not only were the band leaders thrilled with the opportunity, but Michels found that the ‘Cinematic Soul’ sound was consistent with the moods of RZA’s gritty soundscapes on the classic Wu-Tang releases. The concert was such as success, El Michels Affair went oan to play several more concerts nationwide backing Raekwon and other members of the Clan, and the shows led to the recording of two smash 7” singles featuring instrumental reinterpretations of the Wu-Tang classiac songs “C.R.E.A.M.” and “Bring Da Ruckus.” The singles combined to sell an extraordinary amount of over 7,000 units worldwide, and their success led to a contract in 2007 with indie hip hop powerhouse Fat Beats Records to record an entire album of Wu-Tang Clan interpolations entitled Enter the 37th Chamber.

Since the contract was inked, a worldwide explosion of retro soul led by Amy Winehouse, Mark Ronson, and Sharon Jones and the Dap-Kings has transformed the pop music landscape, and the Truth & Soul production duo have been in strong demand, recording with everyone from breakthrough Grammy-nominated artist Adele to punk rock innovator Iggy Pop. They’ve been commissioned for official remixes of Amy Winehouse and Dinah Washington (for the popular Verve Remixed series), and produced for Australian multi-platinum acts Jet and Gabriella Cilmi.

Despite the eclectic group of clients for the Truth & Soul production company, El Michels Affair continued to build an audience within the hip hop community. A track from Sounding out the City was sampled for Ghostface Killah’s 2007 track “Shakey Dog Lolita,” and a horn part written and performed by Michels (for Menahan Street Band) was famously lifted for Jay-Z’s smash single “Roc Boys.” Truth & Soul also worked in the studio on original productions with multi-platinum producer Just Blaze (T.I.’s “Live Your Life,” Jay-Z, Usher).

With their increasing presence behind the scenes in the industry, El Michels Affair looks to have their status as recording artists rise significantly in 2009. With the release of their finally-completed album Enter the 37th Chamber, they can finally step out of the shadows of the retro-soul trend and establish their status as one of the most exciting and versatile bands in modern recorded music.

180g vinyl

- "Let's Stay Together" sampled by Little Brother for "Light it Up"

180g vinyl

- "Look What You've Done to Me" sampled by Arrested Development for "Warm Sentiments"

- "Simply Beautiful" sampled by Mike Zoot for "Fat Chance",
Nefarius for "Ill Rhyme" and
Talib Kweli for "Good to You"

- "Love and Happiness" sampled by Above the Law for "G-Rupies Best Friend",
Al Tariq for "Think Not",
Busta Rhymes for "Turn it Up",
Cannibal Ox for "Painkillers",
Deacon for "Soul Saviour",
Encore for "Love and Hate",
Ganjah K for "Love Got My Mind Trippin'",
Mobb Deep for "3 from NYC",
Prodigy for "Freestyle",
Redman for "On Fire",
Special Ed for "The Bush" and
Tony, Toni, Tone for "Thinking of You"

- "I'm Glad You're Mine" (Drums) sampled by 113 for "Face A La Police",
A-Track for "Enter Ralph Wigum",
Abstract Rude for "Musically Inclined",
East Flatbush Project for "Tried by 12",
Eric B & Rakim for "Mahogany",
Freestyle Fellowship for "We Will Not Tolerate",
High & Mighty for "Open Mic Night Remix",
India Arie for "Video",
Jodeci for "S-More",
K-Otix for "Take My Life",
Lauryn Hill for "Sweetest Thing (Mahogany Mix)",
Mary J. Blige for "Time",
Massive Attack for "Five Men Army",
MC Lyte for "Paper Thin",
Morcheeba for "Trigger Hippie",
Mormon Ghetto Projectz for "Blaring Broadcast + Rap Professionals",
Notorious B.I.G. for "Dead Wrong" & "Story to Tell",
Obie Trice for "I'm a Hustler" and
RZA for "My Lovin is Digi"

In 2006, the slight buzz of a Brooklyn band called El Michels Affair started to sound a bit more like a swarm of killer bees when their instrumental rendition of Wu-Tang Clan’s “C.R.E.A.M.” was released as a 7” vinyl single. The band’s namesake Leon Michels and his production partner Jeff Silverman dropped the single on their boutique label called Truth & Soul, and it created such commotion that it would spawn an entire album of Wu-based covers. In honor of the 15th anniversary of that LP— “Enter The 37th Chamber”—the single is now getting its first vinyl repress in years. “C.R.E.A.M.” is featured on Side A, with its prominent guitars and powerful horns complementing the signature baseline and unforgettable piano hook that practically defined an era of New York hip hop. The B-side “Glaciers of Ice” offers a deeper, melancholic interpretation of the hard-driving “Cuban Linx” banger, with a mood consistent to the A-side, as the drums take a comfortable backseat to the melodic guitars and punchy horn lines. Originally released in 2009, El Michels Affair’s “Enter The 37th Chamber” LP on Fat Beats Records is celebrating its 15th Anniversary in 2024.

1st studio produced album by the New Zealand group from 2005. The album utilized the band's trademark dub, reggae, soul and funk influenced sound, and has been successful both in terms of sales and of critical reception. 7 times platinum in New Zealand!